Podcasts about Captain Marvel

From combat missions in the F-22 Raptor to more than five months aboard the International Space Station, Lt. Col. Nichole “Vapor” Ayers '11 has seen it all. SUMMARY In this episode of Long Blue Leadership, Col. Ayers reflects on mentorship, teamwork and building the next generation of warriors and astronauts.   SHARE THIS EPISODE LINKEDIN  |  FACEBOOK     TOP 10 TAKEAWAYS 1. Leadership is fluid: sometimes you lead, sometimes you follow. On Dragon and the ISS, command shifted between Anne McClain and Takuya Onishi. Everyone alternated between being commander and flight engineer, showing that strong teams normalize moving between leading and supporting roles. 2. Team care starts with self‑care. Vapor repeatedly links sleep, rest, hydration, and health to leadership performance. You can't be present for others if you're exhausted or burned out; taking care of yourself is a leadership duty, not a luxury. 3. People first, mission second (to enable mission success). Whether on deployment with 300 personnel or in space with 7, she focuses on taking care of the human—family issues, logistics, burnout, and emotions—trusting that performance and mission execution follow from that. 4. Trust is built long before the crisis. ISS emergency training with all seven crew, plus years of joint training in multiple countries, builds shared understanding and trust. When emergencies happen, the crew isn't figuring each other out for the first time. 5. Quiet, thoughtful leadership can be incredibly powerful. Takuya Onishi's style—observant, calm, speaks only when it matters, and brings thoughtful items for others—shows that you don't need to be loud to command respect. When he spoke, everyone listened. 6. Leadership means being fully present, especially on others' hard days. In both combat and space, you can't “hide” when someone's struggling. Being reachable, attentive, and emotionally available is a core leadership behavior, not a soft add‑on. 7. Normalize mistakes and share lessons learned. From F‑22 sorties to NASA operations, it's expected that you openly admit errors and pass on lessons so others don't repeat them. A culture where “experience is what you get right after you need it” only works if people share that experience. 8. Plan for “seasons” of intensity, not permanent balance. She frames life as seasons: some are sprints (deployments, intense training, big trips); others are for recovery. Wise leaders anticipate these cycles, push hard when needed, then deliberately create room to reset afterward. 9. Model the behavior you want your team to adopt. If the commander is always first in, last out, everyone else feels pressure to match that. By visibly protecting her own rest and home life, she gives permission for others to do the same and avoid burnout. 10. Lean on—and be—a support system. Her twin sister, long‑term friends, and professional peers form a lifelong support network she turns to when she fails, doubts herself, or hits something “insurmountable.” Great leaders both rely on and serve as those trusted people for others.     CHAPTERS 0:00:00 – Introduction & Vapor's Journey (Academy, F‑22, NASA) 0:00:38 – Launch Scrub, Second Attempt & What a Rocket Launch Feels Like 0:03:33 – First Moments in Space, Floating & Seeing Earth (Overview Effect) 0:06:11 – Leadership & Teamwork in Space: Roles, Trust, and Small-Crew Dynamics 0:10:19 – Multinational Crews & Leadership Lessons from Other Cultures 0:14:47 – No‑Notice F‑22 Deployment & Leading a Squadron in Combat 0:18:14 – Managing Burnout: Scheduling, Human Factors & “Crew‑10 Can Do Hard Things” 0:19:46 – Self‑Care as Team Care: Seasons of Life, Rest, and Being Present 0:26:02 – Family, Being an Aunt, and Balancing a Demanding Career 0:28:14 – Life After Space: Mentoring New Astronauts & Evolving as a Leader     ABOUT NICHOLE BIO U.S. Air Force Lt. Col. Nichole "Vapor" Ayers is a trailblazing pilot, leader and astronaut whose journey began at the United States Air Force Academy, where she graduated in 2011 with a degree in mathematics. An accomplished F-22 Raptor pilot, Ayers is one of the few women ever to fly the world's most advanced stealth fighter — and she's one of even fewer to command them in formation for combat training missions. Col. Ayers earned her wings through years of training and operational excellence, logging over 200 flight hours in combat and playing a critical role in advancing tactical aviation. Her exceptional performance led to her selection in 2021 by NASA as a member of Astronaut Group 23, an elite class of 10 chosen from among 12,000 applicants. As a NASA astronaut candidate, Col. Ayers completed intensive training at Johnson Space Center, which included spacewalk preparation, robotics, survival training, systems operations and Russian language. Now qualified for spaceflight, she stands on the threshold of a new chapter that led her to the International Space Station. Throughout her career, Col. Ayers has exemplified the Academy's core values of Integrity First, Service Before Self and Excellence in All We Do. Her journey from cadet to combat aviator to astronaut is a testament to resilience, determination and a passion for pushing boundaries.   LEARN MORE ABOUT NICHOLE NASA Astronaut Nichole Ayers   CONNECT WITH THE LONG BLUE LINE PODCAST NETWORK TEAM Ted Robertson | Producer and Editor:  Ted.Robertson@USAFA.org Send your feedback or nominate a guest: socialmedia@usafa.org   Ryan Hall | Director:  Ryan.Hall@USAFA.org  Bryan Grossman | Copy Editor:  Bryan.Grossman@USAFA.org Wyatt Hornsby | Executive Producer:  Wyatt.Hornsby@USAFA.org     ALL PAST LBL EPISODES  |  ALL LBLPN PRODUCTIONS AVAILABLE ON ALL MAJOR PODCAST PLATFORMS     FULL TRANSCRIPT SPEAKERS Host: Lt. Col. (Ret.) Naviere Walkewicz '99 Guest: Lt. Col. Nichole "Vapor" Ayers '11   Col. Naviere Walkewicz 0:00 Vapor, welcome to Long Blue Leadership. We are so thrilled you're here. Col. Nichole “Vapor” Ayers 0:11 Thank you. Thanks for having me. Col. Naviere Walkewicz 0:12 Absolutely. So the cadets get to spend some time with you at NCLS. Here the Long Blue Line is going to get to hear from you. And you know, we can actually go through the list. You know, F-22 pilot, USAFA 2011 graduate, you've been in combat, you're a NASA pilot. The list is probably shorter what you haven't done. But, frankly, I'm just excited that you're here on Earth with us, because the last time we spoke, you called me from outer space. Col. Nichole “Vapor” Ayers 0:35 Yeah, that was a lot of fun. That was a lot of chat with you then too. Col. Naviere Walkewicz 0:38 So let's just jump right in. So if we can just kind of catapult you, and let's do it in the way that they that NASA does, into space, maybe starting with the countdown, and then the Gs you take, what is that experience like? And maybe, what are some things you were thinking about in those moments? Col. Nichole “Vapor” Ayers 0:53 Oh, yeah. So, you know, we launched on March 14. First attempt was March 12, and we actually scrubbed the first launch. So we got all the way down to T minus 42 minutes right before we armed the launch escape system. So that's kind of a big milestone on the countdown. We were having issues with some hydraulics in the clamp that actually holds on to the rocket wall and then let's go. We weren't quite sure whether it was gonna let go, so they scrubbed the launch then, and it was a fascinating — you don't feel like you've got a ton of adrenaline going, but, you know, you feel kind of like you're in a sim. We do some really phenomenal training. And so when you're sitting on top of the rocket, it feels like you're in a simulator, except it's breathing and living, and the valves are moving, and you can hear the propellant being loaded and all of that. And so there's a very real portion to launch date. But then, coming down off of that adrenaline, we got a day off, thankfully. We could just kind of rest and relax and then go again. So everything went smoother the second try. Of course, you know, everybody's nerves are a little less, and everything was — it just felt calmer the whole way out. But, yeah, when that countdown hits zero, I like to say you're being slingshotted off the Earth. That's how it felt. You know, in that moment, you're going. There's over a million pounds of thrust, and it's going. Col. Naviere Walkewicz 2:10 I mean, that sounds like a lot. I can't really fathom in my mind what that feels like. Can you describe it? Col. Nichole “Vapor” Ayers 2:17 You know, so I talked about in an F-22 and an afterburner takeoff, which is the most thrust that we have basically in any airplane on Earth. You know, you get set back in your seat really far. And, if you think of an airliner takeoff, you kind of get set back in your seat a little bit. Multiply that by, like, 10 or 20, and then that happened for nine minutes straight on a rocket. You're just being forcefully set back in your seat for nine minutes straight and just thrown off of the Earth, and in nine minutes, you're in orbit. Col. Naviere Walkewicz 2:49 So when you had your practice, did you experience that level for that long as well? Col. Nichole “Vapor” Ayers 2:54 For the simulators? So they can't that. We can't necessarily simulate the Gs in the sim. So that's like the one part that, you know, we go through the whole launch, but you're sitting at one G the whole time, and throughout the launch, you know, the Gs build, then we back off the thrust and the Gs build again, and then you have an engine cut off. And I like to explain, like, if you could visualize, like an old cartoon, and everybody's in the car driving, and Dad slams on the brakes, and everybody hits the windshield. And then he slams on the gas again, and everybody goes back to their seats. Like, that's what it felt like when the engine cut off and, you know, main engine cuts off, and then within a few seconds, the second engine lights, and you're set back in your seat again. So I like to give that visual. Col. Naviere Walkewicz 3:33 That's really helpful, actually. Wow. OK, so you're there, you're in space. And I guess my first question would be, what's something that, in that moment, you're either thinking or you're just, are you still just orienting yourself? What is that like? Col. Nichole “Vapor” Ayers 3:45 Oh, man, you know, we're still in the seats for the first few moments in space, and we have to open the nose cone. There's some other things that are happening on the spacecraft, and getting ready for a burn, for a phasing burn, to get up to and catch up with the International Space Station. But, you know, then eventually you get to unbuckle and get out of your seat and floating for the first time. I got out of my seat and I'm floating there. It felt like, you know, Captain Marvel when she's, like, hanging out. Yeah, that's, that's how I felt. And, you know, I like to give the visual, because it's like, it's just nothing you've ever experienced in your life, you know. And then you look out the window and the view is something, it's indescribable. You know, I don't think we have the right words in the English language to describe what it feels like to look back at Earth from space. Col. Naviere Walkewicz 4:35 Was there a moment when you're looking out at Earth — did you kind of play back just different things in your life? Did you think about, you know, significance of things, or, like, scope of things, or even just the vantage point? Did it kind of just change things or were you just in awe at the moment? Col. Nichole “Vapor” Ayers 4:49 No, I think, you know, we talked about the overview effect, when astronauts specifically look back at Earth, and it hits everybody kind of differently. And for me, I think the biggest thing you know, when you look at a map of the states or a map of the world, you know, every country is a different color, or every state's a different color, and there are lines that describe the borders, right? And those don't exist in in space. Those don't exist like when you can't see different colored states, right? But you can see the Grand Canyon, and you can see the mountains, and you can see the Amazon, and you can see the desert in Africa. And you get to, you know, you get to learn the world geography by colors and terrain. And it's just a really good reminder that, you know, we're all humans, and we're all on this little fragile marble, just trying to take care of each other and trying to take care of Earth. And so I think that's what hit me the most, was just there are no borders, and we're all the same. Col. Naviere Walkewicz 5:44 Gosh, well, it's a unique and probably highly impressive team that you're with. I mean, we know the road to get to becoming a NASA astronaut is certainly one that is very difficult. Starts from many, many, in the 1000s, down to 10. And so, you know, when we think about leadership, and I've heard you share this before with others, you talk about teamwork and leadership, maybe explain a little bit what that's like in space when you're all so highly effective leaders. You know, what does that look like? Col. Nichole “Vapor” Ayers 6:12 That's a great question. You know, I think for us, it is a very fluid movement, right? You lead one day; you follow the next. And you know, I'll give you an example. So Anne McClain was the commander of SpaceX Crew-10 for NASA. So she was in charge of Crew-10 is our ride up to the space station, and our ride home, right? It's the capsule, the rocket and the capsule. And then we were on Expedition 73 aboard the International Space Station, where Takuya, who it was, Takuya Onishi, who was our mission specialist on Dragon, soon as we crossed into the hatch and he took command. He is now the commander of the Space Station, and Anne and I are flight engineers, and so it's a pretty fluid movement in terms of leading and following. But ultimately, you know, it's just about being a good team and taking care of each other. And I think that being a good leader is taking care of other people. And, you know, we talk about team care — self-care, and team care are like the huge parts that we actually train and learn about at NASA as we go through our training, because you're on this really small space in the vacuum of space for five-plus months at a time, and it's — there are only seven people up there and everybody's going to have a bad day. We're all humans, and you can't, there's no hiding.   Col. Naviere Walkewicz 7:30 What's a bad day like in space?   Col. Nichole “Vapor” Ayers 7:32 People make mistakes, right? We're all human. You might make a mistake on something, you might mess up a procedure. You hope that it's not something that causes a safety incident, right? The main goal for me, at least, was, I know I'm going to make mistakes. As long as I'm not unsafe, I'll be happy. And I think that a lot of us have that conscious decision-making process. But I think that we're also humans and have Earth lives, and your Earth life doesn't stop when you go to space. And so bad days could be something going on at home. Bad days could be something going on in space. Could be an interaction that you had with somebody on the ground that, you know, there's a lot of communication that happens between us on the ground. There are thousands of humans on the Earth that keep the Space Station running. So that day could be anything but it's tough to hide up there. Here, you can kind of like, duck and cover and maybe you just spend the day in an office. But it doesn't happen up there. We have to continue to work and continue to function. Col. Naviere Walkewicz 8:32 So you mentioned that there are seven of you in this tight space. Now, when you go up there, your crew, is it the same seven?   Col. Nichole “Vapor” Ayers 8:38 For the majority of the time. Col. Naviere Walkewicz 8:42 OK, excellent. So one of the things we think about whenever we're leading or we're working with teams is trust, and obviously you have a great amount of trust with the crew that you're going up there with. But then you mentioned you went on to the ISS and you're working with others. What does that look like when it's someone maybe you haven't worked as closely with in a really important mission? Col. Nichole “Vapor” Ayers 9:03 So for the seven expedition members, we actually do train together for a little bit of it, not nearly as closely as, you know, the four of us training for Dragon mission. But because the most dynamic parts are launch and landing, we do a lot of training together, just as the four of us, but we train all over the world. So we go to Japan and Germany and Canada, and we go to, you know, Hawthorne, California, and we go to Russia, and we train with them, and we learn about the Russian segment, and we train with our fellow cosmonauts there. And we do emergency training specifically all together, because it takes all seven of us in an emergency doing the right thing and knowing everybody's roles. And so we train that together as well. And then anytime you're in the same country or same city together, then you get to spend the time outside of the training to get to know each other. And so you actually know your crew fairly well. But obviously, everybody's from a different nation. And we had Americans, we had a Japanese astronaut, we had Russians, so you learn everybody's culture, and it's actually, you know, to your point on being in that small — and not necessarily knowing everybody. There's also a cultural aspect; we get to know each other. We get to learn about other people's cultures and figure out how to communicate and live and work, even across the whole world. Col. Naviere Walkewicz 10:19 What was something that you learned from another culture of astronaut, maybe in the leadership realm, or just something that you took away, that's really something that surprised me, or like to emulate? Col. Nichole “Vapor” Ayers 10:30 I love Taku's leadership style. So Takuya Onishi — he's one of those more quiet humans, and he's super kind, but he is the most intelligent human I've ever met, and he is super-efficient with everything he does, and he pays attention to all of the little things. And so he only speaks up when he thinks something needs to be changed, or when he thinks that, like, we need to go in a different direction, otherwise, he's pretty happy to let you go, like, let you go as far as you want to go on something. And then when he thinks you're gonna run off a cliff, he pulls you back. So when he speaks, everybody listens. And I love that. I think some of that is cultural, obviously, him being from Japan, but I think it's also just his personal leadership style, but I learned a ton from him in terms of how to interact with people, how to let people be themselves, but also how to run a ship, and everybody knew exactly who was running the ship. Col. Naviere Walkewicz 11:22 Wow. And it shows that respect lens that you're just kind of talking about when he spoke. Everybody listens. Is that something that you feel you already had that kind of leadership style or is that something that you've kind of evolved in yourself? Col. Nichole “Vapor” Ayers 11:37 I like to think that that's the way that I lead. That's kind of how I try to be a leader. But we're not perfect, right? Nobody's perfect. And watching him, you know, taking notes from how he interacted with everybody, the things that he thought of, the things that he brought with him for us on station, you know, we get a very limited amount of stuff, personal things that we get to bring with us. And he brought things for the crew that were like, huge milestones for professional careers. You know, just the attention to detail on the human beings around him was pretty phenomenal. So it's one of the things I'm working on to be better at, because I like to think I'm good at it. But I saw the master work. Col. Naviere Walkewicz 12:18 I love that. And something you said about him, he always has attention to detail, and he saw the little things. He paid attention to the little things. I remember a past conversation we had. You had a little nugget from Col. Nick Hague, also USAFA — '98 I believe. And I think he said to you, something about, you know, “Nicole, don't forget that you're squishy,” or something like that. And so have you had more of those moments in there where they're like little nuggets or little moments that actually give you a big return or big lessons in your life? Col. Nichole “Vapor” Ayers 12:46 Oh, definitely, yeah, that one's a funny one, because the space station is metal. Everything is metal, and it's hard and so we still have weight, well, mass. We still have mass. We don't have weight, right, because we're in microgravity. But if you're cooking around a corner and you run into a handrail, it's gonna hurt, you know, if you imagine going 10 or 15 mph into something metal, it's gonna hurt — you're squishy. So that was a great lesson in slowing down and making sure you're watching your surroundings. But one of the things that Anne McClain says that cracks me up, but every time it happens, like, “Yep, this is definitely—," she says, “Experience is that thing you learn right after you need it.” And so we had a lot of those moments where you learn a lesson and you're like, “Ah, I wish I knew that five minutes ago.” And so that's something that applies everywhere. Experience is that thing you always needed right before that happened. But we also like to say Crew-10 can do hard things. That's another thing that was just kind of our motto, whether it's training — some of the training can be really physically demanding. It's really mentally demanding. And it's a lot of travel. When you get assigned to a mission, it's probably a year and a half to two years of training, and then you're gone for six months. So out of that two to two and a half years, you're not home for over a year. So you're all over the world, traveling to train and work. And like I said, we're all humans. We have Earth lives, we have homes, you get situations back home. And so navigating personal lives, navigating professional lives, navigating tough training. Crew-10 can do hard things. We like to say that. Col. Naviere Walkewicz 14:22 I like that. It also talks a bit about your grit. Crew-10 grit. So, talking about hard things, I'd like to take us to the time when you've been piloting the F-22 and you've seen combat. I heard you speaking a little bit before about a no-notice deployment. Let's visit that time in your life. What were you doing? What was your role, and what was something you experienced? Col. Nichole “Vapor” Ayers 14:47 Sure. So I was actually flying the day that we got notified. And, you know, just a standard training sortie — had landed, and some of the maintainers were like, “Hey, have you heard what's happening?” And I was like, “No, what's happening?” And then we had a big squadron meeting, and that's when we got notified, like, “Hey, we're deploying.” We were on the GRF, is what it was called at the time, Global Response Force, and I think some of that structure has changed since I left that squadron, but we knew that once we were on the GRF, there was a chance that we would get activated and get moved somewhere. Didn't necessarily expect it to be quite that quick. I think it was like the next week we got this deployment. So we got notified on a Thursday, I think, and then on Monday, I was taking off.   Col. Naviere Walkewicz 15:31 Oh, really no notice.   Col. Nichole “Vapor” Ayers 15:33 Yeah, so, four days later, we were taking off, and then seven days later, we were flying missions from — we were stationed at Al Udeid Air Base, so we're flying out of Al Udeid within a week. Col. Naviere Walkewicz 15:45 How many with you?   Col. Nichole “Vapor” Ayers 15:47 So when we deploy, we actually deploy with our maintenance squadrons, 300 people. Twenty to 30 of them are the pilots, and then the rest are the maintainers. And so it's the entire squadron. We morph into an expeditionary squadron. And so there are 300 people that head out. Col. Naviere Walkewicz 16:03 So I imagine, you know, on top of the fact that it was such a rapid movement, there's probably things that people had to obviously work through family. This needs to happen. But what were some things that you experienced in that deployment, or even in just that transition? Col. Nichole “Vapor” Ayers 16:21 Again, I go back to taking care of people. I was a flight commander at the time. We had two flight commanders, so I'm in charge of basically half the squadron, and we had a really wonderful commander who gave us the authority and the autonomy to leave the squadron. So, you know, it's about saying, like, “How are you guys doing at home?” Half our squadron didn't even have tan flight suits. You know, we're trying, we're working with logistics. We're trying to get everything ready. Like, does everybody have a go bag? Does everybody even know what a go bag is? Do you have the things you need? So working all of that. And then do you have the childcare figured out? Do you have the — how is all your family doing? Are you ready for this? And then we had to do a bunch of last-minute training before we left. And so it's a really busy time, but it was one of the first times where I felt like I had an influence on the people that were under me, that I had supervised. And so it was a really great experience to solve those problems, figure it out and help people get off the ground in four days successfully, and leaving something, some semblance of structure at home. Col. Naviere Walkewicz 17:24 So you said it was the first time where you kind of really felt that you had that impact. What would you say kind of maybe crystallized within yourself in learning that? Col. Nichole “Vapor” Ayers 17:36 I think it really solidified. I think I said, “I try to lead by taking care of people,” right? I truly believe if you take care of the human, they're going to do a really great job. You don't have to ask much of people at work and in their professional life, if their personal and the human side of them is taken care of and so that's kind of what I mean when I say that solidified it for me, like, make sure that the humans are good to go, and they'll go do anything you want to do. Col. Naviere Walkewicz 18:04 Wow. So while on that deployment, you're leading half of that squadron. What were some of the challenges maybe that you experienced, and how did you grow as a leader during that timeframe? Col. Nichole “Vapor” Ayers 18:14 Scheduling is definitely a tough one. So we flew daytime and nighttime. We basically had an F-22 airborne for almost 24 hours a day for the entire six months, six and a half months. We left and we were told it might be two- or three-month deployment, and then it turned into six months. And then we got delayed up coming home. And so then we stayed through Christmas. And those are the things that really are tough for people. But we have a limited number of jets that we took. We have a limited number of pilots; we have a limited number of maintainers and parts. And so I think for us, managing a schedule between me and the other flight commander, managing a schedule, managing quality of life for everybody, and make sure that we're not burning people out, or that they're not —we're flying eight-, nine-, 10-hour sorties, right? And that's exhausting. It's just you and that airplane with your wingman and a different airplane. And so you have to manage, again, that human factor. The human capital is probably the toughest thing to manage. Col. Naviere Walkewicz 19:15 Wow, and you talked about how the deployment kind of got extended. What were some things, because many of our listeners and our viewers are leaders, and at different levels of leadership and different times in their lives where they're doing that. When you were leading, and you had some of those subordinates, or those that were working with you that really experienced some troubles, through emotions, through some of that. How did you help navigate them through that when you were all in that as well? Col. Nichole “Vapor” Ayers 19:46 Right. You know, I think at NASA especially, we talk about self-care being a huge part of team care. And so making sure I do this in my regular life too, but, you know, making sure that you're getting enough rest, making sure that you're taking care of yourself and your personal life, so that you can truly be present for the other people that need you. And I think being present for others is one of the biggest things that you can do. You know, they may not need a ton of help, or they may not need the solution, but being there, being available and being present for people is really important. But you can't do that unless you're good to go yourself. Col. Naviere Walkewicz 20:18 Did you see that from someone? Did you learn that from someone you saw doing that? Or just, how did, I mean NASA's — you said, NASA, but did you see that at the Academy? Or where did you kind of gather that? Col. Nichole “Vapor” Ayers 20:28 You know, I think one of the things that hit me hard about showing up and being present was actually more professional. I kind of skated through the Academy on minimal sleep, and I was able to manage everything. But I wasn't flying a $143 million airplane. And so, in pilot training, we started to talk about crew rest and pilot rest. That's the first time that I had heard this concept of, “You need to go home and get rest so that you can be on your game.” Because flying airplanes, your decisions have real consequences, right? And you have to be present and available, and you have to be on your game to fly airplanes and do well in airplanes. And then the faster and the higher and the better the airplane gets, the more on your game you have to be. So I think it's something that has just kind of evolved in me. And then, as a leader, I realized, if you don't have any gas in the tank, you cannot help somebody else. And so for me, it's just kind of been, over the last decade and a half, of, wow, I need my sleep. I need to make sure I'm good to go. I need to make sure my human is good, so that way I can help other humans. And yeah, when your decisions have real consequences, it's important that you're present and you're ready to go. Col. Naviere Walkewicz 21:43 Have you seen some of the fact that you prioritize that for yourself, for you as your own human? Have you seen others kind of like see that, view that, and actually take that on as well themselves. Col. Nichole “Vapor” Ayers 21:53 Yeah, I think they do. And I think, as a leader, it's really important to set that example. The commander cannot be the first one in last one out. Like, you just can't do that, because everybody's going to stay until you leave. So setting the example, setting the example of having a good home-life balance as well. Like, home and work have to be balanced. Sleep has to be balanced. Again, self-care is the biggest part of team care, I think. And if you model that, people start to realize it's important. You know, the younger people that might burn themselves out trying to get somewhere, trying to get to the next step, or trying to impress somebody, or whatever the case may be, if they see you taking a step back and they see your success, maybe then they can start worrying about themselves too. Col. Naviere Walkewicz 22:34 I think that's a great lesson, leading by example. For sure. There are probably moments that you experience both at the Academy, while flying the F-22 or as an astronaut, where you don't have the luxury of balance. How do you navigate that and how do you help others get to that space maybe quicker? Col. Nichole “Vapor” Ayers 22:53 I think of everything as a season in life. It might just be a busy season, and you might just have to put some time in but making sure that you are planning ahead and know that you're gonna be able to take some time and reset. And that could be anything, right? That could be personal life, professional life. That could be the four-week training trip that we've got is going to be rough, and its multiple time zones, and it's a ton of training, it's a ton of information. You just have to get through it. But then, that week, when we got home, I made sure my schedule was a little lighter. Whatever the balance is, I think of things in seasons. Crew-10 can do hard things, right? And that came from — you can get through this next training session, right? But we're gonna do a mask-to-suit transition, which is like in a fire, you've got a mask on. You have to get from that mask into your spacesuit. It's a significant physical event. And there's limited oxygen; there's limited ability to breathe in the suit when in that specific environment. And so how do you slow down, take the breaths you need to get in there to not then get to a point where you're panicking, right? Or that you're too exhausted or too hot or overdid, or whatever it is, right? So I think even just that, that is a season. We're going to do two hours of this. That's my season, and then we'll get out of the simulator, we'll take a break, right? And if it happened on orbit, it would be like, “We're going to get through this. We're going to solve the problem. We're going to manage the emergency, and then once things are set, we'll have a moment to breathe.” So that's kind of how I think of it. Col. Naviere Walkewicz 24:21 Did seasons come something, a term that you kind of realized maybe at the Academy, you were a volleyball athlete at the Academy, and so volleyball has a season. But my question is, like, how did you come to that realization? Like, “Oh, I can get through this, and I put it in a bucket of time.” Col. Nichole “Vapor” Ayers 24:35 You learn a lot of time management at the Academy, and when you're in the fall, you're really busy, spring season is less busy, and so you kind of learn early how to manage. Like, “OK, I've got to run. I gotta sprint,” right? “And then I can jog later, or I can walk later.” So, I think you learn that growing up in school, and you know, if you play sports or you do extracurricular activities or other things like that, or even just seasons in life at home, life ebbs and flows. I don't even know when I started saying it, but my sister and I started saying “seasons of life” to each other a long time ago. You know, she's got three kiddos, so she's been in all sorts of seasons. But, yeah, it's just, you know, I think I started to time block things, or block things off and just, and that's the only way you're going to get through life, is if you focus on what you need to do right now, be good at it, and then move to the next thing. You can have an idea of what's coming next, but you have to be present and do what you're doing there. Yes, so, yeah, seasons, time, blocks, whatever you want to call it. Col. Naviere Walkewicz 25:39 I like that. Well, you brought up your sister, and so you're an auntie of three. Let's talk about your personal life and leadership, some experiences you've had navigating your schedule. You're on the road so much. How do you prioritize? I guess the things that are important to you when you have such a heavy schedule, yeah, being on the road and the people that are important to you, right? Col. Nichole “Vapor” Ayers 26:03 Man, I think that for me, my family has been a huge support system my whole life. My twin sister — built in best friend.   Col. Naviere Walkewicz 26:13 And who is older? Col. Nichole “Vapor” Ayers 26:14 She is. She's got me by a minute. Col. Naviere Walkewicz 26:18 OK. Does she hold that over you?   Col. Nichole “Vapor” Ayers 26:20 Yes, of course she does. We've just always supported each other 100% and everything. She's been my biggest cheerleader through all of my life, and I've been her biggest cheerleader through all of her life. And you know, my main goal in life is to be the coolest auntie, like the best auntie, and I would die happy. And they're a huge priority to me. I see them every couple two to three months — since my oldest has was born. So for the last 14 years, just made it a priority, even if it's like, leave late on a Friday night and then get home late Sunday night, I make the effort to go see them and to interact with them. And you know, to help foster them. You know they're growing up. And I love watching kids grow up and experience the world and see what can be done. Their dad's a Marine, their mom's this really successful real estate agent, their auntie' a pilot-slash-astronaut. You know, they've got, like, all these no family that's really not doing very much. Yeah, you know, they've got all these really great role models. And my goal is to just show them that it doesn't matter who you are, like they only ever know me as auntie. Like they know I'm an astronaut, and they love that. Their friends know that I'm an astronaut. Anti vapor, no, no, yeah. But, you know, like, they're always gonna get a big hug from auntie, like, that's, that's what's important to me. Col. Naviere Walkewicz 27:36 Well, you mentioned, going into space, being an auntie. So, would you describe your time and space is, it's probably out of this world. I mean, that's, wow, that's terrible. That's terrible I said it that way. But I think you've mentioned it is kind of the best time in your life. Col. Nichole “Vapor” Ayers 27:52 Yeah. Best five months my life. Col. Naviere Walkewicz 27:56 Best five months of your life, and it's passed. Now, when we think about our evolution, whether personally, professionally, as leaders, etc., we have these ideas in our mind, like, this is the pinnacle. How do you navigate what's next after you've experienced that pinnacle? Col. Nichole “Vapor” Ayers 28:14 Yeah, that's a great question, and I think it's something that a lot of us struggle with when we come home. What's next? We get six months, some time to think and kind of get reintegrated. And you don't necessarily have to go back to work right away. I was able to spend a ton of time with my sister and her kiddos. Yeah, what's next. And I think for me, like the drive out to the launch pad, I was like, “Man, I've made it.” You know, the first time I looked out the window from Dragon, “I've made it.” First time we crossed the hatch, and I went and looked out the glass like, “Wow. The hard work paid off.” And I still feel like that to this day. I would have spent four more months in space if they had asked me to, and I would have turned around and launched right back then the day that we landed, and it was because of the crewmates that I spent it with and the fulfillment that I got from the mission. But I think you can find fulfillment in a lot of ways. And you know, my job, now that I've been back, I'm going to be working with the new class of astronauts and their training for spacewalk. So in the Neutral Buoyancy Lab, our big pool, like, my job is to be their mentor as they go through the spacewalk training. And you know, like, I cannot wait. I'm so excited. I cannot wait to have an impact and try to help teach this next generation of spacewalkers, this next generation of astronauts, to be better than us. I find a lot of fulfillment in making the next generation better. So I think, however the fulfillment shows up for people, I think as long as you can find something, there you'll be happy. Going to space was great, but teaching and instructing and mentoring is also really fulfilling for me. Col. Naviere Walkewicz 29:54 And that will be 10 of them? How many will that be? Col. Nichole “Vapor” Ayers 29:55 Ten.   Col. Naviere Walkewicz 29:56 Ten. So then you'll have 13. You'll be auntie to 13. Oh, that's wonderful. What have you learned about yourself since then? You know, you've evolved as a leader through different situations, high threat, high risk. Safety is paramount. All of those different experiences. And now you're back on Earth and you're about to, you know, mentor. How have you evolved your leadership, and where would you say you're trying to go? Col. Nichole “Vapor” Ayers 30:23 Where am I trying to go? I think, for me, leadership is also about being vulnerable and being open and honest with people about failures or hardships and so, you know, like in the flying community, if you make a mistake, you're immediately like, “Hey, I messed this up. Here's how we fix it.” And that's something that we do at NASA as well, especially on a grand scale, right? Thousands of employees and everybody like, that's the only way that we get to space is by admitting when we've made mistakes, talking to each other about how we fix it and sharing those lessons learned. And so I think that especially when you get into the higher roles of leadership, it's important to go, “Hey, I messed up,” or, “Hey, I don't know the answer.” And being transparent with the people that you're working with. And if you don't know it, but you know where to go find it, like, “I'll get that answer for you,” instead of making up an answer, trying to figure out how to look like you're in charge, right? It's really important to me to also show that we don't know everything. We're human. We make mistakes, and it's OK to make mistakes, as long as you share it, and you share the lessons learned, and you make the next person better. Col. Naviere Walkewicz 31:32 Did you experience that personally? Did you have a moment in which you had to say, “Hey, I made a mistake,” and that's helped you realize that being vulnerable is really important or is that just something you've seen done really well? Col. Nichole “Vapor” Ayers 31:40 Oh, I've admitted a lot of mistakes. You know, I made a couple pretty big mistakes in the Raptor. Everybody's gonna make a big mistake at some point in their life. And, you know, I think that that was something that was modeled really well in the flying community early on. And it's something that's not tolerated if you're not willing to share your lessons learned. It's not tolerated in that community. That's a really good thing. I learned that in pilot training, right? If your buddy in your class makes the same mistake the next day that you made, you get in trouble because you didn't tell them how to how to prepare. And so it's fostered early on, especially in the flying community. I can't speak to any other community because I grew up there, but it's fostered early on, and so it's just something that comes naturally. I think eventually, because you just, you've seen it done so many times, and if you want other people to succeed, you're going to do it. Col. Naviere Walkewicz 32:29 All right. Well, we have two questions left. The first one is, what's something you do every day to be a better leader? Col. Nichole “Vapor” Ayers 32:37 That's a good one. This is gonna sound silly, but I sleep. Like, I'll go back to the self-care thing, right? Like, I put a lot of attention into being healthy, being hydrated, sleeping well. Like, if you take care of your body, your mind is going to do way more for you. And so I think you can show up as a better leader if you show up, rested, hydrated, fed, worked out whatever you need to do to be the best human you can be. Col. Naviere Walkewicz 33:09 That's what I try to do. OK. I like that a lot, and I think that's a good indication for me that six hours is probably not enough. Naviere needs a little bit more. And it's truth, because you told me, though I'm gonna do that. The second one is, if you could go back in time, maybe what's something you would have told yourself — your younger self — or maybe, as our cadets are listening, that you've learned and what they can be doing now to be a better leader down the road. Col. Nichole “Vapor” Ayers 33:34 If you run into a hardship or you fail at something, or something feels insurmountable, or you don't feel like you're ready, good enough, or whatever the case may be, doubt starts to seep in, right? I would say, rely on the support system that you have. Rely on the people around you. Talk about it. Figure out, you know, “Hey, I failed this GR, like, man, this kind of sucks.” And you know, maybe you just need to hear me say it out loud, and maybe I just need to get it off my chest, or maybe I need help trying to figure out the solution for whatever the case may be. So, you know, I had a built-in team on the volleyball team. I had a built-in friends and teammates that I could lean on. Maybe that's your squadronmates or your classmates, or whoever it is, right? And I think finding the friends that you can rely on for the rest of your life. Professionally, I've got a friend here that I met in the F-22 community. We've been friends for almost a decade now, and he's still one of the first people that I call when something happens, like, “Oh, I messed this up today. Help.” So, you know, finding a support system. My sister's the other person that I call first off. Col. Naviere Walkewicz 34:38 She probably knows you're gonna call when you call. Col. Nichole “Vapor” Ayers 34:39 Yeah, we talk way too much. But, you know, having that support system around you and finding people that really bolster you and get you across that line and help you find the courage to take the next step, I think that's really important. Col. Naviere Walkewicz 34:54 I know I said there was only two, but as I've listened to you, I just think you're just you're just remarkable, and maybe what's something that you're proud about yourself as a leader. I would really love to hear that in your, you know— Col. Nichole “Vapor” Ayers 35:05 I think the thing that makes me the most proud as a leader is when somebody succeeds and it's something that I helped them do. I've had somebody come back and say, “Thanks for saying that.” That pushed me out the edge, you know, like, I'm really into building the next generation and make them better than us. And so if I see somebody succeeding, that's good. Col. Naviere Walkewicz 35:27 Well, this has been incredible. Is there anything that we didn't cover that you would love to share with the Long Blue Line in our community? Col. Nichole “Vapor” Ayers 35:33 Oh, man, the community is great. I think I would just say thank you to the community. I've gotten so much love and support from Coloradans, but also the Long Blue Line and the Air Force in general. You know, I love the community that we have. It goes right back to what I just said, right, finding a community that supports you and pushes you to do better and be better. And this is that community. Col. Naviere Walkewicz 35:55 Well, Vapor, I promise I'm gonna get more sleep, and I just want to thank you for being such an incredible leader and guest here on Long Blue Leadership. Col. Nichole “Vapor” Ayers 36:03 Thanks for having me back. Absolutely.   Col. Naviere Walkewicz 36:05 Thanks. You know, this conversation was really incredible with Vapor. I think some of the things that really stood out to me is just how incredible as a human she is. She brings humanity into leadership. She puts people first. She thinks about the team. She works hard. Don't forget to prioritize sleep. But I think really, some of the lessons that we can all take away can hit us all personally, because if you think about people first and taking care of them, and the fact that you have to take care of yourself too, you can go really far in leadership. So I really appreciate her today on Long Blue Leadership. And I'm Naviere Walkewicz, Class of '99. Until next time.   KEYWORDS Joel Neeb, Long Blue Leadership, Air Force Academy leadership, USAFA leadership, military leadership podcast, leadership development, leadership lessons, character-based leadership, leadership under pressure, leading with integrity, decision making in leadership, mentorship and leadership, values-based leadership, service before self, leadership mindset, leadership podcast interview, military leadership stories, leadership for professionals, leadership for entrepreneurs, how to be a better leader, leadership growth.       The Long Blue Line Podcast Network is presented by the U.S. Air Force Academy Association & Foundation        

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

We're heading back to Tromaville, but is it all a little too polished? We're watching The Toxic Avenger reboot this time on Harmless Phosphorescence!   Support the show and get early access and exclusive content at  https://www.patreon.com/harmlessentertainment   https://www.youtube.com/channel/UCEDmdtUAW_pJYCJfaZV7Unw/live   https://www.reddit.com/r/harmlessentertainment   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Ranked: #152   RANKINGS   1 Endgame 2 Spider-Man No Way Home 3 Infinity War 4 Superman 2025 5 Logan 6 Deadpool & Wolverine 7 Captain America: Civil War 8 The Avengers 9 The Dark Knight 10 THE Suicide Squad 11 Thor Ragnarok 12 Guardians of the Galaxy vol 3 13 Black Panther 14 Iron Man 15 Captain America: The Winter Soldier 16 Guardians of the Galaxy vol 2 17 Guardians of the Galaxy 18 Batman Begins 19 Batman 89 20 Spider-Man 2 21 Spider-Man Homecoming 22 Spider-Man Far From Home 23 Black Panther: Wakanda Forever 24 Thunderbolts* 25 Thor: Love and Thunder 26 Deadpool 2 27 Deadpool 28 The Batman 29 Captain America: The First Avenger 30 Spider-Man 31 X-Men: Days of Future Past 32 Dr Strange in the Multiverse of Madness 33 Shang-Chi 34 Joker 35 Captain Marvel 36 Ant-Man 37 Blue Beetle 38 Black Widow 39 Ant-Man and the Wasp 40 Eternals 41 Avengers: The Age of Ultron 42 Birds Of Prey 43 Wonder Woman 1984 44 Wonder Woman 45 Iron Man 3 46 The Dark Knight Rises 47 Superman 1978 48 The Marvels 49 Dr Strange 50 Thor 51 Kick-Ass 52 X-Men First Class 53 Hellboy 54 X2 55 Darkman 56 Iron Man 2 57 Swamp Thing 58 Hellboy II: The Golden Army 59 Watchmen 60 X-Men 2000 61 Batman Returns 62 Blade 63 Defendor 64 Unbreakable 65 The Crow 66 Batman 66 67 The Fantastic Four: First Steps 68 Orgazmo 69 Superman II 70 Ant-Man & The Wasp: Quantumania 71 Shazam! 72 Thor: The Dark World 73 The Wolverine 74 Superman Returns 75 Blade II 76 Mystery Men 77 Super 78 Teenage Mutant Ninja Turtles 79 Venom: The Last Dance 80 Chronicle 81 Ghost Rider: Spirit of Vengeance 82 Man of Steel 83 Venom: Let There Be Carnage 84 The Green Hornet 85 The Incredible Hulk 86 Sky High 87 The Mask 88 Constantine 89 The New Mutants 90 The Rocketeer 91 Superman III 92 Buffy the Vampire Slayer 93 The Return of Swamp Thing 94 The Flash 95 Shazam! Fury of the Gods 96 Superhero Movie 97 Blade Trinity 98 Batman V Superman: Dawn of justice 99 Venom 100 Aquaman and the Lost Kingdom 101 Captain America: Brave New World 102 Black Adam 103 Fantastic Four: The Rise of Silver Surfer 104 Hancock 105 Fantastic Four 106 Madame Web 107 Blankman 108 Supergirl 109 The Crow 2024 110 Hellboy 2019 111 Power Rangers 112 The Meteor Man 113 Justice League 114 X-Men Last Stand 115 Van Helsing 116 Spiderman 3 117 The Amazing Spider-Man 118 TMNT2 119 Superman and the Mole Men 120 Green Lantern 121 Ghost Rider 122 TMNT3 123 Hero At Large 124 Push 125 Jumper 126 Condorman 127 Howard The Duck 128 Aquaman 129 Punisher: War Zone 130 Toxic Avenger Part II 131 TMNT: OOTS 132 TMNT14 133 Hulk 134 Bloodshot 135 Daredevil 136 The Crow: City of Angels 137 The Punisher 04 138 The Punisher 89 139 Batman Forever 140 Kick Ass 2 141 Steel 142 Glass 143 The League of Extraordinary Gentlemen 144 The Amazing Spider-Man 2 145 X-Men: Apocalypse 146 Split 147 Suicide Squad 148 Brightburn 149 X-Men Origins: Wolverine 150 The Adventures of Sharkboy and Lavagirl 151 Sgt Kabukiman NYPD 152 The Toxic Avenger 2025 153 The Phantom 154 Toxic Avenger 155 The Mighty Morphin Power Rangers 156 The Shadow 157 The Toxic Avenger Part III 158 Spawn 159 Batman and Robin 160 Elektra 161 Morbius 162 My Super Ex-Girlfriend 163 Zoom 164 Underdog 165 Catwoman 166 The Spirit 167 Jonah Hex 168 Fant4stic 169 Max Steel 170 Superman IV: The Quest For Peace 171 Dark Phoenix 172 Citizen Toxie: The Toxic Avenger IV 173 Fast Color 174 Joker Folie a deux 175 Kraven The Hunter 176 Archenemy 177 Son of the Mask 178 The Crow: Wicked Prayer 179 Super Capers 180 All Superheroes Must Die

In this episode, the hosts conclude their superhero series by discussing the representation of women in superhero films and ranking their top superhero movies. They engage in a lively debate about various films, exploring both popular and lesser-known titles. The conversation highlights the importance of quality in movie selections and showcases the hosts' camaraderie and shared love for film. In this engaging conversation, the hosts delve into various superhero films, discussing their impact, box office performance, and cultural significance. They explore the Matrix franchise, the Old Guard, Black Widow, Black Panther, Kill Bill, Everything Everywhere All At Once, Captain Marvel, Wonder Woman, and The Marvels, providing insights and personal opinions on each film. The discussion also touches on the future of anime, showcasing the hosts' passion for the genre.

We have Astonishing X-Men artist Philip Sevy on the podcast today! We discuss their career in comics, from breaking into the industry via Top Cow to working on Astonishing X-Men on Marvel Unlimited! Philip shares insights into their process as an artist and what it was like discovering the X-Men! 

Kelly Sue DeConnick from 2012 lays out her Carol Danvers plans. They led to 32 issues a big movie hit and a new wave of Marvel readers 

Finally, Pedro Pascal is getting some work. We're watching The Fantastic Four: First Steps this time on Harmless Phosphorescence! Support the show and get early access and exclusive content at https://www.patreon.com/harmlessentertainment https://www.youtube.com/channel/UCEDmdtUAW_pJYCJfaZV7Unw/live https://www.reddit.com/r/harmlessentertainment Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/ Ranked: #67 RANKINGS 1 Endgame 2 Spider-Man No Way Home 3 Infinity War 4 Superman 2025 5 Logan 6 Deadpool & Wolverine 7 Captain America: Civil War 8 The Avengers 9 The Dark Knight 10 THE Suicide Squad 11 Thor Ragnarok 12 Guardians of the Galaxy vol 3 13 Black Panther 14 Iron Man 15 Captain America: The Winter Soldier 16 Guardians of the Galaxy vol 2 17 Guardians of the Galaxy 18 Batman Begins 19 Batman 89 20 Spider-Man 2 21 Spider-Man Homecoming 22 Spider-Man Far From Home 23 Black Panther: Wakanda Forever 24 Thunderbolts* 25 Thor: Love and Thunder 26 Deadpool 2 27 Deadpool 28 The Batman 29 Captain America: The First Avenger 30 Spider-Man 31 X-Men: Days of Future Past 32 Dr Strange in the Multiverse of Madness 33 Shang-Chi 34 Joker 35 Captain Marvel 36 Ant-Man 37 Blue Beetle 38 Black Widow 39 Ant-Man and the Wasp 40 Eternals 41 Avengers: The Age of Ultron 42 Birds Of Prey 43 Wonder Woman 1984 44 Wonder Woman 45 Iron Man 3 46 The Dark Knight Rises 47 Superman 1978 48 The Marvels 49 Dr Strange 50 Thor 51 Kick-Ass 52 X-Men First Class 53 Hellboy 54 X2 55 Darkman 56 Iron Man 2 57 Swamp Thing 58 Hellboy II: The Golden Army 59 Watchmen 60 X-Men 2000 61 Batman Returns 62 Blade 63 Defendor 64 Unbreakable 65 The Crow 66 Batman 66 67 The Fantastic Four: First Steps 68 Orgazmo 69 Superman II 70 Ant-Man & The Wasp: Quantumania 71 Shazam! 72 Thor: The Dark World 73 The Wolverine 74 Superman Returns 75 Blade II 76 Mystery Men 77 Super 78 Teenage Mutant Ninja Turtles 79 Venom: The Last Dance 80 Chronicle 81 Ghost Rider: Spirit of Vengeance 82 Man of Steel 83 Venom: Let There Be Carnage 84 The Green Hornet 85 The Incredible Hulk 86 Sky High 87 The Mask 88 Constantine 89 The New Mutants 90 The Rocketeer 91 Superman III 92 Buffy the Vampire Slayer 93 The Return of Swamp Thing 94 The Flash 95 Shazam! Fury of the Gods 96 Superhero Movie 97 Blade Trinity 98 Batman V Superman: Dawn of justice 99 Venom 100 Aquaman and the Lost Kingdom 101 Captain America: Brave New World 102 Black Adam 103 Fantastic Four: The Rise of Silver Surfer 104 Hancock 105 Fantastic Four 106 Madame Web 107 Blankman 108 Supergirl 109 The Crow 2024 110 Hellboy 2019 111 Power Rangers 112 The Meteor Man 113 Justice League 114 X-Men Last Stand 115 Van Helsing 116 Spiderman 3 117 The Amazing Spider-Man 118 TMNT2 119 Superman and the Mole Men 120 Green Lantern 121 Ghost Rider 122 TMNT3 123 Hero At Large 124 Push 125 Jumper 126 Condorman 127 Howard The Duck 128 Aquaman 129 Punisher: War Zone 130 Toxic Avenger Part II 131 TMNT: OOTS 132 TMNT14 133 Hulk 134 Bloodshot 135 Daredevil 136 The Crow: City of Angels 137 The Punisher 04 138 The Punisher 89 139 Batman Forever 140 Kick Ass 2 141 Steel 142 Glass 143 The League of Extraordinary Gentlemen 144 The Amazing Spider-Man 2 145 X-Men: Apocalypse 146 Split 147 Suicide Squad 148 Brightburn 149 X-Men Origins: Wolverine 150 The Adventures of Sharkboy and Lavagirl 151 Sgt Kabukiman NYPD 152 The Phantom 153 Toxic Avenger 154 The Mighty Morphin Power Rangers 155 The Shadow 156 The Toxic Avenger Part III 157 Spawn 158 Batman and Robin 159 Elektra 160 Morbius 161 My Super Ex-Girlfriend 162 Zoom 163 Underdog 164 Catwoman 165 The Spirit 166 Jonah Hex 167 Fant4stic 168 Max Steel 169 Superman IV: The Quest For Peace 170 Dark Phoenix 171 Citizen Toxie: The Toxic Avenger IV 172 Fast Color 173 Joker Folie a deux 174 Kraven The Hunter 175 Archenemy 176 Son of the Mask 177 The Crow: Wicked Prayer 178 Super Capers 179 All Superheroes Must Die

Want to listen to this episode ad-free? Visit our Patreon! Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. This week we have the extremely talented comic writer Alyssa Wong on the show to talk about their Psylocke, Deadpool and many, many other series. Lodro blows their mind by revealing that they have created over 97 characters for Marvel. We talk about their writing process, Shinobi Shaw hanging out in bathtubs, and a bonkers Shadow King issue that came out during their birth month and year, Uncanny X-Men 278. Also in this episode: - The Shadow King is big - Shinobi Shaw is a sh*tty f*ckboy with daddy issues - Don't bend your enemies to your will; it never goes well for you - Thieves should always dress in bright gold armor...so as to be inconspicuous - Rogue makes out with the Shadow King - Gambit versus Multiple Man = a great fight - Nightcrawler‘s sister girlfriend is back All this plus we ask a question of you, dear listener: What did Moira do in the bedroom that made Banshee turn into a prude? And what does any of this mean for Alyssa's future? Tune in to find out! Alyssa Wong writes award-winning fiction, comics, and games. Their work has won the Nebula, World Fantasy, Alfie, and Locus Awards, and been shortlisted for the Hugo, Bram Stoker, Shirley Jackson, and Campbell Awards. They are a story architect of Star Wars: The High Republic and co-authored the middle-grade novel Escape From Valo (2024).   Alyssa's comics include Marvel's Psylocke, Deadpool, Alligator Loki, Captain Marvel, Iron Fist, and the GLAAD Award-winning Doctor Aphra Vol 2; Spirit World and Batman: Urban Legends; and titles for Dark Horse and IDW. Previously, Alyssa was a writer at Blizzard Entertainment, where they worked on Overwatch and Overwatch 2. They live in North Carolina and are online as @crashwong. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. His BRAND NEW BOOK is coming out next month - You Are Good, You are Enough. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com Want to listen to these episodes early/ad-free and get your own X-Men Horoscope read/an awesome t-shirt? Check out our brand-new patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode Notes Ugh, the heroes of today. Always with their nose in their gadgets. Game boys? Maybe try a Save Lives, huh Carol? - Parents of the Silent Generation back in the 90's or something, idk man I wasn't really chatting with them back then. Anyway: Carol makes a phone call. Today's scene can be found at: Captain Marvel [49:08-49:29]. You can find us on Bluesky @timelinescav! And individually you can find your hosts at @ColinMParker and @Jamienerdgirl. BIG thank you for the intro and outro music from @NBramald! Check out his website at https://www.nickbramaldcomposer.co.uk. If you need music for any occasion, he's your man.Read transcript

The Road to Doomsday continues as Jarod and Taylore travel back to the 90's to go higher, further, faster with Captain Marvel!Sunday's Bloody Mary: https://sundaysbloodymary.com/shop/ Luminous Odyssey:https://www.youtube.com/c/AllRemainingSystems Mitch692 Channel: https://www.youtube.com/@TheMitch692Channel Help us out by chuckin' a buck on our Patreon: https://www.patreon.com/thenerdacademypodcast

At Last! It's Superman vs Captain Marvel!   Join David, Peter and a huge cast of talented guests as they bring you the conclusion of the 1976 JLA/JSA/Shazam crossover.   You can find some of our contributors with the following links -   Brandon "Superman" Peters is currently covering the 1966 Batman TV series at https://thebrandonpetersshow.com/ Kenny “King Kull” Smith and various co-hosts cover all things Doctor Who at https://soundcloud.com/powerof3pod  Ross “Jay Garrick” Aitken and Kirby "Barry Allen"at https://stopletsteamup.libsyn.com/ Max “Mercury” Traver covers Weird War Tales at https://weirdwarriorspodcast.podbean.com/ The Irredeemable "Alan Scott" Shag hosts the Justice Society in the 90s  Podcast at https://fireandwaterpodcast.com/show/jsapresents/ Paul "Brainiac" French can be found on the Legion of Substitute Podcasters at https://paulfrench.ca/losp/   You can find Martin Gray's comic review blog at https://dangermart.blog/   And finally, the official Elliot S! Maggin website is at https://elliot.maggin.com/ and you can find Elliot's latest book, LEXCORP, here http://bit.ly/3DfVL02   A huge thank you to all our guest voice artists.   Email us at theearth2podcast@gmail.com Facebook www.facebook.com/theearth2podcast Instagram www.instagram.com/theearth2podcast Twitter www.twitter.com/podcast_earth2 Leave us a Voicemail at www.speakpipe.com/theearth2podcast Find our Linktree at https://linktr.ee/theearth2podcast   #DCCOMICS #JLA #JSA #SHAZAM #ELLIOTSMAGGIN  #GREENLANTERN #IBIS #BRAINIAC #MRATOM #SUPERMAN #CAPTAINMARVEL #KINGKULL #MARYMARVEL #THEFLASH #ROCKOFETERNITY

MRC finishes our Magical Mystery Tour through September 1968, with Iron Man 5, Captain America 105, Captain Marvel 5, and Avengers 56! We've finally created the Torment Nexus! Check it out!

Jim Starlin is the Eisner Award Hall of Famer who created Thanos, Drax the Destroyer, Pip the Troll, and Gamora, and co-created Shang-Chi with Steve Englehart. He brought the Infinity Gauntlet into the Marvel Universe and took Jason Todd out of the DC Universe (for a little while anyway). His creator-owned epic, Dreadstar, is currently being collected in a series of beautiful softcover omnibus editions by Dark Horse Comics.For TWO HOURS of bonus content — including 20 more minutes of our conversation with Jim Starlin where we talk about who owns Thanos, why Captain Marvel has stayed dead, and the infamous "1,000 Clowns" Warlock story, plus 21 more Marvel comics in the Mighty MBTM Checklist — support us at patreon.com/marvelbythemonth. $5 a month gets you instant access to our bonus feed of almost 200 extended and exclusive episodes. $10 a month lets you help pick the comics we cover in depth and gets you a shout-out at the end of the episode! Stories Covered in this Episode:"The Final Threat" - Avengers Annual #7, written by Jim Starlin, art by Jim Starlin with Joe Rubenstein, letters by Tom Orzechowski, colors by Petra Goldberg, edited by Archie Goodwin, ©1977 Marvel Comics "Marvel by the Month" theme v. 4 written and performed by Robb Milne. All incidental music by Robb Milne.Visit us on the internet (and buy some stuff) at marvelbythemonth.com, follow us on Bluesky at @marvelbythemonth.com and Instagram (for now) at @marvelbythemonth, and support us on Patreon at patreon.com/marvelbythemonth.Much of our historical context information comes from Wikipedia. Please join us in supporting them at wikimediafoundation.org. And many thanks to Mike's Amazing World of Comics, an invaluable resource for release dates and issue information. (RIP Mike.)

Episode Notes Sometimes, all you need is little reminders to give you the context you need to remember something from the past. Though sometimes life reminds you that even when something stares you in the face you can have no recollection of it. Kinda like our partying days, amiright? (We were not invited to a lot) Today's scene can be found at: Captain Marvel [46:10-48:36]. You can find us on Bluesky @timelinescav! And individually you can find your hosts at @ColinMParker and @Jamienerdgirl. and . BIG thank you for the intro and outro music from @NBramald! Check out his website at https://www.nickbramaldcomposer.co.uk. If you need music for any occasion, he's your man.Read transcript

What are all these colors doing in my DC movie? They rebooted the universe and made a brand new Superman on Harmless Phosphorescence!   Support the show and get early access and exclusive content at  https://www.patreon.com/harmlessentertainment   https://www.youtube.com/channel/UCEDmdtUAW_pJYCJfaZV7Unw/live   https://www.reddit.com/r/harmlessentertainment   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Ranked: #4   RANKINGS   1 Endgame 2 Spider-Man No Way Home 3 Infinity War 4 Superman 2025 5 Logan 6 Deadpool & Wolverine 7 Captain America: Civil War 8 The Avengers 9 The Dark Knight 10 THE Suicide Squad 11 Thor Ragnarok 12 Guardians of the Galaxy vol 3 13 Black Panther 14 Iron Man 15 Captain America: The Winter Soldier 16 Guardians of the Galaxy vol 2 17 Guardians of the Galaxy 18 Batman Begins 19 Batman 89 20 Spider-Man 2 21 Spider-Man Homecoming 22 Spider-Man Far From Home 23 Black Panther: Wakanda Forever 24 Thunderbolts* 25 Thor: Love and Thunder 26 Deadpool 2 27 Deadpool 28 The Batman 29 Captain America: The First Avenger 30 Spider-Man 31 X-Men: Days of Future Past 32 Dr Strange in the Multiverse of Madness 33 Shang-Chi 34 Joker 35 Captain Marvel 36 Ant-Man 37 Blue Beetle 38 Black Widow 39 Ant-Man and the Wasp 40 Eternals 41 Avengers: The Age of Ultron 42 Birds Of Prey 43 Wonder Woman 1984 44 Wonder Woman 45 Iron Man 3 46 The Dark Knight Rises 47 Superman 1978 48 The Marvels 49 Dr Strange 50 Thor 51 Kick-Ass 52 X-Men First Class 53 Hellboy 54 X2 55 Darkman 56 Iron Man 2 57 Swamp Thing 58 Hellboy II: The Golden Army 59 Watchmen 60 X-Men 2000 61 Batman Returns 62 Blade 63 Defendor 64 Unbreakable 65 The Crow 66 Batman 66 67 Orgazmo 68 Superman II 69 Ant-Man & The Wasp: Quantumania 70 Shazam! 71 Thor: The Dark World 72 The Wolverine 73 Superman Returns 74 Blade II 75 Mystery Men 76 Super 77 Teenage Mutant Ninja Turtles 78 Venom: The Last Dance 79 Chronicle 80 Ghost Rider: Spirit of Vengeance 81 Man of Steel 82 Venom: Let There Be Carnage 83 The Green Hornet 84 The Incredible Hulk 85 Sky High 86 The Mask 87 Constantine 88 The New Mutants 89 The Rocketeer 90 Superman III 91 Buffy the Vampire Slayer 92 The Return of Swamp Thing 93 The Flash 94 Shazam! Fury of the Gods 95 Superhero Movie 96 Blade Trinity 97 Batman V Superman: Dawn of justice 98 Venom 99 Aquaman and the Lost Kingdom 100 Captain America: Brave New World 101 Black Adam 102 Fantastic Four: The Rise of Silver Surfer 103 Hancock 104 Fantastic Four 105 Madame Web 106 Blankman 107 Supergirl 108 The Crow 2024 109 Hellboy 2019 110 Power Rangers 111 The Meteor Man 112 Justice League 113 X-Men Last Stand 114 Van Helsing 115 Spiderman 3 116 The Amazing Spider-Man 117 TMNT2 118 Superman and the Mole Men 119 Green Lantern 120 Ghost Rider 121 TMNT3 122 Hero At Large 123 Push 124 Jumper 125 Condorman 126 Howard The Duck 127 Aquaman 128 Punisher: War Zone 129 Toxic Avenger Part II 130 TMNT: OOTS 131 TMNT14 132 Hulk 133 Bloodshot 134 Daredevil 135 The Crow: City of Angels 136 The Punisher 04 137 The Punisher 89 138 Batman Forever 139 Kick Ass 2 140 Steel 141 Glass 142 The League of Extraordinary Gentlemen 143 The Amazing Spider-Man 2 144 X-Men: Apocalypse 145 Split 146 Suicide Squad 147 Brightburn 148 X-Men Origins: Wolverine 149 The Adventures of Sharkboy and Lavagirl 150 Sgt Kabukiman NYPD 151 The Phantom 152 Toxic Avenger 153 The Mighty Morphin Power Rangers 154 The Shadow 155 The Toxic Avenger Part III 156 Spawn 157 Batman and Robin 158 Elektra 159 Morbius 160 My Super Ex-Girlfriend 161 Zoom 162 Underdog 163 Catwoman 164 The Spirit 165 Jonah Hex 166 Fant4stic 167 Max Steel 168 Superman IV: The Quest For Peace 169 Dark Phoenix 170 Citizen Toxie: The Toxic Avenger IV 171 Fast Color 172 Joker Folie a deux 173 Kraven The Hunter 174 Archenemy 175 Son of the Mask 176 The Crow: Wicked Prayer 177 Super Capers 178 All Superheroes Must Die

Happy weekend everyone! Today on the podcast Paul and I continue our MCU coverage with a discussion on 'Captain Marvel' from directors Anna Boden and Ryan Fleck.

The Cyclops solo series is finally here—and we're breaking it all down with series writer Alex Paknadel.We dive deep into Scott Summers' history, his complicated origin story, his relationship with Jean Grey, and how Mister Sinister has been pulling the strings—plus what readers can expect as Cyclops steps fully into the spotlight.

In 1974 one of the most popular superheroes of the golden age made his long-awaited return to pop culture. DC Comics had already started publishing the adventures of Captain Marvel in the pages of the Shazam! comic book.  Now that hero, in a slightly altered form, took to the TV screens on Saturday mornings in 1974.  Billy Batson, a socially conscious teenager in this version, travels the country with a totally not creepy old duded called "Mentor" in a camper van... I swear this is actually going somewhere wholesome... helping other youngsters in need.  Jackson Bostwick stars (originally) as Captain Marvel.

What if depression was the big bad and we hugged it to death? We're watching thunderbolts* on Harmless Phosphorescence!   Support the show and get early access and exclusive content at  https://www.patreon.com/harmlessentertainment   https://www.youtube.com/channel/UCEDmdtUAW_pJYCJfaZV7Unw/live   https://www.reddit.com/r/harmlessentertainment   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Ranked: #23   RANKINGS   1 Endgame 2 Spider-Man No Way Home 3 Infinity War 4 Logan 5 Deadpool & Wolverine 6 Captain America: Civil War 7 The Avengers 8 The Dark Knight 9 THE Suicide Squad 10 Thor Ragnarok 11 Guardians of the Galaxy vol 3 12 Black Panther 13 Iron Man 14 Captain America: The Winter Soldier 15 Guardians of the Galaxy vol 2 16 Guardians of the Galaxy 17 Batman Begins 18 Batman 89 19 Spider-Man 2 20 Spider-Man Homecoming 21 Spider-Man Far From Home 22 Black Panther: Wakanda Forever 23 Thunderbolts* 24 Thor: Love and Thunder 25 Deadpool 2 26 Deadpool 27 The Batman 28 Captain America: The First Avenger 29 Spider-Man 30 X-Men: Days of Future Past 31 Dr Strange in the Multiverse of Madness 32 Shang-Chi 33 Joker 34 Captain Marvel 35 Ant-Man 36 Blue Beetle 37 Black Widow 38 Ant-Man and the Wasp 39 Eternals 40 Avengers: The Age of Ultron 41 Birds Of Prey 42 Wonder Woman 1984 43 Wonder Woman 44 Iron Man 3 45 The Dark Knight Rises 46 Superman 1978 47 The Marvels 48 Dr Strange 49 Thor 50 Kick-Ass 51 X-Men First Class 52 Hellboy 53 X2 54 Darkman 55 Iron Man 2 56 Swamp Thing 57 Hellboy II: The Golden Army 58 Watchmen 59 X-Men 2000 60 Batman Returns 61 Blade 62 Defendor 63 Unbreakable 64 The Crow 65 Batman 66 66 Orgazmo 67 Superman II 68 Ant-Man & The Wasp: Quantumania 69 Shazam! 70 Thor: The Dark World 71 The Wolverine 72 Superman Returns 73 Blade II 74 Mystery Men 75 Super 76 Teenage Mutant Ninja Turtles 77 Venom: The Last Dance 78 Chronicle 79 Ghost Rider: Spirit of Vengeance 80 Man of Steel 81 Venom: Let There Be Carnage 82 The Green Hornet 83 The Incredible Hulk 84 Sky High 85 The Mask 86 Constantine 87 The New Mutants 88 The Rocketeer 89 Superman III 90 Buffy the Vampire Slayer 91 The Return of Swamp Thing 92 The Flash 93 Shazam! Fury of the Gods 94 Superhero Movie 95 Blade Trinity 96 Batman V Superman: Dawn of justice 97 Venom 98 Aquaman and the Lost Kingdom 99 Captain America: Brave New World 100 Black Adam 101 Fantastic Four: The Rise of Silver Surfer 102 Hancock 103 Fantastic Four 104 Madame Web 105 Blankman 106 Supergirl 107 The Crow 2024 108 Hellboy 2019 109 Power Rangers 110 The Meteor Man 111 Justice League 112 X-Men Last Stand 113 Van Helsing 114 Spiderman 3 115 The Amazing Spider-Man 116 TMNT2 117 Superman and the Mole Men 118 Green Lantern 119 Ghost Rider 120 TMNT3 121 Hero At Large 122 Push 123 Jumper 124 Condorman 125 Howard The Duck 126 Aquaman 127 Punisher: War Zone 128 Toxic Avenger Part II 129 TMNT: OOTS 130 TMNT14 131 Hulk 132 Bloodshot 133 Daredevil 134 The Crow: City of Angels 135 The Punisher 04 136 The Punisher 89 137 Batman Forever 138 Kick Ass 2 139 Steel 140 Glass 141 The League of Extraordinary Gentlemen 142 The Amazing Spider-Man 2 143 X-Men: Apocalypse 144 Split 145 Suicide Squad 146 Brightburn 147 X-Men Origins: Wolverine 148 The Adventures of Sharkboy and Lavagirl 149 Sgt Kabukiman NYPD 150 The Phantom 151 Toxic Avenger 152 The Mighty Morphin Power Rangers 153 The Shadow 154 The Toxic Avenger Part III 155 Spawn 156 Batman and Robin 157 Elektra 158 Morbius 159 My Super Ex-Girlfriend 160 Zoom 161 Underdog 162 Catwoman 163 The Spirit 164 Jonah Hex 165 Fant4stic 166 Max Steel 167 Superman IV: The Quest For Peace 168 Dark Phoenix 169 Citizen Toxie: The Toxic Avenger IV 170 Fast Color 171 Joker Folie a deux 172 Kraven The Hunter 173 Archenemy 174 Son of the Mask 175 The Crow: Wicked Prayer 176 Super Capers 177 All Superheroes Must Die

Let us know what you enjoy about the show!What does it actually take to be joyful—not performative-happy, not “fine,” but truly joyful in a way that feels brave, embodied, and real?In this episode, I'm joined by two brilliant storytellers and screenwriters, Meg LeFauve and Lorien McKenna, whose combined credits span beloved studio and indie projects across animation and live action—including Inside Out, Up, The Good Dinosaur, Captain Marvel, and more. Together, they also host the outstanding podcast The Screenwriting Life.We begin with Inside Out as a doorway—asking which character each of them most identifies with (and why). Lorien claims Disgust: truth-teller, protector, and sharp point of view. Meg surprises us with Sadness—not as an identity, but as a writer's intimacy with vulnerability, self-doubt, and instinct. From there, the conversation opens into something deeper: the stories we tell ourselves that don't serve us, and what it looks like to rewrite them.Meg shares an unforgettable moment of meeting her inner critic head-on—visualizing a small red chair and asking that voice to sit down while she moved forward anyway. Lorien speaks candidly about imposter syndrome, the discomfort of receiving praise, and the belief that love has to be earned—then traces how her creative work is helping her practice hope in real time.And then we land on the heart of the episode: joy as vulnerability. Meg offers a powerful reframe—true joy requires courage, because joy opens us up. It makes us visible. It asks us to hope. The two of them explore what it means to be observed again after the pandemic, how community reflects us back to ourselves, and why friendship can be genuinely life-saving.You'll also hear beautiful distinctions around self-acceptance vs. self-celebration, creative presence, and what “living in the moment” looks like when you're someone who naturally lives in the future. We close with a playful “What makes you…?” lightning round—stress hunger, curiosity hunger, overwhelm-as-a-signpost, and the small ordinary moments that carry real joy.If you're navigating self-doubt, trying to receive the good that's coming toward you, or learning how to choose hope without needing certainty—this one is a geIf you are enjoying the show please subscribe, share and review! Word of mouth is incredibly impactful and your support is much appreciated! Support the show

Episode Notes Today's scene has a new cat and a woman's self-sufficiency. What more could you want? A stellar line delivery by Samuel L Jackson? You got it! Today's scene can be found at: Captain Marvel [45:20-46:10]. You can find us on Bluesky @timelinescav! And individually you can find your hosts at @ColinMParker. BIG thank you for the intro and outro music from @NBramald! Check out his website at https://www.nickbramaldcomposer.co.uk. If you need music for any occasion, he's your man.Read transcript

Wonder Man is the newest Marvel Studios television series on Disney Plus. In this episode, I chat with Brian Gay, Co-Executive Producer of this series, about Wonder Man and about Brian's career. Brian worked alongside Kevin Feige and Marvel executives to develop Black Panther, Ant-Man and the Wasp: Quantumania, Thor: Ragnarok, Avengers: Infinity War, Avengers: Endgame, Spider-Man: Homecoming, Spider-Man: Far From Home, Captain Marvel, Loki, Hawkeye, Black Panther: Wakanda Forever, and Werewolf by Night. As Wonder Man is described on Disney Plus, "Aspiring Hollywood actor Simon Williams is struggling to get his career off the ground. During a chance meeting with Trevor Slattery, an actor whose biggest roles may be well behind him, Simon learns legendary director Von Kovak is remaking the superhero film "Wonder Man." These two actors at opposite ends of their careers doggedly pursue life-changing roles in this film as audiences get a peek behind the curtain of the entertainment industry.” To plan a trip, be sure to work with KMV Travel.   Get bonus content, ad-free episodes, and more at patreon.com/imaginationskyway.   Tag me and join the conversation below. YouTube: https://www.youtube.com/@imaginationskyway Instagram: www.instagram.com/imaginationskyway Facebook Group (ImagiNation): https://www.facebook.com/groups/imaginationskyway Facebook: www.facebook.com/imaginationskyway TikTok: www.tiktok.com/@imaginationskyway  Threads: https://www.threads.net/@imaginationskyway Twitter: www.twitter.com/skywaypodcast Email: matt@imagineerpodcast.com  How to Support the Show Share the podcast with your friends Rate and review on iTunes - https://itunes.apple.com/us/podcast/the-imagineerpodcasts-podcast/id1244558092 Join our Patreon Group - https://www.patreon.com/imaginationskyway Purchase merchandise - https://www.teepublic.com/stores/imagineer-podcast?ref_id=8929 Enjoy the show!

It's 2025 and America still isn't ready for a Red Hulk. We're watching Captain America: Brave New World on Harmless Phosphorescence!   Support the show and get early access and exclusive content at  https://www.patreon.com/harmlessentertainment   https://www.youtube.com/channel/UCEDmdtUAW_pJYCJfaZV7Unw/live   https://www.reddit.com/r/harmlessentertainment   Buy some Merch! https://www.teepublic.com/stores/attention-hellmart-shoppers   Check out Executive Producer Michael Beckwith's movie website at https://upallnightmovies.com/   Ranked: #98   RANKINGS   1 Endgame 2 Spider-Man No Way Home 3 Infinity War 4 Logan 5 Deadpool & Wolverine 6 Captain America: Civil War 7 The Avengers 8 The Dark Knight 9 THE Suicide Squad 10 Thor Ragnarok 11 Guardians of the Galaxy vol 3 12 Black Panther 13 Iron Man 14 Captain America: The Winter Soldier 15 Guardians of the Galaxy vol 2 16 Guardians of the Galaxy 17 Batman Begins 18 Batman 89 19 Spider-Man 2 20 Spider-Man Homecoming 21 Spider-Man Far From Home 22 Black Panther: Wakanda Forever 23 Thor: Love and Thunder 24 Deadpool 2 25 Deadpool 26 The Batman 27 Captain America: The First Avenger 28 Spider-Man 29 X-Men: Days of Future Past 30 Dr Strange in the Multiverse of Madness 31 Shang-Chi 32 Joker 33 Captain Marvel 34 Ant-Man 35 Blue Beetle 36 Black Widow 37 Ant-Man and the Wasp 38 Eternals 39 Avengers: The Age of Ultron 40 Birds Of Prey 41 Wonder Woman 1984 42 Wonder Woman 43 Iron Man 3 44 The Dark Knight Rises 45 Superman 1978 46 The Marvels 47 Dr Strange 48 Thor 49 Kick-Ass 50 X-Men First Class 51 Hellboy 52 X2 53 Darkman 54 Iron Man 2 55 Swamp Thing 56 Hellboy II: The Golden Army 57 Watchmen 58 X-Men 2000 59 Batman Returns 60 Blade 61 Defendor 62 Unbreakable 63 The Crow 64 Batman 66 65 Orgazmo 66 Superman II 67 Ant-Man & The Wasp: Quantumania 68 Shazam! 69 Thor: The Dark World 70 The Wolverine 71 Superman Returns 72 Blade II 73 Mystery Men 74 Super 75 Teenage Mutant Ninja Turtles 76 Venom: The Last Dance 77 Chronicle 78 Ghost Rider: Spirit of Vengeance 79 Man of Steel 80 Venom: Let There Be Carnage 81 The Green Hornet 82 The Incredible Hulk 83 Sky High 84 The Mask 85 Constantine 86 The New Mutants 87 The Rocketeer 88 Superman III 89 Buffy the Vampire Slayer 90 The Return of Swamp Thing 91 The Flash 92 Shazam! Fury of the Gods 93 Superhero Movie 94 Blade Trinity 95 Batman V Superman: Dawn of justice 96 Venom 97 Aquaman and the Lost Kingdom 98 Captain America: Brave New World 99 Black Adam 100 Fantastic Four: The Rise of Silver Surfer 101 Hancock 102 Fantastic Four 103 Madame Web 104 Blankman 105 Supergirl 106 The Crow 2024 107 Hellboy 2019 108 Power Rangers 109 The Meteor Man 110 Justice League 111 X-Men Last Stand 112 Van Helsing 113 Spiderman 3 114 The Amazing Spider-Man 115 TMNT2 116 Superman and the Mole Men 117 Green Lantern 118 Ghost Rider 119 TMNT3 120 Hero At Large 121 Push 122 Jumper 123 Condorman 124 Howard The Duck 125 Aquaman 126 Punisher: War Zone 127 Toxic Avenger Part II 128 TMNT: OOTS 129 TMNT14 130 Hulk 131 Bloodshot 132 Daredevil 133 The Crow: City of Angels 134 The Punisher 04 135 The Punisher 89 136 Batman Forever 137 Kick Ass 2 138 Steel 139 Glass 140 The League of Extraordinary Gentlemen 141 The Amazing Spider-Man 2 142 X-Men: Apocalypse 143 Split 144 Suicide Squad 145 Brightburn 146 X-Men Origins: Wolverine 147 The Adventures of Sharkboy and Lavagirl 148 Sgt Kabukiman NYPD 149 The Phantom 150 Toxic Avenger 151 The Mighty Morphin Power Rangers 152 The Shadow 153 The Toxic Avenger Part III 154 Spawn 155 Batman and Robin 156 Elektra 157 Morbius 158 My Super Ex-Girlfriend 159 Zoom 160 Underdog 161 Catwoman 162 The Spirit 163 Jonah Hex 164 Fant4stic 165 Max Steel 166 Superman IV: The Quest For Peace 167 Dark Phoenix 168 Citizen Toxie: The Toxic Avenger IV 169 Fast Color 170 Joker Folie a deux 171 Kraven The Hunter 172 Archenemy 173 Son of the Mask 174 The Crow: Wicked Prayer 175 Super Capers 176 All Superheroes Must Die

Episode Notes Things in the 90s were a little too loosey goosey in terms of true technologically powered security. A lot of our modern day security features - on our phones but also in buildings with state secrets - is thanks to the meddling of Nick Fury and Carol Danvers! Plus, speaking of spy stuff, our guest Ty (from https://www.sidecharacterquest.com ) has a new entry for the segment: Spycraft Life Raft! Today's scene can be found at: Captain Marvel [44:07-45:20]. You can find us on Bluesky @timelinescav ! And individually you can find your hosts at @jamienerdgirl and @ColinMParker. BIG thank you for the intro and outro music from @NBramald! Check out his website at https://www.nickbramaldcomposer.co.uk. If you need music for any occasion, he's your man.Read transcript

Jeph Loeb on the podcast! Buckle in for this two hour deep dive into Nate Grey, Age of Apocalypse, and Marvel in the 90s!

MRC *finally* wraps up August 1968 with Captain Marvel 4, Iron Man 4, Avengers 55 and, in his elephantine debut issue, Silver Surfer 1 (also featuring the Watcher)! Check it out!

Episode Notes Nothing like a quick product placement for your government agency and/or for your podcast about the MCU. Also nothing like kind of doing a sick little dig at your new partner by proxy. And for sure nothing like being a surly security dude. Just a lot of great energy being brought here today. Today's scene can be found at: Captain Marvel [43:10-44:07]. You can find us on Bluesky @timelinescav ! And individually you can find your hosts at @jamienerdgirl and @ColinMParker. BIG thank you for the intro and outro music from @NBramald! Check out his website at https://www.nickbramaldcomposer.co.uk. If you need music for any occasion, he's your man.Read transcript

Nixon Newell (formerly known as Tegan Nox) is a Welsh powerhouse known for her resilience, heart, and hard-hitting in-ring style across the world's biggest stages. Whether she's fighting from underneath or bringing the fight to anyone in her way, Newell's comeback story and undeniable grit make her one of the most inspiring talents in modern wrestling.In the newest "Casual Conversations with The Classic'' episode, the Wrestling Classic Justin catches up with Nixon Newell formerly known as Tegan Nox. They discuss her life after WWE, NXT Black and Gold, injuries, Captain Marvel, collectibles, AEW incident, relationship with Miranda Alize, Team Kick, main roster run, the reality show "Baddies" and much more! Enjoy!My Official Website + Demo Reel - https://www.justindhillon.com Instagram - https://www.instagram.com/thewrestlingclassic/ TikTok - https://www.tiktok.com/@thewrestlingclassic X - https://x.com/twcworldwide Youtube - https://www.youtube.com/@TheWrestlingClassic/ Limited Edition TWC Tee https://headquartersclothing.com/products/headquarters-x-the-wrestling-classic-logo-tee?_pos=1&_psq=wrestlinhg&_ss=e&_v=1.0 WWE Shop Affiliate wwe-shop.sjv.io/RGRxQv 500 Level https://www.500level.com/ Join the Discord Community https://linktr.ee/thewrestlingclassic All Episodes are on "The Wrestling Classic" Youtube Channel https://www.youtube.com/channel/UCOQOYraeFlX-xd8f3adQtTw#TeganNox #NixonNewell #CasualConversations Become a supporter of this podcast: https://www.spreaker.com/podcast/twc-show--4417554/support.

Chat over calamari with Megaton Man creator Don Simpson as we discuss why he splurged on a special issue of Captain Marvel at the Baltimore Comic-Con, how the business practices of comics affect the artistic side, the way two early visits with artist Keith Pollard taught him he didn't want to be a Marvel Comics penciller after all, where he feels the Silver Age ended and the Bronze Age truly began, how classic cinema and the auteur theory influenced his creative choices, the lessons he learned from the first few issues of Love & Rockets vs. the unfortunate expectations set up by the first few issues of Megaton Man, how working on DC's anthology title Wasteland caused him to reinvent himself, what path his publishing life would have taken had Megaton Man been only a one-shot as originally planned, the career differences between Basil Wolverton and Will Eisner, why he's able to let others play with his characters without feeling proprietary, the alternate universe in which he would have been a Crusty Bunker or one of Romita's Raiders, how 9/11 caused him to head back to school for a PhD, why he wrote a Ms. Megaton Man prose novel, whether he already knows the final chapter to his comics universe, and much more.

Episode 93 - Murdock and Marvel: 2019 In 2019 Marvel Studios completed the most ambitious movie cycle in history with its 2 billion dollar Avengers: Endgame masterpiece, even as comic stores wondered about the future and politics made deeper and deeper inroads into comics and comics fandom. The Year in Comics  Comics in Other Media Comic Sales Notable Comics Top Comic News Notable Passings Marvel Eisner Awards Dan's Favorite The Year in Daredevil  Appearances: Daredevil v5 #611-612, Man Without Fear #1-5, Daredevil v6 1-12, Marvel Knights 20th #2, Guardians of the Galaxy #1, Spider-Man / Deadpool #47-48, Avengers: No Road Home #10, War of the Realms #1-6, War of the Realms: War Scrolls #1-3, Avengers #20 True Believers: Spider-Man – The New Spider-Man! #1, War of the Realms Omega #1, History of the Marvel Universe #3    Writer: Charles Soule (#611-612), Chip Zdarsky (#1-12)  Pencils: Phil Noto (#611-612), Marco Checchetto (#1-5 and #11-12), Lalit Kumar Sharma (#6-9), Jorge Fornes (#10)  Inks: Phil Noto (#611-612), Marco Checchetto (#1-5 and #11-12), Jay Leisten (#6-9), Jorge Fornes (#10) In the final storyline of volume 5, “The Death of Daredevil”, We open with Matt Murdock on the brink of death—lying in an ER after being hit by a truck while saving a child, eerily echoing the childhood accident that made him Daredevil in the first place. And as the doctors fight to keep him alive, Matt mentally resets his mission. He decides this is war with Wilson Fisk, and war requires honesty. So he tells his entire team the truth: he's Daredevil. No more secrets.  When he gets back out on the streets in his mind's version of events, he barely has time to breathe before a bone-knife-throwing assassin attacks him. And when he limps home afterward, who's waiting in his apartment? Elektra. They fall back into old patterns, but when Matt asks her to stay and join the team.  From there, Matt and his crew move aggressively—they decide to kidnap John Wesley, Fisk's right-hand man, to force him to spill how the election was rigged. The plan blows up in their faces, but somehow, they still manage to grab Wesley. They lose his guards, get attacked by more bone knives, and end up scrambling into a church for cover…where Fisk's assassin, Vigil, is already waiting. Daredevil and Elektra take him on in a brutal fight. Elektra almost kills him, Daredevil stops her, and in that split second, Vigil drives a bone knife straight into Wesley's back. The only man who could presumably tell them how Fisk did it is now dead—Elektra walks out.  While out on patrol he's ambushed by a swarm of Stilt-Men, forced into an arena, and dropped into a who's-who gauntlet of enemies—Klaw, Ikari, Electro, Gladiator, Typhoid Mary. But Matt turns the tables, manipulating the villains into fighting each other for the “honor” of killing him. It works. At least until he reaches the roof, hoping to catch his breath, and is immediately shot by Bullseye. Matt's seconds from dying again when he's unexpectedly saved…by his magically created, now-fully-real brother, Mike Murdock, who claims he can help end all of this.  Mike's intel leads Matt straight to the truth: the Mad Thinker helped Fisk rig the mayoral election. With that, Matt convinces the DA to prosecute the mayor and put Daredevil himself on the witness stand. A parade of heroes testify. Fisk slips up under questioning, admits to “adjustments,” and Fisk loses the court case and he's recalled as mayor. It's a victory…until Vigil returns. Daredevil unmasks him—and sees his own face staring back.  And that's when the illusion cracks. We realize the entire story, every moment, every battle, every twist, has been in Matt's head while he lies unconscious in the hospital. He's still fighting for his life. In the quiet between heartbeats, he sees Karen Page beside him. She tells him gently that it isn't his time. The panels go dark…until a single heartbeat rises from the silence. Daredevil isn't dead. He's choosing to fight.  In March we get the Man Without Fear limited series from writer Jed Mackay and artists Danilo Beyruth, Stefano Landini, Iban Coello, and Paolo Villanelli. It's a haunting bridge between Daredevil's fall and whatever comes next. It's a really interesting story – deserving our spotlight for this week.  In April, Volume 6 starts with a new creative team – Writer Chip Zdarsky and art by Marco Checchetto. The opening storyline is titled “Know Fear”. In it we see Matt Murdock back on the streets as Daredevil—too early, too shaky, and already in over his head. Between flashbacks of young Matt talking to a priest, we watch him struggle through patrols, botch a robbery takedown, and accidentally kill one of the thieves due to head trauma. New-to-NYC Detective Cole North zeroes in on him immediately, refusing to play the usual “look the other way” game, and soon Daredevil is shot, chased, cornered, and nearly arrested as Wilson Fisk—now Mayor—watches from a distance, thrilled to see his old enemy unraveling.  Things spiral further as Daredevil finds himself rescued—and judged—by the one man he never wants to owe anything to: the Punisher. Frank Castle drags Matt to his hideout and brutally challenges the idea that Daredevil is still a hero. A prisoner dies, blows are exchanged, and Matt ultimately escapes, injured and ashamed, just as the NYPD begins questioning Cole North's escalating methods… even while Fisk quietly rewards him for keeping the pressure on.  The breaking point comes when Matt is rescued from the Owl's men by Luke Cage, Jessica Jones, and Danny Rand—street-level peers who've been watching him self-destruct in real time. After Matt admits he accidentally killed the robber, the others acknowledge they've made mistakes too… but they also agree he's too unstable to keep wearing the mask. Matt slips away, heads home, and meets Spider-Man waiting for him on the rooftop—delivering the final gut punch: Matt's done. No more Daredevil. And if he suits up again? His own friends will stop him.  In the final full story arch of 2019, “No Devils, Only God”, Eight weeks after Daredevil “died,” Matt Murdock is trying hard to live a normal life—working as a probation officer, meeting ex-cons, even starting a romance with Mindy from the local bookstore—but the shadows keep tugging at him. NYC is shifting: Fisk is secretly beating inmates to a pulp while publicly claiming he's going legitimate, and Cole North—now targeted by dirty cops and nearly killed—is the lone detective trying to clean up a precinct drowning in corruption. As Matt finds himself drawn into Mindy's family dinner, he realizes her in-laws are the Libris crime family… just moments before a sniper attack (courtesy of the Owl) leaves one man wounded and Matt forced to intervene without revealing who he once was.  The city whispers that Daredevil is back, but Matt insists he's not—at least, not fully. He shadows crimes with his senses and quietly calls them in, plays tortured theology chess with Reed Richards, and wrestles with whether God expects him to rise again. He slips into a makeshift costume to save a runaway boy from gang life, and that taste of heroism only deepens his conflict. Meanwhile, Matt's relationship with Mindy crosses into an affair, complicating everything just as the Owl escalates his war, burning down her bookstore and pulling Matt in deeper.  When Cole North is targeted again—his partner beaten so badly he later dies—Matt can't stay retired. He joins North in the police station brawl, stopping the detective from killing corrupt officers and telling him to pin the chaos on Daredevil. As Matt slips away into the night, bleeding and conflicted, he finds Elektra waiting on a rooftop… it seems on a matter of time until Matt Murdock is putting the mask back on for real.  This Week's Spotlight: Man Without Fear Limited Series issues #1-5 from March 2019 Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway The Billion dollar question: Is the comic world just too small for both the Joker and Captain Marvel? Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

Chris Claremont on the podcast! From his start as a gopher at Marvel Comics to the Doomsday tease—from Dark Phoenix Saga to his X-Treme X-Men run—we cover it ALL with the legend himself!

Hang on to your seats, familia! A super-size 2 hour episode breaking down our top 10 of Marvel Legends in 2025...unfiltered!!!!

March 2026 Solicitations (Image, DC, Others) Weekly Comic Reviews: DC DC K.O.: Harley Quinn vs. Zatanna by Leah Williams, Mirka Andolfo, Romulo Fajardo Jr Titans 30 by John Layman, Pete Woods, Bruno Abdias Marvel Black Panther: Intergalactic 1 by Victor LaValle, Stefano Nesi, Bryan Valenza Marvel Unlimited Strange Tales 1 by Preeti Chhibber, Bailie Rosenlund AWA AGGIE – Aggregated Human Experience Database 1 by Mark Russell, Aco, David Lorenzo, Ive Svorcina Dynamite ThunderCats Ho!(Liday) Special 2025 by Ed Brisson, Fabio Gallo, Emanuele Ercolani, Giona Zefiro Image Wrestle Heist 1 by Kyle Starks, Vladimir Popov Mad Cave New Space Age 1 by Kenny Porter, Mike Becker, Kevin Betou OGN Countdown: Black Heart Billy by Rick Remender, Kieron Dwyer Witcher by Andrzej Sapkowski, Aleksandra Zielinska, Michael Dowling, Luis NCT Athanasia by Daniel Kraus, Dani, Brad Simpson Red and Blue Monster Hunters by Sara Soler Rodeo Hawkins and the Daughters of Mayhem by John Claude Bemis, Nicole Miles Dire Days of Willowweep Manor and the Nefarious Nights of Willowweep Manor by Shaenon Garrity, Christopher Baldwin Additional Reviews: Chutzpah The Dropout Knives Out 3 Sunny Side Down ep3 War Between the Land and the Sea finale David News: new Jessica Jones series, She-Ra leaving Netflix, more DC KO fighters, Oscars moving to YouTube, Netflix commits to theaters for WB movies, Tarzan to IDW, Sony buys Peanuts, Archie merging with Oni, new Archie titles announced, Woods and w0rldtr33 optioned for animated series, Paul Jenkins writing Sentry and Captain Marvel, Brainiac cast, Omninews Trailers: Disclosure Day, Odyssey, Muppet Show Comics Countdown (17 Dec 2025): Exquisite Corpses 8 by James Tynion IV, Pornsak Pichetshote, Michael Walsh, Adam Gorham, Jordie Bellaire Endeavour 2 by Stephanie Phillips, Marc Laming, Tony Shasteen, Lee Loughridge w0rldtr33 17 by James Tynion IV, Fernando Blanco, Jordie Bellaire DIE: Loaded 2 by Kieron Gillen, Stephanie Hans Everything Dead and Dying 4 by Tate Brombal, Jacob Phillips, Pip Martin Absolute Flash 10 by Jeff Lemire, Nick Robles, Adriano Lucas Sacrificers 18 by Rick Remender, Andre Lima Araujo, Dave McCaig Bat-Man: Second Knight 2 by Dan Jurgens, Mike Perkins, Mike Spicer Space Scouts 2 by Matt Kindt, David Rubin, Xulia Pison Wonder Woman 28 by Tom King, Daniel Sampere, Jorge Fornes, Tomeu Morey

Let's breakdown the Doomsday trailer featuring Ian McKellen, Patrick Stewart, and JAMES MARSDEN! 

HAPPY HOLIDAYS! Legendary X-Men writer Scott Lobdell breaks down Uncanny X-Men #341, one of the most beloved Christmas stories in X-Men history. Scott reveals how the issue came together, the iconic Cannonball vs. Gladiator fight, the mystery of Joseph—who he was originally supposed to be and how he suppressed Rogue's powers—and all the Easter eggs hidden throughout the issue.