Podcast appearances and mentions of David Bowie

Hoy os traemos una de las bandas de Rock más importantes de la década de los 00s, grupo que marcó a toda una generación, sentó las bases y popularizó un movimiento que fue amado por muchos y odiado por otros tantos, que es el Emo. My Chemical Romance es una banda que se forma en el año 2002 en Nueva Jersey, Estados Unidos. Actualmente los miembros son Gerard Way como vocalista y líder de la banda, Matt Way, su hermano, al bajo, Frank Iero a los coros y la guitarra rítmica y Ray ToroToro como guitarrista principal y a los coros. Tienen una gran inspiración en bandas de Emo y Post-Hardcore como Thursday, Fugazi, The Used, Glassjaw pero por otra parte también de bandas y artistas clásicos como Pink Floyd, David Bowie, Queen o The Smashing Pumpkins que fue la banda que más les inspiró en sus sonido de Rock Alternativo. Su primer álbum 'I Brought You My Bullets, You Brought Me Your Love' fue publicado en el año 2002, y los colocó en la escena underground del emo siendo el disco con el sonido más crudo y violento de la banda. En 2004 lanzan 'Three Cheers for Sweet Revenge', un disco más melódico y con letras sobre adolescencia y que marcó el devenir de la banda. Le sigue el disco del que os hablamos hoy que es T'he Black Parade' del año 2006, donde la banda alcanzó éxito internacional. Y su discografía principal cierra, hasta el momento con 'Danger Days: The True Lives of the Fabulous Killjoys' del año 2010. En el año 2015 la banda entra en un periodo de hiatus y retorna en 2022 con nuevos conciertos y material.

Like many writers, Sofka Zinovieff draws on her own history in her books – and her family tree offers plenty of inspiration. Her paternal grandmother was born into Russian high society, fled to England after the 1917 revolution and became a Communist. Sofka wrote her biography.Her maternal grandmother married the eccentric aristocrat Robert Heber-Percy, and for a time shared a house with his lover, the artist and composer Lord Berners. Sofka has also charted her story.Her father Peter was a composer and co-founder of Britain's first synthesiser manufacturer, making instruments used by the likes of Pink Floyd and David Bowie. He banned his many children from attending his funeral – a decision which inspired her most recent book, a novel called Stealing Dad.Sofka's music includes Bach, Monteverdi, Theodorakis and Mozart.

This week, we bow down and raise up the almighty guitar heroes! The foundation of Rock n' Punk n' Metal is the guitar and the amazing sounds that those who wield them can make. How do they make such wonderful noise with metal wires on a piece of wood? There's some kinda voodoo in their hands, and we set off on a journey to raise some of the 70s shredders that you may have forgotten! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss all three. Get out your old 70's Guitar Player mags and flip the pages as we discuss some of the most amazing fingers to ever touch a fretboard! Songs this week include: Frank Marino & Mahogany Rush – “Electric Reflections Of War / The World Anthem / The Answer” from Live (1978) Rory Gallagher – “Shadow Play” from Photo-Finish (1978) Tommy Bolin – “Teaser” from Teaser (1975) Robert Fripp – “Disengage II” from Exposure (1979) Wild Horses – “The Rapist” from Wild Horses (1980) Dixie Dregs – “Punk Sandwich” from Night Of The Living Dregs (1979) Alice Cooper – “Devil's Food / The Black Widow” from The Alice Cooper Show (1977) Al Di Meola – “Race With Devil On Spanish Highway” from Elegant Gypsy (1977) Check us out on the Boneless Podcasting Network: https://bonelesspodcasting.com/ Visit us: https://inobscuria.com/ https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

This is the Music History Today podcast for June 5. On today's show, Mariah Carey and Jennifer Lopez get married (not to each other) and David Bowie debuts but not as David Bowie.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history12:06 Music award ceremonies that were held on this date in music history16:19 Albums released on this date in music history 22:17 Singles released on this date in music history 24:27 Birthdays of music artists on this date in music history 34:23 Passings of music artists on this date in music history 39:43 What's on tomorrow's episode

Colson Whitehead is one the few novelists, and the only still alive, to win two Pulitzer Prizes for Fiction—for “The Underground Railroad” and “The Nickel Boys.” Whitehead's protagonist in the Harlem trilogy is Ray Carney, a small-time crook who fences stolen goods while working as a furniture salesman. Ray first appeared in “Harlem Shuffle,” and the final book of the trilogy, “Cool Machine,” will be published in July. David Remnick and Whitehead discuss the trilogy's second book, “Crook Manifesto,” and how David Bowie inspired Whitehead's genre-hopping approach to fiction. This segment originally aired on July 21, 2023. Further reading and listening:  “The Theresa Job,” by Colson Whitehead “Colson Whitehead on Historical Heists,” by Deborah Treisman “The Match,” by Colson Whitehead   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ce 2 juin, Marjorie Hache convoque dans RTL2 Pop-Rock Station T. Rex, Björk, Depeche Mode, Fatboy Slim, The B-52's, The Beatles, Interpol, Blur, Thin Lizzy, Eels, David Bowie, Joan Baez, The Undertones, James et Jimi Hendrix. L'animatrice rend par ailleurs un bel hommage au pionnier du rock'n'roll Bo Diddley, disparu en 2008, en diffusant l'un de ses premiers tubes, "I'm A Man". En matière de nouveautés, Fat Dog ouvre la marche avec "Go Fuck Urself", suivi par The Strokes avec "Going Shopping". Lykke Li, les métalleux d'Architects, Ed O'Brien ou encore les bluesmen de GA-20 répondent également présents. La primeur de la soirée met en lumière le duo écossais Arab Strap, qui célèbre ses trente ans de carrière avec le morceau électro-rock "You You You". L'album de la semaine se penche à nouveau sur "Your God Fearing Days Are About To Begin", troisième album du trio londonien Saint Agnes, illustré aujourd'hui par le titre "Everything You Denied" aux accents industriels rappelant Nine Inch Nails. Enfin, la reprise du jour est signée par le regretté chanteur belge Arno, qui s'approprie avec singularité le célèbre "All The Young Dudes", hymne composé par David Bowie pour Mott The Hoople. Fatboy Slim - The Rockafeller Skank Fat Dog - Go Fuck Urself Bo Diddley - I'm A Man Jet - Are You Gonna Be My Girl The B-52's - Love Shack The Beatles - Can't Buy Me Love Blur - Country House Saint Agnes - Everything You Denied Interpol - The Heinrich Maneuver T. Rex - Children Of The Revolution Björk - Army Of Me The Strokes - Going Shopping Arno - All The Young Dudes Thin Lizzy - Whiskey In The Jar Eels - Novocaine For The Soul GA-20 - The Blues Never Die (With Charlie Musselwhite) Joan Baez - Here's To You David Bowie - This Is Not America Lykke Li - Lucky Again The Undertones - Teenage Kicks Architects - Tear Gas Arab Strap - You You You Depeche Mode - Little 15 James - Laid Jimi Hendrix - Purple Haze Korn - Reward The Scars Ed O'Brien - ObrigadoHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Every genre has a shadow canon — the writers who don't make the syllabus, don't sell out on Amazon, and rarely get the Netflix series. In science fiction, that shadow canon is where some of the most intellectually adventurous, politically serious and formally daring work of the twentieth century was done. Having opened the series with the big names — Wells, Verne, Poe, the Mount Rushmore of the genre — John and Ezri jump forward to the late 1960s and 1970s and turn to five authors most listeners won't know: Kate Wilhelm, Joanna Russ, John Sladek, John Brunner and Christopher Priest. Feminist SF, satirical SF, dystopian SF set in a Britain going to the dogs. The thread that connects them is "prescience", a word that keeps coming up. Were these writers really predicting the future – or just paying close enough attention to the present? In this episode: Why 1969 makes such a strange hinge point — Apollo 11 and the realisation of Goddard's cherry-tree dream, set against the assassinations of 1968, Vietnam, Prague, Altamont, and the first wave of environmental science Kingsley Amis, New Maps of Hell, and the New Wave: Moorcock's New Worlds, Ballard's "inner space", and SF's discovery that it could not avoid politics Kate Wilhelm — Hugo, Nebula and Locus winner for Where Late the Sweet Birds Sang, a co-founder of the Clarion Writers' Workshop who is now better known as a mystery writer Joanna Russ — The Female Man, written in 1970 but unpublished until 1975, and How to Suppress Women's Writing; a Westinghouse Science Talent Search finalist who chose literature as her weapon John Sladek — the satirist whose robot in Tik-Tok has had its "asimov circuits" go on the blink, and whose hoax book on a thirteenth sign of the zodiac proved people will believe anything stated with enough confidence John Brunner — the "Club of Rome Quartet", the novel that coined "worm" for self-replicating code, and Stand on Zanzibar, set in 2010 and unsettlingly familiar by the time we got there Christopher Priest — Fugue for a Darkening Island and A Dream of Wessex, the racial framing Priest himself later grappled with, and The Prestige (with David Bowie as Tesla) The big question under all of it: what is the difference between prescience and prediction — and is it significant that "prescience" contains the word "science"? Links and resources: Website: techimaginarium.co.uk Instagram: @tech.imaginarium Watch on YouTube: https://www.youtube.com/@JohnHelmerConsulting Music by Nick Dwyer recording as Flintet. The Tech Imaginarium is a Learning Hack podcast, produced and hosted by John Helmer and written by John Helmer and Ezri Carlebach.

Merriam-Webster's Word of the Day for May 31, 2026 is: permutation • per-myoo-TAY-shun • noun Permutation is a formal word for any one of the many different ways or forms in which something exists or can be arranged. It can also refer to a major or fundamental change in something based primarily on rearrangement of its existing elements. Permutation is usually used in its plural form. // Early permutations of the design look nothing like the final result. // The system has gone through several permutations. See the entry > Examples: “Megadeth have weathered nearly all of metal's generational permutations, only once deviating from their ... formula with 1999's infamously confused country'n'industrial mish-mash, Risk.” — Eli Enis, Pitchfork, 26 Jan. 2026 Did you know? “Ch-ch-changes!” David Bowie sang memorably in his classic (and appropriately titled) hit “Changes,” which concerns the phenomenon of artistic reinvention—something Bowie knew a lot about. In fact, he could have titled the song “Permutations,” though we admit that the word would have been a bit clunkier to sing. Permutation is, after all, all about change—specifically change (as in character or condition) of something based primarily on rearrangement of its existing elements. For example, Bowie's artistic persona went through many permutations over the course of his career, from the alien rock star Ziggy Stardust to the aristocratic Thin White Duke, with the common denominator—the existing elements—being Bowie himself. (Permutation can also be used for a form or variety resulting from such changes, and can thus refer to Bowie's individual personae as well.) Permutation, perhaps ironically, has not changed all that much since it was borrowed into Middle English from Anglo-French as permutacioun.

Why has the political world gone mad for essays? Professor Edith Hall and Radio 4 wordsmith Michael Rosen discuss the literary form and its history. It was heartbreak for Arsenal in the Champions League - ex-Gunners goalie Bob Wilson tells us about the pain of penalties. We look ahead to Elon Musk's SpaceX going public - are the heavens being privatised? And we celebrate the Starman, David Bowie, with a new immersive exhibition celebrating his life and legacy. Simon Jack presents.

This week on the Rockonteurs podcast, we welcome the acclaimed music video director Tim Pope to the show. Tim has spent a lifetime directing music videos for some of the greatest artists of all time such as Hall and Oates, Iggy Pop, Paul Weller, David Bowie and of course, The Cure. In fact Tim has shot over 37 music videos for The Cure over the years and continues to work with the band. He has a book out later in the summer called ‘I Shoot Rock Stars: The Wild Adventures of a Music Video Director. You can pre-order the book here: linktr.ee/IShootRockStarsInstagram @rockonteurs @guyprattofficial @garyjkemp @timpopedirector @gimmesugarproductions Listen to the podcast and watch some of our latest episodes on our Rockonteurs YouTube channel.YouTube: https://www.youtube.com/@rockonteursFacebook: https://www.facebook.com/RockonteursTikTok: https://www.tiktok.com/@therockonteursProduced for WMG UK by Ben Jones at Gimme Sugar Productions Hosted on Acast. See acast.com/privacy for more information.

David Bowie - China Girl Placebo - Every You Every Me Eurythmics - Would I Lie To You Måneskin - Beggin The Police - Roxanne Fine Young Cannibals - Johnny Come Home Michael Jackson - Baby Be Mine Maroon 5 - Payphone The Virgins - Rich Girls Queen - Another One Bites The Dust Prince - Kiss Alex Warren - Fever Dream Genesis - Invisible Touch Deacon Blue - Real Gone Kid The Dandy Warhols - Bohemian Like You The Rolling Stones - Brown Sugar Blur - Song 2 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Music critic Barry Walters joins co-hosts Whitney Terrell and Christian Barter to discuss his new book, Mighty Real: A History of LGBTQ Music 1969-2000. Walters talks about how he chose the artists that he includes in his book and explains how musicians like David Bowie, Lou Reed, Grace Jones, and Sylvester saved his life. He explores how social repression shaped and complicated work from LGBTQ bands, how queer acts like Queen were pigeonholed by music critics, and how mainstream groups like Nirvana spoke to the LGBTQ experience. He talks about his personal connection to Madonna's work and reads from Mighty Real.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by Christian Barter and Whitney Terrell.Barry WaltersMighty Real: A History of LGBTQ Music 1969-2000“George Michael's ‘Father Figure': When Love Meets Crime”|Billboard, Oct. 26, 2017“Madonna's ‘Erotica,' ‘Sex': Why Musical Masterpiece, Defiant Book Still Matter”| Rolling Stone, Oct. 19, 2017“As Much As I Can, As Black As I Am: The Queer History of Grace Jones”|Pitchfork, August 25, 2015“Sylvester: Staying Alive”|The Village Voice, Nov. 8, 1988OthersCity Boy: My Life in New York During the 1960s and '70s by Edmund WhiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On episode 156 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by film critic Jake Tropila discuss the next film in their Christopher Nolan series, The Prestige (2006). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to break down, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. Just a year after dazzling audiences with Batman Begins, Nolan returned with a film that would become one of the best films of his career, about two magicians dueling each other for the right to produce not only the best magic trick of all time, but to be the last man standing in a feud that costs more than anyone could imagine. In being a film about filmmaking as well as a stellar adaptation of the Christopher Priest novel, Nolan made his darkest, most cynical film to date; a twisted tale about the sacrifices it takes to create art, and the obsession that consumes someone when they are close to reaching an immortality level of fame. Ryan, Jay, and Jake break down their thoughts on the film, how much The Prestige is a cousin to Memento in terms of tone, where Christian Bale is within his career, why Hugh Jackman has never delivered a better performance than this, the power of David Bowie, the horrid accent of Scarlett Johansson, the logic of the film's twist, the wild differences between the film and the original novel, and if seeing/knowing a film's twist helps or hurts a film's rewatchability. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h15m. The guys will be back next week to continue their series on the films of Christopher Nolan with a review of his next film, The Dark Knight. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Los artistas con carreras longevas usualmente tienen buenos consejos. Así que nos echamos un clavado y les traemos consejos variaditos de David Bowie, Brian Eno y Robert Longo que quizá te puedan caer bien para tu carrera y quehacer creativo. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been many years and many albums since our introduction to Denmark's Kashmir, and while the line-up stayed the same, the sound has evolved. This time we check out the 2005 album No Balance Palace, with a studio legend (Tony Visconti) behind the board, and two more legends (David Bowie and Lou Reed) making appearances. Kashmir didn't work for us the first time around, will maturity and a trio of big names help us connect with the band?   Songs In This Episode Intro - Jewel Drop 9:14 - Kalifornia 11:26 - The Cynic 14:14 - The Curse Of Being A Girl 26:09 - She's Made Of Chalk 21:33 - Snowman 28:21 - Black Building Outro - No Balance Palace   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Outlouders, today for a Sunday Special we're dropping an episode of our sister podcast Unleashed into your feed... It's a little bit rogue, just like us and we think you're going to love it. You're welcome. Grace heard someone breaking into her apartment, grabbed a tennis racket, lowered her voice and screamed through the door in her mouth guard. It was not, in fact, a burglar. Mary has had it with people saying 'I Love You'. We disagree (and we love Mary, very much). Cath confesses that she dreads holidays since her divorce. Bruna lives with lupus and wakes up in pain every single day, and almost no one knows. And Grace had nits for four days and genuinely thought it was perimenopause. And the songs that changed us. Whether sitting on a school bus, lying in a delivery room, or chasing David Bowie down a street in New York, it's a lot. It's everything. It's Unleashed.In your ears today: Grace Lam, Mary Coustas, Bruna Papandrea and Cath Mahoney. The End Bits:Follow us on Instagram, DM us thoughts, feelings and questions @unleashed.showLove the show? Hit follow on Apple or Spotify — it helps other Gen X women find us.This show was produced and created by Mia FreedmanCreated and developed by Executive Producer Monique BowleySenior Producer and Audio Editor is Tina MatolovSocial Media Producer Coco LavigneSUBSCRIBE here: Support independent women's media Did you know some of our shows are now in video on the Apple Podcast app? Make sure your phone is up to date and check it out here! We’ve teamed up with Twoobs to snag a sweet discount just for our subscribers! New Mamamia subscribers get $40 off — $20 off an annual membership and $20 off your TWOOBS order. Click here to subscribe. Already a subscriber? Click here for your $20 TWOOBS discount code. T&C's apply. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Hey Talkhouse listeners, this week, I'm throwing you a rerun from a while back, but whose wisdom hasn't dimmed since 2018 when it was recorded. It's a great conversation between Steve Albini and Devo's Jerry Casale that was captured backstage at the Desert Days Festival. I grabbed this one from the archive because we recently passed the 2nd anniversary of Albini's untimely death, and there was a great Rolling Stone piece about his legacy that got me thinking. He was a very smart, sometimes controversial guy, always opinionated, but always thoughtful. Check it out and we'll see you with a new episode next week. —Josh Modell, Host of the Talkhouse Podcast  The Talkhouse Podcast recently headed out to the fantastic Desert Daze festival at Moreno Beach at Lake Perris in Southern California. When we weren't catching sets by Tame Impala, King Gizzard, and My Bloody Valentine, we recorded a trio of great talks; this week, we present the first. When I saw that both Steve Albini and Devo's Jerry Casale were going to be at Desert Daze giving talks, I knew we had to pair these two icons of alternative music. They're big fans of each other's work, and halfway through their conversation, Steve said, “This is the sort of stuff no one ever talks about. These are the questions I've had for 30 years.” Their fascinating talk takes in the beginning years of Devo's existence; their complex relationship with Neil Young; Brian Eno's proclivity for ménage à trois; the differences between poker and making records; and how the name Devo became a category alongside jocks, squares and nerds. Subscribe now to stay in the loop on future episodes of the Talkhouse Podcast. —Elia Einhorn, Talkhouse Podcast host and producer 1:01 — Start of the chat  1:14 — Introductions, names, and local sports  3:50 — On Devo straddling genres, their connection to Neil Young, and punk rock  8:14 — On the orthodoxy of punk rock culture, and reactions to politics and power structures  15:17 — On Devo's connection to the experimental and underground scene  17:58 — On lying to club owners to book shows in the '70s  19:13 — On promoting Devo's first albums, and Stiff Records  22:44 — On working with Brian Eno, their first major record deal, and meeting David Bowie  27:41 — On Devo controlling and developing their own sound  29:04 — On making “non-functional” experimental music versus dance music, and the role of taste in producing and creating  31:58 — On studio musicians working across genres  35:56 — On being compelled to create original art, regrets, and the paradox of the mainstream record industry  39:17 — On playing poker, and the psychological relationship between poker and creative personas  45:55 — On being an outsider, and Devo becoming “a badge of courage”  This episode was recorded by Keenan Kush at Desert Daze. It was co-produced by Mark Yoshizumi. The Talkhouse Podcast's theme song was composed and performed by The Range. Big thanks to Desert Daze for hosting the Talkhouse Podcast. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Here be dragons. Topics in this episode include why “Wandering Rocks” is the least Homeric episode of Ulysses, why the name “Wandering Rocks” isn't quite right, how Jason escaped the Wandering Rocks, how Leopold Bloom is a mightier hero than Odysseus, correspondences for “Wandering Rocks,” the “blind mechanism” of the Wandering Rocks, clockspeed, how to escape the labyrinth, Joyce's favorite board game, whether or not Joyce would have been a David Bowie fan, traps in “Wandering Rocks,” blood and currency, the precision of “Wandering Rocks,” and re-creating “Wandering Rocks” as street theater. Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast.   On the Blog: Ulysses & The Odyssey - Wandering Rocks Blooms & Barnacles Social Media: Facebook | BlueSky | Instagram Subscribe to Blooms & Barnacles: Apple Podcasts | Spotify | YouTube  

Hosts Victoria Gomelsky and Rob Bates interview a pair of high jewelry designers who also happen to be sisters: Ofira Sandberg and Lorraine Schwartz. The women share their family's history going back three generations in the jewelry industry, and tell how they ended up in the business despite their childhood vow not to. Lorraine and Ofira also talk about where they got their keen eye for design and how it helped their star rise as jewelers and led to relationships with several entertainment icons—including Barbra Streisand, Elizabeth Taylor, Beyoncé, and David Bowie. Finally, Ofira reveals what we can look forward to seeing on view during the pair's first time exhibiting at JCK Luxury. Title sponsor: De Beers (adiamondisforever.com)

The focus is on Starlight shows past and present, a new KC venue, tributes, anniversaries, and more. Among those in the spotlight Kesha, Elton John, Peter Gabriel, David Byrne, David Bowie, Summer Breeze, Clarence Carter, Jack Douglas, and others. Always informative and enjoyable!

You remind me of the babe! This week on 3 Guys and a Flick, we enter Jim Henson's strange, musical, puppet-filled fantasy world as we review the 1986 cult classic Labyrinth. This episode takes us through Sarah's journey to rescue baby Toby from David Bowie's mesmerizing Goblin King, Jareth. Along the way, we talk Bowie's unforgettable presence, Jennifer Connelly's early performance, Henson's ambitious puppetry, the movie's darker coming-of-age themes, the soundtrack, the creepy factor, the Bog of Eternal Stench, and whether nostalgia does a lot of heavy lifting for this beloved fantasy film. Is Labyrinth a magical cult classic, an awkward 80s fever dream, or a technically impressive movie trapped somewhere between kids' film and adult fantasy? Grab your crystal balls, watch out for helping hands, and join us as we review the good, the bad, and the absurd.

The owls are not what they seem… and neither are the costumes.This week on The Art of Costume Podcast, we reach the finale of our Dressing the Red Room: The David Lynch Series with the strange, haunting, and endlessly iconic world of Twin Peaks. Spencer and Elizabeth travel to the sleepy logging town where FBI Agent Dale Cooper searches for the truth behind Laura Palmer's murder, unpacking the unforgettable costumes of the original series and Twin Peaks: Fire Walk With Me.From Audrey Horne's effortlessly cool schoolgirl style and Dale Cooper's perfectly tailored suits to the deeply tragic world of Laura Palmer, our hosts dive into the fashion, surrealism, and visual storytelling that helped make Twin Peaks one of television's most influential cult classics. Then, special guest costume designer Jennifer Starzyk joins the podcast to reflect on her experience working as a key costumer on Twin Peaks: The Return under costume designer Nancy Steiner. Jennifer shares stories of witnessing David Lynch's creative genius firsthand, fitting Laura Dern, and even getting a taste of that famously good Lynch coffee.So pour yourself a damn fine cup of coffee and step into the Red Room.-------------------------------------CHAPTERS3:30 Summary5:16 Meet The Costume Designers7:57 Break9:01 Backwoods Wear11:52 The Teens - Bobby and Shelly15:15 Donna and James18:45 Audrey Horne20:59 The Sheriff's Departments24:01 Lucy26:13 The Townies31:14 Josie34:19 Agent Dale Cooper39:01 One-Eyed Jacks41:53 Fashion Show in Twin Peks43:41 Miss Twin Peaks Pageant47:25 The Black Lodge50:04 Twin Peaks: Fire Walk With Me50:44 Gordon Cole52:12 David Bowie?54:19 Bob59:51 Laura Palmer1:04:42 Break1:05:04 Introducing Jenn Starzyk1:06:03 Twin Peaks Memory Lane1:14:02 David Lynch Stories1:14:59 Twin Peaks: The Return1:17:25 Fitting Laura Dern1:22:01 What Defines David Lynch Style?1:25:48:18 Favorite Twin Peaks Characters?1:29:08:23 Break1:30:57:01 Stitch Rating1:31:23:17 One Costume to Rule Them All-------------------------------------

The owls are not what they seem… and neither are the costumes.This week on The Art of Costume Podcast, we reach the finale of our Dressing the Red Room: The David Lynch Series with the strange, haunting, and endlessly iconic world of Twin Peaks. Spencer and Elizabeth travel to the sleepy logging town where FBI Agent Dale Cooper searches for the truth behind Laura Palmer's murder, unpacking the unforgettable costumes of the original series and Twin Peaks: Fire Walk With Me.From Audrey Horne's effortlessly cool schoolgirl style and Dale Cooper's perfectly tailored suits to the deeply tragic world of Laura Palmer, our hosts dive into the fashion, surrealism, and visual storytelling that helped make Twin Peaks one of television's most influential cult classics. Then, special guest costume designer Jennifer Starzyk joins the podcast to reflect on her experience working as a key costumer on Twin Peaks: The Return under costume designer Nancy Steiner. Jennifer shares stories of witnessing David Lynch's creative genius firsthand, fitting Laura Dern, and even getting a taste of that famously good Lynch coffee.So pour yourself a damn fine cup of coffee and step into the Red Room.-------------------------------------CHAPTERS3:30 Summary5:16 Meet The Costume Designers7:57 Break9:01 Backwoods Wear11:52 The Teens - Bobby and Shelly15:15 Donna and James18:45 Audrey Horne20:59 The Sheriff's Departments24:01 Lucy26:13 The Townies31:14 Josie34:19 Agent Dale Cooper39:01 One-Eyed Jacks41:53 Fashion Show in Twin Peks43:41 Miss Twin Peaks Pageant47:25 The Black Lodge50:04 Twin Peaks: Fire Walk With Me50:44 Gordon Cole52:12 David Bowie?54:19 Bob59:51 Laura Palmer1:04:42 Break1:05:04 Introducing Jenn Starzyk1:06:03 Twin Peaks Memory Lane1:14:02 David Lynch Stories1:14:59 Twin Peaks: The Return1:17:25 Fitting Laura Dern1:22:01 What Defines David Lynch Style?1:25:48:18 Favorite Twin Peaks Characters?1:29:08:23 Break1:30:57:01 Stitch Rating1:31:23:17 One Costume to Rule Them All-------------------------------------

Baxie speaks with Simon Raymonde of The Cocteau Twins! Simon has just released an amazing memoir entitled “In One Ear: Cocteau Twins, Ivor, and Me”. This is a tremendous book in which Simon not only talks about the band and their unconventional way of making some of the best albums of the 1980's (and early 90's). He also talks about the legacy of his father, Ivor Raymonde, whose own credits in music include David Bowie, Dusty Springfield, The Walker Brothers, Tom Jones, and hundreds more. We also talk about his record label Bella Union Records, the state of the music industry, and about the frightening health scare that stripped him of 50% of his hearing. Just an amazing story! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app. Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

Hello everybody! The time has come to eat the last donut! What a run we have experienced. Listen in as we talk about all of the fun that was night thirteen, 8/06/2017. With originals and covers by David Bowie, Jimi Hendrix, The Rolling Stones, and Willie Nelson, buckle up or, better yet, go ahead and surrender to the flow.Thanks to phish.net for notes on these tracks.The music used in this episode is from phish.in.-----------Intro Music is from Sigma Oasis, 07/12/23.Outro Music is from Cities, 10/07/23.Follow us on our listening journey. Rate, review, subscribe, and share! Find out more details on our new members-only perks here - https://www.patreon.com/PhishPhryPod.----------- Be our friends on social! We are @phishphrypod everywhere.

¿Qué ocurre cuando la música se convierte en viñetas? En esta nueva entrega de El Café de la Lluvia, Alberto Azcueta nos guía por un fascinante recorrido entre cómics y música, desde el jazz de Billie Holiday hasta el glam de David Bowie, pasando por Jimi Hendrix, Carlos Gardel, The Ramones o el nacimiento del hip hop. En esta “Cara A” del programa descubrimos obras imprescindibles como Hip Hop Family Tree, Jimi Hendrix: Voodoo Child o La encrucijada de Paco Roca y José Manuel Casán, además de explorar cómo el noveno arte ha retratado géneros como el tango, el punk, el flamenco o el rock psicodélico. Un viaje cultural entre discos, viñetas y grandes mitos de la música popular. ☕ Dale al play y acompáñanos en este nuevo viaje sonoro y gráfico de 'El Café de la Lluvia'. ☕ Hazte socio/a de El Café de la Lluvia y forma parte de nuestra comunidad: https://elcafedelalluvia.com/hazte-socio-a-de-el-cafe-de-la-lluvia/ Escúchanos y léenos en nuestra web: https://elcafedelalluvia.com/ ▶️ Suscríbete a nuestro canal de YouTube: https://www.youtube.com/c/ElCafédelaLluvia Recibe nuestros contenidos en tu correo: https://elcafedelalluvia.com/suscripcion-newsletter/ Síguenos en redes sociales: Twitter: https://twitter.com/cafelluvia Instagram: https://www.instagram.com/elcafedelalluvia/ Facebook: https://www.facebook.com/Cafedelalluvia Tu apoyo nos ayuda a seguir dando voz a la cultura, la literatura y el pensamiento crítico. Gracias por acompañarnos ☕✨

This week, Marriage Story meets The Kings of Comedy. It's the second film in Time Sensitive history that ceremoniously ends with Queen and David Bowie's “Under Pressure.” Why can't we just give love one more chance? It's a comedy of remarriage. It's Is This Thing On? co-written and directed by Bradley Cooper, the director of 2018's A Star Is Born.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

In this episode of Jrodconcerts The Podcast, we go behind the curtain with Tiff Randol, the multidimensional artist, composer, and producer known as IAMEVE. Tiff's journey is a masterclass in artistic evolution—from her formative days interning at Philip Glass's Looking Glass Studios (where she was a fly on the wall for David Bowie's recording sessions) to becoming a powerhouse composer for major projects like Percy Jackson: Sea of Monsters and Ray Donovan. We dive deep into the technical and emotional craft behind her latest music, including the single "Desire" and her album Legacy. Tiff also opens up about her experience as a neurodivergent creator and her vital advocacy work as the co-founder of Mamas in Music, a global nonprofit reshaping the industry infrastructure for caregivers and mothers. Inside the Episode: The Creative Hack: The power of splitting time between the industry energy of the West Coast and the sanctuary of Upstate New York. Leaning Into the Shadows: Navigating the dark electronic textures of her single "Desire" without losing herself in the process. The Bowie Influence: What it was like seeing David Bowie and Philip Glass work in the studio and how that shaped her technical "hybrid language." Neurodivergence as an Advantage: Why having a "different process" can be a secret weapon for creative world-building. Mamas in Music: The mission to dismantle the "disappear or burnout" expectation for mothers in the industry. From Screen to Sound: The visceral feeling of hearing her compositions in a movie theater and on hit television series. Connect with the Guest: Official Website: IAMEVEAMI.com Instagram: @iameveami Connect with Jrodconcerts Media: Follow on Instagram: @jrodconcerts Follow on Threads: @jrodconcerts Website: jrodconcerts.com If you enjoyed this episode, please leave a review on Apple Podcasts and subscribe for more deep-dive interviews with the artists and visionaries shaping our musical history. ___ Support the show: CVS Healthy: Download the app at https://CVS.com/app Learn more about your ad choices. Visit megaphone.fm/adchoices

El cuento que vais a escuchar hoy nos traslada a un Japón antiguo, marcado por la guerra, el honor y la culpa. Una historia de lealtad y deuda, pero también de errores irreparables. Durante diecisiete días de lluvia incesante, un joven se enfrenta a una tarea imposible: ayudar a morir a quien ha sido su maestro… y casi su padre. Óscar Navas (Mataró, Barcelona, 1975) es oficialmente ingeniero informático, aunque lleva tiempo programando pesadillas. Ha participado en más de setenta antologías, moviéndose con soltura entre el terror, la ciencia ficción —con especial atención al steampunk— y la fantasía. Entre sus reconocimientos destacan ganar el I Concurso Terror en Voz Alta, dedicado a la ficción sonora, la selección en Fabricantes de sueños 2016-2017 (Pórtico-AEFCFT), o quedar finalista en el II Concurso de Relatos del Golem Fest (2023) y en el XXVIII Certamen Domingo Santos (2019, Pórtico-AEFCFT). Su primer título en solitario, La máquina del despertar, inauguró la colección PulpStories de Cazador de Ratas Editorial, dedicada a recuperar el espíritu del bolsilibro. Varias de sus historias han pasado del papel al audio: iTrust, El hambre, Un dedal de sangre o Las que pintaron la oscuridad han tenido versión en audiorrelato. Además, otras narraciones han formado parte como artista invitado en varias giras de De Viva Voz por España, donde se leyeron en público junto a homenajes a Poe y Lovecraft. Le interesan los fantasmas, el tiempo y la muerte. Cree que el mundo sería mejor si se leyera más a Ray Bradbury y David Bowie fuera una religión. - Narración: Juan Carlos Albarracín - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia - Imagen: Pixabay, con licencia https://pixabay.com/es/illustrations/samurai-guerrero-japon%c3%a9s-espada-2306032/ ------- Contrata tu IVOOX PREMIUM anual desde este enlace y además de obtener un suculento 50% de descuento y de poder escuchar TODOS los programas de esta plataforma sin publicidad, estarás ayudando a sostener Los Cuentos de la Casa de la Bruja: https://www.ivoox.vip/premium?affiliate-code=27e5799d254c8a29ecdab3d8d5bfa96f ------- Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor ------- CONVOCATORIA ABIERTA – Los Cuentos de la Casa de la Bruja. ¿Eres escritor o escritora y te gustaría escuchar uno de tus relatos narrado en el podcast Cuentos de la Casa de la Bruja? Estoy abriendo la puerta a autores emergentes que quieran compartir relatos originales dentro del tono del programa: historias de terror y ciencia ficción con atmósferas inquietantes, elementos fantásticos, oscuros o insólitos, y una cuidada calidad literaria. ¿QUÉ TIPO DE RELATOS BUSCO? • Relatos de terror y ciencia ficción • Con una extensión de entre 3.000 y 4.000 palabras • Con una narrativa sólida, buen uso del lenguaje y que se presten a ser narrados en voz • Textos originales e inéditos (o que al menos no estén vinculados a compromisos editoriales) ¿CÓMO PARTICIPAR? Puedes enviar tu relato en formato Word o PDF a info@locucioneshablandoclaro.com con el asunto: Relato para el podcast. Acompáñalo, si quieres, de una pequeña nota biográfica para que pueda presentarte adecuadamente. IMPORTANTE: La recepción de un relato no garantiza su publicación. La selección dependerá de criterios narrativos, temáticos y de estilo, siempre con el objetivo de mantener la atmósfera y el nivel que caracterizan al podcast. ¡No se trata de emitir juicios definitivos sobre ningún autor o texto! Yo no soy crítico literario, ni pretendo serlo. Se trata de encontrar aquellos textos que mejor encajen con el universo del programa. Si tu relato es elegido me pondré en contacto contigo. En caso contrario agradeceré igual tu confianza y el gesto de compartir tu trabajo. Gracias por hacer crecer esta casa con tu obra. ¡Espero leerte! Juan Carlos “Corman” Albarracín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

What happens when a Black icon refuses to make white audiences comfortable? Today, we're sharing a preview of a new podcast, Big Lives, and a special episode about Muhammad Ali. Every week, hosts Kai Wright and Emmanuel Dzotsi dig into the BBC archive to explore the story behind the icons who shape our culture—trailblazers like David Bowie, Amy Winehouse, and Tina Turner—and better understand how each legend set the stage for our contemporary cultural landscape. This episode traces Muhammad Ali's BBC interviews—full of swagger and wit, fury and fallout—to reveal how he reshaped media, protest and public speech. If you like what you hear, find more episodes of Big Lives wherever you get your podcasts. Show link: https://lnk.to/BBCSportly Host: Kavitha A. Davison | Producer: Paroma Chakravarty I Executive Producer: Saadia Khan | Fact Checking and Research: Paroma Chakravarty I Sound Designer & Editor: Paroma Chakravarty I Sportly Theme Music: Simon Hutchinson | Other Music: Epidemic Sound | Cover Art Graphic Designer: Sarah DiMichele Please share the love and leave us a review on Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify to help more people find us!  You can reach the host, Kavitha, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠kavitha@immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Find Sportly on Instagram @sportlypod Follow us on TikTok @immigrantly  Sportly is an Immigrantly Media Production For advertising inquiries, you can contact us at info@immigrantlypod.com Want to go deeper into your own identity? Download Belong on Your Own Terms, the app helping first-gen, second-gen, and third-culture kids reclaim belonging on their own terms.  link below ⁠http://studio.com/saadia⁠ Join us in creating new intellectual engagement for our audience. You can get more information at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://immigrantlypod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Remember to subscribe to our ⁠⁠⁠Apple podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠channel⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for insightful podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Actor, producer, writer, and Robot Chicken co-creator Seth Green digs into David Bowie's landmark 1971 album Hunky Dory, exploring Bowie's transformation into a global icon, the brilliance behind songs like “Changes” and “Life on Mars?,” and how the record's fearless creativity still resonates today. Follow Seth on Instagram: https://www.instagram.com/sethgreen/ Distrokid Artist of the Week: Ista https://www.youtube.com/watch?v=RmZO9mHNIIQ Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Cold War Protest Songs, Punk Anthems, and Nuclear Pop Culture CollideWhy did the Cold War produce generations of unforgettable protest songs while today's crises barely inspire a mainstream anthem? In this electrifying episode of History Rage, host Paul Bavill welcomes back historian, author, and Imperial War Museum senior manager Fraser McCallum to trace the history of protest music from folk ballads and Bob Dylan through punk, hip hop, Live Aid, and Cold War pop classics.From Two Tribes and 99 Red Balloons to Fortunate Son, London Calling, and Born in the USA, Fraser explores how music became the soundtrack to nuclear fear, civil rights, Vietnam, Thatcherism, and the fall of the Berlin Wall. Along the way, the pair discuss why protest songs once dominated Top of the Pops and ask the big question: where have all the decent protest songs gone?Expect passionate debate on:Bob Dylan and the birth of modern protest music Folk traditions, skiffle, and anti-war ballads Vietnam War classics like Fortunate Son and Paint It Black Punk, Thatcherism, and London Calling Nuclear anxiety in Two Tribes and 99 Luftballons Bruce Springsteen, David Bowie, and Cold War Berlin Why modern artists rarely risk overt political protest songs Fraser also shares fascinating insights into how pop culture and Western music seeped through the Iron Curtain, influencing East Germany and the wider Cold War world.Fraser is the author of Cold War Britain.Buy the book from the History Rage Bookshop here: https://uk.bookshop.org/a/10120/9780008743994Listen to Fraser's specially curated Cold War soundtrack playlists: Apple Music Playlist: https://music.apple.com/gb/playlist/cold-war-britain-the-soundtrack-to-the-book/pl.u-NRp7s3pq7oSpotify Playlist: https://open.spotify.com/playlist/2lZ7HBrKKyBj31wXKXx2nq?si=-jyLeTguToieWb87K3CG3A&pi=0lbsCZu1SV2xV&nd=1&dlsi=0de49b8d828a4db0Fraser will also be hosting the IWM History Festival at IWM Duxford on 13–14 June 2026, featuring leading historians, authors, and live discussions surrounded by iconic wartime aircraft. Tickets available here: https://www.iwm.org.uk/events/iwm-duxford/iwm-history-festivalFollow Fraser McCallum and the Imperial War Museum online: https://www.iwm.org.uk/Love the show? Support History Rage by subscribing, leaving a review on Apple Podcasts or Spotify, and sharing the episode on social media.Follow and contact History Rage: Website: https://historyrage.com/ X: https://x.com/historyrage Facebook: https://www.facebook.com/historyrage/ Instagram: https://www.instagram.com/historyrage/ Hosted on Acast. See acast.com/privacy for more information.

Degens Andy S and Brandon Bombay head to a center for ants to talk about the 2001 comedy classic, 'Zoolander.' Bombay is the first to walk the runway, as he harkens to the gas pump fight scene by telling a story that involved a dangerous gasoline fire when he was a teenager. Then the guys discuss a movie that was basically an extended sketch premise stretched thin at only 89 minutes, but still worked and became a cultural powerhouse thanks to a stacked cast and an onslaught of laughs. Not only did he star, but Ben Stiller also directed this movie packed with quit-cutting wild energy, and overflowing with celebrity cameos. A few of the standouts being a post-'Titanic' Billy Zane, and the effervescent David Bowie who gets beckoned to call Stiller and Owen Wilson's epic walk off. The flick is packed with countless examples of himbo idiocy humor, and in a movie filled with gorgeous faces it's Christine Taylor's perfect face, and perfect delivery as the straight person that helps ground it. Not only did the film give us laughs, but it also provided the signature Blue Steel look that was a joke in the early 2000s, and later became the de facto face both men and women default to in photos for the social media era. After listening to this off-the-rails recording you'll agree that it's a really, really, really ridiculously good episode. 

So folks ask me to do more nonfiction on this podcast, and while I admit that it is a bit of a stretch to call today's book pure nonfiction, I at least think that it's closely aligned. It's not a biography, though. Consider it more of a personal memoir from 1962. In essence, it's the true story of Andy Warhol's extended family, written by one of his nephews. Sadly, James Warhola didn't continue to make much in the way of children's books (though he did make a sequel to this book called Uncle Andy's Cats). We discuss everything from David Bowie's depiction of Andy in the film Basquiat, to creepy ventriloquist dummies, to what you should do if roughly a dozen members of your extended family show up at your door (answer: put them to work). For the full Show Notes of this week's episode, please visit: https://afuse8production.slj.com/2026/05/11/fuse-8-n-kate-uncle-andys-by-james-warhola/

Ce 11 mai, dans RTL2 Pop-Rock Station on ouvre le bal avec Led Zeppelin et "Immigrant Song". La sélection réunit Depeche Mode, Electric Light Orchestra, Justice, Iron Maiden, Matmatah, Grant Lee Buffalo, The Doors, Pink Floyd, The Knife, Blur, Cream ou encore David Bowie. L'animatrice célèbre par ailleurs le 85e anniversaire d'Eric Burdon en diffusant "Bury My Body" de The Animals. Au registre des nouveautés, Jack White s'illustre avec "G.O.D and the Broken Ribs". Les Vendéens de Dynamite Shakers dévoilent "Cinema", tandis que Saint Agnes fait résonner "The Ghost". Marjorie Hache salue le retour de Paul McCartney, épaulé par Ringo Starr, Chrissie Hynde et Sharleen Spiteri sur "Home To Us". La primeur du jour nous vient du groupe londonien Deary, qui offre de douces sonorités shoegaze ravivant le souvenir des Cocteau Twins avec le titre "Alfie". L'album de la semaine met à l'honneur la Suédoise Lykke Li et son sixième disque aux accents pop revancharde, "Afterparty", illustré aujourd'hui par le morceau "Lucky Again". Enfin, la reprise de la soirée rend un vibrant hommage à George Michael, disparu il y a tout juste dix ans : le groupe Gossip, brillamment mené par la voix de Beth Ditto, s'approprie avec intensité l'inoubliable hymne "Careless Whisper". Led Zeppelin - Immigrant Song Jack White - G.O.D. And The Broken Ribs Animals - Bury My Body Arcade Fire - No Cars Go Justice - Neverender (Feat. Tame Impala) Iron Maiden - Run To The Hills Matmatah - Casi El Silencio Lykke Li - Lucky Again Electric Light Orchestra - Mr Blue Sky Grant Lee Buffalo - Fuzzy The Doors - L.A Woman Dynamite Shakers - Cinema Gossip - Careless Whisper Depeche Mode - Wrong Mesh - I Bleed Through You Pink Floyd - Have A Cigar Rammstein - Benzin Saint Agnes - The Ghost David Bowie - Rebel Rebel Paul McCartney & Ringo Starr - Home To Us Deary - Alfie Billy Idol - Eyes Without A Face The Knife - Heartbeats Cream - White Room Blur - French SongHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us Fan MailPrepare for immediate transport to the golden era as you enter the Retro Wave Zone with the Back in Time Brothers. This week, Lou and DJ Paulie are blasting off into the great unknown to explore the "Space Jams"—a cosmic mix of space-themed music, cinematic masterpieces, and chilling UFO encounters.The Countdown: Top 10 Space TracksDJ Britt leads us through a stellar countdown of tracks that defined our obsession with the final frontier.The Heavy Hitters: From the improvisational 1972 anthem "Space Trucking" by Deep Purple to the funky hip-hop transmissions of the Beastie Boys' "Intergalactic".Atmospheric Voyages: Dive into the "spacey" vibes of Radiohead's "Subterranean Homesick Alien" and the high-energy reflection of Switchfoot's "Stars".The Legends: Experience Elton John's lonely journey in "Rocket Man" and the spiritual poetry of The Beatles' "Across the Universe".The Major Tom Connection: We follow the character's evolution from Peter Schilling's synth-pop hit "Major Tom" to the ultimate double-shot from the "Man Who Fell to Earth," David Bowie, with "Starman" and "Space Oddity".The Silver Screen & The Small ScreenThe brothers break down the greatest sci-fi franchises and series of all time:Cinematic Giants: A countdown featuring the physics-bending visuals of Interstellar , the survival grit of The Martian , and the undisputed king of space opera, Star Wars.TV Classics: From the 80s nostalgia of Stranger Things and the truth-seeking of The X-Files to the legendary, mind-bending marathons of The Twilight Zone.Screen Talk: The Dark Side of Sci-FiTodd Snyder joins the show for a special "Screen Talk" segment, uncovering the deadly and dystopian side of the genre. He explores the tragic onset accident of Twilight Zone: The Movie , the global bans of A Clockwork Orange , and the bizarre production disasters of The Island of Dr. Moreau.UFO Files: Encounters of the Retro KindLou and Paulie dive into ten of the most compelling UFO stories in history. They discuss the Roswell incident , the mass sighting of the Phoenix Lights in Arizona , and the terrifying abduction story of Travis Walton.Don't forget to tune in!Check out all our episodes at www.backintimebrothers.com or find us on iTunes and Spotify. It's time to rock and roll through the cosmos!Support the showThanks for listening.  Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

RU395: KATELAN FOISY & VANESSA SINCLAIR ON GLITCHCRAFT, THE THIRD MIND & THE CUT-UP METHOD https://renderingunconscious.substack.com/p/ru395-katelan-foisy-and-vanessa-sinclair Join Rendering Unconscious Podcast at Substack for all new and archival episodes: https://renderingunconscious.substack.com Today we have a special episode of Rendering Unconscious! The inimitable Keats Ross interviewed Katelan Foisy and I a while back for his podcast Pragmagick, and he's kindly allowed me to share it here with you all in preparation for our upcoming class, which begins THIS SUNDAY, May 10th at 7PM Stockholm (1PM NYC): Expand Your Art or Writing Practice Using the Cut-up Technique of David Bowie and William Burroughs, with Dr. Vanessa Sinclair and Author Carl Abrahamsson: https://www.morbidanatomy.org/classes/p/make-your-own-magical-artwork-using-the-cut-up-technique-of-david-bowie-and-william-burroughs-with-dr-vanessa-sinclair-and-author-carl-abrahamsson We'll be meeting online for 4 consecutive Sundays (May 10-May 31) for 90 minutes. Katelan will be joining Carl Abrahamsson and I as our special guest. All classes will be recorded so you may watch them at your own pace. Follow Katelan Foisy: https://linktr.ee/katelanfoisy Follow Keats Ross: https://linktr.ee/pragmagick Follow Carl Abrahamsson: https://linktr.ee/CarlAbrahamsson Follow Vanessa Sinclair: https://linktr.ee/renderingunconscious RU News & Events: Our next Intro to Psychoanalysis class will meet THIS Saturday, May 9th! We will be discussing the final period of Freud's life, looking at his later works, beginning with Group Psychology and the Analysis and the Ego (1921). We'll also take a look at The Question of Lay Analysis (1926) and the life and work of Theodor Reik, and Marie Bonaparte's role in helping Freud escape the Nazis. All paid subscribers at RU Center are automatically enrolled in this course. You may join us anytime, as this class will be recorded and archived at RU Center for Psychoanalysis and all previous classes in this series are archived under CLASSES. https://rucenterforpsychoanalysis.substack.com/t/classes Then, on Wednesday, May 20th, we have our next LIVE Rendering Unconscious Podcast! Dr. Klara Naszkowska and various contributors to the Gradiva award winning book Early Women Psychoanalysts will be joining us to present their work. All paid subscribers to RU Center for Psychoanalysis and Rendering Unconscious podcast will receive the zoom link to attend this event live and the recording will be archived at both Substacks. https://rucenterforpsychoanalysis.substack.com https://renderingunconscious.substack.com Full archive of RU Center events and CLASSES HERE: https://rucenterforpsychoanalysis.substack.com/t/classes See RU Center SCHEDULE OF EVENTS HERE: https://rucenterforpsychoanalysis.substack.com/p/schedule Rendering Unconscious is also a book: Rendering Unconscious: Psychoanalytic Perspectives, Politics & Poetry vols 1:1 & 1:2 (Trapart Books, 2024): https://amzn.to/4sOqSEu Thank you for being a paid subscriber to Rendering Unconscious Podcast. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including new, future, and archival podcast episodes. It's so important to maintain independent spaces free from censorship and corporate influence. If you are interested in pursuing psychoanalytic treatment with me, please feel free to contact me directly: www.drvanessasinclair.net/contact/ Thank You.

Laura Donefer is known for artwork that pushes boundaries by exploring memory, assault, bereavement, joy and madness. Celebrated for her innovative, colorful blown glass and flameworked Amulet Baskets, the artist has been using glass as the primary medium in her work for over 40 years, all while teaching, promoting the glass arts worldwide, and producing her unforgettable Glass Fashion Show (GFS). Donefer has produced 15 of her extraordinary fashion shows, many for the Glass Art Society (GAS). In fact, at GAS Murano 2018, her remarkable and ground-breaking event included 33 glass costumes worn by models as they glided past thrilled onlookers through the canals of Murano, Italy.  Award-winning documentary filmmaker David Marshall of Blue Sky Projects Films has undertaken a years-long documentary project dedicated to capturing both the history of Donefer's GFS and the work artists are undertaking to present a captivating and memorable show at GAS's June 2026 conference to be held at the Corning Museum of Glass, Corning, New York. Writes Donefer's assistant and GFS participating artist, Jennifer Hand: "Ten years ago this June, Rik Allen stepped onto a catwalk at the Corning Museum of Glass in a full astronaut getup accompanied by David Bowie's Major Tom and changed my life forever. I found my community in the rapturous throng of creative, compassionate and collaborative humanity who cheered alongside me that night: Die-hard lovers of glass art united by the magnificent spectacle of Laura Donefer's Glass Fashion Show. It was my first Glass Art Society conference, and though the days before the grand finale had been filled with inspiring content and exciting connections, nothing could have prepared me for the cascading emotions I felt witnessing the wild, weird wonder of the artists who had spent years creating costumes for this one-night-only performance. It would have been inconceivable to me at the time, but two short springs later, I danced in my own glass costume on Murano's grand canal to an equally exuberant crowd. It may be challenging for those who have not had the pleasure of attending one of these happenings to fully appreciate their splendor, but for prior participants and audience members alike, the verdict is unanimous - there is nothing on earth like the GFS. Since Donefer hosted the inaugural show at the first Canadian GAS Conference in 1989, she has traveled around the world putting on versions of the event - including several at Corning, Toledo and Toronto, and one particularly raunchy romp in New Orleans. AACG member Beth Hylen, who has been in every glass fashion show except the first, credits the events with transforming her from a quiet librarian to a glassy diva. Hylen describes that experience as a "dream," saying, 'Strutting on the stage is so much fun. The energy behind the scenes is electric, and Laura encourages us to energize our performance on stage. I love working for months creating weird and wonderful wearable glass, and there's nothing like watching the artists who put so much time to create their creations seeing it all come together.' An evening of transcendent beauty is arguably an end goal in itself, but the GFS has impacts far beyond the moment when the last bow has been taken and the last shard of glass swept from the stage. In the years leading up to each fashion show, Donefer provides her encouragement, advice and mentorship to each participant, building a sense of community and modeling her style of unapologetically ebullient leadership to each new generation of GFS artists. GFS veterans seeing each other in the wild at glass world events have a unique bond, and, if we're being fair, an almost evangelical zeal to lure outsiders into the fandom. Neither Donefer nor the models and artists for the performance are compensated for their time, materials or travel to participate - they work their glassy magic into exquisite wearable art out of sheer love of the community and the desire to make the audience gasp in astonished joy.. When Donefer delivers lectures on the history of the Glass Fashion Show, she shares a multitude of stories from her decades leading this singular aspect of the glass field - friendships made, injuries narrowly avoided, and institutional boundaries skirted. Profound storyteller that she is, her lectures are equal parts entertaining and educational, but alone they cannot tell the full story of this cultural phenomenon. Recognizing the magnitude of Donefer's contribution to the trajectory of the glass community, award-winning film maker David Marshall of Blue Sky Projects Films has undertaken a years-long documentary project dedicated to capturing… the Glass Fashion Show…  Marshall has begun filming interviews with Donefer and her participating artists, including teams from Murano, Hilltop Artists in Tacoma and Project Fire in Chicago. Film crews will also be on hand in Corning this June to do cinematic justice to the detail and exquisite skilling of this year's costumes, which have been mandated by Donefer to be the most extravagant ever - headpieces, footwear, and head-to-toe glass on every model. Between the passion and labor of the artists and Marshall's thoughtful filmmaking, the documentary will properly honor and record the unparalleled contributions Donefer has made to glass history." Enjoy this podcast conversation with Donefer, Hand, and participating artists Susan Bloch and Hylen, about their memories of and contributions to the Glass Fashion Show. Supporters of Donefer's Glass Fashion Show are welcome and encouraged to donate via GoFundMe to help defray the costs of production. Executive Producer credits are available above a certain threshold of donation, and inquiries can be sent directly to Donefer at lauraglassfashion2026@gmail.com. To donate, please visit: https://gofund.me/3e4039468

In what promises to be the snappiest episode of the podcast to date, we do a deep dive into the early years of Mike Allred's signature creation, Frank Einstein (sometimes but not exclusively also known as “Madman” in the comics themselves) at Tundra Publishing and Dark Horse Comics. Born of a desire to fuse existentialism with costumed adventure, Allred mixes ‘50s sci-fi movies, Silver Age comics, David Bowie lyrics, a dash of Mary Shelley and J.D. Salinger, and a whole lot of other influences and ingredients. With heart-on-its-sleeve earnestness tempered by gonzo absurdity, Madman asks the big questions: What makes us human? Is evil necessary to define good? Does God exist? But most importantly: Isn't it super-neat-o to have a girlfriend?Discussed in this episode: Madman #1-3, Madman Adventures #1-3, Madman Comics #1-10, plus material from Creatures of the Id #1 (recently and conveniently collected as Madman Omnibus Volume 1 from Dark Horse Comics)Man oh man, did you know you can back the podcast and get a monthly newsletter and Fifth Week Bonus episodes at patreon.com/ironageofcomics?

Rosebud has been on its first international road trip, to New York City. In this episode, Gyles and Harriet chat about their trip... about how they gossiped for 15 hours straight on the flight over, about being guests of the Queen at the New York Public Library and seeing Pooh Bear, Kanga, Eeyore, Tigger, Piglet and the new Roo, and about Anna Wintour giving Gyles an unexpected compliment. In the second half of the show, Gyles talks to Josh Ellis, one of Broadway's most distinguished Press Agents, who worked on productions such as 42nd Street, Into the Woods, The King and I, The Elephant Man and The Life and Adventures of Nicholas Nickleby. He tells Gyles insider tales about some of the stars he worked with during his long career, including Yul Brynner, Rex Harrison, Katharine Hepburn, Eartha Kitt, Cher, David Bowie and Ethel Merman. It's fascinating, and gives a real flavour of life at the heart New York's theatre land.Our thanks for Josh Ellis for this fun and fascinating conversation. Our thanks to New York City for being fabulous. And our thanks to you for listening. Enjoy this. Hosted on Acast. See acast.com/privacy for more information.

JF León ha comparado el 'Ice Ice Baby' de Vanilla Ice y 'Under Pressure' de Queen y David Bowie. Ha puesto el foco en su icónica línea de bajo, compuesta por John Deacon, que Vanilla Ice utilizó sin acreditar. Tras el éxito del tema, el caso acabó en acuerdo extrajudicial y con los autores originales reconocidos.

Our exit today has us stepping through the door and we're floating in a most peculiar way. This week, we are talking about Mr. Deeds, written by Tim Herlihy and directed by Steven Brill. And we have brought along our most frequent passenger, Mitchell Beaupre!Along the way, we of course compare the film to Tripp's beloved 1936 original, talk a lot of Adam Sandler and Winona Ryder, think about the purpose of remakes, and even talk The Coen Brothers, Charles Laughton, John Woo, Richard Pryor, Billie Eilish, shoplifting, DVD collecting, Tripp's childhood goldfish, and a little David Bowie.And listen to some behind the scenes exploits where we finally learn if Ross actually listens to what Tripp is saying!Theme music by Jonworthymusic.Powered by RiversideFM.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CFF Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with Ross and friends.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies We've Covered on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Movies Recommended on the Show⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd.

Join LaTangela as she chats with Stephanie Spruill, Vocal and Dialect Coach of Lionsgate/Universal Pictures biopic MICHAEL. Legendary Grammy Award-winning vocal coach, singer, author and producer brings decades of experience to the big screen as the vocal coach behind the voices of Lionsgate/Universal Pictures biopic MICHAEL. Spruill's role was pivotal, coaching the film's cast to authentically capture the vocal tone, phrasing, and performance style that defined Michael Jackson's global legacy. Her expertise helped shape performances that honor not just the music but the emotional and artistic depth of one of the greatest entertainers of all time. The film features an all-star cast. Spruill is one of the most recorded background vocalists in music history, contributing to thousands of albums and performing before global dignitaries including the Emperor of Japan, the Queen of England, and the King of Spain. Her unmatched career includes collaborations and tours with icons such as Whitney Houston, Aretha Franklin, John Legend, Mary J. Blige, Tina Turner, Julio Iglesias, Donald Byrd, Glen Campbell, Donna Summer, Barbra Streisand, Elton John, Quincy Jones, Ricky Martin, David Bowie and more - along with performing and recording with Michael Jackson himself. Beyond performance, Spruill has dedicated her life to developing the next generation of artists through being the founder of Spruill House Music, Inc., School of Voice & Arts Development, and as the author of "17 Points to Longevity in Show Business." Watch full episode HERE Chime in: www.LaTangela.com RADIO - WEMX- Baton Rouge, La. Mon-Fri 10a.m.-3p.m.CST KTCX - Beaumont, Tx. Mon-Fri 3-8 CST KMEZ - New Orleans, La. Mon-Fri 7p.m. - mid WEMX Sundays 6a.m. KSMB Sundays 6a.m .WWO - YouTube - #LaTangelaFay Podcast - ALL digital platforms - #iTunes #Spotify #WEMX www.LaTangela.com www.TanTune.com Special Thank You - Gordon McKernan Injury Attorney - Official Partner #GordonGives #TanCares #225BulletinBoard TanTune #POOF POWER OVER OBSTACLES FOREVER GT Legacy Auto The Fiery Crab Reliable Auto Paint & Body Hair Queen Beauty Super CenterSee omnystudio.com/listener for privacy information.

Send us Fan MailHi everybody and welcome to Attendance Bias. I am your host, Brian Weinstein. Before we get started with today's episode, I just want to remind everyone that if you enjoy the podcast, you can show your support by leaving a rating and review of it wherever you get your podcasts. You can also visit www.buymeacoffee.com/attendancebias and donate anything you can to keep the podcast going. Now, onto today's episode:Today's guest, Shoheen Owhady, is the keyboard player for Uncle Ebeneezer, a Phish cover band based out of New Jersey, AND the keyboard player for The Dude of Life Band. And it just so happens that today's show we discussed: July 3, 1995 at Sugarbush Mountain in Vermont, is Page's show. Between Strange Design, Loving Cup, A Day in the Life, and monster solos in The Squirming Coil, Possum, and David Bowie, this is one that anyone interested in Phish keyboards should pay extra close attention. Then, just as important as the music, is the context. On Attendance Bias, we talk about different eras and milestones that certain shows represent. There's a pretty strong argument that this show on the mountain was the end of an era. It was the last show the band would play before the death of Jerry Garcia, and we all know how that would affect the Phish scene started just a few months later in the fall of 1995. It was also the last Phish show to be played in their home state of Vermont until 1997, and the last major show to be played there until the Coventry festival in 2004. As we discuss, the end of an era.But in between that is all the passion for the music. Phish played Sugarbush the previous year in the summer of 1994–a show immortalized as a highly tradeable tape and released as one of the original Live Phish albums. The band decided to double-down for 1995 and play two nights, complete with on-site camping. When you hear Shoheen describe the crowd and hear his story of how he got in, it's no wonder that the band would produce their own festival, The Clifford Ball, the following year.There's so much more, though. Let's join Shoheen to discuss the evolution of Simple, the Sigma Oasis album, and how a moose ends up on stage on July 3, 1995 at Sugarbush Mountain.Support the show

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hall of Fame in the 2000s. In Part 2 of this encore episode from 2017, Chris Molanphy examines how Summer became the queen of disco … and then transcended that role altogether.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hall of Fame in the 2000s. In Part 2 of this encore episode from 2017, Chris Molanphy examines how Summer became the queen of disco … and then transcended that role altogether.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hall of Fame in the 2000s. In Part 2 of this encore episode from 2017, Chris Molanphy examines how Summer became the queen of disco … and then transcended that role altogether.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Steve, Dana, and Julia convene once more for a rousing Gabfest. First up, it's Mother Mary. David Lowery's strange psychodrama centers on a pop star, played by Anne Hathaway, reuniting with her estranged friend and costume designer, played by Michaela Coel, and the menacing piece of red chiffon that haunts them both. Next, they turn to another pair of mothers in Margo's Got Money Troubles. The new series stars Elle Fanning as a new single mom— and Michelle Pfeiffer as her mom— who turns to OnlyFans to make ends meet. Finally they welcome back Gabfest favorite Caity Weaver to dish on her epic quest to find the best free restaurant bread in America— as chronicled in her hilarious and insightful piece in The Atlantic.In an exclusive bonus episode for Slate Plus subscribers, Julia shares a behind-the-scenes peek into the founding of her new local media startup L.A. Material. EndorsementsDana: The completely unscripted shows of The Improvised Shakespeare Company—on tour now.Caity: The live album Sam Cooke at the Copa, especially the song "The Best Things in Life Are Free"—the best bread certainly is.Julia: The sitcom The Fall and Rise of Reggie Dinkins which really hits its stride after a few episodes.Steve: The novel The Go-Between by L.P. Hartley as well as Paul Buchanan, of the band The Blue Nile, covering David Bowie's "Ashes to Ashes."--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Steve, Dana, and Julia convene once more for a rousing Gabfest. First up, it's Mother Mary. David Lowery's strange psychodrama centers on a pop star, played by Anne Hathaway, reuniting with her estranged friend and costume designer, played by Michaela Coel, and the menacing piece of red chiffon that haunts them both. Next, they turn to another pair of mothers in Margo's Got Money Troubles. The new series stars Elle Fanning as a new single mom— and Michelle Pfeiffer as her mom— who turns to OnlyFans to make ends meet. Finally they welcome back Gabfest favorite Caity Weaver to dish on her epic quest to find the best free restaurant bread in America— as chronicled in her hilarious and insightful piece in The Atlantic.In an exclusive bonus episode for Slate Plus subscribers, Julia shares a behind-the-scenes peek into the founding of her new local media startup L.A. Material. EndorsementsDana: The completely unscripted shows of The Improvised Shakespeare Company—on tour now.Caity: The live album Sam Cooke at the Copa, especially the song "The Best Things in Life Are Free"—the best bread certainly is.Julia: The sitcom The Fall and Rise of Reggie Dinkins which really hits its stride after a few episodes.Steve: The novel The Go-Between by L.P. Hartley as well as Paul Buchanan, of the band The Blue Nile, covering David Bowie's "Ashes to Ashes."--Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Singer, songwriter, and guitarist St. Vincent is known for her powerful guitar riffs and dark, poetic songs. Her early influences were Nirvana and David Bowie. “I've always felt like gender and identity were a performance. I've been aware of that since I was a young child and learning how to code switch growing up in Texas,” she told Terry Gross in 2024. She's backed by an orchestra at London's Royal Albert Hall on her new live album.  Book critic Maureen Corrigan reviews Nancy Foley's debut novel ‘I am Agatha,' and TV critic David Bianculli reviews the brief return of the TV sitcom ‘Malcolm in the Middle.' To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy