Podcasts about eastern europeans

Comedian and host of the 2 Goons podcast, JJ Lieberman, joins the pod.  Alex fills in JJ on his landlord drama, and JJ says the recording studio is nicer than his apartment. In the current political climate, Drago admits that no one is coming after the Serbians in America. As a bi man, JJ discusses the difference between Eastern European men's and women's builds. JJ shares more about his podcast, 2 Goons, where he and Che Durena interview adult film stars. It's shocking how much these creators are making, and JJ points out the similarities between comedians and adult film stars.   Give JJ a follow on Instagram: https://www.instagram.com/jjlibermanlive/?hl=en  JOIN THE PATREON FOR A WEEKLY BONUS EPISODE AND EARLY ACCESS TO REGULAR EPISODES: https://www.patreon.com/youreanidiot  Buy tickets to Alex's upcoming shows here: https://linktr.ee/alexdrag

The main show is still on holiday so here are some more questions from our excellent Patrons. Mike and Rob join Martyn for this one in February this year and the questions include: How was football consumed between 1988 and 1995? Which of Fergie's Cup Winners' Cup triumphs was the most unlikely? What were the great nearly matches in footballing history? Where did 'crack' Eastern European side come from? And a lot more! If you want weekly exclusive bonus shows, want your episodes without ads and a couple of days earlier or just want to support the podcast, then head over to patreon.com/NessunDormaPodcast where you can subscribe for only $3.99 a month. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Summer is one of the most exciting seasons across the 16 Central and Eastern European countries where Josiah Venture serves. Local churches are gearing up for camps, short-term teams are arriving, and perhaps one of the most energizing parts of the season—our summer internship program—is officially underway. This program welcomes college students and young adults passionate about spreading the gospel. Interns share their experiences, starting with their Amazing Race team-building exercise and subsequent training in the Czech Republic. In this episode, interns Rosie Kaminski and Inita Gutmane recount their journey to joining the program, experiences during the Amazing Race, training sessions, and the impactful work they are involved in. Connect with Us: Follow @josiahventure on Instagram Learn more about Josiah Venture at josiahventure.com Contact: social@josiahventure.com Online Prayer Room Summer Internships   Subscribe & Share: If you enjoyed this episode, please subscribe, leave a review, and share it with a friend or on your social media. Thank you, friends, and have a blessed day!

David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day.   After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame.   Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com.     About the Guest:   David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice.   His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey.   David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur.   David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David:   Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset.   David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it.   Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up.   David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could.   Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept   David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way.   Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned.   David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true.   Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the   David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially.   Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things.   David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package.   Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today,   David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent,   Michael Hingson ** 10:07 and in reality, probably a little bit of both.   David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind.   Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay.   David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student.   Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean,   David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of   Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were   David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do.   Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some,   David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction,   Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year.   David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it   Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated?   David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that.   Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then,   David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today.   Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and,   David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could.   Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it?   David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah,   Michael Hingson ** 28:47 well, and do you think it's still that way today?   David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that?   Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah.   David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part.   Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here.   David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has.   Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that.   David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess.   Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams?   David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person.   Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy.   David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something.   Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do,   David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you   Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there.   David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You.   Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else.   David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own?   Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a   David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants   Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that?   David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own.   46:51 Paperwork, paperwork,   David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah,   Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way.   David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know,   Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active.   David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really,   Michael Hingson ** 49:51 if you enjoy it, why would you? No, I   David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah,   Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do.   David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had   Michael Hingson ** 51:03 as a teacher, and where's your wife and all that.   David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful.   Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that?   David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now.   Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly.   David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer.   Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing,   David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get

In this delicious episode of Pure Life Podcast, we're serving up our top restaurant picks in Tampa, Florida. As travel and food enthusiasts who've personally dined at each of these incredible places, we're giving you the inside scoop on where to eat in Tampa whether you're a local foodie or visiting the city for the first time. From riverfront views at Ulele and European charm at Oak & Ola, to the fire-grilled finesse at Meat Market and the intimate Eastern European flavors of Chanta, this ultimate of Tampa's culinary hot list covers 12 must-visit restaurants that define Tampa's dynamic culinary scene. As an added bonus, we also spotlight Bern's Steak House—a Tampa institution known for its legendary steaks, epic wine cellar, and unforgettable dessert room. Whether you're planning a romantic date night, a lively group dinner, or a flavorful food crawl, this episode will help you taste your way through Tampa like a pro.

DAN FESPERMAN chats to Paul Burke about his new spy novel PARIAH, Eastern Europe, fiction as the second draft of history, facades of democracy, comedy and Hollywood, The Baltimore Banner.Pariah: an adrenaline-fueled thriller about a disgraced comedian-turned-politician who takes on the role of a lifetime: infiltrating a corrupt Eastern European country to spy on their brutal dictator. Hal Knight, a comedian and movie star-turned politician, is no stranger to controversy. But after an embarrassing and humiliating encounter on set, Knight resigns from Congress, quits social media, and disappears to the tiny Caribbean island of Vieques to drink dirty martinis and nurse his wounds. Shortly after his arrival, he is approached by a trio of CIA operatives hoping to recruit him to infiltrate the power structure of Bolrovia--a hostile, Eastern European country whose despotic president, Nikolai Horvatz, happens to be a longtime fan of Knight's adolescent male humor. Knowing that Horvatz plans to invite the disgraced star for an official visit, the CIA coaxes Knight to accept. Skeptical, but with little to lose, Knight accepts the challenge, sensing this might be his one chance to do something worthwhile, even if no one else ever finds out. Upon arrival as President Horvatz's guest of honor, Knight confronts his ultimate acting challenge. What begins as an assignment to keep his eyes and ears open quickly turns into a life-or-death battle of wits, with consequences reaching all the way to Washington. With Pariah, Dan Fesperman has crafted a heart-pounding thriller about espionage, entertainment, and one man's pursuit of redemption.Dan Fesperman  served as a foreign correspondent for The Baltimore Sun, based in Berlin. His coverage of the siege of Sarajevo led to his debut novel, Lie in the Dark, which won Britain's John Creasey Memorial Dagger Award for best first crime novel. Subsequent books have won the Ian Fleming Steel Dagger Award for best thriller, the Hammett Prize from the International Association of Crime Writers, the Barry Award for best thriller, and selection by USA Today as the year's best mystery/thriller novel. He lives near Baltimore.Recommendations Say Nothing Patrick Radden Keefe, Graham Greene, Mick Herron. Charles Cumming. David McCloskey, IS Berry, John le Carré.Paul Burke writes for Monocle Magazine, Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2025. His first book An Encyclopedia of  Spy Fiction will be out 2026.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

May 2025 Dante's New SouthAlice Hong: Named one of CBC's 2018 “30 Hot Classical Musicians Under 30,” Alice is active globally as a violinist and a composer. She performs frequently with the Atlanta Symphony, Toronto Symphony, Naples Philharmonic, and more, and next weekend you can hear a premiere of Alice's orchestral work Eden performed by the Atlanta Symphony Youth Orchestra! Alice is passionate about revolutionizing the classical experience and making classical music more accessible and innovative. Classical Remix Music Festival is her biggest project yet, and she'd really love to see you at this inaugural season's concerts!Fun fact: During COVID, Alice lived in a film bubble for five weeks with Dwayne “The Rock” Johnson, Gal Gadot, and Ryan Reynolds to film a scene in the Netflix movie Red Notice. Check it out - the movie remains in Netflix's Top 10 of All Time Movies list (although Alice isn't a huge fan of the movie herself).www.aliceyhong.comwww.experienceluxardo.com/buy-tickets/p/classical-remix-gala-concertKit Cummings launched the Power of Peace Project (POPP) in 2010 with a bold mission: to bring hope, healing, and transformation to some of the most dangerous and divided spaces in the world. With deep experience resolving conflict behind prison walls and in at-risk communities, Kit has become a powerful voice for nonviolence, second chances, and real change.On MLK Day 2020, the NAACP honored Kit with the Martin Luther King Jr. “Living the Dream” Award for his civil rights work, prison reform efforts, and impact on underserved youth. In 2021, he was appointed to the Georgia House of Representatives Study Committee on Youth Gangs and Violence Prevention, playing a pivotal role in the passage of HB750, a groundbreaking anti-gang bill.From juvenile prisons to war-torn neighborhoods, Kit has taken POPP across the globe—from Tijuana's La Mesa Prison to South African townships, from U.S. high schools to Eastern European rehab centers, and from urban courts to rural churches. His tools of change? Hope, humility, courage, and compassion.www.kitcummings.comwww.powerofpeaceproject.comDenton Loving lives on a farm near the historic Cumberland Gap, where Tennessee,Kentucky, and Virginia come together. He is the author of three poetry books including Tamp which was a finalist for the Weatherford Award and recipient of the inaugural Tennessee Book Award for Poetry. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. His fiction, poetry, essays and reviews have appeared in numerous publications including The Kenyon Review, Tupelo Quarterly, Iron Horse Literary Review and Ecotone. And he's a core staff member at Table Rock Writers Workshop. He has a new book of poems coming out in August from Mercer University Press. It's called Feller.www.dentonloving.comAdditional Music Provided by: Pat Metheny: www.patmetheny.comJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

Today as part of the Tales of a Nuffield Scholar podcast which aims to share the stories of Nuffield UK Alumni, we welcome Rob Ward — entrepreneur, innovator, and agri-tech visionary.Rob's story begins on a tenanted family farm in Shropshire where early lessons in strawberries and supermarket selling taught him resilience and strategy. From handing out pick-your-own baskets to selling tech globally, Rob's journey is a masterclass in reinvention.

Today, the Spotlight shines On clarinetist Glenn Dickson and electronic musician Bob Familiar.When a cutting-edge klezmer artist meets a former rock synthesist, you might expect creative tension. Instead, Glenn and Bob found something else entirely—a shared language that turns clarinet and electronics into the most unlikely yet inspired pairings.Their new album All the Light of Our Sphere layers acoustic clarinet with synthesizers and loop devices to create what they describe as orchestral ambient music. The tracks were recorded live with no overdubs, no click tracks, just two musicians finding their way through inspired improvisations.Glenn brings decades of experience from klezmer to microtonal jazz, while Bob's electronic landscapes draw from science fiction and years in Boston's rock scene. Together, they're creating something that sits between Brian Eno and Eastern European folk traditions.(The musical excerpts heard in the interview are from Dickson and Familiar's album All the Light of Our Sphere)–Dig DeeperVisit Glenn Dickson at GlennDicksonMusic.com and follow him on Bandcamp, Instagram, and FacebookFollow Bob Familiar on Bandcamp, Instagram, and FacebookPurchase All the Light of Our Sphere from Bandcamp or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On clarinetist Glenn Dickson and electronic musician Bob Familiar.When a cutting-edge klezmer artist meets a former rock synthesist, you might expect creative tension. Instead, Glenn and Bob found something else entirely—a shared language that turns clarinet and electronics into the most unlikely yet inspired pairings.Their new album All the Light of Our Sphere layers acoustic clarinet with synthesizers and loop devices to create what they describe as orchestral ambient music. The tracks were recorded live with no overdubs, no click tracks, just two musicians finding their way through inspired improvisations.Glenn brings decades of experience from klezmer to microtonal jazz, while Bob's electronic landscapes draw from science fiction and years in Boston's rock scene. Together, they're creating something that sits between Brian Eno and Eastern European folk traditions.(The musical excerpts heard in the interview are from Dickson and Familiar's album All the Light of Our Sphere)–Dig DeeperVisit Glenn Dickson at GlennDicksonMusic.com and follow him on Bandcamp, Instagram, and FacebookFollow Bob Familiar on Bandcamp, Instagram, and FacebookPurchase All the Light of Our Sphere from Bandcamp or Qobuz and listen on your streaming platform of choiceDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Is there socialist tropical medicine? Why is it important to write state-socialist Eastern Europe in the global history of medicine after 1945? In this episode, Bogdan Iacob tells Jelena Đureinović (RECET) about socialist tropical medicine, its development, purposes and understanding within Eastern Europe. He explains how state-socialist Eastern Europe shaped the assistance to postcolonial states and WHO programs and what discourses and hierarchies emerged in this context. Bogdan C. Iacob is a historian working at the Nicolae Iorga Institute of History at the Romanian Academy of Sciences and the Institute for Habsburg and Balkan Studies at the Austrian Academy of Sciences. His work centres on the role of Eastern European experts in international organisations and post-colonial spaces, and he has contributed to the shifting of paradigm in transnational and global history of medicine, with Eastern Europe in focus.

Summer is one of the most exciting seasons across the 16 Central and Eastern European countries where Josiah Venture serves. Local churches are gearing up for camps, short-term teams are arriving, and perhaps one of the most energizing parts of the season—our summer internship program—is officially underway. This program welcomes college students and young adults passionate about spreading the gospel. Interns share their experiences, starting with their Amazing Race team-building exercise and subsequent training in the Czech Republic. In this episode, interns Julie Weeks, Isaiah Martin, and Adele Tamberg recount their journey to joining the program, experiences during the Amazing Race, training sessions, and the impactful work they are involved in.   Connect with Us: Follow @josiahventure on Instagram Learn more about Josiah Venture at josiahventure.com Contact: social@josiahventure.com Online Prayer Room   Subscribe & Share: If you enjoyed this episode, please subscribe, leave a review, and share it with a friend or on your social media. Thank you, friends, and have a blessed day!

Today's episode is dedicated to the recent NATO Summit to discuss potential outcomes for Ukraine as well as the ongoing Russian invasion. What discussions took place behind closed doors, what is the Western perspective on Ukrainian victory, and why was the role of Ukraine downgraded compared to last year's summit. Is there now a risk of countries like the US normalising relations with the pariah terror state, Russia? ----------Mark Temnycky is a Ukrainian American freelance journalist, based just outside of New York City, and is a non-resident fellow at the Atlantic Council's Eurasia Centre. He has covered Eastern European affairs and energy security matters for seven years, with articles published in The New York Times, Forbes, Daily Mail, EUobserver, Kyiv Post, Atlantic Council, Wilson Centre, and other US and European news outlets and think tanks. ----------DESCRIPTION:Analyzing the 2025 NATO Summit: Ukraine, Defense Spending, and Trump's InfluenceIn this episode, we delve into the outcomes of the recent NATO summit, focusing on the discussions surrounding Ukraine and the ongoing Russian invasion. We explore the Western perspective on Ukrainian victory, the downgrading of Ukraine's role at this year's summit, and the potential risks of normalizing relations with Russia. The conversation includes the implications of increased defense spending targets, the emphasis on burden sharing among NATO members, and the strategic significance of providing continuous aid to Ukraine. Join us as Mark and Tim discuss these pressing issues with Nicki, a Ukrainian American freelance journalist and non-resident fellow at the Atlantic Council's Eurasia Center.----------CHAPTERS:00:00 Introduction to NATO Summit and Key Topics01:48 NATO Summit Dynamics and Trump's Influence04:33 NATO's Defense Spending and Burden Sharing08:31 Ukraine's Role and NATO's Strategic Shifts16:53 Challenges in Defense Spending and Strategic Goals22:05 NATO's Collective Security and Article 527:01 Ukraine's Struggle and Western Support31:50 Summit Outcomes and Future Implications----------LINKS:https://www.linkedin.com/in/marktemnycky/https://x.com/mtemnyckyhttps://www.atlanticcouncil.org/expert/mark-temnycky/https://www.wilsoncenter.org/person/mark-temnyckyhttps://kyivindependent.com/author/mark-temnycky/https://www.fpri.org/contributor/mark-temnycky/https://bylinetimes.com/author/mtemnycky/https://cepa.org/author/mark-temnycky/----------ARTICLES:https://www.newsweek.com/ukraine-sees-mixed-results-2025-nato-summit-opinion-2092722 ----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------TRUSTED CHARITIES ON THE GROUND:Save Ukrainehttps://www.saveukraineua.org/Superhumans - Hospital for war traumashttps://superhumans.com/en/UNBROKEN - Treatment. Prosthesis. Rehabilitation for Ukrainians in Ukrainehttps://unbroken.org.ua/Come Back Alivehttps://savelife.in.ua/en/Chefs For Ukraine - World Central Kitchenhttps://wck.org/relief/activation-chefs-for-ukraineUNITED24 - An initiative of President Zelenskyyhttps://u24.gov.ua/Serhiy Prytula Charity Foundationhttps://prytulafoundation.orgNGO “Herojam Slava”https://heroiamslava.org/kharpp - Reconstruction project supporting communities in Kharkiv and Przemyślhttps://kharpp.com/NOR DOG Animal Rescuehttps://www.nor-dog.org/home/----------PLATFORMS:Twitter: https://twitter.com/CurtainSiliconInstagram: https://www.instagram.com/siliconcurtain/Podcast: https://open.spotify.com/show/4thRZj6NO7y93zG11JMtqmLinkedin: https://www.linkedin.com/in/finkjonathan/Patreon: https://www.patreon.com/siliconcurtain----------

Guest: Dirk SmithOrganization: Eastern European MissionPosition: Vice-PresidentWebsite: eem.org

Martin Slabbert, CEO, Prime Kapital SAfm Market Update - Podcasts and live stream

June 2025 Dante's New SouthBenheart: Ben is a living testimony of a dream come true: from childhood between Morocco and Italy, through technical discoveries and dramatic trials, to rebirth and the founding of a brand that fuses hearts, craftsmanship and style. Benheart is not just fashion, but a life statement - combining heart and craftsmanship, with strong roots in Florence and global vision.www.benheart.it/?srsltid=AfmBOopJp1pzGmdew4Qc2oMvNo-0p7wLlIeJm9uVh_ETAUOWT1j-ilAdWaqas Khwaja is the Ellen Douglass Leyburn Professor of English at Agnes Scott College where he teaches courses in Postcolonial literature, British Romanticism, Empire Narratives, Victorian Novel, and Creative Writing. He has published four collections of poetry, Hold Your Breath, No One Waits for the Train, Mariam's Lament, and Six Geese from a Tomb at Medum, a literary travelogue about his experiences as a fellow of the International Writers Program, University of Iowa, and three edited anthologies of Pakistani literature. He served as translation editor (and contributor) for Modern Poetry of Pakistan, showcasing translations of poems by 44 poets from Pakistan's national and regional languages, and has guest-edited special issues on Pakistani Literature and poetry for the Journal of Commonwealth and Postcolonial Studies and Atlanta Review. A bilingual edition of one of his collections, No One Waits for the Train, was published as Nadie espera el tren in Madrid, Spain, in 2024.www.agnesscott.edu/directory/faculty/khwaja-waqas.htmlJoseph Saul Portillo After dedicating 25 years to Christian ministry and cultivating a successful career in business operations, Joseph Saul Portillo turned inward to explore his artistic calling, embarking on a new chapter in Fine Art Photography. Today, Joseph Saul is a Creative Producer and Digital Artist based in Rome, Georgia, whose evocative work in pictorial portraiture has earned him international acclaim as a Master of Light Photographer. His award-winning style, marked by emotional depth and artistic precision, has led to collaborations across film, music, and education projects. He currently serves on the Board of Directors for the Rome International Film Festival and on the Advisory Board for Georgia Highlands College's Digital Media and Communications program.www.josephsaulart.comWiktor Miesok was and raised in Poland, he relocated to Norway in 2012, drawn by a longing for Tolkienian mystical landscapes. Though he seeks inspiration in the silence and raw, untamed nature of the North, he remains stubbornly Eastern European at heart.An engineer by trade, he has a passion for storytelling and fiction that explores the human condition and its potential for both good and evil.His latest novel, and the first serious foray into fiction, tells the story of a young man in1980s East Germany who, in his search for freedom, ends up in a Soviet penal colony and becomes entangled in the ruthless criminal underworld.www.thegrimseries.comwww.youtube.com/@grim.hustleAdditional Music Provided by: Dr, Fubbs: www.tiktok.com/@doctorfubbs?lang=enPat Metheny: www.patmetheny.comJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

In this episode, Jerry Bradshaw and Dr. Stewart Hilliard discuss: The influence of European sport dogs in early North American working dog training. Benefits and challenges of introducing KNPV-trained dogs to the American market. Evolution of Eastern European working dog trade.  Sourcing and importing working dogs. Institutional breeding programs, increased costs, and decreased quality. The future of dog training with kynology.   Key Takeaways: KNPV (Royal Dutch Police Dog Association) dogs were the gold standard for transitioning sport dogs to dual-purpose police dog prospects.  KNPV dogs were not trained to distinguish between equipment and humans, which gave those early Malinois dogs a bad reputation. Dogs that come from a deprived background with limited experiences often need to be deprogrammed before they can be taught to forget, then taught to learn what they need to know. Don't kill your dog by playing with it. The dog's reward is not a toy; it's a reward. Toy implies play, and these are working dogs. Malinois and German Shepherd dogs are not fully adult dogs until 2.5-3. Younger dogs are more vulnerable to mistakes and stress, leaving you, as the trainer, with the technical burden of not making many mistakes.   "I think the future is going to be agency-based breeding, heavily informed by scientific practice, but also with strong participation of practitioners - practical dog people who know how to produce results. Those are the agencies that are going to do really well." —  Dr. Stewart Hilliard   Contact Stewart:  Website: https://www.caninetrainingsystems.com/  Book:  Schutzhund, Theory and Training Methods - A Book by Susan Barwig and Stewart Hilliard, Ph.D. - https://www.caninetrainingsystems.com/product/B-SCH-BAR/Schutzhund-Theory-and-Training-Methods-A-Book-by-Susan-Barwig-and-Stewart-Hilliard-PhD    Get Jerry's book Controlled Aggression on Amazon.com   Contact Jerry: Website: controlledaggressionpodcast.com Email: JBradshaw@TarheelCanine.com Tarheel Canine Training: www.tarheelcanine.com YouTube:  tarheelcanine Twitter: @tarheelcanine Instagram: @tarheelk9 Facebook: TarheelCanineTraining Protection Sports Website: psak9-as.org Patreon: patreon.com/controlledaggression Slideshare: Tarheel Canine Calendly: https://calendly.com/tarheelcanine  Tarheel Canine Seminars: https://streetreadyk9.com/  Tarheel Canine Student Portal: https://tcstudentportal.com/    Sponsors:  ALM K9 Equipment: almk9equipment.com PSA & American Schutzhund: psak9-as.org Tarheel Canine: tarheelcanine.com The Drive Company: https://thedriveco.com/  The Drive Company Instagram: https://www.instagram.com/thedrive.co    Find out more about Hold The Line Conference 2024 at https://htlk9.com/    Train hard, train smart, be safe.   Show notes by Podcastologist Chelsea Taylor-Sturkie   Audio production by Turnkey Podcast Productions. You're the expert. Your podcast will prove it. 

Comedian, musician, and variety show host Erica Dawson (aka @ladyericadawson) joins us and we talk about her early stand-up gigs, her love of cooking and food culture, growing up Mexican and Eastern European, and developing her variety show Songs and Sillies. Erica also opens up about emotional growth after a major breakup, surviving middle school improv teaching, and launching her own vertical comedy series. Come for the Hot Cheeto hacks, stay for the pickle-peanut butter revelations. Thank you all for Listening!  Follow Erica Dawson: @ladyericadawson Follow Us: Podcast pages - https://linktr.ee/reydarpod https://www.instagram.com/reydarpodcast Rian Reyes - https://linktr.ee/rianreyes Josh the Producer - https://www.instagram.com/imjoshuabenjamin Support the podcast: Patreon - https://patreon.com/reydarpo Merch - https://www.etsy.com/shop/RiansMerch  Legacy Teas and Spices: https://legacyteasandspices.com Use code: rian20

THIS WEEK's BIRDS: Jewish music from Iraq (Hakki Obadia); Md After Hussain; Colombian Cumbia from Lisandro Meza; Papa Brandao Y Su Ejecutivos & more from Panama; piano trios from  Paul Bley & Myra Melford; Daniel Carter, Roy S. Campbell Jr.  & William Parker (I,.e, Other Dimensions in Music); vintage Fairuz; new guitar music from Ayman Fanous & Joe Morris; new music from Immanuel Wilkins;  Lusophonia: Titina, Teofilo Chantre (from Cabo Verde), Adriana Calcanhotto, Elza Soares (from Brazil); Eastern European song from DakhaBrakha; African rock from Bikambi n'Kela; Gordon Koang (South Sudanese pop in exile);  Faisal Abdullah (Khaliji song from Kuwait); Palestinian composer Tamer Abu Ghazaleh; and as ever, lots of mumbling and so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/20824617/Conference-of-the-Bird and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Andrew Rasiulis is a defence and Eastern European affairs expert with the Canadian Global Affairs Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer prize-winning author Anne Applebaum and Ukrainian philosopher Volodymyr Yermolenko engage in conversation about Ukraine's past, present and future. With an introduction from Ukrainian writer Andrey Kurkov.‘The bad guys are winning', Anne Applebaum wrote in an essay in The Atlantic in 2021. If the twentieth century was about the rise of liberal democracy, the twentieth-first sofar has been about the opposite. The fight for democracy is nowhere as pressing as in Ukraine. Anne Applebaum and Ukrainian philosopher and writer Volodymyr Yermolenko discuss Ukraine's ongoing struggle for freedom, and the stakes for the future – not just for Ukraine, but also for democracy in Europe. About the speakers:Anne Applebaum (1964) is a historian and writer specializing in Eastern European and Soviet history. She has written several award-winning books, including Gulag: A History, which won the Pulitzer Prize, and her latest Autocracy, Inc. The Dictators Who Want to Run the World. Applebaum is also a staff writer at The Atlantic and a senior fellow at the AGORA Institute at Johns Hopkins University. Her work provides critical insight into the rise of authoritarianism and the fragility of democracy. Volodymyr Yermolenko (1980) is a Ukrainian philosopher, writer, and journalist. He is the editor-in-chief of UkraineWorld, a multimedia platform, and author of several books on Ukrainian identity and European philosophy. He is the current president of PEN Ukraine and he has been a powerful voice for Ukraine during the ongoing war, offering a nuanced understanding of the cultural and historical context behind the conflict.Programme maker: Ianthe MosselmanModerator: Yoeri AlbrechtThis programme is part of the Forum on European Culture 2025 in Amsterdam.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Brainwash Festival x De Balie x TivoliVredenburg - Historian, journalist, and Pulitzer Prize winner Anne Applebaum dissects modern dictatorship. What threat do the growing autocracies pose?When thinking of a dictator, one often imagines a malicious villain – someone we know from an action movie. Historian, journalist, and Pulitzer Prize winner Anne Applebaum challenges this image. In her latest book Autocracy, Inc., she describes how autocratic regimes are intertwined in intricate, international networks with the primary goal of self-enrichment. Autocrats are doing more business with each other than ever before, protecting each other and working together to destabilize the democratic order. What threat do these modern dictatorial networks pose?About the collaboration: This Brainwash Special with Anne Applebaum is a collaboration between De Balie, TivoliVredenburg, and Brainwash Festival, and is part of the Forum on European Culture 2025 in Amsterdam.About Anne Applebaum: Anne Applebaum (1964) is a historian and writer specializing in Eastern European and Soviet history. She has written several award-winning books, including Gulag: A History, which won the Pulitzer Prize, and her latest Autocracy, Inc. The Dictators Who Want to Run the World. Applebaum is also a staff writer at The Atlantic and a senior fellow at the Agora Institute at Johns Hopkins University. Her work provides critical insight into the rise of authoritarianism and the fragility of democracy.Moderator: Merlijn GeurtsZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Gaea Star Crystal Radio Hour #625 is an hour of visionary acoustic improvised music played by The Gaea Star Band with Mariam Massaro on vocals, Native flute, kalimba, acoustic guitar, mandolin and ukulele, Bob Sherwood on piano and Craig Harris on Native drum and congas. Today's show was recorded live at Singing Brook Studio in Worthington, Massachusetts in June of 2025 and begins with the stately, solemn “Wake Up To All That You See”. Mariam's powerful vocal and lyrical Native flute, Craig's heartbeat drum and Bob's imaginative, restless piano make this track compelling and varied. “Make The Best Of Where You Are” is a jazzy, dynamic song with a fine rock vocal from Mariam and “Finish What You Started” is a beautiful, mysterious ballad led by Mariam's bittersweet Gypsy acoustic guitar work. Mariam strums her shimmering 8-string ukulele for the pretty, delicate “Sail Into The Realms Of Pure Love”, a gorgeous, 50's-inflected song with a gorgeous vocal and luxurious floating clouds of piano. “Dance Along The River Of Life” is a spacious, unhurried ballad built on Bob's Eastern European harmonic scheme and featuring a fine vocal-and-flute conversation from Mariam. “Ryalia” is a finely composed, clever piece made evocative with Mariam's defining, ringing mandolin and fine vocal and “Open Every Day” is an energized blues with racing congas and fiery piano from Bob that gradually coalesces into a stately, inspired gospel ballad. We close today with the mysterious “Let's Write The Story Again”, a lovely piece with a fine vocal from Mariam above ukulele, heartbeat Native drum and racing, circular piano.  Learn more about Mariam here: http://www.mariammassaro.com

The Story returns with an unusual chapter- how a royal wedding, a Eastern European reform movement, an adulterous noble, and a violent teenage girl, conspire, to not only produce a sudden crusade being called by the most powerful man in south London… but also how that crusade ended up being instrumental in causing a sudden royal coronation. A wild tale of London's history…

Gaea Star Crystal Radio Hour #623 is a compelling hour of improvised visionary acoustic music played by the Gaea Star Band with Mariam Massaro on vocals, Native flute, 4- ad 8-string ukuleles and acoustic guitar, Bob Sherwood on piano and Craig Harris on Native drum and congas. Recorded live at Singing Brook Studio in Worthington, Massachusetts in early June of 2025, today's show begins with the pretty, pastoral “It's A Brand-New Day To Reach Out”, an upbeat folk song driven by clever, busy piano from Bob and tight, driving rhythmic 8-string ukulele from Mariam supporting her wide-ranging, expressive vocal. “As We Sail Along” is a sparse, spacious folk rock workout featuring another virtuosic improv-heavy vocal from Mariam before morphing into a lengthy, gorgeous art-rock workout with exemplary work from the whole combo. “Rays Of Light” is a pretty, bucolic folk waltz providing a stage for Mariam's powerful melody and “Back Us Up Oh Angels” is a swinging, eccentric blues with fat-fingered piano from Bob, rolling train congas from Craig supporting Mariam's hyper-energized blues vocal, “Gather Together” is a stately, formal opera-like peace with throbbing heartbeat drums from Craig, instrumental in creating the modern classical by-way-of-Native vibe of this affecting song. “The Mystery Of Life” is a relaxed, hallucinatory cloud of a song with an evocative, vulnerable, almost child-like melody from Mariam and “May Abundance Keep On Flowing” has an Eastern European feel with an arrangement of ukulele, congas, piano and Mariam's shaded, minor vocal melody. “Let The Voice Of Creation Sing Through All Nations” is a beautiful, inspired folk song from Mariam with a classic, deeply emotional construction and we finish today's show with the wide-ranging “Keep On Going Around and Around With Your Floodgates Open”, a folk-rock journey that opens with virtuosic, dancing Native flute and moves through gospel, jazz and soul before closing with a gorgeous extended coda in which Mariam soars free on her Native flute. Learn more about Mariam here: http://www.mariammassaro.com

The episode was recorded and released before the start of the Israeli operation in Iran.Join our Patreon community to get access to bonus episodes, discounts on merch and more: https://bit.ly/UnholyPatreonSocial links, shop, YouTube channel and more: https://linktr.ee/unholypod As speculation increases of an imminent attack on Iran's nuclear facilities, Israel's internal political turmoil shows no sign of calming. At the heart of the latest furore: the long-running debate over military service exemptions for the ultra-Orthodox. Who should serve—and who shouldn't?Yonit and Jonathan unpack the implications of this fiercely divisive issue, and look ahead to what it means for Israel's future. Plus: a special conversation recorded at Unholy's first-ever live event at London's Queen Elizabeth Hall, with Yuval Noah Harari—historian, and one of Israel's most original thinkers. Yuval Noah HarariYuval Noah Harari is an Israeli historian and professor at the Hebrew University of Jerusalem. He is best known for his bestselling books, including Sapiens: A Brief History of Humankind, which explore broad questions about history, technology, and the future of humanity. Oi Va VoiOi Va Voi is a British band known for blending Eastern European, Jewish, and indie music influences into a unique world fusion sound. Since their formation in London, they have gained a devoted following with their energetic performances and thoughtful lyrics.

May 2025 Dante's New SouthAlice Hong: Named one of CBC's 2018 “30 Hot Classical Musicians Under 30,” Alice is active globally as a violinist and a composer. She performs frequently with the Atlanta Symphony, Toronto Symphony, Naples Philharmonic, and more, and next weekend you can hear a premiere of Alice's orchestral work Eden performed by the Atlanta Symphony Youth Orchestra! Alice is passionate about revolutionizing the classical experience and making classical music more accessible and innovative. Classical Remix Music Festival is her biggest project yet, and she'd really love to see you at this inaugural season's concerts!Fun fact: During COVID, Alice lived in a film bubble for five weeks with Dwayne “The Rock” Johnson, Gal Gadot, and Ryan Reynolds to film a scene in the Netflix movie Red Notice. Check it out - the movie remains in Netflix's Top 10 of All Time Movies list (although Alice isn't a huge fan of the movie herself).www.aliceyhong.comwww.experienceluxardo.com/buy-tickets/p/classical-remix-gala-concertKit Cummings launched the Power of Peace Project (POPP) in 2010 with a bold mission: to bring hope, healing, and transformation to some of the most dangerous and divided spaces in the world. With deep experience resolving conflict behind prison walls and in at-risk communities, Kit has become a powerful voice for nonviolence, second chances, and real change.On MLK Day 2020, the NAACP honored Kit with the Martin Luther King Jr. “Living the Dream” Award for his civil rights work, prison reform efforts, and impact on underserved youth. In 2021, he was appointed to the Georgia House of Representatives Study Committee on Youth Gangs and Violence Prevention, playing a pivotal role in the passage of HB750, a groundbreaking anti-gang bill.From juvenile prisons to war-torn neighborhoods, Kit has taken POPP across the globe—from Tijuana's La Mesa Prison to South African townships, from U.S. high schools to Eastern European rehab centers, and from urban courts to rural churches. His tools of change? Hope, humility, courage, and compassion.www.kitcummings.comwww.powerofpeaceproject.comDenton Loving lives on a farm near the historic Cumberland Gap, where Tennessee,Kentucky, and Virginia come together. He is the author of three poetry books including Tamp which was a finalist for the Weatherford Award and recipient of the inaugural Tennessee Book Award for Poetry. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. His fiction, poetry, essays and reviews have appeared in numerous publications including The Kenyon Review, Tupelo Quarterly, Iron Horse Literary Review and Ecotone. And he's a core staff member at Table Rock Writers Workshop. He has a new book of poems coming out in August from Mercer University Press. It's called Feller.www.dentonloving.comAdditional Music Provided by: Pat Metheny: www.patmetheny.comJustin Johnson: www.justinjohnsonlive.comOur Advertisers:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

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This week the honks read listener submitted emails about if you could say something to anyone, who would it be and what would you say? And the listeners did not hold back.Office affairs and being the other woman, an Eastern European dance instructor, an unhinged coworker named Paula, sleeping with a man in a park and a Disney adult. A cathartic episode for getting things off your chest indeed. Enjoy!If you love the show and want to support us, join our growing community on Patreon to see what we're giving for $5 a month!JOIN OUR PATREON https://www.patreon.com/teatime42069Send your stories to TeaTimeStories42069@gmail.comWatch Harper-Rose's set here: https://www.youtube.com/watch?v=4eNpjjGZHLY&t=110sWatch Gabby Lamb's set here: https://www.youtube.com/watch?v=J7oOYWgK598

Alan had a chance to sit down with Dr. Maggie Augustyn live at the Chicago Midwinter meeting for a candid conversation that spans her journey from Poland to practicing in the Chicago suburbs, the unique perspectives of Eastern European immigrants, and the realities of speaking in the dental world. They delve into the emotional toll and vulnerability involved in sharing personal stories on topics like addiction and mental wellness, the challenges introverts face in high-energy environments, and the often-underappreciated (and underpaid) role of wellness speakers at dental conferences. The discussion also touches on the impact of social media comparison, the evolution of dental meetings, and coping mechanisms for the daily demands of dentistry. Some links from the show: Maggie's website Maggie's podcast Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy" or "Lipscomb!" The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! -- Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code “VERYDENTAL10” you'll get another 10% off your order! Go save yourself some money and support the show all at the same time! -- The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! -- Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! -- CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!

James Ginn is senior pastor to the Baltic, Nordic and Eastern European countries.  He and his wife, Kristine, have embarked on an ingenious translation process using AI to translate UCG articles and booklets.  You can help with some steps in this process that do not require you to know the languages.  We have tested it and it works great!  Heidi Braun in Cincinnati just completed a booklet in short order successfully!    You can do it, too!    Can you help us?   Contact James Ginn at  ucgtranslations@gmail,com Please listen to how this is done.  We also talk about our work in this part of the world. Thanks for helping! Visit our NordicBaltic podcast at  https://nordicbaltictopics.podbean.com/

(Satire) Sci-fi show today! We have a $3000 AI dog being released by Suzuki. Would you consider buying one? We talk a little Eastern European history in between.

How should climbers prepare financially for the significant costs of climbing Everest? Steven Pivnik, an ambitious mountaineer currently on an expedition with Alpenglow Expeditions, is striving to summit Mount Everest, aiming to join the elite "8000 meter club." Having conquered Kilimanjaro and faced the challenges of Denali, Pivnik brings a wealth of experience to his Everest endeavor, underscoring the importance of meticulous preparation and acclimatization, facilitated by tools like hypoxico tents. His perspective on the ascent highlights the dual priorities of safety and summit success, favoring the north side of Everest for its relative safety from avalanches and rockfall. With a focus on returning alive and reaching at least 8,000 meters, Pivnik's journey is a testament to the lessons learned from past expeditions, where physical readiness and the role of failure contribute to eventual success. Key Takeaways Proper acclimatization to high altitudes is crucial for climbers to prevent oxygen deprivation. Hypoxico tents are innovative tools that mimic high-altitude conditions to help climbers build red blood cells. The south route through Nepal to climb Mount Everest is risky due to obstacles like the Kumbu Icefall and Hillary Step. Monitoring pulse ox, fitness levels, and health indicators is crucial for safety and predicting summit success. Planning and timing the summit attempt on Everest involves starting the ascent in the dark to avoid bad weather. Physical preparation, including legwork, core strength, and endurance, is essential for climbing high mountains like Denali.   More from Steven Pivnik Steven Pivnik is a tenacious and dynamic entrepreneur, bestselling author, and in-demand keynote speaker whose journey from Eastern European immigrant to successful tech founder and endurance athlete has inspired countless others. As the former CEO and co-founder of Binary Tree, he scaled the IT company to over 200 employees across twelve countries, landing multimillion-dollar licensing deals with IBM and Microsoft before orchestrating a successful acquisition by Quest Software. Under his leadership, Binary Tree was named to the Inc. 500 and Inc. 5000 lists of fastest-growing companies for seven consecutive years—thanks in part to its thriving culture of low turnover and high client satisfaction. Away from the boardroom, Steven is equally relentless. He has competed in over a dozen full-distance IRONMAN® triathlons—including the prestigious World Championship in Kona—along with ultra-marathons and high-altitude mountaineering adventures, summiting peaks like Kilimanjaro and Aconcagua. His book Built to Finish weaves together lessons from endurance sports and entrepreneurship, revealing how grit, stamina, and vision fuel long-term success. Whether advising founders, motivating audiences, or tackling unfinished business on Denali, Steven brings an unmatched blend of energy, insight, and lived experience to every challenge he takes on.     Website: https://stevenpivnik.com/book/ LinkedIn: https://www.linkedin.com/in/stevenpivnik/   If you are an experienced CEO looking to grow your company, visit https://www.TheCEOProject.com   You can also reach Jim by email: Jim@TheCEOProject.com   LinkedIn: @theceoproject Instagram: @the_ceoproject Twitter/X: @the_CEO_Project Facebook:  @IncCEOproject

With the expulsion of the Jewish people from Israel by the Romans, we are faced with new challenges. Stateless, Jews will be vulnerable and persecuted.  However, there will also be great moments of scholarly creativity in Torah and in our contribution to the general societies of the host countries.  We will trace the journeys of Sefardic Jewry in the Arab world, and Ashkenazic Jewry in Europe, and look at some of the great leading figures. The visual part of the talk and the presentation can be found on our YouTube channel by this link: https://youtu.be/dlbuymIRnRk?si=Aa5hZU5bdHzMiuYR

In this SEASON 3 FINALE, I sit down with Emmy, Peabody, and Humanitas Award-winning writer and comedy icon John Markus. From memories of his mother's hearty Eastern European cooking to early joke writing for legends like Bob Hope and Joan Rivers. John shares his incredible journey through the world of comedy. Get the inside scoop on his breakout role with the hit sitcom Taxi, and how he rose to become head writer and show-runner on one of the most iconic shows of the 80s that later became controversial because of its star, Bill Cosby. And in a delicious twist, he also lets us in on how he became a member of the Barbecue Hall of Fame and created the hit TV show, BBQ Pitmasters! A hilarious and revealing conversation with this comedy legend, one with an unheard-of surprise ending.

It's Tuesday, May 20th, A.D. 2025. This is The Worldview in 5 Minutes heard on 125 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Kevin Swanson Fulani Muslim killed 15 unarmed Nigerian Christians On Saturday, May 17th, armed Fulani Muslim militia opened fire on Agatu Christians in Benue State, Nigeria, killing 15 unarmed men. Throughout that North Central region, the Fulani have also killed 159 Christian residents over the last 40 days, according to TruthNigeria.com.   Pray for Christians in Nigeria, suffering the most severe violence in the world today. Romania turns left after election interference On Sunday, Romania has taken the centrist-left position with the election of a new president named Nicușor Dan. Dan is supportive of Romania's participation in the European Union, and has made moves to approve the homosexual/transgender movement in his country. The more conservative candidate, George-Nicolae Simion, lost the election in a vote of 54% to 46%. Romania is the second largest Eastern European country by population.  The mainstream media is interpreting this election as an international rejection of the Trump agenda.  The back story is that Călin Georgescu, the conservative in the first round of the Romanian presidential election last December, garnered the most votes among the six presidential candidates at that time. After his opponents claimed that Russia had influenced the election through TikTok accounts, Romanian government officials detained Georgescu, canceled that election, and re-set it for May 18th.  Tens of thousands of Romanians protested in the streets back in March. At the time, Elon Musk said, “They just arrested the person who won the most votes in the Romanian presidential election. This is messed up.” Most and least benevolent countries According to this year's Gallup World Happiness Report, the most benevolent countries in the world, judged by donations and volunteer hours, are Indonesia, the United States, Kenya, Gambia, United Arab Emirates, Ireland, Canada, and New Zealand. The least benevolent countries are Afghanistan, Yemen, Egypt, Jordan, and Morocco.  Biden announces advanced prostate cancer Former President Joe Biden has been diagnosed with an "aggressive form" of prostate cancer that has spread to his bones, reports CBS News. On Sunday, President Trump posted on social media that he and First Lady Melania Trump are "saddened to hear about Joe Biden's recent medical diagnosis." Appearing on MSNBC's “Morning Joe” on Monday, former Obama health advisor Dr. Zeke Emanuel said the cancer is so advanced, he has had it for many years. SCARBOROUGH: “Doesn't it take some time for prostate cancer to develop to a point where it would spread to the bones?” EMANUEL: “He's had this for many years, maybe even a decade, growing there and spreading.” Dr. Emanuel explained how serious Biden's prostate cancer truly is. EMANUEL: “That Gleason score, that score is from 2 up to 10, and he's at a 9. That means that the cancer doesn't look normal. It looks very abnormal.” Appearing on Fox News with Jesse Waters, talk show host Hugh Hewitt was incredulous. HEWITT: “This is the fourth time, in a little over 100 years, that a Democratic president -- Woodrow Wilson, FDR, John F. Kennedy and now Joe Biden, have hidden crucial details about their health as Commander-in-Chief from the American people. Ronald Reagan did not do that. “And it just astonishes me that in a free republic, we have to worry about our leaders telling us whether they're healthy or not.” Supremes allows Trump to revoke protection for thousands of illegal Venezuelans On Monday, the U.S. Supreme Court issued a ruling allowing the Trump administration to deport 350,000 Venezuelans who are presently living in the U.S. on what they call a “humanitarian parole,” reports NBC News. Christian camp sues over foolish transgender mandates The State of Colorado is threatening to shut down a Christian Camp called Idrahaje -- short for “I'd Rather Have Jesus.” The Colorado Department of Early Childhood has refused to grant the camp a religious exemption concerning its transgender policies. This would require the camp to allow boys, pretending to be girls, to sleep, shower, and dress with female campers. The camp has sued the state, with representation from Alliance Defending Freedom. The camp disciples 2,500 to 3,000 students each year with the mission to “win souls to Jesus Christ through the spreading of the Gospel.”  Camp Idrahaje has complied with all regulations until this year when the Colorado government officials released new gender identity rules that became effective on February 14, 2025. 96% of atheists embrace homosexual/transgender agenda The most likely group in America to support the homosexual/transgender agenda are atheists with 96% professing support.  By contrast, 70% of white Evangelical Protestants oppose the lifestyle. Psalm 14:1 describes the atheist this way: "The fool has said in his heart, there is no God. They are corrupt, they have done abominable works.” Mother loses right to disciple daughter Liberty Counsel is defending a mother in the state of Maine who has lost the right to guide the religious upbringing of her 11-year-old girl in a custody case.  This includes taking her daughter to Calvary Chapel services on Sunday.   A state district judge has ruled against the mother, citing “The ‘fear mongering,' paranoia, and anxiety taught by Calvary Chapel has, more likely than not, already had an impact on [the daughter's] childhood development.”   Expert testimony concluded that Calvary Chapel is a cult, the church's pastor a “charismatic” speaker, who spoke “authoritatively” in his messages, and that he asserted his messages were objective truth.   Liberty Counsel is appealing the case to the Maine Supreme Court. They still persecute people who preach about Jesus. 1 Thessalonians 2:14-16 says, “For you also suffered the same things from your own countrymen, just as they did from the Judeans, who killed both the Lord Jesus and their own prophets, and have persecuted us; and they do not please God and are contrary to all men, forbidding us to speak to the Gentiles that they may be saved, so as always to fill up the measure of their sins; but wrath has come upon them to the uttermost.” Housing prices sag Since June 2022, housing prices are sagging in some metro areas around the U.S. — 22.8% in the Austin market, 9.9% in the Phoenix market, 9.2% in the San Francisco market, 9.1% in the San Antonio Market, 7.3% in the Denver market, and 6.7% in the Dallas Market. The Consumer Price Index has also risen about 10% over that period of time. Moody's downgraded America's financial rating And finally, in a year-over-year comparison, the U.S. government is still breaking records for fiscal expenditures running 10% over Fiscal Year 2024. Moody's has downgraded the U.S. as a long-term issuer of bonds by one notch, ending a perfect rating for America over the last 108 years.  No longer does the U.S, government get a Aaa rating, the highest level available. Now, it's an Aa1. Moody's noted that the downgrade "reflects the increase over more than a decade in government debt and interest payment ratios to levels that are significantly higher than similarly rated sovereigns.” The rating organization added that: “Successive U.S. administrations and Congress have failed to agree on measures to reverse the trend of large annual fiscal deficits and growing interest costs.”   Another independent rating service, named Fitch, downgraded the United States in 2023.  Close And that's The Worldview on this Tuesday, May 20th, in the year of our Lord 2025. Subscribe for free by Spotify, Amazon Music or by iTunes or email to our unique Christian newscast at www.TheWorldview.com. Or get the Generations app through Google Play or The App Store. I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

In this episode, we welcome back Dr. Alexander Vindman—retired U.S. Army Lieutenant Colonel and former Director for European Affairs on the White House National Security Council. Known for his key role in the first Trump impeachment and his deep expertise in Eastern European affairs, Vindman returns to discuss his latest book, The Folly of Realism: How the West Deceived Itself About Russia and Betrayed Ukraine. The conversation dives into the geopolitical stakes of the ongoing war in Ukraine, U.S. foreign policy across administrations, and the importance of civic responsibility in the face of authoritarianism. What We Discuss: Why U.S. administrations consistently misunderstood Russia and Ukraine. The concept of “Neo-Idealism” and its value in foreign policy. How family history and personal experience shaped Vindman's worldview. The political realities facing Ukraine and the U.S. in a post-Trump world. The role of values in sustaining democratic institutions. Episode Highlights: [00:01:00] Introduction to Alexander Vindman and his background. [00:04:30] Alex's twin brother Eugene Vindman's transition to Congress and bipartisan cooperation. [00:17:00] Reconnecting with family in Ukraine and the impact of history. [00:25:00] The thousand-year struggle for Ukrainian sovereignty. [00:38:00] Why equating Russia with Cold War power is misguided. [00:44:30] Vindman defines “Neo-Idealism” and its global implications. [01:00:00] The danger of Trumpism and dismantling of democratic norms. [01:07:00] How we can engage across political and cultural divides. Featured Quotes: “Russia, absent Ukraine, ceases to be an empire. With Ukraine, it becomes one.” – Alexander Vindman “Neo-Idealism is about tethering our interests to our values and committing to them over the long term.” – Alexander Vindman “We succumbed to misplaced hopes and fears. We thought if we treated Russia as a partner, it would behave like one.” – Alexander Vindman “You can find common ground by talking about family. That's where our shared concerns lie.” – Alexander Vindman Resources Mentioned: The Folly of Realism – www.hachettebookgroup.com/titles/alexander-vindman/the-folly-of-realism/9781541705043 Alexander Vindman's Substack – www.avindman.com Alexander Vindman on Bluesky - @avindman.bsky.social

Are we already living in Cold War 2.0—and is Poland the ally that proves America needs a major foreign policy reset? Studio Sponsor: Cardio Miracle - "Unlock the secret to a healthier heart, increased energy levels, and transform your cardiovascular fitness like never before.": https://www.briannicholsshow.com/heart In a world teetering on the edge—Russia invading Ukraine, China flexing in the Pacific, and global alliances in flux—what country stands tall as a model ally? You've probably heard every hot take on America's foreign policy, but have you looked at Poland? In this episode of The Brian Nichols Show, we explore a bold argument: that Poland, not Germany or France, is the blueprint for how America should build alliances in a chaotic world. Why does Poland get it right—and why does America keep ignoring it? Brian sits down with Ed Tarnowski, policy director and host of the State of Choice podcast, to break down why Poland—and its Eastern European neighbors—are stepping up where others fall short. From defense spending and military readiness to standing firm against Russian aggression, Poland is walking the walk while the rest of NATO keeps talking. We dig deep into what makes a country a "model ally" and why Twitter spats with Elon Musk might do more harm than good. But this episode doesn't just stop at Poland. It raises a bigger question: Can America afford to keep playing global referee while ignoring the potholes, disasters, and kitchen-table issues happening at home? Brian challenges Ed on whether this hawkish approach is sustainable—or whether it risks sparking a backlash from Americans who feel left behind. Get ready for a real back-and-forth, grounded in history and current events. From Cold War warnings to today's entangled alliances, the episode unpacks the real-world stakes of foreign policy decisions. Whether it's China's growing power, NATO's evolving role, or the domestic consequences of endless global obligations, Brian and Ed tackle the balancing act between global peace and local prosperity. It's not just theory—it's what's shaping your life and your liberty. If you're tired of foreign policy debates filled with clichés and tribalism, this episode is your refresh. You'll walk away with a clearer understanding of why alliances matter, where America should focus next, and how liberty can be defended without empire-building. Don't miss this smart, sharp, and high-stakes episode. Tap in now—and bring your thinking cap. ❤️ Order Cardio Miracle (https://www.briannicholsshow.com/heart) with code TBNS at checkout for 15% off and take a step towards better heart health and overall well-being!

Episode 539 - Beau L'Amour - Son of best selling novelist Louis L'Amour, Striving to maintain a legacyAdvancing A LegacyBeau L'Amour is a writer and entertainment industry jack-of-all-trades. He is the son of best selling novelist Louis L'Amour and has managed his father's literary estate since 1988. Striving to maintain that legacy, he has done editorial work, revised unfinished manuscripts, managed a literary magazine and an audio/radio drama series, done art direction,been a comic book writer and producer and become an expert in marketing. In the years since his father passed away L'Amour has helped sell over 120 million books, nearly 5 million audio programs and placed a number of books of short stories (out of 16 posthumous collections) on the Best Seller lists.Beau is known for his Audio Publishing, Motion Picture Production & Book Publishing. Beau L'Amour was born in Los Angeles, California. His father was Louis L'Amour, a well known author of magazine and paperback fiction. His mother was Katherine Adams, the daughter of a silent movie actress and a southern California real estate developer.Throughout a good deal of his youth Beau lived in West Hollywood, an unincorporated section of Los Angeles county, known as a center of counter-culture and beatnik life. He grew up surrounded by his parents eclectic and eccentric group of friends; Austrian philosophers, American Indians, FBI agents, members of the Hollywood Ten, Eastern European refugees, Thai aristocracy, mysteriously talented dealers in primitive art and a wide array of writers, from Ray Bradbury to Jim Thompson.Beau attended West Hollywood Elementary School. In 1973 his family moved to West Los Angeles where he attended Emerson Junior High and University High School. After a year at Santa Monica College he went on to earn his BFA at California Institute of the Arts under the mentorship of director Alexander Mackendrick and illustrator and pioneering digital animator Ed Emshwiller. He also studied acting with Janet Alhanti and Harry Mastergeorge, and directing at UCLA with Ted Post.https://beaulamour.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Here are some songs from your life, "Backstreet Girl" by the Rolling Stones, "Joey" by Bob Dylan, "Road to Nowhere" by the Talking Heads, "Boy In The Bubble" by Paul Simon, "July Fourth, Asbury Park", better known as "Sandy" by Bruce Springsteen and the E Street Band, "Wouldn't It Be Nice" by the Beach Boys. They all rely heavily on the accordion. "Wouldn't It Be Nice" is the biggest shock. Even if you know that song, it might never have occurred to you that Brian Wilson uses I'm pretty sure two accordions to make the primary propulsive musical fabric of that song. The last two decades of indie music ought to have normalized the accordion - Tom Waits, REM, Arcade Fire, The Decemberists... I could go on. It has also endured years of ridicule here in the United States, even while it remained beloved and esteemed in Argentina, Paris, and almost everywhere else in the world. Now, it's enjoying a renaissance here in the States. This hour, we celebrate that with accordion rock stars of all styles. You'll meet a man who is reclaiming the accordion, outfitting his latest version with MIDI controls, so it can mimic voice and other instruments, a woman who specializes in klezmer, and a man who plays his accordion in a trio alongside a guitar and tuba. You also meet other accordion rock stars, including James Fearnley from The Pogues. Just try to tell him that the squeezebox isn’t cool. GUESTS: Cory Pesaturo: Multiple award-winning accordion player from Rhode Island Christina Crowder: Accordion player who specializes in klezmer and other Eastern European styles, and is a member of the Accordion/Violin/Viola trio, Bivolita Will Holshouser: Accordion player and founder of the accordion/guitar/tuba trio, Musette Explosion James Fearnley: Accordion player for The Pogues and the author of the memoir, Here Comes Everybody, The Story of The Pogues. He’s also a composer, and a founding member of The Low And Sweet Orchestra Join the conversation on Facebook and Twitter. Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode. Colin McEnroe and Chion Wolf contributed to this show, which originally aired on August 7, 2014.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Today's 7investing podcast is all about Rocket Lab!The space economy is hitting an inflection point. And that will be good news for its earliest investors.Eastern European conflicts, standoffs between China and Taiwan, and new commercial interests are creating a trillion-dollar industry in Earth's orbit. And this is much more than just glorified media hype. An unprecedented number of applications is forcing the FCC to streamline its review process, as the number of active satellites is growing incredibly quickly.Rocket Lab (NASDAQ: RKLB) is in the perfect position to benefit. This small-cap, small-launch provider's revenues will skyrocket during the next decade, while also dramatically reducing its costs due to the reusability of its rockets.Its rocket scientist CEO Peter Beck is a New Zealand gem, not afraid to get his hands dirty and don the hard hat to build bigger rockets and serve more demanding customers. Credibility and long-term relationships are vitally important in the launch industry. Rocket Lab is gaining both…at an accelerating pace.The Solar System is the limit for this disruptor. Rocket Lab is a very high risk investment who faces a myriad of challenges, but is also growing quickly in a massive and mostly unexplored new market. It's time to place another bet on the Final Frontier.

Today on Upstream, we're sharing Erik Torenberg conversation with Samo Burja where they discuss the Bronze Age collapse, technological advancements in ancient civilizations, and the nuanced history of the Roman Empire, along with a detailed analysis of contemporary geopolitical dynamics, particularly focusing on the Russian-Ukrainian conflict and its implications for global power structures. —

Cost Dutch people exactly £13, because we're back for De Mol België Season 13 - and its visit to the one place that Logan spent six months that we're actually allowed to talk about - Thailand! Over these nine weeks, two guys who do worry occasionally that they're too much - Michael & Bindles - are recapping and breaking down everything that happens as we try and work out who has been given the task to spread bad luck in the Land of Smiles and become the Mole - continuing with the eighth episode and reveal of Sarah as The Mole! In this episode - Bindles channels his inner Gilles, we reveal where Logan is, Michael's had a busy week, there's a comedy handbrake involving an Eastern European stranger and a surprising lubed object, a journey through Schiphol is never simple, Michael reveals his souvenirs, there's a bit of a Switch in conversation topics, Alexy's personality comes through, we wonder if advantages could be disadvantageous, Bindles tries to donate some worthless pieces of wood, the €6000 gamble could be a deliberate course correction, a lesser Mole does not necessarily matter, Nimrod provides us with a first, Fuzzy loses another bingo square, Alexy's reaction betrays the truth, we wonder if we were mean about Jan, Michael shoots his shot, we void the Pool results, the winners of First Suspicions and Suspect List are revealed and Bindles has an announcement. You can see the results of the Bother's Bar Suspect List here - thank you to Thomas for all his hard work building it! We will see you next week for the reunion! Please note: This episode is intended on being spoiler-free, but references to any season we have already covered (WIDM 10-11, 14, 16-25 and Renaissance; België 4-12) may be made. This episode is supported by our friends over at Zencastr. Create your podcast today! Social Media: Facebook Twitter Instagram YouTube Bluesky Threads Patreon

Today's 7investing podcast is all about Rocket Lab!The space economy is hitting an inflection point. And that will be good news for its earliest investors.Eastern European conflicts, standoffs between China and Taiwan, and new commercial interests are creating a trillion-dollar industry in Earth's orbit. And this is much more than just glorified media hype. An unprecedented number of applications is forcing the FCC to streamline its review process, as the number of active satellites is growing incredibly quickly.Rocket Lab (NASDAQ: RKLB) is in the perfect position to benefit. This small-cap, small-launch provider's revenues will skyrocket during the next decade, while also dramatically reducing its costs due to the reusability of its rockets.Its rocket scientist CEO Peter Beck is a New Zealand gem, not afraid to get his hands dirty and don the hard hat to build bigger rockets and serve more demanding customers. Credibility and long-term relationships are vitally important in the launch industry. Rocket Lab is gaining both…at an accelerating pace.The Solar System is the limit for this disruptor. Rocket Lab is a very high risk investment who faces a myriad of challenges, but is also growing quickly in a massive and mostly unexplored new market. It's time to place another bet on the Final Frontier.

In this episode of Reimagining Cyber, Rob Aragao welcomes Matt Gorham, former Assistant Director of the FBI's Cyber Division and current leader of PwC's Cyber and Risk Innovation Institute. Gorham shares critical insights from his 25-year FBI career and discusses the evolution of ransomware—especially the rise of ransomware-as-a-service models and the business-like operations of Eastern European cybercriminal syndicates. He emphasizes the importance of cyber hygiene, incident response planning, and executive-level tabletop exercises. The discussion also covers the often-misunderstood relationship between private companies and law enforcement, as well as the implications of AI, onshoring manufacturing, and the shifting geopolitical cybersecurity landscape. A must-listen for CISOs, board members, and security leaders looking to turn preparation into resilience.Follow or subscribe to the show on your preferred podcast platform.Share the show with others in the cybersecurity world.Get in touch via reimaginingcyber@gmail.com As featured on Million Podcasts' Best 100 Cybersecurity Podcast and Best 70 Chief Information Security Officer CISO Podcasts rankings.

The weather outside's delightful, and there can be no better time than to sit in a dark room, and enjoy some crap chat and nine nifty songs from ROTHCO, Caught On Sight, Kathleen Turner Overdive, GOK2, NOX, Eville, The Sex Organs, 3615 Francis and Larry 73.Voice of Jeff, Comedy Suburbs, Dammit, Tony has your Facebook comment, last week, Andor, Tony had a gig in Whitchurch, Wedding band, book, Eastern European historical fiction, pope, Forest, car, From the Vaults, Tony's International Gig Guide, Apocalypse Babys, this week, gig in Bolton, Norway Day, Forest v West Ham, no Izzatwat, live bed, Poetry Corner and a reminder of the ways you can listen!Song 1: ROTHCO – Coming In HotSong 2: Caught On Sight - BYEgonesSong 3: Kathleen Turner Overdive – End Of The LineSong 4: GOK2 - B.T.F.D.Song 5: NOX – Dentro Il CovoSong 6: Eville – Get With MeSong 7: The Sex Organs - ItchSong 8: 3615 Francis - PlayboySong 9: Larry 73 - Radio Silence

Events Daily, Jack Posobiec is joined by Romanian Presidential Candidate, George Simion for an exclusive interview. Poso dives deep with Simion about one of the most controversial elections in Eastern European history after the arrest and ban of conservative candidate Calin Georgescu. Jack and Simion break down election integrity overseas, the Russia-Ukraine war, President Trump's impact on Europe, and much, much more —  all on today's Human Events Daily!Here's your Daily dose of Human Events with @JackPosobiecGo to https://www.BlackoutCoffee.com/POSO and use promo code POSO for 20% OFF your first order.Go to https://hometitlelock.com/poso and use promo code POSO to get a FREE title history report so you can find out if you're already a victim AND 14 days of protection for FREE! And make sure to check out the Million Dollar TripleLock protection details when you get there! Exclusions apply. For details visit https://hometitlelock.com/warrantySupport the show

Tune in to a new episode of the Significant Women Podcast with Carol McLeod! Today, Carol speaks with Brooke Kehl about her faith journey and her work with Eastern European Mission (EEM). They discuss the importance of personal encounters with Jesus, the power of storytelling, and the transformative impact of providing Bibles to those in need. Brooke shares inspiring stories of women like Nadia and Zara, who have experienced life-changing moments through their faith. This conversation highlights the significance of encouragement, the role of women in faith, and the profound truth that each person is loved and seen by God. Learn more about and support EEM at https://www.eem.org/ Connect with Carol at https://www.carolmcleodministries.com/ or email her at carolmcleod@carolmcleodministries.comFacebook: https://www.facebook.com/carolmcleodministriesInstagram: https://www.instagram.com/carolmcleodministriesYoutube: https://www.youtube.com/channel/UCQE6z9U5VR9tjoJB1NAsgMw

London Grammar frontwoman Hannah Reid joins Nuala McGovern to discuss more than a decade at the helm of the band, their fourth album The Greatest Love, and what it's been like navigating the music industry as a new parent.With US President Donald Trump reaching the 100 day mark of his presidency, who are some of the women in his cabinet? And what impact have those first 100 days had on women's lives in the US? Nuala speaks to Republican Sarah Elliott and Democrat Kristin Kaplan Wolfe to get their thoughts.April, a new film set in the Eastern European country of Georgia, tells the story of Nina, an obstetrician who faces an investigation, after she was unable to save a baby during labour. But the investigation brings scrutiny Nina doesn't want, as she's concerned it will shine a light on her secret job – providing unofficial, illegal abortions and reproductive care to women in poorer villages, in their homes. Writer and director Dea Kulumbegashvili joins Nuala to discuss her story and what it was like to film.Over a quarter of domestic abuse services in England and Wales are having to turn children away from vital support amid severe funding shortages, according to a new report by the Domestic Abuse Commissioner. Children were recognised as victims of domestic abuse in their own right for the first time by 2021's Domestic Abuse Act. Nuala is joined by Nicole Jacobs, the Domestic Abuse Commissioner for England and Wales, to hear more about her report and what she wants to see happen next. Presenter: Nuala McGovern Producer: Sarah Jane Griffiths