Podcasts about black americans

For over a century, Black bodies were used—examined, experimented on, and exploited in the name of science. From plantation doctors perfecting procedures on enslaved women without anesthesia, to the government letting Black men die slow deaths in Tuskegee, to the stolen cells of a unsuspecting Black women changing medical history.This isn't ancient history. It's a pattern. And it shaped the way Black communities view medicine, hospitals, and doctors.So join us today for the dark history of the Medical ApartheidAudio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Substack: https://onemicblackhistorypodcast.substack.com/Follow me on Threads: https://www.threads.net/@onemic_historyPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2mSources:Medical Apartheid: The Dark History of Medical Experimentation on Black Americans by Harriet A. Washingtonhttps://en.wikipedia.org/wiki/Henrietta_Lackshttps://www.hopkinsmedicine.org/henrietta-lacks https://en.m.wikipedia.org/wiki/Tuskegee_Syphilis_Studyhttps://www.history.com/articles/the-infamous-40-year-tuskegee-study https://www.history.com/articles/the-father-of-modern-gynecology-performed-shocking-experiments-on-slavesBecome a supporter of this podcast: https://www.spreaker.com/podcast/one-mic-black-history--4557850/support.

Welcome back to another installment of the Redacted History Podcast. This is a revisit episode where we take the a look back at the history, symbolism and, importance of Juneteenth. June 19th, or Juneteenth, commemorates June 19th, 1865 where enslaved Black Americans in Galveston, Texas were made aware that the Civil War was over and that slavery had been abolished --- 900 days after the Emancipation Proclamation. Stay Connected with Me: PATREON: patreon.com/redactedhistory https://www.tiktok.com/@Blackkout___ https://www.instagram.com/redactedhistory_ Contact: thisisredactedhistory@gmail.com Episode Script Writer and Researcher: Jordyn Howard Episode Editor and Narrator: Dr. André White Jr. Learn more about your ad choices. Visit megaphone.fm/adchoices

We break down the final Marist NYC poll before the primary then dive into how Ranked Choice Voting works with expert Stephen Pettigrew from the University of Pennsylvania. He manages to make a complicated topic pretty simple!Then, Americans' trust in police has been rising for the last few years and that includes among Black Americans. The latest results are the highest in four years but, still, Blacks have lower levels of trust and satisfaction with their local police that White Americans. In other areas, there is no racial gap but there is a partisan one.Finally, the olds on the pod try and explain what Blockbuster was and how Netflix started as a DVD-by-mail company in our movie-themed fun fact.

Last month, Marketplace's Mitchell Hartman visited Tulsa, Oklahoma, where he reported on the history of the area's “Black Wall Street” and its destruction during the Tulsa Race Massacre more than a century ago. The city's mayor recently announced a $105 million reparations plan. Tulsa joins a number of localities addressing the racial wealth gap, but if addressed federally, the sum would have to be closer to $16 trillion. We'll hear more. But first: how to tell how factories are navigating tariff pivots.

Last month, Marketplace's Mitchell Hartman visited Tulsa, Oklahoma, where he reported on the history of the area's “Black Wall Street” and its destruction during the Tulsa Race Massacre more than a century ago. The city's mayor recently announced a $105 million reparations plan. Tulsa joins a number of localities addressing the racial wealth gap, but if addressed federally, the sum would have to be closer to $16 trillion. We'll hear more. But first: how to tell how factories are navigating tariff pivots.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Jacque Rushin & Robyn Donaldson. ROBYN DONALDSON & JACKIE RUSHIN

Juneteenth has long been celebrated in Black communities to remember June 19, 1865, the day that enslaved African Americans in Texas learned they were free. After becoming a federal holiday in 2021, broader community celebrations began in cities around the country, including the Minnesota Orchestra's annual Juneteenth concert tonight at Orchestra Hall in downtown Minneapolis. MPR News host Angela Davis talked with the guest conductor of the Juneteenth concert and one of its organizers about the contributions of Black American composers and how classical music is being shaped by Black American music traditions, including gospel, jazz and the blues. Tickets to the 7 p.m. concert were still available as of Thursday morning. The concert will also stream live on YourClassical MPR with host Melissa Ousley. Guests:   Jonathan Taylor Rush returns to guest conduct this year's Juneteenth concert with the Minnesota Orchestra after conducting the concert in 2024. Now based in North Carolina, Taylor Rush was associate conductor of the Baltimore Symphony Orchestra from 2020 to 2023 and is in demand as a guest conductor around the world.  Grant Meachum is director of the Minnesota Orchestra's Live at Orchestra Hall season, which includes the Juneteenth concert and more than twenty other special programs every year featuring film presentations, holiday celebrations and collaborations with popular artists. Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Spotify or RSS.  

The View co-host claimed life for Black Americans was 'the same' as living under Iran's totalitarian regime. June 19th 2025 --- Please Like, Comment and Follow 'The Ray Appleton Show' on all platforms: --- 'The Ray Appleton Show’ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. --- 'The Ray Appleton Show’ Weekdays 11 AM -2 PM Pacific on News/Talk 580 AM & 105.9 KMJ | Website | Facebook | Podcast | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

You, my brothers and sisters, were called to be free. But do not use your freedom to indulge the flesh; rather, serve one another humbly in love. — Galatians 5:13 A volunteer at Roseland Christian Ministries saw a sign for the celebration of Juneteenth and said, “Why can't we all just celebrate July 4? What is Juneteenth anyway?” I took a deep breath and said something along these lines: “I'm still learning, but here's what I know. After the Emancipation Proclamation was declared in 1863, it wasn't enforced in Confederate states until 1865. On June 19, 1865, a U.S. general arrived in Galveston, Texas, to inform enslaved people that they were legally free—two years after the proclamation. That's what Juneteenth celebrates.” I pushed a little further. “Independence Day might mean something different if your freedom didn't come on July 4, 1776. And if any of us is enslaved, are we free?” In the United States, Juneteenth is not just a day for Black Americans to celebrate—it's a reminder for everyone that true freedom is something we should strive for together. Galatians 5:13 reminds us, “You . . . were called to be free. But do not use your freedom to indulge the flesh; rather, serve one another humbly in love.” I pray for the humility to keep learning and listening. Juneteenth is a time to reflect on the journey toward justice and equality and, as followers of Jesus Christ, to remember that we are called to use our freedom to serve one another. Lord, grant us the gift of true freedom in Christ. May we serve others with open hearts, walking humbly in your love and grace. Amen.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Genetic testing has had some ups and downs over the past few years, with wide swaths of data sets setting a precedent for potential individualized healthcare. But, oftentimes, that data misrepresents African-descended individuals and doesn't paint the whole picture. Population geneticist Dr. Janina Jeff Ringo joins host Dr. Samantha Yammine to discuss what we can learn from genetic testing, and the gaps that sociologists are trying to fill in. Sam also explores a fascinating new study that claims to have nailed down the perfect cacio e pepe recipe and a potential solution to the growing strain on global rice yields. Link to Show Notes HERE Follow Curiosity Weekly on your favorite podcast app to get smarter with Dr. Samantha Yammine — for free! Still curious? Get science shows, nature documentaries, and more real-life entertainment on discovery+! Go to https://discoveryplus.com/curiosity to start your 7-day free trial. discovery+ is currently only available for US subscribers. Hosted on Acast. See acast.com/privacy for more information.

“Closer Look” returns with our annual Juneteenth event, recorded live at Hammonds House Museum in the West End neighborhood of Atlanta. This year, host Rose Scott speaks with panelists on the theme of "Natural Gifts: Honoring the Contributions of Enslaved Africans and Black Americans, Pre-Civil War to Present." Guests include: Kuumba storyteller Dr. Christine B. Arinze-Samuel, also known as Sistah Olufemi Dr. Joy DeGruy, international scholar, researcher and author specializing in racial trauma, healing and slavery Edvige Jean-François, award-winning journalist and executive director of Georgia State University’s Center for Studies on Africa and Its Diaspora Robell Awake, chairmaker, researcher and author of “A Short History of Black Craft In Ten Objects”See omnystudio.com/listener for privacy information.

Etta LaFlora and Lovondi Jordan joined Wake Up Tri-Counties to talk about Juneteenth and the meaning of Juneteenth, the history, and the importance of the Juneteenth Holiday. Across the country, communities are gathering to honor Juneteenth, commemorating the liberation of the last enslaved Black Americans in Texas on June 19, 1865. Observances focus on both celebration and reflection, highlighting the date's transformation from a Texas holiday in 1980 to national recognition in 2021. Events include parades, educational forums, and cultural performances, all centered on themes of freedom and equality. Juneteenth marks the day in 1865 when enslaved Black Americans in Texas were finally told they were free, nearly two and a half years after the Emancipation Proclamation. The announcement came as Union soldiers, led by General Gordon Granger, arrived in Galveston with life-changing news and the promise of a new beginning. Today, Juneteenth stands as a celebration of Black resilience, freedom, and the ongoing pursuit of justice. Communities gather for music, food, and reflection, honoring the struggles and dreams of those who endured enslavement. Juneteenth reminds us all to reflect, remember, and keep working toward equality for everyone.

Gloria Purvis joins the pod to discuss Carmelite spirituality, the legacy of Black Americans in the Catholic Church, and Church politics. Read our first interview in America https://www.americamagazine.org/faith/2020/09/23/gloria-purvis-interview-racism-pro-life-politics-devilSubscribe to the Substack: https://cracksinpomo.substack.com

In 1910, Black farmers owned as many as 16 million acres of American farmland. Today that figure has plummeted. Between 1910 and 1997, Black Americans lost an estimated 90 percent of their farmland to violent land theft and discrimination. In this episode, courtesy of the FoodPrint podcast “What you're eating,” Jerusha Klemperer interviews Brea Baker, author of Rooted: The American Legacy of Land Theft And The Modern Movement For Black Land Ownership, who explored this history through her own family's loss and resilience. 

We don't know the faces or names of many enslaved Black people in American history. Some left a small mark of their existence in the very bricks of the buildings their hands built, yet they remain voiceless because their story has been hidden away.Historians like Annette Gordon-Reed know that through sharing the stories of enslaved people, we remember their humanity and preserve historical truth in the process. She's a Harvard University professor and the award-winning author of The Hemingses of Monticello and On Juneteenth. With her lawyer-like approach, she's brought light to stories once expunged from our history and provided a view of the road to Juneteenth through her books.In this episode of the Branding Room Only podcast, you'll hear about the national implications inherent in The Hemingses' story (and connection to Thomas Jefferson) and Juneteenth. Annette will discuss her own experiences with celebrating Juneteenth, what the country should learn from the experiences of enslaved people, and more!3:40 - Annette's personal branding definition, three-word description of herself, favorite quotes, and hype song6:00 - The importance of reading and music in Annette's life as a child8:00 - Annette's non-traditional career trajectory as a lawyer, author, and professor11:40 - What motivated Annette to write about the Hemingses and Thomas Jefferson17:00 - The need to understand the truth in shaping the legacies and personal brands we hold dear19:50 - The significance of Juneteenth and why Annette wrote her book on it25:20 - Traditional Juneteenth celebrations Annette grew up with in Texas and newer ones she's seen integrated into the holiday30:50 - The good and (potential) bad about Juneteenth and its importance in the context of American history38:00 - How Annette wants people in the future to remember her contribution to preserving a piece of American history39:00 - Finding fun and continuous growth in humbling activities43:50 - Annette's one uncompromisable aspect and Branding Room Only qualityMentioned In Truth and Celebration: Stories of Black American History with Annette Gordon-ReedThe Hemingses of Monticello: An American Family by Annette Gordon-ReedOn Juneteenth by Annette Gordon-ReedVernon Can Read!: A Memoir“This Is How We Do It” by Montell Jordan | Youtube (Official Music Video) “Scherzo Op. 39 No. 3 in C Sharp Minor” by Chopin | Youtube (Pogorelich)PaulaTV: Stagville Plantation Fingerprints of Slave ChildrenFollow & Review: If you enjoyed this episode, leave a 5-star review on your favorite podcast platform! Sponsor for this episodePGE Consulting Group LLC empowers individuals and organizations to lead with purpose, presence, and impact. Specializing in leadership development and personal branding, we offer keynotes, custom programming, consulting, and strategic advising—all designed to elevate influence and performance at every level.Founded and led by Paula Edgar, our work centers on practical strategies that enhance professional development, strengthen workplace culture, and drive meaningful, measurable change.To learn more about Paula and her services, go to www.paulaedgar.com or contact her at info@paulaedgar.com, and follow Paula Edgar and the PGE Consulting Group LLC on LinkedIn.

DAMON YOUNG (⁠What Doesn't Kill You Makes You Blacker: A Memoir in Essays⁠) is a Pittsburgh writer and humorist. In this episode, Jacke talks to Damon about his work editing and writing an introduction for That's How They Get You: An Unruly Anthology of Black American Humor, which emphasizes how and why Black American humor is uniquely transfixing. PLUS Jacke nominates a joke as the greatest American joke ever told. Learn more about Damon Young and his work at https://www.damonjyoung.com. Information about tour events for the anthology of Black American humor is available at https://www.penguinrandomhouse.com/authors/2268679/damon-young/#events The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com . Help support the show at patreon.com/literature or historyofliterature.com/donate . The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature . Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textTo mark this Juneteenth, Mike spoke with Hamden Black History Committee members Deborah Moxam and Evans Simmons about what the Committee does for the community as well as the library's upcoming Juneteenth Read-In. Mike also talked to author Jill Marie Snyder about her research into the lives of Black Americans, both pre- and post-Civil War.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Denella Ri'chard. An award-winning travel expert, TV host, and former senior executive in the travel industry. The discussion focused on the transformative power of travel, breaking cultural barriers, and her journey from corporate leadership to entrepreneurship.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Denella Ri'chard. An award-winning travel expert, TV host, and former senior executive in the travel industry. The discussion focused on the transformative power of travel, breaking cultural barriers, and her journey from corporate leadership to entrepreneurship.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Denella Ri'chard. An award-winning travel expert, TV host, and former senior executive in the travel industry. The discussion focused on the transformative power of travel, breaking cultural barriers, and her journey from corporate leadership to entrepreneurship.

In this episode of The Common Knowledge Podcast, Marcus L-Spade Johnson dives into the layered struggles Black Americans continue to face—from systemic disparities to being caught in political crossfires. We examine Trump's aggressive immigration policies and the erosion of due process, asking who's really being protected—and who's being targeted. Finally, we unpack the recent Shannon Sharpe scandal and what it reveals about power, perception, and modern relationship dynamics in the media spotlight. Strap in. It's about to get real.#BlackVoicesMatter#ImmigrationJustice#DueProcess#TrumpPolicies#SystemicRacism#ShannonSharpe#ModernRelationships#PodcastLife#BlackPodcasters#SocialJusticePodcast#SpotifyPodcasts#ListenNow#PodcastRecommendation#CommonKnowledgePodcast

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Jacque Rushin & Robyn Donaldson. ROBYN DONALDSON & JACKIE RUSHIN

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. Jacque Rushin & Robyn Donaldson. ROBYN DONALDSON & JACKIE RUSHIN

While many Black Americans have been celebrating Juneteenth since 1865, the holiday has often been overlooked by non-Black Americans. This hour, we look at the tradition of the holiday and recognize its importance as a time to learn more about Black history in the U.S. Alliah L. Agostini is a mom and children’s book author. Her books The Juneteenth Story: Celebrating the End of Slavery in the United States and The Juneteenth Cookbook teach the history and joy of Juneteenth. Distinguished Professor Dr. William Darity explains the history of reparations and today's racial wealth gap. GUESTS: Alliah L. Agostini: children’s book author - The Juneteenth Story: Celebrating the End of Slavery in the United States and The Juneteenth Cookbook Dr. William Darity: Samuel DuBois Cook Distinguished Professor of Public Policy at Duke University. Co-author, From Here to Equality: Reparations for Black Americans in the 21st Century This episode originally aired on June 19, 2024. See omnystudio.com/listener for privacy information.

In this episode of 'Ayana Explains It All,' Ayana Fakhir delves into the concept of Black Fatigue, a term introduced by Mary Frances-Winters in her book, "Black Fatigue" which refers to the chronic physical and emotional exhaustion faced by Black Americans due to repeated exposure to racism. Ayana elaborates on how this fatigue is passed down through generations, exacerbated by systemic racism and daily microaggressions. She discusses the social media uproar about a burnt plantation home, using it as a case study to highlight ongoing racial injustices. Ayana emphasizes the need for systemic change, the importance of recognizing the true meaning of Black Fatigue, and the critical role of Black resilience and activism in fighting against white supremacy. Tune in to understand the profound impacts of racism on Black individuals and communities.

From planting periwinkles on the graves of slaves, to the blues itself, the colour blue has been core to Black Americans' pursuit of joy in the face of being dehumanized by slavery, argues Harvard professor Imani Perry. In her latest book, Black in Blues: How a Color Tells the Story of my People, she unpacks the deep, centuries-long connection between Black people and the colour blue, from the complex history of indigo dye to how the blues became a crowning achievement of Black American culture.

Terrell Jermaine Starr is a Black American journalist who spends much of his time in Ukraine. He knows the country intimately. He also recognizes the striking parallels between the experiences of Ukrainians and Black Americans in the United States. For centuries, both groups have endured systemic violence and humiliation—sometimes overt, sometimes hidden—that have pushed them into subordinate roles within societies dominated by others. In this episode, we explore these shared struggles and work toward fostering a deeper understanding between the two communities. Explaining Ukraine is a podcast by UkraineWorld, an English-language media outlet about Ukraine run by Internews Ukraine. Host: Volodymyr Yermolenko, a Ukrainian philosopher, the chief editor of UkraineWorld and the president of PEN Ukraine. We are recording this conversation during the Lviv Media Forum, in May 2025 in Lviv, the Western part of Ukraine. You can support our work at: https://www.patreon.com/c/ukraineworld. Your support is vital, as we rely heavily on crowdfunding. You can also support our volunteer trips to frontline areas in Ukraine, where we provide aid to both soldiers and civilians. Donations are welcome via PayPal at: ukraine.resisting@gmail.com.

June 12, 2025 ~ Chris and Lloyd are joined by Stewart Graham, a Corewell Health Neuroscientist and Metabolomicist, to discuss how Alzheimer's disease is now the fourth leading cause of death among older Black Americans.

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women's Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard's Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Trump Administration has decided that diversity, equity, and inclusion efforts are themselves a form of discrimination. And last week, the Supreme Court ruled unanimously that members of majority groups can also experience discrimination. But what if the entire frame of "discrimination" is the wrong one? Brando Simeo Starkey, author of "Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System" joins us to discuss how the Supreme Court has worked to ensure that Black Americans stay at the bottom of the racial hierarchy.And in headlines: California Governor Gavin Newsom sued the Trump administration over its deployment of the National Guard to Los Angeles, hundreds of NIH scientists issued a public letter condemning Trump's attacks on the agency, and Russia launched nearly 500 drones across Ukraine.Show Notes:Check out Brando Simeo Starkey's book – https://tinyurl.com/4chhn9c9Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday

We have published 120 episodes since 2019. For this new season, we thought it would be a good idea to look back on some of the highlights of our conversations and select 20 episodes that resonated with veterans, service members, military families, and the civilians who support them.But first up, you'll hear from some of the folks at Home Base who wake up every day with the same mission in mind, no matter what they do at the Center of Excellence in the Navy Yard and beyond. Welcome back to Home Base Nation! For this episode, you will hear a brief conversation with Air Force Veteran and Family Support Team Manager, Stacie Frederiksson, who has worked in the non-profit arena serving veterans and their families for the past 15 years. Stacie served 14 years on active duty in the Air Force as an intelligence officer, supporting flying and space operations, before transferring to the Air Force Reserves, where she spent the last 9 years of her career at USCYBERCOM, retiring in 2016.Following the conversation with Stacie, you'll hear an episode featuring award-winning storyteller and filmmaker Spike Lee, recorded in London, England, in 2019. Home Base caught up with the legendary director before the first-ever Red Sox–Yankees game at the London Stadium. Although we were not happy with the series outcome, Mr. Lee was indeed a lifelong Yankee fan. Ron and Spike discuss some of the history of service by Black Americans and get a preview of his Vietnam War Film, early released at the time, Da5Bloods.Many thanks to Stacie Frederiksson for all her work at Home Base in support of this mission to stomp stigma and treat the invisible wounds of veterans and military families.Run To Home Base: Join Ron and his team and sign up individually or on another team at the 16th annual Run To Home Base on July 26th, 2025, at Fenway Park! Go to runtohomebase.orgPlease visit homebase.org for updates, programming, and resources if you or someone you know is struggling. Home Base Nation is the official podcast for the Home Base Program for Veterans and Military Families. Our team sees veterans, service members, and their families addressing the invisible wounds of war at no cost. This is all made possible thanks to a grateful nation. To learn more about how to help, visit us at www.homebase.org. If you or anyone you know would like to connect to care, you can also reach us at 617-724-5202.Follow Home Base on Twitter, Facebook, Instagram, LinkedInThe Home Base Nation Team is Steve Monaco, Army Veteran Kelly Field, Justin Scheinert, Chuck Clough, with COO Michael Allard, Brigadier General Jack Hammond, and Peter Smyth.Producer and Host: Dr. Ron HirschbergAssistant Producer, Editor: Chuck CloughChairman, Home Base Media Lab: Peter SmythThe views expressed by guests on the Home Base Nation podcast are their own, and their appearance on the program does not imply an endorsement of them or any entity they represent. Views and opinions expressed by guests are those of the guests and do not necessarily reflect the views of the Massachusetts General Hospital, Home Base, the Red Sox Foundation, or any of its officials. 

June 15th is Father's Day, and this week we're going off the radar with author Kelly V. Porter. She's honoring her late father, Alonzo Smith Jr., who was one of the first Black American meteorologists in history and the subject of Kelly's book, The Weather Officer. Join Kelly and Emily for an emotional and eye-opening historical perspective on the history of meteorology and race in America as we pay tribute to this barrier-breaking dad.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textSummaryIn this episode of the Concrete Genius podcast, Sauce Mackenzie reflects on his personal journey, the recent BET Awards, and the cultural significance of the event. He discusses the impact of new school artists, shares insights on personal growth, and emphasizes the importance of legacy and community engagement. Throughout the conversation, he encourages listeners to prioritize self-improvement and to embrace their unique journeys.Chapters00:00 Introduction and Personal Reflections02:51 BET Awards Highlights and Cultural Impact06:04 New School Artists and Social Commentary09:05 Personal Growth and Life Lessons11:55 Maximizing Life and Self-Improvement14:47 Legacy and Community EngagementTakeawaysThe BET Awards showcased a nostalgic celebration of culture.Jamie Foxx's tribute was a powerful moment of recognition.Maintaining a clean car reflects self-respect and care.Black Americans have the right to prioritize their own battles.Personal pain can be transformed into power and motivation.Maximizing life involves intentional self-improvement and discipline.Legacy matters; it's important to document one's journey.Community engagement is essential for personal fulfillment.Service to others can provide a sense of purpose.Every individual has the potential to inspire change in others.Support the show

In 1963, a time of heightened suppression of Black Americans to their civil rights, President Kennedy invited 244 lawyers to the White House, calling on them to use their expertise and influence to move the civil rights struggle from the streets into the courts. That call to action launched The Lawyers' Committee for Civil Rights Under Law, a nonprofit that for 63 years has tackled discrimination against people of color and championed the right to full participation in civic life. In this episode of Power Station, I am honored to feature Rob Weiner, Director of the Committee's Voting Rights Project. which challenges efforts at the state and national levels to disenfranchise voters of color. It is notable and moving that until recently Rob was Senior Counsel at the Voting Rights Division at the US Department of Justice. He explains that under the Trump administration, the DOJ has abandoned its mission to protect the right to vote and is instead trafficking in disproven claims of voting scams and election fraud. Rob and his colleagues at the Lawyers Committee are boldly pushing back against executive orders, redistricting schemes and narratives that seek to weaken hard-won civil rights. And they are winning. Hear him!      

Join us for a powerful and insightful conversation recorded live from the historic Black Wall Street, where we sit down with Cheryl Poe, a leading education expert and founder of Advocating 4 Kids, Inc. Cheryl dives deep into the critical intersection of neurodivergence, education, and racial equity, exploring the unique challenges and incredible resilience of Black and Brown neurodivergent children. We tackle the dynamics of the current administration's education policies, their impact on special education and DEI initiatives, and how these shifts affect families navigating the system. Discover how the spirit of Black Wall Street continues to inspire advocacy, and what concrete steps are needed to ensure equitable support for all neurodivergent students. This episode is a must-listen for parents, educators, advocates, and anyone passionate about inclusive education and social justice.Interested in sponsoring the podcast? Want to contact Blair orBrian or Black BRAND? Info@BlackBRAND.biz . The Black WallStreet Today (BWST) radio show is focused on all things Black entrepreneurshipand hosted by Virginia Tech alumnae Blair Durham, co-founder and co-Presidentof Black BRAND. The BWST podcast is produced by using selected audio from theradio show and other Black BRAND events. BWST is the media outlet for BlackBRAND. Black BRAND is a 501(c)(3) organization that stands for BusinessResearch Analytics Networking and Development. We are Hampton Roads RegionalBlack Chamber of Commerce. We promote group economics through professionaldevelopment and community empowerment, and we unify the black dollar byproviding financial literacy, entrepreneurship training, and networkingresources!   http://blackbrand.biz  m.me/blackwallstreettoday  +  info@blackbrand.biz  +  (757) 541-2680 Instagram: www.instagram.com/blackbrandbiz/ + Facebook: www.facebook.com/blackbrandbiz/   Produced by Seko Varner for Positive VibesInc. http://www.PositiveVibes.net Find Black Owned Businesses in the 757: www.HRGreenbook.com Invest in Black Excellence! Watch all episodes of www.GenerationalFlip.com now! $20k - $90K of business funding - https://mbcapitalsolutions.com/positive-vibes-consulting/Money for your business: https://davidallencapital.com/equipment-financing?u=&u=PositiveVibesMoney for Real Estate Investments:  https://PositiveVibesConsulting.comPurify yourself, house, and environment to remain safe: https://www.vollara.com/PositiveVibesInvest in stocks via STASH: https://get.stashinvest.com/sekosq72j  Fix your credit: https://positivevibes.myecon.net/my-credit-system/ Raise money with Republic: https://republic.com/raise/i/jpdajr    Melanin, Black History, B1, Black First, ADOS, FoundationalBlack American, African, Indigenous, Virginia, Underground Railroad, Slavery,America, Black Enterprise, Norfolk, Richmond, Africa, Cupid Shuffle, GospelMusic, Moorish, Negro Spirituals, Stay Woke, Black History Month, Christian,Noble Drew Ali, Malcolm X, Ebony, African American, Entrepreneur, #GetOnCode,Tone Talks, Black American, Afrisynergy News, Black People, Nubian, EmpowermentAgenda, BlackWallStreet, Black Wall Street, theWE, Hampton Roads Greenbook

Earn Your Leisure has partnered with the Government of Ghana to establish a Black American City, a visionary initiative that I fully support. I believe this is a historic opportunity, offering the descendants of slaves an alternative beyond America. Both Ghana and Benin have also announced that African Americans can apply for dual citizenship and be accepted immediately. It is my intention to obtain dual citizenship this year for myself and my entire family, with the long-term goal of relocating from America to Africa in the years ahead.#BlackAmerica #Ghana #rightofreturn #africa #SGTDunson

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Do we get the nonfiction we deserve? LATimes book critic Bethanne Patrick wrestles with this question through five new books that both mirror and address our fractured psyche. From Melissa Fibos' choice of celibacy over toxic sexual romance to a lone wolf crossing impossible borders, all these works expose a world grappling with isolation, AI empires, and the collapse of meaningful discourse. Whether it's Thomas Chatterton Williams's critique of wokeness, Damon Young's biting anthology of new black comedy, or Karen Hao's disturbing portrait of OpenAI as our new imperial reality ( Tomorrow's show features a full interview with Hao), each book reflects our deeper crisis: the inability to connect authentically in our age of social isolation and anxiety. The Dry Season: A Memoir of Pleasure in a Year Without Sex - Melissa Fibos. Melissa Fibos, a writer with a history of intense romantic fixations, realizes she's addicted to the chase rather than genuine connection. She embarks on a year-long celibacy experiment, allowing masturbation and fantasies but avoiding all dating and partnered sex. It's a transformative journey of empowerment as Fibos discovers authentic pleasure in solitude, food, and simple experiences, ultimately meeting her future wife before completing the full year.Summer of Our Discontent: The Age of Certainty and The Demise of Discourse - Thomas Chatterton Williams. This multiracial critic argues that America's obsession with racial categories perpetuates the very divisions we claim to fight, insisting that race is purely a social construct with no biological basis. Writing from his perspective as an American expat in France, Williams contends that woke discourse and "correct" language distract from addressing real structural problems. His book challenges readers to move beyond tired black-versus-white frameworks toward more nuanced conversations about power and identity.That's How They Get You: An Unruly Anthology of Black American Humor - Edited by Damon Young This collection features sharp satirical pieces from top Black American writers who skewer everything from Karen culture to Disney's racial blindness to tech company exploitation. Contributors include Mateo Askaripour (who wrote the acclaimed "Black Buck") offering biting commentary on workplace racism and cultural appropriation. The anthology demonstrates how humor serves as both weapon and shield, allowing writers to expose systemic absurdities while maintaining their sanity in an often hostile world.Lone Wolf: Walking the Line Between Civilization and Wildness - Adam Weymouth In 2011, a wolf named Slavc traveled over 1,000 miles from Slovenia to the Italian Alps, becoming the first wolf in that region for decades and eventually establishing a pack of over 100. Weymouth follows this remarkable journey to explore how artificial barriers—from the Iron Curtain to Trump's border wall—prevent both wildlife and human refugees from reaching safety. The book uses the wolf's migration as a lens to examine what happens when the wild refuses to respect human boundaries and how life persistently seeks ways to thrive despite our attempts to control it.Empire of AI: Dreams and Nightmares in Sam Altman's OpenAI - Karen Hao. Based on 90 interviews with current and former OpenAI executives plus dozens more from competing tech companies. Hao argues that without proper regulation and transparency, AI could evolve into a modern version of the British East India Company—a technological monopoly that serves elite interests while reshaping global power structures. Tomorrow's show features a full interview with Hao. Bethanne Patrick maintains a storied place in the publishing industry as a critic and as @TheBookMaven on Twitter, where she created the popular #FridayReads and regularly comments on books and literary ideas to over 200,000 followers. Her work appears frequently in the Los Angeles Times as well as in The Washington Post, NPR Books, and Literary Hub. She sits on the board of the PEN/Faulkner Foundation and has served on the board of the National Book Critics Circle. She is the host of the Missing Pages podcast.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. She gives equal weight to the different aspects of Dawson's career from his early training at Tuskegee Institute (now University) to his twenty-five years as director of choirs and composer at the same school and ending with his thirty years as a free-lance conductor. Dawson was part of the same generation of Black classical musicians that produced Florence Price and William Grant Still. His most famous composition is probably the Negro Folk Symphony, but he wrote other music including choral arrangements of spirituals that are a staple of college choral programs. Recently, in part because of work by people like Gwynne Kuhner Brown, Dawson's other compositions are beginning to be heard in concert halls once again. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution's Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation's founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today's federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN's The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution's Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation's founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today's federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN's The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution's Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation's founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today's federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN's The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

During the Second World War the immense needs for labour and military manpower transformed American society and gave Black Americans an historic opportunity to advance themselves. This podcast explores the barriers they faced and the racial discrimination of segregated armies and workplaces, and the ironies of a military power based on racial discrimination conducting a moral crusade against Nazism. *****STOP PRESS*****I only ever talk about history on this podcast but I also have another life, yes, that of aspirant fantasy author and if that's your thing you can get a copy of my debut novel The Blood of Tharta, right here:Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Denella Ri'chard. An award-winning travel expert, TV host, and former senior executive in the travel industry. The discussion focused on the transformative power of travel, breaking cultural barriers, and her journey from corporate leadership to entrepreneurship.

Greg Jenner is joined in 19th-Century America by Dr Michell Chresfield and comedian Desiree Burch to learn all about abolitionist and suffragist Sojourner Truth.Born into slavery in a Dutch-speaking area of New England, Sojourner Truth fought to free herself and then others, becoming one of the best-known abolitionist activists in America. She even succeeded in freeing her son, making her the first Black American woman to win a court case.A devoutly religious woman, Truth felt that God had called her to travel the country, preaching and advocating for the end of slavery, women's rights and universal suffrage. Along the way, she rubbed shoulders with abolitionists like Frederick Douglass, and politicians including Abraham Lincoln himself. This episode tells the story of her incredible life, beliefs and fight for justice, and even examines the true story behind her famous “ain't I a woman?” speech.This is a radio edit of the original podcast episode. For the full-length version, please look further back in the feed.Hosted by: Greg Jenner Research by: Madeleine Bracey Written by: Madeleine Bracey, Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook