Podcasts about shakespeare

Correspondent Mo Rocca sits down with Pulitzer Prize-winning New York Times columnist Maureen Dowd at the Folger Shakespeare Library, in Washington, D.C., to talk about her fascination with the work of William Shakespeare, a fascination that began as a teenager with her crush on Hamlet. She also compares today's political figures to Shakespeare's characters and their use/abuse of power and the failures of leadership. "No one," she says, "knows more about power than Shakespeare." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

William Wordsworth, Carol Ann Duffy… Tim Key. Just a few of the great poets this fair nation has produced. But there are two more names to add to the pantheon, two new kids on the block: Elis James and John Robins. Our heroes have picked up their pens (opened their laptops), unfurled their manuscripts (opened Word), and trawled their creative depths to write some verses that Shakespeare himself would be proud of. Why is poetry the order of the day you might be asking? Because the aforementioned Tim Key has unlocked the door to the house and made himself at home, that's why! Plus he's only gone and made a film which crucially John wasn't invited to the screening of. Elsewhere, there is newsworthy Cymru Connection to captivate people, but are they being entertained for all the wrong reasons? Also Dave's life has fallen apart because Hannah's gone to Ibiza. Tim's also in Saturday's Bureau de Change of the Mind if you want some bonus Key. That of course is only on the delectable BBC Sounds.If you want to get in touch then elisandjohn@bbc.co.uk is the means, as is 07974 293 022 on WhatsApp.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - completes Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act 5, Scene 2, Part 2, the tragedy resolves itself in a number of deaths. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Derek Jacobi, Nicholas Farrel, and Julie Christie; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Patrick Stewart and Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Stephen Dillane; Hamlet 2000 by Michael Almereyda, starring Liev Schreiber and Robert MacNeil; Hamlet 2007 by Alexander Fodor, starring Katie Reddin-Clancy; "She'll Never Know" by Marillion; Hamlet 2009 by Gregory Doran, starring Patrick Stewart; In a Bleak Midwinter by Kenneth Branagh, starring Michael Maloney; and "Le duel", "La mort d'Hamlet" and "Le rideau tombe" by Johnny Hallyday. Leave a comment, I love to read!

Today on You vs. Victoria, meet Kelsey—who signed up after hearing yesterday’s game and came ready to win. With questions ranging from Shakespeare and space to Einstein and anatomy, the trivia heat was on. But the real debate? Would you rather sneeze glitter or burp confetti? Plus, things get unexpectedly weird when the team starts testing neck massagers... on their noses. It’s chaotic, it’s competitive, and it ends with Post Malone tickets! The ultimate trivia showdown from The Jubal Show! Think you’ve got the brains to take down Victoria? Listeners go head-to-head with her in a battle of wits, testing their knowledge on everything from pop culture to random facts. Will you come out on top, or will Victoria destroy you? Play along, laugh out loud, and see if you have what it takes to claim victory! ➡︎ Sign up to battle Victoria - https://thejubalshow.com This is just a tiny piece of The Jubal Show. You can find every podcast we have, including the full show every weekday right here…➡︎ https://thejubalshow.com/podcasts The Jubal Show is everywhere, and also these places: Website ➡︎ https://thejubalshow.com Instagram ➡︎ https://instagram.com/thejubalshow X/Twitter ➡︎ https://twitter.com/thejubalshow Tiktok ➡︎ https://www.tiktok.com/@the.jubal.show Facebook ➡︎ https://facebook.com/thejubalshow YouTube ➡︎ https://www.youtube.com/@JubalFresh Support the show: https://the-jubal-show.beehiiv.com/subscribeSee omnystudio.com/listener for privacy information.

The tell-alls continue! Kody does his best Shakespeare impression and has system failure TWICE as he's caught in his own lies. Janelle is fine with kissing, sort of. There's a supercut of Christine and David making out. And Robyn is just... just about what you'd expect, honestly.Enjoy this podcast ad-free, along with monthly bonus podcasts ⁠⁠⁠⁠on Patreon or the Faculty Lounge on Apple Podcasts!Follow TSWP on Facebook ⁠⁠⁠⁠right here and join the Facebook group!Follow TSWP on Instagram and TikTok!Intro/outro music by ⁠⁠There Will Be Fireworks⁠, used with permission. Hosted on Acast. See acast.com/privacy for more information.

Vous aimez La Traque, le podcast Bababam Originals ? Vous allez adorer nos autres créations originales ! Aujourd'hui, on vous invite à découvrir A la folie pas du tout, le podcast qui vous plonge dans les histoires d'amours les plus marquantes. Bonne écoute ! C'est une histoire de coup de foudre et de sacrifice. Roméo et Juliette, les célèbres personnages de l'œuvre de Shakespeare, ont été érigés comme l'emblème de l'Amour avec un grand A. Mais entre les conflits familiaux, le sang versé, et la mort comme seule issue… Quand on creuse un peu, peut-on vraiment parler d'un coupe de foudre ? L'histoire d'amour des deux ados est-elle vraiment un modèle aujourd'hui ? Un podcast Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Réalisation : Célia Brondeau Learn more about your ad choices. Visit megaphone.fm/adchoices

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

NBN host Hollay Ghadery speaks with author and actor Melia McClure about her novel, All The World's a Wonder (Radiant Press, 2023). A playwright possessed by her muses, an actress desperate to succeed, and a doctor haunted by a lost love. Three people cross time and space to meet through the playwright's bizarre creative process: to create, the playwright must become her characters; to tell her tragic story, the actress must speak from the grave; to heal his harrowing past, the doctor must surrender to his patient - the playwright. About Melia McClure: Melia McClure is the author of the novel The Delphi Room and continues to delve into the eccentric as a writer, editor, and actor. As an actor, she has traversed a range of realms, from a turn as Juliet in an abridged collage of Shakespeare's classic to the sci-fi universe of Stargate Atlantis. Melia studied writing at The Writer's Studio at Simon Fraser University, and her fiction was shortlisted for a CBC Literary Award. Born in Vancouver, she has since travelled the world in search of the ever-shapeshifting muse Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

NBN host Hollay Ghadery speaks with author and actor Melia McClure about her novel, All The World's a Wonder (Radiant Press, 2023). A playwright possessed by her muses, an actress desperate to succeed, and a doctor haunted by a lost love. Three people cross time and space to meet through the playwright's bizarre creative process: to create, the playwright must become her characters; to tell her tragic story, the actress must speak from the grave; to heal his harrowing past, the doctor must surrender to his patient - the playwright. About Melia McClure: Melia McClure is the author of the novel The Delphi Room and continues to delve into the eccentric as a writer, editor, and actor. As an actor, she has traversed a range of realms, from a turn as Juliet in an abridged collage of Shakespeare's classic to the sci-fi universe of Stargate Atlantis. Melia studied writing at The Writer's Studio at Simon Fraser University, and her fiction was shortlisted for a CBC Literary Award. Born in Vancouver, she has since travelled the world in search of the ever-shapeshifting muse Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Matthew Yipchuck from Teacup for One joins the pod this week, so you know we are going to talk about cats, Shakespeare or the Wizard of Oz! We'll take door number three please! With the opening of Epic Universe, fans are already speculating on Universal's future, with it's hottest IP, “Wicked” looking for somewhere to lay down roots (or crash its house….). Tinker J and Matt, unpack all the rumors and speculate about a Wicked Land, where it could go, what it could be and what is its signature attraction!And while they're at it, the gang talks park news about the new Disney Villains show at Hollywood Studios and the Rivers of America closure!So get ready for an episode that defies gravity, and it's all coming your way on this week's episode of the We Like Theme Parks Podcast on the Chip and Co. Podcast Network!Go to www.welikethemeparks.com for more episodes, more fun and all our amazing sponsors!

Dr. Srikumar Rao shares profound insights on presence, purpose, and perspective. Drawing from Shakespeare and Einstein, he explores how embracing uncertainty in relationships and viewing the universe as a benevolent force can transform your life. Learn powerful mental models to deepen connection, enhance gratitude, and shift your mindset toward joy and resilience. A thought-provoking journey into conscious living.Source: The 28th IMC - Srikumar RaoHosted by Sean CroxtonFollow me on Instagram Check out the NEW Black Excellence Daily podcast, available on Apple Podcasts, Spotify, Pandora, and Amazon.

From Star Trek to Shakespeare and Afrofuturism This week, the SyFy Sistas sit down with the incomparable Conrad Coates—the actor behind Admiral Terral on Star Trek: Discovery, and a true force in the worlds of theatre, teaching, and Afrofuturistic storytelling. In this wide-ranging conversation, we explore: His experience portraying Admiral Terral, and what it means to lead in the Star Trek universe His extensive work with Shakespeare, including performances at the Stratford Festival of Canada, where he portrayed roles such as Prince Escalus in Romeo and Juliet and various characters in As You Like It His role as an educator and mentor, shaping the next generation of performers How Afrofuturism informs his worldview and creative work—blending history, imagination, and liberation Conrad Coates is a storyteller, a leader, and a teacher who bridges worlds—from the 23rd century to the Elizabethan stage. This one's for the thinkers, the dreamers, and the future-builders.

From Star Trek to Shakespeare and Afrofuturism This week, the SyFy Sistas sit down with the incomparable Conrad Coates—the actor behind Admiral Terral on Star Trek: Discovery, and a true force in the worlds of theatre, teaching, and Afrofuturistic storytelling. In this wide-ranging conversation, we explore: His experience portraying Admiral Terral, and what it means to lead in the Star Trek universe His extensive work with Shakespeare, including performances at the Stratford Festival of Canada, where he portrayed roles such as Prince Escalus in Romeo and Juliet and various characters in As You Like It His role as an educator and mentor, shaping the next generation of performers How Afrofuturism informs his worldview and creative work—blending history, imagination, and liberation Conrad Coates is a storyteller, a leader, and a teacher who bridges worlds—from the 23rd century to the Elizabethan stage. This one's for the thinkers, the dreamers, and the future-builders.

Writer and journalist Ron Chernow feels very warmly about anyone who has won the Mark Twain Award for American Humor, including our friend Conan. Ron sits down with Conan for a deep dive into the life of Mark Twain, touching on Twain's mercurial personality, his affinity for oddball inventions, the unique relationship he shared with his wife, his obsession with Shakespeare's true authorship, and much more. Check out Mark Twain by Ron Chernow here. For Conan videos, tour dates and more visit TeamCoco.com.Got a question for Conan? Call our voicemail: (669) 587-2847. Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/conan.

Shakespeare is now a towering figure of global theatre. But in the 1590s, he was just an up-and-coming young playwright, trying to scratch out a living in Shoreditch's emerging theatre scene. Daniel Swift revisits this early stage of the Bard's career in his new book The Dream Factory, linking it with the story of a long-lost Shoreditch playhouse simply called 'The Theatre'. Speaking to Ellie Cawthorne, Daniel reveals what it would have been like to see one of Shakespeare's original productions, and how he may have been inspired by a terrible play called Hamlet. (Ad) Daniel Swift is the author of The Dream Factory: London's First Playhouse and the Making of William Shakespeare (Yale University Press, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-dream-factory%2Fdaniel-swift%2F%2F9780300263541. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Merriam-Webster's Word of the Day for June 5, 2025 is: sea change • SEE-CHAYNJ • noun Sea change refers to a big and sudden change or transformation. // The early 2000s witnessed a sea change in public opinion about smoking in public places. See the entry > Examples: “Over the course of my grandmother's lifetime, gender expectations for women underwent a sea change. My grandmother ended up pursuing an education and becoming a doctor, leading an independent life that made her mother proud.” — Wendy Chen, LitHub.com, 20 May 2024 Did you know? In The Tempest, William Shakespeare's final play, sea change refers to a change brought about by the sea: the sprite Ariel, who aims to make Ferdinand believe that his father the king has perished in a shipwreck, sings within earshot of the prince, “Full fathom five thy father lies...; / Nothing of him that doth fade / But doth suffer a sea-change / into something rich and strange.” This is the original, now-archaic meaning of sea change. Today the term is used for a distinctive change or transformation. Long after sea change gained this figurative meaning, however, writers continued to allude to Shakespeare's literal one; Charles Dickens, Henry David Thoreau, and P.G. Wodehouse all used the term as an object of the verb suffer, but now a sea change is just as likely to be undergone or experienced.

Trigger Warning: This episode contains detailed discussions of child sexual abuse, rape, trauma, and the failures of the justice system.In this powerful and deeply affecting conversation, Neige Sinno speaks with Adam Biles about her landmark book Sad Tiger, recently published in English in a luminous translation by Natasha Lehrer. A searing literary interrogation of the years of abuse Sinno suffered at the hands of her stepfather, Sad Tiger explores the limits of testimony, the insufficiencies of language, and the deep societal denial that silences victims. Sinno reflects on the ethics and formal challenges of writing about trauma, the intellectual and emotional paradoxes of bearing witness, and how literary form can both expose and protect. The conversation touches on Nabokov's Lolita, the myth of the “monster,” and how society colludes in refusing to see evil when it wears a familiar face. Courageous, lucid, and unflinching, Sinno's presence and insights make this an unforgettable episode.Buy Sad Tiger: https://www.shakespeareandcompany.com/books/sad-tigerNeige Sinno is a French writer who has studied American literature in the United States and Mexico, and worked as a translator and literature professor. She is the author of two previous books, Le Camion and La Vie des rats. Born in France, she has lived in Mexico for the past 20 years. Her 2023 book, Triste tigre, won several of France's top literary prizes and became the publishing sensation of the year. It will be published in English as Sad Tiger by Seven Stories, in a translation by Natasha Lehrer.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

"'The course of true love never did run smooth'—A Hartfield edition of Shakespeare would have a long note on that passage.” —EmmaShakespeare's influence on Jane Austen can be seen throughout her novels and letters. She quotes him, mimics him, and echoes him in fascinating ways. In this episode, Professor Mary Floyd-Wilson helps us unpack and examine the many parallels between these two pillars of English literature. Mary Floyd-Wilson is the Mann Distinguished Professor of English and Comparative Literature at the University of North Carolina at Chapel Hill. She specializes in Shakespeare and early modern literature, with works including English Ethnicity and Race in Early Modern Drama and Occult Knowledge, Science, and Gender on the Shakespearean Stage. Recently, she received the George H. Johnson Prize for Distinguished Achievement from the Institute for the Arts and Humanities. For a transcript and show notes, visit https://jasna.org/austen/podcast/ep24/.*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Everyone could use a little help from their friends… even Shakespeare! Today, Actor Fred Pitts from “The Book of Will.” Then, middle school kids talk to a billionaire. And, short stories that really pack a punch. It's a collection from New Arrivals, our pocket sized book tour.

William Shakespeare is perhaps the world's most famous writer. But, he might not have been remembered at all without his friends. After his death in 1616, Shakespeare's friends preserved his work, immortalizing his plays and sonnets, and his reputation. This is what the play, “The Book of Will” is all about. And Fred Pitts portrays one of those friends. 

Join the #McConnellCenter as we welcome Benedict Whalen and he attempts to convince us to read A Farewell to Arms by Ernest Hemingway! Dr. Benedict Whalen completed his bachelor's degree at the University of Dallas, and his graduate degrees at the University of Nevada, Las Vegas. He then taught at Texas A&M University – Corpus Christi before joining Hillsdale College in 2014. Much of his teaching is in the literature of the Renaissance, including especially the works of Shakespeare and his fellow playwrights. He also regularly teaches courses on English Renaissance lyric poetry, including the metaphysical poets.  We all know we need to read more and there are literally millions of books on shelves with new ones printed every day. How do we sort through all the possibilities to find the book that is just right for us now? Well, the McConnell Center is bringing authors and experts to inspire us to read impactful and entertaining books that might be on our shelves or in our e-readers, but which we haven't yet picked up. We hope you learn a lot in the following podcast and we hope you might be inspired to pick up one or more of the books we are highlighting this year at the University of Louisville's McConnell Center. Stay Connected Visit us at McConnellcenter.org Subscribe to our newsletter  Facebook: @mcconnellcenter Instagram: @ulmcenter  Twitter: @ULmCenter This podcast is a production of the McConnell Center

Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USBuy Grow kit: https://modernmushroomcultivation.com/This Band willl Blow your Mind! Codex Serafini: https://codexserafini.bandcamp.com/album/the-imprecation-of-animaAlex DetmeringTonight, we do not summon a guest—we invoke a storm, a feral force birthed at the crossroads where Blake's mad visions meet Watts' cosmic riddles,and the ferryman waits with a crooked grin, oar dripping with psychedelic fire.Alex Detmering is the alchemist who turns market logic into molten rebellion,who feeds fried locusts to his insatiable hunger for truth,and tears through the polite fabric of civilization like a wolf at the throat of empire.He doesn't just strategize—he conjures sacred chaos,crafting exquisite designs in the shadows of collapsing pyramids,while whispering Shakespeare's ghosts into the ears of gods and madmen alike.His mind is a battleground where character dissolves into myth,where every word is a lightning bolt aimed at the heart of the mundane,shattering the glass temple of conformity with a grin sharp enough to draw blood.Alex stands at the edge of reason and madness,where the Upanishads bleed into the wild hymns of the night,and Rumi's spinning dance becomes a war danceto unmake the dead world and birth a new dawn soaked in fire and blood.He is the fierce ferryman rowing us through the psychedelic abyss,where intellect and intuition collide in savage harmony—where every whiteboard is a battlefield, every idea a weapon forged in truth's flame.So brace yourself. Tonight's journey is not for the faint.We're stepping through the rupture,into a tempest where thought becomes thunder and silence screams.Alex Detmering isn't just your guide—he's the rebellion incarnate, the sacred wildfire burning down the old worldso the new can rise from its ashes, screaming and free.http://alexdetmering.com/http://linkedin.com/in/alex-detmering Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USCheck out our YouTube:https://youtube.com/playlist?list=PLPzfOaFtA1hF8UhnuvOQnTgKcIYPI9Ni9&si=Jgg9ATGwzhzdmjkgGrow your own:https://modernmushroomcultivation.com/This Band Will Blow Your Mind: Codex Serafinihttps://codexserafini.bandcamp.com/album/the-imprecation-of-anima

If you stop and think about it, it's amazing that the work of William Shakespeare, more than 400 years old, is still read by pretty much every student in the English-speaking world starting in high school or before. Our guest today, Luke Taylor, SJ, has recently co-written and edited a volume that brings together two of his passions: the Bard's work and Catholic education. The book is called “Exploring Catholic Faith in Shakespearean Drama: Towards a Philosophy of Education,” and Luke worked on the text with fellow authors David Torevell and Brandon Schneeberger. Luke is a Jesuit scholastic from the UK who's studying theology at Boston College. Before he entered the Society of Jesus, Luke earned a doctorate in comparative literature from Harvard and taught at the college level. Host Mike Jordan Laskey asked Luke about how the book came about and why he thinks Shakespeare's work continues to be studied all these centuries later – and what particularly about the Bard's work makes him perfect for a Catholic audience. They also talked a bit about Shakespeare's disputed religious background and the likelihood he at least had some brief encounters with Jesuits. It was a fascinating conversation and we think you'll love getting to know someone who has thought so much about the intersections between Shakespeare's work, Ignatian spirituality and Catholic faith. "Exploring Catholic Faith in Shakespearean Drama": https://www.routledge.com/Exploring-Catholic-Faith-in-Shakespearean-Drama-Towards-a-Philosophy-of-Education/Torevell-Schneeberger-Taylor/p/book/9781032741864?srsltid=AfmBOooEudxwsHTMxBt97rbMFZePoyvTFahb0t9LXLlQHBa64Kg7SL02 AMDG is a production of the Jesuit Media Lab, which is a project of the Jesuit Conference of Canada and the United States. www.jesuits.org/ www.beajesuit.org/ twitter.com/jesuitnews facebook.com/Jesuits instagram.com/wearethejesuits youtube.com/societyofjesus www.jesuitmedialab.org/

In this Artist Exploration, Class of 2025 MTCA Alumni Parent Colleen Kessler and Director of MTCA Charlie Murphy discuss; 

On this week's Pop Culture and Fandom News episode, Ashleigh Stiles from W!ZARD Radio joins Erin to discuss the WWE, the latest Mission: Impossible movie, Zach Cregger's Weapons, and the reason horror and comedy work so well together. They also cover the trailer for Dexter: Resurrection and Sir Ian McKellen's opening of a historic all-trans and non-binary production of a Shakespeare classic. Follow this link for more info on the theater production: https://www.thepinknews.com/2025/05/28/sir-ian-mckellen-shakespeare/ Check out Ashleigh Stiles on W!ZARD Radio here: https://www.wizardradio.com/listen Support us on Patreon: https://www.patreon.com/itsafandomthingpod. You can follow us on Facebook: facebook.com/itsafandomthingpod Twitter: @fandomthingpod Instagram: @itsafandomthingpod Discord: https://discord.com/channels/1042986989349257216/1042987584151879762 You can follow Fergie on TikTok: https://www.tiktok.com/@schroederandfergs Cover art by Carla Temis. Podcast logo by Erin Amos. Consider becoming a Patreon supporter of Portia Burch: https://patreon.com/portia_noir?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link and White Woman Whisperer: https://patreon.com/whitewomanwhisperer?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_link. Are you looking to buy some shirts that make a difference? Check out Wear the Peace: https://wearthepeace.com/pages/collections?utm_source=Klaviyo&utm_medium=flow&utm_klaviyo_id=01J35XBQFAPE052R8E3A4140TSkx=vpLEr9K3aUVqJ0N-d6KKWR608od7avLWJ2fXcHbEPI.U45QAK. Join the Here4TheKids Substack: https://here4thekids.substack.com/. To order the book, "White Women," click here: https://www.race2dinner.com/white-women Learn more about your ad choices. Visit megaphone.fm/adchoices

El elenco, de la compañía peruana Teatro la Plaza, ha recorrido el mundo con una deconstrucción del clásico de Shakespeare. La obra expone temas de aceptación y existencia a través de deseos, frustraciones y experiencias de sus intérpretes con síndrome de Down.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this bonus episode, we're joined by Dr. Kent Lehnhoff to talk about his new book, Voice and Ethics in Shakespeare's Late Plays. Together, we explore how Shakespeare uses the concept and qualities of human voice in The Tempest, Cymbeline, King Lear, Pericles, and The Winter's Tale, how he writes for and about the voice, and beyond that, how embracing the unique voice of each character (and actor) can create a more ethical, inclusive theatre.  About Kent Lehnhof Kent Lehnhof earned a BA from Brigham Young University and a PhD from Duke University. He is Professor of English at Chapman University, where he specializes in early modern literature and culture, especially the works of William Shakespeare. Dr. Lehnhof has published two dozen scholarly articles, has co-edited two essay collections, and is coming out with a new book in October titled Voice and Ethics in Shakespeare's Late Plays. In this book and in many of his articles, Dr. Lehnhof treats Shakespeare's plays like lively enactments of ethical philosophy. He believes that one of the things that makes Shakespeare's work distinctly Shakespearean is its interest in exploring what it's like to be in relation—what it's like to be tied to other people, some of whom love you, some of whom hate you, and some of whom pay you no mind at all. At present, Dr. Lehnhof is finishing a guidebook for Arden Shakespeare called Understanding Shakespeare's Plays: A Candid Companion to All the Drama. This book goes through all the play, one by one, giving an overview of each and offering insights and analysis as to what it offers. Dr. Lehnhof only has six plays left to do, which means he's getting down to the deep cuts. Timon of Athens, anyone? Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree.  Works referenced:  Lehnhof, Kent. Voice and Ethics in Shakespeare's Late Plays. Cambridge: Cambridge University Press, 2025. Print.

Do we get the serial killers & heroes we deserve? The always generous literary critic Bethanne Patrick uses five new non-fiction books to respond to this rather absurd question. From French women resisting Nazis at Ravensbrück concentration camp to the CIA's Cold War book smuggling operation, these new books examine human behavior under the most extreme circumstances. Caroline Fraser's Murderland investigates whether environmental toxins in the Pacific Northwest bred serial killers like Ted Bundy, and Maria Blake's They Poison the World explores forever chemicals' deadly impact on the environment. While Kevin Sack's Mother Emanuel offers Charleston's story of African-American forgiveness for the 300-year injustice of slavery and Jim Crow. Together, these books suggest our environment shapes us—sometimes tragically, sometimes triumphantly. a takeaway from each book * The Sisterhood of Ravensbrück - French women's resistance efforts were systematically ignored in post-war recognition, with only 6 women receiving medals compared to 1,100 men, highlighting how women's contributions to liberation movements have been marginalized. Vive La France!* Murderland - Environmental toxicity from lead and arsenic smelting in the Pacific Northwest may have contributed to the region's concentration of serial killers in the 1950s-70s, with cases declining as environmental protections increased.* They Poisoned the World - The highly toxic PFAS "forever chemicals" were originally developed by the U.S. government for uranium processing, later causing widespread contamination linked to cancers, stillbirths, and weakened immune systems.* The CIA Book Club - The CIA successfully smuggled literature behind the Iron Curtain, with people craving not just political texts but also Agatha Christie mysteries and Shakespeare—proving culture, not just politics, sustained resistance.* Mother Emanuel - For Charleston's African-American congregation of Mother Emanuel church, forgiveness after the 2015 massacre wasn't about excusing the killer but about self-preservation—choosing to move forward rather than be consumed by hatred.Bethanne Patrick maintains a storied place in the publishing industry as a critic and as @TheBookMaven on Twitter, where she created the popular #FridayReads and regularly comments on books and literary ideas to over 200,000 followers. Her work appears frequently in the Los Angeles Times as well as in The Washington Post, NPR Books, and Literary Hub. She sits on the board of the PEN/Faulkner Foundation and has served on the board of the National Book Critics Circle. She is the host of the Missing Pages podcast. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

From her first campaign at age 7 to performing Shakespeare in Venice, Italy, Emma's path to becoming a professional actress has been shaped by a tapestry of experiences—modeling, broadcast journalism, and on-camera hosting. These roles opened the door to acting, but it was her decision to fully commit to the craft—training at The American Academy of Dramatic Arts in NYC and RADA in London—that marked a turning point. Now based in the U.S. on an O-1 visa for individuals with extraordinary ability (the same tier used by Oscar winners), Emma's work reflects both the caliber she's achieved and the trajectory she's on.While acting remains her core focus, Emma's storytelling extends beyond the screen. She's directing her first docuseries using her broadcast background, starting with Love.Truth.Plants, a personal project supported by her fashion-for-a-cause t-shirt line, Moulton. Her platform My Beauty Diary—published in VegWorld Magazine and soon expanding to a major outlet—offers a behind-the-scenes look at how she beautifies from the inside out, blending wellness, empowerment, and purpose. Through every role she plays, behind or in front of the camera, Emma continues to build a legacy rooted in depth, impact, and authenticity. We will wrap up the episode hearing her career advice too.

Oskar Eustis is a theater director, dramaturg, and the current Artistic Director of the renowned Public Theater in New York City. Throughout his career, Oskar Eustis has been dedicated to making the theater more accessible, uplifting new voices in playwriting, and the development of new plays in addition to directing and producing the classics. Among the productions he has helped bring to life are “Angels in America” and the Tony-winning “Hamilton”. Oskar Eustis has worked as a director, dramaturg, and artistic director for theaters around the United States. He has also produced and directed Shakespeare productions nationwide, notably The Public Theater’s annual (and free) Shakespeare in the Park at the Delacorte Theater in Central Park. He is a professor of dramatic writing and arts and public policy at New York University and has held professorships at UCLA, Middlebury College and Brown University, where he founded and chaired the Trinity Rep/Brown University consortium for professional theater training.See omnystudio.com/listener for privacy information.

In Shakespeare's time, the actresses were boys—and for the most celebrated of them, fame came early but could end abruptly with a voice change. In this episode, author Nicole Galland joins us to talk about the world of boy players, young apprentices who performed women's roles onstage in England before 1660. Galland's novel, Boy, follows one of these real-life members of Shakespeare's company, Alexander “Sander Cooke,” and his fictional best friend, Joan, a fiercely curious young woman who disguises herself as a boy to pursue knowledge. Drawing inspiration from Shakespeare's cross-dressing heroines, Galland explores the freedoms and risks of reinventing gender roles in Elizabethan England. Figures like Francis Bacon appear in the novel as part of the broader web of power and political intrigue that shapes Joan and Sander's world. Through these connections, Galland brings Shakespeare's theatrical world to life and the people navigating its stage. Nicole Galland is the author of the historical novels I, Iago; Godiva; Crossed; Revenge of the Rose; and The Fool's Tale; as well as the contemporary romantic comedies On the Same Page and Stepdog, and the New York Times bestselling near-future thriller The Rise and Fall of D.O.D.O. (with Neal Stephenson). From the Shakespeare Unlimited podcast. Published June 3, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Daniel speedruns his way through an interview with videogame actor Maggie Robertson about studying Shakespeare, working fan conventions, and why she isn’t a gamer.See omnystudio.com/listener for privacy information.

Agents Scott and Cam, along with guest operative Andrew Secunda from Star Trek: The Next Conversation, recite Shakespeare in Klingon while decoding the 1991 Cold War-influenced sci-fi adventure Star Trek VI: The Undiscovered Country. Directed by Nicholas Meyer. Starring William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei, Kim Cattrall, Mark Lenard, Brock Peters, David Warner and Christopher Plummer. Check out Star Trek: The Next Conversation wherever you get your podcasts. You can also support the show on Patreon, as well as follow Andrew on Instagram. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes.

William Shakespeare is often lauded as the greatest writer in the English language, but where did this reputation come from? How was it formed? Why is he referred to as "The Bard"? Was he just a front for a different writer? Join Janina and Emma as they unravel this knotty thicket.

Virtue signaler extraordinaire Greta Thunberg is heading to Gaza to... who knows. Apparently, she didn't learn the problems over there the first time. Pew Research interviewed 3500 trans people and, guess what, trans people are victims. And the LGBTQIA cult has decided to ruin Shakespeare, you know, because he's was a white, heterosexual male.

Porque todo indica que Sophie-Alexander Katz estaba destinada para convertirse en una de las actrices más versátiles de México. Ella, ha interpretado a reconocidas figuras como Frida Kahlo y trabajado en puestas en escena de Shakespeare y Moliere en Londres y Francia, también ha brillado en novelas como Para Volver Amar e incursionado en exitosas series de streaming de la talla de Mujeres Asesinas, 40 y 20 e Historia de un Crimen: La Búsqueda.Por supuesto, su versatilidad y arduo trabajo la han llevado también a la pantalla grande, protagonizando cintas complejas como Blanco de Verano, Puppet Soldiers, Labios Rojos y la Dictadura Perfecta, destacando su camaleónica habilidad para de verdad transformarse en el personaje.Con una gran pasión por su profesión, démosle la bienvenida a HDC…

Greg Morley (he/him), Author, Speaker, and HR Thought Leader, and I recap the latest 5 Things (good vibes in DEI) in just 15 minutes. This week, our conversation is about spreadsheets saving lives, vacation rentals finally getting accessible, and the only lesbian film fest in a quilting town.Here are this week's good vibes:Game, Set, EquityDisability Inclusion Gets a Desert DebutAccess Granted, Finally!Queer Reels, River VibesAid Cuts, She DeliversGood Vibes to Go: Bernadette's GVTG: In the spirit of Pride month, here's a book recommendation: Tomorrow Will Be Different by U.S. Senator Sarah McBride, the first transgender senator. This was written before she was elected to any office, but it is a great trans memoir. Greg's GVTGs: Read more! Greg buys and reads two books a month to challenge himself, get out of the wormhole that can be social media, and also learn things that the media would not gravitate to directly. Secondly, before bed, consider two things that you're grateful for from the day, big or small, and one thing you'd like to do better tomorrow. Read the Stories.Connect with Greg Morley on Linkedin, Instagram, and his website.Subscribe to the 5 Things newsletter.Watch the show on YouTube. Join thousands of readers by subscribing to the 5 Things newsletter. Enjoy some good vibes in DEI every Saturday morning. https://5thingsdei.com/

Archaeologist Dr Helen Geake and co-host Martyn Williams are back at Sutton Hoo, where Time Team's dig is in its third week. Helen brings you up to speed with what's going on on site, including the latest on the cremation vessel that's been discovered in trench one. Martyn meets the volunteers getting the opportunity to dig at Sutton Hoo and Tim Fitzhigham from the Guildhall at King's Lynn drops by with an update on a project to bring Shakespeare's stage to life. As always, Helen will be on hand to answer the questions you've submitted on Patreon. Join the community now for bonus content. Head to patreon.com/timeteamofficial for all the details.

In this captivating episode, host Keith Reza sits down with Dennis Andres, the lead actor in the groundbreaking new musical Juliet and Romeo. They dive into thought-provoking topics like cultural identity, the art of comedy, and the importance of celebrating life's milestones, along with heartfelt discussions on parenthood. The conversation shifts to the creative vision behind Juliet and Romeo, revealing how this fresh adaptation reimagines Shakespeare's classic with innovative twists. Dennis also shares behind-the-scenes insights into the challenges of balancing singing and acting, as well as how COVID-19 transformed audition processes in the theater industry.   Dennis's Socials IG: https://www.instagram.com/denniscrandres/ Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter! Takeaways

Send us a textLisa & Amy continue to explore The Mystery of the Queen's Necklace. The BWGs travel to Stratford-on-Avon to explore Shakespeare's hometown. Trixie calls an emergency meeting of the BWGs to discuss Miss Trask's involvement with a dashing Scottish man. The group also takes in a performance of Macbeth and makes friends with several of the locals who show them around town.Please rate and review on Apple Podcasts. It really helps us get the word out about the podcast! You can still listen on your regular platform. Follow this link and click the “listen on Apple podcast” button. Then click on the rate and review tab to reach the correct page. https://podcasts.apple.com/us/podcast/books-from-the-basement/id1544343334Please email us at booksfromthebasementpc@gmail.comVisit our FB Page:  https://www.facebook.com/booksfromthebasement Join our FB Group: www.facebook.com/groups/booksfromthebasementpcIf you want to help us keep our podcast ad-free, please go to www.buymeacoffee.com/booksbasement, where you can donate by buying us a "book" instead of a coffee!     

Episode 171: For today's guest episode it is a warm welcome to Stephen Watkins who is going to take us a little way forward in the timeline to the world of Restoration England where after fourteen years of closures theatres were again legally opened and where, as we shall hear, performance of Shakespeare plays formed a significant part of the repertoire, and this discussion does focus very much on Shakespeare in the Restoration, we will, of course, get to a look at the other playwrights and players of that period all in good time.Stephen Watkins is a writer and researcher working mainly on Shakespeare and Early Modern literature, with a particular focus on how writers and theatre makers recycle, adapt and remediate source texts to both register and resist historical and cultural change. He has published widely on Restoration adaptations of Shakespeare and the important figure of that time, William Davenant. His book ‘Shakespeare and the Restoration Repertory', as part of the Cambridge University Press, ‘Elements in Shakespeare Performance' series was published in February 2025. In it Stephen demonstrates how Davenant's adaptations of Shakespeare were shaped as much by the transformed commercial and repertorial logics that came to govern the patent companies in the 1660s as they were by shifting aesthetic and political concerns in the period. Stephen has taught English at the Universities of Oxford, Nottingham, and Derby, and is currently based at the University of Greenwich.https://www.amazon.co.uk/Shakespeare-Restoration-Repertory-Elements-Performance/dp/1009324136/ref=sr_1_1?https://www.amazon.com/Shakespeare-Restoration-Repertory-Elements-Performance-ebook/dp/B0F29S1NJ1/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Shakespeare uses the word “castle” over 40 times in his works. He talks about sieging a castle, the power of castle walls, and even mentions specific real life castles by name including Berkley Castle and “Pomfret” castle which is another name for Pontefract Castle, along with at least a dozen more. These castles were prominent features in the landscape of Shakespeare's lifetime, playing roles both in their commanding presence on the visual horizon on the physical landscape, but also their place in society, monarchy, and the broader political landscape as well. In this week's episode we'll explore the castles of Shakespeare's lifetime, looking at which castles were actively in use around England, as well as what they were used for, major events that occurred there, and which of these architectural giants survive to the present day, allowing us to visit them centuries later. Here this week to take us on a tour of the real castles mentioned in Shakespeare's plays is our guest, Audrey Thorstad.   Hosted on Acast. See acast.com/privacy for more information.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act III Scene v - Cornwall appears, with Edmund in tow. Written and presented by Conor Hanratty

Miranda Raison is perhaps best known as Jo Portman in BBC's Spooks. Miranda has most recently been seen leading Britbox's hit show Sister Boniface Mysteries which she returns for series 4 in 2025. Next up she is leading David Hare's new play Grace Pervades as Ellen opposite Ralph Fiennes at the Theatre Royal Bath in June 2025. Grace Pervades tells the extraordinary story of Henry Irving and Ellen Terry, the greatest stars of the Victorian stage. Miranda has an extensive theatre CV having played the title role in Anne Boleyn at Shakespeare's Globe Theatre to great critical acclaim as well as Hermione in The Winter's Tale opposite Kenneth Branagh and Dame Judi Dench at the Garrick Theatre. Further credits include Strangers on a Train at the Gielgund, The River at the Royal Court and The Physicists at The Bush Theatre. Other noteworthy film and television credits include HBO's Warrior as series regular Nellie, Netflix/Studio Canals' Spotless, Sky 1's Safe Space with Clive Davies Fox's, 24: Live Another Day opposite Yvonne Strahovski and Kiefer Sutherland, Netflix' Vexed opposite Lucy Punch and Toby Stephens, BBC's Silk opposite Maxine Peake and Rupert Penry-Jones, Murder on the Orient Express with Judi Dench and Johnny Depp, Breathe and My Week with Marilyn opposite Eddie Redmayne and Emma Watson .Miranda Raison is our guest in episode 497 of My Time Capsule and chats to Michael Fenton Stevens about the five things she'd like to put in a time capsule; four she'd like to preserve and one she'd like to bury and never have to think about again .Buy tickets for Grace Pervades with Miranda and Ralph Fiennes at the Theatre Royal Bath - https://www.theatreroyal.org.uk/events/grace-pervades .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Hosted on Acast. See acast.com/privacy for more information.

I met Rebekah through Marc Warzecha at the Sketch School and knew I wanted to know more about this intriguing person! Rebekah Walendzak Slepski has been an adjunct faculty member at The Second City since 2008. She has developed comedy writing courses for SCTC, Lesly Kahn & Co, and The Sketch School. Co-creator and executive producer of Chicago's long-running LGBTQIA+ soap opera, The Ville, Rebekah is a former associate member of The Actors' Gang with a B.A. in Theatre Arts from San Jose State University. She is a proud member of SAG-AFTRA and a founding member of the Association of International Comedy Educators (AICE-CWA Local 9505). In Part 1 we talk about her early life, interest in theater and her path that led her to Second City Chicago. Be sure to check out her website at: https://rebekahwalendzakslepski.com This summer she Rebeka perform for Shakespeare on the Bluff: https://cfa.lmu.edu/programs/theatrearts/shakespeareonthebluff/ If you'd like to study sketch writing with her she teaches at the Rodney Dangerfield Institute @LACC. https://lacitycollege.augusoft.net/index.cfm?method=ClassInfo.ClassInformation&int_class_id=13113&int_category_id=0&int_sub_category_id=0&int_catalog_id=0

Join us for Shakespeare Summer!When most of us hear the name “Shakespeare,” we probably think back to a high school classroom, fluorescent lights buzzing overhead, while we struggled through Romeo and Juliet line by line—“wherefore art thou” and all that.But here's the truth: Shakespeare was never meant to be dissected like a frog under a microscope. His work, in fact, was never meant to be read AT ALL. He meant for his plays to be experienced. To be performed, seen, heard, and felt.We tend to think of Shakespeare as a school subject. Or that we should read it as part of a rich literature curriculum in order for our children to be well-versed academically.While Shakespeare's plays are part of a rich literary heritage, I want to make a case today that Shakespeare is not a subject at all. It's not a thing you “should” do in your homeschool to have well-educated kids. Today, I want to talk about why experiencing Shakespeare with your kids might be one of the most joyful things you ever do together. And one of my very favorite people, Ken Ludwig, celebrated playwright, fellow Shakespeare nerd, and author of How to Teach Your Children Shakespeare, joins me to help me make my case.In this episode, you'll hear: What traditional classrooms often get wrong when introducing ShakespeareWhy Ken recommends having kids start with reciting and memorizing passages How Shakespeare provides an entry to point to learning and loving complex languageLearn more about Sarah Mackenzie:Read-Aloud RevivalWaxwing BooksSubscribe to the NewsletterFind the rest of the show notes: readaloudrevival.com/shakespeare-is-not-school

This week on Skytalkers, we're talking about all the ways the finale of Andor Season 2 has and hasn't changed our viewing experience of Rogue One! Tune in this week to hear:  Jyn and Cassian as messengers.  What are the comparisons between Luthen and Kleya vs Saw and Jyn?  How has Cassian's character arc in Rogue One shifted with two seasons of Andor? Luthen Rael's last name as anagram for "Lear" – and how that relates to Shakespeare's “King Lear”.  …and so much more!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com Learn more about your ad choices. Visit megaphone.fm/adchoices