Podcasts about shakespeare

Dr. Travis Cooper recently facilitated this lively discussion on Shakespeares classic, A Midsummer Night's Dream.  If you weren't there live, here is your chance to listen! At AMI, we believe in the power of great questions that lead to more questions, in an education that focuses on discernment and freedom. Senior Fellow, Dr. Jospeh Hattrup sums it up beautifully, "In our culture nowadays... there's just so much of a reality where you're being fed ideas. This is what you're supposed to think about the world. This is what you're supposed to think about all sorts of human issues- whatever they might be, political, moral, religious. There's so many questions. And it really is a serious question... in developing yourself as a person in your education... Am I really developing myself into somebody who sees truth as independent of fashion, independent of fads, independent of current events? Can I see it... as timeless and everlasting, but as something that I can really possess with other people as a common good through the discipline of my own mind? Do you want this form of education for yourself? See how the Magnus Fellowship can provide just such an education.   

Alex Gleason was one of the main architects behind Donald Trump's Truth Social. Now he focuses on the intersection of nostr, ai, and bitcoin. We explore his latest tool, Shakespeare, which enables anyone to easily vibe code an app in their browser. I vibe my first app live on air. Alex on Nostr: https://primal.net/p/nprofile1qqsqgc0uhmxycvm5gwvn944c7yfxnnxm0nyh8tt62zhrvtd3xkj8fhggpt7fyShakespeare: https://shakespeare.diy/Soapbox Tools: https://soapbox.pub/toolsThe app I vibed live: https://followstream-3slf.shakespeare.to/ EPISODE: 174BLOCK: 910195PRICE: 853 sats per dollar(00:00:01) Treasury Secretary Bessent Intro(00:01:29) Happy Bitcoin Friday(00:05:12) AI and Freedom Online(00:07:04) Shakespeare: Vibe Coding Made Simple(00:08:03) Concerns About Big AI(00:15:05) Self Hosting AI and Technical Challenges(00:22:24) Energy and AI Development(00:28:14) Building Personalized Experiences with AI(00:38:02) Nostr's Future and Mainstream Adoption(00:45:02) Decentralized Hosting and Shakespeare's Future(00:54:01) Collaborative Development with Nostr Git(01:02:24) Open Source Renaissance and Future ProspectsVideo: https://primal.net/e/nevent1qqstzds6pmkpaser62kme8dk74r4ea4ae3hv9fr2wur0kpc3yyws96gx2pa59more info on the show: https://citadeldispatch.comlearn more about me: https://odell.xyz

Akira Kurosawa is one of the world’s most revered directors, his films often cited as inspiration amongst other auteurs. Sometimes that inspiration has led to full-on remakes of Kurosawa’s films, such as Spike Lee’s Highest 2 Lowest (2025), an adaptation of Kurosawa’s High and Low (1963). Other adaptations of Kurosawa’s work include Seven Samurai and Yojimbo. Kurosawa himself liked to adapt pre-existing stories. Many of his films are interpretations of Shakespeare plays. Even High and Low is based on a novel. So how does one go about adapting and remaking a film by a great director like Kurosawa? How is the story updated for new audiences? And what kind of films lend themselves to adaptations? Today on FilmWeek, we discuss Hollywood’s attempts to remake some of Kurosawa’s most beloved films and what makes a good adaptation. Joining Larry Mantle is Peter Rainer, film critic for LAist and the Christian Science Monitor, Tim Cogshell, film critic for LAist, Alt-Film Guide and CineGods.com, and Charles Solomon, film critic for LAist, Animation Scoop and Animation Magazine. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

Immortalised by Shakespeare, Scottish king Macbeth was killed in battle near Lumphanan, Aberdeenshire on 15th August 1057; a demise that brought significant changes to Scotland's monarchy. But the real Macbeth, contrary to his portrayal in the play, ruled for 17 relatively peaceful years and displayed generosity toward the church. That said, his relationship with the real Lady Macbeth - Gruogh, widow of Gilear, the previous king - was, let's agree, rather complicated.  In this episode, Arion, Rebecca and Olly explain why witches were included in the script to satisfy King James I; offer a pragmatic explanation for the superstition that actors must never speak the name "Macbeth" in a theatre; and reveal the, er, creative way the Danish minister for finance once escaped responsibility for a nasty shipwreck… Further Reading: • ‘The Real Macbeth: King of Scots, 1040-1054' (History Today, 1957): https://www.historytoday.com/archive/real-macbeth-king-scots-1040-1054 • ‘Macbeth (r. 1040-1057)' (The Royal Family): https://www.royal.uk/macbeth-r-1040-1057 • ‘Who Was The Real King MacBeth?' (Timeline, 2018): https://www.youtube.com/watch?v=xq75Cl_osxk This episode first aired in 2023 Love the show? Support us!  Join 

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Kaitlyn Dever, originally episode 475 from 2022-09-21.Original writeup below:If you are unaware of Kaitlyn in your adventures through the wide world of broadcast media, prepare to make fast friends with a true great, and an absolute gem of a person at that. Kaitlyn's been putting down serious moves since childhood, including a Shakespeare stint at RADA (Royal Academy of Dramatic Arts for those pondering), and her filmography is stellar - ranging from Justified, to Dopesick, to Unbelievable, and more recently Ticket To Paradise (starring alongside Julia Roberts and George Clooney, where the cinema screen actually cracks midway through from so much gorgeous). This is a lovely chat, properly engaging and it's such a treat to hear Kaitlyn's story. OH and as Pip hints at in the intro, prepare for a Kaitlyn fact that will blow yer mind. She casually peppers it in there but thankfully Pip mashes on the brakes and reverses and double takes seamlessly. Enjoy! You shall!PIP'S PATREON PAGE if you're of a supporting natureIMDBTHE LAST OF USINSTAGRAMTWITTERTICKET TO PARADISEJUSTIFIEDDAN LE SAC VS SCROOBIUS PIP BANDCAMPPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Eight Internet addicts gather in a support group called "Friends of Saul" in a church basement and share their stories. Dave Malloy's Lucille Lortel Award winning musical “Octet” is running at Hudson Valley Shakespeare in Garrison, New York through September 7.

Before Shakespeare's Hamlet, there may have been another… Written by a man history almost erased. On this day in Tudor history—15th August 1594—playwright Thomas Kyd was buried in London, aged just 36. In his short life, he wrote The Spanish Tragedy, one of the biggest theatrical hits of the Elizabethan age—performed 29 times at the Rose Theatre and published in 11 editions, more than any of Shakespeare's plays at the time. But Kyd's meteoric career ended in scandal. Kyd was imprisoned, possibly tortured, and his health was ruined. And then there's the tantalising mystery—did Thomas Kyd write the now-lost Ur-Hamlet, the play that inspired Shakespeare's masterpiece? Join me, historian and author Claire Ridgway, as I uncover the life, works, scandals, and enduring influence of one of Elizabethan theatre's most important—yet overlooked—figures. If you love forgotten Tudor stories, this one's unmissable. #ThomasKyd #Hamlet #TudorHistory #ElizabethanTheatre #TheSpanishTragedy #OnThisDay #Shakespeare #ClaireRidgway

In this special LIVE podcast episode, MTCA Director Charlie Murphy sits down with MTCA alum Steven Telsey to discuss Steven's journey through the college audition process and beyond—plus, they answer audience questions live during Summer Faculty Masterclass Week! If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at  mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Scottish Ballet's new production Mary, Queen of Scots is a punk inspired production which tells the story of the ill-fated queen through the imagination and memories of her cousin, Elizabeth I, who authorised her execution. And a Fringe production Mary Queen of Rock portrays Mary as a rock star in a world in which rock and roll is banned. We discuss why her story continues to inspire so many productions today. Eva Victor, star of Sorry, Baby, the opening film of this year's Edinburgh International Film Festival, talks about her darkly comic treatment of the aftermath of a sexual assault. Theatre critics Fergus Morgan and Neil Cooper talk us through some of the highlights of this year's Edinburgh Festival Fringe - from Eat the Rich (But Maybe Not Me Mates X), a one-woman show by Liverpudlian actor and director Jade Franks in which she tells the story of being a misfit at Cambridge University to Lost Lear, a retelling of Shakespeare's King Lear told through the eyes of a woman with dementia. Plus a live performance from musician Hamish Hawk, who is paying tribute to the late great poet and eccentric Ivor Cutler at this year's Edinburgh International Book Festival, complete with Cutler's own harmonium.

Want to support the podcast? Join our Patreon or buy us a coffee. As an independent podcast, Shakespeare Anyone? is supported by listeners like you. In this episode, we explore how The Tempest reflects—and at times challenges—patriarchal power structures in Shakespeare's world and in its performance history. First, we examine how Prospero's control over Miranda, Ariel, and Caliban reflects early modern ideas and debates about gender, political authority, and service. Then, we look at how changing the gender of Prospero reshapes the play's dynamics,  how productions across stage and screen have used gender to reimagine magic, hierarchy, and power, and what the critical response to these productions reveals about modern gender politics.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. For updates: join our email list, follow us on Instagram at @shakespeareanyonepod or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, buying us coffee, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod (we earn a small commission when you use our link and shop bookshop.org). Find additional links mentioned in the episode in our Linktree. Works referenced: Goodland, Katharine. “From Prospero to Prospera: Transforming Gender and Magic on Stage and Screen.” Shakespeare and the Supernatural, edited by Victoria Bladen and Yan Brailowsky, Manchester University Press, 2020, pp. 218–42. JSTOR, http://www.jstor.org/stable/jj.21996273.16. Accessed 7 Aug. 2025. Sanchez, Melissa E. “Seduction and Service in ‘The Tempest.'” Studies in Philology, vol. 105, no. 1, 2008, pp. 50–82. JSTOR, http://www.jstor.org/stable/20464307. Accessed 10 Aug. 2025.

Batman ’66 S2 Ep31 – The Puzzles Are Coming The Puzzler, a villain with a fondness for both Shakespeare and aviation, indicates he is after the fortunes of Artemus Knab. He convinces the billionaire to invest in his puzzle balloon business, but when the Dynamic Duo find that Knab seems too intelligent to fall for […] The post BatChums Episode 67 – The Puzzles Are Coming appeared first on The ESO Network.

“What's in a name? That which we call a rose, by any other word would smell as sweet.”Those of you who know your Shakespeare will immediately recognise that quote from Romeo and Juliet, but how much truth is there in it?Is your name intrinsically part of your personality, or is it an incidental element of who you are?Writer and Filmmaker Molly Furey has been contemplating this very question in today's Irish Times. She joins guest host Fionnuala Jones to discuss.

Debs Newbold is an award winning theatre maker who reinterprets the works of Shakespeare through storytelling Hosted on Acast. See acast.com/privacy for more information.

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - wraps up its discussions on Act 5 of Shakespeare's masterpiece, as Siskoid discusses some of the section's bigger questions and themes with special guest Gene Hendricks. They also discuss Gilligan's Island's take on the play. Plus, your feedback on Act 5's episodes AND an announcement about the future of the show. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: https://fireandwaterpodcast.com Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with a clip from that film, starring Ray Fearon; the 1980 Hamlet, starring Derek Jacobi; and the 1996 Hamlet, starring Kenneth Branagh. Leave a comment, I love to read!

James Shapiro wears many hats – author, scholar, cultural historian, consultant to New York's Public Theatre – discusses his work with actors and students, as well as his invaluable books A Year in the Life of William Shakespeare: 1599, The Year of Lear: Shakespeare in 1606, and Shakespeare in a Divided America. Shapiro also shares experiences of working on this summer's Twelfth Night in New York's Central Park; working with Denzel Washington and Jake Gyllenhaal on Broadway in Othello; how he first discovered Shakespeare; what he learns from working with actors; the power of knowing whether a thou is a formal thou or an eff-you thou; being scolded (rightly!) by F. Murray Abraham; whether he prefers to be known as a historian, a mensch, or the Shakespeare Guy; how his thoughts about America have evolved since he wrote Shakespeare in a Divided America; how his correspondence with a Supreme Court justice was the Shakespeare in the coal mine; and how we look at the news for what's happening today but turn to Shakespeare to find out what's at stake. (Length 26:51) The post Shakespearean James Shapiro appeared first on Reduced Shakespeare Company.

Join us as we dive into Clarence's dream and murder in Shakespeare's Richard III.

Thousands of students in San Diego Unified are back in their classrooms this week. Then, we take a closer look at the Trump administration's plans for Afghan allies who've fled due to Taliban rule. Then, SDG&E reminds us to call 811 before digging and explains why. Finally, an all-female production of Shakespeare's work that's taking place in our county and where to watch.

In this episode Gary Mansfield speaks to Graeme Messer (@GraemeMesser) Graeme Messer is a London-based multidisciplinary artist whose work spans assemblage, photography, text, and performance. Originally from South Africa, he moved to the UK in the 1980s and built a successful early career in theatre, directing works by Shakespeare and Tennessee Williams, and founding the award-winning company Out of Bounds.Since 2010, Messer has focused solely on visual art, bringing his theatrical flair into the gallery space. Messer's work is often autobiographical, exploring themes such as identity, shame, self-worth, and the complex interplay between vulnerability and resilience. He is known for his distinctive mirror pieces—vintage mirrors etched with bold, confrontational or affirming text, illuminated with LED lighting. These works prompt viewers to reflect—both literally and metaphorically—on themselves and the world around them. Messer continues to push boundaries, using art as a means to question, provoke, and connect. For more information on the work of Graeme Messer go tohttps://www.Graeme Messer.com To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.orgEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

Ken Follett is a man who doesn't really need much introduction, but introduce him I will anyway. Thirty-eight books written. 197 million copies sold in 80 countries and in 40 languages. Very popular across the world — and even in China and Brazil, according to the man himself.• Listen to Country Life podcast on Apple Podcasts• Listen to Country Life podcast on Spotify• Listen to Country Life podcast on AudibleYou would think that might be enough to retire on, but Ken is not interested in retirement. Rather he would like to talk about his latest book Circle of Days, which is about the building of Stonehenge and is out on September 23 (but is very much available to pre-order now).Ken has long been the master of historical fiction, with his bestseller Pillars of the Earth adoring most bookshelves up and down the country. He joins the podcast to discuss his writing process, and how he combines his painstaking research with fiction to create his much-loved tales.We also chat about cathedrals, the revival of Notre Dame, whether he's played his own video game, a fictional dinner with Shakespeare, and his favourite place in the UK (the answer to which might just surprise you).Episode creditsHost: James FisherGuest: Ken FollettEditor and producer: Toby KeelMusic: JuliusH via Pixabay Hosted on Acast. See acast.com/privacy for more information.

As Franco Zeffirelli prepared to film his critically acclaimed version of Shakespeare’s Romeo and Juliet, he made a daring decision. He chose two unknowns to play the lead characters and insisted they be close to the age of the characters as Shakespeare had penned them. Zeffirelli ultimately selected seventeen-year-old Leonard Whiting as Romeo and sixteen-year-old Olivia Hussey as Juliet. Some might think that Jesus took a similar risk with the selection of His disciples, who would be charged with an infinitely more important role. The task of taking His message of forgiveness to the world would be entrusted to simple men who were, at the very least, undereducated. In fact, when some of these early believers in Jesus were arrested and questioned, the religious leaders were stunned. Acts 4:13 says, “When they saw the courage of Peter and John and realized that they were unschooled, ordinary men, they were astonished.” Any assumed risk was more than overwhelmed by the real story behind these simple fishermen: “They took note that these men had been with Jesus” (Acts 4:13). The seemingly unqualified disciples had not only been with Christ, but they also had His promise to be with them always (Matthew 28:20). We share that promise as well (Hebrews 13:5) and can be assured that, in His presence and with His grace, no task set before us will be too great for Him.

Baseball's Danny Gardella was no ordinary ballplayer. A compact powerhouse — “not much taller than a fire hydrant,” yet a left-handed pull hitter with undeniable talent — he hit .267 with 24 homers and 85 RBIs in just 169 Major League Baseball games. That blazing two-year stretch with the New York Giants in 1944–45 proved his major-league mettle. But Gardella's story didn't end in the box score. Humble and working-class, he was a true Renaissance man — writing poetry, quoting Shakespeare, Freud, and Dewey, singing opera and vaudeville, boxing Golden Gloves, and defying gravity with acrobatic stunts in the clubhouse and on the field. When many veterans returned after World War II, Gardella's once-promising career faltered. Faced with limited opportunities and bound by baseball's reserve clause, he made a bold move — “jumping” to the Mexican League's Azules de Veracruz in 1946. That leap didn't just cost him his place in Organized Baseball — it catalyzed his fight for justice. In "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes," author Rob Elias recounts how this “little-known but remarkable ballplayer” took the sport's reserve clause to court, sparking a legal battle that would echo through decades. Gardella's act of defiance set the stage in later years for Curt Flood, Marvin Miller, and the struggle for free agency — and ultimately helped birth the modern MLB Players Association. It's a compelling blend of baseball lore, legal drama, and the human story of a forgotten pioneer who dared to challenge the game — and, eventually, changed it forever. PLUS: "Gardella Gardens" - the upper left-field balcony section of the old Polo Grounds, where ardent Giants fans cheered on their favorite player - affectionately nicknamed "Gardenia".   + + +   SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable "Good Seats" Store: https://www.teepublic.com/stores/good-seats-still-avalable?ref_id=35106 BUY THE BOOK (AND SUPPORT THE SHOW!):   "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes": https://amzn.to/4m7tklY   SPONSOR THANKS (AND SUPPORT THE SHOW!):  Old Fort Baseball Co. (15% off promo code: GOODSEATS): https://www.oldfortbaseballco.com/?ref=seats   Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2   Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats  Yinzylvania (20% off promo code: GOODSEATSSTILLAVAILABLE): https://yinzylvania.com/GOODSEATSSTILLAVAILABLE   417 Helmets (10% off promo code: GOODSEATS): https://417helmets.com/?wpam_id=3 FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

6.68Leicester's Men: A Conversation with Laurie JohnsonEpisode 181:For today's guest episode it's a pleasure to welcome Laurie Johnson to the podcast. Laurie's book ‘Leicester's Men and their Plays' is a fascination study of one of the most influential of the playing troupes of the Elizabethan period and the story of how they lived and functioned under one of the most influential nobles in the land. As you will hear Laurie's research to try to draw an ever-better picture of the players and playing in the period is ongoing and leading to some interesting postulations.Laurie Johnson is Professor of English and Cultural Studies at University of Southern Queensland and a Fellow of both the Society of Antiquaries of London and the Royal Historical Society. His current roles include President of the Marlowe Society of America, Research Dramaturg for the Oxford Marlowe Project, Academic Adviser to the Museum of Shakespeare, Shoreditch, and Project Researcher for the Weather Extremes in England's Little Ice Age,1500-1700 database. His publications include The Earl of Leicester's Men and their Plays and Shakespeare's Lost Playhouse: Eleven Days in Newington Butts.UK Link to 'Leicester's Men': https://www.amazon.co.uk/Leicesters-Men-their-Plays-Elizabethan/dp/1009366491/ref=sr_1_1?US Link to 'Leicester's Men': https://www.amazon.com/Leicesters-Men-their-Plays-Elizabethan-ebook/dp/B0CG28GHN9/ref=sr_1_1?Link to the Oxford Marlowe Project: https://research.kent.ac.uk/marlowe-works/Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

When you picture a Shakespeare play, you likely imagine a continuous performance—scene following scene, act following act—until the final bow. But in Shakespeare's lifetime, especially at indoor theatres like the Blackfriars, plays weren't always presented without pause. Candlelight, used to illuminate the stage, had to be trimmed, replaced, or even relit during performances, which meant intentional gaps were built into the show itself. These intervals weren't just practical; they were part of the theatrical experience—inviting music, moments of reflection, and a rhythm that modern audiences rarely consider. Today we're diving into this largely overlooked aspect of early modern theatre: the interval. What did it look like? What happened during it? And how did it influence the pacing and experience of Shakespeare's plays? To help us explore this topic, we're delighted to welcome Mark Hutchings, whose latest research shines a spotlight on the physical and performative realities of candlelit stages, and their intervals, for the 16th and 17th centuries. Hosted on Acast. See acast.com/privacy for more information.

August signals the end of summer break, and students across Louisiana are heading back into the classroom. Monday  is the first day of  school for public school students in Orleans, Jefferson and Lafayette parishes. Students in Baton Rouge returned to class last week – and were met with a host of changes.Charles Lussier covers education for The Baton Rouge Advocate. He joins us to break down those changes.The Louisiana Shakespeare Company is presenting an adaptation of William Shakespeare's “The Tempest.” And many Louisianans will find the story of a storm that decimates a town rather familiar. In fact, the setting for this performance is modern-day New Orleans.  Director Jennifer Bouquet and actor Timmie Callais tell us about this upcoming rendition of a classic Shakespeare tragedy. New Orleans is getting hotter. You can see that in numbers and charts — but what does it sound like? The Gulf States Newsroom's Drew Hawkins talked to musicians in New Orleans about how the heat is affecting them — and to get some help turning the data into music.—Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene i - Gloucester and Edgar find each other, but it is not the recognition we might imagine. Written and presented by Conor Hanratty

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Send us a textIn this special revisit episode of Fabulously Delicious: The French Food Podcast, we return to one of our most loved series — the A to Z of French Herbs — to rediscover a plant that's as intriguing as it is bold: Absinthe, also known as wormwood. Far more than just the legendary green spirit, this herb has a rich history in French cuisine, medicine, and folklore. From ancient Greece to the cafés of Paris, absinthe has left its unmistakable mark on culture and gastronomy.We'll explore wormwood's origins, from its growth in North Africa and Eurasia to its medicinal use dating back to 1552 B.C. Discover how it found its way into drinks like vermouth and bitters, spiced mead in the Middle Ages, and even became a natural pesticide in organic gardens. Along the way, we'll uncover its myths, its medicinal risks, and its reputation as both a healing tonic and a dangerous indulgence.Absinthe's influence in French cuisine is equally fascinating. You'll hear how chefs have used it to season meats, fish, oysters, and escargot, as well as in a striking 1889 creation — Absinthe Sorbet — served to celebrate the unveiling of the Eiffel Tower. We'll also discuss its place in art and literature, from Shakespeare's Romeo and Juliet to its infamous association with bohemian Paris.So pour yourself a glass of wine, slice some baguette, and join me for this deep dive into the bitter, aromatic world of absinthe. Whether you're a longtime listener or discovering the A to Z of French Herbs for the first time, this episode is a journey into the flavours, stories, and culinary magic that make French food so endlessly captivating.Looking to deepen your culinary journey beyond the podcast? Andrew's latest book, Paris: A Fabulous Food Guide to the World's Most Delicious City, is your passport to gastronomic delights in the City of Lights. Packed with recommendations for boulangeries, patisseries, wine bars, and more, this guide ensures you savor the best of Parisian cuisine. Find Andrew's book Paris: A Fabulous Food Guide to the World's Most Delicious City and explore more at ⁠⁠⁠⁠⁠⁠⁠www.andrewpriorfabulously.com⁠⁠⁠⁠⁠⁠⁠. For a signed and gift-packaged copy of the book, visit ⁠⁠⁠⁠⁠⁠⁠⁠ Support the show If you are planning a trip to France then why not come join me for a cooking experience in Montmorillon or a small group food tour in Lyon and/or Cote D'Azur. Don't want to do a tour or class but want a fabulous holiday here in France, Paris, Nice, Lyon or so many other places then I can help you plan it. Click the link below to book your call now. https://www.buymeacoffee.com/andrewprior/e/123498 Subscribe to my newsletter for updates on new episodes, cooking in France, travel around the French countryside, and recipes from my fab French kitchen via the link here. http://eepurl.com/hj-zFf...

Send us a textWelcome to Celebrate Creativity - Episode 429 _ How to Say NoName Signs as Clarifiers: Which Side Is He On?One common practice when interpreting a play is for t when mythological references are used the interpreter needs well needs to be able to be creative yes be creative add to avoid finger spelling and therefore breaking the meter the interpreter excuse me just a second here he interpreter to come up with a sign to signify a character - this is much faster - much faster - then finger spelling the name each time. And a name sign is also easier for a member of the death audience to see. Name signs can be introduced while the interpreter speaks with the Deaf audience a few minutes prior to the beginning of a play. This not only serves as a time to introduce the characters and helps the Deaf audience make the transition into Shakespeare's world, but gives the Deaf audience an opportunity to become accustomed to the signing style of the interpreter.An interpreter should not “overload” the Deaf audience with name signs.  In many cases, a character can be referred to by their relationship or role, such as “nurse” or “servant.”  If the character is on stage, the interpreter can point to that person.  If the character is offstage, and is referred to again, the interpreter may establish a position on stage, “assign” the location to a character, and when he quickly points to that area, the audience knows that specific character is being mentioned.   Name signs can even be used to clarify relationships between characters in a Shakespearean play.  In the Blackfriars production of The Life and Death of King Richard the Third, the characters who supported the House of York had name signs on the left side of the body, while the characters who supported of the House of Lancaster  had name signs on the right side of the body.   That night, the Deaf individuals were perhaps the only people in the audience unfamiliar with English history who were easily able to follow the political intrigues of the play!  Thank you for experiencing Celebrate Creativity.

A version of this essay has been published by firstpost.com at https://www.firstpost.com/opinion/shadow-warrior-from-crisis-to-advantage-how-india-can-outplay-the-trump-tariff-gambit-13923031.htmlA simple summary of the recent brouhaha about President Trump's imposition of 25% tariffs on India as well as his comment on India's ‘dead economy' is the following from Shakespeare's Macbeth: “full of sound and fury, signifying nothing”. Trump further imposed punitive tariffs totalling 50% on August 6th allegedly for India funding Russia's war machine via buying oil.As any negotiator knows, a good opening gambit is intended to set the stage for further parleys, so that you could arrive at a negotiated settlement that is acceptable to both parties. The opening gambit could well be a maximalist statement, or one's ‘dream outcome', the opposite of which is ‘the walkway point' beyond which you are simply not willing to make concessions. The usual outcome is somewhere in between these two positions or postures.Trump is both a tough negotiator, and prone to making broad statements from which he has no problem retreating later. It's down-and-dirty boardroom tactics that he's bringing to international trade. Therefore I think Indians don't need to get rattled. It's not the end of the world, and there will be climbdowns and adjustments. Think hard about the long term.I was on a panel discussion on this topic on TV just hours after Trump made his initial 25% announcement, and I mentioned an interplay between geo-politics and geo-economics. Trump is annoyed that his Ukraine-Russia play is not making much headway, and also that BRICS is making progress towards de-dollarization. India is caught in this crossfire (‘collateral damage') but the geo-economic facts on the ground are not favorable to Trump.I am in general agreement with Trump on his objectives of bringing manufacturing and investment back to the US, but I am not sure that he will succeed, and anyway his strong-arm tactics may backfire. I consider below what India should be prepared to do to turn adversity into opportunity.The anti-Thucydides Trap and the baleful influence of Whitehall on Deep StateWhat is remarkable, though, is that Trump 2.0 seems to be indistinguishable from the Deep State: I wondered last month if the Deep State had ‘turned' Trump. The main reason many people supported Trump in the first place was the damage the Deep State was wreaking on the US under the Obama-Biden regime. But it appears that the resourceful Deep State has now co-opted Trump for its agenda, and I can only speculate how.The net result is that there is the anti-Thucydides Trap: here is the incumbent power, the US, actively supporting the insurgent power, China, instead of suppressing it, as Graham Allison suggested as the historical pattern. It, in all fairness, did not start with Trump, but with Nixon in China in 1971. In 1985, the US trade deficit with China was $6 million. In 1986, $1.78 billion. In 1995, $35 billion.But it ballooned after China entered the WTO in 2001. $202 billion in 2005; $386 billion in 2022.In 2025, after threatening China with 150% tariffs, Trump retreated by postponing them; besides he has caved in to Chinese demands for Nvidia chips and for exemptions from Iran oil sanctions if I am not mistaken.All this can be explained by one word: leverage. China lured the US with the siren-song of the cost-leader ‘China price', tempting CEOs and Wall Street, who sleepwalked into surrender to the heft of the Chinese supply chain.Now China has cornered Trump via its monopoly over various things, the most obvious of which is rare earths. Trump really has no option but to give in to Chinese blackmail. That must make him furious: in addition to his inability to get Putin to listen to him, Xi is also ignoring him. Therefore, he will take out his frustrations on others, such as India, the EU, Japan, etc. Never mind that he's burning bridges with them.There's a Malayalam proverb that's relevant here: “angadiyil thottathinu ammayodu”. Meaning, you were humiliated in the marketplace, so you come home and take it out on your mother. This is quite likely what Trump is doing, because he believes India et al will not retaliate. In fact Japan and the EU did not retaliate, but gave in, also promising to invest large sums in the US. India could consider a different path: not active conflict, but not giving in either, because its equations with the US are different from those of the EU or Japan.Even the normally docile Japanese are beginning to notice.Beyond that, I suggested a couple of years ago that Deep State has a plan to enter into a condominium agreement with China, so that China gets Asia, and the US gets the Americas and the Pacific/Atlantic. This is exactly like the Vatican-brokered medieval division of the world between Spain and Portugal, and it probably will be equally bad for everyone else. And incidentally it makes the Quad infructuous, and deepens distrust of American motives.The Chinese are sure that they have achieved the condominium, or rather forced the Americans into it. Here is a headline from the Financial Express about their reaction to the tariffs: they are delighted that the principal obstacle in their quest for hegemony, a US-India military and economic alliance, is being blown up by Trump, and they lose no opportunity to deride India as not quite up to the mark, whereas they and the US have achieved a G2 detente.Two birds with one stone: gloat about the breakdown in the US-India relationship, and exhibit their racist disdain for India yet again.They laugh, but I bet India can do an end-run around them. As noted above, the G2 is a lot like the division of the world into Spanish and Portuguese spheres of influence in 1494. Well, that didn't end too well for either of them. They had their empires, which they looted for gold and slaves, but it made them fat, dumb and happy. The Dutch, English, and French capitalized on more dynamic economies, flexible colonial systems, and aggressive competition, overtaking the Iberian powers in global influence by the 17th century. This is a salutary historical parallel.I have long suspected that the US Deep State is being led by the nose by the malign Whitehall (the British Deep State): I call it the ‘master-blaster' syndrome. On August 6th, there was indirect confirmation of this in ex-British PM Boris Johnson's tweet about India. Let us remember he single-handedly ruined the chances of a peaceful resolution of the Ukraine War in 2022. Whitehall's mischief and meddling all over, if you read between the lines.Did I mention the British Special Force's views? Ah, Whitehall is getting a bit sloppy in its propaganda.Wait, so is India important (according to Whitehall) or unimportant (according to Trump)?Since I am very pro-American, I have a word of warning to Trump: you trust perfidious Albion at your peril. Their country is ruined, and they will not rest until they ruin yours too.I also wonder if there are British paw-prints in a recent and sudden spate of racist attacks on Indians in Ireland. A 6-year old girl was assaulted and kicked in the private parts. A nurse was gang-raped by a bunch of teenagers. Ireland has never been so racist against Indians (yes, I do remember the sad case of Savita Halappanavar, but that was religious bigotry more than racism). And I remember sudden spikes in anti-Indian attacks in Australia and Canada, both British vassals.There is no point in Indians whining about how the EU and America itself are buying more oil, palladium, rare earths, uranium etc. from Russia than India is. I am sorry to say this, but Western nations are known for hypocrisy. For example, exactly 80 years ago they dropped atomic bombs on Hiroshima and Nagasaki in Japan, but not on Germany or Italy. Why? The answer is uncomfortable. Lovely post-facto rationalization, isn't it?Remember the late lamented British East India Company that raped and pillaged India?Applying the three winning strategies to geo-economicsAs a professor of business strategy and innovation, I emphasize to my students that there are three broad ways of gaining an advantage over others: 1. Be the cost leader, 2. Be the most customer-intimate player, 3. Innovate. The US as a nation is patently not playing the cost leader; it does have some customer intimacy, but it is shrinking; its strength is in innovation.If you look at comparative advantage, the US at one time had strengths in all three of the above. Because it had the scale of a large market (and its most obvious competitors in Europe were decimated by world wars) America did enjoy an ability to be cost-competitive, especially as the dollar is the global default reserve currency. It demonstrated this by pushing through the Plaza Accords, forcing the Japanese yen to appreciate, destroying their cost advantage.In terms of customer intimacy, the US is losing its edge. Take cars for example: Americans practically invented them, and dominated the business, but they are in headlong retreat now because they simply don't make cars that people want outside the US: Japanese, Koreans, Germans and now Chinese do. Why were Ford and GM forced to leave the India market? Their “world cars” are no good in value-conscious India and other emerging markets.Innovation, yes, has been an American strength. Iconic Americans like Thomas Edison, Henry Ford, and Steve Jobs led the way in product and process innovation. US universities have produced idea after idea, and startups have ignited Silicon Valley. In fact Big Tech and aerospace/armaments are the biggest areas where the US leads these days.The armaments and aerospace tradeThat is pertinent because of two reasons: one is Trump's peevishness at India's purchase of weapons from Russia (even though that has come down from 70+% of imports to 36% according to SIPRI); two is the fact that there are significant services and intangible imports by India from the US, of for instance Big Tech services, even some routed through third countries like Ireland.Armaments and aerospace purchases from the US by India have gone up a lot: for example the Apache helicopters that arrived recently, the GE 404 engines ordered for India's indigenous fighter aircraft, Predator drones and P8-i Poseidon maritime surveillance aircraft. I suspect Trump is intent on pushing India to buy F-35s, the $110-million dollar 5th generation fighters.Unfortunately, the F-35 has a spotty track record. There were two crashes recently, one in Albuquerque in May, and the other on July 31 in Fresno, and that's $220 million dollars gone. Besides, the spectacle of a hapless British-owned F-35B sitting, forlorn, in the rain, in Trivandrum airport for weeks, lent itself to trolls, who made it the butt of jokes. I suspect India has firmly rebuffed Trump on this front, which has led to his focus on Russian arms.There might be other pushbacks too. Personally, I think India does need more P-8i submarine hunter-killer aircraft to patrol the Bay of Bengal, but India is exerting its buyer power. There are rumors of pauses in orders for Javelin and Stryker missiles as well.On the civilian aerospace front, I am astonished that all the media stories about Air India 171 and the suspicion that Boeing and/or General Electric are at fault have disappeared without a trace. Why? There had been the big narrative push to blame the poor pilots, and now that there is more than reasonable doubt that these US MNCs are to blame, there is a media blackout?Allegations about poor manufacturing practices by Boeing in North Charleston, South Carolina by whistleblowers have been damaging for the company's brand: this is where the 787 Dreamliners are put together. It would not be surprising if there is a slew of cancellations of orders for Boeing aircraft, with customers moving to Airbus. Let us note Air India and Indigo have placed some very large, multi-billion dollar orders with Boeing that may be in jeopardy.India as a consuming economy, and the services trade is hugely in the US' favorMany observers have pointed out the obvious fact that India is not an export-oriented economy, unlike, say, Japan or China. It is more of a consuming economy with a large, growing and increasingly less frugal population, and therefore it is a target for exporters rather than a competitor for exporting countries. As such, the impact of these US tariffs on India will be somewhat muted, and there are alternative destinations for India's exports, if need be.While Trump has focused on merchandise trade and India's modest surplus there, it is likely that there is a massive services trade, which is in the US' favor. All those Big Tech firms, such as Microsoft, Meta, Google and so on run a surplus in the US' favor, which may not be immediately evident because they route their sales through third countries, e.g. Ireland.These are the figures from the US Trade Representative, and quite frankly I don't believe them: there are a lot of invisible services being sold to India, and the value of Indian data is ignored.In addition to the financial implications, there are national security concerns. Take the case of Microsoft's cloud offering, Azure, which arbitrarily turned off services to Indian oil retailer Nayara on the flimsy grounds that the latter had substantial investment from Russia's Rosneft. This is an example of jurisdictional over-reach by US companies, which has dire consequences. India has been lax about controlling Big Tech, and this has to change.India is Meta's largest customer base. Whatsapp is used for practically everything. Which means that Meta has access to enormous amounts of Indian customer data, for which India is not even enforcing local storage. This is true of all other Big Tech (see OpenAI's Sam Altman below): they are playing fast and loose with Indian data, which is not in India's interest at all.Data is the new oil, says The Economist magazine. So how much should Meta, OpenAI et al be paying for Indian data? Meta is worth trillions of dollars, OpenAI half a trillion. How much of that can be attributed to Indian data?There is at least one example of how India too can play the digital game: UPI. Despite ham-handed efforts to now handicap UPI with a fee (thank you, brilliant government bureaucrats, yes, go ahead and kill the goose that lays the golden eggs), it has become a contender in a field that has long been dominated by the American duopoly of Visa and Mastercard. In other words, India can scale up and compete.It is unfortunate that India has not built up its own Big Tech behind a firewall as has been done behind the Great Firewall of China. But it is not too late. Is it possible for India-based cloud service providers to replace US Big Tech like Amazon Web Services and Microsoft Azure? Yes, there is at least one player in that market: Zoho.Second, what are the tariffs on Big Tech exports to India these days? What if India were to decide to impose a 50% tax on revenue generated in India through advertisement or through sales of services, mirroring the US's punitive taxes on Indian goods exports? Let me hasten to add that I am not suggesting this, it is merely a hypothetical argument.There could also be non-tariff barriers as China has implemented, but not India: data locality laws, forced use of local partners, data privacy laws like the EU's GDPR, anti-monopoly laws like the EU's Digital Markets Act, strict application of IPR laws like 3(k) that absolutely prohibits the patenting of software, and so on. India too can play legalistic games. This is a reason US agri-products do not pass muster: genetically modified seeds, and milk from cows fed with cattle feed from blood, offal and ground-up body parts.Similarly, in the ‘information' industry, India is likely to become the largest English-reading country in the world. I keep getting come-hither emails from the New York Times offering me $1 a month deals on their product: they want Indian customers. There are all these American media companies present in India, untrammelled by content controls or taxes. What if India were to give a choice to Bloomberg, Reuters, NYTimes, WaPo, NPR et al: 50% tax, or exit?This attack on peddlers of fake information and manufacturing consent I do suggest, and I have been suggesting for years. It would make no difference whatsoever to India if these media outlets were ejected, and they surely could cover India (well, basically what they do is to demean India) just as well from abroad. Out with them: good riddance to bad rubbish.What India needs to doI believe India needs to play the long game. It has to use its shatrubodha to realize that the US is not its enemy: in Chanakyan terms, the US is the Far Emperor. The enemy is China, or more precisely the Chinese Empire. Han China is just a rump on their south-eastern coast, but it is their conquered (and restive) colonies such as Tibet, Xinjiang, Manchuria and Inner Mongolia, that give them their current heft.But the historical trends are against China. It has in the past had stable governments for long periods, based on strong (and brutal) imperial power. Then comes the inevitable collapse, when the center falls apart, and there is absolute chaos. It is quite possible, given various trends, including demographic changes, that this may happen to China by 2050.On the other hand, (mostly thanks, I acknowledge, to China's manufacturing growth), the center of gravity of the world economy has been steadily shifting towards Asia. The momentum might swing towards India if China stumbles, but in any case the era of Atlantic dominance is probably gone for good. That was, of course, only a historical anomaly. Asia has always dominated: see Angus Maddison's magisterial history of the world economy, referred to below as well.I am reminded of the old story of the king berating his court poet for calling him “the new moon” and the emperor “the full moon”. The poet escaped being punished by pointing out that the new moon is waxing and the full moon is waning.This is the long game India has to keep in mind. Things are coming together for India to a great extent: in particular the demographic dividend, improved infrastructure, fiscal prudence, and the increasing centrality of the Indian Ocean as the locus of trade and commerce.India can attempt to gain competitive advantage in all three ways outlined above:* Cost-leadership. With a large market (assuming companies are willing to invest at scale), a low-cost labor force, and with a proven track-record of frugal innovation, India could well aim to be a cost-leader in selected areas of manufacturing. But this requires government intervention in loosening monetary policy and in reducing barriers to ease of doing business* Customer-intimacy. What works in highly value-conscious India could well work in other developing countries. For instance, the economic environment in ASEAN is largely similar to India's, and so Indian products should appeal to their residents; similarly with East Africa. Thus the Indian Ocean Rim with its huge (and in Africa's case, rapidly growing) population should be a natural fit for Indian products* Innovation. This is the hardest part, and it requires a new mindset in education and industry, to take risks and work at the bleeding edge of technology. In general, Indians have been content to replicate others' innovations at lower cost or do jugaad (which cannot scale up). To do real, disruptive innovation, first of all the services mindset should transition to a product mindset (sorry, Raghuram Rajan). Second, the quality of human capital must be improved. Third, there should be patient risk capital. Fourth, there should be entrepreneurs willing to try risky things. All of these are difficult, but doable.And what is the end point of this game? Leverage. The ability to compel others to buy from you.China has demonstrated this through its skill at being a cost-leader in industry after industry, often hollowing out entire nations through means both fair and foul. These means include far-sighted industrial policy including the acquisition of skills, technology, and raw materials, as well as hidden subsidies that support massive scaling, which ends up driving competing firms elsewhere out of business. India can learn a few lessons from them. One possible lesson is building capabilities, as David Teece of UC Berkeley suggested in 1997, that can span multiple products, sectors and even industries: the classic example is that of Nikon, whose optics strength helps it span industries such as photography, printing, and photolithography for chip manufacturing. Here is an interesting snapshot of China's capabilities today.2025 is, in a sense, a point of inflection for India just as the crisis in 1991 was. India had been content to plod along at the Nehruvian Rate of Growth of 2-3%, believing this was all it could achieve, as a ‘wounded civilization'. From that to a 6-7% growth rate is a leap, but it is not enough, nor is it testing the boundaries of what India can accomplish.1991 was the crisis that turned into an opportunity by accident. 2025 is a crisis that can be carefully and thoughtfully turned into an opportunity.The Idi Amin syndrome and the 1000 Talents program with AIThere is a key area where an American error may well be a windfall for India. This is based on the currently fashionable H1-B bashing which is really a race-bashing of Indians, and which has been taken up with gusto by certain MAGA folks. Once again, I suspect the baleful influence of Whitehall behind it, but whatever the reason, it looks like Indians are going to have a hard time settling down in the US.There are over a million Indians on H1-Bs, a large number of them software engineers, let us assume for convenience there are 250,000 of them. Given country caps of exactly 9800 a year, they have no realistic chance of getting a Green Card in the near future, and given the increasingly fraught nature of life there for brown people, they may leave the US, and possibly return to India..I call this the Idi Amin syndrome. In 1972, the dictator of Uganda went on a rampage against Indian-origin people in his country, and forcibly expelled 80,000 of them, because they were dominating the economy. There were unintended consequences: those who were ejected mostly went to the US and UK, and they have in many cases done well. But Uganda's economy virtually collapsed.That's a salutary experience. I am by no means saying that the US economy would collapse, but am pointing to the resilience of the Indians who were expelled. If, similarly, Trump forces a large number of Indians to return to India, that might well be a case of short-term pain and long-term gain: urvashi-shapam upakaram, as in the Malayalam phrase.Their return would be akin to what happened in China and Taiwan with their successful effort to attract their diaspora back. The Chinese program was called 1000 Talents, and they scoured the globe for academics and researchers of Chinese origin, and brought them back with attractive incentives and large budgets. They had a major role in energizing the Chinese economy.Similarly, Taiwan with Hsinchu University attracted high-quality talent, among which was the founder of TSMC, the globally dominant chip giant.And here is Trump offering to India on a platter at least 100,000 software engineers, especially at a time when generativeAI is decimating low-end jobs everywhere. They can work on some very compelling projects that could revolutionize Indian education, up-skilling and so on, and I am not at liberty to discuss them. Suffice to say that these could turbo-charge the Indian software industry and get it away from mundane, routine body-shopping type jobs.ConclusionThe Trump tariff tantrum is definitely a short-term problem for India, but it can be turned around, and turned into an opportunity, if only the country plays its cards right and focuses on building long-term comparative advantages and accepting the gift of a mis-step by Trump in geo-economics.In geo-politics, India and the US need each other to contain China, and so that part, being so obvious, will be taken care of more or less by default.Thus, overall, the old SWOT analysis: strengths, weaknesses, opportunities and threats. On balance, I am of the opinion that the threats contain in them the germs of opportunities. It is up to Indians to figure out how to take advantage of them. This is your game to win or lose, India!4150 words, 9 Aug 2025 This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rajeevsrinivasan.substack.com/subscribe

Was Richard III really the monster Shakespeare painted him to be? Or have centuries of myth and propaganda hidden the man he truly was? In this exclusive interview, I (Claire Ridgway, historian and author) sit down with the creative team behind "A Taste of Loyalty"—a powerful new short film (inspired by Matthew Lewis's novel "Loyalty"), which explores one of the most pivotal (and misunderstood) moments in Richard III's life. Join me as I talk with: - Matt Lewis, historian and novelist - Thomas Dennis, director, screenwriter, and the man portraying Richard III - Tiffany Lunn, composer and musical visionary for the film Together, we discuss: - Why this isn't your typical Richard III story - How they're balancing historical accuracy with powerful storytelling - The challenges and joys of adapting a novel for the screen on a tight budget - The emotional depth behind the music, the costumes, and the character of Richard - Their long-term vision for the project—and how you can help make it happen Whether you're a Ricardian, a Wars of the Roses enthusiast, a lover of historical fiction, or just curious about how history comes alive through film—this conversation is packed with insight, passion, and behind-the-scenes gems. Listen now and meet the team rewriting Richard III's legacy. SUPPORT the film: https://www.indiegogo.com/projects/a-taste-of-loyalty#/ #ATasteOfLoyalty #RichardIII #WarsOfTheRoses #TudorHistory #ClaireRidgway #HistoricalFiction #MattLewis #ThomasDennis #HistoricalFilm #Ricardian #BehindTheScenes #MedievalDrama #RewritingHistory

**Originally Aired on Place to Be Nation Wrestling Feed in February 2021** On the landmark episode 10 of NWA Crock & Roll, Shawn, Dr. G and Calum are joined by first time guest, Rory McNamara (Special Relations, Seen Your Video, Wrestling 20 Years Ago podcasts) to discuss the first half of November 85! After a brief intro of Rory and his Crockett viewing history they open with the amazing storytelling of the build to Tully/TA “I Quit” match in 20 minutes worth of TV that has one of the best “real” angles ever and is the feud better than Dusty/Flair? Jim Crockett no selling President Bob Geigel mandates, Tully's continued trend of making fedoras look good, the “Soviet Union Ambassador of Destruction” Nikita Koloff, an atrocious Billy Graham/Abdullah match, several “uncomfortable” promos that would not hold up well in 2021, Starrcade 85 Update, complete with a Wahoo match announced much to Calum's chagrin, Dusty's “special” boot and return to the ring after injury, Arns continued claim to the now vacant TV Title, a trip to Mid South as Flair faces Butch Reed in a non title match with a shocking ending, why Sam Houston and Terry Taylor should stay away from microphones, the iconic first mention of the Four Horseman and close the show with the even more iconic greatest promo of all time... “Hard Times” as read by Calum Rhodes with a thought provoking breakdown by the newly tagged “Shakespeare of Special Relations” Rory McNamara. Starrcade 85 build continues and we are only halfway through the month! We aren't Tony & Conrad and don't pretend to be, but possibly our best episode to date!

Cinema Junkie presents this month's Midday Movies, with Beth Accomando and Yazdi Pithavala, and an exploration of unconventional cinematic adaptations of the Bard.

There are SOOO many times that characters break bread (sometimes humans in the form of a pie, but I digress...) together in the Shakespeare canon. So we were thinking... which of these famous banquets and dinners would we want to attend? Which ones would we not touch with a ten foot halberd??  In this episode, we dive into the soup, as it were. Come on in!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!The Education News Comedy Quiz -- Some of the AbovePlay along with guest contestants from the education world. Laugh some & learn some...Listen on: Apple Podcasts Spotify

Felicia Kingsley, un'autrice da oltre 3 milioni e mezzo di copie vendute, è considerata una delle massime esponenti del genere Romance che sta spopolando negli ultimi anni. "L'amante perduta di Shakespeare" (Newton Compton Editori) è, però, un romanzo leggermente diverso dagli altri, perché è soprattutto un mistery (anche se la storia d'amore non manca). Felicia Kinsley si è divertita a giocare con la storia della letteratura perché tira in ballo Shakespeare, ma anche un po' il conte di Montecristo. Questo è un romanzo che indaga sul mistero dell'identità di William Shakespeare. Il protagonista è Nick Montecristo, che si trova in carcere dove incontra un prete gesuista, José Farias (e qui i richiami al romanzo di Dumas). Farias fa evadere Nick Montecristo con l'obiettivo di fargli commettere furti d'arte su commissione. Il primo incarico? Ritrovare il first folio di Shakespeare, ossia la trascrizione delle opere del Bardo fatta solo dopo la sua morte.

It's wedding season and Alex is away at one of the numerous celebrations he's been invited to this summer. Which made him and Sarah think about the way that weddings are used on stage, screen and television. As Beth Steel's Till the Stars Come Down packs them in in the West End, they look back at plays by writers such as Lorca, Shakespeare and more surprisingly Brecht have used the conventions, tensions and hidden dramas of marriage to unpick uncomfortable truths about human nature and how sometimes a wedding ceremony will reveal more than than the bride and groom had bargained for. Hosted on Acast. See acast.com/privacy for more information.

Send us a textWelcome to Celebrate Creativity - Episode 427 - Hear the Hungry LionWhen we left the previous episode I was working with Gemini to make my Master thesis about interpreting Shakespeare's place for the deaf more understandable.  And Gemini said -Okay, here's the next section, revised for a seventh-grade reading level. I've broken down the longer paragraphs and used simpler language to explain the concepts of ASL grammar and the different styles of interpreting.      And then Gemini continued withASL Grammar: A Different Way to TalkASL has a unique sentence structure that is sometimes called "topic/comment." This means you often say the main idea first, then add more details. By the way that is a very good way, of stating a rather complicated concept. For example, instead of "Is this a dagger I see before me?" from Shakespeare's Macbeth, a translation in ASL might be "dagger, do I see?"Thank you for experiencing Celebrate Creativity.

A scholar remains behind as pestilence silences the college. The gates are locked, the chapel dim, and a single window glows with the light of something unfinished. In the stillness of old stone, a man pursues his solitary work—methodical, precise, and unknowable. What follows is not a tale of horror in the usual sense, but something quieter, older, and threaded with the weight of ritual. Memory lingers in the cloisters. The dead are not always absent. *The True History of Anthony Ffryar* was first published in *Tedious Brief Tales of Granta and Gramarye* (W. Heffer & Sons, 1919), under the pen name “Ingulphus.” The story was reissued in the Ghost Story Press edition of 1993 with an additional tale. Arthur Gray (1852–1940) was Master of Jesus College, Cambridge, and a scholar of Shakespeare and local history. He wrote ghost stories rooted in the architecture, liturgy, and institutional memory of the university he called home. Learn more about your ad choices. Visit megaphone.fm/adchoices

Friday marks the beginning of the San Diego Black Pride festival, a three-day event that celebrates Black queerness and joy in San Diego.On Midday Edition, we hear about how San Diego Black Pride is continuing to build safe and affirming spaces for Black LGBTQ+ people across the region.Then, in San Diego, summer is a season of Shakespeare. In this month's edition of Midday Movies, our critics share their favorite film adaptations of the beloved bard's work.Guests:Jordan Daniels, president, San Diego Black PrideBeth Accomando, arts reporter, KPBSYazdi Pithavala, host, Moviewallas

Patrick Willingham, executive director of the Public Theater, and Saheem Ali, associate artistic director at the Public Theater and director of the upcoming run of Twelfth Night at the Delacorte Teater, talk about the reopening of the Delacorte Theater in Central Park and the return of Free Shakespeare in the Park.

Merriam-Webster's Word of the Day for August 6, 2025 is: largesse • lahr-ZHESS • noun Largesse is a somewhat formal word that refers to the act of giving away money or the generosity of a person who gives away money. It can also refer to the money that is given away. // The community has benefited greatly from the largesse of its wealthiest family. // The local business owner is a philanthropist known for his largesse. See the entry > Examples: "Over the years, ShelterBox USA, an outgrowth of the Rotary Club and named for the relief boxes it distributes, has helped nearly 3 million people in some of the world's worst disaster zones. It hands out basic survival needs: tents, tools, and household supplies. Twice the organization has been nominated for the Nobel Peace Prize for its life-preserving largesse." — The Olney (Texas) Enterprise, 20 Mar. 2025 Did you know? The English language has benefited from the largesse of Anglo-French, through which a generous number of words have passed; examples range from simple to account to desert. English speakers owe Anglo-French a huge thanks, in particular, for its adjective large. That word, meaning "generous, broad, or wide," is the source of both largesse and the familiar duo of large and enlarge. Most people understand enlarge to mean "to make larger," but a less common sense (used in Shakespeare's Henry V) is "to set free." Largesse also contains the notion of freedom, specifically with regard to a lack of financial constraints: it's not about having a "large" amount of money but rather being "free" with it. Incidentally, the English word large wasn't about size when it was first adopted in the 13th century. Back then it meant "lavish."

Douglas Murray is a journalist and bestselling author of 8 books, including: On Democracies and Death Cults: Israel and the Future of Civilization (2025); The War on the West (2022); The Madness of Crowds: Gender, Race and Identity(2019); and The Strange Death of Europe: Immigration, Identity, Islam (2017). He has been a contributor to Spectator since 2000 and associate editor since 2012. He is a columnist at the New York Post and regularly writes for the Telegraph and the Sun.  Mr. Murray is also a senior fellow at the Manhattan Institute and contributing editor of City Journal.  On this episode of The One Way Ticket Show, we begin the conversation with Mr. Murray sharing his one way ticket back in time to Elizabethan England which he describes as the greatest period of the flowering of the English language. There, he would meet Shakespeare, attend performances at the Globe Theatre, and marvel at the Court of Queen Elizabeth I.  We then delve into his latest book, On Democracies and Death Cults: Israel and the Future of Civilization and cover topics and thoughts, including: Vasily Grossman's quote from his book, Life and Fate: “Tell me what you accuse the Jews of, I'll tell you what you're guilty of” How many in the West don't understand that for Hamas and people like Sinwar, their war against Israel is a religiously motivated jihad           It's a myth that all people – everywhere – want the same thing          The extent to which and the consequences of populations being misled in closed societies           Divorcing a performer's politics from their performance (and how it would be wonderful if actors just “shut up” about politics in the first place!)           The strange landscape that is the (news) media today           His break mechanism of: "Never forget how much damage can be done by willful optimism" Why he never talks about his next book project And much more . . . LINKS: https://douglasmurray.net/ Douglas Murray on: X: https://x.com/DouglasKMurray Instagram: https://www.instagram.com/douglaskmurray/ Facebook: https://www.facebook.com/DouglasKMurrayOfficial Books: On Democracies and Death Cults: Israel and the Future of Civilization The War on the West  The Madness of Crowds: Gender, Race and Identity The Strange Death of Europe: Immigration, Identity, Islam  

Comedian Elyse DeLucci welcomes you into her Upper East Side kitchen talking: The reopening of two NYC icons: Waldorf Astoria and Central Parks' Delacorte Theater (free performances! .. Shakespeare in the Park, etc), New Yorker Cartoon, my need for a leggings budget, a new brightening eyeliner…AND MORE! LOVE TO LOVE YA! SUBSCRIBE TO MY YT CHANNEL: https://www.youtube.com/channel/UCrl_... Follow Elyse on Instagram: https://www.instagram.com/elysedelucci/?hl=en

Katharina Volckmer joins Adam Biles to discuss her biting, bleakly funny second novel, Calls May Be Recorded for Training and Monitoring Purposes. Set in a London call centre, the book follows Jimmie, a disillusioned former actor trapped in a soul-crushing job, a suffocating home life with his immigrant mother, and an alienating body. Volckmer discusses the novel's inspirations—from her own time in call centres to reflections on work, class, intimacy, and the dehumanising effects of late capitalism. They explore Jimmie's idiosyncratic voice, his desire for connection, and his fumbling pursuit of freedom through subversion, humour, and misfit tenderness. The conversation touches on linguistic displacement, the emotional poverty of modern holidays, and the strange intimacy of customer service. It's a wry, bold, and compassionate dive into modern alienation—with lipstick, sharks, and sex in the supply closet.Buy Calls May Be Recorded for Training and Monitoring Purposes: https://www.shakespeareandcompany.com/books/calls-may-be-recorded-for-training-and-monitoring-purposesKatharina Volckmer was born in Germany in 1987. She now lives in London where she works for a literary agency. Her first novel The Appointment has been translated into over 15 languages and has been adapted for the stage and radio in several countries.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

In this College Deep Dive, Jennifer Engler the Department Chair and Professor of Theatre at Texas Christian University chats with MTCA Director about:   University-sized training in a small, close-knit setting just outside Dallas-Fort Wort Access to regional theatre and on-camera work—opportunities on and off campus Showcase options that fit your goals—open or closed  And yes… the “Nice” culture is real at TCU. Come listen for yourself. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

P&C drink and review a single-hop beer from Brookeville Beer Farm, then Crowhill quizzes Pigweed on the most important characters in English literature. Crowhill combined replies from both ChatGPT and Grok to create a test for Pigweed. The prompt read as follow: "Please give me a list of the 30 most important characters in English literature. By important I mean they have made a lasting impression on the culture, they're cited, they're imitated or referenced in other works, and so on. Please exclude the Bible. Please give no more than two characters from any given author. Please list the character, the author, the book in which the character appears, and a brief description of the character." Pigweed does a great job guessing characters from Shakespeare, Austen, Bronte, Conan Doyle, Orwell, Dickens, Twain, Orwell, and others. The boys also give an update to their "have we reached the end of woke" show. More at ... https://www.pigweedandcrowhill.com/https://www.youtube.com/playlist?list=PLYAjUk6LttQyUk_fV9F46R06OQgH39exQ#literature #authors #English

Welcome to our 15th intervention where we hash out all things season 2... series 15?... perhaps series 41 if you're being totally pedantic. In addition to those Doctor Who discussions being discussed, friend-of-the-show-Tim presents a match-the-companion-to-the-alcoholic-beverage exercise to your hosts whilst said hosts rank the 19 episodes of Ncuti's woefully short reign from least awesome to most awesome. Spoilers: Steve's ranking is wrong and John's (mine!) is correct. To the writer of the episode's description go the spoils. Shakespeare said that!

School is in session this week on Lone Lobos. Xolo Maridueña and Jacob Bertrand talk about returning to school, the costs of higher education, taking a gap year, and offer advice. Xolo shares insights from his Shakespeare class, while Jacob discusses his character in Sakamoto Days. Jacob excitedly tells Xolo about rewatching his favorite childhood film, “Speed Racer” (2008). Lobitos Exclusivos features an extended conversation with the hosts about how AI is used to generate instant animated TV shows, available only on Supercast. Free Discord Access:https://discord.gg/KnDhbnBMCjJoin Supercast Today for the full episode:https://lonelobos.supercast.com/Follow Lone Lobos on Instagram: https://www.instagram.com/lonelobos.Follow Jacob Bertrand on Instagram: https://www.instagram.com/thejacobbertrand.Follow Xolo Maridueña on Instagram: https://www.instagram.com/xolo_mariduenaFollow Jordan on Instagram: https://www.instagram.com/jmkm808Follow Monica on Instagram:https://www.instagram.com/officialmonicat_http://www.heyxolo.com/Jacobs Channel: @ThreeFloating

The Dean's List with Host Dean Bowen – With a focus Homer, Aristotle, Virgil, Euclid, and Shakespeare, a Classical Education is the education of our Founding Fathers and what is necessary for the future of the Republic. Such foundational teaching begins with focusing on the student's heart, soul, and mind. For example, we ask such questions as...

King John; Act 3, Scene 1 ConstanceAugust 5, 2025 Words, words, words. A love of words makes Tracy Michelle Arnold the perfect candidate to run the Language Project at American Player's Theater. With the focus on language, words, syntax, punctuation, Arnold is the perfect guest for the State of Shakespeare. The Language Project is the latest innovation that this gem of theater in Spring Green, Wisconsin has brought us. Click here to follow along with the text. Click here to see the Folio Version. Click here for a scanned version of the text. Click here for information about American Players Theater and The Language Project.

Join us as we dive into Clarence's dream and murder in Shakespeare's Richard III. Featuring Geoffrey Wade (DIRECTOR), Gideon Rappaport (DRAMATURG), Peter Van Norden (CLARENCE), Aubrey Saverino (FIRST MURDERER) and Dan Cordova (SECOND MURDERER).