Podcasts about The Beach Boys

Welcome to Season 6, Episode 34! This might be the world's easiest trivia question, but what multibillion dollar sport began as a fun pastime in Hawaii? If you guessed surfing, you'd be right, and that's our main story this episode.  Long before surf shops, professional competitions, or the Beach Boys songs Surfin' USA and Surfer Girl, people across Polynesia had been riding waves for generations. And Hawaiʻi became the cultural center of surfing. Hawaiians developed surfing, preserved it, and ultimately helped teach much of the rest of the world how to do it.  In this episode we talk about the early history of surfing, how it developed over the years, some of the important people who spread enthusiasm about surfing, and more. In our recurring we discuss what we've been watching and talk about Hadestown in theaters and Beef on Netflix.  If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Introduction 05:08 The Early History of Surfing, From Heʻe Nalu to the World 24:13 What Are We Watching? Hadestown and Beef

Rita Cosby dissects a shocking political upset in Florida. The episode features an interview with New Jersey Republican Senate candidate Justin Murphy, who claims the rising DSA movement represents "the mask removed" off the Democratic Party, as well as heated listener debates on progressive strategy and the "stranger danger" of drag queen story hours. Finally, the show takes a surprisingly lighthearted detour to debate the origins of the Beach Boys' hit song "Kokomo." 

In the 1960s, a new musical revolution emerged from Laurel Canyon, California. Bands like The Beach Boys, The Doors, and Crosby, Stills & Nash sang hit songs protesting the Vietnam War. However, while these tunes spoke to war protesting "hippies," some believe that they were created by the very people they spoke out against: the US government. Help us reach 10k followers on Instagram! @⁠theconspiracypod⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ferrari 275 GTBs, the Manson Family, a Rivian in the desert, and the Porsche 911 GT3 S/T debate. Spike, Zuckerman, and Sam from Seen Through Glass cover Monterey Car Week, vintage classics, and the rise of Chinese automakers in Europe and America. ______________________________________________

Sara Stein is a seasoned brand builder and product developer with a career spanning Hollywood, fashion, and consumer products.Starting at Writers & Artists Agency and Simpson-Bruckheimer Films, she transitioned to fashion PR, founding S Public Relations in 2001. Best known for launching Los Angeles Fashion Week, she represented over 60 brands, including Universal Consumer Products, Superga, and Erica Courtney Jewelry. She produced live events featuring The Beach Boys and Runway Shows.In 2012, Sara launched Sisters of Los Angeles, a vibrant gift brand sold in upscale outlets across the U.S., Canada, and Japan, including Nordstrom, The Fontainebleau Hotel, LAX, The Broad Museum, Hallmark, and Ritz-Carlton. Her brand was featured on THE TODAY SHOW, Watch What Happens Live with Andy Cohen, Cosmopolitan Magazine, The LA Times, Sunset Mag and more. She managed operations, product design, and strategic partnerships before selling the company in 2018.In this episode, Sara shares her journey from Hollywood and fashion PR to building her own consumer brand. We talk about her experience launching Los Angeles Fashion Week, developing Sisters of Los Angeles, growing the brand into major retailers and destinations, and what she learned along the way as a brand builder and entrepreneur.What's Inside: Sara's journey from Hollywood and fashion PR to entrepreneurship  Building and growing Sisters of Los Angeles into a widely distributed gift brand  Product development, partnerships, and the experience of eventually selling her companyInstagramFacebookSwags to Riches WebsiteSupport the show

If there was ever a song that deserved a whole episode to itself, it's the Beach Boys' "Good Vibrations." A psychedelic masterpiece assembled bit by bit over several months and several studios, on paper it shouldn't have worked - but with the help of the Wrecking Crew, the Beach Boys successfully brought Brian Wilson's musical vision to life. It's become so familiar to everyone at this point that you might not even notice how brilliant it really is, so Ben, Rich, and special guest Sean are breaking it down piece by piece to illustrate its true genius.  And of course there are a million illustrative clips:  The Beach Boys: Good Vibrations - Western 5-4-66 (First Chorus) Kiss Me, Baby California Girls The Little Girl I Once Knew Wouldn't It Be Nice Don't Talk (Put Your Head on My Shoulder) God Only Knows Good Vibrations - Gold Star 2-18-66 (The Pet Sounds Session) Student Demonstration Time Good Good Good Vibrations (First Version With Overdubs) 3-66 Let's Go Away for Awhile I Know There's an Answer Good Vibrations - Alternate Edit 8-24-66 Heroes and Villains Other clips: Brian Wilson - Good Vibrations (2004 version) Columbia Symphony Orchestra and Leonard Bernstein - Rhapsody in Blue Henry Mancini - The Pink Panther Theme Queen - Bohemian Rhapsody The Ad Libs - The Boy from New York City Clara Rockmore - The Swan (Saint-Saëns) Weezer - Surf Wax America Brian Wilson - Child Is Father of the Man The Byrds - Turn! Turn! Turn! To Everything There Is a Season) Loleatta Holloway and Marky Mark and the Funky Bunch - Good Vibrations Buy Ben's book, Come On a Safari With Me: Listening to the Beach Boys, Song by Song: https://www.amazon.com/dp/B0FTJGDK79

Steven Sharp Nelson continues to explore the Book of Psalms, showing how prayers of praise and lament can heal burnout, quiet the inner critic, and turn everyday creativity into worship.ALL EPISODES/SHOW NOTESfollowHIM website: https://www.followHIM.coFREE PDF DOWNLOADS OF followHIM QUOTE BOOKSNew Testament: https://tinyurl.com/PodcastNTBookOld Testament: https://tinyurl.com/PodcastOTBookBook of Mormon: https://tinyurl.com/PodcastBMBook WEEKLY NEWSLETTERhttps://tinyurl.com/followHIMnewsletter SOCIAL MEDIAInstagram: https://www.instagram.com/followHIMpodcastFacebook: https://www.facebook.com/followhimpodcastTIMECODE:0:00  Part 2 - Brother Steven Sharp Nelson2:10 The temper story and a daughter5:52 One hill, two eyes, one Savior6:57 Touring, burnout, and “it's not up to you”10:48 Captain Ray's POW story15:00 Talk to the shepherd, not the sheep17:37 Satan's favorite lie: It won't get better18:47 the Shepherd and His Sheep misread painting23:28 Where did music first cause tears?28:40 Hank's Beach Boys and patriarchal blessing story31:22 Being the DJ of your own soul33:04 Using autoplay for revelation36:14 Praying for specific angels' help38:54 John's “Green Hill Far Away” memory41:01 Reframing “faith crisis” as faith journey42:20 The parable of the Meet-and-Greet Line47:22 Selah: The pause between the notes50:19 No unanswered prayers, only unfinished ones53:34 How to actually turn your life over to God59:26 Closing testimony of Jesus Christ and Psalm 1191:03:02 End of Part 2 – Brother Steven Sharp NelsonThanks to the followHIM team:Steve & Shannon Sorensen: Cofounder, Executive Producer, SponsorDavid & Verla Sorensen: SponsorsDr. Hank Smith: Co-hostJohn Bytheway: Co-hostDavid Perry: ProducerKyle Nelson: Marketing, SponsorLisa Spice: Client Relations, Editor, Show NotesWill Stoughton: Video EditorKrystal Roberts: Translation Team, English & French Transcripts, WebsiteAriel Cuadra: Spanish TranscriptsAmelia Kabwika: Portuguese TranscriptsHeather Barlow: Communications DirectorSydney Smith: Social Media, Graphic Design "Let Zion in Her Beauty Rise" by Marshall McDonaldhttps://www.marshallmcdonaldmusic.com

Send us Fan MailHere in Episode 285 of the No Name Music Cast, it's Tim's turn to pick the topic and he chooses to talk about the music of the classic era of the World Wrestling Federation, the WWF which is now known as the WWE.We cover artists such as Cyndi Lauper, Run DMC and Liberace to name only a few.We also cover Mel C, The Beach Boys and news of another Joy injury!Support the showEmail the show: nonamemusiccast@gmail.comInstagram: https://www.instagram.com/nonamemusiccastpodcast/https://nonamemusiccast.com/

This week, we take a look at the acclaimed Surf's Up by The Beach Boys. In 2004, the album was included in Rolling Stone's "The 500 Greatest Albums of All Time" and ranked 61 on Pitchfork Media's "The Top 100 Albums Of The 1970s". 

In our darkest moments we often forget that God is still present. Our faith is a continuous journey where sometimes we feel His presence, while other times we feel like He is nowhere near us. Musician Kathy Troccoli is all too familiar with the ups and downs one can experience while living out a life of faith. Her father discovered her singing voice as a child, but in her 20s she realized her voice was a spiritual gift from God. Ever since, she's been through trials that have deeply tested her and strengthened her relationship with the Lord. Join hosts Elisa Morgan and Eryn Eddy Adkins as they learn what it really means to live with an unshakable faith during this God Hears Her conversation.  Guest Bio: Kathy Troccoli is more than an award-winning artist—she is a woman with a deep passion to touch hearts with love, comfort and the transforming power of God. With 25 recordings, 18 No. 1 radio hits, 2 Grammy nominations, 19 Dove Award nominations, and 2 Dove Awards, her voice has become a powerful instrument of encouragement across generations. Her influence has also reached beyond Christian music, including the chart-topping hit Everything Changes and a Top 10 single with the legendary Beach Boys, I Can Hear Music. Kathy has traveled the globe, from serving on mission fields in Africa, China, India, and Central America to performing before thousands and she brings the same heartfelt passion to both.   Notes and Quotes:  “I always had this yearning and feeling like there's something missing. And I didn't know until I met the Lord that it was Him. Even at 6 years old, He was wooing me to ask, ‘What's beyond the beyond?'” —Kathy Troccoli  “And the Holy Spirit said, ‘Just keep looking at my Son.'” —Kathy Troccoli  “If you don't go back to the foundation of who you are and Whose you are, you're going to emote from a place that's not God, you're going to speak from a place that's not God, you're going to think from a place that's not God, you're going to treat people from a place that's not God. But if you stay under that Light, He will guide you. He promises to.” —Kathy Troccoli   “Look at God in the circumstance and not just the circumstance.” —Kathy Troccoli  “This life can be torturous. What He said was ‘I will be with you.' And I trust that.” —Kathy Troccoli  “There was a part of me that couldn't deny who I knew Jesus to be.” —Kathy Troccoli  “What He's asked us to do is to leave everything and follow Him. The first thing we must do is keep our hearts open every day.” —Kathy Troccoli  “Darkness is not dark to God, it's dark to you. Darkness is not dark to God, He is there. Keep praying, keep your heart open, and you will see Him and hear Him. I promise, but most of all, He promises.” —Kathy Troccoli  Related Episodes:  GHH Ep 60 – Becoming a Woman of Moxie with Julie Richardson: https://godhearsher.org/podcast/becoming-a-woman-with-moxie/ GHH Ep 148 – The Journey of Unshakable Moxie with Julie Richardson: https://godhearsher.org/podcast/the-journey-of-unshakable-moxie/ GHH Ep 149 – Accepting Moxie with Toni Collier: https://godhearsher.org/podcast/accepting-moxie/ GHH Ep 150 – The Meaning of Moxie with Moriah Smallbone: https://godhearsher.org/podcast/the-meaning-of-moxie/  Links:  God Hears Her website: https://go.odb.org/sign-up-ghh  Subscribe to the God Hears Her YouTube channel: https://www.youtube.com/@GodHearsHerODBM Unshakable Moxie Season 2 Docuseries: https://go.odb.org/ghh-moxie  Unshakable Moxie Season 2 Bible Study: https://go.odb.org/ghh-unshakable-moxie Kathy Troccoli: https://kathytroccoli.com/ 

In our darkest moments we often forget that God is still present. Our faith is a continuous journey where sometimes we feel His presence, while other times we feel like He is nowhere near us. Musician Kathy Troccoli is all too familiar with the ups and downs one can experience while living out a life of faith. Her father discovered her singing voice as a child, but in her 20s she realized her voice was a spiritual gift from God. Ever since, she's been through trials that have deeply tested her and strengthened her relationship with the Lord. Join hosts Elisa Morgan and Eryn Eddy Adkins as they learn what it really means to live with an unshakable faith during this God Hears Her conversation.  Guest Bio: Kathy Troccoli is more than an award-winning artist—she is a woman with a deep passion to touch hearts with love, comfort and the transforming power of God. With 25 recordings, 18 No. 1 radio hits, 2 Grammy nominations, 19 Dove Award nominations, and 2 Dove Awards, her voice has become a powerful instrument of encouragement across generations. Her influence has also reached beyond Christian music, including the chart-topping hit Everything Changes and a Top 10 single with the legendary Beach Boys, I Can Hear Music. Kathy has traveled the globe, from serving on mission fields in Africa, China, India, and Central America to performing before thousands and she brings the same heartfelt passion to both.   Notes and Quotes:  “I always had this yearning and feeling like there's something missing. And I didn't know until I met the Lord that it was Him. Even at 6 years old, He was wooing me to ask, ‘What's beyond the beyond?'” —Kathy Troccoli  “And the Holy Spirit said, ‘Just keep looking at my Son.'” —Kathy Troccoli  “If you don't go back to the foundation of who you are and Whose you are, you're going to emote from a place that's not God, you're going to speak from a place that's not God, you're going to think from a place that's not God, you're going to treat people from a place that's not God. But if you stay under that Light, He will guide you. He promises to.” —Kathy Troccoli   “Look at God in the circumstance and not just the circumstance.” —Kathy Troccoli  “This life can be torturous. What He said was ‘I will be with you.' And I trust that.” —Kathy Troccoli  “There was a part of me that couldn't deny who I knew Jesus to be.” —Kathy Troccoli  “What He's asked us to do is to leave everything and follow Him. The first thing we must do is keep our hearts open every day.” —Kathy Troccoli  “Darkness is not dark to God, it's dark to you. Darkness is not dark to God, He is there. Keep praying, keep your heart open, and you will see Him and hear Him. I promise, but most of all, He promises.” —Kathy Troccoli  Related Episodes:  GHH Ep 60 – Becoming a Woman of Moxie with Julie Richardson: https://godhearsher.org/podcast/becoming-a-woman-with-moxie/ GHH Ep 148 – The Journey of Unshakable Moxie with Julie Richardson: https://godhearsher.org/podcast/the-journey-of-unshakable-moxie/ GHH Ep 149 – Accepting Moxie with Toni Collier: https://godhearsher.org/podcast/accepting-moxie/ GHH Ep 150 – The Meaning of Moxie with Moriah Smallbone: https://godhearsher.org/podcast/the-meaning-of-moxie/  Links:  God Hears Her website: https://go.odb.org/sign-up-ghh  Subscribe to the God Hears Her YouTube channel: https://www.youtube.com/@GodHearsHerODBM Unshakable Moxie Season 2 Docuseries: https://go.odb.org/ghh-moxie  Unshakable Moxie Season 2 Bible Study: https://go.odb.org/ghh-unshakable-moxie Kathy Troccoli: https://kathytroccoli.com/ 

David asks Phil your Top 10 Questions for him from the Phil Rosenthal World Channel on YouTube.  Follow the channel here. Plus David discusses his recent Emmy nomination as part of The Grammys Team, and plugs a few upcoming events, including this very exclusive celebration of the 60th Anniversary of the Beach Boys' classic "Pet Sounds" album with longtime Beach Boy Bruce Johnston that you can learn more about here. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. And you can watch this whole "Lunch" -- and many more --  on YouTube on the Phil Rosenthal World channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Ariana Grande leaves public life after sparking concern, Aaron Rodgers pops off, Pete Davidson's new woman, a fresh Bonerline, Meghan Markle's birthday celebration, Kelly Osbourne v. ex-husband Sid Wilson, stock market sets record, and a deep dive into Bryan Kohberger's admirer. No kink shaming on this show... with maybe one exception. It'd be nice if you gave Drew a Labor Day present by rating/reviewing the show wherever you listen. The stock market is raging today. Jeff Bezos needs $5B now for some new hair. Don Geronimo is ready for radio again. Sharla McBride doesn't like him that much. David Lee Roth and Alex Van Halen reunited for a TED Talk. Kanye West and Lauren Pisciotta settle some sexual harassment complaint. Kanye can do anything he wants without repercussions. Ariana Grande is thin and proud. Some people are speculating that she has cancer or something. Slipknot's Sid Wilson has been BLOWN out of the band. Now his baby-mama, Kelly Osbourne, is popping off, complaining and demanding more child support. Pete Davidson is plowing into Sarah Jane Nader now. Which Nader sister should he nail next? 60 Minutes castoffs Scott Pelley and Sharyn Alfonsi land gigs as professors at Columbia. There is a brand-new Bonerline today. Call or text 209-66-Boner. Some people are still saying Courtney Love killed Kurt Cobain. She is known to be terrible with Kurt's money. We'll always remember her for her infamous trip to Wendy's. Sports: Aaron Donald wants to come back to the Los Angeles Rams to play alongside with Myles Garrett. Brandon Aiyuk is being a jerk to the San Francisco 49ers. Angel Reese has invented African American dolls. Some men cannot beat the women in the WNBA. Aaron Rodgers went off on Mike Vrabel/Dianna Russini scandal and Dr. Anthony Fauci on the The Pat McAfee Show. Bryan Kohberger was really fat back in the day. His dad has a lot of ear wax. The Idaho Murders: College Nightmare is available now on Netflix. We find a Kohberger admirer and rummage her social media. Drew's favorite Beach Boy is the Black guy. Dennis Wilson was an absolute mess.  Happy birthday Meghan Markle! She's culturally appropriating Princess Diana. Meghan makes the BEST ice cream sundaes. Her website is filled with price inconsistencies. We may have been a little hard on Martha Reeves and her butchered National Anthem. We check if she did a better job during the warmup. Merch is available if you want to rep the show. Word of mouth, brah. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

No se puede atrapar el viento, pero podemos traerte la brisa del mar. Invocamos al frescor del verano en esta colección de canciones.Playlist:(sintonía) FLEETWOOD MAC “Albatross”DONOVAN “Catch the wind”THE BEACH BOYS “The warmth of the sun”OTIS REDDING “Sittin’ on the dock of the Bay” (demo, take 1)JONI MITCHELL “Carey”NICK DRAKE “Pink Moon”FRANK SINATRA “Summer wind”SEALS and CROFTS “Summer breeze”DON COSTA “The breeze and I”MARTIN DENNY “Trade winds”TONY JOE WHITE “Homemade ice cream”JIMI HENDRIX “The wind cries Mary”CHUCK PROPHET “Summertime thing”RAY COLLINS HOT CLUB “The breeze”NOLAN STRONG and THE DIABLOS “The wind”LOU REED “Ocean” (demo 1971)THE OZARK MOUNTAIN DAREDEVILS “Giving it all to the wind”Escuchar audio

Is Jesus real? The proof will blow your mind. ✝️

Des poissons électriques, guitare en bandoulière, montent la garde sous les pins de l'ile de Porquerolles à Hyères dans le Var. Grandeur nature, plantés là par l'artiste kényane Cosima Von Bonin, ils accueillent le visiteur jusqu'à la Villa Carmignac, sorte de comité d'accueil rock'n'roll pour une exposition qui n'a pas franchement l'intention de rester sage. Derrière ces sculptures déjantées, Kévin Le Squer, responsable des expositions, décode : « Cosima Von Bonin détourne l'imagerie publicitaire des poissonneries pour mieux interroger, sous ses airs potaches, notre rapport aux océans ». Le ton est donné. Pas de protocole guindé pour « Sea, Pop & Sun ». À l'entrée de la fondation Carmignac, on retire ses chaussures, on empoche un verre, et on file visiter l'art comme on traînerait chez des amis un dimanche d'été. Charles Carmignac, le directeur des lieux, assume la filiation : « Mon père Édouard Carmignac a fréquenté la Factory de Warhol dans le New York des années 1960-1970. Cette exposition tente de restituer, plus qu'une époque, une sensation,  celle d'une liberté qu'on pouvait presque toucher ». Un Summer of Love version Méditerranée Le pop art, ce n'est pas que des produits de consommation de masse et des pin-up. C'est aussi une lumière, une énergie, un souffle contestataire. La fondation a choisi ce versant-là, celui du Summer of Love américain, mais aussi celui de mai 1968, version française sur une île où le soleil tape et où la mer n'est jamais loin, l'équation coule de source : riviera, vacances, insouciance affichée. À l'intérieur de chaque salle, les tubes prennent le relais d'Otis Redding aux Beach Boys. « Surfing in the USA » ouvre sur un espace saturé de couleurs avec un surfeur hyperréaliste de Duane Hanson, une langouste géante de Jeff Koons ou encore les plages kitsch de Martin Parr. L'imagerie populaire dans toute sa splendeur car l'idée n'est pas de faire circuler le visiteur en silence devant des cimaises, mais de lui donner, par moments, l'envie de bouger. Sur les quatre-vingts œuvres réunies, beaucoup sortent rarement des réserves. Roy Lichtenstein propose un lever de soleil version vitrail. Warhol, lui, surprend : pas de boites de conserve ni de  Marilyn Monroe  ici, mais des couchers de soleil sérigraphiés, quatre pièces extraites d'une série de six cent trente-deux, conçue à l'origine pour un hôtel. Une demi-sphère, des nuances brumeuses, jamais deux fois les mêmes, chaque combinaison de couleurs devait, selon l'artiste, produire une émotion différente chez qui la regardait. Respect, et corps noirs libérés Changement de registre dans une salle rythmée par « Respect » d'Aretha Franklin ou des artistes femmes y reprennent la main sur la représentation du corps noir féminin. Des figures voluptueuses, alanguies, oisives, rêveuses plutôt que la femme qui travaille et souffre, motif rarissime dans l'histoire de l'art occidental. Montrer ces peintures la fondation Carmignac, n'a rien d'anodin, c'est un geste politique autant qu'esthétique. Tout du long de l'exposition, le pop art made in USA discute avec les avant-gardes européennes. Et au milieu de ce joyeux bazar coloré trône le château de sable géant de Théo Mercier, monument éphémère qui rappelle la fragilité écologique de nos décors de carte postale. Kévin Le Squer résume : « c'est une exposition solaire, dansante, pop jusqu'au bout des ongles mais qui, sous ses couleurs franches, laisse filtrer quelques murmures plus sombres sur la liberté et la fragilité de notre monde ».

We all have our off days, including the most beloved and successful among us. Of course, we tend to let our heroes off the hook by looking the other way and pretending their missteps never happened.   Take your favorite singers and bands, for instance. Maybe they did an album that you quietly avoid or they released a hit song you can't bring yourself to play anymore. We just pretend those inferior works don't exist and go on loving the performers who make us happy.   But this week, the hosts of the podcast "How We Heard It" boldly criticize the best of the best artists in music, because nobody's perfect and it isn't honest to pretend they are.   So during this episode they reveal some of the worst releases (albums and singles) from some of the best artists.   No one is spared. They look at the worst work from rock's earliest legends like the Beatles, the Beach Boys, the Who and Bob Dylan and move on to everyone from Elton John and Michael Jackson to R.E.M. and Prince. And if that's too much testosterone for you, they pick at the worst from iconic women singers like Whitney Houston, Madonna and Mariah Carey, and they even isolate the least-impressive releases from the biggest figures in modern popular music such as Taylor Swift, Drake, Lady Gaga and Beyonce.   It's important to note that no one is saying these aren't amazing artists who've created music that millions will forever cherish. The show's hosts are just saying that once in a while even our favorite performers churn out something that's not worth more than a shrug and a "meh."   Think about your favorite singer or band. There's got to be something they did that you aren't crazy about.   Right?

Julia's wedding update! Plus, Spider-Man: Brand New Day and The Odyssey are both in theaters, and we've coined it a Spodyssey. We discuss BTS boycotting the Grammys, the Beach Boys canceling the rest of their summer shows, and our return to the Minnesota State Fair! Also: Tina Turner concert memories, Ben Affleck on Who Wants to Be a Millionaire, the Lioness premiere, Donna Mills joining OnlyFans, how much protein women really need, another wild Florida Man story, Marjorie Johnson's State Fair honor, and the documentaries My Grandfather Charles Manson and The Man Will Burn.00:00 – Wedding dress talk, the “pooch,” and Spanx03:04 – Nipple story, Sex and the City, and the recreated scene08:37 – Tom Holland, Zendaya, and the big movie release buzz12:07 – BTS, the Grammys, and the award-category debate16:05 – Minnesota State Fair concerts and broadcasting memories20:44 – Tina Turner memories and concert ticket trading32:17 – Ben Affleck on Who Wants to Be a Millionaire34:34 – RIP Glenn Hansard and a discussion of Once37:54 – Donna Mills joins OnlyFans39:22 – Protein needs, Oikos, and blood donation talk44:48 – The Delta Airlines Florida man breastfeeding story50:19 – State Fair blue-ribbon baking tribute52:37 – My Grandfather Charles Manson and The Man Will Burn documentary discussionTHANK YOU TO OUR SPONSORS:InVision Distinctive Eyewear: https://www.invision-optical.com/Borton Overseas: https://www.bortonoverseas.com/loriandjulia/Twin Cities Closet Company: https://www.tcclosets.com/CONNECT WITH USInstagram: @loriandjuliaTikTok: @loriandjuliaListen on Spotify/Apple Podcasts: loriandjulia.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NOTE: Some telephone tones interrupted our conversation. They have been edited out! Beach Boys founding member Al Jardine joins Eye On Annapolis for a special bonus podcast ahead of his August 6 performance at Maryland Hall. Jardine discusses bringing the Pet Sounds Band back to Annapolis, performing alongside his son Matt and celebrating the music of the late Brian Wilson with many of the musicians Wilson personally selected for his touring band. The Maryland Hall show will feature Beach Boys favorites, early surf songs and deeper selections from "Pet Sounds" and "The Beach Boys Love You." Jardine also talks about his folk music roots, the story behind "Sloop John B," his new "Islands in the Sun" EP and more. Have a listen. LINKS: Al Jardine (Website) Al Jardine (Facebook) Al Jardine (X) Al Jardine (YouTube) Al Jardine (Instagram) Al Jardine (Spotify) Al Jardine (Tickets)

Give us about fifteen minutes daily, and we will give you all the local news, sports, weather, and events you can handle.   SPONSORS: Many thanks to our sponsors… Annapolis Subaru, the SPCA of Anne Arundel County, MacMedics, Covington Alsina, and Hospice of the Chesapeake, The Trump administration is threatening action against Anne Arundel County schools, a Glen Burnie man faces attempted murder and arson charges, an Annapolis pickleball partnership has grown into a multimillion-dollar construction company, and Beach Boys legend Al Jardine joins us ahead of his Maryland Hall concert. All that and more on today's DNB! Today is also Ticket Tuesday from Rams Head On Stage and a historical message from Historic Annapolis! Daily Newsletter Subscription Link: https://forms.aweber.com/form/87/493412887.htm The Eye On Annapolis Daily News Brief is produced every Monday through Friday at 6:00 am and available wherever you get your podcasts and also on our social media platforms--All Annapolis and Eye On Annapolis (FB) and @eyeonannapolis (TW) NOTE: For hearing-impaired subscribers, a full transcript is available on Eye On Annapolis.

Originally aired 2/24/26: Mary welcomes author, speaker, consumer and privacy advocate Katherine Albrecht to the podcast. Her eyes on tech back in 2005 have been an invaluable resource for prophecy watchers. Here's some 20th century trivia for you: Did you know that the Theremin, that odd instrument that eventually produced the eerie high-pitched wails for early sci-fi films and a certain Beach Boys hit, was invented by a Soviet spy to transmit military secrets back home as early as the late ‘20s? Truth is often stranger than fiction and radio frequency tech, the true startup of our surveillance age, contains enough dots to connect to keep us busy for years. Katherine is a true expert in all such things, and her book, “Spychips” served as a warning 20 years ago that not only is Big Brother a stalker but keeps stabbing us all in the back.     Stand Up For The Truth Videos: https://rumble.com/user/CTRNOnline & https://www.youtube.com/channel/UCgQQSvKiMcglId7oGc5c46A

What music makes you feel like summer? Tunesmate created a list of the greatest summer songs a while back, but could one state capture the ultimate summer soundtrack? Join Ray and Marc as they count down the top songs about California. These are tracks that transport you to sunny beaches, warm ocean breezes, and endless road trips. What defines the California sound? Is it the surf harmonies of the Beach Boys? The funky rock of the Red Hot Chili Peppers? Or perhaps the psychedelic sounds of The Doors and the Grateful Dead? Maybe it's the folk-pop of The Mamas & the Papas and The Byrds, or the country rock of the Eagles and Creedence Clearwater Revival (CCR). Or is the true California sound found in the groundbreaking West Coast hip-hop of Tupac Shakur and Dr. Dre? Check out the episode to discover which California anthem takes the top spot.

The episode opens with the passing of saxophonist Plas Johnson, 94, a player whose name might not mean much outside musician circles but whose sound is embedded in popular culture.  Johnson's cool, slinking work on Henry Mancini's Pink Panther theme is his best-known contribution, but the wider CV is properly formidable: Frank Sinatra, B.B. King, Joni Mitchell, Marvin Gaye, The Beach Boys, Nat King Cole, Ella Fitzgerald, Linda Ronstadt and Aaron Neville all appear on the roll call. how Links Henry Mancini - The Pink Panther Theme (Official Audio)  Plas Johnson - I Hadn't Anyone Till You  Plas Johnson obit in Rolling Stone  Dr John Gris-Gris Gumbo Ya Ya  Tom Waits - "Heartattack And Vine"  Hardly Strictly Bluegrass Festival website Silo — Season 3 Official Trailer | Apple TV  Evolver 62 | Official Trailer | The Beatles' Breakthrough Year That Changed Music Forever | Out Now!  EVOLVER:62 Beatles and cakes in the village hall  The Odyssey - Official 'Completely in IMAX' Behind the Scenes Clip (2026) Othello, The Black Commando 1982 full movie Max H. Boulois Tony Curtis  Aaron Lee Tasjan - The Real (Official Music Video) 

The gang brings back Trivia Night to break the tie on the all-time win list, with a new WHEEL OF DEATH to boot. Also, Chris teases a bit of a letdown, Cody gives up on a round, Dave puts too much faith in the Beach Boys, and Shaun is in a tough situation.

durée : 00:05:43 - Le 6/9 de l'été - Revue de presse du 22 juillet : portrait de Stéphanie Gicquel, victorieuse du 175 km de l'Ultramarin, un maire et sa famille exfiltrés de son domicile suite aux menaces de narcotrafiquants, Christophe Gleizes est toujours en otage en Algérie, et "Pet Sounds" des Beach Boys vu par Paul McCartney. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

1976. You'd think that people would have had enough of silly love songs.Well, silly or not, the charts of this fascinating year were full of big, big hits. Crowdpleasers, I hear you cry? Well, whatever way you view 1976, and many so-called rock journos and hacks would do so rather disdainfully, the twelve months bookended by number ones by Queen and Johnny Mathis (!) were certainly colourful and (checks notes for suitable adjective) erm, eclectic. Whilst certain history threads (I'm looking at you again Channel 5) will tell you that everyone was embracing bondage trousers, safety pins and other overused punk stereotypes, the truth was that the cash registers at Woolworths were ringing to the sounds of everything from the Greek smock admirer Demis Roussos, Dutch fairground dwelling country swingers Pussycat and those loveable Rock and Roll revivalists and brothel creeper wearing funsters Showaddywaddy.And the biggest selling single of the year - well that would be the Brotherhood of Man's lip smacking shoe shuffler and Eurovision winning rocket.Yes, punk would no doubt influence the coming years of popular culture, but not whilst The Wurzels were ploughing the pop fields of '76.The world of compilations was shifting up a gear too as the album charts saw TV advertising become a major factor in changing the landscape of big sellers with huge number one sellers from the kids favourites Slim Whitman, Bert Weedon, Glen Campbell and The Beach Boys, who remained at number one for ten consecutive weeks through that Hot, Hot, Hot summer of 1976. Good vibrations indeed!And in the jet-pack future of the 21st Century, how much fun does 1976 look? Well, pop kids, let the Guardian's head rock and pop critic Alexis Petridis and author Ian Wade guide you through it courtesy of the spanking NOW Yearbook 1976.The emergence of the stadium rock, pop sound10cc inventing Paranoid AndroidGuilty Pleasures (or not!)The wonderfully weird world of FoxDisco - hello!And along the way, rediscover the shimmering sounds that kept us sane through the heatwave, explore how CB radio (and questionable radio 1 DJs, mate) became a real thing (but not by The Real Thing), consider what Cliff Richard and Lou Reed may have discussed in Studio 54, which single was Wadey's first, which artist's concert Alexis was joined by Johnny Trunk at, the story of Ruby Flipper and the Blue Peter garden, which acts not to get stuck in a lift with and why David Dundas is not struggling to find funds for his next pair of jeans.Confused? Lost? Over-stimulated? You're in great pop company then in 1976. And we wouldn't have it any other way.Whether you were there or are rediscovering this amazing pop year for the first time, grab a cool drink, and jump onboard. Hosted on Acast. See acast.com/privacy for more information.

Episode 99: Dutch Yoda - Gen Con vs Spiel - Top 5 BGG Gen Con Preview List 2026 - World Cup and the Beach BoysMy friend, Dutch Yoda, joins us all the way from around the globe to talk about the differences and similarities between the 2 biggest board game conventions in the world, Gen Con and Spiel. Then we had a hard time picking our Top 5 games from the BGG Gen Con Preview list for 2026. We then talked about how the World Cup and the Beach Boys brought a little joy in our lives. I hope you can stop by one of his streams and chat with him directly especially about coffee and crowdfunding.00:00 Intro00:51 Get to know Dutch Yoda02:24 How you became Dutch Yoda03:17 Start in the hobby05:43 Exploring Gen Con vs. Spiel14:54 Food Culture at Conventions18:02 Media Events: A Contrast Between Gen Con and Spiel26:01 Flea Markets: A Unique Experience28:16 Travel Logistics and Airport Experiences31:09 Availability of Games Post-Conventions42:57 Community and Connections at Conventions47:01 Top Five Games from BGG Gen Con 2026 Preview List47:54 Horrified: Dungeons & Dragons - Ravenloft49:48 Entropy55:45 Sniper Elite: Expansions (Escalation & Operation Kraken)57:46 Wondrous Creatures: Winterfall ExpansionOmaha Gaming Convention01:00:55 Frosted Blooms (A Dutch Connection)01:04:51 Fliptoons Season 201:09:34 Wingspan Pocket01:12:03 Three Sisters: Harvest Edition01:16:35 Endangered: Australia (Expansion)Endangered: Giant Panda scenario01:22:33 Mountain Goats: LegacyLegacy of YuTiny Mountain Goats01:26:51 Honorable Mentions01:27:35 Rascally Rabbits01:30:17 Jason and the ArgonautsHercules and the 12 Labors01:32:33 Whisperwood01:36:15 Perennial01:38:09 Electrify01:42:09 Moments of Positivity01:49:38 Please follow Dutch Yoda  on the web!Twitch @DutchYodaYoutube, Instagram, and Bluesky @DutchYodaPlays 01:51:58 OutroPlease note: this episode was pre-recorded so that it could be edited on time. Therefore, there might be a few games that were posted on the BGG Preview list after this episode was recorded.(Please note that these time stamps might not be accurate due to the use of dynamic ads.)We hope you will come join us for fun games with all the fun people at BGG.CON 2026. https://boardgamegeek.com/bggcon or https://tabletop.events/conventions/bgg.con-2026Web: https://boardgamegeek.com/YouTube: https://www.youtube.com/@boardgamegeekTwitter: https://twitter.com/BoardGameGeekEmail: podcast@boardgamegeek.com

Holy Crap It's Sports with Braves updates, British Open highlights, ESPN's ESPYs, World Cup controversy, and the latest from around Major League Baseball. Kimmer also dives into AI-generated videos, an asteroid that may hold clues to the origins of life, nostalgic memories from TV's "Dialing for Dollars," the legacy of John F. Kennedy Jr., Elvis and the Beach Boys, political headlines, and wraps up with plenty of laughs, listener interaction, and classic Kimmer commentary.See omnystudio.com/listener for privacy information.

The Music That Made WE welcomes Bella Fire of Denver who has chosen 10 songs that up their story, with a soundtrack that includes the the Beach Boys, Rachel Platton, Donna Summer, and more. + Stick around for Viktor's hidden bonus track. more stella: https://www.instagram.com/bellafire.colorado/  The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque

The Music That Made WE welcomes Bella Fire of Denver who has chosen 10 songs that up their story, with a soundtrack that includes the the Beach Boys, Rachel Platton, Enrique Iglesias, and more. + Stick around for Viktor's hidden bonus track. more stella: https://www.instagram.com/bellafire.colorado/  The Music That Made WE is a creation of WEBurlesque Podcast Network, produced by Viktor Devonne. For the extended VIDEO version of this presentation, please visit our Patreon.com — all episodes of this series are available under the $1 threshold. that's patreon dot com slash we burlesque

33.032 Hear the engines roar as the cool hot rodders are all racin' to the big car shows this weekend! Join the Aztec Werewolf™ tonight as we get revved up for both the 8th Annual Pied Piper Car Show and Bumpers, Bikes & Bands Car Show here in SE Michigan! Dig our exclusive LIVE chat with Darrel Noble of the Hood Rats Car Club of Detroit so he can inform all you rabid hot rod fans about the Pied Piper Car Show in Warren, MI this Saturday, July 18th. Summer nights were never hotter when DJ Del gets into the Motorbilly Studio, shifting and mixing hi-octane rockin' sounds for true 50's rock & roll fans on the "Go Kat, GO! The Rock-A-Billy Show!" Howl for scorchin' selections from Geoffrey Miller and the Rockin' Rousers, The Mezcal Brothers, Joe Bombast, Deke Dickerson & The Whippersnappers, Voodoo Swing, Dave Crimmen, The Atomic Bombkatz, Deadbolt, The Chop Tops, The Babalooneys, Bo Peep & The Backbeat, The Texas Zephyrs, Dominic Moews & The Class-O-Mates, Semilla de Maldad, Rob Heron & The Tea Pad Orchestra, Rebel Son and MORE modern roots stars! We've got truckoads of classic, vintage cuts from favorites like Dale Hawkins, Conway Twitty, The Alabama Kid, Jack Earls, The Trashmen, Lew Williams, The Beach Boys, Hasil Adkins, Jerry Lee Lewis, Kenny Parchman, Sonny Burgess, Sid King and the Five Strings, Eddie Cochran & MORE fabulous old school rockers! Dig a devilishly dangerous hot rod set and plenty of other timely retro-requests and fantastic rockin' billy tunes in this 3.5 hour episode! "Go Kat, GO!" .. it's good to the last bop!™Please follow on FaceBook, Instagram & Twitter!

Our Beach Boys saga continues today with what some consider the spiritual successor to Pet Sounds... whereas others... really didn't dig it. With one foot in their classic lighthearted era and one foot firmly in what would become the new wave (with Brian Wilson's extensive use of synth as a way to simplify production), a lot of people didn't know what to make of "The Beach Boys Love You". It was oddly gruffer than their previous output and Brian was back to taking big swings, with the harmonies still popping as they always did. Regardless of how you feel, it is an interesting listen that grows on you and we're going to talk about it. WITH none other than Beach Boys historian and Inspector 34 frontman, Jimm Warren!!!Episode Links:Memphis Kansas Breeze (honk beep) on Comedy Bang Bang: https://youtu.be/L8MBUZjJX7Y?si=CFnZRWx179iw-OCpInspector 34 bandcamp: https://inspector34.bandcamp.com/musicSad Milk Collective Beach Boys cover album: https://sadmilkcollective.bandcamp.com/album/its-three-oclock-go-to-your-sink-pour-some-milk-and-start-to-think-about-this-terrific-new-beach-boys-tribute-from-the-sad-milk-collectiveSad Milk Collective Patreon: https://www.patreon.com/c/sadmilkcollective/homeCONCEPT ALBUM RANKINGS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.supatier.com/tierlist/019a64d9-9691-7ed1-87e9-1fc99161d9c0/tachp-ranked-tierlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OUR DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/2stA2P7pTC⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OUR MERCH: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://flyoverstatepark.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OUR YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week we're catching up on everything happening in the Disney universe… and a little bit of real life too! Audreyann shares the story behind finally seeing The Beach Boys and John Stamos live, plus the unexpected social media moment that followed.Then we dive into one of the biggest Disney debates of the summer: the new Pirates of the Caribbean animatronic that's dividing fans. Is Disney ruining a classic, or are people overreacting?

Part 1 of my conversation with guest Phil Stacey as we discuss our favorite American artists. Show notes: Recorded in the CompCon HQ backyard studio America's 250th birthday  Looking at our favorite American singers and bands, pre-2000 and post-2000 Starting off with our top 10 of bands who debuted pre-millennium Sticking to rock artists for the most part Phil's honorable mentions include: B-52s (toughest omission from top 10), Beach Boys, Beasties, Beck, JB, Cars, early Chicago, Doors, early Foos, Little Feat, Nirvana, Pixies, Linda Ronstadt, Seger, Sleater-Kinney, SRV, Stevie Wonder, VU, VH, Wilco Jay's HMs: Living Colour, Pearl Jam, Soundgarden, Run DMC, Beasties, Public Enemy, Dino Jr., the Cars, JB, Fugazi  "Love Shack" overstayed its welcome  "Good Vibrations" could be a perfect pop song Seger was obsessed with a certain topic Billy Joel's metal roots with Attila Mutt Lange's production methods were tedious Fugazi refused all offers to reunite Phil's # 9: Pearl Jam formed almost by accident after another band broke up Still doing their thing all these years later Jay's #9: Were only together for about 8 years, but Husker Du amassed a legendary catalog Sound evolved from speedy hardcore punk to more melodic sounds Phil's #8: Tom Petty was a late bloomer who was hard to categorize at first Took advantage of the advent of MTV with plenty of iconic videos Jay's #8: The Afghan Whigs were the first non-Seattle band signed by Sub Pop Quickly distinguished themselves from their peers by combining soul and R&B influences with indie rock Jay's #7: Nirvana was only around for a short time, but they had a seismic impact Nirvana merch is now a lifestyle brand Saw them a week before they taped MTV Unplugged in NYC Packed a lot into a brief period To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Matt Scottoline of the Philly band Hurry and Everyone Everywhere is with me to dig into the Jaylen Brown trade, NBA private equity, Beach Boys, and of course, he tries out his Build-a-Band.   ---- The first 2026 Half Court Session is now out with Brother Bird: https://www.youtube.com/@indiebasketball Shirts and hats, as well as album reviews, available at: http://www.indiebasketball.com Support Indie Basketball and help make more Half Court Sessions happen while getting exclusives such as monthly playlists, merch discounts, and exclusive HCS songs: http://www.patreon.com/indiebasketball Join the conversation on Discord: https://discord.gg/HJaDNwxSbe Instagram | YouTube | TikTok | Bluesky Theme music courtesy of Empty Heaven. Outro courtesy of Mother Evergreen.

On the border of side one, is a Beach Boys cover. Sort of. Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Vacaciones en Los Ángeles, verano 1966Viajamos a Los Ángeles en 1966. Los aromas de Laurel Canyon, las playas del Pacífico o el East Side llevan su luz hasta la decadencia Sunset Strip. La banda sonora de la ciudad es una amalgama de folk rock y garage, sunshine pop y psicodelia, guitarras reverberadas y armonías vocales, melodías cristalinas y ritmos oscuros. Disfruta del paseo.Playlist:THE BEACH BOYS “Wouldn’t it be nice”THE MAMAS and THE PAPAS “Got a feelin’”THE TURTLES “Grim reaper of love”THE BYRDS “Eight miles high”BUFFALO SPRINGFIELD “Nowadays Clancy can't even sing”KIM FOWLEY “The trip”FRANK ZAPPA and THE MOTHERS OF INVENTION “Hungry freaks, daddy”CAPTAIN BEEFHEART and HIS MAGIC BAND “Diddy wah diddy”THEE MIDNITERS “Love Special delivery”LOVE “7 and 7 is”THE SEEDS “Pushing too hard”THE STANDELLS “Sometimes good guys don’t wear white”THE LEAVES “Hey Joe”THE MUSIC MACHINE “Talk talk”THE GRAINS OF SAND “She needs me”W.C. FIELDS MEMORIAL ELECTRIC STRING BAND “I’m not your stepping stone”THE WEST COAST POP ART EXPERIMENTAL BAND “I won’t hurt you”THE MISUNDERSTOOD “My mind”THE DOORS “Strange days” (live, mayo 1966)Escuchar audio

Every year, a jigsaw puzzle. But this year, the pieces gelled. On this episode of The Valley Today, host Janet Michael returns to the corporate headquarters of the Shenandoah Valley Music Festival in Woodstock (as always, delighting Dennis Lynch by calling it that) for her annual walk through the summer concert series at Orkney Springs. And Dennis has assembled a genuinely wide-ranging 2026 lineup — Little River Band, The Four Tops, Diamond Rio, a 250th-anniversary big-band night with the Lynchburg Symphony Orchestra, Al Jardine of the Beach Boys with Brian Wilson's band, the Bacon Brothers, and Hotel California to close out Labor Day weekend. Dennis walks Janet through each show, the low-ticket alerts (Little River Band has fewer than 100 pavilion tickets left), why the venue is genuinely 5-10 degrees cooler than the valley below, what you can and can't bring (blankets yes, tents no, pets no, food yes), and the audience zones on the lawn ("we have what we call high chairs — that's where we put the babies"). Then the conversation turns to something new: the Community Art Collaborative is bringing a mosaic project into the festival this summer. On four select concert nights (Little River Band, Diamond Rio, Bacon Brothers, and Hotel California — with more possible if demand builds), concertgoers will help assemble a permanent glass mosaic that will travel between Woodstock and Orkney Springs. Plus: the Bacon Brothers' local hero nomination form, the Hot Strings and Cool Breezes free workshop, package deals with Shrine Mont, the "pick six" ticket discount, and a firm warning about third-party ticket resellers. Buy your tickets at musicfest.org — and only musicfest.org. 2026 SUMMER CONCERT SERIES AT A GLANCE FRIDAY, JULY 17 — LITTLE RIVER BAND Australian rock legends, 30+ million records sold. Six years of top-10 hits.

Front Row Classics is pleased to welcome back our friend John Malahy. John, author of TCM and Running Press' wonderful "Summer Movies" book joins Brandon to chat about the popular series of "Beach Party" movies of the 1960s. The two cover Frankie, Annette and all of the fun/bizarre cameos. The films also provide snapshots of some of the 60s biggest musical acts including The Beach Boys and Stevie Wonder.

Filling in for Boomer & Gio on a wild pre-July 4th show, Jerry and Gordon kick things off by tackling the reigning champion Knicks freezing out a 41-year-old LeBron James, Jaylen Brown's Twitch meltdown over being shipped to Philly, Uruguay's stranded World Cup squad, and Taylor Swift's upcoming 10-hour MSG "wedding" spectacle. The holiday chaos rolls on as Gordon brands soccer a "terrible first draft," the Yankees bleed without Aaron Judge, and Steve Cohen nukes the Mets' clubhouse, all unfolding alongside a Metallica vs. Beach Boys debate, a sneaky prank caller, Jerry's US history quiz, and C-Lo's headlines. Finally, MLB Network's Robert Flores confirms a explosive Juan Soto and Francisco Lindor feud that puts David Stearns on the ultimate hot seat, capping off a chaotic broadcast where Gordon begs for elite Twitter status and furious callers reject aging superstars to declare New York Jalen Brunson's town.

Gordon does not like soccer at all, branding it a "terrible first draft" of a sport! Meanwhile, the New York baseball scene is in an absolute tabloid freefall: Mets owner Steve Cohen just nuked his own clubhouse by exposing toxic star feuds and a regressed farm system under David Stearns, while the bleeding Yankees are unmasked as lesser without Aaron Judge to save them. Add in a wild clash over Metallica versus the Beach Boys and a sneaky holiday prank caller who catches the hosts completely off-guard, and you've got a chaotic hour of radio that proves the holiday weekend drama is already off the rails!

Let's get our energy out! This week at the Clubhouse, we're playing Four Corners! Join Mrs. Payton as we play ten entire minutes of one of our favorite games. Whether you're in the car or at home, this is a great activity to keep your little ones busy and entertained for as long as you need. Join us at the end for another dance break featuring the Beach Boys! Come join Mrs. Payton every week at the Sunny Coast Clubhouse! Everyone is welcome! Learn more at www.fmofm.com

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, since we are now officially in the summer season, all the songs will be about this time of year. On today's episode, Steve Riddle is watching, “Kokomo” by The Beach Boys from 1988.   The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=fJWmbLS2_ec

There are normal radio shows... and then there's whatever happened today.This daily comedy episode kicks off with a passionate (and surprisingly heated) debate over the greatest American bands of all time. Aerosmith? Metallica? The Beach Boys? Pearl Jam? Eagles? Somebody is wrong, somebody gets roasted, and nobody leaves happy.Then Kenny Chesney somehow steals the spotlight before he even performs. Between Shirt Nation jokes, concert cancellations, and rumors surrounding Taylor Swift and Travis Kelce's possible wedding, the crew has plenty to say—and almost none of it is nice.Kate Beckinsale reminds everyone that grief doesn't always look the same after revealing that coping with personal tragedy involved prank calls and mooning people from a hotel window. Naturally, the gang spends far too long discussing whether society unfairly abandoned the fine art of mooning sometime after Y2K.Speaking of questionable history... conspiracy theorists are convinced someone attended Elvis Presley's final concert with an iPhone decades before smartphones existed. Is it proof of time travel? An old camera? A vape? The Rizz Show investigates with the scientific rigor you'd expect from people arguing about Don Henley's FBI search history five minutes earlier.The celebrity gossip keeps rolling with Noah Kahan begging concertgoers to stop leaving surprises on venue floors, Alan Jackson's emotional farewell concert, Bill Maher's Mark Twain Prize, Mel Brooks turning 100, and a surprisingly heartfelt conversation about legendary supergroups that disappeared way too soon.Somewhere in the middle, Riz announces a concert he'll absolutely attend, the crew argues over Taylor Swift's rumored wedding location, Kenny Chesney gets called out for canceling shows, and everyone discovers there are apparently multiple ways to accidentally become internet-famous.It's another chaotic ride packed with celebrity news, weird news, music debates, conspiracy theories, sarcastic humor, and the completely unnecessary confidence that only The Rizzuto Show can deliver.If you enjoy ridiculous conversations that somehow bounce from classic rock to celebrity gossip to time-traveling Elvis without ever touching the brakes, congratulations—you've found your people.This daily comedy episode delivers everything you'd expect from The Rizzuto Show: laughs, debates, pop culture commentary, questionable life advice, and absolutely zero guarantees that any topic will stay on track for more than two minutes.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShowHear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mamdani's candidates win big in New York. Pesticides win big at the Supreme Court. And we all win when John Stamos stops by to talk Beach Boys, Full House, and why his dad finally let him quit flipping burgers. Then Jodie-Turner Smith waxes philosophical about aliens, accents, Michael Fassbender, and a gripping defense of toe shoes, courtesy of the Egg of Truth. And don't worry, baby: we have plenty of Second Thoughts to go around.For a transcript of an episode of Lovett or Leave It, please email transcripts@crooked.com.

This week is all about bands playing other bands' songs. Summer songs that perhaps radio has exhausted. Whether they are playing it straight note-for-note or whether they are re-interpreting it, bands love to pay tribute to the hits they love! In this episode, we showcase a summer playlist made for all of your grilling, pool party, block party, yard work, camping, and hot weather needs! What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. If you're in need of a Summer Jamz playlist with a slight twist… we got ya covered!  Songs this week include: Soul Asylum – “School's Out (Alice Cooper)” from The Faculty (Music From The Motion Picture) (1998) Toque – “Working For The Weekend (Loverboy)” from Give'r (2016) The Damned – “Summer In The City (The Lovin' Spoonful)” from Not Like Everybody Else (2026) Edguy – “Rock Me Amadeus (Falco)” from Space Police – Defenders Of The Crown (2014) Vains Of Jenna – “Refugee (Tom Petty And The Heartbreakers)” from The Art Of Telling Lies (2009) Great White – “Eye Of The Tiger (Survivor)” from Saturday Night Special (Ready For Rock ‘N' Roll Part II) (2014) Gemini Five – “You Spin Me Round (Dead Or Alive)” from Babylon Rockets (2003) Motörhead – “Rockaway Beach (Ramones)” from Under Cöver (2017) Please subscribe everywhere that you listen to podcasts! Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://x.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Ian speaks with the great Mike Campbell about his affectation and appreciation for Brian Wilson, growing up with the Beach Boys, working through the loss of Tom Petty, pinch hitting for Lindsey Buckingham, working with the Dirty Knobs, the pleasures of airports, the True Confessions '86 Tour, and much more. LISTEN TO "MISSION OF MERCY" FOLLOW MIKE ON INSTAGRAM

Bobbi welcomes John Stamos to her kitchen to talk about Full House, Disneyland, The Beach Boys, aging in Hollywood, and why he still dyes his hair. We find out whether kids still listen to The Beach Boys, they also discuss divorce, acting dreams, and Bobbi's ongoing mission to get cast in literally anything. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tony opens the show by talking to Michael Wilbon about the NBA Finals as the series moves to NYC, and also about what else he was watching over the weekend, and Tony expresses his displeasure with Comcast. Then Tony talks about playing on his home course after the Maryland Amateur Tournament and how tough the greens were, and he also talks about not being able to see the Beach Boys on Sunday, the Belmont, and about the Memorial Tournament. Eddie Olczyk calls in to talk some more about the Belmont and also about the Stanley Cup Finals, and Tony closes out the show by opening up the Mailbag. Songs : Alexandra King “Anchored To The Sea” ; “Bottoms Up” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices