Podcast appearances and mentions of liv ullman

This week we're joined by Chris Haskell of Punk Vacation, Mondo Macabro, and They Live By Film as we continue our series of high-class horror movies. We're talking about the divine black and white Swedish torment of Ingmar Bergman's Hour of the Wolf. Bergman is one of the all-time film making greats and you can see his fingerprints on the weirder corners of American film. In the case of Hour of the Wolf you can draw a direct line from this deeply introspective movie to the work of David Lynch. With Max Von Sydow and Liv Ullman, Hour of the Wolf is a movie about a lot of things. It's about an artist's place in his own work, what it means to own a piece of art, it's about guilt and regret and the damage left in your wake when you're constantly following your heart. Ingmar Bergman is a filmmaker who seemed to be constantly going through something and this is one of the results of a man living in his head 24/7.Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

Göteborg Film Festival invigs med världspremiär av Eirik Svenssons Före mörkret som bygger på en sann historia som ägde rum på Läkare utan gränsers fältsjukhus i Centralafrikanska republiken. Möt regissören i ett samtal direkt från filmfestivalen. Lyssna på alla avsnitt i Sveriges Radio Play. Det är på julafton 2013. Inbördeskriget rasar och Bangui är uppdelat i en muslimsk och en kristen del. Plötsligt befinner sig en desperat man på kliniken i den kristna delen där hjälparbetare kämpar för att rädda liv. Han är muslim, förföljd och svävar i livsfara. Utanför står en aggressiv milis som kräver att mannen lämnas ut, och klinikens säkerhetsansvariga Linn ställs inför moraliska dilemman. Regissören Eirik Svensson berättar mer om filmen i P1 Kultur.”BABYGIRL” – NICOLE KIDMAN ÄR OTROGEN MED PRAKTIKANTENBioaktuella ”Babygirl” är ett erotiskt drama där en framgångsrik affärskvinna (Nicole Kidman) med man (Antonio Banderas) och två barn, inleder en förbjuden relation med en ung manlig praktikant (Harris Dickinson). Flipp eller flopp? Hör filmkritikerna Wanda Bendjelloul (Dagens Nyheter) och Jenny Teleman (Sveriges Radio).TOMAS ALFREDSON TAR SIG AN INGMAR BERGMANS OTROHETSDRAMA ”TROLÖSA”Ingmar Bergmans passionsdrama "Trolösa" filmatiserades av Liv Ullman år 2000. Nu kommer en tv-serie utifrån samma berättelse. Tomas Alfredsson har regisserat triangeldramat mellan de två bästa vännerna Markus och David. Och Marianne, Markus fru. P1 Kulturs Björn Jansson har träffat Tomas Alfredsson.JESSE EISENBERG OM HYLLADE ”A REAL PAIN””A Real Pain” är en film om två omaka kusiner på jakt efter sitt ursprung i förintelsens spår. Jesse Eisenberg, har skrivit, regisserat och gör också en av huvudrollerna. I den andra ser vi Kieran Culkin (”Succession”), som blivit Oscarsnominerad för sin insats. P1 Kulturs filmreporter Björn Jansson ringde upp Jesse Eisenberg. Och hör vår filmkritiker Nina Asarnoj berätta varför det här är en årets filmiska höjdpunkter.KLASSIKERN: ”MAUS” AV ART SPIEGELMAN”Maus” är en amerikansk Pulitzerprisbelönad serieroman från 1980-talet. Fredrik Wadström berättar om Art Spiegelmans berättelse om Förintelsen, där judarna är möss och nazisterna katter.Programledare: Lisa BergströmProducent: Henrik Arvidsson

No somos capaces de armonizar la justicia con la misericordia. El moralismo de entonces como el de ahora, sea "progre" o "retro" carece de compasión. No hay piedad para la persona "señalada". Por eso es tan sorprendente la reacción de Jesús al comienzo del octavo capítulo de la Buena Noticia según Juan, cuando le traen una mujer sorprendida en adulterio. "Antes de acusarme a mí, ¡mírate a ti mismo!" dice la canción de Bo Diddley en 1957, que escuchamos en la versión de Eric Clapton (Before You Accuse Me / Take A Look To Yourself), que oímos tras la sintonía de Ruta 66 por Nat King Cole. La situación a la que se enfrenta Jesús era claramente un complot. La mujer, probablemente una adolescente de 13 o 14 años, ha sido sorprendida en una ofensa que para los judíos merecía la pena de muerte, pero no hay rastro del hombre con que estaba y todo parece indicar una nueva conspiración para atrapar a Jesús. La ocultación es por ambas partes. Las Go-Go´s fue una de las pocas bandas de chicas, que a finales de los 70 en Los Ángeles tocaban, ellas mismas todos los instrumentos. En 1980 hicieron una gira con el grupo inglés de "revival" del "ska" jamaicano The Specials. La guitarrista y cantante californiana Jane Wiedlin empezó una relación a escondidas con el líder del grupo británico, Terry Hall, que tenía otra pareja. A ello se refiere la canción "Nuestros labios están sellados" (Our Lips Are Sealed). Todo ello desvela el "Pecado en mi corazón", que confiesa Siouxsie, otra de las musas de la "nueva ola" en la onda más siniestra del "post-punk", que canta en 1981 con sus Banshees, "SIn In My Heart". ¡No nos engañemos! "La gente no es buena", observa Nick Cave en 1987. Escuchamos esta vez el tema de "People Ain´t No Good" en una versión acústica que hizo el australiano con sus Bad Seeds para la radio que emite desde el "campus" de Santa Mónica a Los Ángeles, KRCW. La película que se llama en español e inglés, "Encuentros" o "Confesiones privadas" es una de las obras que escribió el director sueco Ingmar Bergman, poco antes de su muerte, para ser llevada al cine en este caso, por su compañera noruega Liv Ullman. Forma como una trilogía con "Las mejores intenciones" y "Niños de domingo" sobre su infancia y el matrimonio de sus padres. En este film de 1996 habla de la relación fuera del matrimonio de su madre con un seminarista de la iglesia luterana, cuando estaba casada con su padre, que era pastor. Se centra en la confesión de ella a su tío, el pastor que interpreta Max von Sydow. Escuchamos algunas escenas de la versión doblada, que comenta José de Segovia con la música de Bach y Shostakovich, que forma la banda sonora. El pecado se reconoce ante la santidad de Dios, que para Sufjan Stevens está también en Jesús (An Holy Jesus). Escuchamos el himno, como lo grabó para su disco de 2012 (Silver & Gold). La Misión de la Inocencia (The Innocence Mission) es una curiosa banda de folk-rock alternativo, formada en Lancaster en 1986. Conocidos por su canción de cumpleaños, tienen también un cántico a la "Misericordia" (Mercy) en 1989. El grupo formado en torno al matrimonio de Karen y Don Peris no se presenta como cristiano, pero no hay duda de que muchas de sus canciones están inspiradas por una profunda fe, que tiene en Cristo, su esperanza.

Az év utolsó rendes adásában búcsút veszünk Ingmar Bergmantól, és egy újabb alapművet nézünk meg tőle: ez a Suttogások, sikolyok, a csupa női főszereplőt felvonultató, színes filmre forgatott dráma. A négy kiemelt szerepben Kari Sylwan, Harriet Andersson, Ingrid Thulin, és Liv Ullman látható, az utóbbi kettő Bergman állandó munkatársa, akikkel már találkoztunk korábbi adásokban.  Milyen helyet foglal el a bergmani életműben a kosztümös dráma? Milyen témák köszönnek vissza, amelyekkel már A nap vége és A hetedik pecsét idején is foglakozott? Mik azok a rendezői megoldások, amelyek már a Personából ismerősek? Beszélünk a film kulcsmotívumairól, a színhasználattól a kamerabeállításokig. Azt is igyekszünk megérteni, mi teszi a szereplőket azonosulhatóvá ebben a megterhelő történetben. Ha tetszett az adásunk, támogass bennünket a Vakfolt Extrával! Csatlakozz a Facebook-csoportunkhoz is! Mostantól Vakfolt logós pólót és egyéb kellékeket is szerezhetsz magadnak a webshopunkból! További linkek A Vakfolt podcast Facebook oldala A Vakfolt podcast az Instagramon A Vakfolt podcast a Twitteren Vakfolt címke a Letterboxdon A Vakfolt podcast a YouTube-on A Vakfolt podcast a YouTube Music-on A Vakfolt podcast a Spotify-on A Vakfolt podcast a Google podcasts oldalán A Vakfolt az Apple podcasts oldalán A főcímzenéért köszönet az Artur zenekarnak Emailen is elértek bennünket: ezitt@vakfoltpodcast.hu  

Welcome to It's A Wonderful Podcast! Following on from our forays further into celebrating old international movies this year, our spooky series for October 2024 takes us across the globe to Japan, The Soviet Union, Finland & Sweden to discover some INTERNATIONAL HORROR! The series ends with a psychologically mesmerising movie that can be as Horror focussed as you want it to be. Identity melds and obsession takes over as Ingmar Bergman is back in discussion on the main show with Morgan and Jeannine talking PERSONA (1966) starring Bibi Andersson & Liv Ullman! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on (X) Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

P1 Kultur djupdyker i tre bioaktuella filmer. Demi Moore kämpar mot åldrandet i blodiga The Substance, i Agnieszka Hollands drama Green Border försöker flyktingar ta sig till Sverige, och dokumentären Hollywoodgate skildrar talibanernas övertagande efter att USA lämnat landet. Lyssna på alla avsnitt i Sveriges Radio Play. JAKTEN PÅ UNGDOM OCH SKÖNHET SPÅRAR UR I ”THE SUBSTANCE”På sin 50-årsdag får tv-stjärnan Elisabeth (Demi Moore) veta av tv-bolaget att hon är ”färdig”. Lösningen blir att ta ”the substance” och skapa en yngre version av sig själv. Det är premissen för det bioaktuella blodbadet ”The Substance”. Vad är det här egentligen för film? Vi har bjudit in våra filmkritiker Nina Asarnoj och Björn Jansson till studion.AGNIESZKA HOLLAND SKILDRAR FLYKTINGAR PÅ VÄG MOT SVERIGEDen polska filmregissören Agnieszka Holland har ägnat sin karriär åt att ta tempen på Europa. Nu är hon aktuell med flyktingdramat ”Green Border” som väckt debatt i hemlandet Polen. ”Det är en mänsklig historia, och det viktigaste är att ge en röst och ett ansikte till dem som blev utan röst och ansikte på grund av propaganda. Att visa att vi alla är människor”, säger Agnieszka Holland till P1 Kulturs reporter Emma Engström.TALIBANERNA RUSTAR UPP SIN ARMÉ MED AMERIKANSKA LEFTOVERS I ”HOLLYWOODGATE”Under ett år fick dokumentärfilmaren Ibrahim Nash'at vara ”en fluga på väggen” hos talibinerna efter maktövertagandet i Afghanistan 2021. Filmen hämtar sitt namn från CIA-basen med efterlämnat krigsmaterial som talibanerna tar över. Sveriges Radios Sydasienkorrespondent Naila Saleem, som besökt Afghanistan flera gånger sedan maktövertagandet, kommenterar filmen. Dessutom har vi ringt upp regissören Ibrahim Nash'at.VILKA OSCARSCHANSER HAR ”DEN SISTA RESAN”?I går blev det klart att Flip & Fredriks "Den sista resan" blir Sveriges Oscarsbidrag, i konkurrens med "Passage" av Levan Akin och "Syndabocken" av Axel Petersén. Hur stora chanser har filmen att faktiskt bli Oscarsnominerad? Även det danska Oscarsbidraget, ”Flickan med nålen”, har en svensk regissör i Magnus von Horn. Och regissören till det norska bidraget ”Armand”, Halfdan Ullmann Tøndel, är barnbarn till Ingmar Bergman och Liv Ullman. Många svenskkopplingar alltså, men konkurrensen bland de utländska bidragen är tuff. Vår filmkritiker Björn Jansson kommenterar.Programledare: Lisa BergströmProducent: Henrik Arvidsson

Un viernes con cine por partida triple. Primera parada en San Sebastián porque ya conocemos la lista de películas españolas que se proyectarán en el Festival de cine más importante de nuestro país: lo nuevo de Albert Serra, Icíar Bollaín, Pilar Palomera y el debut de Antón Álvarez (C.Tangana) en la dirección. Seguimos con el Festival Atlántida y su director, Jaume Ripoll, fundador de Filmin, que llega a la 14ª edición con más de 100 películas en cartel e invitados como Michael Douglas, Liv Ullman o Jota Bayona. Terminamos con el cine de Conxita Casanovas y los estrenos: 'Fly me to the moon', 'Bikeriders. La ley del asfalto' y 'Solo'. Final de semana de paseo con Jesús Marchamalo y Jose Manuel Viñas y el cierre musical de Leyre Guerrero, directora NaNaNa de Radio 3.  Escuchar audio

This week, we're taking a look at Liv Ullman's 2014 adaptation of the August Strindberg play Miss Julie. Starring Colin Farrell alongside an ascendant Jessica Chastain as a servant and mistress engaged in an scandalous flirtation, the film sees Ullman move the location to Northern Ireland and update the narrative with a modern, feminist framing. We get into the psychosexual drama at play and the film's stylistic successes and failures (especially in relation to the more acclaimed 1951 Swedish adaptation), plus we take a look at the long cultural tail of Ingmar Bergman and try to sort through our feelings on Chastain's underwhelming career. Is this the final film in Colin's dark night of the career? Or does his performance here presage the major comeback to come? Hosted on Acast. See acast.com/privacy for more information.

Enter the depths of Ingmar Bergman's dark, waking nightmares as we discuss his horror masterpiece Hour of the Wolf (1968), starring two of the greatest actors to ever grace the silver screen, Max von Sydow and Liv Ullman. This monumental film would go on to influence horror classics like Eraserhead, The Shining, Hereditary, The Lighthouse, and countless others. Today it remains one of the most chilling ghost stories ever told and a cornerstone of the horror genre.

O Autores e Livros dessa semana conversa com Edney Silvestre sobre o lançamento da edição comemorativa de 20 anos do livro "Contestadores". Na entrevista, ele fala da atualidade desse livro e comenta sobre as entrevistas mais marcantes da sua carreira. Jornalista escalado para cobrir marcos históricos como os atentados de 11 de setembro, os últimos dias de Saddam Hussein no Iraque e a viagem do Papa à Cuba, Edney Silvestre entrevistou incontáveis personalidades lendárias ao longo da carreira. Uma seleção especial dessas entrevistas está compilada no livro Contestadores, que traz conversas Camille Paglia, Paulo Francis, Noam Chomsky, Edward Said, Salman Rushdie, Juliette Binoche, Liv Ullman, Lauren Bacall, Alice Walker e Paulo Freire são algumas das mentes brilhantes que ganharam as páginas da obra com suas visões ousadas sobre política, literatura, teatro, cinema, religião e arte. A nova tiragem apresenta, ainda, entrevistas inéditas de José Saramago e Fernanda Montenegro. O programa traz também, no Encantos de Versos, a poesia de Ana Cristina César, um dos principais nomes da geração mimeógrafo, conhecida também como a poesia marginal dos anos 1970.

Papisa Joana foi uma lendária pontífice da Igreja Católica, cuja existência é debatida até hoje. Seu reinado como papa, sob o nome de João VIII, teria durado de 855 a 858. Uma das fontes mais antigas da lenda, escrita no século XIII, afirma que Papisa Joana teria começado sua carreira religiosa como escriba, sido promovida a notária papal, até finalmente ser eleita como papa. Tudo isso disfarçada de homem. Durante a época das eleições papais, Joana já estaria grávida, e seu disfarce teria sido desmascarado da pior maneira possível: dando à luz durante uma procissão. Depois disso, a papisa teria sido arrastada para fora de Roma e apedrejada até a morte. Outra versão, também do século XIII, diz que Joana teria se apaixonado por um monge beneditino; disfarçada de homem, acompanhou-o por anos e aprofundou seu conhecimento na fé católica. Anos depois, teria se mudado para Roma e virado cardeal e papa. O final da história, no entanto, é o mesmo: gravidez, desonra e apedrejamento. Poucas são as fontes que destinam à Joana uma morte por causas naturais, e algumas alegam que teria morrido por complicações no parto. Com o passar do tempo, a história da Papisa Joana tomou tanta força que foi reconhecida como verdade pela própria Igreja durante o Século XV, e um busto chegou a ser exposto ao lado dos de outros pontífices na Catedral de Siena. Após muita controvérsia, a lenda passou a ser refutada pela Igreja durante o Século XVII. Atualmente, a maioria dos estudiosos e historiadores considera que a história seja, de fato, falsa, principalmente pelo lapso de tempo entre seu suposto reinado e o primeiro registro histórico mencionando-o. A discussão segue em aberto, e a história de Papisa Joana segue impressionando e sendo culturalmente influente. Um dos filmes sobre ela, lançado em 1972, foi protagonizado por Liv Ullman no papel da papisa. 

OTTplay Sizzling samachar of the day - 22nd June 2023Sizzling Samachar: ‘Blue Beetle' will be part of the new DC Universe, confirms director; ‘Nine Perfect Strangers' renewed for season 2 and eyes new cast members; Tenoch Huerta upcoming Netflix film amidst sexual assault allegations  Welcome to Sizzling samachar, your daily dose of entertainment news. Im your host Nikhil. News from Hollywood first.‘Blue Beetle' will be part of the new DC Universe, confirms directorIn the wake of The Flash's disastrous theatrical run, there is a growing sentiment that the lack of clarity surrounding James Gunn's vision for DCU has damaged the film's chances of success at     the box office. So it's hardly surprising that the studio is now concerned about subsequent DC films such as Blue Beetle and the Aquaman sequel which could potentially suffer the same fate as The Flash. This seems even more likely considering the fact that the universe is being rebooted by James Gunn's 2025 film Superman: Legacy. However, Blue Beetle director Angel Manuel Soto has confirmed that his film will be part of the new DCU, contradicting earlier reports that Superman: Legacy will be the first film of the new universe. Blue Beetle starring Cobra Kai star Xolo Maridueña is scheduled to release on August 18 this year. Let's hope it packs a pow and a punch and isn't marred by The Flash's dismal theatrical performance.  Tenoch Huerta upcoming Netflix film amidst sexual assault allegations Black Panther: Wakanda Forever star Tenoch Huerta has exited Netflix's upcoming film Fiesta en la Madriguera. The news comes in the wake of sexual assault allegations against the Mexican actor by musician and social activist María Elena Ríos. Huerta has denied the allegations levelled against him and announced that he would be stepping away from the Netflix project so that the controversy does not affect the film's production.   ‘Nine Perfect Strangers' renewed for season 2 and eyes new cast members The Hulu original series Nine Perfect Strangers has officially been renewed, nearly two years after the first season premiered. Hollywood star Nicole Kidman will reprise her role as Masha Dmitrichenko, the founder of a wellness resort that opts for a rather unconventional approach. The studio is reportedly in talks with several actors, including Murray Bartlett, Liv Ullman, Aras Aydin, Maisie Richardson-Sellers, and Dolly de Leon to star as the new ‘strangers' for season two. Jacob Elordi and Cailee Spaeny to star in biopic on Priscilla PresleyEuphoria star Jacob Elordi is set to star alongside Mare of Easttown actress Cailee Spaeny in the upcoming film Priscilla. The film is a biopic on Priscilla Presley, the wife of legendary rock star Elvis Presley. The film is based on Priscilla's memoir Elvis and Me and is directed by Academy Award-winner Sofia Coppola. Elordi will star as the King of Rock n' Roll while Spaeny will essay the role of the titular character. The film is expected to release this year.  'Extraction 2' breaks streaming record for 2023Chris Hemsworth's latest action film Extraction 2 has become one of Netflix's biggest-ever film releases. The streaming giant announced that the Sam Hargrave directorial has become Netflix's biggest film debut of 2023. The action film has been watched across the globe for 88 million hours and comfortably occupies first place in Netflix's weekly top ten list. It has already dethroned Jennifer Lopez's The Mother and Daniel Craig's 2022 crime comedy Glass Onion: A Knives Out Mystery but has just fallen behind the Russo brothers' film The Gray Man, which has been watched for a whopping 88.5 million hours. 'John Wick' director Chad Stahelski announces a ‘director's cut for the fourth film John Wick director Chad Stahelski has confirmed that a ‘director's cut' of the film is in development and will release in theatres. An additional 15 minutes is to be expected in this new cut, and Stahelski added that a lot of scenes from the Berlin schedule were cut from the original theatrical release, including a character named The Frau. The original cut of the film will be available to stream in India on Lionsgate Play from the 23rd of June, 2023. Well that's the Sizzling news for today's episode, until the next time its your host Nikhil signing out.Aaj kya dekhoge OTTplay se poochoWritten by Ryan Gomez 

In this episode Sean and Claude look at a pair of films involving people and their personalities, and how they can disassociate from themselves and each other, and manage to come back together in unusual ways. First on the slate is Ingmar Bergman's Persona, from 1966. It stars Bibi Andersson and Liv Ullman as a nurse and her patient who have been isolated in a beach house for several weeks. By the end of the film, it's unclear who has cured whom...and of what. In Reel 53b, we continue the episode with Performance, from 1970. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

Adam pitches Zands Ingmar Bergman's underrated 1968 addition to the horror canon, Hour of the Wolf. The film, which moves in a sort of dream logic, follows the disintegration of the marriage of Johan and Alma Borg (Max von Sydow and Liv Ullman) at the hands of a sinister social club of aristocrats on a remote Swedish island. Adam and Zands discuss the film's oddly structured plot, it's themes of sexuality, repression, violence, pregnancy, parenthood, art and artist, regret and the connection between partners, as well as its metafictional mirroring of the relationship between Bergman and star Liv Ullman. CW for violent, onscreen child death, attempted spousal homicide and some nudity. Adam's Rating: 4.5/5 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/adam-venrick/message Support this podcast: https://anchor.fm/adam-venrick/support

Welcome to the Instant Trivia podcast episode 671, where we ask the best trivia on the Internet. Round 1. Category: Fishing For Vocabulary 1: It might be a social blunder to use one of these long poles with a hook on the end to land a large fish. a gaff. 2: Tell the theater troupe it's a single toss of a fisherman's line and bait. a cast. 3: You might be enticed by this general name for any artificial bait used to attract fish. a lure. 4: By gum, it's a fishing spear with a 3-pronged point. a trident. 5: Hey, good buddy, it's ground-up bits of bait discarded into the water to attract game fish. chum. Round 2. Category: "U" Who 1: When the new "Love Boat" set sail in 1998, this "Vega$" star was in the captain's seat. Robert Urich. 2: This "Exodus" author returned in 1999 with a new political novel, "A God In Ruins". Leon Uris. 3: In 1987 he outraced his son to win his fourth Indianapolis 500. Al Unser. 4: This Norwegian star of such movies as "Autumn Sonata" was actually born in Japan. Liv Ullman. 5: Once a staff writer for The New Yorker, this "Rabbit, Run" author still contributes regularly. John Updike. Round 3. Category: Central America 1: This Central American country's name means "the savior". El Salvador. 2: A 1972 earthquake destroyed just about all of this Nicaraguan capital's downtown. Managua. 3: The second-largest one of these is found off Belize; the largest is the "Great" one off Australia. a barrier reef. 4: Nicaraguan dictator Somoza never rebuilt downtown Managua after this 1972 disaster. earthquake. 5: Guatemala's 37 of these tempt some climbers; be careful on the one fittingly named Fuego. a volcano. Round 4. Category: A Christmas Carol 1: "Round yon virgin mother and child, holy infant so tender and mild". "Silent Night". 2: City in which the story is set. London. 3: As the 1st paragraph states, "Old Marley was dead as" this. doornail. 4: "Good tidings we bring to you and your kin, we wish you good tidings for Christmas and a Happy New Year". "We Wish You A Merry Christmas". 5: "And heav'n and nature sing, and heav'n and nature sing, and heav'n and heav'n and nature sing". "Joy to the World". Round 5. Category: You're "Golden", Baby 1: The USA's tallest bridge towers are the 746-foot steel peaks of this structure. the Golden Gate Bridge. 2: This NBA team took the 1975 championship. the Golden State Warriors. 3: It's the second-most registered dog breed at the American Kennel Club. a golden retriever. 4: Jason stole it for his Uncle Pelias. the Golden Fleece. 5: Sir James Frazer compared mythologies and religions in this work. The Golden Bough. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Cody Dericks (Next Best Picture) joins Brian for a discussion of The Emigrants, the Best Picture Oscar nominee starring Max von Sydow and Liv Ullman! They also talk about Ullman's stunning career and pick her three best films.THE EMIGRANTS is available on Amazon Prime: https://amzn.to/3E28EZGFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts.

Vilka lärdomar kan vi dra av den ekonomiska historien? Dessutom: Hela listan på sommarens boktips! InflationshistoriaInflationen är den högsta på över trettio år, och det här är något som många svenskar känner av i form av högre priser på mat och andra varor. Idag jämför vi dagens inflation med den på 1990-talet.- Det var jobbigt, svårt och krisartat, berättar Agneta Stark, företagsekonom inriktad på ekonomisk teori och genusforskning. Folk köpte så lite som det bara gick, därför att de hade inte råd.Hur ser skillnaderna mellan 90-talets och dagens inflation ut? Och går det att lära sig något av historien?Hur bra skyddar kondom mot smittor?Och så handlar det om sexuellt överförbara sjukdomar. Smittan gick ner under pandemin, men nu är könssjukdomarna på uppgång igen. Kondomförsäljningen har visserligen ökat något, men hur långt kommer man med en kondom om man vill slippa bli smittad? Hjälper den lika bra mot alla olika könssjukdomar? Och hur bra skyddar den mot ap-koppor?- Kondom ska man använda för att visa respekt mot sin partner, inte i första hand för att skydda sig själv, tycker Helena Kopp Kallner, docent och överläkare i gynekologi på Karolinska institutet, som har forskat på preventivmetoder.BoJo och MiljöpartietVi ska prata om Boris Johnsons avgång, och om de båda språkrören Per Bolund och Märta Stenevis tal tidigare idag. Hur väl fungerade det med två talare i det här sammanhanget? Och hur kul är det med opinionssiffror?Idag avslutar vi även vår sommarserie med boktips, och det ska handla om Liv Ullman och Ingmar Bergman.Och på lyssnarnas begäran kommer här samtliga böcker vi har tipsat om i vår serie om sommarlektyr!Hela listan med boktips:Babetta, av Nina Wähä (Thomas 27/6)Ett år av vila och avkoppling, av Ottessa Moshfegh, i översättning av Alva Dahl (Louise 28/6)Utan hänsyn, en dagbok av Marieanne Lindberg de Geer (Thomas 29/6)Ich bin ein Bibliothekar! Christer Hermansson (Louise 30/6)Hundra dikter, av Seamus Heaney, i översättning av Tommy Olofsson (Thomas 4/7)Valfrändskap, av J W von Goethe, i svensk översättning av Britt G Hallqvist (Louise 5/7)När fantomen blev svensk - vänsterns världsbild i trikå, av Robert Aman (Thomas 6/7)De oroliga, av Linn Ullman, översättning Urban Andersson (7/7)Dessutom ett extratips från Thomas: När du dör ska jag vara nära, av Annie ReuterskiöldProgramledare: Louise Epstein Bisittare: Thomas Nordegren Producent: Amanda Rydman

Rapport från barnboksmässan i Bologna där beskedet om årets Alma-pris mottogs av applåder, och skådespelaren Liv Ullman får motta hederspris vid årets Oscarsgala.

Nick Schlieper has designed lighting for all of the major performing companies in Australia and works regularly in Europe and the U.S.Recent engagements include Nick's debut at, and return to, the prestigious Salzburg Festival, designing the lighting for Aribert Reiman's Lear in the Felsen Reitschule, and for Cherubini's Medeé; as well as Mosquitos, Cat on a Hot Tin Roof, The Real Thing, Still Point Turning, Harp in the South, A Cheery Soul, The Resistable Rise of Arturo UI, Chimerica, Three Sisters, All My Sons, Speed the Plow, A Flea in Her Ear and Switzerland for Sydney Theatre Company; Macbeth, Twelfth Night and Photograph 51 (also set design) for Melbourne Theatre Company; Packer and Sons, Ghosts and Twelfth Nightfor Company B Belvoir.Nick also returned to the National Theatre of Norway for Private Confessions, directed by Liv Ullman, and to New Zealand Opera for The Elixir of Love. He also lit Sydney Theatre Company's revival of The Present with Cate Blanchett on Broadway, and The Space Between the Notes (Emma Matthews' one woman show).Nick's work in Music Theatre includes First Wives Club The Musical at the Oriental Theatre, Chicago, Priscilla Queen of the Desert, The Musical in Australia, New York, Toronto, London, Sao Paolo and throughout Europe; Love Never Dies in Hamburg, Tokyo, Sydney and Melbourne for The Really Useful Company.His extensive work in opera in Australia includes Don Giovanni, Nabucco, Tannhäuser, Il Trovatore, L'elisir d'amore, Andrea Chenier, Freischütz, Falstaff and Seraglio for Opera Australia; Salome (and set design) and Parsifal for State Opera of South Australia; Flying Dutchman, Don Giovanni, and Ken Russell's Madam Butterfly for Victorian State Opera; Macbeth (and set design) for Opera New Zealand and Don Giovanni (and set design) for Opera Queensland. He was also lighting and associate set designer of the first Australian production of Wagner's Ring Cycle in Adelaide in 2004.Nick has also designed lighting for Scheherazade for the Australian Ballet, the acclaimed Cinderella for Royal New Zealand Ballet, and several pieces for Bangarra Dance Company, including Bush, Bennelong and Patyegarang.The year commences for Nick with lighting designs for productions of Wudjang: Not the Past (Bangarra Dance), North By Northwest (Kay & McLean Productions) and The Phantom of the Opera (Opera Australia) on Sydney Harbour. With such a full schedule it was a treat for STAGES to examine the art of Lighting Design with one of the country's most prolific and eloquent artists; Nick Schlieper.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Erica Appelros is a Doctor in Theology and Associate Professor in Philosophy of Religion with more than 20 years of experience as a teacher, coach and speaker, works as an associate professor in philosophy of religion at Lund University, Sweden. She is also a published author in Swedish and in English, and she is dedicated to creating courses, books and workshops to empower people to advance in their growth towards more clarity, knowledge and self-knowledge to live a life with a deeper purpose. She is a lifelong learner and reader, and her university training includes Philosophy, Theology, Mathematics, Biology, Linguistics, Religious Studies, and Horticulture. She is also a certified dance leader in Liberating dance and Sacred dance, a raving reader, a lively language learner and loves playing with clay. I could have talked to her about her background all day, but we also talked about her favorite book – a Swedish classic I'd never heard of, called “The Emigrants,” by Vilhelm Moberg.   Support the Best Book Ever Podcast on Patreon   Follow the Best Book Ever Podcast on Instagram or on the Best Book Ever Website   Host: Julie Strauss Website/Instagram     Guest: Erica Appelros Website/Twitter   Discussed in this episode: The Emigrants by Vilhelm Moberg Unto a Good Land by Vilhelm Moberg The Settlers by Vilhelm Moberg The Last Letter Home by Vilhelm Moberg (Gah! The title alone brings tears to my eyes.) Bookstore Funchal – Livraria Esperança (do yourself a favor and look up photos of this bookstore. We're moving to Madeira, right? I feel like we have to move to Madeira.) The Gulag Archipelago by Aleksandr Solzhenitsyn 1984 by George Orwell Brave New World by Aldous Huxley The Chronicles of Narnia by C.S. Lewis The Long Way to a Small Angry Planet by Becky Chambers Ten Lessons for A Post-Pandemic World by Fareed Zakaria Here's a clip of Liv Ullman talking about the goodbye scene in the 1973 Emigrants movie And here's a clip for a remake of the movie, coming in March 2022 Karl Oskar and Kristina monument in Karlshamn, Sweden There is a matching one in Lindstrom, Minnesota!   Do you have a book you want to tell me about? Go HERE to apply to be a guest on the Best Book Ever Podcast.   (Note: Some of the above links are affiliate links, meaning I get a few bucks off your purchase at no extra expense to you. Anytime you shop for books, you can use my affiliate link on Bookshop, which also supports Indie Bookstores around the country. If you're shopping for everything else – clothes, office supplies, gluten-free pasta, couches – you can use my affiliate link for Amazon. Thank you for helping to keep the Best Book Ever Podcast in business!)

Erica Appelros is a Doctor in Theology and Associate Professor in Philosophy of Religion with more than 20 years of experience as a teacher, coach and speaker, works as an associate professor in philosophy of religion at Lund University, Sweden. She is also a published author in Swedish and in English, and she is dedicated to creating courses, books and workshops to empower people to advance in their growth towards more clarity, knowledge and self-knowledge to live a life with a deeper purpose. She is a lifelong learner and reader, and her university training includes Philosophy, Theology, Mathematics, Biology, Linguistics, Religious Studies, and Horticulture. She is also a certified dance leader in Liberating dance and Sacred dance, a raving reader, a lively language learner and loves playing with clay. I could have talked to her about her background all day, but we also talked about her favorite book – a Swedish classic I'd never heard of, called “The Emigrants,” by Vilhelm Moberg.   Support the Best Book Ever Podcast on Patreon   Follow the Best Book Ever Podcast on Instagram or on the Best Book Ever Website   Host: Julie Strauss Website/Instagram     Guest: Erica Appelros Website/Twitter   Discussed in this episode: The Emigrants by Vilhelm Moberg Unto a Good Land by Vilhelm Moberg The Settlers by Vilhelm Moberg The Last Letter Home by Vilhelm Moberg (Gah! The title alone brings tears to my eyes.) Bookstore Funchal – Livraria Esperança (do yourself a favor and look up photos of this bookstore. We're moving to Madeira, right? I feel like we have to move to Madeira.) The Gulag Archipelago by Aleksandr Solzhenitsyn 1984 by George Orwell Brave New World by Aldous Huxley The Chronicles of Narnia by C.S. Lewis The Long Way to a Small Angry Planet by Becky Chambers Ten Lessons for A Post-Pandemic World by Fareed Zakaria Here's a clip of Liv Ullman talking about the goodbye scene in the 1973 Emigrants movie And here's a clip for a remake of the movie, coming in March 2022 Karl Oskar and Kristina monument in Karlshamn, Sweden There is a matching one in Lindstrom, Minnesota!   Do you have a book you want to tell me about? Go HERE to apply to be a guest on the Best Book Ever Podcast.   (Note: Some of the above links are affiliate links, meaning I get a few bucks off your purchase at no extra expense to you. Anytime you shop for books, you can use my affiliate link on Bookshop, which also supports Indie Bookstores around the country. If you're shopping for everything else – clothes, office supplies, gluten-free pasta, couches – you can use my affiliate link for Amazon. Thank you for helping to keep the Best Book Ever Podcast in business!)

In 1492, Columbus sailed the ocean blue, and it's been downhill for New World peoples ever since.  Today we look at residential schools, the occupation of Alcatraz by Indians of All Tribes, the Oka crisis (aka the Mohawk resistance), and Sacheen Littlefeather's Oscar speech. YBOF Book; Audiobook (basically everywhere but Audible); Merch! Hang out with your fellow Brainiacs  .Reach out and touch Moxie on Facebook, Twitter,  or Instagram. Support the show Music by Kevin MacLeod, Steve Oxen, David Fesliyan.   Links to all the research resources are on our website. Late summer, 1990.  The protest had been going on for two months; tensions were escalating.  Soldiers had been dispatched to enforce the government's will, but the Kahnawake Mohawk weren't going to give up another inch of their land.  14 year old Waneek and her 4 year old sister Kaniehtiio were there with their activist mother when the violence started.  Waneek tried to get little Tio to safety when she saw a soldier who had taken her school books from her weeks prior...and he stabbed her in the chest.  My name's...   One of my goals with this podcast is to tell the stories that don't get told, the stories of people of color and women.  It's not always easy.  Pick a topic to research and it's white men all the way down.  But, even when I haven't been struggling with my chronic idiopathic pulmonary conditions, as I've been for the past three acute months, I've dropped the ball.  Mea culpa.  So let me try to catch up a little bit here as we close out November and Native American Heritage month.  And since the lungs are still playing up a bit, I'm tagging past Moxie in to help, though I've done with I can to polish her audio, even though I lost more than 100 episodes worth of work files when I changed computers and deleted the hard drive on my right rather than the hard drive on my left.     Today's episode isn't going to be a knee-slapping snark fest, but the severity of the stories is the precise reason we need to tell them, especially the ones that happened relatively recently but are treated like a vague paragraph in an elementary school textbook.  Come with me now, to the 1960's and the edge of California, to a rocky island in San Francisco bay.  Yes, that one, Alcatraz, the Rock.     After the American Indian Center in San Francisco was destroyed in a fire in October 1969, an activist group called “Indians of All Tribes” turned its attention to Alcatraz island and the prison which had closed six years earlier.  I'm going to abbreviate Indians of All Tribes to IAT, rather than shorten it to Indians, just so you know.  A small party, led by Mohawk college student Richard Oakes, went out to the island on Nov 9, but were only there one night before the authorities removed them.  That didn't disappoint Oakes, who told the SF Chronicle, “If a one day occupation by white men on Indian land years ago established squatter's rights, then the one day occupation of Alcatraz should establish Indian rights to the island.”   11 days later, a much larger group of Indians of All Tribes members, a veritable occupation force of 89 men, women and children, sailed to the island in the dead of night and claimed Alcatraz for all North America natives.  Despite warnings from authorities, the IAT set up house in the old guards' quarters and began liberally, vibrantly redecorating, spray-painting the forboding gray walls with flowers and slogans like “Red Power” and “Custer Had It Coming.”  The water tower read “Peace and Freedom. Welcome. Home of the Free Indian Land.”  And of course I put pictures of that in the Vodacast app.  Have you checked it out?  I'm still getting the hang of it...  The IAT not only had a plan, they had a manifesto, addressed to “The Great White Father and All His People,” in which they declared their intentions to use the island for a school, cultural center and museum.  Alcatraz was theirs, they claimed, “by right of discovery,” though the manifesto did offer to buy the island for “$24 in glass beads and red cloth”—the price supposedly paid for the island of Manhattan.     Rather than risk a PR fall-out, the Nixon administration opted to leave the occupiers alone as long as things remained peaceful and just kinda wait the situation out.  The island didn't even have potable water; how long could the IAT stay there?  Jokes on you, politicians of 50 years ago, because many of the occupiers lived in conditions as bad on reservations.  They'd unknowingly been training for this their entire lives.  Native American college students and activists veritably swarmed the island and the population ballooned to more than 600 people, twice the official capacity of the prison.  They formed a governing body and set up school for the kids, a communal kitchen, clinic, and a security detail called “Bureau of Caucasian Affairs.”  Other activists helped move people and supplies to the island and supportive well-wishers send money, clothes and canned food.    Government officials would travel to the island repeatedly to try, and fail, to negotiate.  The IAT would settle for nothing less than the deed to Alcatraz Island, and the government maintained such a property transfer would be impossible.  The occupation was going better than anyone expected, at least for the first few months.  Then, many of the initial wave of residents had to go back to college and their places were taken by people more interested in no rent and free food than in any cause.  Drugs and alcohol, which were banned, were soon prevalent.  Oakes and his wife left Alcatraz after his stepdaughter died in a fall, and things began to unravel even more quickly.  By May, the sixth month of the occupation, the government dispensed with diplomatic efforts and cut all remaining power to Alcatraz.  Only a few weeks later, a fire tore across the island and destroyed several of Alcatraz's historic buildings.  Federal marshals removed the last occupiers in June of the second year, an impressive 19 months after they first arrived, six men, five women and four children.  This time, when laws were passed after an act of rebellion, they were *for the rebels, which many states enacting laws for tribal self rule.  When Alcatraz opened as a national park in 1973, not only had the graffiti from the occupation not been removed, it was preserved as part of the island's history.   People gather at Alcatraz every November for an “Un-Thanksgiving Day” celebrating Native culture and activism. RESIDENTIAL SCHOOL   The American government took tens of thousands of children from Native families and placed them in boarding schools with strict assimilation practices.  Their philosophy - kill the Indian to save the man.  That was the mindset under which the U.S. government Native children to attend boarding schools, beginning in the late 19th century, when the government was still fighting “Indian wars.”   There had been day and boarding schools on reservations prior to 1870, when U.S. cavalry captain, Richard Henry Pratt established the Carlisle Indian School in Pennsylvania.  This school was not on a reservation, so as to further remove indigenous influences.  The Carlisle school and other boarding schools were part of a long history of U.S. attempts to either kill, remove, or assimilate Native Americans.  “As white population grew in the United States and people settled further west towards the Mississippi in the late 1800s, there was increasing pressure on the recently removed groups to give up some of their new land,” according to the Minnesota Historical Society. Since there was no more Western territory to push them towards, the U.S. decided to remove Native Americans by assimilating them. In 1885, Commissioner of Indian Affairs Hiram Price explained the logic: “it is cheaper to give them education than to fight them.”   Off-reservation schools began their assault on Native cultural identity as soon as students arrived, by first doing away with all outward signs of tribal life that the children brought with them.  The long braids worn by boys were cut off.  Native clothes were replaced with uniforms.  The children were given new Anglicized names, including new surnames.  Traditional Native foods were abandoned, as were things like sharing from communal dishes,  forcing students to use the table manners of white society, complete with silverware, napkins and tablecloths.  The strictest prohibition arguably fell on their native languages.  Students were forbidden to speak their tribal language, even to each other.  Some school rewarded children who spoke only English, but most schools chose the stick over the carrot and relied on punishment to achieve this aim.  This is especially cruel when you consider that many of the words the children were being forced to learn and use had no equivalent in their mother tongue.   The Indian boarding schools taught history with a definite white bias.  Columbus Day was heralded as a banner day in history and a beneficial event for Native people, as it was only after discovery did Native Americans become part of history.  Thanksgiving was a holiday to celebrate “good” Indians having aided the brave Pilgrim Fathers.  On Memorial Day, some students at off-reservation schools were made to decorate the graves of soldiers sent to kill their fathers.   Half of each school day was spent on industrial training. Girls learned to cook, clean, sew, care for poultry and do laundry for the entire institution.  Boys learned industrial skills such as blacksmithing, shoemaking or performed manual labor such as farming.  Not receiving much funding from the government, the schools were required to be as self-sufficient as possible, so students did the majority of the work.  By 1900, school curriculums tilted even further toward industrial training while academics were neglected.   The Carlisle school developed a “placing out system,” which put Native students in the mainstream community for summer or a year at a time, with the official goal of exposing them to more job skills.  A number of these programs were out-right exploitive.  At the Phoenix Indian School, girls became the major source of domestic labor for white families in the area, while boys were placed in seasonal harvest or other jobs that no one else wanted.   Conversion to Christianity was also deemed essential to the cause.  Curriculums included heavy emphasis of religious instruction, such as the Ten Commandments, the Beatitudes and Psalms.  Sunday school meant lectures on sin and guilt.  Christianity governed gender relations at the schools and most schools invested their energy in keeping the sexes apart, in some cases endangering the lives of the students by locking girls in their dormitories at night.     Discipline within the Indian boarding schools was severe and generally consisted of confinement, corporal punishment, or restriction of food.  In addition to coping with the severe discipline, students were ravaged by disease exacerbated by crowded conditions at the boarding schools. Tuberculosis, influenza, and trachoma (“sore eyes”) were the greatest threats.  In December of 1899, measles broke out at the Phoenix Indian School, reaching epidemic proportions by January.  In its wake, 325 cases of measles, 60 cases of pneumonia, and 9 deaths were recorded in a 10-day period.  During Carlisle's operation, from 1879 and 1918, nearly 200 children died and were buried near the school.   Naturally, Indian people resisted the schools in various ways. Sometimes entire villages refused to enroll their children in white schools.  Native parents also banded together to withdraw their children en masse, encouraging runaways, and undermining the schools' influence during summer break.  In some cases, police were sent onto the reservations to seize children from their parents.  The police would continue to take children until the school was filled, so sometimes orphans were offered up or families would negotiate a family quota. Navajo police officers would take children assumed to be less intelligent, those not well cared for, or those physically impaired.  This was their attempt to protect the long-term survival of their tribe by keeping healthy, intelligent children at home.     It was not until 1978, within the lifetime of many of my gentle listeners. that the passing of the Indian Child Welfare Act that Native American parents gained the legal right to deny their children's placement in off-reservation schools.   Though the schools left a devastating legacy, they failed to eradicate Native American cultures as they'd hoped. Later, the Navajo Code Talkers who helped the U.S. win World War II would reflect on the strange irony this forced assimilation had played in their lives.  “As adults, [the Code Talkers] found it puzzling that the same government that had tried to take away their languages in schools later gave them a critical role speaking their languages in military service,” recounts the National Museum of the American Indian.   In addition to documentaries, I'd like to recommend the movie The Education of Little Tree, starring James Cromwell, Tantu Cardinal and Graham Green, about a part-Charokee boy who goes to live with his grandparents in the Tennessee mountains, but is then sent to an Indian school.   There are a number of off-reservation boarding schools in operation today.  Life in the schools is still quite strict, but now includes teaching Native culture and language rather than erasing it.  Though they cannot be separated from their legacy of oppression and cultural violence, for many modern children, they're a step to a better life.  Poverty is endemic to many reservations, which also see much higher than average rates of alcoholism, drug use, and suicide.    For the students, these schools are a chance to escape.   OKA   Some words are visceral reminders of collective historic trauma. “Selma” or “Kent State” recall the civil rights movement and the use of military force against U.S. citizens. “Bloody Sunday” evokes “the Troubles” of Northern Ireland. Within Indigenous communities in North America, the word is “Oka.”  That word reminds us of the overwhelming Canadian response to a small demonstration in a dispute over Mohawk land in Quebec, Canada, in 1990. Over the course of three months, the Canadian government sent 2,000 police and 4,500 soldiers (an entire brigade), backed by armored vehicles, helicopters, jet fighters and even the Navy, to subdue several small Mohawk communities.  What was at stake?  What was worth all this to the government?  A golf course and some condos.   The Kanesetake had been fighting for their land for centuries, trying to do it in accordance with the white man's laws, as far back as appeals to the British government in 1761. In 1851, the governor general of Canada refused to recognize their right to their land.  8 years later, the land was given to the Sulpicians, a Catholic diocese.  In 1868, the government of the nascent Dominion of Canada denied that the Mohawk's original land grant had even reserved land for them, so it wasn't covered under the Indian Act. In the 1910's, the he Mohawks of Kanesatake's appealed all the way to the Judicial Committee of the Privy Council, Canada's highest appeals court at the time, who ruled that official title to the land was held by the Sulpicians.  By the end of the Second World War, the Sulpicians had sold all of their remaining land and had left the area. Surely the Mohawk could have their land back now!  Nope.  The Mohawk of Kanesatake were now confined to about 2.3mi sq/6 km sq, known as The Pines, less than 1/10th of the land they once held.  The Mohawk people of Kahnawake, Kanesetake and Akwesasne asserted Aboriginal title to their ancestral lands in 1975, but their claim was rejected on the most BS possible reason -- that they had not held the land continuously from time immemorial.  And on and on.   So you can understand why they'd be a little miffed when plans were announced to expand a golf course that had been built in 1961, expanding onto land that was used for sacred and ceremonial purposes and included a graveyard.  Again, the Mohawk tried to use the proper legal channels and again they got royally fucked over.  That March, their protests and petitions were ignored by the City Council in Oka.  They had to do something the city couldn't ignore.  They began a blockade of a small dirt road in The Pines and they maintained it for a few months.  The township of Oka tried to get a court injunction to order its removal.  On July 11, 1990, the Quebec provincial police sent in a large heavily armed force of tactical officers armed with m16s and tear gas and such-like to dismantle this blockade.  The Mohawks met this show of force with a show of their own.  Behind the peaceful protestors, warriors stood armed and ready.     Let me try to give this story some of the air time it deserves.  April 1, 1989, 300 Kanesatake Mohawks marched through Oka to protest against Mayor Jean Ouellette's plan to expand the town's golf course.  On March 10, 1990, --hey, that's my birthday!  the day, not the year-- After Oka's municipal council voted to proceed with the golf course expansion project, a small group of Mohawks barricades the access road.  With a building.  They drug a fishing shack into the Pines and topped it with a banner that read “Are you aware that this is Mohawk territory?” and the same again in French, because Quebec.  There's a picture on the Vodacast app, naturally, as well as a photo called Face to Face is a photograph of Canadian Pte. Patrick Cloutier and Anishinaabe warrior Brad Larocque staring each other down during the Oka Crisis. It was taken on September 1, 1990 by Shaney Komulainen, and has become one of Canada's most famous images.  It really should be more famous outside of Canada, like the lone protestor blocking tanks in Tiananmen Square or 1968 Summer Olympics, Tommie Smith and John Carlos staged a protest and displayed a symbol of Black power during their medal ceremony.  Check it out on Vodacast and let me know if you agree, soc. med.   during the summer of 1990 the Mohawk warrior society engaged in the 78 day armed standoff with the s.q Provincial Police and the Canadian Armed Forces in order to protect an area of their territory from development known as the pines near the town of oka.   This area was used as a tribal cemetery along with other tribal activities important to the Mohawks.  The oka crisis or also known as the Mohawk resistance was a defensive action that gained international attention,  taken by Mohawks of the Kanna Satake reserve along with other Mohawks from the nearby communities of Kanna waka as well as the Aquosasne on a reservation on the American side of the u.s. Canadian colonial border.  It was one of the most recent examples of Native armed resistance that was successful in stopping construction and development on to tribal lands.  So what was being developed that led to this armed confrontation leading to the death of an sq SWAT officer during that hot summer?  Golf.  The town of oka and investors wanted to expand a nine-hole golf course at the Open Golf Club into an 18-hole course as well as build around 60 condominiums into Mohawk territory.  Since 1989 the Mohawks had been protesting these plans for development by the town of oka and investors of the Golf Course expansion.  Seeing that the local courts were not of any help in recognizing Mohawk claims of the land under development, Mohawk protesters and community members held marches rallies and signed petitions.   Eventually the Mohawks set up a barricade blocking access to the development site on a gravel road.  Later on it was occupied mainly by Mohawk women and children OCA's mayor jean wallet one of the nine hole golf course expanded and filed the injunction against the Mohawks. He went into hiding during the oka crisis. [sfx clip] I will occupy this land for what it takes he has to prove it to me that it's his and I will prove it to him that's mine.  Oak is mayor had stated the land in question actually belonged to the town of oka and did not back down from the issue, but instead filed an injunction one of many that had been issued prior to remove the Mohawks from the area and take down the barricades by force if necessary.  if I have to die for Mohawk territory I will but I ain't going alone are you armed no the Creator will provide in anticipation of the raid by the sq mohawks of knesset Aki sent out a distress call to surrounding communiti.  In the Mohawk warrior society from the Aquos austenite reservation and the American side of the Mohawk reserve as well as kana waka have begun filtering into the barricade area with camping gear communications equipment food and weapons.  It's difficult to pin down just who makes up the Warriors society. the leaders an organization you each depending on the circumstances.  the member roles are  treated like a military secret, which is fitting since many or most of the Warriors were veterans, with a particular persistance of Vietnam Marines.   why the Warriors exist is easier to answer   mohawk have closed off the Mercier bridge sparking a traffic nightmare.  Provincial police arrived at dawn secure position in case of Mohawk until 8:00 to clear out.  The natives stood their ground the battle for the barricade started just before nine o'clock on one side heavily armed provincial police bob tear gas and stun grenade power [sfx reporter] a 20-minute gun battle ensued dozens of rounds of ammunition were shot off and then the inevitable someone was hit a police officer took a bullet in the face which proved fatal that seems to turn the tide the police has been advancing until then turned tail and fled leaving six of their vehicles behind.  The Mohawk celebrated when the police left celebrated what they called a victory over the qpm.  Most of the Mohawks each shot that the raid had taken place they said they were angry - angry that a dispute over a small piece of land had ended in violence.  [sfx this clip but earlier] I mean the non-indians that initiated this project of a golf course and then and then trying to take the land away because it's Mohawk clan it's our land there's a little bit left they're sucking the marrow out of our bones.  [sfx this clip, little earlier] we've kept talking in and saying you know what kind of people are you there's children here and you're shooting tear gas at us we're not we're on armed and you're aiming your weapons at us what kind of people are you.     The police retreated, abandoning squad cars and a front-end loader, basically a bulldozer.  They use the loader to crash the vehicles and they push them down the road, creating two new barricades, blocking highway 344.  The Mohawk braced for a counterattack and vowed to fire back with three bullets for every bullet fired at them.  due to the inability of the SQ to deal with the heavily armed Mohawks   The Canadian government called in the Royal Canadian Armed Forces to deal with the Mohawks. As the army pushed further into the Mohawk stronghold there was a lot of tension with Mohawk warriors staring down soldiers getting in their faces taunting them challenging them to put down their weapons and engage in hand-to-hand combat.   this is how the remainder of the siege would play out between the Warriors and Army as there were thankfully no more gun battles. [Music] as the seige wore on and came to an end most of the remaining Warriors as well as some women and children took refuge in a residential treatment center.   instead of an orderly surrender as the army anticipated warriors simply walked out of the area where they were assaulted by waiting soldiers and the police.  50 people taken away from the warrior camp including 23 warriors, but that means right over half the people taken into custody were non-combatants.   by 9:30 that night the army began to pull out, at the end of their two and a half months seige  a number of warriors were later charged by the sq.  5 warriors were convicted of crimes included assault and theft although only one served jail time.  during the standoff the Canadian federal government purchased the pines in order to prevent further development, officially canceling the expansion of the golf course and condominiums.  Although the government bought additional parcels of land for connoisseur taka there has been no organized transfer of the land to the Mohawk people. investigations were held after the crisis was over and revealed problems with the way in which the SQ handled the situation which involved command failures and racism among sq members.   Ronald (Lasagna) Cross and another high-profile warrior, Gordon (Noriega) Lazore of Akwesasne, are arraigned in Saint-Jérôme the day after the last Mohawks ended their standoff. In all, about 150 Mohawks and 15 non-Mohawks were charged with various crimes. Most were granted bail, and most were acquitted. Cross and Lazore were held for nearly six months before being released on $50,000 bail. They were later convicted of assault and other charges. After a community meeting, it was the women who decided that they would walk out peacefully, ending the siege. With military helicopters flying low, spotlights glaring down and soldiers pointing guns at them, Horn-Miller carried her young sister alongside other women and children as they walked to what they thought was the safety of the media barricades.  They didn't make it far before violence broke out. People started running, soldiers tackled warriors, fights broke out and everyone scrambled to get to safety. Up until that point Horn-Miller said she was able to keep her older sister calm by singing a traditional song to her.   LITTLEFEATHER on the night of 27 March 1973. This was when she took the stage at the 45th Academy Awards to speak on behalf of Marlon Brando, who had been awarded best actor for his performance in The Godfather. It is still a striking scene to watch.  Amid the gaudy 70s evening wear, 26-year-old Littlefeather's tasselled buckskin dress, moccasins, long, straight black hair and handsome face set in an expression of almost sorrowful composure, make a jarring contrast.  Such a contrast, that is beggered belief.   Liv Ullman read the name of the winner and Roger Moore made to hand Littlefeather Brando's Oscar, but she held out a politely forbidding hand.  She explained that Brando would not accept the award because of “the treatment of American Indians today by the film industry.”  Some people in the audience applauded; a lot of them booed her, but she kept her calm.  Here, you can listen for yourself.  [sfx clip]  At the time, Wounded Knee, in South Dakota, was the site of a month-long standoff between Native American activists and US authorities, sparked by the murder of a Lakota man.  We're used to this sort of thing now, but on the night, nobody knew what to make of a heartfelt plea in the middle of a night of movie industry mutual masturbation.  Was it art, a prank?  People said Littlefeather was a hired actress, that she was Mexican rather than Apache, or, because people suck on several levels at once, that she was a stripper.  How did this remarkable moment come to pass?   Littlefeather's life was no cake-walk.  Her father was Native American and her mother was white, but both struggled with mental health.  Littlefeather had to be removed from their care at age three, suffering from tuberculosis of the lungs that required her to be kept in an oxygen tent at the hospital.  She was raised by her maternal grandparents, but saw her parents regularly.  That may sound like a positive, but it exposed her to domestic violence.  She once tried to defend her mother from a beating by hitting her father with a broom.  He chased her out of the house and tried to run her down with his truck.  The young girl escaped into a grove of trees and spent the night up in the branches, crying herself to sleep. r   She did not fit in at the white, Catholic school her grandparents sent her to.  At age 12, she and her grandfather visited the historic Roman Catholic church Carmel Mission, where she was horrified to see the bones of a Native American person on display in the museum. “I said: ‘This is wrong. This is not an object; this is a human being.' So I went to the priest and I told him God would never approve of this, and he called me heretic. I had no idea what that was.”  An adolescence of depression and a struggle for identity followed.   Fortunately, in the late 1960s and early 70s Native Americans were beginning to reclaim their identities and reassert their rights.  After her father died, when she was 17, Littlefeather began visiting reservations and even visited Alcatraz during the Indians of all Tribes occupation.  She travelled around the country, learning traditions and dances, and meeting other what she called “urban Indian people” also reconnecting with your heritage.  “The old people who came from different reservations taught us young people how to be Indian again. It was wonderful.”  By her early 20s Littlefeather was head of the local affirmative action committee for Native Americans, studying representation in film, television and sports.  They successfully campaigned for Stanford University to remove their offensive “Indian” mascot, 50 years before pro sports teams like the Cleveland Indians got wise.  At the same time, white celebrities like Burt Lancaster began taking a public interest in Native American affairs.  Littlefeather lived near director Francis Ford Coppola, but she only knew him to say hello.  Nonetheless, after hearing Marlon Brando speaking about Native American rights, as she walked past Coppola's house to find him sitting on his porch, drinking ice tea.  She yelled up the walk, “Hey! You directed Marlon Brando in The Godfather” and she asked him for Brando's address so she could write him a letter.  It took some convincing, but Coppola gave up the address.   Then, nothing.  But months later, the phone rang at the radio station where Littlefeather worked.  He said: ‘I bet you don't know who this is.'  She said, “Sure I do.  It sure as hell took you long enough to call.”  They talked for about an hour, then called each other regularly.  Before long he was inviting her for the first of several visits and they became friends.  That was how Brando came to appoint her to carry his message to the Oscars, but it was hastily planned.  Half an hour before her speech, she had been at Brando's house on Mulholland Drive, waiting for him to finish typing an eight-page speech.  She arrived at the ceremony with Brando's assistant, just minutes before best actor was announced.  The producer of the awards show immediately informed her that she would be removed from the stage after 60 seconds.  “And then it all happened so fast when it was announced that he had won.  I had promised Marlon that I would not touch that statue if he won. And I had promised [the producer] that I would not go over 60 seconds. So there were two promises I had to keep.”  As a result, she had to improvise.   I don't have a lot of good things to say about Marlon Brando --he really could have had a place in the Mixed Bags of History chapter of the YBOF book; audiobook available most places now-- but he had Hollywood dead to rights on its Native Americans stereotypes and treatment, as savages and nameless canon fodder, often played by white people in red face.  This was a message not everyone was willing to hear.  John Wayne, who killed uncountable fictional Natives in his movies, was standing in the wings at that fateful moment, and had to be bodily restrained by security to stop him from charing Littlefeather.  For more on Wayne's views of people of color, google his 1971 Playboy interview.  Clint Eastwood, who presented the best picture Oscar, which also went to The Godfather, “I don't know if I should present this award on behalf of all the cowboys shot in all the John Ford westerns over the years.” In case you thought fussing out an empty chair was the worst we got from him.  When Littlefeather got backstage, people made stereotypical war cries and tomahawk motions at her.  After talking to the press --and I can't say I'm not surprised that event organizers didn't spirit her away immediately -- she went straight back to Brando's house where they sat together and watched the reactions to the event on television, the ‘compulsively refreshing your social media feed' of the 70's.   But Littlefeather is proud of the trail she blazed. She was the first woman of colour, and the first indigenous woman, to use the Academy Awards platform to make a political statement. “I didn't use my fist. I didn't use swear words. I didn't raise my voice. But I prayed that my ancestors would help me. I went up there like a warrior woman. I went up there with the grace and the beauty and the courage and the humility of my people. I spoke from my heart.”  Her speech drew international attention to Wounded Knee, where the US authorities had essentially imposed a media blackout.  Sachee Littlefeather went on to get a degree in holistic health and nutrition, became a health consultant to Native American communities across the country, worked with Mother Teresa caring for Aids patients in hospices, and led the San Francisco Kateri Circle, a Catholic group named after Kateri Tekakwitha, the first Native American saint, canonized in 2012.  Now she is one of the elders transmitting knowledge down generations, though sadly probably not for much longer.  She has breast cancer that metastasized to her lung.  “When I go to the spirit world, I'm going to take all these stories with me. But hopefully I can share some of these things while I'm here.  I'm going to the world of my ancestors. I'm saying goodbye to you … I've earned the right to be my true self.”   And that's...Rather than being taken to the hospital for the stab wound a centimeter from her heart, Waneek and the other protesters were taken into custody.  Thankfully, she would heal just fine and even went on to become an Olympic athlete and continued her activism.  And little Tio?  She grew up to be an award-winning actress, best known in our house for playing Tanis on Letterkenny.  Season 10 premier watch party at my house.  Remember….Thanks...       Sources: https://www.history.com/news/how-boarding-schools-tried-to-kill-the-indian-through-assimilation http://www.nativepartnership.org/site/PageServer?pagename=airc_hist_boardingschools https://www.npr.org/templates/story/story.php?storyId=17645287 https://hairstylecamp.com/native-american-beard/ https://www.theguardian.com/us-news/2021/jun/03/i-promised-brando-i-would-not-touch-his-oscar-secret-life-sacheen-littlefeather https://www.cbc.ca/radio/unreserved/reflections-of-oka-stories-of-the-mohawk-standoff-25-years-later-1.3232368/sisters-recall-the-brutal-last-day-of-oka-crisis-1.3234550 https://www.thecanadianencyclopedia.ca/en/article/oka-crisis https://www.youtube.com/watch?v=ArOIdwcj2w8 https://www.history.com/news/native-american-activists-occupy-alcatraz-island-45-years-ago  

In the thirteenth episode of Season 4 (The Horror, The Horror) Kyle is joined by screenwriter David Gutierrez and novelist Samuel Cullado to discuss the haunting personal portrait of a compromised artist's relationship lost to the chasm of madness and mental deterioration in Ingmar Bergman's Hour of the Wolf.

Paddel eller tennis-Masturbation eller A real fuck!? Välj du! Ellen påverkas av Bergmans demoner på Fårö och inkarnerar Liv Ullman i "Scener ur ett äktenskap". Vi bjuder in till en dödsdans, Tanja spårar ur på Arlanda och får ett mental breakdown i Marbella. Men vem registrerar oss? Så att man inte får växla pengar eller handla på nätet? Ibland finns det tillfällen, då någon fattas oss, då någon borde ha varit där, då saknaden gör så ont så att man måste lämna rummet. Grattis Annika på din 50-årsdag. Och hur fan kan så många vara så j*vla dåliga? "Indien, den slumrande jätten". När kommer jätten resa sig i OS-sammanhang? Höstsamlingen - den ultimata förnedringen...jag är med! jag är med! Nej! Du är inte med. Du måste flytta på dig! Nu duschar vi bort sanden ur håret, rycker hårstråna på hakan, fixar formen så att vi kommer i kostymbrallorna, vi är redo och taggar för hösten! Är du med? Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Existe una maldad que no se puede explicar, virulenta, terrorífica, y los seres humanos son los únicos animales que la poseen.” Ingmar Bergman Andreas vive como un ermitaño, retirado de la vida social, alejado de su pasado, de un matrimonio roto y una serie de problemas legales que le han llevado a prisión en una corta condena. Pasa sus días y sus noches en medio de un entorno bucólico y luminoso, de soledad buscada, en la isla de Faro. Los tonos neutros, grises y ocres de la fotografía de Sven Nikvist envuelven unas existencias a la deriva, seres que quieren amar, rehacer sus vidas, más allá de las mentiras, las encrucijadas y las tendencias autodestructivas de cada uno de ellos. Andreas saluda a Johannes, el hombre solitario y enfermo que apenas puede realizar sus labores diarias porque le cuesta respirar, será acusado de maltratar con sadismo a los animales de la zona, linchado injustamente ya que es inocente, el transversal personaje interpretado por Erik Hell, tan víctima como las ovejas degolladas por un loco, cabeza de turco de la sociedad que vive en la isla. Dos enormes monólogos en un primer plano invasivo se interpolan en el film. El de Liv Ullman, recordando su familia, su accidente, y el de Max Von Sydow, el de un hombre sin esperanza, con los ojos más tristes que uno pueda recordar, afirmando que todos los verdugos y las víctimas del mundo están condenados En la isla también vive un matrimonio como muchos, aparentemente feliz. Él, un arquitecto cínico y dedicado a su trabajo, -Erland Josephson-, ella, vacía, aburrida. Como en los Seis personajes en busca de autor de Pirandello, a Bergman se le ocurrió distanciarse de la ficción mediante cuatro intervenciones de los propios actores hablando sobre sus personajes, ya lo hizo antes también Godard en “La China”, y también mediante un narrador exterior que interviene en momentos puntuales y claves de lo acontecimientos. En la primera parte, la fugaz relación de Von Sydow con Bibi Andersson tiene lugar una noche que el marido está de viaje por temas laborales. Eva resulta un personaje mucho más humano que su amiga Anna, más moralista, con un eterno sentimiento de culpa. Remordimientos que Bergman deja en suspenso en un final descorazonador. La cámara se acerca a un hombre sin rumbo, cae al suelo y grita, los colores se saturan y se granula la pantalla. El narrador, el mismo Bergman, afirma: En esta ocasión se llamaba Andreas Winkelman. La vida de un hombre más, como la de todos los hombres, cautivos de sus miedos y sus remordimientos Esta noche intentamos reparar el tejado de nuestra casa y vislumbramos un parhelio en el cielo... Zacarías Cotán, Salvador Limón y Raúl Gallego

Can you guess the theme of this episode? The Thots dive into Ingmar Bergman’s “Scenes From a Marriage” (1973) and its descendant, Noah Baumbach’s “Marriage Story” (2019) and how they tackle the same theme in their own uniquely brilliant ways. Expect a lot of gushing over Liv Ullman and Laura Dern, a breakdown of each film’s writing and visual styles and how each thot sees their own childhoods reflected to them in these films.

Here comes a fun "crossover" episode, in which your Book XChange co-hosts go multimedia and talk about some of their favorite (and maybe not-so-favorite) book-to-movie adaptations. The brothers discuss the challenges and opportunities that come with adapting a well-known or beloved book for the screen, and kick around a broad assortment of choices - some very famous, others a little more obscure. What makes an adaptation truly noteworthy and interesting? What are some of your favorite films made from books? What are some of the reasons book adaptations fail? All of this, plus plenty of movie recommendations to fill your queues or satisfy your quarantine viewing needs, are coming your way in lucky Episode 13 of the Book XChange podcast... MOVIE ADAPTATIONS DISCUSSED/RECOMMENDED IN THIS EPISODE (and what they're adapted from): 'No Country for Old Men,' directed by the Coen Brothers (from the Cormac McCarthy novel); 'True Grit,' directed by the Coen Brothers (from the Charles Portis novel); 'Silence,' directed by Martin Scorsese (from the Shusaku Endo novel); 'Hugo,' Martin Scorsese (from the Brian Selznick novel); 'Shutter Island,' Martin Scorsese (from the Dennis Lehane novel); 'The Age of Innocence,' Martin Scorsese (from the Edith Wharton novel); 'The Assassination of Jesse James by the Coward Robert Ford,' Andrew Dominik (from the Ron Hansen novel); 'Master and Commander: The Far Side of the World,' by Peter Weir (from multiple Patrick O'Brian novels); 'The Grapes of Wrath,' John Ford (from the John Steinbeck novel); 'The Sister Brothers,' Jacques Audiard (from the Patrick deWitt novel); 'The Road,' John Hillcoat (from the Cormac McCarthy novel); 'The Big Short,' Adam McKay (from the Michael Lewis non-fiction book); 'The Shining,' Staley Kubrick (from the Stephen King novel); '2001: A Space Odyssey,' Stanley Kubrick (from the Arthur C. Clarke novel); 'Barry Lyndon,' Stanley Kubrick (from the William Makepeace Thackeray novel); 'A Clockwork Orange,' Stanley Kubrick (from the Anthony Burgess novel); 'Rosemary's Baby,' Roman Polanski (from the Ira Levin novel); 'Oliver Twist,' Roman Polanski (from the Charles Dickens novel); 'Death and the Maiden,' Roman Polanski (from the Charles Dickens novel); 'Carnage,' Roman Polanski (from the Yasmina Reza play); 'The Innocents,' Jack Clayton (from the Henry James novella 'The Turn of the ' - adaptation written by Truman Capote); 'Ran' and 'Throne of Blood,' Akira Kurosawa (from the William Shakespeare plays); 'High and Low,' Akira Kurosawa (from the Ed McBain novel 'King's Ransom'); 'Roshomon,' Akira Kurosawa (from the Ryūnosuke Akutagawa short story); 'Enemy,' Denis Villenueve (from the Jose Saramago novel 'The Double'); 'Dune,' Denis Villenueve (from the Frank Herbert novel); 'Arrival,' Denis Villenueve (from the Ted Chiang short story 'Story of Your Life'); 'Fantastic Mr. Fox,' Wes Anderson (from the Roald Dahl novel); 'The Iron Giant,' Brad Bird (from the Ted Hughes novel 'The Iron Man'); 'A Scanner Darkly,' Richard Linklater (from the Philip K. novel); 'Bernie,' Richard Linklater (from the Texas Monthly article 'Midnight in the Garden of East Texas' by Skip Hollandsworth); 'Fast Food Nation,' Richard Linklater (from the non-fiction book by Eric Schlosser); 'In Cold Blood,' Richard Brooks (from the non-fiction book by Truman Capote); 'Adaptation,' Spike Jonze (from the non-fiction book 'The Orchid Thief' by Susan Orlean - adaptation written by Charlie Kaufman); 'Kristin Lavransdatter,' Liv Ullman (from the trilogy by Sigrid Undset); Planned next episode of the Book XChange podcast: We discuss some of our favorite Nobel Prize for Literature winners!

In Zandman geloven we dat verhalen troost kunnen bieden en schoonheid brengen. En die schoonheid wordt u aangeboden door de prachtige actrice Joke Devynck, zij leest voor uit de biografie van die andere prachtige actrice Liv Ullman, getiteld Veranderen.

Ingmar Bergman's 1968 film Hour of the Wolf is his brilliant delve into horror, starring Max Von Sydow as an artist losing his mind and Liv Ullman as his long suffering wife, living together on a remote island that seems to be aiming to drive them apart and insane. An incredible look at marriage, insanity, fame and filmmaking itself. Support the show (https://www.patreon.com/HorrorMovieSurvivalGuide)

Bergman och kvinnorna är ett bekant begrepp. Men några det kanske talats för lite om är den kvinnliga publiken. Ulrika Knutson har grävt i arkiven och sett hur regissören aktivt sökte upp den. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Damernas Bergman, när blev han det? Tidigt. Redan i slutet av fyrtiotalet framstår Ingmar Bergman som demonisk kvinnotjusare. Den bilden gillade han själv, och den tyckte publiken om. Som till stor del bestod av kvinnor. Men vad man inte riktigt vetat är hur målmedvetet Bergman närmade sig den kvinnliga publiken; vårdade den och gjorde sig tillgänglig för den, famförallt i veckotidningarna. Mellan 1959 och -61 tryckte Allers hans manus till Kvinnors väntan, En lektion i kärlek, Kvinnodröm, Det sjunde inseglet, Ansiktet, Djävulens öga, och För att inte tala om alla dessa kvinnor. 1956 svarar han villigt på en enkät i Bildjournalen: Vad anser Ni om kvinnor? SVAR: "Alla kvinnor gör intryck på mig: Gamla, unga, stora, små, långa, korta, feta, magra, tunga, lätta, fula, vackra, söta, ruskiga, levande, döda. [...] Jag uppskattar kvinnor: apor kattor, kossor, hyndor rovdjur. Ödlor och giftiga reptiler, jag tycker också illa om kvinnor, skulle gärna slå ihjäl en och annan eller bli ihjälslagen själv! Men Damernas värld är min värld, jag klarar mig dåligt i den men jag vet ingen annan, i varje fall ingen bättre." Han gör inte våld på sig i den enkäten. Tänk på gossen Sebastian i Fanny och Alexander, som spanar på pigorna när de badar, eller när de fina kusinerna klär om i Smultronstället; fraset av sidentyger, knäppningar av hyskor och hakar, fnisset från kvinnovärldens tusen och en hemligheter. Strindberg i all ära, i det här fallet brås Bergman på  Henrik Ibsen: "En man är lätt att studera, men med en kvinna blir man aldrig färdig. Hon är havet, vars djup ingen kunnat pejla." Han första musor var mormor Anna och mamma Karin, som   suckar i sin dagbok: "Vad blir det av Ingmar till sist, som ständigt går fram över de människors hjärtan, som älska honom?" Han sög blod och märg ur sin familj. Konstnären som vampyr, som Strindberg talade om. Man kan också säga att han gnagde på sitt eget ben, som en gammal hund. Han insåg tidigt att jaget innehöll konstnärlig näring, men inte  nödvändigt biografisk sanning. I självbiografin Laterna Magica ljuger han som en häst travar. Han föds sjuk och ämlig och nöddöps på BB? Inte alls, det var hans mamma som hade influensa. Han skapade en dramatisk barndom åt sig. Att det var storebror Dag som fick stryk lämnade lillebror därhän. Han hängde ändå ut sig själv, och alla andra, vänner och fruar. De lät honom hållas, och han samlade sina ex-kvinnor i en tät krets, en konstnärlig storfamilj. Han hade den sällsynta talangen att bli god vän med sina gamla flammor. Alex Schulmans morfar, den passionerade kritikern Sven Stolpe, borde som from katolik ha ogillat Ingmar Bergmans erotiska framfart, men så här skrev han 1959, när Bergman blivit chef för Dramaten: "Förmodligen beror Ingmar Bergmans förmåga att skapa stora skådespelerskor helt enkelt på att han förälskar sig i dem. - Bergmans entré i detta sköna stall av ädla ungdjur kommer att bli något av en sensation. Där kommer att flyta blod. Men stor konst kommer att födas!" Jojo. Bergman öppnade generöst dörren för hemma hos-reportrar och fotografer. Och hans åsikter är inte kontroversiella för den breda publiken, snarast inställsamma: "Skådespelarna ska vara tacksamma mot publiken som kommer över huvud taget, de står och faller med publiken. Att vara tråkig på teatern är en dödssynd! Och han vet precis vilka ord som ger rubriker:"Källarteater är självbefläckelse" är en av de roligare. Och han delar med sig av sina manuskript. Inte i små smala kulturtidskrifter, utan i Allers! Mellan 1959 och -61 tryckte Allers hans manus till Kvinnors väntan, En lektion i kärlek, Kvinnodröm, Det sjunde inseglet, Ansiktet, Djävulens öga, och För att inte tala om alla dessa kvinnor. På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. Som ung hade Ingmar Bergman knappast tänkt sig en framtid som folklig. Han skrev poesi, och led av samma fyrtiotalsångest som alla de andra grabbarna. Han beundrade Lars Ahlin, Erik Lindegren och Stig Dagerman för deras tungsinne. Men som ung författare blev han refuserad, och ilsknade till. Då häcklade han finpoeterna, "som livnär sig på förskott, har upplagor om 300, aldrig behöver se publiken i vitögat, än mindre lida av deras hostningar och prassel" Lättad gick han till teaterns och filmens värld, "horeri- och slakteri-branschen" och vek ut sig, inte minst för den kvinnliga publiken. Han var kanske ingen Åsa-Nisse men likafullt en svensk profil. Kärleksfullt parodierad redan på sextiotalet, i Mosebacke monarki. Där hette han Nisse Pärlemo, hade basker, stammade svårt och sprängde ideligen sexvallen. I efterhand blir det tydligt att Ingmar Bergman var känslig för rörelserna i folkhemsdjupet. Efter Scener ur ett äktenskap, där Liv Ullman och Erland Josephson grälade och grät sig in i våra liv, steg skilsmässofrekvensen och köerna till äktenskapsrådgivningarna tredubblades. Bergmanvärlden är alltså inte immun mot kvinnofrigörelsens våldsamma sparkar. Och vad betydde det att han samarbetar tätt med en spränglärd särartsfeminist som Ulla Isaksson, inläst på Ellen Key och Elin Wägner? Deras kvinnosak skymtar också i Bergmanvärlden. Som i förlossningsfilmen Nära livet från 1958. Bergman vittnar: Jag hade fem egna barn, men hade aldrig sett en förlossning. Men nu: En sal med sex nyförlösta mödrar och nyfödda barn. Svällande bröst, sura mjölkskvättar, det muntert och djuriska i hanteringen. Jag mådde illa och tvangs relatera till egna erfarenheter som evigt handfallen, evigt flyende pappa." I filmen sparar han inte på effekterna. Nära livet marknadsfördes nästan som en skräckfilm. Folk svimmade i bänkarna. Rekordet slogs i Bergen i Norge, där åtta människor tuppade av under en och samma föreställning. Men under skräckeffekterna finns en stark film om kvinnor och patriarkal dubbelmoral. Och så något annat Bergman återkom till gång på gång: "Jag tycker bättre om att jobba med tjejer. På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. För att ställa sig in försäkrar Bergman att han läser allt vad Kerstin skriver. Än är det några år kvar till Det mest förbjudna. Kerstin Thorvall är samhällsmedveten och prövar en underskruv: Vänsterungdomarna tycker att du är för privat? Det är klart att jag är privat. Om jag inte vore privat skulle jag inte kunna nå någon annan människa. Men jag vill inte säga något ont om den unga vänstern. Tvärtom. Jag är djupt gripen av deras patetiska renhjärtenhet! Arme man. På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. Själv har jag intervjuat Ingmar Bergman några gånger. Jag har hört honom tala med värme om Ulla Isaksson och hennes intresse för Elin Wägner. Till min förtjusning berättade han att han och Ulla Isaksson hade planer på att göra film om Fogelstadgruppen och Kvinnliga Medborgarskolan, dessa rösträttskämpar och feministiska pionjärer! Antagligen ställde han sig in, precis som i samtalet med Kerstin Thorvall. Men road var han.   Men jag har också stött på hans berömda intuition som motståndare. Han skulle då sätta upp Lång dags färd mot natt på Dramaten. Att döma av repetitionerna tänkte han tona ner alla möjligheter till irländsk buskis skämten skulle hållas kort. Detta sa jag inte högt, men jag tänkte det inom mig. Då högg Bergman som en kobra: Sitter du där och tolkar före premiär, det ska du ge fan i! Jag hann känna det som en ilning: Det är sant, han kan se vad man tänker se in i huvudet på folk På något sätt är det som om det vore bättre material i tjejer" säger han 1971 till en förtjust Kerstin Thorvall, i Damernas värld. med stora bokstäver! Då log han, och såg så snäll och farbroderlig ut igen, som om ingenting hade hänt. Ulrika Knutson, journalist och författare

Isabella Eklöfs långfilmsdebut Holiday har redan låtit tala om sig som ett starkt och rått drama. På Dramaten spelas Linn Ullmans De oroliga som fars. Så bjuder P1 Kultur på kulturtips: Bäst just nu! Vissa filmer låter tala om sig redan innan de har fått premiär. Isabella Eklöf var medförfattare till filmen Gräns, när nu hennes egna regidebut Holiday har premiär så har förhandssnacket handlat mycket om det explicita sexuella våldet. De oroliga av Linn Ullman var en roman med tydligt självbiografiska inslag där hon för samtal med en far (Ingmar Bergman) mot slutet av hans liv och där en mor (Liv Ullman) är den hyllade skådespelerskan som inte klarar av modersrollen. Nu har den blivit teater på Dramaten i Stockholm, Jenny Teleman kallar den något överraskande för en fars. På söndag utses Sveriges Radios och Utbildningsradions Barnens Bokpris för 2018. Idag kan ni höra det sista jurysamtalet. Det är fredag och P1 Kultur korar: Bäst just nu! Veckans kulturtips. I Klassikern utser Mårten Blomkvist världens mest spännande film: Fruktans lön. Programledare: Roger Wilson Producent: Gunnar Bolin

Liv Ullman, Il club dei 27 e il ricordo di Angelo Ragusa

Vi slår oss ner i soffan och tittar på Ingmar Bergmans enda skräckfilm Vargtimmen från 1968. Tomas myser åt Max von Sydows sensuella skådespel och Lars avfärdar bryskt valda delar av den samtida filmkritiken. Vi pratar också om: Motorsågsmassakern, Blair Witch Project, Persona, Liv Ullman, Linn Ullman, Exorcisten, Hovs hallar, Det sjunde inseglet, Titanic, Hellraiser, Varanteatern, Nordic noir, The Woman in Black, Erland Josefsson, Bilder, Ansiktet, Vogler, Bela Lugosi, Georg Rydberg, O ewige Nacht, Trollflöjten, Mozart, Svenska Dagbladet, Carl Henrik Svenstedt, Scener ur ett äktenskap, Göran Hägg, Laterna magica, Gunnar Ekelöf, Pontiak Johansson, Leonardo di Caprio, Daniel Humphrey, Tjechov, tysk expressionism, Aftonbladet, Jurgen Schildt, När lammen tystnar, Dante Alighieri, Den gudomliga komedin, Besökarna och Candyman. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Ensamhetens styrka och svaghet i Linn Ullmans nya roman, amerikanskt uppror när vi möter Jamaica Kincaid och så träffar vi den japanska poeten Hiromi It. "Att se, att minnas, att begripa."Så lyder första meningen i Linn Ullmans nya roman "De oroliga." Berättelsen är en genreöverskridande roman som pendlar mellan fiktion och självbiografi. Om en flickas barndom, stark kärlek, ensamhet, och hur det var att växa upp med Ingmar Bergman som pappa och Liv Ullman som mamma. Det blir ett samtal om bland annat ensamhetens stryka, komplicerad moderskärlek och de ljudinspelningar som hon gjorde med sin pappa Ingmar Bergman innan han dog.I helgen drar även Stockholm Literature festival igång. Vi träffar den amerikanska författaren Jamaica Kincaid. Och så är den japanska poeten Hiromi It här och berättar om sin diktsamling "Gratulerar till din förgörelse".Musiken som spelas i programmet hittar du på vår egna Spotify-spellista, dit når du enklast genom att följa nedan externa länk! Om du vill kan du också prenumerera på listan (gratis, såklart), så får du alltid veta när vi lägger till mer ny musik från programmet.

** Mer sprit og mindre kunst på Gardermoen - nytt terminalbygg åpnet i går, men har bare brukt halvparten så mye penger på kunst som resten av bygget. ** Liv Ullman og Arve Tellefsen med flere - kultureliten i Trondheim raser mot planer om ny messehall på Nidarø: ** Og Fredagspanelet diskuterer - amandapriser, maktmennesker, og om man skal kunne sparke ut kulturskoleelever med dårlig progresjon...

** Mer sprit og mindre kunst på Gardermoen - nytt terminalbygg åpnet i går, men har bare brukt halvparten så mye penger på kunst som resten av bygget. ** Liv Ullman og Arve Tellefsen med flere - kultureliten i Trondheim raser mot planer om ny messehall på Nidarø: ** Og Fredagspanelet diskuterer - amandapriser, maktmennesker, og om man skal kunne sparke ut kulturskoleelever med dårlig progresjon...

Vi driv å... blant anna hylle Liv Ullman. Om den nye regjeringa. Om faren til Donald Trump. Svenskhørna

"Siempre me he sentido en medio de dos voces; las voces de las monjas que decían: eso no lo hace una buena chica y las voces de las feministas que decían; eso no lo hace una mujer libre" (Liv Ullman, actriz) Con muchas ganas de provocar y altas expectativas subversivas te proponemos este segundo trayecto por el mundo de los márgenes, que no de la marginalidad, poética; donde las fronteras entre escribir y resistir se difuminan; aunque Javier Erro , nuestro primer invitado, sea muy escéptico con la idea" de que la poesía es un arma cargada de futuro". Él es el autor de dos poemarios que analizaremos en el programa "Coser sin Máquina" y "Los hombres de verdad" dos poemarios críticos a medio camino entre la reflexión y el diagnóstico que nos darán para hablar de política, triburbanismo y género desde un punto de vista que huye del políticocorrectismo y pone el dedo en llaga, o mejor dicho, en el oído de aquellos lugares amables en los que las izquierdas bienpensantes suelen dejar aparcadas sus opiniones manidas. Tomando una carretera secundaria y con la noche ya encima, a ritmo de blues nos desviaremos hacia la América de los años 60. Con referentes musicales y literarios que van desde Robert Johnson, Woody Gurthie, Panero y Kerouac; Adrián Bernal ha publicado dos poemarios que atraviesan paisajes exteriores que buscan un eco interno: "Veintinueve días de Abril y Marzo" y "Todas las ciudades del fuego". Hablaremos con él de cultura contemporánea,de la escritura como forma de resistencia cotidiana y de los artículos que escribe en la sección culturas del periódico Diagonal donde se mezclan influencias artísticas y políticas; Bolaño con las guerrillas mexicanas de los setenta o el sub comandante Marcos con V de Vendetta. Inclasificables, eclécticos, laberínticos y atrevidos te invitamos a que te sumes a este viaje donde queremos convertir las palabras en un cóctel químico que en lugar de alejarnos de la realidad nos haga penetrar en el epicentro de sus tejidos.

Kino besöker Göteborgs filmfestival och sänder direkt från Radiohuset på Hisingen. Vi umgås med Filip och Fredrik, får regitips av Liv Ullman och träffar dokumentärfilmaren Joshua Oppenheimer som gjort en uppföljare till sin epokgörande film The Act of Killing. The Act of Killing beskrev de bestialiska morden på misstänkta kommunister i Indonesien i mitten av sextiotalet, iscensatta i teaterliknande tablåer av förövarna själva. Nu är Joshua Oppenheimer alltså tillbaka med en variant på samma tema, men den här gången med offren i fokus - i The Look of Silence. Komikerna Filip Hammar och Fredrik Wikingsson medverkar på festivalen med filmen Trevligt folk - om konsten att lösa integrationsproblem med bandyklubbor. För Saman Bakhtiari berättar de om hur de ser på begreppet loudness - hur de bestämde sig för att använda sitt kändisskap kombinerat med en osannolik idé, i arbetet med att förändra världen, eller åtminstone Borlänge. Kinos reporter Emma Engström berättar om filmbranschens försök att analysera publikens behov och kraven på samtida releaser av filmer på biograf och på andra plattformar. Svenska filminstitutet har precis släppt en rapport som undersöker saken, intervju med Torkel Ståhl från sfi. Liv Ullman berättar för Kinos reporter Mia Gerdin om varför hon tycker att det är så viktigt att låta en skådespelare få komma till punkt, något hon tillämpat i regiarbetet med sin film Miss Julie som visas på festivalen. En film som bygger på Strindbergs pjäs och med Jessica Chastain från Interstellar i rollen som Fröken Julie. Och så har Fredrik Wadström fördjupat sig i festivalens Europatema och berättar bland annat om filmen Waiting for August om en frånvarande sjubarnsmamma, gjord av den rumänsk-belgiska regissören Theodora Ana Mihai. Programledare: Saman Bakhtiari Producent: Nina Asarnoj

Xavier Dolan sits with the Film Society's deputy director Eugene Hernandez to discuss his new film, Mommy, which opens at the Film Society on January 23rd. The discussion took place as part of our ongoing Free Talks series here at The Film Society of Lincoln Center, which is sponsored by HBO. Recent guests of the program have included Jay and Mark Duplass, and Liv Ullman. Stay tuned at filmlinc.com for information on upcoming events. This podcast is brought to you by The Film Society of Lincoln Center. Film Lives Here. For more information, visit http://www.filmlinc.com/

After a long delay, our triumphant return! And there's no better way to make a splash on the Internet than to return with our 3rd annual Summer Blockbuster Challenge. Matt and Tom pick 5 Summer 2013 Blockbusters each, trying to see who can choose the biggest box office winners. Tom is still undefeated, winning the crown in both 2011 and 2012. Who is going to pick the flop this year?

Inom kort beslutar den brittiska högsta domstolen om Wikileaksgrundaren Julian Assange ska utlämnas till Sverige. Nu kommer hans självbiografi ut på svenska. Assange bandade över femtio timmar samtal med sin spökskrivare, men efter att ha läst det första utkastet hoppade han av. Hur ska man förhålla sig till en biografi som ges ut mot huvudpersonens uttryckliga vilja? Ger boken en ny bild av Assange och Wikileaks? Ulrika Knutson, ordförande för Publicistklubben, Sören Sommelius, kulturredaktör på Helsingborgs Dagblad och Isabelle Ståhl, litteraturansvarig på Nöjesguiden, har läst "Memoarer är prostitution". Ulrika Knutson är också en av de svenska journalister som nu påstås ha kartlagts av Wikileaks. Hör henne kommentera de uppgifterna. En av våra allra största skådespelare har dött. Nya Vågen minns den mångsidige Erland Josephson tillsammans med teaterkritikern Leif Zern, kulturradions Lars Lönroth och kulturjournalisten Ulrika Knutson. Lars Lönroth intervjuade Liv Ullman om kollegan och vännen Erland Josephson under Bergmanveckan på Fårö 2010. Och så låter vi kulturpanelen med Mona Masri, Tor Billgren och Josefine Adolfsson titta närmare på kulturveckan som har gått. Programledare: Lena Birgersdotter. P1, tisdag 28 februari 14:03 och onsdag 29 februari 18:15.

Den svenska filmhösten innehåller både animerade självmordsförsök, gengångare och kanske 2000-talets Mitt liv som hund. Roger Wilson varit på Malmö filmdagar och träffat Hannes Holm aktuell med "Himlen är oskyldigt blå" om knarkbrott i skärgårdsmiljö, Lisa Langseth som långfilmsdebuterar med passionsdramat "Till det som är vackert" och Peter Schildt som gjort en girlpowerfilm från högstadiegolvet: "Tusen gånger starkare". En annan av höstens filmer är den animerade "Fröken Märkvärdig och karriären" som bygger på Joanna Rubin Drangers seriebok med samma namn. I programmet hör vi Vanna Rosenberg förklara hur hon lyckats ge den plågade Fröken Märkvärdig röst. Och så berättar Puss-regissören Johan Kling om hur han botade sin ungdomsångest med hjälp av Ingmar Bergmans "Sommarnattens leende". Dessutom återupprättar vi en annan Bergmanfilms skamfilade rykte. Liv Ullman berätar om inspelningen av "Ormens ägg" i München 1977. Programledare: Roger Wilson. Den svenska filmhösten innehåller både animerade självmordsförsök, gengångare och kanske 2000-talets Mitt liv som hund. Roger Wilson har varit på Malmö filmdagar och träffat Hannes Holm och Peter Dalle, aktuella med "Himlen är oskyldigt blå" om knarkbrott i skärgårdsmiljö, Lisa Langseth som långfilmsdebuterar med passionsdramat "Till det som är vackert" och Peter Schildt som gjort en girlpowerfilm från högstadiegolvet: "Tusen gånger starkare". En av höstens filmer är den animerade "Fröken Märkvärdig och karriären" som bygger på Joanna Rubin Drangers seriebok med samma namn. I programmet hör vi Vanna Rosenberg förklara hur hon lyckats ge den plågade Fröken Märkvärdig röst. Och så berättar Puss-regissören Johan Kling om hur han botade sin ungdomsångest med hjälp av Ingmar Bergmans "Sommarnattens leende". Dessutom avslöjar Liv Ullman Bergmans egen ångest över ett enormt kulissbygge vid inpelningen av "Ormens ägg" i München 1977, i veckans Kino-klassiker. Programledare: Roger Wilson.