Podcast appearances and mentions of Walt Disney Studios

In episode #440 of The Hormone Puzzle Podcast, our guest, Lindsay Chu, talks about The Hidden Factors That Shape Egg Quality and Embryo Development. More about Lindsay Chu: Lindsay Chu is an Embryologist, Fertility Optimization Coach, and Reproductive health strategist who blends clinical science with whole body wellness to help individuals and couples finally understand what their fertility is telling them. She began her career at Walt Disney Studios as a personal trainer, group fitness director, and nutritionist before earning her Master's in Reproductive Clinical Science and transitioning fully into reproductive health. Lindsay has worked inside some of the most respected fertility centers in the country, including CCRM and Kindbody, across their embryology, andrology, and endocrinology laboratories. This experience gave her a front row understanding of what truly influences egg quality, sperm health, embryo development, and implantation success. After seeing how many patients felt confused, dismissed, and unsupported between appointments, Lindsay founded OVAHaul. Her goal was to create a science based, compassionate space where people could access clear guidance on the modifiable factors that impact fertility. OVAHaul was built to close the gap between clinical treatment and whole body optimization and to give patients the understanding, structure, and strategy they often never receive in traditional care. Today, Lindsay brings her clinical perspective and coaching experience together to help women and couples strengthen the factors that matter most. She focuses on inflammation, metabolic health, environmental exposures, immune triggers, stress physiology, and mitochondrial function. Her approach empowers those who feel overwhelmed or unheard and gives them clarity, a personalized plan, and renewed confidence as they prepare for conception, IUI, or IVF. Thank you for listening! This episode is brought to you in partnership with Juno. You can  check out Juno Fertility in the App Store and Play Store and use the code DRKELA10 for 10% off at checkout. Follow Lindsay on Instagram: @‌lindsayatovahaul Get FREE access to The OVA-Haul Newsletter HERE. Follow Dr. Kela on Instagram: @‌kela_healthcoach Get your FREE Fertility Meal Plan: https://hormonepuzzlesociety.com/ FTC Affiliate Disclaimer: The disclosure that follows is intended to fully comply with the Federal Trade Commission's policy of the United States that requires to be transparent about any and all affiliate relations the Company may have on this show. You should assume that some of the product mentions and discount codes given are "affiliate links", a link with a special tracking code This means that if you use one of these codes and purchase the item, the Company may receive an affiliate commission. This is a legitimate way to monetize and pay for the operation of the Website, podcast, and operations and the Company gladly reveals its affiliate relationships to you. The price of the item is the same whether it is an affiliate link or not. Regardless, the Company only recommends products or services the Company believes will add value to its users. The Hormone Puzzle Society and Dr. Kela will receive up to 30% affiliate commission depending on the product that is sponsored on the show. For sponsorship opportunities, email HPS Media at media@hormonepuzzlesociety.com

Welcome to Watch. Review. Repeat. This is the podcast where two best friends discuss the latest in film and television and then do it all over again the following episode! For the second year in a row, special guest Dalton Brown was in Las Vegas for CinemaCon and joins Colton and Andrew to discuss all of the films shown off by the major Hollywood studios and everything else that went down at CinemaCon 2026! 00:00:00 - Episode Teaser/Intro Music/Opening 00:04:07 - Andrew's Mythology Trivia Question of the Episode! 00:07:17 - CinemaCon: What Is It? 00:12:11 - Dalton's Experience at CinemaCon 2026 00:21:41 - CinemaCon Film Showcase (Angel, Sony Pictures Classics, StudioCanal) 00:28:07 - Sony Pictures Entertainment Presentation ('Spider-Man: Brand New Day', 'Spider-Man: Beyond The Spider-Verse', ' Resident Evil', 'The Legend of Zelda', 'Bloodborne', 'Helldivers', 'Grand Gear', ' The Nightingale', 'Klara and the Sun', 'T he Social Reckoning', 'Jumanji: Open World', 'Insidious: Out of the Further') 00:46:17 - NEON Presentation ('Hokum', ' Leviticus', 'I Love Boosters', ' A Place in Hell', 'Hope', 'Fjord') 00:53:26 - Warner Bros. Pictures Special Presentation ('Digger', 'The End of Oak Street', 'Evil Dead Burn', 'Mortal Kombat II', 'The Cat in the Hat', 'Clayface', 'Supergirl', 'Practical Magic 2', 'The Great Beyond', 'Dune: Part Three', 2027 and Beyond) 01:18:04 - DreamWorks Animation's 'Forgotten Island' First Look Screening 01:19:56 - Universal Pictures and Focus Features Special Presentation (Snoop Dogg Biopic, 'The Odyssey', 'Minions and Monsters', 'One Night Only', 'Other Mommy', 'Sense and Sensibility', 'Werwulf', 'Focker-In-Law', 'Disclosure Day', 'Violent Night 2') 01:34:54 - Amazon MGM Studios Exclusive Presentation ('The Thomas Crown Affair', 'Masters of the Universe', 'The Sheep Detectives', 'How to Rob a Bank', 'A Colt is My Passport', 'Your Mother Your Mother Your Mother', 'Verity', 'Spaceballs: The New One', 'Highlander', 'I Play Rocky', 'Artificial', 'James Bond' Update, 'The Beekeeper 2') 01:52:30 - Paramount Pictures Exclusive Presentation ('Top Gun 3', 'Teenage Mutant Ninja Turtles: Mutant Mayhem' Sequel, 'Sonic the Hedgehog 3', 'A Quiet Place Part III', 'Tomorrow, and Tomorrow, and Tomorrow', 'Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)', 'Scary Movie', 'Jackass: Best and Last', 'PAW Patrol: The Dino Movie', 'The Angry Birds Movie 3', 'Street Fighter', 'The Heart of the Beast', 'Mr. Irrelevant: The John Tuggle Story', 'K-Pop Superstar: The Movie', 'Ebenezer', 'Children of Blood and Bone', 'Longlegs' Prequel) 02:11:22 - Walt Disney Studios 2025 Presentation ('The Mandalorian & Grogu', 'Toy Story 5', 'Hexed', 'Ice Age: Boiling Point', 'Moana' (2026), 'The Devil Wears Prada 2', 'The Dog Stars', 'Wild Horse Nine', 'Whalefall', 'Avengers: Doomsday') 02:29:55 - CinemaCon 2026: Final Thoughts 02:35:04 - Catching Up With Dalton ('The Super Mario Galaxy Movie' (Spoilers), 'Project Hail Mary', 'The Boys' Season 5) 02:38:51 - Catching Up With Andrew ('Million Dollar Secret', 'Your Friendly Neighborhood Spider-Man', 'Conan Must Go') 02:42:19 - Catching Up With Colton ('Shrinking' Season 1, The Lion, The Witch, and the Wardrobe by C.S. Lewis) 02:48:07 - Conclusion/Outro Music Visit our website! Support us on Patreon! Thank you for listening! Got something to say? Send it our way to watchreviewrepeat@gmail.com! Produced by: Anna Mattis Intro/Outro Music: Mechanolith Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Recorded live on location at RENDR 2026 in Banana Block Belfast, we caught up with acclaimed filmmaker Fede Álvarez, the director, writer and producer behind genre-defining features including Evil Dead, Don't Breathe and Alien: Romulus.In this in-depth conversation, he discusses breaking into Hollywood from Uruguay, working with iconic horror franchises and the key moment he reassessed his career. Fede has collaborated with some of the industry's biggest names, including Ridley Scott, and reflects on the success of Alien: Romulus, the evolution of genre filmmaking, and the cinematic worlds he enjoys building.If you want to watch the video recording of this talk, check out the episode page here.We are delighted to present this very special speaker series in partnership with RENDR Festival and supported by the National Talent Academy for VFX, recorded in The Spinners Mill Studio. Fede ÁlvarezDirector, writer & producer Federico Javier Álvarez Mattos is a Uruguayan filmmaker whose directorial debut was the 2013 remake of Evil Dead, which he also wrote. The film starred Jane Levy, Shiloh Fernandez and Lou Taylor Pucci, and opened at number one at the box office. Following the success of his first film, Alvarez wrote, directed and produced the hit genre film Don't Breathe. The film premiered to rave reviews, grossed over $157 million globally.Alvarez also directed and wrote the action-crime film The Girl in the Spider's Web, starring Claire Foy and LaKeith Stanfield, based on the characters from the bestselling Stieg Larsson series, The Girl with the Dragon Tattoo. He also produced and wrote Don't Breathe 2 and later produced and wrote the 2022 film Texas Chainsaw Massacre, which premiered at number one on Netflix's Top 10 list. On the TV side, Alvarez created, directed and wrote the Apple TV+ series Calls, an English adaptation of the French series of the same name.Most recently, Alvarez's film Alien: Romulus, which he wrote, directed and executive produced, was released in the summer of 2024, starring Cailee Spaeny, David Jonsson, Isabela Merced, Archie Renaux, Spike Fearn and Aileen Wu. The film is a standalone instalment in the Alien franchise and follows a group of young people on a distant world who find themselves in a confrontation with the most terrifying lifeform in the universe. The film grossed over $350 million worldwide and received positive critical acclaim. It won Best Horror Film at the Saturn Awards, received a Golden Globe nomination for Cinematic and Box Office Achievement, and an Oscar nomination for Best Visual Effects.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

On a déjà fait un bon tour de Disney Adventure World non ? Après les attractions, le lac... On parle des spectacles ! Et les petites animations. Parce qu'avec autant de place à occuper, il faut bien mettre des trucs dans la journée et le soir, non ? Entre les "activations", les "spectacles" et les "déambulations", on va essayer de faire le tri. On part dans World of Frozen pour parler de Celebration of Arendelle (et de Mossy, et de Oaken...), sur Adventure Way pour croiser des gens qui chantent et dansent jusque dans les plus petits jardins anglais, et autour de Adventure Bay pour un grand débrief de Cascade of Lights, le nouveau grand show nocturne qui doit conclure une belle journée dans l'ancien parc Walt Disney Studios. Alors, on a aimé ou pas ? Découvrez toute l'association Élabète ! NOTRE NOUVELLE PAGE INSTAGRAM ! Découvrez tout ce que notre association a à offrir et soutenez-nous sur Patreon ! TOUS les podcasts Élabète en UN SEUL podcast, c'est possible en cherchant "Élabète" dans votre appli préférée ! Ou sur http://elabete.lepodcast.fr

How can you navigate uncertainty in a constantly changing market? Why is persistence the key to a sustainable creative career? Plus why distribution is so important, and the four ways to monetise your creative work. All this and more with Adam Leipzig. In the intro, my reflections on running an author-publisher business after a fantastic e-commerce workshop run by Blubolt, and why you will always pay for marketing with either your time or your money; AI-Assisted Artisan Author webinars; and last call for my Kickstarter Bones of the Deep – J.F. Penn. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing books still matters in a world saturated with visual media The Jeffrey Katzenberg “next” lesson and the power of fearless persistence How uncertainty and the “long middle” are essential parts of the creative process What film editing can teach writers about cutting, shaping, and refining their work The 10 Laws of Culturenomics, including why awareness is not desire and why distribution is everything How generative AI is changing filmmaking — and why creatives should be the architects, not the tools You can find Adam at AdamLeipzig.com. Transcript of Interview with Adam Leipzig Jo: Adam Leipzig is a producer, former studio executive, and educator whose work spans film, media, and technology. He served as a senior executive at Walt Disney Studios and as President of National Geographic Films. His film credits include March of the Penguins and Dead Poets Society, with projects recognised by the Academy Awards, BAFTA, the Emmys, and Sundance. He is the author of several books on filmmaking and his latest book is Fearless Persistence: Creative Life, Creative Work, and the Ten Laws of Culturenomics. Welcome to the show, Adam. Adam: Thank you so much for having me, Jo. Jo: I'm excited to talk to you today. You have written several books, but you have worked on many more films. So I wondered, why do you think books still have a part to play in reaching people? What do you love about writing books that is different to your filmmaking work? Adam: You can put so much information in a book, and the beautiful thing about a book is that you can pick it up wherever you want, whenever you want, and leave it off and go back to it. It's just waiting for you and it's there. It really allows me, and other authors like me, to share information in a different way, with more details and more stories and more specificity. I love the ability to just share that information and have it always available. You don't need a device, you don't need to have a subscription. You can just go to it whenever you want. You asked me what I love about writing. Like a lot of writers, I'm not sure I love writing, but I do love having written. The thing about a book is that it's a very solitary exercise. A film is a highly collaborative exercise. No movie gets made by one person. It's made by hundreds or sometimes thousands of people. But this book is just me and a laptop and notes and a lot of thought. It's a very introverted, almost monkish existence while you're doing that, and then it has to go out into the world—and that's when it really starts to interact with people. So there's this huge difference between being alone and being always in a collaborative environment, which is what happens when I'm making a movie. Jo: Most listeners will be independent authors in some way, and a lot of us do this because we're control freaks. We like being the only people. So how is that different? You mentioned collaboration in the film industry, but is it almost freeing to do a book without having that? I mean obviously you have editors and publishers and stuff, but— Is it freeing in some creative way? Adam: It is really nice, because there is not another point of view in the room and I can just say what I feel and know that that's there. At the same time, you're right—I have had some amazing editor help and I've had some great early readers that have given me feedback on it and helped me make it so much better than it was when I finished the first draft. I knew that going in. I always test and share what I'm doing to make sure that it lands in the way that I wanted it to land, and it can be helpful for people. Jo: Getting into the book, you have a chapter on “what you do matters.” I feel like this is super hard. This is not a political show, so we're not doing politics, but there are a lot of big things going on in the world. It can be very hard as writers to think, is writing my book actually going to make a difference? So how can you encourage people? Adam: That's the hardest thing, Jo, because there is a lot going on in the world right now. Everything that's going on in the world right now exists because it's following a certain narrative. I don't believe that narratives are come up with because people look at things that are happening and say, “Oh, well let's just write what happened.” I think that we do things from micro experiences that we have with ourselves, our relationships, our families, to the macro experiences of politics and global situations. I believe that happens because there is a narrative that is being followed. So what I say to all creative people is that it's our job to craft and express the narratives that matter—and different narratives—so those narratives can be followed. One of the points that I make in the book is that poets are not overtly really dangerous people. Poets are generally lovely people, a lot of them don't talk too much. They're great to have dinner with, and they just work with words—and often not a lot of words, right? Because beautiful poetry is often concise and simple and spare. Yet there are places where poets are in jail. Because the narratives of those concise, spare, gorgeous idealistic words matter so much that those voices need to be silenced, which means those narratives are dangerous sometimes. Those narratives present an alternate world, an alternate view of reality. I think it's really our job as creative people, as entrepreneurs, as people who are essentially creating narratives out of the soul of our lives and our experience—we want to express those to the world. It's really important for us to express those to the world, especially now, especially because so much is going on. Those narratives are going to become pathways that others can look at and maybe follow. I think that's really important. It's the reason why we do our work. Jo: I absolutely agree with you around writing the narratives that we want in the world. “Be the change you want to see in the world” and all that. I also want to call out the fact that there are hundreds of thousands of books now published, and you come from the film industry, and many more people really watch films or play games than read books. I've wondered about this myself. I've written a few screenplays and sometimes it feels that wouldn't it be better to try and put our words into a visual medium? A lot of authors listening will do micro video like TikTok and all of this. So this is back to the question of— Why books? How can we change these narratives when we feel like we're drowned out by all the media? Adam: I think it's great for authors to express themselves in other media. I have a pretty active Instagram channel, and I love doing that, but it's a really different thing. I'm talking to people in two-minute bursts with very specific things. It's not the same and not the same detail as a book. If we let our understanding of the ocean of content that is always coming to us stop us from doing anything, we wouldn't do anything. That's also true about movies. There are probably 10,000 movies made every year. There are a few hundred that are released. So if every day I thought, “Oh, the movie that I'm working on is maybe not going to be released because there's only a small percent of movies that are made that are released.” Or worse than that, “Of all the movies that are made, there's 500 different shows on Netflix and Apple and Amazon and there's so many choices.” If I thought that everything I was going to do is going to be drowned out, I wouldn't do anything. I just don't believe that's true. I think it's our job to do things. Yes, there's an ocean of content out there, but what we do really matters, and it doesn't have to matter at gigantic scale. We don't know the scale that our work is going to achieve over time. One of the early films that I worked on is a film called Dead Poets Society, and that script was passed on by every studio at least three times. It's probably a film that I couldn't get made now for all kinds of reasons, because it's not a sequel and it doesn't have superheroes or visual effects. When we made that movie, we didn't know the impact it was going to have. It could have been drowned out by things, but it rose to a level that everywhere in the world I go, someone has seen that movie, including people who were not born when that movie was made. We don't know the long arc of our work and the people that it affects. Jo: I love that movie too. “Oh Captain, my Captain.” I can hear everyone saying that behind the screens. This brings us to the title, Fearless Persistence, because of course Dead Poets Society ended up being an incredible success, but not everything turns out so well. I wondered if you could talk about this persistence. How do you keep creating after something you perceived as a failure, or perhaps all the things that didn't get made? Why is persistence so important that you use it in the title? Adam: I've been super fortunate. I've worked with amazing people and on great projects. I've made 40 films at this point, and I'm making more. I've tried to make 400 films. I failed at getting them made 90% of the time, and that's okay. I just keep going. When I was working at Disney and I was an executive at Walt Disney Studios for seven years, there was one movie that we were opening and nobody had really high expectations for it. But it opened huge on a weekend and it beat the competition. We were in our Monday morning meeting and we were dancing on the tables and we were so excited. Jeffrey Katzenberg, who was running the studio at that time, came in, looked around the room, put his hands on his hips, and said, “Next.” We just had to move on. I really learned the meaning of the word “next” about four months later when we had a film that we all knew was going to be hugely successful and make a lot of money and give everyone their bonuses, and it completely bombed at the box office. It was like you gave a party and nobody showed up to eat the hors d'oeuvres. We were in the Monday morning meeting, very glum and not sure what was going to happen. Were we going to be fired? What was going to happen? And Jeffrey walked into the room and said, “Next.” Jo: Mm-hmm. Adam: And we just keep going. I think that is the great and defining quality of people who really have sustainable lives, either as creatives or business people or entrepreneurs. We're persistent. We're just like those little birds—you put their beak in water and they just keep bobbing up. We just keep going. It's not about the people who are the most talented, because I'm certainly not the most talented. I'm certainly not the smartest. I'm certainly not the most creative. There are people who are smarter and more talented and more creative than me all the time, and I get so much energy in being able to know them and work with them. But I am super persistent. I don't stop. If there's something that I really believe in, I'll just keep going. I started taking notes on this book 10 years ago. There are movies that took 12 years to get made. You just keep going. There are times, as a producer, where everybody's fallen away. There was a director attached, there was a star attached. They all left, they did other projects. The material is no longer under option. You don't even have legal rights to it anymore. You just keep blowing on the embers and then eventually maybe it gets made. That's what it's about. Jo: Do you think there's some kind of serendipity or something more that makes a book or a film? Is it timing? Is there just some chemistry? You talked earlier about testing and sharing things to see if they're going to work, but as you mentioned, some films you think are going to be amazing and they bomb. Other things are a slow burn. How do you know when to make a film if you just can't predict this stuff? Adam: You can never predict it, but I think you start with: do you really, really think about it all the time? Do you really care about it? It's not like you're in a meeting or you read a script or you hear an idea and you're super excited about it—but are you still excited about it tomorrow morning? The next day and the next? If you keep waking up every morning thinking, “Wow, that's great, I've got to get that forward,” then I think that is the first indication for me that it's going to have some staying power. I don't think I am that different from everybody else. So if it's something that consistently excites me, I feel like there's going to be at least some other people in the world that it's also going to excite. Jo: Do you think you have a voice, I guess, as a filmmaker as much as a writer? Are there things that excite you consistently that you're drawn to? Or do you think it's much wider as a filmmaker than a writer? Adam: I think it's a lot wider as a filmmaker. Part of it's also just my capacity right now as a writer. I really like the writing in Fearless Persistence and I also recorded the audiobook. I love listening to the audiobook experience. I think it's some of the best writing I've ever done. I have not yet found the capacity to write a novel or to write fiction in the way that other people can. So part of it's just my skill and capacity at this point in my writing career, where I think I'm pretty good at expressing ideas in a nonfiction setting, but I haven't developed the skill set for fiction. In movies, I make documentaries. I make fiction feature films. What attracts me is character. It's always the character, the people, the journey. Are the people really interesting? Do I want to spend two hours of my life in a cinema with them, or 10 hours of my life watching those episodes on a streaming channel? That's what always starts with me. If the character is interesting, then I'll keep going. Jo: I think the book, Fearless Persistence, has a lot of your character in it and your experience. It's not just a nonfiction book of prescriptive rules. You did bring a lot of voice into it, I think. Adam: Thank you. I try to make it be like we're sitting down and we're talking and we're having a conversation. Jo: Coming back to the book—a quote from the book: “Uncertainty isn't the enemy of creativity. It's its greatest ally.” You talk about these messy and unpredictable times. I'm what we call a discovery writer. Some people say “pantser.” It mostly is quite chaotic and unpredictable. Could you talk about this uncertainty and messy creativity? Adam: One of the things I really try to do in Fearless Persistence is give support to all of us in this messy, unpredictable—what I call “the long middle”—where stuff is happening, but you're not seeing obvious results out there. You're either in the world or in your project, and you're just in this mess. That mess is a beautiful place, and I'm trying to give support to the fact that that mess is gorgeous and it's part of the process. It's part of everybody's process. We shouldn't feel as though we are not doing our job when we're in that long, unpredictable, uncertain middle. Because out of that, we discover what we actually want. It gives us a way to refine our taste and refine our direction because we are so uncertain. Then there's this moment—and I don't know if you find this in your own writing, Jo—but there's this moment where that uncertainty changes into: there's no choices here at all. This is just what I have to do. I actually think that the greatest freedom is when there's no choices. Where the path is just there, but we've got to get through the thicket to get to that path. And there's always a thicket. Jo: There's a moment for me where the chaos becomes more certain and I'm like, okay, that's the story. I thought it might have been something else, but now that's what it is. I often have too much material as well. So I wanted to ask you about this too, because as an author with a book, editing is hard for us. Of course there are lots of words and we have to go through it all, but editing on a film—I can't even imagine how hard the editing process is. Could you talk about editing and how you cut and organise these massive projects? Adam: Yes, editing is really hard, but it's also so fun. I think being on a set is great. It's the most fun a kid could have. But being in an editing room is also the most fun a kid could have, because you have all of the pieces and there are so many ways to do it. This is where a film is actually made—in the editing room. Probably the way books are made also is in the editorial process between the writer and your own brain as the editor, or if you have someone who's helping you edit it. Editing is really interesting because it's the only craft that did not exist before filmmaking. Everything else existed, right? There were scripts, there were actors, there were costumes, there was art direction, there was production design, there was music. Editing was a craft that had to be invented for film. So it's a craft that's only about 120 years old. When we make a film, the first thing that the editor does is just put all of the scenes together in a first editor's cut, a rough assembly. It's basically every scene that was in the script as it was shot, and the editor just tries to choose the best angles. That generally comes out maybe a week or two after we wrap photography, and that first cut could be three or four hours long because it's got everything in it. Then the process is: let's take that out. Let's take that out. You don't need this. You can move this scene here and move it there before the other scene. We don't really need that shot. Or can we get to a closeup there? And you get it down, down, down—just like in writing where you kill your darlings. I actually find editing the most fun I have. “Oh, I don't need that sentence.” Or, “I can take out three words here and the sentence is better.” We go through exactly the same process in film editing and squinch it all down to the most compelling and efficient way to tell the story. Jo: I'm glad you say it's fun because I also like editing. I find the editing much more creatively fulfilling because I actually can figure out the book that way. It's so funny, I think as writers, many people either love the editing or they love the first draft. It seems like you enjoy the whole process. Adam: I like the editing so much more than the first draft. I feel like I had to get through the first draft. That was my long middle, that was my uncertain period, that was my thicket. Then my editing was, “Oh, great. Let's cross this out. Let's change that word. Let's lose that paragraph.” That was fun. Jo: So let's say we now have a book or we have a film. In your book, law eight of culturenomics is that “without distribution, there is nothing.” So now we have to get this out there, and this is really difficult. Can you talk about how film distribution has changed? Can you also reflect on how it is for writers, because our distribution has changed a lot too? Adam: So, as you mentioned in the last section of the book, I've observed over the past 30 years that when a work is both aesthetically really excellent and also economically viable and sustainable for the creators, it always observes these ten principles. I call them the 10 Laws of Culturenomics. One of them is “without distribution, there is nothing,” by which I mean: unless your audience, your market, the people that you are seeking to share or serve with the work—unless they can get it, it doesn't really matter. It's like that tree falling in the forest and no one's around to hear it. I always think about my market and my distribution before I start making the movie. I was thinking about that as I was writing the book, because I really want it to be there to meet people where they are and I want them to be able to get it. Film distribution has changed a lot, especially during the pandemic. People stayed home and cinema admissions have fallen off 30% from pre-pandemic levels, so people are going out to cinemas less. That means fewer films are being distributed in cinemas for any viable period of time. Sometimes some movies will be out there for one or two days, literally, in cinemas, and then they go right to streaming. On the streaming side, there was a glut of streaming content. All the streaming channels overinvested in streaming. There were too many shows. I don't know about your Netflix queue or your Amazon queue, but it's unnavigable. There is so much stuff. Now they've cut back a lot—they're just doing a lot less. We're in a situation now where anything can get out there somehow. The question is, does your market, does your audience know about it? Do they want to invest the time to experience it? One of the other Laws of Culturenomics is that “awareness is not desire.” There's a lot of things that we're aware of that we don't want to spend our time with. Everybody was aware of Disney's new Snow White movie. Nobody wanted to go see it. Jo: I must say, I'm not the key demographic for that! Adam: But you knew about it? Jo: Was that a live action one? Adam: Yes. Jo: I don't understand those live action ones, to be honest. Maybe that's why— Adam: I think we are sequelled out. I look at the movie business and I just think what audiences really want is something new, please. Something we haven't seen before. We don't want the 95th iteration of something from the MCU. The studios, because the movies cost so much and they're so risk-averse, talk a lot about “pre-aware titles.” In other words, titles that you've heard of before, so you're going to go see the movie. It works to a certain extent, but I just think it's cinematically boring. In that world, you never could have predicted Oppenheimer. You never could have predicted Barbie. Movies that really don't have a precedent, but they did so well because they're different. I think audiences are craving something different right now. Jo: It's interesting though, isn't it? I agree on one level, but then I also watch Bridgerton and we watched the latest series as soon as it came out. I guess that is pre-aware to a point. I don't read historical romance, yet I really like the show. I think it's because of Shonda Rhimes. I watched Grey's Anatomy for about 20 years. Adam: She's great. Jo: She's amazing. So I feel like this is why it's hard, isn't it? It's hard to know. As fiction writers particularly listening, we have very specific genre audiences, and they often don't cross over into other genres. They love their genre fiction. So it is hard to balance original work that may not be easily sold and the other stuff. I guess that's why the studios do it, right, because they think they can make enough money with the next Marvel movie. Adam: Yes, but I'm curious to know what you think about this, because even within a genre, a really good genre movie or a really good genre book is not the same as all the other books or films in the genre. It's familiar in that it does what the genre says you have to do, but it's different. It's got those unique things that make us feel like super fans, that we really love it. It's familiar enough to fall within the genre—and yes, genres have rules that you've got to follow—but then there's something unique and different that's exciting. And that's why we say, “Hey Jo, you've got to read this book.” Jo: I agree with you. I love that you said “awareness is not desire.” This is another problem with our creative work, right? We have to do marketing. We can throw all this stuff out there, and yet it may or may not work. So let's talk about your book marketing. Obviously you are on this podcast, and I presume your publicists are pitching lots of podcasts, but— What are you doing to promote the book that might be different to a film release? Adam: Well, I don't have a hundred million dollars. Jo: Surprise! Adam: Right? I've got a few hundred dollars, so we're just doing it this way. As you know, once upon a time, legacy publishers actually did marketing. Legacy publishers barely do any marketing now. Every author has to do it themselves. So we have to do this ourselves. It's been the hardest thing. I think it's the hardest thing that we've all had to adopt, that we have to do this thing where there used to be a marketing department and you just hand it over to them and we could just be in our own little creative space. But no, we've got to do this also. So what am I doing? I've amped up my social media. I'm speaking. I am on podcasts like this. I'm sharing as much as I can. I'm asking circles of people who have been early readers of the book. I'm really grateful because I've had really enthusiastic response to it, both from creatives and also some business people, which was surprising to me, but really great. Someone said, “This is the best business book in the past 10 years,” which is really interesting, right? Because you read it, Jo, as an author, but she read it as someone who sits on the board of major companies. That was a pretty interesting response. I'm just asking them to be advocates and share it around. I'd just like to be those people who blow on the embers and let's see if we can make a fire. Jo: We talked about the fun bits earlier. I'm enjoying our conversation, but I know that marketing is not necessarily in the fun bucket. Are you finding bits of the marketing you enjoy? Adam: Yes, I love meeting the audience. I love meeting the people that I'm writing the book for and sharing it with. I've been fortunate enough to be asked to run a writer's workshop in Greece for the past few years. It's a retreat centre called Rosemary's House. It's on the east coast of Greece. A dozen writers. I work with writers all the time, but they're always writing a specific thing, like a screenplay or something. This was a dozen writers all writing different things, and I'd never done that before. I had an extraordinary time. The first year I went, I'd had all these notes for this book, Fearless Persistence, that I'd been compiling for some time. But there I was in the room and I was with the people that I was really intending to write the book for, and that kicked me in the butt and I wrote the book. Then the next year I was back and I finished it while we were there at the writer's retreat. So that was great, and I was with another group of writers. I'll be back there again later this year and the book will be out. So it's this fabulous continuation of really engaging with and meeting the people that I'm seeking to serve with this book. I really enjoy encouraging and mentoring and sharing the systems that are undergirding the creative process, and then the process of how do you build a sustainable life, including all these super practical things that they don't teach you in art school or writing school or film school or even business school. How do you actually build a sustainable life in this practice? I love that. I guess that's marketing, but it's also just being with the people that you're there to serve. Jo: I love that you use “serve.” I use the same word. I say, “Who do you serve?” And that can help people, because I feel like creative people are like, “We don't want to be marketers, we don't want to be salesy.” So if you reframe it as service—who are you trying to help, who are you trying to entertain—that actually helps. Coming to the business side, you mentioned systems. You are right, the book has a lot of business in it, which I love because we talk a lot about business on this show. In one section you say there are only four ways to monetise your creative work. So could you talk a bit about those different ways to monetise your creative work? Adam: Yes. This has been true for maybe 5,000 years because it's not about technology, it's just about how work is monetised. There are only four ways that any piece of work is monetised. For sale. You have a book, and you go to your favourite bookstore and you buy the book, and now you own the book. For rent. You could rent a book from your library, or in a movie context, what you're really renting is the seat for two hours to watch the movie. On subscription. People have subscriptions to Kindle Unlimited or other platforms, or people have subscriptions to a streaming service. Free. When it's ad-supported. That's like linear television where there's ads, or Amazon where there's ads and you don't pay for it. For sale, for rent, on subscription, or free—those are the only ways anything is ever transacted. When it's ad-supported, for example, some people have YouTube channels that are very successful. YouTube is free, and then YouTube is making money from the ads and the creators are getting a tiny little slice of the ad revenue. Jo: Like this podcast. I have sponsors who pay, and they're all related to the author industry. They're companies that I use and work with. I personally recommend them, and that means this podcast is free. Adam: Thank you, sponsors. Jo: Yes, thank you, sponsors! I also have patrons—people who subscribe to the show to support it as well. So I guess we don't have to be in one bucket or another. We can have our work in different buckets. Adam: Ideally, you can have your work in every single one of them. Not always, not necessarily always at exactly the same simultaneous moment, but at a certain point as the work gets out there into the world, as it's lived long enough, it probably will be in every bucket. That's great because we want our work to be as accessible to the people that we're serving in any way they want to get it. Jo: I totally agree. And your audiobook, as you mentioned, will be available in those different formats as well. Adam: Yes. Jo: I find that, especially with nonfiction audio, what I love is being able to listen to just a chapter, just a chapter in a specific part. Someone could actually listen to the 10 Laws of Culturenomics separately to some of the rest of the book. I love that. Adam: I'd never done that before. It was so powerful to record the audiobook because up until that moment, my relationship with this book was fingers typing keyboards, electrons on a screen. It was a completely silent experience. Then I was in this recording booth in Los Angeles and I started speaking the words, and I was visualising the people that I was writing it for as I was doing it. It was so powerful. Then I listened to it and I thought, wow, this is actually a really good experience. It was so powerful that I was recently in Paris because I'm working on some films that are in Europe, and I decided to create a special advanced listener edition of the audiobook, where I took the chapters and put them into individual or grouped listening units. In a recording studio in Paris, I recorded some prefaces and reflections on those listening units, which are now thematic. I'm really proud of that edition. It's not for everybody. The regular Audible audiobook is going to be out there, but this version, which is on my website, I think is a really wonderful version for someone who just wants me to walk with you as you go through the experience of the book. Jo: Are you selling that direct from your website? Adam: Yes, I'm selling it direct on the website. Jo: Brilliant, because we all do that too. You can actually make more money selling audio direct than you do from the streaming. Adam: Yes. Jo: I realise we don't have much time left, but I need to ask you this because the film industry and publishing are in this great time of change with the advent of generative AI. We've seen in the last week the actor Ben Affleck's company, InterPositive, has been acquired by Netflix. So it seems like technology is disrupting a lot. How do you think we can navigate this time? What are your feelings around this new wave of generative AI? Adam: It's a great tool. It's not a great writer. It's actually really a terrible writer. You can always tell when generative AI has written something because it has a certain very annoying style, but it's a great tool. I use it in my production. I teach at the business school at UC Berkeley. We train people on how to use it for various kinds of problems and solutions. But the important thing is that you are the architect of the machine. It's a machine. It is like a paintbrush, but it is not the hand that holds the paintbrush. So I am not concerned that AI is going to go make movies that we all care about, and I am not concerned that it's going to disrupt, in the largest sense, the employment picture. Certainly some jobs are being lost, but new jobs are being gained. It's really interesting. For example, you mentioned Ben Affleck's company, which Netflix just partnered with. It's not making new content. It's creating a better production workflow. It's taking what is shot or what is planned in the production workflow and just making it better and more efficient and implementing it and adding to it. That is a really good use of AI. All the creative power retains within the hands of the creative humans, but it's giving the humans more tools. Jo: I've been reflecting on the idea of the film director, in that people often know their names and they win awards, and yet they didn't necessarily write the script. Some do, obviously, but they didn't act in it, they didn't do all the editing, they didn't do all the different jobs, but it's their creative vision. So is that how you see us playing that part? Adam: I do. I think that's a really good analogy. And look, AI—it's good. It's going to keep getting better. It still has massive error rates, so we still have to be very careful about what we attribute to it and what powers we give it, and what facts we believe from it. Jo: So what are you excited about next? Obviously you are promoting this book, you are doing speaking things, but are you looking to your future continuing to work across film and books? What are you excited about in terms of your creative projects? Adam: The big arc of my creative life is creating ecosystems where creative people can do their best work. This book is part of that. With the movies that I make, as a producer, I try to create the ecosystems where people can do their best work. I envision, and I'm excited about, continuing to do that. Whether it is in a book or in a workshop or in a film that I'm making. I just want to keep doing that: creating these ecosystems where people can really do great work and express themselves creatively, entrepreneurially, and with a positive view of the world to come. Because that is a responsibility, coming back to the first question you asked me. Jo: Brilliant. So where can people find you and your book and everything you do online? Adam: You can find me at my website, which is AdamLeipzig.com, just like the city. Of course, the book is available wherever you buy your books, and the Kindle and the audiobook are exactly where you would expect to find them. You can also find me on Instagram at @AdamLeipzig, and you can find me on LinkedIn as Adam Leipzig. I love interacting with people, so come and find me. AdamLeipzig.com is the best place to find everything. Jo: Brilliant. Well, thanks so much for your time, Adam. That was great. Adam: Jo, thank you so much for having me. It was great talking with you.The post Navigating Uncertainty And Fearless Persistence In A Long Term Creative Career With Adam Leipzig first appeared on The Creative Penn.

Nel nuovo appuntamento con il Podcast di Cineguru, Davide Dellacasa e Andrea Francesco Berni parlano – con qualche migliaio di chilometri a separarli – degli incassi del weekend in Italia e negli Stati Uniti, ma soprattutto analizzano a freddo tutto quello che conta dalla CinemaCon 2026 di Las Vegas.Dalle principali convention – Universal Pictures, Warner Bros., Amazon MGM Studios, Sony Pictures, Paramount Pictures e Walt Disney Studios – ai film più attesi, passando per le dichiarazioni di Tom Rothman sugli spazi pubblicitari prima delle proiezioni, l'arrivo a sorpresa di David Ellison e il tema delle finestre cinematografiche, fino all'annuncio Disney della nuova certificazione Infinity Vision.Un episodio “fiume” per orientarsi tra tutte le notizie e i segnali emersi dalla più importante convention cinematografica al mondo.

Daniel, Shahbaz, and Anthony recap everything shown at the CinemaCon presentations for Universal Pictures, Amazon MGM, Paramount Pictures, and Walt Disney Studios including Avengers: Doomsday, The Odyssey, The Thomas Cowan Affair, Spaceballs, Paramount Merger, Street Fighter, Jackass, The Mandalorian & Grogu, Infinity Vision, and so much more! Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. EXCLUSIVE NordVPN Deal ➼ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://nordvpn.com/moviepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Try it risk-free now with a 30-day money-back guarantee! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Struggling to stay creative, focused, or consistent? In this episode, Lori Harris interviews Hollywood producer Adam Leipzig to break down the real systems behind creativity, productivity, and long-term success. Forget the myth of waiting for inspiration — Adam reveals why creativity is built through action, not emotion. You'll learn how to eliminate overwhelm, stop overthinking, and build momentum using a simple but powerful framework called "fearless persistence." Adam also explains why multitasking is destroying your productivity and how switching to monotasking can help you produce higher-quality work faster. If you've ever felt stuck, distracted, or unsure how to move forward creatively, this episode gives you practical tools you can apply immediately. If you would like some help with figuring out how to transform your life! I can help you create a vision for a life that you absolutely love living. Click here to arrange a session with me. If you're enjoying the podcast, please share the show with a friend or, even better, leave a review to ensure others can benefit from it too! GET TO KNOW ADAM LEIPZIG Adams Bio As a senior executive at Walt Disney Studios and later as President of National Geographic Films, Adam helped bring to life more than forty acclaimed movies, including March of the Penguins, Dead Poets Society, Honey, I Shrunk the Kids, Titus, The Way Back, and A Plastic Ocean. His projects have earned over $2 billion worldwide and received honors from the Oscars, BAFTAs, Emmys, Golden Globes, and Sundance. Earlier in his journey, Adam made history as the first American theater dramaturg outside New York City, producing hundreds of performances before stepping from stage to screen. Across four decades, he has collaborated with more than 10,000 creative artists in film, television, theater, music, and design & building bridges between business discipline and artistic vision. Today, Adam continues to produce films and media internationally while teaching at UC Berkeley's Haas School of Business, where he mentors MBA and executive leaders on creativity, storytelling, and communication. Adam is the writer of Fearless Persistence, his new book about how creators and leaders cultivate courage, stay true to their purpose, and keep going when the path gets hard. Adam's- Website Adam's Projects & Products Upcoming New Book: Fearless Persistence Releasing on April 21, 2026 Pre-order Link: Amazon Free Chapter Download: Free Chapter Adam's Social Media Links Instagram: https://www.instagram.com/adamleipzig/ LinkedIn: https://www.linkedin.com/in/adamleipzig/ YouTube: https://www.youtube.com/@AdamLeipzig Facebook: https://www.facebook.com/AdamLeipzigPublic TikTok: https://www.tiktok.com/@adam_leipzig Threads: https://www.threads.com/@adamleipzig FREE GIFT FROM LORI  Free Audio Life Assessment: What Do You Really Crave? If today's episode still hit a nerve, this was made for you. I created this free 13-minute audio experience to give you the space to finally hear yourself across the five areas of your life that matter most. No scores. No grades. No performance required. Just you and your honest answers to questions that lead you back to what you actually want. Get instant access now at thelifeassessment.com FEATURED ON THE SHOW: If you're enjoying the podcast, I'd love to hear from you! Please share the show with a friend or even better, leave a review to ensure others can benefit from the podcast.

Released in 1964, Mary Poppins was a landmark production for Walt Disney Studios, blending live-action with groundbreaking animation in a way that felt genuinely magical at the time—and still holds up remarkably well today. Directed by Robert Stevenson and starring Julie Andrews in her film debut alongside Dick Van Dyke, the film was based on P.L. Travers' beloved book series. Despite Travers' well-documented scepticism toward Disney's adaptation, the production moved forward with an ambitious vision, supported by the Sherman Brothers' now-iconic musical score. With a budget of around $6 million, it became one of Disney's most successful releases of the era.The film was both a critical and commercial triumph, earning 13 Academy Award nominations and winning five, including Best Actress for Julie Andrews. Its combination of technical innovation, memorable songs, and family-friendly storytelling helped cement its place as one of Disney's defining classics. Over the decades, Mary Poppins has remained a cultural touchstone, influencing generations of musicals and continuing to charm audiences well beyond its original theatrical run.Trailer Guy Plot SynopsisIn a world where порядок is everything… one household is about to be turned completely upside down.When the Banks family finds itself in desperate need of a new nanny, the wind changes—and with it arrives a mysterious figure who is anything but ordinary. With a snap of her fingers and a smile that hides more than it reveals, she brings colour, chaos, and just a hint of the impossible into their rigid world.From gravity-defying adventures to streets that come alive with song, the ordinary becomes extraordinary. But as laughter echoes and rules begin to bend… one question remains: is this magical visitor here to fix the family—or change them forever?Fun FactsJulie Andrews made her film debut as Mary Poppins after being passed over for My Fair Lady—a decision that famously backfired for the studio.Dick Van Dyke's Cockney accent is often cited as one of the most infamous accents in film history.Walt Disney personally pursued the rights to the Mary Poppins books for over 20 years before securing them.The film combines live-action and animation using sodium vapor process technology, a cutting-edge technique at the time.The Sherman Brothers wrote over 30 songs for the film, though only a selection made the final cut.“Supercalifragilisticexpialidocious” became one of the most recognisable songs in cinema history despite initial doubts about its appeal.P.L. Travers reportedly cried at the premiere—but not for the reasons Disney had hoped.The chalk-drawing sequence required intricate special effects and precise choreography to blend animation with live actors.The film was the highest-grossing movie of 1964 in the United States.Julie Andrews won the Academy Award for Best Actress for this role, beating out Audrey Hepburn in My Fair Lady.Support the ShowSupport the Show If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week on the podcast, we are honored to welcome one of the most respected figures in the world of Disney history, Didier Ghez. A prolific author and researcher, Didier has spent decades documenting the behind-the-scenes stories of the Walt Disney Studios. His meticulous approach to preserving the oral histories of the artists, animators, and Imagineers who built the Disney legacy has made him an indispensable resource for historians and fans alike.

200 episodes in, and J.B. and Eddie are celebrating the only way they know how — by turning Disney fandom into a full-blown fantasy draft. Inspired by their love of sports drafts and the great Disney adults vs. sports fans debate, the guys compete across five categories, pulling from the entire Walt Disney Studios, Disney Animation, and Pixar catalog to build out their ultimate rosters. Who will they choose?

Alors que sa nouvelle extension dédiée à « La Reine des Neiges » a ouvert ses portes au public fin mars, Code source retrace l'irrésistible essor du parc d'attractions plus visité de France.Résumé. Il attire près de dix millions de visiteurs chaque année et ne cesse de s'agrandir sur les terres de la Seine-et-Marne depuis son inauguration en 1992. À Marne-la-Vallée, Disneyland Paris vient d'inaugurer à la fin du mois de mars une nouvelle extension de son célèbre parc de loisirs. Le village « Arandelle », niché au nord-ouest du parc avec son château, permet aux petits et grands de se balader dans l'univers féérique et enneigé de « La Reine des Neiges », le plus gros carton d'animation de Disney de ces quinze dernières années.Ce nouveau quartier n'est qu'une étape dans l'agrandissement et le rajeunissement du parc « Walt Disney Studios », qui a eu du mal à trouver son public. Rebaptisé « Disney Adventure World », ce grand ensemble devrait accueillir prochainement un décors géant sur le thème du « Roi Lion ». Cet épisode de Code source est raconté par Marie Poussel, journaliste au service culture et loisirs du Parisien.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Judith Perret - Production : Thibault Lambert et Clémentine Spiler - Réalisation et mixage : Pierre Chaffanjon - Photo : LP/Fred Dugit - Musiques : François Clos, Audio Network - Archives : INA, France TV, TF1, The Walt Disney Company. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Walt Disney Studios is officially a wrap. As of March 29th, 2026, a new era has begun at Disneyland Paris: Disney Adventure World is finally here!In today's livestream, we are breaking down everything from the massive opening weekend. Even though we aren't in France, we've been glued to the incredible coverage from our fellow content creators to see if the rebranding actually fixed the "half-day park" problem.WHAT WE'RE COVERING:❄️ World of Frozen: Is the "Sunflower Festival" theme better than the original? Plus, our thoughts on that massive new North Mountain and the next-gen Olaf animatronic.

Het einde van een tijdperk: Walt Disney Studios is niet meer. En dan verliezen we ook nog Michiel als stem in de parken. We gaan collectief uithuilen. Maar het is ook de start van iets nieuws: Disney Adventure World is officieel geopend. Met zeer prominente gasten. Naast al het nieuws over Disney Adventure World kijken we naar de ontwikkelingen in Walt Disney World, De Disney Cruise Line en hebben we weer een overvolle Inbox. Zet je schrap voor bijna 2 uur D-Tales! D-Tales steunen? Wordt Donalteur! https://petjeaf.com/d-tales 00:00

Dans cet épisode des "Voix de l'économie", Stéphane Pedrazzi s'entretient avec Natacha Rafalski, la présidente de Disneyland Paris. Ensemble, ils plongent au cœur de la transformation ambitieuse que connaît le célèbre parc d'attraction, avec l'extension de son deuxième parc, Walt Disney Studios.Natacha Rafalski, une dirigeante visionnaire, explique comment Disneyland Paris a su évoluer pour répondre aux attentes de ses visiteurs. Fini le simple regard sur les coulisses du cinéma et de la télévision, place désormais à une immersion totale dans les univers Disney les plus emblématiques. Avec l'ouverture de "World of Frozen" et bientôt "Le Roi Lion", le parc se réinvente pour offrir une expérience encore plus magique et féerique.Au-delà de ces nouveautés captivantes, l'entretien met en lumière les retombées économiques considérables de ce projet d'envergure. Disneyland Paris, première destination touristique d'Europe, a su tisser des liens étroits avec les entreprises et collectivités locales, contribuant ainsi au développement du territoire du Val d'Europe. Natacha Rafalski dévoile les chiffres impressionnants, comme ces 1 000 emplois supplémentaires créés grâce à l'extension du parc.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join us for episode 481 of the Theme Park Trader Podcast! This week, we're welcoming Disney's newest theme park, Disney Adventure World! We chat through the opening, what's next, and read out some of the worst reviews for Walt Disney Studios! A reminder, if you have any questions for us, send us a message on TikTok or Instagram. Also, check out our guide to the DDP in 2026.      

The year was 1985.........The Walt Disney Studios produce a movie that under performed and really expensive...and out of no where, American Greetings said "Hold my beer." The Care Bears Movie came out 3 months later....and let's just say...we would much rather of it have not! 

1940 : Une décennie marquée par la guerre, mais surtout par une révolution au cinéma. Des innovations marquantes de Citizen Kane, à la satire courageuse de The Great Dictator, en passant par la beauté visuelle de The Red Shoes et l'essor de l'animation avec Walt Disney Studios.On effleure aussi le cinéma noir, ses ambiances sombres et ses fameuses femmes fatales, qui viennent teinter la décennie d'un regard plus cynique et désabusé.Un épisode qui survole une période charnière où le cinéma commence vraiment à devenir… du grand cinéma. 

What does it take to create the visual worlds of modern cinema? Recorded on location at RENDR 2026 in Belfast, we catch up with CG & On-Set Supervisor Noel O'Malley and BAFTA-winning DFX Supervisor Dean Koonjul of Union VFX. With credits spanning Ex Machina to 28 Years Later and Poor Things, they discuss their exciting careers, creative collaboration, and the changing demands of high-end visual effects across film and TV.After, (at timecode 31:37) we speak to James Carson, CG Supervisor at Sony Pictures Imageworks, whose work includes KPop Demon Hunters and the upcoming feature Project Hail Mary starring Ryan Gosling. In this conversation, he reflects on his career journey from Belfast to supervising major international productions, sharing insights into working in animation and live-action, and working with teams on ambitious projects.This series of talks was recorded in The Spinners Mill Studio, a podcast and DJ studio based in Banana Block offering tailored solutions for DJ sessions, small-scale events and podcasting from concept to final distribution. We are delighted to present a very special speaker series in partnership with RENDR Festival and supported by the National Talent Academy for VFX.James Carson - CG SupervisorJames is a CG Supervisor at Sony Pictures Imageworks, most recently working on the global phenomenon KPOP Demon Hunters for Sony Pictures Animation and Netflix. Carson is currently supervising the live-action feature Project Hail Mary, directed by Phil Lord and Christopher Miller and starring Ryan Gosling. His other CG Supervisor credits include the animated feature In Your Dreams and the Academy Award®-nominated Spider-Man: Across the Spider-Verse. Carson joined Imageworks in 2015 and has served as a Lighting TD and Lighting Lead, working on both animated and live-action projects. His additional Imageworks credits include: In Vaulted Halls Entombed, Mulan, the Academy Award®-winning Spider-Man: Into the Spider-Verse, Smurfs: The Lost Village, The Angry Birds Movie 2, The Meg, and Alice Through the Looking Glass. Prior to Imageworks, Carson worked in various roles at Image Engine, ScanlineVFX, Prime Focus World, MPC, DNEG, and Zoic Studios. Carson is from Belfast, Northern Ireland.Union VFXHeadquartered in Soho, London with a sister company in Montréal, Union has established an unrivalled reputation for seamless invisible effects on a wide range of projects building strong creative relationships with really interesting directors including Danny Boyle, Susanne Bier, Martin McDonagh, Marjane Satrapi, Sam Mendes, Fernando Meirelles & Yorgos Lanthimos. The studio's regular clients number some of the world's top filmmakers, who return to Union time and again as a trusted technical partner and creative ally. The team works closely with clients throughout every phase of the creative process. Union has been the sole visual effects studio behind many prestigious film projects, including Three Billboards Outside, Ebbing Missouri, Florence Foster Jenkins, T2: Trainspotting, 127 Hours, Black Sea, The Two Popes, Radioactive, The Dig, Stan & Ollie, Mamma Mia! Here we go again, The Gentlemen, Empire of Light, The Banshees of Inisherin and Poor Things. Episodic projects include Black Mirror, The Regime, Moon Knight, Trust, The Third Day, The Irregulars, Pistol, The Undoing, Happy!, The Crown, Outlander, For All Mankind, The Wheel of Time, The Sandman, The Power and Slow Horses. A significant highlight on the Union roster saw the company joining Danny Boyle's creative team to deliver the short films for the London 2012 Olympic Opening Ceremony.RENDR FESTIVALThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Nous y voilà! Après avoir dévoilé les plans de la transformation du parc Walt Disney Studios en 2018, Disneyland Paris ouvre enfin les portes de Disney Adventure World, la zone World of Frozen et son attraction sur La Reine des Neiges, Adventure Way et son grand lac, et le spectacle nocturne Cascade of Lights. A quelques semaines de l'ouverture au public, Guillaume a eu la chance de visiter cette extension dont le but est d'allonger le temps que les visiteurs passent dans le parc. Défi réussi? Problèmes définitivement réglés? On fait le tour de la question dans cet épisode!

Josh D'Amaro's is now the CEO of The Walt Disney Company. In this Disney news episode, we recap his first Disney shareholder meeting (held on March 18, 2026), discuss his vision for the future alongside Dana Walden and other Disney executives, analyze how Disney Parks and Walt Disney Studios might be impacted by his tenure, and recap Bob Iger's legacy as CEO between 2005 and 2026. Get ad-free episodes, bonus episodes, in-depth news analysis, and premium content at patreon.com/imaginationskyway. To plan a trip, be sure to work with KMV Travel.   Read Matt's Imagineering column in WDW Magazine.   Imagination Skyway is a Disney Parks and Imagineering podcast. Episodes explore attraction design, recap Disney news, and dive into the stories behind the magic, including interviews with Disney Imagineers, Disney Legends, and other Disney creators. Not affiliated with or endorsed by The Walt Disney Company. Disney is a trademark of The Walt Disney Company.   Tag me and join the conversation below. Instagram: www.instagram.com/imaginationskyway Facebook: www.facebook.com/imaginationskyway YouTube: https://www.youtube.com/@imaginationskyway Email: matthew.krul@imaginationskyway.com  How to Support the Show Share the podcast with your friends Rate and review on Apple Podcasts or Spotify Join our Patreon Group - https://www.patreon.com/imaginationskyway Enjoy the show!

Il est temps d'ouvrir le GRAND dossier sur la nouvelle extension de Disneyland Paris : Adventure Way, Adventure Bay et World of Frozen ! Le parc Walt Disney Studios va devenir Disney Adventure World, et on a pu visiter TOUTE la surface. Et y'en A. Le parc double sa superficie avec notamment un lac bien plus grand qu'il n'y paraît, et énormément d'espace à remplir. Et bien sûr la nouvelle zone Reine des Neiges. Aujourd'hui on parle de ces nouveaux espaces, des bâtiments, de ce qu'il y a pour "remplir" et des... Problèmes que ça peut poser. Un lac trop grand ? Une allée trop large et des décorations pas toujours réussies ? Mais des choses magnifiques quand même ? Beaucoup d'autres questions à la réponse évidente ? On ne parle pas encore des attractions ou des shows, mais on a déjà BEAUCOUP de choses à dire ! Découvrez tout ce que notre association a à offrir et soutenez-nous sur Patreon ! TOUS les podcasts Élabète en UN SEUL podcast, c'est possible en cherchant "Élabète" dans votre appli préférée ! Ou sur http://elabete.lepodcast.fr

Afgelopen weekend bezocht Jorn de nieuwe uitbreidingen in Walt Disney Studios - of vanaf 29 maart ook wel bekend als Disney Adventure World. Van de Raiponce Tangled Spin attractie en de Regal View Restaurant and Lounge, tot World of Frozen met Frozen Ever After als nieuwe E-ticketattractie en Disney Cascade of Lights als nieuwe avondshow met drones. Alles komt voorbij; Jorn heeft het nieuwe gebied mogen testen en deelt al zijn ervaringen. Shownotes: Uit het persoonlijke nieuws van Ralf: Meld je aan voor de Melkherberg Podcastreis naar Plopsaland Deutschland: https://www.melkherbergpodcast.com/ / https://forms.gle/Nz5ocCTm8UScYJid8 D-Tales steunen? Wordt Donalteur! https://petjeaf.com/d-tales ⏰ 00:00 Welkom bij D-Tales 457

This episode is a trip report from California, and an Adventures By Disney Trip that takes you backstage at Disneyland, Walt Disney Imagineering, and the Disney Studios at Burbank. Find out what goes on behind the sacred doors that most people don't get to go to, what it's like to hold an Oscar, and bumping in to Bob Iger outside the main HQ. Not to mention the shopping, where only cast members and Imagineers usually get to go.Plus, the latest news from Walt Disney World, including opening dates for some attractions, and if you can get discounted Disney giftcards in the UK.

In this episode of I Want That Too, Jim Hill and Lauren Hersey dive into a mix of new Disney merch, fan experiences, and theme park history. They break down the newly revealed Disney Princess running shoes from Brooks, preview merchandise coming to EPCOT's Flower & Garden Festival, and look at a premium new D23 tour that takes fans through Walt Disney's Los Angeles. Then Jim returns with Part 2 of the story of how a struggling shopping area at Walt Disney World evolved from the Disney Village Marketplace into the sprawling Disney Springs destination we know today.  NEWS • Brooks and runDisney unveil the 2026 Disney Princess Half Marathon weekend shoe collection featuring Rapunzel, Belle, and Moana inspired designs - including braided laces, lantern motifs, and ocean themed colorways.• Registration prices for the Disney Princess Half Marathon continue to climb, now landing between $259 and $269, adding to the debate around race merch availability and resellers.• D23 launches the premium Walt's Los Angeles Tour for Gold Members - a $1,999 guided experience visiting Walt Disney Studios, Imagineering, Walt's former home, the Carolwood Barn, and ending with dinner at one of Walt's favorite restaurants.• A preview of EPCOT's 2026 Flower & Garden Festival merchandise highlights new Orange Bird apparel, a retro inspired button down, Spike the Bee accessories, and Annual Passholder exclusives.• Disney California Adventure prepares for the 2026 Disney California Adventure Food & Wine Festival, including new marketplace booths and the Sip and Savor Pass that lets guests prepay for festival items. FEATURE • Part 2 of the Disney Springs story: how Michael Eisner inherited the underperforming Walt Disney World Shopping Village in the 1980s.• The creation of Pleasure Island in 1989 as Disney's answer to Orlando's Church Street Station nightlife.• The evolution into Downtown Disney in the 1990s with additions like Planet Hollywood, Rainforest Cafe, LEGO Imagination Center, DisneyQuest, and Cirque du Soleil's La Nouba.• Why Pleasure Island ultimately closed in 2008 - and the short lived Hyperion Wharf concept that almost replaced it.• How a major rethink under Disney Parks leadership led to the massive Disney Springs redevelopment, expanding the complex to more than 150 shops and restaurants across four themed districts. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com• Lauren Hersey - IG: @lauren_hersey_ | X: @laurenhersey2 FOLLOW • Facebook: JimHillMediaNews• Instagram: JimHillMedia• TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave GreyProduced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by UnlockedMagic. If a Disney or Universal trip is anywhere on your radar for 2026, the team at UnlockedMagic can help you secure great ticket deals with guidance from people who truly know the parks. Learn more and lock in your future trip at UnlockedMagic.com. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host of Imagination Skyway podcast Matthew Krul and myself discuss our experience filming an interview on-site on the Walt Disney Studios Lot with director of Disneyland Handcrafted, Leslie Iwerks.We also talk about touring Walt's office.Make sure to watch the full interview with Leslie Iwerks on Imagination Skyway.Follow Imagination Skyway:Instagram FacebookWebsiteFollow Creatives Prevail:InstagramTikTokWebsiteWe would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

In this episode, Michael continues his look at Woolie Reitherman as he and Tom discuss how one of Walt's Nine Old Men stepped into a leadership role during a transitional period at The Walt Disney Studios.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited TravelSources:Books:Walt Disney's Nine Old Men & The Art of Animation by John CanemakerWalt Disney's Nine Old Men: Masters of Animation by Don HahnThe Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Great Animators by Andreas Dejas Hosted on Acast. See acast.com/privacy for more information.

On today's Disney podcast, we're diving deep into everything coming to the reimagination of Animation Courtyard in Disney’s Hollywood Studios. As Disney World transforms this area into The Walt Disney Studios (themed to the actual studios out in Burbank, CA), guests will have a ton of new offerings to experience. From learning to animate with Olaf and getting the opportunity for a ton of new meet and greets with your favorite characters, to a new play area and yes…Mickey’s iconic Sorcerer’s Hat is making a comeback! When will we all get to experience this new area in Hollywood Studios? Late Summer 2026…Enjoy! This episode is sponsored by Fantastical Vacations. For free concierge vacation planning, specializing in Disney and Universal Vacations, visit https://www.fantasticalvacations.com We would love you to join us on Patreon! Thanks so much for supporting the show. Thanks so much for listening! If you like what you hear, please subscribe and catch us every Sunday for the podcast. Join us every Sunday and Wednesday evening as we take you to Walt Disney World, Disneyland, on Disney Cruise Line, Universal Studios and everywhere in between! We can be found at www.addictedtothemouse.com and be reached at danandleslie@addictedtothemouse.com Please also connect with us here: Patreon – https://www.patreon.com/addictedtothemouse Youtube – https://www.youtube.com/@AddictedtotheMouse Facebook – https://www.facebook.com/AddictedtotheMouse/ Instagram – https://instagram.com/addictedtothemouse/ The post The Magic of Disney Animation Coming to Disney’s Hollywood Studios appeared first on Addicted to the Mouse.

The FullyGeeked Boys are back with a full packed Episode 321. Nate tries to be like Rich and become a LumberJack. We had lots of RIPs #EricDane, #TomNoonan and #RevJesseJackson. We look at what happened at the BAFTAs and should the Broadcasters have done more before reminiscing on the latest North London Derby. Trailers of the week (⁠⁠⁠⁠⁠⁠28:45⁠⁠⁠⁠⁠⁠) include The Mandalorian & Grogu (#WaltDisneyStudios)(22nd May 2026), Peaky Blinders: The Immortal Man2 (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Netflix⁠⁠⁠⁠⁠⁠⁠⁠⁠) (10th March 2026), Is God Is (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#AmazonMGMStudios⁠) (15th May 2026) Beauty in Black S2 Part 2 (⁠#Netflix⁠) (19th March 2026), House of the Dragon S3 (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Netflix⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) (June 2026), Toy Story 5 (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#WaltDisneyStudios⁠⁠) (19th June 2026). Before we look into what's been hot this week in TV and Films: Hijack S2 E6(⁠⁠⁠#AppleTV⁠⁠⁠) (⁠⁠⁠43:30⁠⁠⁠), A Knight of the Seven Kingdoms E6 (Season Finale) (⁠⁠⁠#HBO⁠⁠⁠) (⁠⁠⁠#SkyAtlantic⁠⁠⁠) (⁠⁠⁠50:38⁠⁠⁠), Cross S2E4 (⁠⁠⁠#PrimeVideo⁠) (⁠⁠⁠57:58⁠⁠⁠), Paradise S2 E1-3 (⁠⁠⁠⁠#Hulu) (⁠⁠⁠⁠#DisneyPlus⁠) (⁠⁠⁠⁠01:05:20⁠⁠), Wasteman (⁠⁠⁠⁠⁠#Lionsgate) (⁠⁠⁠⁠⁠01:17:00⁠⁠⁠) among many more.....⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#TheFullyGeekedPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Films⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#TV⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Review⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#GuysThatPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Like⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Movies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Follow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Comment⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#FYP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠#PodcastReady⁠

In partnership with RENDR Festival and supported by the National Talent Academy for VFX, we are delighted to present the first in a very special speaker series. Recorded on location at RENDR 2026 in Banana Block, Belfast, we catch up with Irish TV and feature film photographer Helen Sloan, whose expansive list of credits includes How to Train Your Dragon, Wednesday, Derry Girls, and Foundation. In this in-depth conversation, she discusses the responsibilities and artistry of the role, and shares how she ascended in her career following her first big break on Game of Thrones.https://www.filmireland.net/podcast-tv-feature-film-photographer-helen-sloan-wednesday-game-of-thronesThis series of talks was recorded in The Spinners Mill Studio, a podcast and DJ studio based in Banana Block offering tailored solutions for DJ sessions, small-scale events and podcasting from concept to final distribution. Helen SloanHelen was born in rural Ireland. Given her first camera at age 11, she quickly came into her “fly on the wall” role, capturing snapshots of life around her. At age 18 while studying Art in Belfast, she landed among a group of circus performers - where her non intrusive style of photography and technical mind lent itself well to performance photography. She travelled the world with various troupes and performers, spending a large amount of time in Iceland. A series of melancholy portraits caught the eye of a movie producer - who invited her to work on a series of horror films. Sloan landed more and more jobs on film and television sets over the next decade - and the “Game of Thrones” came to her doorstep. Helen is responsible for the photography from the hit HBO drama having been there from the first day of the pilot, until the very last day of filming. The job covered many genres of photography; landscape, portraiture, studio posters and behind the scene documentary. She is a European Nikon Ambassador and the first Irish member of The Society of Motion Picture Still Photographers.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.Witness creative uses of new technology, explore the gallery of digital art, chow down at the food village or play in the arcade. You will be transported to the future, and provide you with unforgettable and inspirational nights. Like nothing you have experienced before, our unique combination is guaranteed to provide two nights you can't miss. Come for the talks, stay for the experience!National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Hosted on Acast. See acast.com/privacy for more information.

In partnership with RENDR Festival and supported by the National Talent Academy for VFX, we are delighted to present the first in a very special speaker series.Recorded on location at RENDR 2026 in Banana Block Belfast, we caught up with Emmy and Visual Effects Society award-winning VFX Supervisor Jay Worth, whose impressive list of credits includes Westworld, Lost, Fringe, Alias, Person of Interest, The Magicians and Fallout. In this in-depth conversation, he discusses his transition from theatre to VFX, creatively collaborating with J.J. Abrams, and building the beautiful worlds that he's most proud of.Listen now on SoundCloud, Apple, Spotify, Acast and Amazon, or subscribe to Film Ireland wherever you get your podcasts.This series of talks was recorded in The Spinners Mill Studio, a podcast and DJ studio based in Banana Block offering tailored solutions for DJ sessions, small-scale events and podcasting from concept to final distribution.Read more about this episode here:https://www.filmireland.net/podcast-in-conversation-with-vfx-supervisor-jay-worth-westworld-fallout/Jay WorthJay Worth is an Emmy and Visual Effects Society award winner who began his career in 1997 at Digital Domain. He fell in love working on episodic television in 2005 on Alias. He has had the privilege of collaborating with Jonah Nolan and Kilter films as well as J.J. Abrams and Bad Robot throughout his career. He has worked on over 500 episodes of television such as Westworld, Lost, Fringe, Alias, Person of Interest, The Magicians and Fallout. He has won an Emmy for his work on Westworld as well as collecting 9 other nominations spanning 7 different shows - along with winning a Visual Effects Society award for Fringe and collecting 11 additional nominations.RENDR FESTIVALThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others. Witness creative uses of new technology, explore the gallery of digital art, chow down at the food village or play in the arcade. You will be transported to the future, and provide you with unforgettable and inspirational nights. Like nothing you have experienced before, our unique combination is guaranteed to provide two nights you can't miss. Come for the talks, stay for the experience!National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent. Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Michael continues his series on Walt Disney's Nine Old Men as he and Tom discuss animator, director, and producer Woolie Reitherman and his contributions to the Walt Disney Studio.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited TravelSources:Books:Walt Disney's Nine Old Men & The Art of Animation by John CanemakerWalt Disney's Nine Old Men: Masters of Animation by Don HahnThe Nine Old Men: Lessons, Techniques, and Inspiration from Disney's Great Animators by Andreas Dejas Hosted on Acast. See acast.com/privacy for more information.

Vous avez dit "bizarre" ? C'est bien normal. Voici la première série de Baleine sous Gravillon consacrée à des espèces animales extraordinairement étranges.Dans cette première série, Marc et Marie-Juliette se penchent sur 5 animaux à l'anatomie hors du commun.Après avoir exploré les bizarreries du Chevrotain porte-musc, un ongulé parfumeur aux dents longues, c'est au tour d'un insecte à la grosse tête de faire son entrée dans Baleine sous gravillon : le Fulgore porte-lanterne, une sorte de grosse cigale sud-américaine au masque... d'alligator ! À l'instar du Chevrotain, sa drôle de mine n'est pas son seul fait d'armes : il possède également des moyens de défense des plus... marquants. D'abord, des immenses ocelles de papillon sur ses ailes ; ensuite une odeur nauséabonde qu'il dégage quand il ses sent menacé. Eh oui, le Fulgore est un insecte péteur ! Enfin, il se distingue également sur le plan des amours : Monsieur se fait percussionniste professionnel lors de la saison de reproduction, et dans les années 70, un journaliste colombien a répandu une rumeur selon laquelle la morsure du Fulgore était mortelle pour les humains si l'on ne se soigne pas avec un rapport sexuel effectué dans les 24 heures... ___

What does it cost to walk away from one of Hollywood’s most powerful legal positions to pursue your true passion? Steve Bardwil spent years as Chief Counsel for Walt Disney Studios, overseeing legal affairs for Marvel, Pixar, Lucasfilm, and more—negotiating billion-dollar deals and working alongside industry titans like Steve Jobs, Alan Bergman, and Kevin Feige. But behind the prestigious business cards and high-stakes meetings, he was writing songs, leading a band, and wrestling with a question that wouldn’t let go: What if there’s more? Welcome to the Takin A Walk podcast and join Buzz Knight on this inspiring music story with singer-songwriter Steve Bardwil. In 2024, Steve Bardwil made the decision that seemed crazy to everyone around him—he left Disney to pursue music full-time. One year later, he released his critically acclaimed debut album “Nothing But Time,” produced by 11-time Grammy winner Joe Chiccarelli (Elton John, U2, Beck, The Killers). Now he’s heading back into East West Studios to record his sophomore effort. In this inspiring music interview , Steve shares the emotional journey of redefining his identity beyond the Disney empire, the moment he cold-called Joe Chiccarelli (and actually got a callback), and what happened when one of music’s most legendary producers transformed his songs in ways he never imagined. From opening for Donovan Frankenreiter and Lyle Lovett while still at Disney, to learning the recording process from scratch, to writing “Send Them Love”—a song resonating with anyone who’s faced online negativity—Steve Bardwil and his story is about courage, reinvention, and refusing to live with “what if.” He also reveals his Beatles origin story (Dodger Stadium, 1966), the bittersweet reality of walking away from a career that defined him, and his advice for anyone contemplating their own leap: “At the end of your life, you can say ‘I tried’ or ‘I wish I would have.’ Don’t be the person who says ‘I wish I would have.’” Featured Topics: Career reinvention, music production with Joe Chiccarelli, working at Walt Disney Studios, songwriting process, recording at East West Studios, overcoming self-doubt, “Send Them Love,” Beatles at Dodger Stadium, following your passion later in life Keywords #legendary musician #legendary musican interview #knight #walk #weekly music history #kegendary musician #career breakthrough Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Step inside Walt Disney's office at the Walt Disney Studios Lot in Burbank, California in today's special episode. Disney Parks invited me to tour the original Walt Disney Animation building and step inside Walt's office suite 3H, which he occupied from 1940 to 1966. The Walt Disney Archives carefully restored this space to look exactly as Walt left it with over ninety percent accuracy, including his original furniture, props, photos, and memorabilia. In this episode, we'll discuss what it's like to tour Walt Disney's Office and the Walt Disney Studios Lot.  D23 Members can take a similar tour by visiting the D23 website. To plan a trip, be sure to work with KMV Travel. Get bonus content, ad-free episodes, and more at patreon.com/imaginationskyway.   Tag me and join the conversation below. YouTube: https://www.youtube.com/@imaginationskyway Instagram: www.instagram.com/imaginationskyway Facebook Group (ImagiNation): https://www.facebook.com/groups/imaginationskyway Facebook: www.facebook.com/imaginationskyway TikTok: www.tiktok.com/@imaginationskyway  Threads: https://www.threads.net/@imaginationskyway Twitter: www.twitter.com/skywaypodcast Email: matt@imagineerpodcast.com  How to Support the Show Share the podcast with your friends Rate and review on iTunes - https://itunes.apple.com/us/podcast/the-imagineerpodcasts-podcast/id1244558092 Join our Patreon Group - https://www.patreon.com/imaginationskyway Purchase merchandise - https://www.teepublic.com/stores/imagineer-podcast?ref_id=8929 Enjoy the show!

853 · Disneyland Handcrafted Review and Interview with Leslie IwerksDisneyland has been analyzed and celebrated for decades. But Disneyland Handcrafted shows us something far more rare. How the park was actually built.This week, I sit down with Academy Award nominated filmmaker Leslie Iwerks for a deep conversation about her new documentary, Disneyland Handcrafted, followed by my review and thoughtful discussion with Adam Bankhurst from IGN after attending the world premiere on the Walt Disney Studios lot.We talk about unseen archival footage, Walt, the pressure of building Disneyland in less than a year, and the craftsmen and builders whose hands shaped the park we know today. This is not nostalgia. It's history, risk, and belief in motion.

Our conversation with Brian Vickers, Lead Music Supervisor at Walt Disney Studios, is both inspiring and insightful as he shares how an early passion for music evolved into an extraordinary career.Brian has worked on a ton of projects like Project Runway, Keeping Up with the Kardashians, Khloé & Lamar, Kourtney & Kim Take New York, The Real World and Bad Girls Club, including trailer campaigns for Avengers: Infinity War, Star Wars: The Last Jedi, Black Panther and The Incredibles 2, to name a few.If you've ever found yourself obsessed with a movie soundtrack or a perfectly placed song over a scene, this is the episode for you. Brian takes us on a journey as to how he, as a Howard University grad from Birmingham, Alabama, ended up moving to Los Angeles in 2008, right before the writers' strike and how the industry's pivot to reality TV steered his early career. We talk about how the Bernie Mac Show was the series that opened his eyes to music supervision, his thoughts on AI in the music industry and what he wants aspiring creatives interested in sync to know about being 'sync friendly.'

In this episode, we discuss the recent announcement about the The Magic of Disney Animation attraction coming to Walt Disney World over at Disney's Hollywood Studios. We'll unpack everything Disney has announced: the building design with the return of the Sorcerer Hat, the interactive Off the Page! meet-and-greets featuring real animation departments, the Drawn to Wonderland playground for little artists, and how the larger Animation Courtyard will be reimagined as The Walt Disney Studios. We'll also connect the dots to the current and upcoming attractions in the area. What are your thoughts on any of our topics? Civil discussions encouraged. Please let us know at show@magicourway.com or call 815-669-4226, or slide into our social media DMs. Every thought and opinion will forever be welcome on this Disney fan podcast. This is show #606.

How did HPE and Disney form a relationship which has continued for over 80 years? This week, Technology Now begins a mini-series to celebrate the tenth birthday of HPE. In Episode one, we explore where it all began – with the sale of an oscillator to Disney in the ‘30s - and how that partnership has continued to this day through digitisation, the pandemic, and the current AI explosion.This is Technology Now, a weekly show from Hewlett Packard Enterprise. Every week, hosts Michael Bird and Aubrey Lovell look at a story that's been making headlines, take a look at the technology behind it, and explain why it matters to organizations.About Alice Taylor:https://www.linkedin.com/in/alicetaylor/Sourceshttps://www.computinghistory.org.uk/det/5011/HP-9826/https://www.hpe.com/nl/en/what-is/virtual-desktop.html https://www.imdb.com/list/ls093653710/https://www.flywing-tech.com/blog/a-1939-audio-oscillator-caught-disneys-eye-and-helped-launch-hp/ https://www.hewlettpackardhistory.com/item/a-deal-with-disney/ https://www.hpe.com/us/en/about/history/innovation-gallery/008-product.htmlhttps://www.thedisneyclassics.com/blog/animation-styles https://medium.com/cinemania/a-puppet-in-walt-disneys-hands-ea2d5b43ef96 

In this episode, Michael and Tom begin the history of the 1942 classic Saludos Amigos by discussing how the film, and the research trip to South America that preceded it, came to be.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterDreams Unlimited TravelSources:Websites/Articles:Saludos Amigos, WikipediaThe Good Neighbor Films – Saludos Amigos, The Three Caballeros, maketheswitch.comThe Persistence of Disney, Saludos Amigos by Jerry Roberts for Armchair Cinema.comBuilding Entertainment: The Animated Films of the Walt Disney Studio. Saludos Amigos and The Three Caballeros, the-avocado.orgBooks:South of the Border with Disney: Walt Disney and the Good Neighbor Program, 1941-1948 by J.B. KaufmanVideos:Walt & El Grupo documentary directed by Theodore Thomas (available on Disney+) Hosted on Acast. See acast.com/privacy for more information.

Send us a text“A Walt In The Park” with Bill BurnsCharacters in theme parks have always blown my mind. In particularly, Walt Disney Characters. I don't know where it came from, but y'all, it aint never left. I still get star struck. And ya know what is neat? I kinda spread it to my kids. Our next guest first came on a couple of seasons back, fresh after his viral sensation as Walt Disney in Disneyland. Little did Bill Burns realize just what seed he was planting. And boy did it sprout!! From Good Morning America to being personally invited to Walt Disney Studios. Oh boy, I highly recommend you falling down what is the Bill Burns Instagram wabbit hole. Yall can thank me later! Find Bill on Insta at: @billburnzcosplayThen later, we welcome back Nick Bryan CEO and Owner of Sandpipervacations.com, and Fellow gay dad and- now entrepreneur of 5 years strong, came back to chat about what he has created the past few years. Destinations across the world and vacations here at home like Disney and Virgin. We both opened up about the volatile environments our societies present today. As gay dads, as targets. How do we live our truths without being afraid? I'll tell ya. UNITITY. Slow down and take a listen.  Thank you to our family of amazing sponsors! STATE FARM® INSURANCE AGENT Leigh Ann Arcuri https://ridewithla.com/ Ochsner Children's HospitalWww.ochsner.orgRouses MarkersWww.rousesmarkets.comSandpiper VacationsWww..sandpipervacations.comCafe Du Monde www.shop.cafedumonde.com The Law Firm of Forrest Cressy & James Www.forrestcressyjames.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comERA TOP REALTY: Pamela Breaux plbreaux@gmail.com Audubon Institute www.auduboninstitute.orgUrban South Brewery www.urbansouthbrewery.com

Matthew Bannister onPatrick Bradley, the Chief Electoral Officer for Northern Ireland at the height of the Troubles.Dame Jilly Cooper, the best-selling author of the racy “Rutshire Chronicles”.Sara Jane Moore, the political extremist who tried to assassinate US President Gerald Ford.Dame Patricia Routledge, the actor best known for her portrayal of Hyacinth Bucket in the TV comedy Keeping Up Appearances.Producer: Ed PrendevilleArchive: With Bennett: Patricia Routledge, BBC Radio Ulster FM, 01/05/2004; Desert Island Discs, BBC Radio 4, 13/08/1999; Rivals, Walt Disney Studios, Disney Plus UK / Happy Prince, 25/09/2024; Mark Lawson Talks to Jilly Cooper, BBC4, 19/09/2006; In My Own Words: Jilly Cooper, BBC One, 30/09/2024; Hay Festival, BBC Arts, 31/08/2018; Riders, Anglia Films, ITV, 1993 (writer: Jilly Cooper, Charlotte Bingham, Terence Brady; dir: Gabrielle Beaumont), LEFT, RIGHT AND CENTRE, BBC One Scotland, 19/05/1989; Gerald Ford assassination attempt, YouTube; New Voices (RU) 2015/16: Time of Our Lives (Ep. 38), BBC Radio Ulster FM, 31/01/2016

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesMoviegoers were in their showgirl era this weekend as Taylor Swift's album release party for her 12th album, The Life of a Showgirl, took the top spot at the box office with an estimated $34 million. The one-weekend show is over, though, and Tron: Ares is coming through to open this weekend with estimates hoping it rakes in more than $40 million. Meanwhile the Dwayne Johnson and Emily Blunt headlined movie The Smashing Machine from A24 barely even slapped anyone across the face, opening to just $5.9 million. Paul Thomas Anderon's One Battle After Another continues to bring in dollars as well,43 million so far Domestic,  though it had a 50% drop weekend-over-weekend.If you thought that film and tv universes were becoming passe, Peaky Blinders is here to prove you wrong. Star Cillian Murphy already had fans excited about returning to the Shelby family with the news of a feature film that is wrapped and will release next year. Now, the BBC and Netflix are sharing an expansion of the universe with a new six episode sequel series that will focus on a new generation of Shelbys. Murphy and original creator/writer Steven Knight are executive producers for the series, which will take place post-World War II. In lieu of much else to report on for features this week, we thought we'd look ahead to the films and television series we can look forward to for the rest of the year that we maybe have or haven't discussed yet.New Line's follow up to Final Destination: Bloodlines has found its director - Belgian filmmaker Michiel Blanchart, who will be making his English-language debut with the feature.DC and Marvel Comics will continue their crossover series with a Superman and Spider-Man crossover that will debut early next year.Severance breakout Zach Cherry, True Detective co-star Kali Reis, and Johnno Wilson, from I Love That for You, have joined the cast of Resident Evil, Sony Pictures and Zach Cregger's reboot of the horror franchise, according to The Hollywood Reporter.Netflix has released the first official trailer for season four of The Witcher, which sees Liam Hemsworth taking over the role of Geralt from former star Henry Cavill. Netflix has previously announced the show will end with season five.In a deal worth a substantial seven figures, Walt Disney Studios won an auction to acquire rights to Impossible Creatures, the fantasy series by acclaimed British author Katherine Rundell. She will adapt the first two books in the series into screenplays.Michael Mann's “Heat 2,” the long-awaited sequel to his 1995 crime drama starring Al Pacino and Robert De Niro, is finally gaining traction. Amazon MGM and producers Scott Stuber and Jerry Bruckheimer are in final negotiations to secure the rights. Although no deals are official, The Hollywood Reporter has connected Leonardo Dicaprio to the project, and other names have also surfaced including Austin Butler, Adam Driver and Bradley Cooper.

"Zootopia 2" is the highly anticipated upcoming animated sequel to the Academy Award-winning "Zootopia" (2016). Actors Ginnifer Goodwin, Jason Bateman, Idris Elba, and Shakira reprise their roles from the first film, joined by newcomers Ke Huy Quan, Fortune Feimster, Andy Samberg, David Strathairn, Patrick Warburton, and Quinta Brunson. The film follows Judy Hopps and Nick Wilde as they pursue Zootopia's new and mysterious reptilian resident, Gary De'Snake. With the sequel's release two months away on November 26th, Next Best Picture was invited to Walt Disney Animation Studios for an early look at the long-awaited sequel. Please take a listen to our exclusive interviews with Directors Byron Howard and Jared Bush, Producer Yvett Merino, Heads of Story Carrie Liao and David Vantuyle, and Head of Animation Chad Sellers. Please be sure to check out the film, which will release in theaters on November 26th from Walt Disney Studios. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesImages and video featuring promotional artwork, including a laser light show, of Marvel's Doctor Doom surfaced last week during Walt Disney Studios' Marketing Expo in Shanghai. While many fans and outlets of varying reputation and credibility were quick to assume and label the imagery as officially tied to Avengers: Doomsday and our first look of Robert Downey Jr in the role, there is nothing in the aforementioned marketing materials that brands the content as Marvel Studios'. Still, the concept art and accompanying light show are exciting as potential teases of what this highly anticipated version of the villain may look and feel like when he finally hits the big screen next December.In a completely unexpected turn of events during a recent appearance on The Howard Stern Show, James Gunn dished out more details surrounding his recently announced sequel to Superman, titled Man of Tomorrow, including an intended April 2026 slate to begin filming. The filmmaker shared, “It is a story about Lex Luthor and Superman having to work together to a certain degree against a much, much bigger threat,” he said. “And it's more complicated than that. It's as much a Lex movie as it is a Superman movie. I relate to the character of Lex, sadly.” On the other end of the DCU, during a red carpet appearance at the Emmys, Matt Reeves shared star Robert Pattinson's reaction to reading the long awaited script, saying “He's Batman, and if he doesn't like it, not good. I was super excited. I thought that he really would [like it] because the things that it does for his character, for Batman and for Bruce, have never been done before in this way. I had a feeling that he would respond in this way, but the fact that he did was incredibly encouraging.” It was a night of celebration for newcomer series at Sunday's 77th Primetime Emmy Awards, as HBO Max's rookie series The Pitt dominated the drama categories while Apple TV+'s The Studio swept comedy honors. Netflix's limited series Adolescence led the field with six trophies, including wins for writer-producer-star Stephen Graham, and HBO/HBO Max topped all networks with nine total Emmys, followed by Apple TV+ with seven. Notable firsts included Tramell Tillman becoming the first Black man to win Supporting Actor in a Drama for Severance, Seth Rogen claiming his first Emmy ever for The Studio, and The Penguin's Cristin Milioti bringing home the only award for the series for her portrayal of Sofia Falcone. The freshly merged Paramount/Skydance is exploring a potential bid to acquire all of Warner Brothers Discovery, according to the Wall Street Journal.Universal and Illumination have officially titled the Super Mario Bros. Movie sequel The Super Mario Galaxy Movie, taking its name from Nintendo's 2007 Wii game and setting an April 3, 2026 release date. The entire voice cast including Chris Pratt, Anya Taylor-Joy, Charlie Day, and Jack Black will return for the follow-up to the record-breaking original that earned $1.36 billion worldwide.Amazon MGM/s Highlander reboot, which was set to go into principal photography this month, will now be pushed into 2026 after Henry Cavill sustained an injury during pre-production.A24 has reportedly won the bidding war for the Texas Chainsaw Massacre film and TV rights, beating out competitors including Jordan Peele and Taylor Sheridan. The horror studio plans to first develop a series from Strange Darling director JT Mollner, producer Roy Lee, and Glen Powell, though Powell will not star in the project.Oscar nominated actress Mary McDonnell has joined the cast of Marvel's upcoming Vision series, the Hollywood Reporter has learned. At this time, her role has not been disclosed.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Dick Cook, the former Chairman of Walt Disney Studios known as "the filmmaker's Chairman." From his humble start as a Disneyland train operator to running one of Hollywood's most successful studios, Dick shares how his Bakersfield roots and team-oriented leadership helped deliver some of Disney's most loved and profitable films, including Finding Nemo, The Lion King, National Treasure, and Pirates of the Caribbean.From Bakersfield to Disneyland (01:42) Dick shares how a 17-year-old with railroad experience landed a job operating Disney's steam train and monorail, setting the stage for an extraordinary career journey.Small-Town Values in Hollywood (06:10) Growing up in Oildale, California, Dick explains how losing his father at 12 and his mother's dedication to baseball helped shape his character.The Disruption Era (12:38) Dick discusses joining Disney during the home video and pay television revolution, when many thought it would kill the theatrical business.Learning from Legends (17:25) Dick shares insights from working with Disney visionaries like Jeffrey Katzenberg, Michael Eisner, and Card Walker.Convincing Eisner on Pirates (20:43) The inside story of how Dick had to sell Michael Eisner on Pirates of the Caribbean, an expensive pirate movie with an arthouse actor that became a massive franchise.The Team Philosophy (32:33) Dick emphasizes how success came from building loyal teams and treating the movie business as "a game" - serious work that he genuinely loved doing with people he cared about.Green-Lighting Lessons (35:54) Dick walks through his decision-making process for approving films, from budget considerations to the ancillary market.Remembering The Alamo (37:37) A candid discussion about one of his biggest missteps, how killing the protagonist at the end of the second act doomed The Alamo, and why pre-green-light audience testing might have caught the flaw.Friday Night Phone Calls (40:44) Dick recalls the excitement of Splash's surprising opening weekend success, when hand-calculated box office numbers seemed too good to believe.Dick demonstrates how humility, small-town decency, and collaborative leadership can drive Hollywood success while maintaining his integrity.If you enjoyed this episode, please leave us a review and share it with others. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuest: Dick CookProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Dick Cook:Wikipedia: https://en.wikipedia.org/wiki/Dick_CookIMDB: https://www.imdb.com/name/nm1693424/bio/LinkedIn: https://www.linkedin.com/in/dick-cook-0958774aFor more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/Facebook, X, Instagram, TikTok, YouTube, Substack

Disney Turned All Their Boy Brands Into Girl Brands and Doesn’t Know How To Fix Them This week on the podcast, Alien: Earth episode 3, and how Disney got rid of half the audience of their acquired brands (Marvel and Star Wars). Episode Index Intro: 0:07 K-Pop Demon Hunters: 3:00 Disney’s Boy Problems: 9:00 Alien Earth: 40:36 Disney's Boy Trouble: Studio Seeks Original IP to Win Back Gen-Z Men Amid Marvel, Lucasfilm Struggles https://variety.com/2025/film/news/disney-marvel-lucasfilm-gen-z-1236494681/ Leadership at Walt Disney Studios has been pressing Hollywood creatives in recent months, multiple sources tell Variety, for movies that will bring young men back to the brand in a meaningful way. “Young men” is defined here by sources as ages 13-28, aka Gen Z. Alien: Earth (FX/Hulu) Episode 3 – “Metamorphosis” Summary: Nibs questions Curly about why the hybrids are all named after Peter Pan characters and why Marcy gets to be Wendy. Kavalier orders the specimens be brought to Neverland Island for study, despite objections from Kirsh and Dame Sylvia. Morrow finds Smee and Slightly guarding the Xenomorph eggs and interrogates them, suspicious of their childlike behavior. He downloads the specimen data from the Maginot and plants a device on Slightly before escaping. Meanwhile, Wendy and Hermit fight the Xenomorph with a meat hook, and Wendy kills it, although both sustain serious injuries. Returning to the island, Hermit undergoes surgery, and the Sylvias tend to Wendy. Kavalier inspects the specimens until Kirsh removes him for his own protection. Atom Eins questions Smee and Slightly about their encounter with Morrow. Having escaped into New Siam, Morrow calls Yutani and insists on retrieving the specimens despite being ordered to return home. Curly confronts Kavalier about his favoritism towards Wendy, believing herself to be the best hybrid. Morrow contacts Slightly via the embedded device, convincing him to be his friend. Kirsh, Tootles, and Curly dissect a facehugger and introduce its larvae to Hermit’s lung, removed during surgery. Wendy awakens, seemingly intercepting signals from the Xenomorph eggs, which cause her pain. She ultimately collapses in the laboratory containing the eggs. Writer(s) / Director / Release Info: Written by Noah Hawley and co-creator Bob DeLaurentis, directed by Dana Gonzales. Aired August 19, 2025, on FX and FX on Hulu. Cast Highlights: Features guest appearances by Sandra Yi Sencindiver (Yutani), Kit Young (Tootles), and others central to ongoing intrigue. Rating / Viewership: Drew approximately 0.441 million U.S. households with a 0.10 rating in the 18–49 demo—an increase over Episode 2. Critics widely praised its tension, production, and heavy themes. Out of 5 Corporate Smiles and Acid Spores: The Future Looks Funs Darryl: 3.1/5 Brian: 3.1/5 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

1000: From Hollywood mogul to venture capital visionary, Jeffrey Katzenberg's story is one of bold bets, iconic storytelling, and relentless reinvention. In this milestone 1000th episode of Technovation, host Peter High welcomes Katzenberg to reflect on a remarkable career spanning five decades across film, animation, and now AI-driven venture investing. As the founding partner of WndrCo, Katzenberg backs transformative companies like Netomi (conversational AI), Writer (enterprise GenAI), Alembic (causal AI), and Aura (consumer digital safety). But long before that, he shaped global pop culture as President of Paramount Pictures, Chairman of Walt Disney Studios, and Co-Founder of DreamWorks SKG and DreamWorks Animation. In this wide-ranging and candid conversation, Katzenberg shares: Why the best ideas are risky and why failure is essential to success How DreamWorks was launched just 8 days after being fired from Disney Leadership lessons from icons like Barry Diller and David Geffen The real story behind building Hollywood's most beloved franchises Why AI is both “prose” and “poetry” and what that means for creativity How WndrCo is scaling category-defining businesses across tech This episode explores 50 years of transformation, from The Lion King to Shrek, from studio boardrooms to Silicon Valley pitch rooms. A must-listen for anyone interested in creativity, leadership, and what it takes to build at scale.

Chris Carter is a television writer, producer, and director best known as the creator of science fiction series The X-Files. He began his screenwriting career at Walt Disney Studios in 1985 before moving to Twentieth Century Fox Television. There, he developed The X-Files, which ran for 11 seasons and earned him multiple Golden Globe Awards, Emmy Award nominations, and a Peabody Award for Excellence in Broadcasting. Carter has created additional series through his production company, Ten Thirteen Productions, including Millennium, Harsh Realm, The Lone Gunmen, as well as two film adaptations of The X-Files.  ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter