Podcasts about australian

It's a full-blown Friday free-for-all on The Rizzuto Show as the crew dives headfirst into a triple-threat episode of chaos.Clownvis joins the show and talks about his viral interview with Maynard James Keenan — yes, that Maynard — and how he managed to get one of rock's most notoriously difficult interviewees to actually loosen up and laugh. The crew dives into comedy as connection, crying at work (turns out, most of us have), and the fine art of breaking emotional seals via TV shows like Lost and movies like Big Fish. It's vulnerable. It's weirdly wholesome. It's still unhinged.The legendary Bean Boozled “Good or Gross” challenge returns, and it's every bit as traumatic as you remember. Stink bug vs. toasted marshmallow. Booger vs. juicy pear. Burnt rubber vs. licorice. Somehow, against all statistical logic, the callers go on an absolute heater — five straight “good” beans — while the studio debates swallowing rules, floor beans, and whether anyone might actually jump out a window over a stink bug flavor. Concert tickets are on the line, dignity is not.And because no Friday is complete without spiraling into nonsense, the show also tackles:The rising trend of solo dining and solo concertsWhy driving a van becomes attractive after 25Whether Lent sacrifices actually last more than 48 hoursWhy people are specifically giving up Wendy's BaconatorsHow often you're “supposed” to replace your underwear (spoiler: nobody is following that timeline)And whether someone in the room might secretly have a “moss butt” situation brewingFrom pasta with Maynard to Fruit of the Loom formalwear to lawn seats at Five Finger Death Punch, this episode is a beautiful blend of gross-out games, accidental life advice, and the kind of spiraling tangents that somehow only make sense on a Friday.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Should You Change Your Underwear In Every 6 Months?“Most unhinged glow-up”: Unsurprisingly, Americans are obsessed with Fruit of the Loom's sweatpant suitSolo dining surges 52% as Americans embrace 'Me-Me-Me Economy' over shared mealsNC mom of three who vanished 24 years ago reveals why she ditched familyHopkins County woman charged after allegedly using “movie money” to post bondMan, two girls injured after suspected lightning strikes during Perth stormTwo charged with murder of Australian grandfather after 'mistaken identity' kidnappingBlock lays off nearly half its staff because of AI. Its CEO said most companies will do the sameDid the Tampa International Airport Really Just Ban Pajamas?Falling antlers caused ‘severe' injuries to couple dining at LongHorn SteakhouseMan Attacked by Dogs Unexpectedly Saved by Exploding Phone in His Pocket‘Die Hard' in DeKalb? Armed burglar found hiding in business air ventMan who robbed Ocala Taco Bell with large rock gets four years in prisonMuncie man robs Taco Bell with pruning shears: Court DocsFlorida man drives flaming car down highway, charged with DUIMan defrauds company, steals more than 400 smart toilets in MiamiSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

G’day, mates! Grab your blooming onions and watch out for "bucking" hams, because Bob is bringing his best Australian accent to the studio today. In this episode, Bob and Jesse dive into the wacky world of friendships. From "Leg Cramp Girl" on the bus to a PE teacher whose heart rate spikes just by seeing Bob walk into the gym, the duo explores how every person in our lives provides an opportunity to show God’s love. Whether it’s a "tight-as-a-tourniquet" hug from Mom or a back-pat from Dad that sends you flying across the room, love and encouragement come in all shapes and sizes. Click here to see the new Average Boy book title and cover! Click here to visit the Average Boy Store to gain access to books, devotionals, subscriptions to Clubhouse Magazine, and much more! We'd love to hear from you! Visit our Homepage to leave us a voicemail. If you enjoyed listening to The Official Average Boy Podcast, please give us your feedback.

Britain's banks have a hold over Rachel Reeves, declares Michael Simmons in the Spectator's cover piece this week. Almost two decades on from the 2008 financial crash, the UK has failed to reform the system and – as ordinary people face a cost-of-living crisis – Labour is in hock to big business. Is the Chancellor too close to the City?For this week's Edition, host Lara Prendergast is joined by economics editor Michael Simmons, columnist Lionel Shriver, and columnist from the Daily Mail Robert Hardman.As well as Labour's relationship with the banking industry, they discuss: the hit BBC show Industry; how the Royals have frozen out (former Prince) Andrew – and whether removing him from the line of succession is ‘performative' or not; Lionel's new book on immigration A Better Life; why young Brits increasingly want to be more Australian; and finally, what's so good about a moustache?Produced by Patrick Gibbons. Catch up with Industry S4 now on BBC iPlayer. Watch the season finale on Monday 2nd March on BBC One. Hosted on Acast. See acast.com/privacy for more information.

I am Rolf Claessen and together with my co-host Ken Suzan I welcome you to Episode 172 of our podcast IP Fridays. Today's interview guests are Co-Founder & CEO of Inception Point AI, Jeanine Whright, and Mark Stignani, who is Partner & Chair of Analytics Practice at Barnes & Thornburg LLP. https://www.linkedin.com/in/jeaninepercivalwright https://www.linkedin.com/in/markstignani Inception Point AI But before the interview I have news for you: The Unified Patent Court (UPC) ruled on Feb 19, 2026, that specialized insurance can cover security for legal costs. This is vital for firms, as it eases litigation financing and lowers financial hurdles for patent lawsuits by removing the need for high liquid assets to enforce rights at the UPC. On Feb 12, 2026, the WIPO Coordination Committee nominated Daren Tang for a second six-year term as Director General. Tang continues modernizing the global IP system, focusing on SMEs, women, and digital transformation. His confirmation in April is considered certain. An AAFA study from Feb 4 reveals 41% of tested fakes (clothing/shoes) failed safety standards. Many contained toxic chemicals like phthalates, BPA, or lead. The study highlights that counterfeiters increasingly use Meta platforms to sell unsafe imitations directly to consumers. China's CNIPA 2026 report announced a crackdown on bad-faith patent and trademark filings. Beyond better examination quality, the agency will sanction shady IP firms and stop strategies violating “good faith” to make China’s IP system more ethical and innovation-friendly. Now, let's hear the interview with Jeanine Whright and Mark Stignani! How AI Is Rewiring Media & Entertainment: Key Takeaways from Ken Suzan's Conversation with Jeanine Wright and Mark Stignani In this IP Fridays interview, Ken Suzan speaks with two repeat guests who look at the same phenomenon from two angles: Jeanine Wright, Co-Founder & CEO of Inception Point AI, as a builder of AI-native entertainment, and Mark Stignani, Partner and Chair of the Analytics Practice at Barnes & Thornburg LLP, as a lawyer advising clients who are trying to use AI without stepping into a legal (or ethical) crater. What emerges is a clear picture: generative AI is not just “another tool.” It is rapidly becoming the default infrastructure for creative work—while the rules around ownership, consent, and accountability lag behind. 1) What “AI-generated personalities” really are (and why that matters) Jeanine's company is not primarily “cloning” real people. Instead, Inception Point AI creates original, fictional personalities—characters with backstories, ambitions, and evolving arcs—then deploys them into the world as podcast hosts and content creators (and eventually actors and musicians). Her key point: the creative work still starts with humans. Writers and creators define the concept, tone, audience, and story engine. What AI changes is speed, cost, and iteration—and therefore what is economically feasible to produce. 2) The “generative content pipeline” isn't a magic button A recurring misconception Ken raises is the idea that someone “pushes a button” and content pops out. Jeanine explains that real production looks more like a hybrid studio: A creative team defines character, voice, format, and storyline. A technical team builds what she calls an “AI orchestration layer” that combines multiple models and tools. The “stack” differs by format: the workflow for a long-form audio drama is different from a short-form beauty clip. This matters because it reframes AI content not as a single output, but as a pipeline decision: which tools, which data sources, which QA, and which governance steps are used—and where human review happens. 3) The biggest legal questions: origin, liability, ownership, and contracts Mark doesn't name a single “top issue.” He describes a cluster of problems that repeatedly show up in client conversations: Training data and “origin story” Clients keep asking: Can I legally use AI output if the tool was trained on copyrighted works? Even if the output looks new, the unease is about whether the tool's capabilities are built on unlicensed inputs. Liability for unintended harm Mark flags risk from AI content that inadvertently infringes, defames, or carries bias. The legal exposure may not match the creator's intent. Ownership and protectability He points to a big gap: many jurisdictions are still reluctant to grant classic IP rights (copyright or patent-style protection) to purely AI-generated material. That creates uncertainty around whether businesses can truly “own” what they produce. Old contracts weren't written for AI A final, practical point: many agreements—talent contracts, author clauses, data licenses—predate generative AI and simply don't address it. That leads to disputes about scope, permissions, and—crucially—indemnities. 4) Are we at a tipping point? The “gold rush” vs. “next creative era” views Jeanine frames AI as “the world's most powerful creative tool”—comparable to previous step-changes like animation, special effects, and CGI. For her, the strategic implication is simple: creators who learn to use AI well will expand what they can build and test, faster than ever. Mark's metaphor is more cautionary: he calls the moment a “gold rush” where technology is sprinting ahead of law. Courts are getting flooded with foundational disputes, while legislation is fragmented—he notes that states may move faster than federal frameworks, and that labor agreements (e.g., union protections) will be a key pressure point. 5) Democratization: more creators, more niche content, more experimentation One of the most concrete themes is access. Jeanine argues AI will: Lower production barriers for independent filmmakers and storytellers. Reduce the need for “hit-making only” economics that dominate Hollywood. Make micro-audience content commercially viable. Her example is intentionally niche: highly localized, specialized content (like a “pollen report” for many markets) that would never have made financial sense before can now exist—and thrive—because the production cost drops and personalization scales. 6) Likeness, consent, and “digital performers”: what happens when AI resembles a real actor? Ken pushes into a sensitive area: what if someone generates a performance that closely resembles a living actor without consent? Mark outlines the current (imperfect) toolbox—because, as he emphasizes, most laws weren't built for this scenario. He points to practical claims that may come into play in the U.S., such as rights of publicity and false endorsement-type theories, and notes that whether something is parody or “too close” can become a major fault line. Jeanine explains her company's operational approach: They focus on original personalities, designed “from scratch.” They build internal checks to avoid misappropriating known names, likenesses, or recognizable identities. If they ever work with real people, the model would be licensing their likeness/voice. A subtle but important business point also appears here: Jeanine expects AI-native characters themselves to become licensable assets—meaning the entertainment economy may expand to include “celebrity rights” for fully synthetic personalities. 7) Ethics: the real line is “deception,” not “AI vs. human” The ethical core of the conversation is not “AI is bad” or “AI is good.” It's how AI is used—especially whether audiences are misled. Mark highlights several ethical risks: Misuse of tools to manipulate faces and content (“AI slop” and political misuse). Displacement of creative workers without adequate transition support. A concern that AI often optimizes toward “statistical averages,” potentially flattening originality. Jeanine agrees ethics must be designed into the system. She describes regular discussions with an ethicist and emphasizes a principle: transparency. Her company discloses when content or personalities are AI-generated. She argues that if people understand what they're engaging with and choose it knowingly, the ethical problem shifts from “AI exists” to “Are we tricking people?” Mark adds a real-world warning: deepfakes are now credible enough to enable serious fraud—he references a case-like scenario where a synthetic video meeting deceived an employee into authorizing a payment. The point is clear: authenticity and verification are no longer optional. 8) The “dead actor” hypothetical: legal permission vs. moral intent Ken raises a provocative scenario: an actor's estate authorizes an AI-generated new performance, but the actor opposed such technology while alive. Neither guest offers a simplistic answer. Jeanine suggests that even if the estate holds legal rights, a company might choose to avoid such content out of respect and because the ethical “overhang” could damage the storytelling outcome. She also notes the harder question: people who died before today's capabilities may never have been able to meaningfully consent to what AI can now do—raising questions about how we interpret legacy intent. Mark underscores the practical contract problem: many rights are drafted “in perpetuity,” but that doesn't automatically settle the ethical question. 9) Five-year forecast: “AI everywhere,” but audiences may stratify Ken closes with a prediction question: in five years, how much entertainment content will significantly involve AI—and will audiences care? Jeanine predicts AI becomes the default creative layer for most content creation. Mark is slightly more conservative on the percentage, but adds an important nuance: the market will likely stratify. Low-cost, high-volume content may become saturated with AI, while premium segments may emphasize “human-made” as a differentiator—especially if disclosure norms become standard. Bottom line for business leaders and creators This interview lands on a pragmatic conclusion: AI will change how content is made at scale, and the competitive edge will go to teams that combine creative taste, operational discipline, and legal/ethical governance. If you're building, commissioning, or distributing content, the questions you can't dodge anymore are: What's the provenance of the tools and data you rely on? Who is responsible when output harms, infringes, or misleads? What rights can you actually claim in AI-assisted work? Do your contracts and disclosures match the new reality? Ken Suzan: Thank you, Rolf. We have two returning guests to the IP Friday’s podcast. Joining me today is Janine Wright and Mark Stignani. Our topic for discussion, how is AI transforming the media and entertainment industries today? We look at the issues from differing perspectives. A bit about our guests, Janine Wright is a seasoned board member, CEO, global COO and CFO. She’s led organizations from startup to a $475 million plus revenue subsidiary of a public company. She excels in growth strategy, adopting innovative technologies, scaling operations and financial management. Janine is a media and entertainment attorney and trial litigator turned technologist and qualified financial expert. She is the co-founder and CEO of Inception Point AI, a growing company that is paving new ground with AI-generated personalities and content through developing technology and story. Mark Stignani is a partner with Barnes & Thornburg LLP and is based in Minneapolis, Minnesota. He is the chair of the data analytics department with a particular emphasis on artificial intelligence, machine learning, cryptocurrency and ESG. Mark combines the power of artificial intelligence and machine learning with his skills as a corporate and IP counsel to deliver unparalleled insights and strategies to his clients. Welcome, Janine and Mark to the IP Friday’s podcast. Jeanine Whright: Thank you. Thank you. Thank you so much for having me and fun to be back. It feels nostalgic to be here. Ken Suzan: That’s right. And you both were on the program. So it’s fantastic that you’re both back again. So our format, I’m going to ask a question to Janine and or Mark and sometimes to both of you. So that’s going to be how we proceed. Let’s jump right in. Janine, your company creates AI-generated actors. For listeners who may not be familiar, can you briefly explain what that means and what’s now possible that wasn’t even two years ago? Jeanine Whright: Sure. Yeah, we are creating AI-generated personalities. So new characters, new personalities from scratch. We design who these personalities are and will be, how they will evolve. So we give them complex backstories. We give them hopes and dreams and aspirations. We every aspect of them, their families, how they’re going to evolve. And in the same way that, say, you know, Disney designs the character for its next animated feature or, you know, an electronic arts designs a character for its next major video game. We are doing that for these personalities and then we are launching them into the world as podcast hosts, content creators on social platforms like YouTube, Instagram and TikTok. And even in the future, you know, actors in feature length films, musicians, etc. Ken Suzan: Very fascinating. Mark, from your practice, what’s the single biggest legal question or dispute you’re seeing clients wrestle with when it comes to AI and media creation? Mark Stignani: Well, I think that, you know, it’s not just one thing, it’s like four things. But most of them tend to be kind of the origin story of AI data or AI tools that they use because, you know, but for the use of AI tools trained on copyrighted materials, the tools wouldn’t really exist in their current form. So a lot of my clients are wondering about, you know, can I legally use this output if it’s built upon somebody else’s IP? The second ask, the second flavor of that is really, is there liability being created if I take AI content that inadvertently infringes or defames or biases there? So there’s the whole notion of training bias from the training materials that comes out. The third phase is really, you know, can I really own this? Because much of the world does not really give IP rights into AI-generated inventions, copyrighted materials. It’s still kind of a big razor. Then at the end of the day, you know, if it’s an existing relationship, does my contract even contemplate this? So everything from authors contracts on up to just use of data rights that predate AI. Ken Suzan: And Janine and Mark, a question to both of you. How would you describe where we are right now in the AI revolution in media and entertainment? Are we approaching a tipping point? And if so, what are the things we need to watch for? Jeanine Whright: Yeah, I definitely think that we’re at a phase where people are starting to come to the realization that AI is the world’s most powerful creative tool. But that, you know, storytelling and point of view is what creates demand and audiences. And AI doesn’t threaten or change that. But it does mean that as people evolve in this medium, they’re very likely going to need to adopt, utilize and figure out how to hone their craft with these AI-generated content and these AI-generated toolings. So this is, you know, something that people have done certainly in the past in all sorts of ways in using new tools. And we’ve seen that make a significant change in the industry. So you look at, you know, the dawn of animation as a medium. You look at use of special effects, computer-generated imagery in the likes of Pixar. And this is certainly the next phase of that evolution. But because of the power of the tool and what will become the ubiquity of the tool, I think that it’s pretty revolutionary and all the more necessary for people to figure out how to embrace this as part of their creative process. Ken Suzan: Thank you, Janine. Mark, your thoughts? Mark Stignani: Yeah, I mean, I liken this to historically to like the California gold rush right now, because, you know, the technology is so far outpaced in any of the legal frameworks that are available. And so we’re just trying to shoehorn things in left and right here. So, I mean, the courts are beginning to start to engage with the foundational questions. I don’t think they’re quite there yet. I just noticed Anthropic got sued again by another group of people, big music group, because of the downloaded works they’ve done. I mean, so the courts are, you know, the courts are certainly inundated with, you know, too many of these foundational questions. Legislatively, hard to tell. I mean, federal law, the federal government is not moving uniformly on this other than to let the gold rush continue without much check and balance to it. Whereas states are now probably moving a lot faster. Colorado, Illinois, even Minnesota is attempting to craft legislation and limitations on what you can do with content and where to go with it. So, I mean, the things we need to watch for any of the fair use decisions coming out here, you know, some of the SAG-AFTRA contract clauses. And, you know, again, the federal government, I just, you know, I got a big shrug going as to what they’re actually going to come up with here in the next 90 to 100 days. So, but, you know, I think they’ll be forced into doing something sooner than later. Ken Suzan: Okay, let’s jump into the topic of the rise of generative content pipelines. My first question to Janine. Studios and production companies are now building what some call generative content pipelines. This is where AI systems produce everything from scripts to visual effects to voice performances. What efficiencies and creative possibilities does this unlock for the industry? Jeanine Whright: Yeah, so this is quite a bit of what we do. And if I could help pull the curtain back and explain a little bit. Ken Suzan: That’d be great. Jeanine Whright: Yeah, there’s this assumption that, you know, somebody is just sitting behind a machine pushing a button and an out pops, you know, what it is that we’re producing. There’s actually quite a bit of humans still in the loop in the process. You know, we have my team as creators. The other half of my team is the technologists. And those creators are working largely at what we describe as the the tip of the sphere. So they’re, of course, coming up with the concepts of who are these personalities? What are these personalities, characters, backgrounds going to be a lot of like rich personality development? And then they’re creating like what are the formats? What are the kind of story arcs? What is the kinds of content that this this character wants to tell? And what are the audiences they’re desiring to reach and what’s most going to resonate with them? And then what we built internally is what we refer to as an AI orchestration layer. So that allows us to pull from basically all of the different models and then all of these different really cool AI tools. And put those together in such a way and combine those in such a way that we can have the kind of output that our creative team envisions for what they want it to be. And at the end of the day, what you what the stack looks like for, say, a long form audio drama, like the combination of LLMs that we’re going to use in different parts of scripting and production and, you know, ideating and all of that. And the kinds of tooling that we use to actually make it and get it to sound good and have the kinds of personality characteristics that we want to be in an authentic voice for a podcast is going to be different than the tech stack and the tool stack that we might use for a short form Instagram beauty tip reel. And so there’s a lot of art in being able to pull all of these tools together to get them to do exactly what you want them to do. But I think the second part of your question is just as interesting as the first. I mean, what is what possibilities is this unlocking? So of course you’re finding efficiencies in the creative production process. You can move faster. You can do things were less expensive, perhaps, and you were able to do it before. But on the creator side, I think one thing that hasn’t been talked about enough is how it is really like blown wide the aperture of what creators can do and can envision. Traditionally, you know, Hollywood podcasting, many of these businesses that become big businesses have become hit making businesses where they need to focus on a very narrow of wide gen pop content that they think is going to get tens of millions, hundreds of millions in, you know, fans and dollars in revenue for every piece of content that they make. So the problem with that is, is that it really narrows the kinds of things that ultimately get made, which is why you see things happening in Hollywood, like the Blacklist, which is, you know, this famous list of really exceptional content that remains unpredited, unproduced, or why you see things like, you know, 70 to 80% of the top 100 movies being based on pre-existing IP, right? Because these are such huge bets that you need to feel very confident that you’re going to be able to get big, big audiences and big, big dollars from it. But with AI, and really lowering the barrier to entry, lowering the costs of production and marketing, the experimentation that you can do is really, really phenomenal. So, you know, my creative team, if they have an idea, they make it, you know, they don’t have to wring their hands through like a green lighting process of, you know, should we, shouldn’t we, like we, we can make an experiment with lots of different things, we can do various different versions of something. We can see what would this look like if I placed it in the 1800s, or what if I gave this character an Australian accent, and it’s just the power of being able to have this creative partner that can ideate with you and experiment with you at rocket speed. With the creators that are embracing it, you can see how it is really fun for them to be able to have this wide of a range of possibility. Ken Suzan: Mark, when you hear about these generative pipelines, what are the immediate red flags or concerns that come to mind from a legal standpoint? How about ethics underlying all of this? Well, Mark Stignani: that was not, that’s the number one red flag because I mean, we are seeing not just that in the entertainment industry, but it literally at political levels, and the kind of the phrase, to turn the phrase AI slop being generated, we’re seeing, you know, people’s facial expressions altered. In some cases, we’re seeing AI tools being misused to exploit various groups of individuals and genders and age groups. So I mean, there’s a whole lot of things ethically that people are using AI for that just don’t quite cover it. Especially in the entertainment industry, I mean, we’re looking at a fair amount of displacement of human workers without adequate transition support, devaluation of the creative labor. I mean, the thing though that I’m always from a technical standpoint is AI is simply a statistical average of most everything. So it kind of devalues the benefit of having a human creator, a human contribution to it. That’s the ethical side. But on the legal side, I see chain of title issues. I mean, because these are built on very questionable IP ownership stages, I mean, in most of these tools, there has been some large copying, training and taking of copyrighted materials. Is it transformational? Maybe. But there’s certainly not a chain of title, nor is there permission granted for that training. I mentioned SAG-AFTRA earlier, I think there’s a potential set of union contract aspects to this that if you know many of these agreements and use sub-licenses for authors and actor agreements, they weren’t written with AI in mind. So that’s another red flag. And also I just think in indemnification. So if we ultimately get to a point where groups are liable for using content without previous license, then who’s liable? Is the tool maker the liable group or the actual end user? So those are probably my top four red flags. But I think ethics is probably my biggest place because just because we can do something from an ethical standpoint doesn’t mean we should. Jeanine Wright: Yeah, if I can respond to both of those points. I mean, one from a legal perspective, just to be very clear, I mean, we are always pulling from multiple different models and always pulling from multiple different sources. And we even have data sources that we license or use for single source of truth on certain pieces of information. So we’re always pulling things together from multiple different sources. We also have built into our process, you know, internal QAing and checking to make sure that we’re not misappropriating the name or likeness of any existing known personality or character. We are creating original personalities there. We design their voice from scratch. We design their look from scratch. So we’re not on our personality side, we’re not pulling or even taking inspiration from existing intellectual property that’s already out there in creating these personalities. On the ethical side, I agree. I mean, when we came out of stealth, we came out of stealth in September. There was certainly quite a bit of backlash from folks in my—I previously co-founded a company in the audio space. I mean, there’s been many rounds of layoffs in audio and in many other parts of the entertainment industry. So I’m very sensitive to the feedback around, like, is this job displacement? I mean, I do think that the CEO of NVIDIA said it right when he said, you’re likely not going to lose your job to AI, but you will lose your job to somebody who knows how to use AI. I think these tools are transforming the way that content is made and that the faster that people can embrace this tooling, the more likely they’re going to be having the kinds of roles that they want in, you know, in content creation and storytelling in the future. And we are hiring. I’m hiring AI video creators, AI audio creators. I’m hiring AI developers. So people who are looking for those roles, I mean, please reach out to me, we would love to work with you and we’d love to grow with you. We also take the ethics very seriously. For the last few months or so, I’ve met regularly with an ethicist, we talk about all sorts of issues around, you know, is designing AI-generated people, you know, good for humanity? And what about authenticity and transparency and deception, and how are we in building in this space going to avoid some of the problems that we’ve seen with things like social media and other forms of technology? So we keep that very top of mind and we try to build on our own internal values-based system and, you know, continue to elevate and include the humanity as part of the conversation. Ken Suzan: Thank you, Janine. Janine, some argue that AI content pipelines will level the field for filmmaking, giving independent creators access to tools that were once available only to major studios. Is that the future you envision? Jeanine Wright: I do think that with AI you will see an incredible democratization of access to technology and access to these capabilities. So I do think, you know, rise of independent filmmakers, you won’t have as many people who are sitting on a brilliant idea for the next fantastic script or movie that just cannot get it made because they will be able to with these tools, get something made and out there, at least to get the attention of somebody who could then decide that they want to invest in it at a studio kind of level in the future. The other thing that I think is really interesting is that I think, you know, AI will empower more niche content and more creators who can thrive in micro-communities. So it used to be because of this hit generation business model, everything needed to be made for the masses and a lot of content for niche audiences and micro-communities was neglected because there was just no way to make that content commercially viable. But now, if you can leverage AI—we make a pollen report podcast in 300 markets, you know, nobody would have ever made that before, but it is very valuable information, a very valuable piece of content for people who really care about the pollen in their local community. So there’s all sorts of ways that being able to leverage AI is making it more accessible both to the creator and to the audience that is looking for content that truly resonates with them. Ken Suzan: Mark, let’s talk about the legal landscape right now. If someone creates an AI-generated performance that closely resembles a living actor without their consent, what legal recourse does that actor have? Mark Stignani: Well, I mean, I think we can go back to the OpenAI Scarlett Johansson thing where, you know, if it’s simply—well, the “walks like a duck, quacks like a duck” type of aspect there. You know, I think it’s pretty straightforward that they need to walk it back. I mean, the US doesn’t have moral rights, really, but there’s a public visage right, if you will. And so, one of the things that I find predominantly useful here is that these actors likely have rights of publicity there, we probably have a Lanham Act false endorsement claim, and you know, again, if the performance is not parody, and it’s so close to the original performance, we probably have a copyright discussion. But again, all of these laws predate the use of AI, so we’re going to probably see new sets of law. I mean, we’re probably going to see “resurrection” frameworks, we’ll probably have frameworks for synthetic actors and likenesses, but the rules just aren’t there yet. So, unfortunately, your question is largely predictive versus well-settled at this point. Ken Suzan: Janine, your company works with AI actors. How do you navigate the questions of consent and likeness compensation when creating digital performers? Jeanine Wright: I mean, if we—so first of all, if we were to work with a person who is an existing real-life person or was an existing real-life person, then we would work with them to license their name and likeness or their voice or whatever aspects of it we were going to use in creating content in partnership with them. Not typically our business model; we are, as I said, designing all of our personalities from scratch and making all of our content originally. So, we’ve not had to do that historically. Now, you know, the flip side is: can I license my characters as if they’re similar to living characters? Like will I be able to license the name and likeness and voice of my AI-generated personalities? I think the answer is yes and we’re already starting to do that. Ken Suzan: Let’s just switch gears into ethics and AI because I find this to be a really fascinating issue. I want to look at a hypothetical. And this is to both of you, Janine and Mark: an AI system creates a new performance by a beloved actor who passed away decades ago, and the actor’s estate authorizes it, but the actor was known to have expressed opposition to such technology during their lifetime. Is this ethical? Jeanine Wright: This feels like a Gifts, Wills, and Trusts exam question. Ken Suzan: It sounds like it, that’s right. Jeanine Wright: Throwing me back to my law school days. Exactly. What are your thoughts? It’d be interesting to see like who has the rights there. I mean, I think if you have the legal rights, the question is around, you know, is it ethical to go against what you knew was somebody’s wishes at the time? I guess the honest answer is I don’t know. It would depend a lot on the circumstances of the case. I mean, if we were faced with a situation like that where there was a discrepancy, we would probably move away from doing that content out of respect for the deceased and out of a feeling that, you know, if this person felt strongly against it, then it would be less likely that you could make that storytelling exceptional in some way—it would color it in a way that you wouldn’t want in the outcome. And I feel like there’s—I mean, certainly going forward and it’s already happening—there are plenty of people I think who have name, likeness, and voice rights that they are ready to license that wouldn’t have this overhang. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I mean, again, I have to kind of go back to our property law—the Rule Against Perpetuities. You know, from a property standpoint to AI rights and likenesses—since most of the digital replica contracts that I’ve reviewed generally do talk about things in perpetuity. But if it’s not written down for that actor and the estate is doing this—is it ethical? You know, that is the debate. Jeanine Wright: Well, gold star to you, Mark, for bringing up the Rule Against Perpetuities. There’s another one that I haven’t heard for many years. This is really taking me back to my law school days. Ken Suzan: It’s a throwback. Jeanine Wright: The other thing that’s really interesting is that this technology is really so revolutionary and new that it’s hard to even contemplate now what it is going to be in a decade, much less for people who have passed away to have contemplated what the potential for it could be today. So you could have somebody who is, perhaps, a deceased musician who expressed concerns about digital representations of themselves or digital music while they were alive. But now, the possibility is that you could recreate—certainly I could use my technology to recreate—that musician from scratch in a very detailed way, trained on tons of different available data. Not just like a digital twin or a moving image of them, but to really rebuild their personality from scratch, so that they and their music could be reintroduced to totally new generations in a very respectful and authentic way to them. It’s hard to know, with the understanding that that is possible, whether or not somebody who is deceased today would or would not agree to something like that. I mean, many of them might want, under those circumstances, for their music to live on. These deceased actors and musicians could live forever with the power of AI technology. Mark Stignani: Yeah, I really just kind of go to the whole—is deep-faking a famous actor the best way to preserve them or keep them live? Again, that’s a bit more of an ethical question because the deep fakes are getting good enough right now to create huge problems. Even zoom meetings in Hong Kong where a CFO was on a call with five synthetic actors who all looked like his coworkers and they sent a big check out based upon that. So again, the technology is getting good enough to fool people. Jeanine Wright: I think that’s right, Mark, but I guess I would just highlight the same way that it always has been: the ethical line isn’t AI versus human, the ethical line is about deception. Like, are you deceiving people? And if people know what it is that they’re getting and they’re choosing to engage with it, then I think it isn’t about the power of the technology. In our business, we have elected—not everybody has—but we have elected to be AI transparent. So we tell people when they listen to our show, we include it in our show notes, we include it on our socials. Even when we’re designing our characters to be very photo-realistic, we make an extra point to make sure that people know that this is AI-generated content or an AI personality. Like, our intention is not to deceive and to be candid. From a business model perspective, we don’t need to. I mean, there’s already people who know and understand that it is AI, and AI is different than people. Because it is AI, there’s all sorts of things that you can do with it that you would not be able to do with a real person. You know, we get people who ask us on the podcast side, we get all sorts of crazy funny requests. You know, people who say, “Can I text with this personality? Can I talk to them on the phone? Can they help me cook in the kitchen? Can they sing me Happy Birthday? Can they show up at my Zoom meeting today because I think my boss would love it?” You know, all sorts of different ways that people are wanting to engage with these characters. And now we’re in the process of rolling out real-time personalities so people will be able to engage with our personalities live. It is a totally different way that people are able to engage with content, and people can, as they choose, decide what kind of content they want to engage with. Ken Suzan: Jeanine and Mark, we’re coming to the end of this podcast. I would love to keep talking for hours but we have to stay to our timetable here. Last question: five years from now, what percentage of entertainment content do you predict will involve significant AI generation, and will audiences care about that percentage? Jeanine? Jeanine Wright: I mean, I would say 99.9%. I mean, already you’re seeing—I think YouTube did a survey—that it was like 90% of its top creators said that they’re using AI as material components of their content creation process. So, I think this will be the default way that content is created. And content that is not made with AI, you know, there’ll be special film festivals for non-AI generated content, and that will be a special separate thing than the thing that everybody is doing now. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I go a little lower. I mean, I think Jeanine is right that we’re seeing, especially in the low-quality content creation and like the YouTube shorts and things like that, you know, there’s so much AI being pushed forward that the FTC even acquired an “AI slop” title to it. I do think that disclosure will become normalized, that the industries will be pushed to say when something is AI and what is not. And I think it’s very much like, you know, do you care about quality or not? If you value the human input or the human factor in this, there will be an upper tier where it’s “AI-free” or low AI assistant. I think that it’s going to stratify because the stuff coming through the social media platforms right now—I can’t be on it right now just because there’s so much nonsense. Even my children, who are without much AI training at all, find it just too unbelievable for them. So, I think it will become normalized, but I think that we’re going to see a bunch of tiers. Ken Suzan: Well, Jeanine and Mark, this has been a fantastic discussion of an ever-evolving field in IP law. Thank you to both of you for spending time with us today on the IP Friday’s podcast. Jeanine Wright: Thank you so much for having me. Mark Stignani: Appreciate your time. Thank you again.

(WATCH THIS EPISODE ON YOUTUBE) A zookeeper love triangle leads to a Christmas party brawl....An Australian man straps raw pork chops to his feet ...A defendant claims caffeine made him do it...Oh, and a Texas mayor resigns over a dog. Just another day in the Rebuttal Podcast universe. Enjoy! *** MERCH STORE IS LIVE! Shop Reb Masel and Rebuttal Pod merch: ⁠⁠⁠⁠⁠⁠⁠⁠https://rebmasel.shop/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICK HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to PREORDER Reb's book: The Book They Throw At You—A Sarcastic Lawyer's Guide* To The Unholy Chaos of Our Legal System, *God No, Not Actual Legal Advice *** Follow @RebuttalPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Follow @Rebmasel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ** 00:00 - Intro 00:58 - The Zookeeper Love Triangle 07:05 - The Pork Chop Shoe Guy 15:53 - The Caffeine Insanity Defense? 23:31 - The Dognapping Mayor 31:13 - Reb's Rebuttal Learn more about your ad choices. Visit megaphone.fm/adchoices

Diamando Koutsellis is an Australian artist with a 30-year career in public art, exhibition practice, and community collaboration. Working nationally and internationally with diverse and marginalised communities, she creates inclusive, site-responsive artworks. Diamando now leads The Australian Ceramics Association, producing The Journal of Australian Ceramics. The organisation supports over 1,500 members by connecting, elevating, and promoting Australian ceramics, while Diamando continues her own active arts practice. https://ThePottersCast.com/1206

Phone addiction in teens is real — and Australian psychologist Dr. Brad Marshall has evidence-based strategies that actually work from treating 2,500+ families. Dr. Brad Marshall, known as the Unplugged Psychologist and Director of Australia's Screen & Gaming Disorder Clinic, joins Vicki Davis to share what two decades of clinical work and university research reveal about helping kids break free from phone addiction — without shame or judgment. In this episode, you'll learn: Why parental control software fails — and the "handbrake rule" that actually works What happened when Australia banned phones in every school Why sleep is the number one thing to protect from screen overuse Why expecting teens to self-regulate phone use is "neurologically ridiculous" How to have a non-judgmental conversation with teens about their phone habits Show notes and resources: https://www.coolcatteacher.com/e928 Love the show? Rate and review on Apple Podcasts — it's the #1 way to help other teachers find us.

Who gave the tip-off that resulted in Peter Mandelson's sensational arrest? And will this mess ever stop unraveling? Plus, an Australian-style social media ban for under-16s is gathering pace. Can it work and is it such a good idea to protect teens from the online world only to throw them in the deep end once they turn 18? Also: Meeting Alastair Campbell at the Lido. Marie's extraordinary experience of interviewing Gisèle Pelicot. And in the Extra Bit, the joy (or not) of making kids do terrible Saturday jobs. You won't believe what Seth had to do.  ESCAPE ROUTES • Marie recommends I'm No Angel with Mae West.  • Zöe recommends Eternal Sunshine of The Spotless Mind [[ ]]  • Matt has been reading Life Is Rosi by Jess Robinson • Seth has been enjoying the John Major edition of Gyles Brandreth's podcast Rosebud Major  Keep independent podcasting alive and kicking by backing OGWN at www.patreon.com/ohgodwhatnow Presented by Seth Thévoz with Zöe Grünewald, Marie le Conte and Matt Green. Audio Production by Robin Leeburn. Art direction: James Parrett. Theme tune by Cornershop. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 339 hosts Jessica Ferris (Registered Nurse & CEO of Australian Aesthetic Symposium) In this episode we explore the logistics and motivations behind launching a new aesthetic conference. Australia Aesthetic Symposium (AAS) was held for the first time last years in Perth, Western Australia and is hosted and founded by Jessica. Jessica shares her background in event management, teaching, nursing and most recently into cosmetic injecting. She explains her reasoning to create a new and independent educational event, designed specifically for aesthetic professionals in her home state. We learn about the logistics and costs to launch a conference, working with sponsors and the finances needed, the challenges of being an unknown organizer, and the problems encountered behind the scenes.  This podcast is sponsored by the Australian Aesthetic Symposium. To save 20% off tickets to this years AAS, click here to buy tickets and use the promo code IA20  00:00 Introduction 01:08 Special Guest: Jessica Ferris from AAS 03:14 Why Perth Needed AAS 05:25 Jessica's Background and Youth Lab 07:36 Learning to Inject in WA 08:42 AAS Idea and Early Hustle 10:07 Partnering with Dr Mike 12:13 Keeping the Conference Fresh 13:38 Building the Event Blueprint 15:09 Budgeting and Hidden Costs 16:58 Selling Tickets and Sponsor ROI 20:31 WA Community and Remote Delegates 23:11 Designing the Program 23:29 Curating Conference Topics 25:30 Safety Business and Diversity 26:32 Why Live Demos Fall Flat 29:26 Cadaver Course Deep Dive 32:28 Making Attendance Worth It 36:28 Behind the Scenes Challenges 39:35 Delegation and Event Day Flow 42:35 Who Should Attend 44:45 Speakers Tickets and Farewell 46:27 Closing Credits  ALL IA LINKS & CONTACT INFORMATION JOIN THE WAITING LIST FOR IA COMMUNITY (OUR NEW APP)  

From a run-in with the future Nazi villain, to working with the master of movie suspense, Aussie musical genius Arthur Benjamin lived a big life, even if he's these days overshadowed in our cultural history by the scandalous Percy Grainger and Eugene Goosens.It's easy to get a free trial that will give you access to ad-free, early and bonus episodes. Hit either of these links:Patreon: patreon.com/forgottenaustraliaApple: apple.co/forgottenaustraliaWant more original Australian history? Check out my books!They'll Never Hold Me:https://www.booktopia.com.au/they-ll-never-hold-me-michael-adams/book/9781923046474.htmlThe Murder Squad:https://www.booktopia.com.au/the-murder-squad-michael-adams/book/9781923046504.htmlHanging Ned Kelly:https://www.booktopia.com.au/hanging-ned-kelly-michael-adams/book/9781922992185.htmlAustralia's Sweetheart:https://www.booktopia.com.au/australia-s-sweetheart-michael-adams/book/9780733640292.htmlEmail: forgottenaustraliapodcast@gmail.com Hosted on Acast. See acast.com/privacy for more information.

On this week's podcast we're looking at a pair of records which blend a number of goth-related subgenres and styles. First up is Australian veterans Ikon, with their excellent 1998 LP This Quiet Earth. Next, US synth act Fiction 8's Chaotical from 2000.

Our Australian correspondent talks Trump tariffs and farm profitability.See omnystudio.com/listener for privacy information.

Heart attacks occur every 40 seconds in America, affecting a total of 805,000 people annually. It is characterized by blocked coronary arteries that starve cardiac muscle of blood flow Australian researchers found human hearts can regenerate muscle cells after heart attacks, with preserved cardiac tissue showing 7% to 8% mitosis rates (a measure of cell regeneration activity), though 25% to 50% is needed for full repair Hypoxia, which is the oxygen-deprived state during heart attacks, may also trigger regeneration, similar to how fetal hearts produce new cells in the low-oxygen womb environment Advanced heart failure reduces heart muscle cell renewal dramatically, but patients with mechanical heart pumps showed regeneration rates of 3.1% annually — six times higher than healthy hearts Prevention remains crucial. Strategies such as minimizing linoleic acid consumption, monitoring body fat percentage, engaging in moderate resistance training, and learning to recognize heart attack warning signs increase outcomes

The US has significantly ratcheted up its military presence in the Middle East in recent weeks. The US and Iran are set to meet for nuclear talks tomorrow, but as the escalations continue, we look at what Tehran could do to retaliate. Also, Australia is debating whether or not to allow 34 Australian women and children suspected of links to ISIS fighters to return home. And, artificial intelligence company Anthropic says the US government wants all of its restrictions on AI-controlled weapons and surveillance use lifted, giving the company until Friday to give full access to its AI model or risk losing its defense contract. Plus, a look at Uruguay's energy transition success story. Learn about your ad choices: dovetail.prx.org/ad-choices

On 8 December 1941, Japanese troops landed in northern Malaya marking the start of the second world war in the Pacific.Invasion forces moved quickly down the British colony – which is now called Malaysia - capturing Singapore in just 55 days. Their occupation ended on 15 August 1945, when Japan surrendered to the allies after the US had dropped two atomic bombs.Dorothy Variyan, who lived under Japanese rule for more than three years in south west Malaya, speaks to Jacqueline Paine.This programme contains archive which uses outdated and offensive language.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.(Photo: Members of an Australian anti-tank gun crew fire weapons at a Type-95 Japanese tank on a road temporarily blocked by a felled tree, outside Singapore, British Malaya, April 1942. Credit: Office of War Information/PhotoQuest/Getty Images)

This week the boys talk about the fat kid meme punching a pro-ICE supporter, and an Australian chef on a mission to help people enjoy their food without guilt. Then we interview Kyle Ridley, a gay TV producer who recently came out publicly as having an eating disorder.

Today, if you’re an Australian with even a drop of British or Irish blood, Amelia has a warning that might cost you hundreds of dollars.And, is it okay for celebrities to ask us for money? After the deaths of millennial TV icons James Van Der Beek and Eric Dane, their families have started GoFundMe campaigns — and not everyone’s happy about it. Holly, Jessie, and Amelia have very different takes on whether it’s okay to solicit for donations when you live on a multi-million dollar ranch. Also, the new Married At First Sight villain,Tyson has landed. Jessie thinks his quest for a 'submissive' woman and his 'manosphere' vibes reflect what women are dealing with out in the dating world. While Holly‘s pearls are clutched about the podcast he’s doubtless going to start when he leaves the show. So, ‘should’ this man be on primetime TV? Plus, a listener dilemma we can’t stop talking about. Vanessa is overwhelmed, over-worked, and considering quitting her job because her husband’s 'big career' has left her doing 100 percent of the heavy-lifting at home. Jessie says "life is long, just quit," while Holly is asking: if every woman is making the 'choice' to scale back, is it actually a choice at all?Plus, we deep dive into PHAARC — the probably not real (but very relatable) 'medical' condition currently ruining your work life. SUBSCRIBE here: Support independent women's media What To Listen To Next: Listen to our latest episode: Mia & Amelia On CBK: The Clothes, The Curse, The Love Story Listen: Prince William Has Entered The Chat Listen: The New Dating Rule That Blew Up A Comments Section Listen: 'Prince' Andrew's Arrest Is Not What You Think It Is Listen: Angelina Jolie & The Existential Threat Of Desirable Older Women Listen: MAFS & The Specific Cruelty of the ‘Sexual Chemistry’ Question Listen: All The Gossip From The Wuthering Heights Premiere (And Why Mia Walked Out) Listen: Wuthering Heights & the ‘Bad Man’ Controversy Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media Watch Australia's #1 podcast, Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: Grey's Anatomy and Euphoria actor Eric Dane has died, aged 53. Legendary actor James Van Der Beek has died, aged 48. 'I'd never thought twice about donating to a GoFundMe. Until my friends wanted to start one for me.' Mamamia recaps MAFS: The 'Mean Girls' face-off with the experts. It's not laziness, it's PHAARC. The new condition hitting the workforce. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloudBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Big road trip Shitten' is back from his wild trip up North to tell us all about a wild few days reef fishing, boar hunting and everything in between. We touch on a fantastic contender for Beach Pub of the week that accommodates to the whole family and cover a secret beer batter recipe for frying Fish in the cookin' and eating segment. B-B-BIG news is BACK on the Alien Front as we analyse the correlation between science teachers and Australian alien sightings that have only just started to go viral before bringing it home with an edition of Poo's Reviews that has the Queefter read out some rogue sayings. It's almost the weekend, let's finish the week strong trendsetters. Enjoy!Sign up to the Alphafest email list to keep up to date with any information about the event here: alphafest.com.auWe're looking for another Producer & Editor to join the team within the CQ region. SEEK ad available here for more information and to apply: https://www.seek.com.au/job/90266421?ref=hirer-success-posting&_gl=1*19kfdqz*_gcl_au*MTcxMTYxMzQ1Mi4xNzY3NTY2NzQwLjgxNTUyNTIxNC4xNzcwNzY5NDI0LjE3NzA3NzAyMDM.*_ga*MTA5ODAyNDQyMy4xNzY3NTY2NzM5*_ga_JYC9JXRYWC*czE3NzA3NjcxMDkkbzYkZzEkdDE3NzA3NzAyMDMkajYwJGwwJGgwEver wanted to watch the Podcast? Check out full visual, uncut and ad-free versions on our Patreon. Only $5 a week plus access to all of our exclusive vlogs. Our four part film series from Darwin is now out, over 2 hours of exclusive content from a wild trip in the NT: patreon.com/alphablokespodcastBetter Beer: Jog in a can, win in a tin, the athletes choice. Try their new Halfy's at any bottle-o near you: https://www.betterbeer.com.au/Neds: Whatever you bet on, take it to the neds level: https://www.neds.com.au/SP Tools: Schmicker tools for an even schmicker price, use code "ALPHA" at checkout for 10% off and check out their brand new catalogue: sptools.comPortwest: Tough workwear for tough jobs. Check out their vast variety of PPE for the jobsite here: https://www.portwest.com/market/Papa Macros: ready made unreal meals if you're too flat out to meal prep Sunday arvo. Use the code "ALPHA" for $30 off your first order or "ALPHA10" for any reoccuring order for 10% off at papamacros.com.au OR simply use the links below:$30 off your first order: https://www.papamacros.com.au/?coupon-code=ALPHA&sc-page=shop10% off: https://www.papamacros.com.au/?coupon-code=Alpha10&sc-page=shop0:00 - Poo's Cooktown Trip19:00 - Losing A Family Pet24:00 - David Attenborough Turning 10032:30 - Woody's Balding36:10 - Pub Of The Week43:32 - Pep & Poo's Dump Finds For You49:27 - Cooking/Eating57:18 - Alpha News1:25:14 - Motivation1:31:42 - Poo's Reviews Hosted on Acast. See acast.com/privacy for more information.

On this podcast episode, Miss H and Mr O discuss season 8 episode 11 of 90 Day Fiance: Before the 90 Days. On this episode, Lisa and Daniel visit the king, Ziad breaks up with Emma, Forrest proposes to Sheena, Aviva's family threatens Stig to show Aviva incriminating pictures, Laura's friend has reservations over Birkan, and Elise anticipates meeting her Australian boyfriend Josh who is 39 and still lives at home.  We will be back in two weeks to talk about the Season 8 Episode 12 of Before the 90 Days.  If you watch Love After Lockup, check out our other podcast channel Love After Lockup Haha, mmkay, where we're covering the current season of Love During Lockup: https://lalmmkay.podbean.com/ If you like what you hear, please support us by subscribing and give us a rating.

In this episode of Language on the Move Podcast, Tazin Abdullah talks to Dr. Laura Rademaker (Australian National University), the author of Found in Translation: Many Meanings on a North Australian Mission. The conversation explores the distinctive historical context of Australia's Northern Territory as a location for Christian missionary activity. Tazin and Laura talk about the multiple tensions and elements involved in language interactions between monolingual English-speaking missionaries and multilingual Indigenous communities, against the background of settler colonialism. Found in Translation: Many Meanings on a North Australian Mission was published by University of Hawai'i Press in 2018. About the book Found in Translation is a rich account of language and shifting cross-cultural relations on a Christian mission in northern Australia during the mid-twentieth century. It explores how translation shaped interactions between missionaries and the Anindilyakwa-speaking people of the Groote Eylandt archipelago and how each group used language to influence, evade, or engage with the other in a series of selective “mistranslations.” In particular, this work traces the Angurugu mission from its establishment by the Church Missionary Society in 1943, through Australia's era of assimilation policy in the 1950s and 1960s, to the introduction of a self-determination policy and bilingual education in 1973. While translation has typically been an instrument of colonization, this book shows that the ambiguities it creates have given Indigenous people opportunities to reinterpret colonization's position in their lives. Laura Rademaker combines oral history interviews with careful archival research and innovative interdisciplinary findings to present a fresh, cross-cultural perspective on Angurugu mission life. Exploring spoken language and sound, the translation of Christian scripture and songs, the imposition of English literacy, and Aboriginal singing traditions, she reveals the complexities of the encounters between the missionaries and Aboriginal people in a subtle and sophisticated analysis. Rademaker uses language as a lens, delving into issues of identity and the competition to name, own, and control. In its efforts to shape the Anindilyakwa people's beliefs, the Church Missionary Society utilized language both by teaching English and by translating Biblical texts into the native tongue. Yet missionaries relied heavily on Anindilyakwa interpreters, whose varied translation styles and choices resulted in an unforeseen Indigenous impact on how the mission's messages were received. From Groote Eylandt and the peculiarities of the Australian settler-colonial context, Found in Translation broadens its scope to cast light on themes common throughout Pacific mission history such as assimilation policies, cultural exchanges, and the phenomenon of colonization itself. This book will appeal to Indigenous studies scholars across the Pacific as well as scholars of Australian history, religion, linguistics, anthropology, and missiology. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A new Trump Tower has been announced to be built on the Gold Coast, so we think it's only fair that we build something BIG and Australian over in America.See omnystudio.com/listener for privacy information.

In this episode of Language on the Move Podcast, Tazin Abdullah talks to Dr. Laura Rademaker (Australian National University), the author of Found in Translation: Many Meanings on a North Australian Mission. The conversation explores the distinctive historical context of Australia's Northern Territory as a location for Christian missionary activity. Tazin and Laura talk about the multiple tensions and elements involved in language interactions between monolingual English-speaking missionaries and multilingual Indigenous communities, against the background of settler colonialism. Found in Translation: Many Meanings on a North Australian Mission was published by University of Hawai'i Press in 2018. About the book Found in Translation is a rich account of language and shifting cross-cultural relations on a Christian mission in northern Australia during the mid-twentieth century. It explores how translation shaped interactions between missionaries and the Anindilyakwa-speaking people of the Groote Eylandt archipelago and how each group used language to influence, evade, or engage with the other in a series of selective “mistranslations.” In particular, this work traces the Angurugu mission from its establishment by the Church Missionary Society in 1943, through Australia's era of assimilation policy in the 1950s and 1960s, to the introduction of a self-determination policy and bilingual education in 1973. While translation has typically been an instrument of colonization, this book shows that the ambiguities it creates have given Indigenous people opportunities to reinterpret colonization's position in their lives. Laura Rademaker combines oral history interviews with careful archival research and innovative interdisciplinary findings to present a fresh, cross-cultural perspective on Angurugu mission life. Exploring spoken language and sound, the translation of Christian scripture and songs, the imposition of English literacy, and Aboriginal singing traditions, she reveals the complexities of the encounters between the missionaries and Aboriginal people in a subtle and sophisticated analysis. Rademaker uses language as a lens, delving into issues of identity and the competition to name, own, and control. In its efforts to shape the Anindilyakwa people's beliefs, the Church Missionary Society utilized language both by teaching English and by translating Biblical texts into the native tongue. Yet missionaries relied heavily on Anindilyakwa interpreters, whose varied translation styles and choices resulted in an unforeseen Indigenous impact on how the mission's messages were received. From Groote Eylandt and the peculiarities of the Australian settler-colonial context, Found in Translation broadens its scope to cast light on themes common throughout Pacific mission history such as assimilation policies, cultural exchanges, and the phenomenon of colonization itself. This book will appeal to Indigenous studies scholars across the Pacific as well as scholars of Australian history, religion, linguistics, anthropology, and missiology. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Drugs and gangs have created an explosion in HIV cases in Fiji.This week on Battle Lines: Global Health Security, Arthur Scott-Geddes is joined by Sarah Newey, The Telegraph's correspondent in Bangkok who recently travelled to Fiji, and Dr Jason Mitchell, the head of the country's HIV task force.On the archipelago known as the gateway to the Pacific, Chinese triads, Mexican cartels, and Australian biker gangs are all involved in a booming methamphetamine trade.The result is that an island paradise is now home to the fastest-growing HIV epidemic on earth.Read Sarah's dispatch from Fiji:The island paradise with the world's fastest growing HIV epidemichttps://www.telegraph.co.uk/global-health/science-and-disease/fiji-island-paradise-with-the-worlds-fastest-growing-HIV-epidemic/Producer: Sophie O'SullivanExecutive Producer: Louisa WellsStudio Operator: Meghan Searle► Sign up to our most popular newsletter, From the Editor. Look forward to receiving free-thinking comment and the day's biggest stories, every morning. telegraph.co.uk/fromtheeditorContact us with feedback or ideas:battlelines@telegraph.co.uk@venetiarainey@ascottgeddes Hosted on Acast. See acast.com/privacy for more information.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - اگر مدتی را در استرالیا گذرانده باشید، احتمالا متوجه شده‌اید که سبک لباس پوشیدن در آن چقدر راحت است. ممکن است در همه جا متوجه لباس‌های ورزشی، برندهای موج‌سواری و لباس‌های غیررسمی می‌شوید. اما مد استرالیایی جنبه‌ی دیگری هم دارد. طراحان بومی و جزیره‌نشینان تنگه‌ی تورس هزاران سال است که لباس و لوازم جانبی خلق می‌کنند و این کار امروزه بسیار زنده است.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - 호주에서 지낸 적이 있다면, 호주 특유의 편안한 스타일을 느껴보셨을 겁니다. 운동복, 서핑 브랜드, 캐주얼 의류를 어디에서나 쉽게 찾아볼 수 있죠. 하지만 호주 패션에는 또 다른 면모가 있습니다. 호주 원주민과 토레스 해협 군도민 출신 디자이너들은 수천 년 동안 의복과 액세서리를 만들어 왔으며, 그들의 전통은 오늘날에도 여전히 살아 숨 쉬고 있습니다. 런웨이, 세계적인 패션 캠페인, 그리고 일상복에서도 그들의 작품이 스며들어 있습니다. 호주 원주민 패션의 차별점은 무엇이며, 환경과 어떤 연관성을 가지고 있는지, 그리고 이러한 패션을 접할 때 알아두면 좋은 점은 무엇인지 알아봅니다.

This week, journalist William Christou made the long journey to al-Roj camp in north-eastern Syria where 2,000 families are detained – including 23 children and 11 women from Australia with links to IS. These Australian citizens attempted to leave the camp last week with the hopes of making it to their homeland, but were forced to turn back. They are now at the centre of a political storm. In this exclusive, you will hear from the Australian children stuck in Syria. Christou speaks to Nour Haydar about how he met the children, the conditions they live in and why they want to come home

A bold new tattoo trend is dividing Australians and raising a big question. Is it ever okay to comment on someone’s ink? The team debates whether honesty is helpful or just rude, while listeners share the tattoo reactions that still haunt them. It is a conversation about personal expression, social etiquette, and the permanent decisions we sometimes regret.See omnystudio.com/listener for privacy information.

They're Australian citizens, but large sections of the public and political sphere don't want to see them come home. A group of 34 Australians, women known as "ISIS Brides" and their children are trying to return home after living in Syrian camps for years. But there are concerns over their arrival back down under, legally speaking though, can we stop them? And should we? And in headlines today, The two men arrested yesterday over the alleged abduction and murder of a Sydney grandfather, have been charged; Former cyclist and swimmer Amanda Reid continues to break new ground by becoming the first Indigenous athlete selected for an Australian Winter Paralympics team; US President Donald Trump has broken his own record, delivering the longest State of the Union address in history; Microsoft founder Bill Gates has admitted to having affairs with Russian women while married to Melinda French Gates and has apologised to his staff for his ties to Jeffrey Epstein; The man whose life was made into a movie about his experience with Tourette's syndrome, has apologised to Michael B Jordan and Delroy Lindo after his tic saw him shout out a racial slur during their appearance on stage at the BAFTAs THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Hosts: Taylah Strano & Claire Murphy Guest: Dr Jessica Genauer, Associate Professor Flinders University Audio Producer: Lu Hill Group Executive Producer: Ilaria BrophyBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Police have linked Chinese dance and music group Shen Yun to a bomb threat at the Prime Minister’s Canberra residence; Two men have been arrested in relation to the alleged kidnapping of Chris Baghsarian, as remains found in Pitt Town are confirmed his; European leaders marked five years since Russia’s invasion of Ukraine with a promise not to abandon Kyiv; A heavily armed rapid response unit will become a permanent part of policing in NSW; Australian stars Cody Simpson and Emma McKeon have ended their four-year relationship. THE END BITS Support independent women's media Check out The Quicky Instagram here GET IN TOUCHShare your story, feedback, or dilemma! Send us a voice note or email us at thequicky@mamamia.com.au CREDITS Host: Tahli Blackman Audio Producer: Lu Hill Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - إذا أمضيت وقتاً في أستراليا لفترة، فربما لاحظت الطابع العملي والمريح للأزياء اليومية الملابس الرياضية، علامات ركوب الأمواج، والأسلوب غير الرسمي الذي يطغى على الشارع. لكن خلف هذا المشهد المعتاد، هناك قصة أعمق في عالم الموضة الأسترالية.

Brad Haddin and Jack Heverin are in for the Willow Talk World Cup wrap, and the Super 8s are slowly locking in the semi-finalists. We look at South Africa's dominant defeat of India and just how good Marco Jansen could be. Hadds praises the South African side, as well as the West Indies and their 2016-esque vibes from this tournament. How can India respond after their shock loss? Hadds looks at Australia's tough road to the 2028 Olympics. We get your questions for a World Cup edition of 'Ask Hadds'. Plus, with the upcoming Australian series in South Africa, we look back at some of the good (and bad) tour stories over there and finish with Healy's 50 and Mitch Starc's commentary! Follow on Apple, Spotify and the LiSTNR app Watch on YouTube Drop us a message on Instagram and TikTok! See omnystudio.com/listener for privacy information.

Weather update for major cities across Australia in Nepali. This update features tomorrow's forecast for the following cities: Broome, Perth, Adelaide, Melbourne, Hobart, Albury-Wodonga, Sydney, Newcastle, Brisbane, Townsville, Cairns, Darwin and Alice Springs. - अस्ट्रेलियाका १५ मुख्य शहरहरूमा भोलि मौसम कस्तो होला? यस अपडेटमा निम्न स्थानको मौसमी पूर्वानुमान समावेश छ: ब्रूम, पर्थ, एडिलेड, मेलबर्न, होबार्ट, अल्ब्री-वडङ्गा, क्यानबरा, वलङगङ, सिड्नी, न्युकासल, ब्रिसबेन, टाउन्सभील, केर्न्स, डार्विन र एलिस स्प्रिङ्ग्स।

Today's discussion examines the situation of Australian women and children detained in Roj camp in north-eastern Syria. The camp, administered by the Autonomous Administration of north-eastern Syria, houses families of foreign nationals allegedly associated with the Islamic State. Many of the children have lived most — if not all of their lives within the camp's confines. In this interview, Khalid Ibrahim of the External Relations Department of the Autonomous Administration provides insight into current conditions, with particular attention to the circumstances facing the Australian women and children. - Îro em ê li rewşa jin û zarokên Australîye ku li kampa Roj li bakur-rojhilatê Sûriyê girtî ne binêrin. Kamp, ku ji hêla Rêveberiya Xweser a bakur-rojhilatê Sûriyê ve tê birêvebirin, malbatên kesên biyanî yên ku tê îdiakirin bi Dewleta Îslamî ve girêdayî ne dihewîne. Gelek ji wan zarokan ku piranî - an jî hemî - jiyana xwe di kampê de derbas kirine. Di vê hevpeyvîna bi endamê Beşê Têkiliyên Derve li Rêveberiya Xweser a bakur-rojhilatê Sûriyê em bi Xalid Ibrahim re li ser rewşê û bi taybetî li ser jin û zarokên Australî diaxafin.

True Mysteries with Steve Stockton - AUSTRALIAN DisappearancesBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Jamal Rifi is the Sydney doctor at the centre of a controversial mission to repatriate the so-called ISIS brides – 34 Australian women and children who are living in a camp in Syria. He also wants to bring back a young man who was taken to Syria as a boy who is now in an adult men’s prison. The women travelled to Syria and were married to jihadists, who are now dead or in jail. When Islamic State's so-called caliphate fell, they were put in detention camps. For seven years they have lived in no man’s land, trying to return home to Australia. Dr Rifi, a medical doctor and friend of Home Affairs Minister Tony Burke, speaks to senior writer Michael Bachelard for this special episode of The Morning Edition.Subscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.

In this episode of Language on the Move Podcast, Tazin Abdullah talks to Dr. Laura Rademaker (Australian National University), the author of Found in Translation: Many Meanings on a North Australian Mission. The conversation explores the distinctive historical context of Australia's Northern Territory as a location for Christian missionary activity. Tazin and Laura talk about the multiple tensions and elements involved in language interactions between monolingual English-speaking missionaries and multilingual Indigenous communities, against the background of settler colonialism. Found in Translation: Many Meanings on a North Australian Mission was published by University of Hawai'i Press in 2018. About the book Found in Translation is a rich account of language and shifting cross-cultural relations on a Christian mission in northern Australia during the mid-twentieth century. It explores how translation shaped interactions between missionaries and the Anindilyakwa-speaking people of the Groote Eylandt archipelago and how each group used language to influence, evade, or engage with the other in a series of selective “mistranslations.” In particular, this work traces the Angurugu mission from its establishment by the Church Missionary Society in 1943, through Australia's era of assimilation policy in the 1950s and 1960s, to the introduction of a self-determination policy and bilingual education in 1973. While translation has typically been an instrument of colonization, this book shows that the ambiguities it creates have given Indigenous people opportunities to reinterpret colonization's position in their lives. Laura Rademaker combines oral history interviews with careful archival research and innovative interdisciplinary findings to present a fresh, cross-cultural perspective on Angurugu mission life. Exploring spoken language and sound, the translation of Christian scripture and songs, the imposition of English literacy, and Aboriginal singing traditions, she reveals the complexities of the encounters between the missionaries and Aboriginal people in a subtle and sophisticated analysis. Rademaker uses language as a lens, delving into issues of identity and the competition to name, own, and control. In its efforts to shape the Anindilyakwa people's beliefs, the Church Missionary Society utilized language both by teaching English and by translating Biblical texts into the native tongue. Yet missionaries relied heavily on Anindilyakwa interpreters, whose varied translation styles and choices resulted in an unforeseen Indigenous impact on how the mission's messages were received. From Groote Eylandt and the peculiarities of the Australian settler-colonial context, Found in Translation broadens its scope to cast light on themes common throughout Pacific mission history such as assimilation policies, cultural exchanges, and the phenomenon of colonization itself. This book will appeal to Indigenous studies scholars across the Pacific as well as scholars of Australian history, religion, linguistics, anthropology, and missiology. For additional resources, show notes, and transcripts, go here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Send a textJoin Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musiciansWhat happens when a frontman who's lived two decades in Adelaide decides to compress Australian rock history into a one-hour Fringe blowout? We sit down with Dave Gleeson to chart the making of Long Way To The Top, a full-throttle, sing-it-louder celebration packed with anthems from Johnny O'Keefe and the Easybeats to ACDC, Cold Chisel, Australian Crawl, Killing Heidi, and Baby Animals. The plan: tight medleys, zero fluff, and a setlist designed to keep the crowd moving from the first riff to the final chorus.We get into why a local run changes everything. Instead of flights and 3am hotel check-ins, Dave leans into the luxury of consistency: same stage, same sound, and same room to refine the show night after night at the Fantail in Gluttony. He spotlights Adelaide talent with powerhouse vocalists Zkye and Rachel Vidoni stepping forward, and teases special guests—from Jack Jones to a possible John Brewster cameo—so each performance carries the spark of surprise. Along the way we trade stories that ground the myth: toilet-roof posters, private boxes on FringeTIX, and the joy of a community that knows every word before the first chord lands.There's reverence, not preciousness. We talk Kate Ceberano's Australian Made Tour revival, why stripped-back sets still sell out, and how nostalgia isn't about looking back—it's about singing together right now. Dave's pride in his son James's band sits next to a plea for endangered venues like the Woodshed, a reminder that the posters on the wall matter as much as the players onstage. We close by lifting Support Act, the charity that catches artists and crew when life bites, because a healthy scene needs both volume and a safety net.Grab your tickets, warm up your voice, and meet us down the front. If this hit list fires you up, share the episode with a friend, leave a quick review, and subscribe so you never miss a chorus.What has Dave Gleeson been up to lately?  Let's find out!Get out when you can, support local music and I'll see you down the front!!Visit: ThatRadioChick.com.au

Jamal Rifi is the Sydney doctor at the centre of a controversial mission to repatriate the so-called ISIS brides – 34 Australian women and children who are living in a camp in Syria. He also wants to bring back a young man who was taken to Syria as a boy who is now in an adult men’s prison. The women travelled to Syria and were married to jihadists, who are now dead or in jail. When Islamic State's so-called caliphate fell, they were put in detention camps. For seven years they have lived in no man’s land, trying to return home to Australia. Dr Rifi, a medical doctor and friend of Home Affairs Minister Tony Burke, speaks to senior writer Michael Bachelard for this special episode of The Morning Edition.Subscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - Jika Anda pernah menghabiskan waktu di Australia, Anda mungkin memperhatikan betapa santainya gaya itu. Anda mungkin memperhatikan pakaian aktif, merek selancar, dan pakaian kasual di mana-mana. Tapi ada sisi lain dari mode Australia. Desainer Aborigin dan Torres Strait Islander telah menciptakan pakaian dan aksesori selama ribuan tahun - dan karya itu sangat hidup saat ini. Anda akan melihatnya di landasan pacu, dalam kampanye mode global, dan pakaian sehari-hari. Cari tahu apa yang membuat mode First Nations berbeda, bagaimana itu terhubung dengan lingkungan dan apa yang harus Anda ketahui jika Anda ingin memakainya.

Thursday Headlines: Families of Australian diplomats told to leave Israel and Lebanon, Sydney duo charged over 85-year-old grandfather's kidnapping and murder, RBA governor denies inflation is 'taking off', health and education records of kids to be tracked for social media ban research, ayahuasca flagged as potential therapy for depression and here's what you think about the proposed e-bike laws. Deep Dive: He was one of the world’s most feared drug lords accused of flooding the US with fentanyl and expanding its grip across Mexico. Nemesio Oseguera Cervantes, known as El Mencho, was killed in a US-backed military raid on Sunday, sparking cartel retaliation that saw several Mexican cities thrown into chaos. In this episode of The Briefing, Chris Spyrou speaks with cartel expert Angelica Duran-Martinez about who El Mencho was, whether removing a kingpin changes the drug trade and what this chaos means for Mexico just months out from hosting the FIFA World Cup. Further listening from the headlines: An Australian clinic is 'transforming' lives with MDMA-assisted therapy How MDMA freed Kate from PTSD Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastSee omnystudio.com/listener for privacy information.

New research suggests Australians are dangerously overconfident about detecting AI deepfake scams, even as the technology becomes harder to spot. Experts warn scammers hijack trust and instinct, and are calling on people to pause, verify and reject suspicious messages. - یک تحقیق تازه نشان می دهد آسترالیایی ها در تشخیص فریبکاریها و کلاهبرداری های "دیپ فیک" ساخته شده با هوش مصنوعی، بیش از حد مطمئین اند. در حالی که این تکنالوژی هر روز طبیعی تر و شناسایی آن سخت تر میشود. متخصصین هشدار می دهند کلاهبرداران از اعتماد و احساسات مردم سوءاستفاده کرده و می گویند بهترین کار این است که مکث و بررسی کرده و پیام های مشکوک را رد کنید.

If you've spent any time in Australia, you've probably noticed how relaxed the style is. You might notice activewear, surf brands and casual clothes everywhere. But there's another side to Australian fashion. Aboriginal and Torres Strait Islander designers have been creating clothes and accessories for thousands of years — and that work is very much alive today. You'll see it on runways, in global fashion campaigns and in everyday clothing. Find out what makes First Nations fashion different, how it connects to the environment and what you should be aware of if you want to wear it. - اگر مدتی را در آسترالیا سپری کرده باشید، احتمالاً متوجه سبک لباس پوشیدن راحت و غیررسمی مردم شده‌اید. لباس‌های ورزشی، برندهای مرتبط با موج‌سواری و پوشاک کژوال یا غیررسمی در همه جا به چشم می‌خورند. اما جنبه دیگری از دنیای مود در آسترالیا وجود دارد که اکثر تازه‌واردان در ابتداء چیزی درباره آن نمی‌شنوند. طراحان بومی و جزیره‌نشینان تنگه تورس، هزاران سال است که به طراحی لباس و زیورآلات مشغول‌اند و این هنر امروزه بیش از هر زمان دیگری زنده و پویاست. شما می‌توانید این آثار را در صحنه‌های نمایش لباس، کمپاین‌های جهانی و حتی در پوشاک روزمره مشاهده کنید. در این بخش از "روزنه‌ای به آسترالیا"، خواهید آموخت که چه چیزی هنر طراحی لباس مردمان ملل اول را متمایز می‌کند، چگونه این هنر با محیط زیست پیوند می‌خورد و شما چگونه می‌توانید از این طراحان حمایت کنید.

I loved this episode. In this conversation, I'm joined by Samantha Thomas, founder of MyndGym, to talk about mental fitness and why it matters so much during divorce and separation. When you're navigating a major life change, your nervous system narrows. Your window of tolerance shrinks. Everything feels heavier. More urgent. Harder than it "should". Sam explains the difference between mental health and mental fitness and why small, repeatable daily practices build real capacity when you're overwhelmed. We cover: Why rest is productive What's happening in your nervous system during separation How to regulate before making big decisions Why journaling helps (and why you can throw the paper away) Simple tools beyond meditation Anchoring into your values when identity feels shaky The "Ta-Da List" for when you feel behind A powerful 3-minute reset Why gratitude might be the smallest habit that changes everything If you're functioning but exhausted this episode is for you. You can find MyndGym at: myndgym.life (Mind is spelled with a "y"). Host: Nikki Parkinson, TEDx Speaker, Divorce Doula, Coach and Founder of The Divorce and Separation Hub. The Divorce and Separation Hub Website The Divorce and Separation Hub Instagram The Divorce and Separation Hub Facebook The Divorce and Separation Hub Linkedin Join our Divorce and Separation community HERE. Watch Nikki's TEDx Talk HERE. Guest: Samantha Thomas, Founder of MyndGym. Meet Sam - She is a a life coach, certified youth mentor, and founder of MyndGym - a mental fitness gym with classes every day in journaling, coaching, meditation and breathwork. She believes that for people to be truly well, they need to prioritise and nurture the relationship they have with themselves and practice the little things that help their physical, mental and emotional wellbeing. MyndGym is her chance to help people exercise their mental fitness on a regular basis, so they can feel better and supported in their lives. myndgym.life Instagram @mynd.gym Instagram @samanthalthomas_ Loved This Episode? Support the podcast by subscribing, leaving a five-star review, and sharing it with someone who could use a little extra support right now. This episode is produced by Dan King of Dan King Productions. This episode is sposnored by Simple Separation, the smarter way to separate. Simple Separation is an online, fixed-fee service designed to help Australian couples finalise their divorce and separation respectfully, collaboratively, and without the stress of going to court. From property settlements and parenting plans to child support and divorce applications, everything you need is under one roof, saving you time, money, and unnecessary conflict. Book your free consultation today to find out if Simple Separation is right for your situation at simple-separation.com.au. Disclaimer I hope you enjoyed the podcast today. The information we discussed today was just that information only. It is not specific advice. If you take action following something you heard today, it is important to make sure you get professional advice about your unique situation before you proceed, whether that advice be legal, financial, accounting, medical or other advice. Please reach out to me if you have any questions or if there's another topic you'd like explored.

How a fence meant to protect sheep transformed the entire Australian landscape. Subscribe to SiriusXM Podcasts+ to listen to new episodes of 99% Invisible ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you've been following the *discourse,* you know that Emerald Fennell's "Wuthering Heights" is a divisive film! So of course, we had to watch it and try to make sense of its turbulent place in the zeitgeist. Rather than ask if the film is a "good" or "bad" adaptation, Marcelle leads us in an episode about marriage as a marker and maker of happiness, our collective imagination around Emily Brontë's source material, Heathcliff as romantic hero, and the lure of the abject. This episode is for the lovers, the haters and the die-hard Sara Ahmed heads! Related EpisodesThe Last of Us x Adaptation TheoryComics & Memes x Culture Text with Neale BarnholdenWorks Cited“Adaptations of Wuthering Heights” Wikipedia. Wikimedia Foundation, Inc. February 11, 2026. https://en.wikipedia.org/wiki/Adaptations_of_Wuthering_Heights. Ahmed, Sara. 2010. The Promise of Happiness. Duke University Press.Anderson, Hephzibah. 2018. “Heathcliff and Literature's Greatest Love Story Are Toxic.” BBC. July 30, 2018. https://www.bbc.com/culture/article/20180725-heathcliff-and-literatures-greatest-love-story-are-toxic. “Emerald Fennell defends ‘depraved' Wuthering Heights film adaptation: ‘I'm just a goth girl.'” The Australian, YouTube video, 3:37, https://youtu.be/QeooWeEEDJg?si=JMf2hQUoASutoKK1.Support Material GirlsTo learn more about the show, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca (you can also find transcripts here!). Want to support the podcast and our tiny, hard-working team? Check out all the content we have on our Patreon at Patreon.com/ohwitchplease. Bonus episodes, bloopers, merch, watch-alongs, and more! Need a last minute gift for a friend or family member? You can gift a Patreon subscription at this link: https://www.patreon.com/ohwitchplease/gift!Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Australian-born actress Rose Byrne earned an Academy Award nomination for her powerful performance in the drama "If I Had Legs I'd Kick You", playing a mother stretched to the limits. She talks with correspondent Tracy Smith about playing a woman losing all sense of control. Byrne also discusses her early years in Hollywood and the help she received from fellow Aussie Heath Ledger; and how she branched off from working in dramas like the TV series "Damages", to comedies like "Bridesmaids". To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Joel Parkinson is a Gold Coast surfing icon; a CT standout with 11 CT wins, 3 Hawaiian Triple Crowns, 4 World Runner-Ups, the 2012 World Champion, and is globally-renowned as one of the most stylish and consistent competitors in modern surfing history.  In this year's first episode of The Lineup, he reflects on the journey that defined his career. Parko opens with the grassroots of Australian surfing, from Snapper Rocks Boardriders' 60+ year history to why club culture remains the backbone of the sport. He rewinds the tape back to when he was a young 11-year-old grom signing with Billabong for discounted boardshorts–and three decades later, still part of the team, a partnership that endured the ups and downs of brand-athlete relationships in surfing. He reveals how close he came to jumping ship to Rip Curl as a teenager, the jaw-dropping offer from Quiksilver in his early 20s, and why loyalty ultimately won.  Parko reflects on sharing a team with legends like Mark Occhilupo, Taj Burrow, and Luke Egan, and what it was like witnessing Andy Irons at his peak during the Blue Horizon era. He also shares the unforgettable story of Andy claiming the top room at the Billabong house in Hawaii—rankings be damned. The conversation shifts to life on Tour: traveling with his wife and kids long before it was common, the emotional toll of chasing a World Title while raising a family, and why his wife “deserves more of a World Title” than he does.  Parko opens up about nearly quitting in 2011 after a brutal New York event, how letting go reshaped his mindset, and the constant mental weight surfers carry when fighting for a Top 5. He dives into his rivalry and lifelong friendship with Mick Fanning and Dean Morrison, addresses the “style” narrative that followed him throughout his career, and gets deep into board talk—from early DHD days to his long partnership with JS Industries, including the mythical board that went 17 heats undefeated. Learn more about Joel here and follow him here. Shop the A.I. Collection from Billabong here Stay tuned to the Bioglan Newcastle SURFEST Presented by Bonsoy, Mar 9 - 15. Get the latest merch at the WSL Store! Join the conversation by following The Lineup podcast with Dave Prodan on Instagram and subscribing to our YouTube channel. Get the latest WSL rankings, news, and event info. Learn more about your ad choices. Visit megaphone.fm/adchoices

You’re not reacting to your child. You’re reacting to your ego. In this powerful conversation, I sit down with world-renowned clinical psychologist Dr. Shefali Tsabary to unpack the real reason parenting feels so triggering — especially with teens. If you’ve ever taken your child’s mood personally… spiralled into guilt… or wondered why you “know better” but still lose it — this episode will hit home. Dr. Shefali shares the truth about conscious parenting, present-moment awareness, boundaries that actually work, and the dangerous misunderstanding of “gentle parenting.” This one might just change how you show up tomorrow. KEY POINTS Why most parenting stress comes from not being present The real definition of ego (and how it hijacks your reactions) The subtle difference between validating feelings and condoning behaviour How to respond to teen attitude without escalating The two-step boundary framework that actually works When you need stronger limits — and when you need deeper connection Why saying “I don’t know what to do right now” is incredibly powerful QUOTE OF THE EPISODE “The answer is found in the honesty of the present moment.” RESOURCES MENTIONED Dr. Shefali’s Australian tour – Melbourne (March 11) & Sydney (March 12) More from Dr. Shefali at: events.drshefali.com/australia ACTION STEPS FOR PARENTS Pause before reacting. Ask: Is this about my child… or my ego? Reflect instead of correct. Calmly describe what you see without judgement. Separate behaviour from identity. Don’t validate harmful behaviour in the name of validation. Use the two-step boundary rule: Connect first (while regulated). If needed, architect the boundary yourself. Say the honest thing. “I don’t know how to respond right now” builds connection, not weakness. See omnystudio.com/listener for privacy information.

Episode title: "Use Caution When Opening Overhead Bins” Lisa and Daniel visit an Igbo King. Emma's secret leaves her future with Ziad in jeopardy. Aviva presses Stig for the truth. Forrest plans a special day for Sheena. Elise prepares to meet her Australian boyfriend, Joshua. -- You can gift the gift of gay all year round!  ⁠https://www.patreon.com/RealityGays/gift⁠ JOIN RealityGays+  + Patreon ⁠⁠ ⁠⁠⁠⁠https://www.patreon.com/RealityGays⁠⁠ or  + Supercast ⁠⁠ ⁠⁠⁠⁠https://realitygaysmulti.supercast.com/⁠⁠  + Apple Subscriptions https://podcasts.apple.com/us/podcast/reality-gays-with-mattie-and-poodle/id1477555097  +Watch us on video ⁠⁠www.youtube.com/@RealityGays⁠⁠ Click here for all things RG!  ⁠⁠⁠https://linktr.ee/RealityGays⁠ COME at Mattie on Cameo!  https://v.cameo.com/e/jnrS9iCLi0b To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

The Shelton brothers rose from Wayne County farm boys to run one of the most powerful criminal empires in Illinois history — defying the Chicago Outfit, surviving ambushes, and collecting enemies until the bullets finally caught up with them, though the killers were never found, and at least one of the brothers apparently never left the bar where he died.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: On July 26, 1948, infamous Illinois gangster Bernie Shelton – by then acting leader of the Shelton Brothers gang – was shot to death at the Parkway Tavern, a roadhouse that he owned outside of Peoria. For years after, Bernie's ghost was said to haunt the tavern, unable to move on after a lifetime of violence, murder, and regret. (Last Drink at the Parkway Tavern) *** Want to be sure you'll have a paranormal experience? Simply walk into a known haunted house to spend a few nights, all the while saying out-loud “I don't believe in no dang ghosts!” That's what did it for one woman. (Cousin Evie And I Know The Truth) *** How would you react if your two-year-old came running into the room, saying he's scared of a creepy image of a man in the mirror? (Creepy Memories) *** An innocent game of hide-n-seek at their grandparents' house turns into terror. (Hide And Seek) *** Three children left for a sunny day at a south Australian beach and were never heard from again. (The Mysterious Disappearance of the Beaumont Children) *** American Airlines Flight 191 crashed in 1979, killing everyone on board – and it left something of the paranormal once the debris was cleared. (Flight 191 Disaster)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:00:23.932 = Show Open00:02:28.222 = Last Drink at the Parkway Tavern (Shelton Brothers)00:18:09.998 = The Mysterious Disappearance of the Beaumont Children ***00:23:28.749 = Cousin Evie And I Know The Truth00:35:14.615 = Creepy Memories ***00:39:14.410 = Hide & Seek00:44:43.226 = Black Eyed Kids (from the audiobook)00:49:38.546 = Flight 191 ***00:57:45.310 = Show Close***= Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar SOURCES and RESOURCES:“The Black-Eyed Kids” by Gary Vasey from the audiobook of the same title, narrated by Darren Marlar: https://amzn.to/3PmqES2“Last Drink at the Parkway Tavern” written by Troy Taylor: http://bit.ly/37dP1uy“Cousin Evie And I Know The Truth” submitted by Michell Morgan at WeirdDarkness.com“Creepy Memories” submitted by DMR at WeirdDarkness.com“Hide and Seek” submitted by Amy at WeirdDarkness.com“The Mysterious Disappearance of the Beaumont Children” by Steven Casale for The Line Up: http://bit.ly/2Qy7NXX“The Flight 191 Disaster” written by Troy Taylor: http://bit.ly/2NTiRwM=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: July 28, 2018EPISODE PAGE (includes sources): https://weirddarkness.com/SheltonBrothersABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.