Podcast appearances and mentions of Peter Stein

Vi är tillbaka! I dagens avsnitt gästas vi av Peter Stein, där vi tillsammans dyker ner i Afrikas komplexa mångfald och USA:s förändrade strategiska engagemang på kontinenten. Vi diskuterar USA:s konkurrens med Kina och Ryssland, hur militärkupper, teknologiska satsningar och diplomatiska initiativ påverkar framtiden för både USA och Afrika, samt vad vi kan förvänta oss av en ny administration under Donald Trump – detta och mycket mer!Peter Stein är nationalekonom och VD för konsultföretaget Stein Brothers.Kontakta geopodden: Om oss/Kontakt - Geopodden Hosted on Acast. See acast.com/privacy for more information.

"Ein eher beschissenes Jahr," sagt der eine. "Muss man aber auch mal positiv sehen," sagt der andere. Die Moderatoren des Jahreszustandsberichts 2024 der Intensiv-Station Stephan Fritzsche und Peter Stein sind sich oft nicht einig, kümmern sich aber wie immer akribisch um alles, was 24 wichtig war. Der gefühlt monatelange Bahnstreik zu Beginn des Jahres zum Beispiel , der letzte von und mit GDL-Chef Claus Weselsky, nach dem hoffentlich bald ein ICE benannt wird. Oder die Bauerndemo wegen des Agrardiesels, bei denen sich Christian Lindner so richtig hatte ausbuhen und beschimpfen lassen. War das noch Politik, oder schon Masochismus? Auch der Krieg in der Ukraine spielt eine Rolle, den so mancher einfach einfrieren wollte, aber klappt das im Klimawandel? Das erklärt die Hobbythek. Die EM bot ebenfalls eine Menge Satirestoff, ebenso wie die Wahlen in Ostdeutschland (Esken raus aus den Talkshows) und natürlich auch die Wahl Trumps in den USA (They're eating the dogs). Und noch eine Wahl ließ die Gemüter hoch kochen: die Wortwahl von Olaf Scholz ("Fritze Merz erzählt Tünkram"). Darf der Kanzler sowas sagen, gerade nach dem Ampel Aus und der verlorenen Vertrauensfrage? Überhaupt wurde wieder von vielen viel dummes Zeug erzählt ("Guckst du scheiße – fährst du scheiße), viel Schräges und Absurdes. Stephan und Peter hören akribisch alles nochmal durch, archivieren und schmeissen weg. Der Jahreszustandsbericht 2024 der Intensiv-Station, die besondere Abrechnung mit den letzten 12 Monaten unter der Überschrift "Jahr zu Ende, Welt am Arsch - Volume 3". Oder um es mit Robert Habeck zu sagen: "Da ist trotzdem ein Silberstreif am Horizont....“ In dieser Podcast-Folge hören sie folgende Musiktitel: Abenteur Bahn von Tom Pola Wir kiffen von Stefan Raab Vodoo von Ian Hooper 1000 Elefanten von Bauer, Garn und Dyke Arsch von Anette Louisan This is not America von David Bowie

How can watching Disney movies, help create more inclusive environments?  The answer is in the word Enchantment.On this episode, I'm speaking to Chloé Valdary, the founder of an organisation called The Theory of Enchantment, to explore her unique approach to diversity, equity, and inclusion (DE&I) training.  If you're someone for whom DE&I conjures up negative thoughts, then you're going to want to hear this. Because Chloé's approach is nothing like traditional DE&I. This episode is the third in a mini-series looking at the subject — you'll find links to the other episodes below.In a fascinating discussion, Chloé shares how her program blends philosophy, psychology, and culture to create environments of belonging and compassion. Together, we examine why many traditional DEI programs fall short and how her methodology seeks to address deeper human dynamics in workplaces.We discuss the power of enchantment—a term Chloé uses to describe the balance between light and shadow in every individual—and how recognizing this balance allows us to foster more meaningful connections.With references to popular culture, including Disney films like Beauty and the Beast, Chloé offers a compelling case for why empathy and self-reflection are essential tools in any organization's toolkit.You'll hear how The Theory of Enchantment can be used to address conflict, enhance collaboration, and ultimately create more innovative and inclusive spaces. Whether you're a leader, manager, or simply curious about human behavior, this conversation offers practical insights that go beyond the traditional DEI framework.Guest BiographyChloé Valdary is the founder of Theory of Enchantment, an innovative approach to diversity, equity, and inclusion that blends philosophy, psychology, and popular culture to help organizations foster belonging.Since its founding in 2018, Theory of Enchantment has been deployed in various organizations to build trust, compassion, and connection among employees.With a background in international studies and a concentration in conflict and diplomacy, Chloé has a unique perspective on building inclusive environments.She draws on sources ranging from Carl Jung to Disney films to guide her transformative work. Chloé is also a writer and cultural critic, exploring how love and compassion can serve as the foundation for solving societal challenges.Timestamped AI-generated Summary of Key Points[00:00:00] Introduction to the episode and overview of the mini-series on diversity and inclusion.[00:01:00] Background on previous episodes and why traditional DEI approaches need rethinking.[00:02:00] Introduction of Chloé Valdary and the Theory of Enchantment.[00:03:00] What "enchantment" means in the context of DEI training. [00:04:00] Exploring the balance between light and shadow in human behavior. [00:06:00] How popular culture, like Disney films, reflects deeper human truths.[00:09:00] Using self-reflection to build trust and navigate conflict in the workplace. [00:11:00] How diversity leads to innovation through self-understanding. [00:15:00] The need to address insecurities and biases to build inclusive teams.[00:18:00] Criticizing to uplift and empower, not to tear down. [00:22:00] How recognizing insecurities can resolve conflict and build trust. [00:25:00] The importance of creating space for emotional vulnerability at work.[00:30:00] Theory of Enchantment's practical application in organizations.[00:33:00] Using design thinking to develop tailored DEI solutions.[00:36:00] The three core principles of Theory of Enchantment. [00:42:00] Historical examples of reconciliation and conflict resolution.[00:49:00] Chloé's background and inspiration for the Theory of Enchantment.[01:03:00] Closing thoughts and how to learn more about Chloé's work.Relevant Links:The Theory of Enchantment - https://www.theoryofenchantment.com/The Atlantic article 'Can Chloé Valdary sell skecptics on DEI?' - https://www.theatlantic.com/ideas/archive/2021/01/can-chloe-valdary-sell-skeptics-dei/617875/The previous episodes of the mini-series:Chloé Valdary, Morgan Hamel & Peter Stein on De-Polarized Diversity, Equity & Inclusion - https://www.humanriskpodcast.com/chloevaldary-morganhamel-peterstein-on-diversity-equity-inclusion/Morgan Hamel on Moral Polarization - https://www.humanriskpodcast.com/morgan-hamel-on-moral-polarization/

What do you think of when you hear the words Diversity, Equity & Inclusion (DE&I)? If it's something negative, then this is the episode for you; because I'm exploring how we can transform DE&I from something theoretical but impractical to something that can really work and have a positive impact for everyone. In other words, how we can de-polarize it?On this milestone 300th episode of the Human Risk podcast, I'm joined by three remarkable guests—Chloé Valdary, Morgan Hamel, and Peter Stein—who are working together to revolutionize how organizations approach DE&I.Morgan, a former fashion ethicist, shares her story of navigating the challenges of DE&I while running her own business and how it led her to Chloé and Peter's groundbreaking work at The Theory of Enchantment.Throughout the episode, we explore how their unique approach moves away from traditional and often divisive methods of addressing DE&I. Instead, they advocate for a humanistic approach that fosters genuine connection and respect, even across seemingly insurmountable divides.If you've ever felt disillusioned by standard DE&I strategies, this conversation will open your eyes to a new way of thinking.You'll also hear about the challenges of implementing meaningful DE&I practices in today's polarized world, with real-world examples of companies that have struggled — and sometimes failed — to get it right. This is a refreshing and practical discussion for leaders and professionals who want to find a more sustainable, inclusive, and human-centred way to manage DE&I in the workplace.Biography of the GuestsMorgan Hamel describes herself as a fashion ethicist and former compliance officer, now focused on exploring the intersection of ethics, reputation, and diversity in business. Morgan ran her own fashion company, The Garment, where she experienced firsthand the challenges of navigating DE&I, ultimately leading her to close the business. Passionate about finding new solutions to old problems, Morgan now collaborates with Chloe and Peter to help businesses tackle polarization and inclusivity more meaningfully.Chloé Valdary founded The Theory of Enchantment, an innovative framework for DE&I that emphasizes compassion, curiosity, and emotional resilience. Chloé's work has gained international recognition for its refreshing take on a traditionally contentious space. She's committed to depolarizing organizations and fostering environments where diverse perspectives are welcomed and celebrated.Peter Stein partners with Chloé at The Theory of Enchantment, bringing a broad humanist perspective to the world of DE&I. With a background that spans academia and business, Peter focuses on building bridges across ideological divides, helping organizations heal from the harm caused by poorly implemented DE&I practices. His work is rooted in a belief that compassion and open dialogue are key to effective change.AI-Generated Timestamped Summary[00:00:00] Introduction: 300th episode celebration and series overview[00:01:00] Introducing guests: Morgan, Chloe, and Peter's unique collaboration[00:03:00] Morgan shares her journey from running a fashion company to her current focus on ethics and DE&I.[00:09:00] The difficulty of finding DE&I approaches that unify rather than divide.[00:16:00] Chloe discusses the harm caused by mainstream DE&I practices and the need for more human-centered approaches.[00:22:00] Peter shares stories of organizations harmed by divisive DE&I programs.[00:36:00] Morgan's reflections on the value of the Theory of Enchantment's work in depolarizing organizations.[00:50:00] The power of viewpoint diversity and why curiosity is key to effective DE&I.[00:54:00] Conclusion: What to expect in future episodes featuring more in-depth interviews with each guest.LinksTheory of Enchantment website: https://theoryofenchantment.comMorgan's website: https://www.morganhamel.com/The Governance Certificate in Depolarization run by Morgan: https://www.cpaalberta.ca/Professional-Development/Executive-Programs/Governance-Certificate-in-De-PolarizationJordan Peterson's interview with Chloé: https://youtu.be/3rZkv_prTOk?si=MyPXub1_0AMM-4S0John McWhorter's book, Woke Racism: https://www.penguinrandomhouse.com/books/696856/woke-racism-by-john-mcwhorter/Bud Light Diversity Controversy: https://en.wikipedia.org/wiki/Bud_Light_boycott

Oggi a Cult: Barbara Sorrentini dal Festival del Cinema di Cannes; Peter Stein su "Crisi di Nervi, ovvero tre atti unici di Anton Checov; "Paesaggi condivisi": progetto al Parco delle Groane creato da Piccolo Teatro e Zona K; Alice Sinigaglia sul festival "Tutta la vita davanti" a La Spezia; la rubrica di lirica di Giovanni Chiodi...

Mikael Timm närmar sig Jon Fosses dramatik genom att ställa tre enkla frågor. Svaren tenderar att bli något mer komplicerade. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.1993 sedan satte Ingmar Bergman upp pjäsen Rummet och Tiden på Dramatens Lilla Scen. Det var en av få uppsättningar regissören gjorde av samtida dramatik. Och valet av pjäs var förbryllande eftersom Botho Strauss räknas som en av de första postmodernisterna, en grupp Bergman sade sig avsky. Men något måste ha fascinerat honom. Kanske den fragmentariska stilen eller så hade Bergman läst Strauss teoretiska artiklar i Theater Heute.Hur som. Botho Strauss gestalter är utslängda på scenen som bråte på minnets vind där livets stora föreställning en gång spelats men som nu är avslutad. Spelplatsen är ett restlager av minnesfragment. ”En gång i tiden kände vi varandra. Det kan väl inte ha varit något särskilt som hände den gången. Det kan det väl inte.” säger en av dramats huvudpersoner.Jag har knappt tänkt på pjäsen sedan jag såg den men nu dyker den upp i minnet som fragment av något som var men som pekar framåt. 90-talsuppsättningen gör sig påmind när jag läser ett urval av Jon Fosses dramatik, hur olika texterna än är. I Strauss pjäs är replikerna vad som blivit kvar från ett tidigare liv. Själv har författaren under decennierna som gått blivit en konservativ debattör och lämnat teatern för romaner och essäer. Också hans egen pjäs kan idag i sig uppfattas som en teaterruin från postmodernismens glansdagar och i den ruinen har Jon Fosse stått.Att det finns en koppling mellan de två författarna är inte konstigt. Fosse talar i intervjuer om filosofer som Heidegger och Wittgenstein och har i sina pjäser tydliga hänvisningar till både tysk 1800-talspoesi och Samuel Beckett, storheter som påverkat också Strauss.Men Fosse har lämnat postmodernismen, han har gått ut ur teaterruinen in i ett annat landskap. Han tar vid där Strauss slutade. Och det fodrar att vi åskådare nollställer oss. För med Fosse börjar något helt nytt i dramatiken. En enkelhet, ett allvar.Regissören Peter Stein har karaktäriserat Strauss pjäser som lekfulla. Det har nog ingen sagt om Fosses. I postmoderniteten fanns en citatglädje. Man ironiserade över arkitekturhistorien, litteraturhistorien och teaterns traditioner – lekfullheten kunde naturligtvis bli pretentiös när en tråkig kontorsbyggnad kröntes med romersk portal i råbetong högst upp men på teatern hjälpte den att locka fram leenden och skratt. I Bergmanuppsättningen var det Erland Josephson som spelade Julius, som med elegant ironi kommenterar de andra gestalterna.Någon sådan roll finns inte i Fosses pjäser. När han började skriva dramatik var postmodernismen högst livskraftig men redan från början tar Fosse ett stort steg framåt, ut ur ironin in i allvaret. Hans dramer är extremt tydliga med kortfattade repliker, enkelt språk och många omtagningar. Och samtidigt svårbegripliga. För vad handlar pjäserna om, vad vill författaren säga?För att hitta en ingång kan man ställa tre enkla frågor: var, när och hur?Så var är vi? Scenografin är nedskuren så långt det bara går och för var pjäs krymper dekoren. I Jag är vinden från 2008 sägs att dramat ”utspelas i en tänkt och knappt ens antydd båt och handlingarna är också tänkta och ska inte utföras, utan vara illusoriska”. De två personerna heter Den ena och Den andra.Så har vi den andra frågan: När. Medan Becketts pjäser som bakgrund har krig och kärnvapenhot så avstår Fosse från tidsmarkörer. Men han gör ändå en precisering. I pjäsen Stark Vind från 2021 säger en av figurerna att det varken finns ett förflutet eller en framtid, bara ett nu. Och i detta nu utspelas Fosses pjäser.Så har vi någon hjälp av frågorna? Nja, i förstone kan tyckas att vi inte blir så klokare av att veta att Fosses pjäser utspelas i ett skissat rum och ett vagt nu. Men, teater är en sinnlig upplevelse så om vi litar till vår hörsel och vår syn blir svaren tydligare. Då märker vi att Fosses oklara rum och oklara tid liknar varandra. Ja, från åskådarplats sammanfaller de. Fosse har sagt att teatern är en plats där mirakel kan inträffa själv associerar jag lite lättvindigt till Einsteins relativitetsteori i vilken rummets tre dimensioner bildar en enhet med tiden. Rumtiden, som det kallas, är måhända Fosses scen.Återstår frågan Hur? All dramatik utgår från någon gåta eller konflikt som ska få en lösning. Så också Fosses pjäser. Ibland är det tydligt. De två männen i den lilla båten som vi möter i Jag är vinden är olika, trots att texten inte säger något direkt om detta. Olikheten beror på deras position i skeendet. Den ene vet vad som väntar, han tar tagit ett beslut som så småningom blir uppenbarat för den andre och för åskådaren. Den ene styr båten mot ett ögonblick som också är en position på havet. Han är i rörelse och driver handlingen framåt. Den andre är, tills slutögonblicket, passiv, alltså stillastående.Rum och tid bildar en enhet tills vi förstår vad som händer eller snarare kommer att hända när ridån gått ned. Då spricker enheten och vi är tillbaka i den vanliga tideräkningen.Om skickliga dramatiker kan sägas att deras gestalter lever kvar efter att man glömt handlingen i pjäsen. Jag minns inte allt i Kameliadamen, men jag minns henne. Om Fosses dramatik kan sägas att man inte minns personerna och knappast handlingen. Men man minns situationen: rumtiden.Fosses dramatik kan läsas som ett försök att säga emot Wittgensteins berömda slutord i Tractatus: ”Vad man icke kan tala om, därom måste man tiga.” Språket är otillräckligt och kan lura oss, om det tycks Wittgenstein och Fosse vara överens. Men dramatikern Fosse har fler verktyg: bilden, scenrummet, gesterna och pauserna. I en av sina essäer skriver han:”När teater är riktigt bra, och då menar jag inte i timtal, jag menar de lysande förtätade ögonblick när någonting på ett oförklarligt sätt koncentreras till en intensiv känsla som samtidigt är fylld av en insikt som man förstår med hela sitt väsen, men som man ändå inte kan ge uttryck för, det vill säga när teatern är som allra bäst brukar man för att skildra just dessa ögonblick, säga att en ängel går genom scenen.”En ängel kan vara en budbärare. Kanske har ängeln med sig nåden, förvisso ett abstrakt begrepp, men som för individen kan vara en högst konkret förnimmelse.Fosse har ersatt postmodernismens disparata element med dess motsats: långt driven förtätning. En koncentration så extrem att tid och rum blir ett. Och som samtidigt öppnar sig mot både det svårgripbara och det konkreta.Så vad blir kvar hos åskådaren. Jo, ett minne. För att använda Jon Fosses egna ord:”En osynlig närvaro tittade in. Och försvann.”Därmed får frågorna: När, var och hur anses besvarade. Hmmm… Åtminstone för ögonblicket.Mikael Timmförfattare, kritiker och filmareLitteraturJon Fosse: Teater I, II och III. Redaktör: Daniel Pedersen, men översättningar av Marie Lundquist, Svante Aulis Löwenborg, Sveve Sem-Sandberg och Lars Norén. Bokförlaget Faethon, 2021.Jon Fosse: När en ängel går genom scenen. Översättning: Marie Lundquist. 10TAL Bok, 2016.

Our guest this week is writer Jhumpa Lahiri. Her debut short story collection, Interpreter of Maladies, earned Lahiri a Pulitzer Prize in 2000. Many short story collections followed, as well as novels like The Namesake, which was the basis of a 2006 film directed by Mira Nair. Lahiri now translates and produces her own work in Italian too. On October 13, 2023, Jhumpa Lahiri came to the Sydney Goldstein Theater in San Francisco to talk to Peter Stein about her latest collection, Roman Stories - which centers around Rome, not as a setting, but as a protagonist. Translated from Italian, the stories capture Rome as both a metropolis and a monument, multi-faceted and metaphysical, suspended between past and future – and prove that Lahiri is now master of form in her adopted language.

Idag har vi med oss Peter Stein, nationalekonom och VD för konsultföretaget Stein Brothers. Peter har skrivit en bok om svenskt företagande i Afrika, vilket är temat för dagens samtal. 

In this episode, Michael speaks with Peter Stein, a managing director at The Lyme Timber Company in Hanover, New Hampshire. In addition to his current work, Peter has a long history of work in the land conservation movement. He was one of the founding staff of the Trust for Public Land, eventually becoming a senior vice president there. Michael and Peter discuss the history of the land trust movement and the challenging but still evolving relationship it has had with equity and community rights. Later on they talk about Peter's role at Lyme Timber, which is what is known as a Timber Investment Management Organization, or TIMO. Peter described how his move there was at a fortunate time, given several important transitions that were occurring. First, there was a large divestment of paper products companies of their forest assets, creating organizations like Lyme Timber. And second, such organizations were increasingly using what are known as conservation easements, which constrain the development rights on a piece of land in exchange for some kind of subsidy. Finally, Michael and Peter discuss the role that carbon markets and specifically carbon offsets are playing in the forest sector. Carbon offsets are a kind of payment for ecosystem service that are often integrated into the regulatory regime of a carbon market, but the voluntary  offset space is now growing rapidly as well.

Ryssland söker politiskt stöd, Kina är på jakt efter råvaror och en lång relation vilket även EU och USA är. Afrikas geopolitiska betydelse växer, samtidigt finns betydande problem på kontinenten, konstaterar gästerna i senaste avsnittet av OmVärlden podd. Medverkar gör Therese Sjömander Magnusson, direktör på Nordiska Afrikainstutet, nationalekonomen Peter Stein samt frilansjournalisten Sara Assarsson.  

Klaus and Travis go the distance to close out Goethe's Faust cycle.One video playlist for the Peter Stein 2001 production of Goethe's Faust II.

This episode we finish up Faust 1!Faust 1 (German text)Faust 1 (English translation)Faust 1 (video of performance dir. by Peter Stein, 2000 with English subtitles)

Scenes discussed from Faust 1: Studierzimmer (study) - Hexenküche (witches' kitchen.)------------------Faust 1 (German text)Faust 1 (English translation)Faust 1 on the stage (Peter Stein, 2000) (no subtitles but better video quality)Faust 1 (same version, with English subtitles)

Part 4 of our Faust series brings us to Goethe (1749-1832) and the way he reinvented the legend for his own time, or, in as he has Faust say, “take what you have inherited from your forefathers and make it your own.” In this episode, Klaus introduces the work, the author, and the first few scenes. Faust 1 (German text)Faust 1 (English translation)Faust 1 on the stage (Peter Stein, 2000) (no subtitles but better video quality)Faust 1 (same version, with English subtitles)

Oggi a Cult: Gianni De Gregorio sul suo film "Astolfo", Roberto Sommella sulla serata "Europa e antiEuropa" all'Elfo Puccini, Ruben Jais sulla settimana verdiana dell'Orchestra Sinfonica di Milano, Peter Stein firma la regia di "Il compleanno" di Harold Pinter al Teatro Menotti, Ferdinando Bruni riprende "Kaddish" da Allen Ginsberg, la rubrica di lirica di Giovanni Chiodi... Cult è condotto da Ira Rubini e realizzato dalla redazione culturale di Radio Popolare. Cult è cinema, arti visive, musica, teatro, letteratura, filosofia, sociologia, comunicazione, danza, fumetti e graphic-novels… e molto altro! Cult è in onda dal lunedì al venerdì dalle 11.30 alle 12.30. La sigla di Cult è “Two Dots” di Lusine. CHIAMA IN DIRETTA: 02.33.001.001

Do you want to learn more about SF? Have you been caught up in the whimsical nature of the city of San Francisco? Join us for a conversation w/ author Gary Kamiya & Artist Paul Madonna about the beautiful city of San Francisco & their book the Spirits of San Francisco - Voyages Through the Unknown City. About Gary Kamiya: I was born in Oakland, grew up in Berkeley and have lived in San Francisco since 1971. I received my BA and MA in English literature from UC Berkeley, where I won the Mark Schorer Citation. I was a co-founder and longtime executive editor of the groundbreaking web site Salon.com, where I reported from the Middle East, covered three Olympics, and wrote about politics, pop culture, literature, art, music and sports. Until March 2018 I was the executive editor of San Francisco Magazine, where I wrote award-winning features about the tech-driven transformation of San Francisco, homelessness, the Tenderloin, the injection drug crisis, the waterfront, the new Museum of Modern Art, the controversy over the canonization of Father Junipero Serra, and legalized marijuana, among other subjects. My first book, Shadow Knight: The Secret War Against Hitler, was a critically-acclaimed narrative history of Britain's top-secret Special Operations Executive. My second book, Cool Gray City of Love: 49 Views of San Francisco, was awarded the 2013 Northern California Book Award in creative nonfiction and has sold more than 50,000 copies. My local history column, "Portals of the Past," runs every other Saturday in the San Francisco Chronicle. My work has appeared in the New York Times Book Review, ArtForum, Sports Illustrated, Mother Jones, and many other publications and has been widely anthologized, including in The Best African-American Essays 2010, The New Harvard Literary History of the United States, and the Longman Reader. I have been the recipient of numerous awards, including the Ron Ross Founder's Award by the San Francisco History Association and the Presidio Historical Association Award. I have appeared as an expert on-camera source in numerous documentaries, including a forthcoming PBS 4-hour documentary on William Randolph Hearst, Jim Yager and Peter Stein's forthcoming Moving San Francisco (about the past, present and future of transportation in San Francisco) and two of their previous documentaries, the Emmy Award-winningWater from the Wilderness (on Hetch Hetchy) and The People's Palace (on City Hall), Michael House's I Remember Herb Caen, and others. I live on Telegraph Hill in San Francisco. About Paul Madonna: Paul Madonna is an award-winning artist and best-selling author whose unique blend of drawing and storytelling has been heralded as an “all new art form.” Paul is the creator of the series All Over Coffee, which ran in the San Francisco Chronicle for twelve years, and the author of five books, including the Emit Hopper Mystery Series. His book Everything is its own reward won the 2011 NCBA Award for best book. Paul's work ranges from novels to cartoons to large-scale public murals and can be found internationally in print as well as in galleries and museums, including the Oakland Museum of California, the William Blake Association in France, and the San Francisco International Airport. Paul was a founding editor for therumpus.net, has taught drawing at the University of San Francisco, and frequently lectures on creative practice. He holds a BFA from Carnegie Mellon University and was the first (ever!) Art Intern at MAD magazine.

Hey Gen C Changemakers. This is Generation Carbon. The podcast where kids like you, help grownups like us, save the planet. We know you have tough questions about climate change, and we believe you deserve the answers! In this episode of Generation Carbon, we are learning about Plants! Will Plants grow faster? Will they grow bigger? Do Caterpillars have a sense of humour? Today, our Science Spark comes from Gen C Changemaker Aubrielle from Hudsonville, MI. We hear what's going on firsthand from Edie, Callie Caterpillar & Peri Plant. Learn more from Jared Barnes Ph.D, https://meristemhorticulture.com/ (MeristemHorticulture) and Gen C Super Scientific Story Reporters Sofia from Beamsville, Ontario Canada. Clara from Chattanooga, TN, shares what she thinks life in 2050 may look like. Special thanks to Eric Carle for giving the world https://en.wikipedia.org/wiki/The_Very_Hungry_Caterpillar (the Very Hungry Caterpillar.) Gen C Changemakers. We'd love you to get involved. If you'd like to ask a question or submit your super scientific findings in a future episode, we need Gen C science-minded story reporters on the climate case! Have your grownups visit https://my.captivate.fm/thecarbonalmanac.org/kids (thecarbonalmanac.org/kids) to sign up. This podcast is a part of the Carbon Almanac Network of Podcasts. Supervising Producer: Jennifer Myers Chua. Senior Producer: Tonya Downing. Expert Outreach Advisor: Tania Marien. Written by: Kristy Sharrow with support from Peter Stein, Karen Mullins, and Tonya Downing. Hosted By: Jennifer Myers Chua, Edie Chua. Talent: Sam Schuffenecker, Jenn Swanson, Steve Heatherington Editor: Jennifer Myers Chua. Project Co-ordinator: Jen Ankenmann. Shownotes: Amanda Hsiung-Blodgett

Peter Stein is a writer and illustrator who loves making books for kids, including the Galore series, illustrated by Bob Staake. He's written a bunch of gift books and nine trillion greeting cards (give or take) for companies like Hallmark, American Greetings, Portal Publications, and Papyrus. He also loves making realistic art in pencil and charcoal. Click here to view his fine art as you listen. Click here to listen to his song "Dear Earth". More info: https://www.petersteinstudio.com/ ------------ ABOUT YOUR HOST: Porter Singer is a spiritually-inclined musician, podcaster, and creative sound mentor. Her intention is to beam out a harmonious vibration that gathers lightworkers in collaborative community. More info: https://portersinger.com/ ------------ Music credits: INTRO: "Don't Worry, Be Happy (Instrumental)" by Porter Singer and Songs of Eden, OUTRO: "If You Want to Sing Out, Sing Out (Instrumental) by Porter Singer and Songs of Eden ------------ *AFFILIATE LINKS* (support the podcast when you buy or join)   EARTH BREEZE LAUNDRY SHEETS ~ These Earth-friendly dehydrated laundry sheets will leave your clothes super clean, without the waste of bulky plastic containers. The referral money we get from YOU clicking on that link and ordering will help sustain this podcast AND help care for our beautiful Earth. Thank you in advance! MORE INFO: https://www.earthbreeze.com/?rfsn=6157640.8b8358    

Peter SteinGianluigi Fogacci"Un'altra prospettiva"La vita e il teatro di un MaestroManni Editorihttps://www.mannieditori.it/"Io non voglio vedere su un palcoscenico ciò che posso vedere per strada, o sul mio pc, io voglio vedere una cosa diversa, voglio essere trasportato in un sistema di pensiero differente, non in quello dell'oggi in cui sono immerso; io voglio che il teatro mi regali un'altra prospettiva". Peter Stein, nato nel 1937 a Berlino, è uno dei registi teatrali più importanti e innovativi del teatro contemporaneo.In questo dialogo con Gianluigi Fogacci per la prima volta si racconta, e racconta una vita straordinaria e intensa che attraversa il Novecento fino ai giorni nostri: il lavoro, il privato, la politica.L'infanzia durante la Seconda guerra mondiale, il rapporto con il padre e con la generazione del nazismo, gli studi di letteratura e storia dell'arte per crearsi una “biblioteca interna”, il Sessantotto in Germania, la Schaubühne – esperimento di teatro collettivo nella Berlino Ovest degli anni Settanta e Ottanta –, i maestosi spettacoli portati in giro per il mondo, l'arrivo in Italia nel 1987 e l'approdo alla lirica. E poi le relazioni con il potere e le istituzioni, i tragici greci e Shakespeare e Checov, la visione del teatro che è visione dell'arte e della società e dell'esistenza.Un libro che racconta come il teatro sia imprenditoria, sia letteratura, sia tecnica, sia impegno civile, sia prospettiva. Una storia personale che si intreccia con quella collettiva, in cui Stein si mette a nudo, e rivela uno dei grandi maestri della nostra epoca.Peter SteinNato nel 1937 a Berlino, è uno dei maggiori registi contemporanei. Vive in Italia, tra San Pancrazio in Umbria e Roma.Gianluigi FogacciÈ nato a Bologna nel 1966. Attore e regista, si è formato alla Bottega teatrale di Vittorio Gassman e ha lavorato con i maggiori registi teatrali italiani, oltre che con Peter Stein. Ha partecipato anche a produzioni cinematografiche e televisive. Svolge attività di insegnamento in varie scuole di teatro.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

*** This time, we got the right file!*** A talk programme dedicated to films and television shows, presented by Marcus Ako, Laura Sampson and David Campbell, on Resonance 104.4FM  at 7pm (UK) on Fridays.  Podcast episodes available from Monday morning at 00:30 (UK) #ItsAllAboutThe3Way #ShootTheBreezeShow #TheIdiotOnTheWritersBlock Reach us on Twitter, on Facebook, email shootthebreezonresonance104.4@gmail.com or Instagram  In the 11th season's seventh episode, Marcus and Producer Dave jump into more interviews with filmmakers from 2022's run of the Paris Intl Film Festival. They speak with the following filmmakers: Peter Stein, OUT OF EXILE - THE PHOTOGRAPHY OF FRED STEIN Karim Goury BRANCHE Costas Aenian  Dimitris, Nikos... And the Uncertainty Principle

Wer glaubt, 2021 hätte es nicht viel zu lachen gegeben, liegt definitiv falsch! Im traditionellen Jahreszustandsbericht versucht das NDR Satiremagazin, den Wahnsinn der zurückliegenden zwölf Monate zu ordnen und zu sortieren. Die Moderatoren Stephan Fritzsche und Peter Stein feuern zum Jahresabschluss noch einmal die schrägsten O-Töne ab und nehmen sie mit auf einen wilden Ritt durch das Zahlenchaos der Corona-Pandemie, durch den Wahlkampf mit seinem großen Verlierer Armin Laschet, dem stillen Gewinner Olaf Scholz und bemerkenswerten Koalitionsverhandlungen. Und natürlich geht es auch noch einmal um die Olympischen Spiele ohne Zuschauer und die absurdesten Vorschläge in der Flüchtlingspolitik. Ein krachender Jahresabschluss!

Kraft seiner Stimme lässt der Sprecher Frank Arnold Werke von Goethe bis Philip Kerr lebendig werden. Zur Vorbereitung seiner Lesungen taucht er tief ab in deutsche Ge-schichte, Waffenkunde und auch in das Verhalten von Krähen. Der Sprecher, Dramaturg und Regisseur hat so viele Kulturbeiträge, Dokumentationen und Bücher vertont, dass er im Tonstudio schon fast zu Hause ist. Welche Rollen Sa-muel Beckett und Peter Stein in seinem Leben gespielt haben und woher seine Liebe zu Italien kommt, das

#3 | IL TEATRO DEVE ESSERE COME UNA PIAZZA - Andrea Camilleri, Franca Valeri, Peter Stein, gli Area, Jovanotti, Gianni Morandi. Sono tanti gli artisti di caratura nazionale e internazionale che sono passati al Valle, e tanti, come Fausto Paravidino e E...

Toys Galore by Peter Stein - Read by Martyn Kenneth

in conduzione Steve Della Casa ed Enrico Magrelli

Bruno Ganz, einer der renommiertesten Schauspieler des deutschsprachigen Raumes, wäre am 22. März 80 Jahre alt geworden. Zu seinen Lebzeiten konnte Feature-Autorin Ingeborg Papenfuß den Darsteller noch zu seiner künstlerischen Selbstfindung, der Zusammenarbeit mit Peter Stein und Peter Zadek, zum Filmemachen und zu seinem Traum von der Weltkarriere befragen.

A Conversation with Andrew Zimmern On this episode of the Modern Carnivore Podcast, Mark speaks with culinary expert and outdoor enthusiast, Andrew Zimmern.  Andrew is a Emmy award winning TV personality and chef.  He currently is the host of two television shows, What's Eating America on MSNBC and Family Dinner that will soon be premiering on the new Magnolia Network.  In his most notable series, Bizarre Foods, Andrew travels the world exploring different cultures and traditions through food.  These explorations have shaped Andrew's perspective on food and made him into the person/chef he is today.  Andrew currently resides in Minnesota where he believe the opportunities to get outside, both for recreation and for food, are abundant.  Listen in as Mark and Andrew discuss some of their latest outdoor adventures.   Andrew Zimmern Duck Hunting (photo credit: Travel Channel) Watch the Podcast with Andrew Zimmern on Youtube   Make sure you check out the Outdoor Feast Podcast by Modern Carnivore, and hosted by Todd Waldron. Todd had a recent conversation with Peter Stein who is the founder of Peeko Oysters in New York. You'll also want to check out HuntingCamp.LIVE (by Modern Carnivore). Our newly re-launched learning portal and active community of experienced and new hunters is where you'll find all the things you need to get started on your hunting journey.    

A Conversation with Peter Stein of Peeko Oysters Peter Stein of Peeko Oysters joins Todd this week to share his incredible story about sustainable oyster farming on Long Island's North Fork. A Native New Yorker and avid angler, Peter traded in his corporate career in 2016 to start up Peeko Oysters on Little Peconic Bay, just 80 miles east of New York City. Peter is sharing his passion and knowledge for sustainable oyster farming and how it benefits marine ecology, water quality and nutrient sequestration. We're also talking about some of his favorite recipes that are simple and easy to enjoy in the comfort of your home. Whether you enjoy them raw on the half shell or grilled, Peeko Oysters is harvesting and delivering fresh, delicious, briny oysters to some of the finest restaurants in New York City and to your door. He also shares stories about working with celebrity New York chef Tom Colicchio who was one of the co-founders of Gramercy Tavern in Manhattan and founder of Craft. The Outdoor Feast has Peter Stein of Peeko Oysters on the podcast this week. We're talking about sustainable oyster farming on Long Island's North Fork, sharing some great oyster recipes and more. Thanks for listeningClick To Tweet Interested in learning more about the history of oysters and their significant ties to New York and Long Island? Check out author Mark Kurlansky's classic oyster book The Big Oyster - History on the Half Shell  and M.F.K Fisher's incredible work Consider the Oyster Are you interested in upland hunting, but not sure how to get started? Check out Modern Carnivore's Hunting Camp Live platform! You also might be interested in Hardwater Hunters - Modern Carnivore's new series about dark house spearing on the ice. Check out the newest episode where Mark is joined by three friends and they head into the Superior National Forest to a remote lake where they are after northern pike. * Modern Carnivore is part of the Amazon Associates Program. By clicking on links to Amazon that are in this website Modern Carnivore may receive referral compensation. This does not impact the cost to the purchaser.

How the f**k did Peter Stein go from working at a boarding school to now being a force in sports analytics and venture capital? Peter graduated from Amherst College in 2009. After that, he moved on to Suffield Academy where he was the Assistant Director of Marketing & Communications. He studied towards a Masters Degree in Sports Business at NYU. While earning his graduate degree, he left Suffield to work with the Brooklyn Nets, the New York Yankees, and Bloomberg Sports. After receiving his degree, he became involved in sports analytics and venture capital. Today he is a Partner & Co-Chairman at Turn 2 Equity Partners, Managing Director of SportsTech Ventures, and VC in Residence at Transition Sports & Entertainment. So how did Peter find his perfect co-founder? And how the heck does he do it all?

Die Kulturseiten haben heute vor allem ein Thema: Nachrufe auf die große Schauspielerin Jutta Lampe, Königin der legendären Peter-Stein-Ära an der Berliner Schaubühne.

Drei Jahrzehnte lang gehörte Jutta Lampe zum Ensemble der Berliner Schaubühne. Für den Regisseur Peter Stein war sie eine Ausnahmeschauspielerin, die ernsthaft und verrückt sein konnte, die sich nie aufspielte und stattdessen zuhören konnte. Moderation: Johannes Nichelmann www.deutschlandfunkkultur.de, Fazit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

durée : 00:54:26 - Le Masque et la Plume - Quelles pièces méritent leur ticket ? "Le côté de Guermantes" par Christophe Honoré, "Crises de nerfs" par Peter Stein, "Iphigénie" par Stéphane Braunschweig, "Vivre !" par Frédéric Fisbach, "Mlle Else" par Nicolas Briançon, "L’art du rire" par Jos Houben, "Le Laboureur de Bohême" par Marcel Bozonnet.

Coronapandemin drabbar världens allra fattigaste hårt, inte minst många i Afrika. Kan helikopterpengar till den enskilde och förlängda skuldlättnader vara en del av vägen ur fattigdom? Programledare: Anders Wennersten Producent: Anders Diamant Medverkande och röster i programmet: Peter Stein, nationalekonom, Stein Brothers  Anna Eggelind, Rädda Barnen Arne Bigsten, prof emeritus utvecklingsekonomi Göteborgs universitet Stella Muhonji, driver en cateringfirma i Ngong i Kenya Gita Gopinath, IMF Kristian Åström, Ekots ekonomikommentator Tekniker: Maria Stillberg ekonomiekotextra@sverigesradio.se

Coronapandemin drabbar världens allra fattigaste hårt, inte minst många i Afrika. Kan helikopterpengar till den enskilde och förlängda skuldlättnader vara en del av vägen ur fattigdom? Programledare: Anders Wennersten Producent: Anders Diamant Medverkande och röster i programmet: Peter Stein, nationalekonom, Stein Brothers  Anna Eggelind, Rädda Barnen Arne Bigsten, prof emeritus utvecklingsekonomi Göteborgs universitet Stella Muhonji, driver en cateringfirma i Ngong i Kenya Gita Gopinath, IMF Kristian Åström, Ekots ekonomikommentator Tekniker: Maria Stillberg ekonomiekotextra@sverigesradio.se

The entire mission and vision of Bigger Than Ball is about serving the development of the athletes, coaches and leaders as PEOPLE FIRST.When we sat down with this weeks guest, Founder and Chairman of Turn2 Equity Partners, Peter Stein, we knew that his message and values were in total alignment with our BTB Mission.In this episode we discuss:"Making Baseball Cool Again"The universal principles of success in BUSINESS and SPORT (bigger than ball)How he developed his "super power of turning passion to profits"The importance of investing strong team leadershipThe future of player brand development in baseballThe current state of race in baseballThis is not one you are going to want to miss!!If and when you find value in these episodes please SUBSCRIBE to the podcast and SHARE with a friend, family member, colleague and/or teammate to help us spread this message and build this tribe of BTB listeners!WE ARE HERE TO SERVE and are grateful for you joining us on this journey!Follow Us on Social:Instagram - @biggerthanballpod @iamjimmyhill @czapbaseballTwitter - @iamjimmyhill @kyle_czaplakTik Tok - @iamjimmyhill @kyle_czaplakYoutube - www.youtube.com/channel/UC6uLVhu-h1QOO3OQQBaceNg/

Am 8. Oktober 1970 eröffnet in Berlin die Schaubühne als Kollektivtheater: Die Gruppe junger Theatermacher- und schauspieler um Peter Stein setzte auf Mitspracherecht.

Jarrett Sims and Peter Stein are hoping to find investment for current and former baseball players and help MLB market it's assets in new modern ways.

Jarrett Sims and Peter Stein are hoping to find investment for current and former baseball players and help MLB market it's assets in new modern ways. Learn more about your ad choices. Visit megaphone.fm/adchoices

C.H.U.D, released August 31st, 1984, stands for Cannibalistic Humanoid Underground Dwellers... Or does it?! This week, we checked out this very underrated cult classic that feels like it's going to be more of a splatter horror film, but is actually more about the mystery about a conspiracy involving toxic waste and zombie-creature-things. Listen to Zach on Nerd-Out Consumed: https://omny.fm/shows/nerdout Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the show! Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ Zach Adams - Instagram: https://www.instagram.com/zach4dams/ See omnystudio.com/policies/listener for privacy information.

Ep:045 Born 1938 Lock Haven, PA, Richard Stevenson graduated Lock Haven State College, did graduate work in American lit at Penn State. He joined the Peace Corps and fled grad school to teach English in Ethiopia 1962-64---He says it's the best thing he ever did. Worked as Peace Corps program evaluator around the world 1964-67. Ran the anti-poverty program in Pittsfield, MA, 1968-71. Free-lance writer after that. Wrote for magazines and newspapers, including 15 years as an editorial writer at The Berkshire Eagle, Pittsfield, MA. Won New England AP Press Association award for editorials on gay marriage. Wrote a thriller, GRAND SCAM (Dial, 1979) with Peter Stein. Wrote the 16 Strachey books under the name Richard Stevenson, starting with DEATH TRICK in 1981. Four of them filmed by HereTV. He has been reviewing books regularly for The Washington Post for many years and continues to do so.He has two children, both excellent human beings now in their forties, one a teacher, one a writer and musician. He's been with Joe Wheaton, sculptor and video artist since 1990. Married since the first day it was legal in MA in 2004.Transcript available on website. gaymysterypodcast.comKiller Reunion by Richard StevensonNew Man in Town by Edward KendrickBrad's Website: https://bradshreve.com/requeeredtales.comInstagram: @gaymysterypodcastFacebook: Gay Mystery-Thriller-Suspense Fiction GroupQuestions or comments can be emailed to info@gaymysterypodcast.com

Turn2 has investment and is operated by baseball's top executives, players, and entrepreneurs. Some of the founding team includes:Dusty Baker: MLB Legend & Serial Entrepreneur. Manager for the Houston Astros. Jim Duquette: MLB 2x GM (Orioles + Mets) & Business Exec. TV & Radio broadcaster.Bobby Evans: MLB GM & World Series Champion (SF Giants)John Haegele: Technology & Media executive with experience at NFL, Van Wagner, Yahoo! Sports, and broadcast.comDinn Mann: 25+ year sports & entertainment tech executive. Founder at MLB.com, MLB.tv, At Bat App. Jarett Sims: 15+ year sports & entertainment media entrepreneur. Peter Stein: 10+ years in sports tech and Venture capital. Follow Turn2 on InstagramFollow Turn2 on Linkedin 

Peter Simonischek, 73, Schauspieler ... und was für einer. Man darf, muss aber nicht erst den Ausnahme-Film „Toni Erdmann“ erwähnen, um das Können dieses Mannes zu würdigen. Sein Können, aber gerade auch seine Freude am Spielen, die sich sofort auf den Zuschauer überträgt. Simonischek ist unfreiwillig gelernter Zahntechniker. Und doch studierte er Schauspiel in Graz, von wo aus es ihn auf die großen Bühnen trieb. 1979 holte ihn Peter Stein für 20 Jahre an die Berliner Schaubühne, seit 1999 gehört er fest zum Ensemble des Wiener Burgtheaters. In über 100 Vorstellungen gab er bei den Salzburger Festspielen den „Jedermann“, ist seit 1995 regelmäßig in Yasmina Rezas Stück „Kunst“ zu sehen und brillierte ebenfalls in Salzburg in „Der Sturm“. Gerne wären wir weniger euphorisch bei der Vorstellung, leider aber ist dies nicht möglich. Wir freuen uns sehr auf Peter Simonischek alias Toni Erdmann in der Hörbar auf radioeins.

Small food suppliers like oyster farmers and cheesemakers are really who set restaurants apart. In most cases, a majority of what they produce is sold to restaurants. But with the pandemic, many restaurants have closed -- and when restaurants close these small businesses are left without a market. Tom Colicchio talks to Peter Stein of Peeko Oysters and Mateo Kehler of Jasper Hill Farms about how they've changed their business models. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

David Gauvey Herbert shares his reporting on Peter Stein, who has run the New York City Lifeguard corps for 40 years. He chronicled Stein's tumultuous career in a piece for New York Magazine's Intelligencer, titled "Boss of the Beach." 

My guest this week is Peter Stein, oyster farmer & owner of Peeko Oysters in Long Island, NY. Before the coronavirus crisis, he has supplied a lot of prestigious eateries in New York including Le Bernardin, Eleven Madison Park and Gramercy Tavern. But as the restaurants have closed up due to the pandemic, Peter had to adapt or perish. He’s driving now 300 miles a day to deliver his oysters door-to-door to individuals in New York.  It’s time to listen to him and his creative story of oysters, creativity and survival.

Peter is the Managing Partner of Sportech Ventures where they help create opportunities within the world of Baseball. https://www.linkedin.com/in/peter-stein-09236921/ https://sportechventures.com/

Rundown of the week in Sports Biz News, Events, Careers, and More. Special guest: Peter Stein, Managing Director at SporTech Ventures. Also working with Players for the Planet and Transition Sports & Entertainment. Nick & Peter breakdown the impact of Coronavirus on sports. Subscribe to the Rundown newsletter here: https://www.sportsbizgroup.com/newsletters

Wenn es um Geschenke und deren Verpackungen geht, setzt das nachhaltige Gewissen hin und wieder aus - und der gute Geschmack sowieso. Peter Stein bittet auf ein Wort.

This week's Sports Philanthropy Podcast features Peter Stein, Director of Partnerships for Player for the Planet. He shares the organization's efforts with our Host, Roy Kessel, Founder of the Sports Philanthropy Network. Players for the Planet focuses on reducing waste and other efforts at sustainability.

Listen along to the Rants From the Black Lodge Podcast as the dig up the beloved big screen adaptation of Stephen King's Pet Sematary. However, to properly celebrate the film's 30th Anniversary we had to call in for reinforcements and the call was answered by everyone's favorite lil slice of roadkill, Miko Hughes aka Gage Creed. This episode is a good one so, sit back, laugh and learn about all things Stephen King and Pet Sematary with Brandon and Stankdik Eddy.Note: We experienced a few audio glitches during the recording of this episode so a few seconds were trimmed here and there to fix these issues. Because of this, if you choose to watch the film along with the commentary the syncing maybe slightly off but not to a degree that will ruin the experience.Host: Brandon A. LaneCommentator: Stankdik EddySponsor: NGW WrestlingSpecial Thanks: Miko Hughes@MikoHughesPlease support the podcast by buying a T-shirt from our Teespring storerantarmy.com

We are excited to sit down with Peter Stein, the owner and founder of Peeko Oysters! An ex-teacher and management consultant, he traded in his desk for the dock when he launched Peeko Oysters, the only oysters based out of New Suffolk, NY. Tune in as we talk to Peter about how his early childhood passion in aquaculture led him down the path to becoming an entrepreneur, the environmental benefits of oyster farming and the importance of creating more transparency in the fishing industry. Why Food? is powered by Simplecast.

Peter Stein started Peeko Oysters—an oyster farm on Long Island’s North Fork—in 2016, after leaving a corporate job. Three years later, his oysters are served at top New York City restaurants like Eleven Madison Park, Gramercy Tavern, and Le Bernardin. Host Lisa Elaine Held sits down with Stein to talk about what oyster farming looks like (in terms of the landscape, methods, and labor), how to grow the most delicious, chef-coveted oysters, and why oysters are an environmentally friendly food. The Farm Report is powered by Simplecast.

We dissect the latest flick from the mind of JK Rowling and celebrate Peters debut on Channel Ten news!   With Patrick , Jaden and Peter Stein

We discuss how many Alladin films Robin really did, laser tag, wrestling and just what the hell is going on with the Marvel and DC universe lately on our screens. Peter Stein, Jaden and Patrick kick it in the nerdcave

DC 37 Health & Safety Dir. Veronica Foley on 9/11 Victims Compensation Fund & NYC Lifeguards Supervisors Local 508 Pres. Peter Stein on 2018 beach/pool season safety record.

Peter Stein is bringing back the centuries-old tradition of oyster farming off the Long Island Sound with his company Peeko Oysters. He’s as passionate about what he’s doing for the waterways as he is about his crop. We gabbed about the best ice cream truck treats, street food in South East Asia, and how he is growing clean water on his farms

Hazel, Jaden and Peter Stein join me to talk about the Infinity war movie with lots of SPOILERS and we also talk about Ironfest again and Hazel goes down the rabbit hole of polyamory!

This week I interviewed Peter Stein, lead singer of a very unique band called Death Sludge. I met Peter back in 2008 at the Scarlet and Grey café when he was performing with the earliest version of the band. Over the years, he’s managed to develop his sound while still hanging on to some of the things that make Death Sludge unique. Check out Death Sludge on Facebook at https://www.facebook.com/deathsludge/ or on Soundcloud at https://soundcloud.com/deathsludge The music I included in the episode was all from their upcoming E.P., but if you want to get a feel for how they sounded back in the day, check out Power Chord Song on their soundcloud. It's pretty awesome. Music in this episode: For Everyman - Jackson Browne performed by Kendall Halman Modern Chupacabra: Death Sludge Digital Pin: Death Sludge False Flag: Death Sludge

-Jag sätter aldrig upp en pjäs eller en opera två gånger. Jag är intresserad av själva arbetsprocessen och inte slutresultatet, säger den legendariske regissören. I mer än 50 år har han arbetat över hela världen med teater och opera. Mellan 1970 och 1985 var han konstnärlig ledare på Schaubühne i Berlin, där han bl a samarbetade med Bruno Ganz. Nu har Peter Stein för första gången regisserat i Sverige-på Malmö Opera, och för första gången har han tagit sig an MozartsFigaros Bröllop. I Spotlight med Kerstin Berggren  berättar Peter Stein även om ett mycket speciellt möte med den italienske stjärndirigenten Riccardo Muti.

In scena al Teatro Carcano di Milano “La locandiera” di Carlo Goldoni, della compagnia Proxima Res, con Tindaro Granata, per la regia di Andrea Chiodi Tiziana Ricci sulla mostra dedicata a Francesco Somaini alla Triennale di Milano Barbara Sorrentini sul documentario d'arte dedicato a Segantini, in sala in questi giorni Le voci dei protagonisti di “Don Carlo” di Giuseppe Verdi, che torna in scena alla Scala con la regia di Peter Stein

In scena al Teatro Carcano di Milano “La locandiera” di Carlo Goldoni, della compagnia Proxima Res, con Tindaro Granata, per la regia di Andrea Chiodi Tiziana Ricci sulla mostra dedicata a Francesco Somaini alla Triennale di Milano Barbara Sorrentini sul documentario d’arte dedicato a Segantini, in sala in questi giorni Le voci dei protagonisti di “Don Carlo” di Giuseppe Verdi, che torna in scena alla Scala con la regia di Peter Stein

In scena al Teatro Carcano di Milano “La locandiera” di Carlo Goldoni, della compagnia Proxima Res, con Tindaro Granata, per la regia di Andrea Chiodi Tiziana Ricci sulla mostra dedicata a Francesco Somaini alla Triennale di Milano Barbara Sorrentini sul documentario d’arte dedicato a Segantini, in sala in questi giorni Le voci dei protagonisti di “Don Carlo” di Giuseppe Verdi, che torna in scena alla Scala con la regia di Peter Stein

Veckans ekonomiekot lördag handlar om dollarns uppgång, och att investerares pengar dras tillbaka till USA, och vad det kan betyda för tillväxtmarknader. Gäster Karin Fries, ansvarig för Carnegies afrikafond, och Peter Stein, nationalekonom med fokus på tillväxtmarknader.

The legendary theatre and opera director Peter Stein is for the first time directing in Sweden, Mozart´s The Marriage of Figaro, at Malmö Opera. The German theatre and opera director Peter Stein has been working in theatre and opera for more than 50 years, on stages all over the world. He has great respect for the text and for the music. - I always try do do what is written in the score, Peter Stein says to Kerstin Berggren in this episode of Spotlight. He is specially interested in the process of rehearsing.Peter Stein never does a play or an opera twice so the production in Malmö is his first Figaro.You can hear these singers In short quotes from a rehearsal: Susanna - Rebecca Nelsen; Il Conte  Almaviva - Kostas Smoriginas;La Contessa - Evgeniya Sotnikova;

CEP 16 - La Dernière Bande, de Samuel Beckett Le seizième épisode de Comme en passant est consacré à une pièce de théâtre de Beckett. La Dernière Bande est publiée aux éditions de Minuit, en français, traduite par l’auteur. L’épisode Je consacre cet épisode à La Dernière Bande, une pièce de théâtre de Samuel Beckett. Cette pièce se compose d’un seul acte et ne comporte qu’un personnage. Krapp toujours à son bureau, ou pas loin, qui écoute une bande audio, un enregistrement qu’il a fait lui-même 30 ans auparavant, avant de faire sa « dernière bande ». J’ai vu une représentation de cette pièce au théâtre de l’Oeuvre, à Paris, dans une mise en scène de Peter Stein et avec Jacques Weber dans le rôle de Krapp. Mes deux moments de réflexion :La distinction entre une parole et un geste n’existe pas en littérature.Krapp sur scène, une description littéraire en mouvement. Les intervenants Hélas, il n’y a que moi ! Les références La Dernière Bande, de Samuel BeckettCritique et clinique, de Gilles DeleuzeExtrait vidéo

Esta semana continuamos no Festival Internacional de Teatro de Almada, onde conversamos com o grande homenageado da edição deste ano: Ricardo Pais. Encenador de vasto currículo, com mais de 50 espectáculos e criações cénicas, foi director do Teatro Nacional D. Maria II, em Lisboa, e do Teatro Nacional de São João, no Porto, durante 13 anos, se somarmos os dois mandatos. No festival de Almada, sucederá a Luís Miguel Cintra e Peter Stein na iniciativa "O Sentido dos Mestres", uma espécie de masterclass que decorre nos dias 13, 14 e 15 de Julho, na Casa da Cerca, em Almada Velha, e que se intitula "Aprender a Esquecer - Três encontros terapêuticos para gente mais ou menos de teatro". Trouxe-nos: Mercador de Veneza - William Shakespeare (tradução do Daniel Jonas) Rebeldes - Sandor Marai A Margem da Alegria - Ruy Belo

Hur kommer tillväxtländer i Afrika att påverkas när räntorna börjar stiga i USA och Europa? Flera länder är ju redan pressade av prisfall på råvaror. Gäster är Rebecka Lundgren, regionansvarig för länderna söder om Sahara på statliga Exportkreditnämnden, och Peter Stein omvärldsanalytiker med fokus på Afrika.

Sydafrika skärskådas i veckans Ekonomiekot Lördag. 20 år har gått sedan de första fria valen, vad har hänt med ekonomin sedan dess, och hur är det ekonomiska läget i dag? Gäster är Peter Stein, nationalekonom och Afrikaexpert, och Maria Sjöqvist, reporter på Sveriges Radios Ekoredaktion och tidigare Afrikakorrespondent. Programledare är Pär Ivarsson.

Please join us for the 2013-2014 season of, "Nature's Returns: Investing in Ecosystem Services," coordinated by the Yale Center for Business and the Environment and the Conservation Finance Network, a program Island Press. Our featured speaker is Peter Stein from Lyme Timber. Peter will talk specifically about how Lyme Timber invests in forest and rural real estate for multiple values. He will discuss how Lyme Timber utilizes financial streams such as working forest conservation easements, New Market Tax Credits, wetland mitigation, advantageous debt arrangements, and other ecosystem service payments in addition to traditional forest product sales. Peter will present three case studies to illustrate how Lyme Timber structures transactions and manages forests for financial and ecological returns.

Ekonomiekot lördag handlar om tillväxten i Afrika, och svenska företags möjligheter till export. Gäster är Peter Stein, nationalekonom och afrikaexpert, och Stefan Kullander, försäljningschef för Afrika vid ABB. Programledare är Pär Ivarsson.

Between July and November 2007 Professor Stein was interviewed three times in the Squire Law Libary, to record his reminiscences of sixty years of his association with the Faculty of Law at the University of Cambridge. The interviewer is Lesley Dingle. An the audio version is available on this website with transcript of those recordings: - First Interview (5 July 2007): Early years (1926-1947); - Second Interview (29 August 2007): Time at Cambridge (1951-1998); - Third Interview (23 November 2007): Scholarly Work. For more information, see the Squire website at http://www.squire.law.cam.ac.uk/eminent_scholars/

Between July and November 2007 Professor Stein was interviewed three times in the Squire Law Libary, to record his reminiscences of sixty years of his association with the Faculty of Law at the University of Cambridge. The interviewer is Lesley Dingle. An the audio version is available on this website with transcript of those recordings: - First Interview (5 July 2007): Early years (1926-1947); - Second Interview (29 August 2007): Time at Cambridge (1951-1998); - Third Interview (23 November 2007): Scholarly Work. For more information, see the Squire website at http://www.squire.law.cam.ac.uk/eminent_scholars/

Between July and November 2007 Professor Stein was interviewed three times in the Squire Law Libary, to record his reminiscences of sixty years of his association with the Faculty of Law at the University of Cambridge. The interviewer is Lesley Dingle. An the audio version is available on this website with transcript of those recordings: - First Interview (5 July 2007): Early years (1926-1947); - Second Interview (29 August 2007): Time at Cambridge (1951-1998); - Third Interview (23 November 2007): Scholarly Work. For more information, see the Squire website at http://www.squire.law.cam.ac.uk/eminent_scholars/

Världens ögon riktas nu mot Nordafrika och Mellanöstern. De folkliga protesterna tvingade bort Mubarak i Egypten och Ben Ali i Tunisien. Nu ska regionen resa sig politiskt och ekomiskt. Behovet av ekonomiska reformer är mycket stort. Trots rekordtillväxt och ökade investeringar är de ekonomiska klyftorna enorma, fattigdomen förlamande och arbetslösheten ett gissel. Vägen uppåt och framåt mot en ekonomi för alla diskuteras av Mats Karlsson, Centret för Medelhavsintegration, Margareta Davidson-Abdelli, Sida samt Peter Stein, konsult.

During her visit to the Brooklyn Academy of Music with the Abbey Theatre's production of Ibsen's "John Gabriel Borkman", Fiona Shaw discusses taking on one point of this lesser-known play's unromantic triangle and links her work with co-stars Alan Rickman and Lindsay Duncan back to their membership in the Royal Shakespeare Company 25 years ago. She also talks about having to get a degree in philosophy before she was allowed to enroll at the Royal Academy of Dramatic Art; her quick leap from RADA to the stage of the National Theatre in "The Rivals" -- and why she stayed too long; the unique confluence of talents that came together at the RSC during her time there; her ongoing collaboration with director Deborah Warner and the uproars that accompanied their productions of Beckett's "Footfalls" and Shakespeare's "Richard II"; why she spent a lot of time as "Hedda Gabler" rearranging the furniture; how she finds modern equivalencies in the great tragedies like "Medea" and "Electra"; her first encounter with Chekhov, doing "The Seagull" under the director Peter Stein, and how the rehearsal process at Stein's Italian home influenced the production; how she and Warner were permitted to do Beckett's "Happy Days" after being "banned for life" from Beckett's work 13 years prior; how she approached T.S. Eliot's poem "The Waste Land" as a theatrical text; and the great fun she had throwing off her tragedian's mantle to appear in "London Assurance" with Simon Russell Beale. Original air date - February 9, 2011.

During her visit to the Brooklyn Academy of Music with the Abbey Theatre's production of Ibsen's "John Gabriel Borkman", Fiona Shaw discusses taking on one point of this lesser-known play's unromantic triangle and links her work with co-stars Alan Rickman and Lindsay Duncan back to their membership in the Royal Shakespeare Company 25 years ago. She also talks about having to get a degree in philosophy before she was allowed to enroll at the Royal Academy of Dramatic Art; her quick leap from RADA to the stage of the National Theatre in "The Rivals" -- and why she stayed too long; the unique confluence of talents that came together at the RSC during her time there; her ongoing collaboration with director Deborah Warner and the uproars that accompanied their productions of Beckett's "Footfalls" and Shakespeare's "Richard II"; why she spent a lot of time as "Hedda Gabler" rearranging the furniture; how she finds modern equivalencies in the great tragedies like "Medea" and "Electra"; her first encounter with Chekhov, doing "The Seagull" under the director Peter Stein, and how the rehearsal process at Stein's Italian home influenced the production; how she and Warner were permitted to do Beckett's "Happy Days" after being "banned for life" from Beckett's work 13 years prior; how she approached T.S. Eliot's poem "The Waste Land" as a theatrical text; and the great fun she had throwing off her tragedian's mantle to appear in "London Assurance" with Simon Russell Beale. Original air date - February 9, 2011.

Now 65, Patrice Chereau is one of the most highly regarded French directors. He began his career directing at his Lycee and running a theatre in the Parisian suburbs in the 1960s. Not long after he was invited to Italy and to Germany initially directing plays by the classic dramatists. His first job in opera was a work by Rossini at Spoleto but the occasion which caused the greatest controversy was in 1976 at Bayreuth when he directed Wagner's Ring Cycle with Pierre Boulez conducting. Chereau was not the first choice - Ingmar Bergman and Peter Brook were asked but both turned it down. Then, after Peter Stein accepted but then withdrew, Boulez approached Chereau. His production was deemed controversial in its setting, drawing as it did, heavily on the years of the 19th century Industrial Revolution and many staunch Wagnerites were incensed that the centenary Ring should be in the hands of a French production team. But the production is now seen as hugely influential in the effect it had on opera directors all over the world. It was widely seen on television in this country and abroad. Patrice Chereau talks candidly to Norman Lebrecht in this interview recorded at his home in Paris about the Bayreuth experience including the hostility of the audience and the problems caused by his late appointment as director. He also talks about the works which attract him: Wozzeck and Lulu by Berg and Janacek's From The House of The Dead, all of which deal with difficult and sometimes expressionistic subject matter. And about some of his films which deal with issues of sexuality including L'Homme blesse and Son Frere. Producer Tony Cheevers.