Podcasts about African Americans

DJ Fatboy Slim's ‘Praise You' is a song you might have heard in a Hollywood movie or danced to in a club - to this day, it is still his biggest hit. But there is something you won't know: the singer behind the lyrics or the true meaning of the words. Civil rights activist Camille Yarbrough first released ‘Take Yo' Praise' 50 years ago. It was written as a love letter to African-American men, inspired by a moment of spiritual awakening and family secret. After its release, radio stations refused to play it and she felt she was labelled a “troublemaker”. When Fatboy Slim picked up an old copy of Camille's song, he turned it into a hit. But there is an irony - it is now played by radio stations around the world, but the true meaning of the music has been lost. Reporter Emily Webb goes to meet Camille in her New York apartment.

As we enter the second half of Blackest History Month 2025, we reflect on themes of power, influence, culture, and resistance, particularly within the context of Black thought, history, and contemporary developments in the US and global social structures. The contrast between figures like Kendrick Lamar (highlighted during the Super Bowl) and Donald Trump illustrates how power often intersects with whiteness, capitalism, and entertainment to shape public consciousness. This is especially evident in major advertising events like the Super Bowl, where creating a cultural moment and capturing attention become paramount. Meanwhile, the increasing channeling of public resources into promoting visions of white supremacy and hypercapitalism has intensified to the point of impunity, daring the rest of us to resist it.Martin Kilson's observation about shifts in African American intellectual and creative circles from pursuing power to emphasizing and commoditizing culture provides a lens through which we can examine intersections of cultural meaning-making and struggle. What happens when contemporary power dynamics—particularly regarding white nationalism and the redirection of both public and private resources—reduce Black Power to mere cultural posturing? Absent the deliberate connection of Movement and Memory to strengthening Africana Governance formations, can cultural influence contribute meaningfully to organizing, resisting, and building for the long term? Or is “playing the great American game” a never-ending cycle of diminishing returns?JOIN KNARRATIVE: https://www.knarrative.com it's the only way to get into #Knubia, where these classes areheld live with a live chat.To shop Go to:TheGlobalMajorityMore from us:Knarrative Twitter: https://twitter.com/knarrative_Knarrative Instagram: https://www.instagram.com/knarrative/In Class with Carr Twitter: https://twitter.com/inclasswithcarrSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave Rubin of “The Rubin Report” talks about White House Press Secretary Karoline Leavitt explaining to “America Reports'” John Roberts how the mainstream media has distorted the facts of a leaked low confidence intelligence assessment about the success of the strikes on Iranian nuclear sites and the destruction of Iran's nuclear program; Secretary of Defense Pete Hegseth making the mainstream media think twice about lying about the destruction of Iran's nuclear program; Donald Trump's fierce response to CNN's Kaitlan Collins about his certainty of the destruction of Iran's nuclear sites; Jamaal Bowman trying to convince Marc Short that being called the n-word is the reason that African Americans have higher rates of cancer and obesity; Tom Homan admitting to Sean Hannity how destructive the potential for terrorist sleeper cell attacks in America really is; Joe Rogan correcting Bernie Sander's facts about Donald Trump's lawsuit against CBS News for their misleading editing of their Kaqmal Harris interview on “60 Minutes”; and much more. Dave also does a special “ask me anything” question-and-answer session on a wide-ranging host of topics, answering questions from the Rubin Report Locals community.  WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: Prolon - Rejuvenate your body from the inside out, while supporting enhanced skin appearance, fat loss, and improving energy and focus. Prolon is offering 15% off and a $40 bonus gift for Rubin Report viewers when you subscribe to their 5-Day Nutrition Program. Go to: http://ProlonLife.com/DAVE Royo - ROYO breads are so good you'll forget they're healthier. Bread that's low in carbs and higher in fiber and protein. Go to http://eatroyo.com and use promo code RUBIN for 20% off! 1775 Coffee - Get 1775's Starter Kit. All single-origin, small batch, mold-free and toxin-free. Get your 1775 Coffee starter kit worth $200 for only $99. The initial launch is only 1,000 units - get it while you can. Go to: https://1775coffee.com/RUBIN and use code RUBIN

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. The founder and artistic director of Nia’s Daughters Movement Collective. This episode blends art, activism, education, and cultural preservation through the lens of Black history and dance. Here are the key highlights:

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. The founder and artistic director of Nia’s Daughters Movement Collective. This episode blends art, activism, education, and cultural preservation through the lens of Black history and dance. Here are the key highlights:

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Stacey Allen. The founder and artistic director of Nia’s Daughters Movement Collective. This episode blends art, activism, education, and cultural preservation through the lens of Black history and dance. Here are the key highlights:

In the spotlight is Tracy Clark, a Chicago native and the author of the award-winning Cass Raines Chicago Mystery series, featuring ex-cop turned private investigator Cassandra Raines, and the detective Harriet Foster series, featuring Harriet Foster, a homicide detective with the Chicago Police Department. Two tough, smart, African American female characters working the mean streets of the Windy City.  We discuss:  >> Creating characters >> Cassandra Raines >> Harriet Foster >> Chicago >> Deep-dish pizza >> Organic versus outlined writing >> Key writing advice >> Literary influences >> Etc.  Learn more about Tracy Clark here: https://tracyclarkbooks.com  Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no   Write to Mike Consol at novelistspotlight@gmail.com 

This week's episode of the Parsing Immigration Policy podcast delves into the Insurrection Act, its historical uses, and whether it could legally authorize the use of the military to assist in the arrest and removal of illegal aliens.The Insurrection Act allows presidents to deploy federal troops not only in cases of insurrection but also when federal law can't practicably be enforced through conventional means. The Posse Comitatus Act, which many point to as preventing such a use of troops, is not the obstacle many assume it is.President Trump so far has only tasked troops with protection of federal facilities and agents, but, if he chooses to exercise it, he does have authority under the Insurrection Act to put them to work actually enforcing immigration law.“The Insurrection Act has been invoked by leaders of both parties to protect civil rights and to enforce federal law. President Trump would have ample justification to use the Insurrection Act to allow the U.S. military to assist with large-scale deportation efforts,” said podcast guest George Fishman, Senior Legal Fellow at the Center for Immigration Studies and former Deputy General Counsel at DHS.Historical precedent:Over the past more than 200 years, presidents have relied on the Insurrection Act to deal with some 30 crises.Presidents of both parties have relied on the Insurrection Act: Grant to suppress the early KKK, Cleveland to protect Chinese immigrants, Eisenhower, Kennedy, and Johnson to enforce civil rights for African Americans, Bush to restore order during the 1992 LA riots.Misconceptions about the Posse Comitatus Act (PCA):The PCA does not apply where Congress has explicitly authorized military use — such as under the Insurrection Act.Immigration enforcement today:More than 15 million illegal aliens are in the U.S.3.6 million backlog in immigration court.1.4 million aliens have final removal orders, yet remain at large. Millions of removable aliens were released by the Biden administration, and ICE has no knowledge of their location.ICE has only 6,000 officers to manage enforcement nationwide.HostMark Krikorian is the Executive Director of the Center for Immigration StudiesGuestGeorge Fishman is the Senior Legal Fellow at the Center for Immigration StudiesRelatedDon't Fear the Insurrection ActPresident Trump Doesn't Need to Invoke the Insurrection Act — He Already HasIntro MontageVoices in the opening montage:Sen. Barack Obama at a 2005 press conference.Sen. John McCain in a 2010 election ad.President Lyndon Johnson, upon signing the 1965 Immigration Act.Booker T. Washington, reading in 1908 from his 1895 Atlanta Exposition speech.Laraine Newman as a "Conehead" on SNL in 1977.Hillary Clinton in a 2003 radio interview.Cesar Chavez in a 1974 interview.House Speaker Nancy Pelosi speaking to reporters in 2019.Prof. George Borjas in a 2016 C-SPAN appearance.Sen. Jeff Sessions in 2008 comments on the Senate floor.Candidate Trump in 2015 campaign speech.Charlton Heston in "Planet of the Apes".

In a sea of Gatsby re-tellings, this remix stands out. Kyra Davies Lurie uses Fitzgerald's classic as a jumping off point to take us across the country (and a few decades past the roaring 20s) to Sugar Hill, a little known affluent African American neighborhood where the scene is set.

On June 19, the day the nation observes Juneteenth, President Donald Trump posted on social media decrying the "too many non-working holidays in America." Though he didn't mention it by name, the timing of the post was seen by many as a direct criticism of the holiday commemorating the emancipation of enslaved African Americans. This comes after the White House offered no formal observance of the day, a sharp contrast to celebrations held under the previous administration. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company: https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keshia Walker. Founder and chairwoman of the Black Collegiate Gaming Association (BCGA). Here’s a breakdown of the key themes and takeaways:

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keshia Walker. Founder and chairwoman of the Black Collegiate Gaming Association (BCGA). Here’s a breakdown of the key themes and takeaways:

This week on Stitch Please, Lisa hangs out with the fabulous Danesha Anglin (aka Classyfied Life), who proves that grad school stress can actually lead to sewing success. Danesha spills the tea on how she went from “I wonder if I can sew?” to “Look at these Renaissance pants breaking the internet.”They chat about the creative chaos behind designing, the beauty of learning by messing up, and why trusting your gut sometimes leads to the best stitches. Bonus: pattern collection spoilers and plenty of laughs for anyone who's ever screamed at their sewing machine.====Where you can Catch up with Danesha! IG-@classyfiedlife===========Dr. Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork======Stay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast--Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreReady to tap in to the visuals of Stitch Please? Then join our Patreon! For only $5 a month you can get all of the video versions of the pod. PLUS more goodies at higher patron levels. We couldn't do any of this without your support. Thank you!

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Keshia Walker. Founder and chairwoman of the Black Collegiate Gaming Association (BCGA). Here’s a breakdown of the key themes and takeaways:

Cynthia McKinney has made a career of speaking her mind and challenging authority. With her opinions, actions, and even her sense of style, McKinney has inspired both admiration and controversy. McKinney´s political career began unofficially in 1986 when her father, Georgia State Representative Billy McKinney, put her name on the ballot as a write-in. Cynthia McKinney was living in Jamaica at the time and did not take the matter seriously; still, she garnered a large percentage of votes without even trying. Two years later, McKinney ran for and won the seat, creating the first father/daughter combination to serve together in the Georgia State House of Representatives. Cynthia immediately began making her own mark, defying House dress codes for women by wearing trousers instead of dresses. She spoke out against the first Persian Gulf War, and despite being in the House with her father, she often disagreed and voted against him. In 1992, McKinney won a seat in the US House of Representatives in Georgia´s newly created 11th district. She was the first African-American woman to represent Georgia in the US Congress. McKinney became Secretary of her Democratic freshman class and was placed on both the Agricultural Committee and the International Relations Committee. Her gold tennis shoes and braided hairstyle became her trademarks, and effectively raised her profile on a House floor dominated by white men. Though a Democrat during President Clinton's tenure, McKinney voted against NAFTA, showing that she was not one to simply follow the Party line. McKinney worked hard in Washington to clean up pollution in her district and improve its rural roads. During her second term, McKinney earned distinctive committee assignments with the National Security Committee and the International Relations Committee's International Operations and Human Rights Subcommittee. A supporter of a Palestinian State in Israel-occupied territory, she sparked controversy by criticizing American policy in the Middle East. After the 9/11 attacks, McKinney suggested the President might have had prior knowledge of 9/11. The criticism she received from this highly controversial idea probably contributed to her defeat in the 2002 election; however, she ran for the seat again and was re-elected in 2004. Between terms in office, McKinney traveled the country and Europe, speaking against the war in Iraq war and also about her 2002 defeat, which she attributed to Republicans being organized to “cross over” to vote against her in the Democratic primaries. Her career, including this episode of her defeat, was made into a documentary film titled American Blackout. Once back in office, she continued her criticism of the Bush administration on the first anniversary of the 9/11 Commission Report by gathering victims' families and intelligence experts together on panels to address the flaws in the report and critique its recommendations regarding foreign and domestic policy. Believing the government should not keep secrets from the people, McKinney introduced legislation to release the documents related to the death of Tupac Shakur and twice submitted a bill to release the sealed documents pertaining to Martin Luther King Jr.'s assassination. McKinney was very active in the aftermath of Hurricane Katrina and a vocal critic of the government's response. When Democratic Party leaders encouraged a boycott of a Select Bipartisan Committee to Investigate the Preparation for and Response to Hurricane Katrina, she chose to participate and submitted her own report on the matter. In 2007, McKinney left the Democratic Party to become a Presidential Candidate for the Green Party.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Portland artist and activist Isaka Shamsud-Din has captured the lives and histories of African Americans in paintings throughout his life. He draws on his experiences growing up in Portland for his work. His exhibit, “Rock of Ages,” is currently on display at the Portland Art Museum. We spoke to him in January 2020. As reported earlier by Oregon ArtsWatch, Portland artist, educator and activist Isaka Shamsud-Din has died. The arts and education nonprofit Don’t Shoot Portland announced earlier this month that the artist had entered hospice care. Shamsud-din had been ill with cancer for some time. We listen back to a conversation we first aired in January 2020 with Shamsud-Din when his exhibit, “Rock of Ages,” was on display at the Portland Art Museum.  

As J.P. Morgan's personal librarian, entrusted with building his collection, Belle da Costa Greene could ‘spend more money in an afternoon than any other young woman of 26', as the New York Times put it in 1912. In the latest LRB, Francesca Wade reviews a new biography of Greene and a recent exhibition dedicated to her at the Morgan Library and Museum in New York City, of which Greene was the first director. Francesca joins Tom on the podcast to talk about Greene's life and work. They discuss her long-term, long-distance relationship with the art historian Bernard Berenson and her reasons for concealing her African American heritage. Find further reading in the LRB: https://lrb.me/wadepod Sponsored links: Get tickets for Good Night, Oscar: https://goodnightoscar.com Learn more about Stories in Colour: https://www.nationalgallery.org.uk/podcast LRB Audio Discover audiobooks, Close Readings and more from the LRB: https://lrb.me/audiolrbpod

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of then & now, we are joined by Dr. Jamaal Muwwakkil, Chancellor's Postdoctoral Fellow at UCLA and incoming Assistant Professor of Anthropology at the University of Washington, to discuss the recent rollback of affirmative action and diversity, equity, and inclusion (DEI) initiatives in American universities. Jamaal examines how these changes—set in motion by the Supreme Court's 2023 decision to end race-conscious admissions, alongside a rising political backlash against DEI, particularly from the Trump administration—signal a return to exclusionary practices after decades of hard-fought progress. Bringing a sociolinguistic perspective to the jagged history of Black student experiences in the era of affirmative action, Jamaal traces the arc from the first efforts at inclusion in the 1950s to the present moment. Focusing on the implications of these shifts, particularly for Black and Latinx students navigating the current higher education environment, Jamaal provides insight into how language, policy, and power shape experiences of belonging and exclusion on campus, offering essential context for understanding this pivotal moment in higher education.Dr. Jamaal Muwwakkil is a University of California Chancellor's Postdoctoral Fellow at UCLA in the Department of Education and Information Studies and an incoming Assistant Professor of Anthropology at the University of Washington. Jamaal holds a Linguistics PhD from the University of California, Santa Barbara. He was also the 2019-20 University of California (UC) Student Regent-designate and the 2020-21 UC Student Regent. Jamaal's research specializations include African American language and culture, sociocultural linguistics, and political discourse.

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons (Duke University Press, 2025), anthropologist and dancer Maya J. Berry examines rumba as a way of knowing the embodied and spiritual dimensions of Black political imagination in post-Fidel Cuba. Historically a Black working-class popular dance, rumba, Berry contends, is a method of Black Cuban struggle that provides the community, accountability, sustenance, and dignity that neither the state nor the expanding private market can. Berry's feminist theorization builds on the notion of the undercommons to show how rumba creates a space in which its practitioners enact deeply felt and dedicatedly defended choreographies of reciprocity, refusal, sovereignty, devotion, and pleasure, both on stage and in their daily lives. Berry demonstrates that this Black corporeal undercommons emphasizes mutual aid and refuses neoliberal development logics, favoring instead a collective self-determination rooted in African diasporic spiritual practices through which material compensation and gendered power dynamics are negotiated. By centering rumba to analyze how poor Black Cubans navigate gendered and racialized life, Berry helps readers better understand the constraints and yearnings that move diasporic Black struggles to seek refuge beyond the bounds of the nation-state. Maya J. Berry is Assistant Professor of African, African American, and Diaspora Studies at the University of North Carolina at Chapel Hill. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The Black barbershop is a cultural institution. It's a place where you can get much more than a haircut. You get community. You get jokes. You might get politicized. And you will get the straight talk that we often hold back when navigating a larger public that's committed to white supremacist systems. In May 2022, Jay sat down with Quincy Mills to help us understand both the politics and economics of Black barber shops. Quincy is an associate professor of history at the University of Maine and College Park. Along with teaching courses in 20th-century African-American history, he's authored "Cutting Along the Color Line: Black Barbers and Barber Shops in America” and is working on a new book called “The Wages of Resistance: Financing the Black Freedom Movement." NOTE: Today's history story is a fictional account of what so many Black barbershops experienced historically To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

6.18.2025 #RolandMartinUnfiltered: Judge Blocks $600M EPA Cut, Hegseth Dodges, Galveston Vote Fight, NH Racist Email & FAMU/TSU News A federal judge ruled that the EPA's decision to cut $600 million in environmental justice grants was unlawful. Pete Hegseth dodges tough questions on Capitol Hill about deploying military force against Americans. In Texas, a redistricting battle in Galveston could wipe out Black voting power. Simone Leeper from the Campaign Legal Center joins us with the latest legal fight to stop it. Plus, a New Hampshire lawmaker sends an openly racist email blaming African Americans, NOT guns, for violence in America. Florida's Board of Governors confirmed controversial Marva Johnson as Florida Agricultural and Mechanical University's 13th President. And Tennessee State University secures millions in state funding after years of financial neglect. #BlackStarNetwork partner: Fanbasehttps://www.startengine.com/offering/fanbase This Reg A+ offering is made available through StartEngine Primary, LLC, member FINRA/SIPC. This investment is speculative, illiquid, and involves a high degree of risk, including the possible loss of your entire investment. You should read the Offering Circular (https://bit.ly/3VDPKjD) and Risks (https://bit.ly/3ZQzHl0) related to this offering before investing. Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, XBox and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.

Have you seen this wave of racist over the top AI generated videos featuring Black women on TikTok? Since the release of Google’s VEO3 AI video generation platform in May, which allows users to create realistic videos from text prompts, there has been a wave of viral AI generated videos on TikTok depicting Black women using racist stereotypes and tropes. Although the first videos were made with good intentions, their popularity has sparked copycat creators to recreate more and more extreme versions. Just like 19th-century minstrel shows reinforced a political and social climate hostile to Black people, today’s AI-driven content is being used by some to affirm a similarly hostile climate toward Black women, and prop up a political and economic system that benefits others at their expense. Bridget studied minstrel shows in grad school, and has a lot to say about these videos that are essentially white supremacist propaganda masquerading as entertainment. The original, not-so-bad, actually-clever video from account AI Clapback King: https://www.tiktok.com/@aiformobile/video/7512729952618286378 Conference talk about Black representation in AI, posted by AI Clapback King: https://www.tiktok.com/@aiformobile/video/7517712586712812814?_t=ZP-8xQFrwYvZqY&_r=1 EXAMPLE - Increasingly violent, decreasingly funny iteration of the original Karen video: https://www.tiktok.com/@hubbabubbablast400/video/7516178273047498015?_r=1&_t=ZP-8xQIaauZ0LX EXAMPLE - Big Foot (2 million views): https://www.tiktok.com/@femalebigfoot/video/7514190146695154987?_r=1&_t=ZP-8xQUzlvCtqQ EXAMPLE - Slave Tok: https://www.tiktok.com/@cottonvlogsss/video/7514846240031444254?_r=1&_t=ZP-8xQV5CnNAQI If you’re listening on Spotify, you can leave a comment there or email us at hello@tangoti.com! Follow Bridget and TANGOTI on social media! Many vids each week. instagram.com/bridgetmarieindc/ tiktok.com/@bridgetmarieindc youtube.com/@ThereAreNoGirlsOnTheInternet See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before. In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery's defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln's enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet's authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith's Birth of a Nation, Henry Ford's adaptation of The Protocols of the Elders of Zion, Madison Grant's embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace's race-baiting, and Roger Ailes's creation of Fox News. The Great White Hoax reveals white supremacy as today's real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The American West was the meeting ground for numerous races and cultures; Native Americans, Hispanics, Anglo Americans, African Americans, and Chinese immigrants. During Westward Expansion, each group brought their own musical tradition and expressed themselves through song. We examine their stories of oppression, resistance, and peace, told through music.Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/music-and-raceIn this episode we cover…Introduction [00:00-03:15]Native Americans [03:15-07:01]Blackface Minstrelsy [07:01-10:56]The Banjo [10:56-13:46]Chinese Immigrants & Yellowface [13:46-17:06]Cantonese Opera [17:06-19:20]Chinese Immigration [19:20-21:39]Racial Hierarchy [21:39-23:03]Pan-Indian Identity [23:03-25:02]Ghost Dance [25:02-28:29]Mexican Americans [28:29-30:31]Corridos [30:31-33:56]Cantonese Songs [33:56-36:15]Immigration & Sexuality [36:15-38:18]Natives & the Overland Trail [38:18-42:15]Indianist Movement [42:15-44:12]African American Performers [44:12-47:02]Cross-Racial Love [47:02-49:00]Diversity in the West [49:00-50:14]Conclusion [50:14-51:54]To dive deeper into these topics (affiliate links):David Dary, Seeking Pleasure in the Old Westhttps://tinyurl.com/Seeking-PleasureLaurent Dubois, The Banjo: America's African Instrumenthttps://tinyurl.com/The-BanjoMarlon K. Hom, Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatownhttps://tinyurl.com/Songs-of-GoldKrystyn R. Moon, Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s-1920shttps://tinyurl.com/Moon-YellowfaceMelissa Parkhurst, To Win the Indian Heart: Music at Chemawa Indian Schoolhttps://tinyurl.com/To-Win-the-Indian-HeartIrwin Siber and Earl Robinson, ed., Songs of the Great American Westhttps://tinyurl.com/Songs-of-the-GreatJudith Vander, Shoshone Ghost Dance Religion: Poetry Songs and Great Basin Contexthttps://tinyurl.com/Shoshone-Ghost-DanceMusic Credits:"Corrido de Joaquín Murrieta" by Luis Méndez and Guadalupe Bracamonte from the recording entitled Raíces Latinas: Smithsonian Folkways Latino Roots Collection, SFW40470, courtesy of Smithsonian Folkways Recordings. (p) 2002. Used by permission.“Ghost Dance Song” performed by Red Shadow Singers. Used with permission. Turtle Lodge (Sagkeeng First Nation, Manitoba, Canada) and Red Shadow Singers. “Spanish is the Loving Tongue” by Charles Badger Clark and Billy Simon. Arranged by Lara Randby. Performed by Matt Stutzman. Used with permission.“Oh! Susanna” By Stephen Foster. Performed by Tom Roush.“Navajo War Dance no. 2” by Arthur Farwell. Performed by Chris Brewer, 2024.  Public Domain.“Rosa Cheng Artist Video” by Rosa Cheng, Published 2021. Permission granted by Rosa Cheng, Artistic Director of the Vancouver Cantonese Opera.Support the show

Folk Music & Beyond host JoAnn Mar spoke with Dr. Angela Wellman and Hannah Mayree, two Bay Area musicians and educators who are part of the current effort to encourage more African Americans to take up the banjo and reconnect with the early American roots music of their ancestors.

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before. In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery's defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln's enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet's authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith's Birth of a Nation, Henry Ford's adaptation of The Protocols of the Elders of Zion, Madison Grant's embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace's race-baiting, and Roger Ailes's creation of Fox News. The Great White Hoax reveals white supremacy as today's real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fake news, outright political lies, a shamelessly partisan press, and the collapse of truth, civility, and shared facts, Dr. Philip Kadish argues, are nothing new. The Great White Hoax: Two Centuries of Selling Racism in America (The New Press, 2025), a masterpiece of historical and literary sleuthing, reveals that the era of Fox News and Donald Trump is simply a return to form. We have been here before. In a book that brilliantly puts our current era into historical context, The Great White Hoax uncovers a centuries-long tradition of white supremacist hoaxes, perpetrated on the American public by a succession of political hucksters and opportunists, all of them willfully using racial frauds as tools for political and social advantage. In the antebellum era, slavery's defenders used bogus science to “prove” the inferiority of African American people; during the Civil War, Abraham Lincoln's enemies circulated a sham pamphlet accusing him of promoting a dilution of the white race through “miscegenation” (a racist term invented by the pamphlet's authors). From these murky beginnings, Dr. Philip Kadish draws a direct thread to D.W. Griffith's Birth of a Nation, Henry Ford's adaptation of The Protocols of the Elders of Zion, Madison Grant's embrace of eugenics (which directly influenced Adolf Hitler), Alabama Governor George Wallace's race-baiting, and Roger Ailes's creation of Fox News. The Great White Hoax reveals white supremacy as today's real “fake news”—and exposes the cast of villains, past and present, who have kept American racism alive. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Don't believe Trump's bombing lies about the U.S.-Iran War. A discussion with an African American journalist who seems to support Trump's MAGA immigration. Poll shows Mamdani besting Cuomo in NYC.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE

What's it like when you are the only African American dancer in a world of all white dancers? Lisa continues our very special interview with Jennifer Jones, the first African American Rockette. Jennifer talks about growing up seeing Broadway shows with her parents. She told her high school guidance counselor that she wanted to go to college and major in dance. Her counselor told her that she wasn't ready for college yet, although at a very early age, she always dreamed of being on stage. She was so passionate and started at a local community college before moving to New York City, auditioning, and getting hired to be a Rockette. She talks about how spectacular Radio City Music Hall is. It literally took her breath away! She shares the excitement of the famous Christmas Spectacular show and how she poured her heart into each show. She was performing up to six shows a day. Jennifer discusses resilience, and what she had to break through to make her dreams come true. She noted that this year is the 100-year anniversary of the Rockettes and a big event will be planned to celebrate. She also talks about her challenges, and how important it is to believe in yourself. She discusses the importance of being resilient. When she turned 50, she went to her doctor to request a colonoscopy. The doctor told her she was young and had nothing to worry about as she was healthy and had no family members with colorectal cancer. Jennifer listened to her powerful intuition and got a colonoscopy anyway. The doctors determined that she had colorectal cancer, and she was told she had five years to live. She felt embarrassed by this diagnosis as she was always the “healthy one” in her family. She was physically fit and a vegetarian. She met with a specialist and had four rounds of chemotherapy. To the amazement of her doctors, the tests showed dramatic improvement. She explains how she decided to meditate more, let go of toxic relationships, drink green juices, and so much more. She knew she needed to change the way she ate and the way she thought. In 2019, she was deemed cancer-free! Jennifer talks about testing early for colorectal cancer, and especially in the African American community. If there's a history in your family, it's important to test even earlier. She shares how her symptoms started as pressure in her abdomen, so she began changing her diet and meeting with doctors. She talks about organizations who can offer early detection and additional support including Colorectal Cancer Alliance: https://colorectalcancer.org and Colon Cancer Foundation: https://coloncancerfoundation.org. Jennifer's groundbreaking memoir is titled “Becoming Spectacular: The Rhythm of Resilience from the First African American Rockette.” This is Part 2 of the interview. Info: rockettejenn.com.

In the decades after the end of slavery, African Americans were committed to southern state mental hospitals at higher rates as white psychiatrists listed “religious excitement” among the most frequent causes of insanity for Black patients. At the same time, American popular culture and political discourse framed African American modes of spiritual power as fetishism and superstition, cast embodied worship as excessive or fanatical, and labeled new religious movements “cults,” unworthy of respect. As Judith Weisenfeld argues in Black Religion in the Madhouse: Race and Psychiatry in Slavery's Wake (NYU Press, 2025), psychiatrists' notions of race and religion became inextricably intertwined in the decades after the end of slavery and into the twentieth century, and had profound impacts on the diagnosis, care, and treatment of Black patients. This book charts how racialized medical understandings of mental normalcy pathologized a range of Black religious beliefs, spiritual sensibilities, practices, and social organizations and framed them as manifestations of innate racial traits. Importantly, these characterizations were marshaled to help to limit the possibilities for Black self-determination, with white psychiatrists' theories about African American religion and mental health being used to promote claims of Black people's unfitness for freedom. Drawing on extensive archival research, Black Religion in the Madhouse is the first book to expose how racist views of Black religion in slavery's wake shaped the rise of psychiatry as an established and powerful profession. Judith Weisenfeld is the Agate Brown and George L. Collord Professor of Religion and associated faculty in the Department of African American Studies and the Program in Gender and Sexuality Studies. This episode's host, Jacob Barrett, is currently a PhD candidate in the Department of Religious Studies at the University of North Carolina at Chapel Hill in the Religion and Culture track. For more information, visit his website thereluctantamericanist.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In this Arthur Ashe special and in recognition of the 50th anniversary of Arthur Ashe winning Wimbledon, Black Spin Global pays particular attention to the South Africa trip in 1973 and 1974. Lucy and Eugene touch on the apartheid regime, the role Ashe played in getting tennis authorities to enforce sanctions on the country, visa issues he faced, his time on the ground travelling around the country, the pressure he was under from the locals and playing in the South African Open. This podcast also features interview snippets from Ilana Kloss, Richard Evans, Owen Williams, Donald Dell and Dr Robert Green, courtesy of the Arthur Ashe Legacy at UCLA. Interview credits: Ilana Kloss, former South African tennis player, interviewed by Yolanda Hester, October 23, 2023, for the Arthur Ashe Oral History Project, an initiative of Arthur Ashe Legacy at UCLA. The oral history is from the Center for Oral History Research, University of California. Richard Evans, tennis journalist and author, interviewed by Yolanda Hester, July 16, 2021, for the Arthur Ashe Oral History Project, an initiative of Arthur Ashe Legacy at UCLA. The oral history is from the Center for Oral History Research, University of California. Owen Williams, former South African tennis player, interviewed by Yolanda Hester, May 5, 2021, for the Arthur Ashe Oral History Project, an initiative of Arthur Ashe Legacy at UCLA. The oral history is from the Center for Oral History Research, University of California. Donald Dell, former tennis player and sports agent, interviewed by Yolanda Hester, February 10, 2020, for the Arthur Ashe Oral History Project, an initiative of Arthur Ashe Legacy at UCLA. The oral history is from the Center for Oral History Research, University of California. Dr Robert Green, civil rights activist and friend of Ashe, interviewed by Yolanda Hester, May 29, 2021, for the Arthur Ashe Oral History Project, an initiative of Arthur Ashe Legacy at UCLA. The oral history is from the Center for Oral History Research, University of California. For daily tennis updates:  Instagram: https://www.instagram.com/blackspinglobal Twitter: https://twitter.com/BlackSpinGlobal Bluesky: https://app.bsky.cz/profile/blackspinglobal.bsky.social GET OUR MERCH HERE: https://blackspinglobal.com/collections Disclaimer: This video is for educational and informational purposes only. The images used are included under fair use for the purpose of commentary, historical documentation and education. All rights belong to their respective owners. Intro 00:00 Explaining apartheid in South Africa 05:05 Ashe being vocal and visa denials 09:47 Ashe in South Africa in 1973 14:52 Bonnie Logan the first African American to play at the SA Open 21:25 Letter from Winnie Mandela to Arthur Ashe 23:42 Arthur Ashe in South Africa in 1974 30:21 Closing with the impact of Ashe in South Africa 35:03

Thank you Independent Voter 1, Thomas, MC, Carey, MONIQUE DANIEL, and many others for tuning into my live video! Join me for my next live video in the app.* Don't believe Trump's bombing lies about the U.S.-Iran War: Here's what you should know.: Our mainstream media has kept too many ignorant about U.S.-Iran relations and what we have done overseas for too long. Americans must begin the path to crit… To hear more, visit egberto.substack.com

Over more than fifty years and 16 books, Dr. Jessica B. Harris has uncovered the ways that West African food, and African American people, have fundamentally shaped American cuisine. Her seminal 2011 book, High on the Hog, brought the connection between African and American food into the culinary conversation, and led to the 2021 Netflix series of the same name. This week we talk with her about her own journey in making these connections, and she offers advice to the new generation of Black scholars and writers exploring these links: “Look ahead. What do you see ahead?” Her latest book is Braided Heritage: Recipes and Stories on the Origin of American Cuisine.This episode originally aired on August 2, 2021 and was produced by Dan Pashman, Emma Morgenstern, and Andres O'Hara. It was edited by Tracey Samuelson. The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Kameel Stanley, and Jared O'Connell. Publishing by Shantel Holder.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

Clay's conversation with Dr. Cassandra Newby-Alexander, professor of history at Norfolk State University in Virginia, about the status of race relations in America as we approach our 250th birthday. How should we read Thomas Jefferson's great sentence, “We hold these truths to be self-evident, that all men are created equal”? Did Jefferson mean what he wrote? How accountable should we hold the Founding Fathers for making race a fundamental issue and condition of American life? Was Jefferson right or wrong when he said he was skeptical that we could ever be a biracial republic? Finally, what does the future look like to a distinguished African American scholar from Norfolk, Virginia?

Send us a text**

The Author Events Series presents Caro De Robertis | So Many Stars REGISTER In Conversation with Dr. Michelle Taylor So Many Stars knits together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color as they share authentic, intimate accounts of how they created space for themselves and their communities in the world. This singular project collects the testimonies of twenty elders, each a glimmering thread in a luminous tapestry, preserving their words for future generations--who can more fully exist in the world today because of these very trailblazers. De Robertis creates a collective coming-of-age story based on hundreds of hours of interviews, offering rare snapshots of ordinary life: kids growing up, navigating family issues and finding community, coming out and changing how they identify over the years, building movements and weathering the AIDS crisis, and sharing wisdom for future generations. Often narrating experiences that took place before they had the array of language that exists today to self-identify beyond the gender binary, this generation lived through remarkable changes in American culture, shaped American culture, and yet rarely takes center stage in the history books. Their stories feel particularly urgent in the current political moment, but also remind readers that their experiences are not new, and that young trans and nonbinary people today belong to a long lineage. The anecdotes in these pages are riveting, joyful, heartbreaking, full of personality and wisdom, and artfully woven together into one immersive narrative. In De Robertis's words, So Many Stars shares "behind-the-scenes tales of what it meant--and still means--to create an authentic life, against the odds." A writer of Uruguayan origins, Caro De Robertis is the author of six novels, including The Palace of Eros, Cantoras, and more. Their books have been translated into seventeen languages and have received numerous honors, including two Stonewall Book Awards, a National Endowment for the Arts Fellowship, and the John Dos Passos Prize for Literature, which they were the first openly nonbinary writer to receive. De Robertis is also an award-winning literary translator and a professor at San Francisco State University. They live in Oakland, California with their two children. Dr. Michelle Taylor holds a Ph.D. in Africology & African American Studies from Temple University and is an educator, writer, and activist. She also earned an M.S.W. from CUNY-Hunter College and served her community as a social worker for eighteen years prior to entering academia. Dr. Taylor is the author of Reclaiming Our Space: How Black Feminists Are Changing the World from the Tweets to the Streets and her work focuses on African American women, mass media, and social justice. Dr. Taylor founded Sankofa Summer School, a  ritual Afrocentric academy that educates students about topics relevant to people of the African Diaspora.  The 2024/25 Author Events Series is presented by Comcast. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! All tickets are non-refundable. (recorded 6/2/2025)

After Trump bombs Iran, Sanders condemns the lies. An African American journalist using MAGA immigration talking points is concerning. Big Bad Bill runs into trouble. Here are tariff truths.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE

[STEADILY] Secure your rental property with hassle-free landlord insurance.⁠ Get started now⁠!  [LIMITED TIME PROMO] Unlock your potential and save $500 off the ⁠Pathway Program⁠ with code P2P500! Gain expert insights and actionable strategies to fast-track your growth. Don't miss this offer – accelerate your journey today!  [OILI Conference] Don't miss out on the opportunity to be part of a dynamic community of investors! ⁠Join the Waitlist now⁠ and secure your spot at this exclusive event! Have you ever gotten that look when you tell someone you homeschool your kids? That "Oh... are they gonna be okay?" face? Yeah. I get it all the time. But in this episode, I'm pulling back the curtain on what homeschooling actually looks like in our home—and trust me, it's not what you think. I didn't plan to homeschool. In fact, I was the mom who swore I never could. But when the school system failed my sons, I had to figure out a new way. We tried everything and landed in homeschool—and everything changed. Now, nearly six years later, we've found our groove—and I'm breaking it all down. I'm talking about how I homeschool three boys while running businesses, investing in real estate, and living life. I share how we unschool, how my kids learn without traditional curriculum, and how we make learning real by living it—from library trips to Costa Rica adventures. We cover co-ops, transcripts, socialization (no, my kids are not weird), and the freedom to build a life that actually works for your family. Whether you're just curious or seriously considering it, this episode will help you rethink everything you've been told about what education has to be.  KEY POINTS:  - The rapid growth of African Americans in homeschooling  - Difference between homeschooling and remote learning - Some advantages of homeschooling  - What type of curriculum do you use? - If kids are always at home, how do they get around other kids? - How do you teach them? - Find a homeschool group in your area through Facebook!  QUOTES:  “If you take out the pressure of curriculum, school, at home – Math, Science, English — and you just focus on, what do I want my kid to learn? Let's help them explore what some of their strengths are.” – Erika Brown  “My kids have been to co-ops. So co-ops are essentially like schools, but not really. It's all through homeschool, so it's a lot more relaxed environment.” – Erika Brown  “A lot of times in home school, if kids are still having behavior problems, and that means that they're not doing something that they're interested in.” – Erika Brown  [INVESTOR ROADMAP] Ready to take control of your future? Discover your personalized real estate strategy with our⁠ Investor Roadmap Quiz⁠. Start Your Quiz Now and map out your path to success! [RESOURCE] Ready to enhance your child's learning at home? Here are the ⁠homeschool activities⁠ for your kids!    [FB GROUP] Loving the podcast and want to engage more with me and our incredible guests? Join the ⁠Owning It and Living It Facebook group⁠! It's where you'll find real estate tips, expert guidance, and a community of investors to support you. Join today and let's level up your real estate journey!   RESOURCES:  ⁠Erika Brown⁠ IG: ⁠@erikabrowninvestor⁠ LinkedIn: ⁠@erika brown ⁠ Wealth Within Reach is produced by ⁠EPYC Media Network

What happens when a lifetime of political loyalty no longer feels like enough? Deborah Burgess, scholar and education leader, takes us on a deeply personal journey from dedicated Democrat to politically unaffiliated voter during one of America's most turbulent political eras.The decision didn't come easily. After returning from six years in China where she helped build educational opportunities for children with disabilities, Deborah committed herself to Democratic Party activism. She worked tirelessly as a volunteer, house district captain, and eventually secretary, believing in the power of civic engagement. But something changed after watching how Democrats responded—or failed to respond—to aggressive political tactics from the right."Democrats are too quiet," Deborah explains with characteristic frankness. "They sit back and let stuff fly." Drawing on her background as a judo champion, she compares the current political climate to a match where "Democrats are getting choked and they're not fighting." This observation comes from someone who's seen the political landscape from multiple angles and continents.Our conversation explores the realities of voter suppression targeting Black and Brown communities, the alarming parallels between America's current situation and Hungary under Viktor Orbán, and the rise of Christian nationalism. We discuss how traditional Democratic messaging fails to resonate with younger generations and the importance of staying politically engaged even when party affiliation no longer feels right.Deborah offers practical action items for concerned citizens: familiarize yourself with the Constitution, diversify your information sources, watch corporate media critically, and engage at the local level. Most importantly, she urges listeners to think independently and draw their own conclusions rather than accepting singular narratives.Ready to rethink what political engagement means in today's America? Listen now, and join us for future conversations with Debra about DEI misconceptions and why more African Americans are considering leaving the US. Subscribe, leave a review, and visit shitwedonttalkaboutpodcast.com for an accessibility transcript and more resources.About Deborah Burgess:Deborah has 21 years of university teaching experience including teaching in Beijing, China at the University of Colorado Denver's Global Campus for six years. This was a tremendous experience teaching students courses in Business and Professional Speaking, Public Speaking, and Essential Communication in a Global Society. Additionally Deborah has consulting/training experience working domestically for non-profits, federal, state and private industry in Diversity Equity and Inclusion, Gender and Communication and Appropriate Business Communication in Corporate Settings. Deborah conducted training classes at Beijing Foreign Studies University in China teaching mid-level executives of China Construction Bank and China Southern Airlines skills/tools in the American Mass Media and Communication. Her belief is: “I'm not a teacher, but an awakener.” ~ Robert FrostFind Mia On Social Media ⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠. Listen and subscribe to the podcast: ⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠

We speak with the new director of Milwaukee's Office of African American Affairs. We tell you how a middle school science project turned into a successful boat inspection program for aquatic invasive species. We tell you about Milwaukee Rec's summer programming.

Diverse Voices Book Review contributor Amanda Moore interviewed Dr. Peniel Joseph about his new book, FREEDOM SEASON: How 1963 Transformed America's Civil Rights Revolution. Through a captivating study of leading activists during the Civil Rights movement, Joseph creates an authentic narrative about individuals who endeavored to change a nation and describes the struggle for justice and equal treatment for African Americans in the United States. You can learn more about Dr. Peniel Joseph on X, Instagram and Facebook.Diverse Voices Book Review Social Media: Facebook - @diversevoicesbookreview Instagram - @diverse_voices_book_review Email: hbh@diversevoicesbookreview.com 

Thank you Independent Voter 1, Jane B In NC

Friday on the News Hour, European leaders meet with Iran's foreign minister as the war with Israel rages on and mass protests unfold in Tehran, a brutal heatwave blankets much of the U.S. with some areas seeing temperatures topping 100 degrees and we sit down with Carla Hayden, the first female and African American librarian of Congress, who was fired by President Trump. PBS News is supported by - https://www.pbs.org/newshour/about/funders