Podcasts about film schools

Writer, producer, and director Miranda Sajdak takes us inside the realities of building a filmmaking career from the ground up. After studying film at Columbia, Miranda worked on graduate student productions before landing PA opportunities on major movies including The Bourne Ultimatum and Cloverfield. She explains what film school actually gave her, why it isn't necessary for everyone, how networking opens doors in Hollywood, and what filmmakers can learn by moving between massive union productions and scrappy independent sets where everyone has to become more resourceful.Miranda also shares lessons from working as a writers' and showrunner's assistant, including why screenwriters need to lose their ego, accept notes, and understand that rewriting is part of the job. She recounts one of her wildest producing disasters—having to locate a pregnant horse about to give birth in the middle of a New York winter—and explains why independent filmmakers often need side businesses and multiple income streams while pursuing passion projects. From screenwriting and development to crowdfunding and directing, this conversation offers a practical look at what building a sustainable filmmaking career actually requires.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Point Break 1991 Review is here, and Born to Watch is heading into the surf with Johnny Utah, Bodhi and the Ex-Presidents. Whitey, Dan, Gow and Damo revisit Kathryn Bigelow's action film to find out whether its mix of bank robberies, beach culture and skydiving still delivers. This is the movie review podcast where we don't take the movies or ourselves too seriously, and a film this gloriously committed to its own intensity gives us plenty to work with.For Whitey, Point Break was a video shop favourite and an easy Sunday afternoon watch. Dan and Gow have returned to it plenty of times over the years. Damo, despite being the crew's actual surfer, has barely revisited it since seeing it at the cinema. That makes for an interesting question: does knowing your way around a wave make this film more exciting, or make its surfing scenes impossible to ignore?Keanu Reeves plays Johnny Utah, a former college quarterback turned FBI agent who goes undercover among Los Angeles surfers. Patrick Swayze is Bodhi, the magnetic thrill-seeker at the centre of a crew that seems to live for the next wave. Gary Busey joins the ride as Utah's partner, Angelo Pappas. The boys get into the cast, the chemistry and the peculiar power Bodhi has to make everyone around him listen when he starts talking about freedom.They also take a close look at Kathryn Bigelow's direction. The action has a physical energy that helped make Point Break a favourite for a generation of viewers. But how much of the film holds together once the adrenaline wears off? The crew picks through the undercover investigation, the shifting pace of the story, and an ending that gives them plenty to discuss.Then Damo and Dan bring some surfing knowledge to the table. Watch closely, and a rider can appear to change stance, while separate waves seem to become one continuous ride. The night surfing draws particular attention. Whitey remembers being swept up in the film when he was younger, but Damo sees details that took him straight out of it. It turns into a lively argument about whether a film needs to get the sport right when the rest of the experience is this entertaining.Naturally, the conversation takes a few detours. There are memories of seeing the film at the cinema, stories from Whitey's video shop days, plenty of Patrick Swayze appreciation and a debate over Keanu's performance. The boys find time for Gary Busey, Australian accents and the question of which cast member really deserves to be called the star of the show. Damo also brings a Point Break inspired credit song that takes the episode somewhere even Johnny Utah might not have expected.The crew agrees on some moments and splits sharply on others. Nostalgia plays a part, especially for those who grew up with the film close at hand, but nobody lets a favourite movie escape a proper examination. From the beach fights to the airborne thrills, they revisit what makes Point Break so memorable and where it asks the audience to go along for the ride.There's also Film School for F-Wits and, of course, the Rank Bank. The boys have plenty to say about where this one belongs, but you'll have to listen to hear how the debate plays out. Bring your best Bodhi impression, keep an eye on those waves and join Born to Watch for a return to one of the most talked-about action films of the 1990s.Listen now and tell us: does Point Break still make you want to chase the next wave, or has Damo spotted something you can never unsee?#PointBreak #PointBreak1991 #PointBreakReview #BornToWatch #MovieReviewPodcast #PatrickSwayze #KeanuReeves #KathrynBigelow #90sMovies #ActionMovies

JJ Lippman is one of the youngest guests we've ever had on the show, but she also has a new movie (MIND GAMES), and a debut novel out (MARITAL BLISS). She's a fast-thinking, fast-talking, friendly go-getter...so imagine our surprise when she knew for sure that she felt seen by Julianne Moore's Carol White, the lead role in the 1995 Todd Haynes masterpiece SAFE. She and Jordan get into the suburbia, the mental health, the environmental anxiety of it all -- and, perhaps, how to get clear once and for all.Then Jordan has one quick thing about a couple of new action films from past guest James Nunn. Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Filmmaker Jason Kartalian grew up around movie sets through his father, character actor Buck Kartalian, whose credits included Planet of the Apes, Cool Hand Luke, and The Outlaw Josey Wales. That early exposure eventually led Jason behind the camera, where he developed his own approach to writing, directing, cinematography, and independent production. In this conversation, Jason explains why the most valuable filmmaking lessons often happen outside the classroom, how directors can preserve an actor's energy by avoiding unnecessary coverage, why he likes getting an entire scene in a master before chasing additional shots, and why indie directors benefit enormously from understanding the technical jobs around them.Jason also breaks down his screenwriting process, from outlining and character development to writing a rough first draft and rewriting with fresh eyes. He explains how Seahorses evolved through collaboration with its actors, why production design and cinematography should reinforce a movie's central theme, and how he personally financed the film as a passion project before taking it through the festival circuit. Perhaps most importantly for independent filmmakers, Jason discusses why getting a movie onto digital platforms doesn't automatically create an audience. Distribution may make your film available, but getting people to actually watch it remains the filmmaker's challenge.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

This Is Spinal Tap Review takes Born to Watch somewhere few podcasts dare to go: backstage with Britain's loudest band, where amplifiers go to eleven, drummers have an alarming mortality rate, Stonehenge has serious measurement issues, and a beautiful piano composition can somehow be called “Lick My Love Pump”.Whitey, Damo and Dan are back to revisit Rob Reiner's 1984 mockumentary masterpiece, This Is Spinal Tap, a movie that barely made a ripple when it first arrived but went on to become one of the most influential comedies ever made. More than four decades later, the question is simple: is Spinal Tap still funny, or has the volume finally been turned down?For Whitey, the film has grown with every viewing. Watching it as a teenager meant missing half the jokes, but coming back to it years later reveals just how clever the movie really is. Damo is firmly aboard the Tap train, while Dan comes into this one having seen plenty of famous scenes over the years without previously sitting through the whole film from start to finish.That gives us the perfect mix for a Born to Watch review.The boys dive into what made This Is Spinal Tap so revolutionary. Rob Reiner, Christopher Guest, Michael McKean and Harry Shearer created something that looks and sounds so much like a genuine rock documentary that audiences could be forgiven for wondering whether Spinal Tap was actually real.And that is where the genius lives.There are no desperate punchlines or actors screaming at the audience to tell them where the joke is. The characters play everything completely straight. The stupidity is delivered with total sincerity, whether Nigel Tufnel is protecting a guitar that cannot even be looked at, Derek Smalls is calmly navigating another band catastrophe, or David St. Hubbins is watching his musical empire slowly fall apart.Then there are the moments that have become comedy folklore.Stonehenge.The amps that go to eleven.“Lick My Love Pump”.Smell the Glove.The constantly changing drummers.Getting hopelessly lost backstage.And some very questionable objects stuffed inside some extremely tight trousers.The boys pick apart their favourite scenes, with Dan loving the absurd brilliance of "Lick My Love Pump", Damo championing Nigel's priceless guitar collection scene, and Whitey finding himself laughing harder at the film than he ever has before.But this episode goes well beyond simply quoting the classics.The crew ask whether This Is Spinal Tap became the blueprint for the mockumentary format that followed. Would shows such as The Office and countless other mockumentary films and television series have existed in quite the same way without Reiner and the Tap boys showing everyone how it could be done?There is also plenty of love for the supporting cast and cameos. Billy Crystal, Dana Carvey, Fran Drescher, Fred Willard, Bruno Kirby, Paul Shaffer and Anjelica Huston all enter the conversation as the boys realise just how much talent is scattered throughout the film.Naturally, the episode also explores Spinal Tap's extraordinary musical history. The band's fictional back catalogue might contain some of the greatest album titles never released by a real band, from Intravenous DeMilo and Shark Sandwich to Smell the Glove, Silent but Deadly and the magnificent Bent for the Rent.Then it is time for all the regular Born to Watch madness.The Good, the Bad and the Ugly digs into what still works, what might require multiple watches to truly appreciate, and whether there is actually much "ugly" to complain about. The boys agree this movie is packed with jokes that are incredibly easy to miss the first time around, making repeat viewings almost essential.There is also Question Time, Quick Fire, Film School for F-Wits, plenty of musical detours and, naturally, another Kick Arse Credit Song from Dan.More than 40 years after its release, This Is Spinal Tap remains one of those rare comedies whose influence has become almost bigger than the movie itself. Its jokes have entered everyday language, its characters feel strangely believable, and its commitment to playing absolute stupidity completely straight remains almost impossible to replicate.So grab your guitar, prepare the miniature Stonehenge, sniff the feedbag and make sure your amplifier has that all-important extra number.Because Born to Watch is turning this episode up to eleven.Join the Born to Watch crew If you love movies but don't believe they need to be treated like sacred works of art, you've found your people. Follow the podcast, share the episode with a mate, jump onto the socials and tell us which movie deserves the Born to Watch treatment next.#ThisIsSpinalTap #ThisIsSpinalTapReview #BornToWatch #MovieReviewPodcast #SpinalTap #RobReiner #ChristopherGuest #80sMovies #ComedyMovies #Mockumentary

This week we welcome recently graduated AMDA/Hushein filmmakers Ashely Villa, Aaron Alvarado and Cydney Jenks who talk about their thesis films, how they got them made, what they think about AI and how they are attacking their careers and films after graduation. After that we play another round of the GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

There's no crying in podcasting or baseball, because we're covering A League of Their Own with guest Film School Dad for Sports Movie Month! This is Film School Dad's first time watching. How beautiful is that ending? Is this Tom Hanks right before he became America's Dad? And how hilarious is Jon Lovitz??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

This week on Born to Watch, we head into Prohibition-era Chicago for The Untouchables 1987 Review, revisiting Brian De Palma's stylish gangster classic starring Kevin Costner, Sean Connery, Robert De Niro and Andy Garcia. It's cops, Capone, Tommy guns, questionable accents, immaculate suits and enough testosterone to make this one of the great 1980s sausage fests. More importantly, this special episode is dedicated to our great mate Chupperz, who requested the film. Chupperz, this one is for you.Released in 1987, The Untouchables takes us into the battle between federal agent Eliot Ness and Chicago crime boss Al Capone. Kevin Costner plays Ness as the ultimate straight-laced good guy, determined to bring Capone down legally, at least until Chicago starts teaching him that playing by the rules might not be enough.Enter Sean Connery as Jimmy Malone.Connery won the Academy Award for Best Supporting Actor for the role, and the boys spend plenty of time discussing whether he is also the real star of the movie. Malone brings the experience, attitude, and gravitas Ness needs, along with one of the best approaches to law enforcement ever put on screen. If they pull a knife, you might want to start thinking about bringing something slightly more substantial.Then there's Andy Garcia as George Stone, young, ridiculously cool, deadly accurate and sporting enough back hair to qualify as an additional cast member. Garcia doesn't need many lines to make an impression. He simply turns up, looks cool and shoots people with an accuracy that would make most action heroes jealous.And then we get Bobby De Niro.Robert De Niro goes full method as Al Capone, putting on the weight and delivering a wonderfully smug, intimidating performance. The problem? Whitey wants more of him. A lot more. The discussion turns to whether The Untouchables missed an opportunity by keeping Capone relatively limited, instead of giving De Niro more screen time and letting the film explore both sides of the battle.There's also plenty of love for Brian De Palma's direction. This movie is packed with memorable filmmaking, from brutal moments of violence to beautifully constructed suspense. The famous Union Station sequence remains the standout, slowly tightening the tension before everything explodes. Even if the boys have a few questions about that pram, the woman carrying it, the strangely busy midnight railway station and why nobody thought to give her a hand.The episode also digs into Ennio Morricone's brilliant score, one of the elements that immediately gives The Untouchables its identity. The music is bold, instantly recognisable and a massive part of why the movie still feels so cinematic decades later.Of course, this is Born to Watch, so respectful film analysis only lasts so long.The boys question continuity problems, Sean Connery's Scottish take on an Irish accent, Frank Nitti's questionable escape plan, Capone's all-in-one grooming experience, Costner's white-knight energy, and whether a piece of paper listing bribed jurors would really be enough to send a courtroom completely sideways.There's also the usual trip through The Good, The Bad and The Ugly, Snorbs Report, Film School for F-Wits, quotables, trivia and the random tangents that somehow turn a discussion about a Brian De Palma gangster movie into conversations that have absolutely no right being there.But beneath all the piss-taking is genuine appreciation for a movie that still looks fantastic. The costumes, locations, production design and old-school filmmaking give The Untouchables a scale and atmosphere that remains impressive nearly four decades later.Is Costner charismatic enough to carry it? Is Connery actually the MVP? Should De Niro have been given far more screen time? Is the Union Station shootout still one of the great action sequences of the 1980s?And most importantly, where does The Untouchables eventually land in the sacred halls of the Born to Watch Rank Bank?You'll have to listen to find out.JOIN THE CONVERSATIONThink The Untouchables is an untouchable 1980s classic? Let us know your favourite scene, character and quote. And if you've got a movie you think deserves the full Born to Watch treatment, send it our way. Just remember, as Chupperz discovered, getting your movie selected also means giving the boys permission to absolutely tear it apart.Born to Watch, the Movie Review Podcast where we don't take the movies, or ourselves, too seriously.#TheUntouchables #TheUntouchables1987 #BornToWatch #MovieReviewPodcast #KevinCostner #SeanConnery #RobertDeNiro #AndyGarcia #BrianDePalma #80sMovies

Matt brings popsicles to the group, plungers, Connor Happer Classics, a in-depth revisiting of Kangaroo Jack, Producer Josh's Film School, the generational divide, and more.

Who finishes your film if you can't?This episode is about how to make a documentary with no film school. Andre N. Jackson had never made a film. He had twenty years in technology and security, an idea that arrived while he was sitting in a barber's chair, and no way into the industry. He finished the film anyway, and he came on the show with three lessons for other filmmakers. Two more came out while we were talking.In Episode 285, Christian sits down with first-time filmmaker Andre N. Jackson to talk about "Beyond Banners," his film about the basketball program at Gwynn Park High School in Prince George's County, Maryland. Over a twenty-year run the team reached twelve state championships and won more than any high school in the state. The film starts there and ends up somewhere else entirely.Andre puts it plainly: "I actually learned about filmmaking through making a film." The spine of the conversation is what it takes to make a documentary when nothing is set up in your favor. Andre leaned on the research and analysis skills he built as an intelligence analyst, cold-called a Hall of Fame coach, funded it through a fiscal sponsor, used AI as a second brain, and kept going through two heart attacks that put him in an emergency room twice in three days. Along the way the film became a story about stewardship, about the people who stayed, and about what the commercialization of youth sports is doing to community public schools.In this episode, you'll learn:How an idea that arrived in a barber's chair became a finished film with no film school behind itWhy twenty years as an intelligence analyst turned out to be a filmmaking advantageWhy Andre deliberately hired a crew who knew nothing about Gwynn Park, the region, or basketballThe cold call that landed Hall of Fame coach Tubby SmithWhat a fiscal sponsor is, and how the Southern Documentary Fund made donors want to giveHow a three-hour conversation in a Brooklyn coffee shop with writer-director Marquis Smalls became his production blueprintWhat two heart attacks in three days taught him about succession, and what he changed the week he got outHow AI reenacted a co-protagonist who had died and left almost no footage behindWhy announcing the film on Instagram is the thing that made him finish itWhat NIL deals, unrestricted transfers, and year-round travel ball are doing to community public schoolsTHE FIVE LESSONSLean into your superpowersGet comfortable taking calculated risksGet creative about filling gapsPlan for your absenceUse AI as a second brainCHAPTERS0:00 No Film School, No Connections3:16 How Do You Fund a First Documentary?6:09 When a Team Becomes a Town11:53 The Cost of Commercializing Youth Sports18:58 Planning for Your Own Absence24:37 AI as a Second Brain29:16 Cold Calling a Hall of Fame Coach33:45 Why the Collective Should MatterFREQUENTLY ASKED QUESTIONSHow do you make a documentary with no film school?Lean into the skills you already have and hire for the ones you do not. Andre N. Jackson spent twenty years as an intelligence analyst, so he built his film on research and relationship building, the two things he was already good at. Then he deliberately recruited crew members who covered his gaps in craft and experience. He learned filmmaking by making a film, not before making one.How do you fund a documentary with no industry money?A fiscal sponsor is the most common route. It is a 501(c)(3) that sits between your project and your donors, so contributions become tax deductible and donors have a reason to say yes. Andre used the Southern Documentary Fund. You apply, you are accepted, you onboard, and then you can offer donors a tax break for backing your film. He combined that with personal funds and direct fundraising.How do you get well-known people to be in your documentary?Cold call them, and be specific about who you both know. Andre landed Hall of Fame coach Tubby Smith by reaching out directly and naming a mutual connection to establish trust. He got Wake Forest star Randolph Childress through a warm introduction from a Gwynn Park alumnus. The pattern is the same either way: ask, and use the relationships your relationships already have.What happens to your documentary if you cannot finish it?Plan for your absence before you need to. After two heart attacks during production, Andre started documenting what had only ever lived in his head and briefed his executive producer and his producer on the next steps, so the film could be completed whether or not he was there. Contingency planning in film usually means backup drives. It should also mean succession.Can AI help you make your first documentary?Andre used it three ways: to learn the end-to-end production process he never went to film school for, to generate an animated reenactment of a co-protagonist who had died and left almost no footage behind, and as a second brain that challenged his assumptions and pressure-tested his interview questions. He was clear it supplemented human mentorship rather than replacing it, and credits Brooklyn writer-director Marquis Smalls, who drew him a blueprint over three hours. DOCUVIEW DÉJÀ VU PICKS"Undefeated" (2011), directed by Daniel Lindsay and T.J. Martin. Winner of the Academy Award for Best Documentary Feature. Andre's direct inspiration for making "Beyond Banners.""The Last Dance" (2020), ESPN and Netflix. Andre is a Michael Jordan fan and names it as the film that came before Undefeated for him.SPONSORED BYThis episode is brought to you by Virgil Films Entertainment. With over 25 years of distribution experience, Virgil has released Super Size Me, the Oscar-nominated Restrepo, Forks Over Knives, To Die For, Seven Yards, and Speed is Expensive. If you are a filmmaker having trouble with distribution, talk to Virgil. https://virgilfilms.comABOUT THE GUESTAndre N. Jackson is a first-time documentary filmmaker based in Fairfax, Virginia. He wrote and directed "Beyond Banners." He spent twenty years in the private sector in technology and security, including work at Capital One and Amazon and a brief stint at the Department of Homeland Security, and he worked as an intelligence analyst on cybersecurity and terrorism issues related to national security. He is a 1998 graduate of Gwynn Park High School, the subject of his film. He came to filmmaking with no film school and no industry connections.ABOUT THE FILM"Beyond Banners" is directed by Andre N. Jackson and follows the basketball program at Gwynn Park High School in Prince George's County, Maryland. In the words of the film's own logline: a son returns to his alma mater to carry his father's coaching legacy, only to discover that the winning tradition he grew up in was built for a world that no longer exists.The film follows an intertwined father-and-son story, Howard Matthews and Steve Matthews, and widens into a portrait of what community-based youth sports used to be and what the commercialization of high school athletics is doing to it. Produced and edited by Daniel Bowie, with animation and motion design by Henry Gretzinger. Historian Ida E. Jones of Morgan State University asks the question Andre names as his favorite line in the film: "What is it about community that makes us community?" It also features Hall of Fame coach Tubby Smith, Wake Forest star Randolph Childress, who broke ACC records, sportswriter Neil Greenberger, who spent twenty years at The Washington Post and led its local sports section, and archival footage The film is headed to the festival circuit.Website: https://beyondbannersdocumentary.comInstagram: @beyondbannersdocumentaryABOUT DOCUMENTARY FIRSTDocumentary First is a weekly podcast about the craft, the business, and the truth of filmmaking. Host Christian Taylor is an award-winning documentary filmmaker,...

The boys are heading back to the decade of slick crime flicks, sharp dialogue and Hollywood cool for our Get Shorty 1995 Movie Review. This is peak John Travolta, riding the post-Pulp Fiction wave; Gene Hackman is doing comedy without really doing comedy, and Dennis Farina has arrived to swear at practically everyone in Los Angeles.Welcome back to Born to Watch, the Movie Review Podcast where we don't take the movies or ourselves too seriously.This week Whitey and Gow are joined by a returning Dan, who has finally wandered back into the studio after his extended sabbatical. It doesn't take long before old stories, old insults and the questionable exploits of 1990s G start flying around the room.But eventually, somehow, we get to Get Shorty.Adapted from the Elmore Leonard novel and directed by Barry Sonnenfeld, Get Shorty drops loan shark Chili Palmer into Hollywood and quickly discovers that the movie business might be even more crooked than organised crime. Chili comes to Los Angeles chasing money and ends up chasing something completely different, a shot at the movies.And nobody could play Chili Palmer quite like John Travolta.The boys dig into Travolta's incredible mid-'90s resurgence and why Chili might be one of his coolest performances. This isn't the dialled-up Travolta of Face/Off or the villainous version from Broken Arrow. Chili is controlled, confident, charismatic and almost impossible to rattle. As Whitey puts it, he's basically Vincent Vega without the heroin problem.Then there's Gene Hackman as B-movie producer Harry Zimm. Hackman was apparently reluctant to play comedy, which makes his performance even better. He plays Harry almost completely straight while chaos unfolds around him, and the result is bloody funny.Rene Russo brings Karen Flores to life, Danny DeVito sends up the Hollywood superstar as Martin Weir, Delroy Lindo is outstanding as Bo Catlett, and a pre-Sopranos James Gandolfini turns up as Bear.But then there's Dennis Farina.Farina's Ray "Bones" Barboni has no interest in becoming a producer, landing a movie deal or joining Hollywood's endless bullshit machine. He wants his money. That's it. His delivery, aggression, and complete inability to understand why everyone else is suddenly obsessed with making movies produce some of the episode's biggest laughs. By the time the boys get to Star of the Show, Farina is very much in the conversation.The real star, however, might be the dialogue.The boys talk about how Get Shorty captures Elmore Leonard's distinctive rhythm, humour and effortless conversations. Whitey remembers absolutely hammering this movie after first seeing it at Hoyts with the boys, watching it repeatedly on VHS because he loved the back-and-forth between the characters.That leads perfectly into Film School for F-Wits, where Dan dives into Elmore Leonard. Get Shorty was Leonard's favourite adaptation of his work, and the boys explore the run that also gave us Jackie Brown and Out of Sight. Dan also breaks down Leonard's famous approach to writing, including natural dialogue, avoiding unnecessary exposition and one beautifully simple philosophy: if your writing sounds like writing, rewrite it.There's also plenty buried in Listen to This, including the actors considered for Chili Palmer, Danny DeVito originally being lined up for the role, James Gandolfini's performance attracting the attention of David Chase, Tarantino's connection to the project and Travolta's determination to protect Leonard's dialogue.Add The Good, The Bad and The Ugly, 1995 movie memories, Quickfire, quotables and the G-Man's wonderfully ridiculous Born to Get Shorty Kick Arse Credit Song, and we've got ourselves another proper Born to Watch outing.Is Get Shorty still one of the smartest crime comedies of the '90s? Does Travolta's Chili Palmer remain one of cinema's coolest operators? And can Dennis Farina steal an entire movie simply by being Dennis Farina?There's only one way to find out.Join Whitey, Gow and Dan as Born to Watch heads to Hollywood, where everybody wants to be in the movie business, even the gangsters.#GetShorty #GetShortyMovie #JohnTravolta #GeneHackman #DennisFarina #ElmoreLeonard #90sMovies #MovieReview #MoviePodcast #BornToWatch

August is John Carpenter Month, and we kick it off with Escape from New York with guest Film School Dad! This is Film School Dad's first time watching the movie!How legendary is Kurt Russell's performance? Why does the US President have an English accent? And how tactile does this movie feel??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

The Film School Janitors might be obsessed with OBSESSION! (Or at least Sean is!) Check out what the Film School Janitors thought about the surprise hit, and then check out what the Cinema College Custodians thought as well!

Why did an angry mob go silent the moment Paul started speaking Hebrew? In the final episode of our student interview series, film school student Hadley asks Pastor Dallas about Acts 22 — Paul's retelling of his Damascus road conversion, why his companions saw the light but never heard the voice, and why Paul argued with God about leaving Jerusalem. This episode wraps our special series where students from THP Students interviewed Pastor Dallas about the passages we studied together, recorded and edited by the students themselves as part of our church Film School program. Timestamps: 0:00 - Intro & Welcome 1:07 - Why the Crowd Went Silent When Paul Spoke Hebrew 4:11 - Paul Retells His Damascus Road Conversion 6:19 - Why Couldn't the Others Hear God's Voice? 9:23 - Paul's Trance in the Temple & God's Warning 11:53 - Why Paul Argued With God About Leaving Jerusalem 14:17 - Closing & How to Visit The Healing Place

We cover July's hottest movie The Odyssey! Joining us on this journey are guests Brian Wishart of MoviePod and Film School Dad! How does this Christopher Nolan's latest stack up? A new classic, or a disappointing dud? How does it feel seeing Tom Holland in an actual movie??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Why would the Holy Spirit warn Paul not to go somewhere if that's exactly where God was leading him? In part 3 of our student interview series, film school student Aleesia asks Pastor Dallas about Acts 21 — prophetic warnings, the Nazarite vow, and Paul's arrest and Roman citizenship reveal in Jerusalem. This episode continues our special series where students from THP Students interview Pastor Dallas about the passages we're studying together, recorded and edited by the students themselves as part of our church Film School program. Timestamps: 0:00 - Intro & Welcome 1:10 - Acts 21: Paul Warned Not to Go to Jerusalem 4:22 - Agabus Prophesies With Paul's Belt 5:19 - Meeting With James and the Jerusalem Elders 9:23 - Why Paul Took the Nazarite Vow 15:36 - Paul's Arrest and Roman Citizenship Reveal 21:57 - Closing & How to Visit The Healing Place

"Well does anyone care about me and my boy?"The Horror Bulls fire up the chainsaw for The Texas Chainsaw Massacre (2003), Marcus Nispel's grimy remake that transformed Leatherface into an unstoppable force of terror. We break down the suffocating atmosphere, R. Lee Ermey's unforgettable performance, and why this remake still stands among the strongest horror reboots of the 2000s.

We head forward and backwards in time as we cover Tenet with guest Film School Dad to continue Christopher Nolan month! This is Tim's first time watching the movie.Is this a Nolan masterpiece, or does this expose his flaws? Why is this in Film School Dad's Top Four movies all time? And where has John David Washington gone??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Why did Paul travel by land instead of sailing straight to Jerusalem? In part 2 of our student interview series, film school student Farren asks Pastor Dallas about Acts 20, covering ministry stewardship, safety in numbers, and Paul's tearful farewell to the Ephesian elders. This episode continues our special series where students from THP Students interview Pastor Dallas about the passages we're studying together, recorded and edited by the students themselves as part of our church Film School program. Timestamps: 0:00 - Intro & Welcome 1:12 - Acts 20:1-3: Paul Leaves Ephesus for Macedonia 1:50 - Why Paul Avoided Sailing Straight to Jerusalem 4:43 - Acts 20:13-15: The Voyage to Assos and Mitylene 5:28 - Why Paul Walked Instead of Sailing With the Group 6:22 - Acts 20:34-38: Paul's Farewell to the Elders 8:12 - Closing & How to Visit The Healing Place

Revisiting one of our most-downloaded episodes, Tom Bilyeu shares his powerful journey from self-doubt to self-mastery. His early years were shaped by fear of failure, a lack of direction, and doubts from those around him. After struggling to break into the film industry, he joined a startup with the goal of getting rich, but found himself unhappy and in a strained marriage. Taking a leap of faith, Tom walked away from millions to pursue something more meaningful. This gave rise to Quest Nutrition, a billion-dollar company creating nutritious, great-tasting products. Yet, for Tom, wealth was never the endgame. He launched Impact Theory, a media company designed to impact lives positively. In this episode, Tom shares with Ilana the key moments that shaped his career, the philosophies that drive him, and how he defines true success. Tom Bilyeu is a billion-dollar entrepreneur, motivational speaker, co-founder of Quest Nutrition, and founder of Impact Theory. Through his content, he inspires millions by sharing tips on overcoming self-doubt, developing the right mindset, and building resilience for success. In this episode, Ilana and Tom discuss: (01:15) Introduction(01:43) Facing Doubts and Rejection(04:21) How Neuroscience Changed His Mindset(06:28) Why People Struggle to Make Progress(07:59) Learning the Power of Discipline in Film School(12:46) Tom's Guide to Finding Your Next Step(15:25) Walking Away from $2 Million to Save His Marriage(17:14) Building Quest Nutrition with the Right Team(22:00) Why Tom Launched Quest Nutrition(24:37) The Key to Surviving Entrepreneurship(26:19) Strategies for Thriving in Competitive Markets(30:20) Solving What Others Say Can't Be Done(31:16) Conquering Fear Through Hard Work(36:20) The Journey from Quest to Impact Theory(40:15) Using Entertainment to Inspire Young Minds(45:24) Lessons from Childhood that Built Tom's Resilience(48:06) Two Beliefs to Unlock Your Potential(49:44) Letting Go of Ego to Grow Connect with Tom: Tom's Website: https://tombilyeu.comTom's YouTube: youtube.com/c/TomBilyeuTom's Twitch: www.twitch.tv/tombilyeu Leap Academy: Ready to make the LEAP in your career? There is a NEW way for professionals to advance their careers and make 5–6 figures of extra income in record time. Check out our free training today at leapacademy.com/training

Lethal Weapon 2 Movie Review is here, and this week we're diving back into one of the greatest action sequels of all time on The Movie Review Podcast, where we don't take the movies or ourselves too seriously. Join Whitey and Damo as they revisit the explosive 1989 classic that proved lightning really can strike twice. With bigger action, bigger laughs, and one unforgettable diplomatic immunity speech, Lethal Weapon 2 remains a benchmark for the buddy cop genre.After the gritty success of the original film, director Richard Donner returned with Mel Gibson and Danny Glover to deliver a sequel that shifted gears without losing what made the franchise special. Instead of doubling down on the darkness, Lethal Weapon 2 leans heavily into comedy while still delivering spectacular action set pieces, memorable villains and the chemistry that made Martin Riggs and Roger Murtaugh one of cinema's greatest partnerships.Whitey and Damo discuss whether Lethal Weapon 2 is actually better than the original, and why so many fans continue to rank it among the greatest sequels ever made. Is it worthy of being mentioned alongside Aliens, Terminator 2, and The Empire Strikes Back? Or has nostalgia been doing some heavy lifting?As always, the boys break down everything that makes the film unforgettable. From the outrageous opening car chase and the destruction of Murtaugh's family station wagon, through to the South African villains hiding behind diplomatic immunity, every iconic scene gets the Born to Watch treatment.Of course, no discussion of Lethal Weapon 2 would be complete without Leo Getz. Joe Pesci steals almost every scene he's in, introducing one of the franchise's funniest and most quotable characters. Whitey and Damo chat about how Leo changed the series' tone forever, while debating whether the increased focus on comedy was ultimately a strength or a weakness.There is also plenty of appreciation for Mel Gibson at the absolute peak of his powers. Charismatic, reckless and endlessly entertaining, Riggs remains one of the defining action heroes of the 1980s. Danny Glover's dry reactions provide the perfect balance, proving once again why this pairing remains one of Hollywood's greatest double acts.Naturally, the boys can't help themselves when it comes to picking apart the film's logic. Why are the LAPD driving family station wagons during high-speed pursuits? Where did that helicopter suddenly appear from? Why does a caravan explode like it's filled with rocket fuel? And how does every South African henchman seem to carry an entire arsenal beneath a sports coat?The laughs continue with another legendary Snobs Report, a look back at some forgotten gems from 1989, discussion around Richard Donner's incredible directing career, and a celebration of just how good cinema was during the final years of the 1980s. There are plenty of side trips into other classics, including The Omen, Uncle Buck, The Dream Team and more, because one movie conversation is never enough on Born to Watch.As always, you'll get the Good, the Bad and the Ugly, Film School for F-Wits, trivia, behind-the-scenes stories, box office numbers, memorable performances and plenty of arguments over whether the sequel really surpasses the original.Whether you grew up watching Lethal Weapon 2 on VHS, caught it at the cinema back in 1989, or you're discovering it for the very first time, this episode is packed with nostalgia, laughs and classic Born to Watch banter.Join the conversation!Do you think Lethal Weapon 2 is the best film in the franchise? Is it one of the greatest action sequels ever made? Let us know your favourite scenes, quotes and moments by leaving a review, commenting on our socials or joining the Born to Watch community. Don't forget to subscribe so you never miss another episode.#LethalWeapon2 #MovieReview #BornToWatch #MelGibson #DannyGlover #ActionMovies #BuddyCop #MoviePodcast #EightiesMovies #FilmReview

"Is man, indeed, a walrus at heart?"The Horror Bulls dive into Tusk (2014), Kevin Smith's delightfully deranged body horror about an arrogant podcaster who stumbles into the interview from hell. We unpack Michael Parks' unforgettable performance, Justin Long's horrifying transformation, and whether this bizarre premise becomes genuine nightmare fuel or stays gloriously absurd.

We end our LA month by heading back to the 1950's to cover L.A. Confidential with guest Film School Dad! This is Tommy's first watch.How was this Russell Crowe & Guy Pearce's breakout?? Was Kim Basinger worthy of her Oscar? And how hilarious is it seeing Danny Devito in this?All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

"If I had a dick, this is where I'd tell you to suck it."The Horror Bulls head to Maine for Lake Placid (1999), the creature feature that mixes giant crocodile attacks with surprisingly sharp comedy. We break down the practical effects, monster movie thrills, and why Betty White somehow becomes the film's secret weapon.

Check out BeerBiceps SkillHouse Courses Here - https://linktr.ee/bbskillhouseFor all BeerBiceps vlog content Watch Life Of BeerBiceps - https://www.youtube.com/@LifeOfBeerBicepsCheck out my Mind Performance app: Level SuperMindLink:- https://app.level.game/?c=zSbmYnShare your guest suggestions hereMail - connect@beerbiceps.comLink - https://forms.gle/aoMHY9EE3Cg3Tqdx9Join the Level Community Here:https://linktr.ee/levelsupermindcommunityFollow BeerBiceps SkillHouse's Social Media Handles:YouTube: https://www.youtube.com/@BeerBicepsSkillHouseInstagram: https://www.instagram.com/beerbiceps_skillhouseWebsite : https://beerbicepsskillhouse.inFor any other queries EMAIL: support@beerbicepsskillhouse.comIn case of any payment-related issues, kindly write to support@tagmango.comFollow Nikhil Dwivedi's Social Media Handles:-Instagram: https://www.instagram.com/nikhildwivedi25/?hl=enLinkedIn: https://www.linkedin.com/in/nikhil-dwivedi-7116b520/In this 513th episode of The Ranveer Show, we are joined by Nikhil Dwivedi, a prominent film producer and actor, who shares deep insights into the evolving landscape of Bollywood in 2026. This episode serves as a comprehensive "Film School 101," exploring his journey from the corporate world to acting, and finally becoming a successful producer. We dive into the changing role of a producer, the economics of filmmaking, and what it truly takes to survive in the Indian film industry.In this conversation with Nikhil Dwivedi, we talk about the Role of a Modern-Day Film Producer, the difference between traditional and contemporary production models, and how revenue streams like Digital, Satellite, and Music rights function today. We also understand the financial risks involved in big-budget projects and the mental toughness required to handle public failures.This episode also covers the Budget Breakdown of a Film, the business of Superstars like Shah Rukh Khan, the working cultures of YRF and Dharma Productions, and the impact of AI on the future of cinema. We discuss the essential skills for directors - Storytelling, Aesthetics, and Budget Management - and the reality of casting in the age of social media.This podcast is a valuable resource for anyone interested in Film Production, Direction, Acting, the Business of Cinema, Bollywood Career Advice, and the Future of Storytelling.(00:00) – Start of the episode(00:44) – Role of a Film Producer in 2026(03:22) – Making a Hit on a Low Budget(08:07) – How Shah Rukh Khan Earns Crores(11:38) – Bankruptcy & Failure in Bollywood(14:15) – Advice for Aspiring Filmmakers(17:54) – 16 Must-Watch Bollywood Classics(21:32) – The Future of Ramayan & Animal Park(24:04) – Inside YRF & Dharma Productions(28:40) – Secret Skills of Great Directors(40:19) – Will AI Replace Bollywood Stars?(46:42) – Social Media vs. Real Talent(52:24) – End of the episode#film #movie

Host of the Knicks Film School podcast, Andrew Claudio returns to the show to digest the Knicks Game 3 loss, and what they need to fix to win Game 4.

"So sweet of you to come back."The Horror Bulls open the puzzle box once again for Hellbound: Hellraiser II (1988), the sequel that expands Clive Barker's nightmare mythology into a sprawling labyrinth of pain, obsession, and flesh. We dive into Leviathan, the return of Julia and Frank, and why this may be the franchise's most ambitious entry.

"I hope I give you the shits, you fucking wimp."The Horror Bulls head into the Scottish Highlands for Dog Soldiers (2002), Neil Marshall's savage blend of military action, siege horror, and practical-effects werewolf carnage. We break down the creature design, the squad chemistry, and why this movie absolutely refuses to slow down once the howling starts.

“Filipiñana” is a film that explores Filipino identity through themes of history, culture, and lived experiences in the modern world. It began as a film school project before gaining recognition on the international stage, and is now part of the Sydney Film Festival 2026. - Ang “Filipiñana” ay isang pelikulang tumatalakay sa pagkakakilanlan ng Pilipino sa pamamagitan ng mga temang kasaysayan, kultura, at karanasan sa makabagong panahon. Nagsimula ito bilang proyekto sa film school bago kinilala sa international stage, at ngayon ay tampok sa Sydney Film Festival 2026.

We take a road trip down to Mexico to discuss Ridley Scott's Thelma & Louise with guest Film School Dad for its 35th Anniversary! This is everyone's first time watching the movie.Does this movie handle its changing tones well? What was the reaction like to it at the time? And who almost were cast as Thelma & Louise??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Welcome to pcmc! Your one-stop shop for non-toxic fandom! On today's all-new episode, host Mike Bongiorno is joined by long-time friend, but first-time guest Stephanie Ward. Mike and Steph met in college where they were both majoring in Film Studies. They got together today to discuss their film school memories; the movies, the lectures, the professors, the classmates, the projects, and a heaping helping of early 20s existential dread! If you're a fan of the podcast, this episode gives you a good look into the making of a pop-culture woman/man baby. If you like what you hear, please subscribe to Pop Culture Man Children anywhere you get your pods.    find us everywhere @PCMCpod

"We're gonna be a staaaaaaar!"The Horror Bulls pull back the curtain on Magic (1978), the eerie psychological horror where Anthony Hopkins battles stage fright, fractured identity, and one deeply unsettling ventriloquist dummy. We dig into the slow-burn paranoia, Burgess Meredith's sleaze, and why this film still crawls under your skin decades later.

We head to space to cover 2001: A Space Odyssey with guest Film School Dad! This is Tommy's first time watching the movie. Is HAL 9000 the best movie AI ever? How does Stanley Kubrick's sci-fi movie play in theaters vs home? Is this the Norm Macdonald of movies?All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Canadian award-winning songwriter and musician, Eddie Schwartz, joins us on this episode of The Adamantium Podcast. We discuss his recent EP, Film School, and his return to being a recording artist after 30 years. We also talk about the songwriting career he's built in Nashville, the amazing story of his hit song, “Hit Me With Your Best Shot,” that was made famous by Pat Benatar, his role as president of the International Council of Music Creators, and being appointed a member of the Order of Canada, one of the highest honours in the country.

"Kill her if you can, loverboy!"The Horror Bulls crack open the Necronomicon with The Evil Dead (1981), Sam Raimi's feral, low-budget nightmare that turned a cabin in the woods into ground zero for demonic possession. We break down the DIY camera tricks, relentless pacing, and why this scrappy horror film still feels dangerous decades later.

London-based cinematographer Elliot Holbrow joins Tom and Greg to talk about building a career through curiosity rather than formal training, the craft of collaborating with directors, and why shooting on film, whether a Canon Scoopic or 35mm Vision 3, continues to shape how he thinks about images. From decoding the DP's role on a commercial set to the politics of the colour grade, this is a rich conversation about what it actually takes to develop a visual sensibility in the moving image world.Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative).Thank you for your support!Here are the shownotes, full disclosure, some of which are affiliate links which we use to try and raise money to support the show. - Elliot Holbrow, cinematographer — guest, London-based DP; website: www.elliot.onl- Sony VX2000 — handheld DV camera Elliot grew up using at home- Canon 550D / Rebel T2i — first DSLR Elliot bought; early video work- Blue Velvet (1986, dir. David Lynch) — formative film Elliot watched as a teenager: https://youtu.be/rAA6imfqMYQ?si=WtiQLgOCsoC6ODq7- Will Derbyshire — early YouTube editing collaborator; currently writing his first feature- Sean Bloodworth — Sheffield-based filmmaker and early mentor to Elliot; documented the early dubstep scene- Shaff Film Festival — Sheffield short film festival where Elliot won a young filmmaker prize: https://shaff.co.uk/- MCX — rental house; Jack Exton cited as supporter of emerging cinematographers: https://www.mcxfilms.com/- Canon Scoopic — Elliot's 16mm camera of choice: https://global.canon/en/c-museum/product/cine294.html- Kodak / CineLab — film processing and technical support- Cooke S4 lenses — Elliot's preferred cinema prime lenses- Cooke SP3 lenses — more affordable, compact alternative to S4s discussed with Tom- Cooke XTAL Express Anamorphics — lenses used on Layer Cake, cited as an early colour inspiration for Elliot- Layer Cake (2004, dir. Matthew Vaughn) — film Elliot credits as a formative colour reference; shot on Cooke anamorphics: https://youtu.be/EoOHm5otVU8?si=v14CK4vAT-aBlbsG- Darius Khondji — acclaimed cinematographer; Elliot references his book on working with directors: https://www.imdb.com/name/nm0451787/- Richard Mosse — photographer whose work Elliot admires; https://en.wikipedia.org/wiki/Richard_Mosse- Hiromix — Japanese photographer admired by Elliot: https://global.canon/en/newcosmos/gallery/grandprix/1995-hiromix/index.html- Lumix S1H — camera Elliot uses on set as a director's viewfinder and lightweight B-camera- Austin Phillips — steadicam operator Elliot works with regularly: https://www.austinsteadi.com/about- Chris Mears — first AD Elliot worked with on a recent project; praised for his approach to giving time per scene: https://www.imdb.com/name/nm3878514/- Luis Cross — director Elliot worked with on a project involving a single extended shot: https://luiscross.com/- Accidental Renaissance Reddit: https://www.reddit.com/r/AccidentalRenaissance/- Tom Barnes predator video — Bring Me the Horizon - Music Video: https://www.youtube.com/watch?v=3Og4fCRNuaADesert Island Camera: Bolex 16mm Desert Island Book: Alex Webb, "Suffering of Light": https://amzn.to/4mENdlxGuest Contact Details:Instagram: https://www.instagram.com/elliotholbrow/website: https://elliot.onl/

So you've been rejected from USC SCA (or USC altogether) - what have people done in the past to overcome this and either eventually land a spot as a Trojan, or carve a path toward a film career without it? BREAKDOWN: 0:00 - Intro/Context3:00 - Episode Outline3:56 - A note about the appeal process!! (FAQ)6:24 - For parents!!!8:13 - My journey getting rejected from USC SCA: admission to USC but denied from SCA, adding a major in Annenberg, transferring into Cinema-Media Studies and eventually transferring into Film & Television Production44:52 - Stories of successful people who were initially rejected from USC

"You're all going to die down here."The Horror Bulls descend into the Hive with Resident Evil (2002), Paul W.S. Anderson's action-horror spin on the legendary video game franchise. From amnesia plots to zombie outbreaks and that brutal laser hallway, we break down the style, the departures from the source material, and why this one still hits as chaotic fun.

If you're like Jenn and Jesse, then you mostly try to avoid the news. But, if you want to dip a toe, then doom holes might be the way. We skim over the daily AI headlines with humor and love and sometimes a bit of anxiety, but always end with ways to feel better about the state of the world. This week's segment is no different. We begin with some Bernie love, a few Napoleon Dynamite quotes and then Jesse reveals his seedy past as it relates to Playboy. Did he really serve (just) risotto to the cast members? How any of this gets us closer to finding his old film professor, Biscuits? Well, we have no idea.Send us Fan MailSupport the showSupport Curious Cat, an independent, human-made podcast!Anxious about AI? Take two minutes to contact your local politician and ask them to tap the brakes on this technology. Still worried? Contact one of the orgs below and get involved. But for today, hug your kid, cook food and really breathe in deep as it simmers, walk in nature, brush a cat, donate to the food bank, brew a cup of tea, or draw a five-minute portrait of your dog. ***Is AI the Devil? on Substack!***Hero Organizations:80,000 HoursCenter for Humane TechnologiesState of Surveillance, an organization that helps foster online privacyBuy Curious Cat Podcast a Coffee!

"I'll take it from you, homie, you'll see, cause you know the Leprechaun is the real O.G."The Horror Bulls roll up with Leprechaun in the Hood (2000), the sequel where the franchise fully abandons logic and leans into pure chaotic energy. Rap battles, magic weed, Ice-T, and Warwick Davis absolutely going for it — we break down whether this is dumb fun or completely unhinged nonsense.

In an extension of our Chamber Piece Festival we dive into William Friedkin's underrated and frenetic 2006 film, Bug, starring Ashley Judd and Michael Shannon. Taking a guy home from the bar turns into a wild and intense relationship, where obsession becomes normal. Grwta movie and conversation. Enjoy!

this week at ease nailea and justus sit down with film scholar and UCLA's dean of theater, film and television, celine parreñas shimizu. from what shapes cinema and colonial gazes to the role of education, creative responsibility, and the ethical tensions of AI in film, this episode asks what it means to create cinema with authenticity. no matter where you are in your relationship to film or creative expression, this conversation invites you to approach it all with a little more curiosity and ease. let's get into it!EASE: Instagram: ⁠https://www.instagram.com/ease⁠ TikTok: ⁠https://www.tiktok.com/@easethepodcast⁠ Spotify: ⁠https://open.spotify.com/show/51x8OhqmT9r3HLyenR52ER?si=40cfd03133084508⁠ Website: https://www.easethepodcast.com/NAILEA DEVORA: Instagram: ⁠https://www.instagram.com/naileadevora/⁠ TikTok: ⁠https://www.tiktok.com/@billlnai⁠ YouTube: ⁠https://www.youtube.com/naileadevora⁠ JUSTUS BRYCE: Instagram: ⁠https://www.instagram.com/justusbrycee/⁠ TikTok: ⁠https://www.tiktok.com/@justilocks⁠

Writer-director Amy Wang joins the No Film School podcast to discuss her debut feature, Slanted, and the long road from film school to theatrical release. In conversation with GG Hawkins, Wang reflects on leaving Australia for AFI, building a creative community in Los Angeles, learning to write as a practical path to survival in the industry, and what happened after Slanted premiered at SXSW 2025, won the Grand Jury Prize, and eventually landed distribution ahead of its 2026 theatrical release. In this episode, No Film School's GG Hawkins and guest Amy Wang discuss... How Fight Club inspired Wang to pursue filmmaking as a teenager in Sydney Why she left Australia for AFI and what it was like arriving in Los Angeles as an international student The real value of film school, especially for community-building and dedicated creative time Why learning to write became the key to sustaining a filmmaking career after graduation How a Black List script helped open doors in Hollywood The emotional and personal origins of Slanted Why body horror and comedy became the right form for exploring race, identity, and belonging How Slanted went from a logline to a financed feature What production and post looked like on a tight timeline before SXSW What it felt like to premiere at SXSW, hear audience reactions, and unexpectedly win the Grand Jury Prize The reality of selling an indie film in today's market, even after major festival recognition What Wang learned from working with Bleecker Street on the theatrical release Details about her next feature, Crescendo, set in the world of competitive piano Memorable Quotes: “If you don't come from money, if you don't have a famous uncle and you don't want to work at Starbucks for the next three to four years after you graduate, you need to learn how to write.” (12:48) “You can't let the highs be too high and you can't let the lows be too low.” (16:31) “It doesn't matter what I do, it doesn't matter who I am, how I speak, my personality is like, what my thoughts or how intelligent I am, people will always see my face first.” (19:08) “As long as you keep going, as long as you keep learning and changing and growing, I think you don't need to be the best throughout your life to be able to have a career in this industry.” (40:56) Guests: Amy Wang Resources: Slanted official film page Applying for Your O-1 Visa to Work in Film and TV Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

David Powers shares his unconventional path into filmmaking, one driven by curiosity rather than credentials. From discovering cinema through genre films and festivals to learning production hands-on through wrestling shoots and indie sets, David explains how real-world experience shaped his understanding of storytelling, collaboration, and problem-solving. His journey highlights how festivals like the New York Asian Film Festival can serve as both inspiration and long-term creative homes.The conversation also explores burnout, boundaries, and the importance of choosing sustainable paths in film. David discusses learning when to say no, recognizing red flags on set, and finding fulfillment outside nonstop production work. By returning to directing through festival programming and digital content, he demonstrates how filmmakers can step back without giving up—and rediscover why they fell in love with movies in the first place.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

We made it to Episode 500!

Send a textCohosted by Jesse and Curious Cat's, Jennifer. The name started out as a joke, but then we found out some folks out there are calling AI the antichrist. We just wanted to talk about it, since everyone else is, but come from it as the creatives we are.In this episode we will cover:The Birth and (maybe) Death of the InternetSocial Media Golden Days and NowArtificial Intelligence - Why can't anyone explain how it works?Let's Do Something to Feel Better, Like RIGHT NOWForever links to organizations that are human-first in regards to tech:80,000 HoursCenter for Humane TechnologiesThe producer behind the intro music FerdinichtfernandoSources Specific to this Episode: History of Artificial Intelligence, Britannica.comUnconfuse Me, Bill Gates Interviews Yejin Choi about Artificial Intelligence, YouTubeIf you remember one AI disaster, make it this one, AI in Context, YouTubeSilicon Valley Insider EXPOSES Cult-Like AI Companies, Aaron Bastani Meets Karen Hao, YouTubeAI Psychosis - with reporter, Karen Hao, YouTubeWhy Everyone Is So Wrong about AI Water Usage, Hank Green, YouTube"Generative AI" is not what you think it is, Acerola, YouTubeHow Afraid of the AI Apocalypse Should We Be? The Ezra Klein Show, YouTube (interview with Eliezer Yudkowsky)AI - Silver Crest Group answers a few key questionsIf it's useful...Statement signed in the early daysIn the early days giants in the tech sphere like Sam Altman and Bill Gates signed a statement which read: "Mitigating the risk of extinction from AI should be a global priority alongside other societal-scale risks such as pandemics and nuclear war." And then...nothing happened.Anxious about AI? Take two minutes to contact your local politician and ask them to tap the brakes on this technology. Still worried? Contact one of the orgs below and get involved. But for today, hug your kid, cook food and really breathe in deep as it simmers, walk in nature, brush a cat, donate to the food bank, brew a cup of tea, or draw a five-minute portrait of your dog. Hero Organizations: 80,000 Hours Center for Humane Technologies Curious Cat Crew on Socials:Curious Cat on Twitter (X)Curious Cat on InstagramCurious Cat on TikTok

David Powers shares his unconventional path into filmmaking, one driven by curiosity rather than credentials. From discovering cinema through genre films and festivals to learning production hands-on through wrestling shoots and indie sets, David explains how real-world experience shaped his understanding of storytelling, collaboration, and problem-solving. His journey highlights how festivals like the New York Asian Film Festival can serve as both inspiration and long-term creative homes.The conversation also explores burnout, boundaries, and the importance of choosing sustainable paths in film. David discusses learning when to say no, recognizing red flags on set, and finding fulfillment outside nonstop production work. By returning to directing through festival programming and digital content, he demonstrates how filmmakers can step back without giving up—and rediscover why they fell in love with movies in the first place.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Today's show is an in person podcast with Peter Claffey.    Peter is a former professional rugby player turned actor.    He is the co-lead in the new HBO show, The Knight of The Seven Kingdoms (available on HBO and Sky Atlantic now)    On top of being a long term friend of mine and an incredible human being, Peter has such an inspirational story about following a passion and your path of curiosity, even if it looks crazy from the outside.    We go longer than normal in this episode as we cover everything from Peter's upbringings, the ups and downs of professional sport and getting cast as the lead in Knight of the Seven Kingdoms to identity, psychedelics and mental health.    A great conversation that you can also watch on YouTube.     Watch the full video on YouTube:    https://www.youtube.com/c/briankeanefitness     Sponsored by the Circle https://briankeanefitness.com/online-mastermind   Time stamps from today's show 00:00 Introduction & Recording the Episode In-Person 01:05 Who Peter Claffey Is & HBO's A Knight of the Seven Kingdoms 02:30 Brian & Peter's Personal Relationship and Family Dynamic 05:10 From Connacht Rugby to Questioning Identity 08:00 Growing Up in Ireland & Status Through Sport 11:00 Trying to Impress Dad and Finding Belonging 14:00 Discovering Rugby and Making It an Identity 18:00 The Academy System & When Things Stop Clicking 22:30 Loneliness Inside a Team Environment 27:30 Early Creative Urges: Film, Music, and Performance 31:00 Social Media as a Creative Outlet 35:00 When Rugby Stops Feeling Aligned 39:30 Leaving the Academy & Identity Collapse 44:00 Making Decisions for Parental Approval 48:30 Breaking Old Identities to Build New Ones 52:00 The Initial Leap from Rugby to Acting 57:00 Fear, Confidence, and Zero-to-One Transitions 1:02:00 Film School, Auditions, and Early Risk-Taking 1:07:30 COVID Disrupting the Acting Industry 1:12:30 Showcases, Agents, and Missed Opportunities 1:18:00 Self-Doubt, Patience, and Long-Term Vision 1:22:30 Psychedelics, Ego Death, and Identity Reset 1:29:00 Anxiety, the Nervous System, and Human Wiring 1:33:00 Mimetic Desire, Comparison, and Living on Your Terms 1:37:00 Advice for Anyone Stuck Between Identities 1:39:00 Final Reflections & Episode Wrap-Up

Josh O'Connor stars in a heist movie to end all heist movies – or at least end our illusions that the person pulling the heist is pretty cool and awesome. Comedian and friend Myq Kaplan is along to watch things unfold, and unravel, in THE MASTERMIND. Then we take a Hotline question about what film school courses we'd like to teach.What's GoodAlonso - Programme 4   Drea - First women to cross the Atlantic unsupported (in their girthy canoe)Myq - Communing with friends [Rini (and Rini), John Fugelsang appearance, Separation of Church and Hate, tea with Abby Wambaugh] Kevin - new mic cable and arm; guesting on How to SurviveBernie & Phyl's ad ITIDICPenske Reportedly Offers Golden Globe Bribe Opportunity to Right-Wing PodcastersBUGONIA Offering Free Screening for Bald AudienceStaff PicksDrea - La ChimeraAlonso - A House of DynamiteMyq - The Life of ChuckKevin - Roofman10/25: American Cinema Editors Short Film Showcase – The First Day of Your Last Period11/2: Myq at Dynasty TypewriterAlonso's book: Have Yourself a Movie Little Christmas Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

On this episode of the Off the Edge with Cam Jordan podcast, Cam is joined by Steelers great and Super Bowl champion Lamarr Woodley for a wide-ranging conversation. LaMarr shares why he was a Steelers fan before he even put on the black and yellow, the rivalries that fueled Pittsburgh during his career. He also gives us the inside story of the two game-changing plays he was part of in Super Bowl XLIII. LaMarr and Cam break down everything from turf vs. grass debates to the rise of mobile QBs to the leadership of Mike Tomlin. Woodley also opens up about his transition into media, the creation of his Area 56 Entertainment, and his recent journey through film school as he builds his post-football career. The Off the Edge with Cam Jordan podcast is a production of the NFL in partnership with iHeart Media. See omnystudio.com/listener for privacy information.