Podcast appearances and mentions of Paul Cauthen

Paul Cauthen is a singer-songwriter from East Texas, known for blending country, rock, gospel, and soul. He began his career as one half of the Americana duo Sons of Fathers before launching his solo career in 2016 with the album My Gospel. His 2019 release Room 41 marked a breakthrough, featuring songs like “Cocaine Country Dancing” and earning critical acclaim for its bold sound and storytelling.In this episode, we talk about Paul's start in the music business, the making of his breakout record Room 41, living on your own terms, and many other stops along the way.This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

The latest episode of the Cloud watcher Uno podcast is with Sunny Sweeney. Recorded while Sunny was on her UK tour with Harley Husbands we talk about her songwriting friendships with Brennen Leigh and Erin Enderlin. Her 10 year anniversary release of 'Still Provoked' and collaborations with her musical peers such as Paul Cauthen. In this episode you'll get to listen to live acoustic versions of Sunny's modem day classics 'Grow Old With Me' and 'From A Table Away'. Play. Listen. Enjoy.

Conducido por Pablo Wasserman y Juan Ruocco.  Círculo Vicioso https://twitter.com/circulovicioso8 Sitio oficial: https://www.circulovicioso.club/ (0:00) INTRO (10:00) Comienza (10:41) Financers (15:14) Moneditas en logarítmico (18:30) 1 BTC = 1 BTC (19:35) Bitcoin rainbow chart (23:40) Laburo, riesgo asimétrico y las memecoins (28:30) Los fundamentals de Bitcoin (34:40) Ethereum es un banco (37:01) Tether y memecoins (40:35) Lecciones y fracaso (42:28) Admin key y la wallet de Satoshi (45:51) Baldwin IV y Kingdom of Heaven (49:50) Las cruzadas y templarios (53:19) Blood incantation (53:50) Pink floyd, The Mars Volta y rock progresivo (58:10) Baby metal y bandas finlandesas (1:01:38) Leek spin BORGE BRENDE (1:04:00) Cocaine Country (1:05:10) Lana del Rey y Paul Cauthen (1:07:50) Chumlee y Rick del Precio de la Historia (1:13:30) Indumentaria de chanta (1:16:40) The Sopranos y Breaking Bad (2:24:50) Adorable criaturra (1:30:05) Baron Trump (1:34:10) El pibe Kiss (1:37:25) Pesas chinas y gym (1:43:50) Bolt-M el dron y Plamer Luckey (1:47:40) Corea del Norte y densidad demográfica (1:54:20) Maduro y dictadura en Venezuela (2:02:35) Plato volador - lancha (2:10:20) Simple-Fi y Sabor Crypto (2:17:30) Monkey time (2:19:30) Nutrias (2:25:20) Cierre y outro

Reach out to Kerry Braun:   IG: @soul_discoverycoach   More about Kundalini yoga - https://en.wikipedia.org/wiki/Kundalini_yoga   Recovery literature (Quit-Lit) recommendation: AA Big Book - https://www.aa.org/the-big-book   Best piece of Recovery advice: Only the here and now can hold you.   Song that symbolizes Recovery to Kerry: Once You're Gone by Paul Cauthen - https://youtu.be/8mC6xQoym1A?si=MqiBxiom7vV7Lh1N Don't forget to check out “The Way Out Playlist” available only on Spotify. Curated by all our wonderful guests on the podcast!   https://open.spotify.com/playlist/6HNQyyjlFBrDbOUADgw1Sz?si=3c5c5bb2ba0e4064   (c) 2015 - 2024 The Way Out Podcast | All Rights Reserved Theme Music: “all clear” (https://ketsa.uk/browse-music/) by Ketsa (https://ketsa.uk) licensed under CC BY-NC-ND 4.0 (https://creativecommons.org/licenses/by-nc-nd)

It's been quite a stir for the Minnesota progressive folk-rock-country sextet Maygen & The Birdwatcher. In late 2021 they released their debut full-length album, Moonshine – (which Americana UK wrote is “stunning”) – earning them Midwest Country Music Awards for Album of the Year and Americana Artist of the Year) and landed opportunities to join festival stages with bands like Old Crow Medicine Show, Paul Cauthen, Grace Potter, and The Ozark Mountain Daredevils. They continued the momentum in late 2022, releasing Moonshine's companion EP, with the “lively and charming” (Adventures in Americana) Bootleggin' At The Flower Shoppe which took home a 2nd round of wins for Album of the Year and Americana Artist of the Year at the Midwest Country Music Organization's annual awards show. The mood-boosting Americana band adventurously blurs the sounds of country, bluegrass, folk, and blues. Lead singers Maygen Lacey, and Noah Neumann intentionally work to draw on their vastly different musical influences and vocal styles to bring a fresh and unexpected mix of songs to light. From beauty to grit, sadness to silliness, the common thread is that this crew loves music, and playing it together, and it shows. 

Join FPC Executive Director Reed Luhtanen as he goes off the rails with Matt Friend from JP Morgan Chase. Matt and Reed talk about the need for standards to advance adoption and usage of instant payments, consumer protections, and the pair's appreciation for the raw irreverence of Paul Cauthen. Don't forget to register for the FPC's Fall Member Meeting in Denver Sept. 30th and Oct. 1st! www.fasterpaymentscouncil.org/FPC-events

Boulevardia 2024 is coming up in two weekends, June 14 and 15 at Crown Center.On the show, we'll dive into things BEYOND just the music happening at the fest. We'll talk about parking, ticketing options, food trucks, the maker village, a roller skating party, and so much more.Did you know that the bars at Boulevardia are staffed by some of KC's hardest-working charities? As you walk around the fest you'll see amazing people from Midwest Music Foundation, WIN for KC, SocialHeart, KC Pet Project, Cultivate KC, Head For The Cure, Lead to Read KC, Missouri Pit Bull Rescue, and more.We'll also inform you of a few late additions to the Boulevardia lineup including Bobby Watson, Tiberias, Tiki Brawlers, and Infinity/Paranoid.Oh yeah, and we'll play some music too, all NEW music from several acts on the lineup. We'll hear new music from some of the headliners: Milky Chance, Thundercat, and Paul Cauthen. From KC acts, we'll play new stuff from Lava Dreams, Jamogi, Kate Cosentino, JINGRAM, Asia Tsion, Kadesh Flow, and Kemet Coleman.We'll also hear a new single from Infinity/Paranoid and I'll tell you a story and probably get sentimental about why I'm so excited to have them on the lineup.

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Deep Dive into Shaboozey's "Where I've Been, Isn't Where I'm Going"Genre-bending artist Shaboozey's highly-anticipated album "Where I've Been, Isn't Where I'm Going" has finally arrived! This segment dives deep into the soundscapes and inspirations behind Shaboozey's latest work.We'll explore the 12-track journey, featuring the standout collaboration "My Fault" with Noah Cyrus. Discover how Shaboozey's platinum-selling hit "A Bar Song (Tipsy)" continues to push boundaries, and how his music seamlessly blends country, folk, and cinematic influences.This segment isn't just about the music - we'll unpack the personal experiences that shaped the album. Learn how Shaboozey's journey is reflected in the lyrics and storytelling, capturing the raw authenticity of his artistic growth.Plus, we'll discuss the exciting collaborations with Paul Cauthen and rapper BigXthaPlug, and how they add new dimensions to Shaboozey's signature sound.Join us as we analyze the evolution of Shaboozey and celebrate the release of "Where I've Been, Isn't Where I'm Going!"Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Long Requested Paul Cauthen Interview is HERE!We sat down with Paul to talk about his wild road to his major label debut. We talk the grind of touring, his love of Texas, his admiration of Post Malone, working with Diplo, & how his new single "Hot Damn" came to be. All time great dude (29:35).We also review Taylor Swift's new album and ask the important question: Why is everyone so afraid of Taylor Swift? We also get into Drake's AI Tupac diss, Coachella weekend 2, Billie Eilish's weird interview, & so much more. LISTEN & SUBSCRIBE!

Today at 6PM on the Eight One Sixty radio show on 90.9 The Bridge, once again we're diving into a stack of new releases from Kansas City area musicians and bands.We'll hear new music from these acts with upcoming gigs:• Kadesh Flow on Saturday, May 4 as part of Hip-Hop & Hot Wings at Vine Street Brewing Co.• Little Miss Dynamite on Saturday, May 4 at Tall Trellis Brew Co. in Olathe at 25600 W Valley Parkway• Critterz on Sunday, May 5 at Theis Park (across from The Nelson) along with Papa Huey and The Utilitarians• Danny McGaw on Friday, June 7 at Blind Box BBQ at Village West• The Greeting Committee on August 17 at The MidlandWe'll also hear from a couple of non-KC acts playing big shows in KC very soon:• William Elliott Whitmore on THIS Friday at recordBar - don't miss this show!• Paul Cauthen collaborating with Sierra Ferrell and Diplo - catch Paul Cauthen at Boulevardia on June 15 and catch Diplo at Kelce Jam on May 18 at Azura AmphitheaterAlso on the roster for today's show is music from Clearfight, Jo MacKenzie Music, Claire Adams, and Chris Canipe.

*NEW EPISODE NOW AVAILABLE**The Tobacco Road ShowEpisode 110! - The "SAVE AMIGO!” Episode**LAST CALL TONIGHT.... FU MANCHU!!The Tobacco Road Show comes to you live every Wednesday at 7:30 PM CST with Chicagoland's dlonz on Cowboy's Juke Joint Radio www.cowboysjukejoint.com.  Take a ride down Tobacco Road for the best in dirty cowpunk, whiskey soaked blues, and beyond. Email:  tobaccoroadshow@gmail.comFacebook: Tobacco Road Show and Cowboys Juke JointWeekly Segments:Hey Scotty!On This Day in Chicago HistoryJoke of the WeekCarny JimKick Back With The DukeThe Tobacco Road Top 10Playlist01. Noa & the Hell Drinkers - Tobacco Road02. The Weird Sisters - Lost in the Chronic03. Paul Cauthen - Saddle04. Vincent Neil Emerson - Little Wolf's Invincible Yellow Medicine Paint05. Jason Charles Miller - The River06. Jessta James - Hell's Coming with Me07. Dark Roots - The Devil's Aisle08. The Last Knife Fighter - Satan's Highway09. honeyhoney - Thin Line10. The Bloody JUG Band - Moon Bathing11. VOLK - I Fed Animals12. wht.rbbt.obj - Jolene's Reply13. Endless Blue - Magic Man14. Bone Church - Fortunate Son15. The Georgia Thunderbolts - Walk Tall Man16. Hobosexual - Night of 1000 Daggers17. Church of the Cosmic Skull - Cold Sweat18. Whiskey Myers - John Wayne19. Patrick Sweany - Them Shoes20. 20 Watt Tombstone - Chosen Few21. Deftones - Dai the Flu22. 1000mods - Dissent23. Soviet Shiksa - Hey24. Double Fuzz - Couldn't Be You25. The Damn Truth - Hanging On26. Rosy Finch - Foxy Lady27. Howling Mountain - Gimme Something28. Soot and Waxed - Can I Take My Gun to Heaven29. Masheena - Sun Remains30. The Obsessed - It's Not OK31. Paul Cauthen - 25 Tequilas32. fu manchu - A Million Miles Away

You might recognize Caleb Lee Hutchinson from his short stint on NBC's The Voice, on American Idol, country music radio or your favorite streaming platform. But after dropping an EP and a few popular singles, as well as working with some renowned producers, he emerges with his first full-length album, Southern Galactic, and it's certainly not your run-of-the-mill country music fare. Indeed, it's reminscent of the forays into pop, electronic music and rock that we've heard from the likes of Sturgill Simpson and Paul Cauthen in recent years. Either way, Hutchinson is certainly drawing a line in the sand and expressing his own sound that is rooted a creative process driven by brutal honesty and the rich storytelling tradition of country music's roots. 

Today's (late) episode covers the iHeartRadio Music Festival with our man-on-the-street Mick Skarda. The show took place on September 23rd 2023 and features the artists like: Travis Scott, Kelly Clarkson, Foo Fighters, Paul Cauthen, 30 Seconds to Mars, and of course, Chicago's favorite sons: Fall Out Boy. So sit back, pop a 30-dollar Bud Light Seltzer and give us a listen! Follow us on social media! Twitter.com/grandtheftpodum Instagram.com/dorktreepod https://ko-fi.com/dorktreepod

Sponsored by www.betterhelp.com/TheBarn, Reynolds Landscaping & Lawncare, Everest Counseling (Farmington, Mo)Red Shahan w/ Steven Bankey & Flatland BandSAT, AUG 12 @ 8:00PM HELLBENDER'S ON THE CURRENT, 611 CHICOPEE RD, VAN BUREN, MO 63965DOORS 7 SHOW 8$20 GA// $30 VIPRed Shahan is a captivating and authentic country artist whose music resonates with the soul of the American heartland. With his raw vocals, evocative storytelling, and distinctive sound, Shahan has carved a unique niche for himself in the contemporary country music scene. Hailing from West Texas, his songs are imbued with the rugged spirit of the region, reflecting the vast landscapes, hardworking people, and timeless struggles that define his musical roots.Shahan's journey in the world of music began at a young age, influenced by his family's musical heritage and the rich tapestry of sounds that surrounded him. Drawing inspiration from classic country legends like Johnny Cash, Willie Nelson, and Townes Van Zandt, he developed a deep appreciation for the storytelling aspect of the genre. This influence is evident in his songwriting, where he weaves vivid narratives with a poetic touch.One of Red Shahan's defining characteristics is his ability to convey complex emotions through his music. His songs often explore themes of love, heartache, longing, and redemption, resonating with listeners on a profound level. Whether he's crooning about lost love in "Men & Coyotes" or painting a vivid picture of small-town life in "Culberson County," Shahan's lyrics have an uncanny ability to transport audiences into the heart of his stories.Shahan's music also stands out for its sonic diversity, blending traditional country elements with modern influences. His sound incorporates twangy guitars, rootsy arrangements, and a touch of rock 'n' roll energy. This fusion of styles gives his music a fresh and contemporary edge, appealing to a broad spectrum of listeners beyond just traditional country enthusiasts. Tracks like "Revolution" and "Long Way to Fall" showcase his willingness to experiment with different sonic textures while maintaining a strong connection to his country roots.Beyond his captivating studio recordings, Red Shahan is renowned for his electrifying live performances. His stage presence is magnetic, drawing audiences in with his emotive delivery and genuine connection to the music. Whether performing in an intimate acoustic setting or commanding a larger stage, Shahan's charisma and authenticity shine through, creating an unforgettable experience for concertgoers.Red Shahan's musical journey has been marked by both triumphs and challenges, which have further shaped his artistry. His debut album, "Men & Coyotes," garnered critical acclaim and introduced him to a wider audience, while subsequent releases like "Culberson County" and "Someone Somewhere" solidified his reputation as a compelling and consistent songwriter. However, the road hasn't always been smooth, as he navigated personal struggles and the ever-changing landscape of the music industry.In an era where the definition of country music continues to evolve, Red Shahan remains a steadfast and authentic voice. His commitment to storytelling, his willingness to push musical boundaries, and his ability to connect with listeners on a deep emotional level all contribute to his enduring appeal. As he continues to evolve as an artist, one thing remains clear: Red Shahan's music is a timeless reflection of the human experience, aThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

He's a busy man, but we finally got him! Jim Bachmann is a wizard of words and an Americana master with his signature "good timing Stonerbilly"  sound and a presence of wisdom and authenticity.  He's been making music solo and and along with his band The Day Drinkers for over a decade now and is still making the rounds.  From playing "professional busker" gigs on a sidewalk downtown to  opening  for Billy Joe Shaver, Whitey Morgan and the 78's, Dallas Moore, Shinyribs, Reckless Kelly, The SteelDrivers, Ramsay Midwood, Mike and the Moonpies, Jeremy Pinnell, Paul Cauthen and more he's been grinding it out with the best of 'em.  Settle in and enjoy this warm conversation with a lovely man and a great hang!

Holley Rumbarger is lead singer of Holley Rumbarger and The New Relics and host of Rough Draft Hattiesburg podcast. https://linktr.ee/holleyrumbargerHolley, musician and podcaster, will soon be transitioning  from Hattiesburg, Mississippi to Nashville, Tennessee to further the pursuit of her career in entertainment. This episode was recorded at The Author Shoppe in downtown Hattiesburg, Mississippi. Episode Time Stamps "Make It Quick" - Holley Rumbarger (0:00)"Facing The Music" - Holley Rumbarger (3:35)Moved to Nashville in March (8:30)Trip to Japan (9:00)Japanese people enjoy Southerners (10:45)Holley's musical genre and influences (13:00)Boosie's jail stint on Father's Day (14:45)Holley's writing process (16:30)"Bitch, I'm from the sticks!" (18:00)The Vassals vibe (19:45)Paul Cauthen (21:25)Marty Stuart appearance? (23:15)Roughdraft Hattiesburg podcast(25:00)Harmony House podcast (26:30)Podcast editing (28:45)Harmony House podcast timeline (31:00)Economic development in Hattiesburg (33:25)Hub City Lofts (37:00)Robert St. John and Nelson Haskin (37:00)Magnetic effect of Hattiesburg, MS (40:00)Reasoning for Holley's move to Nashville (41:00)Lee's experience with calculus at Ole Miss (43:20)Holley's academic journey (44:00)Holley's journey to mandolin and guitar (46:45)Stepping out of our comfort zone (48:30)Are people destined for success? (50:00)Recipe for success? (51:00)Check your ego! (51:45)Career based on validation (52:30)Two types of people in Nashville (54:30)Theme of Holley's debut album (56:25)HARDY's start in Music City (59:00)Heavy metal music (1:01:30)Widespread shows (1:03:00)Live hip-hop is not good (1:03:30)Freestyle over Bass Nectar (1:05:15)Sway In The Morning Freestyles (1:06:00)Lainey Wilson speaks the gospel (1:07:10)Perseverance pays (1:08:00)Visit our website: https://www.countylinepodcast.com/Support the show

You caught us at a good time! Frizz and Bob are joined by friends Hux and Jake from Star Viper to down doubles and rub buckles over Paul Cauthen's latest album, 'Country Coming Down.' We'll swig plenty of Makers 46 and battle over Ikea furniture, find out what Star Viper has up their rolled up sleeves, define what "F you money" means to us, and revel in the beauty of a big voice, big ego, and big personality- but ain't nobody ready for the real big velvet. This episode is made for good bad times only, friends.

In an age where mainstream radio is becoming obsolete, there are dozens of ways for consumers to enjoy and discover great country music. Fortunately for you, you've stumbled upon one of the best ways, because you're in THE Thicket with Mike & Josh. On this week's show: "The Race is On" - Charley Crockett "Long Gone" - Benjamin Tod "She's in His Arms but I'm in the Palm of His Hand" - Summer Dean "Daylight" - Watchhouse "Rita Ballou" - Guy Clark "Prayed For Rain" - Paul Cauthen "Numbers" - Bella White "Till the End of My Days" - Brennan Edwards Whiskey Myers Listen to the songs: https://open.spotify.com/playlist/6QVgEnydkxprm7mRTFshwG?si=HuTQOzu_QtiEZEAgpEd16w Shop: thehippiesandcowboys.com/shop

Sponsored by: www.betterhelp.com/TheBarnhttps://www.nolantaylormusic.com/Nolan Taylor, a singer-songwriter hailing from Cincinnati, Ohio, possesses a vocal range that effortlessly transitions from the gentle patter of rain to the resounding crack of thunder. His music delves into the depths of hard times, unforgettable nights, and heartache. The emotional resonance of his melodies resonates not just in the ears, but deep within the bones and blood. With themes of yearning, desperation, elation, and sorrow, his lyrics ring with sincerity and authenticity. Nolan's voice channels the collective heartbreak of a lifetime, as if every poignant moment found its voice and mastery through his guitar. His performances are a captivating blend of passion and vitality that infectiously draw listeners into his stories, leaving them spellbound and emotionally invested.Nolan Taylor, Ritch Henderson, Acoustic, Singer-songwriter, Melodies, Lyrics, Intimate, Stripped-down, Organic, Raw, Soul-stirring, Poetic, Nostalgia, Vulnerability, Authenticity, Emotional, Performance, Guitar, Vocals, Storytelling, Folk, Americana, Indie, Coffee shops, Small venues, Festival stages, Online platforms, Personal, Profound, Musicianship, Strumming, Connection, Universal, Beauty, Simplicity, Introspective, Dreamy, Serene, Reflective, Mellow, Expressive, Captivating, Heartfelt, Honest, Gentle, Soulful, Lyrical, Contemplative, Evocative, Atmospheric, Intimate gatherings, Unplugged, Acoustic guitar, Sturgill Simpson, Colter Wall, Cody Jinks, Jason Isbell, Chris Stapleton, John Moreland, Margo Price, Jamey Johnson, Brent Cobb, Hayes Carll, American Aquarium, Turnpike Troubadours, Amanda Shires, Whiskey Myers, Jason Eady, Zach Bryan, Courtney Marie Andrews, The Steel Woods, Ian Noe, William Clark Green, Shane Smith & The Saints, Dalton Domino, Paul Cauthen, Charley Crockett, Flatland Cavalry, Nikki Lane, Robert Ellis, The Dead South, Ruston Kelly, Sierra Ferrell, Arlo McKinley, The Band of Heathens, Tony Joe White, Lydia Loveless, Rusty Cage, Whitey Morgan and the 78's, Yola, Ryan Bingham, Joshua Ray Walker, Doug Moreland, Ward Davis, Shane Hennessy, Aaron Lee Tasjan, Jaime Wyatt, Andrew Combs, John R. Miller, Charles Wesley Godwin, Riley Downing, Sarah Shook, and Cody Canada & The DepartedThis episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

Daniel Donato is one of the best guitar players in today's music scene. He's 27 years old and his musical style has been said to blend the best of Nashville honky-tonks with an improvisational spirit rooted in the ethos of the Grateful Dead. Daniel tours with his band playing cosmic country music to an ever-growing audience and plays with some of the world's most famous musicians, such as Bob Weir. One band that inspired Daniel is The Beatles - and that's what Jack and Daniel are going to talk about on this episode. How they inspired him, what they represent as creative forces, his favorite George Harrison songs, and how they made timeless music.   Check out Daniel's website: https://danieldonato.com/ Daniel's YouTube page: https://www.youtube.com/@danieldonato Follow Daniel on Instagram: https://www.instagram.com/thedanieldonato/   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to. When people first meet Daniel Donato, they're not fully braced for this walking tornado of creative energy. “They think there's something that tips the scale in ways they don't understand,” says Donato about his over-the-top, slightly manic vibe. “But what actual-ly tips the scale is the amount of thought and analysis I put into my work and art, all of which is taken from the lessons of my life.” Donato, a 27-year-old Nashville native, has distilled those life lessons into his debut album, A Young Man's Country, his proper introduction to the general musical audience. Recorded at Nashville's Sound Emporium in a mere two days and produced by guitar-ace Robben Ford, the record weaves outlaw country, Grateful Dead-style Americana, and first-rate songwriting into a singular form Donato calls “21st-century cosmic country.” It might surprise some that the Telecaster-wielding wunderkind, who at 16 became the youngest musician to regularly play the iconic honky tonk Robert's Western World while gigging with the Don Kelley Band, began his musical journey in a purely millen-nial fashion. Before he ever picked up a guitar, he discovered he had an aptitude for music via the video game Guitar Hero. At the time, he didn't feel compelled to try his hand at the real thing until one day, about the age of 12, he heard the electric perfection of Guns ‘N' Roses' “Paradise City” blast from a set of speakers and his world was changed forever. “It was the first time I ever had a vision for my life,” says Donato, who was partly drawn to music because he sucked royally at skateboarding. “I then took one of my dad's old guitars . . . and I literally fell in love with it.” From then on, Donato lived and breathed music, practicing his chops around the clock. He'd play before school, during his lunch break, and in the evenings at home, sometimes falling asleep with the six-string in his hands. It wasn't long before he was busking on lower Broadway in Nashville, playing eight hours a day on weekends for tips. It was after one of those day's sessions that he got a wild hair and snuck into Robert's on a night when house act the Don Kelley Band was playing and his wig-dome was blown. “It was the first time I ever saw a band that was that good up close,” Donato said. “So I'm literally watching them play and I'm crying. I decided right then that I wanted to be the best guitar player in the world.” Donato continued busking outside arenas before John Mayer and Phish concerts and on the streets of Nashville and it was then, while playing on Broadway, that he'd give Don Kelley his business card every Saturday night, hoping for a chance to audition. One day, while still a junior in high school, he got the call to come play. Donato was more than ready, and he delivered the goods in spades. He was so good, in fact, that he became a regular member of the band, performing four nights a week for more than 450 shows with the group. Playing nightly with the Don Kelley Band was a formidable education for the young musician. Jamming regularly with Nashville's most seasoned players, stalwart pickers who may have played in Buck Owens' band, or Dolly Parton's, or Alan Jackson's, ex-panded his musical vocabulary while honing his stage presence. Along the way he was soaking up stories of adventures on the road and learning about the ups and downs of the music business. In short, he was gaining priceless life lessons and a mu-sical education from wells that run deep into the musical history of Nashville. Around the time he turned 18, one of Donato's high-school teachers, a serious music lover who had seen his student play at Robert's, gave him a Grateful Dead box set. It was another eureka moment for the guitarist. His love for the Dead may have been ig-nited much earlier by virtue of the fact that his mother was a bona fide Deadhead who followed the group on tour when she was pregnant with the future guitarist, but it was that collection that changed the way he looked at music. “It gave me a tie to all of the classic country gold I'd been working down at the honky-tonks each weekend,” he said. “Grateful Dead and Merle Haggard had always lived in my heart, but now, the link was made, and I had a vision on how to keep it alive for this generation that I am coming from.” During the days of his Robert's residency, Donato continued to busk at various locales, even playing the Grand Ole Opry, and it is the sum of all these gigs, experiences any teenage musician would kill for, that inform the sounds on A Young Man's Coun-try. “Ain't Living Long Like This,” one of three covers on the album, is a song by Waylon Jennings, who was recording at the Sound Emporium the day Donato was born. “Angel From Montgomery,” a song Donato learned on the fly while busking for tourists, pays tribute to the late John Prine. Donato recorded his unique take on the tune before Prine's death. The Grateful Dead's “Fire On The Mountain” is tacked on to “Meet Me In Dallas,” a tune Donato wrote while on the road with Paul Cauthen. The other seven songs, all originals, showcase the promise of a young songwriter coming into his own, one of the highlights being “Luck of the Draw.” The message of these songs contain the central tenet of Donato's “Cosmic Country” ethos, which is about finding the courage to blaze your own path. As such, it is an ethos the artist extends beyond music into the channels of social media, where he's built up a huge following of devoted “DD Heads,” as his fans call themselves. His pod-cast, “Daniel Donato's Lost Highway,” brings together like-minded creatives to get at the heart of what makes artists tick, for which he's interviewed Brothers Osborne, Brent Cobb, Orville Peck, and Garry Talent of Bruce Springsteen's E Street Band. Incubated to the sounds of the Dead, educated by some of Nashville's finest players, and having more than 2,000 shows under his belt and a social media presence, Dan-iel Donato is indeed a millennial whirligig of creative fire. He's been dabbling in pro-fessional music since the age of 14 and yet he's just getting started. A Young Man's Country is the portrait of a restless artist as a young man, one whose story is singular and is still in its exciting, early chapters — and as this effort shows, the future is indeed cosmic.  

program Fred's Country 2022 w # 43: Part 1: - Kevin Denney, Cadillac Tears - Kevin Denney – 2002 - Tracy Lawrence, Didn't We - Hindsight 2020, Vol. 3: Angelina – 2022 - Scotty Mc Creery, Small Town Girl - Same Truck – 2021 - Clay Aery, Tell Your Sister I'm Single - S – 2020 - Drake Milligan, Hating Everything She Tries On - Dallas/Fort Worth – 2022 Part 2: - David Adam Byrnes, Keep Up With A Cowgirl - Keep Up With A Cowgirl – 2022 - Jade Eagleson, She Don't Know - Honkytonk Revival – 2021 - Hayden Haddock feat Jon Wolfe, Tequila - S – 2022 - Josh Turner, Unburn All Our Bridges - Long Black Train - 2003 Part 3: - Clay Aery, Only One - S – 2022 - Chad Cooke Band, Anderson County - S - 2022 - Kimberly Kelly, Honky Tonk Town - I'll Tell You What's Gonna Happen - 2022 - Sunny Sweeney feat Paul Cauthen, A Song Can't Fix Everything - Married Alone - 2022 - Blake Shelton, Austin - Blake Shelton - 2001 Part 4: - LeAnn Rimes, Big Deal - LeAnn Rimes – 1999 - Chris Janson, Love Don't Sleep - All In – 2022 - Curtis Grimes, Cowboy Constitution - S – 2022 - Kristin Ash feat James Garner, Sutter's Mill - Sings Dan Fogelberg - 2022

From the US, Texas & Canada 1st for Weekly neo-traditonal & classic Country program Fred's Country 2022 w # 41: Part 1: - Wynn Williams, Her Silhouette - Wynn Williams – 2020 - Clay Aery, Only One - S – 2022 - James Lann, Like Conway Twitty - S – 2022 - Mary Sarah feat Lynn Anderson, Rose Garden - Bridges - 2014 Part 2: - Carly Pearce, What He Didn't Do - 29: Written in Stone - 2021 - Drake Milligan feat Vince Gill, Goin' Down Swingin' - Dallas/Fort Worth – 2022 - Jade Eagleson, She Don't Know - Honkytonk Revival – 2021 - Warren Zeiders, Wild Horse - 717 Tapes - 2022 + Asleep At The Wheel, Boogie Back To Texas Part 3: - David Adam Byrnes, Keep Up With A Cowgirl - Keep Up With A Cowgirl – 2022 - Holly Tucker, Breakin' in These Boots - S - 2022 - Terri Clark feat Drake White, The One That Got Away - Raising the Bar - 2018 - Randall King, Hey Moon - Leanna - 2020 Part 4: - Jon Pardi, Smokin' A Doobie - Mr. Saturday Night – 2022 - George Strait, Check Yes Or No - Strait Out of the Box – 1995 - Sunny Sweeney feat Paul Cauthen, A Song Can't Fix Everything - Married Alone - 2022 - Tracy Byrd & Mark Chesnutt, Texas Medley - S - 1997

Sunny Sweeney is a singer songwriter who has a knack for tackling life's difficult situations. Her most recent album was produced by Paul Cauthen and she collaborated with some heavy hitters like Vince Gill and Lori McKenna. Sunny takes a look at her own personal life in this album and explores difficult emotional territory. It's raw, and it's real. I had a chance to chat with her about the album. I hope you dig it!

Dan went to Denver to host The WhiskyX, and while a mile high chatted with country music star Paul Cauthen. Hear it here. Also on the show, author Brian Freedman, whose just-released book "Crushed: How a Changing Climate Is Altering the Way We Drink" is for anyone who is interested in the ways in which our dramatically shifting natural environment is affecting the beverages we've all taken for granted. Plenty of books have been written about the effects of climate change on our food system, yet none has so vividly given readers the opportunity to understand how their beloved wines and spirits are being affected. Until now. And finally, Dan goes drinking with Captain Quint of "Jaws." Here's to swimming with bow-legged women! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Red Hot Chili Peppers “These Are The Ways” Red Hot Chili Peppers “Black Summer” No Reply “Un Día En El Mundo” No Reply "El Invierno Más Largo" The Excitements “Tightrope” The Excitements “Mr. Landlord” Jontavious Willis ”The Blues Is Dead?” Jontavious Willis ”Daddy's Dough” Jontavious Willis ”Jon's Boogie” Paul Cauthen “Country As Fuck” Paul Cauthen ”Cut A Rug” Kurt Vile ”Flyin (like a fast train)” Kurt Vile ”Like Exploding Stones “ Tedeschi Trucks Band “Why Does Love Got To Be So Sad?” Escuchar audio

Sweeney releases new album on Sept 23rd Sunny Sweeney's new album, Married Alone, drops on September 23rd via Thirty Tigers. Produced by Paul Cauthen and The Texas Gentlemen's Beau Bedford, Married Alone takes listeners on a vibey ride from rowdy juke joints to lonely hotel rooms over the course of twelve tracks. Ranging from sweet acoustic Americana to painful, pedal steel ballads to unrestrained breakup kiss-offs to an emotional duet with country legend Vince Gill, the album captures perfectly the broad spectrum of Sweeney's talents as a songwriter and a performer. Sweeney is also the host of a new morning show on Willie Nelson's exclusive SiriusXM channel, Willie's Roadhouse (ch. 59) and on the SXM App, dubbed Sunny Side Up. On weekday mornings, from 6 am until noon ET, Sweeney presents over four decades of classic country hits from the ‘50s through the ‘80s by artists including the channel's namesake Willie Nelson, Merle Haggard, Dolly Parton, George Jones, Waylon Jennings, Loretta Lynn, Patsy Cline and many more. Sweeney chats with us about her new album, her radio show and her career. Full audio and video are streaming below. Be sure to subscribe to The Music Universe Podcast wherever you get your podcasts. https://youtu.be/UPBcSx43YI8

Dan Penn "Do Right Woman Do Right Man"The Hold Steady "Navy Sheets"The Hold Steady "Lord, I'm Discouraged"John Lee Hooker "Sugar Mama"Big Mama Thornton "Big Mama's Bumble Bee"Mavis Staples "This May Be The Last Time"John Moreland "Cheap Idols Dressed in Expensive Garbage"Precious Bryant "Wadn't I Scared"Gillian Welch "Sin City"Richard Swift "As I Go"Vic Chesnutt "Concord Country Jubilee"S.G. Goodman "Teeth Marks"My Morning Jacket "Honest Man"Centro-Matic "Twenty-Four"John Moreland "Hang Me in the Tulsa County Stars"Janis Joplin "Tell Mama (Live at CNE Stadium, Toronto, Canada - June 1970)"Tom Waits "Hold On"Koko Taylor "It Took a Long Time"Fields "Bide My Time"Danger Mouse & Black Thought "Belize (feat. MF DOOM)"Thelonious Monk "Monk's Dream"JD McPherson "You Must Have Met Little Caroline"Paul Cauthen "Hanging out on the Line"Waylon Jennings "Today I Started Loving You Again"Charlie Parr "Going up the Country"Jimi Hendrix "Voice In The Wind"The Detroit Cobras "Cha Cha Twist"New Moon Jelly Roll Freedom Rockers "Stone Free"Aimee Mann "Give Me Fifteen"R.E.M. "How the West Was Won and Where It Got Us"The Glands "Lovetown"The Mountain Goats "Hostages"John Prine "Your Flag Decal Won't Get You into Heaven Anymore"Jesse Fuller "Leavin' Memphis, Frisco Bound"Jake Xerxes Fussell "Raggy Levy"B.B. King "Friends"Sister Rosetta Tharpe "Strange Things Happen Every Day"Bob Mould "Siberian Butterfly"Marie/Lepanto "Wise Blood"Tom Petty and the Heartbreakers "Walls"

Las Chicks han regresado a las giras y vuelven con su poderío habitual. Su setlist está centrado en su último álbum, Gaslighter, pero su apertura y su final echa mano de los temas de siempre, que hoy inauguran una nueva edición de RADIO CON BOTAS. El Día de la Música nos citara con Vandoliers en su primera visita a España y nosotros también anticipamos nuevos discos de Trampled By Turtles y American Aquarium, dos de las mejores bandas de cuerda de la actualidad. The Red Clay Strays se fijan en los cimientos de la música popular más amplia y la sorpresa del momento es el proyecto I Am The Moon, inspirado en el poema persa que dio origen a Layla de Derek & The Dominos. Bonnie Raitt pone la calidez mientras Sunnuy Sweeny nos lleva a la Texas más tradicional, donde es fácil que se encuentre con el debutante Matt Daniel. El cierre lo pone esta semana Will Hoge con una anécdota hecha canción sobre John Prine. PLAYLIST 01-THE CHICKS “Sin Wagon (Live)” (Maines/Erwin/Smith) Open Wide 02-THE CHICKS “Goodbye Earl (Live)” (Linde) Open Wide 03-VANDOLIERS “Endless Summer” (Fleming) State Fair 04-TRAMPLED BY TURTLES “It's So Hard to Hold On” (Simonett) BanjoDad 05-AMERICAN AQUARIUM “Just Close Enough” (Barham) Losing Side/Thirty Tigers 06-THE RED CLAY STRAYS “She’s No Good” (Nix/Hall) Red Clay Strays 07-TEDESCHI TRUCKS BAND “Hear My Dear (Trucks/Tedeschi/Dixon) Fantasy 08-BONNIE RAITT “Down the Hall” (Raitt) Redwing 09-SUNNY SWEENEY feat. PAUL CAUTHEN “A Song Can't Fix Everything” (Sweeney/McKenna) Thirty Tigers 10-MATT DANIEL “Weatherman” (Mauldin/Daniel/Fredrick/Mckinney/Buckner) KWX 11-WILL HOGE “John Prine’s Cadillac” (Hoge) Rykodisc

Hosts Christopher Seymore and Patrick B Ray chop it up with Johno Leeroy. Johno talks about his new hit record, about his pro fishing career, and Paul Cauthen's cocaine use in a ruckus late night episode of GLKT

Jontavious Willis “Spectacular Class”: ”Low Down Ways” ”The Blues Is Dead?” ”Resting On My Mind” ”Daddy's Dough” ”Friend Zone Blues” ”Jon's Boogie” ”Take Me To The Country” ”Liquor “ ”Long Winded Woman” ”The World Is In A Tangle” Paul Cauthen “Country Coming Down”: ”Caught Me At A Good Time” ”High Heels” ”Country Clubbin’” ”Champagne & A Limo” ”Fuck You Money” ”Cut A Rug” ”Country Coming Down” Escuchar audio

In 2019, Paul Cauthen gave the world a breakup record. That's not to say that Room 41 didn't offer hints of what would come next. “Cocaine Country Dancing” offered the hint a brashness its title suggests. But two years into a global pandemic, the Texas-based singer-songwriter comes out of the gate swinging on Country Coming Down. “Country as Fuck” leads of an LP littered with titles like “Champagne & a Limo.” Sure, there are love songs on here, but Cauthen's made it clear he's here to have some fun. Just ahead of the record's release, we sat down to talk about his religious upbringing, mindfulness and Johnny Cash.

Nina Nastasia “Just Stay Bed” Celeste “To Love A Man” Salvador Sobral y Agir “Vertigem” Ibeyi “Lavender & Red Roses”Feat. Jorja Smith The Smile “Skrting On The Surface” Mick Jagger “Strange Game” Delbert McClinton “One Scotch, One Bourbon, One Beer” Van Morrison “Pretending” UB 40 feat. Ali Campbell & Astro “Sufferer” Jorge Drexler “Cinturon Blanco” Kurt Vile “Mount Airy Hill (Way Gone)” Red Hot Chili Peppers “These Are The Ways” Paul Cauthen “Country As Fuck” Escuchar audio

New music from Lyle Lovett, Ray Wylie Hubbard, Paul Cauthen, Beverly "Guitar" Watkins, Miss Georgia Paeach & many more... "#486 For people who want less conversation" originated from Americana Music Show.

Today's show features an artist who marches to the beat of his own drummer and takes life by the horns.  Paul Cauthen's new record, Country Coming Down is out now and its vintage Paul.  We've been wanting to have “Big Velvet” on the show for a long time!  It finally worked out and our visit didn't disappoint! Country Coming Down is full of bangers and Paul is currently on tour and is bringing his high energy hell-raisin' show to a town near you. For our Kansas listeners he'll be a Knuckleheads in Kansas City, MO on April 21st. For our Oklahoma folks he'll be gracing the stage at the Tumbleweed Dance Hall on April 23rd. Paul's entire tour schedule can be seen by clicking HERE. If you haven't checked out Paul's music videos, new and old, I've included some of our favorites below: COUNTRY AS FUCK COCAINE COUNTRY DANCING Check out Paul's YouTube channel by clicking HERE. So, if you like big time country bangers, and velvety baritone, you are gonna love this episode! How YOU can support the podcast! If you would like to support the podcast AND ALSO earn some free swag in the process  CLICK HERE to sign up as a Gold, Silver or Bronze supporter! You can listen to our wonderful podcast by clicking on any of the following links: The Troubadour Podcast Website, Apple Podcasts, Spotify, Stitcher, Podbean

FTB podcast #514 features 2 fine new albums, Country Fresh by David Quinn and What Else Can She Do by Kaitlin Butts. Also new music from Paul Cauthen, Darden Smith, Roxi Copland, Greensky Bluegrass, and The Pine Hearts.  Full playlist: http://ftbpodcasts.com/?p=8731

Paul Cauthen, often referred to as Big Velvet because of his deep and boisterous voice, joins Taya Jae to discuss his new album Country Coming Down, his evolution as a performer, which began as a slow burn, and has since become a raging fire; and how his recent marriage is bringing out a gentler side in his songwriting.

Met ditmaal: Kurt Vile, Mattiel, Jack White, Mamas Gun, Placebo Never, VR SEX, The Hellacopters, Tempers, Cowboy Junkies, Calexico, Karen Dalton, Chris Imler, Paul Cauthen, plus een exclusieve instore van Love Supreme. Concerto Radio, aflevering 434 (8 april 2022): Kurt Vile, Fo Sho: (Watch My Moves) Mattiel, You Can Have It All: Georgia Gothic Jack […]

Met ditmaal: IPlacebo, Paul Cauthen, The Hellacopters, Ian Noe, Red Hot Chili Peppers, Midlake, Afterpartees, Jerry Leger, Guided By Voices, Keith Richards, Gang Of Youths, Cmat, Sam Moss, plus een exclusieve instore van Wouter Planteijdt. Concerto Radio, aflevering 434 (8 april 2022): Placebo, Hugz: Never Let Me Go Paul Cauthen, Country as Fuck: Country Coming […]

Media Monarchy plays Paul Cauthen, Joshua Hedley, Hank Williams Jr. and more on #PumpUpThaVolume for April 6, 2022. ♬

Dnešní díl Country Heroes bude poněkud rozevlátý. Potkáme spoustu kámošů, založíme novou církev, osedláme slepé koně, prohrajem nějaký prachy v pokeru a nakonec zapálíme vánoční stromeček. Ústřední postavou bude texaský písničkář Hayes Carll, své novinky představí Ray Wylie Hubbard, Carson McHone, The Band Of Heatens, Ian Noe, Paul Cauthen či Corb Lund.

Dnešní díl Country Heroes bude poněkud rozevlátý. Potkáme spoustu kámošů, založíme novou církev, osedláme slepé koně, prohrajem nějaký prachy v pokeru a nakonec zapálíme vánoční stromeček. Ústřední postavou bude texaský písničkář Hayes Carll, své novinky představí Ray Wylie Hubbard, Carson McHone, The Band Of Heatens, Ian Noe, Paul Cauthen či Corb Lund.

Альбомы, про которые идет речь в подкасте Они все новые: Father John Misty — Chloë And The Next 20th Century Crows — Beware Believers Confidence Man — Tilt Red Hot Chili Peppers — Unlimited Love Barrie — Barbara Young Prisms — Drifter Ryan Adams — Chris Plastikman, Chilly Gonzales — Consumed In Key Paul Cauthen — Country Coming Down Duster — Together Miley Cyrus — Attention: Miley Live Orville Peck — Bronco black midi — Cavalcovers Current 93 - If a City Is Set Upon a Hill Night Palace — Diving Rings Сборник свежих клипов тут, спасибо https://bit.ly/35yThZP

New music from Ariel Hutchins & Mark Powell, JR Herrera, Paul Cauthen, Shawn David, Logan Ryan Band and The Band Laredo this week in the Texas Tap Room!Find all of our podcast episodes in audio or video format at www.texastoastpodcast.com and every single song we've mentioned on the show in our TEXAS ON TAP Spotify Playlist! Support the show by subscribing on YouTube, following us on Socials @texastoastpod, making a contribution via PayPal or MOST IMPORTANTLY, tell your friends about us!Support the show (https://paypal.me/texastoastpodcast)

This artist from West Texas discusses his writing style, his process in the studio, and his time on the road.

Band of Heathens and Ray Wylie Hubbard covering a Motown hit. New old blues from Jack Barksdale. Old school R&B from Swamp Dogg. New albums from Dolly, Paul Cauthen, Charley Crockett and much more. "#481 For people who put a tiger in your tank" originated from Americana Music Show.

For today's episode, our guest needed something a bit stronger than to just be A Couple In. We are buzzed and blazing with my friend Paul Cauthen. We talk everything from his fearless approach for making music and how sometimes we actually need to fuck up to remember we're human.

Leah Blevins is a country music artist originally from Kentucky, currently based in Nashville. She released her debut album, "First Time Feeling" on August 6, 2021. The album was recorded in Texas at Modern Electric in Dallas, produced by Paul Cauthen and Beau Bedford.  BUY MUSIC https://www.leahblevinsmusic.com SUPPORT THE PODCAST https://www.patreon.com/hippiesandcowboys MUSIC FEATURED Leah Blevins - Magnolias - Believe - Mexican Restaurant BUY OUR MERCH https://www.thehippiesandcowboys.com/shop Join our online community on Patreon! Gain access to exclusive content, early guest announcements, giveaways, ask questions to our guests, and bonus podcasts! Join for as little as $1 - https://www.patreon.com/hippiesandcowboys OUR SPONSORS WORKMANS RELIEF - https://workmansrelief.refersion.com/c/d42e52 - SAVE 15% using the promo code HACCBD at checkout! FOLLOW US https://twitter.com/HippiesCowboys https://www.instagram.com/hippiescowboyspod/ ALL MUSIC IN THIS PODCAST HAS BEEN USED WITH PERMISSION FROM THE ARTIST AND LABEL

Listen to the Episode Playlist Featured artists: Paul Cauthen, alt-J, Pretenders, The Kinks, Scorpions, Niall Horan, The Earthlings, Tierra Whack, The Texas Gentlemen, and more.

Media Monarchy plays Lana Del Rey, Punch Brothers, Paul Cauthen and more on #PumpUpThaVolume for December 15, 2021. ♬

The band is down a bassist and a drummer but this rollercoaster ain't stopping; not even when the Halloween Sunday Scaries hit. Gerlach nominates Shawn Eckels as president and Andy agrees that a pay raise is in order ($30 sound ok?). And on the Interview Hour we welcome golden voiced, Texan singer/songwriter, Paul Cauthen! Discussions on health, drugs, and the space between those two abound. Shawn sings a song about truckers. PSA: Don't pour whiskey into your electric pianos. This is EP 147 Follow us on Instagram @worldsavingpodcast For more information on Andy Frasco, the band and/or the blog, go to: AndyFrasco.com Check out Andy's new song, "Friends (A Song About Friends)" on iTunes, Spotify  Get into some real outlaw business: paulcauthenmusic.com Produced by Andy Frasco Joe Angelhow Chris Lorentz Audio mix by Chris Lorentz Featuring: Brian Schwartz Nick Gerlach Shawn Eckels Andee "Beats" Avila Arno Bakker

It's episode 48 of The Quarantine Edition and the boys are starting to wonder at which point do they stop referring to it as "The Quarantine Edition" and return to life as normal... Other than that, space ships are still in Earth's atmosphere, Nick watched the Stone Cold documentary, Trent is leaving for Missouri for a couple weeks, Nick explains the NBA playoff system, and both Trent and Nick are hype for Paul Cauthen. There were a few minor technical difficulties but you'll get over it. You always do. Another episode you won't want to miss. Love y'all. Thank you.

“Ride the trail alone, it ain’t my style... ride, ride, on this saddle...”. Paul Cauthen is one of my favorite musicians, and his song Saddle ran through my mind as I was preparing to record this episode. It’s been a while friends. 2021 has begun and it’s time to share some more adventures. This week I give a quick recap as to what I’ve been off to, and give a visit recap for one of my favorite parks I visited at the end of 2020: Colorado Bend State Park. So grab your backpack, put on your hiking shoes, and let’s go on another adventure. --- Support this podcast: https://anchor.fm/thetexastrailhead/support

The debut record from 25-year-old Daniel Donato brings together jam band music and outlaw country. It comes after about a decade of playing guitar professionally in Nashville. When he was 16, he was the youngest person to ever play with the Don Kelly Band at the historic Robert’s Western World and then toured with musicians like Paul Cauthen. A Young Man's Country was produced by Robben Ford and draws from his inspirations, such as The Grateful Dead and Merle Haggard. Hear how he tries to combine all of those into his banner of "cosmic country" and the story of how he got into the Grateful Dead thanks to his high school history teacher.  Support this podcast

El pasado lunes Jeff Bridges anunció que le habían diagnosticado un linfoma y que comenzaba el tratamiento. Y hemos querido que “What A Little Bit Of Love Can Do” (Lo que puede hacer un poco de amor) abriera TOMA UNO como muestra de apoyo a su persona. Esta canción irresistible fue debida a la inspiración de Stephen Bruton y Gary Nicholson. La producción corrió a cargo de T-Bone Burnett, con quien se encontró en 1980, cuando le fue presentado por Kris Kristofferson mientras rodaban Heaven's Gate. T-Bone Burnett había seleccionado las canciones de la película The Big Lebowski, que protagonizó Jeff Bridges en 1998, y participó muy directamente en Crazy Heart de 2009. Dirigida por Scott Cooper, aquella cinta estaba basada en la novela del mismo título de Thomas Cobb publicada en 1987. Jeff Bridges, que consiguió su único Oscar gracias a ella, encarnaba el papel de Bad Blake, un cantante y compositor de country en horas bajas, e interpretó hasta cinco canciones. Su banda sonora estaba dedicada a la memoria de Stephen Bruton, legendario músico tejano que murió de cáncer poco después de culminar el proyecto. La abría "Hold on You", una canción de amor donde Jeff Bridges cumple con los requisitos necesarios. Bart Crow es de la tejana ciudad de Maypearl, Texas, y está preparando el Ep A Pretty Good Heart del que nos acaba de anticipar “Boots”, que se está convirtiendo en uno de los temas más pinchados de las emisoras del Lone Star State tras una década en la carretera y hasta ocho álbumes publicados. Moviéndose entre la Red Dirt music y el country tejano, la Bart Crow Band se formó en 2003 y dos años más tarde editaban su primer álbum, Finally. Con una declarada independencia se fueron afianzando en la escena musical de Austin, donde fijaron su residencia, gracias al impulso de su líder, que decidió personalizar el nombre en solitario y firmar los trabajos simplemente como Bart Crow. Su constancia le permitió debutar en el Grand Ole Opry y mantener un alto prestigio. Ward Davis es un cantante y compositor de Monticello, en Arkansas, con cierta relevancia en las editoriales de Nashville. Muy cercano a las formas de Cody Jinks o Kendell Marvel, ha firmado canciones que han sido grabadas por Willie Nelson, el desaparecido Merle Haggard, Carolina Rain o Trace Adkins, por nombrar algunos artistas que han confiado en sus habilidades para contar historias cotidianas. “Black Cats and Crows” es la canción que da nombre a su álbum, que se editará a finales del próximo mes. Un tema inquietante de tintes casi siniestros que Ward Davis compuso a finales del pasado año con Cody Jinks y Tennessee Jet provocando un efecto casi terapéutico en su situación personal de entonces. Además, tenía una infección nasal el día en que la grabó y las restricciones del Covid impidieron volver a hacerlo y añadir armonías. El resultado es impactante. Desde que empezamos a hablar del nuevo disco de Chris Stapleton, Starting Over, comentamos la cercanía entre el músico de Kentucky y el guitarrista de los Heartbreakers, Mike Campbell. Una de las canciones que era habitual escuchar en su gira All-American Road Show del pasado año, “Arkansas”, fue compuesta con él y forma parte de esa nueva propuesta, que a menudo interpretaba junto a Brothers Osborne. Así suena ahora en ese álbum que se editará el 13 de noviembre. Hace 10 años, Chris Stapleton anunció que dejaba a los SteelDrivers para dedicarse a la familia y cinco después debutó en solitario con Traveller. Había grabado dos excelentes álbumes con el grupo, que superó su marcha y la de otro de sus socios fundadores como Mike Henderson. La personalidad de la violinista Tammy Rogers, nacida en Tennessee y criada en Texas, ha sido fundamental para dar solidez a una formación vital en el siempre complicado engranaje del bluegrass contemporáneo. John Paul White, antiguo miembro de The Civil Wars, ha estado muy cerca de los SteelDrivers en el último álbum, Bad for You, colaborando estrechamente con la banda afincada en Nashville. De tal forma que Tammy Rogers, líder indiscutible del grupo, le llama "el sexto SteelDriver". John Paul White es vocalista invitado, coproductor y compositor junto a Rogers de un tema como “Innocent Man”, un tema sobre la desesperación. Este quinto álbum es la continuación de The Muscle Shoals Recordings, su disco de 2015 que les reportó un Grammy y resulta ser el primer proyecto de SteelDrivers con Kelvin Damrell como vocalista, desde la marcha de Gary Nichols. Discos como este hacen que desde hace mucho tiempo nos consideramos “SteelHeads”. Steep Canyon Rangers crecieron escuchando los estilos básicos de la música popular, eso que conocemos como Americana. En su etapa universitaria se inclinaron por el bluegrass y 20 años después son una de las formaciones más prestigiosas del género. La banda de Carolina del Norte ha salido por primera vez fuera de su tierra para grabar en el estudio Southern Ground de Nashville y contar con Brandon Bell en la producción. Eso supone que las texturas sonoras se han ampliado y es evidente en "One Drop of Rain" es el tema de apertura, compuesta hace seis años, cuando murió el suegro del banjista Graham Sharp y completada definitivamente en el estudio de grabación junto a Woody Platt durante las sesiones de Arm in Arm, su último álbum. The Country, el tercer álbum de Tennessee Jet, es un homenaje a los sonidos de sus años más jóvenes sin renunciar a experimentar en cualquiera de los caminos que ofrece la Americana en su conjunto. En un disco en el que las colaboraciones son muchas y con un horizonte muy amplio de estilos, desde Cody Jinks y Paul Cauthen a la armónica de Mickey Raphael y la trompeta de Brian Newman, habitual junto a Lady Gaga, la presencia de Elizabeth Cook ha sido la más constante. En el programa ya escuchamos su versión de “Poncho And Lefty” de Townes Van Zandt y hoy nos hemos inclinado por cómo parece haberse sentado en porche de casa junto a Elizabeth, Eugene Edwards a la mandolina y Jamison Hollister encargándose del dobro y el violín para llevar a los terrenos del bluegrass "She Talks to Angels", que los hermanos Chris y Rich Robinson compusieron en 1990 años para el álbum de debut de los Black Crowes, Shake Your Money Maker. Sturgill Simpson ha vuelto a sorprendernos. Esta vez lo ha hecho con Cuttin ’Grass Vol 1 - The Butcher Shoppe Sessions, un disco de bluegrass que, como dice su título, está grabado en los legendarios estudios Butcher Shoppe de Nashville con músicos de la brillantez de Stuart Duncan, Sierra Hull o Tim O’Brien, entre otros. Para conformarlo ha elegido 20 canciones de su carrera, exceptuando temas del que había sido su último registro, Sound & Fury del año pasado, que también supuso una enorme sorpresa, para llevarlos a los terrenos del bluegrass, el estilo por el que se conoce a su estado natal, Kentucky. La idea de este trabajo surgió mientras se recuperaba del coronavirus a primeros de este año y ha dejado obras de arte como “I Don’t Mind”, posiblemente la mejor canción del año. I'm With You supone ya el octavo álbum de estudio de William Elliott Whitmore y el primero en cinco años con material original. En él reflexiona sobre todo aquello que le es cercano, como la familia y los amigos, encontrando en su forma de narrar similitudes con Steve Earle e incluso la profundidad de algunas de sus letras nos devuelve al presente un disco tan emblemático como Nebraska de Bruce Springsteen. Con un arrope sonoro casi minimalista, este nativo de Iowa, muestra inclinaciones hacia el bluegrass en canciones que pintan imágenes ya vividas. “My Mind Can Be Cruel to Me” es uno de los momentos más brillantes de un disco cargado de testimonios de desesperanza silenciosa. En los últimos minutos del programa queremos incidir en las melodías clásicas del country de la mano de Zephaniah OHora con Listening To The Music, un segundo álbum que ha elevado las excelentes prestaciones de su debut con This Highway hace tres años. Hay canciones deliciosas como “All American Singer”, que musicalmente nos recuerda a "The Fightin' Side of Me". El músico nacido en New Hampshire y residente en Brooklyn ha mantenido sus relatos de historias honestas y reales con el apoyo en la producción del tristemente fallecido Neal Casal. Ya que hablamos de las evidentes influencias de Merle Haggard en Zephaniah OHora, otro de los músicos que muestra su veneración por la desaparecida leyenda de Bakersfield es Tim Bluhm, un californiano de Torrance que se implicó en la country music gracias a Rick Rubin, que firmó a su primitiva banda, Mother Hips, para su sello, American Records, cuando veía la luz el primer disco de Johnny Cash producido por él, colocando incluso al grupo como sus teloneros. Tim Bluhm publicará dentro de un mes Hag Heaven, su cuarto disco en solitario con 11 canciones de Merle Haggard, entre las que se encuentra “Am I Standing In Your Way”, que formó parte en 1976 de The Roots of My Raising que el legendario músico grabó con los Strangers. Escuchar audio

...además de que nos encantaría ir en la Harley de Otis Gibbs por las carreteras de Indiana en una indiana night (que cantaba Tom Petty). Mike Mc Clure, antiguo componente de The Great Divide, está tocado, pero resiste, no hundido. Como Orville Peck y Paul Cauthen que forman los Unrighteous Bros para hacer homenaje a dos canciones clásicas del pop de los 60 cocinadas en el horno de Phil Spector. Por cierto, Phil fue sentenciado a 19 años a cadena perpetua en el sistema penitenciario del estado de California y actualmente se encuentra preso en Stockton, California. Y podrá optar a la libertad condicional en 2025. Rebelde, rebelde como los Cheap Trick no sabemos pero ¡qué mal genio tenía el idem del wall of sound! Dave Alvin prepara disco de sus canciones escondidas y es que ahora anda poniendo fotos de sus conciertos con Willie Dixon en la época Blasters (en su facebook). The Band of Heathens, la banda de rnr de Austin tiene nuevo disco en recuerdo al extranjero de Camus y a la magia de las carreteras abiertas en todo su esplendor y el bajista Timothy B. Schmit, el ex-Poco y actual miembro de los Eagles, vuelve con una pieza muy bien elaborada con elementos pop y country rock que aborda el movimiento MeToo junto con el narcisismo del hombre naranja.- Whitney Rose, I'd Rather Be Alone- Victoria Bailey, The Beginning- Victoria Bailey, Honky Tonk Woman - Otis Gibbs, Panhead- Mike McClure, I Am Not Broken - The Unrighteous Brothers, Unchained Melody - The Unrighteous Brothers, You've Lost That Lovin' Feeling - Cheap Trick, Rebel Rebel - Dave Alvin, Peace - The Band of Heathens, Dare- The Band Of Heathens, Asheville Nashville Austin- Timothy B. Schmit, Cross That Line

The East Texas native is back on with Buddy Logan to debut songs off her new album "Live at the Machine Shop," the 10-year anniversary of "From A Table Away," Paul Cauthen producing her new album, and more.

Es un privilegio saludaros otra vez. Y es imprescindible agradeceros vuestra cercanía y vuestro apoyo a lo largo de todo este tiempo. Los oyentes, vosotros, nunca habéis sido, ni sois, ni seréis, “clientes”. A la vez que sumamos nuevos aliados, queremos mantener el respeto por los que siempre estáis ahí y sois los cimientos más sólidos de esta radio pública. Sois “los nuestros”, con los que tenemos empatía y complicidad. Vaya, como siempre, nuestro respeto y nuestro cariño por todos y cada uno de vosotros. Según la leyenda, el lobo aúlla a la luna para que le devuelva su sombra. Esta es la nuestra. Comenzamos nuestra temporada número 48 de TOMA UNO, que supondrá además la número 30 en la sintonía de Radio 3. Aquí llegamos en 1991, con 18 años de andadura. La radio siempre nos ha brindado hospitalidad y cariño. Hoy volvemos a acomodarnos en su porche, con unas vistas incomparables, un horizonte amplio y sugestivo, además de una compañía impagable. Y nos volvemos a sentir en casa. Por eso queremos compartirlo contigo cada fin de semana. TOMA UNO siempre ha querido ser un motivo de celebración, por eso “Take It Easy” de los Eagles vuelve a ser la canción de apertura. Fue la canción con la que comenzamos la primera temporada de TOMA UNO allá por 1973 y es la que hoy escuchamos para abrir la número 48 del programa. Algún tiempo antes de que se convirtieran en personajes fundamentales de lo que hoy conocemos como Americana, Jackson Browne y Glenn Frey vivían en el mismo bloque de apartamentos de Los Ángeles. Browne le enseñó a Frey un primer esbozo de una canción que no podía terminar y que impactó en el músico de Detroit, de tal forma que se dispuso a colaborar en terminarla. El resultado fue “Take It Easy”, la canción de apertura del primer álbum de los Eagles. Era un acercamiento vital del rock a las raíces y viceversa. En 1976, los Eagles la interpretaron de esta forma en el Forum de Inglewood, en el condado de Los Ángeles. No volvieron a hacerlo en aquel lugar hasta los días 12, 14 y 15 de septiembre de 2018, 42 años después y, tristemente sin Glenn Frey. Los tres días de conciertos se han resumido ahora en Live From The Forum MMXVIII que se editará el 16 de octubre en varios formatos. Los Eagles siguen siendo una banda de referencia para la música de raíces norteamericana y “Hotel California” se mantiene como una de las canciones emblemáticas que marcaron el devenir del grupo. La música fue una idea de Don Felder y la banda trabajó con esa especie de “reggae eléctrico mexicano” que hizo que el título de trabajo fuera precisamente "Mexican Reggae" antes de culminar la composición de la letra, que tiene una referencia oculta a Steely Dan, según confesó Glenn Frey. “Hotel California” sigue siendo una canción con tintes cinematográficos. Incluso los Eagles pensaban en la serie de televisión The Twilight Zone, que triunfó en la primera mitad de los 60. Con la incorporación de Vince Gill y Deacon Frey, hijo de Glenn, la mítica banda californiana suena ahora así, en este anticipo de su nuevo álbum en directo, el primero en 20 años, Live From The Forum MMXVIII. La reedición ampliada de Wildflowers era el proyecto en el que Tom Petty estuvo trabajando meses antes de su fallecimiento. Su intención era publicar las 10 canciones que no se incluyeron en el disco, y que él llamaba All the Rest. En la cuádruple edición de lujo y dentro de las Home Recordings, con 15 cortes, de los que 12 son versiones nunca editadas y 3 son canciones inéditas, vamos a encontrar esta maqueta del tema central, “Wildflowers”, grabada en su estudio casero. El próximo 16 de octubre aparecerá, por fin, Wildflowers & All The Rest, el proyecto más personal en el que Tom Petty estuvo centrado tras la publicación en 2014 de su último álbum con los Heartbreakers, Hypnotic Eye. El músico de Gainsville nunca olvidó que aquel segundo de sus álbumes en solitario de 1994 debía haber sido un disco doble, y fue dejando algunas muestras en distintas publicaciones posteriores. Tras su muerte, todos los planes de reedición se pospusieron hasta que se resolvió una demanda entre las hijas de Petty, Adria y Annakim, y su viuda Dana, el pasado año. De esta forma podremos escuchar canciones tan sutiles como “There Goes Angela (Dream Away)”, otra muestra de sus maquetas caseras. Para la grabación del nuevo disco de Chris Stapleton, el músico de Kentucky ha contado con dos miembros de los Heartbreakers de Tom Petty como son el guitarrista Mike Campbell y el guitarrista Benmont Tench. Reunido con su mujer, Morgane, y viejos y nuevos colaboradores en el RCA Studio A de Nashville el resultado es Starting Over, al que da nombre esta canción compuesta junto a su viejo amigo Mike Henderson. Un tema perfecto desde su título, Comenzar de nuevo, para un día como el de hoy. "Y no me importa / Dondequiera que estemos es donde quiero estar”. "Y cariño, por una vez en nuestra vida / Vamos a arriesgarnos y lanzar los dados / Puedo ser tu centavo de la suerte, tú puedes ser mi trébol de cuatro hojas”. Starting Over es una colección de 14 canciones en la que encontraremos también versiones de "Joy of My Life" de John Fogerty y a dos temas de Guy Clark, "Worry B Gone" y "Old Friends". El disco se publicará a mitad de noviembre, pero ya podemos compartirlo en TOMA UNO. Seguimos anticipando nuevas grabaciones de buenos amigos, como son en este caso The Band of Heathens, que el 25 de este mes publicarán Stranger, el más ecléctico de sus álbumes después de tres años desde que Duende nos dejó boquiabiertos por su exquisitez. La banda, que hasta la llegada de la pandemia estaba asentada en Austin, ha sido una de las más activas en estos tiempos de aislamiento y ha utilizado todos los medios a su alcance para mantener el contacto con sus seguidores desde sus respectivos hogares en California, Texas, Carolina del Norte y Tennessee. Han transmitido en vivo conciertos y han popularizado sus imperdibles Remote Transmission y el Good Time Supper Club. Grabado en Portland, Oregon, con el productor Tucker Martine, Strange, debe su título al clásico del californiano Robert Heinlein Stranger in a Strange Land y a la novela de Albert Camus L'Étranger, pero conecta directamente con los seguidores del grupo, esas personas leales que han echado abajo los muros del aislamiento para mantener ese contacto vital. Dentro del semanal Good Time Supper Club hemos podido disfrutar de como The Band of Heathens, con Todd Snider como invitado, rememoraba de esta manera "L.A, Freeway", una de las canciones mágicas de Guy Clark que el artista tejano compuso hace 45 años tras discutir con su casero en Los Ángeles, lo que provocó su marcha a Nashville. La familia, los amigos, la empatía… todo ello va tejiendo un tapiz con el que nos vamos arropando en estos tiempos de incertidumbre. Y la banda sonora de estos momentos inesperados calma cierta ansiedad cuando nos acogemos a nuestros sonidos más reconocibles. Eso ha hecho, por ejemplo, Tennessee Jet que en su nuevo álbum, The Country, que ayer mismo se publicó, ha contado con el apoyo vocal de Cody Jinks, Paul Cauthen y Elizabeth Cook, además de la armónica de Mickey Raphael y Brian Newman, trompetista habitual de Lady Gaga, para devolver al presente el clásico de Townes Van Zandt “Pancho And Lefty”, la historia de Pancho, un bandido mexicano, y su amistad con Lefty, el hombre que finalmente lo traiciona. Pudiera tener que ver con el propio Pancho Villa… o no. Al fin y al cabo son leyendas del lejano Oeste. Dicen que Colter Wall es un cantante retro. Bien al contrario, el músico canadiense de Saskatchewan tiene la capacidad de recuperar las esencias de la música popular y traerlas al presente, ante la triste uniformidad de la industria. Es posible que, en este sentido, esté tomando el relevo generacional de Michael Martin Murphey en su lucha por preservar la tradición. Western Swing & Waltzes and Other Punchy Songs sigue ahondando en el viejo Oeste y en la música de las praderas polvorientas con una pala instrumental casi minimalista que arropa a una voz imponente, casi impropia de un tipo que Ha cumplido 25 años a finales de junio. Entre las canciones elegidas que no le son propias está "Big Iron", compuesta e interpretada por Marty Robbins en 1959 en el álbum Gunfighter Ballads And Trail Songs. Cuenta la historia de un duelo en el que un Ranger de Arizona mata a Texas Red, un popular forajido de 24 años, en el pueblo de Agua Fría. Colter Wall ha querido que su versión sea un tributo a Grady Martin tanto como a Marty Robbins. El guitarrista de Tennessee, miembro del Nashville A-Team, fue uno de los instrumentistas más reconocidos de la escena del country y el rockabilly. Estos son buenos tiempos para refugiarse en la tradición y son muchos los ejemplos que están ocupando las nuevas ediciones discográficas. Josh Turner acaba de publicar Country State of Mind como un saludo a sus héroes musicales, que empiezan en Hank Williams y Johnny Cash, continuando por Kris Kristofferson, John Anderson, Keith Whitley o Randy Travis. Cuando Randy apareció, Josh Turner supo que había encontrado un espíritu afín. Por eso uno de los temas a incluir en este proyecto era "Forever and Ever, Amen", que el artista de North Carolina había llevado a la cima de las listas en 1987 como ejemplo del espíritu de los “nuevos tradicionalistas” de los 80, una década formativa para muchos. En esta versión, ha querido que fuera el propio Randy, que continúa en proceso de recuperación de su cardiomiopatía viral diagnosticada en 2013, quien pusiera el broche final. La despedida por hoy del tiempo de TOMA UNO nos lleva a Old Road New Again, el primer disco original de los legendarios Dillards desde 1991, hace 29 años. Junto a Rodney Dillard, el único superviviente de la formación original, que lidera un quinteto en el que están Beverly Cotten-Dillard, Gary Smith, Tony Wray y George Giddens, el álbum cuenta con las apariciones estelares de Ricky Skaggs, Sharon y Cheryl White, Sam Bush o Tim Crouch, además de Don Henley, Herb Pedersen y Bernie Leadon. Estos tres últimos intervienen de manera especial en el tema que da título al registro, “Old Road New Again”. Esa canción con la que hoy cerramos el tiempo de TOMA UNO y nos citamos para mañana en la sintonía de Radio 3, resume la historia legendaria de los Dillards y su relación con los Byrds, Buffalo Springfield, los Kentucky Colonels, la Nitty Gritty Dirt Band o los Eagles. Fue Rodney Dillard, por ejemplo, quien convenció a Don Henley de dejar Texas y buscar fortuna en California. El estribillo es perfecto "Cuando alguien cuenta la historia, este viejo camino es nuevo otra vez". Así es como las viejas carreteras se convierten en autopistas. Escuchar audio

On Episode 117, I catch up with country singer-songwriter Tennessee Jet to talk about his excellent new album, The Country, due out Friday, September 04. As the title suggests, it's a sprawling ode to American music with road-weary ramblers, lonesome highway ballads, and rewarding pit stops on the superhighway we call American Country music. The Oklahoma songwriter is no stranger to life on the road and those memories, recollections, and thoughts are the genesis and genius behind The Country's raw beauty and harsh realities. During this interview, we talk about the writing of this album, the inspiration behind songs like the gorgeous album closer "Sparklin' Burnin' Fuse," his growth as a songwriter, reinterpreting songs like "Pancho & Lefty" & "She Talks to Angels," co-writing and collaborating with the likes of Cody Jinks, jazz bandleader Brian Newman (Lady Gaga), Paul Cauthen, & Elizabeth Cook, discovering Bob Dylan, protest songs, and why women songwriters & artists are leading the charge in country music with substance.This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here. To help support Blue Light Live bar staff and purchase Monday Night Lights, click here.Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here. Follow Tom Mooney's Cup of Coffee here and The Neon Eon here.Desert Door Desert Door is a craft distiller of a premium and unique Texas spirit known as Texas sotol.The Blue Light Live The Blue Light Live is the premier live music venue of Lubbock, Texas. Support the show (https://www.patreon.com/thomasdmooney)

Las instalaciones que albergan los históricos Capricorn Sound Studios, en Macon, Georgia, tienen que ver con el sello discográfico, el propio estudio de grabación, un museo, y un espacio de oficinas de la Mercer University. Nadie duda de que es el lugar más apropiado para reencontrar con tus raíces, si estas tienen que ver con el southern rock, como es el caso de BlackBerry Smoke cuyo último proyecto en forma de EP se titula Live From Capricorn Sound Studios. En la selección de sus seis canciones, dos de ellas pertenecen a Idlewild South, el segundo álbum de la Allman Brothers Band, con medio siglo de historia. Son "Midnight Rider" y "Revival", dos temas míticos. En este segundo caso, Charlie Starr y Paul Jackson se han repartido las intervenciones de guitarra de Duane Allman y Dickie Betts, el compositor del tema, y las Black Bettys aportan su poderío vocal en una canción atemporal llena de felicidad. Los tejanos Whiskey Myers se crecieron lo suficiente tras el éxito de su anterior trabajo, Mud, que para su último álbum, con su nombre en el título, decidieron tomar las riendas y prescindir de la producción del casi intocable Dave Cobb. Incluso se repartieron las tareas de composición y contaron también con la ayuda de buenos amigos. Se fueron al Sonic Ranch, cerca de El Paso, en Texas, y se pusieron a trabajar sobre una lista de más de 30 canciones. "Bury My Bones" es una canción que, compuesta por John Jeffers con Tennessee Jet, está inspirada por cómo se sentía a su vuelta de su gira europea del pasado año que pasó por primera vez por España. Ya que hablamos de Tennessee Jet, aquí está la primera muestra sonora de su nuevo álbum, The Country, que aparecerá a primeros de septiembre. Se trata de "Stray Dogs", una pieza narrativa para un artista tejano que está redefiniendo sus ideas sobre la country music desde la perspectiva de la Costa Oeste. Para ello se mudó a California y ahora ha contado con el arrope de la banda de Dwight Yoakam, con el añadido evidente del twang factor a sus propuestas y dejando un tanto de lado sus primitivas influencias de la Outlaw music de Waylon y Willie, e incluso el Bakersfield sound de Merle Haggard. "Stray Dogs" es un tema de tintes autobiográficos que TJ acabó de componer en el propio estudio de grabación y que muestra la tensión y la crudeza de tener que culminar algo inacabado por necesidad. Este tercer álbum del tejano parece haberse convertido en un punto de no retorno con respecto al pasado. Seguimos insistiendo en que el ambiente de Nashville está cambiando y que no todo está perdido. Daniel Donato nació allí hace 25 años y ha aprovechado tan bien el tiempo que se ha convertido en un exquisito instrumentista de su Telecaster que hace un par de años fue nominado por la Americana Music Association en esa categoría. Todavía recuerda que estando en secundaria tocaba en las calles de Lower Broadway ocho horas diarias cada fin de semana y se colaba en el Robert’s Western World para ver a la Don Kelley Band, que le fichó como guitarrista hasta que Paul Cauthen se lo llevó de gira. Con un estilo marinado en todos los clásicos de la country music como Merle Haggard, su favorito, también destila influencias de Grateful Dead en su álbum de debut, como queda perfectamente reflejado en "Luck of the Draw", con trazas de la vieja escuela y algún toque psicodélico. A Young Man's Country, que tiene prevista su salida para el 7 de agosto, fue grabado en el Sound Emporium de Music City con el guitarrista Robben Ford como productor. El incontenible Daniel Romano nos está dejando casi exhaustos en este 2020 con la publicación de hasta seis álbumes… por el momento. Como en el caso de Content to Point the Way, la cuarta de esas entregas, supone una apuesta poderosa por el mejor country rock con evidentes guiños a la herencia atemporal de un mito de la categoría de Gram Parsons, que parece haberle bendecido desde los paisajes de Joshua Tree. El canadiense nativo de Welland, en la provincia de Ontario, grabó este registro con The Outfit, su banda de acompañamiento, como un regreso de tintes sentimentales y decididos al country, consiguiendo una atmósfera llena de melancolía que permite canciones enternecedoras como “Little Shirley Melrose”, gracias a la intervención vocal de Julianna Riolino. Tras el éxito del álbum Desert Dove durante el pasado 2019 que puso en órbita a Michaela Anne, la artista del barrio neoyorquino de Brooklyn, aunque con residencia en Nashville, reclama la esperanza y el optimismo como dos piezas clave para seguir adelante y más aún en momentos como el actual en “Good Times”, su más rotunda novedad con el mensaje de que los "buenos tiempos" están a la vuelta de la esquina. De nuevo su buen amigo Sam Outlaw está a su lado, profundizando en ese camino de abarcar fórmulas más amplias que en registros anteriores, aunque no olvida su debilidad por Linda Ronstadt y Emmylou Harris, dos de sus heroínas. En estos momentos de nostalgia seguro que hemos recurrido en varias ocasiones a recuperar algunas grabaciones que tenían un tanto olvidadas. Los artistas de Americana también lo han venido haciendo y encontramos algunos resultados excepcionales. Es el caso de Erin Enderlin, que durante años ha firmado canciones que todo podemos recordar en las voces de Randy Travis, Alan Jackson, Reba McEntire o Lee Ann Womack y que ahora ha preferido evocar una canción de 1987 como "Fishin 'In The Dark", que la Nitty Gritty Dirt Band incluyó en su álbum Hold On y que supuso su última visita a la cima de las listas. Para esta nueva versión, Erin Enderlin ha contado con la guitarra de uno de sus miembros fundadores, Jeff Hanna. Tras lanzar dos álbumes y un EP, Enderlin publicó el pasado año Faulkner County, que hace referencia a su tierra natal de Arkansas. La pasada semana recordábamos que Kelsey Waldon está nominada a los premios de la Americana Music Association en la categoría de Artista Emergente del Año. Ella cantó sobre sus orígenes en "Kentucky, 1988", uno de los momentos más personales de su álbum White Noise/White Lines y ahora ha querido regresar a su pueblo de Monkey’s Eyebrow para recordar sus primeros pasos, sus problemas familiares y las dificultades para resolverlas, desnudas y elocuentes. Ese trabajo, publicado en año pasado, supuso que tras 15 años sin hacerlo el sello Oh Boy firmara a un nuevo artista. Todo fue gracias al ahora desaparecido John Prine, que confió en la fortaleza de esta cantante y compositora de tintes rurales que ya había editado dos álbumes de forma independiente en 2014 y 2016. La última canción grabada por John Prine, "I Remember Everything", se ha convertido en directamente en No. 1 de la lista de ventas de canciones digitales de Billboard en el apartado de rock, suponiendo la más alta repercusión popular como intérprete del legendario músico, fallecido en Abril a consecuencia de la Covid-19. El tema, producido por Dave Cobb, fue grabado en la sala de estar de Prine el año pasado y no se había dado a conocer hasta que concluyó el homenaje virtual Picture Show: A Tribute Celebrating John Prine, en el que intervinieron Kacey Musgraves, Vince Gill, Bonnie Raitt, Margo Price, Sturgill Simpson, Jason Isbell y Amanda Shires, entre otros. Gracias a su emisión se ha recaudado recaudado casi medio millón de dólares para NAMI, Alive, Make the Road New York y MusiCares. Ayer se editó Monovision, el nuevo trabajo de Ray LaMontagne, lo que significa un distanciamiento con respecto a sus últimas grabaciones y una vuelta a las formas de los contadores de historias de los 70 recobrando los elementos comunes sobre la disidencia. Hay un cierto encuentro de consuelo y tranquilidad en las cosas simples y en las personas cercanas. Su tema de apertura, "Roll Me Mama Roll Me", es la primera invitación del músico de New Hampshire a recrearnos en una calidez relajante envuelta en pura artesanía sonora que nos permite volver a las raíces. La escucha en la radio de "Treetop Flyer" del álbum Stills Alone de Stephen Stills fue lo que impulsó a Ray LaMontagne a convertirse en cantautor. Lo descubrió un ejecutivo de RCA mientras teloneaba a John Gorka y Jonathan Edwards y sus maquetas, grabadas de nuevo, vieron la luz con el título de Trouble en 2004. Ahí empezó todo. Ayer se editaba el nuevo álbum de Will Hoge Tiny Little Movies, tras una batería de protestas viscerales que dieron forma a American Dream. El artista de Nashville no ha perdido su sentido crítico, ni endulza temas complicados como en el caso de una ruptura desordenada, que es el motivo de "Even the River Runs Out of This Town". Mantiene su crudeza, el tono reflexivo de su voz y nos hace comprender cuando las batallas están perdidas, siempre con algún acento que nos recuerde a Bob Seger, John Mellencamp o Tom Petty, y en ocasiones nos traiga a la memoria a Neil Young y sus Crazy Horse ya que Will Hoge grabó Tiny Little Movies con su banda de acompañamiento en las giras. En septiembre de 2008, Old Crow Medicine Show grababan su tercer álbum de estudio, Tennessee Pusher, con la producción de Don Was. En aquel momento, una canción como “Motel In Memphis” pudo pasar inadvertida ante la importancia que los críticos dieron a temas como "Methamphetamine", pero Ketch Secor ha querido ahora concederle la notoriedad que merece volviendo grabarla y añadiendo un vídeo que hace referencia al Lorraine Motel en el que fue asesinado en 1968 Martin Luther King. Ketch Secor ha vuelto a contar con la formación más habitual del presente de Old Crow Medicine Show, que incluye a Molly Tuttle en la guitarra acústica, Cory Younts a la mandolina, Robert Price con el banjo y Morgan Jahnig como bajista y Jerry Pentecost en la batería. Con ellos nos citamos para mañana en la sintonía de Radio 3. Escuchar audio

He's a country music rock star...if that makes sense.  Paul Cauthen, a larger-than-life Texas troubadour nicknamed Big Velvet for his impossibly smooth, baritone voice.   He's hilarious, he's bored during lockdown. He plays us unreleased music and we of course talk parties on the road.  

This week, we provide a recap on the various agency meetings from the past week, our thoughts on the snook/redfish/trout closure extension, the Spray Protest, paying to cull whitetails.  Plus, new reviews, Paul Cauthen, and pizza toppings. Links: Michigan culling Deer herds The Coyote Incident Public Land Tees Go to Patreon and become a friend of the show OFFICIALLY here! E-mail Fletcher with Hallett Insurance to get your quote! Follow Cast and Blast Florida: Instagram – Twitter – Facebook – Website Want to experience a world class duck hunt or fishing charter? E-mail Travis to book today . . . Connect with the gang on social media: Travis Thompson – @travisthompson – Instagram – Twitter – Facebook Nathan Henderson – @nhenderson77 – Instagram – Twitter – Facebook Emily Thompson – @lovedaloca – Instagram

In 2017 kwam de prachtige en bekroonde film-documentaire American Epic uit. Uit de soundtrack daarvan, geproduceerd door o.a. Jack White en T-Bone Burnett lieten we al Originals horen. Vandaag opnieuw een aantal nummers met o.a. Elton John(!), Riannon Giddens en Alabama Shakes. Verder o.a. countrycats Andrew Adkins en Paul Cauthen, de sfeervolle stem van Christien Oele (VanWyck) en een gedicht vanuit Rock 'n Roll Heaven door Leonard Cohen. Los Lobos openen en sluiten af met een nummer van hun kerstplaat Llego Navidad.

Evžen Müller se probírá zážitky z festivalu v dánském Tønderu. A protože Paul Cauthen, Ian Noe či Charley Crockett patří k těm nejzajímavějším osobnostem současné country scény, je na co se těšit. Chybět nebudou ani křehcí folkově countryoví Mandoline Orange a pro zpestření jeden song z aktuální desky Corba Lunda, který prostě nelze vynechat.

Evžen Müller se probírá zážitky z festivalu v dánském Tønderu. A protože Paul Cauthen, Ian Noe či Charley Crockett patří k těm nejzajímavějším osobnostem současné country scény, je na co se těšit. Chybět nebudou ani křehcí folkově countryoví Mandoline Orange a pro zpestření jeden song z aktuální desky Corba Lunda, který prostě nelze vynechat.

Deze aflevering met muziek van Ramones, Bette Midler, Bobby Lewis, Lynyrd Skynyrd en Phil Bee's Freedom. Als Gospel van de week Paul Cauthen.

Neel Nanda has the biggest d*ck in the game. He’s a hilarious stand-up comedian that graciously woke up early to come on the show and give us his thoughts on Dave Chappell’s new special, internet trash, what Cardi B looks like up close, and much more. Plus he shocked us both when he started tickling the ivories of the studio piano (we left that out, but just know, it happened). Remember, the truth don’t lie. Trent had a Hennessey hangover. Nick digs the Michigan State cameo in the FOX wrestling commercials. Trent hates everything about Kansas. And both are stoked to see Paul Cauthen this week. Open your ear holes wide, cause here we come.

Dale snaps his western turtleneck all the way up for a conversation with country music sensation, Paul Cauthen. Big Velvet meets Big Crystals in this discussion about Paul’s most recent...

This week, Z. speaks with booming country gospel trickster Paul Cauthen. Z. and Paul met up in Nashville after his weird and whacked-out Big Velvet revue, which nearly got shut down for a brawl that occurred on stage at the end. Paul has a way of harnessing his own madness into a dangerous and intoxicating sonic brew that needs to be in your ear holes right now. Start with this episode, and then move on to Paul's recent release, Room 41.

Je hoort muziek van Earth Wind & Fire, Linda Perry, Paul Cauthen, Marc Broussard en Three Bridges als Gospel van de Week.

Terug van vakantie dus om 14:00 uur Marc Stakenburg en Joost Verbunt met een nieuwe Music Trails op 40UP Radio. Je hoort muziek van Lowell Fulson, Paul Cauthen, Erma Franklin, Clara Smith, The South Austin Moonlighters en Jimi Hendrix. De week CD is The Teskey Brothers - Run Home Slow.

Terug van vakantie dus om 14:00 uur Marc Stakenburg en Joost Verbunt met een nieuwe Music Trails op 40UP Radio. Je hoort muziek van Lowell Fulson, Paul Cauthen, Erma Franklin, Clara Smith, The South Austin Moonlighters en Jimi Hendrix. De week CD is The Teskey Brothers - Run Home Slow.

Muziek van Lloyd Coyle and the Commotions, Paul Cauthen, Bill Callahan, Todd Thibaud, Bob Dylan, Russ Tolman.

“I’m a singer not a preacher, but these songs are my sermon,” says Paul Cauthen, this weeks guest on The Forward. The East Texas native joined Lance to talk about being a working musician, life lessons from his Paw Paw, picking yourself up and becoming a survivor. Paul also plays two songs including a new track from his upcoming record.  

Paul Cauthen joins Bill Cody on April 24, 2018 recorded at the WSM Studios. Paul stopped by to chat about his "Have Mercy" EP! 

Country Superstar Wheeler Walker Jr. has a conversation with one of his new favorite artists, Paul Cauthen.

Texas bred singer/songwriter Paul Cauthen brings his gospel on in to the "Walking The Floor" studios for a chat with Chris.

Host Jason Wickens sits down with Texas singer/songwriter Paul Cauthen. Cauthen learned how to play guitar and write songs from his grandfather who also led music for the local Church of Christ congregation. This is where Cauthen and his two sisters learned to sing harmony. After his grandfathers passing Paul wrote his first song and discovered that songwriting could be an outlet for his deepest thoughts and feelings.

by: Thomas D. Mooney Editor-in-Chief This week on the podcast, we sit down with singer-songwriter Paul Cauthen. The former co-frontman and leader of Sons of Fathers is now readying his next album due out this late summer. On the episode, we discuss the making of the album, the highs and lows of Sons of Fathers, … Continue reading The New Slang Podcast: Episode 012 Paul Cauthen →Support the show (https://www.patreon.com/thomasdmooney)