Podcasts about Mad Men

We're joined again by Izzy from What The Austen? (@whattheausten) to discuss the second half of the 2007 adaptation of Persuasion starring Sally Hawkins and directed by Adrian Shergold. Today's episode covers the film from Lyme through the end of the movie.Topics discussed include the film's opinion on moving on from lost love, the stormy Cobb, blood!!!, snuff, Harville as the ultimate bro, Bath locations, filming in the rain, the male loneliness epidemic, and the Great Bath Marathon of 1814.Glossary of People, Places, and Things: Game of Thrones, Merlin, The Last of Us, Outlander, The Crown, Mad Men, Mean Girls, Grey's Anatomy, Friends, Scooby Doo, Sex and the City, Ben Mercer, Cindy Lou Who, Avengers: Endgame, Severance, Gilmore GirlsTo explore more of What The Austen?, listen wherever you get your podcasts or check them out on Youtube! And be sure to follow Izzy on Instagram at @whattheausten.Next Episode: Persuasion (2022)Teepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/

✓ Po čemu je Mad Men najbolja serija? ✓ Gde nam je nestala pažnja? ✓ Zašto nije tako lako pobeći od dopaminskih petlji?

The big news is that someone has finally finished Mad Men, but if you're looking for some more recent TV, we've got that too. We chat about Poker Face, The Last of Us, Suspect: The Shooting of Jean Charles De Menezes, Austin, The Four Seasons and Malpractice in our big round-up of the month's TV. Learn more about your ad choices. Visit megaphone.fm/adchoices

Achoo! We're falling in love with the one and only Faith Prince. You Might Know Her From Modern Family, Emily in Paris, Melissa & Joey, Spin City, My Father the Hero, The Last Dragon, and Broadway productions of Guys & Dolls, A Catered Affair, Bells Are Ringing, and BOOP!  Faith talked to us about grounding her character, Valentina, in the cartoonish plot of BOOP!, coping with fame during her star-making turn in Guys & Dolls, and leaning on her co-star Gerard Depardieu in one of her first leading roles on camera in My Father the Hero.  Faith also shared stories from working as a Broadway replacement in the cumbersome costume of Ursula in The Little Mermaid and the notoriously “realistic” production of Anne as Miss Hannigan. All that, plus working with theatre legends like Jerome Robbins, Abe Burrows, Betty Comden & Adolph Green, doing dialect work at Joey Lawrence and Lily Collins, doing her best Cyndi Lauper in cult fave The Last Dragon (and making pals with Berry Gordy, and working with Jean Smart and Mary McDonnell in the short-lived High Society.   This one was a HOOT.  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Evergreen topics for Anne and Damian: Tyne Daly in Gypsy, Grease, Spice Girls track listings, we look like cats in Heathcliff, the cast of Mannequin 2 aka is it Jonathan Silverman, no it's William Ragsdale in Herman's Head, Sex and the City/AJLT Cynthia Nixon's kitchen tour Tom and Lorenzo and their SJP adventure Plays Valentina in Boop on Broadway We love Dancer/Choreographer Rachelle Rak Coughing as Adelaide was tougher than talking and singing in character voice Bob Saget used his stand-up to differentiate himself from Danny Tanner  Nathan & Adelaide are famously the SOUBRETTES in Guys & Dolls so Jerry Zaks put them forward instead of Sky and Sarah (this changed how future productions positioned the 2 couples)  Jerry Mitchell says it's important to pass the baton down to the next generation of musical theatre stars Arthur Laurents aka “the meanest man in show-business”, Jerry Gutierrez, Abe Burrows, Comden & Green, Sondheim, Barishnykov, Howard Ashman, Jack Plotnick, Tina Landau,  My Father the Hero w/ Gerard Depardieu “Dirty Books” from The Last Dragon / Suzanne de Passe and Berry Gordy produced the soundtrack. Berry Gordy took her OUT and called her “baby” “One More Time” in First Wives Club “How do you know if someone has lived through trauma — by the way they get someone who doesn't like them, to like them.” Cole Escola of Oh, Mary! on CBS Sunday Morning Was in first 6 episodes of High Society with Jean Smart and Mary McDonnell (based on AbFab and Faith played the Saffy character) Faith Prince's “Men” from Nick & Nora. The show was a notorious flop. Arthur told Faith she was making a big mistake by leaving show to do Guys & Dolls. Mary Rodgers told her she could find a way into Anna through Gertrude Lawrence, who was a comedienne.  Was offered the role of Audrey in the original Off-Broadway production of Little Shop of Horrors Went to CCM with Jim Walton Had taken the revue, Scrambled Feet and was doing an IBM industrial so couldn't' take LSOH Lance Roberts is currently in Just in Time Ellen Greene did Adelaide at The Hollywood Bowl  Studied Donna Murphy who she replaced in The King & I and then did Wonderful Town (at LA Opera) Katie Finneran talked with us about James Lapine's realistic interpretation of Annie and Miss Hannigan in the 2012 revival. Said it was a challenge in the NYT. Re the 2012 revival of Annie: Andrea McArdle said “I didn't know we were doing Secret Garden” Associate Director Wes Grantham LOVES HUMOR, unlike Lapine Martin Charnin & Charles Strouse KISSED HER FEET when they visited her backstage John Doyle who directed A Catered Affair also backs away from the humor We love Bells are Ringing - Faith starred in the 2001 Broadway revival. Difficult because of Mitchell Maxwell who produced Had to ride an actor in Grey's Anatomy because character's IUD got stuck on her ex-husband's Prince Albert penis piercing Does some great character work in the indie film Our Very Own (got gig from doing reading of The Women with Allison Janney) IMDB lists her on an ep of Mad Men. INCORRECT. Martin Short was in Dennis Quaid movie, Innerspace My Favorite Broadway: The Leading Ladies was an incredible, formative concert Managing Ursula costume in The Little Mermaid was worse than managing the wig in her Lifetime movie with Kathleen Turner, Friends at Last Vicki Lewis told us she held Dixie Carter's spit cup in a production of Mame she was in with Faith Christopher Walken kept pickled things in the pockets of his costume during James Joyce's The Dead (Marni Nixon was also in the show) We interviewed Annaleigh Ashford who is maybe made  in the mold of Faith Prince Damian is seeing an Italian production of Cats / Anne is seeing her nephew do Grease Jr.  in Sicily DUCK ASS HAIR for Danny Zuko

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

The quote “I don't think about you at all” by Don Draper from Mad Men best describes the Diamondbacks relationship with their divisional foes the Colorado Rockies, yet these two teams are set to duke it out during MLB's Rivalry Weekend. Our friend Christian Saez from DNVR Rockies stops in to preview the series and tell us why Bud Black wasn't to blame for this team's failures. We also discuss Ketel Marte's power since returning from the IL, Corbin Carroll's fWAR numbers this season, and Yu Min Lin continuing to shove for the Reno Aces since his return. Also, is Devin Booker available as a designated hitter? Asking for a friend. Join Derek, Christian, and Kevin for the PHNX Diamondbacks Show LIVE! An ALLCITY Network Production SUBSCRIBE to our YouTube: https://bit.ly/phnx_youtube ALL THINGS PHNX: http://linktr.ee/phnxsports MERCH https://store.allcitynetwork.com/collections/phnx-locker ALLCITY Network, Inc. aka PHNX and PHNX Sports is in no way affiliated with or endorsed by the City of Phoenix PHNX Events: Get your tickets to PHNX events and takeovers here: https://gophnx.com/events/ bet365: https://www.bet365.com/hub/en-us/app-hero-banner-1?utm_source=affiliate&utm_campaign=usapp&utm_medium=affiliate&affiliate=365_03485317 Use the code PHNX365 to sign up, deposit $10 and bet $5 to get $150 in bonus bets! Disclaimer: Must be 21+ and physically located in AZ. If you or someone you know has a gambling problem and wants help, call 1-800-NEXT-STEP, text NEXTSTEP to 53342 or visit https://problemgambling.az.gov/ Branded Bills: Use code PHNX at https://www.brandedbills.com/ for 20% off your first order! The D-backs are hosting Golf Night on Monday, May 5th vs. the Mets. Purchase a Special Event ticket package through the special link and receive a game ticket and a limited-edition D-backs rope hat courtesy of Branded Bills! https://www.gofevo.com/event/Dbacks6165 Gametime: Download the Gametime app, create an account, and use code PHNX for $20 off your first purchase. Terms apply. Circle K: Join Inner Circle for free by downloading the Circle K app today! Head to https://www.circlek.com/store-locator to find Circle Ks near you! Monarch Money: Use Monarch Money to get control of your overall finances with 50% off your first year at https://www.monarchmoney.com/phnx Waymo: Download the Waymo One App and Ride Today! https://apps.apple.com/us/app/waymo-one/id1343524838; https://play.google.com/store/apps/details?id=com.waymo.carapp Carol Royse Team: To buy/sell your home, call Carol Royse at 480-776-5231 or visit carolroyseteam.com All Pro Shade Concepts: Call 623-204-1476 or visit https://allproshadeconcepts.com/ now to schedule your free estimate! When you shop through links in the description, we may earn affiliate commissions. Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. #dbacks #diamondbacks #arizonadiamondbacks #mlb #zacgallen #corbincarroll #ketelmarte #mlbtheshow #mlbtraderumors #tradedeadline #traderumors #allstargame

Paul McDonald talks with Greg Allan Martin about his calling as both a lawyer and an actor. They also discuss the show Shadrach and why it's a watchable series for the whole family.About Greg:Greg Allan Martin, a powerful and commanding presence onscreen, currently can be seen as a series regular playing a rugged rancher in the new SONY/Affirm Originals series SHADRACH, that just premiered on July 25, 2024 on Great American Pure Flix. A versatile actor, Martin has drawn attention for his ability to play such diverse characters as the redneck boat owner Jed opposite Jason Bateman in an iconic scene in the first season of OZARK, a guest star role as an irascible cancer patient opposite Katey Sagal in REBEL, a wealthy socialite experimenting with LSD opposite John Slattery in MAD MEN, arrogant surgeons in THE RESIDENT, HEARTBEAT and two years as Dr. Noah in THE YOUNG AND THE RESTLESS, and as a professional football coach in multiple seasons of the hugely popular MADDEN NFL video game.QuestionsWhat are your core values? What is most important to you? How does you life align with those values? Where is there conflict?Why do you believe what you believe?Subscribe to our YouTube channel (https://www.youtube.com/channel/UC2xo9bvDbN4Z3BEx37AlRqw?sub_confirmation=1) for bonus content.To dive into this content even more, visit our website: www.menatthemovies.com/podcast. You will find resources mentioned on the podcast, plus quotes and themes discussed.Find us on the socials:YouTube: www.youtube.com/@menatthemoviesFacebook: www.facebook.com/menatthemoviesInstagram: www.instagram.com/menatthemovies/TikTok: www.tiktok.com/@menatthemoviesTwitter: twitter.com/_menatthemoviesIf you would like to support our work (and get some behind-the-scenes perks), visit our Buy Me A Coffee page (buymeacoffee.com/menatthemovies). Get invites to livestreams, bonus episodes, even free merch. If you'd like to do a one-time contribution (a cameo appearance), visit www.menatthemovies.com/investors. Edited and mixed by Grayson Foster (graysonfoster.com)Logo and episode templates by Ian Johnston (ianhjohnston.com)Audio quotes performed by Britt Mooney, Paul McDonald, and Tim Willard, taken from Epic (written by John Eldredge) and Song of Albion (written by Stephen Lawhead).Southerly Change performed by Zane Dickinson, used under license from ShutterstockLinks:MATM website: www.menatthemovies.com/podcastYouTube: www.youtube.com/@menatthemoviesSpotify: open.spotify.com/show/50DiGvjrHatOFUfHc0H2wQApple pods: podcasts.apple.com/us/podcast/men-at-the-movies-podcast/id1543799477Google pods: podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80ODMwNThjL3BvZGNhc3QvcnNz

In this heartwarming episode of 'You Are Beautiful with Laurence Zarian,'  LZ welcomes his guest, actress Christina Hendricks. They discuss the concept of beauty, self-confidence, and the journey through self-discovery. Christina opens up about her experience on 'Mad Men', her approach to acting, and her upcoming projects. The conversation delves into the pressures of living up to societal standards of beauty and how Christina navigates life with self-awareness and humor. They also touch on coping mechanisms, personal growth, and maintaining authenticity in a demanding industry. A special segment highlights Christina's reflections on her past, family dynamics, and valuable life lessons she has learned along the way.Timestamp Menu: 00:54 Special Edition and Guest Introduction03:15 Christina Hendricks on Self-Perception06:43 Navigating Compliments and Public Perception08:45 Family Dynamics and Personal Growth13:07 Acting Career and Professional Insights21:52 Reflections on New York and Personal Preferences22:51 Navigating Life in New York23:59 Lessons from Modeling25:58 Unique Career Paths27:33 Exploring Comedic Talent29:42 New Show: Small Town, Big Story35:50 Reflecting on Mad Men38:45 Advice for Young Girls40:37 Desert Island Companion42:16 Final Reflections

Here is what happened on the May 13, 2025 "JB and Sandy Show"Workplace dynamics and relationships between younger employees and older supervisorsInappropriate behavior in professional settings and its implicationsPersonal anecdotes related to workplace experiences and boundariesGenerational differences in workplace interactions and cultureThe importance of women's intuition in uncomfortable situationsTrusting one's instincts and gut feelings in high-stakes scenariosThe significance of open communication about professional boundariesThe impact of climate and weather on daily life and personal comfortLight-hearted discussions about adulthood and practical responsibilitiesThe need for awareness of how actions may be perceived in a workplace context

A majority of those working in aviation are ethical professionals, but it's also an industry that developed in the “Mad Men” era of predatory male-dominated power imbalances. Many of the resulting challenges and hierarchies remain to this day—and are sometimes still exploited. Award-winning investigative journalist and bestselling author Sara Hammel (follow her on Substack) joins us on the podcast to expose this dark side of the aviation industry, people who lead double lives, and the kinds of improvements that must be made. While preventing sexual harassment, assault, and retaliation is a critical goal itself, this issue also has major implications on safety and “just culture” within the industry.

Que recèle ce premier long-métrage d' Amélie Bonnin avec Juliette Armanet, qui sort mercredi prochain chez nous ? Comment Jon Hamm, dix ans après la fin de « Mad Men », parvient enfin à rebondir avec la série « Your friends and neighbors » ? Comment le film « Lads » aborde-t-il l'univers des jockeys et des courses d'obstacles ? Les découvertes musicales : Orlane - Rouge à lèvres (Rework) Bb Trickz – Super Lena Hall - Hold Me Now Pearl Jam- Present Tense (Redux) Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Our final two matchups of the bracket are Deathdream vs. The Battery and Train to Busan vs. Savageland. Three American indies, one Korean blockbuster. How greatly is vision limited by budget? As usual, we focus on the eliminated films but highlight what they have to offer.

At Stripe's Sessions conference this week, Mark Zuckerberg pitched what he calls the “ultimate business machine”: a fully automated, end-to-end AI ad engine promising to replace agencies, creatives, and media buyers. You just need to connect your bank account first.  Zuckerberg claims this could be one of the most valuable AI systems ever built, generating thousands of image ads and testing them in real time, but it raises a bigger question: is this the future of advertising, or just another wave of AI slop flooding your feed? Today, on TechCrunch's Equity podcast, hosts Kirsten Korosec, Max Zeff and Anthony Ha are unpacking why Zuckerberg's vision could be a marketer's dream or creative agency's worst nightmare, and what else caught our eye in tech this week. Listen to the full episode to hear about: How Google's Gemini 2.5 Pro managed to beat Pokémon Blue. Max was unimpressed, but the Equity crew thinks gamifying AI benchmarks might be the way to go. The countertop robot that handles some parts of cooking for you, with emphasis on some Uber's continued push into autonomous vehicles and what Waymo's doing in the mix A new venture from Brian Armstrong that just raised $130 million to develop cutting-edge age-reversing treatments, and who else is using AI to help us live forever Equity will be back next week, so stay tuned! Equity is TechCrunch's flagship podcast, produced by Theresa Loconsolo, and posts every Wednesday and Friday.  Subscribe to us on Apple Podcasts, Overcast, Spotify and all the casts. You also can follow Equity on X and Threads, at @EquityPod. For the full episode transcript, for those who prefer reading over listening, check out our full archive of episodes here. Credits: Equity is produced by Theresa Loconsolo with editing by Kell. We'd also like to thank TechCrunch's audience development team. Thank you so much for listening, and we'll talk to you next time. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Corey Nathan sits down with Pete Campbell, Creative Director at Wild Card Creative Group and one of the most respected editors and mentors in the trailer industry. From his humble beginnings as a student and babysitter to cutting award-winning trailers and mentoring the next generation of creatives, Pete shares his journey and the craft behind some of the most iconic trailers in Hollywood. What We Discuss: How Pete transitioned from screenwriter to editor to creative director Why WDA was a launching pad for so many successful creatives What it takes to make a trailer that resonates emotionally and commercially Behind-the-scenes insights into campaigns like The Martian, The Post, and Severance How Pete balances creative intuition with collaboration and leadership Episode Highlights: 1:00 – Pete talks about his Mad Men namesake and early days in advertising 4:00 – From Loyola Marymount to babysitting Kevin Williamson's twins 11:00 – Cutting a spec trailer for Kung Fu Hustle and launching a career 16:00 – Why Pete joined AV Squad and how it shaped his creative evolution 26:00 – Creative directing as mentorship, not micromanagement 34:00 – The story behind The Martian trailer and how quiet moments amplify impact 45:00 – Editing The Post and Nick Temple's critical advice 51:00 – The joy of working on The Studio and blending highbrow and madcap comedy 60:00 – Pete's favorite trailers by other editors and what he learned from them Featured Quotes: "Your job as a creative director is to see that 85% and not put your thumbprints all over it." – Pete Campbell "I've had so many moments where I think I'm terrible, and then I pray, and somehow an idea comes that saves the day." – Pete Campbell "Think different. It sounds so easy, but it's one of the hardest things to do in this industry." – Pete Campbell Resources Mentioned: Dead Island Game Trailer: https://youtu.be/2mi5bH0fIxE?si=RMH12502ZTzhMEZV Pete Campbell on LinkedIn: linkedin.com/in/pete-campbell-19629a21  Wild Card Creative Group: www.wildcardcreativegroup.com Our Sponsors:  The Golden Trailer Awards: goldentrailer.com/   Brent Allen Hagel: www.brentallenhagel.com Soundstripe: app.soundstripe.com Call to Action: Please leave us a rating and review:  https://apple.co/3QYy80e You can find Corey on all the socials @coreysnathan such as www.linkedin.com/in/coreysnathan. Want to hear how the best in the business craft the world's most exciting movie trailers? Tune in every week to Trailer Geeks and Teaser Gods!

We ended this season with style, substance, and no shortage of side-eye as we celebrated identity, fashion, community, and trans resilience. From Black dandyism to queer travel safety tips, and a healthy dose of real talk—you already know we came ready.Show Notes:Hosts: Felicia “Fefe” Minor and Freddy Prinze CharmingHousekeeping:Join our Patreon: patreon.com/livewithfefeandfreddyExclusive merch drops available—stickers, mugs, tees, and totesHuge thanks to our patrons and sponsor WigsofaKind for their support this seasonLet's Talk About Us:Freddy:Long night in TucsonWeekend rehearsalsStarted watching Poly FamilyFelicia:Got her first Cameo requestWatched the Met Gala live for the first timeJust the Tip – ALL THE TIPS (Season Finale Edition):Tapping into Your Inner Dandy:Style as self-expression, especially within the Black communityHow Black dandyism evolved as resistance and identityWays to elevate your fashion game: tailoring, accessories, color, and confidenceThis year's Met Gala theme celebrated Black dandyism with stunning resultsTrans History Week:Highlighted influential trans pioneers including Dora Richter, Dr. Alan Hart, Lou Sullivan, and CoccinelleHonoring the legacy and impact of trans individuals in medicine, activism, and lawTraveling While Trans and/or Queer:U.S. carries a “Do Not Travel” advisory for trans individuals—safety mattersHigh-risk states include TX and FLTips for staying safe while on the road:Keep ID documents currentAvoid solo long drives through high-risk areasShare your location, stick to well-lit stops, and have a travel buddyTrust your instincts—remove yourself from unsafe situationsA Closer Look at Current Events:Import tariffs driving prices up—145% increases on apps like Temu and SHEINGeorge Santos sentenced to 7+ years for fraud and identity theftTrump vs. Bezos: Amazon exposes tariff costs, and Twitler is madMen are shaving off eyelashes because... masculinity?RFK Jr. says fluoride lowers IQ—what are we even doingPoland repeals final “LGBT-free zone”Harvey Fierstein to receive Lifetime Achievement TonyMet Gala raised $31 million for Black fashion historyFormer Memphis officers acquitted in Tyre Nichols' deathIndia-Pakistan tensions escalate with deadly missile strikesUpcoming Shows & Events:May 16 – Drag Bingo + Cats at PHX Cat CafeMay 24 – Drag Story Hour AZ Annual Fundraiser (20% off with promo code)May 29 – Drag Bingo at Drink Me! Tea RoomJune 5 – Second Annual MPI AZ Drag Bingo at Warehouse 215June 6 – PFF Dragstravaganza (free with con pass)June 7–8 – Drag Story Hour AZ at Phoenix Fan FusionSeptember 4 – Sex Trivia returns to Gracie's Tax BarEnd of Show:Thank you for an incredible Season 13Special thanks to our live viewers, replay watchers, and podcast listenersOver 15,000 downloads and growingSee you soon for more honest, bold, fabulous conversations on Live! with Fefe & FreddyListen on Facebook, YouTube, Twitch, Spotify, Apple Podcasts, or wherever you stream podcasts.

We watched 4 epiosdes of Muppet Babies this time because we hate ourselves. But you won't hate listening to us talk about them, because we're nice and fun and because these epiosdes are WEIRD! Sorry we talk about Mad Men and Marvel so much! Episodes covered: "Plan 8 From Outer Space," "Junkyard Muppets," "The Air Conditioner at the End of the Galaxy," and "Bug-Busting Babies" Go to http://kermitmentstuff.com/ to get your Kermitment merch!  Kermitment has a Patreon! Running a podcast is deceptively expensive work, so by becoming our Patron, you help us cover those costs and allow us to do funner, cooler stuff in the future! Find out more here! Visit our website to find a link to the Kermitment Patreon and more fun stuff at http://Kermitment.com! If you can't get enough Kermitment, follow @Kermitment.com, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydos Sam: @im-sam-schultz

Ana and Dan dance like no one is watching. Andor Season 2 is finally here—was it worth the wait? The first arc brings us sexpest fascists, sad droids, multiple rebellions in search of a group chat, Cassian in motivational speaker mode, Mad Men in space, and genocide served over light refreshments. We dig into imperial bureaucracy, Star Wars as labor economy, and why Tony Gilroy might be the last great showrunner of his kind. Yes, there is IR in this galaxy.Content warning: discussion includes sexual assault and real-world current events. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Welcome to this episode of Charity Therapy! I'm Jess Birken, and today we're diving into the wild world of nonprofit leadership. I've got David Rhode, a super-smart nonprofit coach and author, joining me to give all kinds of advice for nonprofit executive directors. We're tackling a juicy listener question about a micromanaging board member who's causing a bit of a headache. Trust me, we've got some great strategies to share that'll help you balance gratitude with boundary-setting. Transitioning from a working board to a governing board can feel like trying to solve a Rubik's Cube in the dark, especially when leadership roles are changing. With David's guidance, we explore how to keep board members engaged by giving them roles that match their strengths. Don't worry, we've got tips on keeping things fair and professional, ensuring everyone knows their lane. And let's not forget the fun twists of gender dynamics and generational differences. David and I chat about the importance of continuous learning and having a support network. Plus, we've got some motivational pep talks for those days when you're just trying to keep your head above water. Tune in for some personal stories, professional advice, and a few laughs as we empower you to lead with confidence and cultivate a culture of respect in your nonprofit world. In this episode, you will hear: How to navigate the tricky waters of board dynamics and leadership Some no-nonsense tips on how to set boundaries with a board member How to transition from a working board to a governing board How to step into your role as the boss David's advice for building your own support network How to stand up and claim your turf (respectfully!) What to do when doing the same things over and over again just won't cut it anymore Resources from this Episode Buy David's Book, Passion Isn't Enough: https://dotdotorg.com/my-book Sign up for the Birken Law Email list: https://birkenlaw.com/signup/ Facebook page: https://www.facebook.com/birkenlaw Follow and Review: We'd love for you to follow us if you haven't yet. Click that purple '+' in the top right corner of your Apple Podcasts app. We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast. Episode Credits If you like this podcast and are thinking of creating your own, consider talking to my producer, Emerald City Productions. They helped me grow and produce the podcast you are listening to right now. Find out more at https://emeraldcitypro.com Let them know we sent you.

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

patreon.com/TheMarketingMadMen: https://www.nick-constantino.com/See omnystudio.com/listener for privacy information.

Participants: John Steppling, Roger Johnson, Hiroyuki Hamada, and Dennis Riches. Topics covered: The history of Israel's nuclear weapons program, Seymour Hersh's “The Samson Option” (1991), death of the Pope and the conclave, Italy marks the annual date of the end of fascism—April 25th, Schwab dethroned at the WEF, Ibrahim Traoré, Jon Hamm: from “Mad Men” to “Your Friends and Neighbors”—same show, different decades? Music track: “How Long Blues” by Leroy Carr (public domain).

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Mad Men star Jon Hamm faces criticism for his involvement in a college hazing scandal, that had him arrested for assaulting a pledge for his fraternity Sigma Nu in 1990. Lorde drops news music! Meghan Markle and Prince Harry faces backlash for their extravagant motorcade security. Plus, is Melissa Gorga and Kathy Wakile's feud over RHONJ continues! Special Guest: Chef Stuart O'Keeffe (@chefstuartokeeffe / Don't Let It Stu Podcast) Hosted and Produced by Zack Peter - Find us online: https://instagram.com/justplainzack https://instagram.com/andylalwani Learn more about your ad choices. Visit podcastchoices.com/adchoices

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Will and Alex break down the Clippers' dominant Game 3 win over the Nuggets, the Grizzlies' collapse after leading by 29 at home, and how Jimmy Butler's injury could shift the Warriors-Rockets series. Then, they crack open a playoff six-pack and discuss: Nico Harrison's end-of-season presser, The Athletic's anonymous player poll, viral Asian NBA fans, and a debate on Mad Men vs. Succession. Finally, Jerome introduces a new BADBADNOTGOOD segment, gauging first-round panic levels around the league.#nba #nbaplayoffs #jamorant #goldenstatewarriorsReach out to the show by leaving a voicemail at hellowelcome.show or email the guys info@hellowelcome.showCheck out our merch! Visit hellowelcome.show and click on the merch link.Original Music by DIVISION 88.Hello and Welcome is presented by Betway. https://betway.ca- Only Available In Ontario, must be 19+. Please play responsibly.Download the Betway app: https://betway.onelink.me/3010529547/0mx1y6wbTangerine: www.tangerine.caGreta Bar YYZ: https://www.gretabar.com/locations/torontoReach out to sales@thenationnetwork.com to connect with our Sales Team and discuss opportunities to partner with us! Hosted on Acast. See acast.com/privacy for more information.

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Teslas bilförsäljning rasar och bolaget bommar analytikernas prognoser. Ändå stiger aktien. Björn Jeffery ser en förklaring. Kan Elon Musk ha inspirerats av tv-serien ”Mad men”? Allt fler överger Google för AI-tjänster, samtidigt som sökjätten pressas av flera rättsprocesser i USA. Henning Eklund drar paralleller till antikens Grekland. Plus: Veckans mest futuristiska förutsägelse - och veckans "svorsk". SvD Tech brief är en podd från Svenska Dagbladet. Feedback: techbrief@svd.se Signa upp dig för nyhetsbrevet: https://www.svd.se/story/tech-brief-nyhetsbrev

10 years after the end of 'Mad Men,' the Emmy-winning actor who brought to life Don Draper reflects on his difficult youth (he lost both parents before turning 21), the rewards and pain of playing one of the greatest anti-heroes of the platinum age of TV, how comedy came to figure so prominently in his next act, and why he was so drawn to playing a man who has everything and then loses it all on his new Apple TV+ series. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've got more zombie movie talk! As the tournament rolls on, the Madmen must vote out either The Beyond or Wyrmwood: Apocalypse. Do we keep Cemetery Man or Deadgirl? Each movie has its merits…

I guess come to the show, babe. https://linktr.ee/samhickmanmusic

Shawn Desman & Jamie fine join us in studio. Jon Hamm on how TV has changed since ‘Mad Men'. A Helluva Story with a guy that collects his finger nails. Alexander Ovechkin breaks Wayne Gretzky's goal record and ‘Jersey Shore' is coming to Canada!

Michelle Obama addresses her future and making her own decisions amid divorce rumors in a new podcast episode with Sofia Bush. Also, Jon Hamm stops by to talk about his new show ‘Your Friends and Neighbors' and getting ready to host ‘Saturday Night Live.' Plus, an inspiring conversation with Pastor Mike Junior on how he uses faith and music to unite. And, Nick Jonas and Adrienne Warren join to discuss teaming up in the Broadway musical The Last Five Years.

It's Die Hard in a simulation!This week, hosts Phil and Liam are following the white rabbit into one of the most prophetic and influential movie of the 90s - The Matrix (1999) - with special guest Matt Zoller Seitz, the renowned Editor at Large of rogerebert.com. He is a Features Writer at New York Magazine, and is the author of many books, including books on Wes Anderson, Mad Men, The Sopranos, and many more. Matt not only loves this movie, but talks eloquently about how it changed his life. Released in the banner year of 1999, The Matrix follows Thomas Anderson, a mild-mannered software engineer who moonlights as a notorious hacker known as Neo, discovers to his horror that the world he lives in is actually an elaborate simulated reality created by intelligent machines who have subjugated humanity. Guided by the enigmatic resistance leader Morpheus (Laurence Fishburne) and the skilled warrior Trinity (Carrie-Anne Moss), Neo learns the truth about the Matrix and his potential role as "The One," a prophesied savior who can bend, and perhaps break, its rules. As he battles powerful Agents led by the ruthless Agent Smith (Hugo Weaving), Neo must embrace his destiny and free his mind to prevent the machines' enslavement of humanity.We talk about the film's unexpected connections to Die Hard (Kinda blowing Matt's mind), the movie's philosophical complexity (Plato! Descartes! Baurdrillard!), it's appropriation by both the right and left-wing, and if it can be seen, 26 years on, as being somewhat optimistic. We also talk about the culture-chaning action, the amazing performances by Reeves, Moss, Fishburne, and Weaving, and how the movie's style hasn't aged a day. So call your operator and strap in for one of our most mind-blowing episodes yet!Listen now, wherever you get your podcasts! Hosted on Acast. See acast.com/privacy for more information.

If there's anyone who knows how to play a wealthy man with a secret, it's Jon Hamm. From Mad Men's Don Draper to Andrew Cooper turning to a life of crime to maintain his lavish lifestyle in his new series Your Friends and Neighbors (Apple TV+), Hamm knows. “I'm really good casting for this, if I do say so myself,” Hamm laughs, “absurd wealth is what we're looking at here,” and the secrets its pursuit can reveal. “Late-stage capitalism and rampant materialism, and what does it really mean? Why are we measuring ourselves against other people using the metric of just who has a bigger pile of stuff?” While he knows “not everybody can resonate with having to make their $300,000 mortgage” like his character, “people can certainly identify with losing their job through no fault of their own.” Between Mad Men and some of his Emmy-nominated work on The Morning Show, Fargo and Landman, Hamm is confident that he's “earned my place,” but is mostly “fortunate” that he gets to work with those he admires. “To work with those people is a tremendous gift.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to The Viall Files: Reality Recap!  It's an exciting start to another week as we're joined by the one and only Christina Hendricks to talk about all things Bravo, her new show Good American Family, interior design, and more! Meanwhile, Erin and Abe Lichy stop by to get into the White Lotus finale, Summer House, and Southern Charm! Plus, we get into the most recent RHOA episode… You will absolutely not want to miss it! “I don't care about your art.” Subscribe to The ENVY Media Newsletter Today: https://www.viallfiles.com/newsletter  OUT NOW! Listen to Humble Brag with Cynthia Bailey and Crystal Kung Minkoff. Available wherever you get your podcasts and YouTube: https://www.youtube.com/@humblebragpod https://podcasts.apple.com/us/podcast/humble-brag-with-crystal-and-cynthia/id1774286896 Start your 7 Day Free Trial of Viall Files + here: https://viallfiles.supportingcast.fm/  Please make sure to subscribe so you don't miss an episode and as always send in your relationship questions to asknick@theviallfiles.com to be a part of our Monday episodes. Follow us on X/Twitter: https://twitter.com/TheViallFiles Listen To Disrespectfully now! Listen on Apple: https://podcasts.apple.com/us/podcast/disrespectfully/id1516710301 Listen on Spotify: https://open.spotify.com/show/0J6DW1KeDX6SpoVEuQpl7z?si=c35995a56b8d4038 Watch on YouTube: https://www.youtube.com/channel/UCCh8MqSsiGkfJcWhkan0D0w To Order Nick's Book Go To: http://www.viallfiles.com  If you would like to get some texting advice on Office Hours send an email to asknick@theviallfiles.com with “Texting Office Hours” in the subject line! To advertise on this podcast please email: ad-sales@libsyn.com or go to: https://advertising.libsyn.com/theviallfiles   THANK YOU TO OUR SPONSORS: Wayfair - Shop the best selection of home improvement online. Get renovating with Wayfair. Head to https://wayfair.com right now. Hero Bread - Hero Bread is offering 10% off your order. Go to https://hero.co and use code VIALL at checkout. Rosetta Stone - Viall Files listeners can grab Rosetta Stone's LIFETIME Membership for 50% OFF! That's unlimited access to 25 language courses for life! Visit https://rosettastone.com/viall to get started and claim your 50% off TODAY! Sundays For Dogs - Get 40% off your first order of Sundays. Go to https://sundaysfordogs.com/VIALL or use code Viall at checkout. Timestamps: (00:00) - Intro (01:33) - White Lotus Finale (14:05) - Household Headlines (19:48) - Programming Notes (21:44) - Parenting (29:38) - Erin and Abe Join (35:54) - More White Lotus (43:43) - Summer House, Southern Charm Finale, and More Summer House (01:09:55) - Housewives (01:18:39) - RHOA (01:33:35) - Christina Joins (01:39:27) - Good American Family (01:47:21) - Getting Into Reality TV (01:49:31) - RHOSLC (01:52:42) - Housewives Inspired? (01:56:14) - Scripted TV (01:58:39) - Craig and Paige (01:59:29) - Vanderpump and The Valley (02:01:16) - Temptation Island (02:01:53) - Hanging With Cast (02:05:03) - Mad Men (02:08:15) - Dream Projects (02:09:37) - Meeting Your Husband and Moving To LA (02:12:49) - Outro Episode Socials: @viallfiles @nickviall @nnataliejjoy @actuallychristinahendricks @erindanalichy @abe.lichy @ciaracrobinson @justinkaphillips @the_mare_bare @leahgsilberstein @dereklanerussell 

Christina Hendricks joins us this week to talk about the new Hulu series Good American Family. She also chats with us about her time as a model and a ballet dancer, and what life's been like for her after starring on one of the biggest shows ever – Mad Men.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Barry Livingston, best known as Ernie from My Three Sons, brings a treasure trove of Hollywood stories in this nostalgic ride through decades of TV and film. From early beginnings alongside his brother Stanley to memorable roles in The Orville, Mad Men, Zodiac, and more—Barry shares the ups, downs, and delightful surprises of a lifelong acting career. He reflects on brushes with icons like Paul Newman and Elvis Presley, his transition from child actor to seasoned pro, and the quirky journey that shaped his signature look. Plus, a behind-the-scenes peek at working with legends like Lucille Ball, Fred MacMurray, Adam Sandler, and Steven Spielberg. Episode Highlights: How Barry's first role with Paul Newman led to a surprise diagnosis—and launched his Hollywood journey The real reason he was fired from Rally Round the Flag, Boys! and how it became a blessing in disguise What it was like working on The Adventures of Ozzie and Harriet and transitioning into My Three Sons The McMurray Method: how Fred MacMurray filmed My Three Sons out of order—and no one noticed Barry's surreal ride around the Paramount lot with Elvis Presley (while watching Popeye in a decked-out Cadillac) His hilarious encounter with Steven Spielberg and why Spielberg fan-boyed over him Behind-the-scenes memories from working with Lucille Ball, William Frawley, and Betty White From Doogie Howser to Bosch—how Barry built a second act as a beloved character actor What Adam Sandler did that no one else in Hollywood would—and how it landed Barry in You Don't Mess with the Zohan Honest reflections on navigating fame, adolescence, and the 1970s acting grind with grace (and some weed)   You're going to love my conversation with Barry Livingston IMDB Order Barry's book!  Follow Jeff Dwoskin (host): Jeff Dwoskin on Twitter The Jeff Dwoskin Show podcast on Twitter Podcast website Podcast on Instagram Join my mailing list Subscribe to my Youtube channel (watch Crossing the Streams!) Yes, the show used to be called Live from Detroit: The Jeff Dwoskin Show Ways to support the show: Buy me a coffee (support the show) TeePublic Store: Classic Conversations merch and more! Love the books I talk about on the show? Here is my Amazon store to shop.  

On this edition of GFA Live, Peter and Keithie talk about WWF Superstars from January 20, 1990! (and some other stuff, of course!) Topics of discussion include: * Pointless time travel * Managers NOT talking during their charges' promos * Mad Men vs the Sopranos over time * Ripping on Back to the Future 2 * Fun with the close caption functionality * The Robbinsdale, Minnesota mafia * Live reaction to Alex Ovechkin setting the all time NHL record for goals

To a generation of misfits not all that interested in what John Hughes was serving up in the ‘80s, writer-director Tim Hunter is a god. And his twin teen-movie testaments OVER THE EDGE and RIVER'S EDGE remain quotable sacred texts that serve as a secret language to communicate to other like-minded individuals that you too are a member of the anti-Breakfast Club. And in the land of television, he's a bona-fide legend — filling the director's chair on some of the greatest shows ever made: TWIN PEAKS, MAD MEN, BREAKING BAD, HOMICIDE, DEADWOOD and that's right, Gabe! He even directed the pilot of BEVERLY HILLS 90210. So how do you interview THAT?!? That's the kind of gravitas that turns Scott into something resembling an awestruck 12 year-old backstage at a Led Zeppelin concert in 1973. Or a 54 year-old talking to Tim Hunter via Zoom. At any rate — it was a thrill. PLUS!: The complete and total breakdown of WHAT'S THE BEST?!?

In this episode, host Richard Roeper dives into the "repeatability factor" of iconic TV shows, revisiting Mad Men, Breaking Bad, The Office, and more. Plus, Pretty Woman turns 35, and Patrick Warburton takes unexpected blame for the viral "raw-dogging travel" trend. The Richard Roeper Show is brought to you by Americaneagle.com Studios.

It's been a busy week in Dallas-Fort Worth food news. There are changes afoot at Knife, and The Zodiac is staying for now, among other developments. The Dallas Morning News food team feasts on fiction, discussing why 'White Lotus,' 'Mad Men' and 'Scandal' makes us hungry and thirsty. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ira and guest co-host Jay Jurden discuss the Avengers: Doomsday cast, Apple TV+'s new comedy The Studio, Urban Outfitters dipping into Black Y2K fashion, Morgan Wallen's SNL tantrum, Elon Musk meddling in the Wisconsin Supreme Court election; and Pop the Balloon, Kill Tony, and the YouTube to TV series pipeline. Elisabeth Moss joins to discuss the final season of The Handmaid's Tale, memories of Mad Men's final season, performing in David Mamet plays, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast 

Back in 1923, Claude Hopkins wrote the definitive book on advertising. David Ogilvy said the book “changed his life,” and over eight million copies of the book have been sold. But are the 102-year-old tips still accurate today? In this episode of Nudge, I find out.  You'll learn: Why the phrase “Food Shot Through Guns” helped sell more cereal.  How a sewing machine manufacturer increased his sales 9-fold.  The four predictions Hopkins got wrong.  And evidence-backed studies that reveal what he got right.  ---- Download the Reading List: https://nudge.kit.com/readinglist Sign up to my newsletter: https://www.nudgepodcast.com/mailing-list Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew-22213187/ Watch Nudge on YouTube: https://www.youtube.com/@nudgepodcast/  ---- Sources: BBC. (2016). Corsodyl: How an unnerving ad campaign works. BBC News. Behavioural Insights Team. (2013). Applying behavioural insights to charitable giving. Government & Society. Berger, J., Moe, W. W., & Schweidel, D. A. (2023). What holds attention? Linguistic drivers of engagement. Journal of Marketing, 87(5). https://doi.org/10.1177/00222429231152880 Berger, J., Sorensen, A. T., & Rasmussen, S. J. (2010). Positive effects of negative publicity: When negative reviews increase sales. Marketing Science, 29(5). https://doi.org/10.1287/mksc.1090.0557 Harris, K. [Kamala Harris]. (2024, March 1). Enemy Within | Harris-Walz 2024 [Video]. YouTube. https://www.youtube.com/watch?v=YQnugO8SEx0 Hopkins, C. (1923). Scientific advertising. Printers' Ink Publishing Company. Hüttel, B. A., Schumann, J. H., & Wagner, C. J. (2018). How consumers assess free e-services: The role of benefit-inflation and cost-deflation effects. Journal Name, 21(3). Kahneman, D. (2011). Thinking, fast and slow. Farrar, Straus and Giroux. Monnier, A., & Thomas, M. (2022). Experiential and analytical price evaluations: How experiential product description affects prices. Journal of Consumer Research, forthcoming. https://doi.org/10.2139/ssrn.4046802 Pick, D. F., Sweeney, J., & Clay, J. A. (1991). Creative advertising and the von Restorff effect. Psychological Reports, 69(3, Pt 1), 923–926. https://doi.org/10.2466/PR0.69.7.923-926 Rogers, T., & Lasky-Fink, J. (2023). Writing for busy readers: Communicate more effectively in the real world. Schindler, R. M., & Yalch, R. (2006). It seems factual, but is it? Effects of using sharp versus round numbers in advertising claims. Advances in Consumer Research, 33, 586-590. Association for Consumer Research. Sutherland, S. (1992). Irrationality. Pinter Publishers. Trump, D. J. [Donald J Trump]. (2023, September 12). Wolves [Video]. YouTube. https://youtu.be/pxz9sxUqgsE Weiner, M. (Writer), & Draper, M. (Director). (2008). Mad Men (Season 1, Episode 11) [TV series episode]. In M. Weiner (Producer), Mad Men. Lions Gate Television.

When you think of music in the 1960s, some groundbreaking artists probably come to mind: Bob Dylan, Jimi Hendrix and the Jefferson Airplane, for example. But the pop charts paint a very different picture of that decade, which embraced easy listening, groovy bubblegum, novelty and instrumental records—even a guitar-strumming Belgian nun.  In other words, the soundtrack of the era was more like Mad Men and less like Forrest Gump. Join Chris Molanphy as he unearths forgotten hits from Bobby Vinton, Kyu Sakamoto, Jeannie C. Riley, and other unlikely chart-toppers, on a still-strange trip through the ‘60s. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of music in the 1960s, some groundbreaking artists probably come to mind: Bob Dylan, Jimi Hendrix and the Jefferson Airplane, for example. But the pop charts paint a very different picture of that decade, which embraced easy listening, groovy bubblegum, novelty and instrumental records—even a guitar-strumming Belgian nun.  In other words, the soundtrack of the era was more like Mad Men and less like Forrest Gump. Join Chris Molanphy as he unearths forgotten hits from Bobby Vinton, Kyu Sakamoto, Jeannie C. Riley, and other unlikely chart-toppers, on a still-strange trip through the ‘60s. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you think of music in the 1960s, some groundbreaking artists probably come to mind: Bob Dylan, Jimi Hendrix and the Jefferson Airplane, for example. But the pop charts paint a very different picture of that decade, which embraced easy listening, groovy bubblegum, novelty and instrumental records—even a guitar-strumming Belgian nun.  In other words, the soundtrack of the era was more like Mad Men and less like Forrest Gump. Join Chris Molanphy as he unearths forgotten hits from Bobby Vinton, Kyu Sakamoto, Jeannie C. Riley, and other unlikely chart-toppers, on a still-strange trip through the ‘60s. Learn more about your ad choices. Visit megaphone.fm/adchoices

We had the pleasure of interviewing Hudson Thames over Zoom video!Prolific songwriter, performer, and actor Hudson Thames has shared his soul-soothing debut album BAMBINO, available to stream now on all DSPs worldwide via Loaded Dice Entertainment. The album is laced with moody pop anthems, deeply emotional ballads, and genuinely timeless songwriting, paying homage to icons like Elton John, Billy Joel, and Paul McCartney. It features standout tracks “Wrong,” “Cold Summer,” “Weight” (feat. Kelsey Karter) and “Man of the World,” which features Jamie Cullum and was produced by Stephan Moccio (The Weeknd, Miley Cyrus). “BAMBINO is an Italian term of endearment that means ‘Baby' or ‘Little One.'  My dad remarried when I was twelve to a big Sicilian clan and my family grew by about a thousand people overnight,” says Thames. “As I floated through family functions and dinner parties, the term Bambino was assigned to me and I always felt that it was really sweet. This album is so coming of age for me. It's been whittled down over the last two years to highlight the most important moments of growth and learning during the most challenging but important time in my life. As I figure out my place in the world as a man, it feels like the right time to relinquish the title of ‘Bambino' and give it MY baby; This body of work.”A product of a honkey-tonk piano player father, Rat Pack Vegas performers, and a crew of skate rats from The San Fernando Valley, Hudson's pop sensibility has old school roots. Hudson first saw radio success with his first single, “How I Want Ya” feat. Hailee Steinfeld, and “Drive it Like You Stole it,” which led to performances on The Today Show, The Radio Disney Music Awards, as well as dozens of featured TV and film placements. When Hudson isn't busy playing music, he can be found sharing his talents on-screen. Bursting onto the stage at only 13 years old, Hudson's acting career began with roles in Tony Award-winner Jason Robert Browns' 13 the Musical alongside Ariana Grande, Distracted with Rita Wilson, and Falsetto's with Jason Alexander. He also has landed roles on acclaimed shows like The Secret Life of the American Teenager and Mad Men, to name a few. Currently, Thames is starring in Disney+'s new animated Spider-Man series, Your Friendly Neighborhood Spider-Man, as Peter Parker's voice.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #HudsonThames #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodBecome a supporter of this podcast: https://www.spreaker.com/podcast/bringin-it-backwards--4972373/support.

When you think of music in the 1960s, some groundbreaking artists probably come to mind: Bob Dylan, Jimi Hendrix and the Jefferson Airplane, for example. But the pop charts paint a very different picture of that decade, which embraced easy listening, groovy bubblegum, novelty and instrumental records—even a guitar-strumming Belgian nun.  In other words, the soundtrack of the era was more like Mad Men and less like Forrest Gump. Join Chris Molanphy as he unearths forgotten hits from Bobby Vinton, Kyu Sakamoto, Jeannie C. Riley, and other unlikely chart-toppers, on a still-strange trip through the ‘60s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jay Ferguson (Mad Men, The Conners) joins us this week to share the defining moment in his life where he chose to put his ego to the side for the sake of his family and career… and how that decision ultimately lead to him landing roles on hits like Mad Men and The Conners. Jay opens up about the unexpected emotions and compounded feelings that come from the loss of a close loved one as he shares stories about his late great mother. We also get into nerves working alongside Bert Reynolds, getting an inch and taking a mile with Leonardo DiCaprio, and an all-time story about our first meeting during a sitcom. Thank you to our sponsors: ⚕️ Lumen: https://lumen.me/inside