Podcasts about Touch it

SOCA THERAPY - APRIL 13, 2025Soca Therapy PlaylistSunday April 13th 2025Making You Wine from 6-9pm on Flow 98.7fm TorontoJamtown (RaeMix Dr. Jay Plate) - Rae x TanoJamtown (Dr. Jay Plate) - Coutain x TanoMedicine - Kes x TanoHero - GBM Nutron x TanoWelcome To Soca - Kerwin Du BoisBumpa - Machel MontanoChocolate - OlatunjiChocolate (Jester VIP Edit) - Adam O x VictoriousSexy Chocolate Girls (Remix) - Farm P x Kerwin Du BoisChocolate - Sanell DempsterInto You - Patrice RobertsHold You Tonight - Machel Montano x Vybz KartelSuper Soca - Machel Montano x Vybz KartelRum & Calypso - Jimmy OctoberBlind - Hey Choppi Dingolay (DJ Kevin Feels Edit) - Mical Teja x Nailah BlackmanGood Spirits - Full BlownNo Sweetness - KesThe Truth - Machel MontanoThe Greatest Bend Over - Yung BreddaTop Ranking - Shal MarshallRemove Yuhself - BlaxxWhole Day We Jammin - Blaka DanCarnival Tabanca - Bunji GarlinCall My Name - DestraTOP 7 COUNTDOWN - Powered By The Soca SourceTop Songs by Blaka Dan Streamed On Spotify7. Touch It6. Wuk Is Dat5. Last Horn4. Not in Dat3. Relation Fabrication 2. Loyal Side Man1. BlessingLifetime Tabanka - Skinny BantonFuh Spite - Kes The BandJam Somebody (SMJ Refix) - JadelBamcie - Added Rankin x Yung BreddaThe A List (DJ Tate Remix) - Pumpa x Kerwin Du BoisScrub It 2 - Deejay AsapSwing Engine - Burning FlamesMakin’ Me High - Third BassRoll It - StarchildBumper - DJ GrandmasterWave It Low - NatashaHigher - VoiceHigher (Dr. Jay Plate) - VoicePressure - Kes The BandPampalam - Faith CallenderStarta Pack - Tionne HernandezCarnival Contract - Bunji GarlinBad Switch - Kerwin Du Bois x SimbaarleyBend Over Gal - King Bubba FmI Don’t Care - Lil RickBaddest DJ - Imani Ray x Tionne Hernandez x Keke x Nicki PierreJiggy - Added Rankin Love Bombing - Lady Lava x Problem ChildPAN MOMENTSPan in A Minor - Amoco RenegadesTANTY TUNE(1986) Kaka Roach - Lord KitchenerThe Cook (Coal Pot) - TraffikHard Wuk - Dread & A BaldheadBoss Lady (Sign Me Up) - Kes The BandMental Day - Kes The BandUmbrella - Bunji GarlinThe Spirit - Machel MontanoBehaviour Nothing - Skinny FabulousNORTHERN PRESCRIPTIONSweetness - Traffik feat Shayne BaileyCocoa Tea (Mr Vik Band Edit)- Kes The BandDansa - Klassik FrescobarFair Sa - HypasoundsEngine Room - OlatunjiHoliday (Jester Edit) - Madonna x Problem ChildSearch Party - PreedyI’ll Be Ok - RupeeSoca Therapy - Patrice RobertsFallin’ - Nadia BatsonMillion - Kes The BandForget About It - Kerwin Du BoisFollow Dr. Jay @socaprince​ and @socatherapy“Like” Dr. Jay on http://facebook.com/DrJayOnline

Scrimshire - Sycamore Vibration Black Finger - New wave Bopperson & Bikbaye - Wellness is a practice (Frankson remix) Ezra collective - God gave me feet for dancing feat Yasmin Lacey Jessica Lauren - Alefela James Alexander Bright - Oh My Dave Lee Mixes - Dancin for your love (Space Mogg Dub) in Arnau Obiols & KAYYAK - Faith (Medlar & Dele Sosimi Remix) Voilaaa - Faché (feat. Pat Kalla) Gledd and his moving orchestra - rewild Sharon Brown - I Specialize in Love (Ben Liebrand Le Disco Mix) Lenny Williams - Changes Another Taste & Maxx Traxx - Don't Touch It! (Cover)

A conversation with someone I find endlessly fascinating to talk to — one of my favourite authors, Jason Pargin. He's perhaps most well known for writing John Dies At The End, or a host of other books that all have amazing titles including This Book Is Full of Spiders: Seriously, Dude, Don't Touch It, What the Hell Did I Just Read, and If This Book Exists, You're in the Wrong Universe. His latest comes out this week, and is called — in true Jason style — I Am Starting to Worry About This Black Box of Doom. I was reading his stuff way before I knew I was reading his stuff, later finding out he was the guy who started Pointless Waste of Time which ended up being Cracked.com. If you don't know his writing, you might know him as “the geriatric TikTok personality” (his words, not mine) who stumbled upon Tickled recently, before moving onto Mister Organ. After watching that reaction video, I got in touch with him and fawned a little, before discovering that we have a lot of interests in common — from the chaos of social media and AI, to cults and religion, to all the stuff Tickled and Mister Organ touched on. I loved talking to Jason — and so here's our conversation. It goes all over the place, and I hope you enjoy what he has to say. BOOK LINK: https://static.macmillan.com/static/smp/starting-to-worry-about-9781250285959/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.webworm.co/subscribe

This was a first and it was hilarious (just watch the outtake next week!).Susan Ní Chríodáin and I got to record this episode of the podcast outside in the beautiful gardens at Lady Margaret Hall at the University of Oxford, courtesy of Andrew Dickinson.After some shenanigans we got to dive into her recently-published book, Leading Beyond the Numbers, which is all about how accounting for emotions tips the balance at work.Who would have thought that my explanation of how imagination is our most misused resource would have made it into the book?!! You can listen to that conversation on Susan's podcast, Beyond the Numbers, here: Beyond The Numbers - Realise Your Vision (beyond-thenumbers.com)Today, we explore what human beings and being human is all about and how that impacts on us at work. Susan explains the need to account for emotions, how we must reconcile the brain, body and behaviour, how we need to be rational AND emotional, and business sensibility via emotional regulation and integration. The book is super easy to read, understand and apply. It is written in a way that is like listening to Susan telling us all about it during our conversation. I can almost hear her fabulous accent coming through the words. If you like what she has to say in the podcast, you'll love the book.

"Do you need a non-stop music mix to get you through your day, week, workout, or commute? Do you enjoy listening to House Music from Around the World? Do you appreciate a variety of musical styles, flavors, and one-of-a-kind edits/remixes? Press play and enjoy!" - DJ MIDIMACKEp 251 THE MIX BAG PODCAST Playlist:This Is Wild by David Keno (Germany)/Lars Moston (Germany)/Murmur Tooth (New Zealand)Starlightway by Josh Butler (UK)/Flashmob (Italy)Reachin Out by David Penn (Spain) feat. BemendéGet Down Tonight by Beating Cells (London) feat. Keith Lawrence/Unicorn Breading GroundAnother Night by Joey Youngman (US)Take Me Up Turntables Night Fever (?)Touch It by George Mensah (London)/Rozegarden (US)/Twinflame (US)Come Come by Tube & Berger (Germany)/Vintage Culture (Brazil)/Kyle Pearce (Germany)Rejoice by Andrew Meller (Serbia)Mantra by Karlos Kastillo (Mexico)/DJ Crown (Mexico)Fine Fine Baby by Jamie Jones (London)/Kah-lo (US)Deliver You by Saison (Germany)Feel The Funk Yo by Doche (Brazil)Love Is No Game by HP Vince (The Netherlands)Satisfy The Need by Saison (Germany)We Kept Dancing by Samuele Sartini (Italy)/DJ Roland Clark (US) feat. Jonk & SpookAll Night by House of Prayers (?)/Maxim & Matte (?)Dance To The Music by Tony Romera (France)/Low Steppa (UK)A Part Of by Larse (Germany)Satisfied by David Penn (Spain)/OFFAIAH (US)Buscando Money by Tayson Kryss (Cuba/Spain)/TWENTY SIX (Italy)Welcome To Paris by Maex (Germany/Indonesia)/Point85 (Indonesia)I Love It by Dubdogz (Brazil)/DLMT (US)ININNA TORA by Dubdogz (Brazil)/Jude & Frank (Italy)Kralle by Junk24 (?)All For You by Jaded (London)/Dombresky (France/US)Tarantula by Pleasurekraft (?)The Dance by Carly Wilford (London)FEEL THE MUSIC by Jamback (Holland)Bitch, Don't Kill My Vibe by Liquid Rose (US)/Track (Uzbekistan)Straight From The Undergound by Lone Dog (France)Give It To Me by Marco Lys (Italy)/Ben Miller (Australia)Blue Berries by Sem Jacobs (The Netherlands)/Tagmann (The Netherlands)The Reason by Zsak (Hungary)Can't Get It Outta My Head by Zach Witness (London)Who's That Girl by Afterman (Italy)/Yvvan Back (Italy)Pakit Ban by Freenzy Music (Brazil)/Marian (Brazil)Control It by Martin Ikin (London)/Winnie Ama (London)Mercy by Joshwa (UK)Thank you for listening, subscribing, rating, and sharing!DJ MIDIMACKwww.themixbagpodcast.comwww.patreon.com/djmidimack

Nuestro poeta, Mario Obrero, ha decidido que "Lo que toca" hoy es hablar del poemario Libro de las golondrinas (Ed. Contraescritura) de Ernst Toller. Después, en "El consulado" de Aitor Caminero, conversamos con Íñigo Vila, director de la Unidad de Emergencias de Cruz Roja Española. Y finalizamos con "Las mil y una músicas" y "La playlist de Maika Makovski", que esta semana se fija en el llamado Power Pop. Escuchamos: I Don’t Wanna Cry (The Keys), Other Boys Do (The Toms), I’d Die, Babe (Badfinger), Let’s Pretend (Raspberries), Starry Eyes (The Records), Why Can’t Touch It (Buzzcocks), Dancing The Night Away (The Motors), Hanging On The Telephone (The Nerves).Escuchar audio

Y finalizamos con "Las mil y una músicas" y "La playlist de Maika Makovski", que esta semana se fija en el llamado Power Pop. Escuchamos: I Don’t Wanna Cry (The Keys), Other Boys Do (The Toms), I’d Die, Babe (Badfinger), Let’s Pretend (Raspberries), Starry Eyes (The Records), Why Can’t Touch It (Buzzcocks), Dancing The Night Away (The Motors), Hanging On The Telephone (The Nerves). Escuchar audio

Long Beach musician Donn John$on is an emerging underground artist known for his distinctive style and entrepreneurial approach. Inspired by Snoop Dogg and Lil Wayne, he made the shift from basketball to pursue a career in rap. His singles like “LA NIGHTS” and “Westside in Me” have earned him recognition, performing live and headlining shows. The track “Touch It” featuring Bino Rideaux was a success, approaching 1 million streams. Donn John$on has recently launched a podcast and dropped his debut album "First of Many." Keep an eye out for his upcoming project, another album titled "The Follow Up." --- Send in a voice message: https://podcasters.spotify.com/pod/show/nalasden88/message

On this week's edition of Red Carpet, host Jackson Mvunganyi sits down with Ghanaian Afrobeats star, Kidi. They discuss his musical influences and some of his billboard charting songs, including “Touch It,” and “Blessed.” Plus, VOA's Timothy Obiezu files a report from Abuja, Nigeria, which delves into the West African nation's film industry, popularly known as “Nollywood.” This and other entertainment-related updates on today's Red Carpet!

00:00 Four-Minute Offense 8:42 Weekend Recap 12:30 Happy Easter 15:55 Mac-n-Cheese 18:04 More Jazz! 27:05 Doug's Big One = Don't Touch It! 58:10 SUNS: Is There a Fix? 1:21:00 DBACKS: So Much Good 1:32:40 Quick ASU 1:37:20 Rattlers Lose Again 1:43:45 Vs Vegas

Hi! I'm Georgiana, and I'm back with a new episode. I'm here to help you speak English fluently. And what do you need to speak fluently? You need to LISTEN, LISTEN, LISTEN, and LISTEN. :) If you want to help me, SHARE the podcast with your friends and family. That would mean a lot. Thanks. On my website you can get the 5 Secrets to speak English and also my premium courses. Before we start, get the transcript at SpeakEnglishPodcast.com/podcast It's completely free! Ok, let's start! Today, I want to talk about something called Diogenes syndrome. It might not be something you're familiar with, but it's a big deal in society. This syndrome is about people accumulating too much stuff in their homes. My friend shared a story with me last week about her dear 80-year-old neighbor who recently passed away. Her children came to clear out the house so they could sell it. It turns out that the poor woman had collected a lot of stuff over the years—furniture, boxes, and more. It seems like she had a habit of collecting things. You might have seen cases like this in the news, or maybe you know someone who just can't seem to throw things away. It's like they have a habit of hoarding stuff. Many people can relate to this—I sometimes have to remind myself to get rid of things I don't need anymore because they start piling up at home. But what I'm talking about here is more extreme. It's a condition where people hoard so much stuff that their homes become overwhelmed with clutter. Ironically, it's named after Diogenes of Sinope, an ancient Greek philosopher who believed in living with very little. People with this syndrome, however, collect things indiscriminately, thinking they might need them one day. While it's not officially classified as a mental illness, it often goes hand in hand with other mental health issues, and it tends to affect older people more. Some experts think it might stem from difficult experiences in the past, like living through a war, where holding onto things was a matter of survival. In the US, when someone has Diogenes syndrome, people try to help them in different ways. Here's what they do: Doctors or nurses might visit their homes to see if they are physically and mentally okay. Mental health experts can talk to them and try to help them feel better. Support from Social Workers: These are people who help others with their problems. They can arrange for someone to clean their house, talk to them about keeping it tidy, and connect them with other helpful services like food or counseling. Keeping in Touch: It's essential to check on them to ensure they get the help they need. Sometimes, the Law Gets Involved: If the person is in danger or putting others in danger, some legal steps might need to be taken to make sure they get the proper care. The goal is always to make sure the person is safe and healthy. It's also essential for more people to learn about Diogenes syndrome so that those who need help can get it sooner. Sometimes, people don't want help, and professionals must respect their choice to live as they please. Research shows that the causes of Diogenes syndrome are complicated—it could be genetic, psychological, or tied to traumatic events. As society ages, we might see more of this syndrome cropping up. It's something policymakers need to think about and take action on. Is it the same where you live? If you have any insights, feel free to share.

Crystal Waters - Dance, Dance, Dance (HouseWerQ 54 Mix),Krewcial / Nimiwari - Whatever It Takes,Michael Watford - Happy Man,Aaron Matthews - Deep Down(Toni Deledda's West Remix),Andrea Mendez - Bring Me Love,Michael Jackson - You Are Not Alone(Classic Club Mix),Louie Vega, Elements of Life, Josh Milan -Let Us Shine (Original Louie Vega Mix),Anané - Let Me Be Your Fantasy,Cody Currie - Hot Water,Natasha Watts - Feels Like Sunshine(Yam Who / Laurent Schark Edit),Berlioz - Jazz is For Ordinary People,Your Ex - Lima,Anané - Coffy is The Color,Anané - High (Two Soul Fusion Mix),L.T.D. feat. Jeffrey Osborne - Love To The World,Evelyn King - The Other Side of Love,Orleans - Dance With Me,William Staggers - Let Me Be The One,Will Downing - Love You Right,Maxx Traxx - Don't Touch It! Ethel Beatty - It's Your Love,Roy Ayers - Programed For Love,Gregory Porter - Wind Song,THE NEW JERSEY CONNECTION RADIO SHOW SATURDAYS ON STARPOINT RADIO5PM-7PM LONDON12 NOON-2PM NEW YORK CITY

Upside Shop: https://upsidefantasy.de/Hoodie-Supporter-Season-2/SW10003Feedback zur Saison 2023: https://docs.google.com/forms/d/e/1FAIpQLScOYQ6zTazeHjyVUd972IKSzAvCqPCLGbJ1HU7yMlLiC2lpyA/viewform?usp=sf_linkWerde Teil des Upside Teams: https://docs.google.com/forms/d/e/1FAIpQLSd8eG5raxiKvReUSmYLkzc9J52fc6By2W9uHpo-NtU-UONxpA/viewform?usp=sf_link(0:10) Intro(2:05) NFL ohne Fantasy(4:00) Super Wild Card Predictions(14:35) Awards - wie haben wir uns vorbereitet?(20:00) Steal Of The Year(24:05) Bust Of The Year(31:15) Rookie Of The Year(38:10) One Hit Wonder(43:40) One Year Wonder(49:20) Most Improved Player(55:25) Comeback Player Of The Year(1:01:00) Best Waiver Wire Pick Up(1:07:05) Worst Waiver Wire Pick Up(1:11:07) Most Fun Player(1:15:25) Most Annoying Player(1:22:20) Most Hated Player, der durchgetartet ist(1:25:45) Undervalued, even now(1:31:50) Zeitloser Klassiker(1:34:33) Cheatcode(1:41:15) Most Painful Injury(1:44:40) Don't Touch It!" Award(1:49:50) Comeback Player Of The Year (injury edition)(1:53:00) Bla Bla Bullshit Award(1:56:00) MVP(1:57:15) Shitshow Squad(2:08:30) Suicide Squad(2:14:15) OutroSupport per Patreon: https://www.patreon.com/upsidefantasySupport per PayPal: https://www.paypal.com/paypalme/upsidefantasyLinks zu allem: https://linktr.ee/upsidefantasyUpside: https://twitter.com/Upsidefantasy - https://www.instagram.com/upsidefantasy/ - https://www.tiktok.com/@upsidefantasyRaphael: https://twitter.com/RaphaelUpside Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

If You See This on Your Christmas Tree, Don't Touch It. Learn about the potential dangers lurking on your tree and how to keep your holiday season safe. Spread awareness and protect your loved ones! Learn more about your ad choices. Visit megaphone.fm/adchoices

Thinking they were far enough away from the blast of Busta Rhymes' 2006 album, The Big Bang, Moulz & Mel brought in @fromoldharlem and set to work on their review, but they still ended up getting caught in the explosion. -------------------------- Intro (0:00) -- The Rating System, Explained (9:04 - 11:46) -- The Rap Rankings Game (40:12) -- RAB Express: Cam'ron, S.D.E. (1:43:17) -- This Week In Moulz & Mel (2:19:34) -- The Big Bang Info (2:35:48) -- Jesse's House (3:12:12) -- Track 1: "Get You Some" (3:48:16) -- Track 2: "Touch It" (4:22:28) -- Track 3: "How We Do It Over Here" (4:58:28) -- Track 4: "New York Shit" (5:15:36) ---------------- Pt. 2: https://raprankings.captivate.fm/episode/s15e03-busta-rhymes-the-big-bang-pt-2

In this episode, Cornell Bunting pays tribute to Trevor George Smith Jr. (born May 20, 1972), known professionally as Busta Rhymes, an American rapper, songwriter, record producer, and actor. Chuck D of Public Enemy gave him the moniker Busta Rhymes, after NFL and CFL wide receiver George "Buster" Rhymes. He has received 12 Grammy Award nominations for his work, making him one of the most-nominated artists without winning.Busta Rhymes was an original member of Leaders of the New School, a group that attracted national attention when they opened on tour for Public Enemy. He gained exposure for their guest appearance on A Tribe Called Quest's track "Scenario". Shortly after that, the group broke up, leading Rhymes to become a sought-after solo artist, appearing on numerous tracks for other artists before his solo debut album, The Coming (1996). The album reached the top ten on the Billboard 200 album chart, was certified platinum by the Recording Industry Association of America (RIAA), and earned him a Grammy nomination.He has released ten total solo albums, the most recent being 2020's Extinction Level Event 2: The Wrath of God. Rhymes' list of hit singles includes "Woo-Hah!! Got You All in Check", "It's a Party", "Put Your Hands Where My Eyes Could See", "Dangerous", "Turn It Up" (Remix)/"Fire It Up", "Gimme Some More", "What's It Gonna Be?", "Pass the Courvoisier, Part II", "I Know What You Want" and "Touch It". Support the showThank you for tuning in with EHAS CLUB - Stories to Create Podcast

In a career spanning almost 20 years, Ricki-Lee Coulter has gone from the shock of an early elimination in Season 2 of Australian Idol to a prominent presence on the pop culture landscape thanks to her 15 top 50 hit singles, four studio albums, hosting gigs on two of the country's top reality shows (including the 2023 revamp of Idol) and role as a radio host. In the first part of a two-part chat, Ricki discusses her decision not to originally sign with Sony Music but go with independent record company Shock Records instead and the string of hits she had on that label, many of which she co-wrote. Why did she cry on the set of her very first music video for debut single "Hell No!"? How did her highest-charting single, "Can't Touch It", wind up on a Hollywood film soundtrack? Which of her music videos was Video Hits unhappy about? Why did she release a singles collection after only two studio albums? Ricki-Lee has the answers. We also hear about her detour into girl group territory with Young Divas and some surprising never-before-shared memories of that roller-coaster ride. In Part 2 (coming soon), we'll cover Ricki's departure from Shock following her decision to shelve her third album, her move to EMI for the landmark Fear & Freedom album, the messy rollout of fourth album Dance In The Rain and the road to new music, including current single "On My Own".Bonus material at chartbeats.com.au/aussieTwitter: @ChartBeatsAU, @TurnAroundOnJoyInstagram: @chartbeatsau, @joyturnbeataroundEmail: chartbeats.au@gmail.com

Dobrý deň, v tejto relácii Naživo máme mimoriadneho hosťa z magazínu Touch IT, Ondreja Macka. Sme radi, že k nám prišiel, aby sme diskutovali o téme, ktorá sa stáva čoraz dôležitejšou aj v našich každodenných životoch, umelá inteligencia a ako nám zmení náš život. Mnoho ľudí sa obáva toho, ako to bude s pracovnými miestami, ak sa umelá inteligencia ešte viac rozšíri. Sme však presvedčení, že nám to prináša viac príležitostí, ako hrozieb a budeme sa snažiť to vysvetliť aj v tejto relácii. Ondrej, ste ochotný s nami diskutovať o tejto téme? Tak takto by uviedla naše dnešné Naživo umelá inteligencia. Čo to vlastne je? Aké sú pred jej príchodom najväčšie obavy? A čo je to ChatGPT? Ako sa s umelou inteligenciou komunikuje a čo všetko dokáže? Braňo Závodský sa rozprával so šéfredaktorom časopisu TouchIT Ondrejom Mackom.

Monifah shares her story with us and performs some of her favorite songs. From her debut album to her current tour, Monifah tells her story and inspires us with her music. Tune in to find out more about this amazing singer! Monifa Carter also known as Monifah, is an American R&B singer. She is best known for her association with the late rapper Heavy D. and her music from the mid-1990s, including "I Miss You (Come Back Home)", "You" and "Touch It", which was released in 1998. She starred on TV One's reality show R&B Divas: Atlanta. Hosted by Music Broadcaster, Psychotherapist and Life Coach, Nnamdi E.S. Okoye (PGDip (CBT), PG Cert (Low Intensity Psychological Interventions) Watch all episodes on YouTube: https://www.youtube.com/@HalftimeChat Social Follow: Instagram: https://www.instagram.com/halftimechat Facebook: https://www.facebook.com/halftimechat Twitter: https://twitter.com/halftime_chat LinkedIn: https://www.linkedin.com/in/nesoul/ Cash App: https://cash.app/£halftimechat PayPal: https://www.paypal.com/paypalme/nesoul

Tracklist: 1. Nothing To Lose - DJ Matt Reid & Terri B! 2. Who Got The Funk - Lizzie Curious & Da Funk Junkies 3. Brighter Days (Marco Lys Remix) - Cajmere, Dajae 4. Reachin' - James Haskell 5. Work - Kevin McKay, Pupa Nas T, Denise Belfon 6. Olhar - Fletcher Kerr, KEFFI 7. That's It - Anton Powers, James Hurr, Tasty Lopez 8. Touch It ft. Karina Chavez - DJ Matt Reid 9. Take Me - Martin Ikin, Joshwa 10. Deep In Your Heart - CID 11. Take It Back - Eddie Thoneick 12. Cobra - Sted-E & Hybrid Heights, NXNY 13. Funkatron (Cristobal & Jamiez Bootleg) - Robbie Rivera 14. Free Candy - Ferreck Dawn & GIANT ft. DAIJAH

Nudist, I have finally got my Big Sis Tesha on Nude Radio. I've mentioned her plenty of times but we finally got time to sit down and talk about unavailable vs available partners. So listen in as I reflect on a hit Cam'ron song “Touch It or Not” ...but we want to know if you fucking with us or not. Haha

We were trying to play the game of "Touch It" but it ended very badly before it even began...

KiDi aka Gyaldem Sugar aka Golden Boy. Whatever name you refer to him as, his influence on modern Afrobeats is undeniable. The 2022 VGMA Artiste of the Year has become a household name, with hits like Say Cheese and Touch It, which went viral. The platinum artist sat down with the Fufu & Tibs girls to chat about his global stardom, his upbringing and the roots of Afrobeats.  To watch to the full interview heard to the Fufu & Tibs YouTube page KiDi interviewSee omnystudio.com/listener for privacy information.

BIG show for you today on this Friday 9/2/22 | The game "Hole in the Headline" for a free crack! | Classic Prank Call with Danny | A wonderful thespian performance in honor of Ben's Wedding next Friday, "Wedding Crashers." | The game of "Touch It" meant for Ben ended very badly. Danny and Meghan tried to revive the subjects but it was a fail | Wedding advice for our Benny Boy | And so much more!

https://youtu.be/6ozYzjY0naAChina Monai stops by the sky box and kick it w/ $ouf$ide

It's Friday 7/1/22 with Danny Meyers & The G105 Morning Show! The kickoff to the holiday weekend is here! | Everybody is getting fired up with our new friend Monte the donkey | Have you told a friend or family memeber their significant other was cheating on them? | Ben has his little quiz on the 4th of July | The game Touch It is very bloody | Plus, what have you never seen in real life?, a classic prank call, and much more on the full-show podcast.

https://youtu.be/CsIRxxSutQwMoody & Bleu Marley Chop it up w/ Yz Guy Q Live @ Ugly Money Studio Media Expo about how he got signed, We he chose Ugly Money & why they chose him, what it takes to make it as far as he have, new  single “Touch It” ft. China Monai & Street Baby Zae, upcoming Ugly Money (East Coast) Tour, + more…@yz_guy_q @1moodysbaby @bleumarley  @Bleu Marley @Ugly Money TV @UglyMoney Niche ……#WeGuudWednesday

Ghanaian star KIDI joined me to discuss (first 11 minutes) the various styles of music in Ghana, the Hausa origin of his name, the most streamed album in Ghana (The Golden Boy) and how American superstar TYGA got on the "Touch It" RemixThis episode features new and some of your favorite Afrobeats, Reggaeton & DancehallTune in EVERY Sunday at 11PM ET (10PM CT) on Pitbull's Globalization SiriusXM Channel 13 withDJ ANARCHYInstagram: https://www.instagram.com/djanarchyrmx/Twitter: https://twitter.com/djanarchyrmxFollow GRUNGECAKEWebsite: https://grungecake.com/Instagram: https://www.instagram.com/grungecake/Twitter: https://twitter.com/grungecake

It's Friday 5/6/22 with Danny Meyers & The G105 Morning Show! Ben burns Danny again in the game "Touch It" -- why are we allowing open flames into the studio? | Mother's Day is Sunday and Ben forgot to send his mother anything for her special day | A listener friend admitted to forgetting his daughter's birthday two days ago | Plus "Headphone Karaoke," a classic Prank Call, a dramatic round of "What's that Noise?", a man who lost his peeper but got a new one grown on his arm, and much more on the full-show podcast.

It's Friday 4/22/22 with Danny Meyers & The G105 Morning Show! It has been a week! So glad we made it together! | Final day of "Peep Mouth" with Danny loading his mouth with marshmallow treats and performing for you | Can you call 911 too much? What are the boundaries? And is someone on the team abusing the emergency hotline? | Danny is blindfolded and has to identify scary and gross items just by feel in "Touch It?" | Plus, wild weddings, a man inhaling a dentist's drill bit, Bill Murray on the verge of getting canceled and much more on the full-show podcast.

It's Friday 4/8/22 with Danny Meyers and The G105 Morning Show! Soooooo much show today | The excitement begins early as a member of the team faces an ice cold April Shower | Ben has to apologize for offending two listener friends for very different reasons | Touch It! always has a team member blindfolded and having to identify items by feel -- today a team member has a phobia triggered by the game | Plus, what are cellphones doing to humans and our animals, snorkeling with crabs, a classic prank, owning our flaws and much more on a big Friday full-show podcast.

What a Friday (4/1/22) with Danny Meyers and The G105 Morning Show! So much is poppin' in the Triangle and we are all about it | Everybody is getting plans in place for the historic Final Four between Duke and UNC | Ben and Danny make Ash nuts with an epic April Fools prank. She gets ready to fight! | You say you're all about hot food until... | Talk to text can get your words hilariously wrong | The "Touch It!" game has Danny blindfolded and trying to identify scary, smelly, and prickly items by feel | Plus, little heaters in the workplace, Ben's Little Quiz, Jinx, and Ashleyh kills something with a broom on this full-show podcast.

It's Friday 3/4/22 on the G105 Morning Show! Award-winning singer, songwriter, and producer Charlie Puth joins for a chat | You definitely don't want a spider bite here | How close is your step parent in age? | Do you love a "lame game?" Maybe you invented a game that you admit is particularly lame | Plus Ben wants to join a biker "gang" in our Prank Call, Danny risks his fingers in the game "Touch It!," and tequila is served in this full-show podcast.

It's Friday 2/25/22 on the G105 Morning Show! Danny has a special relationship with Ukranian radio and TV personalities on the front lines of the Russian invasion of their country | If your allergies are impossible, we may have the solution | A teacher sends a naughty video to 200 high school students - we hear what you sent by accident | Ashleyh loses it during the game of Touch It! | Plus, items you refuse to throw out, Good Vibes, a classic Prank Call, and much more on this full-show podcast.

It's Monday 2/21/22 on the G105 Morning Show! Today being a holiday we present a full show of stuff you might have missed (or maybe want to hear again) | Kicking off with relationships that moved "hella fast" | The most extreme game of "Touch It!" where Danny risks serious injury to identify the mystery item | Plus a classic Prank Call, fakers confess "faking it", the "Sound Effect-Off" game and much more on this full-show podcast.

It's Friday 2/11/22 on the G105 Morning Show! We kick off getting fired up for the Super Bowl and especially the halftime show | Will Danny's party plan to have people out of his house BEFORE the game starts hold up? | It's the final day of the Sound Effect-Off game | An incredible story about a woman who's life was saved by Wordle | Plus, What Creeps You Out?, Touch It! (with a football theme), ass-kicking women, a Phineas phantasy and much more on this full-show podcast!

It's Friday 2/4/22 Big Friday vibes with the game "Touch It!" where a team member has to identify an item while blindfolded. Today's item could cause serious injury to Danny | A woman has incredibly white teeth thanks to this magical fluid | The hot Netflix show is "Tinder Swindler" so we asked if you met someone on a dating app who stole from you | Plus another woman has a "surprise baby," the game "What's My Age Again?" and a classic prank call on this episode of the G105 Morning Show.

It's the full G105-Raleigh morning show for Friday 1/28/22 | Ashleyh and her chapped nose get introduced to "Bag Balm" -- a product originally made for cows and their chapped udders | One G105 artist hasn't had a cell phone since 2015 | Great stories about people and the surprises they experienced during pregnancy | Ben is very jealous of Danny's ability at the game "Wordle" | Plus getting caught while sneaking, the game "Touch It," a new prank call and a lot more on this action-packed Friday full-show podcast.

Don Coscarelli pozostanie znany jako twórca "Phantasm" (w wersji polskiej "Morderczych kuleczek"), ale kiedy po przeczytaniu książki na temat zombie internetowa księgarnia podsunęła mu sugestię zakupu "John ginie na końcu" Davida Wonga, do tego stopnia dał się oczarować tym przedziwnym światem, że rzucił wszystko i wziął się ze jego zekranizowanie. Od premiery tego kuriozalnego obrazu mija właśnie dziesięć lat, więc nie mogło być lepszej okazji, by o nim porozmawiać w podcaście Nightslime.Rozmawiamy o surrealistycznym absurdzie literackiego pierwowzoru oraz jego niewydanych w Polsce sequelach o równie chwytliwych tytułach - "This Book Is Full of Spiders: Seriously, Dude, Don't Touch It" i "What the Hell Did I Just Read; o ślimakach Lovecrafta, potworze z mięsa, wąsach śmierci, fantomowej kończynie widzianej wyłącznie przez okulary 3D; o Statku Tezeusza; o eksperymencie Miltona Rokeacha, o cząsteczka kwantowych i o subiektywnym odbieraniu rzeczywistości i innych tematach wyciągniętych wprost z szuflady Foxa Muldera.Patronami dzisiejszego odcinka są:Paweł Jaksik, Jakub Kraszewski, Marcin Kalinowski, Krzysztof Sieja

The full G105 Morning Show for Friday 1/14/22 | What a huge day! We are waiting and watching for a winter storm | One final play of "Lyrical Pursuit" for the week | A 106 year old who is ready to jump on top of the reporter interviewing her for her big birthday | The game where we have to identify strange items just by feel -- "Touch It" | Plus a classic prank, getting hurt by love, and copping an accidental buzz on today's full show podcast.

FIRE DRILL: BEST OF 2021 Ckay – Love Nwantiti Problem Child – Wine On Ya Kidi – Touch It Rema – Soundgasm Omah Lay – Understand NAO ft Adekunle Gold – Antidote Timaya ft Buju – Cold Outside Joeboy – Sip (Alcohol) Tems – Crazy Tings Gyakie – Forever Aidonia – U Know Di Vibe Buju Banton – Summer Body Vybz Kartel – More Than A Friday CLOCKWORK riddim Vybz Kartel – Beautiful Human Cham – Lock Down Charly Black – It A Work Teejay – Don't Stop Wine Teejay – Glow Skillibeng – Shake Likkle Vybz ft Likkle Addi & Vybz Kartel – No Cap Spice ft Shaggy & Sean Paul – Go Down Deh DANCEHALL ZONE riddim Popcaan – Wine All Day Skillibeng ft Toian – Stop The Talking Vybz Kartel ft Lisa Hyper – Irreplaceable Skillibeng – # Skillibeng – Badman Skillibeng – Badman Ting 10Tik – Roll Deep Yaksta – Ambition Ding Dong ft Stefflon Don – Man A Star rmx Kyodi – When Mi Nice Aidonia – Look STYLE A STYLE riddim Aidonia – Dat Eazy Stylo G – Oh Lawd Sean Paul – Scorcha Shenseea – Upset Ding Dong – Watch Dah Style Yah FREESTYLE riddim Ding Dong – Yo Pull Up Chi Ching Ching – Vaccine Bunji Garlin – Trini Lingo Laa Lee – Tip Inna It Laa Lee – Dirt Bounce Skillibeng ft Nicki Minaj – Crocodile Teeth ZESSUP riddim Skillibeng – Crocodile Zess (FG RMX) Tech Sounds – Round And Round Father Phills – Brawling Marzville – Tik Tok Marzville ft Klassik Frescobar – Too Much CANDY SHACK riddim Patrice Roberts & Kemar Highcon – Start Up Destra & Kerwin Dubois – Stress Reliever Azaryah – Sweetness 24 HOUR riddim Viking Ding Dong & Mical Teja – Horning First Mical Teja – Mashup Shal Marshall – All Day BACKYARD riddim Lyrikal – Happy Place Patrice Roberts – Better Days Farmer Nappy – Backyard Jam CABANA riddim Preedy – Riddim & Bass Arthur Allain – Wine On You Adam O – I Need Patrice Roberts & Ricardo Drue – Toxic Love Patrice Roberts – Tender Fireboy DML – Peru D Smoke & Fireboy DML – Sleepwalking Wizkid ft Tems – Essence Burna Boy ft Don Jazzy – Question Burna Boy – Kilometre Pa Salieu ft Obongjayar – Style & Fashion DJ Damiger ft DOLOTHEGIFTED & Zenesoul – Dance Some More Mr JazziQ, Kabza De Small & Lady Du – Woza Davido & Skales – This Your Body Olamide – Require Adekunle Gold ft Davido – High Rema – Bounce Chop Daily – Turn It Up Eugy ft Chop Daily & Busy Signal – My Touch rmx A-Star ft Sho Madjozi – Stepping Good Patrice Roberts – Sugar Boy (FG RMX) Nadia Batson – Sugar Daddy SUNKISSED SHORES riddim Adam O – Far Away Ricardo Drue – Change The World Terri Lyons – Can't Take My Joy Preedy – Location RATS HOLE riddim Viking Ding Dong – Earthquake Lil Rick – Clean Mole De Chief & Brucelee Almightee – Bad Badd Problem Child – Drunk'n Style GBM Nutron – Tek Yuh Time Wetty Beatz – Cyah Take It GAS STATION riddim Ricardo Drue – Weak Sedale – Push Back Skinny Fabulous – Blinking Bad Hypa 4000 – Wineing Freestyle Shenseea – Run Run Bounty Killer & Busy Signal – Bang Bung Nation Boss – Humans

Tune in tonight as I chat with BMF on Starz Costume Designer Keia Bounds. We chat about her career start in fashion and editorial, her favorite designs and we even play a quick game of STO (See It, Touch It, Obtain It). Subscribe, please And tune in! You don't want to miss this episode.

On this episode the mandem discuss: - A verzuz brawl?!! - Feflecting on the legendary Virgil Abloh - Who would be in the ‘Touch It' remix today? - Viral relationship turned movie!

Konfidence in the Klutch's Donald Nelson discusses BMF Episode 101 "See It... Touch It... Obtain It".  Don Prosperous discusses 7 things to know about E 101 from the opening to the final scene and the next episodes predictions. Don P's love of “BMF” allows him to break down the episode in a way that only he can. This podcast was recorded at 7:30 p.m. CT on Sunday, October 31st.  What we know so far (1:20) Favorite moment/quotable of the show (5:10) Takeaways to know about Ep. 101 (6:45) Next season predictions (15:30) Host: Donald  Nelson Producer/Engineer: Donald Nelson

BMF Season 1 Episode 3 BMF " See It...Touch It...Obtain It" Review Detroit brothers Demetrius and Terry Flenory become powerful figures in a multi-state drug and money laundering organization.Hello film lovers, I am Jazzy 9 2 9. I am a movie lover just like you. On my podcast, I review newer and older movies. while giving my exciting thoughts theories about the film.After you listen to the show please rate and follow. Also, head over and join the Jazzy929 Creations community Facebook Group. Share your thoughts about the show that has been reviewed, share your theories. I always have an amazing shop you can check out with my designed clothing and more,Find Me Website https://jazzy929creations.squarespace...@SpreakerSpotifyApple Podcasts iHeartRadioGoogle PodcastsCastboxDeezerSoundcloudYoutubeFacebookInstagram Thank you all for your support,

BMF Season 1 Episode 1BMF " See It...Touch It...Obtain It" Review Detroit brothers Demetrius and Terry Flenory become powerful figures in a multi-state drug and money laundering organization.Hello film lovers, I am Jazzy 9 2 9. I am a movie lover just like you. On my podcast, I review newer and older movies. while giving my exciting thoughts theories about the film.After you listen to the show please rate and follow. Also, head over and join the Jazzy929 Creations community Facebook Group. Share your thoughts about the show that has been reviewed, share your theories. I always have an amazing shop you can check out with my designed clothing and more,Find Me Website https://jazzy929creations.squarespace.com/@SpreakerSpotifyApple Podcasts iHeartRadioGoogle PodcastsCastboxDeezerSoundcloudYoutubeFacebookInstagram Thank you all for your support,

Nicole is too supple for a hysterectomy! Nicole and Sasheer talk BBLs, that song that goes “doof doof doof doof”” (Touch It by Busta Rhymes), Sasheer' future wedding look, and how much they love Megan Thee Stallion. They take a quiz to learn what kind of best friend they are and explore Nicole's love of doors. And then, wrap it up by answering listener questions asking how to talk to friends about dating safely, and how to support and have fun with a friend about to have a baby.    Email or call Nicole & Sasheer with your friendship questions at: nicoleandsasheer@gmail.com (424) 645-7003

The message title is That's My Flag, Don't Touch It! The American flag stands as a symbol of what we believe as a people, what God has given us as a nation, and the spiritual principle that God blesses nations that recognize and reverence Him as...

Five Shots of Optimism for Freedom-Lovers, A speech that will end up selling more guns, Biden's Gun Control Plans Won't Do Much To Address Surging Homicides, Keep Your Hands Off Your Gun Until You Have a Good Reason to Touch It.      ...

Five Shots of Optimism for Freedom-Lovers, A speech that will end up selling more guns, Biden's Gun Control Plans Won't Do Much To Address Surging Homicides, Keep Your Hands Off Your Gun Until You Have a Good Reason to Touch It.      ...

Five Shots of Optimism for Freedom-Lovers, A speech that will end up selling more guns, Biden's Gun Control Plans Won't Do Much To Address Surging Homicides, Keep Your Hands Off Your Gun Until You Have a Good Reason to Touch It.       Lock N Load is presented by; Hour 1; Franklin Armory www.franklinarmory.com   3rd Hour Aero Precision https://aeroprecisionusa.com     And by; NightHawk Custom https://www.nighthawkcustom.com      Ace Firearms http://www.acefirearms.com   CZ-USA https://cz-usa.com   DeSantis Holsters https://www.desantisholster.com   Staccato http://staccato2011.com   Mech Tech https://mechtechsys.com   Spikes Tactical https://www.spikestactical.com   Chambers Custom https://chamberscustom.com   Bedford Camera and Video https://www.bedfords.com

Rachael sits down with All-American Awaaz finalists, Taza Tal from UC Santa Cruz to talk about their mash up of Touch It and Maate Vinadhuga, which you can check out here: https://www.youtube.com/watch?v=r6KdiNJjTWg. Learn more about the team here: https://www.facebook.com/UCSCTazaTal.

Rachael sits down with All-American Awaaz finalists, Taza Tal from UC Santa Cruz to talk about their mash up of Touch It and Maate Vinadhuga, which you can check out here: https://www.youtube.com/watch?v=r6KdiNJjTWg. Learn more about the team here: https://www.facebook.com/UCSCTazaTal.

01. Robot Rock x Oh Yeah (Live) 02. Digital Love 03. Burnin 04. Revolution 909 05. Around The World x Television Rules The Nation 06. Get Lucky 07. Human After All 08. Aerodynamic (Daft Punk Remix) 09. High Life (eSQUIRE 2011 Remix) 10. Crescendolls 11. Alive (New Wave Final Mix) 12. Rollin x Scratchin 13. Derezzed 14. Face To Face 15. Harder Better Faster Stronger 16. Da Funk 17. Touch It x Technologic 18. Rock n Roll 19. Human x Together x One More Time x Stardust

01. Robot Rock x Oh Yeah (Live) 02. Digital Love 03. Burnin 04. Revolution 909 05. Around The World x Television Rules The Nation 06. Get Lucky 07. Human After All 08. Aerodynamic (Daft Punk Remix) 09. High Life (eSQUIRE 2011 Remix) 10. Crescendolls 11. Alive (New Wave Final Mix) 12. Rollin x Scratchin 13. Derezzed 14. Face To Face 15. Harder Better Faster Stronger 16. Da Funk 17. Touch It x Technologic 18. Rock n Roll 19. Human x Together x One More Time x Stardust

01. Robot Rock x Oh Yeah (Live) 02. Digital Love 03. Burnin 04. Revolution 909 05. Around The World x Television Rules The Nation 06. Get Lucky 07. Human After All 08. Aerodynamic (Daft Punk Remix) 09. High Life (eSQUIRE 2011 Remix) 10. Crescendolls 11. Alive (New Wave Final Mix) 12. Rollin x Scratchin 13. Derezzed 14. Face To Face 15. Harder Better Faster Stronger 16. Da Funk 17. Touch It x Technologic 18. Rock n Roll 19. Human x Together x One More Time x Stardust

Revealing & Healing Sexual Abuse – with Dr. Jessica McCleese Here’s the truth: either you or someone you know has been victimized by sexual abuse. It’s a sad reality that most of us hate talking about. But if we don’t talk about it, the stigma and shame will continue its cycle in our hearts and relationships. Joining me on the podcast for this important and urgent conversation is my friend, Dr. Jessica McCleese, a psychologist and sex therapist. Jessica tells us her personal story of being sexually molested and abused and the havoc those experiences wreaked on her psyche. But she’s not alone. I, too, in a rare conversation, talk about my experience with sexual abuse and the damage it began to have on my marriage. But God.   So many women and men silently struggle with identity issues, guilt, confusion, embarrassment, shame, anger, and an array of other emotions because of sexual abuse. And many still won’t talk about it. I want to do my part to help people begin the path of healing and freedom from sexual abuse. Statistics show that 1 in 4 women and 1 in 6 men are sexually abused by the time they turn 18.[1] That’s a LOT of us!   Naturally, as I was wrapping up the All About Sex series, I concluded this was a topic that could be off limits no longer. We need real, honest, and helpful conversations about sexual abuse that will help single and married people to overcome all its damaging effects.   A Survivor’s Story A few years ago, my friend, Terri, shared a spoken word at a women’s conference at our church entitled Story. Terri, too, is a survivor. With her permission, I am sharing her spoken word with you. May you find comfort in reading it:   She sits in distress concerned and under arrest She, sits in her pretty pink dress, afraid to tell her mom because she’d make a mess of things She’s six and he… he cornered her. She’s not even old enough to write legible, his decibels rang in her ear: “TOUCH IT!”   She sits in distress Concerned and under arrest Her heart beats out of her chest She’s too young to be shaken from the nest, but Satan’s jest was to destroy her…   And soon - her reality became a mental and physical battle of sexual brutality As her molester sold her inexpensive lies that tied to her heart like - you’re so beautiful and you deserve this… And - just when her eye ducts began to swell, he whispered three destructive words: DO NOT TELL And she, she kept his word - that, secret tucked away privately, she put on insecurity and suffered quietly and silently as he, ran away with my voice…   Her shackles grew stronger with age. She’s enraged at the world, every night curled into the fetal position.   Nothing's more painful than knowing that the past you were living was just a counterfeit.  Yet, nothing’s more rewarding than knowing that Christ is a redeemer And Satan is a deceiver, he, wanted me to be sick of men, like fever, continually attacking my views on fatherhood ... That is...  Until I became a believer I said Satan is a deceiver - one who gives a false impression He wants you to be so wrapped up in what happened to you, that you neglect this lesson: God. Is.   God. Is. So concerned about you that he, the Father, sent His own son to suffer - just when you think your problems are rougher, God's love is tougher... God. Is. A father to the fatherless. He is perfect relationship, and every time your lips part to recant your past story, remember to allow God to get the glory I committed to let God do surgery, I allowed Him to open me up and start purgin’ me - to, mend the fabric that was torn from molestation, I even surrendered my teenage frustration and hatred toward my earthly father.   In the beginning, was the word, and the Word was with God, and the Word was God. He was in the beginning with God. And all things came into being through Him and The Word gave life to everything that was created, and his life brought light to everyone.   Jesus, you are the brightest light YOU designed my DNA, Satan has NO PLACE in the spotlight He has NO PLACE in this heart, right - NO PLACE in this life, like He belongs in darkness, only God dwells in the limelight And no one can write your story, but HIM   I refuse to stand here and weep because I miss and mourn what used to be I refuse to accept muddy waters for the sake of purity I refuse to be a victim, dying and dancing for the enemy I refuse to let Satan write my story – cause only God can author my identity And I wearily crawled to the cross, and it was there he breathed his strength in me... He makes all things new Don’t put on your past, just to dress up your present   And today, I stare at blank pages because my story is still being written. I’m still living it – out loud, and reading it like front-page news…   You are not who you used to be. Written in your story is freedom from pain and sickness, emotionally Written in your story is freedom from a life ending terminally Freedom from Satan choking your creativity You are not who you used to be. Written in your story is value and royalty And every detail of our life is worked into something good…   So tell me, what’s your story? ©2013 Terri Simmons   Getting Help for Sexual Abuse Whether your abuse happened over the last decades or last night, it’s time you tell someone. It’s time you get help. Reach out to a trusted and trained counselor and get healed.     Resources:   On the Threshold of Hope: Opening the Door to Healing for Survivors of Sexual Abuse by Dr. Diane Langberg   EMDR: a resource to Help Overcome Sexual Trauma   The Effects of Porn in Marriage – The Dating Divas   Learn more about Dr. Jessica McCleese at BeFullyWell.com.   If you or someone you know is experiencing sexual abuse, contact RAINN (Rape, Abuse, Incest National Network) today at http://rainn.org or call their 24-hour hotline at 1-800-656-HOPE.   [1] https://nomore.org/know-the-facts-citations/

In this episode, my guest, Lisa D'Amato and I discussing very sensitive topics. Talking Points: How did you get on America's Next Top Model?  What was your biggest challenge? If you’re comfortable sharing it, how did Tyra Banks used your childhood trauma against you? It’s been bothering you after the show, how did you decide to finally confront her and post the video? Did Tyra provide any explanation  How did you come up with such a clever idea for Dare U Go What helped you to get on Shark Tank How was your experience? What lessons have you learned from being on ST How did you decide to learn pole dancing and use it for education  Guest Lisa D'Amado @lisa_damato  wife and mother of two boys. She was born and raised in Thousand Oaks & Los Angeles, CA. Lisa has been modeling and acting since the early age of 12. She has starred in commercials for GAP, H&M, and Coca-Cola before America's Next Top Model Cycle 5. During her cycle she was coined the phrase "Wild Child" where her image was fun but got distorted drastically. it has repeated consistently to this day even 15 yrs later all over American Television and internationally-being syndicated in over 180 countries. Like many of the other selected 336 contestants that competed on America's Next Top Model, Lisa has a similar story of many of the girls that were mentally manipulated by their childhood trauma during filming. Despite the consistent echo chamber of slander to her character and to say it  jeopardized her public image drastically would an understatement. She still managed to take full advantage of the reality TV therapy shows like Celeb Rehab with Dr. Drew where she admits she went on the show for much needed therapy. She knew she needed therapy from childhood trauma AND for possible drug addiction prevention. From there it went down hill with even more vicious headlines due to the stigma of "therapy" and "drug addiction" and "rehab" associated her name in the press. She was never detoxing for anything. Fact, case and point.  Switching gears, Lisa focused on her music. She went on to record 3 albums and tour the USA with her album "LA Puchinetta. With Club's Top 20 Hit list "Trainwreck", and "Ace of Spades". The "Can't Touch It" electro- rap singer landed her song on the opening of the hit show "Entourage". She soon fell in love with now husband Adam Friedman. Shortly after, ANTM came knocking at her door to compete in America's Next Top Model All-Stars.  She later won a "very controversial" finale against finalist Angelea Preston.   Lisa and her husband landed on We Network's "Marriage Bootcamp Reality Stars" and soon after that Bravo's "Interior Therapy" with Jeff Lewis. Lisa and husband have two beautiful boys Daxel, 7 and Venice, 4. ​She has last been seen on NBC's Shark Tank as the inventor and Ceo of Dare-U-Go!, Lisa landed a deal with Barbara Corcoran. Dare-U-Go! is a 5-in-1 solution to help parents feed their kids! It's a food grade silicone bib, food catcher, air-tight seal food storage unit, divider bowl, and comes with a spork that slides through the back. It's eco-friendly, kids love it and you'll love it even more when applied to your life. Super helpful. That's probably why it's in 21 countries in a little less than 3 years. During quarantine, you can find her on her IG teaching herself pole dancing with her sons. Yep you heard that right. She is learning pole dancing and her little boys as they are becoming pros at it too. "It's pole fitness"  she says. Her and her boys are having family fun. She has also gotten political with her researched pole dancing videos that are based around specific topics like "Why do all Republicans have high SDO scores?" Even hitting heavy topics like Climate Change. Host Olyasha Novozhylova - NotBasicBlonde @notbasicblonde_ NotBasicBlonde Podcast - @nbbpodcast Olyasha Novozhylova is the founder and creator of Not Basic Blonde, a fashion, and lifestyle blog dedicated to inspiring young women to create an extraordinary style. Graduated from Georgia State University with a BBA in Managerial Sciences, Olyasha successfully built a career in IT/Project Management, before she became a full time blogger. A model, blogger, entrepreneur, author, and celebrity podcast host of NotBasicBlonde Podcast.  As the founder and host of NotBasicBlonde Podcast, where no topic is off limits, Olyasha provides millennials an ultimate guide on entrepreneurship, dating, marketing, self-development, astrology, spirituality, fashion, coaching, beauty, health & wellness. Author of the children’s book  Cutie the Unicorn – It’s ok to be different, Olyasha teaches our younger generation how to express their individuality. The Russian model led an impressive 15-year career in fashion and runway in Atlanta and overseas, as well as enjoying several acting roles. Now a leading influencer, Olyasha shares her beauty, wellness, and fashion tips with an audience of over half a million.  As seen in YahooFinance, Jezebel magazine, Thrive, Medium, and Fashion Week Online magazines. Olyasha has also partnered with brands such as Cartier, Revolve, PrettyLittleThing, PGA, Steve Madden, Too Faced, Vital Proteins, Tarte, DryBar, Drunk Elephant, etc.  When she’s not documenting her travels through the world, Olyasha is busy masterfully educating women how to create iconic looks with a mix of affordable and designer pieces, as well as offering makeup, skincare, and fitness tips to encourage her followers to live their best and most beautiful lives! Olyasha Novozhylova - NotBasicBlonde @notbasicblonde_ NotBasicBlonde Podcast - @nbbpodcast Olyasha Novozhylova is the founder and creator of Not Basic Blonde, a fashion, and lifestyle blog dedicated to inspiring young women to create an extraordinary style. Graduated from Georgia State University with a BBA in Managerial Sciences, Olyasha successfully built a career in IT/Project Management, before she became a full time blogger. A model, blogger, entrepreneur, author, and celebrity podcast host of NotBasicBlonde Podcast.  As the founder and host of NotBasicBlonde Podcast, where no topic is off limits, Olyasha provides millennials an ultimate guide on entrepreneurship, dating, marketing, self-development, astrology, spirituality, fashion, coaching, beauty, health & wellness. Author of the children’s book  Cutie the Unicorn – It’s ok to be different, Olyasha teaches our younger generation how to express their individuality. The Russian model led an impressive 15-year career in fashion and runway in Atlanta and overseas, as well as enjoying several acting roles. Now a leading influencer, Olyasha shares her beauty, wellness, and fashion tips with an audience of over half a million.  As seen in YahooFinance, Jezebel magazine, Thrive, Medium, and Fashion Week Online magazines. Olyasha has also partnered with brands such as Cartier, Revolve, PrettyLittleThing, PGA, Steve Madden, Too Faced, Vital Proteins, Tarte, DryBar, Drunk Elephant, etc.  When she’s not documenting her travels through the world, Olyasha is busy masterfully educating women how to create iconic looks with a mix of affordable and designer pieces, as well as offering makeup, skincare, and fitness tips to encourage her followers to live their best and most beautiful lives!   ​

0:46 Lil Uzi Diamond, Chance The Rapper Blue Sky Studios shuts down 25:55 The Wood, Bible Study 33:37 Coming To America 2 trailer 42:08 Dan Schneider 56:40 Jay Z and Nipsey Hussle, Nas Is Coming 01:09:09 Are We There Yet 01:32:00 Touch It, Bruno Mars, Minimum Wage increase

Welcome to the Five Song Mixtape! This week we discuss the mixtape titled "Can I Smell It, Lick It, Taste It, Kiss It, Touch It?" by Michael. You can find the playlist by following our account on Spotify @FiveSongMixtape or you can find us on Instagram @FiveSongMixtape. We would love to hear your thoughts on the playlist and please give us a rating via iTunes to help spread the word!"Can I Smell It, Lick It, Taste It, Kiss It, Touch It?" by Michael"Wake Up and Smell the Coffee" The Cranberries"Finger Lickin' Good" by Beastie Boys"First Taste" by Mild Orange"Kiss" by Prince"Lovin', Touchin', Squeezin'" by Journey We hope you enjoy! See acast.com/privacy for privacy and opt-out information.

Brazilian born multi-talented pop star Amanda Oliveira professionally known as Angel Bbrings out her latest music video to her stunning single ‘Our Last' along with OctoberLondon that will surely blow your mind. Born and raised in Sao Paulo, Brazil she movedto Los Angeles 10 years ago where she has been developing her sound. Her work hasbeen shown on Multi-show, the Biggest Music Network in Brazil, Play Tv, BISChannel and all digital platforms. Angel B has already collaborated with artists such asLorena Simpson “Don't Touch It”, Marley Waters who was one of Platinum sellingrecording artist Tinashe's producers for her breakout single “2on”, Taylor Hill “Work”,Corey Mykell “Like A Boss” , Lex Lu, Darrio “Like That”.Besides being a singer and songwriter, Angel B is also a choreographer andprofessional dancer. Angel has choreographed for big Brazilian artists such as WanessaCamargo, Negra Li, Rodriguinho, Ivete Sangalo, Quelynah; and worked withinternational names such as Snoop Dogg, Wiz Khalifa, Kanye West, Pharrell Williams,Becky G, Ne-Yo, Janelle Monáe, Ceelo Green, Chromeo among others. Shechoreographed and starred in the Hollywood movie YOU GOT SERVED BEAT THE WORLD, and the Hulu Exclusive Series "East Los High See acast.com/privacy for privacy and opt-out information.

We got the... Ready to Rock! Yes, with a But Don't Touch It..it's pure EVIL and Roll the Dice ...players for week 9!

CyberKnight, Mossfly, and Devastator recap the news of the week. Dan McCulloch is going to head EA’s Skate franchise. xCloud will be launching as part of Ultimate Game Pass this September. Microsoft discontinues production of current-gen hardware ahead of the next generation. Flight Simulator will release in physical form on 10 DVDs. Xbox Summer Game … Continue reading Community Cast #475 – Lick Your Fingers and Touch It

1. Will Taylor – Touch It 2. Todd Terry & James Hurr – Don’t Overthink It 3. Qubiko – Nastee 4. Andrei C & Nic Zega – Baby Dizzy 5. Solander & Stuart Stone – Bitch 6. SRAY & B40 – The Siren Call 7. Worad – Take Me Out 8. Paul Reid – Naughty North Sexy South 9. Claude VonStroke & Marc Houle – Fly Guy 10. Solander & Stuart Stone – Living Around

TOUCH IT.... - MLB Draft - Facial Recognition - IA State Fair

Hostia: Ľubomír Illek (Slovensko Digital), Ondrej Macko (portál Touch IT) a Darina Málová (politologička) Zemetrasenie v Smere ale aj v Národnej agentúre pre sieťové a elektronické služby! Dve udalosti, ktoré si v detailoch a súvislostiach vysvetlíme. Moderuje: Oto Váhovský. Diskusiu K veci pripravuje RTVS - Slovenský rozhlas, Rádio Slovensko, SRo1.

Episode eighty-four of A History of Rock Music in Five Hundred Songs looks at "Shakin' All Over" by Johnny Kidd and the Pirates, and how the first great British R&B band interacted with the entertainment industry. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode, on "Under Your Spell Again" by Buck Owens. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources   As usual, I have put together a Mixcloud mix with every song excerpted in this podcast. Only one biography of Kidd has been written, and that's been out of print for nearly a quarter of a century and goes for ridiculous prices. Luckily Adie Barrett's site http://www.johnnykidd.co.uk/ is everything a fan-site should be, and has a detailed biographical section which I used for the broad-strokes outline. Clem Cattini: My Life, Through the Eye of a Tornado is somewhere between authorised biography and autobiography. It's not the best-written book ever, but it contains a lot of information about Clem's life. Spike & Co by Graham McCann gives a very full account of Associated London Scripts. Pete Frame's The Restless Generation is the best book available looking at British 50s rock and roll from a historical perspective. Be warned, though -- his jokey and irreverent style can, when dealing with people like Larry Parnes (who was gay and Jewish) very occasionally tip over into reinforcing homophobic and anti-semitic stereotypes for an easy laugh. Billy Bragg's Roots, Radicals, and Rockers: How Skiffle Changed the World is one of the best books I've read on music at all, and gives far more detail about the historical background. And a fair chunk of the background information here also comes from the extended edition of Mark Lewisohn's Tune In, which is essential reading for anyone who is interested in the Beatles, British post-war culture, and British post-war music.   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript As we get more into this story, we're going to see a lot more British acts becoming part of it. We've already looked at Lonnie Donegan, Cliff Richard, Tommy Steele, and Vince Taylor, but without spoiling anything I think most of you can guess that over the next year or so we're going to see a few guitar bands from the UK enter the narrative. Today we're going to look at one of the most important British bands of the early sixties -- a band who are now mostly known for one hit and a gimmick, but who made a massive contribution to the sound of rock music. We're going to look at Johnny Kidd and the Pirates: [Excerpt: Johnny Kidd and the Pirates, "Shakin' All Over"] Our story starts during the skiffle boom of 1957. If you don't remember the episodes we did on skiffle and early British rock and roll, it was a musical craze that swept Britain after Lonnie Donegan's surprise hit with "Rock Island Line". For about eighteen months, nearly every teenage boy in Britain was in a group playing a weird mix of Leadbelly and Woody Guthrie songs, old folk tunes, and music-hall numbers, with a lineup usually consisting of guitar, banjo, someone using a washboard as percussion, and a homemade double bass made out of a teachest, a broom handle, and a single string. The skiffle craze died away as quickly as it started out, but it left a legacy -- thousands of young kids who'd learned at least three chords, who'd performed in public, and who knew that it was possible to make music without having gone through the homogenising star-making process. That would have repercussions throughout the length of this story, and to this day. But while almost everyone in a skiffle group was a kid, not everyone was. Obviously the big stars of the genre -- Lonnie Donegan, Chas McDevitt, the Vipers -- were all in their twenties when they became famous, and so were some of the amateurs who tried to jump on the bandwagon. In particular, there was Fred Heath. Heath was twenty-one when skiffle hit, and was already married -- while twenty-one might seem young now, at the time, it was an age when people were meant to have settled down and found a career. But Heath wasn't the career sort. There were rumours about him which attest to the kind of person he was perceived as being -- that he was a bookie's runner, that he'd not been drafted because he was thought to be completely impossible to discipline, that he had been working as a painter in a warehouse and urinated on the warehouse floor from the scaffolding he was on -- and he was clearly not someone who was *ever* going to settle down. The first skiffle band Heath formed was called Bats Heath and the Vampires, and featured Heath on vocals and rhythm guitar, Brian Englund on banjo, Frank Rouledge on lead guitar, and Clive Lazell on washboard. The group went through a variety of names, at one point naming themselves the Frantic Four in what seems to have been an attempt to confuse people into thinking they were seeing Don Lang's Frantic Five, the group who often appeared on Six-Five Special: [Excerpt: Don Lang and his Frantic Five, "Six-Five Hand Jivel"] The group went through the standard lineup and name changes that almost every amateur group went through, and they ended up as a five-piece group called the Five Nutters. And it was as the Five Nutters that they made their first attempts at becoming stars, when they auditioned for Carroll Levis. Levis was one of the most important people in showbusiness in the UK at this time. He'd just started a TV series, but for years before that his show had been on Radio Luxembourg, which was for many teenagers in the UK the most important radio station in the world. At the time, the BBC had a legal monopoly on radio broadcasting in the UK, but they had a couple of problems when it came to attracting a teenage audience. The first was that they had to provide entertainment for *everyone*, and so they couldn't play much music that only appealed to teenagers but was detested by adults. But there was a much bigger problem for the BBC when it came to recorded music. In the 1950s, the BBC ran three national radio stations -- the Light Programme, the Home Service, and the Third Programme -- along with one national TV channel. The Musicians' Union were worried that playing recorded music on these would lead to their members losing work, and so there was an agreement called "needletime", which allowed the BBC to use recorded music for twenty-two hours a week, total, across all three radio stations, plus another three hours for the TV. That had to cover every style of music from Little Richard through to Doris Day through to Beethoven. The rest of the time, if they had music, it had to be performed by live musicians, and so you'd be more likely to hear "Rock Around the Clock" as performed by the Northern Dance Orchestra than Bill Haley's version, and much of the BBC's youth programming had middle-aged British session musicians trying to replicate the sound of American records and failing miserably. But Luxembourg didn't have a needle-time rule, and so a commercial English-language station had been set up there, using transmitters powerful enough to reach most of Britain and Ireland. The station was owned and run in Britain, and most of the shows were recorded in London by British DJs like Brian Matthew, Jimmy Savile, and Alan Freeman, although there were also recordings of Alan Freed's show broadcast on it. The shows were mostly sponsored by record companies, who would make the DJs play just half of the record, so they could promote more songs in their twenty-minute slot, and this was the main way that any teenager in Britain would actually be able to hear rock and roll music. Oddly, even though he spent many years on Radio Luxembourg, Levis' show, which had originally been on the BBC before the War, was not a music show, but a talent show. Whether on his original BBC radio show, the Radio Luxembourg one, or his new TV show, the format was the same. He would alternate weeks between broadcasting and talent scouting. In talent scouting weeks he would go to a different city each week, where for five nights in a row he would put on talent shows featuring up to twenty different local amateur acts doing their party pieces -- without payment, of course, just for the exposure. At the end of the show, the audience would get a chance to clap for each act, and the act that got the loudest applause would go through to a final on the Saturday night. This of course meant that acts that wanted to win would get a lot of their friends and family to come along and cheer for them. The Saturday night would then have the winning acts -- which is to say, those who brought along the most paying customers -- compete against each other. The most popular of *those* acts would then get to appear on Levis' TV show the next week. It was, as you can imagine, an extremely lucrative business. When the Five Nutters appeared on Levis' Discoveries show, they were fairly sure that the audience clapped loudest for them, but they came third. Being the type of person he was, Fred Heath didn't take this lying down, and remonstrated with Levis, who eventually promised to get the Nutters some better gigs, one suspects just to shut Heath up. As a result of Levis putting in a good word for them, they got a few appearances at places like the 2Is, and made an appearance on the BBC's one concession to youth culture on the radio -- a new show called Saturday Skiffle Club. Around this time, the Five Nutters also recorded a demo disc. The first side was a skiffled-up version of "Shake, Rattle and Roll", with some extremely good jazzy lead guitar: [Excerpt: Fred Heath and the Five Nutters, "Shake, Rattle, and Roll"] I've heard quite a few records of skiffle groups, mostly by professionals, and it's clear that the Five Nutters were far more musical, and far more interesting, than most of them, even despite the audible sloppiness here. The point of skiffle was meant to be that it was do-it-yourself music that required no particular level of skill -- but in this case the Nutters' guitarist Frank Rouledge was clearly quite a bit more proficient than the run-of-the-mill skiffle guitarist. What was even more interesting about that recording, though, was the B-side, which was a song written by the group. It seems to have been mostly written by Heath, and it's called "Blood-Red Beauty" because Heath's wife was a redhead: [Excerpt: Fred Heath and the Five Nutters, "Blood Red Beauty"] The song itself is fairly unexceptional -- it's a standard Hank Williams style hillbilly boogie -- but at this time there was still in Britain a fairly hard and fast rule which had performers and songwriters as two distinct things. There were a handful of British rock musicians who were attempting to write their own material -- most prominently Billy Fury, a Larry Parnes artist who I'm afraid we don't have space for in the podcast, but who was one of the most interesting of the late-fifties British acts -- but in general, there was a fairly strict demarcation. It was very unusual for a British performer to also be trying to write songs. The Nutters split up shortly after their Saturday Skiffle Club appearance, and Heath formed various other groups called things like The Fabulous Freddie Heath Band and The Fred, Mike & Tom Show, before going back to the old name, with a new lineup of Freddie Heath and the Nutters consisting of himself on vocals, Mike West and Tom Brown -- who had been the Mike and Tom in The Fred, Mike, & Tom Show, on backing vocals, Tony Doherty on rhythm guitar, Ken McKay on drums, Johnny Gordon on bass, and on lead guitar Alan Caddy, a man who was known by the nickname "tea", which was partly a pun on his name, partly a reference to his drinking copious amounts of tea, and partly Cockney rhyming slang -- tea-leaf for thief -- as he was known for stealing cars. The Nutters got a new agent, Don Toy, and manager, Guy Robinson, but Heath seemed mostly to want to be a songwriter rather than a singer at this point. He was looking to place his songs with other artists, and in early 1959, he did. He wrote a song called "Please Don't Touch", and managed to get it placed with a vocal group called the Bachelors -- not the more famous group of that name, but a minor group who recorded for Parlophone, a subsidiary of EMI run by a young producer named George Martin. "Please Don't Touch" came out as the B-side of a Bachelors record: [Excerpt: The Bachelors, "Please Don't Touch"] One notable thing about the songwriting credit -- while most sources say Fred Heath wrote the song by himself, he gave Guy Robinson a co-writing credit on this and many of his future songs. This was partly because it was fairly standard at the time for managers to cut themselves in on their artists' credits, but also because that way the credit could read Heath Robinson -- Heath Robinson was a famous British cartoonist who was notable for drawing impossibly complicated inventions, and whose name had become part of the British language -- for American listeners, imagine that the song was credited to Rube Goldberg, and you'll have the idea. At this point, the Nutters had become quite a professional organisation, and so it was unsurprising that after "Please Don't Touch" brought Fred Heath to the attention of EMI, a different EMI imprint, HMV, signed them up. Much of the early success of the Nutters, and this professionalism, seems to be down to Don Toy, who seems to have been a remarkably multi-talented individual. As well as being an agent who had contracts with many London venues to provide them with bands, he was also an electrical engineer specialising in sound equipment. He built a two-hundred watt bass amp for the group, at a time when almost every band just put their bass guitar through a normal guitar amp, and twenty-five watts was considered quite loud. He also built a portable tape echo device that could be used on stage to make Heath's voice sound like it would on the records. Heath later bought the first Copicat echo unit to be made -- this was a mass-produced device that would be used by a lot of British bands in the early sixties, and Heath's had serial number 0001 -- but before that became available, he used Toy's device, which may well have been the very first on-stage echo device in the UK. On top of that, Toy has also claimed that most of the songs credited to Heath and Robinson were also co-written by him, but he left his name off because the credit looked better without it. And whether or not that's true, he was also the drummer on this first session -- Ken McKay, the Nutters' drummer, was a bit unsteady in his tempo, and Toy was a decent player and took over from him when in April 1959, Fred Heath and the Nutters went into Abbey Road Studio 2, to record their own version of "Please Don't Touch". This was ostensibly produced by HMV producer Walter Ridley, but Ridley actually left rock and roll records to his engineer, Peter Sullivan: [Excerpt: Johnny Kidd and the Pirates, "Please Don't Touch"] It was only when the session was over that they saw the paperwork for it. Fred Heath was the only member of the Nutters to be signed to EMI, with the rest of the group being contracted as session musicians, but that was absolutely normal for the time period -- Tommy Steele's Steelmen and Cliff Richard's Drifters hadn't been signed as artists either. What they were concerned about was the band name on the paperwork -- it didn't say Fred Heath and the Nutters, but Johnny Kidd and the Pirates. They were told that that was going to be their new name. They never did find out who it was who had decided on this for them, but from now on Fred Heath was Johnny Kidd. The record was promoted on Radio Luxembourg, and everyone thought it was going to go to number one. Unfortunately, strike action prevented that, and the record was only a moderate chart success -- the highest position it hit in any of the UK charts at the time was number twenty on the Melody Maker chart. But that didn't stop it from becoming an acknowledged classic of British rock and roll. It was so popular that it actually saw an American cover version, which was something that almost never happened with British songs, though Chico Holliday's version was unsuccessful: [Excerpt: Chico Holliday, "Please Don't Touch"] It remained such a fond memory for British rockers that in 1980 the heavy metal groups Motorhead and Girlschool recorded it as the supergroup HeadGirl, and it became the biggest hit either group ever had, reaching number five in the British charts: [Excerpt: Headgirl, "Please Don't Touch"] But while "Please Don't Touch" was one of the very few good rock and roll records made in Britain, it wasn't the one for which Johnny Kidd and the Pirates would be remembered. It was, though, enough to make them a big act. They toured the country on a bill compered by Liverpool comedian Jimmy Tarbuck, and they made several appearances on Saturday Club, which had now dropped the "skiffle" name and was the only place anyone could hear rock and roll on BBC radio. Of course, the British record industry having the immense sense of potential it did, HMV immediately capitalised on the success of Johnny Kidd and the Pirates doing a great group performance of an original rock and roll number, by releasing as a follow-up single, a version of the old standard "If You Were the Only Girl in the World and I Were the Only Boy" by Johnny without the Pirates, but with chorus and orchestra conducted by Ivor Raymonde: [Excerpt: Johnny Kidd, "If You Were The Only Girl in the World"] For some reason -- I can't imagine why -- that didn't chart. One suspects that young Lemmy wasn't quite as fond of that one as "Please Don't Touch". The B-side was a quite good rocker, with some nice guitar work from the session guitarist Bert Weedon, but no-one bothered to buy the record at the time, so they didn't turn it over to hear the other side. The follow-up was better -- a reworking of Marv Johnson's "You've Got What it Takes", one of the hits that Berry Gordy had been writing and producing for Johnson. Johnson's version made the top five in the UK, but the Pirates' version still made the top thirty. But by this time there had been some changes. The first change that was made was that the Pirates changed manager -- while Robinson would continue getting songwriting credits, the group were now managed through Associated London Scripts, by Stan "Scruffy" Dale. Associated London Scripts was, as the name suggests, primarily a company that produced scripts. It was started as a writers' co-operative, and in its early days it was made up of seven people. There was Frankie Howerd, one of the most popular stand-up comedians of the time, who was always looking for new material; Spike Milligan, the writer and one of the stars of the Goon Show, the most important surreal comedy of the fifties; Eric Sykes, who was a writer-performer who was involved in almost every important comedy programme of the decade, including co-writing many Goon episodes with Milligan, before becoming a TV star himself; Ray Galton and Alan Simpson, who wrote the most important *sitcom* of the fifties and early sixties, Hancock's Half Hour; and Scruffy Dale, who was Howerd and Sykes' manager and was supposed to take care of the business stuff. In fact, though, most of the business was actually taken care of by the seventh person and only woman, Beryl Vertue, who was taken on as the secretary on the basis of an interview that mostly asked about her tea-making skills, but soon found herself doing almost everything -- the men in the office got so used to asking her "Could you make the tea, Beryl?", "Could you type up this script, Beryl?" that they just started asking her things like "Could you renegotiate our contract with the BBC, Beryl?" She eventually became one of the most important women in the TV industry, with her most recent prominent credit being as executive producer on the BBC's Sherlock up until 2017, more than sixty years after she joined the business. Vertue did all the work to keep the company running -- a company which grew to about thirty writers, and between the early fifties and mid sixties, as well as Hancock's Half Hour and the Goons, its writers created Sykes, Beyond Our Ken, Round the Horne, Steptoe and Son, The Bedsitting Room, the Running, Jumping, Standing Still Film, Til Death Us Do Part, Citizen James, and the Daleks. That's a list off the top of my head -- it would actually be easier to list memorable British comedy programmes and films of the fifties and early sixties that *didn't* have a script from one of ALS' writers. And while Vertue was keeping Marty Feldman, John Junkin, Barry Took, Johnny Speight, John Antrobus and all the rest of these new writers in work, Scruffy Dale was trying to create a career in pop management. As several people associated with ALS had made records with George Martin at Parlophone, he had an in there, and some of the few pop successes that Martin had in the fifties were producing acts managed by Dale through ALS, like the Vipers Skiffle Group: [Excerpt: The Vipers Skiffle Group, "Don't You Rock Me, Daddy-O"] and a young performer named Jim Smith, who wanted to be a comedian and actor, but who Dale renamed after himself, and who had a string of hits as Jim Dale: [Excerpt: Jim Dale, "Be My Girl"] Jim Dale eventually did become a film and TV star, starting with presenting Six-Five Special, and is now best known for having starred in many of the Carry On films and narrating the Harry Potter audiobooks, but at the time he was still a pop star. Jim Dale and the Vipers were the two professional acts headlining an otherwise-amateur tour that Scruffy Dale put together that was very much like Carroll Levis' Discoveries show, except without the need to even give the winners a slot on the TV every other week. This tour was supposed to be a hunt for the country's best skiffle group, and there was going to be a grand national final, and the winner of *that* would go on TV. Except they just kept dragging the tour out for eighteen months, until the skiffle fad was completely over and no-one cared, so there never was a national final. And in the meantime the Vipers had to sit through twenty groups of spotty kids a night, all playing "Don't You Rock Me Daddy-O", and then go out and play it themselves, every night for eighteen months. Scruffy Dale was unscrupulous in other ways as well, and not long after he'd taken on the Pirates' management he was sacked from ALS. Spike Milligan had never liked Dale -- when told that Dale had lost a testicle in the war, he'd merely replied "I hope he dropped it on Dresden" -- but Frankie Howerd and Eric Sykes had always been impressed with his ability to negotiate deals. But then Frankie Howerd found out that he'd missed out on lucrative opportunities because Dale had shoved letters in his coat pocket and forgotten about them for a fortnight. He started investigating a few more things, and it turned out that Dale had been siphoning money from Sykes and Howerd's personal bank accounts into his own, having explained to their bank manager that it would just be resting in his account for them, because they were showbiz people who would spend it all too fast, so he was looking after them. And he'd also been doing other bits of creative accounting -- every success his musical acts had was marked down as something he'd done independently, and all the profits went to him, while all the unsuccessful ventures were marked down as being ALS projects, and their losses charged to the company. So neither Dale nor the Pirates were with Associated London Scripts very long. But Dale made one very important change -- he and Don Toy decided between them that most of the Pirates had to go. There were six backing musicians in the group if you counted the two backing vocalists, who all needed paying, and only one could read music -- they weren't professional enough to make a career in the music business. So all of the Pirates except Alan Caddy were sacked. Mike West and Tony Doherty formed another band, Robby Hood and His Merry Men, whose first single was written by Kidd (though it's rare enough I've not been able to find a copy anywhere online). The new backing group was going to be a trio, modelled on Johnny Burnette's Rock and Roll Trio -- just one guitar, bass, and drums. They had Caddy on lead guitar, Clem Cattini on drums, and Brian Gregg on bass. Cattini was regarded as by far the best rock drummer in Britain at the time. He'd played with Terry Dene's backing band the Dene Aces, and can be seen glumly backing Dene in the film The Golden Disc: [Excerpt: Terry Dene, "Candy Floss"] Gregg had joined Dene's band, and they'd both then moved on to be touring musicians for Larry Parnes, backing most of the acts on a tour featuring Gene Vincent and Eddie Cochran that we'll be looking at next week. They'd played with various of Parnes' acts for a while, but had then asked for more money, and he'd refused, so they'd quit working for Parnes and joined Vince Taylor and the Playboys. They'd only played with the Playboys a few weeks when they moved on to Chas McDevitt's group. For a brief time, McDevitt had been the biggest star in skiffle other than Lonnie Donegan, but he was firmly in the downward phase of his career at this point. McDevitt also owned a coffee bar, the Freight Train, named after his biggest hit, and most of the musicians in London would hang out there. And after Clem Cattini and Brian Gregg had joined the Pirates, it was at the Freight Train that the song for which the group would be remembered was written. They were going to go into the studio to record another song chosen by the record label -- a version of the old standard "Yes Sir, That's My Baby" -- because EMI had apparently not yet learned that if you had Johnny Kidd record old standards, no-one bought it, but if you had him record bluesy rock and roll you had a hit. But they'd been told they could write their own B-side, as they'd been able to on the last few singles. They were also allowed to bring in Joe Moretti to provide a second guitar -- Moretti, who had played the solo on "Brand New Cadillac", was an old friend of Clem Cattini's, and they thought he'd add something to the record, and also thought they'd be doing him a favour by letting him make a session fee -- he wasn't a regular session player. So they all got together in the Freight Train coffee bar, and wrote another Heath/Robinson number. They weren't going to do anything too original for a B-side, of course. They nicked a rhythm guitar part from "Linda Lu", a minor US hit that Lee Hazelwood had produced for a Chuck Berry soundalike named Ray Sharpe, and which was itself clearly lifted from “Speedoo” by the Cadillacs: [Excerpt: Ray Sharpe, "Linda Lu"] They may also have nicked Joe Moretti's lead guitar part as well, though there's more doubt about this. There's a Mickey and Sylvia record, "No Good Lover", which hadn't been released in the UK at the time, so it's hard to imagine how they could have heard it, but the lead guitar part they hit on was very, very similar -- maybe someone had played it on Radio Luxembourg: [Excerpt: Mickey and Sylvia, "No Good Lover"] They combined those musical ideas with a lyric that was partly a follow-on to the line in "Please Don't Touch" about shaking too much, and partly a slightly bowdlerised version of a saying that Kidd had -- when he saw a woman he found particularly attractive, he'd say "She gives me quivers in me membranes". As it was a B-side, the track they recorded only took two takes, plus a brief overdub for Moretti to add some guitar shimmers, created by him using a cigarette lighter as a slide: [Excerpt: Johnny Kidd and the Pirates, "Shakin' All Over"] The song was knocked off so quickly that they even kept in a mistake -- before the guitar solo, Clem Cattini was meant to play just a one-bar fill. Instead he played for longer, which was very unlike Cattini, who was normally a professional's professional. He asked for another take, but the producer just left it in, and that break going into the solo was one of the things that people latched on to: [Excerpt: Johnny Kidd and the Pirates, "Shakin' All Over"] Despite the track having been put together from pre-existing bits, it had a life and vitality to it that no other British record except "Brand New Cadillac" had had, and Kidd had the added bonus of actually being able to hold a tune, unlike Vince Taylor. The record company quickly realised that "Shakin' All Over" should be the record that they were pushing, and flipped the single. The Pirates appeared on Wham!, the latest Jack Good TV show, and immediately the record charted. It soon made number one, and became the first real proof to British listeners that British people could make rock and roll every bit as good as the Americans -- at this point, everyone still thought Vince Taylor was from America. It was possibly Jack Good who also made the big change to Johnny Kidd's appearance -- he had a slight cast in one eye that got worse as the day went on, with his eyelid drooping more and more. Someone -- probably Good -- suggested that he should make this problem into an advantage, by wearing an eyepatch. He did, and the Pirates got pirate costumes to wear on stage, while Kidd would frantically roam the stage swinging a cutlass around. At this point, stagecraft was something almost unknown to British rock performers, who rarely did more than wear a cleanish suit and say "thank you" after each song. The only other act that was anything like as theatrical was Screaming Lord Sutch and the Savages, a minor act who had ripped off Screamin' Jay Hawkins' act. The follow-up, "Restless", was very much "Shakin' All Over" part two, and made the top thirty. After that, sticking with the formula, they did a version of "Linda Lu", but that didn't make the top forty at all. Possibly the most interesting record they made at this point was a version of "I Just Want to Make Love to You", a song Willie Dixon had written for Muddy Waters: [Excerpt: Johnny Kidd and the Pirates, "I Just Want to Make Love to You"] The Pirates were increasingly starting to include blues and R&B songs in their set, and the British blues boom artists of the next few years would often refer to the Pirates as being the band that had inspired them. Clem Cattini still says that Johnny Kidd was the best British blues singer he ever heard. But as their singles were doing less and less well, the Pirates decided to jump ship. Colin Hicks, Tommy Steele's much less successful younger brother, had a backing band called the Cabin Boys, which Brian Gregg had been in before joining Terry Dene's band. Hicks had now started performing an act that was based on Kidd's, and for a tour of Italy, where he was quite popular, he wanted a new band -- he asked the Pirates if they would leave Kidd and become the latest lineup of Cabin Boys, and they left, taking their costumes with them. Clem Cattini now says that agreeing was the worst move he ever made, but they parted on good terms -- Kidd said "Alan, Brian and Clem left me to better themselves. How could I possibly begrudge them their opportunity?" We'll be picking up the story of Alan, Brian, and Clem in a few months' time, but in the meantime, Kidd picked up a new backing band, who had previously been performing as the Redcaps, backing a minor singer called Cuddly Dudley on his single "Sitting on a Train": [Excerpt: Cuddly Dudley and the Redcaps, "Sitting on a Train"] That new lineup of Pirates didn't last too long before the guitarist quit, due to ill health, but he was soon replaced by Mick Green, who is now regarded by many as one of the great British guitarists of all time, to the extent that Wilko Johnson, another British guitarist who came to prominence about fifteen years later, has said that he spent his entire career trying and failing to sound like MIck Green. In 1962 and 63 the group were playing clubs where they found a lot of new bands who they seemed to have things in common with. After playing the Cavern in Liverpool and a residency at the Star Club in Hamburg, they added Richie Barrett's "Some Other Guy" and Arthur Alexander's "A Shot of Rhythm and Blues" to their sets, two R&B numbers that were very popular among the Liverpool bands playing in Hamburg but otherwise almost unknown in the UK. Unfortunately, their version of "A Shot of Rhythm and Blues" didn't chart, and their record label declined to issue their version of "Some Other Guy" -- and then almost immediately the Liverpool group The Big Three released their version as a single, and it made the top forty. As the Pirates' R&B sound was unsuccessful -- no-one seemed to want British R&B, at all -- they decided to go the other way, and record a song written by their new manager, Gordon Mills (who would later become better known for managing Tom Jones and Englebert Humperdinck). "I'll Never Get Over You" was a very catchy, harmonised, song in the style of many of the new bands that were becoming popular, and it's an enjoyable record, but it's not really in the Pirates' style: [Excerpt: Johnny Kidd and the Pirates, "I'll Never Get Over You"] That made number four on the charts, but it would be Johnny Kidd and the Pirates' last major hit. They did have a minor hit with another song by Mills, "Hungry For Love", but a much better record, and a much better example of the Pirates' style, was an R&B single released by the Pirates without Kidd. The plan at the time was that they would be split into two acts in the same way as Cliff Richard and the Shadows -- Kidd would be a solo star, while the Pirates would release records of their own. The A-side of the Pirates' single was a fairly good version of the Willie Dixon song "My Babe", but to my ears the B-side is better -- it's a version of "Casting My Spell", a song originally by an obscure duo called the Johnson Brothers, but popularised by Johnny Otis. The Pirates' version is quite possibly the finest early British R&B record I've heard: [Excerpt: The Pirates, "Casting My Spell"] That didn't chart, and the plan to split the two acts failed. Neither act ever had another hit again, and eventually the classic Mick Green lineup of the Pirates split up -- Green left first, to join Billy J Kramer and the Dakotas, and the rest left one by one. In 1965, The Guess Who had a hit in the US with their cover version of "Shakin' All Over": [Excerpt: The Guess Who, "Shakin' All Over"] The Pirates were reduced to remaking their own old hit as "Shakin' All Over '65" in an attempt to piggyback on that cover version, but the new version, which was dominated by a Hammond organ part, didn't have any success. After the Pirates left Kidd, he got a new group, which he called the New Pirates. He continued making extremely good records on occasion, but had no success at all. Even though younger bands like the Rolling Stones and the Animals were making music very similar to his, he was regarded as an outdated novelty act, a relic of an earlier age from six years earlier. There was always the potential for him to have a comeback, but then in 1966 Kidd, who was never a very good driver and had been in a number of accidents, arrived late at a gig in Bolton. The manager refused to let him on stage because he'd arrived so late, so he drove off to find another gig. He'd been driving most of the day, and he crashed the car and died, as did one person in the vehicle he crashed into. His final single, "Send For That Girl", was released after his death. It's really a very good record, but at the time Kidd's fortunes were so low that even his death didn't make it chart: [Excerpt: Johnny Kidd and the New Pirates, "Send For That Girl"] Kidd was only thirty when he died, and already a has-been, but he left behind the most impressive body of work of any pre-Beatles British act. Various lineups of Pirates have occasionally played since -- including, at one point, Cattini and Gregg playing with Joe Moretti's son Joe Moretti Jr -- but none have ever captured that magic that gave millions of people quivers down the backbone and shakes in the kneebone.

What did you do on Leap Day this year? We alienate the portion of our audience that enjoys good audio, and also goths. You're welcome to all the non-goth mouth perverts out there. Featuring: Leap Day & Other Holidays, A Long & Unlistenable Ranking of Cookies, Cori Is An Island, Just Harry, An Unfortunate Pokeproposal, A Lion That's A Human Wrestler, Please Wash Your Hands Even If You “Didn't Touch It.”

Welcome to an  episode of ARG that's SO REAL you can almost reach out and TOUCH IT!  It's VR GAMES this week on the show!  We have a spirited debate about Virtual Reality, and we try a couple of games...Ultrawings and Rec Room!  After the debate, we straight out GO TO WAR!  Enjoy! --- Support this podcast: https://anchor.fm/arg-presents/support

Jeremy Auman is back on the pod and we are talking sports! *AIR HORN SOUNDS* Here’s some notes! Don’t Touch It, They’ll Know! The Nationals Won the World Series! Mahomes Hair Hat! Auman’s Dad! You vs U! Santa Had a Dusty Complexion! Royals Contract Talk! Fathers and Sons! Oliver Drops By to Talk  Hangovers! Mario Brothers History! Ollie Sings a Song but We Have a Technical Difficulties and Miss It so He Gets His Revenge by Closing the Garage Door! Murder Kit vs Turnin’ the Tables Kit! Contact Us! Follow Us! Love Us! Email: doubledeucepod@gmail.com Twitter: @doubledeucepod Facebook: www.facebook.com/DoubleDeucePod/ Also, please subscribe/rate/review/share us! We’re on iTunes, Android, Libsyn, Stitcher, Google, Spotify, Radio.com, RadioPublic, pretty much anywhere they got podcasts, you can find the Deuce! Podcast logo art by Jason Keezer! Intro & Outro featuring Rob Schulte! Brought to you in part by sponsorship from Courtney Shipley and listeners like you! Do you like comics? Check out the Chop Shop Podcast where Nelson is a frequent guest and go buy some comics at Chops Comics in Lawrence, Kansas!

In Honor of #ReadABookDay we're bringing you this episode a week early! Joel continues his spider obsession with David Wong's hilarious yet terrifying novel, This Book is Full of Spiders: Seriously, Dude, Don't Touch It. Stephen transports us to ancient China with Guy Gavriel Kay's Under Heaven. This episode contains some Language.

Space, the thing we have to cross... These are the voyages of the U.S.S. Revelation. Its ongoing mission, to do better than the Horizon, to find the answers to all our questions, and to boldly reach out and TOUCH IT! A new tabletop role playing adventure in the ongoing Star Trek: Adventures "Living Campaign" from Modiphius. Listen to this campaigns' post-game chat exclusively on Patreon: Patreon.com/terriblewarriors Terrible Warriors: Neil Tavares, Velvet Duke, Brent Morris, and Justin Ecock "Star Trek: Adventures" published by Modiphius Entertainment "We Are The Stars That Sing With Our Life" written by Aaron Pollyea You can find Aaron on facebook at: https://www.facebook.com/aaron.pollyea

Space, the thing we have to cross... These are the voyages of the U.S.S. Revelation. Its ongoing mission, to do better than the Horizon, to find the answers to all our questions, and to boldly reach out and TOUCH IT! A new tabletop role playing adventure in the ongoing Star Trek: Adventures "Living Campaign" from Modiphius. Listen to this campaigns' post-game chat exclusively on Patreon: Patreon.com/terriblewarriors Terrible Warriors: Neil Tavares, Velvet Duke, Brent Morris, and Justin Ecock "Star Trek: Adventures" published by Modiphius Entertainment "We Are The Stars That Sing With Our Life" written by Aaron Pollyea

Space, the thing we have to cross... These are the voyages of the U.S.S. Revelation. Its ongoing mission, to do better than the Horizon, to find the answers to all our questions, and to boldly reach out and TOUCH IT! A new tabletop role playing adventure in the ongoing Star Trek: Adventures "Living Campaign" from Modiphius. Listen to this campaigns' pre-gaming chat exclusively on Patreon: Patreon.com/terriblewarriors Terrible Warriors: Neil Tavares, Velvet Duke, Brent Morris, and Justin Ecock "Star Trek: Adventures" published by Modiphius Entertainment "We Are The Stars That Sing With Our Life" written by Aaron Pollyea

Space, the thing we have to cross... These are the voyages of the U.S.S. Revelation. Its ongoing mission, to do better than the Horizon, to find the answers to all our questions, and to boldly reach out and TOUCH IT! A new tabletop role playing adventure in the ongoing Star Trek: Adventures "Living Campaign" from Modiphius. Listen to this campaigns' pre-gaming chat exclusively on Patreon: Patreon.com/terriblewarriors Terrible Warriors: Neil Tavares, Velvet Duke, Brent Morris, and Justin Ecock "Star Trek: Adventures" published by Modiphius Entertainment "We Are The Stars That Sing With Our Life" written by Aaron Pollyea

1. RuPaul – SuperModel 2018 2. Zayn ft Sia – Dusk Til Dawn 3. Linkin Park – Nobody Can Save Me 4. Ariana Grande – Touch It 5 .Ed Sheeran – Perfect 6. Lady Gaga, Nadav Guedj, & Kapler – Poker Face Mashup 7. Nick Jonas – Find You 8. Anne Marie – Ciao Adios 9. Charlie Puth – How Long 10. Guy Scheiman ft. Michal S – You’re So Vain 11. DJ Head ft Geez – Music Is My Art 12. Bleona – Wicked Love 13. Pink – I Am Here 14. Johnnie Mikel – Friday Night 15. Christina Aguilera – Ain’t No Other Man 2K’18

We played a really silly game called Touch It, Smell It, Taste It. It did really well! I also share three audiobooks I have been listening to recently.

We played a really silly game called Touch It, Smell It, Taste It. It did really well! I also share three audiobooks I have been listening to recently.

Immerse yourself in a world of Research Based Pediatric Occupational Therapy Episode 1 Episode 1 Notes www.7sensestherapy.com www.facebook.com/7sensestherapy/ 7 Senses Therapy is a Pediatric Occupational Therapy Practice in Melbourne, FL We work with children of all abilities to help them gain skills for life. Our 7 Senses are: Vision: What we can see with our eyes and how it relates to us and what we do Smell: Olfactory sensory neurons in our nose creates a perception of strong vs light odors Taste: Gustatory cells react to input based on the food molecules to taste sweetness, sourness, saltiness, bitterness, and umami. Hearing: This sense enables us to receive and interpret sounds. It allows us to communicate with others. Touch: It provides our body with the identification of light touch, firm touch, and the discrimination of different textures. Proprioception: The ability of knowing where your body is in space. It assists our central nervous system to identify where and what your muscles and joints are doing in relevance to the environment. Vestibular: This senses is located in our inner ear and it address our sense of balance and movement.

In this Episode I discuss the the book "John Dies at the End" that inspired the 2012 movie. I also discuss the sequel book "This Book is Full of Spiders (Seriously, Dude, Don't Touch It). So join me as I discuss these two books a little and hopefully it will interest you enough to go out and read them. TheSmokeyShelter.com

One of my favorite events of the year returns to Dallas, April 27 - May 1, 2017, with all-new production and an expanded lineup of events to give you the biggest weekend in Purple Party history! To help you get Purple Party ready, this special edition podcast delivers over 80 minutes of uplifting anthems -- including my brand-new remix with Toy Armada of Ariana Grande's "Touch It" -- plus some of my favorite new music from Ed Sheeran, Lady Gaga, Katy Perry and more! And, there's even a little dose of Texas thrown in for good measure! PURPLE PARTY 2017 “Revival” Tea Dance with Brandon Moses & DJ GRIND Sunday, April 30, 2017 | The Nines Info / Tickets: www.purplefoundation.org #PurpleParty #ArianaGrande #TouchIt #BiggerInTexas = = = = = February 2017 Mix | Purple Party Official Promo Podcast 1. Queen of Swords (JRMX Club Mix) – Idina Menzel 2. Hurts So Good (JRMX Club Mix) – Astrid S 3. Shape Of You (Jack Wins Remix) – Ed Sheeran 4. Slumber Party (LA Rush Club Mix) – Britney Spears feat. Tinashe 5. Strangers in the Night (Alyson Calagna's Sunlife Mix) – Z LaLa 6. All In My Head (Original Mix) – The Cube Guys, Diego Broggio, Castaman, Miss Julia 7. Body Moves (StoneBridge Presents Damien Hall Dub) – DNCE 8. To Not Love You (StoneBridge Summa Slaya Mix) – DJ Pebbles 9. Still Falling For You (Enrico Meloni Remix) – Ellie Goulding 10. Rockabye (Thomas Solvert Remix) – Clean Bandit feat. Sean Paul & Anne-Marie 11. The Greatest (Edson Pride Remix) – Sia 12. Touch It (Toy Armada & DJ GRIND Massive Drums Mix) – Ariana Grande 13. Andale (Angel Heredia Remix) – Julio Posadas 14. Chained To The Rhythm (JUNCE Mash) – Katy Perry, Skip Marley & Mauro Mozart 15. Million Reasons (Alyson Calagna Vocal Remix) – Lady Gaga 16. Live Forever (Club Mix) – Third Party www.djgrind.net | www.facebook.com/djgrindsf | www.twitter.com/djgrind | www.instagram.com/djgrindofficial

Gold Code filling in for me this week! https://soundcloud.com/goldcode http://www.omakaseshow.com =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= DeViere, Lessons Learned In The Tears Of Deceit, Mathematics Recordings Arnold Steiner, Virgo 2 Virgo, AC Records Casanova's Revenge, Let's Work (Club Version 1), Invasion Recordings Mighty Thor, Tralfamdore, Born Free Records dynArec, Double Postpone, Solar One Music Crime, Breaking Point, Nuphonic Nackt, Ford (feat. Cm-4 & Doc Sleep), 100% Silk Alternations, Feel It For You (Indian Summer Mix), RCA *thanks Marty! LFO, LFO (Kiti808 edit), Soundcloud [https://soundcloud.com/dj-kiti/lfo-lfo-kiti808-edit] Ajello, Radiation B-X, Moderne Recordings Mezigue, ZZ Paname, D.KO Records Toshiki Kadomatsu, Step into the Light, RVC Corporation Paso, Climax, D.KO Records Unknown, Radio Action (The Revolving Eyes edit) Dreamatic, Audio Trip, DFC Sprawl, Attack of the Sonic Army, Solar One Music AS1, Unpredictable Tomorrow, Solar One Music Terence Terry, Edikisot (Terence Terry edit), Soundcloud [https://soundcloud.com/terence-terry/edikisot-terence-terry-editfree-dl] Music Man Records – Mono Junk, Feel Your Life, Music Man Records Pearl River Sound, Lord of A-A-Acid, X-Kalay An-i & Capablanca, Farsi Farce, Versatile Records Neil Landstrumm, Touch It, Killekill Betonkust & Palmbomen II, Suite 100, Pinkman Jerome Hill, Def Jamming, Super Rhythm Trax Lapien, Wild For The Night, Mistress Recordings The Consumer, Financial Advisory, KONDI Soul II Soul, Jazzie's Groove (Alkalino Rework), Bandcamp [https://alkalino.bandcamp.com/track/soul-ii-soul-jazzies-groove-rework-no-horns-version] James Duncan, Kingston Throop Stop, WNCL Recordings The Cure – The Walk (Razormaid Mix), Razormaid The Revolving Eyes, Machina 1.2, Moderne Recordings

1. Bruno Mars vs. !llmind - "Marry You" 2. Rayan Jay - "Thundercat Taught Me" 3. Morgan Nichol vs. MOFsoundtrail - "House Home To Wanderers" 4. Ariana Grande vs. !llmind - "Touch It" 5. Dimitri Vegas & Like Mike vs. T. Charles - "Stay A While" 6. Christina Perri vs. Teaz - "Burning Gold" 7. Rolling Stone [Prod. By !llmind, Co-Prod by Symbolyc One, Additional Instruments By Kailin Yong, vocals by The Frontrunnerz, Mixing/Scratch by STPK] - "Rolling Stone" 8. 24hrs - "Gucci Flame" 9. AprilFoolChild - "Easy"

Hello listeners! Rik and Danny are back with a fun filled episode of craziness. First we take a trip in the classic Time Bandits. Then we fight more evil forces in the fantasy romp, Willow. Two movies that never come up short! Hope you enjoy! The post Hail Ming Power Hour Episode 15: Don’t Touch It, It’s Evil appeared first on Legion.

“One Moment,” is written and produced by Quennel Worthy and Monifah. It is a soaring mid tempo ballad that takes you on a lyrical and musical journey; that will captivate listeners upon first listen and pierce the hearts of everyone who hears it. ? Monifah states: *It speaks to the heart of a very basic need we all share. The need to access that place inside of ourselves, be alone, quiet the 'noise' and tune into the voice of our creator. When you take time to slow down, be still and  listen, this is when your creativity and healing have a chance to flourish. I'm sharing my personal wake-up call with the world. "One Moment" is my open letter. After re-emerging to the spotlight thanks to TV One's franchise R&B Divas, Monifah returns to her passion of music. It's been 14 years since Monifah released an album.” When she gave you memorable melodies with top Billboard hits like her super hits "Touch It", “I Miss You (Come Back Home)” and “You Don't Have To Love Me" among many more. Monifah is preparing to carve a new path along the trail of R&B Soul, Adult Urban Contemporary and Pop music.East Harlem, NY born Monifa Carter was a child prodigy at the tender young age of seven, exuding talents as both a singer and an actor. She appeared as a principal in the first national Hi-C Drink Box commercial and can be credited with several other national commercials. Monifah's theatrical debut was at the age of eleven when she landed the starring role as “Hermia” in an off-Broadway production of Shakespeare's, “A Midsummers Night's Dream “. Monifah was a “triple threat” and a force to be reckoned with. 

Monifah Carter is an amazing entertainer and human being. In 1996, her debut album, Moods...Moments was released. In 1997, she contributed the Heavy D. produced "I Still Love You" to the soundtrack of the film, Sprung. Monifah's second album was Mo'hogany. Released in the last quarter of 1998, it featured "Touch It". The track peaked at #29 in the UK Singles Chart in January 1999.[2] Monifah's third album Home, released in 2000 contained "I Can Tell", "Brown Eyes" and "Fairytales." In 2003, she played a supporting role in Michael Baisden's Men Cry In the Dark stage play. In August 2012, Monifah and R&B singers Syleena Johnson, Faith Evans, KeKe Wyatt, LaTocha Scott, Angie Stone, and Nicci Gilbert appeared in a reality show for TV One called R&B Divas. It was later retitled R&B Divas: Atlanta and Monifah has appeared on the subsequent second and third seasons. In 2012, she appeared on Faith Evans' compilation album "R&B Divas" on the single "Lovin' Me" in addition to her solo track "She's Me." The album was later nominated for a Grammy. She released a new single "The Other Side" which premiered in June 2014. She made history when she married her wife Terez on national television and for that she will always be a hero in the LGBT community. I love her, we love her

Newark, New Jersey native, Pure, has been buzzing since first releasing his mixtape in 2010, titled I Am Pure.  Not confining himself to any genre, his diverse musical influences can be heard his latest singles The Stars and club banger Touch It, Bring It. Both have been well received from major NYC radio stations including Hot 97, Power 105, and Kiss 98.7.  Growing up in the Brick City, dominated by gangs, drugs, and gun violence, music was Pure’s outlet and motivation to stay above that. He joins me to discuss the movement behind his buzzing single Touch It, Bring It, his latest music project, and why his sound is a force to be reckoned with in the music industry. Listen to the singles at the links provided The Stars and Touch It, Bring It. Learn more about him here.

JL:onathan ‘JL' Locke (born April 30th, 1983) is an American recording artist. He became known in Chicago as a producer making beats for local independent artists. As a singer/songwriter he released his first official mixtape, “A Taste of JL” Hosted by The Mixtape Bully DJ V-Dub, in the winter of 2009. JL also partnered with his Columbia College class-mate to start a new record label, TerJon Records. JL's debut single ‘Touch It' is expected to be released on the label sometime in the spring of 2010. CALCUTTA:Discusses new single featuring Will of Day 26 "All About You"