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In this episode of Prisoners of Rock and Roll, we're talking about covers – those magical moments where one artist takes another's song and makes it their own…Wait, we said that in the monologue of last episode. Well it's true! We had so many songs to talk about that we decided to jump back into the trenches and talk about more of those moments where one artist grabs a song and turns it upside down, inside out, or straight into gold…or garbage. We still have a lot to say on this topic since we didn't get to discuss Jeff Buckley's haunting version of Leonard Cohen's Hallelujah, Manfred Mann having a number one hit with a Springsteen song while Springsteen has never had a number one hit himself, Weezer and Toto covering each other, Whitney Houston's enormous hit with a Dolly Parton song, and more. And as always, we've got some thoughts on music news and a song to send to the electric chair. It's our first ever two part episode so sit your butt down and turn that volume UP. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this segment, the crew dives straight into comedy gold—from Skin's mysterious disappearance (“He had to get a discrete bleaching,” Ben jokes) to the debate over whether Skin is actually a micro‑condom model on the side. KT, meanwhile, finds himself trapped in an unwanted astrology seminar (“Aquarius and Gemini don't get along!”), prompting one of the funniest exchanges of the episode as the entire room tries to figure out why Larry hates him.Krystina brings the rock‑and‑roll energy, sharing updates on her new band Orange Peel Sunshine and teasing original songs the group has been grinding on for weeks. Ben tries (and fails) to get her to revive the legendary Back Door Party track, but Krystina holds firm—“You'll have to show up to find out.”
https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive644.mp3 January 28th, 2026. Tommy Unit LIVE!! #644 – Two weeks in a row! And back on Wednesday night! Spun the new Disket 7-inch along with new/upcoming stuff from SpaghettyTown Records! Brad Marino, Micah and the Mirrors, The Stripp, and The Melmacs! Turn it up! We go LIVE!! every Wednesday night at 10pm ET / … Continue reading Tommy Unit LIVE!! #644 →
Today's guest may be one of the hardest working guests I've ever had. Please welcome, straight from Normandy, France, Stephane Schuck. Stephane talks about the music that inspired him as a kid. It isn't your standard rock and roll background. Maybe part of that is growing up in France, maybe part is just Stephane's unique angle on music. He formed a group that eventually came to known as The Salt Collective. But that isn't his day job. Instead of music, Stephane went into medicine. Both hemispheres of his brain are constantly working! He talks about working with some of his heroes with his own music, changing his band's name, and what happened when he was diagnosed with leukemia. The Salt Collective has a new album out called A Brief History of Blindness. It features Mike Mills, Aimee Mann, Pat Sansone, and former podcast guests Chris Stamey and Django Haskins (among others). It's a wonderful album that you can stream in the usual places or buy it on Bandcamp or thesaltcollective.propellersoundrecordings.com. Follow the group @thesaltcollective on Instagram & Facebook. Follow us @PerformanceAnx. Support us through performanceanx.threadless.com or ko-fi.com/performanceanxiety. Now let's get salty with Stephane Schuck on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Slash dives into Guns N' Roses' new songs, plans for a new album, getting ready for their tour and much more in this exclusive interview.
“Drum circles were created to build inclusivity, equity, and diversity.” In this episode, Nick speaks with Andrew Ecker to explore the cultural significance of drumming, particularly within indigenous communities, and highlights the historical context of drum circles as a means of fostering inclusivity and diversity and healing from trauma and addiction. What to listen for: Drumming and sound healing, overall, can positively impact our mental well-being The historical context of drumming reflects a blend of various cultural influences Drumming fosters community and shared experiences Addiction is based in shame and can often be spurred on by our early experiences Embracing our calling heals ourselves and others “All of us are connected to the earth. All of us are indigenous. All of us have the air, the water, the fire, and the earth flowing through us.” Identity goes deeper than culture or job titles; it's rooted in our relationship to the earth and life itself Separation from nature often fuels disconnection, anxiety, and burnout The elements are a reminder that we're not isolated individuals; we're part of a living system Reclaiming earth-based identity can be deeply grounding and healing “Do something for people — and you'll discover the truest truth of who you are.” Service often reveals purpose more clearly than self-reflection alone Helping others pulls us out of isolation and into meaningful connection You don't need to be “healed” or perfect to make a difference Showing up for others strengthens self-trust and self-worth About Andrew Ecker Andrew is a speaker, author, and creator of the Drumming Sounds Protocol, an evidence-based wellness intervention that blends ancient rhythm traditions with modern neuroscience to improve mental health, recovery, and community connection. With over 25 years of experience facilitating more than 5,000 drumming and sound-based programs, Andrew has worked with hospitals, treatment centers, universities, and tribal nations across the country. His book, The Sacred 7, explores identity, ancestry, and the transformative power of ceremony—a topic that resonates deeply with audiences seeking meaning, resilience, and personal empowerment. As a former youth outreach leader and recovery coach with over two decades in sobriety, Andrew brings a powerful, real-world perspective to conversations about trauma, healing, and spirituality. His ability to blend science, story, and spirit makes him a compelling guest for podcasts focused on wellness, recovery, leadership, and conscious living. https://www.drummingsounds.com https://www.linkedin.com/in/andrew-ecker-sacred7/ https://www.facebook.com/andrew.ecker1/ For our audience, please enjoy a free copy of Andrew's book, “The Sacred 7” — it's available for download at http://thesacredseven.com/ Resources: Interested in starting your own podcast or need help with one you already have? https://themindsetandselfmasteryshow.com/podcasting-services/ Thank you for listening! Please subscribe on iTunes and give us a 5-Star review! https://podcasts.apple.com/us/podcast/the-mindset-and-self-mastery-show/id1604262089 Listen to other episodes here: https://themindsetandselfmasteryshow.com/ Watch Clips and highlights: https://www.youtube.com/channel/UCk1tCM7KTe3hrq_-UAa6GHA Guest Inquiries right here: podcasts@themindsetandselfmasteryshow.com Your Friends at “The Mindset & Self-Mastery Show” Click Here To View The Episode Transcript Nick McGowan (00:02.959)Hello and welcome to the Mindset Self Mastery Show. I’m your host, Nick McGowan. Today on the show, we have Andrew Ecker. Andrew, what’s going on? Andrew Ecker (00:13.602)How’s it going, Nick? Nick McGowan (00:15.649)It’s good. I’m glad that you’re here. I’m excited for us to talk about music and drum circles and sound healing and all the things that relate to all of that. And we were gonna have a call maybe like a year and a half ago or so. And there’ve been some people that have like backed out of the show and I’ve been like, that’s fine. You can do whatever you want to do. But you were one of the people I was like, I hope he comes back. So I’m glad that you’re here. I’m glad that people are gonna be able to hear this conversation. And why don’t you get us started? Tell us what you do for a living and what’s one thing most people don’t know about you that’s maybe a little odd or bizarre. Andrew Ecker (00:48.769)Awesome. So before we do that, I’d like to just take a moment and honor myself in the space by introducing myself formally in traditional language of my ancestors. This is a language called Nde Baza, which basically means the people’s tongue. So Dago Tse, Tse Nde, Andirector Yenise, Adon Dae Nshinigye, Nde Nshe, Irish Pashachin, Nde Dasha Tshe, German Dasha Nali, Kote Goe Itshliye, Portland, Oregon, Enishe. Shama’e, Kathy Lindsay Woye, Shaza’e Del Eccorale. So my name is Andrew Eccor, my mother Kathy Lindsay, my father Del Eccor, my mother’s mother Elva Gallegos, Apache woman from New Mexico. She grew up in a little town called Capitan right outside the Mescalero reservation. Although my ancestral lines go back to the Madera Valley of Texas and Chihuahua, Mexico. The Apaches from this area are called La Pond Band Apache. My father’s mother Evelyn Beatty, an Irish woman from Pennsylvania. She actually was very proud that our ancestor William Beatty fought in the Revolutionary War to establish this country. So I do consider myself a son of the revolution on that side of my family. My mother’s father Leroy Lindsay, a Korean and Vietnam War veteran, and my father’s father Wayne Ecker, a World War II veteran. I have a daughter Bailey, son Peyton, a beloved fiancee named Monica. I was born in the ancestral land of the Multnomah Clackamas of Malamit in Portland, Oregon. although I currently reside in the ancestral land of the Akmal, Atom, the Peaposh and the Hohokam in Phoenix, Arizona. And very grateful to be here with you. So the thing that I do primarily is I work in healthcare and I’m a drum circle facilitator and sound medicine practitioner and also a peer support specialist, recovery coach. Most of the work that I do is in variety of different healthcare settings. So everything from psychiatric lockdowns to memory care, skilled nursing, prisons, jails, drug and alcohol treatment facilities, I facilitated about 5,000 wellness-based events with a protocol I’ve developed called Drumming Sounds. So Drumming Sounds is a step-by-step process of creating outcomes that are wellness-based. So reducing stress, increasing immunity, lowering blood pressure, Andrew Ecker (03:13.865)helping people connect through music and really creating a safe, sacred space for people to come into group drumming. So group drumming is a really powerful wellness intervention and so it’s a small group of studies done on it and it’s pretty amazing what the science community has found. So yeah, so that’s what I do and also do some coaching stuff, of course, help people out. Something unique about me, that a lot of people don’t know. You know, I grew up in a home where both my parents were addicted to drugs and my mom died of a cocaine overdose and my father died of cirrhosis of liver caused by hepatitis C. So growing up in that environment, I was around a lot of really intense experiences. And I think something that a lot of people don’t know about me is that because of that, My relationship with PTSD as a child was something really intense and my first suicide attempt I was seven years old. I remember attempting to hang myself at seven and thankfully, you know, I didn’t succeed. But from the time of that first attempt till really probably my late 20s, I was dealing with suicidal ideation and a severe relationship to other mental health concerns, including situational schizophrenia, depression, anxiety. These are all things I live in relationship with today. Nick McGowan (05:01.261)So, where do I go from here? know, way to drop everything on us. I first off want to thank you and appreciate how you started this and being able to show back to your ancestors and being able to talk from your original language. I think we can sometimes forget about where we come from. Our genetics do not. our generational trauma does not. There’s so many things that, like you dealt with so much with your parents. I’m sure we could just tackle through all of that, but what your parents dealt with, that then they transferred along to you and what their parents dealt with, et cetera, et cetera, and how all of that was tossed to us. Most people I don’t think really think about that because they just think, well, my parents are assholes, so I’m trying to do better or whatever. It’s like, well, let’s actually take steps back generations before that. and before that, before that. And I think we can sometimes also forget about where you actually came from. Like you rattled off a lot of family members. And as I was thinking about it, I was like, I’m making me, I maybe go like two layers deep. People beyond that, I don’t really know. And I don’t really know if they’re still around or what the hell’s going on or whatever, because of the way that I was raised. And it’s interesting to think about how we should. actually get back to more community-based things, but there’s a lot of unlearning to do with all of that. And I’ve read through the stuff you’ve sent. I’ve seen the different things you’ve done. I’ve known about you for a little bit, but I wouldn’t have even been able to know about the things that you’ve just rattled off. And really, mean, shit, where do you want to start with this? and thinking about from a mental health and a mindset and overall transformation, self mastery. I’m not trying to just throw out buzzwords, but like there are categorical things we can talk about here, you know? Andrew Ecker (06:59.456)Yeah. Andrew Ecker (07:03.264)Yeah, for sure. And that’s really why I’d like to share that traditional introduction because it does give us an opportunity to understand what healthy communities have looked at as self-identity, really the foundation of creating a healthy person. We’re talking about tens of thousands of years of this idea that we are our parents, we are our grandparents, we are from someplace and we live someplace. You know, these principles of self-identity. And just like you were sharing, know, remembering that is very important because we live in a time where our earth-based identity has been systematically erased from our mindset. And this is done through systematic organization of space, you know, ideas like the patriarchy, manoralism and feudalism. You know, these really predominant institutions systematically created a separation from us being our family and being from the earth. Yet all of us are connected to the earth. All of us are indigenous. All of us have the air, the water, the fire, the earth flowing through us. And the more that we can remember that, the more that we can validate that we are valuable just as a person. The contemporary culture has created this idea that we’re a job. And that’s our identity, that’s our value. And that idea was really created around feudalism and manalism historically because these were the only… Well, everyone in those systems was a job-based identity other than the landlords. And the landlords were the ones who were able to have an earth-based identity. If you weren’t have land and land title, You were a smith, a parson, a knight, a sewer, all of these behavioral based ideas of identity. And as we begin to really look at these constructs, you can see that the devaluing of the human condition is a purposeful and an intentional plot to really create what we’re faced with today. And what we’re faced with today is a lot of people Andrew Ecker (09:26.423)wandering around feeling valueless, hopeless, and really in a condition that promotes the use of destructive behaviors such as substances. know, myself, growing up in an environment where I remember the D.A.R.E. program coming into my school, and you know, during D.A.R.E., a lot of people don’t remember, but the D.A.R.E. police were getting children to turn in their parents for using cannabis. and for using substances. And I remember my mom was really scared that this was going to happen. So she kind of cornered me one day and said to me, you know, if they come into your school, you can’t tell them that we use this. And it was really weird to me, because like those were the best times I remember. You know, my job as a little boy was to clean the stems and the seeds out of the cannabis. You know, back when cannabis had stems and seeds. You know, and people rolled a joint. It wasn’t a free roll. You know, but my family used to sit around and smoke and that was when they were social. You know, nobody was drunk fighting. Nobody was in the bathroom or in the bedroom with the door shut. You know, doing intravenous drugs, they were social. And I just couldn’t understand that as a kid. But yet I remember them coming into my school and they had flags and Nick McGowan (10:24.073)You Andrew Ecker (10:51.996)guns and these were great big intimidating police officers. And I remember my heart racing and my palms getting sweaty. And thankfully they didn’t interrogate me. But what they did was they said to this group of children, if you have one drug addict parent, you’re 50 % more likely to become a drug addict. Now I’m not saying that they did this intentionally to give children this idea that they’re genetically flawed. They were trying to impart to these kids. that, you know, don’t use drugs. That’s what, you know, is the big thing. You know, just say no, all this stuff. But what it did for me is it told me, well, 50 and 50, that’s 100. That must be who I am. And this was the first time in my life that anyone told me I was genetically flawed. You know, and the extension of eugenics isn’t something that is merely a part of, you know, the Nazi regime. Nick McGowan (11:35.326)Hmm. Andrew Ecker (11:47.256)You know, eugenics enters into childhood ideas in these sorts of systematic ways. You know, now, you know, fast forward, we’ve come to a place of understanding that it’s not just eugenics, but it’s epigenetics and really looking at how we can create environments that create successful human beings. And that’s what I’m able to do with the drum circle. You know, the drum circle is really an environment that creates a healthy human being. as to where the destructive forces of incarceration, imprisonment and devaluing people because they have a mental health concern created those behaviors that were a part of my parents’ lives and unfortunately a part of my life. know, it wasn’t that moment that I became a drug addict when the Derikoff said that to me. But later on, as I would grow older, that seed started to take root. And when I was a teenager, I ended up in the spoon with my dad, meaning I was using heroin with my father. You know, my mom used to use me to shoplift. I was in and out of drug houses. I mean, it was, I was exposed to things as a little boy that only makes sense today in my path of service. You know, as I’ve learned to manage these things and as I’ve learned to show up and help people reconnect to who they are, it’s all made perfect sense to me. But as a little boy, man, I didn’t know what was going on. I didn’t know how to deal with it. I just wanted the pain to end. know, and, you know, thankfully I found heroin because heroin helped me through my suicidal ideation. Because I don’t know if I would be alive today if it wasn’t for heroin. You know, things got real bad for me when I was, you know, 17, 18 years old. Nick McGowan (13:41.68)I gotta be honest, I never thought I would hear anybody else say that thankfully I had heroin because that changed things. I overdosed on heroin when I was 19. And the people that were there in the room, I’m thankful that they wanted to save their own lives and one person like beat the shit out of me so I threw everything up. But I remember walking home smoking a cigarette after that being like, what the fuck just happened? All right. And looking up being like, all right, I guess there’s some reason why I’m here. And I think back to that. But that wasn’t like that one moment, just like the moment that you were talking about or any of those other little moments were just a bag of moments in a sense. All these things, like even as a little kid, you don’t really know. Like, and I totally understand where you’re coming from with the parents hanging around, smoking joints, all of that. I was in parts of some of that. My mom and dad were never together and it was like totally separate ways of being and all of that. living in and out of bars, basically, like being the kid eating a maraschino cherries and all that shit, and everyone just smoking cigarettes like a pack at a time and out around your face. There are people that don’t understand those things. Even like the dare stuff. I’ve had conversations with people kind of recently, like within the past handful of months, where some people were like, dare scared the shit out of me. And I didn’t want to touch like caffeine or anything else. Other people were like, I learned there were drugs out there. So was like, great, can I have some? And then other people went through stuff like you where they’re like, well, you’re telling me this is how it is. I think it’s interesting how we can suspect that, let’s just say, dare wasn’t trying to brainwash. know, let’s just say that their thing was like, we want to help and we want to make sure that you have the statistics. But these are also adults that are like, well, 50 % of you become addicts. So why don’t we just tell the kids that you take it as one way. Some other kid takes it a different way. And there’s no repercussion to that at all to then like, that wasn’t a thing that you then brought up the next day in school. It like, know what? Yesterday, I learned this thing and now I feel like the rest of my life is gonna change. That just started to grow bit by bit by bit. And then you already had the genes of being addicted. Nick McGowan (16:02.023)I know I have to come back to some fucking question basically. And my question at all times with that sort of stuff is like, how do we stop that from happening? Because even with the DARE stuff, it’s like, yeah, cool, thanks. Now I know there are other drugs out there and also know what the end is and I’ll fall back to marijuana because like, why the fuck? It’s a fucking plan. But all things in moderation and like all those different aspects to it. But what do we do? You know, like you move to music. And as a musician and creative myself, I moved toward that too, but I often think of the times of smoking a joint and playing music and like those are happy moments. but to some people that might be destructive and all of that, but you moved closer into music. So I think music sometimes can be part of our addiction, you know, like I’m addicted to sound. but being able to turn that into a healing thing. So I don’t want to just jump past everything you went through. Andrew Ecker (16:57.041)Thank Nick McGowan (16:59.844)with your parents because that made you who you are. But being able to look back at some of those moments to go, now with the work that you do, the way that you were raised, what are some of those bridge points that you can look at and go, man, I was really looking for community. I was looking for ways to do this and do that. You know what I mean? Andrew Ecker (17:18.16)Yeah, exactly. I really believe that all addiction for me is based around relationship and filling the void of the absence of relationship with the substance. And I remember the first time that this really happened to me, me and my mom were out shoplifting all day. I was just a little guy. I was, you know, probably eight, nine, I don’t know, somewhere around there. I remember being all bundled up and maybe even younger. I was you know, elementary school age. And she takes me to the park and she left me there at the park with a bucket of chicken. And I remember her saying, I’ll be right back and her driving off and me eating that chicken to fill the void and the fear of my mom not coming back for me. Being left at the park and knowing in my childhood mind that she was going to a dope house and there could have been something that happened. It was just the anxiety of that entire situation I was feeling with the warmth of that chicken. And then later on, you know, as I started to grow in my own personal self mastery, I started to look back at the patterns of loneliness and grief and isolation and how every time that I found myself using, really, it was that idea. It was about creating camaraderie at first, community. finding a judgment free zone. You know, I grew up being bounced around family member to family member. So definitely had home insecurity and really wasn’t, you know, in a place where I felt like I had a home. So I didn’t feel that sense of security that maybe most people grow up with. So when I found the security of friends that would accept me, you know, just if I got high with them, that’s all I needed. It wasn’t like I needed to be smart, it wasn’t like I needed to be funny, it wasn’t like I needed to be athletic, you know, it wasn’t like I needed to be a great musician, any of those things. I just needed to show up and get high and you know and have money to get high or be able to hustle and that was really my first support system was the community of people that I was using with and what happens for most people that are in the struggle of substance use disorder Andrew Ecker (19:43.015)is that they focus on what not to do. And they never really understand what the drugs and alcohol gave to them. You know, asking myself, what was it that heroin gave to me? What was it that alcohol gave to me? And how can I effectively create a way of meeting that need? Because we all have human needs. Every single one of us is going through something. And you know, it’s a lot easier when we go through it together and building that foundation of community. is so important in me being able to have functional behaviors today. So I’m constantly evolving in the way that I’m able to show up in community. I have my drum circle community. I have the people that I serve in the institutions and healthcare and the schools. And then I also have other activities like doing poetry or playing pickleball, going to the gym. You know, these are ways that I definitely look at creating community where I’m at. There was a time when church was a really big part of my life. You know, now I go to sweat lodge and I have a spiritual community there. Uh, you know, I’m not opposed to going to meetings, but I, know, I don’t go to a lot now, but definitely going to 12 step meetings and all of these things are a great way that we can build a supportive community. And when you ask, you know, Like when we think about children that have been affected by the mental health crisis, you know, how do we help them navigate? How do we help the youth navigate? And I think it’s really about creating a fortified sense of community. And, you know, when we think about drumming, oftentimes we go to this idea that drumming is this exclusive experience for indigenous communities, that it’s something that really is ceremonial and ritualistic and yes there is definitely ritual and ceremony but drum circles began as creating a culture of inclusivity, equity and really diversity because the drum circle of North America originated in the 1700s in New Orleans and under French colonial occupation Native Americans, Africans, Europeans, people from all over the world Andrew Ecker (22:09.146)were able to gather with the common language of group drumming. And that group drumming created a foundation for jazz, blues, R &B, gospel, and eventually rock and roll. So when I go in and I facilitate a drum circle, it’s from the American experience of group drumming that has always been about creating a culture of diversity, has always been about creating a space of connection. through diverse groups. And when we have that sacred space, we can know that something good is gonna happen. And we as Americans, we don’t know that the only truly American instrument is the drum kit. The jazz drum kit is really the only truly American instrument. So we have this vast history of drumming together that is hundreds of years old, literally as old as the concept of of America, yet for some reason this sort of stuff isn’t taught in school. And it’s not taught to us about the richness of creating a culture of diversity, of inclusion, of equity, and what the brilliance of that looks like in an artistic sense. And I think today we’re threatened by a voice that is coming from a group of people that says that diversity, inclusion, and equity is something to fear. And I’m like people, that’s the very greatest gifts that we’ve given to the world has come from us coming together as a people. And it feels good. You know, it feels good to give yourself an opportunity to be around people in an activity that you normally wouldn’t be around. And I think that that’s the power of our journey and the wellness and the brilliance of our community. Nick McGowan (23:58.594)Hmm. Andrew Ecker (24:04.405)And when we can get back to teaching each other that, when we can get back to fortifying the space of that concept of what that America looks like, we’ll have the brilliance of being the shining city on the hillside that calls the weary, that calls the hurting, that calls the desperate. And you know, the struggle that my parents went through, the pain that they were going through, and the ostracization of being criminalized for having a mental health issue. You know, that’s what this country has done very effectively. You know, 90 % of people in our prison system have a mental health issue. And that is sad that we have done this to the most vulnerable people in our population. And we have more people in prison than any industrialized nation in the world. But if you counted the people that were in psychiatric lockdowns, memory care, skilled nursing, and other forms of institutionalization, that number would be astronomical. And these are the people that I have spent the past 20 years working with, helping, desperately giving to, because in that space, I feel fulfilled as a human being, but I also get to see some of the most brilliant experiences and miraculous experiences in my life, Nick. I mean, we’ll go into these memory care facilities where we have late stage Alzheimer’s patients that are nonverbal and we’ll set the drum down in front of them. The nurses sometimes will come over and say, they won’t play, don’t even bother. I mean, this is our healthcare workers and we’ll say, no, just keep it there. And next thing you know, you see them tapping their foot. And before you know it, they’re playing and they’re singing and You know, it’s just miraculous to know that the tens of thousands of years of evidence-based practice of utilizing group drumming has not been wasted and that it’s still relevant to the healthcare conversation and it still is meaningful and it still helps people. Nick McGowan (26:15.97)Why don’t see how it can’t not continue that way, you know? Like, I think everybody that will listen to this will have heard at least one time, music is the universal language. And for us to be able to actually feel music, there are people that don’t really understand music. They don’t feel it the same way musicians do, let’s say. Like there are sometimes I’ll share things with people and I’m like, listen to how this happens with this and my God. then it just does things to you. You feel that at different times. Other people don’t know that. That’s just not part of their being. Yet still, they can feel the frequencies. If we really break it down into quantum level, we are all waves and frequencies anyway. And all of this ties into everything. man, I’m sitting here like I got chills even as you’re talking about, because I’m visualizing that older person who the healthcare workers are basically like, we see them every day. They don’t do anything because we also don’t do anything different. Andrew Ecker (26:48.163)yes. Nick McGowan (27:15.083)And we’re kind of jaded and overworked and fuck, I could really use a vacation. Like they have their own problems. And then they’re just like, no, don’t worry about them. They’re not going to do it. But that frequency will still get in there. So I could imagine it’s got to be a, that’s probably one of those things like drum circles per se is one of those things that people probably won’t go to on the top list of 30 things that they’re going to do to work on themselves at first. You know, so even Like if somebody were to say, you’re having these problems, you have some addiction, you have anything and they go, well, go to a drum circle. I would imagine most people would look at somebody like a dog would like, what the fuck does that, what do you mean? so what would you say to those people that haven’t even thought of that? This is one of those things where like, wow, I’ve talked to somebody, I went to a doctor and I’m doing these and we’re doing blah, blah, blah. What advice do you give to those people that this has been one of those things that. was probably not even deep, deep in their mind, even as a musician, to think about how drum circles and drumming could help them. Andrew Ecker (28:19.943)Well, I definitely feel that a lot of that has been because of the cultural stereotypes about drumming and this idea of, you know, the witch doctor or voodoo or, you know, something along these lines. you know, it just is, it’s crazy to really unpack when you have communities that have thrived with a relationship to the earth, lived functionally for tens of thousands of years. And at the heart of those communities, is group drumming, dancing and singing. I mean, this is literally the oldest wellness based event that we have as human beings. And somehow, you know, through the lens of religion and not even really, I would say because I was a pastor for three and half years that I can tell you that there’s a lot of reference in the Bible even of sound medicine. I mean, David, you know, played the leader for Saul who had like mental health concerns. And it’s, mean, there’s references to the women of Israel coming out playing the drum. So it isn’t like an educated Judeo-Christian bias. It’s an uneducated Judeo-Christian bias that creates this narrative that, those brown and black people are the people, those savages, that drum. And it’s really unfortunate because even Nick McGowan (29:21.642)Mm-hmm. Andrew Ecker (29:48.061)in the very progressive world of integrative medicine, there still is a void around drumming. I am a presenter at some of the most prestigious healthcare conferences in the United States. And I remember confronting a doctor that was talking about mindfulness and he had, he was a keynote and he had this tree of mindfulness and all of these branches led to different aspects of mindfulness. One of them, of course, went to yoga, Tai Chi, but there wasn’t a branch that went to drumming and dance. And I confronted him in front of the entire group of doctors, 500 doctors. And I said, why isn’t there a branch to drumming? And he was very apologetic. And he said, there needs to be a branch on that tree to drumming. And I said, yes, we’re working on making that happen. But it is overlooked. Nick McGowan (30:37.513)Hmm. Andrew Ecker (30:46.148)And you know, I can tell you that I am a part of a community of people that have the more that they drum, they may have come to a drum circle and been drinking and smoking. But by the time, you know, a couple of years go by and they get around people like myself that are completely abstinent from substance use and I’m drumming and having a great time and dancing, the more that they start to question, well, do I really need this? And then it’s just Nick McGowan (31:13.566)Hmm. Andrew Ecker (31:13.911)a matter of them just being in that environment. And I have friends come up to me and say, Hey, you know what? I didn’t tell anybody about this, but I haven’t drank in, you know, six months. And I’m like, right on, you know, and friends come up and say, I haven’t smoked in a year and I just kind of went away because drumming as well as you know, Nick, music gives us that feeling of community connection. I mean, there is no deeper connection. that you can experience, then when you hit a note or when you play a rhythm and everybody ends together and nobody said stop, or the thing just fades away into the brilliance of the experience and you’re just like, holy crap. This, mean, as a musician, and if you talk to musicians, they can tell you precisely when that happened in their life, because it’s one of those memories. Nick McGowan (31:51.954)Mm-hmm. Andrew Ecker (32:09.966)that is embedded into you on a cellular level. It is literally like you’re touching God. I mean, it is so powerful. And every person, we have communities where that was literally the entire community experience. I was fortunate enough to go to the bottom of the Grand Canyon and meet with the Havasupai. And I did three suicide prevention programs down there. This is the most remote Native American tribe in the continental United States. Nick McGowan (32:13.95)Mm-hmm. Nick McGowan (32:26.279)you Andrew Ecker (32:39.159)There’s no roads to their nation. There’s no airstrips. It’s only horseback helicopter or foot. That’s the only way you can get down there. And I met with an elder named Tiny Haunan. And Tiny was playing the drum and singing. And he said, when I was a little boy, we used to drum, dance and sing for a week straight. He said the people would fall asleep on the ground, wake up, start singing and dancing again. And they would drum literally for an entire week. Now the frequency of that, the cellular alliance, the reconfiguration of the energetic meridians in the body, like there is no place for depression in that environment. There’s no place for anxiety in that environment. I mean, you’re literally rewiring your nervous system and coming into our harmonic connection with the earth. And this is really what it means to be an earthling. You know, the music that we play, Nick McGowan (33:21.758)you Andrew Ecker (33:38.14)is something that we practice to play at the level that we can play at. But everybody knows that there’s a point where the instrument is playing you. And when you’re in that mystery, man, when you are in that mystery, like every single person deserves to experience that in their lives. Every single person deserves to be in the brilliance of that experience because it solves the issues, man. It solves it. Nick McGowan (33:50.055)Mm-hmm. Andrew Ecker (34:06.196)And when you taste that, you’re hungry for it forever. And I’ll go to, you know, like I facilitate drum circles and that really doesn’t happen in a drum circle. But a taste of that does happen. Like a place of connection to the feeling of support and the intricacy of music and even the freedom that you can experience in that space, it will happen. And You know, it does take a level of mastery to experience the depths of that. And hopefully people will be able to go on their journey with music to that place. like that is, dude, I mean, there’s nothing better than that right there. I mean, if you could take and put that into a bottle, people would spend their lives wanting to… And that’s why musicians do what they do, They will… Nick McGowan (35:02.119)Mm-hmm. Andrew Ecker (35:02.624)They will literally sleep on the couch of their best friend to go experience that. They will literally not go to work to go experience that. They will do whatever they possibly can to experience that. you know, unfortunately, in a world that doesn’t value music like our ancestors did, you know, for tens of thousands of years, and even today, you know, you go to India, they have ceremonies that are a month. where it’s just people drumming, dancing and singing for a month straight. You you go to Hopi right here in the United States on the Hopi reservation. They’re doing that same idea because the practice of living in integration with the earth promotes the quality of the earthling condition. So where you’re not worried, you go sleep in a mud house rather than go try to make a billion dollars so that you have a big old fancy house. if you get that experience of community. You know, and that experience of community solves everything, man. And we got to get it in our schools. We got to get it in our our our health care facilities. We’re trying our best. We train 350 people now in the drumming sounds protocol. We’re out there doing it every day, you know, and just trying to live our best lives. So is it the solution? I think that we have, like I said, thousands, literally people, thousands of years. Nick McGowan (36:17.638)Hmm. Andrew Ecker (36:30.459)of evidence-based practice out there. Like, wake up, people, wake up. Like, yeah, we need drumming. You know? Nick McGowan (36:39.836)Yeah, I mean, even just the community level of that, but the music and the frequency level of all of it and everything that ties into it. I love the work that you’re doing. I really do. I think it’s crazy that the arts and music especially is being taken out of different schools and everything’s being really like commodified almost, even when you think of music. For the most part, pop music. It’s an ABA, CAB sort of situation. It’s the same thing. There was even a thing like 10, 15 years ago where somebody played a Nickelback song forward and layered over another Nickelback song backwards and it was the same. And it was like, that is crazy. But that’s what is being pushed to us instead of feeling through all of this and allowing yourself to actually get into it. I’m really glad that you got to the point where you were saying that the music is playing you. Because any musician that’s really been in, I don’t know, in any sort of jam session or in a live band or something, even if you’ve remotely tasted that little bit, you know that that’s a real thing. And that’s a whole different level. And you’re right, that is divine. Like you are literally in it. I’d played guitar in worship bands for the better part of a decade. And if it weren’t for music, I wouldn’t have been there. Andrew Ecker (37:54.712)Dude, it’s fast, yeah. Andrew Ecker (38:03.5)Yeah. Nick McGowan (38:03.961)I wouldn’t have ended up having a relationship with God. And I also now at this point, no, he’s not some bearded dude on a fucking chair somewhere. Like it’s much bigger than that. But being able to feel that, like there are things where you couldn’t manufacture this feeling. So I’m glad he pointed out, like if we could bottle it, that would be great. But at the same time, the rest of the world is trying to bottle fucking everything else. So I’m glad that we can’t because you need to experience that, you know? Andrew Ecker (38:12.974)Yeah Andrew Ecker (38:20.322)Yeah. Andrew Ecker (38:28.202)I know, I know. You do, Nick McGowan (38:33.743)What a cool thing, man. And I really love the work that you’re doing. I appreciate you being on with us today. For the people that are on their path towards self-mastery, what’s your advice to those people that are walking toward that? Andrew Ecker (38:45.772)You know, I think first just be gentle with yourself and just understand that, you know, loving yourself is the simplest thing. I was doing my best and you know, we man, life is rough, man. I mean, we, we lose people. go through all kinds of stuff and people used to tell me all the time, you know, Andrew, you need to love yourself, especially when I was little, you know, they would tell me this and I, I’d be like, you know, I felt like I was doing something wrong, you know, like What does that mean? And you know, it really is as simple as just saying, I was doing my best through everything, you know, through the alcoholism, through the drugs, but look at what’s going on in your life. And if it isn’t working for you, change, you know, like don’t be stuck in a pattern that is something destructive. You know, being in a place where you can manage your thoughts is a very important aspect to living your successful life. allowing for the thoughts that don’t serve you to simply fade away and sometimes to be confrontational with those thoughts. You know, I remember reading God is love and I thought if I just focus on love, maybe all these thoughts of suicide would would leave me. So every time any anxiety came into my life, I would just simply start screaming love in my mind and take control of my mind. You know, sometimes we just have to overpower those thoughts that aren’t serving us. And, you know, I think that for me, the greatest act of my own self mastery is the place of service. Being of service to others has brought me to a place where I feel the best, Andrew. And sometimes, you know, showing up isn’t easy. Sometimes it’s hard, but I think about the people that I drum with in the institutions and You know, just to give everybody a really brief story before we kind of close this up. For 10 years, I went to this skilled nursing hospital. And for 10 years, this man would come out and he was in a bed and his hands were atrophied. And I’d have to pry his fingers open and put a maraca in his hand. And he would shake the maraca and say, Hallelujah, Hallelujah. You know, and he had this great big smile on his face. Andrew Ecker (41:11.164)And this man’s name that I’m mentioning today is Vance Gribbins. And one day I came to the hospital and I said, Where’s my buddy Vance? And they told me he went home to heaven. I was like, good for him. You know, I said, How long did he live in this hospital? I’ve been coming here for 10 years. And they said he lived in that hospital for 28 years. And for 28 years, man, he lived in a body that that he couldn’t feed himself, you know, and 28 years he was in a hospital bed. But every single time he had an opportunity to show up for drum circle or sing along or balloon toss or bingo, he was there. And you know, today we have people that have everything in their lives. They have money, they have beautiful homes, cars, all this stuff. And to get them to go out to, you know, an art display or to go and show up at an open mic or a drum circle. You know, it’s like the end of the world. They would rather sit in front of their TV and watch Judge Judy need potato chips. And I’m just calling people on their bullshit. You know, if we want to have a good world, we got to get out of our house. We got to connect with our neighbors. We got to say hi to people. We can’t just look down at our phone every time we see a homeless person and try to escape eye contact. You know, we need to engage with people and be the brilliance that we are. You know, the medicine that you have inside of you is a medicine that we need as a community. And that’s what this world needs right now. We need love. We need togetherness. You know, I stopped giving money to people when they would ask me for money on the street. But I immediately will say to a person, hey, can I pray for you? You know, and sometimes people will say, you know, hell no, I don’t want that. And sometimes people will say, you know what? I appreciate that. Please pray for me. And I remember one time me and Monica were in my my fiancee. We were in Salt Lake. And this guy had chains, gold chains on and he just put out a joint. I could tell he smelled like cannabis and everything. He’s like, hey, man, you got any money? I was like, no, but I could say a prayer for you. And I’m saying a prayer for this guy. And he’s like, that’s the good shit. That’s what he was saying. And you just never know how you’re going to impact somebody’s life if you make yourself available. So Nick McGowan (43:34.615)Yeah. Andrew Ecker (43:35.493)You know, want to be in the place of self mastery, be available for community. You know, get out there and do something that is just to be available. Volunteer, you know, go show up at the homeless shelter. Develop a podcast that’s giving to the community. Do something for people. You know, do something for people. And you know, you’re to find the truest truth of the truth that you are. And you’re going to make a difference in the lives of people. Nick McGowan (44:02.656)It’s hard to not clap right now and like really fucking root, you know what I mean? So thank you, dude. I appreciate that. I’ve been refraining back from the like, fuck yeah, yeah. You know, so I really appreciate it. And how that was also one of those. and by the way, one more fucking thing. Here it is. Man, that’s awesome. I think there are small things that we can do. Andrew Ecker (44:13.013)Yeah! Andrew Ecker (44:23.581)Yeah. Nick McGowan (44:32.002)to really help us be able to start down that path? Because you’re talking about a lot of things and to some people, and I try to break stuff down to like, what could anybody be thinking about being super analytical or whatever of like, man, that’s a lot of shit. And there’s like a lot of things that are going on. I’m having really hard time with this one little thing in my life right now. So taking those smaller steps, like even saying get out and do community, do community in the way that feels right for you to do. Like there are people that will go to church on Sunday and that’s my community time. And as soon as they walk out, they’re yelling at their kids, they’re hating on everybody. it’s like, you’re not really doing community at that point. And community can look different to everybody. And sometimes it’s just showing up literally in the neighborhood. And like you’re saying, and dude, I think we all do it. There are people around, look down at your phone. I do that at times where I’m lost in my own head and I’m thinking about things. I’m just… going through my phone, because I’m like, don’t want to have an interaction with somebody else. And as soon as I’m aware of that, I’m like, fucking, I gotta put my phone away. Hi, you know, like, just taking that step to get out there a little bit. You obviously love what you’re doing. And this is part of your calling and a deep purpose of yours. And I think the big thing for all of us to be able to take away from that is whatever that looks like for us, just lean into it. Just get into it a little bit more and enjoy that. And I… I love that you were talking about the amount of music and the things that go into that, like the feelings that we can get from all of that and how that opens people that haven’t been open for years and years and sometimes decades. So, Andrew, I appreciate you being on here. It’s been a pleasure having you on, man. I really appreciate it. Before I let you go, where can people find you and where can they connect with you? Andrew Ecker (46:16.065)so yeah, drumming sounds is pretty much the easiest way there. you know, if you Google drumming sounds, it’ll pull me up, but I’d like to give everybody a free copy of my book based on the traditional introduction of my ancestors, but applicable to any sort of person. it’s just a system of self identity and you can get that at the sacred seven.com. It’ll also put you into my email list and you can find out events we’re doing music festivals, trainings, drum circles, all that stuff. Nick McGowan (46:51.511)Again, man, it’s been pleasure having you on. Thank you for your time. Andrew Ecker (46:54.273)Thank you, Nick.
“If a rock‑and‑roll legend paid two hippies to keep a college athlete drunk so he'd play terribly the next morning… would you believe it actually happened?”That jaw‑dropping question kicks off one of the wildest and funniest segments on The Ben and Skin Show, as Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray navigate snow‑day cabin fever, weird winter behavior, and an absolutely insane deep dive into the secret athletic life of Grateful Dead co‑founder Bob Weir.
Big Rich, TD and Fletch recap hitting the stage last night to introduce Foghat at the Belly Up in Solana Beach. Then, because this show never does anything normally, a sales meeting breaks out during the broadcast—and the crew responds by feeding the guests three whole chickens. Business casual meets rock-and-roll chaos.
In the mid-1960s, two bands thought, what if rock and roll could be ART?? And so we got two masterpieces, but only one can stand as the greatest of all time, so who made the greatest rock mini-symphony of all time, And as always — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:Transgender Law CenterTrans LifelineDestination TomorrowGender-Affirming Care Fundraising on GoFundMeAlso, please consider giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode, I talk with Josh Lazie, a former bassist for Danzig, to talk about a reality many of us live with but rarely name: the persistent sense that something is missing. For years, he tried to fill that void with music, drugs, success, and the constant noise of the rock-and-roll lifestyle. For a time, those things worked. Eventually, they didn't. We talk honestly about what that world gave him, what it cost him, and the moment he realized that nothing he was chasing would ever make him whole. We explore the restlessness beneath addiction and ambition, the fear of stillness, and why silence can be more confronting than chaos. Now a catechumen in the Orthodox Church, he reflects on how faith didn't simply distract him from emptiness, but began to heal it—through discipline, repentance, and a reorientation of what it means to live fully. Sponsors: Harmony Icons: https://harmonyicons.com/counterflow Podsworth App: https://podsworth.com Code: BUCK50 for HALF off your first order! Clean up your recordings, sound like a pro, and support the Counterflow Podcast! Full Ad Read BEFORE processing: https://youtu.be/F4ljjtR5QfA Full Ad Read AFTER processing: https://youtu.be/J6trRTgmpwE Donate to the show here: https://www.patreon.com/counterflow Visit my website: https://www.counterflowpodcast.com Audio Production by Podsworth Media: https://www.podsworth.com Leave us a review and rating on Apple Podcasts! Thanks!
Tailgunner's bassist and founder, Bones, opens up about the band's history, the new album 'Midnight Blitz' and how they ended up working with K.K. Downing.
Kii Arens (American pop-artist, graphic designer, photographer, director, and musician) — widely recognized for his iconic rock-and-roll-inspired posters and visual work for artists from Dolly Parton to Radiohead and Lady Gaga — has returned as a guest on Let There Be Talk. Kii is a good friend of mine and an incredible Artist who by the way happens to be the man behind the art for the last 2 Bon Scott Bash Poster's. Tune in and enjoy this amazing episode. THANK YOU DDR My Comedy Special can be found here - https://www.youtube.com/watch?v=nbeaApu4OP0 Tour Dates - https://www.deandelray.com/tourdates Join The Patreon and support the podcast - https://www.deandelray.com/patreon Like and Subscribe for more PODCASTS AND COMEDY VIDEOS from Dean Delray!
Grammy-nominated sister duo Larkin Poe join Buzz Knight on Takin’ A Walk for an unforgettable conversation about their journey from bluegrass roots to becoming one of rock music’s most electrifying acts. Rebecca and Megan Lovell share the inspiring story behind their unique blend of Southern rock, blues, and roots music that has earned them multiple Grammy nominations and a devoted global following. In this candid interview, the Lovell sisters open up about their creative process, the evolution of their signature sound, and what it takes to thrive as independent artists in today’s music industry. From their early days performing bluegrass to crafting powerful rock anthems, Larkin Poe discusses the pivotal moments that shaped their career and the deep family bonds that fuel their musical partnership. Buzz and the sisters explore their approach to guitar-driven rock, their commitment to authentic storytelling through song, and how they’ve built a sustainable career while maintaining complete artistic control. They share insights about their acclaimed albums, the inspiration behind their most powerful tracks, and their experiences performing at major festivals and venues worldwide. This episode offers rare perspective on what it means to be Grammy-nominated independent artists navigating the modern music landscape, the importance of staying true to your artistic vision, and how dedication to craft can lead to both critical acclaim and commercial success. Larkin Poe’s story serves as inspiration for musicians and music lovers alike, demonstrating how talent, hard work, and sisterhood can create something truly special in rock and roll. Like the show? Leave us a review here. Review #bestmusicinterviewpodcast #soulfulsoundsinterview #bestmusichistorypodcast Support the show: https://takinawalk.com/ See omnystudio.com/listener for privacy information.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
We remain in Japan 1971 and listen to a new matrix by Not Oscar, of Sept 29, 1971 in Osaka. This is a legendary show and we all know it's awesome, so this is about the sound and the mood of this new matrix. Not Oscar utilizes several sources to form the best sounding recording, song for song, as possible. I play the gorgeous epic Going To California, a sublime Thank You, and a tight as a drum Rock and Roll. Have fun.
Hello my friends and welcome to another edition of my vinyl record radio disc jockey on the internet type thing we got going over here now. I've been snowed in the house for going on 3 days and I'm not a fan. Starting to develop the first symptoms of cabin fever, which was the title of a really nice mixtape that I rather enjoyed from Wiz Khalifa back in the day. This episode serves as a rock and roll example featuring familiar sounds to this podcast. Multiple examples of Hendrix, Zeppelin and Black Sabbath, some being vintage originals and some being new remastered 180 gram wax. You can't slow and throw every rock song but when it works it works. Good googly moogly Nutshell by Alice In Chains slowed and throwed is something to behold. A catapult into your feelings. Followed up by slowed and throwed Blink 182?? Get out of town. Just the other day my faithful space heater that I've had for a long time finally went kaputz right before this blizzard hit. Thankfully I did replace it but I didn't think I'd need a big one. This has been a mild winter so I bought the tiny heater. My little pigs are frozen but hey this little soldier has been kicking I'm proud of my little heater. We're doing our best to fight through and make it til the spring. I'm all sorts of fired up about replanting my flower bed wooooooow what a beating what am I even talking about. Oh and I might actually be the world champion of air drumming In Bloom by Nirvana. Any naysayers are welcome to challenge me. Until next time..Your Host with the MostTrilly Bob Thornton
What's your most loved and least favourite song on the Oasis b-sides collection the Masterplan? FINALLY, our long awaited Oasis episode and Jim threw us a curveball choosing this collection with some of his favorite Gallagher tunes. SHIELDS UP as he takes on two non-fans for a fookin' Brit battle. Adam was the singer of North America's first(?) Oasis coverband, the short-lived parody the Fookin' Wankers, but he loves taking the piss, so he and Dan cranked up the willpower trying not to buzzkill Jim's superfandom TOO badly. Lots of fun show tales from San Francisco's tiny, infamous Britpop royalty/meth supply show to their biblical Rose Bowl reunion gathering. Legendary Denver Britpop/soul DJ Tyler Jacobson reads our closing credits and weighs in as our guest ranker and...more. Available at WeWillRankYouPod.com, Apple, Youtube, Spotify and everywhere underneath the sky. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook, Bluesky and Threads @wewillrankyoupod !FILE UNDER/SPOILERS:acoustic guitar, Acquiesce, Ryan Adams, Gem Archer, Burt Bacharach, because we need each other, the Beatles, Andy Bell, Blur, Brian Jonestown Massacre, Britpop, b-sides, Canned Heat, Creation Records, does it matter if it's out of tune, England, Fade Away, fauxasis, fookin' wankers, the Fookin' Wankers, Liam Gallagher, Noel Gallagher, Going Nowhere, Half the World Away, harmonica, Headshrinker, horns, I Am the Walrus, (It's Good) To Be Free, Tyler Jacobson, the Jam, the Kinks, Lipgloss, Listen Up, Manchester, The Masterplan, The Masterplan Conspiracy, Oasis, Oasis25, Oasiz (the mentioned San Diego Oasis tribute), organ, Ride, rock and roll, Rockin' Chair, Rose Bowl, rude, see how we are, Sex Pistols, singles, the Soundtrack of Our Lives, Stay Young, Rod Stewart, The Swamp Song, Talk Tonight, Underneath the Sky, Paul Weller, Wham!, 1994-97.Fookin Wankers (fauxasis Oasis parody) highlights https://youtu.be/f7ni3aXwgPUOasiz (San Diego Oasis tribute Adam alluded to but stupidly forgot to mention) https://www.facebook.com/Oasiz.SD.tributeEnd mashup by Audio Ammunition https://youtu.be/Ll39IOf4d6cTyler Jacobson https://www.facebook.com/tylerdjacobsonThe Casual Sound Brit-Pop Podcast https://thecasualsound.com/Tyler's Pixels' Doolittle EP https://open.spotify.com/album/3gL8v4x1CStj0CDYe6w1oVUS: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)
Hey Dude, I'm coming to terms with the fact that I'm attracted to women with beautiful voices. My maddest crush is on Brandi Carlile who is also my favorite contemporary artist. QUOTE: "She's GenX adjacent..." CAST: Brandi Carlile, Howard Stern, Phil and Tim Hanseroth, Hank Williams, Willie Nelson, Bob Dylan, Kermit The Frog LOCATIONS: The 5 Freeway PROPS: SNL, GenX, CBS Sunday Morning MUSIC: "Right on Time", rock and roll, folk, country, gospel, jazz, standards, classical, popular music, Grammys SOUNDS: gravel, footsteps, Laguna Sawdust Cowbell Chimes (more cowbell), fast car, birds, planes PHOTO: "Right on Brandi (and The Twins)" via YouTube shot with my iPhone XS RECORDED: January 24, 2026 in "The Cafe" under the flight path of the Hollywood Burbank Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. TOTAL RUNNING TIME: 12.21 FILE SIZE: ~ 12MB GENRES: storytelling, personal storytelling, personal journal, journal, personal narrative, audio, audio blog, confessional HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.
Why is Elvis known as the King? Baz Luhrmann's Elvis Presley biopic hit UK cinemas on 24nd June 2022, starring Austin Butler as the King of rock and roll himself, and Tom Hanks as his controversial manager Colonel Tom Parker. Let's look back at how Elvis became a global superstar from the 1950s through to the late 70s. Elvis Presley earned his reputation as the King for a seemingly endless list of hits he had throughout his career. Many successful artists have cited him as being their number one influence and to this day, he's still a popular culture icon, even 45 years after passing away. What stuck out the most about Elvis' music? How did the King's decline affect his reputation? In under 3 minutes, we answer your questions ! To listen to the last episodes, you can click here : Is the menopause still a taboo subject? What is shrinkflation, the sneaky tactic manufacturers are hiding from consumers? How can we choose the right sunscreen product? A podcast written and realised by Joseph Chance. First Broadcast: 4/7/2022 Learn more about your ad choices. Visit megaphone.fm/adchoices
In Pop Apocalypse, Ep. 19, we welcome author and musician, Gary Lachman, to the show. Lachman was the original bassist for the seminal new wave band, Blondie. He later became an intellectual historian; to date, Lachman has published twenty-six books, most recently a memoir, Touched by the Presence: From Blondie's Bowery and Rock and Roll to Magic and the Occult (Inner Traditions, 2025). In this wide-ranging chat, we discuss how Lachman's reading of comics and Lovecraft inspired a lifelong interest in the occult, his early days in Blondie, and how he came to Crowleyan magick. Then we turn to Lachman's time practicing “The Work” of Gurdjieff, his relationship with the author Colin Wilson, and how keeping a dream journal can change our view of the nature of time. Gary Lachman Bio Gary Lachman is an author and lecturer on consciousness, counterculture, and the Western esoteric tradition. His works include Dark Star Rising (Tarcher, 2018), Beyond the Robot (Tarcher Perigee, 2016), and The Secret Teachers of the Western World (Tarcher, 2015). A founding member of the rock band Blondie, he was inducted into the Rock and Roll Hall of Fame in 2006. He lives in London.
Cousin Brucie explores the pioneering career of singer and songwriter Carol Connors, specifically her transition from a teen star to a prolific musical creator. The discussion highlights her early success as the lead vocalist for The Teddy Bears, featuring the story of how she collaborated with Phil Spector on the global hit "To Know Him Is To Love Him." Connors also shares intimate details about her nine-month relationship with Elvis Presley and her experience as a woman finding success in the male-dominated rock and roll industry.
The thumping, pumping, Telecaster-driven, snare-smashing roots rock and roll of the 80's (and into the 90's) shaped my world. Drove my inspiration for finding more of "that". Looking back, some of "that" lasted. And some of the bands and their songs went into the vault of lost rockers, and some even made it out to rock some more. This podcast jumps back about 10 years to when I was digging into the roots of my rock and roll, which would later be labeled alt-country and Americana. But to me, it was jangly, garage-y, sloppy-but-not-too-sloppy rock and freakin' roll. Who were those bands? See what you might remember. Or hear a new-old discovery. That's the thrill. Let's listen together and see how we do. Rock on.
In episode 182 of the Guitar Music Theory Podcast, I sit down with Mike Valeras, an adjunct guitar instructor at Belmont University here in Nashville, where he teaches commercial music and improvisation. Mike shares his guitar learning journey, early band experiences, and his formal music education, including earning both a music education degree and a master's degree. We talk about how he made the move from Boston to Nashville and ultimately landed his teaching position at Belmont. Growing up, Huey Lewis and the News was his favorite band, and today Mike is one of the guitarists in The Heart of Rock and Roll, the Huey Lewis and the News tribute band that I occasionally play with as well. It's a great conversation about musicianship, education, and carving out a career in music. Free Video CourseAnswer the question on my website to get a free video course calibrated to your current level. https://www.GuitarMusicTheory.com New Book: Lead Guitar Unlocked Master Expressive Soloing With the Pentatonic Scale. From basic patterns to pro-level phrasing—learn to play licks that speak and solos that sing. https://www.amazon.com/Lead-Guitar-Unlocked-Expressive-Pentatonic/dp/B0FY4XH4TP "Migus fa Dingus" by Mike Valeras Listen to Mike's music on Spotify. https://open.spotify.com/track/0EPzrL1s8Fc1V3OFr6nqYn?si=e1598c276fe54b38
Gary Lachman, member of the Rock and Roll Hall of Fame for his work with Blondie, discusses how he went from rock and roll to Colin Wilson's house on a journey to better understand the nature of consciousness. You can also find out more in Lachman's newest book, Touched by the Presence.
Join us for a recap of a whirlwind divisional round weekend filled with close games, turnovers, and a blowout for good measure courtesy of Seattle. We also chat about the rotating coaching carousel throughout the league including a bonus name thrown into the mix this morning! We're neck and neck on picks and ready to rock and roll for this Sunday!
On this episode I sit down with Diet Lite, a rock and roll band from Milwaukee, WI. We talk about their new album "Double Wide Yukon", and the changes they have made since their last album. We also talk about a surprise on the vinyl. Be sure to follow Diet Lite and be sure to check out "Double Wide Yukon"!!!This episode features the songs "I Know" and "It's All Too Much" from the album Double Wide Yukon.You can find Diet Lite at the following links:Instagram: https://www.instagram.com/dietlitemusicTwitter: https://x.com/DietLiteMusicYoutube: https://www.youtube.com/@dietlite/Bandcamp: https://dietlitemusic.bandcamp.com/Website: https://dietlitemusic.comEverywhere Else: https://linktr.ee/dietlitemusic_______________________________________You can find Beers With Bands here:Twitter: https://twitter.com/BeersWBandsPodInstagram: https://www.instagram.com/beerswithbandspod/Bandcamp: https://beerswithbands.bandcamp.comEverywhere else: https://linktr.ee/BeersWithBands
Zoltan Bathory reflects on Five Finger Death Punch's 20th anniversary and what that means for their upcoming tour and 10th studio album.
STEP RIGHT UP FOLKS FOR EPISODE 131 OF BEAT AROUND THE BENCHThats right ladies and gentlemen we got your hosts Jess Colton and Ross serving up the finest woodworking podcast this side of the Mississippi and theyre diving deep into Osage orange wood like you never heard before. Blue Osage Cult baby because nothing says rock and roll like dense hardwood that weighs more than your anvil.You want vegetables with that? Course you do. These boys are talking broccoli preparation brussels sprouts cooked in bacon grease with pancetta and balsamic glaze sweet potatoes done up right and grilled asparagus that pairs perfect with a thick steak. Pro tip right here folks soak them brussels sprouts in cold salt water first gets rid of all that bitterness. Hot honey red pepper flakes lemon butter you name it theyre covering it all while the saw dust flies.But wait theres more. Jess is building drawers for his big cabinet project using hand tools because sometimes you just gotta feel that wood under your fingers. Coltons got himself a Veritas dovetail saw and hes singing its praises louder than a Saturday night gospel choir. Tool reviews dont get better than this woodworking friends.Now heres where it gets wild. Osage orange wood discussion that goes on longer than a Thanksgiving dinner argument. This woods got more nicknames than a career criminal hedge apple bodark monkey brain horse apple you name it. Native to Texas Arkansas Oklahoma but now its growing everywhere from New York to Nebraska. The wood itself is orange as a sunset denser than a brick harder than saying no to free pizza and itll dull your tools faster than you can say Blue Oyster Cult.They talk sourcing this legendary lumber where to find it how to work it why your planer blades are crying. Jess shares his Osage experience Colton drops knowledge about wood movement and Ross keeps the whole show rolling smoother than a freshly waxed table saw top.You get shop safety nuggets too because nearly getting brained by falling PVC dust collection pipes aint no joke. Ross almost caught his death when his dust collection system decided gravity was still a thing. The fix? Drive screws through those PVC joints folks. Tape aint enough when you got ten feet of six inch pipe hanging over your dome.Dust collection talk runs deep with tips on magnets to catch metal shavings before they spark up your whole operation static electricity problems and the eternal struggle of keeping that shop air clean while youre making fine furniture.Workshop wisdom flows like cheap beer at a county fair. Take your time on joinery layout. Check your dust collection rigging regular. Ground your system if the static is driving you bonkers. Get yourself a Sams Club MasterCard for that 5 percent cash back on gas if youre hauling lumber around.Tool talk includes Rockler boom arms for dust collection benchtop planers that sound like angry hornets festool products that cost more than some folks cars and the eternal debate about which tools are worth the investment versus which ones are just pretty to look at in the catalog.These three woodworkers keep it real keep it funny and keep the knowledge flowing faster than sawdust through a cyclone separator. From vegetable cooking tips to exotic hardwood properties from hand tool techniques to power tool reviews its all here in one spectacular episode.The chemistry between hosts is tighter than a well cut dovetail joint. They joke they teach they share war stories from the workshop trenches and they remind everyone that woodworking is supposed to be fun even when youre wrestling with wood that fights back harder than Osage orange on a bad day.So tune in subscribe share it with your woodworking buddies and whatever you do dont fear the reaper when that Osage orange dust starts flying. This is Beat Around the Bench Episode 131 where the wood is hard the laughs are easy and the knowledge is free for the taking.
Garage or underground rock in the mid-sixties w/Manny Freiser Author of Tracks In The Sands of Time, Volume I, a memoir about a life in rock and rollThis is Manny Freiser, author of Tracks In The Sands of Time, Volume I, a memoir about a life in rock and roll.Manny is the author of a couple of garage rock classics, Let's Talk About Girls and Cry a Little Longer. His band, The Grodes, rocked out in Tucson, Arizona from 1965 to 1968. They broke up when Manny and the band's other lead singer, Patti McCarron, left to search for stardom on L.A. Volume I covers Manny's life and adventures up until he left Tucson for L.A. Volume II, coming soon, will cover his continuing adventures in the big city.Link:mannyfreisersongs.comTags:Garage rock music,Music,Musician,Music Production,My Book (Tracks In The Sands of Time,My songs,Record companies,Record executive,Record marketing,Sixties,Live Video Podcast Interview,Phantom Electric Ghost Podcast,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page
https://realpunkradio.com/podcast/tommyunitlive/tommyunitlive643.mp3 January 22nd, 2026. Tommy Unit LIVE!! #643 – For Pops – Back after a looooong break. Played some tunes for my Pops who passed away right before Xmas. Also scoped out the new Gluecifer and Mala Vista rekkids! And ended with a tear-jerker as The Man in Black does NIN…..Grab a tissue and Turn … Continue reading Tommy Unit LIVE!! #643 →
Send us a textOrder a copy of my debut film, Cape Cod Cthulhu!The infomercial products we saw in the 80s and 90s. The legacy of MTV Unplugged. The companies that went under when the Dot-Com bubble burst.Episode 228 carries us through the hazy shade of winter with a warm fire filled with GenX nostalgia.It kicks off with a look back at some of the most famous, or in some cases infamous, infomercial products we'd see when staying home from school in the 1980s and 1990s. Spray-on hair? Knives that can cut through cans? Stopping the insanity? It's all here and much more.Sometimes less is more, and sometimes quieter makes a louder sound. MTV Unplugged took music's polished studio sound and flipped it on its head. Rock, Pop, Grunge, Hip-Hop, and more made the jump into smaller settings and acoustic instruments. We will examine the history of one of the most influential television shows in music history.All bubbles burst. When the Dot-Com bubble burst at the turn of the 21st century, it created a vacuum that took with it many once-prosperous companies. This week's Top 5 will look at some of the biggest to burst along with the bubble.There is a brand new This Week In History and Time Capsule looking back at the first inductees into the Rock and Roll Hall of Fame.You can support my work by becoming a member on Patreon. Or you can Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyStranger Things Have Happened: A GenX FairytaleHidden Track Podcast #1Listen to Episode 227 hereSupport the show
Megadeth's Dave Mustaine dives into his band's final studio album, their upcoming tour and more in this exclusive interview with the thrash metal legend.
Drummer Michael Shrieve's story reads like a rock-and-roll fairy tale — the kind of musical journey that blends youthful serendipity with restless creativity, and a lifelong appetite for pushing boundaries. Before he was a name on Santana's classic albums or a Rock & Roll Hall of Famer, he was a kid with sticks and big dreams.Born in California, Shrieve grew up deeply drawn to music. As a teenager he played in his first serious band and gigged around backing rhythm and blues acts — even sitting in with seasoned performers like B.B. King and Etta James.At just 16, a pivotal moment came when he sat in during a jam at San Francisco's famed Fillmore Auditorium. His playing caught someone's ear — Santana's manager Stan Marcum — setting the stage for his astonishing ascent.At 19, Shrieve met Carlos Santana in a studio and was invited to join the band on the spot. It was a leap that would change his life. Almost immediately after joining, Shrieve found himself at the center of one of rock's defining moments: Santana's performance at Woodstock in August 1969. Barely 20 years old, his explosive drum solo on “Soul Sacrifice” became one of the enduring visual and sonic highlights of the event's documentary.Between '69 and '74, Shrieve played on Santana's first seven albums: Santana (1969), Abraxas (1970), Santana III (1971), Caravanserai (1972), Welcome (1973) and Borboletta (1974), plus the live album Lotus (1974).He wasn't just a timekeeper. On Caravanserai he co-produced and co-wrote four tracks, helping guide the band into more experimental, jazz-infused territory. His work helped broaden the possibilities of rock percussion, drawing on influences from jazz greats and Latin rhythms alike.By the mid-'70s, Shrieve was ready to expand his musical palette beyond Santana. He left the band to pursue solo projects and relocated to London. One of his first ventures was Automatic Man , a group that blended rock with progressive and funk elements. He then joined the avant-garde fusion supergroup Go, alongside formidable musicians like Steve Winwood, Stomu Yamashta, Klaus Schulze and Al Di Meola. The band released multiple albums and toured, diving deep into jazz, electronic and world music textures.Throughout the late '70s and '80s Shrieve stayed busy, playing with Hagar Schon Aaronson Shrieve (with Neal Schon and Sammy Hagar) and contributing to albums by artists as diverse as The Rolling Stones (Emotional Rescue, 1980) and Roger Hodgson of Supertramp. He also collaborated on Richard Wahnfried projects with electronic composer Klaus Schulze and recorded his own electronic music.After leaving Santana, Shrieve didn't slow down — he reinvented himself again and again. Beyond rock and fusion bands, he became a composer and session player whose credits include work with Mick Jagger, George Harrison, Pete Townshend, Andy Summers, Jaco Pastorius and many others.He also ventured into film music, composing scores for movies including Tempest and Apollo 13, and continued collaborations with musicians across genres.In 1997 he reunited with former Santana members — Neal Schon, Gregg Rolie, José Areas and Michael Carabello — in Abraxas Pool, a project that revisited and re-imagined elements of the classic Santana sound.Shrieve's contributions were formally recognized when he was inducted into the Rock & Roll Hall of Fame in 1998 for his work with Santana, and later honored with Guitar Center's Lifetime Achievement Award in 2005. He's also been cited by Rolling Stone as one of rock's greatest drummers.In 2016, he briefly reunited with the original Santana lineup for the album Santana IV, again marking his deep connection to the music that made his name.Today, Michael Shrieve remains a vibrant artist. His band Spellbinder, blends jazz and improvisatory rock; he works on ambitious solo projects like Drums of Compassion; and continues to collaborate with forward-thinking musicians across genres.Michael joins us today to share his story.
Welcome back to Music Maniacs W/ Sight After Dark! In this episode, we had the pleasure of sitting down with the very talented musician/author Gabriel Rotello Gabriel is a veteran of the NYC Punk Rock scene of the 1970's, centered around such legendary clubs such as CBGBS and Max's Kansas City. Gabriel Just put out an amazing new book called the CBGB Conspiracy, which you can check out here: https://www.amazon.com/CBGB-Conspiracy-Gabriel-Rotello/dp/B0FLMLDJDB We discussed what it was like to live and participate in one of the greatest artitstic communities of al time, the current state of the music industry, real life rock and roll stories, and so much more! As always, we went on a few maniacal tirades a long the way. Enjoy! _________________________________________________________ Do you love Music, and Music History, with a side of Comedy? Well you're in the right place! Sight After Dark (Singer Sifa Graffiti and Guitarist Dan Berg) is a band out of Brooklyn, NY that loves two things: 1) Talking Music. 2) Cracking Jokes. One day we were sitting around, discussing our favorite artists, and thought: ”if this isn't a podcast, we don't know what is!” Basically, Instead of keeping our musical conversations to ourselves, we decided to record them for all to hear. Come along as we discuss music, and whatever maniacal topics our brains decide to cover at the time. New episodes every Wednesday! _________________________________________________________ If you like our content, and feel like being generous, please consider adding to our virtual tip jar! Every dollar helps us to continue making content like this! https://www.paypal.com/paypalme/sightafterdark? Checkout our latest music: Buy here: https://sightafterdark.bandcamp.com/album/live-after-dark-2 Stream here: https://distrokid.com/hyperfollow/sightafterdark/live-after-dark Support us by purchasing Sight After Dark Merchandise! https://sightafterdark.myspreadshop.com/all _________________________________________________________ Social Media: Twitter: https://twitter.com/sightafterdark Instagram: https://www.instagram.com/sight_afterdark/?hl=en Facebook: https://www.facebook.com/sightafterdark/ Website: www.sightafterdarkonline.com Dan Berg: Twitter: @danbergmusic Instagram: @danbergmusic YouTube: Dan Berg Music Sifa Graffiti: Instagram: @sifa.graffiti movementgraffiti.info Business inquiries? Shoot us an email here: sightafterdark@gmail.com
What does it take to become a beloved radio personality who has shaped the sound of American music for generations? Join host Buzz Knight on this episode of takin' a walk as he welcomes the legendary Bruce Morrow, affectionately known as Cousin Brucie, to explore his remarkable journey through the world of music and radio. As they stroll down memory lane, Brucie shares captivating anecdotes from his illustrious career, including the moment he adopted his iconic moniker in the Brooklyn Battery Tunnel. Buzz Knight, a passionate advocate for music history, dives deep into Brucie's experiences during the transformative era of the 1960s, when the Beatles and the British Invasion forever altered the landscape of rock music. Together, they reflect on the communal experience of listening to music during this golden age, a time when radio served as the heartbeat of American culture. Throughout their conversation, Brucie emphasizes the importance of connecting personally with audiences, a value that has defined his career and continues to resonate today. With his enduring passion for music, Cousin Brucie reveals how he maintains a close bond with listeners worldwide, embodying the warmth and familiarity that made him a household name. As they walk, listeners will gain insights into the evolution of radio and the cultural impact of music, highlighting how these elements shape our collective experience. Buzz Knight's takin' a walk podcast not only celebrates the legacy of legendary musicians but also delves into the stories behind albums and the songwriting journeys that have inspired countless artists. As the episode draws to a close, Brucie shares his thoughts on the power of music and community, leaving listeners with a sense of nostalgia for the rock and roll stories that have defined their lives. This engaging conversation serves as a reminder of the emotional healing that music can provide, making it a must-listen for fans of music history, classic rock, and the stories that shape our favorite tunes. Tune in to this episode of takin' a walk with Buzz Knight and Cousin Brucie for a stroll through the vibrant landscape of American music and the enduring legacy of a true icon.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
In this compelling replay episode of Takin’ A Walk, Buzz Knight sits down with acclaimed soul-rock artist Marc Broussard for an intimate conversation about his Louisiana roots, musical evolution, and the power of authentic artistry. Marc opens up about growing up immersed in Louisiana’s rich musical heritage, sharing stories of his father Ted Broussard’s influence as a guitarist for The Boogie Kings and how that legacy shaped his own artistic journey. The conversation explores Marc’s breakthrough moments, from his early career success to his evolution as a mature artist who’s learned to honor both his Southern soul influences and his own unique voice. Throughout this engaging discussion, Marc reflects on the creative process behind his music, the challenges of maintaining authenticity in the modern music industry, and what it means to be a “soul rocker” drawing from both classic R&B traditions and contemporary rock sensibilities. He shares insights about songwriting, the importance of staying true to your roots while continuing to grow, and the spiritual dimensions of making music that connects with audiences on a deeper level. Marc also discusses his approach to live performance, the evolution of his sound across multiple albums, and how becoming a father has influenced his perspective on music and life. The episode touches on his collaborations with other artists, his thoughts on the Louisiana music scene, and his commitment to creating music that matters. Whether you’re a longtime fan of Marc’s soulful vocals and heartfelt songwriting or discovering his music for the first time, this conversation offers a window into the mind and heart of an artist who’s dedicated to his craft and the transformative power of authentic soul music.Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
In this episode of Prisoners of Rock and Roll, we're talking about covers – those magical moments where one artist takes another's song and makes it their own. Sometimes they stay faithful to the original. Sometimes they completely blow it up and rebuild it into something fresh. We're going to talk about covers that cross genres like Johnny Cash turning Nine Inch Nails into a heartbreaking confession to Sid Vicious giving us a punk rock version of Frank Sinatra. Covers that became more famous than the originals like Respect by Aretha or Nirvana's unplugged version of The Man Who Sold the World. We've got a killer playlist of iconic reinventions, and a few headscratchers that will make you laugh out loud. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Prisoners of Rock and Roll, we're talking about covers – those magical moments where one artist takes another's song and makes it their own. Sometimes they stay faithful to the original. Sometimes they completely blow it up and rebuild it into something fresh. We're going to talk about covers that cross genres like Johnny Cash turning Nine Inch Nails into a heartbreaking confession to Sid Vicious giving us a punk rock version of Frank Sinatra. Covers that became more famous than the originals like Respect by Aretha or Nirvana's unplugged version of The Man Who Sold the World. We've got a killer playlist of iconic reinventions, and a few headscratchers that will make you laugh out loud. Episode Playlist Check out our episode playlist here. Get In Touch Check us out online, on Facebook, Twitter, or YouTube. or drops us an email at show@prisonersofrockandroll.com. Or if you're in Philadelphia, come visit our home base at McCusker's Tavern. Prisoners of Rock and Roll is part of Pantheon Media. We're sponsored by Boldfoot Socks. Learn more about your ad choices. Visit megaphone.fm/adchoices
“The Dreamin' Kind” is a slight detour for the folk-rock troubadour who channels his love of rock and roll with a more garage rock sound.
00:00:00 – Sick-day kickoff and show housekeeping 00:04:57 – Elon Musk pitches "Starfleet Academy" as real life 00:09:41 – Billy Corgan claims government "recruitment" in music 00:14:24 – Howard Stern's shapeshifter guest goes off the rails 00:18:57 – Acid-trip telepathy story turns into UFO obsession 00:26:31 – Lemmy's rumored UFO encounter gets replayed 00:29:27 – Sammy Hagar recounts an alien abduction 00:33:49 – "Crack in the World" frames a coming societal split 00:36:34 – China's "quantum warfare" hype reel lands with a thud 00:41:28 – U.S. electromagnetic plasma weapon fearbait escalates 00:46:22 – Breakfast foods exposed as hidden sugar bombs 00:51:04 – Mark Carney "new world order" clip sparks side-eye 00:55:35 – ABC broadcast glitches into "satanic ritual" footage 00:59:19 – Hasidic upstate village welfare deep-dive 01:04:16 – Yiddish warning letter to a YouTuber gets decoded 01:19:02 – Charlie Kirk shooting chatter spills into call-ins 01:24:03 – "Ditch Day" declares New Year's resolutions dead 01:28:52 – Weight-loss pills pitched as airline fuel savings 01:33:25 – ESG rebrand makes nukes "compliant" 01:38:03 – China's delivery robots go full demolition derby 01:43:03 – AI regulation debate turns into a race-to-the-bottom rant 01:47:19 – Armed Pokémon card heists hit NYC 01:52:17 – Potato suppressor gets legally registered 01:56:19 – Banana-and-hotdog suppressor jokes and show plugs 02:00:05 – Post-signoff audio oddity and fade-out Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2
Paulie Beladino is by far one of the best guitarists and kindest people I know. His debut solo album: “Always” is a fantastic voyage captained by a Rock & Roll junkie. I Love this album and it was such an honor to talk to Paulie to get a behind the scenes look into what it takes to write songs, and how he was influenced. We had an awesome conversation about music and Paulie told stories about rock and roll history. He gave me 5 influential Guitarists as well as what Albums he would take to a Desert Island. Paulie is just getting started and he will be back! Listen to Paulie's Album “Always”: https://open.spotify.com/artist/0U8h7cA8FYzJVoCvqa9EQW Follow Paulie on Instagram:https://www.instagram.com/pauliepasta/?hl=enAnd https://www.instagram.com/paulbeladino/?hl=enIf you want to support Full Blast Support Feder Knives - ( go buy a shirt )https://www.federknives.com/Go to CMA's website and check out the opportunities: https://centerformetalarts.org/Take a class: https://centerformetalarts.org/Follow CMA on Instagram https://www.instagram.com/centerformetalarts/?hl=enPlease subscribe, leave a review and tell your friends about the show. it helps me out a lot! Welcome aboard Phoenix Abrasives!Phoenixabrasives.com Phoenix abrasives supplies superior abrasive products for every application. Knifemaking, Metal fabrication, glass fab, floor sanding and Crankshaft! Belts, grinding and cutting discs, Flap Discs, surface conditioning FB10 at checkout gets 10% off your order at Check out.Welcome back! Nordic Edge:@nordic_edge on IG Nordicedge.com.auNordic Edge is about the joy of making something with your own hands. our one stop shop for tools, supplies and help when it comes to knife making, blacksmithing, leatherworking, spoon carving and other crafts where you get to take some time out for yourself and turn an idea into something tangible. Nordic Edge also holds hands-on workshops in the “lost arts” of blacksmithing, knife making and spoon carving. Come spend a day with us and go home with new skills and something you made with your own hands. They have the guidance to help accelerate your creativity and the Tools, products, supplies to help you manifest your ideas. NordicEdge.com.auThank you Baker Forge & Tool for your beautiful Steel. Go to Bakerforge.com to see all the incredible steels they offer. ‘FullBlast' gets you 10% off your order. CHECK OUT THE NEW ADDITIONS TO THE GATOR PISS LINE - GATOR PISS MAX & GATOR PISS HEAVYWelcome to our new Sponsor- EVENHEAT- Manufacturers of the best heat treating ovens available. To find your next oven go to Evenheat-kiln.comFollow them on Instagram: Welcome aboard Texas Farrier Supply! For all your forging and knife making supplies go to www.texasfarriersupply.com and get 10% off your order with PROMOCODE Knifetalk10Brodbeck Ironworks Makers of an Incredibly versatile grinder, with Many different attachmentsLeather sewing equipment and even abrasives Check out Brodbeck Ironworks for yourself:https://brodbeckironworks.com/“Knifetalk10” gets you 10% off Follow Brodbeck Ironworks on Instagramhttps://www.instagram.com/brodbeck_ironworks/Trojan Horse Forge Get your THF Stabile Rail knife finishing vise at https://www.trojanhorseforge.com/And when you use the promo code “FULLBLAST10 you get 10%off everything on the site.Follow them on instagram:https://www.instagram.com/trojan_horse_forge/ TotalBoatAdhesives, paints, primers and polishing compounds.Go to http://totalboat.com/FULLBLASTTo support the podcastG.L. Hansen & Sons On Instagramhttps://instagram.com/g.l._hansenandsons?igshid=MzRlODBiNWFlZA== Gcarta.bigcartel.comG-Carta is unique composite of natural fibers and fabrics mixed with epoxy under pressure and heat Boofa, ripple cut, Tuxini, by Mikie, Mahi Mahi, Radio worm g-cartaPheasant by MikieColorama by MikieHoopla by MikeAmazing colors and razzle dazzle for your project. MARITIME KNIFE SUPPLIESMaritimeknifesupply.CAAll your knifemaking needs, belts abrasive, steals, kilns forges presses, heat treating ovens anvils and everything you need to get started or resupply. Including Dr. Thomas's book:“Knife Engineering”They're in Canada but ship to the US with ease and you can take advantage of the exchange rate The steel selection is always growing and Lawrence just got 3900 lbs. of steel in.10% off on abrasive belt packs of 10 get a hold of https://www.instagram.com/maritimeknifesupply/ and see what the fuss is about.Welcome Tormek as a sponsor to the show. Take your sharpening to a new level. I love these sharpening machines. Waterfed, easy to use. Jigs included. Definitely check out what they have to offer. If you need it sharpened, Tormek is definitely something for you:https://tormek.com/en/inspiration/woodworking--craftsVisit Tormek's website: https://tormek.com/enFollow Tormek on Instagram:https://www.instagram.com/tormek_sharpening/?hl=enFollow Tormek on TikTokhttps://www.tiktok.com/@tormek_sharpening?lang=enGo look at the course curriculum at CMA:https://centerformetalarts.org/workshops/** Taking classes from some of the best in forging at one of the best facilities in the country is an excellent opportunity to propel yourself as a blacksmith. Not to be missed. And with housing on the campus it's a great way to get yourself to the next level. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This week we're sharing a series of episodes that capture one of our favorite themes on Second Act Stories: the moment when life changes key. These Key Changes episodes feature people whose lives have been shaped by music: some who left it behind for something new; others who found their way to it later than expected. Together, they're the stories we return to when we want to show how reinvention really works, not as a clean break, but as a shift in rhythm, perspective, and purpose. Whether you're a longtime listener or just discovering the show, these episodes reflect the heart of the podcast: bold pivots, unexpected harmony, and second acts that still have plenty to say. Jeff "Skunk" Baxter is a rock and roll legend. He was the founding lead guitarist in Steely Dan, and he was inducted into the Rock and Roll Hall of Fame as a member of the Doobie Brothers. As a hired gun, he's played with a who's who of music royalty, including Linda Ronstadt, Donna Summer, Elton John, Eric Clapton, Ringo Starr, Dolly Parton, Carly Simon… the list goes on and on. From the time he was a child, the mechanically inclined Baxter loved taking things apart to see how they worked and putting them back together. He became an expert guitar repair technician and built custom guitars. He traded a custom white Fender Stratocaster he built in the 1960s to Jimi James, who would later re-emerge as the legendary Jimi Hendrix. In the 1980s, Skunk parlayed his more-than-casual interest in all things technical into a career as a missile defense consultant. After writing a paper that was quickly classified, he received the necessary clearances and now regularly consults with the U.S. government, the Pentagon and the Joint Chiefs on topics including counterterrorism and wargaming. Skunk just released a new solo album, his first, called Speed of Heat. Please enjoy our exciting deep dive into the second act of one of rock's greatest guitarists. ******* If you enjoy Second Act Stories, please leave us a review here. We may read your review on a future episode! Subscribe to the Second Act stories Substack. Check out the Second Act Stories YouTube channel. Follow Second Act Stories on social media: Facebook LinkedIn Instagram Second Act Stories theme music: "Between 1 and 3 am" by Echoes.
It’s the new-year kickoff episode that starts at full throttle and somehow keeps finding another gear. In “2026 FNK and… GO,” Mike and Joe spin a playlist built for the first cheers of the year - loud, proud, a little chaotic (in the best way), and powered by the Friday Night Karaoke Facebook group. Along the way, they riff on the “countdown” theme landing after the calendar flipped, hype up the FNK crew, and keep circling back to one mission: start 2026 with big energy, big voices, and zero hesitation. Featured performances (with the moments that made them pop on the show) Kristoff Crafton - “Drink Myself Drunk” (Rebel Son): The ultimate “hit play and the year starts now” opener. Mike and Joe immediately talk about it like a repeat-listen anthem and even bring up singing it together at PodFest in Orlando. Jennifer Adams - “Get the Party Started” (Pink): Introduced with full love as a longtime pillar of the community (and a group moderator) - then the dynamic duo nerds out over how tough it is to “record over yourself” and how she stacked vocals like an audio inception trick. Nancy Van Eindhoven - “The Final Countdown” (Europe): Mike sets it up as the perfect countdown energy (even if you’re recording a few days late), then you both rave about her power and presence - the kind that makes you sing along even if you’ve heard the song a million times. Rick Mendoza - “Around and Around” (The Rolling Stones): Timeless, classic, and somehow “Elvis-y” in the best way. The vibe sends the conversation straight into retro rock-and-roll territory and Mike’s excitement about a 50s-style night in Orlando. Mike Wiston - “Suck My Kiss” (Red Hot Chili Peppers): “My podcast, my prerogative” energy. Mike frames it as his personal 2026 welcome song, shouts out seeing RHCP live in Tokyo, and you keep the momentum ripping toward the back half of the episode. Annastaisyar - “Crazy Train” (Ozzy Osbourne): A live-bar recording with that real karaoke-room electricity. Mike and Joe both point out you can’t stand still on a song like this - and you give her big credit for fully getting into it and bringing serious vocals. Katie Rose - “I Like It Heavy” (Halestorm): Pure “turn it up past 10” payoff. The hosts both react to the whole vibe (including the gritty video look) and the massive ending - and you even accidentally label it “Good to Be Alive” for a second, which honestly becomes the perfect accidental motto for this episode. Hit play, crank it up, and start your year the FNK way - loud, fun, and together. Love what you hear? Join the Friday Night Karaoke Facebook group here and be part of the magic! It's negativity free, ad-free, and all about the music:See omnystudio.com/listener for privacy information.
This week Brian and Jason chat about some random upcoming tour dates. Next, they talk about second generation rock and roll artists. Then they welcome their first time guest second generation rock artist Nigel Dupree. Nigel chats with the boys about his rock and roll upbringing, very early memories, how playing drums came first, the benefits of living in Nashville, and so much more. Learn more about your ad choices. Visit megaphone.fm/adchoices
YoutubeSpotifyhttps://supportandfeed.org/BioRising pop-rock artist and multi-talented producer Ed Keiser returns with his new single, “Foreign Land,” a deeply personal and emotionally rich follow-up to his debut release, “You Are Not Alone.” Known for blending reflective storytelling with melodic, immersive production, Keiser once again invites listeners into a vulnerable and honest space shaped by resilience, love, and the human experience. “Foreign Land” expands on the themes first introduced in You Are Not Alone, a song Keiser released to encourage individuals facing loneliness, grief, or difficult circumstances. The debut track resonated widely not only for its message, but also for Keiser's commitment to donate 100 percent of its earnings to Support+Feed and Feeding America. With this new release, he continues building a catalog rooted in empathy, connection, and emotional truth. While You Are Not Alone served as an offering of comfort to those suffering in isolation, Foreign Land turns inward. Written as a dialogue between two lovers navigating trauma, the song was inspired by a painful chapter Keiser and his wife endured together. The verses unfold like a script, capturing an intimate back-and-forth that moves from confusion and fear toward clarity, faith, and renewal. “The song is a conversation between my wife and me,” Keiser explains. “We were going through a very trying time and still finding our way out of it. I wrote the song as an expression for both of us a way to look toward the future with hope. It was my way of helping us breathe again.” Across its four verses, Foreign Land explores uncertainty, spiritual questioning, and the emotional weight of hardship. Lyrics such as “When the pain is so strong, we question why the world is wrong?!” capture the rawness of that moment. Yet the song ultimately lifts upward, offering a path toward restoration through lines like “There will be no pain or fear, only through faith be it clear.” For Keiser, faith served as a grounding force during the creation of the track, though he emphasizes the song's universal message. “It is a song of hope,” he says. “My faith played a central role, but I didn't want to project my beliefs onto others. I embedded them gently, on purpose. The main theme is simple: hang in there—it will get better. It's about love, companionship, and overcoming hardship with your partner or loved one, whatever your beliefs may or may not be.” As both writer and producer, Keiser takes a hands-on approach to his music. Working primarily in Logic Pro, he performs multiple instruments and collaborates with skilled musicians to bring each arrangement to life. His contributions on acoustic guitar, piano, and bass provide a warm foundation, enriched by layered acoustic textures and meticulous production. The track also features acclaimed vocalist and guitarist Jamie Hoover, whose performance adds depth and emotional resonance. With Foreign Land now released, Keiser continues to shape a growing body of work, with plans for a larger project on the horizon. Whether the songs culminate in an EP or full-length album, his goal remains the same: to offer listeners solace, strength, and a reminder that healing is always possible. At the heart of Keiser's work is compassion. To support the approximately 47 million people in the United States experiencing food insecurity—about 1 in 7 Americans, according to the USDA Keiser has donated 100 percent of the earnings from You Are Not Alone and will continue to donate 100 percent of proceeds from Foreign Land to Support+Feed and Feeding America. Foreign Land is available now on all major streaming platforms, with promotional support from Starlight PR.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
Captain Fantastic and the Brown Dirt Cowboy remains one of Elton John's most personal and important albums, telling the true story of his early years with lyricist Bernie Taupin.In this RadioBypass All Access special, we explore the newly released expanded 50th anniversary edition of Captain Fantastic and the Brown Dirt Cowboy. Hear Elton John and Bernie Taupin reflect on the making of the album, the struggle before success, and the songs that helped define a generation of rock and roll.We also play select tracks from this seminal 1975 album, which debuted at No. 1 and changed the way artists told their own stories through music.Elton John. Bernie Taupin. Captain Fantastic at 50.Rock and roll that DESERVES to be heard — only on RadioBypass.
The Tragically Hip On Shuffle — “You're Everywhere” (In Between Evolution)Episode SummaryWelcome to the very first episode of The Tragically Hip On Shuffle — a weekly live-streamed conversation where host jD and a rotating panel of fans spin the wheel, land on one randomly selected Tragically Hip song, and discuss, debate, and dissect it from every angle: lyrics, themes, musicality, album context, and the personal connection that makes Hip fandom feel like home.For the premiere episode, the shuffle lands on “You're Everywhere” from In Between Evolution (2004) — a loud, sharp, post-9/11-era record produced by Adam Kasper that captures The Tragically Hip in full rock-and-roll form. From the opening riff to the vocal urgency in the chorus, this track becomes the perfect test case for what this series is all about: thoughtful takes, layered interpretations, and the shared realization that there's rarely one “right answer” in Gord Downie's writing.Panelists this week include:Tim (Columbus, Ohio) — co-host of the long-running music podcast Dig Me Out, and a proud defender of deep cutsRyan (Victoria, BC) — frontman of Nautical Disaster, a Tragically Hip tribute band, with a vocalist's ear for emotional deliveryJustin (Vermont) — longtime Hip fan and Discovering Downie alum, bringing album-level context and a sharp eye for lyrical subtextTogether, the panel explores why “You're Everywhere” feels both deeply personal and uncomfortably political, how In Between Evolution balances big guitars with uneasy undercurrents, and why this song—despite being lesser-played live—hits with the kind of emotional pressure that grows louder the longer you sit with it.And yes: the episode also features the first official On Shuffle tech gremlin moment, a brief detour to the green-room snack table, and a laminated birthday card signed “No.” So there's that.In This EpisodeThe On Shuffle format: one random Hip song, one hour, zero forced takesFirst impressions of “You're Everywhere” and why the groove is deceptively simpleThe vocals: urgency, desperation, and that “live-in-the-can” feelLyrics + themes: layered meaning, media saturation, democracy, identity, and memoryThe line “when I reel my Irish in” — and why it can mean 10 different thingsAlbum context: where “You're Everywhere” sits in the In Between Evolution tracklist and why it works as a centerpieceRare live sightings: an early “workshopping” version with a different working title and lyricsProducer talk: Adam Kasper (Pearl Jam, Soundgarden connections) and how the Hip chose heavyweight producers across erasThe show's mission: The Hip as refuge, ritual, and community hangKey Quotes“There are no wrong opinions. There are no wrong takes. But my hope is there will always be a moment.”“It's a simple song structure… but it's how they play it.”“Gord layers ideas — the subtext can run through the entire album.”Featured Song“You're Everywhere” — The Tragically HipAlbum: In Between Evolution (2004)Next Week on The Tragically Hip On ShuffleThe shuffle chooses the next track live at the end of the episode.Next episode song: “Leave” from In Violet Light
This week, we're diving back into the Season 0 Epilogue, where we come face to face with the Machine King for the very first time. I've worked with my Audio Artist Zoran to infuse this chapter with more magic, more wonder, and more incredible artistry. And along the way, we're taking a look back at the Seventh Valkyrie journey, as we make our way towards Season 3 Welcome to the Seventh Valkyrie listen-along, let's rock and roll! —--------------------- Want more 7th Valkyrie? Check out our Patreon to become a Hero of Edara, where you can shape the future of the series, decide on merch drops and incentives, get early access to new episodes, enjoy bonus features and content, and help us hit the major checkpoints on the Path of Heroes! https://www.patreon.com/7thvalkyrie For 7th Valkyrie Gear and Apparel: https://store.7thvalkyrie.com/ For 7th Valkyrie Artwork: https://www.instagram.com/7thvalkyrie/
It doesn't always come dressed in darkness; sometimes it comes dressed in melody. A scream, a guitar riff, a soft harmony, a song you grew up loving. We're told it's just music, but Scripture tells us there is no neutral ground in the spiritual war. From Ghost to Slipknot to DevilDriver; from Jay-Z, Lil Uzi Vert, or NWA; from KISS to The Beatles to The Rolling Stones—different generations, different styles, the same spiritual fingerprint. As Ice Cube said when accepting NWA's induction into the Rock and Roll Hall of Fame, “Rock and roll is a spirit.” That spirit could sound like rage or angst, or he'll come at you with what sounds peaceful, but the destination and the piper leading you there always remain the same. Follow Good Fight Ministries on: Facebook: https://www.facebook.com/goodfightministries Instagram: https://www.instagram.com/goodfightministries Twitter/X: https://www.twitter.com/goodfightmin TikTok: https://www.tiktok.com/@goodfightministries Rumble: https://rumble.com/GoodFightMinistries Support Us on Patreon: https://www.patreon.com/goodfight
Hooo boy. Paul Francis Gadd, aka Mr. Glitter, really got carried away with his regional fame. The guy traveled the world and managed to get get BANNED from over a dozen countries. TBH if they still play MJ on the radio, they should still be playing Rock and Roll pt 2 at stadiums and arenas. Song rocks. Get premium wireless for $15/month on a 3, 6, or 12 month plan at http://MintMobile.com/STINKER Support the show & get simple, online access to personalized, affordable care with HIMS @ http://hims.com/STINKER Support Lil Stinkers at  https://www.patreon.com/lilstinkers to get every episode AD FREE and a week early PLUS weekly bonus episodes. Get your Lil Stinkers merch today at https://www.lilstinkerspod.com
On the 127th Episode of Dorm Damage With Tom & Zeus the guys welcome twins Matthew & Gunnar Nelson! To say that twin brothers Matthew & Gunnar Nelson were born in the entertainment industry would be an understatement. Their grandparents were Ozzie and Harriet Nelson from one of the longest running tv shows, "The Adventures Of Ozzie & Harriet." Their legendary father was 50's rock and roll star Ricky Nelson. Many more family members were in show business as well including their sister, Tracy Nelson who unfortunately resembled Jerry Seinfeld too much for George Costanza! The guys talk about their 90's success, their family, their new book "What Happened To Your Hair", including a little KISS! So bring your love and affection for Nelson & SIOL! To Pick Up Matthew and Gunnar Nelson's Book “What Happened To Your Hair” on Amazon Click Below: "What Happened To Your Hair" To Purchase Shout It Out Loudcast's KISS Book “Raise Your Glasses: A Celebration Of 50 Years of KISS Songs By Celebrities, Musicians & Fans Please Click Below: Raise Your Glasses Book For all things Shout It Out Loudcast the #1 KISS Podcast check out our amazing website by clicking below: www.ShoutItOutLoudcast.com Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon Get all your Shout It Out Loudcast Merchandise by clicking below: Shout It Out Loudcast Merch At Printify Shop At Our Amazon Store by clicking below: Shout It Out Loudcast Amazon Store Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices