Podcasts about South

Labor Day is unofficially marking the start of midterm season; the moment voters begin tuning into the critical choices shaping November. With narrow congressional margins, Republican leadership faces a tight window to pass a budget, clear legislative hurdles, and set the narrative before early voting begins. Political strategist Colin Reed, co-founder of South & Hill Strategies, joins the Rundown to unpack what lawmakers should prioritize in the months ahead. As both parties look toward November and the fight for control of Congress, Reed examines whether governing or gaining the majority will take center stage. As summer begins to wind down and many students are already back in school, this time of year serves as a natural "second New Year" and a prime opportunity to reset your goals, habits and career. Former Peloton Instructor turned Performance Strategist Ross Rayburn joins Dana Perino to share practical insights on lowering the stakes of resolutions, using breathwork techniques to regulate anxiety and performance, and making courageous career pivots. PLUS, commentary by Tomi Lahren, co-host on FOX News Channel's The Big Weekend Show, and the host of Tomi Lahren is Fearless on Outkick.com. PHOTO CREDIT: AP IMAGES Learn more about your ad choices. Visit podcastchoices.com/adchoices

Photos from Admiral Byrd's famed Antarctic expedition brought in 2021 to GBH's Antiques Roadshow in Sands Point, NY reveal rare glimpses into life at the South Pole almost 100 years ago. Join host Adam Monahan as he discovers how science and PR collide in this tale of one man's quest for fame and a secured place in history and how that compares to modern influencers today.

The South Railroad Project is entering a new chapter as Orla Mining becomes part of Equinox Gold. In this Mining Minds panel discussion, hosts we talk with the leaders responsible for carrying the project, its people, and its community relationships forward. General Manager Don Dwyer, Community Relations Manager Jaymie Donovan, Mine Manager Steve Hough, HR Manager Lori Clarke, and Project Manager Brad Manning explain what the transition means at the site level. They discuss the added strength and operational depth of Equinox Gold, while emphasizing that the Nevada team and its commitment to advancing South Railroad safely and responsibly remain in place. The panel explores workforce recruitment, leadership development, local hiring, culture, safety, environmental stewardship, community engagement, volunteerism, operational readiness, and the rare opportunity to help build a mine from the ground up. The conversation also looks at how early planning can create clear career paths and a workplace where technical excellence, character, collaboration, and accountability grow together. This episode is a practical look at what changes during an ownership transition, what should remain consistent, and how a team prepares for the next phase of a major Nevada mining project. Hosted by Mining Minds - The Voice Inside the Industry.   Podcast Chapters: 00:00 – Cold Open, Welcome and Meet the Panel Derek Grover and Dino Brunson introduce Episode #236 from the Equinox Gold office in Elko and meet the South Railroad leadership team. 07:00 – A New Chapter: Orla Mining and Equinox Gold Don Dwyer explains the combination of the two companies and how Equinox Gold brings added stability, experience and resources to South Railroad. 17:00 – Operational Strength and Clear Communication The panel discusses the additional operational depth available through Equinox Gold and how the team is communicating the transition to employees, applicants and external stakeholders. 25:00 – Contractors, Business Partners and Continuity The team addresses contract transitions, supplier uncertainty and the importance of selecting partners who align with the project's culture, safety expectations and community commitments. 29:00 – Operational Readiness, Safety and Stewardship Steve Hough explains equipment planning, operational readiness and the work underway to support permits, wildlife, water management and a smooth transition from construction into operations. 33:00 – Long-Term Growth, Jobs and Training The conversation explores South Railroad's exploration potential, future employment, local workforce development and partnerships with Great Basin College and NORCAT. 39:00 – Expectations for Contractors and New Employees The panel outlines what will be expected from the hundreds of contractors and employees joining the project, including accountability, collaboration, stop-work responsibility and respect for commitments. 45:00 – Mining Education and Community Trust Jaymie Donovan discusses engaging schools, introducing younger generations to modern mining and consistently showing up to build meaningful community relationships. 50:00 – Protecting Culture Through Rapid Growth The team explains its approach to onboarding, collaboration, coaching and leadership development as South Railroad grows from a small group into a workforce of approximately 275 employees. 1:02:00 – Volunteerism, Ownership and Building a Legacy The final conversation covers employee volunteerism, community mine tours, career pathways and the rare opportunity to build a greenfield mine that employees can proudly call their own.

Dear Friends, In this episode of Gateways to Awakening, I sit down with my new friend, David Lorimer, writer, poet, philosopher, Programme Director of the Scientific and Medical Network, and Chair of the Galileo Commission. We recently met in the South of France, while I was on Dr. Nicola Amadora's Mary Magdalene tour. For decades, David has been at the forefront of conversations exploring consciousness, science, spirituality, near-death experiences, and the deeper nature of reality.We begin with David's lifelong “quest for wisdom” and why true wisdom cannot be separated from love, compassion, discernment, and direct experience. We also dive into the research surrounding near-death experiences, survival of consciousness, and the possibility that death is not an ending, but a transition into another mode of consciousness. David shares decades of experience studying these phenomena and the recurring patterns reported by people who have come close to death.“We have to wake up, and we have to try to use our lives to contribute to the larger common good, and to grow in love and wisdom.”— David LorimerKey Takeaways- Wisdom is more than knowledge. True wisdom integrates discernment and deeper understanding with love and compassion.- Intuition is fundamental to discovery. Major scientific breakthroughs often begin with intuitive insight before the analytical mind works out the science.- Our current scientific understanding of consciousness may be incomplete, opening the door to a much larger exploration of the nature of mind and reality.- Death may be a transition rather than an ending. Near-death experiences show striking recurring patterns, including peace, out-of-body experiences, beings of light, and life reviews.- We may be expressions of one consciousness, raising profound questions about interconnectedness and the nature of the self.- The mind and heart need to develop together. Intellectual or spiritual knowledge alone does not necessarily create an integrated human being.- Mary Magdalene offers another lens on the Divine Feminine and the integration of sacred masculine and feminine principles.Our lives can serve something larger. The invitation is to wake up, expand our consciousness, contribute to the common good, and continue growing in love and wisdom.Thank you for listening! We're now opening a private Community membership for those interested in processing the podcast and joining live monthly calls to discuss the content. Learn more here. If this episode resonates with you, you may also enjoy Yasmeen's work through the ⁠Inner Knowing School,⁠ where she teaches intuition, energetic mastery, multidimensional awareness, and nervous system regulation through private immersions and executive cohorts. You can also explore Yasmeen's latest book, ⁠A Glitch in the Matrix: 10 Energy Codes to Become the Main Character of Your Life⁠, available on Audible, Kindle, and in print. The book explores intuition, consciousness, timelines, emotional regulation, and how to manage your energy instead of your time.For all resoures, check here: https://linktr.ee/gatewaystoawakening

Sarah I gives a talk of depth and weight at Fellowship of the Spirit South in Lafayette, LA 2026

This week we are joined by Ally Zetterberg! Ally Zetterberg is a British-Swedish writer who grew up in rural Sweden before stumbling on a modeling career that took her all over the world. She somehow ended up in the South of France, where she now lives with three children, a dog, and a cat. She has a degree in psychology and is passionate about writing characters who feel real and who bring a complicated human experience to the page. In this episode, Ally discusses the journey that informed her creative work, from being discovered as a Swedish model at seventeen to her eventual move to the South of France. She reflects on why she gravitated away from short stories, how her studies in psychology helped her craft authentic characters, and the ways her global modeling career provided a unique perspective for writing nuanced, realistic women. Recommendations From This Episode: Reality Check: Inside America's Next Top Model Game Night My Sister, The Serial Killer Follow Ally: @allyzetterbergauthor Follow Carly: @carlyjmontag Follow Emily: @thefunnywalsh Follow the podcast: @aloneatlunchpod Please rate and review the podcast! Spread the word! Tell your friends! Email us: aloneatlunch@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode accompanies the August 2026 release of Desterrados al Sur: el costo humano de la deportación ("Banished to the South: The Human Cost of Mass Deportation"), a report WOLA published jointly with the Kino Border Initiative (KBI) in Nogales, Sonora, and the Centro de Derechos Humanos Fray Matías de Córdova in Tapachula, Chiapas. WOLA's Adam Isacson speaks with his co-authors, Juan Cuéllar Torres of the Kino Border Initiative and Josué Hildegardo Gómez Guzmán of Fray Matías, about what they are witnessing at Mexico's northern and southern borders. The conversation is in Spanish; an English-subtitled video version is available on WOLA's YouTube channel and embedded on the episode landing page. Deportation to Mexico has undergone a dramatic reshaping as a result of the second Trump administration's "mass deportation" policy. With access to asylum at the U.S.-Mexico border effectively closed, the population both organizations serve has shifted from people heading north to people expelled from the United States—many after decades of life, family, and work there. In mid-April, the U.S. government largely stopped returning Mexican nationals across the land border and began flying them instead to cities in Mexico's interior and south. Cuéllar explains that Nogales, once a hub of deportation infrastructure, now receives only a trickle: roughly 150 Mexicans and 120 non-Mexicans per month, with as few as ten people a week reaching KBI's shelter. Meanwhile, more than 1,100 third-country nationals per month are deported across the land border and then placed on buses by Mexico's National Migration Institute (INM) and sent south to Villahermosa and Tapachula. Gómez describes what happens on arrival in Tapachula: Mexican deportees are received in improvised tent facilities on concrete slabs in extreme heat, allowed to stay no more than two days, given roughly US$100, and directed to bus terminals—often for journeys of days across territory controlled by organized crime, with no follow-up to confirm they reach home.  Third-country nationals, many of whom were told they would be released in Mexico, are instead taken to the Siglo XXI detention facility, without information about how long they will be held or whether they will be deported onward. Once released, they face a near-total barrier to rights because ICE routinely fails to return passports, birth certificates, phones, and other belongings. Cubans, Nicaraguans, Venezuelans, Haitians, and Central Americans who want to go home cannot document themselves; consulates are far off, and people without papers cannot legally leave Chiapas. Nicaraguans stripped of nationality are left stateless. Elderly deportees—some removed after decades in the United States—end up homeless and unable even to recall relatives' phone numbers. The episode also details family separation as generalized practice, including mothers whose children were taken at the moment of arrest and who cannot travel north to recover custody, and parents forced to leave U.S.-citizen children with neighbors. Both guests describe searing psychological harm, labor exploitation, rising costs in Tapachula, and an asylum system in which COMAR interviews take a year to eighteen months, humanitarian visas require amparo litigation, and a missed check-in signature can void a case entirely. "There is a deliberate intent, both from the U.S. government and the Mexican government, to wear people out and encourage them to return to their countries," Gómez contends. It is difficult to draw any other conclusion. Recommendations are directed largely at the Mexican government: negotiate and publish any agreement governing third-country deportations, press Washington to return Mexicans to their regions of origin and to return confiscated documents and belongings, expand regularization pathways, stop detaining arriving deportees, improve reception facilities, open México Te Abraza centers to civil society, and coordinate across federal, state, and municipal authorities. The conversation closes with reflections on staff care and the emotional toll of this work.   Update: Just a quick note—the processing times mentioned in this episode are based on operations prior to the last week of August 2026. The Mexican Agency for Refugee Support (COMAR) has begun to issue same-day refugee application certificates. This keeps asylum seekers out of legal limbo by giving them immediate access to temporary IDs and lawful status. On top of that, it speeds up their access to key rights like formal work, healthcare, and schooling.

Facebook: https://www.facebook.com/Leap36podcast Instagram: https://www.instagram.com/leap36podcast/?hl=enTwitter: https://twitter.com/Leap36PodcastTikTok: https://www.tiktok.com/@leap36podcast?lang=en Host: Pro Football Hall of Famer, former Green Bay Packers, LeRoy Butler www.LeRoyButlerinc.com Twitter: https://twitter.com/leap36Instagram: https://www.instagram.com/leap3636/?hl=enFacebook: https://www.facebook.com/leap36 Leap Vodka:https://leapspirits.comTwitter: https://twitter.com/LeapSpiritsFacebook: https://www.facebook.com/leapspiritsvodkaInstagram: https://www.instagram.com/leapspirits/ Co-Host: Gary Ellerson Roundtable & Postgame Show | Spectrum News 1 | WI Green Bay Gameday | ESPN Milwaukee & Madison | 620 WTMJ | Tundra Trio Network, Packer/Badger Alumni, Albany,GAFacebook:https://www.facebook.com/Ellerson42/Twitter: https://twitter.com/GaryEllerson?s=20&t=COYfdMVOsw1nE_i_NhJqQAInstagram: https://www.instagram.com/gellerson/?hl=en https://www.rpwradio.com/leap36 Special Thank You to our Sponsors:Lake Auto Groupwww.LakeAutoGroup.comLake Chevrolet 4201 South 27th St. Milwaukee, WI. (414) 281-5000www.lakechevymke.com Lake Ford (414) 281-6100 www.lakefordmke.com The Jewelry Center (414) 282-7241www.shopTJC.comhttps://www.facebook.com/shoptjc/ Leap Spirits www.LeapSpirits.comTorzala Brewing Company2018 S. 1st Street #207Milwaukee, WI.(414) 810-300www.TorzalaBrewing.com Facebook: https://www.facebook.com/torzalabrewingIntro/outro Music: Akira SheltonProducer: Mario Ortiz for RPW Recordings Red Planet Worx, LLCSocial Media: @MrOrtizmke www.RedPlanetWorx.com; rpwrecordings@gmail.com Facebook: https://www.facebook.com/RPWRecordings/Instagram: https://www.instagram.com/rpwrecordings/?hl=en#leap36podcast Become a supporter of this podcast: https://www.spreaker.com/podcast/leap-36-podcast-featuring-leroy-butler-gary-ellerson--5658524/support.

Godfrey is joined by Dante Nero, Akeem Woods, and Vishnu Vaka to talk about Target getting caught selling a Halloween "Hide and Eek" costume that is literally blackface with the same hat and grin as the old Al Jolson Jim Crow imagery, why we need to stay boycotting Target and use Blapp instead to support Black-owned businesses, the 70+ Black people hanged across the South and quietly ruled suicides, the special needs Black kid who got choked up by two white men in front of Walmart, Carmelo Anthony's case heading to appellate court after all the new evidence came out about the racist who came for him, RIP Dolly Parton being the wrong 80-year-old to go while Ted Nugent is still walking around, Bernadette Stanis from Good Times still looking fine at 72, Cambridge professor Jason Arday being pushed to his death by the same jealous white nerd who just got fired from Gettysburg, Officer Tatum being a full Franken-coon with a wife who looks like Demi Moore left on a radiator, a Black man named Thomas Miller designing both the 7-Up and Motorola logos, and Steve-O getting called out for going racist on the Mexican deportation talk. Learn more about your ad choices. Visit megaphone.fm/adchoices

You can now watch the video edition of this episode on YouTube. Roqayah is off this week, so Kumars is joined from the top of the hour by returning guests Maryam Jamshidi and Adnan Husain to discuss sportsball and geopolitics. Maryam Jamshidi is associate professor of law at the University of Colorado Law School and a nonresident fellow at the Quincy Institute. Adnan Husain is associate professor of history at Queen's University in Ontario, medievalist scholar of religion in Europe and West Asia and host of The Adnan Husain Show on YouTube. Topics include the continuously unfolding corruption scandals surrounding FIFA President Gianni Infantino in the aftermath of the World Cup, the mutual defense pact between Turkey, Pakistan and Saudi Arabia, the campaign to ban Israel from soccer, Trump's "Board of Peace," the crumbling facade of neoliberal institutions in general, and the challenges of solidarity between global South nations. Follow Maryam on Twitter @MsJamshidi and Adnan @AdnanAHusain. 

Record heat bakes the SouthCarbon majors drained the West drySweeteners & sodas raise cancer and heart alarmsFDA clears a 39,800 dollar pillPolitics is a subset of physicsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

0:30 - Lake America 7:30 - Chicago: Growth crisis 25:21 - Arday 46:43 - Confessions of a Former Social Justice Warrior 01:02:07 - Project H.O.O.D. founder and CEO Pastor Corey Brooks sees an opportunity for young entrepreneurs following the closure of seven Save A Lot stores on Chicago's South and West Sides. For more on Project H.O.O.D projecthood.org 01:21:21 - Free Expression columnist at WSJ Opinion and Senior Fellow at the Manhattan Institute, James Meigs: ‘Late Capitalism’ Is Nonsense. Follow James on X @jamesbmeigs 01:41:19 - Senior editor of Compact, Ashley Frawley, discusses Lindsay Clancy and the Trials of Modern Parenting. Ashley is also author of Semiotics of Happiness: Rhetorical Beginnings of a Public Problem 02:03:32 - Open Mic Friday!!!See omnystudio.com/listener for privacy information.

The conversation turns to a hard truth: nobody is doing anything to stop him. Hawk points to Donald Trump's second term, the harm being done to others on purpose, and the fear that Trump and Republicans will interfere with the midterm elections. He calls out the Supreme Court for gutting the Voting Rights Act in the South and names it the most racist court of his lifetime, arguing that American institutions have failed and worse is coming. Woven through it all is a national sense of grief. This week the country lost Dolly Parton, Tim Curry, and Peter Cullen, the voice of Optimus Prime, bright presences who shaped decades of culture. Hawk closes on gratitude, his home, his dogs, and getting to play music with friends at 58, even with a busted knee. SUPPORT & CONNECT WITH HAWK- Support on Patreon: https://www.patreon.com/mdg650hawk - Hawk's Merch Store: https://hawkmerchstore.com - Connect on TikTok: https://www.tiktok.com/@mdg650hawk7thacct - Connect on TikTok: https://www.tiktok.com/@hawkeyewhackamole - Connect on BlueSky: https://bsky.app/profile/mdg650hawk.bsky.social - Connect on Substack: https://mdg650hawk.substack.com - Connect on Facebook: https://www.facebook.com/hawkpodcasts - Connect on Instagram: https://www.instagram.com/mdg650hawk - Connect on Twitch: https://www.twitch.tv/mdg650hawk ALL HAWK PODCASTS INFO- Additional Content Available Here: https://www.hawkpodcasts.comhttps://www.youtube.com/@hawkpodcasts- Listen to Hawk Podcasts On Your Favorite Platform:Spotify: https://spoti.fi/3RWeJfyApple Podcasts: https://apple.co/422GDuLYouTube: https://youtube.com/@hawkpodcastsiHeartRadio: https://ihr.fm/47vVBdPPandora: https://bit.ly/48COaTB

Jason and Nick are joined by Deidre Gott of KUTX to discuss and celebrate Dolly Parton's legacy. But first a blast from the radio past... Fast Food News!Check out Deidre's Dolly celebration Sunday 3pm at Hole In The Wall https://do512.com/events/2026/8/30/dolly-forever-tickets... and her other Hole endeavors here https://kutx.org/sessions-interviews/the-hole-story/Bonus episodes available at patreon.com/jasondick or https://creators.spotify.com/pod/show/jason-dick/subscribe

Here in the South, tomato season is just about done for the year, so tomato breeder and tomato-growing expert Craig LeHoullier is back as my guest on the podcast so we can discuss what we learned this year and check in on the progress of Craig's breeding experiments. Podcast Links for Show Notes Download my free eBook 5 Steps to Your Best Garden Ever - the 5 most important steps anyone can do to have a thriving garden or landscape. It's what I still do today, without exception to get incredible results, even in the most challenging conditions. Subscribe to the joegardener® email list to receive weekly updates about new podcast episodes, seasonal gardening tips, and online gardening course announcements. Check out The joegardener® Online Gardening Academy for our growing library of organic gardening courses. Follow joegardener® on Instagram, Facebook, Pinterest, and Twitter, and subscribe to The joegardenerTV YouTube channel.

107 MinutesSafe for WorkGeorge Bagby is a content creator and publisher of long-forgotten books. George joined Pete to give an overview of the conditions of Reconstruction in the South and one group that rose up to fight it.George's Twitter AccountGeorge's Pinned Tweet w/ Links George's YouTube ChannelPete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

Merriam-Webster's Word of the Day for August 27, 2026 is: southpaw • SOUTH-paw • noun Southpaw is an informal word for someone who is left-handed. It is especially used for a left-handed baseball pitcher or boxer. // The team's new pitcher is a southpaw with a wicked knuckleball. See the entry > Examples: “The Sox southpaw's perfect game bid ended when the Yankees loaded the bases with two outs in the fourth …” — Gabrielle Starr, The Boston Herald, 7 June 2026 Did you know? Sandy Koufax, Lefty Grove, Whitey Ford—there's no doubt these southpaws are some of the greatest baseball players of all time. What is in doubt is the origin of the word southpaw. One popular theory ties it to the layout of baseball parks. To keep the afternoon sun out of batters' eyes, diamonds were supposedly built so that the pitcher faced west, with their left arm, therefore, pointed south. This theory strikes out however, on account of the earliest known uses of the compound south paw referring simply to one's left hand, unrelated to baseball. It wasn't until later in the century that the word began to be used, via metonymy, first for a left-handed person, and then specifically for a left-handed pitcher.

"It Ends" is a 2025 American road-horror thriller film written, directed, and edited by Alexander Ullom in his directorial debut. It stars Phinehas Yoon, Akira Jackson, Noah Toth, and Mitchell Cole. It follows a group of graduates who go on a late-night drive but accidentally turn onto a two-lane highway that appears to go on indefinitely. The film premiered at the 2025 South by Southwest Film & TV Festival, where it received positive reviews but struggled to find a distributor. It was made available as a digital rental for a limited period in December 2025, via the Letterboxd Video Store. Due to its success on the platform, the film was later acquired by NEON. Ullom was kind enough to spend some time talking with us about his work and experience making the film, its long road to getting released, and what he has coming up next in his just beginning, which you can watch or listen to below. Please be sure to check out the film, which is now playing in theaters from NEON. Thank you, and enjoy! https://youtu.be/K4s7OJXFLJM Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Jo Reed talks with contributor Stephen Cummings about three memoirs created with audio at their center, using performance, archival clips, live recordings, and the human voice to tell their stories. Billy Eichner looks back at his Queens childhood, his rise through Billy on the Street, and the creation of the film Bros in Billy on Billy, an audio-only memoir that mixes his narration with clips from his career and reveals a more reflective side of the famously confrontational comedian. In Peeing in an Empty Bottle, comedian Roz Hernandez takes listeners along on a solo tour through the South and Midwest, combining exuberant narration with live performances and recorded conversations that explore comedy, community, and the realities of traveling through America as a transgender woman. Voice actor Billy West draws on his extraordinary vocal range in Voice-A-Versa, a memoir in which his honesty is as striking as his virtuosity. West moves from a painful childhood to the many characters he created for dozens of commercials and TV programs such as The Ren & Stimpy Show and Futurama (among many others), as well as his years on The Howard Stern Show. Together, the three audiobooks show what happens when memoir is conceived for the ear, making the voices, performances, and sounds of a life part of the storytelling itself.   Audiobooks Discussed: Billy on Billy: An Audio Memoir, written and read by Billy Eichner (Macmillan Audio) Peeing in an Empty Bottle (And Other Glamorous Shenanigans of an Almost-Famous Transgender Comedienne on the Road), written and read by Roz Hernandez (Simon & Schuster Audio) Voice-A-Versa: Finding My Voice(s) Behind the Mic, written and read by Billy West (Recorded Books Inc.) Learn more about your ad choices. Visit megaphone.fm/adchoices

It's been one of the hottest summers in the South, and we're all feeling the heat in more ways than one. In this episode of BullCast, we're taking a closer look at why utility bills rise during extreme summer temperatures and what's actually driving those costs. From air conditioners running longer to electricity demand peaking and pool pumps working overtime, we're following the money behind staying cool. The List: The Greatest Summer Movies Visit us online: www.bullcastpodcast.com Produced by Cameron Spann | Powered by Pickler Wealth Advisors Sound effects obtained from https://www.zapsplat.com

This week on So Shameless, Tahoe is joined by Paris Danielle, Lola The Divine and Yesssterday for a conversation that goes from hilarious relationship misunderstandings to some much heavier questions about race, safety and what Black Americans should be paying attention to. Paris opens up about realizing bartending simply wasn't for her, before the crew asks why women are so quick to hit their man with “WRONG B*TCH!” when he remembers something she doesn't. Why is the first assumption that he must be confusing her with another woman? Then things get serious. The crew discusses the blackout in Gary, Indiana and questions surrounding the length of the power restoration, reports and concerns involving Black people being found hanging from trees in the South, and what Black communities should realistically be prepared for if racial tensions in America continue to escalate. We also get into a disturbing Google search observation: why does searching “I'm alone with a white man” trigger language asking whether you're scared or in danger, while similar searches involving other races or genders appear to produce different results? Finally, we tackle one of the biggest debates in modern relationships: If men historically became providers partly because women had limited legal and economic opportunities, why are men still expected to financially provide now that women can earn, own, lead and—in many cases—out-earn men? Have the opportunities changed while the relationship expectations stayed the same? Featuring: @ParisDanielleco @lolatheedivine @yesssterday @tahoe_tv Subscribe to our Patreon to hear the full episode (part one and two) AD FREESo Shameless — where the conversations everybody is having privately get said out loud.

The news to know for Wednesday, August 26, 2026! We'll share the tributes pouring in for country legend Dolly Parton, and how her family has requested fans honor her legacy. Also, where Canada is targeting its latest tariffs as its trade war with the U.S. continues. Plus, how long a record-breaking heat wave could last in the South, the shocking number of NFL players found to have had a brain disease, and the ways Americans are marking Women's Equality Day today. Those stories and even more news to know in about 15 minutes!    Join us every Mon-Fri for more daily news roundups!  See sources: https://www.theNewsWorthy.com/shownotes Become an INSIDER to get AD-FREE episodes here: https://www.theNewsWorthy.com/insider Get The NewsWorthy MERCH here: https://thenewsworthy.dashery.com/ Sponsors: Find Whatnot in the app store to download and signup today. Plus, you can get $20 off your first purchase! Join the millions of customers who trust HomeServe. For 50% less your first year, go to HomeServe.com/newsworthy To advertise on our podcast, please reach out to ad-sales@libsyn.com

This week, Katy takes us to Rome, GA to tell the story of Peggy Snead, the legendary madam who ran one of the South's most talked-about houses of ill repute for decades, hiding in plain sight in a small Southern town. Get ready for a wild ride through a local dirty little secret.This episode is sponsored by:GO Realty https://www.gorealtyalabama.com/Cherokee Family Healthcare http://cherokeefamilyhealth.com/The Cherokee County Chamber of Commerce https://cherokee-chamber.org/Easy Street, Restaurant, Bar, and Performance Hall https://www.facebook.com/easystreetcentreTheme song is The Legend of Hannah Brady by the Shane Givens Bandhttps://open.spotify.com/track/5nmybCPQ5imfGH8lEDWK4k?si=0fa2a98df6264c39

On this week's Political Breakfast, we talk about a recent exchange between Georgia gubernatorial candidates Keisha Lance Bottoms and Rick Jackson. It all unfolded in a hotel parking lot, after a Jackson attack ad took aim at Bottoms' husband. Democratic strategist Tharon Johnson and Republican strategist Brian Robinson discuss with host Lisa Rayam how campaigns decide whether to rebut a claim, attack the messenger, or just change the subject. A quick note: Brian advises Rick Jackson and Tharon advises Keisha Lance Bottoms. Plus, Atlanta did not make the final cut to host the 2028 Democratic National Convention. Mayor Andre Dickens did not react kindly to the snub. In a letter to the DNC, Dickens wrote that its leaders "continue to make the wrong choices," that the "road to the White House runs through the South" and they are "once again abandoning Black voters." Plus, as Jackson's campaign promises to crack down on illegal immigration, a lawsuit filed by foreign-born nurses against one of the companies under his healthcare empire, accuses Avant Healthcare Professionals of "luring them to the United States" only to pay them low wages and trap them in contracts for years.See omnystudio.com/listener for privacy information.

In this episode, we kick things off by examining an ambitious infrastructure proposal that could dramatically reshape freight movement in the South. An influential coalition is leveraging the proposed Union Pacific and Norfolk Southern mega-merger to demand ⁠a massive freight rail bypass around Atlanta that would free up track for passenger trains⁠ and thin out the city's legendary traffic congestion. The six-billion-dollar project would divert eighty percent of freight trains onto a U-shaped route, opening capacity for fourteen commuter rail lines and offering a far cheaper alternative to the ninety billion dollars Georgia would otherwise need to spend on highway expansion by 2050. Next, we shift over to the rails to discuss a brazen cargo theft in California's Mojave Desert that illustrates how quickly high-value freight can disappear. San Bernardino County deputies ⁠recovered over $150,000 in New Balance shoes after reports of people breaking into BNSF boxcars⁠ near Daggett, an unincorporated community east of Barstow along I-95. Authorities arrested a suspect following a traffic stop and foot pursuit, underscoring how rail cargo theft can move high-value inventory from a railcar to a highway within minutes. Finally, we cover the passing of an American icon who made professional drivers part of her final business chapter. ⁠Country music legend Dolly Parton died peacefully Tuesday in Nashville at age 80⁠, just two months after making a surprise appearance at the grand opening of Dolly's Tennessean Travel Stop in Cornersville, Tennessee. The facility, located about an hour south of Nashville, was designed specifically for professional drivers and featured truck parking, fuel, showers, laundry, restaurants, and a dog park, reflecting Parton's decades spent touring the country by bus. ⁠Follow the FreightWaves NOW Podcast⁠ ⁠Other FreightWaves Shows⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The fastest way to ruin your peace before Week 1 is to write down your NFL season predictions in ink, so that's exactly what we do. We bring back our annual record-prediction game, complete with our “within one game” scoring and the chaos button: the steal, where you can challenge the other side's win total and try to grab extra points.We go division by division and force real choices. The NFC North turns into a tight fight between Lions confidence, Bears hope, Packers skepticism, and a Vikings slide. The AFC North gets spicy with a Browns collapse, a Bengals “revenge tour” vibe, and a real disagreement about what the Ravens look like with coaching changes and a new approach to Lamar. The South divisions are all about schedule math, roster turnover, and resisting the yearly Falcons “Madden roster” trap, while the AFC South hinges on one question: can Houston's offense and CJ Stroud shake off the bad taste and win ugly when it matters?Then the Easts arrive and the temperature rises. We talk Eagles control of the NFC East, argue about what a “successful” Giants season even is, and fight through Cowboys expectations. The AFC East turns into pure hate and strategy as we land on Bills and Patriots win totals, debate how many wins the Jets can accidentally steal, and ask how low Miami can go after major departures. We close with the West divisions, where the 49ers health roulette, Rams strength, and Seahawks ceiling set up a real NFC arms race, then we finish with award picks: MVP, OPOY, DPOY, rookies, Coach of the Year, and first coach fired.If you love NFL record predictions, win totals, strength of schedule arguments, and takes you can quote back at us in December, hit play, subscribe, and leave a review. Which pick are we going to regret first?Support the show-----------https://www.MTPshow.comOur Social Mediahttps://linktr.ee/MTPSHOW-----------Hosts: Mike Marcangelo, Dave ClarkeProducer: Craig D'Alessandro, Dave ClarkeInquiries: Craig@mtpshow.com

Send us Fan MailOur guest this episode is Tim Gilmore and we discuss his book “The Wilderness and Willie Browne”Tim Gilmore writes about the haunted South and the spirit of place. He's the author of 27 books and four stage works produced at Florida State College at Jacksonville, where he teaches writing. His newest book, Memphis Wood and the Sanctified Fecund, will launch on October 15, 2026 at the Mandarin Museum in Jacksonville. Gilmore is the creator of jaxpsychogeo.com, a 14 year (thus far) project that explores Jacksonville, Florida in more than 850 nonfiction place-portraits. He has won teaching and community service awards and the Jacksonville Cultural Council's Literary Artist of the Year award. He co-chaired Jacksonville's Civil Rights History Timeline Committee. He has a Ph.D. in English from the University of Florida.For information about Tim's next book launch:https://www.mandarinmuseum.org/events/lecture-seriesPlease subscribe!  Shares and reviews are much appreciated!Get your FREE sticker from the Florida Springs Council and sign up to be a springs advocate at https://www.floridaspringscouncil.org/madcapsQuestions and comments can be emailed at thefloridamadcaps@gmail.comRyan can be found on Instagram at:  https://www.instagram.com/the_fl_excursionist/Chris and Chelsey can be found at https://www.instagram.com/sunshinestateseekers/?hl=en

KJ Jackson has waited patiently for his opportunity, and now the Arkansas quarterback is ready to make the most of it. Fresh off being named QB1, Jackson sits down with Bo Mattingly to discuss the three-year journey to this moment, why he never considered leaving Arkansas and how his faith carried him through the difficult days. He also shares his belief in Ryan Silverfield's vision, what he has learned about handling the pressure of playing quarterback and why this season feels "better than Christmas." Plus, Jackson talks about growing up as a 100-pound second grader, his unlikely path from the trenches to quarterback and where he ranks among the best basketball players on the team. -------- The full video version of this episode is available exclusively on HogsPlus.com Follow us on social media! Twitter Facebook Instagram This episode of The Hog Pod is brought to you by South by Northwest Hospitality    

Sophia Amoruso, founded of Nasty Gal after a successful stint of eBay upselling. It grew into a company worth hundreds of millions and allowed its founder to claim the title of original "girlboss" but eventually filed for bankruptcy. In the space of a few years, she had swapped shoplifting items to sell on Amazon and eBay for clinking champagne flutes in the South of France, schmoozing investors and having her book turned into a Netflix series and dealing with unhappy employees. Did swift success stifle what Nasty Gal could have become? Presenter: Leanna Byrne Producers: Niamh McDermott, Barbara George, Aleeza Siddiq and Victoriya Holland. (Photo credit: Sophie Amoruso/Supplied)You can email the team: businessdaily@bbc.co.uk

What if the thing blocking you from what you want isn't that you need to do more… but that you've been restricting who you really are?In this episode, I'm sharing one of the biggest realizations I've had while spending time in the South of France: you cannot restrict yourself and expect to receive the fullest version of your desires.When I first started my business in 2019, I had no idea what I was doing. I was experimenting, having fun, following what felt exciting, and honestly had very little expectation that any of it would work. And somehow… it worked.But somewhere along the way, things got serious.I started believing that in order to be taken seriously as a founder, CEO, mentor, and woman with a bigger platform, I needed to become a more polished, perfected, controlled version of myself. I began suppressing the silly, wild, playful parts of me because I thought becoming someone else would help me get what I wanted. Instead, my entire life became rigid.And eventually, so much of what I had been gripping onto fell away.That experience brought me back to something incredibly simple: the fullest version of you is the most magnetic version of you.In This Episode We Cover:Why having no expectations can make you more magneticHow trying to be taken seriously can disconnect you from who you actually areThe ways we unconsciously restrict ourselves to be chosen, loved, successful, accepted or seenWhy showing up as only half of yourself means people can only meet and choose half of youThe difference between discipline that feels good and restriction that disconnects you from yourselfWhy pleasure, play and freedom can be powerful parts of creating what you desireHow letting go of the need to control the outcome changes your energyWhy you don't need to contort yourself into someone else to get the relationship, money, body, business or life you wantMy G-Spot Theory and why you can't think your way into pleasure—you have to feel your way thereWhat Europe has been reminding me about slowing down, enjoying life and letting things be a little less seriousResources & Links✨ Join the waitlist for our NEW Brand & App: ⁠⁠⁠⁠https://marleyrose.myflodesk.com/fxkkkd5bnd⁠⁠⁠⁠✨ Join my FREE live training: Clear Your Limiting Beliefs: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.marleyrose.ca/clear⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ Get Your Free Trial to The Higher Self App: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/higherself.app/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ Join House Of Freedom ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.marleyrose.ca/houseoffreedom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ Explore my programs and coaching opportunities: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/marleyroseharris⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect With MarleyInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/marleyroseharris/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.marleyrose.ca/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@marleyrose.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@marleyroseharris⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Love The Podcast?If this episode resonated with you, I would be so grateful if you left a review.Send a screenshot of your review & email it to hello@marleyrose.ca and we'll send you a special gift as a thank you for supporting the show.Thank you for being here, angel. I appreciate you more than you know.

Could black jaguars still roam Texas? Reports of black panthers, mysterious big cats and possible jaguar sightings have circulated throughout Texas for generations, but some eyewitness accounts are much harder to dismiss than others. In this episode of Dark Outdoors®, Chester Moore talks with his friend David Cleaver, a dedicated outdoorsman and hiker, about an extraordinary black jaguar sighting in Texas. Chester considers David a highly reliable witness, and the details of what he saw raise fascinating questions about the possibility of rare big cats moving through the Lone Star State. They also examine the history of jaguars in Texas, other Texas jaguar reports and the enduring mystery surrounding black panther sightings in Texas and across the South. Are all of these encounters cases of mistaken identity, or could an occasional jaguar—or another unexpected big cat—still appear where conventional wisdom says it shouldn't? Hear David's firsthand account and explore one of the most intriguing Texas wildlife mysteries on Dark Outdoors.

Want more exclusive content from Dinky? Join the Patreon!EVERYONE who signs up to our giveaway wins a FREE spicy toy or gift card for toys! https://www.bboutique.co/vibe/dinky-podJOIN US FOR Christmas Markets 2026!!! OR Colombia 2027!!!! Our returning guest today is the fearless Dr. Danielle Gershon. Dr. Danielle is an OBGYN working and living in Alabama. She is a fellow of the Physicians for Reproductive Health and she is also childfree by choice. We are so excited to chat with her about her experiences as an abortion provider in the South, recent trends she's noticing, Black maternal mortality, and more. Shop items from our Dink Yourself segment. PLUS: Treat yourself to new merch!Wanna connect with us on social media? You can find us on Substack, Instagram, TikTok, and Threads at @dinkypod.Follow us on YouTube.If you have a question or comment, email us at dinky@dinkypod.com#bbpartnerBecome a supporter of this podcast: https://www.spreaker.com/podcast/dinky--5953015/support.

We talk to the ICWUC about an exciting union win in the South. We also talk to Seth Harris about Republicans harassing unions.✦ ABOUT ✦The Valley Labor Report is the only union talk radio show in Alabama, elevating struggles for justice and fairness on the job, educating folks about how they can do the same, and bringing relevant news to workers in Alabama and beyond.Our single largest source of revenue *is our listeners* so your support really matters and helps us stay on the air!Make a one time donation or become a monthly donor on our website or patreon:TVLR.FMPatreon.com/thevalleylaborreportVisit our official website for more info on the show, membership, our sponsors, merch, and more: https://www.tvlr.fmFollow TVLR on Facebook: https://www.facebook.com/TheValleyLab...Follow TVLR on Twitter: @LaborReportersFollow Jacob on Twitter: @JacobM_ALFollow TVLR Co-Creator David Story on Twitter: @RadiclUnionist✦ CONTACT US ✦Our phone number is 844-899-TVLR (8857), call or text us live on air, or leave us a voicemail and we might play it during the show!✦ OUR ADVERTISERS KEEP US ON THE AIR! ✦Support them if you can.The attorneys at MAPLES, TUCKER, AND JACOB fight for working people. Let them represent you in your workplace injury claim. Mtandj.com; (855) 617-9333The MACHINISTS UNION represents workers in several industries including healthcare, the defense industry, woodworking, and more. iamaw44.org (256) 286-3704 / organize@iamaw44.orgDo you need good union laborers on your construction site, or do you want a union construction job? Reach out to the IRONWORKERS LOCAL 477. Ironworkers477.org  256-383-3334 (Jeb Miles) / local477@bellsouth.netThe NORTH ALABAMA DSA is looking for folks to work for a better North Alabama, fighting for liberty and justice for all. Contact / Join: DSANorthAlabama@gmail.comIBEW LOCAL 136 is a group of over 900 electricians and electrical workers providing our area with the finest workforce in the construction industry. You belong here. ibew136.org Contact: (205) 833-0909IFPTE - We are engineers, scientists, nonprofit employees, technicians, lawyers, and many other professions who have joined together to have a greater voice in our careers. With over 80,000 members spread across the U.S. and Canada, we invite you and your colleagues to consider the benefits of engaging in collective bargaining. IFPTE.org Contact: (202) 239-4880THE HUNTSVILLE INDUSTRIAL WORKERS OF THE WORLD is a union open to any and all working people. Call or email them today to begin organizing your workplace - wherever it is. On the Web: https://hsviww.org/ Contact: (256) 651-6707 / organize@hsviww.orgENERGY ALABAMA is accelerating Alabama's transition to sustainable energy. We are a nonprofit membership-based organization that has advocated for clean energy in Alabama since 2014. Our work is based on three pillars: education, advocacy, and technical assistance. Energy Alabama on the Web: https://alcse.org/ Contact: (256) 812-1431 / dtait@energyalabama.orgThe Retail, Wholesale and Department Store Union represents in a wide range of industries, including but not limited to retail, grocery stores, poultry processing, dairy processing, cereal processing, soda bottlers, bakeries, health care, hotels, manufacturing, public sector workers like crossing guards, sanitation, and highway workers, warehouses, building services,  and distribution. Learn more at RWDSU.infoThe American Federation of Government Employees (AFGE) is the largest federal employee union proudly representing 700,000 federal and D.C. government workers nationwide and overseas. Learn more at AFGE.orgAre you looking for a better future, a career that can have you set for life, and to be a part of something that's bigger than yourself?   Consider a skilled trades apprenticeship with the International Union of Painters and Allied Trades. Learn more at IUPAT.orgUnionly is a union-focused company created specifically to support organized labor. We believe that providing online payments should be simple, safe, and secure.  Visit https://unionly.io/ to learn more.Hometown Action envisions inclusive, revitalized, and sustainable communities built through multiracial working class organizing and leadership development at the local and state level to create opportunities for all people to thrive. Learn more at hometownaction.orgMembers of IBEW have some of the best wages and benefits in North Alabama. Find out more and join their team at ibew558.org ★ Support this podcast on Patreon ★

In this episode of Verdict with Ted Cruz, Senator Ted Cruz welcomes Justice Thomas for a rare and personal discussion about his life story, from growing up in segregated Georgia to attending Yale Law School, confronting racism in both the South and the North, and developing the constitutional philosophy that would define his career on the Supreme Court. Thomas reflects on the people, ideas, and moments that shaped his thinking and helped forge one of the most consequential judicial careers of the modern era. Before he became a Supreme Court justice, Clarence Thomas experienced poverty in Georgia, considered the priesthood, wrestled with anger over racial injustice, and underwent a profound intellectual transformation. In this special conversation, he reflects on the experiences that shaped his life and worldview.Joined by Senator Ted Cruz, Justice Thomas discusses his upbringing in Pin Point and Savannah, Georgia, the decisive influence of his grandparents, and the role faith played throughout his life. He shares memories of segregation, Catholic education, and the lessons in discipline, responsibility, and perseverance that guided him from childhood to the nation's highest court.The conversation also explores his years in the seminary, his reaction to the civil rights era, his departure from the church as a young man, and the personal journey that eventually brought him back to foundational principles of faith and individual responsibility. Topics Covered: Thomas's childhood in Pin Point and Savannah, Georgia The influence of his grandparents, particularly Myers Anderson Faith, Catholic education, and his years in the seminary Segregation, the civil rights movement, and Brown v. Board of Education His intellectual and political evolution through college and law school Individual responsibility, liberty, and constitutional principles Please Hit Subscribe to this podcast Right Now. Also Please Subscribe to the 47 Morning Update with Ben Ferguson and The Ben Ferguson Show Podcast Wherever You get You're Podcasts. And don't forget to follow the show on Social Media so you never miss a moment! Thanks for Listening YouTube: https://www.youtube.com/@VerdictwithTedCruz/ Facebook: https://www.facebook.com/verdictwithtedcruz X: https://x.com/tedcruz X: https://x.com/benfergusonshowYouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

A poem about a map opens North and South, the first collection of the great twentieth century poet Elizabeth Bishop, and since, maps have been associated with her poetic vision—at once telescoping and binocular—and with the polarities and preoccupations of her work. The map's privileged, sweeping, bird's eye view of the earth is also hand-held, man-made, intimate. Depending on its level of minuteness or obsession, it can contain the tiniest details as well as, let's say, the whole enchilada. And though it purports to be scientific and objective, it is representational and therefore subjective, particular, imaginative, and personal. For several episodes, Wes & Erin will be reading a selection of some of Bishop's most anthologized poems, starting with “The Moose” as expressions of, among other things, her map-like imagination. Upcoming Episodes: Nolan’s adaptation of “The Odyssey”; more Elizabeth Bishop poetry: “First Death in Nova Scotia,” “One Art.” Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website Transcript 0:11 Erin: Welcome to part two of our discussion of the poems of Elizabeth Bishop. We are currently about. Oh, I'm okay. I'm proud of us. We're just about halfway through the Moose. That's not bad compared to our usual record. We're not halfway through stanza one. We're going. You know, it's about a bus trip. It's encouraging us to pick up the pace a little bit and get to our next stop. So we were just going to pick up with the woman in stanza 13 climbing into the bus. 0:41 Wes: Before you say that, I just want to make one little observation. 0:44 Erin: Oh, sure. 0:45 Wes: Just that we get right as soon as the light goes out, it's then that we get the barking of a dog and the smell of salt. First it's the smell of salt hay and then it's the barking of a dog. So smell is introduced. And is that the first time sound is really introduced in any. You know, we get the bus starting and all that, but I think that's right. It's very visual up to that point, I think. And then as soon as we lose the light, we get these new sensory modalities. The collie just supervised this dog, gives us a nice bark, and presumably we can't even see him. We just hear him. So I just love that. I just. I love the transition into darkness. It's so. 1:26 Erin: Yeah. 1:26 Wes: I don't know how else to say it. 1:28 Erin: Yeah. 1:28 Wes: And it's then that we. This really is the midpoint of the poem because now we're going to make this transition into the world of the bus, I guess. As the woman climbs in, we have 1:41 Erin: the ship's port lantern, as you said, being an indication that it's now nearly or fully dark outside. 1:47 Wes: She says red light swims through the dark. 1:50 Erin: Yeah. I'm assuming that at this point a bus would have some form of illumination, at least for when it's stopped and the doors open for people getting on and off the bus. Right. It would. It would light up on the inside interior. Yeah. 2:03 Wes: Yeah. 2:03 Erin: Or at least maybe it would stop, certainly if it were stopping at a station or a little, you know, whatever those things are called. Those little. Yeah, there's a word for it. 2:14 Wes: We need something to see the freckles by. 2:16 Erin: Right. We need something. Exactly. But wherever they would be stopping would have some form of street light illumination or something of that order. Anyway. 2:26 Wes: But it's interesting you say this, because I didn't picture a bus station at any point in this. And I just imagine people along the side of the road. 2:34 Erin: Right. But if it were a course, it 2:38 Wes: couldn't be that way. 2:39 Erin: Well, I don't think it's a station. I think it would be a stop with a. You know, like a lean to. You know, what are those things that just. 2:44 Wes: Yeah, sure. 2:45 Erin: That just protect you from the elements. 2:47 Wes: Yeah. Bust down. 2:48 Erin: Right. 2:48 Wes: Yeah. 2:49 Erin: And that would probably have at least a street light. But anyway, then we get the moonlight. Maybe my favorite. Oh, it's so hard to say, but maybe my favorite image in the poem is the hairy, scratchy, splintery moonlight and mist caught in them like lambswool on bushes in a pasture. Just. There's nothing. There's no image greater than that. That's unbelievable. 3:13 Wes: There's kind of a more wildness to this. Right. The image now, the hairiness and scratchiness and splinteriness. It's a bit less Domesticated, I guess, than the previous part of the poem. 3:27 Erin: That's a really good point. I hadn't thought of that. Even a suggestion of danger, like the lamb running. 3:34 Wes: I just thought, this is where the hobbits are entering Fangorn Forest. 3:39 Erin: Yes. Yeah, yeah, the New Brunswick. 3:41 Wes: But you go a little bit more. It's a little wilder and more primal. I think once you. Even if you're on a bus, once you get into the woods, there's something different about it. 3:52 Erin: That's right. 3:53 Wes: But yeah, you're right. The idea that the moonlight could get caught in that. That's a great image. 3:59 Erin: Something giving chase to the lamb would cause it potentially to get a little ensnared in the chase. 4:06 Wes: It's as if Lambswool has, you know, a lamb is brushed up on the bramble or whatever and left its will so that. So the moonlight, instead of making this cosmic journey and landing on articulating the environment, has been subordinated to the environment. Right. It's become. It's been captured by these hairy woods. It's caught on it and, you know, a piece of it has come off from being caught on something that's scratchy and splintery. So that. That. Yeah, this is the great reversal. And that's the place where you can really get some good sleeping. Yes, right. 4:44 Erin: Yes. And where dreamy things can happen. 4:47 Wes: Divagation. Yeah, wanderings. 4:51 Erin: I looked that up. Wandering, straying or digressing from a main course, path or topic. So like a digression as long as 4:59 Wes: the bus stays on track. 5:00 Erin: Yeah, that's right. 5:01 Wes: You do whatever you want with your mind. 5:02 Erin: That's right. And the night. I just looked on Google Maps while I was writing my little notes in the margins. And if you were to take a bus today from Great Village to Boston, it would take like 10 hours. So it definitely is a, yikes, full course of the night on this night bus. So I love what happens in stanza 16, which begins in the creakings and noises, an old conversation not concerning us, but recognizable somewhere back in the bus. So I really love that it's grandparents voices, she says, uninterrupted talking. This is where the I becomes an us. And this is a characteristic of a bishop. I think she's rather reluctant to use an I, capital I in a poem. She's more likely to use a we or an us. And here it's as if they're all part of the same family now in the bus and the adults. It's almost like everybody on the bus who isn't a grandparent is a child and the adults in the back are talking and we are all, oh, that doesn't concern us. Just go to sleep. It's none of your business. Just stop eavesdropping on us. Right, so there's some community that's been formed already by the people who are not the grandparents talking. Do you get that impression? 6:20 Wes: Yeah, it's a bit confusing. So, yeah, let's try to figure it out. Because it. So it begins. A dreamy navigation begins in the night. She doesn't say, I started dreaming or they started dreaming or we started dreaming. Although it seems almost like it's collective. Right. So that the bus is dreaming or everyone on the bus is dreaming together, which kind of lines up with the not concerning us later on, the gentle auditory slow hallucination. So that's a very interesting idea. Right. The dream is usually associated with subjectivity. Right. The cogito and Descartes. Right. The dream tells us that we might have trouble distinguishing reality from what's in our own minds. And we in our own minds are very potentially cut off from reality. But it's a. It's an alienated individual position here. The dream is. Seems to be collective. And perhaps it's collective because it's partly real. Right. Is that the conversation? I thought, okay, there's a conversation going on in the back of the bus and it is old people talking. But as you're lying back, you could sort of. You can't hear exactly what they're saying. And you might have that kind of half dream, Right. Where you're. The dream is kind of lined up with or intertwined with what's going on in reality. So she's hearing in the conversation of the old people, her grandparents voices. Is that the way you took this? Or. Or they, they're hearing the grandparents voices or. Yeah. How do we, how do we interpret this? 7:54 Erin: I interpreted it as, you know, people of the age of grandparents having a real conversation. But the idea that one could be having an auditory. I mean, we are given the word auditory slow hallucination. So the idea that there could be an auditory hallucination or kind of half dream of one's own grandparents having a conversation, or it may be superimposed on a real conversation kind of inaudible going on on the bus. I never noticed this before. The G in grandparents is capitalized. So it does seem to sit to suggest the speaker's particular grandparents rather than. 8:30 Wes: Oh, I was going to. I thought you were going to say archetypal grandparents. 8:34 Erin: Oh, yeah, I suppose it could be yeah, it could be read that way, too. I think all of these things are true, right? 8:40 Wes: Yeah. 8:40 Erin: I mean, the image works because of the, shall we say, universal particularity of this experience. 8:47 Wes: The ordinary way to write the poem would be to. And a much simpler way would be to put this in her point of view and not try to put it into a collective point of view. But that seems to be what she's doing. 8:59 Erin: Yes. The effectiveness, though, I think is the. And it could just be the speaker's perception of it, but the atmospheric quality, because everyone on the bus is going to share an experience shortly, but already they are sharing an experience and a kind of atmosphere that they're all listening to the hum and having that. You know, when you're in the car and you. Maybe when you're a kid and you put your ear up against, like, the. The car door or the window or something, and you hear orchestral music. I don't know if you ever had that. I used to always hear classical music when I would put my head up. 9:38 Wes: Yeah, I don't think I have that. 9:40 Erin: All kinds of. And I always think, like, I should write this down. But you always have, like, a hallucination of an orchestra playing songs. Different songs. Sometimes like fantastical songs. Yeah. You know, my particular experience maybe doesn't quite get at the. Yeah. The sense that this is shared. 9:57 Wes: Well, you're put into a kind of dreamy state, and yet you're getting at the auditory hallucination part. I mean, for me, I think, as a child, and this, I think, is very evocative of childhood. It's something about being half asleep or falling asleep. You're on a journey and there are adults in the car and there's some. Maybe some sense of safety, I think is very relevant to this poem. But being ensconced in the world of adults and not quite alone when you do this thing, which is potentially very lonely, which is go to sleep. And of course, a lot of kids don't want to go to sleep because that loneliness factor. But it's a much different experience if you're traveling. You're all on the way to something together. And of course, you're with people who are awake and, you know, are going 10:45 Erin: to be awake, maybe because the kids are falling asleep. Their. Their voices are lowered and softer. And maybe that also contributes Right. To the. The way in which. That lulls the children in the back simply because they're aware of not wanting to talk too loudly. Certainly that would be the case on a bus like this, where they're Having a conversation where they're talking in. In lower voices and maybe actually inducing that calm and hum for sleep in the people, the other people in the bus who aren't talking. 11:15 Wes: And the question is, what are the adults doing with their talk? Right. It's not going to work if your parents are just fighting. In this case, it's the grandparents. Voices are clearing things up and I guess bringing certain things to resolution, coming to terms with these losses. But a lot of it does sound a bit gossipy and not necessarily like the most comforting. 11:39 Erin: Yes. Yeah. 11:39 Wes: Sort of talk we could imagine. Yeah. 11:41 Erin: Well, you know, in a situation like this where you might be a child in this car, could be that you're coming back from whatever, like a, like a late night and then the adults in the car are working through whatever has just happened over the course of the night. And. Oh no, she was the one who had that long. Yeah. Who had the criminal record because of that thing, remember where they. Oh, yeah, yeah. That was like 20 years ago. So you sort of get that. But for an entire family history going back ages and ages, talking in eternity. Deaths, deaths and sicknesses. The year he remarried, the year something happened. Oh, yeah, what year was that? Right. Something about the journey afterwards or maybe away from home. If these people are also. If their home is Nova Scotia and they're departing it, you know, then there's that backwards looking quality where something about the idea of the journey and moving away from the place is giving the opportunity to then take stock and look back. So there's this sort of like dual action happening in the poem where the further the bus goes, the further back they're kind of looking from deaths and sicknesses to then remarriage and then childbirth. Son lost when the schooner found her. 12:58 Wes: These are all very blue collar tragedies, right? 13:00 Erin: Yes. 13:01 Wes: He was arrested for insider trading. 13:04 Erin: No, but I mean, you know, there's a reverse order to what's happening, you know, so we get. We have death, then sickness, then remarriage, then dying in childbirth. So there's a rewind is what I mean. Yeah. 13:17 Wes: Well, we come back in the end to death. The way it's all summed up. 13:20 Erin: Insider trading. Sorry. 13:23 Wes: Huh? 13:24 Erin: Sorry, Just insider trading. That really is funny. 13:31 Wes: And he had an affair. No. A sharp indrawn breath. Half grown, half acceptance. That means life's like that. We know it. Also death, you know, and then the question, what does also death mean there? Death knows it, we also know death. But it, you know, it made me wonder at various points I wondered. Well, Is this an element here of a journey to the underworld or to the afterlife? Maybe it's a job not claiming that that's strong thematic part of this, but maybe a hint of that type of thing. Because the journey, I mean, and it does seem like journeys are good places for this or like when I travel, it produces in me a very different state of mind. And I do find it very calming in a way, you know, especially actually being on the train or something like that, because you're in between two different locations and you maybe you're not caught up in the expectations or the constricting qualities of any particular location. If I'm at home, I have to do this and that work, or if I'm at a destination, then I'm dealing with relatives or I have to be a tourist or something like that. But there's something liberating about being in between two locations. So it does seem like a place for this type of dreamy hallucination or this reflection or this clearing of things up. It's almost like therapy. Right? That's what all of this sounds like. People are talking through their problems, but where is it that they get to in the end here? The half grown, half acceptance. So it's not fully acceptance. It sums things up with this, maybe a degree of resignation. So yeah, I don't know. What do you make of the stanza? 15:15 Erin: Well, they're traveling west significantly. Right. I do take a lot of this to be a kind of, say, pre figurement of death, even though at the same time the fact that they're in the woods, the fact that not to jump ahead too much, the fact that the moose will come out of the woods and appear notably in the middle of the road, there is a suggestion of middle age or middleness, or midway in the journey of our life, I found myself within a dark forest. So I think it works both ways, or perhaps it's working in several ways simultaneously for the various passengers. So maybe the speaker is experiencing something more akin to the Dante esque middle of the journey on the bus. And something about the bus journey is also, symbolically speaking, a kind of final bus journey for some of the other passengers. And that intersection seems significant, but I don't know how, just in the sense that there's a retrospective quality happening or maybe even a reversion to childhood that goes on for the speaker and the other people in the bus by virtue of the propinquity to these old people at the end of their life's journey. Because there is very little about middleness Here, come to think of it, other than the moose appearing in the middle of the road. Right. It seems that the other people on the bus are like children and the grandparents are the adults. 16:50 Wes: I mean, I think part of what's comforting when we're children is that feeling that adults know the answers and that adults know how to cope with all the dangers and have experience doing that and therefore can protect us. The reality, of course, as we realize as we get older, is that that's not true. So what they may have is more of this acceptance that's sort of highlighted in this stanza, which is potentially a good thing, but maybe a double edged sword because it does seem to be a form of dying. It does seem to be a form of the very thing that we want to be protected from. 17:30 Erin: There's also, though, that. What I used to call my mom, the external hard drive. I used to say back before she. 17:42 Wes: She liked that. 17:44 Erin: I think now it would make her sad because she'll say, you know, very openly that she. Her memory is gone. But it used to be that she knew all the, you know, you could ask her who said that at that one. You know, there's that kind of. I mean, that's a sort of jokey, gossipy scorekeeping thing that she would keep tabs on. But there's also just the idea of long memory being the history keeper, the record keeper, the, you know, and there's sort of settling accounts over the course of this conversation. Oh, right, it was that year. Okay. And then this happened and then, then that happened. And that's important too, I think, for, you know, it situates children in a context. Not just say this idea of death that you're referring to, but also how to situate oneself in a life. 18:34 Wes: Right. 18:34 Erin: There's a. There's a sort of frame that the grandparents or the elder relatives have that whole history up until you enter the narrative and where you fit within that. We mentioned in part one a little bit about Bishop's family history just to kind of prefigure the types of story that she inserts, I think very significantly into the poem, particularly about poor Amos who just wouldn't stop praying in the store and had to be. Had to be put away. Right. Of course she does a gender swap, but yeah, we all have family stories like this, of this kind of unruly behavior or madness of some kind or other or some sort of family drama. 19:19 Wes: Yeah. So it's universal. But the way she captures it is very clever with this talk that we don't quite know whether it's just the conversation of the people, the old people at the back of the bus, or whether it's her dream or whether it's both or somewhere in between. They're interlaced, those two things. And that. That interlacing gets at this aspect of universality. Although I think by the time we get to the stanza where she's fantasizing about the grandparents and the featherbed, this, it start. Seems to become inescapably personal, which is why I think of the. The point of view is getting more and more focused. Right. With. With time. Yeah. And potentially it's still universal, but it seems almost like a personal memory. Right. So talking the way they talked in the old feather bed. Right. The way they. Her. Her grandparents presumably in the old feather bed, peacefully on and on. Dim lamp light in the hall, down in the kitchen, the dog tucked in her shaw. Shawl. Yeah, get another. And get another dog here. 20:28 Erin: I love this. 20:29 Wes: The collie, the barking dog. And. Yeah, so this, this stanza is wonderful. And it gets at exactly this thing that you've been talking about, which is the, like, comfort of being a kid overhearing adults talking. It really, despite this talk of death. Right. A reconciliation with death. This is the point. Seems to be the point of view of a child who finds this very comforting. And. Right. She'll say in the next stanza, now it's all right now even to fall asleep, just as on all those nights, the way in which the adult world and the safety of protective figures can make sleep okay to do. And then suddenly that's interrupted. 21:07 Erin: But I love too. I mean, yes, it's so particular, but it also just in this one stanza does so many things in miniature that the poem is doing all along, this telescoping in again to a scene which. Which even as a child, if it were her childhood in particular that she's referencing, she couldn't possibly know or see. She wouldn't be able to see the grandparents in their featherbed. She would have to be picturing them in the featherbed and she wouldn't be able to see the dog in the hall. And also I wonder if this. If the stanza in its operation is kind of doing. I mean, this is just occurring to me now, but maybe it's doing that kind of hallucinatory work that has prior been described where we actually get a remix of, you know, this is the third dog in the poem. But it's also the elements in the stanza are a kind of recapitulation of the light, the red light swimming, the port Lantern becomes the lamp light in the hall. We get the dog barking now becomes the dog curled up in the shawl. And then maybe even because we also get kitchen, maybe the shawl is even a kind of transposition of the table, tablecloth shook out. Right. So there's something actually in the stanza which has that hallucinatory quality that she's describing where these three elements swim in the imagination and then become the lamplight and the dog and the shawl in this half asleep kind of dream space. Maybe that's pushing things too far, but it does seem to be. It's the dreamiest stanza perhaps in the whole poem. Maybe the following one. Now it's all right now even to fall asleep. But this gets interrupted that next stanza. So this one, I think is the real depth of the dreamy or borderline dreamy or hallucinatory moment. 23:00 Wes: Yeah, this is great because it really underlines the way deviation creates the capacity for stasis or for comfort. So the deviation of a bus trip or of the dreaming. Right. Which is movement, which is dynamic and has that momentum, forward momentum that we were talking about, sort of underwrites or grounds this ability to. For stasis, for stopping, for going to sleep, for feeling comforted as a child and safe, I think. And I keep repeating that word because of the. What's going to happen. The use of the word that's going to happen in this poem later. But yeah, I'm not sure if you were saying that explicitly, but that's what came to mind my mind as you were talking. This. The way in which this journey, devigation, motion can ground something that's going to be more static or stationary, which is what we're going to get in the moose. Because it interrupts the. It explicitly interrupts the motion of the bus and the external line of the poem in a way that parallels the comfort that's produced by the dreaming. 24:08 Erin: Yeah. In stanza 22 is where we have that break that you're describing. The moose finally appears. Well, the moose doesn't appear until stanza 23 finally appears. 24:21 Wes: We've been waiting for you. 24:22 Erin: We've been waiting for you. The title has promised that you would come and then here you are. It is foretold of your coming. 24:29 Wes: Comes through the curtains, takes his bow. Right. 24:32 Erin: We get nights, just as on all those nights. And then the moose's appearance, the lights turn on. And that rhyme you get, I mean, it's a very basic, simple rhyme. Right. But there's that sort of sudden jolt which is then also visualized where in the middle of night we have this appearance, this bright because of the headlights on it. Appearance of the moose. And it looms and sniffs at the bus's hot hood, which I'm assuming means that it thinks that the bus might be a boy moose. 25:06 Wes: No. Well, it's a very hot bus, I'll say that. 25:10 Erin: Ow. Ow. 25:14 Wes: That enamel. And it's dented and, you know, depends on if you like bad buses. No, just kidding. 25:21 Erin: Dented from its last encounter with a girl bus. 25:25 Wes: Yeah. It's funny because I wrote in my notes, but was just reading it stanza by stanza. And the previous stanza I'd said, okay to sleep, even with death looming. Looming for all of us, you know, all day one. You know, one day we all die. Blooming in that sense. And then suddenly the moose is looming, standing there, looming. And I thought, whoa, that's really interesting 25:45 Erin: that I. Oh, yes, chose. 25:48 Wes: Chose that word before I even got to the next stanza. Not to give some, you know, obvious rote sort of identification of the moose with death or the experience of the moose as having something to do with that. But obviously they're coming into contact here with something quite primal and important. It's not just, oh, look, there's a nice moose, but is he sniffing or she's sniffing the buses hot hood because she thinks it might be another moon. That hadn't actually occurred to me. 26:21 Erin: I must have been infected with that reading at some point that this was a frisky moose, that it otherwise doesn't seem frisky at all. It seems pretty. Like a pretty staid, respectable moose. 26:34 Wes: But frisky and ditzy. 26:39 Erin: That's right. Hello. 26:41 Wes: What? 26:41 Erin: Oh, look, I seem to be in the middle of the road. Pardon me. 26:46 Wes: So, towering, antlerous, high as a church, homely as a house. We're safe as houses, a man's voice assures us. Perfectly harmless. Which you presume, right, that the. The man making that assurance is. Precedes the idea of it being homely as a house and safe as houses. Even though. So. So she interestingly puts the associations before her associative responses before the actual stimulus. Right. I don't think she's the one who is thinking about how they must be safe and. And he's saying something. I mean, as far as I know. I don't know back then. But you were warned about bison and mooses, right? Or is it mooses or moose? I think we're warned because they don't. They. They seem harmless, but they're not. And so I was quite surprised by this stanza. And I thought this idea, okay, safe as houses. Well, yeah, houses ought to be safe, but they're not always safe. The bus, the moving container of the bus turns out to be, in a way safer and more conducive to reverie and dreaming and all of that. 27:59 Erin: No matter how you slice it, whether you see the moose as harmless, truly, or not so harmless, this has got to be just a little bit of a wink, right? A man's voice assures us. 28:09 Wes: I mean, I think we're definitely meant to be skeptical. 28:12 Erin: Yeah. 28:13 Wes: This perfectly harmless line, it's not there for us to nod our heads in agreement. 28:20 Erin: Oh, yeah, he's right, right, right. I think it's more like, oh, here's another mansplainer. 28:26 Wes: He's moose splaining. 28:28 Erin: Mooseplaining this woman moose to moose splaining. Just out for a good time, having her existence commented upon by another man's voice. Probably a podcaster. One of those male podcasters has a manosphere podcast. 28:45 Wes: Girl mooses are. 28:49 Erin: Then we get these childish again. The passengers are like children and having this childlike response to the appearance of the moose, including. It's awful, plain sad. So much judgment of women's bodies. 29:04 Wes: I mean, they're not good looking creatures. Let's just. They're, you know, put that on the table. Come on. They are in an ugly sort of way. 29:11 Erin: Yeah. I mean, okay, I guess they don't follow, you know, classical proportions. They don't represent the golden mean. 29:21 Wes: They're not into beauty society societal beauty standards. All right. 29:28 Erin: They are like cartoon characters. 29:29 Wes: They're miss Positive is what they are. 29:35 Erin: Well, what I love though, about the description, you know, we get several, I suppose. Yeah. Contradictory descriptions of the moose in a way, because we get homely as a house or safe as houses. We get awful plane. But then she looks the bus over grand otherworldly, so she has some gravitas. She's like a great character actress who. Who may not be beautiful in that leading lady way, but she's Kathy Bates. Yes. Yeah, well, that's maybe a bit insulting to Kathy Bates, who I do think is a very attractive woman, but. 30:19 Wes: Sorry, Kathy. 30:20 Erin: I know, I love her. 30:21 Wes: Come on the show sometime, please. 30:24 Erin: Oh my gosh, I would die. I love Kathy Bates anyway. And then we get curious creatures. Well, first we get the idea that it inspires joy and then we get curious creatures. So there's a. The joy is then immediately undercut by a kind of ambivalence. Right. So there's just all of these descriptions of the moose combine to create a kind of ambivalent portrait, such as it is, of the animal. 30:47 Wes: Are we going to be able to answer this question? Why? Why do they feel the sweet sensation of joy? I mean, I think I would probably feel it. 30:57 Erin: Why? Why do we all feel it? I mean, they have. Well, they've successfully done what I couldn't see a moose in real life. So they're like one up on Erin. Can't wait to go back and tell her we saw moose. Yeah, I've seen certain things. I can't think of a specific example of this, but I've had plenty of instances. Whether it is a wild animal or, I don't know, like a sunset or a really spectacular natural event of some kind or other. You do get that feeling of joy, kind of excitement. 31:28 Wes: Yeah. Unfortunately, most of my encounters with large animals are at zoos. I did see a bear once. I was going to the bathroom. My mom had a house in Front Royal, Virginia, at the beginning of the Appalachian Mountains. And it was up high on a. We called it a mountain, but it was, I guess, more of a hill. But so it was out, you know, it was kind of. There was a bear on the mountain, let's just put it that way. And, yeah, I was going to the bathroom one day and looking out the window. There's a window right. You know, above the toilet. And suddenly there's bear's face looking at me. Wow. What the. So, but that, you know, and. And that was majestic. No, just kidding. That it was. I. It was surprising. 32:13 Erin: Yeah. 32:14 Wes: And there's an element of fear that involved. Even if you're, you know, even if, you know, black bears are harmless and there's a wall between you. Some. Something scary about it. I didn't have time to feel like it's majestic. Yeah. You know, like you have had these experiences in. In nature, but I can't think of a encounter like this. But it. I seem sure that if I had an encounter like this, I would feel exactly the same way. So. Yeah. What is otherworldly about it? What is majestic about it? It's a big, dumb beast. And I say that with love, without any criticism in the sense that. Right. It's an encounter with something primal. And I think we have to take into account the size of the animal as well. I mean, it is interesting to run into a fox or something like that, but it's also a matter of scale here. But. Yeah. What is otherworldly about it? I mean, I think the most. The most obvious part of this is that you know, we have lost something in our humanity and becoming language using creatures and becoming self conscious creatures. And sometimes when we're confronted with an animal like this, we're confronted with that loss. We're not as connected to the environment because of the intermediation of something like language, which poetry of course tries to overcome. It tries to put language into a disintermediating. Sorry to use these business terms. I don't know why this is happening. Into a disintermediation. 33:46 Erin: Actualize. Yeah, yeah. 33:49 Wes: When it. Yeah, right. Synergize it's agenda. Often where language might put distance between us and the world. Poetry, I think, can undo that distance. Like I was saying, with the very vivid imagery, I can undo that distance with figurative language. And maybe that distance is also undone to some extent by the dreaming or the half dreaming hallucinatory state that she was in. And the comfort of that, the return to childhood, which is also a simpler time. I don't know. I'm thinking out loud here. But yeah, I wanted to try to get more at this, you know, the otherworldly status of the moose and the joy that comes from encountering it. 34:34 Erin: I was thinking to myself, is the moose's gaze really clearly encapsulated? And then I thought, yes, she regards us amicably. And then I was like, no, no, that's the passenger who gets on the bus. 34:44 Wes: Right. Does the moose have freckles? Yeah, that'd be an interesting twist, right? 34:50 Erin: But yeah, but there is one. 34:51 Wes: Turned her into a moose. 34:53 Erin: Well, I would think that this would be a more garden variety animal encounter and maybe even a more, to use a word, I don't like, problematic poem in terms of its relationship with the animal. If it were to focus on the gaze of the animal. Because I think that is the thing which is often at the core of these interactions with animals in which we project or hope to have a kind of meaningful encounter. You want to meet the gaze of the animal and in so doing understand it. Right. And of course you don't realize that you're just projecting onto it a kind of maybe mutual regard. She regards us amicably. That you are seeing it and it is seeing you. And there's an acknowledgement and there's this, you know, spiritual encounter that you have with this animal. And all of that, of course, is often quite silly. It's often quite reductive and fanciful and unrealistic. But I am thinking of an encounter that springs to mind is in Utah. I hiked the same trail almost every day. And I Would often hike it late in order to escape the full heat of the desert sun. Which is a little dangerous, right? Because sometimes the sun would be setting and then all kinds of things come out. And one time I was trying to get back to my car before it got completely dark. And what I thought was a wolf, but what must have been a coyote. And the coyotes in Utah are huge. They look like wolves and completely white. Came out from over a hill, crossed my path, turned, looked at me in the eyes for a very long time, turned and went over on the other side of the hill. I mean, curiously, then, of course, I got to the car and I actually found out that a beloved family member, an elderly family member of mine, had passed away. And I said, I think I just saw her. You know, I had this feeling of, like. I don't know, the sense of this connection, inherent connection between these two. This woman who was dear to me and this encounter. But, of course, that's all silliness. And the idea that I was having a sort of interaction through the gate. Some sort of reciprocal. Right. Interaction with this animal was also entirely just my own projecting onto the animal. However, I will say that that's an instance in which I felt fear. But then there was also this, like, joy at the encounter, I think fear because it was dark. Because I wasn't actually sure if this was a wolf because it blocked my path. It was far enough away that I didn't feel as threatened as I might have. But it was definitely a mixed perception. 37:28 Wes: You didn't shoot it and then hang it around your neck. No, because I was thinking. I just suddenly thought of the albatross poem. 37:37 Erin: Rime of the Ancient Mariner. 37:38 Wes: Rime of the Ancient Mariner. And that sort of relationship to the natural world where. I mean, I forget what we said about it, but maybe I said something about envy and wanting to kill the albatross for. Because of its freedom or something like that. I don't. I don't know. But I think it's important because, yeah, this is part of something about the encounter with the natural world. Whether it's a big moose or something else. Yes. Is otherworldly. Strangely enough, it's otherworldly to us, even though it's where we come from. It's uncanny, maybe. And Freud actually, in the German, I think uncanny is sort of like unhomelike is what the German sounds like. And Freud made a lot out of this. I think it's home, but it's a home from which we've become alienated. We're animals, we're something more than animals. And so that primal encounter brings us back to that foundation, that natural foundation in us, but we can't fully come to terms with it. And I think the other aspect of this, I think the death. Right. So there is a link to death. Just. And I was thinking about that when you described thinking of it as seeing. As seeing your departed loved one. Because if we could regress to that animal state, it would be a kind of death. I think that the association with the movement to the pre. Linguistic, natural foundation is something like the movement towards dying, but there's something comforting. 39:07 Erin: Yes. 39:07 Wes: Right. And we encounter that when we encounter the gaze. To have a. Have a gaze returned by an animal like that usually like, like our internal. Our entire psychological structure, what makes us self. Self conscious is the internalization of a human gaze. Right. To the extent that we. We get an animal gaze, I think we are returned to that more primal part of ourselves. And it does seem to me to have something to do with being reconciled to mortality. Right. Which is part of what the function of that dialogue between the elderly people is doing. 39:44 Erin: You're leading me into the one, say, reading of the moose that I wanted to get to. And I just want to say that I think the great thing about Bishop and about this poem and all her poems is that the moose is a moose. It's not a symbol. I hesitate to offer any kind of 40:03 Wes: direct reading, but that's her job on this podcast, though. 40:05 Erin: I know, I know. It's. Yeah. In the letters with Robert Lowell when he's writing to her about her poem at the fish houses, he says, alas, all my fish just become symbols. 40:16 Wes: Ah, very good. 40:17 Erin: I hesitate to reduce. I think what you've just said makes me think that it's the maternal, the mother. 40:25 Wes: Which also brings us back to the house. 40:28 Erin: Yes, the house. Yeah. It's something that comes like the clapboard churches, like clamshells seem to arise out of the ground, if you will, or are directly compared to these native creatures. The houses are then in turn used as comparisons for the moose, the maternal. The idea that this is something that returns us to nature, that this is the encounter that we would have presumably upon death. It's the loved one that is somehow comforting, maternal, and is a female moose. It's moose mom. I don't know. I don't know. Something going on there. 41:04 Wes: Moose mom. 41:05 Erin: Natural and strange at the same time, not us. And I guess that's why I. That's why I mentioned that the story of my grandfather at the beginning, because I don't know why I wanted so badly to see a moose right after my grandfather's death. But there was something, like, logical about it to me. And I was familiar with this poem, but I very much did not have. You know, it was not something that was the forefront of my mind at all. But I think there is this inherent connection, and it's silly. You know, I kind of can't believe I'm saying this, but I do. I do think there is this kind of connection between this desire that I felt to see this animal. Like the particular kind of primordial itch that the moose in particular seems to be scratching for me in that moment. For Bishop, in this poem, something that is at once safe and comforting and from another world, natural in that kind of elemental way. 42:00 Wes: Yeah. 42:01 Erin: That all kind of coalesce in that image. 42:04 Wes: Very good. 42:05 Erin: Okay. I think that's it, Wes. All we're left with is the dim smell of moose and an acrid smell of gasoline. 42:12 Wes: Oh, you know, we should have talked about that. Maybe we can start with that on our next Bishop recording. We'll. We'll begin with the smells, the smells and the significance of that image at the end. 42:25 Erin: Nice. 42:25 Wes: That smellage at the end. 42:26 Erin: Smellage. All right. Thank you. 42:29 Wes: Thank you.

There may not be a division featuring more young star power than the AFC South. The Jaguars are looking to build on a division title, while CJ Stroud and the Texans remain one of the AFC's biggest threats after another playoff appearance. Game Preview Guy explores whether Indianapolis can take the next step, how Tennessee plans to turn things around under new head coach Robert Saleh, and why the race for the South could once again come down to the wire. Tennessee Titans (01:03) Houston Texans (13:43) Indianapolis Colts (25:35) Jacksonville Jaguars (37:13)See omnystudio.com/listener for privacy information.

August 21, 2026On August 21, 1831, Nat Turner led 70 enslaved and free Black Americans in a violent rebellion intended to awaken his white neighbors to the brutality of slaveholding, Responding to fears that educating slaves was dangerous, states across the South made it a crime to teach enslaved Americans to read and write, Denial of access to education read them out of society, The fledgling Republican Party passed the Land Grant College act that funded public universities, Andrew Johnson vetoed the bill, In 1954 the Supreme Court ruled that separate schools were inherently unequal and unconstitutional, When Ronald Reagan was elected he vowed to work for abolishing the Department of Education and to push tax dollars from public schools to private academies, Donald Trump's education secretary pushed to expand voucher programs, The claim was that vouchers would save money, but Arizona's biggest voucher program in the nation blew a hole in the state budget, In Texas a voucher program was passed into law, which will leave public schools across the state underfunded and closing, In Arizona the state supreme court ruled that opponents to a voucher program won't get a ballot measure in front of voters this fall, In 2026 it seems the intent is to exclude certain Americans from participation in the Enlightenment principles on which the nation was founded.  Watch today's recording here: https://www.youtube.com/live/g9TUa1Rwd6U?si=T8_KKcHQZElhpnZ-Get full, free access to Letters from an American here: https://heathercoxrichardson.substack.com/subscribeYou can also find me:Bluesky: https://bsky.app/profile/hcrichardson.bsky.socialInstagram: https://www.instagram.com/heathercoxrichardson/?hl=enFacebook: https://www.facebook.com/heathercoxrichardson/YouTube: https://www.youtube.com/@heathercoxrichardson Get full access to Letters from an American at heathercoxrichardson.substack.com/subscribe

Facebook: https://www.facebook.com/Leap36podcast Instagram: https://www.instagram.com/leap36podcast/?hl=enTwitter: https://twitter.com/Leap36PodcastTikTok: https://www.tiktok.com/@leap36podcast?lang=en Host: Pro Football Hall of Famer, former Green Bay Packers, LeRoy Butler www.LeRoyButlerinc.com Twitter: https://twitter.com/leap36Instagram: https://www.instagram.com/leap3636/?hl=enFacebook: https://www.facebook.com/leap36 Leap Vodka:https://leapspirits.comTwitter: https://twitter.com/LeapSpiritsFacebook: https://www.facebook.com/leapspiritsvodkaInstagram: https://www.instagram.com/leapspirits/ Co-Host: Gary Ellerson Roundtable & Postgame Show | Spectrum News 1 | WI Green Bay Gameday | ESPN Milwaukee & Madison | 620 WTMJ | Tundra Trio Network, Packer/Badger Alumni, Albany,GAFacebook:https://www.facebook.com/Ellerson42/Twitter: https://twitter.com/GaryEllerson?s=20&t=COYfdMVOsw1nE_i_NhJqQAInstagram: https://www.instagram.com/gellerson/?hl=en https://www.rpwradio.com/leap36 Special Thank You to our Sponsors:Lake Auto Groupwww.LakeAutoGroup.comLake Chevrolet 4201 South 27th St. Milwaukee, WI. (414) 281-5000www.lakechevymke.com Lake Ford (414) 281-6100 www.lakefordmke.com The Jewelry Center (414) 282-7241www.shopTJC.comhttps://www.facebook.com/shoptjc/ Leap Spirits www.LeapSpirits.comTorzala Brewing Company2018 S. 1st Street #207Milwaukee, WI.(414) 810-300www.TorzalaBrewing.com Facebook: https://www.facebook.com/torzalabrewingIntro/outro Music: Akira SheltonProducer: Mario Ortiz for RPW Recordings Red Planet Worx, LLCSocial Media: @MrOrtizmke www.RedPlanetWorx.com; rpwrecordings@gmail.com Facebook: https://www.facebook.com/RPWRecordings/Instagram: https://www.instagram.com/rpwrecordings/?hl=en#leap36podcast Become a supporter of this podcast: https://www.spreaker.com/podcast/leap-36-podcast-featuring-leroy-butler-gary-ellerson--5658524/support.

How do vibrant New York City neighborhoods react to major changes to city life while retaining their historic character? For the next three weeks, we will present three neighborhood-history shows from the Bowery Boys podcast in a new light, exploring how these historic areas survive sudden changes in economic growth, housing needs and tourism. Picture the neighborhood of SoHo (that's right, South of Houston) in your head today, and you might get a headache. Crowded sidewalks on the weekend, filled with tourists, shoppers and vendors, could almost distract you from SoHo's unique appeal as a place of extraordinary architecture and history. In the mid 19th century this area, centered along Broadway, became the heart of retail and entertainment, department stores and hotels setting up shop in grand palaces. (It also became New York's most notorious brothel district). The streets between Houston and Canal became known as the Cast Iron District, thanks to an exciting construction innovation that transformed the Gilded Age. Today SoHo contains the world's greatest surviving collection of cast-iron architecture. But these gorgeous iron tributes to New York industry were nearly destroyed — first by rampant fires, then by Robert Moses. This show was remastered and reedted by Kieran Gannon. It origiinally ran in July 2017. Visit the website for images and more information.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Take your personal data back with Incogni! Use code KCRW at the link below and get 60% off an annual plan: https://incogni.com/kcrwThe political lives of some Republicans literally depend on their carefully crafted messaging around an unpopular war and unpopular president. Many know they can't abandon Trump, and getting on his bad side doesn't generally end well for Republicans, either. We talk about dire conditions reported on the USS Abraham Lincoln where its extended Middle East deployment has pushed some sailors to the brink. It's put a spotlight on the morale of our troops, as well as what our military strength looks like to other countries.Plus we take listener questions, including from one who thinks a progressive swing left is a losing strategy for Democrats who'll need the South to win the next presidency. Producer: Leo DuranHost: David Greene Guests:  Mike Dubke, veteran GOP communications strategist and advisor. He was the White House Comms Director under Donald Trump in 2017 - @MikeDubke Mo Elleithee, executive director at Georgetown University's Institute of Politics and Public Service - @MoElleithee

Despite an uneven week of practice leading up to Thursday's game in Los Angeles, the 49ers responded with an emphatic 41-17 thumping of the Chargers at "Levi's South" in their second preseason game. Rookies De'Zhaun Stribling, Kaelon Black and Romello Height made impressive early plays that set the tone for the rest of the matchup. Players on the bubble to make the 53-man roster -- notably Jacob Cowing -- also stepped up with some highlights later on, particularly on special teams. On "49ers Talk," Matt Maiocco and Jennifer Lee Chan discuss how the 49ers bounced back from their bumpy joint practice earlier in the week to beat Jim Harbaugh and the Chargers. --(0:00) Uneven Tuesday practice fueled strong preseason response(2:00) Stribling, Black flash as rookies shine early(5:00) Training camp battles beginning to sort themselves out(9:00) RB1 and RB2 are set, but RB3 is wide open(20:00) Is it time for Lynch and Shanahan to get their draft evaluation credit for this class?(28:00) 49ers' sneaky depth complements top-end talent Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A massive cocaine ring bust at Penn State University has resulted in at least 14 individuals facing charges. All but one of the suspects were current or former students at the school when the alleged cocaine distribution happened, with the last co-conspirator being a suspect's father. Retired FBI Supervisory Special Agent and FOX News Contributor James Gagliano joins Peter Doocy to discuss the shocking details of the operation, who was involved, and how college campus hazing habits have reached criminal levels.The United States' national debt has surpassed $40 trillion. What has brought us to this point, and can we begin to reverse course? Executive Vice President of Market Strategy at the Prairie Operating Company and FOX Business Contributor Lou Basenese joins the Rundown to examine the unchecked government spending and how rising bond yields are impacting the deficit. PLUS, commentary by Colin Reed, Co-founder of South & Hill Strategies. PHOTO CREDIT: PA OFFICE OF ATTORNEY GENERAL Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, the internet turned its eyes to an annual 2020s tradition: watching freshman girls rush sororities at big Southern state schools via an endless stream of social videos. What does our obsession with RushTok tell us about the South, the internet, and America? Plus, what's up with the influencer backlash on Nantucket, and why is mahjong so hot right now? Learn more about your ad choices. Visit podcastchoices.com/adchoices

8.20.2026 #RolandMartinUnfiltered: Karmelo Anthony Gets New Judge. NAACP Joins Nolan Wells Case. Angie Nixon Scores Upset Win The Memphis City Council approves a 12-month moratorium on new data center permits and rezoning. Tennessee State Representative Justin Pearson will explain what that really means. Atlanta Mayor Andre Dickens blasts the Democratic National Convention after the city loses its bid to host the 2028 convention. In a letter to the city, he says this snub is an example of how the Democratic Party continues to abandon the South and Black voters. A Missouri court is allowing a GOP-favored map to help them hold onto their slim majority in the House. In less than two years, the twice-impeached, criminally convicted felon-in-chief, Donald "The Con" Trump has managed to fulfill every aspect of Project 2025. Michael Harriott will be here to give us a "Project 2025 Performance Review." Chris Cuomo calls out Bill O'Reilly for saying he'd vote for Russian dictator Vladimir Putin before casting a ballot for Senator Jon Ossoff. All over a comment the Georgia Senator made. A special appointed Texas judge is hearing testimony to decide if Karmelo Anthony deserves a new trial. The third annual Back-to-School Community Day Hosted by Wanda Durant and the Durant Family Charitable Foundation is taking place this weekend. She'll be here in the studio to talk about this weekend's event. Black Star Network Partner: ChapterChapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and stand alone prescription drug plans that have a Medicare contract. Enrollment depends on the plan’s contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don’t directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all of your options. ____ Download the Black Star Network app at http://www.blackstarnetwork.com! We're on iOS, AppleTV, Android, AndroidTV, Roku, FireTV, and SamsungTV. The #BlackStarNetwork is a news reporting platform covered under Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research.See omnystudio.com/listener for privacy information.

Steve Cunningham sits down with Dr. Alan Harrelson of The Pipe Cottage for a wide-ranging conversation on Catholicism, Southern culture, agrarianism, history, faith, family, and the possibility of a new Southern renaissance.Why does the American South still matter? What can Southern agrarianism teach a modern culture dominated by centralization, technology, urbanization, and the loss of local community?Dr. Harrelson discusses his conversion to Catholicism, his South Carolina roots, the influence of M. E. Bradford, Donald Davidson, Clyde Wilson, John Shelton Reed, the Southern Agrarians, Russell Kirk, Chesterton, Belloc, and others who defended the importance of tradition, place, agriculture, self-government, and the “permanent things.”The conversation also explores the Confederacy, slavery, historical memory, states' rights, centralized government, Catholic social teaching, subsidiarity, Southern literature, the importance of knowing where your people came from, and why younger Southerners increasingly want to rediscover their heritage.Dr. Harrelson also introduces the Bradford Institute and its inaugural gathering at Seabrook Island, South Carolina, featuring scholars devoted to Southern history, literature, culture, and conservative thought.Above everything else, Harrelson emphasizes that faith comes first: history and culture matter because they can help us better understand man, community, creation, and God.Topics: Catholicism • Southern History • Southern Agrarianism • M.E. Bradford • Confederate History • Subsidiarity • Southern Culture • Faith & Tradition • Localism • American History00:00 You Are the Resistance00:47 Meet Dr. Alan Harrelson of The Pipe Cottage05:49 Pipes, Catholicism & the Return to Tradition09:07 Why Defend Southern Culture?10:16 “Never Apologize for Being Southern”15:26 A New Southern Renaissance?21:27 What Makes the South Different?22:40 Southern Agrarianism & the Created Order25:51 The Mission of the Bradford Institute28:55 Who Was M. E. Bradford?31:20 Southern Conservatism & Rural America34:45 The Seabrook Island Conference40:51 Faith Comes Before Southern Identity43:07 Remembering Who Southerners Are45:39 Christianity, Sacrifice & Confederate Memory48:41 Self-Government and the American Revolution51:08 John Shelton Reed & “The Enduring South”53:19 Slavery and the Southern Historical Debate57:02 Racism, History & the 19th Century59:53 Confederacy, Centralization & Liberty1:01:32 Why Southerners Remember the Past1:06:14 “Where Do Your People Bury?”1:08:53 “We Have Forgotten Who We Are”1:09:08 Our Lady of the South & Charleston1:10:02 Bradford Institute Invitation1:11:53 Closing Thoughtshttps://thebradfordinstitute.org/https://pipecottage.com/https://substack.com/@thepipecottagejournal

THE RISE GUYS: FULL SHOW: 08/21/26 full 8359 Fri, 21 Aug 2026 14:05:00 +0000 ZBPZJLZGTAdI2E431FtKprXK0uIXXpvL music The Rise Guys Podcast music THE RISE GUYS: FULL SHOW: 08/21/26 Welcome to the Rise Guys Morning Show! "The Saviors Of Upstate Morning Radio" broke the mold when they hit the airwaves in 2003.  Originating from Greenville, South Carolina, Mattman, Nine, Paige & Fat Boy combine to deliver the South's #1 Morning Radio Show everyday 5-10AM.  And serve as the leaders of the esteemed "P1 Family."  Relevant and Irreverant!  Gahlay, it's the Rise Guys!  And It Is Good! 2024 © 2021 Audacy, Inc. Music https://player.amperwavepodcasting.com?feed-link=https%3A%2F

Our esteem for Big Walk gets bigger this week, we run through a block of older roguelikes including Noita, Slay the Spire, Darkest Dungeon, and, uh, Quake, Sony still doesn't know when the PS6 is coming out, Warren Spector's august career is coming to a close, there are levels of sleepmaxxing we didn't even know about, the rules around Kiwi weed (Kiwiid?) are pretty strict, and more.CHAPTERS(00:00:00) NOTE: Some timecodes may be inaccurate for versions other than the ad-free Patreon version due to dynamic ad insertions. Please use caution if skipping around to avoid spoilers. Thanks for listening.(00:00:10) Intro(00:04:28) I've been watching so much Columbo...(00:10:14) Big Walk  |  [Mac, PC (Microsoft Windows), PlayStation 5, Nintendo Switch 2]  |  Aug 04, 2026(00:26:59) First Break(00:27:00) The Incident at Galley House  |  [Linux, Mac, PC (Microsoft Windows)]  |  Jul 14, 2026(00:29:57) Slay the Spire  |  [PC (Microsoft Windows), Mac, Linux]  |  Jan 23, 2019(00:39:10) Noita  |  [PC (Microsoft Windows)]  |  Oct 15, 2020(00:47:12) Darkest Dungeon  |  [PC (Microsoft Windows), Mac]  |  Jan 19, 2016(00:53:28) Quake  |  [PC (Microsoft Windows), DOS]  |  Jun 22, 1996(01:23:21) Second Break(01:23:22) Sony and a bit about the PS6(01:36:09) Netflix shuts down Night School(01:39:48) Compulsion Games is now self-publishing South of Midnight?(01:43:28) Is there some news about The Simpson's Hit & Run?(01:51:50) Warren Spector says he's retiring.. for real this time(01:59:15) Emails(02:10:27) Wrapping up and thanks(02:12:20) Mysterious Benefactor Shoutouts(02:14:33) See ya!

When Trump came back into power, his administration leaned heavily on former CIA analyst Julia Curlee to help safeguard our national security. The first CIA officer to transition openly, Curlee had worked at the highest levels in the White House for years. But once her gender identity became public through a witch hunt, she was hounded out. Curlee talks with Tim about the chaos of Trump's slash-and-burn firings, the administration's demonizing of trans people, and how Mike Pence treated her with dignity and respect when she was his personal briefer. Plus: The 19th's Errin Haines joins to discuss the Florida primaries, the Dems' prospects in the South, the real backlash against the Callais decision, and AOC's Woke 1 comments. And Tim asks The Bulwark community to help Venezuelan detainees Freddys Revilla and Edgarianny Gervis.Julia Curlee and Errin Haines join Tim Miller.show notes: Katie Britt's office: 202-224-5744 Britt's chief of staff: Sean_Ross@britt.senate.gov and her subcommittee clerk  Dave Roth at at 202-224-4319 Britt's Twitter: @SenKatieBritt Where Tim shared the letter and drawing that were sent to Britt Curlee's Atlantic piece, "The Wrong Kind of American" Mona's podcast, where Curlee will also be a guest later this week Errin's newsletter, "The Amendment" Tim's 'Take' on the detained Venezuelan family Bulwark LIVE: GOOD FIGHT TOUR with Tim, Sarah, Sam and JVL is coming to the Southeast in October. Tickets go on sale August 21. Bulwark+ members get early access via our presale NOW. Head to TheBulwark.com/Events for details and to get your tickets.

This week on So Shameless, celebrity chef @Chef.Cream joins us on the couch for a conversation that goes from entrepreneurship and community to race, culture, and some of the biggest debates happening in Black America. We kick things off talking about Traum's successful block party, the work that went into curating the event, and Tahoe's new icee cart—which leads to a conversation about his hustler mentality and why he's always looking for the next opportunity. Then we address the backlash from last week's episode before getting into a much bigger question: Are all white people racist? And what do we make of white influencers who build platforms around being “pro-Black”? Are they genuine allies, profiting from Black culture, or can both things be true? We also discuss Tuskegee University's new dress code, including the controversy surrounding restrictions on bonnets and durags, and the debate over respectability, professionalism, and cultural expression. Then we get into the criticism surrounding Earn Your Leisure and Invest Fest, including Rashad Bilal's comments about creating a festival specifically for Black people and why the event has become such a polarizing topic online. Finally, we discuss disturbing reports involving Black people being found hanging from trees in the South and the fear, anger, and questions those cases have raised—including what Black communities should demand from authorities when circumstances surrounding a death are unclear. It's another uncomfortable, complicated, and very So Shameless conversation. Tap in and let us know where you stand.Socials Cream@Chef.Cream on Instagram and TikTok

When The Allman Brothers Band arrived on the scene in Macon, Georgia in 1969, they made an immediate impression. They rehearsed at full volume all day long, and spent their nights taking mushrooms together in a graveyard. To top it off, their band was integrated, which ruffled a lot of feathers in the deep South. But the biggest transgression the Allman Brothers would make was crossing the Dixie Mafia, a loose confederation of criminal gangs that spread from Austin to Atlanta. This episode was originally published on April 24, 2025. For the full list of contributors, visit disgracelandpod.com Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter) Facebook Fan Group TikTok See omnystudio.com/listener for privacy information.