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Three prize-winning authors in today's discussion programme hosted by Tom Sutcliffe:The German Peasants' War of 1524–1525 was the greatest popular uprising in Western Europe before the French Revolution. Tens of thousands of peasants rose up to demand a new, more egalitarian order—only to be crushed in a brutal counterattack that left up to 100,000 dead. The historian Lyndal Roper argues that this rebellion was far from chaotic: it was a coherent mass movement inspired by the radical ideals of the Protestant Reformation. Her book Summer of Fire and Blood is the winner of the 2025 Cundill History Prize. The neurologist Masud Husain explores the human mind through the stories of seven patients. In asking what it is that makes us who we are, he explores how our identity can shift when we lose just a single cognitive ability. He examines the stories a man who ran out of words, a woman who stopped caring what others thought, and another who, losing her memory, believed she was having an affair with her own husband. His account of the science of identity, Our Brains, Our Selves, won the Royal Society's 2025 Trivedi Science Book Prize. The historian Hannah Durkin explores the stories of the survivors of the Clotilda, the last ship of the Atlantic slave trade. Based on her original research she uses first hand accounts to tell the stories of the enslaved in their own words. Survivors: The Lost Stories of the Last Captives of the Atlantic Slave Trade is the winner of the 2025 Wolfson History Prize. Producer: Ruth Watts

This week Max Perry Mueller drops in to talk about Wakara, a Ute man who shaped the modern American West. We also talk about the complexities of Native American identity, the impact of Manifest Destiny, and the ethical considerations in writing Native history. Max also highlights the importance of cultural exchange, environmental stewardship, and the ongoing struggles for repatriation and rematriation of Indigenous remains.About our guest:Max Perry Mueller (PhD, Harvard University) is an assistant professor in the Department of Classics and Religious Studies. He is also a fellow at the Center for Great Plains Studies and teaches in the Department of History, the Honors Program, and the Global Studies program.Mueller is a theorist and historian of race and religion in American history, with particular interest in Indigenous and African-American religious experiences, epistemologies, and cosmologies. The central animating question of his scholarship is how the act of writing—especially the writing of historical narratives—has affected the creation and contestation of "race" as a category of political and religious division in American history.His first book, Race and the Making of the Mormon People (The University of North Carolina Press, 2017), examines how the three original American races—"red," "black," and "white"—were constructed as literary projects before these racial categories were read onto bodies of Americans of Native, African, and European descent. Choice described Race and the Making of the Mormon People as an "outstanding analysis of the role of race among Mormons." The book was featured in The Atlantic and Harvard Divinity School Bulletin and has been taught at, among others, Princeton, Harvard, and Stanford Universities. His next book, Wakara's America, will be the first full-length biography of the complex and often paradoxical Ute warrior chief, horse thief, slave trader, settler colonist, one-time Mormon, and Indian resistance leader.Mueller's research and teaching also connect with his public scholarship. Mueller has written on religion, race, and politics for outlets including Slate, The New Republic, and The Atlantic. He also co-founded Religion & Politics, the online journal of the John C. Danforth Center on Religion & Politics at Washington University in St. Louis, whose mission is to bring the best scholarship on religion and American public life to audiences beyond the academy.

How did Robert F. Kennedy — once the heir-apparent to the Kennedy family's Democratic dynasty — become the Secretary of Health in the Trump administration and the nation's most important anti-vaccine advocate? Michael Scherer, staff writer at The Atlantic, sat down with Kennedy for 7+ hours, getting to know him during jean-clad workouts, Congressional hearings, and the plane ride where Kennedy learned of the assassination of Charlie Kirk. The image Michael paints of Kennedy, in a profile published in The Atlantic this month, is a man of extreme changes — a promising political figure turned heroin addict, an environmental lawyer turned anti-vaccine activist, a Democratic presidential candidate turned Republican Secretary of Health. Contributor Alex Wagner sits down with Michael for an interesting conversation to ask if a better understanding of the strange political figure can help us better make sense of his dangerous approach to health and politics. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We're joined by the great Mark Leibovich from The Atlantic to run through some of the wild stories fresh out of Washington. Secretary of War Pete Hegseth is facing criticisms on multiple fronts: Not only was it reported that he ordered the killing of two survivors from a bombed alleged drug trafficking boat, a Pentagon Inspector General also found that he put American troops' lives in danger with his reckless messages on Signal. Could we see Trump turn on Hegseth? We also recap the marathon Cabinet meeting. Secretary of State Marco Rubio spent his time kissing Trump's ass, and Trump (when he was awake) broke out into an maliciously racist rant about Somalis. Plus, we talk MORE shady pardons (including the former Honduran President and convicted drug trafficker), Trump's sinking approval ratings, and Dick Cheney! READ Mark's writing in The Atlantic: https://www.theatlantic.com/author/mark-leibovich/ Protect yourself and your family from cybercrime this holiday season with 75% off from our sponsor Webroot! https://www.webroot.com/franken Visit our sponsor OneSkin for all of your skincare needs! Use the code FRANKEN at checkout to get 15% off of your order: https://www.oneskin.co/FRANKEN Get 10% off your first order from Graza Olive Oil. Use the code FRANKEN at checkout: https://partners.graza.co/FRANKEN Visit our sponsor Ghostbed and get 25% off of your purchase. Use the code FRANKEN at checkout: https://www.ghostbed.com/Franken

"Home Exchange in France: Real Experiences & Secrets to Affordable Travel" – Ever wish you could explore France without breaking the bank? In this episode of Join Us in France, host Annie Sargent talks with Mali Arnstad, a home exchange expert with 14 years of experience swapping homes across France and beyond. Together, they reveal how you can travel for free—yes, free—by staying in local homes, borrowing cars, and even pet-sitting. This isn't just theory; it's packed with real stories, practical tips, and a few surprises from Annie's own recent home exchange adventures in Poitiers, Rouen, Paris, and Vichy. Listen to this episode ad-free Mali Arnstad, a mom of three from Norway, shares how her family has swapped homes in Brittany, Paris, Bordeaux, and the sun-soaked Atlantic coast. She breaks down the two main types of exchanges: simultaneous swaps (you stay in their home while they stay in yours) and the guest points system (earn credits by hosting others). Annie adds her fresh perspective after testing it herself—some stays were fantastic, others… well, let's just say she learned the hard way why you should always check the amenities. (Spoiler: One Parisian apartment had a "no washing machine" rule that wasn't in the listing!) You'll discover how to find trustworthy swaps, what to expect when staying in someone else's home, and why this is the ultimate way to experience France like a local. Mali's hosts have sent her to hidden beaches, night picnics by Roman bridges, and flea markets only locals know about.  Want to save thousands on accommodation? Mali explains how to list your home, what to include in your profile, and how to avoid common pitfalls. Annie's tip? Expand your search beyond big cities. Some of the best swaps are in smaller towns or departments like Vienne (for Poitiers) or Allier (for Vichy). And yes, you can even swap cars! Mali's family has driven French cars through Brittany and parked in private driveways in Montpellier. This episode is your guide to traveling France smarter, deeper, and cheaper. Whether you're a solo traveler, a family, or a retiree, home exchange could be your ticket to unforgettable trips. So if you've ever dreamed of sipping wine on a Parisian balcony or biking to Les Dunes du Pilat—without the hotel bill—this is for you. Hit subscribe on your favorite podcast app so you never miss an episode of Join Us in France. Ready to swap? Start listening now.

In this episode, I sit down with Michael and Anne Hartshorn, special friends with whom my family and I have been cruising for nearly the past two years. They departed the UK in 2008, and since they have sailed across the Atlantic, through the Caribbean and the Panama Canal, up the west coast of the US to Canada and Alaska, up and down the Sea of Cortez, across the Pacific to French Polynesia, Fiji and on to New Zealand. I spoke with Michael and Anne while anchor alongside Nimue in Fakarava, an island in the Tuamotu Archipelago.

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Let's explore the Christmas season in Spain, a celebration shaped by faith, family, and a sense of continuity that feels both ancient and vibrant. While American Christmas traditions tend to revolve around a burst of excitement on December 25, the Spanish holiday season stretches across weeks, layered with rituals that wind through Advent, Christmas Eve, Christmas Day, and Epiphany. In many ways, Spanish families see Christmas not as a single day but as a long path of reflection and joy, filled with moments that bring communities together and call back to centuries of tradition. For readers whose ancestors came from Spain, these customs offer a glimpse into the rhythms their families once lived by—rhythms that often endured even after crossing the Atlantic. Spain's Christmas roots run deep into its Catholic heritage. Churches glow with candlelight and echo with hymns that have carried through generations. Families gather for quiet meals on Christmas Eve, attend midnight services, and continue celebrating into January. Yet the season is not solemn from beginning to end. It bursts with color and festivity when the Three Kings arrive, turning Epiphany into a joyous event centered on children. The mix of devotion and delight creates a holiday that is uniquely Spanish, where the story of the Nativity shapes the season just as strongly as local customs and regional identity. Across Spain's diverse regions—from the rugged hills of Galicia to the coastal villages of Catalonia, from the plains of Castile to the streets of Andalusia—Christmas feels slightly different in each place. These local variations hold clues to ancestry. Everything from the foods served at Christmas Eve dinner to the style of Nativity scenes displayed in homes reflects regional history. When families emigrated from Spain, they often carried these traditions with them, adapting them gently to new cultures while quietly preserving the memory of their homeland. The Spanish Christmas season unfolds slowly, drawing people into its meaning step by step. Let's follow this path from Advent to Epiphany and see how faith, folklore, and family come together to shape a celebration that has endured for centuries. Podcast Notes: https://ancestralfindings.com/christmas-traditions-in-spain/ Ancestral Findings Podcast: https://ancestralfindings.com/podcast This Week's Free Genealogy Lookups: https://ancestralfindings.com/lookups Genealogy Giveaway: https://ancestralfindings.com/giveaway Genealogy eBooks: https://ancestralfindings.com/ebooks Follow Along: https://www.facebook.com/AncestralFindings https://www.instagram.com/ancestralfindings https://www.youtube.com/ancestralfindings Support Ancestral Findings: https://ancestralfindings.com/support https://ancestralfindings.com/paypal  #Genealogy #AncestralFindings #GenealogyClips

When American author Anne Applebaum travelled to the frontlines of the Sudanese civil war this year, she gave herself a stern remit. Bear witness to, and report on, a lawless world that - since the United States has pulled most of its aid - is now run by warring militias, clans and families. Crucially, she would keep emotion out of it.But then she met with people who were so thankful for the meagre aid the United States was still providing, that she felt “ashamed”.Today, Anne Applebaum, a staff writer at The Atlantic, on how Sudan’s civil war shows what the end of the liberal order looks like.Subscribe to The Age & SMH: https://subscribe.smh.com.au/See omnystudio.com/listener for privacy information.

The Trump administration's self-styled Secretary of War, Pete Hegseth, has spent most of this week on defense, facing accusations that he committed war crimes and that he endangered the lives of U.S. pilots. Join moderator Jeffrey Goldberg, Peter Baker of The New York Times, Susan Glasser of The New Yorker and Nancy Yousef of The Atlantic to discuss this and more.

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

In An Unformed Map: Geographies of Belonging Between Africa and the Caribbean (Duke UP, 2025), Philip Janzen traces the intellectual trajectories of Caribbean people who joined the British and French colonial administrations in Africa between 1890 and 1930. Caribbean administrators grew up in colonial societies, saw themselves as British and French, and tended to look down on Africans. Once in Africa, however, they were doubly marginalized—excluded by Europeans and unwelcome among Africans. This marginalization was then reproduced in colonial archives, where their lives appear only in fragments. Drawing on sources beyond the archives of empire, from dictionaries and language exams to a suitcase full of poems, Janzen considers how Caribbean administrators reckoned with the profound effects of assimilation, racism, and dislocation. As they learned African languages, formed relationships with African intellectuals, and engaged with African cultures and histories, they began to rethink their positions in the British and French empires. They also created new geographies of belonging across the Atlantic, foundations from which others imagined new political horizons. Ultimately, Janzen offers a model for reading across sources and writing history in the face of archival fragmentation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Some say we're entering the Woke 2.0 era. Is that real or imagined? From declining Target sales to Mamdani's election, some folks online are feeling a vibe shift. Is that feeling...woke? And if so, does that mean woke is back in style? To answer those questions - and to dissect whether or not woke ever left - Brittany is joined by Constance Grady, senior correspondent at Vox, and Tyler Austin Harper, staff writer at The Atlantic and co-host of the podcast, Time to Say Goodbye. Vote for It's Been a Minute in the NPR Pod Club Awards!Support Public Media. Join NPR Plus.Follow Brittany Luse on Instagram: @bmluseLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Hosts Jim DeRogatis and Greg Kot share their favorite albums of 2025. They'll also hear selections from their production staff.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Wednesday, "Elderberry Wine," Bleeds, Dead Oceans, 2025The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Hives, "They Can't Hear the Music," The Hives Forever Forever the Hives, PIAS, 2025Billy Woods, "BLK XMAS (feat. Bruiser Wolf & Sadhugold)," Golliwog, Backwoodz Studioz, 2025Sabrina Carpenter, "Nobody's Son," Man's Best Friend, Island, 2025Gwenifer Raymond, "Jack Parsons Blues," Last Night I Heard The Dog Star Bark, We Are Busy Bodies, 2025Lambrini Girls, "Love," Who Let the Dogs Out, City Slang, 2025Trupa Trupa, "Backwards Water," Mourners, Glitterbeat, 2025Viagra Boys, "Man Made of Meat," Viagr Aboys, Shrimptech Enterprises, 2025Aesop Rock, "Full House Pinball," I Heard It's A Mess There Too, Rhymesayers, 2025Maruja, "Look Down On Us," Pain to Power, Music For Nations, 2025Poor Creature, "All Smiles Tonight," All Smiles Tonight, River Lea, 2025Rosalía, "Berghain," Lux, Columbia, 2025Wet Leg, "mangetout," Moisturizer, Domino, 2025FKA twigs, "Perfect Stranger," Eusexua, Atlantic, 2025Sprints , "Coming Alive," All That Is Over, City Slang, 2025Horsegirl, "I Can't Stand to See You," Phonetics On and On, Matador, 2025Lenny Dee, "Let It Snow! Let It Snow! Let It Snow!," Happy Holi-Dee, Decca, 1961See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comGeorge is a journalist and novelist. He was a long-time staff writer at The New Yorker, now a staff writer at The Atlantic. He's the author of 10 books, including The Unwinding: An Inner History of the New America — which won the National Book Award — and Our Man: Richard Holbrooke and the End of the American Century. His new novel is called The Emergency. It's a parable of our polarized times — and a deeply unsettling one. We had this conversation the afternoon after I finished the book, and, as you'll see, it really affected me emotionally. For two clips of our convo — on the clarity of Orwell's writing, and the savior complex of the woke — head to our YouTube page.Other topics: raised by two Stanford professors; his dad accused of fascism by his leftist students and red-baited by the right; his dad's stroke and subsequent suicide at a young age; George's time in the Peace Corps; how Orwell's Homage to Catalonia “saved me”; entering journalism at 40; reporting in Iraq; Orwell's contempt for elites; Auden and Spender; the ideologies of intellectuals; the young turning on their elders; the summer of 2020; Camus' La Peste; January 6; Orwell's bigotries; his love for the countryside and common decency; Animal Farm; Nineteen Eighty-Four; Hitchens; utopianism; Nietzsche and slave morality; Fukuyama and boredom; the collapse of religion; intra-elite competition; Mamdani; the Gaza protests; virtue signaling; struggle sessions; mobs on social media; the loss of gatekeepers; the queer takeover of the gay rights movement; the brutality of meritocracy; Nick Fuentes; Trump's multi-racial win; his Cabinet picks as trolling; the utter capitulation of Vance; Haidt and smartphones; and our post-literate democracy.Browse the Dishcast archive for an episode you might enjoy. Coming up: Shadi Hamid in defense of US interventionism, Simon Rogoff on the narcissism of pols, Arthur Brooks on the science of happiness, Vivek Ramaswamy on the right, and Jason Willick on trade and conservatism. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

On March 20th, 1995, the Tokyo subway system was flooded with sarin nerve gas in a coordinated terrorist attack by the religious cult Aum Shinrikyō. Led by the charismatic new-age guru, Shoko Asahara, the well-funded and technologically ambitious Aum organization manufactured and deployed chemical weapons in an attempt to bring about the end of the world. In the chaos that followed, 13 people were killed, thousands were injured, and the international community shuddered at the possibility of future attacks by fringe political groups.    SOURCES: Amarasingam, A. (2017, April 5). A history of sarin as a weapon. The Atlantic.  Cotton, Simon. “Nerve Agents: What Are They and How Do They Work?” American Scientist, vol. 106, no. 3, 2018, pp. 138–40.  Danzig, Richard; Sageman, Marc; Leighton, Terrance; Hough, Lloyd; Yuki, Hidemi; Kotani, Rui; Hosford, Zachary M.. Aum Shinrikyo: Insights Into How Terrorists Develop Biological and Chemical Weapons . Center for a New American Security. 2011. Gunaratna, Rohan. “Aum Shinrikyo's Rise, Fall and Revival.” Counter Terrorist Trends and Analyses, vol. 10, no. 8, 2018, pp. 1–6.  Harmon, Christopher C. “How Terrorist Groups End: Studies of the Twentieth Century.” Strategic Studies Quarterly, vol. 4, no. 3, 2010, pp. 43–84. JSTOR, http://www.jstor.org/stable/26269787.  “IHT: A Safe and Sure System — Until Now.” The New York Times, 21 Mar. 1995. Jones, Seth G., and Martin C. Libicki. “Policing and Japan's Aum Shinrikyo.” How Terrorist Groups End: Lessons for Countering al Qa'ida, RAND Corporation, 2008, pp. 45–62.  Kaplan, David E. (1996) “Aum's Shoko Asahara and the Cult at the End of the World”. WIRED.  Lifton, Robert Jay. Destroying the World to Save It: Aum Shinrikyo, Apocalyptic Violence, and the New Global Terrorism. 1999. Murakami, Haruki. Underground: The Tokyo Gas Attack and the Japanese Psyche. Translated by Alfred Birnbaum and Philip Gabriel. 2001. Murphy, P. (2014, June 21). Matsumoto: Aum's sarin guinea pig. The Japan Times.  Reader, Ian. Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo.  2000. Tucker, Jonathan B. “Chemical/Biological Terrorism: Coping with a New Threat.” Politics and the Life Sciences, vol. 15, no. 2, 1996, pp. 167–83.  Ushiyama, Rin. “Shock and Anger: Societal Responses to the Tokyo Subway Attack.” Aum Shinrikyō and Religious Terrorism in Japanese Collective Memory., The British Academy, 2023, pp. 52–80.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Michael Housman is the founder and CEO of AI-ccelerator and the author of Future Proof: Transform Your Business with AI or Get Left Behind, where he helps organizations harness artificial intelligence to make better, faster, and less biased decisions. With a PhD in Applied Economics and Managerial Science from Wharton and an A.B. from Harvard, he has spent over 15 years architecting AI platforms across hiring, fraud detection, customer communications, and real estate lending—all while translating complex AI concepts into practical playbooks for business leaders. His work has been featured in major outlets like The New York Times, The Wall Street Journal, The Economist, and The Atlantic, making him a rare blend of deep technical expertise and real-world business impact.​ On this episode we talk about: Why traditional hiring processes are riddled with bias, how data-driven models outperform “gut feel,” and surprising predictors of performance like browser choice and employment history patterns.​ How business owners can start using AI today to buy back time, automate repetitive work, personalize outreach at scale, and treat AI as a strategic thought partner instead of just a better search box.​ The core ideas behind Future Proof—why most AI content is too technical, how Michael translates it for non-technical leaders, and why ignoring AI now is like refusing to build a website or adopt social media 10–15 years ago.​​ How AI-ccelerator uses live keynotes and hands-on workshops to help teams build real outputs—like pitch decks and go-to-market plans—in 90 minutes instead of weeks.​ Where AI is headed next, how it will disrupt agencies and creative work, and why founders should imagine how a brand-new “AI-native” competitor would rebuild their business model from scratch.​ Top 3 Takeaways AI isn't just a tool for writing emails or posts; used correctly, it becomes a data-driven board member that helps you make sharper strategic decisions and challenge your own thinking.​ Companies that delay AI adoption risk being blindsided by AI-native competitors who use automation, synthetic data, and smarter decision systems to deliver better results at lower cost.​ The biggest barrier is not the technology but people—getting teams to experiment, build literacy, and embed AI into workflows so it actually drives revenue and efficiency.​ Notable Quotes “Algorithms, when designed correctly, don't care where you went to school or who you play squash with—they care whether you're actually the right fit for the job.”​ “Most leaders are using AI like a fancy spell-checker for emails when they should be treating it like a strategic thought partner sitting at the boardroom table.”​ “If you were starting your business from scratch today as an AI-native company, you'd design it completely differently—and that imaginary competitor is exactly who's coming for your lunch.”​ Connect with Dr. Michael Housman: Website: https://michaelhousman.com​ AI-ccelerator (consulting & education): https://ai-ccelerator.com​ ✖️✖️✖️✖️

In this Write Big session of the #amwriting podcast, host Jennie Nash welcomes Pulitzer Prize–winning journalist Jennifer Senior for a powerful conversation about finding, knowing, and claiming your voice.Jennifer shares how a medication once stripped away her ability to think in metaphor—the very heart of her writing—and what it was like to get that voice back. She and Jennie talk about how voice strengthens over time, why confidence and ruthless editing matter, and what it feels like when you're truly writing in flow.It's an inspiring reminder that your voice is your greatest strength—and worth honoring every time you sit down to write.TRANSCRIPT BELOW!THINGS MENTIONED IN THIS PODCAST:* Jennifer's Fresh Air interview with Terry Gross: Can't Sleep? You're Not Alone* Atlantic feature story: What Bobby McIlvaine Left Behind* Atlantic feature story: The Ones We Sent Away* Atlantic feature story: It's Your Friends Who Break Your Heart* The New York Times article: Happiness Won't Save You* Heavyweight the podcastSPONSORSHIP MESSAGEHey, it's Jennie Nash. And at Author Accelerator, we believe that the skills required to become a great book coach and build a successful book coaching business can be taught to people who come from all kinds of backgrounds and who bring all kinds of experiences to the work. But we also know that there are certain core characteristics that our most successful book coaches share. If you've been curious about becoming a book coach, and 2026 might be the year for you, come take our quiz to see how many of those core characteristics you have. You can find it at bookcoaches.com/characteristics-quiz.EPISODE TRANSCRIPTJennie NashHi, I'm Jennie Nash, and you're listening to the Hashtag AmWriting Podcast. This is a Write Big Session, where I'm bringing you short episodes about the mindset shifts that help you stop playing small and write like it matters. This one might not actually be that short, because today I'm talking to journalist Jennifer Senior about the idea of finding and knowing and claiming your voice—a rather big part of writing big. Jennifer Senior is a staff writer at The Atlantic. She won the Pulitzer Prize for feature writing in 2022 and was a finalist again in 2024. Before that, she spent five years at The New York Times as both a daily book critic and a columnist for the opinion page, and nearly two decades at New York Magazine. She's also the author of a bestselling parenting book, and frequently appears on NPR and other news shows. Welcome, Jennifer. Thanks for joining us.Jennifer SeniorThank you for having me. Hey, I got to clarify just one thing.Jennie NashOh, no.Jennifer SeniorAll Joy and No Fun is by no means a parenting book. I can't tell you the first thing about how to raise your kids. It is all about how kids change their parents. It's all like a sociological look at who we become and why we are—so our lives become so vexed. I like, I would do these book talks, and at the end, everybody would raise their hand and be like, “How do I get my kid into Harvard?” You know, like, the equivalent obviously—they wouldn't say it that way. I'd be like; I don't really have any idea, or how to get your kid to eat vegetables, or how to get your kid to, like, stop talking back. But anyway, I just have to clarify that, because every time...Jennie NashPlease, please—Jennifer SeniorSomeone says that, I'm like, “Noooo.” Anyway, it's a sociology book. Ah, it's an ethnography, you know. But anyway, it doesn't matter.Jennie NashAll right, like she said, you guys—not what I said.Jennifer SeniorI'm not correcting you. It came out 11 years ago. There were no iPads then, or social media. I mean, forget it. It's so dated anyway. But like, I just...Jennie NashThat's so funny. So the reason that we're speaking is that I heard you recently on Fresh Air with Terry Gross, where you were talking about an Atlantic feature story that you wrote called “Why Can't Americans Sleep?” And this was obviously a reported piece, but also a really personal piece and you're talking about your futile attempts to fall asleep and the latest research into insomnia and medication and therapy that you used to treat it, and we'll link to that article and interview in the show notes. But the reason that we're talking, and that in the middle of this conversation, which—which I'm listening to and I'm riveted by—you made this comment, and it was a little bit of a throwaway comment in the conversation, and, you know, then the conversation moved on. But you talked about how you were taking a particular antidepressant you'd been prescribed, and this was the quote you said: “It blew out all the circuitry that was responsible for generating metaphors, which is what I do as a writer. So it made my writing really flat.” And I was just like, hold up. What was that like? What happened? What—everything? So that's why we're talking. So… can we go back to the very beginning? If you can remember—Jess Lahey actually told me that when she was teaching fifth and sixth grade, that's around the time that kids begin to grasp this idea of figurative language and metaphor and such. Do you remember learning how to write like that, like write in metaphor and simile and all such things?Jennifer SeniorOh, that's funny. Do I remember it? I remember them starting to sort of come unbidden in my—like they would come unbidden in my head starting maybe in my—the minute I entered college, or maybe in my teens. Actually, I had that thing where some people have this—people who become writers have, like, a narrator's voice in their head where they're actually looking at things and describing them in the third person. They're writing them as they witness the world. That went away, that narrator's voice, which I also find sort of fascinating. But, like, I would say that it sort of emerged concurrently. I guess I was scribbling a little bit of, like, short story stuff, or I tried at least one when I was a senior in high school. So that was the first time maybe that, like, I started realizing that I had a flair for it. I also—once I noticed that, I know in college I would make, you know, when I started writing for the alternative weekly and I was reviewing things, particularly theater, I would make a conscientious effort to come up with good metaphors, and, like, 50% of them worked and 50% of them didn't, because if you ever labor over a metaphor, there's a much lower chance of it working. I mean, if you come—if you revisit it and go, oh, that's not—you know, that you can tell if it's too precious. But now if I labor over a metaphor, I don't bother. I stop. You know, it has to come instantaneously or...Jennie NashOr that reminds me of people who write with the thesaurus open, like that's going to be good, right? That's not going to work. So I want to stick with this, you know, so that they come into your head, you recognize that, and just this idea of knowing, back in the day, that you could write like that—you… this was a thing you had, like you used the word “flair,” like had a flair for this. Were there other signs or things that led you to the work, like knowing you were good, or knowing when something was on the page that it was right, like, what—what is that?Jennifer SeniorIt's that feeling of exhilaration, but it's also that feeling of total bewilderment, like you've been struck by something—something just blew through you and you had nothing to do with it. I mean, it's the cliché: here I am saying the metaphors are my superpower, which my editors were telling me, and I'm about to use a cliché, which is that you feel like you're a conduit for something and you have absolutely nothing to do with it. So I would have that sense that it had almost come without conscious thought. That was sort of when I knew it was working. It's also part of being in a flow state. It's when you're losing track of time and you're just in it. And the metaphors are—yeah, they're effortless. By the way, my brain is not entirely fogged in from long COVID, but I have noticed—and at first I didn't really notice any decrements in cognition—but recently, I have. So I'm wondering now if I'm having problems with spontaneous metaphor generation. It's a little bit disconcerting. And I do feel like all SSRIs—and I'm taking one now, just because, not just because long COVID is depressing, but because I have POTS, which is like a—it's Postural Orthostatic Tachycardia Syndrome, and that's a very common sequela from long COVID, and it wipes out your plasma serotonin. So we have to take one anyway, we POTS patients. So I found that nicotine often helped with my long COVID, which is a thing—like a nicotine patch—and that made up for it. It almost felt like I was doping [laughing]. It made my writing so much better. But it's been...Jennie NashWait, wait, wait, this is so interesting.Jennifer SeniorI know…it's really weird. I would never have guessed that so much of my writing would be dampened by Big Pharma. I mean—but now with the nicotine patches, I was like, oh, now I get why writers are smoking until into the night, writing. Like, I mean, and I always wished that I did, just because it looked cool, you know? I could have just been one of those people with their Gitanes, or however you pronounce it, but, yeah.Jennie NashWow. So I want to come—I want to circle back to this in a minute, but let's get to the first time—well, it sounds like the first time that happened where you were prescribed an antidepressant and—and you recognized that you lost the ability to write in metaphor. Can you talk about—well, first of all, can you tell us what the medication was?Jennifer SeniorYeah, it was Paxil, which is actually notorious for that. And at the top—which I only subsequently discovered—those were in the days where there were no such things as Reddit threads or anything like that. It was 1999… I guess, no, eight, but so really early. That was the bespoke antidepressant at the time, thought to be more nuanced. I think it's now fallen out of favor, because it's also a b***h to wean off of. But it was kind of awful, just—I would think, and nothing would come. It was the strangest thing. For—there's all this static electricity usually when you write, right? And there's a lot of free associating that goes on that, again, feels a little involuntary. You know, you start thinking—it's like you've pulled back the spring in the pinball machine, and suddenly the thing is just bouncing around everywhere, and the ball wasn't bouncing around. Nothing was lighting up. It was like a dis… it just was strange, to be able to summon nothing.Jennie NashWow. So you—you just used this killer metaphor to describe that.Jennifer SeniorYeah, that was spontaneous.Jennie NashRight? So—so you said first, you said static, static energy, which—which is interesting.Jennifer SeniorYeah, it's... [buzzing sound]Jennie NashYeah. Yeah. Because it's noisy. You're talking about...Jennie SeniorOh, but it's not disruptive noise. Sorry, that might seem like it's like unwanted crackling, like on your television. I didn't really—yeah, maybe that's the wrong metaphor, actually, maybe the pinball is sort of better, that all you need is to, you know, psych yourself up, sit down, have your caffeine, and then bam, you know? But I didn't mean static in that way.Jennie NashI understood what you meant. There's like a buzzy energy.Jennifer SeniorYeah, right. It's fizz.Jennie NashFizz... that's so good. So you—you recognized that this was gone.Jennifer SeniorSo gone! Like the TV was off, you know?Jennie NashAnd did you...?Jennifer SeniorOr the machine, you know, was unplugged? I mean, it's—Jennie NashYeah, and did you? I'm just so curious about the part of your brain that was watching another part of your brain.Jennifer Senior[Laughing] You know what? I think... oh, that's really interesting. But are you watching, or are you just despairing because there's nothing—I mean, I'm trying to think if that's the right...Jennie NashBut there's a part of your brain that's like, this part of my brain isn't working.Jennifer SeniorRight. I'm just thinking how much metacognition is involved in— I mean, if you forget a word, are you really, like, staring at that very hard, or are you just like, s**t, what's the word? If you're staring at Jack Nicholson on TV, and you're like, why can't I remember that dude's name?Multiple speakers[Both laughing]Jennifer SeniorWhich happens to me far more regularly now, [unintelligible]… than it used to, you know? I mean, I don't know. There is a part of you that's completely alarmed, but, like, I guess you're right. There did come a point where I—you're right, where I suddenly realized, oh, there's just been a total breakdown here. It's never happening. Like, what is going on? Also, you know what would happen? Every sentence was a grind, like...Jennie NashOkay, so—okay, so...Jennifer Senior[Unintelligible]... Why is this so effortful? When you can't hold the previous sentence in your head, suddenly there's been this lapse in voice, right? Because, like, if every sentence is an effort and you're starting from nothing again, there's no continuity in how you sound. So, I mean, it was really dreadful. And by the way, if I can just say one thing, sorry now that—Jennie NashNo, I love it!Jennifer SeniorYeah. Sorry. I'm just—now you really got me going. I'm just like, yeah, I know. I'm sort of on a tear and a partial rant, which is Prozac—there came a point where, like, every single SSRI was too activating for me to sleep. But it was, of course, a problem, because being sleepless makes you depressed, so you need something to get at your depression. And SNRIs, like the Effexor's and the Cymbalta's, are out of the question, because those are known to be activating. So I kept vainly searching for SSRIs, and Prozac was the only one that didn't—that wound up not being terribly activating, besides Paxil, but it, too, was somewhat deadening, and I wrote my whole book on it.Jennie NashWow!Jennifer SeniorIt's not all metaphor.Multiple Speakers[both laughing]Jennifer SeniorIt's not all me and no—nothing memorable, you know? I mean, it's—it's kind of a problem. It was—I can't really bear to go back and look at it.Jennie NashWow.Jennie NashSo—so the feeling...Jennifer SeniorI'm really giving my book the hard sell, like it's really a B plus in terms of its pro…—I mean, you know, it wasn't.Jennie NashSo you—you—you recognize its happening, and what you recognize is a lack of fizzy, buzzy energy and a lack of flow. So I just have to ask now, presumably—well, there's long COVID now, but when you don't have—when you're writing in your full powers, do you—is it always in a state of flow? Like, if you're not in a state of flow, do you get up and go do something else? Like, what—how does that function in the life of a writer on a deadline?Jennifer SeniorOK. Well, am I always in a state of flow? No! I mean, flow is not—I don't know anyone who's good at something who just immediately can be in flow every time.Jennie NashYeah.Jennifer SeniorIt's still magic when it happens. You know, when I was in flow almost out of the gate every day—the McIlvaine stories—like, I knew when I hit send, this thing is damn good. I knew when I hit send on a piece that was not as well read, but is like my second or third favorite story. I wrote something for The New York Times called “Happiness Wont Save You,” about a pioneer in—he wrote one of the foundational studies in positive psychology about lottery winners and paraplegics, and how lottery winners are pretty much no happier than random controls found in a phone book, and paraplegics are much less unhappy than you might think, compared to controls. It was really poorly designed. It would never withstand the scrutiny of peer review today. But anyway, this guy was, like, a very innovative thinker. His name was Philip Brickman, and in 1982 at 38 years old, he climbed—he got—went—he found his way to the roof of the tallest building in Ann Arbor and jumped, and took his own life. And I was in flow pretty much throughout writing that one too.Jennie NashWow. So the piece you're referring to, that you referred to previous to that, is What Bobby McIlvaine Left Behind, which was a feature story in The Atlantic. It's the one you won the—Pul…Pulitzer for? It's now made into a book. It has, like...Jennifer SeniorAlthough all it is like, you know, the story between...Jennie NashCovers, right?Jennifer SeniorYeah. Yeah. Because—yeah, yeah.Jennie NashBut—Jennifer SeniorWhich is great, because then people can have it, rather than look at it online, which—and it goes on forever—so yeah.Jennie NashSo this is a piece—the subtitle is Grief, Conspiracy Theories, and One Family's Search for Meaning in the Two Decades Since 9/11—and I actually pulled a couple of metaphors from that piece, because I re-read it knowing I was going to speak to you… and I mean, it was just so beautifully written. It's—it's so beautifully structured, everything, everything. But here's a couple of examples for our listeners. You're describing Bobby, who was a 26-year-old who died in 9/11, who was your brother's college roommate.Jennifer SeniorAnd at that young adult—they—you can't afford New York. They were living together for eight years. It was four in college, and four—Jennie NashWow.Jennifer SeniorIn New York City. They had a two-bedroom... yeah, in a cheaper part... well, to the extent that there are cheaper parts in...Jennie NashYeah.Jennifer SeniorThe way over near York Avenue, east side, yeah.Jennie NashSo you write, “When he smiled, it looked for all the world like he'd swallowed the moon.” And you wrote, “But for all Bobby's hunger and swagger, what he mainly exuded, even during his college years, was warmth, decency, a corkscrew quirkiness.” So just that kind of language—a corkscrew quirkiness, like he'd swallowed the moon—that, it's that the piece is full of that. So that's interesting, that you felt in flow with this other piece you described and this one. So how would you describe—so you describe metaphors as things that just come—it just—it just happens. You're not forcing it—you can't force it. Do you think that's true of whatever this ineffable thing of voice—voices—as well?Jennifer SeniorOh, that's a good question. My voice got more distinct as I got older—it gets better. I think a lot of people's—writers'—powers wax. Philip Roth is a great example of that. Colette? I mean, there are people whose powers really get better and better, and I've gotten better with more experience. But do you start with the voice? I think you do. I don't know if you can teach someone a voice.Jennie NashSo when you say you've gotten better, what does that mean to you?Jennifer SeniorYeah. Um, I'm trying to think, like, do I write with more swing? Do I—just with more confidence because I'm older? Being a columnist…which is the least creative medium…Jennie NashYeah.Jennifer SeniorSeven hundred and fifty words to fit onto—I had a dedicated space in print. When David Leonhardt left, I took over the Monday spot, during COVID. So it's really, really—but what it forces you to do is to be very—your writing becomes lean, and it becomes—and structure is everything. So this does not relate to voice, but my—I was always pretty good at structure anyway. I think if you—I think movies and radio, podcasts, are, like, great for structure. Storytelling podcasts are the best thing to—I think I unconsciously emulate them. The McIlvaine story has a three-act structure. There's also—I think the podcast Heavyweight is sublime in that way.Jennie NashIs that Roxane Gay?Jennifer SeniorNo, no, no, no.Jennie NashOh, it's, um—Jennifer SeniorIt's Jonathan Goldstein.Jennie NashYes, got it. I'm going to write that down and link to that in our show notes.Jennifer SeniorIt's... I'm trying to think of—because, you know, his is, like, narratives, and it's—it's got a very unusual premise. But voice, voice, voice—well, I, you know, I worked on making my metaphors better in the beginning. I worked on noticing things, you know, and I worked on—I have the—I'm the least visual person alive. I mean, this is what's so interesting. Like, I failed to notice once that I had sat for an hour and a half with a woman who was missing an arm. I mean, I came back to the office and was talking—this is Barbara Epstein, who was a storied editor of The New York Review of Books, the story editor, along with Bob Silver. And I was talking to Mike Tomasky, who was our, like, city politic editor at the time. And I said to him, I just had this one—I knew she knew her. And he said, was it awkward? Was—you know, with her having one arm and everything? And I just stared at him and went one arm? I—I am really oblivious to stuff. And yet visual metaphors are no problem with me. Riddle me that, Batman. I don't know why that is. But I can, like, summon them in my head, and so I worked at it for a while, when my editors were responsive to it. Now they come more easily, so that seems to maybe just be a facility. I started noticing them in other people's writing. So Michael Ondaatje —in, I think it was In the Skin of a Lion, but maybe it was The English Patient. I've read, like, every book of his, like I've, you know— Running… was it Running in the Family? Running with the Family? I think it was Running in the—his memoir. And, I mean, doesn't—everything. Anil's Ghost—he— you know, that was it The Ballad of Billy the Kid? [The Collected Works of Billy the Kid] Anyway, I can go on and on. He had one metaphor talking about the evening being as serene as ink. And it was then that I realized that metaphors without effort often—and—or is that a simile? That's a simile.Jennie NashLike—or if it's “like” or “as,” it's a simile.Jennifer SeniorYeah. So I'm pretty good with similes, maybe more than metaphors. But... serene as ink. I realized that what made that work is that ink is one syllable. There is something about landing on a word with one syllable that sounds like you did not work particularly hard at it. You just look at it and keep going. And I know that I made a real effort to make my metaphors do that for a while, and I still do sometimes. Anything more than that can seem labored.Jennie NashOh, but that's so interesting. So you—you noticed in other people what worked and what you liked, and then tried to fold that into your own work.Jennifer SeniorYeah.Jennie NashSo does that mean you might noodle on—like, you have the structure of the metaphor or simile, but you might noodle on the word—Jennifer SeniorThe final word?Jennie NashThe final word.Jennifer SeniorYeah. Yeah, the actual simile, or whatever—yeah, I guess it's a simile—yeah, sometimes. Sometimes they—like I said, they come unbidden. I think I have enough experience now—which may make my voice better—to know what's crap. And I also, by the way, I'll tell you what makes your voice better: just being very willing to hit Select Alt, Delete. You know, there's more where that came from. I am a monster of self-editing. I just—I have no problem doing it. I like to do it. I like to be told when things are s**t. I think that improves your voice, because you can see it on the page.Jennie NashYeah.Jennifer SeniorAnd also, I think paying attention to other people's writing, you know, I did more and more of that, you know, reverse engineering stuff, looking at how they did stuff as I got older, so...Jennie NashSo I was going to ask a question, which now maybe you already answered, but the question was going to be… you said that you're—you feel like you're getting better as a writer as you got older. And you—you said that was due to experience. And I was going to ask, is it, or is it due to getting older? You know, is there something about literally living more years that makes you better, or, you know, like, is wisdom something that you just get, or is it something you work for? But I think what I'm hearing is you're saying you have worked to become the kind of writer who knows, you know, what you just said—you delete stuff, it comes again. But tell me if—you know, you welcome the kind of tough feedback, because you know that makes you better. You know, this sort of real effort to become better, it sounds like that's a practice you have. Is that—is that right?Jennifer SeniorOh yeah. I mean, well, let's do two things on that, please. I so easily lose my juju these days that, like, you've got to—if you can put a, you know, oh God, I'm going to use a cliché again—if you can put a pin in or bookmark that, the observation about, you know, harsh feedback. I want to come back to that. But yes, one of the things that I was going to keep—when I said that I have the confidence now, I also was going to say that I have the wisdom, but I had too many kind of competing—Jennie NashYeah. Yeah.Jennifer SeniorYou know, were running at once, and I, you know, many trains on many tracks—Jennie NashYeah, yeah.Jennifer Senior…about to leave, so…, Like, I had to sort of hop on one. But, like, the—the confidence and wisdom, yes, and also, like, I'll tell you something: in the McIlvaine piece, it may have been the first time I did, like, a narrative nonfiction. I told a story. There was a time when I would have hid behind research on that one.Jennie NashOoh, and did you tell a story. It was the—I remember reading that piece when it first came out, and there you're introducing, you know, this—the situation. And then there's a moment, and it comes very quickly at the top of the piece, where you explain your relationship to the protagonist of the story. And there's a—there's just a moment of like, oh, we're—we're really in something different here. There's really—is that feel of, this is not a reported story, this is a lived story, and that there's so many layers of power, I mean, to the story itself, but obviously the way that you—you present it, so I know exactly what you're talking about.Jennifer SeniorYeah, and by the way, I think writing in the first person, which I've been doing a lot of lately, is not something I would have done until now. Probably because I am older and I feel like I've earned it. I have more to say. I've been through more stuff. It's not, like, with the same kind of narcissism or adolescent—like, I want to get this out, you know. It's more searching, I think, and because I've seen more, and also because I've had these pent up stories that I've wanted to tell for a long time. And also I just don't think I would have had the balls, you know.Jennie NashRight.Jennifer SeniorSo some of it is—and I think that that's part of—you can write better in your own voice. If it's you writing about you, you're—there's no better authority, you know? So your voice comes out.Jennie NashRight.Jennifer SeniorBut I'm trying to think of also—I would have hid behind research and talked about theories of grief. And when I wrote, “It's the damnedest thing, the dead abandon you, and then you abandon the dead,” I had blurted that out loud when I was talking to, actually, not Bobby's brother, which is the context in which I wrote it, but to Bobby's—I said that, it's, like, right there on the tape—to his former almost fiancée. And I was thinking about that line, that I let it stand. I didn't actually then rush off and see if there was a body of literature that talked about the guilt that the living feel about letting go of their memories. But I would have done that at one point. I would have turned it into this... because I was too afraid to just let my own observations stand. But you get older and you're like, you know what? I'm smart enough to just let that be mine. Like, assume...Jennie NashRight.Jennifer SeniorIt's got to be right. But can we go back, also, before I forget?Jennie NashYeah, we're going to go back to harsh, but—but I would just want to use your cliché, put a pin in what you said, because you've said so many important things— that there's actual practice of getting better, and then there's also wisdom of—of just owning, growing into, embracing, which are two different things, both so important. So I just wanted to highlight that you've gone through those two things. So yes, let's go back to—I said harsh, and maybe I miss—can...misrepresenting what you meant.Jennifer SeniorYou may not have said that. I don't know what you said.Jennie NashNo, I did, I did.Jennifer SeniorYou did, okay, yeah, because I just know that it was processed as a harsh—oh no, totally. Like, I was going to say to you that—so there was a part of my book, my book, eventually, I just gave one chapter to each person in my life whom I thought could, like, assess it best, and one of them, so this friend—I did it on paper. He circled three paragraphs, and he wrote, and I quote, “Is this just a shitty way of saying...?” And then I was like, thank God someone caught it, if it was shitty. Oh my God. And then—and I was totally old enough to handle it, you know, I was like 44, whatever, 43. And then, who was it? Someone else—oh, I think I gave my husband the intro, and he wrote—he circled a paragraph and just wrote, “Ugh.” Okay, Select Alt, Delete, redo. You know, like, what are you going to do with that? That's so unambiguous. It's like, you know—and also, I mean, when you're younger, you argue. When you're older, you never quarrel with Ugh. Or Is this...Jennie NashRight, you're just like, okay, yep.Jennifer SeniorYeah. And again, you—you've done it enough that, you know, there's so much more where that came from.Jennie NashYeah.Jennifer SeniorWhy cling to anything that someone just, I don't know, had this totally allergic reaction to? Like, you know, if my husband broke out in a hive.Jennie NashYeah. So, circling back to the—the storyline of—you took this medication, you lost your ability to write in this way, you changed medications, presumably, you got it back. What did it feel like to get it back? Did you—do you remember that?Jennifer SeniorOh God, yes, it was glorious.Jennie NashReally?!Jennifer SeniorOh, you don't feel like yourself. I think that—I mean, I think there are many professions that are intertwined with identity. They may be the more professional—I'm sorry, the more creative professions. But not always, you know. And so if your writing voice is gone, and it's—I mean, so much of writing is an expression of your interior, if not life, then, I don't know some kind of thought process and something that you're working out. To have that drained out of you, for someone to just decant all the life out of your—or something to decant all the life out of your writing, it's—it's, I wouldn't say it's traumatic, that's totally overstating it, but it's—it's a huge bummer. It's, you know, it's depressing.Jennie NashWell, the word glorious, that's so cool. So to feel that you got back your—the you-ness of your voice was—was glorious. I mean, that's—that's amazing.Jennifer SeniorWhat—if I can just say, I wrote a feature, right, that then, like, I remember coming off of it, and then I wrote a feature that won the News Women's Club of New York story for best feature that year. Like, I didn't realize that those are kind of hard to win, and not like I won... I think I've won one since. But, like, that was in, like, 99 or something. I mean, like, you know, I don't write a whole lot of things that win stuff, until recently, you know. There was, like, a real kind of blackout period where, you know, I mean, but like—which I think, it probably didn't have to do with the quality of my writing. I mean, there was—but, I mean, you know, I wasn't writing any of the stuff that floated to the tippy top, and, like, I think that there was some kind of explosion thereof, like, all the, again, stuff that was just desperate to come out. I think there was just this volcanic outpouring.Jennie NashSo you're saying now you are winning things, which is indeed true. I mean, Pulitzer Prizes among them. Do you think that that has to do with this getting better? The wisdom, the practice, the glorious having of your abilities? Or, I guess what I'm asking is, like, is luck a part of—a part of all that? Is it just, it just happens? Or do you think there's some reason that it's happening? You feel that your writing is that powerful now?Jennifer SeniorWell, luck is definitely a part of it, because The Atlantic is the greatest place to showcase your feature writing. It gets so much attention, even though I think fewer people probably read that piece about Bobby McIlvaine than would have read any of my columns on any given day. The kind of attention was just so different. And it makes sense in a funny way, because it was 13,600 words or something. I mean, it was so long, and columns are 750 words. But, like, I think that I just lucked out in terms of the showcase. So that's definitely a part of it. And The Atlantic has the machinery to, you know, and all these dedicated, wonderful publicity people who will make it possible for people to read it, blah, blah, blah. So there's that. If you're older, you know everyone in the business, so you have people amplifying your work, they're suddenly reading it and saying, hey, everybody read it. It was before Twitter turned to garbage. Media was still a way to amplify it. It's much harder now, so passing things along through social media has become a real problem. But at that moment, it was not—Jennie NashYeah.Jennifer SeniorSo that was totally luck. Also, I wonder if it was because I was suddenly writing something from in the first person, and my voice was just better that way. And I wouldn't have had, like, the courage, you know?Jennie NashYeah.Jennifer SeniorAnd also, you're a book critic, which is what I was at The Times. And you certainly are not writing from the first person. And as a columnist, you're not either.Jennie NashYeah.Jennifer SeniorSo, you know, those are very kind of constricted forms, and they're also not—there are certainly critics who win Pulitzers. I don't think I was good enough at it. I was good, but it was not good enough. I could name off the top of my head, like, so many critics who were—who are—who haven't even won anything yet. Like Dwight Garner really deserves one. Why has he not won a Pulitzer? He's, I think, the best writer—him and Sophie Gilbert, who keeps coming close. I don't get it, like, what the hell?Jennie NashDo you—as a—as a reader of other people's work, I know you—you mentioned Michael Ondaatje that you'd studied—study him. But do you just recognize when somebody else is on their game? Like, do you recognize the voice or the gloriousness of somebody else's work? Can you just be like, yeah, that...?Jennifer SeniorWell, Philip Roth, sentence for sentence. Martin Amis, even more so—I cannot get over the originality of each of his sentences and the wide vocabulary from which he recruits his words, and, like, maybe some of that is just being English. I think they just get better, kind of more comprehensive. They read more comprehensively. And I always tell people, if they want to improve their voice, they should read the Victorians, like that [unintelligible]. His also facility with metaphor, I don't think, is without equal. The thing is, I can't stand his fiction. I just find it repellent. But his criticism is bangers and his memoirs are great, so I love them.Jennie NashYeah.Jennifer SeniorSo I really—I read him very attentively, trying to think of, like, other people whose kind of...Jennie NashI guess I was—I was getting at more... like, genius recognizes genius, that con... that concept, like, when you know you can do this and write in this way from time to time anyway, you can pull it off.Jennifer SeniorYeah, genius as in—I wouldn't—we can't go there.Jennie NashWell, that's the—that's the cliché, right? But, like...Jennifer SeniorOh no, I know, I know. Game—game, game recognizes game.Jennie NashGame recognizes game is a better way of saying it. Like, do you see—that's actually what the phrase is. I don't know where I came up with genius, but...Jennifer SeniorNo, it's fine. You can stick anything in that template, you know—evil recognizes evil, I mean, you know, it's like a...Jennie NashYeah. Do you see it? Do you see it? Like, you can see it in other people?Jennifer SeniorSure. Oh yeah, I see it.Jennie NashYeah.Jennifer SeniorI mean, you're just talking about among my contemporaries, or just as it...Jennie NashJust like anything, like when you pick up a book or you read an article or even listen to a storytelling pack podcast, that sense of being in the hands of somebody who's on it.Jennifer SeniorYeah, I think that Jonathan Goldstein—I mean, I think that the—the Heavyweight Podcast, for sure, is something—and more than that, it's—it's storytelling structure, it's just that—I think that anybody who's a master at structure would just look at that show and be like, yeah, that show nails it each and every time.Jennie NashI've not listened, but I feel like I should end our time together. I would talk to you forever about this, but I always like to leave our listeners with something specific to reflect or practice or do. And is there anything related to metaphor or practicing, finding your voice, owning your voice, that you would suggest for—for folks? You've already suggested a lot.Jennifer SeniorRead the Victorians.Jennie NashAwesome. Any particular one that you would say start with?Jennifer SeniorYeah, you know what? I find Dickens rough sledding. I like his, you know, dear friend Wilkie Collins. I think No Name is one of the greatest books ever. I would read No Name.Jennie NashAmazing. And I will add, go read Jennifer's work. We'll link to a bunch of it in the show notes. Study her and—and watch what she does and learn what she does—that there it is, a master at work, and that's what I would suggest. So thank you for joining us and having this amazing discussion.Jennifer SeniorThis has been super fun.Jennie NashAnd for our listeners, until next time, stop playing small and write like it matters.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

This week, Michael Holland and Annie Hughes take listeners across the Atlantic, discussing the top tax stories making headlines before diving into a US-focused episode. They look at Biffy Clyro’s recent tour changes and the tax considerations behind the scenes. Michael and Annie also break down the IRS’s new rules on digital asset reporting, highlighting what individuals and businesses need to watch as crypto and other digital holdings come under closer scrutiny. Finally, they analyse how the latest UK Budget could impact Americans living or investing across the pond.See omnystudio.com/listener for privacy information.

Picture masked figures appearing at your door on a dark winter's evening, their faces hidden behind soot and disguise, ready to perform ancient rituals of death and resurrection. This is mumming, a tradition stretching back centuries. From medieval Europe to its journey across the Atlantic to its dramatic transformation in modern Philadelphia, this episode brings you the story of Christmas mumming and how folk traditions are constantly remade.Researched, written, and produced by Corinne Wieben with original music by Purple Planet.Episode sourcesSupport the showEnchantedPodcast.netBluesky/enchantedpodcast.net

This week, we step inside a beautifully transformed Windsor Castle, where a glittering 25-foot Nordmann fir in St George's Hall provided the perfect backdrop for the first Christmas-time state visit in modern royal history. We dive into all the sparkle from the banquet, including the Princess of Wales' breathtaking debut of the Oriental Circlet Tiara.We also touch on the growing Crown Estate inquiry into royal property leases, and across the Atlantic, Harry and Meghan launch their latest projects - raising yet more questions about timing as major royal moments unfold in the UK.If you want to watch the ladies in person, simply head over to our YouTube channel: https://www.youtube.com/watch?v=9-Qotc9I1ww Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's conversation between Dr. James Emery White and co-host Alexis Drye, they discuss how for many people, Advent is simply a countdown to Christmas. Few seem to truly know the rich Christian tradition of Advent as it falls on the liturgical calendar. The word “advent” means “coming,” and the season of Advent within the Church is to be a time when we are preparing spiritually for the celebration of the birth of Jesus. In fact, so many of the traditions connected with Christmastime also have a rich Christian history and can all serve to help keep Christ in Christmas when you know their deeper meaning. Episode Links This conversation was sparked by an article in The Atlantic titled, “Advent Calendars Are Totally Out of Control.” It seems as though culture has commandeered this tradition of counting down to Christmas and cultivated a “little treat culture,” all about businesses making money and people treating themselves. You can read that article in full HERE. Dr. White mentioned another article that he read in a similar vein titled, “Shoppers still can't get enough of Advent calendars, and brands are racing to keep up with demand.” You can find that article HERE. Dr. White mentioned that a great way to combat the drift in culture regarding Advent is to take part in what's known as “The Advent Conspiracy.” This idea was brought forth in a book written by Rick McKinley, Chris Seay and Greg Holder called Advent Conspiracy: Making Christmas Meaningful Again (Zondervan). At Mecklenburg Community Church, where Dr. White serves as the senior pastor, this is fleshed out in a few ways. First and foremost, we make sure that the focus of the season of Advent is on Jesus' birthday, and that a great way to honor Him is by giving to the least and the lost in our world. We call it “Giving to Christ at Christmas,” and you can read more about it HERE. Another way that we've done this is through strategic message series that Dr. White has given over the years during the season of Advent. These include “The Advent Conspiracy,” “Keeping Christ in Christmas” and “I Need You Christmas.” For those of you who are new to Church & Culture, we'd love to invite you to subscribe (for free of course) to the twice-weekly Church & Culture blog and check out the Daily Headline News - a collection of headlines from around the globe each weekday. We'd also love to hear from you if there is a topic that you'd like to see discussed on the Church & Culture Podcast in an upcoming episode. You can find the form to submit your questions at the bottom of the podcast page HERE.

durée : 00:16:59 - L'Invité(e) des Matins - par : Guillaume Erner, Yoann Duval - 2026 sera-t-elle l'année des empires ? Et si la question était plutôt : quelles formes prendront les empires en 2026 ? - réalisation : Félicie Faugère - invités : Henry Farrell professeur de relations internationales à l'université Johns Hopkins aux Etats-Unis; Kim Ghattas journaliste libano-néerlandaise. Collaboratrice du magazine The Atlantic et éditrice au Financial Times

The Rich Zeoli Show- Hour 2: 4:05pm- During an interview with The Atlantic, Pennsylvania Gov. Josh Shapiro (D) reacted to Kamala Harris's critiques of him and her reasoning for not selecting him to be her 2024 running mate. Shapiro exclaimed: “I mean, she's trying to sell books and cover her ass.” 4:20pm- On Thursday, authorities announced charges against a 30-year-old Virginia man believed to have placed two pipe bombs at the Democratic and Republican national committees the night before the January 6th, 2021 unrest at the U.S. Capitol. During a press conference announcing the charges, Attorney General Pam Bondi revealed “search warrants are being executed, and there could be more charges to come.” She added: “Let me be clear. There was no new tip, there was no new witness—just good, diligent police work and prosecutorial work.” Initial reports suggest the suspect is an anarchist. 4:40pm- The show goes off the rails! Who is screening calls? And does it even matter since Rich doesn't have his screener software open? Halle Berry destroys Gavin Newsom. Plus, Linda Kearns vs Rich Zeoli!

The Rich Zeoli Show- Full Show (12/04/2025): 3:05pm- On Thursday, authorities announced charges against a 30-year-old Virginia man believed to have placed two pipe bombs at the Democratic and Republican national committees the night before the January 6th, 2021 unrest at the U.S. Capitol. During a press conference announcing the charges, Attorney General Pam Bondi revealed “search warrants are being executed, and there could be more charges to come.” She added: “Let me be clear. There was no new tip, there was no new witness—just good, diligent police work and prosecutorial work.” Initial reports suggest the suspect is an anarchist. 3:30pm- A Washington Post report states that Department of War Secretary Pete Hegseth authorized a series of deadly strikes on a drug trafficking boat in the Caribbean, ordering military officials to “kill everybody.” The directive, according to the report, led to a second strike killing several crew members that survived the initial assault on the vessel. The New York Times, as well as the White House, dispute that Hegseth explicitly authorized the second strike or ordered to eliminate survivors. The NYT also reports that the “U.S. military intercepted radio communications from one of the survivors to what [officials] said were narco-traffickers.” 3:50pm- Christmas music, Be Nice to Matt Week is getting cut short, and did a munchkin actually hang himself on the set of The Wizard of Oz? 4:05pm- During an interview with The Atlantic, Pennsylvania Gov. Josh Shapiro (D) reacted to Kamala Harris's critiques of him and her reasoning for not selecting him to be her 2024 running mate. Shapiro exclaimed: “I mean, she's trying to sell books and cover her ass.” 4:20pm- On Thursday, authorities announced charges against a 30-year-old Virginia man believed to have placed two pipe bombs at the Democratic and Republican national committees the night before the January 6th, 2021 unrest at the U.S. Capitol. During a press conference announcing the charges, Attorney General Pam Bondi revealed “search warrants are being executed, and there could be more charges to come.” She added: “Let me be clear. There was no new tip, there was no new witness—just good, diligent police work and prosecutorial work.” Initial reports suggest the suspect is an anarchist. 4:40pm- The show goes off the rails! Who is screening calls? And does it even matter since Rich doesn't have his screener software open? Halle Berry destroys Gavin Newsom. Plus, Linda Kearns vs Rich Zeoli! 5:00pm- Philadelphia Highway Patrol Officer Andy Chan has died six years after he was struck by a vehicle while on duty. Rich notes that Officer Chan was a friend of the show. Next Friday the show will be broadcasting from the 6th Annual Andy Chan Holiday Block Party. For tickets, visit: https://www.fbbcf.org/andychan/event-details. 5:15pm- While appearing on The Late Show with Stephen Colbert, Rachel Maddow baselessly accused Donald Trump of “working for” Vladimir Putin. Wasn't her ridiculous narrative debunked years ago? 5:30pm- Did “climate change” spare America from hurricanes? Bjorn Lomborg, from Stanford University's Hoover Institute, writes that for the first time in 10-years “not a single hurricane made landfall in the continental U.S. this year.” 5:40pm- Minnesota Governor Tim Walz claims people keep driving by his house and calling him the “r-word,” Rep. Ilhan Omar (D-MN) downplays rampant fraud in her state, and gender conversion doctors admit “we are all just winging it.” 6:00pm- On Thursday, authorities announced charges against a 30-year-old Virginia man believed to have placed two pipe bombs at the Democratic and Republican national committees the night before the January 6th, 2021 unrest at the U.S. Capitol. During a press conference announcing the charges, Attorney General Pam Bondi revealed “search warrants are being executed, and there could be more charges to come.” She added: “Let me be clear. There was no new tip, there was n ...

Australia is about to become the first country in the world to ban kids under 16 from having social-media accounts. Other countries have attempted partial restrictions, but Australia's Online Safety Amendment is the first real ban, and it comes with heavy fines for social-media companies that fail to comply. In this episode, we hear from the woman in charge of enforcing the policy, the teens who will be affected by it starting next week, and a researcher who doesn't think Australia's plan is the right answer.  Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at TheAtlantic.com/Listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

RFK Jr is one of the greatest perpetrators of a firehose of falsehoods that we've ever covered. The stakes were raised when he was installed as head of America's public health system. A new longform article in The Atlantic offers an inside look at the history and current thinking of this man, as insightful for what it offers as telling for what it omits. We discuss the role of journalism in an age defined by propaganda. Show Notes Scoop: The new #2 at CDC is a top ivermectin prescriber who ended Louisiana's vaccine-promotion media campaigns Doctor Critical of Vaccines Quietly Appointed as C.D.C.'s Second in Command CDC Quietly Turned Off Its Vaccine Search Tool. It's Not Clear When It's Coming Back. The Olivia Nuzzi and RFK Jr. Affair Is Messier Than We Ever Could Have Imagined RFK Jr. and the Inexplicable Appeal of Repulsive Men RFK Jr. is overhauling the program that helps preserve Americans' access to vaccines Why Is Robert F. Kennedy Jr. So Convinced He's Right? Nature: Pertussis, A Tale of Two Vaccines Learn more about your ad choices. Visit megaphone.fm/adchoices

How did destroyers and escort groups protect convoys from U-Boat attack? When did convoy HX112 encounter the U-Boat 'Wolfpack' of Kretschmer and Schepke? What is a 'Pocket Battleship'? Join James Holland and Al Murray for part 6 of this deep dive on the war in the Atlantic, the most vital theatre of war in WW2 and the long-running campaign between the British Royal Navy and the Nazi German Kriegsmarine. Start your free trial at ⁠patreon.com/wehaveways⁠ and unlock exclusive content and more. Enjoy livestreams, early access to podcast episodes, ad-free listening, bonus episodes, and a weekly newsletter packed with book deals and behind-the-scenes insights. Members also get priority access and discounts to live events. A Goalhanger Production Produced by James Regan Assistant Producer: Alfie Rowe Exec Producer: Tony Pastor Social: @WeHaveWaysPod Email: wehaveways@goalhanger.com Membership Club: patreon.com/wehaveways Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sarah Chauncey joins Let's Talk Memoir for a conversation about her many careers in writing, working on a memoir and deciding not to publish, framing the story we want to tell, experiencing ourselves as a part of living system, going deeper and becoming more vulnerable, taking responsibility for our wellbeing and mental health, not seeing oneself as a limited, pursuing inner peace, reading subtextual energy on the page, different forms of storytelling, patterns in memoir, searching for emotional transformation and change, and getting to the heart of spiritual and awakened memoir. Also in this episode: -the great mystery -no longer being a character -deciding not to be too public   Books mentioned in this episode: -Working by Studs Terkel -The Situation and the Story by Vivian Gornick -Mariette in Ecstasy by Ron Hansen  -Nonviolent Communication: A Language of Life by Marshall B. Rosenberg -The Power of Vulnerability by Brene Brown Sarah Chauncey is a veteran writer and developmental editor, as well as the author of P.S. I Love You More Than Tuna, the first gift book for adults grieving the loss of a pet. In the early part of her career, she wrote for VH1, Comedy Central and other TV outlets, as well as entertainment websites and music magazines. Later, she pivoted to storytelling for organizations including NASA, McAfee and Intel. Sarah writes the Resonant Storytelling Substack, which offers guidance on craft and process for creative nonfiction writers. She also writes The Counterintuitive Guide to Life, which helps readers develop mental health resilience by developing self-awareness; and More Than Tuna, which offers support for those grieving the loss of a pet. In recent years, she's written for Tiny Buddha, Lion's Roar, Modern Loss, Eckhart Tolle's website, Jane Friedman's blog and the Brevity blog.    Connect with Sarah: Website: https://www.sarahchauncey.com/ Substack: https://substack.com/@sarahchauncey Instagram: https://www.instagram.com/sarahkchauncey/ LinkedIn: https://www.linkedin.com/in/sarahchauncey/ Facebook: https://www.facebook.com/sarah.k.chauncey   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank   Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

There are many beautiful countries in Africa, but none are like Namibia.  Today we will travel from the highest sand dunes in the world to the wildest coast on the planet. We will track the last free-roaming herd of rhinos on the continent, and watch desert elephants as we float above them in a hot air balloon.  But more than anything we will discover a sense of vastness and awe that is unmatched by almost anywhere else on Earth. Taking us there is safari guide and author Peter Allison, who has been guiding in Namibia  and elsewhere in Africa for nearly 30 years. He'll tell us the story of his ultimate Namibia safari, traveling from the Sossusvlei Dunes to the Skeleton Coast.  It's an adventure filled with rare wildlife, inspiring people and more than one of his crazy stories. Get ready for a journey into the heart of the remote, and enchanting land of Namibia. Highlights include: Taking a hot air balloon ride watching the sun rise over the Sossusvlei dunes Tracking rare desert elephants and the last remaining free-roaming rhino in the world Spending time with the Himba people of the Hoanib Valley Exploring the Skeleton Coast, where the Atlantic ocean crashes against the Namib desert Sleeping under the stars in one of the largest Dark Sky Reserves in the world FIND OUT MORE A lot of our episodes are about huge expeditions and epic adventures.This one is about something you can actually do.  We've partnered with Peter's safari company Natural Selection Safaris, and tour operator Africa Endeavours - two of the most highly regarded sustainable operators on the continent - to create our dream Botswana itinerary. And it's a trip you can actually book and do yourself. To find out more go to AfricaEndeavours.com/Armchair and you will get $500 off your next trip. Even if you're just dreaming about going one day, checking out what they do is a great way to support the show. Follow Peter on Instagram @peterallisonsafari FOLLOW US: Instagram: ⁠@armchairexplorerpodcast⁠Facebook: ⁠@armchairexplorerpodcast⁠Newsletter: ⁠armchair-explorer.com⁠ PODCAST RECOMMENDATION Check out the Smart Travel Podcast: This week's show is supported by the new Smart Travel Podcast. Travel smarter — and spend less — with help from NerdWallet. Check out Smart Travel here.  CREDITS Armchair Explorer is produced by ⁠Armchair Productions⁠. Aaron Millar wrote and presented the show, Charles Tyrie did the audio editing and sound design. Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

With antisemitism on the rise, NY1's Errol Louis sat down with Yair Rosenberg, a journalist at The Atlantic who is the author of its newsletter "Deep Shtetl," which explores the intersection of politics, culture and religion. Rosenberg has written extensively about antisemitism in America, the historical context behind it and its troubling resurgence today. In the conversation, Rosenberg also examined the role social media platforms play in spreading extremist views, as well as the generational divides in attitudes toward Jewish people.  Finally, they discussed the challenges facing New York City Mayor-elect Zohran Mamdani as he navigates issues related to Israel and Judaism.

The ‘ghost ship' Mary Celeste was discovered drifting in the Atlantic by Captain David Morehouse of the Dei Gratia on 4 December 1872. On board there were intact provisions, undisturbed cargo, no evidence of violence or theft… and zero crew. Although some damage to the rigging and open hatches hinted at recent rough weather, nothing suggested a crisis severe enough to justify taking to the lifeboat. One pump had been dismantled and about a metre of water had collected in the hold, but this was neither unusual nor dangerous for a vessel of that size. Crucially, the ship's papers and navigational instruments were missing, implying a deliberate and orderly departure.  Nevertheless, no signs of fire, piracy, collision, or structural failure explained why Captain Benjamin Briggs, his wife, their two-year-old daughter, and seven experienced crewmen had deserted a floating refuge for a far riskier open boat. In this episode, Arion, Rebecca and Olly pore over the case that captured the Victorian imagination; explain how Arthur Conan-Doyle kickstarted some internet conspiracies; and consider some of the fruitier explanations for the mystery…  Further Reading: • ‘Mary Celeste, The 'Ghost Ship' Found Abandoned In The Atlantic' (All That's Interesting, 2022): https://allthatsinteresting.com/mary-celeste • ‘From the Mary Celeste to the USS Cyclops: The ships which disappeared or were found abandoned' (Daily Mail Online, 2023): https://www.dailymail.co.uk/news/article-12218135/From-Mary-Celeste-USS-Cyclops-ships-disappeared-abandoned.html • ‘The True Story of the Mary Celeste' (Smithsonian, 2013): https://www.youtube.com/watch?v=bTb54_gLd5Q #Mystery #Victorian #Strange Love the show? Support us!  Join 

Bradley Borougerdi joins Jana Byars to talk about Cannabis: A Global History (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

'Not becoming of a president': Somali-Americans respond to Trump's 'garbage' remarks; With MN tragedy still in mind, women in trades call for better treatment; NYers skeptical about electric school buses despite benefits; Across the Atlantic, two national parks collaborate.

Want a founder story that includes spreadsheets, a stint as a roadie, an Atlantic crossing, and a will-signing party that packed the room? Meet Shane Mason of Brooklyn FI — a CPA/CFP who went from Big Four tax to touring life, then teamed up with AJ to build a 20-person advisory firm rooted in transparency, productized service, and genuine hospitality.We dig into the early days: running a tax practice out of a bar booth, pricing low to get at-bats, and taking weekend prospect meetings to sharpen the offer. Shane explains why he and AJ decided from day one to build an enterprise rather than a lifestyle practice, documenting workflows so every client gets the same quality of service no matter who's in the seat. That mindset shaped their hiring, retention, and their eventual shift from serving creatives to working with tech employees navigating ISOs, NSOs, RSUs, and liquidity events.The conversation gets practical fast. Shane shares why most equity compensation issues are really tax issues, why offering refunds can be a reputation-saving move, and how turning estate planning into a social, notarized event helps clients finally take action. We also explore the difference between small giants and scalable firms, the value of serialized advice, and what happens when founders step back from client work to rethink the business. Plus, a look at Gemifi, the fintech platform Brooklyn FI built to help advisors visualize vesting schedules and future balance sheets.If you're building or scaling an RIA, this episode is full of hard-won insights on niches, processes, client experience, and leading through growth.Shane's Linkedin:https://www.linkedin.com/in/shanemasoncpacfp/

'Not becoming of a president': Somali-Americans respond to Trump's 'garbage' remarks; With MN tragedy still in mind, women in trades call for better treatment; NYers skeptical about electric school buses despite benefits; Across the Atlantic, two national parks collaborate.    

Galway man Daragh MacLoughlin will be attempting to row across the Atlantic as part of the World's Toughest Row race. He'll be setting out on his 4,800 km journey on December 12th, but joins Seán from his starting point in the Canary Islands ahead of his epic voyage…

RJ Bell, Steve Fezzik and Mackenzie Rivers talk NFL betting for Week 14. RJ Bell, Steve Fezzik, and Mackenzie Rivers break down NFL Week 14 betting, starting with RJ promoting a $50 seven-day all-access code WEEK50. Fezz's best bet is Colts to score first vs Jacksonville because of coin-toss tendencies and expected offensive advantage in a high-total game, with discussion about teams choosing to receive, scripting, first-drive props, and coin-flip-based derivative betting. RJ and Fezz debate optimal strategy, adjustments, and first-quarter dynamics. RJ describes analyzing first-drive receiver usage, highlighting Puka Nacua and Colts TE Alie-Cox/Woods/Warren (context mixed) as early-drive targets. They discuss deferring vs receiving, coaching tendencies, and how underdogs may benefit from taking the ball. They move into Fezz's prop focus shift and success. RJ and Fezz make a season-long sides/totals bet with RJ picking 30 games vs no-vig lines. Mackenzie reports RJ's recent streak (8–1 best bets, 10–2 likes). Conversation shifts to MVP odds, Stafford vs Drake Maye, injury risk, schedule strength, market pricing, and how voters behave. They also discuss Burrow's return, Bengals vs Bills line comparisons to past matchups, Cincinnati's weak defense, Buffalo's variance, McDermott's seat, and playoff stakes. Mackenzie's best bet is Bills –5.5 vs Bengals based on summer lines, defensive decline, and Buffalo urgency. RJ gives his best bet: Seahawks–Falcons under, citing Sam Darnold regression, Seattle protecting him, blitz issues vs Atlanta, scripted drives, Cousins limitations, motivation angles, and expectation of a 1995-style game. Fezz adds Chicago TE Loveland over yards due to increased targets and misleading prior stats. NBA segment: Thunder win projection, depth, injury savings, draft capital, and possible value on OKC to break the GS record; Knicks value to win the Atlantic. RJ provides more NFL picks: Packers team-total over, Bears team-total over based on Chicago offense improvement and defensive weakness; under in Chiefs–Texans due to Houston defensive surge, KC O-line issues, weather, and conservative game scripts; under first quarter Saints–Bucs because both offenses start slow and Tampa injuries limit explosiveness. They cover fire-and-ice weather mismatches, Fezz backing KC –3 vs Houston due to cold exposure issues, plus more rationale for the under. They discuss Pittsburgh–Baltimore history, third-quarter angle favoring the Ravens, Lamar's struggles outside the numbers, and prop opportunities for TEs/RBs. They note Indy's long losing streak at Jacksonville, Denver and Rams teaser options, Cleveland bad-weather unders, QB uncertainty for Washington and Chargers, and late-season bye effects. The show ends with general betting philosophy talk, variance, props, market holds, and closing banter. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:03:18 - Sous les radars - par : Sébastien LAUGENIE - Cette affaire remonte à mars 2025, un journaliste de The Atlantic s'est retrouvé dans une conversation confidentielle entre Marco Rubio, le secrétaire d'Etat et le Vice-président J.D. Vance. C'était Pete Hegseth qui l'avait ajouté par erreur. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Bradley Borougerdi joins Jana Byars to talk about Cannabis: A Global History (Reaktion, 2025). An international cultural history of the multifunctional plant. Cannabis explores the historical, pharmacological, and cultural significance of the controversial plant. Beginning with cannabis's origins as a food source in Southeast Asia, Borougerdi describes the global evolution of cannabis over the centuries, with a particular focus on its spread across the Atlantic and its modern renaissance in cuisine. The book also investigates the stimulant's mood-altering forms of consumption, from smoking to edibles and drinks. A richly illustrated guide, this book draws together a diverse account of international cannabis cultures in a single, captivating narrative. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Arthur Brooks is is one of the world's leading experts on the science of human happiness, a Harvard professor, columnist of the popular "How To Build A Life" in The Atlantic, and a #1 New York Times bestselling author of 15 books. This episode is sponsored by Everyday dose, StoryWorth, BetterHelp & Article. Everyday dose: Get 61% off your first Coffee+ Starter Kit, a free A2 Probiotic Creamer, with over $100 in free gifts by going to http://everydaydose.com/UNPLANNED or entering UNPLANNED at checkout StoryWorth: Give your loved ones a unique keepsake you'll all cherish for years—Storyworth Memoirs! Right now, save $10 or more during their Holiday sale when you go to http://storyworth.com/unplanned! BetterHelp: Our listeners get 10% off at http://BetterHelp.com/unplannedpodcast #ad Article: Article is offering our listeners $50 off your first purchase of $100 or more To claim, visit http://ARTICLE.COM/unplanned and the discount will be automatically applied at checkout Arthur Brooks is is one of the world's leading experts on the science of human happiness, a Harvard professor, columnist of the popular "How To Build A Life" in The Atlantic, and a #1 New York Times bestselling author of 15 books. The Meaning of Your Life, out March 31, 2025, pre-order your copy today at the link!Continue the conversation and stay connected with Arthur: The Happiness Files Website Instagram Facebook YouTube LinkedIn Spotify X Office Hours with Arthur Brooks Podcast Join 150,000+ readers of The Art & Science of Happiness newsletter. Learn more about your ad choices. Visit podcastchoices.com/adchoices

President Trump is old, and it shows. But in his second term in the White House, he's not just old – he's cloistered. After building his political career on massive rallies, he's spent significantly more time this year on international travel and hanging out with billionaires, and significantly less time with the Americans who actually voted for him. Could that be why he's spent way more energy focused on getting America psyched up for a war with Venezuela and building a new ballroom than pretty much anything his base supported him for? To find out, we spoke to Jonathan Lemire, staff writer at The Atlantic and co-host of Morning Joe on MSNOW, about his piece called "The Bubble-Wrapped President."And in headlines, the president holds another perfectly normal cabinet meeting, more immigration judges get pink slips, and the Trump administration threatens to cut off SNAP payments in most Democratic-led states next week… unless those states turn over detailed personal records on aid recipients.Show Notes: Check out Jonathan's piece – https://tinyurl.com/59ef33stCall Congress – 202-224-3121Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My conversation with Dave Daley starts at about 34 minutes after headlines and clips and my guest appearance with Francesca Fiorentini on her show "The Bituation Room: starts at 1:14 Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul David Daley is a senior fellow for FairVote and the author of Ratf**ked: The True Story Behind the Secret Plan to Steal America's Democracy, which helped spark the recent drive to reform gerrymandering. Dave's second book, Unrigged: How Americans Are Battling Back to Save Democracy, chronicles the victories and defeats in state efforts to reform elections and uphold voting rights. A frequent lecturer and media source about gerrymandering, he is the former editor-in-chief of Salon.com, and the former CEO and publisher of the Connecticut News Project. He is a digital media fellow at the Wilson Center for the Humanities and the Grady School of Journalism at the University of Georgia. His work has appeared in the New Yorker, The Washington Post, The Guardian, New York magazine, the Atlantic, the Boston Globe, Rolling Stone, Details, and he's been on CNN and NPR. When writing for the Hartford Courant, he helped identify Mark Felt as the "Deep Throat" source for Bob Woodward and Carl Bernstein.  Subscribe to Piano Tuner Paul Paul Wesley on Substack Listen to Barry and Abigail Hummel Podcast Listen to Matty C Podcast and Substack Follow and Support Pete Coe Hire DJ Monzyk to build your website or help you with Marketing

On this week's show, Julia and Steve are joined by guest host Jamelle Bouie to crack mysteries corporeal and divine in Wake Up Dead Man: A Knives Out Mystery. The latest entrant in Rian Johnson's whodunnit franchise sees Daniel Craig return as detective Benoit Blanc to team up with an earnest—and earnestly handsome—priest played by Josh O'Connor. Next, they take on the hefty new Ken Burns documentary series The American Revolution, a sprawling, complicated, fife music-scored examination of this nation's founding.  Finally, are we experiencing a Great Stupidening? In a conversation about New York Magazine's “Stupid Issue” and The Atlantic piece ‘A Recipe for Idiocracy,' our smarty pants contemplate American idiocy.  In an exclusive Slate Plus bonus episode, the gang (with Dana!) recap Pluribus episode 6 “HDP.” Don't forget: we want your cultural queries! We're gathering your most pressing questions for our annual call-in show. If you've got a burning one, email us at culturefest@slate.com or give us a call and leave a message at: 347-201-2397. Endorsements: Jamelle: The sequels of the early '90s martial arts B-movie Best of the Best, specifically Best of the Best II and Best of the Best 3: No Turning Back. Steve: The Wong Kar Wai film In The Mood for Love.  Julia:  Joyride the new memoir by Susan Orlean. ----- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Leah Marone is a psychotherapist, Yale Clinical Instructor, and corporate mental wellness consultant with over 20 years of experience. A former Division 1 athlete, she specializes in high-achievers struggling with imposter syndrome, perfectionism, and performance anxiety. Leah has conducted over 20,000 therapy sessions and contributed to Psychology Today, Newsweek, and The Atlantic. This Episode Will Change You Life as she shares how She works with organizations on burnout prevention, boundary setting, and emotional intelligence. A sought-after speaker, Leah has presented her Support, Don't Solve framework to leaders nationwide. Her new book, Serial Fixer, exploring the hidden patterns of over-functioning and how to break free.You Can Find Leah here:⁠https://www.instagram.com/leahmaronelcsw/⁠⁠https://www.linkedin.com/in/leahmaronelcsw/⁠⁠https://linktr.ee/leahmaronelcsw⁠Want to be on the podcast? ⁠https://tinyurl.com/Mental-Healness-Podcast-Form⁠Contact Me - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://link.me/mentalhealness⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠I'm Lee & I've been diagnosed with narcissistic personality disorder ( NPD ). I've been in therapy since 2017 & It has definitely changed my life because without it, I would have lost everything. My platform is dedicated to giving you the WHYs behind the things that Narcissists do. I'm not here to diagnose ANYONE or to tell you to leave your relationship. I'm just trying to give you the information to make your own informed decisions

On this week's show, Julia and Steve are joined by guest host Jamelle Bouie to crack mysteries corporeal and divine in Wake Up Dead Man: A Knives Out Mystery. The latest entrant in Rian Johnson's whodunnit franchise sees Daniel Craig return as detective Benoit Blanc to team up with an earnest—and earnestly handsome—priest played by Josh O'Connor. Next, they take on the hefty new Ken Burns documentary series The American Revolution, a sprawling, complicated, fife music-scored examination of this nation's founding.  Finally, are we experiencing a Great Stupidening? In a conversation about New York Magazine's “Stupid Issue” and The Atlantic piece ‘A Recipe for Idiocracy,' our smarty pants contemplate American idiocy.  In an exclusive Slate Plus bonus episode, the gang (with Dana!) recap Pluribus episode 6 “HDP.” Don't forget: we want your cultural queries! We're gathering your most pressing questions for our annual call-in show. If you've got a burning one, email us at culturefest@slate.com or give us a call and leave a message at: 347-201-2397. Endorsements: Jamelle: The sequels of the early '90s martial arts B-movie Best of the Best, specifically Best of the Best II and Best of the Best 3: No Turning Back. Steve: The Wong Kar Wai film In The Mood for Love.  Julia:  Joyride the new memoir by Susan Orlean. ----- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Atlanta takes center stage in today's Morning Espresso. Jason breaks down the massive announcement that the USMNT will play Belgium and Portugal at Mercedes-Benz Stadium in March as part of their World Cup buildup — another landmark moment for U.S. Soccer's new home city. We also spotlight the latest from Decatur WatchFest ‘26, including the Indigo Girls closing out the final day of World Cup festivities on the Square. And across the Atlantic, Barcelona send a message in LaLiga with a statement win over Atlético Madrid. Plus the full rundown of World Cup news, MLS updates, global headlines, and everything you need to start your soccer day.

How did the British government overhaul the port system to process convoys? What is a corvette? Why was life on an Atlantic convoy so dangerous? Join James Holland and Al Murray for part 5 of this deep dive on the war in the Atlantic, the most vital theatre of war in WW2 and the long-running campaign between the British Royal Navy and the Nazi German Kriegsmarine. Start your free trial at ⁠patreon.com/wehaveways⁠ and unlock exclusive content and more. Enjoy livestreams, early access to podcast episodes, ad-free listening, bonus episodes, and a weekly newsletter packed with book deals and behind-the-scenes insights. Members also get priority access and discounts to live events. A Goalhanger Production Produced by James Regan Assistant Producer: Alfie Rowe Exec Producer: Tony Pastor Social: @WeHaveWaysPod Email: wehaveways@goalhanger.com Membership Club: patreon.com/wehaveways Learn more about your ad choices. Visit podcastchoices.com/adchoices

Conservatives have long complained that teaching American history with slavery and genocide and systemic oppression is just too negative, and the Trump administration has gone as far as attacking the Smithsonian for focusing too much on “how horrible our country is.” But omitting the shameful aspects of America's past doesn't just distort history—it impairs our ability to understand the present.  Guest:  Clint Smith, staff writer at The Atlantic and author of How the Word Is Passed: A Reckoning With the History of Slavery Across America and the new poetry collection Above Ground. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices