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4 episodes with Pinar Toprak
2 episodes with Pinar Toprak
5 episodes with Pinar Toprak
2 episodes with Pinar Toprak
2 episodes with Pinar Toprak
2 episodes with Pinar Toprak
4 episodes with Pinar Toprak
4 episodes with Pinar Toprak
2 episodes with Pinar Toprak
[School of Everything Else 2025] All the way back in 2017 I put together an absolutely EPIC musical journey through the first eight years of the MCU, from Iron Man all the way up to Doctor Strange. So much time has passed since then (cue many gifs of Matt Damon drinking from the wrong Grail) and Marvel has not followed my sound advice about allowing each hero (and maybe a villain or two) to retain a theme that reprises with every subsequent appearance. However, that does not mean there haven't been some truly excellent scores composed, which got side-lined in the clickbaity rush to pronounce Marvel as being formulaic, failing or indeed signifying the baleful death of film. Here for you now is a compendium of themes and sonic explorations as Phase 3 draws to its epic conclusion and Phases 4 and 5 wend their way from the small screen to the big and back again. I look forward to a third volume of these shows sometime in the early 2030s, when the Fantastic Four, the X-Men, Secret Wars and whatever happens with Spider-Man and whatever inevitable soft reboot brings us to a new era of superhero cinema. 1. The Falcon and the Winter Soldier (‘Louisiana Hero' by Henry Jackman) 2. Guardians of the Galaxy Vol. 2 (‘Dad' by Tyler Bates) 3. Spider-Man Homecoming (Michael Giacchino) 4. Thor: Ragnarok (‘Main Title' by Mark Mothersbourough) 5. Black Panther (‘Wakanda', ‘Warrior Falls' and ‘Killmonger' by Ludwig Goransson) 6. Infinity War (Alan Silvestri) 7. Captain Marvel (‘Main Theme' and ‘All Fired Up' by Pinar Toprak) 8. Black Widow (‘Yelena Belova' and ‘Natasha Soars' by Lorne Balfe) 9. WandaVision (‘Opening Themes: 50s, 60s, 70s and 80s' and ‘End Cretids' by Kristen Anderson-Lopez, Robert Lopez and Christophe Beck) 10. Loki (Natalie Holt) 11. Shang Chi (Joel P. West) 12. Eternals (Ramin Djawadi) 13. Moon Knight (Hesham Nazih) 14. Ms. Marvel (Laura Karpman) 15. The Marvels (Laura Karpman) 16. Spider-Man: No Way Home (‘Forget-Me-Knots' by Michael Giaccino) 17. Wakanda Forever (Ludwig Goransson) 18. Guardians Vol. 3 (‘Guardians vs Hallespawn' / ‘Into the Light' by John Murphy) 19. Thor Ragnarok Reprised (‘Twilight of the Gods' & ‘What Heroes Do' by Mark Mothersbourough) 20. Daredevil (John Paesano) 21. Jessica Jones (Sean Callery) 22. Luke Cage (Adrian Younge & Ali Shaheed Muhammad) 23. Iron Fist (Trevor Morris) 24. Werewolf by Night (Michael Giacchino) 25. Quantumania (Christophe Beck) 26. Agatha All Along (Christopher Beck) 27. Your Friendly Neighbourhood Spider-Man (The Math Club) 28. Deadpool & Wolverine (‘Bye Bye Bye' by NSYNC & ‘Like a Prayer Battle Royale Mix' by Madonna) 29. Avengers: Endgame (‘Portals', ‘The Real Hero' and ‘Main on End' by Alan Silvestri)
"Paw Patrol: la Superpelícula" (2023), música de Pinar Toprak.
Cinematic Sound Radio - Soundtracks, Film, TV and Video Game Music
On today's new episode of THE FLAGSHIP SHOW on CINEMATIC SOUND RADIO NETWORK, Erik Woods continues his look at some of his favourite scores written in 2023. This is part two of a three-part series. Today, you'll hear selections by such composers as Alexander Desplat, Christopher Willis, Christopher Young, Gordy Haab, Stephen Barton, Takeshi Furukawa, Pinar Toprak and Neal Acree. Part three is coming soon. Enjoy the show. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com
A musical outlook at the SyFy Series with its composer. Pinar has worked on Justice League, Falling Water and the video game, Fortnite. Subscribe To Sci-Fi Talk Plus For Free Lifetime Access
Turkish-American Emmy-nominated composer, conductor and performer Pinar Toprak, who is known for her work on everything from writing and producing music for Christina Aguilera's 2019 Xperience Live Show in Las Vegas, conducting Billie Eilish's performance of No Time To Die at the Oscars, to scoring Captain Marvel to Fortnite, delves into her most recent projects: the new Netflix body-swap film, Family Switch and new open world game, Avatar: Frontiers of Pandora. She explains her approach to these very different scores and explains why Steinberg's Cubase is her DAW of choice for all her projects.
This pilot episode aims to put the new format to the test. Let's see how it goes!Every month, I listen to every single Video Game Music (VGM) track that pops up on streaming services and craft a free mixtape out of my favorites. Sometimes, it's from a game that has just hit the shelves, and other times, it's from games that have just released their soundtracks online. Start discovering new artists and new games with NOWPLAYING!Chapters & credits:(00:00:04) God of War Ragnarök Valhalla"Valhalla", by Bear McCreary(00:04:40) Avatar: Frontiers of Pandora"Child of Two Worlds", by Pinar Toprak(00:06:50) Invincible Presents: Atom Eve"dont have a fear (main title)", by Milk & Bone(00:09:40) Against the Storm"Lustrous", by Mikolaj Kurpios(00:13:16) Money Heist: Ultimate Choice"A Heist, of Course", by Stephen Rippy(00:14:51) Snacko"Kingdom That Echoes Millenia (Far-Reaching Kingdom Remix), by Dale North, Camellia(00:18:25) Picayune Dreams"Interstellar (VS Picayune Phase 3)", by milkypossum(00:22:43) Teamfight Tactics"Slow Groovin' (Disconauts)", by Brendon Williams(00:25:32) Gran Turismo 7"Race Results 04", by Yasuhisa Inoue(00:26:10) GTA Online"LOWRIDERS", by DaM-FunK, Oh No(00:29:17) Karma The Game of Destiny"Map Loading", by Anthony FlammiaFollow NOWPLAYING to keep track of every single VGM release of 2024 and gain access to hefty playlists
AVATAR FRONTIERS OF PANDORA, le test par Yohann LemoreÀ savoir :► Sortie : 30/11/2023► Développeur : Massive Entertainment► Editeur : Ubsoft► Genre : Action Aventure FPS► Plateformes : PS5, Series, PC► Age : 16+Crédits audio :Avatar Frontiers Of Pandora soundtrack by Pinar Toprak► https://www.youtube.com/watch?v=uTAwZQD_xYM&t=6467s&pp=ygUmQVZBVEFSIEZST05USUVSUyBPRiBQQU5ET1JBIFNPVU5EVFJBQ0s%3D
Bienvenue sur le test d'Avatar Frontier of Pandora
Episode 440."Captain Marvel"Composer: Pinar Toprak.Pinar Toprak is a Turkish-American Emmy-nominated composer, conductor and performer, who specializes in creating thematic scores for everything from superhero sagas and blockbuster comedies to TV series and dramas. With her work on Captain Marvel and Fortnite, Pinar is the first female composer to score both a film and video game with gross revenues of over $1 billion and $5 billion respectively.Pinar also brings her fresh perspective and unique vision to a diversity of others musical projects, to name a few: composing the new theme for Amazon Prime Video Sports, popularly used on NFL's Thursday Night Football, composing and producing the soundtrack for Disney theme parks, including the new Epcot theme, writing and producing music for Christina Aguilera's 2019 Xperience Live Show in Las Vegas and conducting Billie Eilish's performance of "No Time To Die" at the 2022 Oscars ceremony.2023 saw the releases of the highly anticipated Paramount animation film PAW Patrol: The Might Movie and the Netflix comedy Family Switch, starring Ed Helms and Jennifer Garner, both with a score by Pinar Toprak.Pinar's talent for illuminating a story with her music is evident throughout her work, including scores for The Lost City (starring Sandra Bullock and Channing Tatum, directed by Adam Nee and Aaron Nee), Stargirl on the CW (created by Geoff Johns and Greg Berlanti ), Syfy's Krypton (created by David S. Goyer and Damien Kindler), HBO's McMillions (directed by James Lee Hernandez and Brian Lazarte), Slumberland (starring Jason Momoa, directed by Francis Lawrence) and Shotgun Wedding (starring Jennifer Lopez, directed by Jason Moore), among many others.#captainmarvel #brielarson #captainmarvel2 #comicbooks #marvel #moviemusic #pawpatrol #thursdaynightfootball https://linktr.ee/mondaymorningcritic
Garrett Chaffin-Quiray and Ed Rosa consider how Herman Melville's novella, “Billy Budd”, was translated into a movie that the 2022 “Sight and Sound” poll of the greatest films of all time maintains is the seventh greatest ever.***Referenced media:“Dune: Part One” (Denis Villeneuve, 2021)“Blade Runner 2049” (Denis Villeneuve, 2017)“Chocolat” (Claire Denis, 1988)“High Fidelity” (Stephen Frears, 2000)“American Psycho” (Mary Harron, 2000)“Gladiator” (Ridley Scott, 2000)“Trouble Every Day” (Claire Denis, 2001)“Blood for Dracula” (Paul Morrissey, 1974)“Olympia 1: Festival of Nations” (Leni Riefenstahl, 1938)“Olympia 2: Festival of Beauty” (Leni Riefenstahl, 1938)“Reflections on a Golden Eye” (John Huston, 1967)“Blue Lagoon” (Randal Kleiser, 1980)“Paw Patrol: The Mighty Movie” (Cal Bunker, 2023)Audio quotation:“Dune: Part One” (Denis Villeneuve, 2021), “Paul's Dream” composed by Hans Zimmer“PAW Patrol: The Mighty Movie” (Cal Bunker, 2023), “PAW Patrol: The Might Movie” composed by Pinar Toprak
Andrew Synowiec is a session musician, primarily as a guitarist, who has appeared on recordings of a variety of artists and bands, including The Who, Barbara Streisand, Megan Trainor, and M83. He's also performed on the soundtracks of several films and television series, including Cobra Kai, Frozen, Coco, A Good Day to Die Hard, Little Fockers, and more! Andrew talks about moving to LA from Miami, becoming a session guitarist, the process of working with a variety of composers, and...of course, the tools to be successful in this line of work. He also talks about some of his other projects as a performer. This is a great conversation that you won't want to miss! Find out more about Andrew Synowiec at https://andrewsynowiec.com/ Musical excerpts in order of appearance: "The Final Countdown" arr. Pinar Toprak (from The Lost City soundtrack) "Sam and Robby" and "Quiver" by Leo Birenberg and Zach Robinson (from Cobra Kai soundtrack) "Let It Go" by Kristen Anderson-Lopez and Robert Lopez (from Frozen soundtrack) "Triple Vodka Rhapsody" by Marco Beltrami (from A Good Day to Die Hard) "Dia de Los Muertos" by Michael Giacchino (from Coco) "Triad Days" and "Late to the Party" by Andrew Synowiec Let me know your thoughts on this episode at https://www.speakpipe.com/MusicianToolkit or you can send me a written message at https://www.davidlanemusic.com/contact You can find this episode and links to this show on all podcast apps from https://musiciantoolkit.podbean.com/ . If you enjoyed this, please give it a rating and review on the podcast app of your choice. You can also now find the podcast at https://www.davidlanemusic.com/toolkit You can follow David Lane AND the Musician Toolkit podcast on Facebook @DavidMLaneMusic, on Instagram and TikTok @DavidLaneMusic, and on YouTube @davidlanemusic1 This episode is sponsored by Fons, an online platform that helps private teachers of all types (music, yoga, martial arts, academic tutoring, coaches, etc) with smooth, automated assistance such as securing timely automatic payments and scheduling. Click here for more information or to begin your free trial.
SALVE SALVE FML! A Bancada Sagrada de NFL se reúne novamente para ACERTAR todos os vencedores da premiação mais aguardada da National Football League. Vem com a gente para mais um programa pra lá de engraçadinho. SEGUE O PROGRAMA E ATIVA AS NOTIFICAÇÕES!!!!! Prime Video Sports Theme by Pinar Toprak; ReauBeau - For You (feat. Eline Mann) [NCS Release] Music provided by NoCopyrightSounds; Raven & Kreyn, KDH - Dum Dum (feat. Scarlett) [NCS Release] Music provided by NoCopyrightSounds.
Composer Pinar Toprak dives into her performance with Billie Eilish and Finneas at the Oscars, and her process creating a theme suite for the NFL and Thursday Night Football on Amazon Prime Video. Then, why the music for SLUMBERLAND is some of the most personal she's ever written. Interview by Kenny Holmes and Matt Schrader.
Berklee College of Music alum Pinar Toprak keeps blazing new trails as a composer. She joins us to talk about her impressive career, and what it's like to compose for football.
Slumberland is a 2022 American fantasy adventure film directed by Francis Lawrence and written by David Guion and Michael Handelman. It is based on the comic strip, Little Nemo in Slumberland, by Winsor McCay. The film stars Jason Momoa and Marlow Barkley with Chris O'Dowd, Kyle Chandler and Weruche Opia in supporting roles.A young girl discovers a secret map to the dreamworld of Slumberland, and with the help of an eccentric outlaw, she traverses dreams and flees nightmares, with the hope that she will be able to see her late father again. ★ Support this podcast on Patreon ★
Our latest guest on Soundtracking is a returning composer who has fast become one of the hardest working and most sought after talents in the business. Pinar Toprak's latest efforts can be heard on the light hearted jungle romp, The Lost City, but she's also got a number of exciting projects in the pipeline and is fresh from conducting Billie Eilish and Finneas's performance of No Time To Die at the Oscars. It's an absolute delight to hear her talk about her craft.
Composer Pinar Toprak has brought one of the mightiest Marvel heroes to electrifying light with her score for 2019's $1 billion hit Captain Marvel, and last year illuminated a rainstorm with dazzling soulfulness and jazz with composing the vibrant Disney animated short Us Again. She's a truly versatile composer who is making her mark on Hollywood and beyond, including for the forthcoming Sandra Bullock film The Lost City and current television series Stargirl. On this episode of Notably Disney, host Brett Nachman interviews Pinar Toprak to learn more about her musical trajectory and work for The Walt Disney Company. Follow Pinar on Instagram (@pinartoprakcomposer) and Twitter (@pinartoprak). Check out Pinar's website to learn more about her composing credits. Feel free to follow Brett on Twitter (@bnachmanreports), subscribe to the podcast, and send your feedback to notablydisney@gmail.com New episodes of Notably Disney debut on the first and third Tuesday of every month.
Godt nytår! Igen har ugens episode intet med den aktuelle højtid at gøre, men til gengæld er det en længe ventet episode, da vi har snakket om det i evigheder: We Adore Sandra Bullock. Og med 'We', så er det mest Anders. Peter og Tobias er dog også i studiet og giver deres besyv med, trods Tobias fastholder, at han ikke adorer særlig mange skuespillerinder. Eller gør han? Vi kommer ind på Sandra Bullocks største hits og hendes knap så store hits - og så fremhæver vi et par film, som ikke bliver nævnt særlig tit, når snakken falder på Sandra. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram-mediet: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere George Clooneyer i det ydre rum. Yderligere informationer Citat fra film: The Lost City (Fortis Films, 3dot Productions, Exhibit A, Paramount Pictures - composer: Pinar Toprak), Speed (The Mark Gordon Company, 20th Century Fox - composer: Mark Mancina), Speed 2: Cruise Control (Blue Tulip Productions, 20th Century Fox - composer: Mark Mancina), While You Were Sleeping (Hollywood Pictures, Caravan Pictures, Buena Vista Pictures Distribution Inc. - composer: Randy Edelman), The Net (Columbia Pictures, Sony Pictures Releasing - composer: Mark Isham), The Unforgivable (GK Films, Fortis Films, Construction Film, Red Production Company, Netflix - composers: Hans Zimmer, David Fleming)
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel Rise" by Pinar Toprak
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Agustín, Marta y Salva repasan las etapas más interesantes de la Capitana Marvel en las viñetas y después se atreven a teorizar sobre qué pasará en Avengers Endgame Únete a nosotros en Telegram: t.me/marcianosenuntren Lista de difusión de Ed. Limitada en WhatsApp: Mandar nombre completo al 619028920 Modera: Agustín Amador Participan: Marta Cabello y Salvador Rojo Edición y música: Jose Ceballos Temas de: Pinar Toprak y Elastica Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Original broadcast date March 28, 2019. The original podcast post is here: https://pixelatedgeek.com/2019/03/binary-system-podcast-170-captain-marvel/ What's the Binary System topic for the week? Is it a cartoon from the 80s? No. Is it a vampire TV show from two years ago? No. That's right, we're talking about a movie that's STILL IN THE THEATER. Listen in as we geek all the heck out about Captain Marvel: the kickass fight scenes, the gorgeous special effects, and Goose the cat! We also discuss whether or not digital editing can go too far, Stan Lee's cameo, and how sometimes we don't see a plot point coming even when it was telegraphed and WE'RE OKAY WITH THAT because it means we enjoyed being surprised, so there. This week's outro music is a clip from the Captain Marvel theme by Pinar Toprak. https://youtu.be/KNxOirM9ZFI Correction: well, clarification, we really need to mention that while Kelly Sue DeConnick was responsible for much of the Captain Marvel character as she exists now, her look (specifically the flight suit design) in the comics was Jamie McKelvie's creation (and he was apparently very happy with the transition of the design to the movie.) https://www.imdb.com/title/tt4154664/trivia?item=tr4320357
THE MOVIE PODCAST is one of Canada's top film and review podcasts. Every week you'll hear film lovers Daniel, Shahbaz, and Anthony discuss the biggest movie news, talk trailers, what's coming soon, ponder a unique topic of show, and speak to special guests from across the film industry. Catch a new episode of The Movie Podcast every Monday and watch out for Review episodes on all the latest movies and series. Follow @TheMoviePodcast on Instagram and Twitter, write into the show, and leave a review on Apple Podcasts!EPISODE #96: Alamo Drafthouse Files for Bankruptcy and Golden Globes 2021 Recap - March 7, 2021 ANNOUNCEMENTSREVIEWS: WandaVision Episode 9, Raya and The Last Dragon, Coming 2 America, and more!NEWS: WE'RE GOING TO SXSW IN MARCH!The Movie Podcast is on a mission to hit 200 Apple Podcast reviews before September, click here to head over to our show page on APPLE PODCASTS and leave us a 5 STAR review!PLINKIf you run a podcast, PLINK is an essential tool and will send your listeners to the right place, on any device, every time.The Movie Podcast affiliate code: https://plinkhq.com/?via=themoviepodcast FOLLOW USFollow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube NEWSSan Diego Comic-Con Goes Virtual in July 2021, Plans November In-Person Event - Adam B. Vary / VarietyAlamo Drafthouse Files for Chapter 11, Announces Sale to Altamont Capital, Fortress Investment - Brent Lang / Variety‘A Quiet Place 2' Release Date Moves Up to May - Rebecca Rubin / VarietyGolden Globes 2021 Recap TRAILERSWithout Remorse (Prime)Zack Snyder's Justice League Character TeasersThunder Force OUT THIS WEEKAssembled: The Making of WandaVision (Disney+)Cherry (Apple TV+)The Father (US) WHAT WE'RE WATCHINGAnthony: Raya and The Last Dragon, Us Again, For All Mankind (Season 2), Stanley Tucci: Searching for Italy, Jurassic Park, The Mauritanian, Man of Steel, WandaVisionDaniel: The Secret Life of Walter Mitty, Golden Globes, Young Rock, MODOK, The Father, Superman and Lois, Cop Land, Coming To America, Coming 2 America, WandaVision, Man of Steel, Batman v Superman: Dawn of Justice, Justice League (2017)Shahbaz: The Hangover, The Father, Coming 2 America, WandaVision, Man of Steel, MODOK, Batman v Superman: Dawn of Justice
“Raya and the Last Dragon” takes us on an exciting, epic journey to the fantasy world of Kumandra, where humans and dragons lived together long ago in harmony. But when an evil force threatened the land, the dragons sacrificed themselves to save humanity. Now, 500 years later, that same evil has returned and it's up to a lone warrior, Raya, to track down the legendary last dragon to restore the fractured land and its divided people. However, along her journey, she'll learn that it'll take more than a dragon to save the world—it's going to take trust and teamwork as well.Don Hall and Carlos López Estrada are directing, with Paul Briggs and John Ripa co-directing. Osnat Shurer and Peter Del Vecho are the producers, and Qui Nguyen and Adele Lim are the writers on the project.FOLLOW USFollow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel Rise" by Pinar Toprak
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel" by Pinar Toprak
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel" by Pinar Toprak
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel Rise" by Pinar Toprak
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel" by Pinar Toprak
Cette semaine, on prend nos planches et on part surfer sur la deuxième vague féministe ! Dans la deuxième partie de notre série sur les Miss et Captain Marvel, on revient sur la seule qui a endossé ces deux noms : Carol Danvers ! La "première super-héroine féministe" de Marvel a rencontré bon nombre d'encombres avant d'être celle que l'on connaît aujourd'hui. Et comme Monica, elle a aussi fait pas mal de crises identitaires, de ré-orientations professionnelles, et a vraiment un truc avec les explosions d'énergie étrange. Aussi, elle nous apprend l'importance du titre "Ms" (prononcé mize et pas miss). Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - Interview (en anglais) de Kelly Sue DeConnick sur Carol Danvers et le sexisme dans les comics. "Meet the woman who's taking on the sexism of the comic book industry and winning" https://www.vox.com/2014/10/13/6961965/marvel-kelly-sue-deconnick-writer-carol-corps - Interview (en anglais) d'Anna Boden et Ryan Fleck, les réals de Captain Marvel. https://www.youtube.com/watch?v=IOJP9I4-o78 - Captain Marvel de Pinar Toprak, morceau de la BO de Captain Marvel, joué à la fin de l'épisode.
Llegó el momento de hablar de la mejor película del MCU, y una de las mejores películas de todos los tiempos (prohibido no estar de acuerdo). Hoy hablamos de Avengers: Infinity War, la película en la que Thanos hizo que el universo de Marvel cambiara para siempre. Acompáñennos a revisitar este evento, en la primera entrega de una Retrospectiva doble, que concluirá con Endgame. // ATAJOS // (00:00) Introducción // MINI-REVIEW // (03:50) Helstrom // TEMA DE LA SEMANA // (08:31) Retrospectiva: Infinity War
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel Rise" by Pinar Toprak
Musique Mécanique par le Théâtre Électrique ::"Captain Marvel" by Pinar Toprak
She composes the soundtracks for superheroes! Pinar Toprak drops by to talk about her recent Emmy nom for McMillions, and how a tryout for Wonder Woman led to super soundtracks for Captain Marvel, Krypton, and Stargirl!Photo courtesy Pinar ToprakImages TM & copyright © Warner Bros., Marvel Pinar’s official websiteFollow Pinar on TwitterFollow Pinar on InstagramStargirl […]
She composes the soundtracks for superheroes! Pinar Toprak drops by to talk about her recent Emmy nom for McMillions, and how a tryout for Wonder Woman led to super soundtracks for Captain Marvel, Krypton, and Stargirl!Photo courtesy Pinar ToprakImages TM & copyright © Warner Bros., Marvel Pinar’s official websiteFollow Pinar on TwitterFollow Pinar on InstagramStargirl […]
Llegamos al episodio número treinta, y qué mejor forma de celebrarlo que con nuestra primera invitada especial: Ángeles Bernárdez se suma a Pizza, Birra, Marvel y aporta sus extensos conocimientos en música para hablar de las bandas de sonido del MCU. Alan Silvestri, Henry Jackman, Michael Giacchino, Ludwig Göransson, Pinar Toprak, y muchos otros en un mega-especial XXL, de la mano de tres personas obsesionadas con la mùsica y el cine. Además, Ángeles nos cuenta su experiencia con la versión beta del videojuego Marvel's Avengers. // ATAJOS // (00:00) Introducción // NOTICIAS // Rumores sobre directores: (08:27) Olivia Wilde sería la directora de Spider-Woman, (11:58) J.C. Chandor dirigiría Kraven, y (14:55) Anna Boden y Ryan Fleck serían los directores de Ms. Marvel / (16:33) Angeles nos cuenta todo sobre la versión beta de Marvel's Avengers / (24:05) El estreno de The New Mutants en Argentina se adelanta al 17 de septiembre / (28:24) Disney+ llega a Latinoamérica el 17 de noviembre // TEMA DE LA SEMANA // (32:37) Pizza, Birra, Marvel: ¡El Musical! // Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
I met our next guest at an ASCAP event the year I moved to LA right after she did the music for Epic Games' Fortnite. Since then she has become the musical voice of superhero projects ranging from summer blockbuster Captain Marvel to shows including DC's Stargirl and Superman prequel Krypton. She's also been nominated for an Emmy for Outstanding Music Composition for a documentary for her score to HBO's McMillions. The composer is... Pinar Toprak --- Support this podcast: https://anchor.fm/composertalk/support
We can barely believe we're uttering these these words, but welcome to the 200th episode of Soundtracking. 200! That's a lot of great guests, stories, creative insights and - perhaps most importantly - music from the world of film and television. And we're delighted to be celebrating our birthday with a brilliant female composer, given that it's still an industry dominated by men. Pinar Toprak is a Turkish American musician, best known for her work on smash video game Fortnite and Captain Marvel. She joined me from her home in the US to discuss all manner of things, from the CD that inspired her to pursue a career in film scoring to the industrious way in which she landed the Captain Marvel gig.
In this Headliner USA podcast we chat to Pinar Toprak, perhaps best known for scoring Captain Marvel - the biggest grossing movie of 2019. As we talk through Pinar's musical life, growing up in Turkey and building a fantastic career for herself in Los Angeles, it's clear to see that 20 years of hard work really can pay dividends. Her latest project is DC's Stargirl, which started airing in May - we chat through the scoring process.
Matty P Radio Presents: Marks v. Pros & Saturday Morning Cereal
Take some time this week to remember your original happy hour: Saturday mornings as a kid, waking up at dawn, jumping on the couch with a bowl of chocolate cereal, turning on the ‘toons, tuning out the outside world and working your way into a sugar hangover before noon. This week, we talk to the stars! Thanks to a teaser look on Earth-2 in the final moments of the Crisis on Infinite Earths crossover event on The CW, fans have been eager to catch up with the “Arrow-verse” JLA and the CW’s first high school superhero show, DC’s Stargirl! From original creator and comic book writer Geoff Johns,itfollows high school sophomore “Stargirl” Courtney Whitmore as she moves to Blue Valley, Nebraska after her mother marries Pat "Stripsey" Dugan and inspires an unlikely group of young heroes, including our guest Yvette Monreal (Rambo: Last Blood) as Wildcat, to stop the villains of the past, including our other guest Joy Osmanski (Duncanville) as Tigress. This live-action superhero drama reimagines the 1999 Stargirl comics and the very first superhero team, the Justice Society of America, in an unpredictable series scored by yet another of our guests, Pinar Toprak, whose geek cred composer credits include Krypton, Fortnight, Captain Marvel and even the new main theme from Walt Disney Worlds EPCOT theme park. Join super friends Grim Shea, Marke and Jimmy as they talk superheroes on this super day! DC’s STARGIRL premieres on this Monday, May 18, 2020 as an exclusive new DC Universe series with a national broadcast premiere on the CW on Tuesday, May 19, 2020.
A musical outlook at the new SyFy Series with its composer. Pinar has worked on Justice League, Falling Water and the video game, Fortnite.
El panorama de los creadores de música de cine, es algo que viene recayendo entre los hombres, donde grandes nombres como por ejemplo, John Williams, Jerry Goldsmith, Ennio Morricone, Alan Silvestri, Bernard Herrmann, Maurice Jarre y un sinfín de reconocidos creadores de las bandas sonoras de películas, copan el Olympo de los maestros en esta materia. Pero de un tiempo a esta parte han aparecido una serie de compositoras de reconocido prestigio que poco a poco se van haciendo sitio y donde su calidad es muy contrastada. En este reportaje os comentamos aquellas compositoras recientes que hemos rescatado para recordarlas. Hablaremos y escucharemos temas de las siguientes compositoras: Anne Dudley (1956), Lisa Gerrard (1961), Lesley Barber (1962), Debbie Wiseman (1963), Deborah Lurie (1974), Pinar Toprak (1980) y Hildur Guðnadóttir (1982). Si te gusta el programa, puedes opinar y/o aportar informacion complementaria a este programa, incluso proponiendo nuevas compositoras. Gracias por tu colaboración.
El panorama de los creadores de música de cine, es algo que viene recayendo entre los hombres, donde grandes nombres como por ejemplo, John Williams, Jerry Goldsmith, Ennio Morricone, Alan Silvestri, Bernard Herrmann, Maurice Jarre y un sinfín de reconocidos creadores de las bandas sonoras de películas, copan el Olympo de los maestros en esta materia. Pero de un tiempo a esta parte han aparecido una serie de compositoras de reconocido prestigio que poco a poco se van haciendo sitio y donde su calidad es muy contrastada. En este reportaje os comentamos aquellas compositoras recientes que hemos rescatado para recordarlas. Hablaremos y escucharemos temas de las siguientes compositoras: Anne Dudley (1956), Lisa Gerrard (1961), Lesley Barber (1962), Debbie Wiseman (1963), Deborah Lurie (1974), Pinar Toprak (1980) y Hildur Guðnadóttir (1982). Si te gusta el programa, puedes opinar y/o aportar informacion complementaria a este programa, incluso proponiendo nuevas compositoras. Gracias por tu colaboración.
Programa que volvemos a dedicar a mujeres compositoras dentro de la sección la BSO de tu vida, un nuevo especial que comenzamos hace unas semanas con la gran compositora Rachel Portman. En el programa 423 hablaremos y escucharemos temas de las siguientes creadoras: - Anne Dudley, 1956 - Lisa Gerrard, 1961 - Lesley Barber, 1962 - Debbie Wiseman, 1963 - Deborah Lurie, 1974 - Pinar Toprak, 1980 - Hildur Guðnadóttir, 1982 Un buen número de fantásticas compositoras donde podemo encontrar a la ganadora del Oscar, Hildur Guðnadóttir, por Joker entre las creadoras que pasarán por este programa. Si quieres opinar o enviarnos información de otras compositoras que te gustaría que repasemos nos envías un mail a: masquecine@radionova.cat
What even happened last year? Omar and Analise chat about what albums made the cut for their favorites of the last year of the decade. Obviously Carly is on the final list, but will their lists match up with Pitchfork? Get the smelling salts ready!! Email us: popmusicpodcast@gmail.com Get a Popular Music t-shirt!: https://www.teepublic.com/t-shirt/4134024-classic-pop-music-logo?store_id=205839 Chat pop music with us in our Facebook group!: https://www.facebook.com/groups/647416295647220/ Additional Recommendations: On The Line by Jenny lewis Dedicated by Carly Rae Jepsen The Captain Marvel soundtrack by Pinar Toprak Cuz I Love You by Lizzo Hey I’m Just Like You by Tegan and Sara GREY Area by Little Simz Young Enough by Charlie Bliss 7 by Lil Nas X This Wild Willing by Glen Hansard Turn Off The Light by Kim Petras Find us on all the socials! twitter.com/popmusicpodcast instagram.com/popmusicpodcast facebook.com/popmusicpodcast Follow Analise: twitter.com/lalalanalise Follow Omar: twitter.com/omarnajam Podcast logo by Javier Solórzano https://instagram.com/jav_solo/
In our debut episode we talk with Paul Williams, the Oscar, Grammy and Golden Globe-winning, Hall of Fame songwriter and President of ASCAP. Paul talks about unexpected opportunities and shares the inspiring story of Phantom of the Paradise, a commercial film flop that evolved into one of the most influential works of his career, and amazingly netted him an Album of the Year Grammy with Daft Punk 40 years later. PLUS: From the ASCAP archives, Captain Marvel and Fortnite composer Pinar Toprak talks!
Composer Pinar Toprak speaks with host Jon Burlingame about her amazing journey from studying violin at a conservatory in her homeland of Turkey, to becoming the first woman to score a film in the Marvel cinematic universe. She shares stories about the soundtrack that most influenced her career, her work scoring popular video games and the panic attack that helped her come up with the theme for Marvel Studios' Captain Marvel.
Hans Zimmer on Dune, Thomas Newman on 1917, and Junkie XL on Terminator: Dark Fate are three upcoming composer assignments. Michael Abels on See You Yesterday, Michael Giacchino and Pinar Toprak receiving ASCAP Awards and Alan Menken receiving a Razzie Award are all in the past now, but in this extremely belated episode, Dane Walker, Kristen Romanelli and Christopher Coleman make these the central topics for this volume of The Soundcast Six.Episode Highlights05:13 - #1 Hans Zimmer on Dune15:50 - #2 Thomas Newman on 191723:29 - #3 Michael Abels on See You Yesterday32:12 - #4 Michael Giacchino and Pinar Toprak receive ASCAP Awards42:52 - #5 Junkie XL on Terminator: Dark Fate52:18 - #6 Alan Menken receives a RazzieMusic Selections 01:10 - "Sandstorms" (Dune) by David Matthews04:58 - "To Tame a Land" - (The Hand of Doom Orchestra Plays Iron Maiden...) Vitamin String Quartet15:19 - "World War I" (War Collection Grades 3 - 12) by Mind Music23:05 - "Pas De Deux" (Us) Michael Abels and Various31:28 - "Lujon" - (Summer Swing Party, Vol. 1) by Henry Mancini42:26 - "Terminator" (Terminator) SPENSR51:42 - "High Times, Hard Times" (Newsies) by Newsies Ensemble & Newsies Add. Singing Cast65:28 - "Sandstorms" (Dune) by David MatthewsFind and Follow:Follow Dane Walker on Twitter - @maestrodane or on Letterboxd @maestrodaneFollow Kristen Romanelli on Twitter - @kbfornow or on Letterboxd @kbfornowFollow Christopher Coleman on Twitter - @ccoleman or on Letterboxd @clcolemanFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Spotify: Find our Spotify Companion Playlist here! Find the Soundcast Six - The Bumpers Playlist here!Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRADIOPUBLICRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO
Robert and Kenny start the show sharing a clip from the Rise of the Planet of the Apes scoring session with composer Patrick Doyle, discussing whether Toy Story 4's slow start should be considered a disappointment and updating the developing Michael Giacchino subtweeting situation with The Batman. Then award-winning composer Pinar Toprak (Captain Marvel, Justice League, Krypton, Fortnite) joins to tell the story of how Hans Zimmer's The Prince of Egypt soundtrack might have started her journey into the film music world, getting her first scoring gig while working under orchestrator William Ross, writing pop music for another galaxy for Krypton and revealing that her demo for Wonder Woman was heard by Marvel music supervisor Dave Jordan which got her a shot at Captain Marvel. Follow us on Twitter @ScoreThePodcast Hosts: Robert Kraft & Kenny Holmes Executive Producer: Matt Schrader Coordinator: Carol Kuswanto Copyright 2019 Score: The Podcast
Welcome to the 113th episode of Motivational Hits 2019, this podcast is all about playing one motivational song every day. The songs I will play mean something to me and I want to try use music to motivate more people. Today's band is called The Seed ft Pinar Toprak and the song name is Fight Enjoy https://open.spotify.com/track/4X5p267H6y4FgJGwWHJlXl?si=ghNz0pV4Twq5TlpKLwLsiw Find me on Social Media: Facebook Twitter YouTube Instagram LinkedIn Steemit Dtube Yeah, See I was born into oppression, The only thing that would make an individual, Discipline himself to become a weapon, Family never had much, Developed a punch tolerance for the pain, Running miles in the rain, The rain became my best friend Gym was my wife, Laced my gloves real tight, Making love every night, Its the sound of the speed bag, Hand hitting in rhythm, Jump roping? Determined to go the distance, Smell of the blood and the sweat, After a long shift, Small pay cheques just furthered the will to want to live, Above the heavens the head hunt, ? full work shadowing boxing and combos, Crunches and push ups are? rope works, Sacrifice my body never minding if the blows hurt (hurt), One chance if the? broke, You ain't ready, You missed your destiny, I'm ready to go I wont back down, And no i don't quit, Seems like my whole life I've been waiting for this, I give everything i got, All my blood sweat and tears, Leading up to this moment right here, And that's why i fight through the darkness, And fight through the rain, Fight through the struggle, And Fight through the pain, Fight through the hard times, Fight to maintain, But whats a fight if you don't fight for your dreams, Fight through the darkness, And fight through the rain, Fight through the struggles, And fight through the pain, Fight through the hard times, And fight to maintain, But whats a fight if you don't fight for your dreams, The fire in my eyes so deadly, My focus on the rise so steady, What you waiting for i been ready, Whatever you got come get me, #podcast #podcasting #motivation #motivationalhits #theseed
Three distinctively different creators: one special show. In honor of this month’s ASCAP Expo, we have curated segments from three very prominent ASCAP members: Pinar Toprak, the composer who scored Captain Marvel; songwriter and producer Dave Bassett, whose hits include “Ex’s and Oh’s,” with Elle King, and “Fight Song” with Rachel Platten, and Lindy Robbins, one of Hollywood’s most accomplished pop songwriters with songs recorded by Jason Derulo, Andra Day, David Guetta and many others.
Recordad: primera parte, sin spoilers. Los excelsos frikis del área de cómic marciana analizan el último estreno del Universo Cinematográfico Marvel, desvelando los "orígenes comiqueros" del personaje y haciendo referencia al revuelo sociocultural y político que ha despertado en ciertos ámbitos. Únete a nosotros en Telegram: t.me/marcianosenuntren Lista de difusión de Ed. Limitada en WhatsApp: Mandar nombre completo al 619028920 Modera: Agustín Amador Participan: Marta Cabello y Salvador Rojo Edición y música: Jose Ceballos Temas de: Pinar Toprak, Republica, Heart, Anastacia y sesión de Moodwave
In the latest episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Pinar Toprak & Michael Abels, with featured albums Captain Marvel and Us, plus a special re-release of Basil Poledouris' Lonesome Dove. They also choose their Top 5 Female Composers including Mica Levi, Anne Dudley & Rachel Portman, discuss Hans Zimmer composing Denis Villeneuve's upcoming Dune, and talk Sean attending a composer battle of the work of Zimmer & John Williams - plus thoughts on Disasterpiece's Under the Silver Lake and The White Crow. Host / Editor Tony Black Co-Host Sean Wilson Twitter: @btw_notes We Made This: @wemadethispod All music courtesy of Varese Sarabande Records & Back Lot Music.
In the latest episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Pinar Toprak & Michael Abels, with featured albums Captain Marvel and Us, plus a special re-release of Basil Poledouris' Lonesome Dove.They also choose their Top 5 Female Composers including Mica Levi, Anne Dudley & Rachel Portman, discuss Hans Zimmer composing Denis Villeneuve's upcoming Dune, and talk Sean attending a composer battle of the work of Zimmer & John Williams - plus thoughts on Disasterpiece's Under the Silver Lake and The White Crow.Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodAll music courtesy of Varese Sarabande Records & Back Lot Music.
In the latest episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Pinar Toprak & Michael Abels, with featured albums Captain Marvel and Us, plus a special re-release of Basil Poledouris' Lonesome Dove.They also choose their Top 5 Female Composers including Mica Levi, Anne Dudley & Rachel Portman, discuss Hans Zimmer composing Denis Villeneuve's upcoming Dune, and talk Sean attending a composer battle of the work of Zimmer & John Williams - plus thoughts on Disasterpiece's Under the Silver Lake and The White Crow.Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodAll music courtesy of Varese Sarabande Records & Back Lot Music.
She's finally here! Captain Marvel has finally made her way to earth and is ready to take her place in the Marvel Cinematic Universe. Right along side of the MCU's newest hero comes composer Pinar Toprak, whose original score is the central topic for Dane Walker, Kristen Romanelli and Christopher Coleman. The trio discusses their thoughts on the film and the score overall and then share some of their favorite tracks from the soundtrack. To conclude, they compare and contrast Alita: Battle Angel both the film and Tom Holkenborg's (Junkie XL) original score. After the official conclusion of the episode, stay tuned for an extended Captain Marvel spoiler discussion.Episode Highlights03:51 - What did we know about Captain Marvel and when did we know it07:41 - Captain Marvel - General reaction to the film19:26 - Captain Marvel - General reaction to the score24:40 - Captain Marvel - Stand out tracks30:20 - Alita: Battle Angel - how does the film compare to Captain Marvel?40:54 - Alita: Battle Angel - how does the score compare?50:24 - BONUS - Captain Marvel - Spoiler discussionMusic Selections (Support these artists (and us) by buying these tracks from Amazon.)00:00 - "Captain Marvel" (Captain Marvel) by Pinar Toprak07:10 - "Waking Up" (Captain Marvel) by Pinar Toprak19:16 - "Let's Bring Him Home" (Captain Marvel) by Pinar Toprak24:25 - "Hot Pursuit" (Captain Marvel) by Pinar Toprak24:54 - "Captain Marvel" (Captain Marvel) by Pinar Toprak25:15 - "Hot Pursuit" (Captain Marvel) by Pinar Toprak25:26 - "Captain Marvel" (Captain Marvel) by Pinar Toprak26:06 - "Waking Up" (Captain Marvel) by Pinar Toprak27:05 - "Escaping the Basement" (Captain Marvel) by Pinar Toprak28:10 - "High Score" (Captain Marvel) by Pinar Toprak28:32 - "I'm All Fired Up" (Captain Marvel) by Pinar Toprak29:04 - "This Isn't Goodbye" (Captain Marvel) by Pinar Toprak29:49 - "Discovery" (Alita: Battle Angel) by Tom Holkenborg40:57 - "I Don't Even Know My Own Name" (Alita: Battle Angel) by Tom Holkenborg48:06 - "This Isn't Goodbye" (Captain Marvel) by Pinar ToprakNotes:Rottentomatoes - Captain MarvelBox Office Mojo - Captain MarvelFind and Follow:Follow Dane Walker on Twitter - @maestrodane or on Letterboxd @maestrodaneFollow Kristen Romanelli on Twitter - @kbfornow or on Letterboxd @kbfornowFollow Christopher Coleman on Twitter - @ccoleman or on Letterboxd @clcolemanFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Spotify: Find our Spotify Companion Playlist here! Find the Soundcast Six - The Bumpers Playlist here!Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRADIOPUBLICRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO
Continúa el Marvel Cinematic Universe, y Verónica, Ezequiel, y MaGnUs se juntan para charlar sobre Captain Marvel, en una RE: seña laaaaarga que incluye el plot, los actores, la música, el humor, el lugar de la película en el MCU, y los aportes específicos que hace al conjunto de las películas de Marvel. No hablamos solo desde el punto de vista argumental y puramente ficticio, sino también de los mensajes y temas tratados. Además, noticias, y geekeo máximo con el nuevo trailer de Avengers: Endgame. Con música de Pinar Toprak, y Garbage. Próximo programa: Estreno de nuestra nueva sección, Cosas Del Espacio.
We reviewed the Captain Marvel movie. Spoilers if you haven’t watched the movie yet don’t listen. Music you hear is from captain marvel Pinar Toprak and nirvana come as you are all from iTunes.
Higher. Further. Faster. In this edition of Geeksplained Extra, join host Aeric Azana as he reviews the new Captain Marvel film - from Brie Larson's performance to the scene-stealing Goose the cat! All that and more in this SPOILER-FILLED review! WARNING: SPOILERS FOR CAPTAIN MARVEL CONNECT WITH US! Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Captain Marvel" by Pinar Toprak "You Gotta Be" by Des'ree
Matthew Sweet considers music for the female super hero and talks exclusively to composer Pinar Toprak who's written the score for the much anticipated new Captain Marvel film, released this weekend to coincide with International Women's Day. Featuring music from Wonder Woman, Cat Woman, Super Girl, X Men, The Avengers, and The Fantastic Four, plus a rallying cry for equal pay from Bat Girl in 1972.
Sean answers your Marvel questions!0:24 brentacPrimeGreetings. Now that you've seen Captain Marvel are you ready to give a box office projection?2:25 brentacPrimeAs I rewatch the MCU (just finished Ragnarok) I wonder, are there any previous MCU directors you'd like to see come back for future MCU movies?6:25 Xavier ArquerosHello Sean and fellow Patrons! You have inspired me for many years to try and create my own podcast, but I was waiting for a co-host and some collaborators, and the time has finally come. In a few weeks (I hope) to begin podcasting and I'm very excited about it (and terrified). Don't worry it's going to be in Spanish so even in the extremely rare case that we succeed we won't be fighting for the same audience. So I'm going to do the cliché of asking for some advice. I'm not a big fan of doing this but your insight is more valuable to me than every guide on YouTube/internet. Just two main concerns: How much content and how often to make it do you think is the best way to start a podcast (it's going to be about movie news and reviews mainly) and finally what hosting service do you recommend to use if our intention is to make the podcast and all its episodes available all over the globe? Thanks very much Sean and If I ever get to be half of what you are as a host I'm going to be very proud!!! Cheers.13:07 David RosenHey Sean, Hope you enjoyed the hell out of Captain Marvel! My anticipation for this movie is through the roof right now after seeing all the glowing reactions on Twitter. I know you can't (and won't) tell us anything specific, but would you say that the movie answered all of the questions you had going in? Are you satisfied with how the movie fits into what the MCU has already established?14:20 BenHey Sean! Most of the people who have seen Captain Marvel are praising the 90's soundtrack, but how was the Pinar Toprak score? What score, Marvel or otherwise, would you compare it to?15:20 BenSpeaking of scores, what is the MCU's most underrated score? I have to go with Doctor Strange.18:52 AlexSean, without giving too many details, would you say that Captain Marvel is one of the more emotional Marvel films? Did you ever come close to choking up at the film?19:59 AlexWhat prior Marvel movie do you think Captain Marvel is most similar to in terms of tone?20:25 Alex WardDo you think if Tony survives Endgame and presumably retires, that he will go into hiding with his family? It's hard to imagine he'd be very safe (both from villains and his heroic urges) if he remains in the public eye.25:16 MayaHey Sean, one of my favorite YouTube channels that discuss marvel theories is E-man's Movie Reviews. Eman recently dropped a video entitled “The Infinity Stones are controlling Thanos in Avengers Endgame” and he makes a lot of interesting points about how the stones have proven to be sentient. He had a theory about how Thanos could have been influenced by the stones, starting with the mind stone, which lead to his destructive ways, much like how Loki was influenced negatively by the mind stone in the first Avengers. What I find confusing about the MCU's use of the infinity stones is there are no overarching or consistent cans/can't dos. Like someone asked in the last midweek q&a question, if one was destroyed what would that mean for the universe? Does destroyed reality stone mean no reality since it is an “elemental crystal”? We saw that there were no visible changes to the universe when the mind stone was destroyed temporarily. Also, are they controlled by whoever has them in their possession or are they truly sentient. Even the fact that the soul stone banishes Red Skull for seeking the stones, but allows Thanos to control it them seems inconsistent. Maybe I'm just very detailed oriented, but I can think of so many ways the stones have had conflicting abilities and limitations. Even though I love concept of stones and the build up to bringing them all together, I feel like Marvel describes them as being able to do everything, but places random abilities and limitations that create a confusing and inconsistent understanding of the stones. In other words, I have a hard time figuring out what they can/can't do. Do you feel the same way? Do you think we will see a more unified explanation of the stones in Endgame?37:52 Woo S! KimFor argument sake let's say Sony does sell the rights to Spider-Man to Disney within the next two years, Jeph Loeb and Marvel Entertainment are the ones that worked with the creative team on “Spider-Man: Into The Spider-Verse,” what are the chances a Spider-Verse sequel goes directly to Hulu as a Hulu exclusive or do you think that sequel will go to the cinemas first? Do you also think the rumblings on the internet of these spin off films such as Spider-Gwen may go to Hulu? If Sony sells Spidey back to Disney, Spider-Verse will not hurt the chances in your view of Miles Morales or Spider-Gwen potentially coming to the MCU, correct?41:52 Woo S! KimI found something very interesting Sean, when you discussed in your “Iron Man is in the Endgame now” episode that you did with Paul. You spoke of Iron Man's regression in that episode throughout his time in the MCU, I am ninety percent sure the reason why Iron Man takes Spidey's Stark Industries suit is in “Spider-Man Homecoming” is because when Peter Parker says to Tony Stark, “I just want to be like you” and Tony replies with and “I wanted you to be better.” This goes along with what you were saying about regression, Spider-Man taking things into his own hands and putting people in danger on that ferry is what Iron Man did in Malibu when he told The Mandarin and his henchmen his home address and put Ms. Potts in danger. Related to Iron Man's regression do you think that one of the reasons why Howard doesn't get along with his son is because much how Spider-Man is a reflection to Iron Man and his past mistakes and arrogant attitude, Tony is Howard's reflection and a reminder of Howard's mistakes and flaws because it's no accident that Dominic Cooper's Howard acts very much like how Tony behaves in the MCU? 45:28 Woo S! KimMarvel Studios is known for their comedy, but there are some lines that I know just looking at the screenplay were not meant to be as funny as they were what are some of these lines for you, Sean? Me personally Black Panther yelling Erik Stevens Wankadian name and him just replying “What's up?” Also, Eitri telling Thor in “Avengers: Infinity War” the heat from the star will kim and Thor saying “Only if I die.” Eitri's reply of “Yes, that's what killing you means...” and the look of confusion on his face as he says that line just cracks me up. Do you have some favourite lines like these, Sean?47:09 Alex WardBelieve it or not, I have scraped the bottom of the barrell and I actually have another Reed Richards question! This time it's about his powers. There's no question his intellect has outweighed his elasticity powers in the comics. Do you think Marvel Studios will come up with some cool ideas on how to make his power set more prominent in the films? Do you think they'll take any cues from the way Elastigirl was handled in the Incredibles films? Or do you think they might adapt the Ultimates route, which tied in Reed's elasticity to his brain, giving his mind the ability to expand far beyond a typical human?48:37 Alex WardAs a huge MCU fan, what's the press screening process like? Is it just like seeing a movie with fans? Do you people still react the same, like cheering or laughing at big moments? And are there snacks? I've just always wondered!52:01 Moonie HassanHey Sean, I loved your reaction to Captain Marvel and I can't wait to see Carol kick ass on the big screen, one thing I've been thinking about is do you feel like Marvel are going to pull a "Superman in Justice League" moment? Where she comes in and saves the day in Endgame, and if she does how would you feel about it? I personally wouldn't want to see that as we've been watching the OG Avengers for pretty much 10 years now and I feel like it would be cheap to have Carol just come in and fix everything but I still want her to have a pivotal movement/roll, how do you think they'll go about her roll without being too much of a deus ex machina/mary sue like Vision in Age Of Ultron which I wasn't a big fan of. Thank you :)53:40 Michael Louis WeaselboyHey Sean I was just wondering what are your thoughts on Avengers 5?? Do you think it will be called New Avengers and a new franchise or just keep calling the Avengers?? What do you think the roster will be?? What kind of villains should they face?? And do you think sometime down the line we will get a big Avengers/Fantastic Four/X-Men crossover???56:07 Alex WardI know you've said in the past that Disney can't start planning for Fox properties until the deal is done, but can't they have come up with stuff on a contingency-type basis, maybe even before the deal even became possible? Or are any ideas likely to remain strictly in Kevin Feige's head? It's hard for me to imagine that he doesn't have any vague outlines typed out, but I also understand that the legality of this stuff can be very serious.58:26 David RosenSomeone on the mid-week Q and A asked that great question about whether each infinity stone actually controls its respective element in the universe, and I apologize to that person for forgetting who it was, but it got me thinking. Of all the possible fundamental elements of the universe, matter seems like a pretty big one. How come we don't have a "Matter Stone" (aside from the fact that the writes didn't make one)? Is there another stone, or combination or stones, that you think could be used to control matter? Whatever happens to the stones in Avengers Endgame, what do you think about one day getting a story about an elusive, undiscovered seventh stone that is somewhere out there in the universe. As the number seven holds special meaning in a lot of different cultures and creation myths, wouldn't having a seventh stone out there somehow make sense on a grand, universal scale? Do you think doing another story about an infinity stone would have too much of a “been there, done that” aspect? Thoughts?1:01:27 David RosenIf/When the MCU actually decides to do a complete and total reboot YEARS, or perhaps even a decade or two down the line, what do you think some of the struggles might be with coming up with new story ideas? It seems like a lot of the major, most popular stories from the comics have been mined in one way or another for story content, and it would seem foolish and boring to try and redo any of that. Additionally, I feel like an attempt at retelling any of the origin stories would result in some of the same criticism that Amazing Spiderman got for doing that. It seems like one option might be to just begin a new MCU right in the middle of its history, but then we're looking at what the DCEU tried to do. Between all these potential issues, what do you think a rebooted MCU could do that would be original and wouldn't retread on anything that the current version is doing. Is a rebooted universe even possible, or when this current version's time has run out, should Marvel wait a little bit and instead do some one-off standalone movies before deciding to build back up a new universe. What are your thoughts?1:08:07 AlexSean, I would like to apologize for annoying the hell out of you with with constant paranoia about China/Brazil so allow me to indulge in more of it one last time with this question: It seems you were right once again and it seems like Disney will indeed be divesting the Fox sports assets that have been a cause of concern for both of the Brazilian and Mexican regulators in order to win approval. Prior to this news, it was announced that the Brazilian regulators will finally reach a decision on the Disney/Fox deal so it seems like it's on its way to conditional approval from Mexico and Brazil. Do you think after those hurdles are cleared the deal is pretty much closed or are there more hurdles on the way?1:09:23 David RosenDo you think that the Inhumans failure ruined the chances for any future TV series from Marvel TV or Studios to premiere in IMAX theaters before jumping to the small screen? It seems like this idea would have been perfect for the upcoming Disney+ limited series as audiences are already familiar with those characters and used to seeing them on the big screen. It also sells audiences on Disney+ (if they aren't already sold) if they showed a great first episode in theaters and then the only way to watch the rest would be to get the service. Do you think it's possible we could see that experiment tried again with a series that has a better chance of being successful?1:12:07 Vincent GomezHey Sean! This is a little off topic of Marvel but I was curious. Your podcast sounds extremely professional. Can you tell us what equipment and software you use? How long does it take you to produce the show? Finally, how do you podcast phone calls on your show? I'm a podcaster myself and was wondering what your process is. See acast.com/privacy for privacy and opt-out information.
We all want to take this chance to say, Welcome Back! to OMPS! Season 2 is finally here and we are excited to start it with John Powells score to Solo, A Star Wars Story. Before Brad, Kurt, and Alex get into that score they chat about the scores they have been listening to during the break. Kurt is still listening to Marco Beltramis A Quiet Place and Clint Mansells recent Hotel Artemis, while Alex has been listening to an older score (an awesome score!) for Stargate by David Arnold. Alex also brings up an excellent new score for Get Out by Michael Abels. Brad has been diving into some new scores for a while and brings up some interesting choices. One is an excellent score for an independent vampire exploitation movie called Live Evil by Austin Wintory (composer of video game soundtracks like Assassins Creed and Journey), along with new scores for In Darkness by Niall Byrne, and Tides of Fate by future-Captain Marvel composer, Pinar Toprak. All this before they start talking about one of the best scores of the year, Solo, A Star Wars Story. While the movie might not have done so well at the box office, it is undeniable that the score should sit as a champion accomplishment in the arena of film scores. Like John Debneys Cutthroat Island, John Powell has thrown every ounce of passion into this process and revealed that he has such a talent for creating memorable work, even when the film might not be successful. We are so glad you are back, and we are very excited to be back making episodes! We will be releasing episodes again every two weeks for Season 2, and promise a much bigger season than the last. Dont forget to leave a comment and let us know what you think. Thanks for dropping by and enjoy the show!
Welcome to the place where I get to let my geek flag fly /and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This is where I look into the world of geekdom and some geek news, comics, The Simpsons, Star Wars, and whatever randomness finds its way onto the recording. This level of the podcast is a tons of geek news including Image comic Analog is green lit as a movie, Preacher Season 3 reveals promo video clip showing the entire cast, the Russo Brothers release the first trailer for their new Syfy series Deadly Class, Jared Leto Joker movie & news of him as Morbius the Living Vampire, Peter Jackson's Mortal Engines trailer, Rick and Monty renewed for 7 more 10 episode seasons, Marvel hospital gowns for the Starlight Foundation, Matthew Vaughn talking about more Kingsmen (movie & TV) plus a Kickass reboot, Wonder Woman 84 & Aquaman pics, E3 News: EA Star Wars Jedi: Fallen Order, Lucasfilm buys trademark for Star Wars Detours, George Lucas re: his sequel trilogy plans, Ram Bergman, a producer on TLJ, says Rian Johnson's trilogy is still happening, Porg no evil artwork by Craig Skaggs on darkinkart.com, Bad Robot productions delving into video games, Rumor of Kathleen Kennedy leaving Lucasfilm in the fall, Social justice in Star Wars, Incredibles 2 opens to 180 million, Tom Kane, the voice of animated Yoda, reveals 9 Star Wars movies are in development, Captain Marvel enlists Marvel’s first female composer, Pinar Toprak, Creed 2 trailer, Platinum Dunes doing another TMNT movie, Bidding war for FOX continues with Disney offering $71.3 billion, Rumor of Thrawn showing up in Ep. 9, Joaquin Phoenix Joker movie is apparently starting shooting by the end of this year, Matt Reeves turned in part of the script for his younger Batman movie, Details re: Star Wars Galaxy's Edge at Disneyland, Lucasfilm says multiple standalones in development besides Johnson/Benioff & Weiss trilogies, Robert Kirkman’s Invincible comic book to be a movie by Paramount and an animated show, Netflix picks up Lucifer for Season 4, Jodi Foster in Y: The Last Man, Mos Eisley: A Star Wars story cancelled, Sony exec Amy Pascal developing a silk movie, and Tom Holland reveals the name for the 2019 Spider-Man sequel. Enjoy! --- Send in a voice message: https://anchor.fm/laugh-it-up-fuzzball/message Support this podcast: https://anchor.fm/laugh-it-up-fuzzball/support
Legends of S.H.I.E.L.D.: An Unofficial Marvel Agents Of S.H.I.E.L.D. Fan Podcast
Legends Of S.H.I.E.L.D. Director SP, Agent Haley, and Consultant Michelle discuss the Legion season two second episode “Chapter 10.” The reporters also run down the Marvel news roundup and discuss listener feedback. THIS TIME ON LEGENDS OF S.H.I.E.L.D.: Legion “Chapter 10” Marvel News Roundup Listener Feedback The Legends Of S.H.I.E.L.D. Director SP, Agent Haley and Consultant Michelle discuss the Legion second season second episode “Chapter 10.” The Agents discuss the Loudermilks inside-out condition, the lesson of the episode, more future Syd, what reality means to this season of Legion, what the heck is a hip-thrust and wonder if Marvel Superheroes have to work out. LEGION “CHAPTER 10” [3:39] LEGION “CHAPTER 10” Chapter 10 aired Tuesday April 10th, 2018 on FX and earned a 0.439 rating. Legion was renewed for a third season on June 1st, 2018. Season One: Chapter 1 - 8 Feb 2017: 1.62 Chapter 2 - 15 Feb 2017: 1.13 Chapter 3 - 22 Feb 2017: 1.04 Chapter 4 - 1 Mar 2017: 0.75 Chapter 5 - 8 Mar 2017: 0.80 Chapter 6 - 15 Mar 2017: 0.73 Chapter 7 - 22 Mar 2017: 0.72 Chapter 8 - 29 Mar 2017: 0.81 Season Two: Chapter 9 - 3 Apr 2018: 0.669 Chapter 10 - 10 Apr 2018: 0.439 Directed By: Ana Lily Amirpour https://www.imdb.com/name/nm3235877/?ref_=tt_ov_dr 13 directing credits starting 2009 Six and a Half (Short) You (Short) True Love (Short) Ketab (Short) Ana Lily Amirpour Likes This (Documentary short) Pashmaloo (Short) A Girl Walks Home Alone at Night (Short) A Little Suicide (Short) A Girl Walks Home Alone at Night The Bad Batch Breakthrough (TV Series documentary) (1 episode) Yo! My Saint (Short) Legion (TV Series) (1 episode) - Chapter 10 (2018) Written By: Noah Hawley - creator of show https://www.imdb.com/name/nm1279638/#writer 8 writing credits starting 2006 6 x Bones 14 x Legion Chapter 1 (2017) Chapter 2 (2017) Chapter 8 (2017) Chapter 9 (2018) Chapter 10 (2018) Chapter 11 (2018) Chapter 12 (2018) Chapter 13 (2018) Chapter 14 (2018) Chapter 15 (2018) Chapter 16 (2018) Chapter 17 (2018) Chapter 18 (2018) Chapter 19 (2018) ALSO PRODUCED: Bones, The Unusuals, My Generation, Legion, and Fargo Written By: Nathaniel Halpern - Legion Co-creator http://www.imdb.com/name/nm3408356/?ref_=ttfc_fc_wr1 8 credits since 2010 1 x The Killing 3 x Resurrection 1 x Outcast 10 x Legion - Chapter 4 (2017) - Chapter 6 (2017) - Chapter 9 (2018) - Chapter 10 (2018) - Chapter 11 (2018) - Chapter 12 (2018) - Chapter 13 (2018) - Chapter 14 (2018) - Chapter 15 (2018) - Chapter 16 (2018) - Chapter 17 (2018) - Chapter 18 (2018) ALSO THE PRODUCER: Legion NEWS [22:58] HIGHLIGHT STORY OF THE WEEK Fox Board Sets Meeting Next Week to Consider Comcast Bid http://comicbook.com/movies/2018/06/15/fox-comcast-big-purchase-meeting-disney/ Earlier this year, Disney agreed to purchase 21st Century Fox for $52.4 billion. Everything seemed like a done deal and the companies would just need to ride out the legal proceedings to get the sale approved. However, Comcast recently crashed the party with an offer of their own, one that totals $65 billion. If that becomes the case, and Fox does open up to the new offer, Disney won't be completely out of the running for the 21st Century assets. According to the initial terms of the deal, if a superior offer is presented, and Fox deems it superior, Disney will have five days to return with an even better proposal. Both Disney and Comcast want to purchase Fox outright, but there's always a third option to be considered. The two companies could each purchase certain assets from 21st Century Fox, essentially splitting the haul between them. If this does occur, Disney would likely still purchase the rights to the X-Men and Fantastic Four characters, allowing Marvel Studios to have its entire comic book roster. CAPTAIN MARVEL & BEYOND ‘Captain Marvel’ to Be Scored by Female Composer, Marking Major Breakthrough https://variety.com/2018/film/news/captain-marvel-composer-score-pinar-toprak-1202847649/ In a major breakthrough for women composers, Pinar Toprak has been signed to score “Captain Marvel,” the superhero movie due for release in March 2019. Toprak, who just finished scoring the first season of SyFy’s “Krypton” and who penned additional music for the DC film “Justice League,” is the first female composer to score a major comic-book movie. Brie Larson Says She Learned Her Own Strength Playing ‘Captain Marvel’ Role https://variety.com/2018/scene/vpage/brie-larson-captain-marvel-strength-women-in-film-1202846232/ Actress Brie Larson wouldn’t say too much about her highly anticipated “Captain Marvel” film, but she did reveal that she discovered her inner and outer strength through her portrayal of the titular character. According to Larson, she trained extensively for nine months in order to build her physical strength prior to production. “My highest right now is 215 lbs. in deadlifts. 400 lb. hip thrusts,” she shared, while stating, “being able to lift weight like that really changed my perspective and understanding of myself.” FEEDBACK [30:24] TWITTER https://twitter.com/adanagirl/status/1008183951586885633 Pirate Angel @adanagirl Agree. #TooSoon #ListenUpAHoles @LegendsofSHIELD Retweeted Karen @Khallion #denvercomiccon https://twitter.com/MrParacletes/status/1008145468549947392 Dr. Gnome to you @MrParacletes @LegendsofSHIELD OUTRO [33:02] Haley, Lauren, Michelle and Stargate Pioneer love to hear back from you about how you would rate the episode we just discussed, your top 5 Marvel character lists, your science of Marvel questions, who would you pick in an all-female Avenger team, or which Marvel male you would like to see shirtless. Call the voicemail line at 1-844-THE-BUS1 or 844-843-2871. Join Legends Of S.H.I.E.L.D. next time as the hosts discuss the Legion Season 2 third episode “Chapter 11.” You can listen in live when we record Sunday Afternoons at 1:00 PM Eastern time at Geeks.live (Also streamed live on Spreaker.com). Contact Info: Please see http://www.legendsofshield.com for all of our contact information or call our voicemail line at 1-844-THE-BUS1 or 844-843-2871 Don’t forget to go check out our spin-off podcast, Legends Of S.H.I.E.L.D..: Longbox Edition for your weekly Marvel comic book release run-down with segments by Black Adam on S.H.I.E.L.D. comics, Lauren on Mutant Comics and Anthony with his Spider-Man web down. Legends Of S.H.I.E.L.D.: Longbox Edition is also available on the GonnaGeek.com podcast network. Legends Of S.H.I.E.L.D. Is a Proud Member Of The GonnaGeek Network (gonnageek.com). This podcast was recorded on Sunday June 17th, 2018. Standby for your S.H.I.E.L.D. debriefing --- Audio and Video Production by Stargate Pioneer of GonnaGeek.com.
Composer Pinar Toprak has been signed to write the original score for Marvel's upcoming feature film, "CAPTAIN MARVEL"- making her the first female composer to be hired to score a major super-hero film. Kristen Romanelli and Christopher Coleman discuss the context of this move by Marvel and its repercussions. They also examine how big of a deal this move is for Pinar Toprak, herself, the film, Marvel Studios, and for the fans.Episode Highlights00:06 - A marvelous intro01:19 - She got the gig07:10 - How much pressure?12:12 - What other female composers?16:18 - Has the glass ceiling truly been broken?21:06 - How important is this for Pinar Toprak?22:43 - How important is this for the movie?25:42 - How important is this for Marvel Studios?28:04 - How important is this for the fans?33:54 - Captain ConclusionMusic Selections00:00 - "The Sunday Showdown/ Oracle Get the Win" (Tides of Fate) by Pinar Toprak34:12 - "The Sunday Showdown/ Oracle Get the Win" (Tides of Fate) by Pinar ToprakFind and Follow:Follow Kristen Romanelli on Twitter - @kbfornowFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccolemanSpotify: Find our Spotify Companion Playlist here! Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO
First CREED 2 Poster and Synopsis Revealed [:41] MoviePass Hits 3 Million Subscribers [7:23] John Travolta’s GOTTI Fires Back at Critics [16:11] CAPTAIN MARVEL to Be Scored by Pinar Toprak [27:53] Film of the Week: Box Office Breakdown [34:42]
She is a composer of otherworldly music: Turkish-born Los Angeles based composer Pinar Toprak creates music for feature films, videogames – including the massively popular Fortnite --and now the SYFY series Krypton.Born in Istanbul, Pinar earned a degree in classical guitar, a degree in film scoring from Boston’s Berklee School of Music, and then a masters in classical composition. She spent a year interning, then programming, at Hans Zimmer’s studio and assisted composer William Ross before landing a videogame, Ninety-nine Nights, and a direct-to-video film, Behind Enemy Lines II: Axis of Evil. Creating additional music for Justice League, at Warner Bros., helped put her in the Krypton producers’ sights. There was a time when most producers didn’t believe that a woman could write an aggressive action score. Times have changed. Meet a very composed Pinar Toprak.
"Krypton" composer Pinar Toprak sits down with SHoE host Derek Russell to discuss her themes and inspirations for the first five episodes of the series. Special Guest: Pinar Toprak.
Episode 87 - The Soundcast Six Erik Woods, Kristen Romanelli (Film Score Monthly Online) and Christopher Coleman tackle six hot-topics from the world of soundtracks. In this soundcast-experiment, they talk about: the inclusion of Led Zeppelin in the recent "Thor: Ragnarok" trailer, Michael Giacchino's drum-teasy-video from the "Spider-Man Homecoming" recording session, Spin Magazines 2015 article listing their Top 30 Soundtracks from 1995, the recently "leaked" track "Alien: Covenant Theme" on Soundcloud, the replacement of composer Pinar Toprak on the upcoming film, "Geostorm" and the disappearing original score release for "Ghost in the Shell." This is a pilot episode, so your feedback is the key to seeing more episodes like this! Please, let us know what you think! Episode Highlights 00:16 - Intro and introducing The Soundcast Six 03:17 - #1 - Thor Zeppelin-rok 12:59 - #2 - Spider-Drums 19:16 - #3 - The "Best" of 1995? 30:09 - #4 - Alien: Covenant theme? 38:39 - #5 - Pinar Noir 58:04 - #6 - Ghost in the Jewel Case Music Selections 00:00 - "Immigrant Song" - (All Zeppelin) by The Hampton String Quartet 09:59 - "Whip It" - (Whip It Remastered Album) by Devo 12:44 - "Improv" (Spider-Man Homecoming Recording Sessions) by Alex Acuna, Walter Rodriguez 29:44 - "Alien: Covenant Theme" by The Martian 37:18 - "Echoes of Battle" by Pinar Toprak 65:31 - "Immigrant Song" by Dread Zeppelin Notes: Michael Giacchino Spider-Man Homecoming Tweet Alien: Covenant Theme by The Martian (Soundcloud) "Echoes of Battle" by Pinar Toprak (Youtube) Follow Kristen Romanelli on Twitter. Film Score Monthly Online Follow Erik Woods on Twitter. Cinematic Sound Radio Follow Tracksounds on Twitter. Follow Christopher Coleman on Twitter. Support Tracksounds: Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You! Buy Soundtracks at Amazon.com DOWNLOAD THE EPISODE Subscribe and More Info aCAST GOOGLE PLAY iTUNES RSS FEED STITCHER RADIO TUNEIN RADIO The official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals. The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.
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