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Tarot Emblemata is a magical and mystical tarot deck based on the 1551 book of emblems by Claude Paradin. Renaissance emblems are intimate illustrations with accompanying mottos that allegorically and symbolically express sentiments, concepts, societal concerns, and parables. These Renaissance emblems are a didactic genre of interpretive art and, within them, author and creator Nitasia Roland has discovered that their enigmatic imagery and “mottos” correspond dynamically and align perfectly with the seventy cards of the Major and Minor Arcana of the tarot.Among the many ancient and iconic images this deck portrays—plumes, helmets, swords, gemstone rings, coins, wands, clouds, wreaths, flowers, animals, and trees—Roland sees the evolution of tarot's wands, swords, cups, and coins, as well as evocative glimmers of the Major Arcana archetypes. Both secular and religious, Renaissance emblems were meant to crystallize virtue or vice and cover every sphere of early modern knowledge: ethics, natural philosophy, politics, science, religion, love, war, and everyday life, very much in the same way that modern tarot imagery provides insight and clarity today.The Tarot Emblemata deck will help readers expand on their path of embodiment, spiritual gnosis, inspired destiny, and empowerment. The accompanying guidebook presents tarot interpretations and elucidations on the symbolism of the emblems. Tarot Emblemata features a ribbon lift and gilded cards. It is an accessible deck for beginners and those familiar with the Rider-Waite-Smith system, while more experienced readers will enjoy a new and refreshing perspective. Find the deck and Natasia:Tarot Emblemata Deck: https://amzn.to/4mRCHWGWebsite: www.uraniapress.comInstagram: https://www.instagram.com/nitasia_roland/ and https://www.instagram.com/urania_press/Nitasia Roland is a poet and writer of nonfiction with a focus on dovetailing the wisdom and practices of Western Esotericism, magic, myth, and mysticism. She resides in Maine, USA, surrounded by 75 acres of pastoral New England countryside. Nitasia works from home as an artist, independent researcher, editor, and indie tarot deck creator at her publishing company Urania Press. For her Interdisciplinary Master's Degree, she studied English, Poetry, Printmaking, Photography, and Design. In 2019 she received her MFA in Creative Writing. The current of Nitasia's Synchromystic path syncs a mélange of curios into a body of research, contemplation, and practice with poetic trance, synchronicity, Synthēmata & Symbola, theurgy, Hellenistic household worship, daimon & deity devotion, witchcraft, hedgecraft, divination, and ceremonial & planetary magic.
Allie Galloway, Senior Director, Global Events and Experiential Marketing at Yahoo, joins Amanda Ma, CEO and Founder of Innovate Marketing Group, to talk about designing memorable brand activations, leading inspired teams, and staying ahead in experiential marketing. Tune in now and get inspired to reimagine your next event.About the guest:As a Director of Events on the Yahoo Events and Experiential team, Allie Galloway is a passionate and energetic leader with a career built around elevating global brand experiences that drive revenue growth and foster brand affinity. Allie was named to BizBash 500: 2021's Most Influential Event Professionals & Event Marketers' 35 Under 35 Experiential Marketing's Next Generation in 2018. Most recently, she was a finalist for The Drum Awards B2B for Best Internal Company Event: 2021 For the Win Sales Conference and Most Innovative or Creative Use of Content: Yahoo's New Kind of NewFront, and won Best Reimagined Event Experience for BizBash Event Style Awards 2020 for her work on Build It: WFH Edition. From building multi-million dollar conferences to producing XR videos, Allie's experience spans a wide range of events in the entertainment and technology industries. Before joining AOL in 2015, Allie worked for Sony Music Entertainment, creating bespoke meet & greet and intimate live performance sessions for A-list talent across the Southwest. Allie received her BA in Creative Writing from California State University, Long Beach, and resides in Boulder, CO with her husband, two children, and golden retriever.Follow Allie on LinkedIn!EventUp is brought to you by Innovate Marketing Group. An award-winning Corporate Event and Experiential Marketing Agency based in Los Angeles, California. Creating Nationwide Immersive Event Experiences to help brands connect with people. Learn more here!At Innovate Marketing Group, we've curated a collection of free resources designed to help you elevate your events and marketing efforts. Whether you're planning a company retreat or navigating the latest event trends, our tools, reports, and checklists are here to support your success and keep you at the forefront of innovation. Access them here!Follow us!Find us on LinkedIn and Instagram and catch our latest episodes on the EventUp Podcast!
Hello friends! High school English and Creative Writing teacher turned singer-songwriter, Matthew Payne is my guest for episode 1518! Matthew has just released his debut EP, "Coyote Howlin Blues" recorded live at Cedar Creek with engineer André Moran and available wherever you stream or download your jams. He's playing tonight, Tuesday, October 7th at Batch in Austin, TX and tomorrow, Wednesday, October 8th at The Dosey Doe in The Woodlands, TX. Go to thisismatthewpayne.net for show dates and info, merch, and more. We have a great conversation about teaching English and Creative Writing for over two decades and switching gears to professional musician, his love of Townes Van Zandt, recording "Coyote Howlin Boues" live in the studio in one day, what he got from teaching, being a dad, playing gigs, writing songs, and much more.I had a great time getting to know Matthew. I'm sure you will too. Let's get down! Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod. Send someone the gift of Johnny with Cameo. If you feel so inclined. Venmo: venmo.com/John-Goudie-1 Paypal: paypal.me/johnnygoudie
Author Meagan Church unpacks the hidden lives of women in her chilling novel, The Mad Wife, as we explore the history of hysteria in women's health diagnoses.If you loved Meagan Church's historical fiction, you'll be captivated by the bold turn she takes in The Mad Wife, her third novel. Rooted in the untold medical stories of women's lives, this book lulls readers into the familiar rhythms of mid-century domesticity, before flipping the script with a shocking plot twist.In our revealing conversation, we explore:Building a Vivid 1950s World – From S&H stamps to molded salads, how Meagan nailed the texture of the era, weaving ordinary domestic details into a setting that feels both authentic and unsettling.From History to Suspense – Why Meagan pivoted from a traditional historical fiction lens in her earlier novels to the creeping tension of domestic suspense, and how she made the genre shift feel authentic to her writing process. We discuss the bravery required for this project and how she felt haunted, both in real life and on the page, as she told Lulu's story.The Medical History of “Hysteria” – What her chilling research revealed about diagnoses like hysteria, prescriptions like Miltown, and procedures like lobotomy and ECT that shaped women's lives in disturbing ways.
Nijla Mu'min is a powerful creative voice shaped by poetry, music, fiction, and dance. Born and raised in the East Bay Area, she weaves deeply personal and socially resonant narratives that spotlight the intersections of identity, justice, and belonging.Her debut feature Jinn — a coming-of-age story about faith, freedom, and first love — premiered at SXSW, where it earned her the Special Jury Award for Screenwriting, and went on to be named a New York Times Critics Pick. Since then, Nijla has made her mark directing episodes of Queen Sugar, Insecure, Swagger, Blindspotting, Wu-Tang: An American Saga, All Rise, and more.She is a Sundance Institute alum, a recipient of the MPAC Media Award for Courage and Conscience, and a ReFrame Rise fellow. She's currently developing her second feature, Mosswood Park, which was awarded the SFFILM Rainin Grant. Her academic background includes a dual MFA in Film Directing and Creative Writing from CalArts and a BA from UC Berkeley, where she studied under the legendary poet June Jordan.Nijla's work is bold, intimate, and evocative — and this conversation will dive into how she tells stories that stay with you long after the credits roll.Watch the weekly LIVE stream on BraveMaker YouTube.Follow BraveMaker on social media:InstagramTikTok#BraveMaker #BraveMakerPodcast #WomenInFilm #Filmmakers #IndieFilm
On this episode of You Are What You Read, we are joined by poet and author Silas House who has not one but two books out this September that you don't want to miss: a new novel, Dead Man Blues, and a book of poetry, All These Ghosts. Silas was the recipient of the Duggins Prize, the largest award for an LGBTQ writer in the nation. He was inducted as the Poet Laureate of Kentucky for 2023–2025 and became a Grammy finalist. Silas teaches at Berea College and at the Naslund-Mann Graduate School of Creative Writing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Recognizing October is for Oceans month, with pieces from Passager's Pandemic Diaries series from Mark Tochen, Johan Fremling, Isabel Learza, and Suzanne Iuppa.Support the show
Send us a textSend us a textIn this captivating episode of Living the Dream with Curveball, we welcome the multifaceted Walker Kimberly Brandt, a professional actor, spokesperson, writer, and mentor with over 25 years of experience in the entertainment industry. Walker shares her remarkable journey, from her unexpected entry into acting and modeling to becoming a successful advocate and coach alongside the renowned Lisa Nichols. She reflects on the transformative power of vulnerability and the importance of sharing one's story to inspire others. Walker opens up about her struggles with anxiety and dyslexia, revealing how these experiences have shaped her mission to help others find their voice and navigate their own challenges. Listeners will gain insight into her Amazon bestselling book, "Awaken: Discovering Yourself Through the Light of Your Innocence," and the profound lessons she learned while working with global brands and on international blockbuster films. Join us for an enlightening conversation that encourages self-discovery, resilience, and the pursuit of joy, even in the face of adversity.PodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For Interviews
Many adults assume that kids only tolerate online learning—that it's isolating, transactional, and never as “real” as learning in person. But what if students themselves told a different story? What if distance learning could be creative, inspiring, and a place to make authentic friendships?In this episode, we meet Maddie (11) and Ella (13), co-hosts of The Recess Rundown, a podcast created entirely by and for self-directed learners. What started as homeschooling and a love of writing, journaling, blogging, and gaming has grown into a vibrant collaboration fueled by Recess.gg, the online community where they found not only peers but also mentors and their closest friends. Through their podcast, they amplify the projects of other young creators, from coders and artists to bloggers and novelists—and in the process, they discover their own voice.Maddie and Ella remind us that kids don't just consume digital culture—they shape it. They share what they've learned about podcasting, what inspires them from fellow students, and how distance learning has built their confidence and community.Listeners will learn:How self-directed learners find their passions through creative outlets like journaling, podcasting, and blogging.Why online friendships can be just as authentic—and even more motivating—than in-person ones.How communities like Recess.gg create a “safe bubble” that grows confidence, connection, and curiosity.Why peer inspiration is one of the most powerful forces in education—and how it drives new projects and ambitions.What it looks like when kids, not adults, set the agenda for their learning.If you're a parent, educator, or school leader wondering whether online learning can truly spark joy, curiosity, and belonging, this episode will challenge your assumptions—and let Maddie and Ella show you what's possible when kids lead.Episode LinksThe Recess Rundown Podcast – Student-created show about self-directed learningRecess.gg – Where young learners connect, collaborate, and createInterview with Recess.gg founder Ben Somers - Why Distance Learning #65: Turning Virtual Learning into a Multiplayer ExperienceHost LinksExplore virtual learning resources and programs at CILC.org with Tami Moehring and Allyson MitchellDiscover global learning experiences at Banyan Global Learning with Seth Fleischauer
Explore how creative writing fuels progressive movements and Snyder's warning about Hegseth's unprecedented global military summit. Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE
Mystic Ink, Publisher of Spiritual, Shamanic, Transcendent Works, and Phantastic Fiction
Moderator, Perie Longo, Santa Barbara Poet Laureate, 2007-2009, has published 4 books of poetry, the latest Baggage Claim (2014) and poems in numerous literary journals. This June will be her 40th year teaching poetry at the Santa Barbara Writers Conference. She's thrilled and awed to be still poeting and standing.Melinda Palacio, current Santa Barbara Poet Laureate, is an award-winning writer. From South Central LA, she holds 2 degrees in Comparative Literature. A 2007 PEN America Emerging Voices Fellow and a 2009 poetry alum of the Squaw Valley Community of Writers, she published Bird Forgiveness in 2018.David Starkey, Santa Barbara's 2009-2011 Poet Laureate, Founding Director of the Creative Writing Program at SBCC, and the Publisher/Co-editor of Gunpowder Press, published 11 full length collections of poetry and more than 500 poems in literary journals. His novel Poor Ghost was released in March 2024.Chryss Yost is a Santa Barbara Poet Laureate who served from 2013-2015. She was awarded the 2013 Patricia Dobler Poetry Prize and other honors, including Pushcart Prize nominations. She's co-editor of Gunpowder Press. Her collection Mouth & Fruit was published 2014, and her poems have been included in the most popular poetry textbooks in the country and widely anthologized elsewhere.Enid Osborn Poet Laureate of Santa Barbara 2017-2019, published When the Big Wind Comes, set in New Mexico. A Pushcart nominee, her work appears in regional California and Southwest journals. She has a series of themed chapbooks, and she co-edited A Bird Black as the Sun / California Poets on Crows & Ravens in 2011.Laure-Anne Bosselaar Santa Barbara's Poet Laureate 2019-2021, is author of 6 collections of poems and is the recipient of a Pushcart. She taught at Emerson, Sarah Lawrence, UCSB, and is part of the faculty at the Solstice Low Residency MFA in Creative Writing. Lately: New and Selected Poems was published January 2024.Emma Trelles Santa Barbara Poet Laureate 2021-2023, received an Established Artist Fellowship from the California Arts Council. She was named a Poet Laureate Fellow by the Academy of American Poets. Daughter of Cuban immigrants, she's author of Tropicalia, winner of the Andrés Montoya Prize.Paul Willis, Santa Barbara Poet Laureate 2011-2013 is an emeritus professor of English at Westmont College. His poems, stories, and essays have appeared in numerous journals and anthologies, and he's been featured on Verse Daily and The Writer's Almanac and nominated five times for a Pushcart Prize. His YA Elizabethan time-travel novel, All in a Garden Green, was released in 2020.
Explore how creative writing fuels progressive movements and Snyder's warning about Hegseth's unprecedented global military summit.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE
You've got your AI trained with your brand voice and messaging, but you're still just using it to write social posts. (Sound familiar?) But what if you could actually use AI as a brainstorming partner?If you did the foundation work from last week's episode, your AI actually knows your business well enough to help you think through bigger challenges.In this episode, we explore how to brainstorm strategically with AI—not just content topics, but messaging angles, audience concerns, and potential blind spots in your approach. And don't worry, I also cover AI's significant limitations that most people ignore, like its built-in biases and tendency to tell you what you want to hear. The goal is using AI to think more thoroughly while staying in control of all strategic decisions.You in? Great, let's start talking copy.__________________________________________EPISODE 161.Read the show notes and view the full transcript here: Coming Soon______________________________________________Here's info on your host, Erin OllilaErin Ollila believes in the power of words and how a message can inform – and even transform – its intended audience. She graduated from Fairfield University with an M.F.A. in Creative Writing, and went on to co-found Spry, an award-winning online literary journal.When Erin's not helping her clients understand their website data or improve their website copy, you can catch her hosting the Talk Copy to Me podcast and guesting on shows such as Profit is a Choice, Mindful Marketing, The Power in Purpose, and Business-First Creatives.Stay in touch with Erin Ollila, SEO website copywriter:• Learn more about my VIP intensive options or just book a strategy session to get started right away• Visit Erin's website to learn more about her business, services, and productsWant to keep talking copy? Send me a text message!
Send us a textIn this episode, I sit down with Judy Lane Boyer… a ghostwriter, writing coach, and storyteller who helps others bring their words to life. We first connected here in Austin, crossed paths again at Podfest, and after a couple of failed recording attempts, we finally made this conversation happen.Judy shares her powerful story of breaking free from a strict upbringing, finding faith in her own way, and embracing her passion for writing. We talk about what it means to trust the process, to pivot when life calls for it, and to honor the gifts that make us unique.From traveling to Oxford for a faith-based fantasy conference to launching her very first writing retreat, Judy's journey is a reminder that it's never too late to choose differently and create a new chapter for yourself.This episode is about courage, creativity, and listening to that quiet voice that says: “Why don't you let me handle it?”Take a listen. Let it inspire you. And maybe ask yourself… what story inside you is waiting to be told?Connect with Judy:
Weekly shoutout: A new essay on HowlRound by theatermaker and friend of the show, Anne Mason! -- Hi there, Today I am delighted to be arts calling author Monica Macansantos! (monicamacansantos.com) About our guest: Monica Macansantos is a Filipino writer from Baguio, and is currently a Marguerite and Lamar Smith Fellow with the Carson McCullers Center in Columbus, Georgia. She is the author of the essay collection, Returning to My Father's Kitchen (Curbstone/Northwestern University Press, 2025), and the story collection, Love and Other Rituals (Grattan Street Press), 2022. She was a 2024-25 Shearing Fellow with the Black Mountain Institute at UNLV, and her work has appeared in Colorado Review, The Hopkins Review, Bennington Review, River Styx, Electric Literature, Literary Hub, and Katherine Mansfield and Children (Edinburgh University Press), among other places. She earned her MFA from the Michener Center for Writers at the University of Texas at Austin, and her PhD in Creative Writing from the Victoria University of Wellington in New Zealand. Her work has been recognized as Notable in Best American Essays 2016 and 2021-2023. RETURNING TO MY FATHER'S KITCHEN, now available from Northwestern University Press/Curbstone Books: Purchase from Northwestern University Press: https://nupress.northwestern.edu/9780810148390/returning-to-my-fathers-kitchen/ From Bookshop.org: https://bookshop.org/p/books/returning-to-my-father-s-kitchen-essays-monica-macansantos/ Purchase from Book People in Austin, which sells signed copies of the book! https://bookpeople.com/book/9780810148390 Also from Monica, LOVE & OTHER RITUALS, a collection of stories: https://www.monicamacansantos.com/loveandotherritualsselectedstories.html Thanks for this amazing conversation, Monica! All the best! Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE! Much love, j artscalling.com
* Creative Writing Activism: Using Words to Resist Authoritarianism: Egberto Willies and Thomas Czarnik explore art's role in political resistance. Writing isn't just art — it's activism that builds progressive movements. [More]* Timothy Snyder speculates on what Hegseth is doing by calling all the top military brass together: Timothy Snyder is looking at w… To hear more, visit egberto.substack.com
This week's episode is full of simple, easy, and inexpensive ways to help your child enjoy writing and ways to get their creative juices flowing. Carrie also shares how to use everyday objects around the house, old photos and interesting pictures, fables, fairytales, poetry, puns, picture books, and so much more to spark writing ideas and get past writer's block. You will be able to implement most, if not all of the strategies shared as soon as you finish listening to the podcast. Who should listen to this week's Coffee With Carrie Podcast?If your child hates writing, If your child loves to write,If you are running out of ideas, If your child is a budding author, If your child never knows what to write about, or If writing makes you or your child cry in frustration, then pour yourself a large latte, put your feet up, and join Carrie for a little coffee break this week.Subscribe to Coffee With Carrie website. Email subscribers will receive the list of resources mentioned in this episode. https://coffeewithcarrie.org/Support the showAttend the Bloom & Blossom: West Coast Conference in San Diego, October 10th & 11th. Register at https://www.christinacarpenter.org/bloom-and-blossom-conference. I'll be there! Come join me and friends! Purchase Homeschooling High School: A Handbook for Christian Education.Purchase Just Breathe (and Take a Sip of Coffee): Homeschool Simply & Enjoyably. Schedule a Coffee Date (One-on-One Personalized Coaching Session: Coffee With Carrie Subscribe to Coffee With Carrie email newsletter and blog at https://coffeewithcarrie.org Follow on Instagram @coffeewithcarrieconsultant.
Fluent Fiction - Spanish: Coffee, Creativity, and Courage: New Beginnings at El Cafetal Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2025-09-25-07-38-20-es Story Transcript:Es: Entre el aroma intenso del café recién tostado y un bullicio agradable, la cafetería “El Cafetal” se preparaba para recibir a un grupo especial de maestros.En: Amid the intense aroma of freshly roasted coffee and a pleasant bustle, the café “El Cafetal” was getting ready to welcome a special group of teachers.Es: Era el inicio de clases y la reunión para el personal docente.En: It was the start of the school year and the meeting for the teaching staff.Es: La primavera en el hemisferio sur traía consigo una brisa tibia que entraba por las ventanas abiertas, donde la luz del sol jugaba entre las hojas verdes y proyectaba sombras danzantes sobre las mesas de madera rústica.En: Spring in the southern hemisphere brought with it a warm breeze that entered through the open windows, where sunlight played among the green leaves and cast dancing shadows on the rustic wooden tables.Es: Esteban se encontraba junto a una ventana, admirando cómo los rayos del sol se mezclaban con el humo del café.En: Esteban was by a window, admiring how the sun's rays mingled with the coffee's steam.Es: Era un profesor de literatura apasionado, siempre soñando con convertirse en un autor reconocido.En: He was a passionate literature teacher, always dreaming of becoming a renowned author.Es: Con un guion de su vida en la cabeza y un corazón repleto de historias por contar, estaba decidido a proponer su idea favorita: un club de escritura creativa.En: With a script of his life in his head and a heart full of stories to tell, he was determined to propose his favorite idea: a creative writing club.Es: En el mismo grupo, Sofía, la nueva profesora de historia, sentía el peso de ser la recién llegada.En: In the same group, Sofía, the new history teacher, felt the weight of being the newcomer.Es: No sabía si encajaría bien entre sus compañeros y dudaba si debía compartir sus pensamientos.En: She didn't know if she would fit in well with her colleagues and doubted whether she should share her thoughts.Es: Para ella, cada palabra parecía un riesgo.En: For her, every word seemed like a risk.Es: La encargada de dar la bienvenida era Luz, la cabeza de la comisión de maestros.En: The one in charge of welcoming everyone was Luz, the head of the teachers' committee.Es: Era conocida por su habilidad para organizar y su naturaleza amable.En: She was known for her organization skills and her kind nature.Es: Había preparado pasteles caseros y se aseguraba de que todos se sintieran cómodos.En: She had prepared homemade cakes and ensured everyone felt comfortable.Es: Mientras los maestros charlaban sobre sus vacaciones, Esteban pensaba en cómo abordar a sus colegas con su idea.En: As the teachers chatted about their vacations, Esteban pondered how to approach his colleagues with his idea.Es: Sofía escuchaba en silencio desde su asiento cercano, sintiéndose parte de la escena pero apartada al mismo tiempo.En: Sofía listened in silence from her nearby seat, feeling a part of the scene but apart at the same time.Es: La ansiedad la mantenía inmóvil.En: Anxiety kept her immobile.Es: Finalmente, animado por el ambiente acogedor, Esteban se levantó y con pasión en la voz anunció su deseo de iniciar un club de escritura.En: Finally, encouraged by the welcoming atmosphere, Esteban stood up and with passion in his voice announced his desire to start a writing club.Es: "Quizás podamos explorar nuestras propias historias y compartilas con los estudiantes.En: "Perhaps we can explore our own stories and share them with the students.Es: Creo que sería una experiencia enriquecedora para todos".En: I think it would be an enriching experience for everyone."Es: El silencio llenó la sala, y el corazón de Esteban cayó.En: Silence filled the room, and Esteban's heart sank.Es: Pero, para su sorpresa, Luz habló rompiendo el hielo.En: But, to his surprise, Luz spoke, breaking the ice.Es: "Me encanta la idea, Esteban.En: "I love the idea, Esteban.Es: Creo que es maravilloso fomentar la creatividad".En: I think it's wonderful to foster creativity."Es: Su apoyo fue un eco esperanzador.En: Her support was a hopeful echo.Es: Sofía sintió un impulso de valentía.En: Sofía felt a surge of courage.Es: Se levantó y, con una voz temblorosa pero decidida, confesó: "Siempre me ha gustado escribir.En: She stood up and, with a trembling but determined voice, confessed: "I've always liked writing.Es: Sería un honor participar en un club así".En: It would be an honor to participate in such a club."Es: Las palabras de Sofía invitaron a otros maestros a expresar su interés y pronto, una conversación animada floreció.En: Sofía's words invited other teachers to express their interest, and soon, a lively conversation blossomed.Es: Esteban, emocionado por el respaldo inesperado, encontró en Sofía más que una colega.En: Esteban, thrilled by the unexpected support, found in Sofía more than just a colleague.Es: Encontró una compañera de letras.En: He found a companion of letters.Es: Luz, con su infalible organización, ofreció ayudar a coordinar el club.En: Luz, with her infallible organization skills, offered to help coordinate the club.Es: Con su estructura, el club prometía prosperar.En: With her structure, the club promised to thrive.Es: Convenidos, el espíritu del proyecto tomó forma tangible entre el entusiasmo compartido.En: Agreed, the spirit of the project took tangible shape amid the shared enthusiasm.Es: Con el respaldo de Luz y el compromiso de Sofía, Esteban no solo vio su idea aceptada, sino también encontró en sus colegas un nuevo sentido de pertenencia e inspiración.En: With Luz's support and Sofía's commitment, Esteban not only saw his idea accepted but also found in his colleagues a new sense of belonging and inspiration.Es: Sofía, por su parte, descubrió que su voz era bienvenida, y el temor se transformó en esperanza.En: Sofía, for her part, discovered that her voice was welcomed, and her fear transformed into hope.Es: La reunión concluyó con café todavía humeante y promesas de creatividad.En: The meeting concluded with coffee still steaming and promises of creativity.Es: La primavera trajo no solo el regreso a clases, sino también un renacer para las voces escondidas en el aroma del café.En: Spring brought not only the return to classes but also a rebirth for the hidden voices in the aroma of coffee. Vocabulary Words:the aroma: el aromathe bustle: el bulliciothe breeze: la brisathe leaf: la hojathe shadow: la sombrarustic: rústica/othe ray: el rayothe steam: el humopassionate: apasionado/arenowned: reconocido/athe script: el guionthe newcomer: el/la recién llegado/athe risk: el riesgothe colleague: el/la colegaanxiety: la ansiedadenriching: enriquecedora/othe silence: el silenciothe shout: el gritoto break the ice: romper el hieloencouraged: animado/atrembling: temblorosa/othe courage: el valorthe support: el respaldothrilled: emocionado/acompanion of letters: compañera de letrasthe commitment: el compromisothe belonging: la pertenenciato thrive: prosperarhidden: escondido/athe rebirth: el renacer
How do the stories we tell ourselves and each other about ourselves, each other and our place in the web of life shape our world?How can we craft narratives that can shift the way we see and experience the world? Is this even the best leverage point to start off with or is there a deeper/wider/more effective acupuncture point we could explore as we evolve to become…what? What are we aiming for? What—who—do we want to be and how might we reach places we can't even express - and do it in the face of a world where narratives are becoming more black-and-white, more constrained by circumstances, more held by those with power? In a week that's seen our world become both more complex, more ugly and more beautiful, we're talking to story-crafter and narrative-explorer, Paddy Loughman. Paddy's work explores the role of narrative and communications in navigating beyond our predicament. He is curious about how we might come together to appreciate what science and wisdom traditions reveal about entangled, relational reality, and the potential of more viable, beautiful worlds. He works independently, collaborating with activists, academics, philanthropists, creatives, community organisers and more, orienting towards just, transformational change. He has also co-initiated a number of efforts, including Inter-Narratives with Ella Saltmarshe. Earlier in his career he worked as a strategist in commercial and political communications, before jumping into climate campaigning with a wide range of organisations, from the UNFCCC to grassroots activists, and once upon a time he trained as an actor.This is my first conversation after a life-changing time away from my desk and it was a genuinely generative, consciousness-expanding conversation. I'm in the space where reality, dream and experience are overlapping seamlessly and Paddy felt like one of those people who can stand on the edge of all our spaces and look into what we might become and how we might get there. So…with this as your baseline, please do join us in our exploration of possibility. LinksStories for Life https://stories.life/Inter-Narratives https://inter-narratives.org/Paddy on LinkedIn https://www.linkedin.com/in/paddyloughman/Go Deep or Go Home Medium Post by Paddy Loughman and Ella Saltmarsh https://medium.com/inter-narratives/go-deep-or-no-home-the-essential-power-of-deep-narrative-9124e69ee2aa'Stop Trying to Change Mindsets. Do This Instead' by Jessica Boehme https://jessicaboehme.substack.com/p/the-greatest-leverage-to-change-a'Raging against the dying light: a systems view of human futures' by Julian Norris https://wolfwillow.substack.com/p/raging-against-the-dying-light-a'Who is Organising the Poor White Folks' by Amhara Spence https://amahraspence.substack.com/p/who-is-organising-poor-white-folksAntidote Project: https://www.antidotelive.studio/Imandeep Kaur https://civicsquare.cc/The Dawn of Everything David Graeber and David Wengrow https://uk.bookshop.org/p/books/the-dawn-of-everything-a-new-history-of-humanity-david-graeber/bb3d95f3af2350dfWhat we offer: Accidental Gods, Dreaming Awake and the Thrutopia Writing Masterclass If you'd like to join our next Open Gathering offered by our Accidental Gods Programme it's 'Dreaming Your Death Awake' (you don't have to be a member) it's on 2nd November - details are here.If you'd like to join us at Accidental Gods, this is the membership where we endeavour to help you to connect fully with the living web of life. If you'd like to train more deeply in the contemporary shamanic work at Dreaming Awake, you'll find us here. If you'd like to explore the recordings from our last Thrutopia Writing Masterclass, the details are here
We've come to the end of another season and that means it's time for our best advice about the villain's monologue (what it is, and why it's essential you have one in your story) and turning points (those unexpected events that create opportunities for you to reveal character). -V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.
Homeschool language arts… but make it magical. In this episode, Lisa chats with Joshua Davidson, creator of Night Zookeeper—a story-driven, gamified ELA program where kids invent creatures, build worlds, and level up writing, spelling, grammar, vocabulary, and more. With real tutors, smart scaffolding, and a gentle, visually stunning interface, Night Zookeeper helps reluctant writers become confident storytellers—and gives fluent writers a global community to share their work. What you'll learn How creativity fuels literacy: kids design characters, then naturally want to write, revise, and share. Built-in scaffolding: age-appropriate prompts and supports progress from picture-choice sentences to full paragraphs and essays. Immediate feedback (from a penguin!): friendly, low-friction corrections keep momentum high. Safe, moderated community: every post is reviewed by humans; parent controls let you dial features up or down. Comprehensive ELA: reading, writing, grammar, spelling, vocabulary, poetry, persuasive and report writing—guided by quests or sandbox play. Tutor feedback: real people encourage, coach, and celebrate wins. Grows with your learner: ages ~5–11 with pathways for beginners and advanced storytellers. Cross-platform access: computers and tablets; iPhone available now, Android app coming. How Night Zookeeper works (quick tour) Create a character (unicorn-rainbow besties with a crisp packet named Bill? yes.). Tell the story with prompts that match skill level. Get feedback—from tutors, peers, and the professorial penguin. Build skills via gamified lessons and the new Quests mode (a structured route through the curriculum). Share & celebrate inside a fully moderated, kid-safe community. Safety & parental controls All student work is reviewed by human tutors before it's public. Feature controls for families (e.g., limit community features for younger children). Optional “bubble mode” if you want a solo experience. Pro tips from Joshua Create the first animal together. That one shared moment super-charges buy-in. Try the 7-day free trial, then (if you love it) consider the companion Night Zookeeper books for easy independent reading. Who this episode is for Parents of reluctant writers who need a joyful on-ramp. Word-loving kids who want a bigger audience for their stories. Families seeking a complete, kid-safe ELA solution that actually gets used. Links & resources Night Zookeeper (7-day free trial + discount): Night Zookeeper books (by Joshua Davidson): [book link] True North Academy (online grades 6–12): truenorthhomeschool.academy It's Not That Hard to Homeschool blog: notthathardtohomeschool.com Pull quote “The best forms of learning are play. We just give kids the tools to create until their hearts are content.” Call to action Ready to turn “I don't like writing” into “Can I write one more chapter?”
Poems about food from Wendy Hoffman, Christine Higgins, and Fran Markover. Support the show
Ever blanked on stage? Ravina has—in front of her entire high school. What could've been the end of her poetry journey became a lesson in resilience, community, and remembering that showing up is the real win. In this episode, learn how support, self-compassion, and a little reframing can turn setbacks into stepping stones. Visit thepoetrylab.com to find the Show Notes for this episode. The Poetry Lab Podcast is produced by Danielle Mitchell. With special guest hosts Lori Walker, bridgette bianca, Leonora Simonovis and Ravina Wadhwani.
Sarah Hall—twice Booker Prize–nominated author and the only writer to win the BBC National Short Story Award twice—on crafting fiction that is both lush and uncompromising, and how to captivate readers on the sentence level while staying true to creative freedom.We discuss:Her early reading life in the countryside and the characters who first sparked her imaginationLessons learned from an “unpublishable” first novel and how Haweswater found its true formThe discipline and intuition behind her writing process and when to share draftsWhy handwriting first drafts rekindled a sense of play and sharpened her editingHow to build short stories that hold “the world on a pin” and reverberate beyond the pageGiving voice to Britain's only named wind in Helm and weaving folklore, climate themes, and playfulnessDiscerning a story's ending and sustaining joy in the writing process About Sarah HallSarah Hall is one of Britain's most acclaimed contemporary authors. Twice nominated for the Booker Prize and the first and only writer to win the BBC National Short Story Award twice, she is the author of ten acclaimed novels and short story collections, including Haweswater, The Electric Michelangelo, The Carhullan Army, and Burntcoat. Her latest novel, Helm, blends myth, climate anxiety, and playful storytelling to bring Britain's only named wind to life.Resources and Links:
Want to be more confident, capable, and ready for real life? Stop letting other people do things for you that you can do yourself!In this episode, Joey shares how small acts of independence, like making your own lunch, keeping track of assignments, or doing your own laundry, train you to solve problems, handle responsibility, and become more resilient. You'll hear how this mindset applies at home and at school, plus simple ways to start building your “self-sufficient” muscle today.Secret for an Awesome Life: If you want to be successful, don't let other people do for you what you can do for yourself.--My gamified mindset training app for teens, Sidekick to Hero, is available now! Go to www.sidekicktohero.com to start a two-week free trial.--Follow me on Instagram! www.instagram.com/sidekicktohero--Joey Mascio is a teen confidence coach and motivational speaker. He helps teens eliminate self-doubt, manage emotions, develop social skills, and achieve their goals. He was a middle school teacher and counselor for 7 years, a former Disneyland performer, and an experienced improv comedian. He uses his Masters in Education, Bachelors in Creative Writing, and two professional life coach certifications to teach powerful resilience tools and strategies to teens through humor and stories.
Your AI keeps giving you generic copy because it doesn't know your business the way a human copywriter would. Most people think the solution is better prompts, but that's like thinking good copy just means better grammar.You're missing the entire strategy layer underneath.In this episode, I explore why AI training fails for most business owners and how working with a copy coach can solve the real problem. We'll talk about developing the strategic foundation your AI actually needs, from specific brand voice definitions to clear audience insights, and why this approach improves all your marketing, not just AI-generated content.__________________________________________EPISODE 160.Read the show notes and view the full transcript here: Coming Soon______________________________________________Here's info on your host, Erin OllilaErin Ollila believes in the power of words and how a message can inform – and even transform – its intended audience. She graduated from Fairfield University with an M.F.A. in Creative Writing, and went on to co-found Spry, an award-winning online literary journal.When Erin's not helping her clients understand their website data or improve their website copy, you can catch her hosting the Talk Copy to Me podcast and guesting on shows such as Profit is a Choice, Mindful Marketing, The Power in Purpose, and Business-First Creatives.Stay in touch with Erin Ollila, SEO website copywriter:• Learn more about my VIP intensive options or just book a strategy session to get started right away• Visit Erin's website to learn more about her business, services, and productsWant to keep talking copy? Send me a text message!
Welcome back to the Spun Today podcast! In this inspiring episode, host Tony Ortiz sits down with returning guest Amanda Lucas—educator, writer, and now founder of her very own microschool, the Lucas Literacy Lab. Amanda shares her incredible journey of resilience, starting from homeschooling her daughters during the pandemic to navigating the bureaucratic maze of opening a school from scratch—all while balancing motherhood, creativity, and her passion for writing. Amanda dives deep into the challenges of entrepreneurship and education reform, highlighting the tenacity required to pioneer new paths in teaching. She also discusses her children's book, "I Need an Idea," and the creative process behind it, offering insight for writers and educators alike. This conversation isn't just about opening a school—it's a masterclass in creative problem-solving, leadership, and building something meaningful against all odds. Whether you're an aspiring writer, educator, or entrepreneur, Amanda's story will inspire you to take bold steps toward your own creative dreams—one small, determined step at a time. Stick around for a conversation packed with hard-won wisdom, storytelling, and the reminder that creativity can thrive even in the toughest circumstances. The Spun Today Podcast is a Podcast that is anchored in Writing, but unlimited in scope. Give it a whirl. Twitter: https://twitter.com/spuntoday Instagram: https://www.instagram.com/spuntoday/ YouTube: https://www.youtube.com/@spuntoday Website: http://www.spuntoday.com/home Newsletter: http://www.spuntoday.com/subscribe Links referenced in this episode Check out and follow the Lucas Literacy Lab: Lucas Literacy Lab: https://www.lucasliteracylab.com/ Instagram: https://www.instagram.com/lucasliteracylab/ YouTube: https://www.youtube.com/@LucasLiteracyLab Want to start your own Microschool? Checkout KaiPod: https://www.kaipodlearning.com/start-a-microschool/ Get your Podcast Started Today! https://signup.libsyn.com/?promo_code=SPUN (Use Promo code SPUN and get up to 2-months of free service!) Check out all the Spun Today Merch, and other ways to help support this show! https://www.spuntoday.com/support Check out my Books Make Way for You – Tips for getting out of your own way FRACTAL – A Time Travel Tale Melted Cold – A Collection of Short Stories http://www.spuntoday.com/books/ (e-Book, Paperback & Hardcover are now available). Fill out my Spun Today Questionnaire if you're passionate about your craft. I'll share your insight and motivation on the Podcast: http://www.spuntoday.com/questionnaire/ Shop on Amazon using this link, to support the Podcast: https://amzn.to/4km592l Shop on iTunes using this link, to support the Podcast: https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewTop?genreId=38&id=27820&popId=42&uo=10 Shop at the Spun Today store for Mugs, Notebooks, T-Shirts and more: https://spuntoday-shop.fourthwall.com/ Music: https://www.purple-planet.com Outro Background Music: https://www.bensound.com Spun Today Logo by: https://www.naveendhanalak.com/ Sound effects are credited to: http://www.freesfx.co.uk Listen on: ApplePodcasts | Spotify | Pocket Casts | YouTube | Website
Season 6 premiere!We've just started the school year and I'm realizing that I am already stressed. How can this be? The year literally just started! My goal this year was to slow down, to take it easy and to not lose sight of my health. But it's so hard to do when it seems like all the good things that we love about universities and colleges are being taken away. And it seems like the neoliberal academy loves nothing more than to take us away from teaching and researching, and instead imposing upon us increasing amountos of paperwork, heaps of ever escalating fear mongering about AI that require ridiculous regulations that are designed to reveal students, and mounting pressures to increase enrollment because didn't, you know, we have a budget crisis and so on and so on.That's why I found this week's conversation so refreshing. This week we talk to Dr. Carrianne Leung, a fiction writer and assistant professor at the University of Guelph in Creative Writing. We talk about how her winding non-traditional path into academia gives her a refreshing perspective about the energy she chooses to bring into the classroom, how she views her relationship with her students, including teaching in the age of AI and why we should all slow down and not hustle so hard.Related LinksCarrianne Leung's WebsiteThanks for listening! Get more information, support the show, and read all the transcripts at academicaunties.com. Get in touch with Academic Aunties on BlueSky, Instagram, or by e-mail at podcast@academicaunties.com.
July, August & September — Dante's New South Mega ReturnRichard Blanco — Selected by President Obama as the fifth Presidential Inaugural Poet, Blanco was the youngest, first Latinx, immigrant, and gay person in that role. In 2023, President Biden awarded him the National Humanities Medal. Born to Cuban exile parents and raised in Miami, Blanco explores identity, belonging, and place in works like Homeland of My Body, For All of Us, One Today, and The Prince of Los Cocuyos. His honors include the Agnes Starrett Prize, PEN America Beyond Margins Award, Patterson Prize, and Lambda Literary Award. Blanco is Education Ambassador for The Academy of American Poets, Associate Professor at Florida International University, and Poet Laureate of Miami-Dade County. www.richard-blanco.comSamiya Bashir — Poet, writer, librettist, and multimedia artist described as “a dynamic, shape-shifting machine of perpetual motion.” Her work has been seen from Berlin to Accra, Florence to across the U.S. She is the author of Field Theories (Oregon Book Award) and I Hope This Helps (Nightboat Books, 2025). Honors include the Rome Prize, Pushcart Prize, and Oregon Arts & Culture Council Fellowship, with residencies at MacDowell and the Atlantic Center for the Arts. She is reigniting Fire & Inkwell to support LGBTQ+ artists and writers of African descent. www.samiyabashir.comOctavio Quintanilla — Author of If I Go Missing (2014) and Poet Laureate of Texas. His poetry, fiction, translations, and Frontextos (visual poems) appear in Alaska Quarterly Review, Texas Observer, Green Mountains Review, and more. Exhibitions include Southwest School of Art, Weslaco Museum, and the Emma S. Barrientos Mexican American Cultural Center. Regional editor for Texas Books in Review, poetry editor for Voices de la Luna, and faculty in Literature & Creative Writing at Our Lady of the Lake University. www.octavioquintanilla.com | IG: @writeroctavioquintanilla | X: @OctQuintanillaVince Herman (Leftover Salmon) — Since co-founding Leftover Salmon in 1989, Herman's joyful, theatrical energy has defined the band. After moving from West Virginia to Boulder, CO, he briefly joined the Left-Hand String Band before forming Salmon Heads; both merged on New Year's Eve 1989 to become Leftover Salmon. Decades on, Herman continues to bring his eclectic musical vision to audiences everywhere.Additional Music: Alain Johannes — www.alainjohannes.com | Documentary: YouTubeSponsorsThe Pickens County Chamber of CommerceThe CrownBright Hill PressSpecial ThanksUCLA Extension Writing ProgramMercer University PressRed Phone BoothAlain Johannes — original score: www.alainjohannes.comHost Clifford Brooks — The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, Old Gods: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com
I think BLACK BAG misses the mark but it's one of Melanie's favourites. So what happens when we disagree on whether, from a craft perspective, a story is working or not? Well, you'll have to tune in to this week's episode to find out. One thing I'll say is that this might be a film that is meant for super fans of the spy genre (i.e., Melanie) because it seems to assume a level of knowledge about the world of espionage that the average viewer (i.e., me) simply doesn't have. Enjoy! -V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.
Brent Taylor started at Triada US as an 18-year-old intern and has since built a successful career representing children's and adult fiction. Hear his thoughts on what's booming in the market, what will be hot next year, the rise of romance, tips for querying authors, hybrid publishing and more!Brent TaylorWebsite: https://www.btaylorbooks.com/Triada USGood Story Company: If you have a story in your head, we're here to help you get it out into the world. We help writers of all skill sets, all genres, and all categories, at all stages of the writing process. Need a hand with brainstorming? Want to find a critique partner? Looking for an editor to help polish up your pitch, your idea, or your entire manuscript? We have all of it and more in our community. If you're ready to take the next step (or the first step) on your writing journey, we're here to help you.Website: https://www.goodstorycompany.comMembership: https://www.goodstorycompany.com/membershipWriting Workshop: https://www.storymastermind.comMary Kole: Former literary agent Mary Kole founded Good Story Company as an educational, editorial, and community resource for writers. She provides consulting and developmental editing services to writers of all categories and genres, working on children's book projects from picture book to young adult, and all kinds of trade market literature, including fantasy, sci-fi, romance, and memoir. She holds an MFA in Creative Writing and has worked at Chronicle Books, the Andrea Brown Literary Agency, and Movable Type Management. She has been blogging at Kidlit.com since 2009. Her book, Writing Irresistible Kidlit, a writing reference guide for middle grade and young adult writers, is available from Writer's Digest Books.Manuscript Submission Blueprint: https://bit.ly/kolesubWriting Irresistible Kidlit: http://bit.ly/kolekidlitIrresistible Query Letters: https://amzn.to/3yg511KWriting Irresistible Picture Books: https://amzn.to/3SrApRUHow to Write a Book Now: https://BookHip.com/ZHXAAKQWriting Interiority: Crafting Irresistible Characters: https://amzn.to/4evsX0BWriting Irresistible First Pages: https://amzn.to/4gxgslqNEW! Show and Tell: https://amzn.to/4kCc4noFollow us on social:YouTube: https://youtube.com/c/goodstoryBluesky: https://bsky.app/profile/goodstory.bsky.socialInstagram: https://instagram.com/goodstorycompanyTikTok: https://www.tiktok.com/@goodstorycoFacebook: https://facebook.com/goodstorycoSubstack: https://goodstoryco.substack.com/
The Power of Story: Amplifying Teacher VoicesIn this episode of the Teacher Fellows Podcast, hosts Ryan Rarick and Lauren Merkley discuss the importance of storytelling in education with guests Kristin Van Brunt and Scott Judy. The conversation covers how sharing personal experiences can empower teachers, influence policy, and change narratives around public education. The guests provide practical advice on overcoming imposter syndrome, finding the right audience, and starting small when sharing classroom stories. They highlight the significance of stories in building empathy and fostering collaborative growth among educators.00:00 Introduction and Hosts' Welcome00:38 Preview of Today's Episode01:28 Meet the Guests: Kristin Van Brunt and Scott Judy02:52 The Power of Story in Education06:37 Overcoming Imposter Syndrome10:43 Sharing Stories to Influence and Inspire19:02 Practical Tips for Teachers to Share Their Stories21:14 Final Takeaways and Closing RemarksGUESTS ON EPISODE:Scott Judy - High School Social Studies Teacher in Davis School District, Professional Learning Facilitator for the Teacher FellowsInstagram:@moves_like_judyTwitter/X: @Moves_Like_Judy Kristin Van Brunt - Instructional Coach in Davis School District, Professional Learning Facilitator for the Teacher FellowsInstagram:@kristinvanbruntTwitter/X: @vb_kristinADDITIONAL RESOURCES:Karen Eber: How Your Brain Responds to Stories | TED Talk YouTubeChimananda Ngozi Adichie: The Danger of a Single Story |TED Talk YouTube SOCIAL MEDIA CONNECTIONS: Want to be on the podcast? Fill out this form - Podcast Interview Survey Teacher Fellows Website: teacherfellows.orgLinkedin: Utah Teacher Fellows Twitter: @TeachFellowsPod or @HSG_UTInstagram: @TeacherFellowsPodcast or @hsg_utFacebook: @utahteacherfellowsprogramEmail us: socialmedia@hopestreetgroup.org PART OF THE SHOW Hosts:Lauren Merkley (@lmerkles) -- Taught AP English Language and Composition, Creative Writing in Granite School District, 2020 Utah Teacher of the YearRyan Rarick (@Coach_Rarick) -- Education Pathway Teacher for Washington Country School DistrictProduction Team:Kayla Towner (@mrstowner9) -- Technology Specialist and Product Manager for Utah Education Network (UEN)Info Drop Spokesperson:John Arthur (@9thEvermore) -- Co-Director of the Teacher Fellows, 6th Grade Teacher in Salt Lake School District, 2021 Utah Teacher of the Year, 2021 National Teacher of the Year Finalist.
Today's guest, Sean Bennett is a writer, workshop host, and retreat organizer based in Nottingham and London. As a former copywriter and copyeditor for Oxford University Press, he brings a creative, editorial eye to other people's work, usually in the context of the London-based creative writing community he leads, called A Write & A Pint. He has a passion for all literature, but most specifically, existential, modern, postmodern and literary fiction. When he's not coaching people to write books, he also coaches those looking to be more creative in their careers and the purpose-led work they do. Join Sean and I as we talk about the process of creative writing and teaching creative writing. Sean has an incredible amount of knowledge on the subject that you are going to want to listen to and learn from! You will also love to hear how the intersection of creative expression and life balance leads to success and true fulfillment in our lives. Sean also vulnerably shares some of the obstacles that he has worked through in his own life to be able to be such a positive influence and successful teacher and coach for those that he serves. --------- To learn more about today's guest Sean Bennett please visit: Website: https://www.writeandpint.com/ Instagram: https://www.instagram.com/writeandpint/ -------- To learn more about host G. Brian Benson: www.gbrianbenson.com Don't forget to sign up for the newsletter! YouTube: www.youtube.com/gbrianbenson Instagram: www.instagram.com/gbrianbenson Facebook: www.facebook.com/gbrianbensonmedia LinkedIn: https://www.linkedin.com/in/gbrianbenson/
Gaar Adams joins Let's Talk Memoir for a conversation about living amongst and depicting queer and migrant communities in the Gulf states, falling in love with Arabic literature and translation, the undeniable parallels between queerness and migration, exploring subversive acts, capturing ourselves in less than flattering ways, combating self-censorship, concern with how loved ones might perceive us, protecting our memory, calibrating interiority, writing into periods of discomfort, the importance of chosen families, transcribing and organizing vast amounts of material and interviews, allowing for a multiplicity of voices, intentional interrogation of stories that aren't being told, and his new book Guest Privileges: Queer Lives and Finding Home in the Middle East. Also in this episode: -the fallacy of the solo artist -knowing when to let go -protecting our memory Books mentioned in this episode: Notes on a Foreign Country by Suzy Hansen Sea State: A Memoir by Tabitha Lasley Maximum City by Suketu Mehta The Pink Line by Mark Gevisser Gaar Adams is the author of Guest Privileges: Queer Lives and Finding Home in the Middle East, longlisted for the Royal Society of Literature Ondaatje Prize. His reporting from the Middle East and South Asia has been featured in The Atlantic, Foreign Policy, Rolling Stone, Bloomberg, VICE, Slate, and elsewhere. He received his Doctorate of Fine Arts from the University of Glasgow and currently teaches on the MA in Creative Writing at the University of Hull. He lives in London, UK. Connect with Gaar: Website: https://gaaradams.com/ Instagram: https://www.instagram.com/gaar.adams/ X: https://x.com/gaaradams – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
Selections from the forthcoming 2025 Poetry Contest issue, featuring poems by Philip Stern, Buffy Shutt, Susan Miller, and Byron Hoot. Support the show
What makes a character unforgettable? It's not just quirks or dialogue. It's personality. Your characters' personalities shape their arcs, influence their voices, drive their goals, and and connect plot and theme into a cohesive whole. In this episode, we'll explore why personality is the secret ingredient to compelling storytelling and how you can use it to create characters who resonate with readers long after the final page. You'll Learn: 3 reasons personality is the foundation of great characters 4 ways personality drives storytelling (arc, voice, conflict, theme) 10 practical tips for weaving personality into your plot, dialogue, and arcs How to use tools like the Enneagram and MBTI to stress-test your character development Whether you're outlining your next novel or revising a draft, this episode will help you unlock deeper, more authentic storytelling through the lens of personality.
On this episode of Healthy Mind, Healthy Life, host Avik speaks with Joni Marie Iraci—a registered nurse turned award-winning novelist—about late-life reinvention, earning an MFA in her 60s, and the craft behind her thriller Vatican Daughter. Joni breaks down how life experience fuels better storytelling, why continuing education can restart a creative career, and how rigorous research (including miles of walking Rome) elevates fiction. We also discuss mindset shifts from “victim” to “survivor,” practical marketing realities for authors, and how to keep your brain—and courage—active at any age. This is a direct, no-fluff playbook for midlife career change, creative discipline, and purpose. About the guest: Joni Marie Iraci is an author and former registered nurse who returned to college later in life, graduated from Sarah Lawrence, and earned an MFA in Creative Writing from Columbia University. She writes page-turning, research-rich fiction centered on resilient women, including Vatican Daughter. Key takeaways: It's not “too late”: returning to school and embracing new work in your 50s–60s can accelerate creative growth. Leverage lived experience—humor, perspective, and resilience—to write more authentic stories. Practical path: continuing-education programs, steady writing practice, and peer feedback (younger peers can also help with tech). Research that breathes: site walks in Rome/Venice and primary-source study make settings feel real. Fact in fiction: historical events (e.g., 19th-century papal kidnappings) can inform compelling plots when handled responsibly. Craft note: give readers “reprieve scenes” (food, place, texture) to balance thriller intensity. Marketing is work: social media, endorsements, and reader outreach are part of an author's job. Mindset shift: write women who survive, not women defined by victimhood. Community matters: mentorship for emerging writers and asking boldly (blurbs, intros) opens doors. Cognitive wellness: keep learning, reading, and creating to sustain a sharp, purposeful mind. How to connect with Joni Website/contact form: Joni mentioned listeners can reach her via the contact page on her official author website - https://www.jonimarieiraci.com/ (search “Joni Marie Iraci” to find it). Books: Look up Vatican Daughter by Joni Marie Iraci on your preferred retailer. Want to be a guest on Healthy Mind, Healthy Life? DM on PM - Send me a message on PodMatch DM Me Here: https://www.podmatch.com/hostdetailpreview/avik Disclaimer: This video is for educational and informational purposes only. The views expressed are the personal opinions of the guest and do not reflect the views of the host or Healthy Mind By Avik™️. We do not intend to harm, defame, or discredit any person, organization, brand, product, country, or profession mentioned. All third-party media used remain the property of their respective owners and are used under fair use for informational purposes. By watching, you acknowledge and accept this disclaimer. Healthy Mind By Avik™️ is a global platform redefining mental health as a necessity, not a luxury. Born during the pandemic, it's become a sanctuary for healing, growth, and mindful living. Hosted by Avik Chakraborty—storyteller, survivor, wellness advocate—this channel shares powerful podcasts and soul-nurturing conversations on: • Mental Health & Emotional Well-being• Mindfulness & Spiritual Growth• Holistic Healing & Conscious Living• Trauma Recovery & Self-Empowerment With over 4,400+ episodes and 168.4K+ global listeners, join us as we unite voices, break stigma, and build a world where every story matters.
Matt Forbeck is all that and so much more. He grew up in Wisconsin as what he describes as a wimpy kid, too short and not overly healthy. He took to gaming at a pretty early age and has grown to be a game creator, author and award-winning storyteller. Matt has been designing games now for over 35 years. He tells us how he believes that many of the most successful games today have stories to tell, and he loves to create some of the most successful ones. What I find most intriguing about Matt is that he clearly is absolutely totally happy in his work. For most of Matt's career he has worked for himself and continues today to be an independent freelancer. Matt and his wife have five children, including a set of quadruplets. The quadruplets are 23 and Matt's oldest son is 28 and is following in his father's footsteps. During our conversation we touch on interesting topics such as trust and work ethics. I know you will find this episode stimulating and worth listening to more than once. About the Guest: Matt Forbeck is an award-winning and New York Times-bestselling author and game designer of over thirty-five novels and countless other books and games. His projects have won a Peabody Award, a Scribe Award, and numerous ENnies and Origins Awards. He is also the president of the Diana Jones Award Foundation, which celebrates excellence in gaming. Matt has made a living full-time on games and fiction since 1989, when he graduated from the Residential College at the University of Michigan with a degree in Creative Writing. With the exception of a four-year stint as the president of Pinnacle Entertainment Group and a year and a half as the director of the adventure games division of Human Head Studios, he has spent his career as an independent freelancer. Matt has designed collectible card games, roleplaying games, miniatures games, board games, interactive fiction, interactive audiobooks, games for museum installations, and logic systems for toys. He has directed voiceover work and written short fiction, comic books, novels, screenplays, and video game scripts and stories. His work has been translated into at least 15 languages. His latest work includes the Marvel Multiverse Role-Playing Game Core Rulebook, the Spider-Verse Expansion, Monster Academy (novels and board game), the Shotguns & Sorcery 5E Sourcebook based on his novels, and the Minecraft: Roll for Adventure game books. He is the father of five, including a set of quadruplets. He lives in Beloit, Wisconsin, with his wife and a rotating cast of college-age children. For more about him and his work, visit Forbeck.com. Ways to connect with Matt: Twitter: https://twitter.com/mforbeck Facebook: https://www.facebook.com/forbeck Bluesky: https://bsky.app/profile/forbeck.com Threads: https://www.threads.net/@mforbeck Instagram: https://www.instagram.com/mforbeck/ LinkedIn: https://www.linkedin.com/in/forbeck/ Website: https://www.forbeck.com/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:21 Hi everyone, and welcome to another episode of unstoppable mindset today. We get to play games. Well, not really, but we'll try. Our guest is Matt Forbeck, who is an award winning author. He is a game designer and all sorts of other kinds of things that I'm sure he's going to tell us about, and we actually just before we started the the episode, we were talking about how one might explore making more games accessible for blind and persons with other disabilities. It's, it's a challenge, and there, there are a lot of tricks. But anyway, Matt, I want to welcome you to unstoppable mindset. We're glad you're here. Matt Forbeck ** 02:02 Well, thank you, Michael for inviting me and having me on. I appreciate it. Speaker 1 ** 02:06 I think we're going to have a lot of fun, and I think it'll work out really well. I'm I am sure of that. So why don't we start just out of curiosity, why don't you tell us kind of about the early Matt, growing up? Matt Forbeck ** 02:18 Uh, well, I grew up. I was born in Milwaukee, Wisconsin. I grew up in a little town called Beloit, Wisconsin, which actually live in now, despite having moved away for 13 years at one point, and I had terrible asthma, I was a sick and short kid, and with the advent of medication, I finally started to be healthy when I was around nine, and Part of that, I started getting into playing games, right? Because when you're sick, you do a lot of sitting around rather than running around. So I did a lot of reading and playing games and things like that. I happen to grow up in the part of the world where Dungeons and Dragons was invented, which is in Lake Geneva, Wisconsin, about 30 miles from where I live. And because of that I was I started going to conventions and playing games and such, when I was about 12 or 13 years old. I started doing it when I was a little bit older. I started doing it professionally, and started doing it when I was in college. And amazingly enough, even to my own astonishment, I've made a career out of it. Speaker 1 ** 03:17 Where did you go to college? I went to the University Matt Forbeck ** 03:21 of Michigan over in Ann Arbor. I had a great time there. There's a wonderful little college, Beloit College, in my hometown here, and most of my family has gone to UW Milwaukee over the years. My parents met at Marquette in Milwaukee, but I wanted to get the heck out of the area, so I went to Michigan, and then found myself coming back as soon as we started having Speaker 1 ** 03:42 kids well, and of course, I would presume that when you were at the University of Michigan, you rooted for them and against Ohio State. That was Matt Forbeck ** 03:50 kind of, you know, if you did it the other way around, they back out of town. So, yeah, I was always kind of astonished, though, because having grown up in Wisconsin, where every sports team was a losing team when I was growing up, including the Packers, for decades. You know, we were just happy to be playing. They were more excuse to have beers than they were to cheer on teams. And I went to Michigan where they were, they were angry if the team wasn't up by two touchdowns. You know, at any point, I'm like, You guys are silly. This is we're here for fun. Speaker 1 ** 04:17 But it is amazing how seriously some people take sports. I remember being in New Zealand helping the Royal New Zealand Foundation for the Blind. Well now 22 years ago, it's 2003 and the America's Cup had just finished before we got there, and in America beat New Zealand, and the people in New Zealand were just irate. They were complaining that the government didn't put enough money into the design of the boat and helping with the with the yacht and all that. It was just amazing how seriously people take it, yeah, Matt Forbeck ** 04:58 once, I mean, it becomes a part of your. Identity in a lot of ways, right for many people, and I've never had to worry about that too much. I've got other things on my mind, but there you go. Speaker 1 ** 05:08 Well, I do like it when the Dodgers win, and my wife did her graduate work at USC, and so I like it when the Trojans win, but it's not the end of the world, and you do need to keep it in perspective. I I do wish more people would I know once I delivered a speech in brether County, Kentucky, and I was told that when I started the speech had to end no later than preferably exactly at 6:30pm not a minute later, because it was the night of the NCAA Basketball Championship, and the Kentucky Wildcats were in the championship, and at 630 everyone was going to get up and leave and go home to watch the game. So I ended at 630 and literally, by 631 I timed it. The gym was empty and it was full to start with. Matt Forbeck ** 06:02 People were probably, you know, counting down on their watches, just to make sure, right? Speaker 1 ** 06:06 Oh, I'm sure they were. What do you do? It's, it is kind of fun. Well, so why did you decide to get started in games? What? What? What attracted to you, to it as a young person, much less later on? Matt Forbeck ** 06:21 Well, I was, yeah, I was an awkward kid, kind of nerdy and, you know, glasses and asthma and all that kind of stuff. And games were the kind of thing where, if you didn't know how to interact with people, you could sit down at a table across them and you could practice. You can say, okay, we're all here. We've got this kind of a magic circle around us where we've agreed to take this one silly activity seriously for a short period of time, right? And it may be that you're having fun during that activity, but you know, there's, there's no reason that rolling dice or moving things around on a table should be taken seriously. It's all just for fun, right? But for that moment, you actually just like Las Vegas Exactly, right? When there's money on the line, it's different, but if you're just doing it for grins. You know, it was a good way for me to learn how to interact with people of all sorts and of different ages. And I really enjoyed playing the games, and I really wanted to be a writer, too. And a lot of these things interacted with story at a very basic level. So breaking in as a writer is tough, but it turned out breaking as a game designer, wasn't nearly his stuff, so I started out over there instead, because it was a very young field at the time, right? D and D is now 50 years old, so I've been doing this 35 years, which means I started around professionally and even doing it before that, I started in the period when the game and that industry were only like 10 or 15 years old, so yeah, weren't quite as much competition in those Speaker 1 ** 07:43 days. I remember some of the early games that I did play, that I could play, were DOS based games, adventure. You're familiar with adventure? Yeah, oh, yeah. Then later, Zork and all that. And I still think those are fun games. And I the reason I like a lot of those kinds of games is they really make you think, which I think most games do, even though the video even the video games and so on, they they help your or can help your reactions, but they're designed by people who do try to make you think, Matt Forbeck ** 08:15 yeah. I mean, we basically are designing puzzles for people to solve, even if they're story puzzles or graphic puzzles or sound puzzles or whatever, you know, even spatial puzzles. There the idea is to give somebody something fun that is intriguing to play with, then you end up coming with story and after that, because after a while, even the most most exciting mechanics get dull, right? I mean, you start out shooting spaceships, but you can only shoot spaceships for so long, or you start out playing Tetris, and you only put shapes together for so long before it doesn't mean anything that then you start adding in story to give people a reason to keep playing right and a reason to keep going through these things. And I've written a lot of video games over the years, basically with that kind of a philosophy, is give people nuggets of story, give them a plot to work their way through, and reward them for getting through different stages, and they will pretty much follow you through anything. It's amazing. Michael Hingson ** 09:09 Is that true Dungeons and Dragons too? Matt Forbeck ** 09:13 It is. All of the stories are less structured there. If you're doing a video game, you know you the team has a lot of control over you. Give the player a limited amount of control to do things, but if you're playing around a table with people, it's more of a cooperative kind of experience, where we're all kind of coming up with a story, the narrator or the Game Master, the Dungeon Master, sets the stage for everything, but then the players have a lot of leeway doing that, and they will always screw things up for you, too. No matter what you think is going to happen, the players will do something different, because they're individuals, and they're all amazing people. That's actually to me, one of the fun things about doing tabletop games is that, you know, the computer can only react in a limited number of ways, whereas a human narrator and actually change things quite drastically and roll. With whatever people come up with, and that makes it tremendous fun. Speaker 1 ** 10:04 Do you think AI is going to enter into all that and maybe improve some of the Matt Forbeck ** 10:09 old stuff? It's going to add your end to it, whether it's an ad, it's going to approve it as a large question. Yeah. So I've been ranting about AI quite a bit lately with my friends and family. But, you know, I think the problem with AI, it can be very helpful a lot of ways, but I think it's being oversold. And I think it's especially when it's being oversold for thing, for ways for people to replace writers and creative thinking, Yeah, you know, you're taking the fun out of everything. I mean, the one thing I like to say is if, if you can't be bothered to write this thing that you want to communicate to me, I'm not sure why I should be bothered to read this thing well. Speaker 1 ** 10:48 And I think that AI will will evolve in whatever way it does. But the fact of the matter is, So do people. And I think that, in fact, people are always going to be necessary to make the process really work? AI can only do and computers can only do so much. I mean, even Ray Kurzweil talks about the singularity when people and computer brains are married, but that still means that you're going to have the human element. So it's not all going to be the computer. And I'm not ready to totally buy into to what Ray says. And I used to work for Ray, so I mean, I know Ray Well, but, but the but the bottom line is, I think that, in fact, people are always going to be able to be kind of the, the mainstay of it, as long as we allow that, if we, if we give AI too much power, then over time, it'll take more power, and that's a problem, but that's up to us to deal with? Matt Forbeck ** 11:41 No, I totally agree with that. I just think right now, there's a very large faction of people who it's in their economic interest to oversell these things. You know, people are making chips. They're building server farms. A lot of them are being transferred from people are doing blockchain just a few years ago, and they see it as the hot new thing. The difference is that AI actually has a lot of good uses. There's some amazing things will come out of llms and such. But I again, people are over the people are selling this to us. Are often over promising things, right? Speaker 1 ** 12:11 Yeah, well, they're not only over promising but they're they're really misdirecting people. But the other side of it is that, that, in fact, AI as a concept and as a technology is here, and we have control over how we use it. I've said a couple times on this this podcast, and I've said to others, I remember when I first started hearing about AI, I heard about the the fact that teachers were bemoaning the pack, that kids were writing their papers just using AI and turning them in, and it wasn't always easy to tell whether it was something that was written by AI or was written by the student. And I come from a little bit different view than I think a lot of people do. And my view basically is, let the kids write it if with AI, if that's what they're going to do, but then what the teacher needs to do is to take one period, for example, and give every student in that class the opportunity to come up and defend whatever paper they have. And the real question is, can they defend the paper? Which means, have they really learned the subject, or are they just relying on AI, Matt Forbeck ** 13:18 yeah, I agree with that. I think the trouble is, a lot of people, children, you know, who are developing their abilities and their morals about this stuff, they use it as just a way to complete the assignment, right? And many of them don't even read what they turn in, right, right? Just know that they've got something here that will so again, if you can't be bothered to read the thing that you manufactured, you're not learning anything about it, Speaker 1 ** 13:39 which is why, if you are forced to defend it, it's going to become pretty obvious pretty fast, whether you really know it or not. Now, I've used AI on a number of occasions in various ways, but I use it to maybe give me ideas or prepare something that I then modify and shape. And I may even interact with AI a couple of times, but I'm definitely involved with the process all the way down the line, because it still has to be something that I'm responsible for. Matt Forbeck ** 14:09 I agree. I mean, the whole point of doing these things is for people to connect with each other, right? I want to learn about the ideas you have in your head. I want to see how they jive with ones in my head. But if I'm just getting something that's being spit out by a machine and not you, and not being curated by you at any point, that doesn't seem very useful, right? So if you're the more involved people are in it, the more useful it is. Speaker 1 ** 14:31 Well, I agree, and you know, I think again, it's a tool, and we have to decide how the tool is going to be used, which is always the way it ought to be. Right? Matt Forbeck ** 14:42 Exactly, although sometimes it's large corporations deciding, Speaker 1 ** 14:45 yeah, well, there's that too. Well, individuals, Matt Forbeck ** 14:49 we get to make our own choices. Though you're right, Speaker 1 ** 14:51 yes, and should Well, so, so when did you start bringing writing into what you. Did, and make that a really significant part of what you did? Matt Forbeck ** 15:03 Well, pretty early on, I mean, I started doing one of the first things I did was a gaming zine, which was basically just a print magazine that was like, you know, 32 pages, black and white, about the different tabletop games. So we were writing those in the days, design and writing are very closely linked when it comes to tabletop games and even in video games. The trick of course is that designing a game and writing the rules are actually two separate sets of skills. So one of the first professional gig I ever had during writing was in games was some friends of mine had designed a game for a company called Mayfair games, which went on to do sellers of contain, which is a big, uh, entry level game, and but they needed somebody to write the rules, so they called me over, showed me how to play the game. I took notes and I I wrote it down in an easy to understand, clear way that people had just picked up the box. Could then pick it up and teach themselves how to play, right? So that was early on how I did it. But the neat thing about that is it also taught me to think about game design. I'm like, when I work on games, I think about, who is this game going to be for, and how are we going to teach it to them? Because if they can't learn the game, there's no point of the game at all, right? Speaker 1 ** 16:18 And and so I'm right? I'm a firm believer that a lot of technical writers don't do a very good job of technical writing, and they write way over people's heads. I remember the first time I had to write, well, actually, I mentioned I worked for Kurzweil. I was involved with a project where Ray Kurzweil had developed his original omniprent optical character recognition system. And I and the National Federation of the Blind created with him a project to put machines around the country so that blind people could use them and give back to Ray by the time we were all done, recommendations as to what needed to go in the final first production model of the machine. So I had to write a training manual to teach people how to use it. And I wrote this manual, and I was always of the opinion that it had to be pretty readable and usable by people who didn't have a lot of technical knowledge. So I wrote the manual, gave it to somebody to read, and said, Follow the directions and and work with the machine and all that. And they did, and I was in another room, and they were playing with it for a couple of hours, and they came in and they said, I'm having a problem. I can't figure out how to turn off the machine. And it turns out that I had forgotten to put in the instruction to turn off the machine. And it wasn't totally trivial. There were steps you had to go through. It was a Data General Nova two computer, and you had to turn it off the right way and the whole system off the appropriate way, or you could, could mess everything up. So there was a process to doing it. So I wrote it in, and it was fine. But, you know, I've always been a believer that the textbooks are way too boring. Having a master's degree in physics, I am of the opinion that physics textbook writers, who are usually pretty famous and knowledgeable scientists, ought to include with all the text and the technical stuff they want to put in, they should put in stories about what they did in you bring people in, draw them into the whole thing, rather than just spewing out a bunch of technical facts. Matt Forbeck ** 18:23 No, I agree. My my first calculus professor was a guy who actually explained how Newton and Leipzig actually came up with calculus, and then he would, you know, draw everything on the board and turn around say, and isn't that amazing? And you were, like, just absolutely enamored with the idea of how they had done these things, right? Yeah. And what you're doing there, when you, when you, when you give the instructions to somebody and say, try this out. That's a very big part of gaming, actually, because what we do this thing called play testing, where we take something before it's ready to be shown to the public, and we give it to other people and say, try this out. See how it works. Let me know when you're starting out of your first playing you play with like your family and friends and people will be brutal with you and give you hints about how you can improve things. But then, even when you get to the rules you're you send those out cold to people, or, you know, if you're a big company, you watch them through a two way mirror or one way mirror, and say, Hey, let's see how they react to everything. And then you take notes, and you try to make it better every time you go through. And when I'm teaching people to play games at conventions, for instance, I will often say to them, please ask questions if you don't understand anything, that doesn't mean you're dumb. Means I didn't explain it well enough, right? And my job as a person writing these rules is to explain it as well as I humanly can so it can't be misconstrued or misinterpreted. Now that doesn't mean you can correct everything. Somebody's always got like, Oh, I missed that sentence, you know, whatever. But you do that over and over so you can try to make it as clear and concise as possible, yeah. Speaker 1 ** 19:52 Well, you have somewhat of a built in group of people to help if you let your kids get involved. Involved. So how old are your kids? Matt Forbeck ** 20:03 My eldest is 26 he'll be 27 in January. Marty is a game designer, actually works with me on the marble tabletop role playing game, and we have a new book coming out, game book for Minecraft, called Minecraft role for adventure, that's coming out on July 7, I think, and the rest of the kids are 23 we have 423 year olds instead of quadruplets, one of whom is actually going into game design as well, and the other says two are still in college, and one has moved off to the work in the woods. He's a very woodsy boy. Likes to do environmental education with people. Speaker 1 ** 20:39 Wow. Well, see, but you, but you still have a good group of potential game designers or game critics anyway. Matt Forbeck ** 20:47 Oh, we all play games together. We have a great time. We do weekly game nights here. Sometimes they're movie nights, sometimes they're just pizza nights, but we shoot for game and pizza Speaker 1 ** 20:56 if we get lucky and your wife goes along with all this too. Matt Forbeck ** 21:00 She does. She doesn't go to the game conventions and stuff as much, and she's not as hardcore of a gamer, but she likes hanging out with the kids and doing everything with us. We have a great time. Speaker 1 ** 21:10 That's that's pretty cool. Well, you, you've got, you've got to build an audience of some sorts, and that's neat that a couple of them are involved in it as well. So they really like what dad does, yeah, Matt Forbeck ** 21:23 yeah. We, I started taking them each to conventions, which are, you know, large gatherings gamers in real life. The biggest one is Gen Con, which happens in Indianapolis in August. And last year, I think, we had 72,000 people show up. And I started taking the kids when they were 10 years old, and my wife would come up with them then. And, you know, 10 years old is a lot. 72,000 people is a lot for a 10 year old. So she can mention one day and then to a park the next day, you know, decompress a lot, and then come back on Saturday and then leave on Sunday or whatever, so that we didn't have them too over stimulated. But they really grown to love it. I mean, it's part of our annual family traditions in the summer, is to go do these conventions and play lots of games with each other and meet new people too well. Speaker 1 ** 22:08 And I like the way you put it. The games are really puzzles, which they are, and it's and it's fun. If people would approach it that way, no matter what the game is, they're, they're aspects of puzzles involved in most everything that has to do with the game, and that's what makes it so fun. Matt Forbeck ** 22:25 Exactly, no. The interesting thing is, when you're playing with other people, the other people are changing the puzzles from their end that you have to solve on your end. And sometimes the puzzle is, how do I beat this person, or how do I defeat their strategy, or how do I make an alliance with somebody else so we can win? And it's really always very intriguing. There's so many different types of games. There's nowadays, there's like something like 50 to 100 new board games that come out and tabletop games every month, right? It's just like a fire hose. It's almost like, when I was starting out as a novelist, I would go into Barnes and Noble or borders and go, Oh my gosh, look at all these books. And now I do the same thing about games. It's just, it's incredible. Nobody, no one person, could keep up with all of them. Speaker 1 ** 23:06 Yeah, yeah, yeah, way too much. I would love to explore playing more video games, but I don't. I don't own a lot of the technology, although I'm sure that there are any number of them that can be played on a computer, but we'll have to really explore and see if we can find some. I know there are some that are accessible for like blind people with screen readers. I know that some people have written a few, which is kind of cool. Yeah. Matt Forbeck ** 23:36 And Xbox has got a new controller out that's meant to be accessible to large amount of people. I'm not sure, all the different aspects of it, but that's done pretty well, too Speaker 1 ** 23:44 well. And again, it comes down to making it a priority to put all of that stuff in. It's not like it's magic to do. It's just that people don't know how to do it. But I also think something else, which is, if you really make the products more usable, let's say by blind people with screen readers. You may be especially if it's well promoted, surprised. I'm not you necessarily, but people might well be surprised as to how many others might take advantage of it so that they don't necessarily have to look at the screen, or that you're forced to listen as well as look in order to figure out what's going on or take actions. Matt Forbeck ** 24:29 No, definitely true. It's, you know, people audio books are a massive thing nowadays. Games tend to fall further behind that way, but it's become this incredible thing that obviously, blind people get a great use out of but my wife is addicted to audio books now. She actually does more of those than she does reading. I mean, I technically think they're both reading. It's just one's done with yours and one's done with your eyes. Speaker 1 ** 24:51 Yeah, there's but there's some stuff, whether you're using your eyes or your fingers and reading braille, there's something about reading a book that way that's. Even so a little bit different than listening to it. Yeah, and there's you're drawn in in some ways, in terms of actually reading that you're not necessarily as drawn into when you're when you're listening to it, but still, really good audio book readers can help draw you in, which is important, too, Matt Forbeck ** 25:19 very much. So yeah, I think the main difference for reading, whether it's, you know, again, through Braille or through traditional print, is that you can stop. You can do it at your own pace. You can go back and look at things very easily, or read or check things, read things very easily. That you know, if you're reading, if you're doing an audio book, it just goes on and it's straight on, boom, boom, boom, pace. You can say, Wait, I'm going to put this down here. What was that thing? I remember back there? It was like three pages back, but it's really important, let me go check that right. Speaker 1 ** 25:50 There are some technologies that allow blind people and low vision people and others, like people with dyslexia to use an audio book and actually be able to navigate two different sections of it. But it's not something that is generally available to the whole world, at least to the level that it is for blind people. But I can, I can use readers that are made to be able to accept the different formats and go back and look at pages, go back and look at headings, and even create bookmarks to bookmark things like you would normally by using a pen or a pencil or something like that. So there are ways to do some of that. So again, the technology is making strides. Matt Forbeck ** 26:37 That's fantastic. Actually, it's wonderful. Just, yeah, it's great. I actually, you know, I lost half the vision of my right eye during back through an autoimmune disease about 13 years ago, and I've always had poor vision. So I'm a big fan of any kind of way to make things easier, Speaker 1 ** 26:54 like that. Well, there, there are things that that are available. It's pretty amazing. A guy named George curser. Curser created a lot of it years ago, and it's called the DAISY format. And the whole idea behind it is that you can actually create a book. In addition to the audio tracks, there are XML files that literally give you the ability to move and navigate around the book, depending on how it's created, as final level as you choose. Matt Forbeck ** 27:25 Oh, that's That's amazing. That's fantastic. I'm actually really glad to hear that. Speaker 1 ** 27:28 So, yeah, it is kind of fun. So there's a lot of technology that's that's doing a lot of different sorts of things and and it helps. But um, so for you, in terms of dealing with, with the games, you've, you've written games, but you've, you've actually written some novels as well, right? Matt Forbeck ** 27:50 Yeah, I've got like 30, it depends on how you count a novel, right? Okay, like some of my books are to pick a path books, right? Choose Your Own Adventure type stuff. So, but I've got 35 traditional novels written or more, I guess, now, I lost track a while ago, and probably another dozen of these interactive fiction books as well. So, and I like doing those. I've also written things like Marvel encyclopedias and Avengers encyclopedias and all sorts of different pop culture books. And, you know, I like playing in different worlds. I like writing science fiction, fantasy, even modern stuff. And most of it, for me comes down to telling stories, right? If you like to tell stories, you can tell stories through a game or book or audio play or a TV show or a comic, or I've done, you know, interactive museum, games and displays, things like that. The main thing is really a story. I mean, if you're comfortable sitting down at a bar and having a drink with somebody, doesn't have to be alcohol, just sitting down and telling stories with each other for fun. That's where the core of it all is really Speaker 1 ** 28:58 right. Tell me about interactive fiction book. Matt Forbeck ** 29:01 Sure, a lot of these are basically just done, like flow charts, kind of like the original Zork and adventure that you were talking about where you I actually, I was just last year, I brought rose Estes, who's the inventor of the endless quest books, which were a cross between Dungeons and Dragons, and choose your own adventure books. She would write the whole thing out page by page on a typewriter, and then, in order to shuffle the pages around so that people wouldn't just read straight through them, she'd throw them all up in the air and then just put them back in whatever order they happen to be. But essentially, you read a section of a book, you get to the end, and it gives you a choice. Would you like to go this way or that way? Would you like to go beat up this goblin? Or would you like to make friends with this warrior over here? If you want to do one of these things, go do page xx, right? Got it. So then you turn to that page and you go, boom, some, actually, some of the endless quest books I know were turned into audio books, right? And I actually, I. Um, oddly, have written a couple Dungeons and Dragons, interactive books, audio books that have only been released in French, right? Because there's a company called Looney l, u n, i, i that has this little handheld device that's for children, that has an A and a B button and a volume button. And you, you know, you get to the point that says, if you want to do this, push a, if you want to do that, push B, and the kids can go through these interactive stories and and, you know, there's ones for clue and Dungeons and Dragons and all sorts of other licenses, and some original stories too. But that way there's usually, like, you know, it depends on the story, but sometimes there's, like, 10 to 20 different endings. A lot of them are like, Oh no, you've been killed. Go back to where you started, right? And if you're lucky, the longer ones are, the more fun ones. And you get to, you know, save the kingdom and rescue the people and make good friends and all that good stuff, Michael Hingson ** 30:59 yeah, and maybe fall in love with the princess or Prince. Matt Forbeck ** 31:02 Yeah, exactly right. It all depends on the genre and what you're working in. But the idea is to give people some some choices over how they want the story to go. You're like, Well, do you want to investigate this dark, cold closet over here, or would you rather go running outside and playing around? And some of them can seem like very innocent choices, and other ones are like, well, uh, 10 ton weight just fell on. You go back to the last thing. Speaker 1 ** 31:23 So that dark hole closet can be a good thing or a bad thing, Matt Forbeck ** 31:28 exactly. And the trick is to make the deaths the bad endings, actually just as entertaining as anything else, right? And then people go, Well, I got beat, and I gotta go back and try that again. So yeah, if they just get the good ending all the way through, they often won't go back and look at all the terrible ones. So it's fun to trick them sometimes and have them go into terrible spots. And I like to put this one page in books too that sometimes says, How did you get here? You've been cheating there. This book, this page, is actually not led to from any other part of the book. You're just flipping Speaker 1 ** 31:59 through. Cheater, cheater book, do what you Matt Forbeck ** 32:04 want, but if you want to play it the right way, go back. Speaker 1 ** 32:07 Kid, if you want to play the game. Yeah, exactly. On the other hand, some people are nosy. Matt Forbeck ** 32:15 You know, I was always a kid who would poke around and wanted to see how things were, so I'm sure I would have found that myself but absolutely related, you know, Speaker 1 ** 32:23 yeah, I had a general science teacher who brought in a test one day, and he gave it to everyone. And so he came over to me because it was, it was a printed test. He said, Well, I'm not going to give you the test, because the first thing it says is, read all the instructions, read, read the test through before you pass it, before you take it. And he said, most people won't do that. And he said, I know you would. And the last question on the test is answer, only question one. Matt Forbeck ** 32:55 That's great. Yeah, that's a good one. Yeah, Speaker 1 ** 32:57 that was cute. And he said, I know that. I that there's no way you would, would would fall for that, because you would say, Okay, let's read the instructions and then read the whole test. That's what it said. And the instruction were, just read the whole test before you start. And people won't do that. Matt Forbeck ** 33:13 No, they'll go through, take the whole thing. They get there and go, oh, did I get there? Was a, there's a game publisher. I think it was Steve Jackson Games, when they were looking for people, write for them, or design stuff for them, or submit stuff to them, would have something toward the end of the instructions that would say, put like a the letter seven, or put seven a on page one right, and that way they would know if you had read the instructions, if you hadn't bothered to Read the instructions, they wouldn't bother reading anything else. Speaker 1 ** 33:42 Yeah, which is fair, because the a little harsh, well, but, but, you know, we often don't learn enough to pay attention to details. I know that when I was taking physics in college, that was stressed so often it isn't enough to get the numbers right. If you don't get the units right as well. Then you're, you're not really paying attention to the details. And paying attention to the details is so important. Matt Forbeck ** 34:07 That's how they crash from those Mars rovers, wasn't it? They somebody messed up the units, but going back and forth between metric and, yeah, and Imperial and, well, you know, it cost somebody a lot of money at one point. Yeah. Yeah. What do you Speaker 1 ** 34:21 this is kind of the way it goes. Well, tell me, yeah. Well, they do matter, no matter what people think, sometimes they do matter. Well, tell me about the Diana Jones award. First of all, of course, the logical question for many people is, who is Diana Jones? Yeah, Diana Jones doesn't exist, right? That's There you go. She's part game somewhere? No, no, it doesn't be in a game somewhere. Matt Forbeck ** 34:43 Then now there's actually an author named Diana Wynne Jones, who's written some amazing fantasy stories, including Howell's Moving Castle, which has turned into a wonderful anime movie, but it has nothing to do with her or any other person. Because originally, the Diana Jones award came about. Because a friend of mine, James Wallace, had somehow stumbled across a trophy that fell into his hands, and it was a pub trivia trophy that used to be used between two different gaming companies in the UK, and one of those was TSR, UK, the United Kingdom department. And at one point, the company had laid off everybody in that division just say, Okay, we're closing it all down. So the guys went and burned a lot of the stuff that they had, including a copy of the Indiana Jones role playing game, and the only part of the logo that was left said Diana Jones. And for some reason, they put this in a in a fiberglass or Plexiglas pyramid, put it on a base, a wooden base, and it said the Diana Jones award trophy, right? And this was the trophy that they used they passed back and forth as a joke for their pub trivia contest. Fell into James's hands, and he decided, You know what, we're going to give this out for the most excellent thing in gaming every year. And we've now done this. This will be 25 years this summer. We do it at the Wednesday night before Gen Con, which starts on Thursday, usually at the end of July or early August. And as part of that, actually, about five years ago, we started, one of the guys suggested we should do something called the emerging designers program. So we actually became a 501, c3, so we could take donations. And now we take four designers every year, fly them in from wherever they happen to be in the world, and put them up in a hotel, give them a badge the show, introduce them to everybody, give them an honorarium so they can afford to skip work for a week and try to help launch their careers. I mean, these are people that are in the first three years of their design careers, and we try to work mostly with marginalized or et cetera, people who need a little bit more representation in the industry too. Although we can select anybody, and it's been really well received, it's been amazing. And there's a group called the bundle of holding which sells tabletop role playing game PDFs, and they've donated 10s of 1000s of dollars every year for us to be able to do this. And it's kind of funny, because I never thought I'd be end up running a nonprofit, but here I'm just the guy who writes checks to the different to the emerging designer program. Folks are much more tied into that community that I am. But one of the real reasons I wanted to do something like that or be involved with it, because if you wander around with these conventions and you notice that it starts getting very gray after a while, right? It's you're like, oh, there's no new people coming in. It's all older people. I we didn't I didn't want us to all end up as like the Grandpa, grandpa doing the HO model railroad stuff in the basement, right? This dying hobby that only people in their 60s and 70s care about. So bringing in fresh people, fresh voices, I think, is very important, and hopefully we're doing some good with that. It's been a lot of fun either way. Speaker 1 ** 37:59 Well, I have you had some success with it? Yeah, we've Matt Forbeck ** 38:02 had, well, let's see. I think we've got like 14 people. We've brought in some have already gone on to do some amazing things. I mean, it's only been a few years, so it's hard to tell if they're gonna be legends in their time, but again, having them as models for other people to look at and say, Oh, maybe I could do that. That's been a great thing. The other well, coincidentally, Dungeons and Dragons is having its best 10 year streak in its history right now, and probably is the best selling it's ever been. So coinciding with that, we've seen a lot more diversity and a lot more people showing up to these wonderful conventions and playing these kinds of games. There's also been an advent of this thing called actual play, which is the biggest one, is a group called Critical Role, which is a whole bunch of voice actors who do different cartoons and video games and such, and they play D and D with each other, and then they record the games, and they produce them on YouTube and for podcasts. And these guys are amazing. There's a couple of other ones too, like dimension 20 and glass cannon, the critical role guys actually sold out a live performance at Wembley Arena last summer. Wow. And dimension. Dimension 20 sold out Madison Square Garden. I'm like, if you'd have told me 20 years ago that you know you could sell out an entire rock stadium to have people watch you play Dungeons and Dragons, I would have laughed. I mean, there's no way it would have been possible. But now, you know, people are very much interested in this. It's kind of wild, and it's, it's fun to be a part of that. At some level, Speaker 1 ** 39:31 how does the audience get drawn in to something like that? Because they are watching it, but there must be something that draws them in. Matt Forbeck ** 39:39 Yeah, part of it is that you have some really skilled some actors are very funny, very traumatic and very skilled at improvisation, right? So the the dungeon master or Game Master will sit there and present them with an idea or whatever. They come up each with their own characters. They put them in wonderful, strong voices. They kind of inhabit the roles in a way that an actor. A really top level actor would, as opposed to just, you know, me sitting around a table with my friends. And because of that, they become compelling, right? My Marty and my his wife and I were actually at a convention in Columbus, Ohio last weekend, and this group called the McElroy family, actually, they do my brother, my brother and me, which is a hit podcast, but they also do an actual play podcast called The Adventure zone, where they just play different games. And they are so funny. These guys are just some of the best comedians you'll ever hear. And so them playing, they actually played our Marvel game for a five game session, or a five podcast session, or whatever, and it was just stunningly fun to listen to. People are really talented mess around with something that we built right it's very edifying to see people enjoying something that you worked on. Speaker 1 ** 40:51 Do you find that the audiences get drawn in and they're actually sort of playing the game along, or as well? And may disagree with what some of the choices are that people make? Matt Forbeck ** 41:02 Oh, sure. But I mean, if the choices are made from a point of the character that's been expressed, that people are following along and they they already like the character, they might go, Oh, those mean, you know that guy, there are some characters they love to hate. There are some people they're they're angry at whatever, but they always really appreciate the actors. I mean, the actors have become celebrities in their own right. They've they sell millions of dollars for the comic books and animated TV shows and all these amazing things affiliated with their actual play stuff. And it's, I think it, part of it is because, it's because it makes the games more accessible. Some people are intimidated by these games. So it's not really, you know, from a from a physical disability kind of point. It's more of a it makes it more accessible for people to be nervous, to try these things on their own, or don't really quite get how they work. They can just sit down and pop up YouTube or their podcast program and listen into people doing a really good job at it. The unfortunate problem is that the converse of that is, when you're watching somebody do that good of a job at it, it's actually hard to live up to that right. Most people who play these games are just having fun with their friends around a table. They're not performing for, you know, 10s of 1000s, if not hundreds of 1000s of people. So there's a different level of investments, really, at that point, and some people have been known to be cowed by that, by that, or daunted by that. Speaker 1 ** 42:28 You work on a lot of different things. I gather at the same time. What do you what do you think about that? How do you like working on a lot of different projects? Or do you, do you more focus on one thing, but you've got several things going on, so you'll work on something for one day, then you'll work on something else. Or how do you how do you do it all? Matt Forbeck ** 42:47 That's a good question. I would love to just focus on one thing at a time. Now, you know the trouble is, I'm a freelancer, right? I don't set my I don't always get to say what I want to work on. I haven't had to look for work for over a decade, though, which has been great. People just come to me with interesting things. The trouble is that when you're a freelancer, people come in and say, Hey, let's work on this. I'm like, Yeah, tell me when you're ready to start. And you do that with like, 10 different people, and they don't always line up in sequence properly, right? Yeah? Sometimes somebody comes up and says, I need this now. And I'm like, Yeah, but I'm in the middle of this other thing right now, so I need to not sleep for another week, and I need to try to figure out how I'm going to put this in between other things I'm working on. And I have noticed that after I finish a project, it takes me about a day or three to just jump track. So if I really need to, I can do little bits here and there, but to just fully get my brain wrapped around everything I'm doing for a very complex project, takes me a day or three to say, Okay, now I'm ready to start this next thing and really devote myself to it. Otherwise, it's more juggling right now, having had all those kids, probably has prepared me to juggle. So I'm used to having short attention span theater going on in my head at all times, because I have to jump back and forth between things. But it is. It's a challenge, and it's a skill that you develop over time where you're like, Okay, I can put this one away here and work on this one here for a little while. Like today, yeah, I knew I was going to talk to you, Michael. So I actually had lined up another podcast that a friend of mine wanted to do with me. I said, Let's do them on the same day. This way I'm not interrupting my workflow so much, right? Makes sense? You know, try to gang those all together and the other little fiddly bits I need to do for administration on a day. Then I'm like, Okay, this is not a day off. It's just a day off from that kind of work. It's a day I'm focusing on this aspect of what I do. Speaker 1 ** 44:39 But that's a actually brings up an interesting point. Do you ever take a day off or do what do you do when you're when you deciding that you don't want to do gaming for a while? Matt Forbeck ** 44:49 Yeah, I actually kind of terrible. But you know, you know, my wife will often drag me off to places and say we're going to go do this when. Yes, we have a family cabin up north in the Upper Peninsula of Michigan that we go to. Although, you know, my habit there is, I'll work. I'll start work in the morning on a laptop or iPad until my battery runs out, and then I shut it down, put on a charger, and then I go out and swim with everybody for the rest of the day. So it depends if I'm on a deadline or not, and I'm almost always on a deadline, but there are times I could take weekends off there. One of the great things of being a freelancer, though, and especially being a stay at home father, which is part of what I was doing, is that when things come up during the middle of the week, I could say, oh, sure, I can be flexible, right? The trouble is that I have to pay for that time on my weekends, a lot of the time, so I don't really get a lot of weekends off. On the other hand, I'm not I'm not committed to having to work every day of the week either, right? I need to go do doctor appointments, or we want to run off to Great America and do a theme park or whatever. I can do that anytime I want to. It's just I have to make up the time at other points during the week. Does your wife work? She does. She was a school social worker for many years, and now as a recruiter at a local technical college here called Black Hawk tech. And she's amazing, right? She's fantastic. She has always liked working. The only time she stopped working was for about a year and a half after the quads were born, I guess, two years. And that was the only time I ever took a job working with anybody else, because we needed the health insurance, so I we always got it through her. And then when she said, Well, I'm gonna stay home with the kids, which made tons of sense, I went and took a job with a video game company up in Madison, Wisconsin called Human Head Studios for about 18 months, 20 months. And then the moment she told me she was thinking about going back to work, I'm like, Oh, good, I can we can Cobra for 18 months and pay for our own health insurance, and I'm giving notice this week, and, you know, we'll work. I left on good terms that everybody. I still talk to them and whatever, but I very much like being my own boss and not worrying about what other people are going to tell me to do. I work with a lot of clients, which means I have a lot of people telling me what to do. But you know, if it turns out bad, I can walk I can walk away. If it turns out good, hopefully we get to do things together, like the the gig I've been working out with Marvel, I guess, has been going on for like, four years now, with pretty continuous work with them, and I'm enjoying every bit of it. They're great people to work with. Speaker 1 ** 47:19 Now, you were the president of Pinnacle entertainment for a little while. Tell me about that. Matt Forbeck ** 47:24 I was, that was a small gaming company I started up with a guy named Shane Hensley, who was another tabletop game designer. Our big game was something called Dead Lands, which was a Western zombie cowboy kind of thing. Oh gosh, Western horror. So. And it was pretty much a, you know, nobody was doing Western horror back in those days. So we thought, Oh, this is safe. And to give you an example of parallel development, we were six months into development, and another company, White Wolf, which had done a game called Vampire the Masquerade, announced that they were doing Werewolf the Wild West. And we're like, you gotta be kidding me, right? Fortunately, we still released our game three months before there, so everybody thought we were copying them, rather than the other way around. But the fact is, we were. We both just came up with the idea independently. Right? When you work in creative fields, often, if somebody wants to show you something, you say, I'd like to look at you have to sign a waiver first that says, If I do something like this, you can't sue me. And it's not because people are trying to rip you off. It's because they may actually be working on something similar, right already. Because we're all, you know, swimming in the same cultural pool. We're all, you know, eating the same cultural soup. We're watching or watching movies, playing games, doing whatever, reading books. And so it's not unusual that some of us will come up with similar ideas Speaker 1 ** 48:45 well, and it's not surprising that from time to time, two different people are going to come up with somewhat similar concepts. So that's not a big surprise, exactly, but Matt Forbeck ** 48:56 you don't want people getting litigious over it, like no, you don't be accused of ripping anybody off, right? You just want to be as upfront with people. With people. And I don't think I've ever actually seen somebody, at least in gaming, in tabletop games, rip somebody off like that. Just say, Oh, that's a great idea. We're stealing that it's easier to pay somebody to just say, Yes, that's a great idea. We'll buy that from you, right? As opposed to trying to do something unseemly and criminal? Speaker 1 ** 49:24 Yeah, there's, there's something to be said for having real honor in the whole process. Matt Forbeck ** 49:30 Yeah, I agree, and I think that especially if you're trying to have a long term career in any field that follows you, if you get a reputation for being somebody who plays dirty, nobody wants to play with you in the future, and I've always found it to be best to be as straightforward with people and honest, especially professionally, just to make sure that they trust you. Before my quadruplets were born, you could have set your clock by me as a freelancer, I never missed a deadline ever, and since then, I've probably it's a. Rare earth thing to make a deadline, because, you know, family stuff happens, and you know, there's just no controlling it. But whenever something does happen, I just call people up and say, hey, look, it's going to be another week or two. This is what's going on. And because I have a good reputation for completing the job and finishing quality work, they don't mind. They're like, Oh, okay, I know you're going to get this to me. You're not just trying to dodge me. So they're willing to wait a couple weeks if they need to, to get to get what they need. And I'm very grateful to them for that. And I'm the worst thing somebody can do is what do, what I call turtling down, which is when it's like, Oh no, I'm late. And then, you know, they cut off all communication. They don't talk to anybody. They just kind of try to disappear as much as they can. And we all, all adults, understand that things happen in your life. It's okay. We can cut you some slack every now and then, but if you just try to vanish, that's not even possible. Speaker 1 ** 50:54 No, there's a lot to be there's a lot to be said for trust and and it's so important, I think in most anything that we do, and I have found in so many ways, that there's nothing better than really earning someone's trust, and they earning your trust. And it's something I talk about in my books, like when live with a guide dog, live like a guide dog, which is my newest book, it talks a lot about trust, because when you're working with a guide dog, you're really building a team, and each member of the team has a specific job to do, and as the leader of the team, it's my job to also learn how to communicate with the other member of the team. But the reality is, it still comes down to ultimately, trust, because I and I do believe that dogs do love unconditionally, but they don't trust unconditionally. But the difference between dogs and people is that people that dogs are much more open to trust, for the most part, unless they've just been totally traumatized by something, but they're more open to trust. And there's a lesson to be learned there. No, I Matt Forbeck ** 52:03 absolutely agree with that. I think, I think most people in general are trustworthy, but as you say, a lot of them have trauma in their past that makes it difficult for them to open themselves up to that. So that's actually a pretty wonderful way to think about things. I like that, Speaker 1 ** 52:17 yeah, well, I think that trust is is so important. And I know when I worked in professional sales, it was all about trust. In fact, whenever I interviewed people for jobs, I always asked them what they were going to sell, and only one person ever answered me the way. I really hoped that everybody would answer when I said, So, tell me what you're going to be selling. He said, The only thing I have to really sell is myself and my word, and nothing else. It really matters. Everything else is stuff. What you have is stuff. It's me selling myself and my word, and you have to, and I would expect you to back me up. And my response was, as long as you're being trustworthy, then you're going to get my backing all the way. And he was my most successful salesperson for a lot of reasons, because he got it. Matt Forbeck ** 53:08 Yeah, that's amazing. I mean, I mean, I've worked with people sourcing different things too, for sales, and if you can rely on somebody to, especially when things go wrong, to come through for you. And to be honest with you about, you know, there's really that's a hard thing to find. If you can't depend on your sources for what you're building, then you can't depend on anything. Everything else falls apart. Speaker 1 ** 53:29 It does. You've got to start at the beginning. And if people can't earn your trust, and you earn theirs, there's a problem somewhere, and it's just not going to work. Matt Forbeck ** 53:39 Yeah, I just generally think people are decent and want to help. I mean, I can't tell you how many times I've had issues. Car breaks down the road in Wisconsin. Here, if somebody's car goes in the ditch, everybody stops and just hauls them out. It's what you do when the quads were born, my stepmother came up with a sign up sheet, a booklet that she actually had spiral bound, that people could sign up every three three hours to help come over and feed and bathe, diaper, whatever the kids and we had 30 to 35 volunteers coming in every week. Wow, to help us out with that was amazing, right? They just each pick slots, feeding slots, and come in and help us out. I had to take the 2am feeding, and my wife had to take the 5am feeding by ourselves. But the rest of the week we had lots and lots of help, and we were those kids became the surrogate grandchildren for, you know, 30 to 35 women and couples really, around the entire area, and it was fantastic. Probably couldn't have survived Speaker 1 ** 54:38 without it. And the other part about it is that all those volunteers loved it, because you all appreciated each other, and it was always all about helping and assisting. Matt Forbeck ** 54:48 No, we appreciate them greatly. But you know every most of them, like 99% of them, whatever were women, 95 women who are ready for grandchildren and didn't have them. Had grandchildren, and they weren't in the area, right? And they had that, that love they wanted to share, and they just loved the opportunity to do it. It was, I'm choking up here talking about such a great time for us in Speaker 1 ** 55:11 that way. Now I'm assuming today, nobody has to do diaper duty with the quads, right? Matt Forbeck ** 55:16 Not until they have their own kids. Just checking, just checking, thankfully, think we're that is long in our past, Speaker 1 ** 55:23 is it? Is it coming fairly soon for anybody in the future? Matt Forbeck ** 55:27 Oh, I don't know. That's really entirely up to them. We would love to have grandchildren, but you know, it all comes in its own time. They're not doing no well. I, one of my sons is married, so it's possible, right? And one of my other sons has a long term girlfriend, so that's possible, but, you know, who knows? Hopefully they're they have them when they're ready. I always say, if you have kids and you want them, that's great. If you have, if you don't have kids and you don't want them, that's great. It's when you cross the two things that, Speaker 1 ** 55:57 yeah, trouble, yeah, that's that is, that is a problem. But you really like working with yourself. You love the entre
Honoring the memory of Marian McQuade, with poems and a letter by Richard Levine, Alice Duggan, and Sue Marcus. Support the show
In 1986, when Kristine S. Ervin was eight years old, her mother was abducted, sexually assaulted, and murdered in Oklahoma. Decades later, Kristine tells her story in Rabbit Heart - A Mother's Murder, A Daughter's Story, a memoir weaves together her fragmented childhood memories, growing up with grief, and then as an adult, reckoning with the painful details of her mother's death. The course of the book shifts when there is a break in the cold case of her mother's murder, leading to a trial and eventual conviction of Kyle Eckhart, one of the men responsible. In this conversation Kristine reflects on what it means to grieve for her mother and for the violent way she died. She explores the power of imagination in grief, the struggle of piecing together memories shaped by others, and how writing became both an outlet and a way to preserve a connection to her mother. Together, Jana and Kristine talk about: What she remembers about her mother and which of those memories are shaped by what others remember. How Kristine reacted to media portrayals of her mother's life and death. What she remembers about learning her mother was abducted and then the day she found out she was murdered. What it was like to grow up not knowing who killed her mother. The story behind the title of her memoir, Rabbit Heart. The role of imagination and fantasy in both childhood and adult grief. The emotional impact of learning new, violent details about her mother's death, and how this knowledge changed Kristine's relationship with her grief over time. How the publication of Rabbit Heart allowed her to connect with her mother's memory in a new way. Content note: this episode includes details of violence, sexual assault, and murder, along with some adult language. Please listen with care. Kristine Ervin grew up in a small suburb of Oklahoma City and is now an associate professor at West Chester University, outside Philadelphia. She holds an MFA in Poetry from New York University and a Ph.D. in Creative Writing and Literature, with a focus in nonfiction, from the University of Houston. Her work has appeared or is forthcoming in Fourth Genre, Crimereads, Crab Orchard Review, Brevity, Passages North, and Silk Road. Her essay "Cleaving To," was named a notable essay in the Best American Essays 2013. Kristine's debut memoir Rabbit Heart is currently available from Counterpoint Press.
This week we're throwing it back to season 2. Valerie is studying The Hero's Gift Expressed and Melanie is studying Forces of Antagonism. Legally Blonde is a beautiful example of both! Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.
This episode takes Jack Aldane to Manchester, where he meets two men who knew Martin Amis in a rather unique setting. Ian McGuire and John McAuliffe, both esteemed authors, are the co-founders of The Centre for New Writing at the University of Manchester.Not long after establishing this bastion of new literary talent in 2007, the pair began the search for ambassadors to endorse its mission and teach new entrants. In 2006-2007, Martin Amis joined as Iconic Professor of Creative Writing. He was followed in 2011-2012 by Colm Tóibín, who in turn was followed by Jeanette Winterson, who has filled the role since 2013. More recently, the centre has enjoyed the employment of Emma Clarke and Tim Price on its new screenwriting modules. As its website explains, the centre teaches people "how to write novels, short stories, poems, plays and screenplays", helping students "to read as a writer reads, offer seminars on form and theory, and on contemporary publishing".Ian and John recount their fondest, funniest memories of working alongside Amis, as well as the political climate after 9/11 that made him more of a political figure than he'd ever been before.This conversation captures an altogether different look at who Amis was. This is Martin Amis not so much performing for an audience as seeking to impart the best of what he knew to a new generation of writers. This was, as John describes, an "avuncular" Amis, then in his 50s and early 60s, still game for a pint down the local with his students, and with arguably some of his best work still ahead.And then there was Amis's surprising grasp of the 5 principles of Pilates. If you want understand what that's about, you know what to do.FOLLOW US ON TWITTER/ X: @mymartinamisFIND US ON YOUTUBE Hosted on Acast. See acast.com/privacy for more information.
Wellness Rising welcomes Natalie Canavor & Jan Booth… both teachers, authors, writers and volunteer Poetry Workshop Facilitators at the Wellness House of Annapolis…tell us that creating poetry and reading it aloud has wide-ranging, positive effects for cancer patients and their loved ones.
Join hosts J.D. Barker, Jena Brown, Kevin Tumlinson, and JP Rindfleisch as they discuss the week's entertainment news, including stories about Anthropic, Grok chats, and C-SPAN. Then, stick around for a chat with Brian McAuley!Brian McAuley grew up in Weird NJ on a steady diet of Goosebumps books and Are You Afraid of the Dark? episodes. He received his BA in Creative Writing and Horror Theory from NYU's Gallatin School of Individualized Study before getting his MFA in Film from Columbia University.As a WGA screenwriter, Brian has written five films for the Lifetime Network in addition to writing and producing the award-winning thriller Dismissed for BoulderLight Pictures. He sold his TV series pitch Affliction to Syfy Network in a pilot development deal and penned an episode of Fuller House for Netflix.Brian's debut novel Curse of the Reaper was named one of the Best Horror Books of 2022 by Esquire. His 2023 Christmas horror novella Candy Cain Kills received praise from Booklist, Library Journal, and Kirkus Reviews, leading to the 2024 sequel Candy Cain Kills Again: The Second Slaying.His new novel Breathe In, Bleed Out will publish on September 2nd, 2025 from Poisoned Pen Press. His short fiction and non-fiction have appeared in various magazines and anthologies.Brian teaches as a Clinical Assistant Professor of Screenwriting at the Sidney Poitier New American Film School of Arizona State University.
We've got a special guest episode this week! Alex Temblador joins us to discuss writing characters who have a marginalized identity, her new book Writing an Identity Not Your Own, why it's important for writers to be aware of their biases, and more. Alex Temblador is the Mixed Latine award-winning author of Secrets of the Casa Rosada and Half Outlaw. She received her MFA in Creative Writing from the University of Central Oklahoma and is a contributor to Living Beyond Borders: Growing Up Mexican in America and Speculative Fiction for Dreamers: A Latinx Anthology. Alex has taught creative writing seminars, workshops, and classes with the Women's Fiction Writers Association, WritingWorkshops.com, the Writer's League of Texas, and more, as well as spoken about diversity in the literary world with the Texas Library Association, Abydos Learning Conference, and at many other festivals, conferences, and universities. She is an award-winning travel, arts, and culture journalist who specializes in diversity, equity, and inclusion, publishing in the likes of Conde Nast Traveler, Outside, and Travel + Leisure, and speaking about such topics at SXSW, the Society of American Travel Writers, and the World Travel Market. Alex lives in Dallas, Texas, where she runs a literary panel series called LitTalk. Buy Alex's book Writing an Identity Not Your Own: A Guide for Creative Writers Check out her course on Writing An Identity Not Your Own: For Speculative Fiction Writers and get $40 off with code WRITINGPODCAST40 Follow her on IG @alex_temblador ----- - Click here for ways to work with me + a free character profile template: www.thekatiewolf.com/info - The last Tuesday of the month is a Q&A episode! Submit your questions for me HERE and I'll answer them on the podcast. - TikTok: https://www.tiktok.com/@katiewolfwrites - Instagram: https://www.instagram.com/katiewolfwrites
Send us a textIn this episode of Quilting on the Side, Andi and Tori discuss the journey of self-publishing, particularly in the quilting community. They share their personal experiences, reflection questions for aspiring authors, and the realities of the publishing process, including financial aspects and marketing strategies. Tori introduces the Self-Publishing Incubator, a program designed to support individuals in their publishing journey with a team of experts.Want to join the Self-Publishing Incubator? CLICK HERE!Key Takeaways:Self-publishing can be a fulfilling dream for many.Reflection questions can help determine if writing a book is right for you.Identifying your expertise is crucial for writing a book.Passion and curiosity can drive your writing topics.People often seek advice from you based on your skills.Self-publishing allows for creative control over your content.Financial realities of publishing can be challenging but manageable.The publishing process requires careful planning and documentation.Low-content books can be a viable publishing option.Support systems like the Self-Publishing Incubator can facilitate the publishing journey.Chapters00:00 The Journey of Self-Publishing14:28 Deciding Between Fiction and Non-Fiction25:00 The Self-Publishing Experience28:42 The Journey of Self-Publishing33:01 Understanding Book Pricing and Profitability35:35 The Importance of Quality in Publishing40:02 The Role of Editors in the Publishing Process44:06 Exploring Low Content Publishing48:56 Launching the Self-Publishing IncubatorWant to Support the Podcast and Unlock Exclusive Perks and Content?Join our Quilting on the Side Patreon community! By becoming a patron, you'll gain access to behind-the-scenes content, bonus episodes, and exclusive resources to help you grow your quilting journey. Plus, your support helps keep the podcast thriving! Click here to join.Want More Quilting Content?
This episode of Across The Margin: The Podcast presents an interview with Sean Enfield, an essayist, poet, bassist, and educator from Dallas, TX. Currently, he resides in Milwaukee, WI where he is a PhD candidate at the University of Wisconsin-Milwaukee. He received his MFA in Creative Writing from the University of Alaska-Fairbanks where he served as the Editor-in-Chief of Permafrost Magazine. Now, he serves as an Assistant Nonfiction Editor at Terrain.org. His essays have been nominated for three Pushcarts and he was featured on NPR's All Things Considered as a finalist for their Three Minute Fiction contest. His debut essay collection, Holy American Burnout!, — the focus of this episode — was the runner-up for the Ann Petry Award, a finalist for The Megaphone Prize, a finalist for River Teeth's Literary Nonfiction Book Prize, and is available now. Threading his experiences both as a Texan student and later as a first-year teacher of predominantly Muslim students at a Texas middle school, Holy American Burnout! weaves personal essay and cultural critique into the historic fabric of Black and biracial identity. In it, Enfield intersects examinations of which voices are granted legitimacy by virtue of school curriculum, the complex relationship between basketball and education for Black and brown students, his students' burgeoning political consciousness during the 2016 presidential campaign, and cultural figures ranging from Kendrick Lamar to Hamlet. These classroom narratives abounding in Holy American Burnout! weave around Enfield's own formative experiences contending with a conflicted biracial family lineage, reenacting the Middle Passage as the only Black student in his 7th grade history class, and moshing in both Christian and secular hardcore pits. As Enfield wrestles with the physical, mental, and emotional burdens that American society places on educators, students, and all relatively conscious minorities in this country, he reaches for an education that better navigates our burnt-out empire. Hosted on Acast. See acast.com/privacy for more information.
When life feels overwhelming, we often reach for stories that make the world feel lighter, warmer, and a little more magical. That's exactly what bestselling author Ciara Blume offers her readers and why she's become one of the most talked-about voices in cozy fantasy today.Her Natural Magic Series didn't just land well with readers, it exploded. In less than six months, her debut racked up over 2 million page reads and more than 1,000 glowing reviews, quickly climbing Amazon bestseller charts in multiple categories. That's the kind of success many authors dream of… but Ciara did it while starting her author career at midlife.And that's what makes her story so powerful.Midlife Magic: Reinvention & Creativity.While many people see midlife as a point of slowing down, Ciara saw it as the perfect moment to dive in. As her son left for college, she set out to build the author career she'd long imagined. With her background as a copywriter and a Creative Writing degree from Johns Hopkins, she brought a rare mix of storytelling skill and business savvy.But she also brought perspective. Instead of rushing to secure a traditional publishing deal, Ciara chose indie publishing as her first choice, a decision that gave her creative control, flexibility, and the ability to build her author business on her own terms.Why Cozy Fantasy Matters Right Now.Ciara's books are uplifting, humorous, and occasionally magical — the very definition of cozy fantasy. But this isn't just escapism. History shows that whimsical, enchanting fiction often thrives during times of division and stress. Alice in Wonderland and The Narnia Chronicles appeared during turbulent eras, offering readers something restorative.Ciara's stories pick up that mantle. They feature themes of found family, second chances, and women reclaiming their inherent magic at any age. In a world where many of us feel disconnected, her novels remind us of the healing power of wonder.Watch Our Interview with Ciara Blume.This Friday on The Writing Community Chat Show, we'll sit down with Ciara to talk about:* Why cozy fantasy is more radical than it looks.* How fiction can serve as self-care and reduce stress.* The challenges and triumphs of building a book business at midlife.* Why natural magic resonates so deeply with modern readers.Whether you're an aspiring writer, a lover of fantasy, or someone who just needs a little spark of enchantment, this is a conversation you won't want to miss.
Ever wondered what professional copy feedback actually looks like? I'm taking you inside a real copy coaching session to show you the detailed feedback process, collaborative revision sessions, and co-writing moments that transform rough drafts into compelling copy. See exactly how the collaboration works in this episode of Talk Copy to Me.__________________________________________EPISODE 159.Read the show notes and view the full transcript here: https://erinollila.com/what-is-copy-coaching-really-like______________________________________________Here's info on your host, Erin OllilaErin Ollila believes in the power of words and how a message can inform – and even transform – its intended audience. She graduated from Fairfield University with an M.F.A. in Creative Writing, and went on to co-found Spry, an award-winning online literary journal.When Erin's not helping her clients understand their website data or improve their website copy, you can catch her hosting the Talk Copy to Me podcast and guesting on shows such as Profit is a Choice, Mindful Marketing, The Power in Purpose, and Business-First Creatives.Stay in touch with Erin Ollila, SEO website copywriter:• Learn more about my VIP intensive options or just book a strategy session to get started right away• Visit Erin's website to learn more about her business, services, and productsWant to keep talking copy? Send me a text message!
In this episode, Andrew Mayne, Justin Robert Young, and Brian Brushwood explore the rapidly evolving world of artificial intelligence, particularly focusing on the recent advancements in AI models and their implications for creative writing and podcasting. They discuss the introduction of open-source AI models, the nuances of AI-generated content, and share their personal experiences with […]
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