Podcasts about god that failed

Por que ideologias fracassadas sempre encontram formas de ressurgir? The God That Failed, livro de 1949, é um alerta atemporal sobre as armadilhas da ideologia. Ao expor a trajetória de intelectuais que abandonaram o comunismo, ele revela o ciclo recorrente de promessas utópicas, desilusões brutais e a insistência obstinada em um "novo começo". Ao oferecerem respostas fáceis para dilemas complexos, os militantes das ideologias fracassadas atendem a uma necessidade humana por ordem e sentido. Mas, como mostra a história, a realidade nunca cede ao sonho.See omnystudio.com/listener for privacy information.

Por que ideologias fracassadas sempre encontram formas de ressurgir? The God That Failed, livro de 1949, é um alerta atemporal sobre as armadilhas da ideologia. Ao expor a trajetória de intelectuais que abandonaram o comunismo, ele revela o ciclo recorrente de promessas utópicas, desilusões brutais e a insistência obstinada em um "novo começo". Ao oferecerem respostas fáceis para dilemas complexos, os militantes das ideologias fracassadas atendem a uma necessidade humana por ordem e sentido. Mas, como mostra a história, a realidade nunca cede ao sonho.See omnystudio.com/listener for privacy information.

In this episode, we wrap up our discussion of Hans Herman Hoppe's Democracy: The God that Failed.In this episode, Hirad and Trish clash about the ways in which democratic systems have failed their original promises, the anarcho-capitalist view of the future, and how feasible such a world really is.

Alex condivide i suoi pensieri sul gruppo Metallica, sottolineando come per molti "Master of Puppets" sia considerato il migliore album, nonostante lo trovi un po' datato.Riflette su come sia normale evolversi e non rimanere ancorati al passato.Passa poi a parlare delle canzoni che ascolta più frequentemente, che sono semplici filastrocche per bambini, sottolineando come anche i gusti musicali di suo figlio si siano evoluti.Alex discute poi delle sfide che incontra lavorando su un progetto di intelligenza artificiale chiamato Discontent AI, affrontando problemi tecnici complessi e cercando soluzioni per ottimizzare il lavoro.Racconta delle difficoltà d'identificare e risolvere bug, oltre alle notti insonni passate a tentare di migliorare l'applicazione.Tratta anche della sua percezione del fallimento, legata ai ritardi nel lancio dell'applicazione e ai problemi incontrati nello sviluppo.Infine, Alex fa riflessioni sull'album "The God that Failed" di Metallica, che trova particolarmente significativo in relazione alle sue esperienze recenti, e conclude condividendo i suoi sentimenti di frustrazione e fallimento, pur mantenendo un tono autoironico e disincantato.[00:12:17] Spot[00:22:13] Spot[00:27:22] Il riassunto di Sciatta GPT[00:30:02] Metallica - The God That FailedTechnoPillzFlusso di coscienza digitale.Vieni a chiacchierare sul riot:https://t.me/TechnoPillzRiotSono su Mastodon: @shylock74@mastodon.unoI video di The Morning Rant sul canale YouTube di Runtime:https://www.youtube.com/playlist?list=PLgGSK_Rq9Xdh1ojZ_Qi-rCwwae_n2LmztAscoltaci live tutti i giorni 24/7 su: http://runtimeradio.itScarica l'app per iOS: https://bit.ly/runtAppContribuisci alla Causa andando su:http://runtimeradio.it/ancheio/

We open this episode with a discussion of the assassination attempt on former US President Donald Trump and the state of civility in the current climate.We use this to frame our discussion of Hans Herman Hoppe's book, "Democracy: The God that Failed".In this episode, we discuss's Hoppe's ideas on the drivers of progress, comparison of monarchy and democracy, and why, according to Hoppe, the latter is guaranteed to fail.

Text us, and Rock on!What makes Metallica's "Black Album" resonate so profoundly with fans, even decades after its release? Today, we explore the monumental impact of this iconic album, which has achieved platinum status over 16 times, and dive into its legendary tracks like "Enter Sandman" and "The Unforgiven." We'll share our contrasting musical tastes—Chris's love for fast-paced rock and Tim's affection for jam bands—as we reveal our top three underappreciated tracks and discuss the band's innovative fan-friendly taping policy, reminiscent of the Grateful Dead. Moreover, we shine a light on Lars Ulrich's pivotal role in battling Napster and how producer Bob Rock meticulously shaped the album.Discover how "Enter Sandman" grew into an anthem across sports arenas and delve into the dark, haunting lyrics that captivate listeners. We'll also break down "Sad but True," examining its braggadocious tone and the sinister duel of personalities it portrays. Our discussion extends to the influence of Bob Rock, touching on the transition to Drop D tuning and the unique structure of "The Unforgiven," characterized by its heavy verse and soft chorus. This segment provides an in-depth look at how these tracks became cornerstones in Metallica's live performances and the broader rock landscape.To wrap things up, we share personal stories tied to Metallica's legacy, including their unforgettable Moscow performance during the Monsters of Rock tour and James Hetfield's harrowing hand-burning incident in Montreal. Relive the emotional power of "Nothing Else Matters," explore the thematic depth in tracks like "Of Wolf and Man" and "The God That Failed," and reminisce about the release of the "Live Shit: Binge and Purge" box set. Lastly, we'll reveal our favorite tracks from the Black Album, celebrating the joy and camaraderie these songs have brought into our lives and the indelible experiences they've forged. Join us in honoring the album that has left an everlasting mark on the world of rock music.Support the Show.

Text us, and Rock on!What makes Metallica's "Black Album" resonate so profoundly with fans, even decades after its release? Today, we explore the monumental impact of this iconic album, which has achieved platinum status over 16 times, and dive into its legendary tracks like "Enter Sandman" and "The Unforgiven." We'll share our contrasting musical tastes—Chris's love for fast-paced rock and Tim's affection for jam bands—as we reveal our top three underappreciated tracks and discuss the band's innovative fan-friendly taping policy, reminiscent of the Grateful Dead. Moreover, we shine a light on Lars Ulrich's pivotal role in battling Napster and how producer Bob Rock meticulously shaped the album.Discover how "Enter Sandman" grew into an anthem across sports arenas and delve into the dark, haunting lyrics that captivate listeners. We'll also break down "Sad but True," examining its braggadocious tone and the sinister duel of personalities it portrays. Our discussion extends to the influence of Bob Rock, touching on the transition to Drop D tuning and the unique structure of "The Unforgiven," characterized by its heavy verse and soft chorus. This segment provides an in-depth look at how these tracks became cornerstones in Metallica's live performances and the broader rock landscape.To wrap things up, we share personal stories tied to Metallica's legacy, including their unforgettable Moscow performance during the Monsters of Rock tour and James Hetfield's harrowing hand-burning incident in Montreal. Relive the emotional power of "Nothing Else Matters," explore the thematic depth in tracks like "Of Wolf and Man" and "The God That Failed," and reminisce about the release of the "Live Shit: Binge and Purge" box set. Lastly, we'll reveal our favorite tracks from the Black Album, celebrating the joy and camaraderie these songs have brought into our lives and the indelible experiences they've forged. Join us in honoring the album that has left an everlasting mark on the world of rock music.Support the Show.

Corey and Kevin wrap up the biggest-selling album in Metallica's career. Yep, it's Side D of “The Black Album” today folks!. It's the first side of the album without a recognizable banger but will Corey continue to find gold in James's lyrics? Will Kevin be panning for pyrite in Lars's rhythmic stylings? Will God fail? And how will the boys sum up the Black Album and what will its final rating be???The only way to find out is to turn on, tune in, and find your piece! Songs covered in this episode: “The God That Failed”, “My Friend of Misery”, “The Struggle Within”Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsk Hosted on Acast. See acast.com/privacy for more information.

Covered in this episode- Pgs 187-199 of Ch 10(On Conservatism and Libertarianism) of Democracy: The God That Failed by Hans Hermann HoppePlease consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch-https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerGang #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Rumble Channel- https://rumble.com/c/c-3379274No Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAOVurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Colabora Con Biblioteca Del Metal: En Twitter - @Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Tracklist: 0:00 Fight Fire With Fire 4:47 Blackened 11:26 Master Of Puppets 20:05 Metal Militia 25:16 Through The Never 29:23 One 37:07 The Four Horsemen 44:20 Welcome Home (Sanitarium) 50:48 Trapped Under Ice 54:54 The Thing That Should Not Be 1:01:31 Holier Than Thou 1:05:22 Creeping Death 1:11:58 Disposable Heroes 1:20:15 Seek and Destroy 1:27:09 Ride The Lightning 1:33:47 Battery 1:39:04 The Call of Ktulu Metallica es una banda estadounidense,​ originaria de Los Ángeles, pero con base en San Francisco desde febrero de 1983. Fue fundada en 1981 en Los Ángeles por Lars Ulrich y James Hetfield, a los que se les unirían Dave Mustaine y Ron McGovney. Estos dos músicos fueron después sustituidos por el guitarrista Kirk Hammett y el bajista Cliff Burton respectivamente, Dave Mustaine fue despedido un año después de ingresar en la banda debido a su excesiva adicción al alcohol y su actitud violenta, siendo sustituido por Kirk Hammett (exguitarrista de Exodus). Ron renuncia a la banda debido al mal comportamiento de Dave Mustaine, el cual era violento y problemático cuando estaba bajo el efecto del alcohol. El colmo fue cuando Mustaine mojó el bajo de Ron con cerveza, él sin saberlo lo conectó, recibiendo una descarga eléctrica. Es entonces, tras contactar con Cliff Burton que la banda se traslada a San Francisco. (Cabe resaltar que Ron sabía que lo iban a despedir y sustituir por Cliff Burton). Por otra parte, el 27 de septiembre de 1986, fue la muerte de Cliff Burton en un accidente de autobús en Suecia, durante una de sus giras, esto provocó la entrada al grupo de Jason Newsted,​ quien, tras su abandono quince años más tarde, sería sustituido por el bajista actual, Robert Trujillo. Hasta la fecha, la banda ha editado 10 álbumes de estudio, siendo el último de estos Hardwired to Self Destruct el cual fue lanzado mundialmente el 18 de noviembre del 2016. Las ventas totales de Metallica superan los 120 millones,​ y se les considera parte de los cuatro grandes del thrash metal, junto con Megadeth, Slayer y Anthrax.​ Además, el grupo ha conseguido numerosos premios musicales, entre los que destacan nueve Grammys, dos premios otorgados por la cadena musical MTV, dos galardones de la Academia de Música Americana (American Music Awards) y dos premios de la revista Billboard, además de pertenecer desde el año 2009 al Salón de la fama del Rock​ y poseer una estrella en el Paseo de la Fama de la revista Kerrang! Se considera que la historia de Metallica comenzó en 1980 cuando el joven Lars Ulrich, originario de Gentofte, Dinamarca, se trasladó con su familia a Los Ángeles. Hijo del tenista profesional Torben Ulrich,​ Ulrich había desarrollado una enorme afición por el heavy metal durante los años 70, cuando la NWOBHM (Nueva Ola de Heavy Metal Británico) tenía gran auge en la escena underground europea. Con su traslado a Estados Unidos, planeado por su padre con el objetivo original de preparar una carrera dentro del tenis profesional, dicha afición de Ulrich se convertiría prácticamente en una obsesión, que se concentraba especialmente en grupos desconocidos de la nueva corriente inglesa. Su prioridad al llegar a Los Ángeles fue la de explotar su capacidad musical junto con otros jóvenes, lo que le llevó en 1981 a publicar un anuncio en la revista Recycler, en el que solicitaba un guitarrista para formar una banda con influencias de las bandas de la NWOBHM,​ concretamente sus bandas preferidas: Diamond Head, Def Leppard, Iron Maiden y Tygers of Pan Tang. El joven James Hetfield, hijo de un propietario de una compañía de camiones y de una cantante de ópera que educaron a sus hijos en la Ciencia Cristiana,​ respondió a su anuncio. Comenzaron a ensayar juntos y, aunque al principio a Hetfield no le convencía la forma de tocar de Ulrich,​ finalmente formaron una banda. La clave de esta unión fue el tema que tenía reservado por parte de su amigo Brian Slagel, fundador de la compañía discográfica, entonces recién creada, Metal Blade Records, en el primer recopilatorio que editaría el sello, titulado Metal Massacre.​ El nombre del grupo fue idea de un amigo de Lars llamado Ron Quintana,​ quien tenía "Metalmania" y "Metallica" como posibles nombres para un nuevo fanzine musical, aunque se inclinaba más por el segundo. A Ulrich le gustó tanto "Metallica" que rápidamente le recomendó (a Quintana) que llamara "Metalmania" al fanzine. Así, la banda de Ulrich y Hetfield tomó el nombre Metallica.​ Ulrich se trasladó al local que Hetfield poseía junto a su amigo Ron McGovney, el cual provenía de una familia acomodada que poseía numerosas propiedades. Hetfield le pidió a McGovney que tocara el bajo en la banda y se ofreció a enseñarle. Al contrario de lo que se rumoreaba, Ron no fue el diseñador del logotipo de la Metallica. En una entrevista de la banda concedida a la cadena ABC, el propio James Hetfiled, afirmó haberlo dibujado el a partir de un simple boceto.​ Tras incesantes intentos de conseguir un guitarrista solista influido por Motörhead y Iron Maiden, encontraron a Lloyd Grant, un joven guitarrista afroamericano con quien tocaron la primera demo de Metallica, titulada Hit the Lights (1981). Lloyd, que pensaba quedarse poco tiempo más en la banda, fue al poco tiempo sustituido por Dave Mustaine en la guitarra líder, completando así la primera formación de Metallica, ya que en Mustaine encontraron a la persona ideal para cerrar la formación. El primer paso fue la grabación del tema para la primera entrega de Metal Massacre. El elegido sería "Hit the Lights", tema que provenía de la anterior banda de Hetfield, Leather Charm, considerado uno de los primeros temas del thrash metal. El debut de Metallica en directo tendría lugar el 14 de marzo de 1982 en el club Radio City de Anaheim, en una actuación en la que la falta de experiencia sobre el escenario ocasionó serios problemas a la banda.​ Dos semanas más tarde tendrían la oportunidad de enmendar su error abriendo dos noches seguidas para los ingleses Saxon en el local Whiskey-A-Go-Go de Los Ángeles. Cabe decir que dentro del libreto del álbum de versiones que la banda realizó en 1998 titulado Garage Inc pueden encontrarse reproducidas las notas que el propio Ulrich tomó en aquel momento sobre la marcha de estos dos conciertos, incluyendo los setlists de ambas noches y las impresiones del batería sobre la marcha de las mismas. La decepción que ocasionó a la banda estos dos malos conciertos hizo que se replanteasen la contratación de un vocalista mientras Hetfield y Mustaine fuesen los dos guitarristas de la banda. Para ello se contrató a Sammy Dijon, exvocalista de la banda Ruthless, quien realizó algunas pruebas pero que no fue finalmente admitido en el seno del grupo, por lo que fue despedido. En abril de 1982 se contrató a otro guitarrista, Damien Phillips (de nombre real Brad Parker), para actuar como tal mientras Hetfield se concentraba delante del micrófono, pero también fue despedido después de su primera actuación con la banda debido a la negativa de Mustaine a que hubiese un tercer guitarrista. Posteriormente se barajaron varios cantantes, entre los cuales estaban John Bush, futuro vocalista de Armored Saint, y Jesse Cox de Tygers of Pan Tang. Ninguno fue admitido, motivo por el que Hetfield pasó a encargarse tanto de la segunda guitarra como de la voz desde aquel momento. En un ensayo realizado en la antigua escuela de Lars Ulrich, el vocalista fue Jeff Warner, del que se cuenta que no fue aceptado porque desafinaba demasiado. Con la edición de Metal Massacre en el mes de julio de 1982, el grupo, tras renegar de la versión de "Hit the Lights" aparecida en el mismo por encontrarse completamente desfasada de lo que constituía su nuevo sonido, decidió grabar su primer demo, titulado No Life 'til Leather, primera estrofa de la canción Hit the Lights. Siete temas formarían parte de este demo, entre los que se encuentra una versión mucho más potente y acelerada de "Hit the Lights". Con una agenda de conciertos cada vez más ajustada, Hetfield y Ulrich comenzaron a plantearse la sustitución de McGovney. Años después, este dijo en una entrevista que el resto de la banda le dejaba que se encargara de todo. Es en ese momento cuando empiezan a aparecer los problemas con Dave Mustaine, derivados de un carácter extremadamente violento unido al consumo extremo de alcohol y drogas.​ Conocedor de la necesidad de Metallica de reclutar un nuevo bajista, Brian Slagel recomienda a Lars y James la banda Trauma, que acababa de editar uno de sus temas en la segunda entrega de Metal Massacre. Hetfield y Ulrich quedarían totalmente impresionados con la destreza y presencia en el escenario de su bajista, Cliff Burton, ofreciéndole inmediatamente el entrar a formar parte de Metallica, lo cual sería inicialmente rechazado por Burton.​ Aún con McGovney en sus filas, grabarían el 29 de noviembre del mismo año (1982) un demo en directo en el The Waldorf de San Francisco, que recibiría el nombre de Live Metal Up Your Ass y en la que estrenarían el tema "Whiplash", inédito hasta entonces. El concierto tendría como teloneros a Exodus, cuyo guitarrista líder, un joven Kirk Hammett, causaría una gran impresión en James y Lars Ulrich, que ante los crecientes problemas con Mustaine comenzaron a considerarlo como un reemplazo perfecto. Poco tiempo después McGovney decidió dejar Metallica al oír que habían estado estableciendo contactos con Cliff Burton,​ para incorporarse a Phantasm, al contrario de la creencia popular de que fue despedido. Posteriormente declaró: "Nunca escuché 'Estás despedido' o algo así de parte de ellos. Yo renuncié, aunque es obvio que, aunque no hubiera renunciado, me iban a despedir de todas maneras". Al mismo tiempo, Cliff Burton, quien estaba teniendo problemas con Trauma debido a la dirección que el resto de los integrantes querían tomar con respecto a su música, decidió pasarse a las filas de Metallica. La única condición no negociable que puso el bajista fue que la banda se trasladase a San Francisco, donde los nuevos sonidos relacionados con el thrash comenzaban a generar una legión de seguidores que recibió el nombre de "Bay Area Bangers". En cualquier caso, Hetfield, Ulrich y Mustaine ya estaban pensando en mudarse a San Francisco, puesto que habían observado la energía y el entusiasmo de la escena thrash de esa ciudad, además de porque la escena de Los Ángeles estaba dominada por el cada vez más famoso glam metal, con bandas como Mötley Crüe, Dokken, Quiet Riot, Cinderella y Ratt. A principios de 1983, el mánager y promotor de conciertos Johnny Zazula (con la ayuda de su mujer) se puso en contacto con el grupo para ofrecerles un traslado a Nueva York, con la idea de organizar varios conciertos en la Costa Este y, si todo marchaba bien, grabar un álbum.​ Tras aceptar la oferta, Metallica inició el viaje el 1 de abril, y tras atravesar todo el país, fijaron su nuevo lugar de residencia en el Music Building de Nueva York, un edificio en el que cohabitaban con varias bandas de rock, entre las que se encontraba Anthrax, iniciando amistad y camaradería entre los dos grupos. A los diez días de su llegada a Nueva York, la situación con Mustaine se hizo insostenible, con lo que Hetfield y Ulrich sorprendieron a un Mustaine recién despierto para anunciarle que estaba fuera del grupo y que en un breve plazo salía el autobús que habían reservado para su vuelta a casa (posteriormente Dave fundaría Megadeth).​ Los integrantes ya estaban preparados para esto. Le pidieron a Zazula que se pusiese en contacto con el guitarrista de Exodus, Kirk Hammett, para unirse a la banda. Al principio, Kirk creía que la llamada de Zazula era una broma, pero finalmente aceptó.​ De forma simultánea a la expulsión de Dave, Kirk Hammett dejaba Exodus y se disponía a salir hacia Nueva York, llegando esa misma noche a altas horas de la madrugada. Alumno de Joe Satriani, Hammett introduciría un sonido más melódico, técnico y estilizado en Metallica, que se haría patente a partir del segundo álbum del grupo, puesto que el primero estaba compuesto en su totalidad en el momento de su entrada. El debut del nuevo guitarrista tendría lugar en el neoyorquino "Showplace" abriendo para The Rods. Tras un mes de ensayos, Metallica entraría finalmente el 10 de mayo en los "Music America Studios" para grabar su primer álbum.​ El tracklisting sería prácticamente igual que el de No Life 'til Leather, incluyendo como novedades el tema "Whiplash", ya aparecido en Live Metal Up Your Ass, y el solo de bajo que Burton solía ejecutar en los conciertos,​ bajo el nombre de "(Anesthesia) Pulling Teeth". Además, también se incluiría una versión remozada del tema "The Mechanix", añadiendo nuevos riffs y rebautizándola como "The Four Horsemen".​ La producción correría a cargo de Paul Curcio, propietario de los estudios e ingeniero residente. Su trabajo levantó suspicacias por parte del grupo debido a la diferencia de criterios con respecto al sonido del álbum que quería imprimirle la banda. Tras seis semanas, el primer trabajo de Metallica sería lanzado en el mes de julio bajo el nombre Kill 'em All. Dicho nombre (Mátalos a Todos) provenía de una frase de Cliff Burton a causa del enfado que produjo en el grupo la negativa de diversas distribuidoras de discos a comercializar el álbum con el título que el grupo quería darle, Metal Up Your Ass (Metal por el culo).​ Zazula, incapaz de encontrar una compañía discográfica interesada en publicar el disco, optó finalmente por la fundación de un sello propio, Megaforce Records. Se consiguió la cifra de 17.000 copias vendidas en las dos primeras semanas,​ y sobre todo, Kill 'em All contribuyó notablemente a extender la buena reputación de Metallica, recibiendo una avalancha de críticas favorables por parte de la prensa, que ya comenzaba a verlos como los iniciadores de una nueva corriente en el metal.​ Posteriormente, la cifra de copias vendidas del disco llegaría hasta las 300.000.​ Como forma de promoción, Zazula organizaría un tour conjunto con Raven, Quiet Riot y Y&T que los llevaría por todo Estados Unidos, constando de 35 fechas y bautizado como Kill 'em All For One Tour (el álbum que Raven se encontraba promocionando se llamaba All For One). Posteriormente, y tras varios conciertos en San Francisco, Nueva York y Boston, y prácticamente coincidiendo con la edición en Europa del sencillo "Jump in the Fire" por parte del sello Music for Nations, el 3 de febrero de 1984 se inició la gira europea Seven Dates of Hell, en la que se encargan de abrir para los ingleses Venom, teniendo como momento cumbre la participación en el Aardshock Festival en Países Bajos, tocando ante más de 5000 personas, la audiencia más grande que habían tenido hasta el momento.​ Terminada la gira, Metallica entraría el 20 de febrero en los Sweet Silence Studios de Copenhague para la grabación de su segundo álbum, recayendo todo el peso de la producción en el ingeniero residente Flemming Rasmussen,​ quien ya había trabajado anteriormente con bandas como Mercyful Fate y Rainbow y posteriormente con Sepultura, Danger Danger y Blind Guardian. El ajustado presupuesto del que Zazula disponía se convirtió en el principal problema durante la grabación del álbum, que transcurrió a un ritmo frenético durante menos de un mes, quedando finalizada el 14 de marzo, y viéndose solo interrumpida por el fallido tour Hell On Earth junto a The Rods y Exciter, finalmente cancelado por la escasa venta de entradas. A la considerable evolución mostrada en estos temas se unía el rumor latente de que el grupo estaba trabajando en una balada, lo que provocó cierta agitación dentro del sector más extremo de los fanáticos de la banda. Ride the Lightning, nombre que recibiría finalmente el álbum, supondría un gran cambio en el sonido de la banda, que se adentraba en terrenos mucho más melódicos. Las labores de composición contaron con la colaboración de Burton y Mustaine. También se confirmó el rumor la inclusión de una balada, que recibiría el título de "Fade to Black". Fue escrita por Hetfield inspirándose en el robo de equipo que la banda sufrió el 14 de enero de aquel mismo año (1984),.​ La primera aparición de la banda en los escenarios tras la grabación tendría lugar en dos sold-out en el londinense Marquee, tras lo cual se harían diversos conciertos en Alemania, Países Bajos y Bélgica. El momento más importante de este tour llegaría el 3 de agosto en el "Roseland" de Nueva York, donde tendrían un primer contacto con el sello Elektra Records, y en el que, tras el concierto, iniciarían las negociaciones con Peter Mensch y Cliff Burnstein de la agencia Q-Prime, la cual finalmente acabaría comprando el contrato de Metallica a Johnny Zazula. Probablemente es este hecho el que fomentaría las conversaciones de la banda con Elektra, que acabaría fichándolos el 12 de septiembre tras firmar un contrato en el que se otorgaba al grupo el control artístico absoluto sobre su carrera. El primer movimiento de Elektra tras reclutar a Metallica sería reeditar Ride the Lightning bajo su sello el 19 de noviembre, a la vez que Music for Nations, con la que Zazula tenía un acuerdo aún vigente tras el fichaje por Elektra, edita en Europa el sencillo "Creeping Death", que contendría la suite The Garage Days Re-visited, formada por las versiones "Am I Evil?" de Diamond Head y "Blitzkrieg" de la banda con el mismo nombre. A su vez, se inicia un nuevo tour europeo, esta vez coordinado por Q-Prime con Robert Allen como mánager de la gira, que dio comienzo en la francesa ciudad de Rusen el 16 de noviembre y finalizó en el London Lyceum de Londres el 20 de diciembre tras haber visitado Francia, Alemania, Dinamarca, Suecia, Suiza, Italia, Finlandia e Inglaterra con un enorme éxito de público. Finalizada la gira europea, y tras un descanso por Navidad, Metallica inició el 11 de enero de 1985 un tour por Estados Unidos y Canadá junto a Armored Saint, Helix y los W.A.S.P. de Blackie Lawless, con quienes la banda tuvo varios roces debido al supuesto ego de dicho frontman. Sería durante esta gira cuando la banda comienza a ser conocida como "Alcohólica" por sus excesos con el alcohol. A esto se uniría el cartel que colocaron en dicho autobús, "No se ría, señor. Su hija probablemente esté dentro", que daba una idea de la actitud desenfadada del grupo. Tras más de tres meses en la carretera, la gira tendría su final en el Starry Night Club de Portland. Pasados dos años de gira, volvieron a los Sweet Silence Studios. De allí surgió Master of Puppets, uno de los discos más alabados dentro del heavy metal,​ la canción principal homónima está considerada por muchos seguidores de la banda como la mejor de Metallica. El disco ha vendido hasta la fecha más de 7 millones de copias en todo el mundo, a pesar de que solo llegó en su día al puesto 29 del Billboard.​ La gira de presentación del disco comenzó en verano de 1986 con el guitarrista rítmico John Marshall, ya que Hetfield se había quebrado la muñeca en un accidente de skateboard.​​ En dicha gira, esta vez en Europa y con Hetfield recuperado, el autobús de la gira circulaba por las carreteras suecas a las 6:15 horas de la mañana del 27 de septiembre;​ Cliff se encontraba durmiendo en la litera asignada a Kirk Hammett (debido a que este último había perdido en una apuesta), y repentinamente el autobús volcó cerca del pueblo de Ljungby, mientras que Hammett, Ulrich y Hetfield no sufrieron daños físicos preocupantes, el autobús cayó sobre el cuerpo del bajista, tras salir despedido por la ventana, causándole la muerte de forma instantánea. Según el conductor, el autobús derrapó debido a las placas de hielo que había en la carretera, lo que ocasionó el vuelco; Hetfield, furioso por lo sucedido, intentó golpear al conductor, siendo detenido por sus compañeros. Posteriormente recorrió una distancia considerable de la carretera buscando las placas, pero no encontró nada. En el funeral de Burton, se escuchó el tema «Orion». Su muerte provocó la suspensión de la gira de la banda​ y la retirada de los tres miembros restantes para pensar al respecto de su futuro. Finalmente, y después de consultar a los familiares del fallecido bajista,​ decidieron continuar con la carrera musical de la banda, y reclutaron al bajista Jason Newsted de la banda Flotsam and Jetsam, en lugar de Cliff, puesto para el cual también optó Jeff Pilson entre más de 40 músicos.​ Al año siguiente la banda volvería a Europa para completar la gira con su nuevo bajista. En su primera actuación con Metallica, Newsted tocó un solo de bajo, lo que provocó un descontento entre los seguidores de la banda, quienes consideraron esto como una falta de respeto hacia Burton. En 1987 lanzarían un gran álbum de versiones de las bandas que les influyeron titulado Garage Days Re-Revisited para introducir a Newsted a los seguidores de la banda.​ El nombre proviene de las sesiones de grabación de dicho álbum en el garaje de Ulrich.​ Un año después lanzarían un nuevo disco, titulado ...And Justice for All. Es su álbum más oscuro, con un sonido dominado por ritmos de batería densos y muy acelerados, de gran complejidad. Pese a lo que podría parecer, es un trabajo menos melódico que sus predecesores, con un ambiente negativo, y unas letras más cercanas a la crítica social, política e incluso ecológica ("Blackened"). Destacan los temas "One" (canción con el primer videoclip grabado por la banda, recogiendo escenas de la película Johnny cogió su fusil;​ con este videoclip, la banda comenzó a ganar fama en el ámbito mainstream, "To Live Is to Die" (dedicado a Cliff Burton basándose en los bocetos de una canción que se encontraba componiendo en la que se oye un poema compuesto por el desaparecido bajista a pesar de ser un tema instrumental), "...And Justice for All" y "Blackened". Esta producción marcó un hito en el equipamiento de las guitarras de Metallica, ya que dejan sus full stacks valvulares Marshall, pasando a utilizar la Mesa Boogie, obteniendo un sonido mucho más agresivo.​ Algunas de las escasas críticas que recibió al disco se basan en, a pesar de la evolución, la poca calidad en la producción, señalando el "fino zumbido" de las guitarras, el "clickeo" de la batería, y el escaso volumen que tiene el bajo, el cual casi no se percibe siendo imposible de atisbar en muchos momentos. A pesar de estas características, el álbum ha vendido hasta la fecha más de 8 millones de copias,​ a pesar de tener una promoción casi nula sin ningún tipo de repercusión en canales de televisión como MTV.​ Gracias a este trabajo, Metallica recibe su primera nominación a los premios Grammy en 1989, en la categoría de Mejor Interpretación Vocal o Instrumental de Hard Rock/Metal. Contra todo pronóstico, el ganador del premio fue el álbum Crest of a Knave de Jethro Tull, quienes no acudieron a la gala. Lars Ulrich se referiría a ellos después de ganar el Grammy en 1992 en la misma categoría por el álbum homónimo de la formación: "Queremos dar las gracias a Jethro Tull por no haber sacado ningún disco este año".​ Su siguiente trabajo, llamado Metallica pero mejor conocido como The Black Album se publicó en 1991 y contó con la producción de Bob Rock, mejor conocido por su trabajo con Bon Jovi, Tankard y Mötley Crüe, entre otros. Con canciones como "Enter Sandman", "Holier Than Thou", "Sad But True", "The Unforgiven", "Don't Tread On Me", "Through the Never", "My Friend Of Misery", "The God That Failed", "The Struggle Within", "Of Wolf and Man", "Wherever I May Roam" y "Nothing Else Matters", vendió más de 500.000 copias en su primera semana en Estados Unidos, llegando al primer puesto en la lista del Billboard,​ en parte gracias a su carácter más comercial. Solo en aquel país, la Recording Industry Association of America (RIAA) certificó catorce millones de copias vendidas desde su lanzamiento. El nombre popular del disco The Black Album (El álbum negro) proviene de la portada, que solo contiene el logo de Metallica en la esquina superior izquierda y el dibujo de una serpiente en la esquina inferior derecha, todo ello sobre un fondo negro. Hetfield explicó posteriormente esta composición y dijo que la banda quería que la gente se fijase en la música que contenía el álbum, y no en el simbolismo ni en el diseño artístico. La canción "Enter Sandman" ocupa el puesto #408 entre las 500 mejores canciones de todos los tiempos en la lista de Rolling Stone .​ Posteriormente, la banda realizó la gira Wherever We May Roam Tour, que duró dos años.​ Luego inició otra junto a Guns N' Roses. El 8 de agosto de 1992 en Montreal, Canadá, durante este tour, la actuación de Metallica terminó abruptamente debido a que, durante la canción "Fade To Black", un fuego artificial explotó debajo de James Hetfield provocándole graves quemaduras.​ Asimismo, una afección de garganta del vocalista Axl Rose no le permitió tocar a Guns N' Roses. La breve actuación de Metallica y la cancelación del show de Guns N' Roses provocaron la ira de los fanes, que causaron múltiples destrozos y en los incidentes hubo algunos heridos.​ En 1993, la banda editó el box set Live Shit: Binge and Purge, que contiene tres CD y dos conciertos en vídeo grabados en la Ciudad de México, en Seattle y en San Diego. Originalmente fue lanzado como una caja de cartulina como si fuera equipo de un tour. Aparte de los CD y los DVD, la caja contiene material adicional como un libro a color de setenta y cinco páginas. Su disco homónimo, conocido popularmente como The Black Album marcaría un punto de inflexión en la carrera musical de Metallica, y sus dos discos consecutivos titulados Load (1996) y ReLoad (1997), de estilos idénticos entre sí ya que estaban pensados para formar un mismo álbum doble,​ están totalmente dominados por un sonido que muchos antiguos seguidores consideraron como más comercial y muy suavizado con letras menos duras, más cercano al metal alternativo que triunfaba en aquella época.​ Quizás el cambio más llamativo para sus seguidores fue el cambio de imagen: se cortaron las melenas y cambiaron el fácilmente reconocible logotipo que identificaba a Metallica.​ Esto se vio también reflejado en el cambio de sello discográfico, ya que las relaciones entre Elektra Records y la banda finalizaron después de casi diez años cobrando solo un 14% de los beneficios netos de Metallica, aunque acabarían reanudando su contrato poco después.​ El éxito de ambos álbumes no fue tan contundente como el del álbum negro. Muchos adolescentes se convirtieron en seguidores de Metallica, al mismo tiempo que muchos de sus antiguos seguidores se veían en gran medida "traicionados" por la nueva dirección tomada por el grupo,​ lo que desde entonces lleva alimentando una gran polémica.​En los premios Grammy entraron por primera vez en la categoría Heavy Rock en vez de Heavy Metal, como ocurría antes del mencionado Load. Ese mismo año la banda finlandesa Apocalyptica debutó con su homenaje a Metallica Plays Metallica by Four Cellos, que era básicamente un álbum con covers de Metallica tocados únicamente con violonchelos. En 1998, realizarían un nuevo trabajo similar a Garage Days Re-Visited titulado Garage Inc., aunque esta vez sería un álbum doble de versiones de temas de estilos bastante diversos que influyeron a la banda en su ya dilatada carrera. Mientras que el primer disco incluía versiones grabadas para el lanzamiento del álbum, el disco dos contenía íntegros el Garage Days Revisited proveniente del sencillo de "Creeping Death", y el Garage Days Re-revisited, además de varias versiones provenientes de caras B y un extracto del concierto de versiones de Motörhead que Metallica dio en el 50 cumpleaños de Lemmy Kilmister el 4 de diciembre de 1995 en el Whiskey-A-Go-Go. La versión "Holy Roller" de Nazareth y "Round and Round" de Ratt resultó ganador de un premio Grammy en la categoría de Mejor Interpretación de Heavy Metal en 2000. Al año siguiente (1999) grabarían en un concierto en directo, titulado S&M, en colaboración con la Orquesta Sinfónica de San Francisco, dirigida por Michael Kamen, quien había hecho los arreglos de orquesta para "Nothing Else Matters" en The Black Album. En este álbum doble se experimenta la mezcla entre música de canciones de Metallica con arreglos orquestales. Además, se presentarían dos nuevos temas especialmente compuestos para la ocasión, "No Leaf Clover" y "- Human", extrayéndose el primero de ellos como segundo sencillo del disco. En abril de 2000, Metallica demandó a Napster, la compañía creadora del programa homónimo que permitía el intercambio de música en formato MP3, por violación de los derechos de autor,​ pues una versión de la canción todavía en proceso para la película Misión imposible 2, "I Disappear", se escuchaba en la radio estadounidense. Dos semanas después, Dr. Dre también demandaba a la empresa. Napster ya había sido acusada por la RIAA en 1999 de violar leyes de propiedad intelectual y servir de asilo para la piratería musical en internet, además de que algunas universidades habían pedido prohibir el programa, pues disminuía la velocidad de sus redes. Para mayo de 2000, Napster bloqueó las contraseñas de más de 35 mil usuarios proporcionada por Ulrich y que habían obtenido canciones de Metallica.​ Chuck D., Helix, Motley Crue, Exumer y Courtney Love hablaron a favor de Napster y proclamaron la oportunidad que significaba para consumidores y artistas. Para Chuck D., Napster era una reacción, "el fenómeno musical más grande desde los Beatles", "la industria se ha ufanado en guiar a las audiencias; por primera vez los seguidores de la banda han tenido la tecnología antes que la industria". En su defensa, Napster alegó que servía solo como conducto de la información. En junio de ese año, la RIAA pidió eliminar de Napster todo el contenido perteneciente a las discográficas más importantes. En septiembre del mismo año, Metallica y Dr. Dre enviaron cartas a Harvard, Columbia y otras universidades para que restringieran el acceso al programa. En octubre, Dave Matthews Band se convirtió en el primer grupo en permitir la distribución de una canción vía Napster, con la venia de su compañía. La polémica cesaría en julio de 2001, al aplazar la banda todas las denuncias contra Napster alegando que estaba haciendo más mal que bien a la imagen del grupo.​ En 2001, el bajista Jason Newsted, quien anteriormente había tenido serias discusiones con los demás integrantes sobre sus proyectos fuera del grupo, abandonaría Metallica alegando desgaste físico y motivos personales.​ Poco tiempo después, en la controvertida entrevista realizada por Playboy​ por separado a todos los miembros de la banda varios meses antes, se descubriría que uno de los principales motivos de la marcha del bajista era la rotunda negativa de Hetfield a la publicación del disco de Echobrain, la banda alternativa de Newsted.​ Tras un largo proceso de selección en busca de sustituto, y en el que se barajaron músicos como Twiggy Ramirez, se contrataría a Robert Trujillo, quien había sido bajista de Suicidal Tendencies, Black Label Society y Ozzy Osbourne en sus actuaciones en directo. Cabe resaltar que Jason Newsted, tras dejar Metallica, perteneció durante un tiempo a la banda de Osbourne, en la que militaba Mike Inez, miembro de Alice in Chains y que también se rumoreó como sustituto.​ Este mismo año se crea la banda homenaje satírica, Beatallica, la cual fusiona la música de The Beatles y Metallica. Tuvieron un problema legal con Sony, poseedora de los derechos sobre el material de los Beatles, pero fueron ayudados por Lars Ulrich.​ Antes de la entrada de Trujillo, la banda había grabado el álbum St. Anger, con Bob Rock nuevamente en el puesto de productor. Este último toca el bajo debido a las dificultades para encontrar un nuevo bajista.​ Como peculiaridades del disco destaca la ausencia absoluta de solos de guitarra, y un sonido de la batería totalmente novedoso e igualmente polémico que radicaba en la caja, la cual tenía un armónico metálico en vez del de madera seca usado hasta entonces. El vídeo de la canción homónima del álbum fue grabado en la prisión de San Quintin.​Hubo otras muchas dificultades en la producción del álbum, debidos a motivos como el proceso de rehabilitación de Hetfield, que había comenzado a tener problemas con el alcohol después de un viaje a Siberia donde, según él, su única bebida era el vodka. En el 2004, se lanzaría el documental Some Kind of Monster, que narra la producción del St. Anger en medio de discusiones y problemas luego de la salida de Jason y de la rehabilitación de James Hetfield, de quien ya se conocía su pasión por el alcohol.​ En el documental hacen aparición Jason Newsted y su banda Echobrain (Lars y Kirk acuden a una de sus presentaciones, se dirigen hacia los camerinos y cuando llegan, Jason ya se había ido) y uno de sus primeros guitarristas del grupo, Dave Mustaine, quien charla con Lars acerca de temas como su estancia en Metallica y su carrera en Megadeth. Dentro del documental, el grupo se apoya de un terapeuta para resolver los problemas previamente mencionados. También se muestran los primeros momentos de Robert Trujillo como bajista de Metallica, incluyendo su audición para entrar al grupo.​ En el 2006, la banda realizó el tour Escape from the studio 06, en el que tocaron el disco Master of Puppets entero en conmemoración de su vigésimo aniversario. Durante este tour, la banda tocó dos nuevas canciones: "New Song (Death is not the End)" y "The Other New Song (Vultorous)".​Estas 2 canciones mencionadas fueron editadas y lanzadas en el álbum Death Magnetic (2008), siendo Death is not the End "The end of the line" y Vultorous "All Nightmare Long". El 4 de diciembre del 2006 fue lanzada una compilación de todos sus vídeos desde 1989 hasta 2004, titulada The Videos. Esta incluye todos sus vídeos desde "One" hasta "Some Kind of Monster" y, como bonus, las dos versiones del vídeo de "One", la versión teatral de "The Unforgiven" de once minutos, el tráiler del documental Some Kind of Monster y además, por primera vez en DVD, la introducción de 2 of One. También Kirk y James aparecieron en el programa Metalocalypse y la banda entera en Los Simpson, quienes además aparecerían en la película Get Thrashed. Un año más tarde, el grupo grabó la versión de Ennio Morricone "The Ecstacy of Gold", el cual apareció en el disco homenaje We All Love Ennio Morricone. Luego, en los meses de junio y julio realizaron la gira Sick Of The Studio 07. La banda comenzó a grabar el álbum Death Magnetic el 14 de marzo de 2007. Este cuenta con Rick Rubin como productor, reemplazando a Bob Rock, que había ocupado dicho puesto desde hace más de 15 años. El álbum es finalmente lanzado el 12 de septiembre de 2008. Se han establecido algunas citas para su gira en 2008, y anteriormente, participaron en el Electric Weekend de Getafe, siendo cabezas de cartel junto con Rage Against the Machine. Además, la banda participó en el álbum homenaje a Iron Maiden Maiden Heaven,​ interpretando la canción "Remember Tomorrow" junto a bandas como Avenged Sevenfold y Dokken. Metallica en la actualidad, ha vendido más de 100 millones de álbumes y posee una estrella en el paseo de la fama en Hollywood.​ La página oficial ha confirmado que el grupo ha ocupado un lugar en el Salón de la Fama del Rock,​ y que fue nominado en dos categorías (Rock Out y Headliner) en los MTV Europe Music Awards así como invitado para tocar en vivo dentro de Los Premios a la Música de Latinoamérica de MTV, los cuales se llevaron a cabo dentro del Auditorio de la Universidad de Guadalajara en Guadalajara, Jalisco, México.​ En septiembre del 2008 comienzan la gira mundial World Magnetic Tour, visitando países de Europa, América del Norte, América Central, América del Sur, Asia y Oceanía. Esta gira se extendió hasta noviembre del 2010, recaudando millones de dólares y congregando a millones de fanáticos alrededor de todo el mundo, no sin antes prometer James Hetfield que volverían. El 31 de octubre de 2011 lanzan el álbum conceptual Lulu con el cantante de Art Rock y rock alternativo Lou Reed, siendo percibido de mal gusto para muchos de los fanáticos de la banda.​ El 5 de diciembre de 2011 Metallica realizó 4 conciertos en San Francisco celebrando su trigésimo aniversario como grupo, invitando a artistas como Dave Mustaine, Jason Newsted, entre otros. Metallica anunció para finales del año 2011 que sacarían cuatro canciones inéditas pertenecientes a las grabaciones del disco Death Magnetic. En enero del 2012, después de haber anunciado las cuatro canciones inéditas de las grabaciones de Death Magnetic, se edita un EP titulado "Beyond Magnetic" el cual contiene las cuatro canciones inéditas anunciadas. Este EP en su salida recibió principalmente críticas favorables. El 7 de febrero de 2012, Metallica anunció que comenzaría un nuevo festival de música llamado Orion Music + More , que tuvo lugar los días 23 y 24 de junio de 2012 en Atlantic City. Metallica también confirmó que encabezaría el festival en ambos días y presentaría dos de sus álbumes más aclamados por la crítica en su totalidad: The Black Album en una noche y Ride the Lightning en la otra. En una entrevista de julio de 2012 con la estación de radio canadiense 99.3 The Fox , Ulrich dijo que Metallica no lanzaría su nuevo álbum hasta al menos principios de 2014. En noviembre de 2012, Metallica dejó Warner Bros. Records y lanzó un sello discográfico independiente, Blackened Recordings, que producirá los futuros lanzamientos de la banda. La banda ha adquirido los derechos de todos sus álbumes de estudio, que serán reeditados a través del nuevo sello. Los lanzamientos ennegrecidos se licenciarán a través de la subsidiaria de Warner, Rhino Entertainment en Norteamérica e internacionalmente a través de Universal Music. El 20 de septiembre de 2012, Metallica anunció a través de su sitio web oficial que en diciembre se lanzará un nuevo DVD que contiene imágenes de espectáculos que realizó en Quebec en 2009; los fanáticos tendrían la oportunidad de votar por dos setlists que aparecerían en el DVD. La película, titulada Quebec Magnetic , se estrenó en los Estados Unidos el 10 de diciembre de 2012. En agosto de 2013 se estrenó la película 3D Metallica: Through the Never​ que contó con la actuación de Dane DeHaan mientras que Nimród Antal la escribió y la dirigió. Fue publicada bajo el sello de Blackened Records. El 8 de diciembre de 2013 la banda realizó un concierto en la base argentina Carlini, para «concienciar sobre la importancia de la Antártida para el planeta». Hubo aproximadamente un centenar de asistentes, incluyendo personal de otras bases cercanas como Uruguay, Chile, Polonia, Corea del Sur, Rusia, Brasil y Alemania. Se siguió un riguroso protocolo sobre impacto ambiental y no se usaron amplificadores durante el recital, el público pudo escuchar a través de auriculares.​​​ Lars Ulrich en una entrevista hecha por Metal Hammer reveló que la banda planea lanzar un nuevo álbum para finales de 2016 o comienzos del 2017, sin especificar detalles, tan sólo diciendo que el nuevo material «...se siente pesado, enérgico, ruidoso, es veloz, es rock, una locura...».​ El álbum será vendido bajo el sello discográfico de la banda.​ El 20 de junio de 2014 Metallica lanzó su nuevo sencillo «Lords of Summer», el cual estrenaron el 16 de marzo durante una gira por Sudamérica en la ciudad de Bogotá, Colombia​ llamada "Metallica By Request", basada en la idea de que los mismos asistentes a los conciertos, meses antes del recital, reciben un código para votar en línea por las canciones que deseaban escuchar. La idea tuvo una gran acogida entre los seguidores de la banda, y la misma gira se extendió hacia América del Sur, Europa y Canadá, visitando por primera vez países como Ecuador y Paraguay, y presentándose dos veces en Buenos Aires, Argentina. El 18 de agosto de 2016, se dio a conocer el nombre del álbum de estudio llamado Hardwired... to Self-Destruct, el cual fue publicado el 18 de noviembre de 2016.​ Metallica anunció que viajarían a Estados Unidos en el verano de 2017 para el WorldWired Tour . La gira del estadio también incluye Avenged Sevenfold, Volbeat y Gojira como actos de apoyo. El 7 de agosto de 2017, Metallica fue invitada nuevamente por los Gigantes de San Francisco para la quinta "Noche de Metallica" anual con Hammett y Hetfield interpretando el himno nacional. En enero de 2018, la banda anunció que volverían a emitir el EP $ 5.98: Garage Days Re-Revisited el 13 de abril para el Record Store Day , y la sexta "Noche Metallica" anual también se anunció unas semanas más tarde, esta vez en abril, con todos los ingresos destinados a la Fundación All Within My Hands, que la banda creó a fines de 2017. En febrero de 2018, la banda anunció un segundo conjunto de fechas de gira por América del Norte, la mayoría de las cuales no habían visitado en treinta años. En marzo de 2019, Metallica anunció que su WorldWired Tour continuaría en Australia y Nueva Zelanda en octubre con Slipknot y Ratt en apoyo. Más tarde ese mes, la banda anunció que actuaría en la gran inauguración del nuevo Chase Center de San Francisco con la Orquesta Sinfónica de San Francisco en septiembre para celebrar el vigésimo aniversario del álbum S&M. Los espectáculos conmemorativos, titulados S&M2, contarán con arreglos de los conciertos originales del S&M, así como nuevos arreglos para canciones grabadas desde entonces, y serán conducidos por el director Edwin Outwatery el director musical de la Sinfónica de San Francisco, Michael Tilson Thomas. En julio, la banda anunció que los espectáculos se proyectarían en más de 3000 teatros en todo el mundo el 9 de octubre, y las entradas saldrán a la venta en agosto. Más tarde ese mes, Metallica anunció un conjunto de fechas de gira sudamericana para abril de 2020 con Greta Van Fleet en apoyo. En una entrevista con la revista australiana The Music en de marzo de 2019, Robert Trujillo dijo que Metallica había comenzado a trabajar en nuevo material para su próximo álbum de estudio. "Estoy entusiasmado con el próximo disco porque creo que también será la culminación de los dos discos [anteriores] y otro viaje. No faltan ideas originales, esa es la belleza de estar en esta banda". Estimó que el álbum se lanzaría "mucho antes de lo que hicieron los dos anteriores. Esta vez creo que podremos saltar más rápido y saltar al estudio y comenzar a trabajar. Todos hemos prometido poner esto en marcha más temprano que tarde". En una entrevista con la revista australiana Mixdown al mes siguiente, Kirk Hammett dijo que la banda tenía planes tentativos para ingresar al estudio después de la conclusión de la WorldWired Tour. Dijo: "Estamos en nuestro tercer año desde Hardwired. Tal vez podamos enfocarnos un poco más e ir al estudio un poco antes". Después de no escribir nada en Hardwired ... to Self-Destruct, Hammett dijo sobre sus ideas para el nuevo álbum: "Tengo un montón de material. He compensado en exceso, así que estoy listo para ir en cualquier momento". A pesar de que en un principio Metallica tocaba thrash metal o a veces speed metal, especialmente en Kill'em All, a lo largo de los años se ha ido modificando su sonido, en especial en Metallica (The Black Album), en el que tomaron un sonido más mainstream.​ Sin embargo, el cambio más importante se da a partir de 1996, con la publicación de Load, en el que se puede oír un sonido mucho más arreglado y cercano al hard rock y al metal alternativo, además de poder apreciarse el claro cambio estético de la banda, mucho más pulcramente vestidos abandonando sus melenas y sus vaqueros rotos y desgastados.​Las influencias musicales del grupo se pueden apreciar en el disco de versiones Garage Days Re-Visited, donde versionan canciones de bandas como Diamond Head, posiblemente su mayor influencia, o The Misfits, aunque también hay que incluir dentro de sus influencias bandas como , Black Sabbath, Judas Priest, Iron Maiden, Venom, Quiet Riot, Kix, Ratt, Nazareth, UFO, Queen, Led Zeppelin, Praying Mantis, Exodus, Accept, Kiss, Motörhead, Van Halen, Saxon , AC/DC, Mercyful Fate, entre otras.​​ Además Metallica ha influenciado a bandas como Apocalyptica,​ Vain​ Pantera,​Kreator, Ratt​ Machine Head,​ Death,​ Cannibal Corpse,​ Sepultura, Winger, ​ The Darkness,​ Slipknot,​ Korn,​ System of a Down,​ Dream Theater,​ As I Lay Dying,​ Avenged Sevenfold,​ Steelheart,​​ Trivium,​ Pretty Boy Floyd,​ Mastodon y Tesla​ Con la publicación del álbum Ride the Lightning, muchos seguidores de la banda quedaron desencantados por la balada "Fade to Black", ya que para los más extremos seguidores del género, las bandas de thrash metal no deberían componer canciones orientadas hacia el "mainstream" como es el caso de dicho tema; sin embargo, con la publicación del álbum homónimo de la banda, dicha polémica se recrudece debido al sonido más cercano al Heavy Metal que al Thrash Metal presente en el álbum, ya hasta entonces en los trabajos anteriores de la banda abundaba un sonido más rápido y frenético en la gran mayoría de los temas. El cambio de sonido del grupo vino de la mano de Bob Rock, el productor del disco, quien había trabajado anteriormente con bandas como Bon Jovi, Tankard o Mötley Crüe, todos ellos con una gran cantidad de discos vendidos a sus espaldas. A pesar de dicha polémica, este fue el trabajo más exitoso en ventas de la banda, con más de 7 millones de copias vendidas solo en EE. UU.,​ a pesar de que éstos seguidores los calificasen como "vendidos" por este hecho.​ Aún con Bob Rock en sus filas, el grupo graba Load y ReLoad, dos discos que presentan un sonido mucho más accesible al público en general, lo que acabó por romper las relaciones de los seguidores más intransigentes de la formación dado el carácter cercano al hard rock de ambos trabajos.​ Además, el hecho de que la banda encabezase festivales alternativos como Lollapalooza ayudó a que ganasen detractores.​ St. Anger proporcionaba un sonido mucho más duro bajo la producción nuevamente de Bob Rock, quien además toca el bajo debido a la dificultad de la banda por encontrar un bajista que supliese la marcha de Jason Newsted. Este álbum tampoco convenció a la mayoría de los seguidores de la banda debido a su orientación hacia el nu metal, a la escasez del virtuosismo de Kirk Hammett, quien no realiza ningún solo en todo el disco, y al sonido de la batería. Sin embargo, el álbum de 2008, Death Magnetic fue, en su mayoría, criticado positivamente debido a que este contiene una mayor influencia al Thrash Metal que cualquier otro álbum desde The Black Album. Dicha recepción volvió a repetirse con álbum de estudio llamado Hardwired... to Self-Destruct, el cual fue publicado el 18 de noviembre de 2016 y recibió elogios por parte de la crítica y fanes. Jason Newsted se introdujo en la banda como sustituto del fallecido Cliff Burton, idolatrado por los fanes, por lo que muchos de estos seguidores no vieron con buenos ojos la llegada de otro bajista al seno del grupo. Además, su manera de tocar fue criticada al ser comparada con el virtuosismo de Burton, ya que este último tocaba el bajo con los dedos en lugar de con una púa, como hacía Newsted. Después de su llegada, el grupo publicó ...And Justice for All, en el cual el sonido del bajo de Newsted resulta casi inaudible. En una ocasión, durante la gira de presentación de dicho trabajo, los restantes miembros del grupo arrojaron todos sus objetos personales por la ventana del hotel en el que se alojaban.​ Según sus propias declaraciones, Newsted explicó: "Era mi sueño hecho realidad. Si vas a llenar los zapatos de Cliff Burton, tienes que ser resistente".​ Este recibió numerosas críticas por ello, que recibió con paciencia hasta el año 2001, en el que decide abandonar la banda para ingresar en Voivod y, posteriormente, fundar su propio proyecto, que llamó Echobrain. Su sustituto fue Robert Trujillo, que añadió al grupo un sonido más duro al haber pertenecido a bandas de hardcore punk como Suicidal Tendencies o Infectious Grooves, aunque quizá el factor principal para la contratación de Trujillo fuese su estilo y capacidad de tocar el bajo, con los dedos al igual que Burton. James Hetfield diría en una entrevista que "sus dedos parecían púas, eran como los de Burton".​ En unas declaraciones posteriores a su salida de la banda, Newsted expuso: "Metallica tiene dos monstruos que controlan, y es muy difícil conseguir algo bueno en ese monopolio".​ La más famosa controversia en la carrera de la banda vino dada por el despido de Dave Mustaine, primer guitarrista del grupo y luego fundador de Megadeth, después de conductas violentas e irresponsables en el seno de la banda.​ En 1983, en Nueva York, Mustaine tiene una discusión con Hetfield y Ulrich cuando la banda iba a reunirse con el productor Jon Zazula. La banda ya harta de las adicciones de Mustaine lo sorprendieron recién levantado en la mañana diciendo que estaba fuera de la banda, siendo despedido y embarcado en un viaje de dos días hasta Los Ángeles, durante el cual decide fundar una nueva banda para vengarse de su despido. Declaró: "Después de ser despedido de Metallica, todo lo que recuerdo es que quería sangre, la suya. Quería ser más rápido que ellos".​ Poco antes de este, Mustaine tuvo varios problemas con Ron McGovney, primer bajista de Metallica, que acabaron con la marcha de este antes de la salida del guitarrista. En aquel momento, Mustaine provocaba todo tipo de contratiempos a los restantes miembros del grupo debido a su adicción al alcohol y a las drogas, con lo que fue despedido de Metallica, introduciendo ésta a Kirk Hammett. Las hostilidades entre Megadeth y Metallica duraron varios años. En una entrevista realizada a James Hetfield en 1999, este dijo: "No somos enemigos y no somos amigos, y creo que es mejor dejarlo así. Durante aquellos años todos estábamos borrachos y pasándolo bien, pero él lo llevó todo demasiado lejos. Era una persona realmente excesiva que tenía que llevarlo todo al límite, lo que incluía el alcohol y las drogas".​ Cuando la banda le pidió a Mustaine que apareciese una entrevista entre él y Lars Ulrich en el documental Some Kind of Monster de 2004, el guitarrista se negó a ello, pero Metallica incluyó dicha entrevista. Mustaine dijo que eso fue "la traición final", y ha abandonado la esperanza de grabar algo con los miembros de la banda. Sin embargo, en el festival de Sonisphere en 2010, Dave Mustaine se presentó en el escenario junto a Metallica, los músicos de Megadeth, Slayer y Anthrax para tocar una versión del tema de Diamond Head "Am I Evil?". Megadeth ha empezado a girar por el mundo con estas 3 bandas bajo el nombre "The Big 4". Pero hay que aclarar que Dave Mustaine dijo que en ese tiempo tenía una terapia por los problemas que sufría en el cuello y tenía que estar en reposo, Dave había rechazado la oportunidad de tocar junto a las demás bandas solo por los problemas, pero el mánager de Metallica lo llamó "m*ricón" lo cual le molestó y dijo que las terapias podían esperar, entonces le dijo al mánager que tocaría en ese festival. Y en 2011, Mustaine hizo varias apariciones especiales en los actos de Metallica cuando celebraban su 30 aniversario, donde Mustaine se abrazaba con los otros miembros y tocó temas como Phantom Lord, Jump in the Fire, Metal Militia y Seek & Destroy.​ Desde 2009 Metallica contribuye activamente en la investigación para el esclarecimiento del crimen de Morgan Harrington, una adolescente de 19 años, fan de la banda, que desapareció ese año durante el concierto que dieron en Charlottesville, Virginia. Su cuerpo fue encontrado meses después y su asesino aún no ha sido identificado. Dos días luego de la desaparición de Harrington, James Hetfield se puso en contacto con los padres de ella y ofreció su ayuda. Desde entonces, ha encabezado anuncios públicos y videos pidiendo testigos para el caso, y colaborado con el FBI en la búsqueda. Asimismo la banda en conjunto sumó US$50.000 a la recompensa, cifra que ascendió a $150.000, creó un fondo estudiantil de $50.000 en memoria de la fallecida, y donó $40.000 al fondo estudiantil del ala de medicina del Instituto Politécnico y Universidad Estatal de Virginia creado en honor a Morgan Harrington. Esta última suma provino de la venta especial de camisetas con la leyenda «Enter Sandman».​ En 2017, crearon la Fundación "All Within My Hands", la cual se dedica a crear comunidades sostenibles mediante el apoyo a la educación para habilitación laboral, la lucha contra el hambre, entre otros aspectos críticos. Pagina Oficial: https://www.metallica.com/Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558

Covered in this episode- Pgs 171-185 of Ch 9(On Cooperation, Tribe, City and State) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch-https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerGang #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Rumble Channel- https://rumble.com/c/c-3379274No Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAOVurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

As The Metal Oasis makes it once around the sun, to honor this milestone, the time as come to venture into the black...The Black Album by Metallica! Regarded as one of the greatest metal albums of all time, Metallica's self-titled fifth album has surely graced everyone's metal journey at some point. This week Adam and Orion look to tackle this masterpiece, so dive on in as we travel back to 1991!Don't forget to leave us a 5-star review!Follow us on our Facebook page, The Metal Oasis, on Twitter @themetaloasis and email themetaloasis@gmail.com 

By Jeffrey A. Tucker

Covered in this episode- Pgs 162-169 of Ch 8(On Free Trade and Restricted Immigration) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 151-162 of Ch 8(On Free Trade and Restricted Immigration) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 137-149 of Ch 7(On Free Immigration and Forced Integration) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 121-136 of Ch 6(On Socialism and Desocialization) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In which Carice and Daniel continue their discussion of great song lyrics with "God" in the title. Some deep conversation ensues, including: what it would mean to "swap places", per Kate Bush's timeless lyric; the tragedy of believing in gods that fail us; and how almighty and potentially dangerous "God" really is— not the deity, but the word and idea itself, depending on who's using it. EPISODE NOTES:Elvis Costello, "God's Comic"Kate Bush, "Running Up That Hill (A Deal With God)"Metallica, "The God That Failed"Bob Dylan, "With God On Our Side"Legally Blonde: The Musical (Laurence O'Keefe/Nell Benjamin), "Omigod You Guys"Patreon members get an extra half-hour of material in full video format, including a bonus song: Steely Dan's sly bop "Godwhacker". Join for $5 a month here.ABOUT THE SHOW:Award-winning actress Carice van Houten (Game of Thrones) teams up with musical theatre composer-lyricist and bestselling author Daniel Maté (The Myth of Normal) for a freewheeling new podcast all about one of their favorite topics: song lyrics. All topics, all eras, all genres... ALL lyrics, ALL the time.NB: quite by accident, our show has a similar name to another podcast!SUBSCRIBE on Apple Podcasts or Spotify and YouTubeCHECK OUT our Patreon page, where you can get amazing perks, such as:-extended episodes, plus full video versions-exclusive members-only, all-request livestreams-full replays of ALL our livestreams-early access to all episodes-members-only all-request streams-custom playlists for each episode Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Covered in this episode- Pgs 107-118 of Ch 5(On Centralization and Secession) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 95-106 of Ch 4(On Democracy, Redistribution, and the Destruction of Property) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 84-94 of Ch 3(On Monarchy, Democracy, Public Opinion, and the Delegitimation) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 77-84 of Ch 3(On Monarchy, Democracy, Public Opinion, and the Delegitimation) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 61-75 of Ch 2(On Monarchy, Democracy, and the Idea of Natural Order) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 45-61 of Ch 2(On Monarchy, Democracy, and the Idea of Natural Order) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #GodThatFailed #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 31-43 of Ch 1(On Time Preference, Government, and the Process of Decivilization) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 16-30 of Ch 1(On Time Preference, Government, and the Process of Decivilization) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Pgs 1-15 of Ch 1(On Time Preference, Government, and the Process of Decivilization) of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch- https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAO Vurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Covered in this episode- Introduction of Democracy: The God That Failed by Hans Hermann Hoppe Please consider supporting my work-Patreon- https://www.patreon.com/nowayjose2020Only costs $2/month and will get you access to episodes earlier than the publicCheck out TopLobsta's kickass threads- toplobsta.comUse JOSE at checkout for 10% offGet No Way, Jose! merch-https://www.toplobsta.com/pages/no-way-jose#libertarian #josegalison #thelibertymovement #anarchy #anarchocapitalism #liberty #agorism #TLM #nowayjose #TowerPowerHour #Toad #Democracy #Monarchy #Hoppe #HansHermanHoppe #HoppeanNo Way, Jose! Odysee Channel- https://odysee.com/@NoWayJose:7?r=JChxx9RMmW9PuL49z3PvTq4sxE2GjJrpNo Way, Jose! YouTube Channel- https://youtube.com/channel/UCzyrpy3eo37eiRTq0cXff0gMy Podcast Host- https://redcircle.com/shows/no-way-joseApple podcasts- https://podcasts.apple.com/us/podcast/no-way-jose/id1546040443Spotify- https://open.spotify.com/show/0xUIH4pZ0tM1UxARxPe6ThStitcher- https://www.stitcher.com/show/no-way-jose-2Amazon Music- https://music.amazon.com/podcasts/41237e28-c365-491c-9a31-2c6ef874d89d/No-Way-JoseGoogle Podcasts- https://www.google.com/podcasts?feed=aHR0cHM6Ly9mZWVkcy5yZWRjaXJjbGUuY29tL2ZkM2JkYTE3LTg2OTEtNDc5Ny05Mzc2LTc1M2ExZTE4NGQ5Yw%3D%3DRadioPublic- https://radiopublic.com/no-way-jose-6p1BAOVurbl- https://vurbl.com/station/4qHi6pyWP9B/Feel free to contact me at thelibertymovementglobal@gmail.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the 1960's, the Catholic Church enthusiastically embraced the ecumenical movement after decades of being cold to it. Sixty years later, has this embrace helped or hindered the mission of the Church?Link:• "Deadly Indifference" (book)The Kingdom Investor | PodcastTake your generosity to the next level, impact more lives and build a godly legacy! Listen on: Apple Podcasts SpotifySupport the show

In the 1960's, the Catholic Church enthusiastically embraced the ecumenical movement after decades of being cold to it. Sixty years later, has this embrace helped or hindered the mission of the Church? Link: • "Deadly Indifference" (book) ZBiotics Pre-Alcohol ProbioticBreaks down the byproduct of alcohol responsible for rough mornings after drinking.BrandSupport the show

Property and Freedom Podcast, Episode 194. This talk is from the 2018 Annual Meeting of the Property and Freedom Society. Michael Malice (USA), The Democratic People's Republic of Korea: The God That Failed. PFS 2018 Playlist.

En este episodio conversamos sobre el álbum homónimo de Metallica publicado en 1991, conocido popularmente como el "Black Album". Nuestro equipo revisa algunas de sus canciones más importantes, el cambio de dirección que significó para la banda, el recibimiento de los fans, y mucho más.

Drummer Lars Ulrich was born into an upper-middle-class family in Gentofte, Denmark, on December 26, 1963. The son of Lone and tennis player Torben Ulrich. In February of 1973, Lars' father obtained passes for five of his friends to check out a Deep Purple (Smoke On the Water) concert held in the same stadium in Copenhagen as one of his tennis tournaments. When one of the dad's friends couldn't go, they gave their ticket to the nine-year-old Lars, who fell in love with the band and ran out and bought their album Fireball the next day. The concert and album greatly impacted Lars, inspiring the start of his music career. He received his first drum kit, a Ludwig, from his grandmother around 12 or 13. Lars initially intended to follow in his father's footsteps and become a badass tennis player, so he moved to Newport Beach, California, in the summer of 1980. Despite being ranked in the top ten tennis players of his age group in Denmark, Lars failed to make it into the seven-man Corona del Mar High School tennis team, solidifying his decision to focus on music.    So, while living in Los Angeles in late 1981, Lars placed an ad in the L.A. newspaper, The Recycler, which read, "Drummer looking for other metal musicians to jam with. Tygers of Pan Tang, Diamond Head and Iron Maiden."    Guitarists James Hetfield and Hugh Tanner of Leather Charm answered the advertisement.    James Alan Hetfield was born on August 3, 1963, in Downey, California, the son of Cynthia Bassett, a light opera singer, and Virgil Lee Hetfield, a truck driver. James was nine years old when he first began piano lessons. He then started jamming on his half-brother David's drums, and finally, at 14, he began to play guitar with Robert Okner. He was also in a few bands as a teenager – one was "Leather Charm" with Hugh Tanner, and another was "Obsession." James said that Aerosmith was his primary musical influence as a child and that they were why he wanted to play guitar. His parents divorced in 1976 when he was 13. They were devout Christian Scientists, and following their beliefs, they strongly disapproved of medicine or any other medical treatment and remained loyal to their faith, even as James' mother, Cynthia, was dying from cancer. This lifestyle inspired many of his lyrics during his career with Metallica. For example, the songs "Dyers Eve" and "The God That Failed" from the albums "...And Justice for All" and "Metallica" touch on those topics. His mother, Cynthia, died of cancer in 1979 when Hetfield was 16 years old. After her death, James went to live with his older half-brother David.   Although he had not formed a band, Lars asked Metal Blade Records founder Brian Slagel if he could record a song for the label's upcoming compilation album, Metal Massacre. Slagel accepted, and Ulrich recruited Hetfield to sing and play rhythm guitar. Lars and James officially formed the band known as "Metallica" on October 28, 1981, five months after they first met.   A funny story; James' and Lars' first encounter was anything but promising. As Mick Wall wrote in his biography of the band "Enter Night", "neither James nor Hugh had anything good to say about [Lars]. The kid was 'weird' and 'smelled funny' [and] he couldn't even really play drums." Deeming the entire encounter something of a waste, James later recalled (in Wall's bio) that "we ate McDonald's, he ate herring. [Lars'] father was famous. He was very well off. Spoiled – that's why he's got his mouth. He know what he wants, he goes for it and he's gotten it his whole life."   When asked what Lars remembers about their first meet up, in a Blabbemouth.com interview, he said:   "I remember connecting with him," Lars responded. "I could see that, even though he was painfully shy or whatever, that there were some distinctive similarities. I spent six months talking to people about heavy metal, and they'd mention STYX, JOURNEY, KISS or whatever. I'd talk about ANGEL WITCH, DIAMOND HEAD or TYGERS OF PAN TANG. He had a connection to the music and the things I was throwing out there that seemed a little more authentic or trustworthy. Not much happened during that first meeting because he was kind of the wing man, or the plus one, for a guy named Hugh. If James was sitting here, he'd tell you that the drum kit I showed up with was in such bad shape that every time I hit the cymbal, it kept falling over — which is accurate. Hetfield and I ended up staying in touch, and when I came back from travelling in Europe a few months later, I called him up and said, 'Hey, do you want to play and see what happens?' And he was up for it."   The band name, "Metallica," came from Lars' friend Ron Quintana, who was brainstorming names for a fanzine and was considering MetalMania or Metallica. After hearing the two monikers, Lars wanted Metallica for his band, so he suggested Quintana use MetalMania instead. That magazine wound up being a U.S. monthly magazine focusing on heavy metal music, which was published between 1985 and 1991   Guitarist Dave Mustaine replied to an advertisement for a lead guitarist where Lars and James asked him to join after seeing his expensive guitar equipment. In early 1982, Metallica recorded its first original song, "Hit the Lights," for the Metal Massacre I compilation. James Hetfield played bass, and rhythm guitar and sang, while Lloyd Grant was credited with a guitar solo and Lars Ulrich played drums. Lloyd was a Jamaican guitarist who was never officially in the band. Lloyd has said:   "Me and Lars was jammin' down there in Orange County, California and we jam with a few people and we lookin' other people to jam with..." they met through The Recycler. "We were playing for a long time and he came down to my place my apartment once and he says and he keep asking me to come jam with the band, but I was really busy doing other stuff and I went down and play with them-me and him and James. That's three of us. James was playing bass, I was playing guitar and Lars was playing drums and we rehearse that "Hit The Lights" song, but way before that Lars had let me hear that song. We were hanging out watching soccer and he says "hey I met this guy blah blah blah and he's exactly what we want to jam with and he played this one song and it was great and that's how I was first was introduced to "Hit The Lights." After that I went over and jam a few times and he called me and say they gonna be in this compilation album and he brought over a tape of "Hit The Lights" recording on a four track asked me to play some solo for that and they were going to bring the four track down and they were going to bring it down and dump it on the compilation album."   Metal Massacre I was released on June 14, 1982. The early pressings listed the band incorrectly as "Mettallica," pissing the band off. However, the song "Hit The Lights," generated a buzz, and Metallica played their first live performance on March 14, 1982, at Radio City in Anaheim, California. The lineup consisted of James Hetfield, Lars Ulrich, Dave Mustaine, and newly recruited bassist Ron McGovney, who had been in James' previous band, "Leather Charm." Their first live success happened as they were chosen to open for British heavy metal band Saxon at one gig of their 1982 U.S. tour. This show was Metallica's second gig. In addition, Metallica recorded its first demo, Power Metal, whose name was inspired by Quintana's early business cards in early 1982.   In late 1982, Ulrich and Hetfield attended a show at the West Hollywood nightclub Whisky a Go Go, which featured bassist Cliff Burton in the band Trauma.  Clifford Lee Burton was born on February 10, 1962, in Castro Valley, California, to Ray and Jan Burton. Cliff's interest in music began when his father introduced him to classical music, and he began taking piano lessons. In his teenage years, he developed an interest in Rock, classical, country, and heavy metal. He began playing the bass at 13, after the death of his brother. His parents quoted him as saying, "I'm going to be the best bassist for my brother." He practiced up to six hours daily (even after joining Metallica). Besides classical and jazz, Burton's other early influences varied from Southern Rock and country to the blues. Cliff has cited Geddy Lee, Geezer Butler, Stanley Clarke, Lemmy Kilmister, and Phil Lynott as significant influences on his style of bass playing.   James and Lars were "blown away" by Cliff's use of a wah-wah pedal and asked him to join Metallica. The two leaders wanted Ron McGovney to leave because they thought he "didn't contribute anything, he just followed."  According to McGovney, his time in Metallica was reportedly tumultuous, as he often clashed with Ulrich and Mustaine. In addition, he felt that, aside from using the connections he made as an amateur photographer, his role was that of a money man and transportation provider rather than a respected band member. He ultimately quit on December 10, 1982, due to growing tensions. After leaving Metallica, McGovney became uninterested in playing music and sold most of his equipment.   Although Cliff Burton initially declined the offer to join Metallica, by the end of the year, he had accepted on the condition that the band moves to El Cerrito in the San Francisco Bay Area of California. Metallica's first live performance with Cliff was at the nightclub "The Stone" in March 1983, and the first recording to feature Burton was the Megaforce demo (1983).   Metallica was ready to record their debut album, but they began looking for other options when Metal Blade could not cover the cost. Concert promoter Jonathan "Jonny Z" Zazula, who had heard the demo No Life 'til Leather (1982), offered to broker a record deal between Metallica and New York City-based record labels. After those record labels showed no interest, Zazula borrowed enough money to cover the recording budget and signed Metallica to his label, Megaforce Records.   In May 1983, Metallica traveled to Rochester, New York, to record its debut album, Metal Up Your Ass, which Paul Curcio produced. Unfortunately, the other members of Metallica decided to eject Mustaine from the band because of his drug and alcohol abuse and violent behavior just before the recording sessions on April 11, 1983. About this time, Mustaine told Loudwire magazine:   "When you're around a lot of people that like to drink and get silly, they just want to have fun," Mustaine explains. "I would drink and have fun until someone would refute something I had said. And then that was war, baby. I'd be aggressive and confrontational because I was a violent drunk. I lost all inhibitions when I was drinking, and that didn't go over to well in the end." The end came on April 11, 1983, and it came without warning for Mustaine. Metallica had already hired Kirk Hammett as their new lead guitarist.  At around 9AM that morning, James, Lars, and Cliff woke up Mustaine, suffering from a tremendous hangover, and told him he was out of the band. "The thing that really upset me was that they never gave me a warning and I never got a second chance," Mustaine says. "It was just, 'Hey man. You're out. See ya later."   When Mustaine asked when his flight back to California was, he was told he wasn't flying. He was taking a four-day bus ride. Even worse, the bus was scheduled to leave one hour after he was fired. Mustaine scrambled to pack a travel bag, and James drove him from the Music Building in Queens to 42nd Street and Eighth Avenue in Manhattan.   During the seemingly endless bus ride, according to Livewire.com, he was rightfully pissed for a while and then decided to write some new lyrics. Since he didn't have any paper, he wrote on the back of a handbill from Senator Alan Cranston. A message on the front of the card referred to the stockpiling of nuclear weapons that read, "The arsenal of megadeath can't be rid." After considerable thought, Mustaine decided the term megadeath would make a cool name for a metal band, especially if it were misspelled as Megadeth.   Kirk Lee Hammett was born on November 18, 1962, in San Francisco, California, and raised in the town of El Sobrante. He is the son of Teofila "Chefela" and Dennis L. Hammett, a Merchant Mariner. While attending De Anza High School, he met Les Claypool of Primus, and they remain close friends. Kirk began showing an interest in music after listening to his brother Rick's extensive record collection (which included Jimi Hendrix, Led Zeppelin, and UFO). In addition, he was a huge horror movie fan but began selling his horror magazines to buy albums. This infatuation led him to pick up the guitar at fifteen. His first guitar was (in his own words) a "wholly unglamorous" Montgomery Ward catalog special that came with a shoebox with a 4-inch speaker for an amp. After purchasing a 1978 Fender Strat copy, Kirk attempted to customize his sound with various guitar parts before eventually buying a 1974 Gibson Flying V.   Guitarist Kirk Hammett replaced Dave Mustaine the same afternoon. Metallica's first live performance with Kirk was on April 16, 1983, at a nightclub in Dover, New Jersey, called "The Showplace."    Mustaine has expressed his dislike for Kirk in interviews, saying he "stole" his job. Mustaine was "pissed off" because he believed Hammett became popular by playing guitar leads that Mustaine had written. In a 1985 interview with Metal Forces, Mustaine said, "it's real funny how Kirk Hammett ripped off every lead break I'd played on that No Life 'til Leather tape and got voted No. 1 guitarist in your magazine".    Because of conflicts with its record label and the distributors' refusal to release an album titled Metal Up Your Ass, the album was renamed "Kill' Em All." It was released on Megaforce Records in the U.S. and on Music for Nations in Europe and peaked at number 155 on the Billboard 200 in 1986. Pretty cool, considering their top ten that year was: 1. That's What Friends Are For - Dionne Warwick, Elton John, and Gladys Knight 2. Say You, Say Me - Lionel Richie 3. I Miss You - Klymaxx 4. On My Own - Patti Labelle and Michael McDonald 5. Broken Wings - Mr. Mister 6. How Will I Know - Whitney Houston 7. Party All the Time - Eddie Murphy 8. Burning Heart - Survivor 9. Kyrie - Mr. Mister 10. Addicted to Love - Robert Palmer Although the album was not initially a financial success, it earned Metallica a growing fan base in the underground metal scene. The band embarked on the "Kill' Em All for One" tour with Raven to support the release. In February 1984, Metallica supported Venom on the "Seven Dates of Hell" tour, during which the bands performed in front of 7,000 people at the Aardschok Festival in Zwolle, Netherlands.    Metallica recorded the album in only two weeks on a shoestring budget. Initially, the band printed 1,500 copies. Since its release, "Kill 'Em All" has been certified 3x platinum. Metallica then recorded their second studio album, Ride the Lightning, at Sweet Silence Studios in Copenhagen, Denmark, from February to March 1984. It was released in August 1984 and reached number 100 on the Billboard 200. Unfortunately, a French printing press mistakenly printed green covers for the album, which are now considered collectors' items. Mustaine received writing credit for "Ride the Lightning" and "The Call of Ktulu."   Elektra Records A&R director Michael Alago, and co-founder of Q-Prime Management Cliff Burnstein, attended a Metallica concert in September 1984. They were impressed with their performance and signed Metallica to Elektra. They also made them a Q-Prime Management artist. Metallica's growing success was such that the band's British label Music for Nations released "Creeping Death" as a limited-edition single, which sold 40,000 copies as an import in the U.S.  Two of the three songs on the record—cover versions of Diamond Head's "Am I Evil?" and Blitzkrieg's "Blitzkrieg"—appeared on the 1988 Elektra reissue of "Kill' Em All."  With unforgettable songs like "For Whom The Bell Tolls," "Creeping Death," and "Fade To Black", "Ride The Lightning" has sold over 5 million copies in the U.S. and has been certified 5x Platinum by the RIAA.   That bell in the beginning of "For Whom The Bell Tolls", isn't really a bell at all. As producer Flemming Rasmussen recalled: “We had an anvil in the studio, and Lars had to bang that; it could've been that or from a record of sound effects. But there was a really heavy, cast-iron anvil and a metal hammer, and we stuck them in an all-concrete room. He'd just go wang.”  If you've ever tried to play along with the studio album version of "For Whom, The Bell Tolls, " you've probably had some guitar tuning issues. That's because the song is a quarter step above standard tuning. Why? As the Metallica Wiki says, there are two theories. The first is that the band intentionally sped up the recording, pitch shifting it in the process. The second is that the guitars are tuned up a quarter step to match the pitch of the "tolling bells." I mean anvil... now that's "metal AF". Metallica embarked on its first major European tour with Tank to an average crowd of 1,300. Returning to the U.S., it embarked upon a tour co-headlining with W.A.S.P. and supported by Armored Saint, featuring John Bush on vocals, who later went on to front Anthrax. Metallica played its largest show at the Monsters of Rock fest at Donington Park, England, on August 17, 1985, with Bon Jovi and Ratt, playing to 70,000 people. Then, at the "Day on the Green" festival in Oakland, California, the band played to a crowd of 60,000. Metallica's third studio album, Master of Puppets, was recorded at Sweet Silence Studios in Denmark from September to December 1985 and was released in March 1986. The album reached number 29 on the Billboard 200 and spent 72 weeks on the chart. It was the band's first album to be certified gold on November 4, 1986 and has sold over 6 million copies.    In 2015, Master of Puppets became the first ever metal album in history to be selected by the Library of Congress for preservation in the National Recording Registry.   Following the album's release, Metallica supported Ozzy Osbourne on a U.S. tour. During this time, James Hetfield broke his wrist while skateboarding; he continued with the tour, performing vocals, with guitar technician John Marshall playing rhythm guitar.   On the night of Sept. 26, 1986, Metallica was traveling between tour dates in Sweden when Burton and guitarist Kirk Hammett drew cards to decide who would get to choose a bunk. The bassist drew the Ace of Spades and chose the bunk Hammett had been occupying. "I said fine, take my bunk," the guitarist recalled in VH1's Behind the Music. "I'll sleep up front; it's probably better anyway." In the early morning of Sept. 27, 1986, shortly before 7 AM, the band members were awakened abruptly when the bus began to sway from side to side. The driver later told authorities that he lost control of the bus after hitting a patch of black ice. The bus left the road and flipped over on its side, and Cliff Burton – asleep in the top bunk – was thrown through the window. As the bus came down, it landed on top of him. He was only 24 years old. Reportedly, attempts were made to rescue him from underneath the bus by lifting it with a crane, but the crane slipped, and the bus crashed down on top of Burton a second time. Band members and onlookers have given different accounts of whether Burton died upon the first impact or when the bus came down again. Whichever way it happened, Cliff Burton died at the scene.   Hetfield said: "I saw the bus lying right on him. I saw his legs sticking out. I freaked. The bus driver, I recall, was trying to yank the blanket out from under him to use for other people. I just went, 'Don't fucking do that!' I already wanted to kill the bus driver. I don't know if he was drunk or if he hit some ice. All I knew was, he was driving and Cliff wasn't alive anymore."   James has said he walked up and down the road in his socks and underwear looking for black ice and found none. The band has speculated over the years if drinking or drugs could have played a role in the accident or if the driver fell asleep at the wheel. An investigation cleared the driver of any wrongdoing. Burton was cremated, and his ashes were scattered at the Maxwell Ranch in California. Metallica's "Orion" was played at the ceremony, and lyrics from "To Live Is to Die" are engraved upon his memorial stone: "Cannot the Kingdom of Salvation take me home."   In an interview with Gibson TV, Kirk Hammet, who could have been the one in that unlucky bunk said: "The last show that we played with Cliff was a spectacular show," Kirk recalls in the interview. "It was the first show after maybe six or seven weeks when James was back on guitar because he had broken his arm during the Ozzy tour. His arms was healed enough so he was able to play guitar and it was the first show where we had James back… and it was the night that Cliff died. "Everyone was just so happy James was back and to have James's guitar fuelling everything again, rather than me and John Marshall [tech and stand-in guitarist] sharing that duty. We played really, really well and felt like we were back 100%… so that last show was one of the best shows we'd played all fucking year and in retrospect I'm glad Cliff's last show was special in that regard. It really was, in all respects, one of the best shows we'd played and Cliff was very, very happy. So knowing that is a good thing." "It' didn't really, truly sink in until about three weeks or so [afterwards]," Hammett remembers. "As a tribute to Cliff's memory it was important for us to go on [but for] those first two weeks it was up and down, we had no idea what we were going to do. I was taking guitar lessons, the old standby for musicians who can't find any gigs or band. That's what I was actually thinking."

So, let's always remember that this is a journey. Joining us is Aaron Martel from the R4 ( Ridiculous Rock Record Reviews ) podcast at long last. For God's sake, please don't take everything so damn literal. --- Support this podcast: https://anchor.fm/anthony-thomas22/support

https://youtu.be/CUWH-87Sdqo Without moral argument at his disposal, a liberal is left only with the tool of cost-benefit analysis, but any such analysis must involve an interpersonal comparison of utility, and such a comparison is impossible (scientifically impermissible)...Liberals will have to recognize that no government can be contractually justified... Hans-Hermann Hoppe, Ph.D., Democracy the God That Failed, p. 235 Host, Lev Polyakov's channel Full debate on Break the Rules Flote Archive Spotify BitChute

  Some topics are too amazing to fit into a single episode. Metallica is one of them. In this second part of this dive into the music of Metallica, Garrick and Timothy look at the theology behind the 1991 song "The God That Failed." Along the way, your intrepid cohosts include an audio clip from the most shocking video in which Metallica's lead vocalist James Hetfield has ever appeared. Believe it or not, it all begins with a Nobel Prize-winning scientific research project that involved cardboard butterflies. (Also, "Cardboard Butterfly" would be an amazing name for a band.) The dynamic duo ends the episode with a powerful look at how the gospel answers the dilemmas of shame and unforgiveness that emerge as such dominant themes in Metallica's later albums.   ABOUT HOSTS Timothy Paul Jones, Ph.D., is C. Edwin Gheens Professor of Christian Ministry at The Southern Baptist Theological Seminary. He teaches in the areas of family ministry and applied apologetics. He has authored or edited more than a dozen books, including Why Should I Trust the Bible?, The God Who Goes Before You, Perspectives on Family Ministry, and Christian History Made Easy. Follow Dr. Jones at @DrTimothyPJones.   Garrick Bailey is a Ph.D. student in systematic theology at The Southern Baptist Theological Seminary, studying Herman Bavinck and Roman Catholicism under the supervision of Gregg Allison.   LINKS TO CLICK The God That Failed (song by Metallica) The Unforgiven I, II, and III (songs by Metallica) Patreon Support theapologeticspodcast.com The Apologetics Newsletter Urban Ministry Podcast   CLOSING CREDITS Music for the podcast has been licensed through Artlist.io and performed by Cunningham Manor. Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. “The fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching, … scholarship, or research, is not an infringement of copyright” (U.S. Code § 107, Limitations on exclusive rights: Fair use).

  Finally, after three years of this podcast, the time has come to talk about something that we've rarely talked about before. It's time to talk about … … Metallica. The first part of this two-part series focuses on how being raised as a Christian Scientist impacted lead vocalist James Hetfield's life and Metallica's lyrics. This provides the dynamic duo with an opportunity to discuss the history and theology of Mary Baker Eddy and the Church of Christ, Scientist. If you're interested in doing apologetics with Christian Scientists, this episode provides you with everything you need to get started. Along the way, Timothy is deeply embarrassed as Garrick reveals not only his toes but also his deep affection for Mariah Carey and his deep-seated fear of Oingo Boingo super-fans. The first installment of “Behind the Covers” puts Metallica's cover of a tune originally performed by The Kinks into battle against Van Halen's version of the same song. In the end, your intrepid cohosts can't agree on a winner. What they do agree about is that The Kinks are underrated and that Van Halen and Metallica are two of the greatest bands ever. Also, "Behind the Covers" would be the perfect name for a cover band that decorates the stage with quilts and duvets.   ABOUT HOSTS Timothy Paul Jones, Ph.D., is C. Edwin Gheens Professor of Christian Ministry at The Southern Baptist Theological Seminary. He teaches in the areas of family ministry and applied apologetics. He has authored or edited more than a dozen books, including Why Should I Trust the Bible?, The God Who Goes Before You, Perspectives on Family Ministry, and Christian History Made Easy. Follow Dr. Jones at @DrTimothyPJones.   Garrick Bailey is a Ph.D. student in systematic theology at The Southern Baptist Theological Seminary, studying Herman Bavinck and Roman Catholicism under the supervision of Gregg Allison.   LINKS TO CLICK The God That Failed (song by Metallica) Patreon Support theapologeticspodcast.com The Apologetics Newsletter Urban Ministry Podcast   CLOSING CREDITS Music for the podcast has been licensed through Artlist.io and performed by Cunningham Manor. Brief excerpts of music played in each program are included solely for the purposes of comment and critique as allowed under the fair-use provision of U.S. copyright law. “The fair use of a copyrighted work … for purposes such as criticism, comment, news reporting, teaching, … scholarship, or research, is not an infringement of copyright” (U.S. Code § 107, Limitations on exclusive rights: Fair use).

The arguments made by Hans-Hermann Hoppe in his book Democracy The God that Failed are examined. While his insight is interesting there are certainly shortcomings which I address. Social Media: Social Galactic: https://social.infogalactic.com/ YouTube: https://www.youtube.com/channel/UCTX1rysLOYH30IKDVRGafSw?view_as=subscriber Bitchute: https://www.bitchute.com/channel/qsBAoGUg2SAk/ Podbean: https://andrewjnorris.podbean.com/ Dlive: https://dlive.tv/upchuckmcduck_bear #philiosphy #Libertarianism #NAP

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Arthur Koestler, (born Sept. 5, 1905, Budapest, Hung. —found dead March 3, 1983, London, Eng.), was a Hungarian-born British novelist, journalist, and critic, best known for his novel Darkness at Noon (1940). Koestler attended the University of Vienna before entering journalism. Serving as a war correspondent for the British newspaper News Chronicle during the Spanish Civil War, Koestler was imprisoned by the fascists, an experience he recounted in Spanish Testament (1937). This experience and those leading to his break with the Communist Party are reflected in Darkness at Noon. Published in 30 languages, it is the penetrating story of an old-guard Bolshevik who, during Stalin's purge trials of the 1930s, first denies, then confesses to, crimes that he has not committed. Specifically dealing with the plight of an aging revolutionary who can no longer condone the excesses of the government he helped put in power, the novel is an examination of the moral danger inherent in a system that sacrifices means to an end. Koestler's other works of this period, during which he wrote most of his fiction, include The Gladiators (1939), a novel about the revolt against Rome led by the gladiator Spartacus; and Arrival and Departure (1943). These books deal with similar questions of morality and political responsibility.Koestler's essays are collected in The Yogi and the Commissar and Other Essays (1945) and in The God That Failed (1949; ed. R. Crossman), in which he wrote of his disillusionment with communism. From 1940 Koestler wrote in English. He became a British citizen in 1948. His last political novel, The Age of Longing (1951), examined the dilemma of Europe after World War II. Koestler took stock of his early life in the memoirs Arrow in the Blue (1952) and The Invisible Writing (1954). His later works were concerned with science, creativity, and mysticism. The Act of Creation (1964), perhaps the best-known book of his scientific and philosophical period, attempts to explain the processes underlying creativity in science and art. Other works of this period include The Lotus and the Robot (1960), an examination of Eastern mysticism; The Ghost in the Machine (1967), which discusses the effect of evolution on the structure of the human brain; and The Thirteenth Tribe (1976), a controversial study of the origins of the Jewish people. Bricks to Babel, a collection of his writings with new commentary by the author, appeared in 1981. In his later years, Koestler suffered from leukemia and Parkinson's disease. Believers in voluntary euthanasia, he and his wife Cynthia took their own lives.From https://www.britannica.com/biography/Arthur-Koestler. For more information about Arthur Koestler:“Arthur Koestler, the Art of Fiction No. 80”: https://www.theparisreview.org/interviews/2976/the-art-of-fiction-no-80-arthur-koestler“Road Warrior: Arthur Koestler and His Century”: https://www.newyorker.com/magazine/2009/12/21/road-warrior

A new MP3 sermon from Taylor's Chapel Baptist Church is now available on SermonAudio with the following details: Title: Science, the god that Failed Speaker: B.F. Stickle Broadcaster: Taylor's Chapel Baptist Church Event: Sunday Service Date: 12/26/2021 Bible: Genesis 3:1-6; Proverbs 26:4-5 Length: 40 min.

A new MP3 sermon from Taylor's Chapel Baptist Church is now available on SermonAudio with the following details: Title: Science, the god that Failed Speaker: B.F. Stickle Broadcaster: Taylor's Chapel Baptist Church Event: Sunday Service Date: 12/26/2021 Bible: Genesis 3:1-6; Proverbs 26:4-5 Length: 40 min.

Do we rely on science and research to make spiritual decisions-- Has science crept into our churches and into our lives taking the place of our true worship of God-- Does our search for knowledge and truth in science lead us to the same path as the original sin in the garden-- I'm afraid yes. We must not worship science, but God through scripture and in spirit.

Do we rely on science and research to make spiritual decisions- Has science crept into our churches and into our lives taking the place of our true worship of God- Does our search for knowledge and truth in science lead us to the same path as the original sin in the garden- I'm afraid yes. We must not worship science, but God through scripture and in spirit.

Jimmy Song joins me for a multi-episode conversation covering the masterful anti-state treatise “Democracy: The God that Failed” written by Hans-Hermann Hoppe.Be sure to check out NYDIG, one of the most important companies in Bitcoin: https://nydig.com/GUESTJimmy's twitter: https://twitter.com/jimmysongJimmy's podcast: https://podcasts.apple.com/us/podcast/bitcoin-fixes-this/id1523910866Jimmy's writing: https://jimmysong.substack.com/PODCASTPodcast Website: https://whatismoneypodcast.com/Apple Podcast: https://podcasts.apple.com/us/podcast/the-what-is-money-show/id1541404400Spotify: https://open.spotify.com/show/25LPvm8EewBGyfQQ1abIsE?si=wgVuY16XR0io4NLNo0A11A&nd=1RSS Feed: https://feeds.simplecast.com/MLdpYXYITranscript:OUTLINE00:00:00 “What is Money?” Intro00:00:08 Involuntary Exchange: A Zero-Sum Game00:03:08 “Every Public Election is an Advanced Auction on Stolen Goods"00:12:07 The Individual is Elemental to Civilization00:19:55 Government: “Sticks in a Flywheel”00:25:33 The More Power, the More Parasitism00:35:28 NYDIG00:36:35 Monarchy vs. Democracy00:43:06 Low Time Preference Incentives of Monarchy00:54:25 Monarchs have "Skin in the Game"01:06:44 High Time Preference of Democracy01:10:09 Eminent Domain = Legalized Theft in Democracy01:16:01 Democracy is a Magnet for Bad ActorsSOCIALBreedlove Twitter: https://twitter.com/Breedlove22WiM? Twitter: https://twitter.com/WhatisMoneyShowLinkedIn: https://www.linkedin.com/in/breedlove22/Instagram: https://www.instagram.com/breedlove_22/TikTok: https://www.tiktok.com/@breedlove22?lang=enAll My Current Work: https://linktr.ee/breedlove22​WRITTEN WORKMedium: https://breedlove22.medium.com/Substack: https://breedlove22.substack.com/WAYS TO CONTRIBUTEBitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7Sats via Strike: https://strike.me/breedlove22Sats via Tippin.me: https://tippin.me/@Breedlove22Dollars via Paypal: https://www.paypal.com/paypalme/RBreedloveDollars via Venmo: https://venmo.com/code?user_id=1784359925317632528The "What is Money?" Show Patreon Page: https://www.patreon.com/user?u=32843101&fan_landing=trueRECOMMENDED BUSINESSESWorldclass Bitcoin Financial Services: https://nydig.com/Join Me At Bitcoin 2022 (10% off if paying with fiat, or discount code BREEDLOVE for Bitcoin): https://www.tixr.com/groups/bitcoinconference/events/bitcoin-2022-26217Put your Bitcoin to work. Earn up to 6% interest back on Bitcoin with Tantra: https://bit.ly/3CFcOmgAutomatic Recurring Bitcoin Buying: https://www.swanbitcoin.com/breedlove/Buy Bitcoin in a Tax-Advantaged Account: https://www.daim.io/robert-breedlove/Home Delivered Organic Grass-Fed Beef (Spend $159+ for 4 lbs. free): https://truorganicbeef.com/discount/BREEDLOVE22

Metallica The God That Failed!! Christians REACT !! --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

We're back with another Deep Cut Dive from The Black Album. In this episode we break down what makes "The God That Failed" such a great tune, musically and lyrically. Our intro and email corner turns slightly into a tangent city because we were back at HQ2 and feeling rested from being off the road for a bit! We have some great convo based off your emails, Bon Scott vs Brian Johnson, the songwriting of people like Tom Petty, Sting and Billy Joel, Clint tells us how he really feels about Masterclass, Metallica rescheduling South America, what we're currently listening to and so much more. Enjoy, Honeys.The Deep Cut Dive starts at 59:47If you think Metal Up Your Podcast has value, please consider taking a brief moment to leave a positive review and subscribe on iTunes  here:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077You can further support the show by becoming a patron. All patrons of Metal Up Your Podcast at the $5 level receive volumes 1-4 of our Cover Our World Blackened EP's for free. Additionally, patrons are invited to come on the show to talk about any past Metallica show they've been to and are given access to ask our guests like Ray Burton, Halestorm, Michael Wagener, Jay Weinberg of Slipknot and members of Metallica's crew their very own questions. Be a part of what makes Metal Up Your Podcast special by becoming a PATRON here:http://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server:https://discord.gg/nBUSwR8tPre-Order Ethan's new album  HERE!Purchase/Stream Lunar Satan:https://distrokid.com/hyperfollow/lunarsatan/lunar-satanPurchase/Stream Clint's album VAMPIRE:https://distrokid.com/hyperfollow/clintwells/vampirePurchase/Stream Ethan's album Let It Burn:https://ethanluck.bandcamp.com/album/let-it-burn-2Official Website:http://metalupyourpodcast.comPurchase/Stream our Cover Our World Blackened Volumes and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow us on all social media platforms.Write in at:metalupyourpodcastshow@gmail.com

Go follow Jared at @EndDemocracy and go follow the Hoppen.org at @TheHoppean Go to the Hoppen.org at http://hoppean.org/ Come follow me on Twitter for based Libertarian takes and podcast updates. @calebbrown549 Website coming soon. Music from Uppbeat (free for Creators!): https://uppbeat.io/t/tatami/pharoahLicense code: ODPIBEQMOH3LRTMK --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

C'est la rentrée ! On démarre cette nouvelle saison de Radio K7 avec les copains de Metallica ! En 1991, nos quatre cavaliers ont la dalle. Ils délaissent complètement le trash métal survitaminé de leurs premiers albums, pour se rapprocher un peu plus des standards du heavy métal. Personne n'aurait imaginé que les étoiles seraient si bien alignées qu'ils décrocheraient la Lune, mais c'était compter leur ambition folle et une enfilade de tubes savemment produits, de “Enter Sandman” à “Sad But Brue”, en passant par “The Unforgiven”, “Wherever I may roam” et bien sûr “Nothing Else Matters”. Dès sa sortie le black album va inscrire le métal au sommet des charts et devenir un putain de classic puisqu'il demeure encore aujourd'hui le disque de métal le plus vendu au monde ! On a invité pour l'occasion Greg Cook, monsieur Culture 2000 ! Abonnez-vous ici  et découvrez l'Essentiel du XXe (La Martinière Jeunesse) par là !   On vous raconte la story des Four Horsemen avec Olivia, Greg nous emmène au Studio One on One à Los Angeles, Fanny et Greg Cook reviennent sur la pochette du black album décidément bien mystérieuse. Take my hand, We're off to never-never land !!   Crédits : Générique : Dr Alban "Sing Hallelujah". Titres écoutés dans l'émission : “Enter Sandman”, “Sad But True”, “Holier Than Thou”, “The Unforgiven”, “Wherever I May Roam”, “Don't Tread On Me”, “Through The Never”, “Nothing Else Matters”, “Of Wolf And Man”, “The God That Failed”, “My Friend Of Misery”, “The Struggle Within”, “Seek & Destroy”, “One”, “Nothing Else Matters (Elevator version), “Wherever I May Roam (demo)”. Miley Cyrus feat. WATT, Elton John, Yo-Yo Ma, Robert Trujillo, Chad Smith “Nothing Else Matters”, Mötley Crüe “Dr Feelgood”,  Extraits : “For Those About to Rock: Monster in Moscow (1992)”, “Classic Albums Metallica - The Black Album (Arte, 2000)”,    Chaque mois dans Radio K7 on rembobine nos cassettes et vous raconte l'histoire d'un album qui a marqué les années 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Grégoire Sauvage. Enregistrée chez Fanny Giniès. Identité graphique réalisée par Floating Studio. LAISSEZ UN MESSAGE APRÈS LE BIP !  Vous pouvez nous appeler au 01 89 16 75 31 (nouveau numéro), pour suggérer un album, donner votre avis ou raconter une blague ! On diffusera les messages au prochain épisode ! Sinon, retrouvez-nous sur les internets : Twitter : @RadioK7Podcast Instagram : @radio_k7 Facebook : @Radiok7podcast

Chilli here from Live Listen Erased bringing you a 5 minute review on the new Metallica Blacklist and the covers by various artists. On this episode we listen to the last couple of tracks on the black album, Of Wolf And Man, The God That Failed, My Friend Of Misery and The Struggle Within along with their respective covers. Podcast on all platforms. Join us on twitter for updates and discussions: https://twitter.com/Livelisteneras1 The Artists Goodnight Texas IDLES Imelda May Cherry Glazerr Izia Kamasi Washington Rodrigo Y Garbiela #5mr #livelistenerased #NewMusic2021 #metallica #blacklist #goodnighttexas #IDLES #Imelda May #cherryglazerr #izia #kamasiwashington #rodgrigoygabriela

Your Questions Answered with James JennemanI had an interview fall through, so you’re getting a solo episode! I could’ve asked one of my pinch hitter buddies to fill in, but I want to get better at talking into a microphone without someone on the other end. My intrepid editor, Chris at Podsworth Media, cut the episode from about 50 minutes to about 40 just by removing “ums” and awkward pauses, so I have a little work to do. But you can’t grow a muscle if you don’t work it out, right?If you like this episode and would like to hear my thoughts on stuff from time to time, let me know. And send me your questions! You can email me by replying to the email you receive as a subscriber to my Substack, or you can ping me on Twitter.LinksFor a New Liberty, by Murray Rothbard (you can get this free at mises.org, but I want you to have my Amazon affiliate link just in case)Democracy, the God That Failed, by Hans-Hermann HoppeGray Mirror of the Nihilist Prince, by Curtis Yarvin12 Rules for Life: An Antidote to Chaos, by Jordan PetersonA Father Who Keeps His Promises, by Scott HahnThe Ragamuffin Gospel, by Brennan ManningFreedom CellsThe Matrix trilogyBig AnnouncementThere’s a big announcement in this episode: I’m giving away a free lifetime Master Membership to Tom Woods’s Liberty Classroom plus a lifetime premium subscription to Blackbird to one lucky winner.Two slightly-less-lucky winners will get lifetime premium subscriptions to Blackbird.Everyone who enters will get a free 30 day premium subscription to Blackbird. (Since you’re already a paid subscriber, I’ll just extend your current plan by 30 days.)Sign up here!SponsorThe sponsor of this episode is Agorist Tax Advice. If you’re a US taxpayer, head to https://agoristtaxadvice.com/blackbird to set up a free consultation with attorney and tax expert Matt Sercely today! He wants to save you some money. This is a public episode. Get access to private episodes at www.blackbirdpodcast.com/subscribe

Após ter se consolidado como uma das maiores bandas de thrash metal do mundo, o Metallica resolveu romper com a sonoridade complexa que vinha fazendo e lançou um disco com músicas mais simples e marcantes. O resultado foi intitulado apenas como "METALLICA, mais conhecido como BLACK ALBUM, e se tornou o maior sucesso comercial da banda até hoje. A banda era formada por: James Hetfield (vocal e guitarra), Lars Ulrich (bateria e percussão), Jason Newsted (baixo) e Kirk Hammett (guitarra). As músicas são: "Enter Sandman", "Sad but True", "Holier Than Thou", "The Unforgiven", "Wherever I May Roam", "Don't Tread on Me", "Through the Never", "Nothing Else Matters", "Of Wolf and Man", "The God That Failed", "My Friend of Misery" e "The Struggle Within". Então, convidamos Claudio Borges ( @Resenhando Rock ) para tomar uma e falar sobre tudo do BLACK ALBUM, do METALLICA! ******************************************** SEJA MEMBRO DO CLUBE TUPFS E TENHA ACESSO A UMA SÉRIE DE VANTAGENS! Você pode escolher um dos planos abaixo: HEADBANGER (R$ 1,99 por mês) Acesso antecipado aos vídeos novos do canal, seu nome divulgado durante os vídeos em agradecimento e outros conteúdos exclusivos! Além disso, terá um selo de fidelidade ao lado do seu nome sempre que deixar um comentário e emojis exclusivos. ROCKSTAR (R$ 4,99 por mês) Além de todos os benefícios anteriores, você ganha acesso ao nosso grupo exclusivo no WhatsApp. Nele, você fará parte de uma incrível comunidade de aficcionados por música. Você também interage diretamente com os criadores, dá nota nas resenhas, deixa perguntas para as entrevistas e participa de várias outras maneiras da criação de conteúdo no canal. METAL GOD (R$ 7,99 por mês) Além de todos os benefícios anteriores e dar uma grande ajuda para a nossa criação de conteúdo, você pode ESCOLHER TEMA DE EPISÓDIO. Dentro da temática do canal, é claro. SEJA MEMBRO: https://www.youtube.com/channel/UCo1lgalkCBW9Uv3GyrzhhkA/join ******************************************** Nos siga nas redes sociais: Twitter: @iurimoreira / @rafael2099 Instagram: @iurimoreira / rafaelaraujo2099

Capitão Fausto dão cinco concertos pelas ilhas de Faro entre domingo e quinta-feira; IDLES fazem versão de «The God That Failed» para edição de homenagem ao Black Album; festivais de cinema: IndieLisboa e Motel X

En la última oportunidad de salir al aire durante el mes de los vientos, esta fue la oferta temática que compuso nuestro programa: - Nuevo material de Trivium - Los motivos de Lily Wachowsky para no ser parte de Matrix 4 - El show debe continuar: los Stones siguen con su gira después de la muerte de Charlie Watts - Juicio del ex-bebé de la tapa de Nevermind Y estas son las canciones que se hicieron sonar: - The God That Failed, Idles - Only Happy When it Rains, Garbage - Feast of Fire, Trivium - Matrix, Tr4p0 - Leave You Far Behind, Lunatic Calm - Undercover of the Night, The Rolling Stones - Mientras Caen Lágrimas, Flemita - On A Plain, Nirvana - Bachelorette, Björk - Unravel, Björk - All is Full of Love, Björk #radio #music #música #cine #comics

It would seem that the hour (and a half or so…) is upon us.  As of the date of the release of this episode, we here at Metal Nerdery HQ 33rd Floor I.B.P. Studios (and really, EVERYONE in the greater metropolitan multiverse) will be “officially” unofficially (or “unofficially” officially) celebrating the 30th Birthday of METALLICA, METALLICA's eponymous 5th studio album affectionately known here at Metal Nerdery HQ (and EVERYWHERE throughout the world and other dimensions) as “THE BLACK ALBUM”. Go ahead and call in your to-go orders for Ron's limited edition marinated Wolf Steak*, fly your Gadsden Flag high while you “AC/DC the house”, and give your special someone a much needed, “long-distance dedication” before you JOIN US as we celebrate the album named for the band that has become one of the most powerful forces in all of Metal and the entire known universe (“…which we so proudly HAIL!”) Metal Nerdery Podcast** salutes:  METALLICA. ***   *COTLOD Blvd. location only **If we're being real, this might be Metal Nerdery Podcast's BLACK ALBUM episode…or not. ***We're all thinking it, so let's go ahead and put it out there:  This is basically Metallica's “Exciter” moment.   Visit www.metalnerdery.com/podcast for more on this episode   Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter   Email: metalnerdery@gmail.com   Show Notes:   (00:01) - #bbqwolfsteak #yeah #ooohhhyeahhh #getit? #triedrealhard #BlackAlbumMegaUltraSuperExtendedDanceClubMix #itsbeenstupid #blackalbumscratch #andbegin WELCOME BACK to #MetalNerderyHQThirtyThirdFloorInvertedUndergroundBunkerpoonStudios / One #hashbagtag to best describe #TheBlackAlbum:  #polarizing ***BRING ON THE HATEMAIL!*** THE CLASSIC SONIC METAL MAJESTY OF METALLICA'S SELF-TITLED ALBUM (AKA:  THE BLACK ALBUM) #audible #eyeroll / A band when they are “your” band vs “everyone else's” band / The “hard discussion” regarding Metallica, The Black Album, and their growth in #popularity into the next phase of their careers.  #Careersplosion (#seealso the #Hemispheres vs #PermanentWaves progression of songs with #Rush…#outDreamTheaterDreamTheater (#yeahNO) and a similar creative #trajectory with #TheMightyMetallica / #offmicburp #ADifferentMetallica (***go listen to #DrFeelgood for an understanding regarding the production value that #BobRock added.  #ThickAndThundering (Matt's middle name) #Juice #MyHonk #AlwaysRemember***) #missionaccomplished #brilliant / Thirty years on… Definitely a #puttheninetyonehaton #classicmetalalbum    (07:40) - The #Essence of a band and #tuxedometal (See also the same logic noted on our South of Heaven Dive) #onmicbeeropening / #ReinventingTheMetal #ReinventingTheMetallica / Artists are #thesoundtrackofyourlife #MarkTheTime #MarkItDude #ballsASMR #broadeninghorizons #FansAreFickleAsFuck / Metallica with groove…The explanation behind the rousing success of #tridentvibes and #theopeningtrack on #TheBlackAlbum #stadiumanthem    (13:13) - ***Realization!!  Metallica's Crazy Train #epiphany #revelations*** #anniversary ***30th release anniversary #augusttwelfthnineteenninetyone #08121991 #blackalbumreference #everyepisode except #One (note the subtle #tangentionalalityismness) ***Check out #TheBlacklist and #broadenyourhorizons (***The Zeppelin of Metal and/or/#boLth The Beatles of Metal***) #egotistical #notthatguy ***NEW METAL NERDERY PODCAST NEW SEGMENT ALERT!!! #contactus ***The BEER of The Episode-Relaxer segment #contactus #probonosofar #hail to #tacotuesday by #mondaynightbrewing #mexicanlager #notacoflavor #deliciouslyalcoholic #lager*** #streettacossounddelicious #pronunciations and #yourewelcomeforthefreeplug ***GIVE US A CALL AT 980-666-8182 IF YOU'D LIKE TO GIVE US MONEY TO DRINK YOUR BEER ON THE AIR!!!*** #yeah  #PapaJimmyYeahhh / ***MORE DETAILS regarding #TheBlacklist ***#freeplug for #thepreview***7 LPS, ***OUT SEPT. 10, 2021 #BlackAlbum2021*** #dontdenythepowerof #TheBlackAlbum and #TheMightyMetallica #thirtyyearsofmetal #HailToYou    (20:20) – August 12, 1991 (#releaseded) Fifth studio album (#thefirsttime with #BobRock) #pseudooffmicburp ***LOUDWIRE Metallica Black Album Facts (#summon the #faktczechers *** Check out the #productionquality of Motley Crue's #DrFeelgood; hence the need for the Bob Rock***/ ***You made the right call!***/ ***Personal shit has more impact*** #BobRockIsTheSandmanCore / #romanticalballad and #extremelypersonal /  #GadsdenFlag #choppedupsneakysnake #libertyordeath #classicallylegendarycore #duhrduhr #fingerupyourarsehole / MentalFloss.com 11 “Facts” about #TheBlackAlbum #derp #divorces #DrNo and The “role” of the producer #pokethebear and similar #analogies (***See also #groove #BackInBlack and the “true” influence***) #okayturnitoffnow #MetallicasBackInBlack #majorbullshit #ThankYouAndGoFuckYourself    (27:29) - Vocal Style and delivery on #TheBlackAlbum vs prior releases and some relative tangentionalality regarding Chris Isaak ***Uh oh…that sounded like the #alexooohofdiscernment***A song #influence and A great #impression of Kirk / Can you IMAGINE what #thelisteningparty for #theblackalbum must have been like!?  #waitingtobeimpressed #shittalking #impressions ***If you haven't already, check out #ayearandahalfinthelifeofmetallica…The Documentary of the Black Album and the subsequent tour…it's fucking awesome!!!***#waitingtobeimpressed #toomuch #tridentvibeswithdrawal ***The #length of the recording process for #TheBlackAlbum ***HOW MANY TIMES DID YOU SEE METALLICA ON THE BLACK ALBUM TOUR!?*** #accidental #onmicburp #wow #aneveningwith / #paraphenalia for shows #socialanxietysupportdevice  / Five singles (#wowagain #boom) #thebighits vs #thedeepcuts #perfectonmicbeeropening #redemption #introspectivelyrics (***Remember the #CDLongbox #WTF***) #paperstrawinaplasticwrappercore  #ironical #bolth #alwaysright   (35:45) - #stadiumrocktuneofthecentury #ThirtyYearsOfMetallica ENTER SANDMAN (That build and that clean sound…#totallyclean #HFS! Also…#herecomesthepyro) #incrediblebuild with a #killergroove (that's definitely #groovemetal) #timeless (definitely NOT the same snare from St. Angler) / #TentacleOvertimeTime #extragrunt #toopoppy (#notpoopy) #finesse #morepunchy (***STAY HEALTHY, SINGERS & FRONTPEOPLE***) #MyHonk ***Check out the Facebook!!!*** You've got ONE JOB!!!*** #misheardlyrics #KickstartMyHeart #BobDylan #WaitWhat #DrFeelgood #AlwaysRemember to #takecareofyourself #tangentionalalityismness    (44:18) - #onmicburpfromRussell SAD BUT TRUE #heavyasfuck #groovemetal #pregnantpause #recordscratch (***There's a reason that #doommetal is #slower, and not just because of #relaxers***) #CBLE #cantbeloudenough #fillstheroom #MarkItDude #evolutionized #bolthblessings #alsoalso ***It should have been #thehitsingle HOLIER THAN THOU #usethoseheadphones #OldSchoolMetallicaSound #subtlety in the mix #yeah #thatkillerharmonyguitarpart #heyyou #waftingturdsmell #itworked #MarkItDude #savedTheLoad #HAHAHAHAHAHAHAHAHA #MarkTheTime    (53:03) – One of the most brilliantly #poignant moments in the #pantheon of Metal:  THE UNFORGIVEN #brilliant and #classic (The #acoustical interludey things from Mr. Hetfield are always #quality) #ballbusting and #prodding / A definite #grower and a #heavysoftintro WHEREVER I MAY ROAM #asamplerofASMR #perfectlysynchronizedonmicburpASMR / #Irregardless (yes, it IS a word!) Even though Lars once called it #arenarock, I would still tell aliens to check out #TheBlackAlbum and #golisten to #metalnerderypodcast and to please #giveusacall #yeah ***GIVE US A CALL AT 980-666-8182*** #doublevocals #TheHellAwaitsDancers #thenumberonepodcast #probablynoteven #numbersix   (1:00:05) - #apropo and #patriotic sorta #victorymetalthrashcore #TchaikovskyVictoryMetal DON'T TREAD ON ME #DigThatSwing and perhaps a prime example of #earlydjent #swingmetal #SwagMetal #readthoselyrics #seealso #GadsdenFlag / Structure and format for the songs to help broaden their appeal and accessibility (Our band vs everyone else's band…it's rooted in #selfishness) #howmanycrunchyballriffs #boom #mainstreamcrunchyballriffcore #thenewcore #done #genius #everybodyshhhh #noteven #lesscomplexified (Capturing the “essence” of the artist during recording) #nomorecores “Let's AC/DC the house!!!” #BackInBlackAlbumCore #boom #gratitude #done #fucksidetwo #obviouslykiddingduhr It starts with THROUGH THE NEVER #cble / #compactdisctechnology #gfy #sidedos #killeropener #mamacassette #sixononesixonanother #ISaidIt #theextrasix #whatsadickfer #DickferMilisher #Perfect #BlackAlbumEdition #OnMicBurp #syncopated It's all about #thefingering #MarkItDude ***That #breakdown though…*** #heavyonthebitchin #verycreepingdeath    (1:10:56) - #longdistancededication NOTHING ELSE MATTERS (***#FunFact:  The video for Nothing Else Matters recently passed #ONEBILLION views on the #YouTube!!!  Take THAT, Dr. Evil!!***) #enjoythesex #lovesong #bangballad #fucktune #yourewelcome #seriously #WTF #FrostBreak #Beautiful #DownThere #Cockles #SubCockles #BottomChamber #BeastmasterCurtains / OF WOLF AND MAN (***We'll insert this as a moment of #tangentionalalityismness #HAIL TO #Pantera and #TheCowboysFromHell #MysteriousWays***) / ***Another Long-distance dedication…*** THE GOD THAT FAILED (can you hear that in the background?  #Angry and #heavy (almost has a Justice feel to it…if it had that mix #MothersFinest #moment)   (1:20:20) – Another #longdistancededication #tastyHetfieldsolo #RedemptionForJason MY FRIEND OF MISERY (#theresJasonASMR) That might be THE cleanest, clean guitar ever committed to tape / #cowbell and a word from #ChristopherWalking #inthemix #heresthatpart #waterbottleASMR (listen to all of the different #textures going on #simultaneously…as the British would say, “That's fucking BRILLIANT”.  Actually, a lot of people would say that.  #badass #JamesHetfieldSolo #MarkItDude #MarkTheTime #TriumphMetal #HeavyMetal (1:27:20) - STRUGGLE WITHIN (“Sounds like…#Freedom! And Triumph!!  #FreedomTriumph”) A summation of #eightiesmetal #delicious #LasagnaMetalCore (with extra cheese and extra sauce, please!!!) #TriumphAndPower #PowerMetal #VictoryMetal #thoseharmonies #sneakysnake ***The Transition from #Justice to #TheBlackAlbum and #stayingrelevant FOUR DECADES ON (***that's forty years if it looks more pleasing to read.  If you can't read, don't worry about it.  Or this. ***) and #thedeathofglammetal #butchersexmajiq and #thehearingimpaired / *** Imagine travelling back in time by 3 years #MarkTheTime / A “divisive” but still #muchloved #classicmetalalbum #BackInBlackAlbum (***This should go in the #timecapsule for the #Aliens***) and #VanHalen's #BackInBlack #Losers #EverySingleDay #BoneUs #Bonus #NapsterGumStash ***WE MADE IT THROUGH!!!  HAVE A HAPPY 30TH BIRTHDAY, METALLICA AND THE BLACK ALBUM, ENJOY, LISTEN, PURCHASE AND HAIL TO THE BLACK ALBUM and THE BLACKLIST***A final word from Lars #BuyOurShit #TallDenmarkian #gumapp metalnerdery.com/merch *** GIVE US A CALL AT 980-666-8182*** CHECK OUT OUR SOCIAL MEDIA OUTLETS!!  THANK YOU AND HAIL TO YOU ALL!!!  ***Please leave us a review and some ratings, accolades, or feedback, if you please…*** #AngryEmojiDude #StAngerIcon #AngryFaceDude #longdistancededication / THANK YOU ALL (AGAIN) FOR LISTENING TO US AND SUPPORTING US WITH YOUR POSITIVE FEEDBACK AND RATINGS AND DOWNLOADS!!!!  ALSO PLEASE CONTINUE SPREADING THE WORDERY ABOUT THE METAL NERDERY!!!! #freelance #probono #savedtheload #thankyougoodnight #killerpyrodude #itsallbullshit #thereisnomoon #softoutro

Whittaker Chambers tries to have a peaceful life, working a farm and becoming a high-paid and powerful editor at Time Magazine.  But his past in the Soviet underground won't go away.  Stalin's pact with Hitler impels him to inform the government about the underground.  Worse, from time to time government investigators ask him for more and more information.  Chambers tries to expose the conspiracy without ruining his own career or the friends who shared his treason.  How long can he continue threading the needle?   If you were Chambers, how would you walk the tightrope, trying to alert the government about the Soviet underground without exposing your own role in its crimes and incriminating your best friend in those years, with whom you committed those crimes? If Alger Hiss and Whittaker Chambers both witnessed an event and gave different accounts of it, which one would you be more inclined to believe?  Hiss, the public man, has the resume to die for and all The Top People vouching for him.  Chambers, the creature of the underground, has been a professional liar for years and loves to tell melodramatic tales.  But is there something too good to be true about Hiss?  Do you wonder who is the real man behind the resume?  And while no one would say that Chambers is the embodiment of moderation, he is painfully honest in many ways and he does not hide all his past sins.  Even if your first inclination would be to believe Hiss, what would make you change to put more faith in Chambers? Further Research: Episode 3:  Professor Weinstein's book and Chambers' memoir, referenced above, contain much about what Chambers called “the tranquil years.”   Re Chambers' emergence from the Communist underground, interesting memoirs are “The Autobiography of Mark Van Doren” by Mark Van Doren at 218-19 (Harcourt Brace & Co, 1958), “Navigating the Rapids 1918-1971: From the Papers of Adolf A. Berle” edited by Beatrice B. Berle & Travis B. Jacobs at 249-50 (Harcourt Brace Jovanovich 1973), and “Eyewitness to History: Memoirs and Reflections of a Foreign Correspondent for Half a Century” by Isaac Don Levine at 179-200 (Hawthorn Books 1973).  Levine was the journalist who accompanied Chambers to see Berle the day World War II began. The best books about Chambers' career at Time are “Harry & Teddy: The Turbulent Friendship of Press Lord Henry Luce and His Favorite Reporter, Theodore H. White” by Thomas Griffith (Random House 1995) and “One Man's America: A Journalist's Search for the Heart of His Country” by Henry Grunwald (Doubleday 1997).  Look in each book's index for references to Whittaker Chambers. Concerning the disillusionment with Communism by intellectuals who had been bedazzled by it, see “The God That Failed,” edited by Richard Crossman (Columbia Univ. Press 2001, first published in London in 1950), “Up From Communism: Conservative Odysseys in American Intellectual History” by John P. Diggins (Harper & Row 1975), and “A Better World: The Great Schism: Stalinism and the American Intellectuals” by William L. O'Neill (Simon & Schuster 1982) 259-368 passim.  Chambers' admirer in Columbia and later a great Comparative Literature Professor there, Lionel Trilling, wrote a novel about leftist disillusionment with radical leftism.  Originally published just before the Hiss-Chambers scandal broke, it was reissued in 1975 (around the time of President Nixon's disgrace).  “The Middle of the Journey” by Lionel Trilling (Harcourt Brace Jovanovich 1975).     A major character in the novel, Gifford Maxim, is based on Chambers and the 1975 reissue contains an introduction by Trilling that describes his long relationship with Chambers.  

  TAGS World HistoryOther Schools of ThoughtPhilosophy and MethodologyPolitical Theory Hans-Hermann Hoppe This book is a systematic treatment of the historic transformation of the West from limited monarchy to unlimited democracy. Revisionist in nature, it reaches the conclusion that monarchy, with all its failings, is a lesser evil than mass democracy, but outlines deficiencies in both as systems of guarding liberty. Narrated by Paul Strikwerda. Download audio file READ MORE

 TAGS World History Other Schools of Thought Philosophy and Methodology Political Theory Hans-Hermann Hoppe This book is a systematic treatment of the historic transformation of the West from limited monarchy to unlimited democracy. Revisionist in nature, it reaches the conclusion that monarchy, with all its failings, is a lesser evil than mass democracy, but outlines deficiencies in both as systems of guarding liberty. Narrated by Paul Strikwerda. Download audio file READ MORE

  TAGS World HistoryOther Schools of ThoughtPhilosophy and MethodologyPolitical Theory Hans-Hermann Hoppe This book is a systematic treatment of the historic transformation of the West from limited monarchy to unlimited democracy. Revisionist in nature, it reaches the conclusion that monarchy, with all its failings, is a lesser evil than mass democracy, but outlines deficiencies in both as systems of guarding liberty. Narrated by Paul Strikwerda. Download audio file READ MORE

 TAGS World HistoryOther Schools of ThoughtPhilosophy and MethodologyPolitical Theory Hans-Hermann Hoppe This book is a systematic treatment of the historic transformation of the West from limited monarchy to unlimited democracy. Revisionist in nature, it reaches the conclusion that monarchy, with all its failings, is a lesser evil than mass democracy, but outlines deficiencies in both as systems of guarding liberty. Narrated by Paul Strikwerda. Download audio file READ MORE

Discussing the parallels of modern Christianity and a failure of a god, and the horrors of war.

Find Curtis Yarvin here: https://graymirror.substack.com/ --------------------------------------------------------------------------------------------------------------------------------------------------- PDF of Democracy the God That Failed by Hans-Hermann Hoppe: https://lbry.tv/@libertariantruther:0/Hans-Hermann-Hoppe---Democracy_-The-God-that-Failed_-The-Economics-and-Politics-of-Monarchy,-Democracy,-and-Natural-Order-(2001)---libgen.lc:b--------------------------------------------------------------------------------------------------------------------------------------------------- If you find value in the content, please consider donating to my PayPal KeithKnight590@gmail.com LBRY: https://lbry.tv/@KeithKnightDontTreadOnAnyone:b

Michael Medved - The God That Failed- Communism & Socialism Then and Now

In this week's podcast episode, I discuss the various forms of government that have been tried throughout human history, ranging from absolute state rule to absolute individual rule and the various forms in between, and I talk about the ones that work and why. I also discuss why there is only one way that will actually work in the long run, and that is one that puts God front and centre, rather than the man-made god of secularism that has always and everywhere failed. Read my site, support my work, and remember to like, share, comment, and subscribe so that you never miss a new upload!

Why don't elections bring harmony and closure rather than ever greater political friction? Hans-Hermann Hoppe explained all of the fundamental problems with mass democracy more than 20 years ago in Democracy: The God That Failed. Jeff Deist finishes his series on this devastating classic with a look at Hoppe's final chapters, critiquing conservatism, liberalism, and constitutionalism. Why do both conservatism and liberalism fail? (hint: democratic mechanisms). Liberalism is property, not majority rule, and all governments tend to attack rather than defend property over time. So what is the best way forward, combining a liberal economic program with the old conservative understanding of natural order? And how do we get there? Don't miss this discussion of Hoppe's most controversial and forward-looking book. Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe]]>

Why don't elections bring harmony and closure rather than ever greater political friction? Hans-Hermann Hoppe explained all of the fundamental problems with mass democracy more than 20 years ago in Democracy: The God That Failed. Jeff Deist finishes his series on this devastating classic with a look at Hoppe's final chapters, critiquing conservatism, liberalism, and constitutionalism. Why do both conservatism and liberalism fail? (hint: democratic mechanisms). Liberalism is property, not majority rule, and all governments tend to attack rather than defend property over time. So what is the best way forward, combining a liberal economic program with the old conservative understanding of natural order? And how do we get there? Don't miss this discussion of Hoppe's most controversial and forward-looking book. Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

Why don't elections bring harmony and closure rather than ever greater political friction? Hans-Hermann Hoppe explained all of the fundamental problems with mass democracy more than 20 years ago in Democracy: The God That Failed. Jeff Deist finishes his series on this devastating classic with a look at Hoppe's final chapters, critiquing conservatism, liberalism, and constitutionalism. Why do both conservatism and liberalism fail? (hint: democratic mechanisms). Liberalism is property, not majority rule, and all governments tend to attack rather than defend property over time. So what is the best way forward, combining a liberal economic program with the old conservative understanding of natural order? And how do we get there? Don't miss this discussion of Hoppe's most controversial and forward-looking book. Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

Why don't elections bring harmony and closure rather than ever greater political friction? Hans-Hermann Hoppe explained all of the fundamental problems with mass democracy more than 20 years ago in Democracy: The God That Failed. Jeff Deist finishes his series on this devastating classic with a look at Hoppe's final chapters, critiquing conservatism, liberalism, and constitutionalism. Why do both conservatism and liberalism fail? (hint: democratic mechanisms). Liberalism is property, not majority rule, and all governments tend to attack rather than defend property over time. So what is the best way forward, combining a liberal economic program with the old conservative understanding of natural order? And how do we get there? Don't miss this discussion of Hoppe's most controversial and forward-looking book. Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

Show NotesToday I talk to Jose Galison, one of the founding members of the booming Liberty Movement Facebook group. We discuss building libertarian communities online and in the real world.LinksJoin The Liberty MovementWatch The Liberty MovementBooks Mentioned: Democracy, The God That Failed, The New Libertarian ManifestoJoin the Seed Summit November 17-20, 2020 (free!)Email Jose and the Liberty Movement at thelibertymovementglobal at gmail dot com(Note: We use affiliate links. By clicking the sponsored link(s) above, we may earn a commission at no additional cost to you when you make a purchase. Using our affiliate links is a great way to support the show, and we really appreciate it!) This is a public episode. Get access to private episodes at www.blackbirdpodcast.com/subscribe

Kinsella on Liberty Podcast, Episode 302. From The Human Action Podcast, Oct. 23, 2020, with Jeff Deist, discussing Hans-Hermann Hoppe's Democracy: The God That Failed, chapters 5-8. Transcript below. From the Mises.org shownotes: Lawyer and libertarian theorist Stephan Kinsella joins the show to discuss the middle chapters of Hoppe's Democracy, The God That Failed—in particular dealing with "desocialization" of collective property, immigration, and free trade. These are the most controversial and widely-discussed parts of the book, and Kinsella provides a fascinating analysis of property vs. wealth, the problems with public ownership and forced integration, and the concept of rule-setting for state property. And don't miss the final part of the show for his explanation of "Hoppephobia." Kinsella's article on LewRockwell.com: www.lewrockwell.com/2005/09/stephan-kinsella/a-simple-libertarian-argument/ Read Stephan Kinsella's Against Intellectual Property at Mises.org/KinsellaBook Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe Mises Institute original video: Jeff Deist and Stephan Kinsella on Hoppe's Democracy Transcript 00:00:03 JEFF DEIST: This is Jeff Deist, and you're listening to the Human Action podcast.  Hey, ladies and gentlemen, thanks so much for joining us, and welcome back once again to the Human Action podcast, a show we do every week where we are not afraid of books, even the 900-page books.  And that's really what the show is all about is working our way through what we consider important or seminal works in the broad, let's say, Austro-libertarian landscape, and then by doing so, hopefully encouraging you to read these books, to tackle these books and also helping you through them as you go. 00:00:38 So that's the goal, and as you know, we have recently started with Hans-Hoppe's Democracy: The God That Failed, and we chose this purposely because we had three weeks left until the election, so we're breaking it up into three sections.  And last week we were lucky to be joined by my friend, Jayant Bhandari, and we had a great talk about things like time preference and civilization and capital at the beginning of that book.  And in the mid part of this book where Hoppe gets into the discussion of centralization and trade and immigration, I thought there would be nobody better to invite on the show than Stephan Kinsella with whom most of you are already familiar no doubt. 00:01:19 He is a patent attorney.  He has written extensively on not just libertarian theory but I would say more narrowly libertarian legal theory, which is a bit of a different animal.  And also, of course, he's perhaps best known for his work on IP, and we will link to at least one article of his, which we shall discuss during the show.  We will link to his book, Against Intellectual Property, at the mises.org site.  If you haven't read it, and you – or maybe you don't have developed thoughts about IP in the digital age, you should read it.  You can read it easily over a weekend, and I very much encourage you to do so regardless of where you fall on that debate.  I – my personal feelings are in line with Kinsella on that topic, by the way.  So all that said, Stephan, thanks for joining. 00:02:08 STEPHAN KINSELLA: Glad to be here, Jeff. 00:02:09 JEFF DEIST: Well, I want to ask you before we get into the book, it came out in 2001.  Unfortunately, the Mises Institute doesn't own this book, wish we did.  So where were you?  What were you doing in 2001?  Where were you living?  How did you become aware of Hoppe or this book? 00:02:25 STEPHAN KINSELLA: Oh 2001.  That's a good question.  I remember that because that was the year of 9/11.  I was back in Houston.  I'm from Louisiana.  I had moved to Houston as a lawyer in 1992 and moved to Philadelphia in '94 and been there for a few years and moved back to Houston.  And I remember in 2001,

Lawyer and libertarian theorist Stephan Kinsella joins the show to discuss the middle chapters of Hoppe's Democracy, The God That Failed—in particular dealing with "desocialization" of collective property, immigration, and free trade. These are the most controversial and widely-discussed parts of the book, and Kinsella provides a fascinating analysis of property vs. wealth, the problems with public ownership and forced integration, and the concept of rule-setting for state property. And don't miss the final part of the show for his explanation of "Hoppephobia."    Kinsella's article on LewRockwell.com: "A Simple Libertarian Argument Against Unrestricted Immigration and Open Borders" Read Stephan Kinsella's Against Intellectual Property at Mises.org/KinsellaBook Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe]]>

Lawyer and libertarian theorist Stephan Kinsella joins the show to discuss the middle chapters of Hoppe's Democracy, The God That Failed—in particular dealing with "desocialization" of collective property, immigration, and free trade. These are the most controversial and widely-discussed parts of the book, and Kinsella provides a fascinating analysis of property vs. wealth, the problems with public ownership and forced integration, and the concept of rule-setting for state property. And don't miss the final part of the show for his explanation of "Hoppephobia." Kinsella's article on LewRockwell.com: "A Simple Libertarian Argument Against Unrestricted Immigration and Open Borders" Read Stephan Kinsella's Against Intellectual Property at Mises.org/KinsellaBook Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

Lawyer and libertarian theorist Stephan Kinsella joins the show to discuss the middle chapters of Hoppe's Democracy, The God That Failed—in particular dealing with "desocialization" of collective property, immigration, and free trade. These are the most controversial and widely-discussed parts of the book, and Kinsella provides a fascinating analysis of property vs. wealth, the problems with public ownership and forced integration, and the concept of rule-setting for state property. And don't miss the final part of the show for his explanation of "Hoppephobia." Kinsella's article on LewRockwell.com: "A Simple Libertarian Argument Against Unrestricted Immigration and Open Borders" Read Stephan Kinsella's Against Intellectual Property at Mises.org/KinsellaBook Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

Lawyer and libertarian theorist Stephan Kinsella joins the show to discuss the middle chapters of Hoppe's Democracy, The God That Failed—in particular dealing with "desocialization" of collective property, immigration, and free trade. These are the most controversial and widely-discussed parts of the book, and Kinsella provides a fascinating analysis of property vs. wealth, the problems with public ownership and forced integration, and the concept of rule-setting for state property. And don't miss the final part of the show for his explanation of "Hoppephobia." Kinsella's article on LewRockwell.com: "A Simple Libertarian Argument Against Unrestricted Immigration and Open Borders" Read Stephan Kinsella's Against Intellectual Property at Mises.org/KinsellaBook Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

With an ugly presidential election just three weeks away, we dive into Hans Hoppe's classic Democracy: The God That Failed to puncture some of the myths surrounding democracy and voting. Jayant Bhandari joins the show to discuss Hoppe's controversial thesis concerning monarchy and democracy, time preference and its manifestation in the two systems, the forces constraining monarchs, and the terrible incentives created for democratic rulers. This is a must-listen show for anyone interested in Hoppe's most famous work and its application to the problems western states face today.  Find more from Jayant Bhandari on his website (JayantGhandari.com) and his Twitter account (@JayantBhandari5). Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe  ]]>

With an ugly presidential election just three weeks away, we dive into Hans Hoppe's classic Democracy: The God That Failed to puncture some of the myths surrounding democracy and voting. Jayant Bhandari joins the show to discuss Hoppe's controversial thesis concerning monarchy and democracy, time preference and its manifestation in the two systems, the forces constraining monarchs, and the terrible incentives created for democratic rulers. This is a must-listen show for anyone interested in Hoppe's most famous work and its application to the problems western states face today. Find more from Jayant Bhandari on his website (JayantGhandari.com) and his Twitter account (@JayantBhandari5). Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

With an ugly presidential election just three weeks away, we dive into Hans Hoppe's classic Democracy: The God That Failed to puncture some of the myths surrounding democracy and voting. Jayant Bhandari joins the show to discuss Hoppe's controversial thesis concerning monarchy and democracy, time preference and its manifestation in the two systems, the forces constraining monarchs, and the terrible incentives created for democratic rulers. This is a must-listen show for anyone interested in Hoppe's most famous work and its application to the problems western states face today. Find more from Jayant Bhandari on his website (JayantGhandari.com) and his Twitter account (@JayantBhandari5). Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

With an ugly presidential election just three weeks away, we dive into Hans Hoppe's classic Democracy: The God That Failed to puncture some of the myths surrounding democracy and voting. Jayant Bhandari joins the show to discuss Hoppe's controversial thesis concerning monarchy and democracy, time preference and its manifestation in the two systems, the forces constraining monarchs, and the terrible incentives created for democratic rulers. This is a must-listen show for anyone interested in Hoppe's most famous work and its application to the problems western states face today. Find more from Jayant Bhandari on his website (JayantGhandari.com) and his Twitter account (@JayantBhandari5). Use the code HAPOD for a discount on Democracy: The God That Failed from our bookstore: Mises.org/BuyHoppe

00:00 NYP: Man busted for killing elderly woman claimed ‘his pants fell' before alleged sex assault 02:00 Jeffrey Epstein victim Maria Farmer speaks to Renegade podcast, https://www.youtube.com/watch?time_continue=5511&v=MGtDj8drWvE&feature=emb_title, https://www.nytimes.com/2019/07/09/business/media/vicky-ward-jeffrey-epstein-vanity-fair.html 16:00 Sex in the Archives: The Politics of Processing and Preserving Pornography in the Digital Age, https://americanarchivist.org/doi/full/10.17723/0360-9081-80.2.439 30:30 Why won't people intentionally create and distribute more of these viruses in the future? Tom Clancy novel, Executive Orders (1995) 35:00 Why did Carl Schmitt become a nazi? 44:00 Germany embraces capitalism after 1870 50:00 Carl Schmitt: Katechon, https://criticallegalthinking.com/2018/07/03/carl-schmitt-katechon/, https://en.wikipedia.org/wiki/Katechon 1:09:00 Aurini Founded The Dissident Right and Will Return to Lead It, https://www.youtube.com/watch?v=Krc7oYkjphM 1:16:00 Andy Nowicki: In defense of Millennial Woes, https://www.youtube.com/watch?v=Jjkn2FY4Qc8 1:51:00 When Colin Liddell met MW, https://www.youtube.com/watch?v=WhGO5fnBFPI 1:56:00 Jerry Muller: Capitalism and the Jews, https://www.youtube.com/watch?v=OJbo-ktKuSI 3:04:20 Bill Maher on corona hysteria, https://www.youtube.com/watch?v=28I5WyLp15o 5:03:00 Peter Schiff's Stand-Up Comedy at NY's Funniest Reporter Show, https://www.youtube.com/watch?v=ne__pTRAenc 5:08:40 "Bridge Over Troubled Water" Performed by the Sherwood High School Music Department, https://www.youtube.com/watch?v=N-hmtmPNWGI 5:12:00 Different version of same song, https://www.youtube.com/watch?v=0MnxZ7h9Kao https://www.thegreatcourses.com/professors/jerry-z-muller/ https://www.amazon.com/Other-God-that-Failed-Deradicalization/dp/069100823X https://en.wikipedia.org/wiki/Hans_Freyer https://www.jstor.org/stable/26213914?seq=1 https://link.springer.com/chapter/10.1007%2F978-3-642-59095-5_8 https://history.catholic.edu/faculty-and-research/faculty-profiles/muller-jerry/index.html https://twitter.com/jerryzmuller Listener Call In #: 1-310-997-4596 Bitchute: https://www.bitchute.com/channel/lukeford/ Soundcloud MP3s: https://soundcloud.com/luke-ford-666431593 Code of Conduct: https://lukeford.net/blog/?p=125692 https://www.patreon.com/lukeford http://lukeford.net Email me: lukeisback@gmail.com or DM me on Twitter.com/lukeford Support the show | https://www.streamlabs.com/lukeford, https://patreon.com/lukeford, https://PayPal.Me/lukeisback Facebook: http://facebook.com/lukecford Feel free to clip my videos. It's nice when you link back to the original.

https://www.amazon.com/Other-God-that-Failed-Deradicalization/dp/069100823X https://en.wikipedia.org/wiki/Hans_Freyer https://www.jstor.org/stable/26213914?seq=1 https://link.springer.com/chapter/10.1007%2F978-3-642-59095-5_8 https://history.catholic.edu/faculty-and-research/faculty-profiles/muller-jerry/index.html https://twitter.com/jerryzmuller Listener Call In #: 1-310-997-4596 Bitchute: https://www.bitchute.com/channel/lukeford/ Soundcloud MP3s: https://soundcloud.com/luke-ford-666431593 Code of Conduct: https://lukeford.net/blog/?p=125692 https://www.patreon.com/lukeford http://lukeford.net Email me: lukeisback@gmail.com or DM me on Twitter.com/lukeford Support the show | https://www.streamlabs.com/lukeford, https://patreon.com/lukeford, https://PayPal.Me/lukeisback Facebook: http://facebook.com/lukecford Feel free to clip my videos. It's nice when you link back to the original.

https://www.amazon.com/Other-God-that-Failed-Deradicalization/dp/069100823X https://en.wikipedia.org/wiki/Hans_Freyer https://www.jstor.org/stable/26213914?seq=1 https://link.springer.com/chapter/10.1007%2F978-3-642-59095-5_8 https://history.catholic.edu/faculty-and-research/faculty-profiles/muller-jerry/index.html https://twitter.com/jerryzmuller Listener Call In #: 1-310-997-4596 Bitchute: https://www.bitchute.com/channel/lukeford/ Soundcloud MP3s: https://soundcloud.com/luke-ford-666431593 Code of Conduct: https://lukeford.net/blog/?p=125692 https://www.patreon.com/lukeford http://lukeford.net Email me: lukeisback@gmail.com or DM me on Twitter.com/lukeford Support the show | https://www.streamlabs.com/lukeford, https://patreon.com/lukeford, https://PayPal.Me/lukeisback Facebook: http://facebook.com/lukecford Feel free to clip my videos. It's nice when you link back to the original.

On Holy Saturday, the Rev. Nick Lannon preaches a sermon about life in "the between time." Yesterday, Jesus died. Tomorrow, he said he'd rise again. What does that mean for us today?

Buck sounds off on the left's push for globalization. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comFollow Clay & Buck on YouTube: https://www.youtube.com/c/clayandbuckSee omnystudio.com/listener for privacy information.