Podcasts about Pigafetta

O primeiro ciclo econômico do nosso país deu o tom para como as relações entre europeus e indígenas se dariam nos séculos seguintes. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o que foi o processo de exploração do Pau-Brasil.-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal no YouTube, e assista o História em Dez Minutos!https://www.youtube.com/@profvitorsoaresOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja!www.lolja.com.br/creators/historia-em-meia-hora/PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- MICELI, Paulo. História Moderna. São Paulo: Editora Contexto, 2023- PIGAFETTA, Antonio. A primeira viagem ao redor do mundo: o diário da expedição de Fernão de Magalhães. Porto Alegre: L&PM, 1985.- SILVA, Luiz Geraldo. A Faina, a Festa e o Rito: Uma etnografia histórica sobre as gentes do mar (séculos XVII ao XIX). Campinas: Papirus, 2001.

“Enséñanos a contar bien nuestros días, para que nuestra mente alcance sabiduría” (Sal. 90:12)El enigma de Pigafetta ~ Devocional de Jóvenes ~ 28 de marzo 2025 ~ AD7Devocional----------------------------Code: OSUY5RQNLQ7E9FTGBUSCA en Facebook el texto de la matutina:http://www.facebook.com/AD7Devocional/SIGUE en Instagram el post de la matutina y el versículo diario:http://www.instagram.com/AD7Devocional/VISITA nuestra pagina de internet:http://www.ad7devocional.comSUSCRIBE a YouTube, comparte y ve nuestros videos:http://www.youtube.com/AD7DevocionalESCUCHA a traves de Spotify:https://open.spotify.com/show/4VfzQUU2omzsrqITRsL6AhAutor: Jorge L. Rodriguez (Rodriguez, Jorge L.)Titulo: Hoy es Tendencia - Seguir a Jesús nunca pasa de moda(Lecturas devocionales para jóvenes) (Spanish Edition). IADPA. Matutina Para JóvenesDevoción Matutina Para JóvenesGracias a Ti por escucharnos, un abrazo AD7… Hasta la próxima!

====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1==================================================== DEVOCIÓN MATUTINA PARA JÓVENES 2025“HOY ES TENDENCIA”Narrado por: Daniel RamosDesde: Connecticut, USAUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church===================|| www.drministries.org ||===================28 de MarzoEl enigma de Pigafetta«Enséñanos a contar bien nuestros días, para que nuestra mente alcance sabiduría». Salmos 90: 12Cada vez que mi hermano Louis me visita, puedo ver de cerca los efectos del jet lag o desfase horario. Este fenómeno no es más que el impacto que experimenta el cuerpo humano debido al «cambio de hora» que se produce al realizar viajes largos.Mi hermano, por ejemplo, vive en Japón, a trece o catorce horas de diferencia de Miami. Cuando él llega puedo ver cómo duerme de día y se desvela por las noches, siempre está cansado y con dolor de cabeza. Aunque los aviones han incrementado y «popularizado» él desface horario en las últimas décadas, la primera vez que alguien lo experimentó fue hace más de cinco siglos.En 1522, cuando regresó a España la Expedición de Magallanes, los marineros se llevaron una gran sorpresa al darse cuenta de que «les faltaba un día». Entre ellos estaba Antonio Pigafetta, cronista de la expedición y que había llevado un cuidadoso diario consignando los pormenores del viaje. Para su sorpresa, al desembarcar se encontró con que la fecha de su diario y la de España no coincidían. En España era el sábado 8 de septiembre, pero en su diario era el viernes 7 de septiembre.*Finalmente, fueron los astrónomos de la corte papal quienes aclararon el fenómeno. Explicaron que al viajar alrededor de la Tierra hacia el oeste, se “pierde” un día, y de manera inversa, si se circunnavegara la Tierra hacia el este, se “ganaría” un día. Durante la expedición, nadie pudo percatarse de este cambio porque se iban retrasando solo unos pocos segundos cada día.De la misma manera, hay en nuestra vida hábitos, actitudes y compañías que tienen el efecto jet lag. En algunos casos nos hacen «ganar» tiempo, pero en otros casos, nos hacen «perder» el tiempo.Así como Pigafetta, no nos damos cuenta de cuándo estamos «ganando» o «perdiendo» el tiempo; porque, al igual que los marineros de la expedición, todo ocurre unos pocos segundos a la vez. Piensa en las redes sociales o el tiempo que le dedicas a la lectura o al estudio. Cuando nos damos cuenta, ya hemos perdido valiosos meses, o incluso años.Pigafetta y los marineros solo perdieron un día, en la actualidad el riesgo es mucho mayor. Convendría que dedicaras unos minutos a evaluar tranquilamente tu vida y, con la ayuda de Dios, procurar contar cuidadosamente los momentos de tu vida, tal y como lo sugiere David en el versículo de hoy. 

Fecha: 28-03-2025 Título: El enigma de Pigafetta Autor: Jorge L. Rodríguez Locución: Yali Guzmán http://evangelike.com/devocionales-cristianos-para-jovenes/

Fecha de Grabación: Martes 3 de diciembre de 2024. Algunos temas comentados: ¿Puede un mal artista disuadirte de leer una historia? Dibujantes caídos de gracia ¿hartazgo o involución? El impacto (o carencia de) que ha tenido el MCU en los cómics Tank Girl, su peculiar estética y su adaptación a la pantalla Algunos de los mejores cómics publicados en el siglo XXI ¡...y mucho más! Comentario de series: Star Wars: Skeleton Crew, serie de ciencia ficción y aventuras creada por Jon Watts y Christopher Ford. Con las actuaciones de Jude Law, Ravi Cabot-Conyers, Ryan Kiera Armstrong, Kyriana Kratter, Robert Timothy Smith, Tunde Adebimpe, Kerry Condon y Nick Frost. (Lucasfilm/Disney+) Comentario de cómics: Pigafetta, el cronista de Magallanes, novela gráfica escrita por Francisco Greene y con arte de Cristián Montes. (Arcano IV) Pueden escuchar el podcast en uno de estos reproductores: Descarga directa MP3 (Botón derecho del mouse y "guardar enlace como"). Peso: 91.8 MB; Calidad: 128 Kbps. El episodio tiene una duración de 1:36:49 y la canción de cierre es "Different Devil" de Chickenfoot. Además de usar nuestras redes sociales (Twitter, Bluesky, Facebook, Instagram), también puedes interactuar con nosotros en nuestro servidor de Discord, donde una pequeña comunidad comparte recomendaciones, arte, ofertas, memes y más, y la conversación gira alrededor de muchos temas además de los cómics. ¡Únete a nuestro servidor en Discord! También tenemos una página en Patreon. Cada episodio se publica ahí entre 24 y 72 horas antes que en otros canales, y hay un especial mensual exclusivo para suscriptores de esa plataforma, con contenido adicional exclusivo a partir de cierto nivel de aporte. Puedes ser uno de nuestros patreoncinadores™ aportando desde 1 dólar, ya sea cada mes y por el tiempo que decidas, o como aporte de una sola vez. También puedes encontrar nuestro podcast en los siguientes agregadores y servicios especializados: Comicverso en Spotify Comicverso en iVoox Comicverso en Apple Podcasts Comicverso en Amazon Music Comicverso en Archive.org Comicverso en I Heart Radio Comicverso en Overcast.fm Comicverso en Pocket Casts Comicverso en RadioPublic Comicverso en CastBox.fm ¿Usas alguna app o servicio que no tiene disponible el podcast de Comicverso? En la parte alta de la barra lateral está el feed del podcast, el cual puedes agregar al servicio de tu preferencia si éste ofrece la opción. Nos interesa conocer tus críticas y opiniones para seguir mejorando. Si te gusta nuestro trabajo, por favor comparte el enlace a esta entrada o a nuestro perfil en el servicio de tu preferencia, cuéntale a tus amigos sobre el podcast, y recomiéndalo a quien creas que le pueda interesar. Deja tus comentarios o escríbenos directamente a comicverso@gmail.com

A trilha de Piratas do Caribe ao fundo e os oceanos na frente! Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o que foi a expansão marítima, também conhecida como Grandes Navegações. - Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahora Compre o livro "História em Meia Hora - Grandes Civilizações"! https://www.loja.literatour.com.br/produto/pre-venda-livro-historia-em-meia-hora-grandes-civilizacoesversao-capa-dura/ Compre meu primeiro livro-jogo de história do Brasil "O Porão": https://amzn.to/4a4HCO8 Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja! www.lolja.com.br/creators/historia-em-meia-hora/ PIX e contato: historiaemmeiahora@gmail.com Apresentação: Prof. Vítor Soares. Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre) REFERÊNCIAS USADAS: - MICELI, Paulo. História Moderna. São Paulo: Editora Contexto, 2023 - PIGAFETTA, Antonio. A primeira viagem ao redor do mundo: o diário da expedição de Fernão de Magalhães. Porto Alegre: L&PM, 1985. - SILVA, Luiz Geraldo. A Faina, a Festa e o Rito: Uma etnografia histórica sobre as gentes do mar (séculos XVII ao XIX). Campinas: Papirus, 2001. - Apoio ao roteiro: prof. João Vitor (@joaovitorferreirabr)

Long lost treasure, trust issues, and uncharted waters. In the 100th episode of the Mummy Movie Podcast, we delve into the videogame adaption, Uncharted, staring Tom Holland, Sophia Taylor Ali, and Mark Wahlberg. Patreon: https://www.patreon.com/MummyMoviePodcast Email: mummymoviepodcast@gmail.com BibliographyAgoncillo, T. A. (2006). Introduction to Filipino history. Garotech Publishing  Angeles, J. A. (2007). The battle of Mactan and the indigenous discourse on war. Philippine Studies, 55(1), 3-52. Field, R. J. (2006). Revisiting Magellan's voyage to the Philippines. Philippine quarterly of culture and society, 34(4), 313-337. IMDB. (2023). SUncharted 2022. Retrieved from https://www.imdb.com/?ref_=nv_home Pigafetta, A. (2007). The first voyage around the world, 1519-1522: an account of Magellan's expedition. University of Toronto Press. Pigafetta, A. (2012). Magellan's voyage: a narrative account of the first circumnavigation. Courier Corporation. Verma, H. (2016). History of the World in Maps: The Rise and Fall of Empires, Countries, and Cities. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

gigantes al sur del mundo y mas

El primero que dejó constancia escrita de su existencia fue el italiano Antonio Pigafetta, noble de cuna, geógrafo, aventurero y miembro de la expedición de Magallanes que dio la vuelta al mundo entre 1519 y 1522. En sus escritos, Pigafetta se refiere a una 'nube de niebla' en los cielos nocturnos del hemisferio sur. Hoy conocemos esa región como 'Nubes de Magallanes' y sabemos que se trata de dos pequeñas galaxias satélites de nuestra Vía Láctea. ¿Pero es realmente así?

Este fragmento del relato de la primera circunnavegación del planeta nos ubica en el momento dónde el hombre más culto de una expedición de 267 hombres en el 1521, se refiere a la muerte del capitán de la expedición. Sus palabras precisas, dejan ver el significado de su deceso y la importancia para la expedición del hombre recientemente muerto en Mactán. En este mismo canal podrán encontrar la historia del la primera circunnavegación del planeta, que contiene este y cientos de relatos más. Conocer la historia nos permite saber de dónde venimos y hacia dónde vamos. Antonio Pigafetta es quién escribe la bitácora de uno de los viajes más increíbles de la humanidad. La primera vuelta al mundo en barco. Aquí historia completa: https://open.spotify.com/episode/4mqBmiSrM1rnu2sa4VDLTR?si=u_ZBJ9VKTsubLOOE9C30Sg Más sobre el autor: Juanjo Vargas.

José Manuel Garcia doutorou-se em História pela Universidade do Porto. Pertence à Academia Portuguesa da História e à Academia de Marinha, sendo presentemente investigador no Gabinete de Estudos Olisiponenses da Câmara Municipal de Lisboa. Investiga sobretudo sobre temas de História de Portugal e dos Descobrimentos, tendo publicado livros sobre o infante D. Henrique, Cristóvão Colombo, D. João II, D. Manuel, Vasco da Gama, Pedro Álvares Cabral, Afonso de Albuquerque — e ainda o livro Fernão de Magalhães - a história do primeiro homem a abraçar o mundo, que foi o pretexto para este episódio. Foi também Único português a participar no melhor documentário sobre o tema, «A Odisseia de Fernão de Magalhães» (cujo título roubei para este episódio), uma grande produção da televisão francesa difundida em vários países.  -> Apoie este podcast e faça parte da comunidade de mecenas do 45 Graus em: 45grauspodcast.com -> Registe-se aqui para ser avisado(a) de futuras edições dos workshops. _______________ Índice (com timestamps): (1:49) Início da INTRODUÇÃO ao episódio  (8:02) INÍCIO do episódio. Quem era Fernão de Magalhães? (15:07) De onde veio a ideia da viagem? | Francisco Serrão | Rui Faleiro | Paolo Toscanelli | João de Lisboa  (32:13) Havia mesmo um anti-lusitanismo na oposição dos nobres espanhóis a Magalhães? | Juan de Cartagena, Bispo Juan Rodríguez de Fonseca (47:49) A passagem do estreito de Magalhães. | O mapa que Magalhães usou. | António Pigafetta  (1:02:38) Porque eram tão importantes as especiarias? (1:07:10) Foi uma proeza ter conseguido passar o estreito à 1ª tentativa? (1:10:43) A 2ª fase da viagem: como foi o processo de decisão de avançar e atravessar o Oceano Pacífico? (1:12:52) Como era a personalidade de Magalhães? (1:22:44) Chegada às Filipinas e a estranha morte de Magalhães (1:32:28) A 3ª e última fase da viagem. | O pós-morte de Magalhães. A traição. A separação da armada em duas. | A chegada de Elcano  Livro recomendado: Damião Peres - A História dos Descobrimentos _______________ Como sabem, o 45 Graus é para mim, em grande medida, um pretexto para aprender mais sobre temas que me interessam. E há um tema da nossa História — e, mais importante, da História Mundial — que já há muito tinha vontade de explorar melhor: a viagem de circunavegação de Fernão de Magalhães.  Todos nós aprendemos os factos básicos na escola: que Magalhães foi a primeira pessoa a dar a volta ao Mundo, e assim ficar a conhecer a verdadeira extensão da Terra, e, de caminho, a perceber que o Mundo é muito mais água do que terra. Mas quando começamos a escavar o tema, percebemos que há nesta história muito mais do que esses factos.  Para além de dar a volta ao Mundo, a armada liderada por Magalhães conseguiu a proeza de passar à primeira o estreito que contorna o sul da América (hoje ‘Estreito de Magalhães'), um estreito desconhecido, labiríntico e cheio de correntes traiçoeiras. É argumentável dizer que foi um feito maior do que a ida à Lua. Basta pensar que o equivalente do lado norte do continente americano, a chamada Passagem do Noroeste, no Canadá, só foi atravessada no início do século XX! Além disso, aqueles marinheiros foram também os primeiros europeus a atravessar o oceano Pacífico, um oceano desconhecido até então. Por isso, é fácil de adivinhar que a ideia de Magalhães que deu origem à viagem -- chegar às ilhas Molucas, hoje na Indonésia, pelo Ocidente -- foi vista por muitos, à época como inusitada e lunática.  Só isto já tem os ingredientes de uma grande história. Mas há também os contornos políticos em torno da viagem. O facto de Magalhães ter ido propor o projecto aos reis de Castela causou escândalo e foi visto por muitos em Portugal como traição. Ao mesmo tempo, muitos em Espanha viam-no como um agente duplo, na verdade ao serviço da coroa portuguesa.  E depois há os detalhes da viagem em si, recheada de grandes façanhas, mas também de obstáculos, privações, violência, motins, traições e mesmo aspectos bizarros -- tudo condimentado pela personalidade ‘larger than life' de Magalhães, um homem visionário e determinado, mas também autoritário e com tiques de loucura, disposto a tudo para conseguir o objectivo. Tudo isto está, portanto, mesmo a pedir ser transformado num filme — ou numa série de televisão, como fez a Amazon que lançou no ano passado a série Sem Limites, com Rodrigo Santoro no papel de Magalhães (com um sotaque português irrepreensível!). Mas, mais do que isso, tudo isto está mesmo a pedir… um episódio do 45 Graus. Foi por isso que decidi convidar uma das pessoas que mais sabem sobre a viagem de Fernão de Magalhães. Durante a nossa conversa, percorremos vários aspectos da viagem, desde o contexto às várias etapas, e fui perguntando ao convidado várias dúvidas que me surgiram ao ler o seu livro e ver o documentário. Espero que gostem. ______________ Obrigado aos mecenas do podcast: Francisco Hermenegildo, Ricardo Evangelista, Henrique Pais João Baltazar, Salvador Cunha, Abilio Silva, Tiago Leite, Carlos Martins, Galaró family, Corto Lemos, Miguel Marques, Nuno Costa, Nuno e Ana, João Ribeiro, Helder Miranda, Pedro Lima Ferreira, Cesar Carpinteiro, Luis Fernambuco, Fernando Nunes, Manuel Canelas, Tiago Gonçalves, Carlos Pires, João Domingues, Hélio Bragança da Silva, Sandra Ferreira , Paulo Encarnação , BFDC, António Mexia Santos, Luís Guido, Bruno Heleno Tomás Costa, João Saro, Daniel Correia, Rita Mateus, António Padilha, Tiago Queiroz, Carmen Camacho, João Nelas, Francisco Fonseca, Rafael Santos, Andreia Esteves, Ana Teresa Mota, ARUNE BHURALAL, Mário Lourenço, RB, Maria Pimentel, Luis, Geoffrey Marcelino, Alberto Alcalde, António Rocha Pinto, Ruben de Bragança, João Vieira dos Santos, David Teixeira Alves, Armindo Martins , Carlos Nobre, Bernardo Vidal Pimentel, António Oliveira, Paulo Barros, Nuno Brites, Lígia Violas, Tiago Sequeira, Zé da Radio, João Morais, André Gamito, Diogo Costa, Pedro Ribeiro, Bernardo Cortez Vasco Sá Pinto, David , Tiago Pires, Mafalda Pratas, Joana Margarida Alves Martins, Luis Marques, João Raimundo, Francisco Arantes, Mariana Barosa, Nuno Gonçalves, Pedro Rebelo, Miguel Palhas, Ricardo Duarte, Duarte , Tomás Félix, Vasco Lima, Francisco Vasconcelos, Telmo , José Oliveira Pratas, Jose Pedroso, João Diogo Silva, Joao Diogo, José Proença, João Crispim, João Pinho , Afonso Martins, Robertt Valente, João Barbosa, Renato Mendes, Maria Francisca Couto, Antonio Albuquerque, Ana Sousa Amorim, Francisco Santos, Lara Luís, Manuel Martins, Macaco Quitado, Paulo Ferreira, Diogo Rombo, Francisco Manuel Reis, Bruno Lamas, Daniel Almeida, Patrícia Esquível , Diogo Silva, Luis Gomes, Cesar Correia, Cristiano Tavares, Pedro Gaspar, Gil Batista Marinho, Maria Oliveira, João Pereira, Rui Vilao, João Ferreira, Wedge, José Losa, Hélder Moreira, André Abrantes, Henrique Vieira, João Farinha, Manuel Botelho da Silva, João Diamantino, Ana Rita Laureano, Pedro L, Nuno Malvar, Joel, Rui Antunes7, Tomás Saraiva, Cloé Leal de Magalhães, Joao Barbosa, paulo matos, Fábio Monteiro, Tiago Stock, Beatriz Bagulho, Pedro Bravo, Antonio Loureiro, Hugo Ramos, Inês Inocêncio, Telmo Gomes, Sérgio Nunes, Tiago Pedroso, Teresa Pimentel, Rita Noronha, miguel farracho, José Fangueiro, Zé, Margarida Correia-Neves, Bruno Pinto Vitorino, João Lopes, Joana Pereirinha, Gonçalo Baptista, Dario Rodrigues, tati lima, Pedro On The Road, Catarina Fonseca, JC Pacheco, Sofia Ferreira, Inês Ribeiro, Miguel Jacinto, Tiago Agostinho, Margarida Costa Almeida, Helena Pinheiro, Rui Martins, Fábio Videira Santos, Tomás Lucena, João Freitas, Ricardo Sousa, RJ, Francisco Seabra Guimarães, Carlos Branco, David Palhota, Carlos Castro, Alexandre Alves, Cláudia Gomes Batista, Ana Leal, Ricardo Trindade, Luís Machado, Andrzej Stuart-Thompson, Diego Goulart, Filipa Portela, Paulo Rafael, Paloma Nunes, Marta Mendonca, Teresa Painho, Duarte Cameirão, Rodrigo Silva, José Alberto Gomes, Joao Gama, Cristina Loureiro, Tiago Gama, Tiago Rodrigues, Miguel Duarte, Ana Cantanhede, Artur Castro Freire, Rui Passos Rocha, Pedro Costa Antunes, Sofia Almeida, Ricardo Andrade Guimarães, Daniel Pais, Miguel Bastos, Luís Santos _______________ Esta conversa foi editada por: Hugo Oliveira _______________ Bio: José Manuel Garcia doutorou-se em História pela Universidade do Porto. De entre as suas atividades destacam-se as que manteve na Comissão Nacional para as Comemorações dos Descobrimentos Portugueses e na Fundação Calouste Gulbenkian, além de ter colaborado com universidades portuguesas e estrangeiras. Pertence à Academia Portuguesa da História e à Academia de Marinha, sendo presentemente investigador no Gabinete de Estudos Olisiponenses da Câmara Municipal de Lisboa. Participou na organização de numerosas exposições e congressos; na edição de catálogos e atas; proferiu inúmeras conferências; publicou abundante bibliografia sobre temas de História de Portugal e dos Descobrimentos, em que se contam nomeadamente livros sobre o infante D. Henrique, Cristóvão Colombo, D. João II, D. Manuel, Vasco da Gama, Pedro Álvares Cabral, Fernão de Magalhães, Afonso de Albuquerque, Fernão Mendes Pinto, o Tratado de Tordesilhas, cartografia, fortalezas no Oriente, forais manuelinos e Lisboa.  

Si agita anche la politica vicentina attorno alla riconferma di Christian Greco quale direttore del Museo Egizio di Torino. Per l'egittologo nato proprio ad Arzignano 48 anni, una situazione non nuova dopo che nel 2018 fu l'attuale premier Giorgia Meloni a scontrarsi con lui. Stavolta invece a puntare il dito rinfocolando la polemica contro il professore che fu studente del liceo Pigafetta, l'assessore regionale al welfare del Piemonte, Maurizio Marrone, in quota FdI oltre a vari esponenti del Carroccio.

Antonio Pigafetta, marin et chroniqueur italien du XVIe siècle, participe au premier voyage autour du monde sous les ordres de Magellan. Son récit nous plonge dans une aventure extraordinaire riche de péripéties et de découvertes… En ce mois d'octobre 1520, Magellan est convaincu d'être sur la bonne route, mais tout l'équipage commence à douter… Extrait du livre "Premier voyage autour du monde sur l'escadre de Magellan" par le Chevalier Antonio Pigafetta Traduit par Christoph Gottlieb von Murr, édité en 1800 et 1801 par H.J Jansen Imprimeur-Libraire à Paris Lecture par Paul Bouffartigue Source gallica.bnf.fr / Bibliothèque nationale de France « Pour que Nature vive » est un podcast produit par le Muséum national d'Histoire naturelle et Création Collective, avec le soutien du Crédit Agricole et de la Financière de l'Echiquier. Série Spéciale Océan Gardien des équilibres de la planète et riche d'une incroyable biodiversité, l'océan est captivant mais menacé. Cette saison 5 nous invite à mieux comprendre l'océan pour mieux le préserver. Embarquez pour une odyssée inédite avec les scientifiques du Muséum et à travers une sélection de récits d'aventure. Découvrez un épisode scientifique chaque semaine et un récit maritime toutes les 2 semaines… Remerciements pour leur participation dans le choix des textes littéraires à l'équipe de la Bibliothèque centrale du Muséum : Alice Lemaire, Mathilde Lorit-Regnaud, Claire Le Borgne et à Emilie Mariat-Roy, anthropologue et correspondante pour la Bibliothèque d'anthropologie maritime du Muséum - Réalisation par Enky Wave - Conception et Production par Eric Le Ray - Enregistrements au studio l'Arrière Boutique - Générique avec la collaboration d'Audio Network France - Musiques de l'épisode avec la collaboration de BMG Production Music France. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This chapter speaks of betrayal on betrayal on betrayal. Oh the ways man betrays man. So, now we know Magellan was killed at the battle of Mactan by the hand of Cilapulapu. Whose running the ships and crew, now? According to Pigafetta, the men elected 2 commanders, Magellan's Portuguese brother-in-law, Duarte Barbosa & Joao Serrao. Both men had ties to Magellan, and we read that even if they did not like Magellan, both commanders respected him. Which leads us to our second point of noting that Magellan was widely disliked by his own people, which has been debatable if his demise was caused by not being liked or supported by crew members. For example, Ate Judy brings up Enrique, the translator slave Magellan had captured years ago - where was he during the battle and where/when he met his own demise as well? Either way, the narrative continues to portray how upon post-Magellan's death, both commanders accepted an invitation from Rajah Humabon to come to shore to retrieve jewels for the King of Spain and dine with them. Listen in to find out what happened when they came to shore and if Magellan's crew ever found the Spice Islands like they originally set out to do. Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 ____________________________________________________ Time Stamps: Grounding Prayer & Opening @ 1:07 Bruha Tings! @ 3:30 BROWN GIRL CLIFF NOTES / Chapter Overview @ 8:19 Vocabulary Words @ 12:33 Quotes @ 19:15 Closing Prayer @ 29:43

This chapter felt like a whole lotta he said/she said/”and so they say”… Ate Judy walks us through a metaphorical “big fish” break down of the known and yet not-as-known (yet), legendary, Mactan chief who conquered Magellan in the battle of Cebu, Cilapulapu. Citing our frequent historian, Pigafetta's words with Philippine Daily Inquirer, Ambeth Ocampo; and Daniel Gerona; along with with Resil B. Mojares, a Cebu historian and scholar who wrote the Philippine Quarterly of Culture and Society and Lapu Lapu: The Conqueror of Magellan, whose work builds off the previous finds of another celebrated Filipino historian, Heidi K. Gloria. From “loanword” evolutions, Mojares and Gloria's historical research and analyses take us on a comparison ride to consider the level of authority and power Chief Cilapulapu had. Tune in with us as we talk about the story of Chief Cilapulapu's father, Datu Mangal and his quarrel with Captain Silyo that led to Chief Cilapupu's acquisition of a debatable magical alho weapon from a biyanti tree (coconut tree?), and how this weapon became the final lance that pierced Magellan before his fall. We can truly consider how much hearsay is occurring in modern day to connect the dots of our rich pre-colonial Philippines history, allegedly only passed down predominantly via oral folklore, with a couple of daring historian writers sprinkled in through the test of time and rediscovery. Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 ____________________________________________________ Time Stamps: Grounding Prayer & Opening @ 1:07 Bruha Tings! @ 3:03 BROWN GIRL CLIFF NOTES / Chapter Overview @ 8:43 Vocabulary Words @ 12:21 Quotes @ 23:23 Closing Prayer @ 35:25

Let's do a little recap on our journey with Magellan so far… First there was the Arrival. Then the Friendship. Next came the Conversion. And today… Today we talk about the BATTLE. Enter stage right: “Cilapulapu”, who we know to as simply “Lapu Lapu” today. Cilapulapu was a chief of Mactan, which was a nearby island to Cebu, where we last left Magellan. Lapu Lapu “refused to obey the King of Spain”. And after so many tributes and conversions, it seems like the next thing Magellan wanted to do was show off his military power, and Cilapulapu's challenge seemed like the perfect opportunity… but only to Magellan. It seems, that this was not well received by his crew and even Pigafetta begged Magellan not to go into battle with Cilapulapu. Then commences one of the most famous battles in Philippine history. Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 ____________________________________________________ Time Stamps: Grounding Prayer & Opening @ 1:07 Bruha Tings! @ 3:10 BROWN GIRL CLIFF NOTES / Chapter Overview @ 9:52 Vocabulary Words @ 13:02 Quotes @ 26:12 Closing Prayer @ 44:56

Unser heutiger Gast, Felicitas Hoppe, ist 1960 im niedersächsischen Hameln geboren und von dort aus in die Welt hinausgezogen. Sie studierte unter anderem in Tübingen, Oregon, Berlin und Rom, unterrichtete Deutsch als Fremdsprache und arbeitete journalistisch. Immer aber – von Hameler Kindheitstagen an – schrieb und schreibt sie literarische Texte. Seit dem Erscheinen ihres ersten Buches, Picknick der Friseure 1996, lebt Felicitas Hoppe als freie Schriftstellerin in Berlin. Sie ist vielfach mit Preisen ausgezeichnet worden – auf den „Aspekte“-Literaturpreis des ZDF für ihren Debütband folgten u. a. der Rauriser Literaturpreis, der Brüder-Grimm-Preis der Stadt Hanau und 2012 der wohl renommierteste deutsche Literaturpreis, der Georg-Büchner-Preis. Die Liste ist lang, ebenso lang auch die der Poetikdozenturen, die sie von New Hampshire über Innsbruck, New York, Augsburg, Göttingen, Washington D. C. und Hamburg bis nach Shanghai führten. Felicitas Hoppe – zu deren literarischen Arbeiten neben bisher sechs Romanen und zahlreichen Erzählungsbänden, Berichten und Essays auch Kinderbücher gehören – ist auch abseits von Lesereisen viel unterwegs, zu ihren Stationen zählten u. a. Japan, die USA, die Ukraine, Indonesien und Südkorea. 1997 reiste sie auf einem Containerfrachtschiff um die Welt, Eindrücke dieser Reise sind in den Roman Pigafetta (1999) eingeflossen. Zuletzt erschien 2021 ihr Roman Die Nibelungen. Ein deutscher Stummfilm in dem sie das Heldenepos neu erzählt. Veronika und Irene haben sie im Sommer in Berlin getroffen. Wir haben über Kinderliteratur als Königsdisziplin gesprochen, über Märchen und darüber, wie Felicitas Hoppe in ihrer Lieblingsfigur Pinocchio Trost findet, über den Literaturbetrieb, wie sich ihr Schreiben im Lauf der Jahre verändert hat und vieles, vieles mehr. Der Autorin danken wir ganz herzlich für das Gespräch – und Euch wünschen wir viel Spaß beim Zuhören! Die im Gespräch erwähnten Werke von Felicitas Hoppe sind alle im S. Fischer Verlag erschienen, so auch der neueste Roman, Die Nibelungen. Ein deutscher Stummfilm aus dem Jahr 2021. In diesem Herbst ist im Grazer Droschl Verlag ein schmaler Band der „Gedankenspiele“-Reihe erschienen. Nach Clemens Setz, ebenfalls Büchner-Preisträger und ebenfalls Gast in unserem Podcast, der sich der Wahrheit gewidmet hat – umkreist Felicitas Hoppe in ihren Gedankenspielen die Sehnsucht.

Prepare yourselves. This chapter was a continuance of Magellan's voyage from Rajah Kolambu, who ruled over Butuan and Caraga on the island of Mindanao, now into the Cebu. Cebu was known for the largest and best trade port, which obviously caught Magellan's ambitious eye. Honestly, a very weird and tension filled description of Rajah Humabon, as Ate Judy states the “european construct” title for King of Cebu and their first encounters to establish relations… or nah? As Pigafetta + Bergreen's descriptions cite the sequence of events between Rajah Humabon, his nephew, Prince Tupas, Enrique, Pigafetta, Magellan, and Magellan's foster son, and apparently Rajah Kolambu made an appearance in the discussions about agreeing to convert to Christianity. A chapter filled with back and forths and extravagant, anxiety riddled entrances and exits, this one's a doozy for us to dive into, today! Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 ____________________________________________________

So, Ferdinand Magellan. Villain? Visionary? Friend? Foe? Hero? This chapter provided the unfolding timeline of Magellan's objective to “make a name for himself” like other Portugese explorers; by originally setting out to bring commerce to the Spice Islands, particularly Moluccas, as a part of the Indonesian archipelago. Most Filipinos were told that Magellan's purpose was to bring Christianity to the islands. Ate Judy cites a lot of Laurence Bergreen's Over The Edge of the World, Pigafetta, and Enrique's lenses. We learn that Magellan was born in 1480 and became part of the royal court, which allowed him access to education and resources. The bulk of this chapter tells the tales of the emerging friendship between the Filipino King, Rajah Kolambu. Tune in and let us know your own hot takes on Magellan! Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 _______________________________________________________________________ Time Stamps: Grounding Prayer & Opening @ 1:07 Bruha Tings! @ 3:21 BROWN GIRL CLIFF NOTES / Chapter Overview @ 11:31 Vocabulary Words @ 16:57 Quotes @ 29:06 Closing Prayer @ 44:56

Now we're getting into some juicy deets! This chapter held an intertwining of details cited from an Italian supernumerary ship crew member, Antonio Pigafetta. Being a supernumerary meant Pigafetta didn't partake in shipboard responsibilities besides documenting/writing about our favorite antagonist on Ferdinand Magellan. But will we shift our thoughts on Magellan after this chapter? Thanks to Pigafetta and his famous piece, Magellan's Voyage: A Narrative Account of the First Circumnavigation, another author Laurence Bergreen, who wrote, Over the Edge of the World, was able to translate Spain's “first landings” in the Philippines. Through this translation, Bergreen took us on a journey on and off the ship and the intriguing first stages of actually peaceful, friendly, and apparently ritualistically blood bonding interactions between 2 leaders: Magellan and an unidentified Filipino King from the island of Homonhon. It is said that this location was later to be named as Aquade for its water and first signs of gold, post-colonialism. In addition, it is interesting that Philippine historian, Willian Henry Scott, teaches us that in the days of international trade, slaves were actually employed to be translators. Magellan having 2 separate Arabic and Malay speaking slaves, specifically worked with the Malay slave because Magellan was actually looking for spices that would be found in east Indonesia, but obviously ended up in the Philipines first. This soon-to-be well-known Malay slave, Enrique, seems to have quite the benevolent effect (“Enrique Effect”) because his translations cultivated what appears to be sincere trust between the filipino King and Magellan. Follow us on Instagram: Podcast - @babaylanbruhabookclub Stephanie - @st3ph.inrising Imee - @themayarimoon Subscribe to our YouTube channel: https://www.youtube.com/channel/UCJpjbGCP5WwlB2vPmaQUWjA End music written, produced and recorded by Dayana Capulong. (C) Dayana Capulong, 2022 _______________________________________________________________________ Time Stamps: Grounding Prayer & Opening @ 1:07 Bruha Tings! @ 2:56 BROWN GIRL CLIFF NOTES / Chapter Overview @ 17:52 Vocabulary Words @ 24:29 Quotes @ 38:13 Closing Prayer @ 50:43

Fernando de Magallanes tiene una expedición nombrada en su honor, pero él nunca completó dicha expedición. Aquí les contamos la historia de la primera vuelta al mundo en barco, preguntándonos por los problemas históricos que hay detrás.Apóyanos en Patreon: https://www.patreon.com/randomaccesshistory Encuentra todos nuestros links aquí: https://flow.page/randomaccesshistory Para explorar más:Primer Viaje en torno del globo, del MVP más teso de la expedición, Antonio Pigafetta: https://archive.org/details/primerviajeentor00piga En este episodio escuchaste a nuestra superestrella televisiva Valentina Mena y a José “Humildad” Jaramillo.Editado por: José Nicolás JaramilloMúsica de la intro por Blue Dot Sessions: Dawn Line Approaching by Blue Dot SessionsSi eres una de esas personas que sí entra a las notas del episodio, te queremos mucho (●'◡'●)

In questa edizione:- Maxi incendio a San Giuliano Milanese- Mite: ecco come fronteggiare il caro energia - Nel 2022 il 60% della popolazione italiana non è andato al cinema- A Vicenza una mostra dedicata al navigatore Pigafetta

A 500 anni dalla prima circumnavigazione del globo terrestre guidata da Ferdinando Magellano, Intesa Sanpaolo rende omaggio al navigatore, geografo e scrittore vicentino Antonio Pigafetta, tra i 18 soli superstiti della spedizione, con una mostra dal titolo: Pigafetta e la prima navigazione attorno al mondo, ‘Non si farà mai più tal viaggio'. Aperta alle Gallerie d'Italia di Vicenza fino all'8 gennaio 2023.col/fsc/abr/gtr

1522-2022 Cinquecento anni fa un italiano fu tra i pochi membri della spedizione di Magellano che ritornarono in Spagna Le meraviglie di Pigafetta Le meraviglie di Pigafetta Il veneto che per primo circumnavigò la Terra descrisse animali fantastici e foglie ambulanti di Gian Antonio Stella https://www.corriere.it/digital-edition/CS_ND/2022/08/30/11146054.shtml

(A loose adaptation of "The Picture in the House" by H.P. Lovecraft) Five friends get together to spook each other with stories, and Charles tells a tale of a weird encounter with a strange old man.   Cast List Charles - Michael Coleman (Tales of the Extraordinary) Warren - Glen Hallstrom Richard - Philemon Vanderbeck Herbert - Carl Cubbedge Edward - Bryan Hendrickson Creepy Old Guy - J. Hoverson Martha - Risa Torres Music by Kevin MacLeod (Incompetech.com) Editing and Sound:   Julie Hoverson Cover Design:  Brett Coulstock "What kind of a place is it? Why it's a brownstone dinner party, can't you tell?" *************************************************** THE PICTURE IN THE HOUSE (Lovecraft 5, #1) Cast: Charles, a dilettante Herbert, a scientist Richard, a painter Warren, a professor Edward, the missing member, a writer Scary old man Martha, the cook OLIVIA     [opening credits] Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a brownstone dinner party, can't you tell?  MUSIC 1_after dinnerish SOUND     RAIN.  RECORD PLAYER CLICKS AND MUSIC STARTS SOUND     FOOTSTEPS HERBERT    What's the tune? SOUND    MATCH STRIKES CHARLES    It's-- RICHARD    That's one of Eric's isn't it?  CHARLES    No-o-o.  You know he never records. WARREN    I must say that veal cutlet was excellent.  Positively delicious.  Compliments to your cook, Charles. CHARLES    Excellent woman.  Don't know what I would do without her.  Been with the family for years. HERBERT    That's the only way to get good help these days - I wish I was fortunate enough to inherit hereditary retainers. WARREN    Any chance I can get the recipe for the cooking staff at the faculty dining hall?  We don't get veal very often, but-- CHARLES    I'll ask, but I doubt it - she's very secretive about her seasonings.  Now, Herbert, see that everyone has a good stiff drink, for-- RICHARD    Aren't we waiting on Edward? CHARLES    [darkly]  He isn't able to join us tonight.  Don't worry - I'm quite sure he won't hold it against us. HERBERT    Here you go. WARREN    Cheers.  [drinks]  So, what is this story you've brought us here for, Charles? HERBERT    Anyone for a cigar? WARREN    Ah, certainly. RICHARD    I won't say no. WARREN    You promised us a tale to - I believe the phrase you used was "to make the gorge rise and the hair stand on end", wasn't it? CHARLES    Yes.  And I know you all consider me the weakest of us all for telling a coherent tale, just because I have a tendency to let myself get distracted and lose my place, but I have a real corker for tonight. HERBERT    Well, we're all uncorked ... now, so lets see what you can do to us. CHARLES    All right, I won't keep you in suspense any longer.  You recall that I was away for most of last summer, traveling around the back country roads of New England, looking up genealogical records, tracing my family? WARREN    Of course - and we all envy you, being a man of enough leisure to be able to wander off at will, instead of having to stay around for your job. RICHARD    What do you know about jobs?  You're an academic.  That's hardly a real job. HERBERT    Hah!  This from the artist.  Now, science - science is an all-consuming master. CHARLES    All right.  All right.  Come on - it's my party and my story.  Don't really matter what your jobs are - you're all idiot enough to be my friends, and that's all that matters. EVERYONE    [general laughter] CHARLES    I don't know whether you'll believe me or not - probably not, but it's all true. HERBERT    It won't be that easy - you're talking to a couple of hardened skeptics here.  I won't believe anything without empirical proof and Warren won't believe you 'til it's written in a book at least a hundred years old, with footnotes and cross-references. WARREN    [snort] RICHARD    And me? HERBERT    Oh, you artists - who knows what you'll believe. CHARLES    [chuckles] We'll see what you all think by the time I'm finshed. RICHARD    Edward'll regret having missed a good story. 2_story starts CHARLES    [darkly] We'll worry about Edward later.  [beat]  If I don't start, we'll be here til dawn, so let's have a bit of hush.  [beat]  Damn-- [forgot] WARREN    You were cycling around the countryside. CHARLES    Right.  And I was pedaling like mad, trying to keep in front of this wicked great thundershower, when I spotted a crumbling pile - an ancient cottage built right up into the side of a hill.  It had reached that stage of decrepitude where you're not sure whether it was built there, or just sprang up like a mushroom. RICHARD    Very evocative.  Rounded corners, slanting walls, you can almost smell the mildew. CHARLES    May I continue? WARREN    You didn't happen to have a camera with you on your sojourn, did you? CHARLES    I wasn't sightseeing.  Never been any good with one of them contraptions anyway.  [sigh]  RICHARD    [prompting] The house. CHARLES    Right, so since it was the only structure - and I use the term very lightly - that I'd seen in hours and hours, I decided that forbidding as it looked, the clouds rolling in were worse.  I was already feeling the rain, and the lightning kept striking closer and closer. SOUND    THUNDER EVERYONE    [gasps] WARREN    Well!  That was timely. HERBERT    Now how did you manage that? CHARLES    Sheer luck.  Although the weather report did-- RICHARD    Ah, so you haven't been looking through any of those old grimoires Warren has charge of? WARREN    Oh, stop. CHARLES    Where was I? WARREN    Perhaps you should keep some notes - I find note cards work quite adequately for me when I'm called upon to give a lecture. CHARLES    [sigh] I went into the house.  I knocked first - I certainly didn't want to meet an angry homeowner with a shotgun in my face.  But since there was no answer, I figured it might be abandoned.  And the rain was starting to come down like rods. SOUND    THUNDER EVERYONE    [mild chuckles] CHARLES    [full-on storytelling mode] Inside was a little vestibule with walls from which the plaster was falling, and through the doorway came a faint but peculiarly hateful odor.  I entered, leaned my cycle against the wall, and crossed into a small, dim chamber, furnished in the barest and most primitive possible way.  It appeared to be a kind of sitting-room, for it had a table and several chairs - and an immense fireplace above which ticked an antique clock on a mantel. Books and papers were very few, and in the prevailing gloom I could not readily discern the titles.  Now, in all the room I could not discover a single article of definitely post-revolutionary date!  Had the furnishings been less humble, the place would have been a collector's paradise. 3_music changes SOUND    THE RECORD STOPS. CLICK AS THE NEXT RECORD GOES ON WARREN    You didn't look at the books at all?  Pity. CHARLES    You enthusiasts - always gallivanting ahead.  [dry chuckle] The first object of my curiosity was a book.  It lay open upon the table, presenting such an antediluvian aspect that I marveled at beholding it outside a museum or libary.  Bound in leather with metal fittings, it was in an excellent state of preservation - altogether an unusual sort of volume to encounter in an abode so lowly. WARREN    [eager] And the title? CHARLES    Hold your damn hosses.  When I opened it to the title page my wonder grew even greater, for it proved to be nothing less rare than... [beat, dragging out the suspense] WARREN    Ye-e-e-es? CHARLES    Pigafetta's account of the Congo region, written in Latin from the notes of the sailor Lopex and printed at Frankfurt in 1598. WARREN    [awed!] There's only 12 known copies extant. RICHARD    And you know that off the top of your head?  Oh, Warren.  You need a wife... or at the very least a bad habit. WARREN    Ssh.  The book? CHARLES    The engravings were indeed interesting, drawn wholly from imagination and careless descriptions - it even represented natives with Caucasian features.  Nor would I soon have closed the book had not an exceedingly trivial circumstance upset my tired nerves and revived my sensation of disquiet. SOUND    RATTLE OF HARD RAIN AGAINST THE WINDOW HERBERT    I think I need another drink.  Anyone?  SOUND     DRINKS POUR CHARLES     Go on ahead.  WARREN    [jumping in] The book? CHARLES    [exasperated sigh] What annoyed me was merely the persistent way in which the volume tended to fall open of itself at Plate twelve, which represented in gruesome detail a butcher's shop of the cannibal Anziques. WARREN    Anziques?  They were wiped off the face of the Congo in the seventeenth century, I believe? HERBERT    Were you aware that cannibalism was nowhere near as widespread as so-called history tells us? WARREN    That is a debatable point-- HERBERT    No, no, really - One of the easiest rallying cries to convince your followers to annihilate or enslave another culture was to accuse them of anthropophagy. CHARLES    Fascinating as this is, save it for your own dinner party, Herbert.  What you find so very engaging, I found exceedingly grotesque - to my own shame.  The drawing disturbed me, especially in connection with some adjacent passages descriptive of Anzique gastronomy. HERBERT    What did it say? CHARLES    [annoyed] It's hardly important.  I've worked hard to forget it.  [calm] Anyway, I was examining the rest of the meagre libary - an eighteenth century Bible, a "Pilgrim's Progress" of like period, the rotting bulk of Cotton Mather's "Magnalia Christi Americana," and a few other books of evidently equal age - when my attention was aroused by the unmistakable sound of walking in the room overhead. 4_cook SOUND    DOOR OPENS EVERYONE    [gasps] MARTHA    I'm so sorry sir, I thought you'd all be done by now - I was gonna clean up.  I'll just - I'll just get to it in the morning. CHARLES    Yes, yes of course Martha.  Have a good night. SOUND    DOOR CLOSES RICHARD    You set her up to do that. CHARLES    [not quite convincing]  Of course not.  Heaven forbid.  [a bit smug] That'd be such an entirely transparent ruse.  RICHARD    Perhaps you should be writing these sorts of thrillers, rather than Edward. WARREN    Did he say why he missed coming out tonight? CHARLES    [exasperated sigh]  He dropped by earlier for a moment, but he didn't have much to say.  If I may continue? WARREN    I, at least, am interested. CHARLES    Thank you very much.  I concluded that the occupant had just awakened from a sound sleep, and listened with less surprise as the footsteps sounded on the creaking stairs.  Then, after a moment of silence during which the walker may have been inspecting my bicycle, I heard a fumbling at the door latch and saw the paneled portal swing open again. SOUND    PAUSE, SOME GASPS AS THEY AWAIT SOME SOUND WHICH DOESN'T COME. EVERYONE    [chuckles] CHARLES    In the doorway stood a person of such singular appearance that I might have exclaimed aloud - but for the restraints of good breeding.  Old, white-bearded, and ragged, his height could not have been less than six feet, and despite a general air of age and poverty he was stout and powerful in proportion.  His face, almost hidden by a long beard which grew high on the cheeks, seemed abnormally ruddy and less wrinkled than one might expect; while over a high forehead fell a shock of white hair little thinned by the years.  His blue eyes, though a trifle bloodshot, seemed inexplicably keen and burning.  But for his horrible unkemptness the man would have been as distinguished-looking as he was impressive. WARREN    Unkemptness? HERBERT    I expect the word he should be using - but for the restraints of good breeding - is odoriferous? RICHARD    A-yuh. - the elderly... CHARLES    Yes, yes.   WARREN    Well, Charles, you're halfway to your goal - that alone very nearly brought up my dinner.  CHARLES     It wasn't just the house that suffered from... damp and mildew.  Shall we leave it at that?    5_old man speaks SOUND    RECORD PLAYER CHANGES AGAIN - TO MUSIC FOR FLASHBACK SOUND    CLOCK GETS LOUDER CHARLES    [fading into flashback] The appearance of this man, and the instinctive fear he inspired, prepared me for something like enmity; so that I almost shuddered through surprise and a sense of uncanny incongruity when he motioned me to a chair and addressed me in a thin, weak voice full of fawning respect and ingratiating hospitality. OLD GUY    Catched in the rain, be ye?  Glad ye was nigh the house an' had the sense t' come right in.  I calculate I was asleep, else I'd a heard ye - I ain't as young as I used to be, an' I need a powerful sight o' naps nowadays. WARREN    [breaking] He truly sounded like that?  That's quite an extreme form of archaic Yankee dialect.  I'd thought anything like that dead and gone long years back. HERBERT    There are strange holdouts in little pocket communities all over the back woods. CHARLES    I apologized for my rude entry into his domicile, and-- OLD GUY    Travelling far?  I hain't seen many folks 'long this road since they took off the Arkham stage. CHARLES    I replied that I was going to Arkham, whereupon he continued. OLD GUY    Glad t' see ye, young Sir - new faces is scarce around here, an' I hain't got much t' cheer me up these days. Guess you hail from Boston, don't ye? I never been there, but I can tell a town man when I see 'im - we had one for district schoolmaster in 'eighty-four, but he quit sudden an' no one never heared on 'im since - CHARLES    Here the old man lapsed into a kind of chuckle, and made no explanation when I questioned him.  For some time he rambled on, when it struck me to ask him how he came by so rare a book as Pigafetta's "Regnum Congo." OLD GUY    Oh, that Afriky book? Cap'n Ebenezer Holt traded me that in 'sixty-eight - him as was killed in the war. CHARLES    Now, Ebenezer Holt was a name I had encountered in my genealogical work, but not in any record since the Revolution. I speculated that my host could help me in the task at which I was laboring. OLD GUY    Ebenezer was on a Salem merchantman for years, an' picked up a sight o' queer stuff in every port. He got this in London, I guess - he used to like to buy things at the shops. I was up t' his house once, on the hill, trading horses, when I see this book. I relished the pictures, so he give it in on a swap. 'Tis a queer book - here, leave me get on my spectacles- HERBERT    Spectacles.  Quite terrifying.  A smelly old man in cheaters.  Funny I somehow recall you promising a tale that would set all our hair on end. WARREN    I, for one, am fascinated.  Your recall of his accent is quite impressive.  Is he, do you know - despite being as old as you describe - is he still among the living? CHARLES    I am quite certain of the contrary. WARREN    Pity.  6_more drinks RICHARD    More drinks? CHARLES    Perhaps one more round.  And yes, I am about to get to the meat of the matter, so to speak, if you can hold on for a bit longer, Herbert. HERBERT    Very well.  Patience is a virtue more useful to scientists than many.  I'm putting on my listening face. CHARLES    Good.  The old man donned his glasses, then reached for the volume on the table and turned the pages lovingly. OLD GUY    Ebenezer could read a little o' this - 'tis Latin - but I can't.  I had two or three schoolmasters read me a bit, and Parson Clark, him they say got drownded in the pond - can you make anything out on it? CHARLES     I told him that I could, and translated for his benefit a paragraph near the beginning. If I erred, he was not scholar enough to correct me; for he seemed childishly pleased at my English version. His proximity was becoming rather obnoxious-- HERBERT    Simple hygiene was one of the most important scientific and medical discoveries of the-- CHARLES    [overriding] --yet I saw no way to escape without offending him. I was amused at the childish fondness of this ignorant old man for the pictures in a book he could not read, and wondered how much better he could read the few books in English which adorned the room. This revelation of simplicity removed much of the ill-defined apprehension I had felt, and I smiled as my host rambled on: OLD GUY    Queer how pictures kin set a body thinkin'. Take this one here near the front.  Have you ever seen trees like that, with big leaves a floppin' over an' down?  Some o' these here critters looks like monkeys, or half monkeys an' half men, but I never heared o' nothin' like this un. CHARLES    Here he pointed to a fabulous creature of the artist, which one might describe as a sort of dragon with the head of an alligator. RICHARD    I've seen things like that myself in mediaeval and renaissance art.  To my recollection Bosch painted some, and there's at least one or two in the woodcuts of Breughel. OLD GUY    But now I'll show ye the best un - over here nigh the middle - [getting excited]  What d'ye think o' this - ain't never seen the like hereabouts, eh? When I see this I telled Eb Holt, 'That's somethin' to stir ye up an' make your blood tickle.' RICHARD    Was this still the cut of the lizard man thing? CHARLES    No, [heavy import] he'd just let the book fall open where it would-- OLD GUY    When I read in Scripture about slayin' - like them Midianites was slew - I kinder think things, but I ain't got no picture of it.  Here a body can see all they is to it - I s'pose 'tis sinful, but ain't we all born an' livin' in sin? WARREN    Ahhh - the same picture that put the chills up you? CHARLES    Well, he obviously didn't feel the same way about it-- OLD GUY    That feller bein' chopped up gives me a tickle every time I look at 'im - I have to keep lookin' at 'im - see where the butcher cut off his feet?  There's his head on that bench, with one arm side of it, an' t' other arm's on the other side o' the meat block. CHARLES    As the man mumbled on in his shocking ecstasy the expression on his hairy, spectacled face became indescribable, but his voice sank rather than mounted.  He was almost whispering now, with a huskiness more terrible than a scream. OLD GUY    As I says, 'tis queer how pictures sets ye thinkin'. Do ye know, young Sir, I'm right sot on this one here. After I got the book off Eb I used to look at it a lot, especial when I'd heared Parson Clark rant o' Sundays in his big wig. WARREN    [realizing what the word is] Oh, "Parson"! RICHARD    Oh!  I thought that was his name! WARREN    No, it was the reference to the wig that-- CHARLES    Tell him later.  WARREN    I'll never remember-- CHARLES    Perhaps you should keep some note cards. OLD GUY    Once I tried somethin' funny - here, young Sir, don't get skeert [scared] - all I done was to look at the picture afore I killed the sheep for market - killin' sheep was kind of more fun after lookin' at it - CHARLES    The tone of the old man now sank very low, sometimes becoming so faint that his words were hardly audible. 7_killing sheep SOUND    THE RECORD CHANGES, BECOMES MORE SINISTER SOUNDING CHARLES    I listened to the rain, and to the rattling of the bleared, small-paned windows, and marked a rumbling of approaching thunder quite unusual for the season. OLD MAN    Killin' sheep was kind of more fun - but d'ye know, 't wasn't quite satisfyin'. Queer how a cravin' gets a hold of ye - As ye love the Almighty, young man, don't tell nobody, but I swear to God that picture begun to make me hungry for victuals I couldn't raise nor buy - here, set still, what's ailin' ye? - I didn't do nothin', only I wondered how 't would be if I did - They say meat makes blood an' flesh, an' gives ye new life, so I wondered if 't wouldn't make a man live longer an' longer if 't was more o' the same - CHARLES    But the whisperer never continued. The interruption was not produced by my fright, nor by the rapidly increasing storm. It was produced by a very simple, though somewhat unusual, happening. CHARLES    The open book lay flat between us, with the picture staring repulsively upward. As the old man whispered the words-- OLD GUY    more o' the same CHARLES     --a tiny splattering impact was heard, and something showed on the yellowed paper of the upturned volume. SOUND    THUNDER SHAKES THE HOUSE CHARLES    Oh, heavens! RICHARD    That's why Edward is absent, is it?  I know he's quite the fellow for phobias and superstitions - maybe he has to stay in to avoid the lightning? HERBERT    No - storms have never been on his list - not that he's ever told me.  Anything underground, foreigners, the fair sex, getting lost, and cold drafts - those he will go on and on about avoiding, but never storms.  WARREN    Not that I've heard, either.  But I can add illness, the clear night sky, and heredity to things which make him uneasy. CHARLES    [heavy sigh] I'm almost finished, then you three can gossip on like old biddies all you want.  [storytelling] The drip.  I thought of the rain and of a leaky roof, but rain is not red.  On the butcher's shop of the Anzique cannibals, a small red spattering glistened picturesquely, lending vividness to the horror of the engraving.   SOUND    SQUEAK OF LEATHER CHAIR, AS HE SITS FORWARD CHARLES    The old man saw it, and stopped whispering even before my expression of horror made it necessary; saw it and glanced quickly toward the floor of the room he had left an hour before. I followed his glance, and beheld just above us on the loose plaster of the ancient ceiling a large irregular spot of wet crimson which seemed to spread even as I viewed it. For a moment I couldn't even move, Then a thunderclap broke me out of my hypnotic stare and I realized just what a fix I was in. RICHARD    How did you manage to get away? CHARLES    Oh, so now I have your attention.  Well, it was simple really - I told the authorities later that lightning had struck the house, and I barely escaped with my life, but really-- HERBERT    Lightning?  Ridiculous.  Not that it wouldn't strike a house, but-- CHARLES    BUT - What happened was, I tipped over his lamp, sending burning oil everywhere.  Then I dashed past and out the building, while the old man screamed and wailed behind me. WARREN    Angry at you, was he? CHARLES    [very dry] Well he was on fire.  RICHARD    And the blood? CHARLES    For all that, I wasn't curious enough to go back and look.  Even left my bicycle behind, and had to go shanks mare [on foot] - and through the tail end of the storm, mind you. WARREN    Well, that was an interesting-- 8_windigo CHARLES     Hold on, now.  That's mostly the end of the story, but that crazy old man set me t'thinking ... [trails off] RICHARD    [mildly curious] Yes? CHARLES    Well, I recalled pretty clearly the names he'd mentioned as people he knew back in the day, and when I looked them up in historical records - a couple of them being rather famous, at least locally - and they'd all been dead for at least 50 years. WARREN    He must have been telling you something told him by his father or grandfather - older folks, particularly those in isolated country settings, are often a bit delusional. RICHARD    How old do you think he was? CHARLES    He looked to be about 70, allowing for wind and weather and poverty-- RICHARD    And unkemptness-- WARREN    Yes, yes... CHARLES    --but he was also hale and hearty and strong and .... plump. RICHARD    But you can't think that-- CHARLES    So I started to look into the whole theory.  It was really those last words-- OLD GUY    [echoey] More o'the same... CHARLES     --that made me wonder.  So I find out there's an old Indian myth from a ways up north-- WARREN    The Wendigo?  But that's strictly a cautionary tale.  Ethnologists agree on that. HERBERT    The windy-what? WARREN    May I? CHARLES    [sigh] Certainly. WARREN    [lecturing] The Wendigo, also known as the Windeego, the windikkuk, or the whittikow, is a myth from the various Ojibwa-speaking Indian nations of Canada.  We assume it is a cautionary myth about the evils and perils of resorting to cannibalism during times of famine, particularly during the frozen winter months, which is why the wendigo is inextricably linked with cold and snow. HERBERT    Lovely.  But like scholars everywhere, you left out the best part - what precisely is the myth? WARREN    Oh!  [chuckles]  True, the background is often closer to the academic's heart-- RICHARD    I know the story.  And I won't bore Herbert with the ethnological derivations. WARREN    Go on, then. RICHARD    [spooky]  It is said that the windigo is the spirit of winter, howling always just outside the camps of the people, calling to them to break the taboos and let it in.  For when a man eats the flesh of another man, the spirit of the wendigo can enter him, and turn him into a ravening monster - never satisfied with lesser flesh ever again.  For the wendigo is hunger, endless hunger, and the more it eats, the greater its hunger grows.  So if you're ever in a snowstorm and see a man-like shape, thin and gaunt, and missing the tips of its fingers and its lips - for if it can't find other prey, it will devour its own extremities - you'd best run.  Fast. SOUND    [silent moment, then] LIGHT GOLF CLAP CHARLES     Nicely told.  RICHARD    I really could have used a thunderclap there somewhere.  How do you get so lucky? HERBERT    But your old man, who seems to have indulged himself in cannibalism - or at least, that appeared to be the point of your tale, was ruddy and healthy and stout.  Hmm.  Sounds more like Stoker's description of Count Dracula after a good biting. CHARLES    Interesting point.  I must admit I hadn't made that connection.  I suppose it's not that far a leap from drinking someone's blood to eating their flesh. HERBERT    Wine and wafers. WARREN    No!  I am not going to waste time indulging you in another anti-religious diatribe, Herbert.  We all know where you stand on that. CHARLES    Let's get back to my yarn. RICHARD    There's more?  I thought you'd quite finished? CHARLES    Just a bit to go yet.  There is another myth of the windigo, by the by, though it may be merely a literary creation of Algernon Blackwood.  He wrote of a windigo unrelated to the eating of human flesh-- HERBERT    Anthropophagy. CHARLES    Eh? HERBERT    Sorry.  Anthropophagy is the eating of human flesh.  Cannibalism is the eating of human flesh by a fellow human.  There's quite a difference. 9_blackwood CHARLES    [sigh] Blackwood wrote of the windigo as a huge lonely entity living in the north woods, which calls the names of hunters in the night to lure them away from their campfires.  And one sight of it could drive a man mad. WARREN    Blackwood probably did a bit of bowdlerizing on the original myth - he heard a good story and felt that the cannibalism angle would make it less worthy of publication.  HERBERT    Yes.  Edward has often spoken of his difficulties in getting some of his more gruesome tales into print.  Surprising how old-maid-ish some of these vaunted editors can be. RICHARD    He's not the only one.  Why some of my paintings have been shunned and I've had to remove them from view for fear of having them burned! HERBERT    It makes you wonder what people fear more, the mere act of being shown the horrible, or the person who shows it to them. CHARLES    Enough digression.  As I said, the old man made me wonder.  Made me curious what other tales there were of cannibalism.  After what I discovered, about various religious and cultural activities from around the world, I felt certain the windigo tale wasn't to be taken literally, but as a cautionary tale, created to warn people off from antisocial behavior-- RICHARD    Like Struwwelpeter?  You know, the children's book that warns good little children not to suck their thumbs or the scissor man will come and lop them off? CHARLES    Essentially.  In fact that's a very good example - teaching through use of extreme grotesquerie.  You can't say to a child "leave off sucking that thumb or you'll have pruney thumb in the morning", they just won't take it very seriously, so we invent extremes.  Go off the path and grandma will get eaten by a wolf.  Eat another person and you will turn into a ravening monster. HERBERT    I seem to remember struwwelpeter - it had some horrific illustrations, didn't it?  Particularly for children. CHARLES    I realize I can't possibly hold your interest much longer, but there is a bit more, if you will pay me the courtesy--  [beat] Right.  Well I found that in most cultures - disregarding the various incidents of cannibalism for survival, such as during wars and famines-- A1_medusa WARREN    Like the sinking of the Medusa? CHARLES    What? WARREN    Sorry.  Nothing.  Pray continue. CHARLES    Disregarding eating for survival, there was a pervasive belief that eating parts of one's conquered enemies - human or otherwise - would grant the eater some of the strength of the fallen one.  Many hunters ate the hearts of their prey for this very reason.  Hearts being the seat of bravery in many ancient cultures. RICHARD    The seat of bravery or romantic attachment - how sad it is now relegated to merely the centerpiece for the circulatory system. CHARLES    So they would devour other humans for their strength. Now putting this together with the old man's tale, and his necessary age, if indeed he'd met half the people he mentioned in passing-- HERBERT    And devoured them. CHARLES    Eh? HERBERT    I was thinking back on your tale - if you repeated his words and intonations correctly, and always assuming your cannibalism slant is the true one - then he probably et most of the people he referred to - like "him as they say drowned in the pond". CHARLES    Hmm... [unconvincing] Never really thought much on it. WARREN    Of course you did.  Now you have me interested again. CHARLES    Well, assuming he must have been a couple decades past a hundred when we spoke - at least - then the eating of human flesh had to have had the restorative properties he claimed it did.  Gaining strength from the fallen.  O'course there was always still the threat of the windigo, but I had ruled that out after all the extensive tales of cannibalism due to need in other quarters of the globe, and none of those folks gone crazy, running around eating their own lips. WARREN    [Muttered] The crew of the Medusa went mad. CHARLES    You're not going to let it go, are you?  Fine.  Tell us about the Medusa, but be quick, would you? WARREN    The medusa was a sailing ship heading for the cape of good hope which through poor management was run aground on a sand bar.  Everyone abandoned ship, and the sailors were lost on a raft for weeks.  By the time they were found, they'd resorted to cannibalism and gone mad, not necessarily in that order. RICHARD    I recall the painting in the Louvre - it's massive.  The pathos.  It seemed to imply they were within sight of land the entire time. WARREN    Well, paintings.  They're really more interested in the tragic story than the facts. CHARLES    And they went mad, eh? WARREN    Yes.  You see how it is more universal than you think? CHARLES    They went mad after eating each other. WARREN    Yes. CHARLES    --and being out on the open ocean, possibly within sight of land, for weeks, with no fresh water, in the blistering heat somewhere near the cape of good hope had nothing to do with it. HERBERT    And they started out French. WARREN    Well, when you put it that way-- A2_wrap up CHARLES    [snort] Well, as a final touch to my collection of cannibalistic stories, I did find one rather interesting description of human flesh - the taste and texture of it - written by a connoisseur who had tried some, that said it was much like a good veal - not so tough as beef, nor stringy. RICHARD    I expect that if your cook got ahold of some, it would taste just as good as the veal tonight. CHARLES    Yes.  [with import]  Very likely. HERBERT    Did the description say there was any way to tell the difference? CHARLES    Not if it was cut and prepared right.  Oh, if you found a finger in your stew, you would probably suspect something, but a chop is a chop.  And a roast is a roast. WARREN    [gulp] Where did Edward say he was tonight? CHARLES    He didn't.  You going mad yet?  HERBERT    [interested, not freaked]  You mean, you tricked us into--? WARREN    [trying not to vomit]  Edward!  But he was -- your-- our friend! CHARLES    Still is.  He'll be with us always. RICHARD    [horrified and fascinated]  How did you - do it? CHARLES    Well, I wouldn't let him suffer, would I?  After all, he was a friend. WARREN    I can't -- SOUND    GETTING UP FROM CHAIR, RAPID FOOTSTEPS SOUND    DOOR OPENS. FEET STOP SHORT. EDWARD    [laughing] The look on your face!  WARREN    [long painful gasp] Edward! EDWARD    I never knew you cared. WARREN    [faints] ahh! SOUND    BODY DROP HERBERT    These academics.  Not enough exercise, too much theory. RICHARD    So the cutlet? CHARLES    Veal, o'course, you ninnies.  I only promised you a story to make your gorge rise and your hair stand on end.  Besides.  Martha'd'a never put up with me pulling a stunt like that in her kitchen. END  

Gabriel García Márquez em seu discurso ao ganhar o Nobel de Literatura: "O relato de Pigafetta no breve e fascinante livro 'Relato da Primeira Viagem em Torno do Mundo' é um assombroso testemunho da realidade daqueles tempos – e é uma semente para os relatos nos romances do nosso tempo."

Juntam esta manhã Gabriel García Marquez, Stefen Zweig e António Pigafetta para chegarmos à odisseia de Fernão de Magalhães. A crónica de Francisco Sena Santos.

“El capitán, al ver aquello, nos dividió en dos bandos y de esa forma comenzamos a combatir. Los escopeteros y ballesteros dispararon desde lejos durante casi media hora en vano, solamente atravesándoles los grandes escudos hechos de madera fina y los brazos. El capitán gritaba: "No disparéis, no disparéis", pero de nada sirvió. Cuando aquellos vieron que los mosquetes no hacían diana, les dijeron a sus compañeros que se detuvieran y entonces comenzaron a gritar aun más. Cuando estaban descargados los mosquetes, ellos no se quedaron quietos, sino que empezaron a saltar de un lado a otro. Mientras se cubrían con sus grandes escudos, tiraban muchas flechas, lanzas de caña y algunas de hierro al capitán general, así como palos con la punta templada a fuego, piedras y barro. Apenas nos podiamos defender.” (“Primer viaje alrededor del mundo”, Antonio de Pigafetta). Mientras Cortés preparaba su expedición sobre Tenochtitlán, la Casa de Contratación y la monarquía española preparaban el que debía el “auténtico viaje” para llegar hasta las ansiadas Indias Orientales. El paso que a través de las nuevas tierras llegara hasta allí no había sido todavía descubierto, y tampoco tenían los castellanos pericia navegando los mares orientales. Para este difícil proyecto se contará con un veterano de aquellas aguas, Fernando de Magallanes, un extranjero que afrontaría numerosos problemas en una histórica singladura que no le sobreviviría. Por primera vez, los españoles estuvieron “al otro lado del mundo”, y tuvieron acceso a las riquezas que contenía. El precio a pagar fue el más alto. Junto a Manuel Fuentes, historiador, webmaster de “Libros y lanzas” y autor de la saga “La conquista de México” en este mismo canal ( https://www.ivoox.com/conquista-de-mexico_bk_list_9710927_1.html ), analizaremos la primera circunnavegación documentada del globo terrestre: la del viaje de Magallanes y Elcano. 📖 PODEIS HACEROS CON EL LIBRO DE DAVID "Los Austrias: La historia ilustrada del imperio donde nunca se ponía el sol" EN https://amzn.to/3GSShxi 📖 -------------------------------------------------------------------------------------------------------------- “La Conquista” es el podcast sobre el descubrimiento, conquista y colonización de la América Hispana. Presentado por David Nievas para Bellumartis. https://www.ivoox.com/conquista_bk_list_9703568_1.html Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis -------------------------------------------------------------------------------------------------------------- Bibliografía recomendada -“La primera vuelta al mundo” de José Luis Comellas https://amzn.to/3o8rzYV -“Magallanes” de Stefan Zweig https://amzn.to/30bdEcF -“La vuelta al mundo de Magalles y Elcano” de VVAA (Ministerio de defensa) https://amzn.to/3qcli1f -“Magallanes: hasta los confines de la tierra” de Lawrence Bergreen https://amzn.to/3mQecxi https://www.rutaelcano.com Créditos musicales: “Andina” por cortesía de Carlos Carty (CC BY 3.0 Adaptada) https://soundbetter.com/profiles/91984-carlos-carty locución cortesía de Jorge Tejedor "Crusade" Kevin MacLeod (incompetech.com) (Adapted) Licensed under Creative Commons: By Attribution 3.0 License https://creativecommons.org/licenses/by/3.0/ No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” (el corazón a la derecha de Ivoox) y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartishistoriamilitar@gmail.com Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.com/

Have you heard of Enrique, the slave who was actually the first to circumnavigate the globe. No, Magellan never did nor was that his purpose according to his own journal as well as Pigafetta's. He wanted the land of gold. We break down this story of this native Austronesian who most likely originated in the Philippines as well. Yah Bless. Support the show (https://www.patreon.com/thegodculture)

Who is this child? Jesus? That is what we are told. However, what if we showed you this child in 400 BC as his image predates the birth of Messiah by almost 400 years as a false go not Jesus? What is the history behind this statue?  Not what we are told. We will review the words of Pigafetta in 1521 at its introduction as well as its rejection and when you find out where it was found in 1565 when the Spanish returned, this is good! Yah Bless.Support the show (https://www.patreon.com/thegodculture)

Did you know Pigafetta, Magellan, Barbosa, Pinto, etc. all describe a people of Luzon which Magellan equated as Tarshish and Ophir? Who were they? This will cover some of the history but in the end, wait til you see what we discovered in the Hebrew. A tie we did not expect. Yah Bless.Support the show (https://www.patreon.com/thegodculture)

Recently we received a challenge from one attempting to disprove. Nothing new and none have offered anything including this one who attempts to pick at sources. Of his main points, he pointed out a source which he said was out of print which turns out was not out of print and our original source for the point proves out and we now have those "out-of -print" sources and they say what we report they say. Finally, he takes issue with the location of Chryse in poor interpretation. The fallacy in this logic is he reads an author here or there and treats it as fact and in fragments just as he reads and quotes the Bible horrible wrongly as we have pointed out to him especially the Great Flood of Noah he claims was 22' high total worldwide which is utter ignorance as there are many areas above that. There is a lot of propaganda out there on this topic. Why do you think they were able to hide the land of gold of all places. We can all lose a ring but wow, the entire land of gold in all of history? Many of these authors give good details but then draw conclusions the facts do not actually support especially since most of them ignore the Philippines even exists. Even the British do not typically even address that Magellan located Ophir and that is simply fraud in our opinion. We can all see through this but a blogger who has not even reviewed our position but a few briefs only and yet thinks he is an expert on our position is merely operating in ignorance. So where is Chryse? Southeast of China according to the original narratives. That is what they actually say if one reads it and we cover it in this video. Is it the same as Ophir? Yes, not only according to Josephus and others but in logic as the Greeks absorbed the Phoenician (Solomon's Navy in Part) marine acumen including routes. Even the Turin map connects Chryse to the Garden of Eden just as our research especially the Biblical Hebrew references to the Temple gold, Moses' description of the land of Havilah, exact directions from the Book of Jubilees and Enoch, science, and mega-linguistics among other things lead to the same conclusion. Chryse is Ophir and they were rediscovered in the era of exploration by Magellan. This was known. In all fairness, in all our videos, we have only spent a few slides that we have repeated at times on Chryse and that's it so this is an opportunity to provide more context. We find more sources from the time of the Periplus with exact directions and in reading the Periplus which we represent editorially exactly as it reads if one actually reads it, these sources pinpoint the general location of Chryse in the region of the Philippines and certainly not Malaysia which is a ludicrous supposed match to what these cartographers drew and described. They had not been to the area and that is evident from their maps which omit the Malay Peninsula completely as well as IndoChina. That was not rare and Magellan is the one who figured this all out especially when he equated the Lequois whom Pigafetta specifically identifies as those of Luzon Island, Philippines as "Tarsis" and "Ofir" or the Biblical Tarshish and Ophir which was his main objective as it was that of Columbus who did not find it. We cover those in detail.  History is but one leg of our case which travels multiple disciplines which all align to prove the Philippines is Ophir and no one has disproven our conclusions. Yah Bless.Support the show (https://www.patreon.com/thegodculture)

Antonio Pigafetta, noble italiano del Renacimiento, explorador, geógrafo y cronista al servicio de la República de Venecia.

Sources:Bergreen, Laurence. Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe. William Morrow, an Imprint of HarperCollinsPublishers, 2019. Gallup-Diaz, Ignacio. “Ferdinand Magellan, ‘Our One True Guide': The First Circumnavigation of the Globe.” Penn Museum's Great Voyages. Penn Museum's Great Voyages, 6 Nov. 2013, Philadelphia, PA. Herrmann, Paul, and Arnold Pomerans. The Great Age of Discovery. Harper, 1958. Liulevicius, Vejas Gabriel. “History's Greatest Voyages of Exploration.” The Great Courses. 2015, Knoxville, TN. Pigafetta, Antonio, and James Alexander Robertson. Magellan's Voyage Around the World. Clark, 1906. Purcell, Julius. “Magellan's Mission Around the World.” National Geographic History, 2021, pp. 74–89. ★ Support this podcast on Patreon ★

Sources:Bergreen, Laurence. Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe. William Morrow, an Imprint of HarperCollinsPublishers, 2019. Gallup-Diaz, Ignacio. “Ferdinand Magellan, ‘Our One True Guide': The First Circumnavigation of the Globe.” Penn Museum's Great Voyages. Penn Museum's Great Voyages, 6 Nov. 2013, Philadelphia, PA. Herrmann, Paul, and Arnold Pomerans. The Great Age of Discovery. Harper, 1958. Liulevicius, Vejas Gabriel. “History's Greatest Voyages of Exploration.” The Great Courses. 2015, Knoxville, TN. Pigafetta, Antonio, and James Alexander Robertson. Magellan's Voyage Around the World. Clark, 1906. Purcell, Julius. “Magellan's Mission Around the World.” National Geographic History, 2021, pp. 74–89. ★ Support this podcast on Patreon ★

Sources:Bergreen, Laurence. Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe. William Morrow, an Imprint of HarperCollinsPublishers, 2019. Gallup-Diaz, Ignacio. “Ferdinand Magellan, ‘Our One True Guide': The First Circumnavigation of the Globe.” Penn Museum's Great Voyages. Penn Museum's Great Voyages, 6 Nov. 2013, Philadelphia, PA. Herrmann, Paul, and Arnold Pomerans. The Great Age of Discovery. Harper, 1958. Liulevicius, Vejas Gabriel. “History's Greatest Voyages of Exploration.” The Great Courses. 2015, Knoxville, TN. Pigafetta, Antonio, and James Alexander Robertson. Magellan's Voyage Around the World. Clark, 1906. Purcell, Julius. “Magellan's Mission Around the World.” National Geographic History, 2021, pp. 74–89. ★ Support this podcast on Patreon ★

Niente e nessuno meglio della letteratura e dei suoi personaggi sa raccontarci con intensità ed emozione il mondo reale e quello fantastico, talvolta mescolando abilmente l'uno all'altra fino a farne perdere tracce e coordinate. D'altronde è cosa nota, quando ci mettiamo in viaggio dobbiamo essere pronti ad accogliere l'imprevedibile, essere disposti a lasciarci sorprendere e toccare dalle esperienze. Prepariamoci allora ad indossare gli occhiali della meraviglia per questa nuova puntata di Alice in cui solcheremo i mari del mondo tra nani giganti, coltivatori di pesche e geografi bizzarri. Avremo il piacere di farlo con la scrittrice Felicitas Hoppe e il suo "Pigafetta", romanzo edito e tradotto da Del Vecchio Editore.Se è vero che la realtà nutre e alimenta la fantasia, con lo scrittore Andrea Inglese ci risveglieremo da sonni e sogni per fare un lucido bagno di realtà nelle problematiche contemporanee della nostra società tra ansie, sfide, paure e opportunità. Attraverso le vite di Nina, artista che vive a Berlino e Tommaso, giornalista culturale, sposato e di casa a Milano, lo scrittore italiano nel suo romanzo "La vita adulta" uscito per Ponte alle Grazie solleva questioni concrete come il precariato culturale, la crisi intellettuale e sentimentale dell'individuo maturo, il confronto con la delusione quando la realtà tradisce aspettative e sogni. Per dirla con le parole di Margaret Atwood che Inglese cita in apertura "Pensavamo di fuggire dal mondo degli adulti e ora siamo noi gli adulti; questo è il fatto, e nessuno di noi vuole accettarlo, comunque non interamente".A proposito di cultura e di precarietà, di crisi e opportunità del ceto medio culturale, in chiusura di puntata, alla luce degli ultimi dati che confermano un aumento dei lettori e del consumo culturale durante l'anno pandemico, faremo il punto su editoria e consumo con Paola Dubini, docente di Management e tecnologia all'Università Bocconi.

Natascha Fioretti dialoga con la scrittrice Felicitas Hoppe autrice del romanzo "Pigafetta" uscito per Del Vecchio Editore.

Anna Maria Curci"Pigafetta"Felicitas HoppeDel Vecchio Editorehttps://www.delvecchioeditore.it/«Felicitas Hoppe riesce a creare frasi che sembrano avere la consistenza inusuale di un vetro flessibile, un materiale che non esiste: allo stesso tempo chiaro e opaco, fragile e duttile.»Frankfurter Allgemeine Zeitung«Colpisce la prosa di Felicitas Hoppe, scorrevole, magica, piena di fantasia, una prosa densa di ritmo, una scrittura a perdifiato. Il lettore non può far altro che assecondare i tempi dettati dalla Hoppe, leggere qui diventa indovinare il passo del ballo pur non sapendo ballare. Non ci saranno risposte ma continue domande.»Gianni MontieriIl carico ha la priorità” è quanto viene detto ai passeggeri a bordo del cargo senza nome, che partito da Amburgo si appresta a circumnavigare il globo, e che mette subito in chiaro il tenore del viaggio, molto lontano dal lussuoso mondo delle crociere “tutto compreso”. La passeggera/narratrice, tra i pochi passeggeri paganti, tollerati più che accolti dallo strambo equipaggio, ci guida attraverso nove notti che scandiscono il procedere del viaggio. Piani temporali e narrazioni si intrecciano in un racconto al limite dell'onirico. Nell'intimità della cabina, nell'oscurità della notte risuona infatti la voce immortale di Antonio Pigafetta, tra i pochi sopravvissuti della spedizione attorno al mondo di Magellano, nel 1519. Pigafetta occupa il proprio posto nella cabina della voce narrante, siede sotto l'orologio e sembra indurre a riflettere su interrogativi più o meno astratti: Perché il cuoco ha con sé un solo piccolo ricettario per un viaggio così lungo? Cosa rende il capitano tanto irrequieto? Perché gli uomini si ostinano a voler misurare il tempo, anziché limitarsi ad osservarne l'incedere? Felicitas Hoppe, nel suo primo romanzo pubblicato, offre un generoso saggio di stili e temi che caratterizzeranno la sua intera produzione. In costante e sapiente dialogo con la tradizione Hoppe gioca con tòpoi e cliché propri della letteratura di avventura: tra personaggi improbabili, affascinanti giovinette, tempeste, bonaccia e un immancabile ammutinamento, troviamo disseminati argutamente tra le pagine elementi che richiamano Melville, Poe, Sterne, Collodi e la Bibbia, una commistione capace di dare risalto alla voce unica e originale dell'autrice. Con ironia e leggerezza Hoppe ci persuade a lasciare andare le nostre costruzioni e le nostre certezze per tuffarci nella narrazione con l'entusiasmo riservato al gioco, e, come chiunque vi si appresti con dedizione e senza malizia sa fin troppo bene, il gioco è una faccenda incredibilmente seria.Felicitas HoppeNata in una famiglia numerosa ad Hamelin, il paese del pifferaio magico, Felicitas Hoppe ha studiato a Hildesheim, Tubinga, Eugene in Oregon, a Berlino e a Roma: teoria della letteratura, retorica, scienze religiose, italiano e russo, e altro. Dopo aver lavorato come insegnante di tedesco per stranieri, nel 1996 con la raccolta di racconti Picknick der Friseure [Il picnic dei parrucchieri] ha vinto l'importante PREMIO ASPEKTE e ha investito il denaro in un viaggio intorno al mondo su una nave cargo. Dall'esperienza ha preso forma il suo romanzo Pigafetta(1999), che mette in scena con la consueta energia fantastica un viaggio in nave da Amburgo verso sud. Da allora l'autrice non si è più fermata e ci ha regalato piccoli capolavori come Paradiese. Übersee [Paradisi. Oltremare, 2003], Johanna (2006) e, nel 2012, Hoppe, una sua autobiografia fittizia. Scrive anche letteratura per ragazzi, programmi per la radio, collabora con diversi artisti figurativi e produce contributi letterari per testi di matematica per le scuole. Ha ricevuto ormai la maggior parte dei riconoscimenti letterari, le sono state assegnate cattedre di poetica in Germania e negli Stati Uniti e, nel 2012, il BÜCHNER PREIS, il più prestigioso premio letterario dei paesi di lingua tedesca, per la sua capacità di “circumnavigare con la sua narrazione,sensibile alla comicità e intrisa di melanconia, il segreto dell'identità”.Anna Maria CurciNata a Roma, dove vive e insegna lingua e letteratura tedesca. Poetessa, critica letteraria e traduttrice, scrive su numerosi e prestigiosi blog letterari tra cui Cronache di Mutter Courage, Poetarum Silva e Lettere migranti, i suoi testi sono apparsi anche su diverse riviste di studi letterari e traduttologici. Come autrice ha inoltre al suo attivo la pubblicazione di tre raccolte di poesie. Per Del Vecchio ha tradotto alcune poesie delle raccolte La domenica pensavo a Dio/ Sonntags dachte ich an Gott di Lutz Seiler, e Il coltello che ricorda di Hilde Domin. Ha inoltre tradotto il romanzo Johanna di Felicitas Hoppe.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

En este último capítulo, grabado a bordo de la réplica de la Nao Victoria, se da respuesta a algunas de las incógnitas que dejó el viaje: ¿Qué ocurrió con los marineros apresados en Cabo Verde? ¿Regresaron los tripulantes de la Trinidad? ¿Qué fue de Elcano y de Pigafetta? ¿Cuál fue el destino de la primera embarcación que dio la vuelta al mundo?

Pigafetta y Elcano acuden a Valladolid para narrar ante el emperador Carlos V y ante el Consejo de la Corona el viaje completo que constituyó la primera circunnavegación del planeta, durante más de tres años. 

In der Flotte des Entdeckers Magellan segelt Antonio Pigafetta um 1520 einmal um die Welt. Aus erster Hand berichtet er von der Kolonisierung in Südostasien. In Christian Jostmanns Übersetzung erscheint sein Bericht erstmals vollständig auf Deutsch. Von Frank Kaspar www.deutschlandfunkkultur.de, Lesart Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

In der Flotte des Entdeckers Magellan segelt Antonio Pigafetta um 1520 einmal um die Welt. Aus erster Hand berichtet er von der Kolonisierung in Südostasien. In Christian Jostmanns Übersetzung erscheint sein Bericht erstmals vollständig auf Deutsch. Von Frank Kaspar www.deutschlandfunkkultur.de, Lesart Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Sólo si devoras con avidez la Palabra te encuentras con Cristo.

Diálogo grabado en la muestra La Clave Pigafetta, dentro del programa oficial del V Centenario de la Primera vuelta al mundo.

En este segundo programa de Cuento Contigo Roberto Naveiras nos hará reflexionar sobre la impermanencia de las cosas mientras se dirige a ningún lugar por una de esas carreteras tan bellas como reviradas del norte de la península a bordo de su V-Strom. Jorge Lizama de “Mi Vida en Moto” nos muestra la cara más oscura del ser humano al visitar Auschwitz aprovechando su visita a Polonia. Miquel Silvestre presta a Cuento Contigo un relato publicado en Piedras y Princesas, donde se desplaza a la isla esmeralda siguiendo los pasos de un superviviente del desastre de la Gran Armada, Francisco de Cuellar. Finalmente, aunque no se menciona en el sumario, he incluido dos relatos de la que fue una de las mayores gesta de la humanidad en el siglo XVI, la primera vuelta al mundo. Pigafetta narra el descubrimiento del océano pacífico, lo que llegó a ser “el lago español” y nos cuenta también la muerte de Magallanes a manos de los nativos de las islas de las especies. Espero que te guste y disfrutes de los relatos. Te animo a mandar los tuyos a cuentocontigo1@hotmail.com o si lo prefieres a viajoenmoto@cuentocontigo.com. Si quieres enviarme alguna sugerencia o algún comentario en privado hazlo a mikeldelamisa@hotmail.com. Relájate, ponte en modo escucha y disfruta. Hasta la próxima.

Éste es el episodio 42 de 3 Cosas Que Ayer No Sabía, el del martes 29 de octubre de 2019. ¡Al lío! 01. El español del PC Cuántico En el episodio 25 conté que había descubierto el concepto de “supremacía cuántica” gracias al podcast Materia Oscura de José Manuel Nieves. Ya, a comienzos de este mes, él se adelantaba a la noticia que llevamos escuchando en todos los medios esta última semana sobre cómo Google parece haber alcanzado esa proeza el cálculo y la ingeniería. Pues bien, hoy me he topado con una entrevista a Sergio Boixo, un informático y filósofo español que diseñó la parte teórica del experimento: https://elpais.com/tecnologia/2019/10/26/actualidad/1572105568_087306.html 02. Un poco de etimologías Hoy @EtimosDirectos explicaba en un hilo la etimología de “onanismo” y claro, yo siempre tuve curiosidad de por qué se utilizaba esta palabra para referirse a la masturbación. Su origen lo encontramos en el personaje bíblico Onán y aquí puedes leer la historia completa: https://twitter.com/EtimosDirectos/status/1188849528218226688 03. 500Sevilla Esta mañana se ha presentado la cuenta de instagram @500Sevilla con la que ese va a conmemorar el quinto centenario de la primera circunnavegación del mundo, la que lideró Magallanes. Como dice mi amigo Adrián Yánez “si Pigafetta –cronista de aquel gran viaje– viviese en el siglo XXI habría transmitido la hazaña a través de Instagram”. Así que estás tardando en seguir esta cuenta: https://www.instagram.com/500sevilla/?hl=es Despedida Y con esto termina el episodio número 42 de “3 cosas que ayer no sabía”, el del martes 29 de octubre de 2019. Suscríbete a este podcast en cualquier plataforma y no te olvides de dejarme alguna review o comentario, ¡que siempre ayuda! A mí me encuentras en Twitter por @almajefi. Escríbeme y cuéntame qué te parece este podcast y, por qué no, enséñame cosas nuevas. Con dió.

Año 1521. Terminamos la historia de la primera circunnavegación del mundo. El viaje todavía no acaba. La armada de molucas ha entrado al corazón de las tinieblas. Ahora, debe escapar. Pero esta no es la misma flota que ha salido hace casi dos años de Sevilla. El brillante guía que los ha traído a este punto, Fernando de Magallanes, acaba de morir. La armada está devastada: dos barcos han desaparecido y los otros tres están al borde de desintegrarse por si solos. Ya no tienen provisiones, salvo las que puedan obtener de los hostiles nativos. Y el viaje de vuelta será más largo que el cruce del Pacífico, por lo tanto, mucho más mortal. Las situaciones extremas hacen que los líderes heroicos aparezcan y así surge la figura de Juan Sebastián Elcano, marinero vasco. Una sombra oscura flota sobre él durante todo el viaje, a causa de haberse amotinado en contra de Magallanes. Nadie confiará en el del todo, nadie querrá que sea el sucesor del portugués, pero solo él podrá lograr que 18 personas completen ese primer viaje. Pero al momento de iniciar nuestro episodio, la salida está lejana. Y lo que los tripulantes de la Concepción, la Trinidad y la Victoria descubrirán, sumergidos en el más terrible horror de supervivencia, es que es mucho más difícil salir del infierno que entrar en él. Imagen: El genial Caravantes imagina el sufrimiento de Elcano en esta imagen, parte de la Ilustrulia. Fuentes / Textos - BERGREEN, Laurence. (2004) Over the edge of the world: Magellan’s Terrifying Circumnavigation of the World. Perennial / HarperCollins. ISBN-13: 978-0060936389 - FERNANDEZ DE NAVARRETE, Martín. (1858) Colección de los viajes y descubrimientos que hicieron por mar los españoles desde fines del siglo XV. - PIGAFETTA, Antonio. (1536) Relación del primer viaje alrededor del mundo. Fuentes / Sitios Web - Rutaelcano.com - Wikipedia Música, en orden de aparición: El tema de la Tortulia es una versión de Caravan por Oleg Zobachev. El tema original es de Duke Ellington.

Im 15. Jahrhundert begann Europa zu expandieren und nach und nach die Welt unter sich aufzuteilen. Am Ende des 19. Jahrhunderts befanden sich weit mehr als die Hälfte der Weltterritorien in den Händen europäischer Mächte – Frankreich etwa oder das Vereinte Königreich, aber auch das Deutsche Kaiserreich, Belgien oder Italien. Mit den Folgen dieser hegemonialen Ausweitung kämpfen die ehemals kolonisierten Gebiete bis heute. Österreich präsentiert sich gerne als Land mit weißer Weste, das nicht kolonialisierte. Doch gab es, neben einem sehr ausgeprägten Grenzlandkolonialismus, durchaus österreichische Versuche in Übersee. Wenngleich es sich hierbei um punktuelle Versuche unter dem Engagement einzelner handelte, sollen diese Versuche nicht vergessen werden.In dieser Sendung hören Sie Beispiele österreichischer Kolonialisierungsversuche in Ostafrika und Übersee. 1776 stach die SMS Joseph und Theresa in See, mit dem Ziel Faktoreien und Stützpunkte in Ostafrika, Indien und auf den Nikobaren in der Südsee zu errichten. Über 100 Jahre später 1893 segelte eine Mannschaft mit der SMS Albatros, ganz im Zeichen der Industrialisierung, auf der Suche nach Nickelerz durch die Südsee, eine Reise die fatal endete.Gestaltung: Doris Bauer (Verantwortlich für den Sendungsinhalt)Im Interview: ao. Univ.-Prof. Dr. Hermann Mückler, Institut für Kultur- und Sozialanthropologie, Universität WienDie Textstellen sind zitiert nach:Fontana, Nikolaus: Die Reise des kais. kön. Schiffes Joseph und Theresa nach den neuen österreichischen Pflanzorten in Asia und Afrika. Dessau und Leipzig: 1782.Forster, Johann Georg (Hg.): Johann Reinhold Forsters Reise um die Welt während den Jahren 1772 bis 1775. Berlin: 1784.Kaspar, Franziska: Die österreichische Kolonie auf den Nikobaren 1778-1783. Eine ethnohistorsiche Untersuchung des kolonisatorischen Unternehmens Österreichs im Indischen Ozean Ende des 18. Jhdts mit einer Bewertung der Ethnographica aus dem 19. Jhdt. (2 Bde), Dissertation Wien 2002: Universität Wien. (Sekundärzitate)Pigafetta, Antonio: Beschreibung der von Magellan unternommenen ersten Reise um die Welt. Gotha: 1801.Winter, Karin: Österreichische Spuren in der Südsee. Die Missionsreise von S.M.S. Albatros in den Jahren 1895-1898 und ihre ökonomischen Hintergründe. Wien/Graz 2005: Neuer Wissenschaftlicher Verlag. (Sekundärzitate)Musik: Duo Cammarano-Deljavan – Sonata No. 3 in D minor, Op. 108 - III. Un poco presto e con sentimento, On Classical (Johannes Brahms); Brent Hugh – Bells Through the Leaves (Claude Debussy); Alesssandro Deljavan – Premieres Valses - IX. La Feuille (Reynaldo Hahn); Giampaolo Stuani – Preludes opus 28_2 (Frederic Chopin); Alessandro Simonetto – Trois Gnossiennes - I. Lent (Erik Satie); Jahzzar – room with a view. Nachzuhören auf Jamendo, einer Community für freie, legale und unlimitierte Musik, die unter Creative Commons Lizenzen veröffentlicht wurde.Geräusche/Soundeffekte:Many thanks to Jovica, Sherlock, Setuniman, lxx-70, laurent, Glitchedtones, audeption, blouhond, sandyrb, inspectorj, xserra, digifishmusic, jedo, insintesi. Zu finden auf freesound.org. Freesound is a collaborative database of Creative Commons Licensed sounds.

Enrique of Malacca (Spanish: Enrique de Malaca; Portuguese: Henrique de Malaca), was a native of the Malay Archipelago who became a slave of the Portuguese explorer Ferdinand Magellan in the 16th century. Italianhistorian Antonio Pigafetta, who wrote the most comprehensive account of Magellan's voyage, named him "Henrique" (which was Hispanicised as Enrique in official Spanish documents). Pigafetta explicitly states that "Henrique" was a native of Sumatra. According to biographer-philosopher Stefan Zweig, he is the first person to circumnavigate the world.[1] His name appears as "Henrique",[2] which is Portuguese, and is probably the name given to him at his christening, as he was baptised a Roman Catholic by his Portuguese captors. His name appears only in Pigafetta's account, in Magellan's Last Will, and in official documents at the Casa de Contratación de las Indias of the Magellan expedition to the Philippines. Our theme song was written and performed by Anna Bosnick. If you’d like to support the show on a per episode basis, you can find our Patreon page here.  Be sure to check our website for more details.

Enrique of Malacca (Spanish: Enrique de Malaca; Portuguese: Henrique de Malaca), was a native of the Malay Archipelago who became a slave of the Portuguese explorer Ferdinand Magellan in the 16th century. Italianhistorian Antonio Pigafetta, who wrote the most comprehensive account of Magellan's voyage, named him "Henrique" (which was Hispanicised as Enrique in official Spanish documents). Pigafetta explicitly states that "Henrique" was a native of Sumatra. According to biographer-philosopher Stefan Zweig, he is the first person to circumnavigate the world.[1] His name appears as "Henrique",[2] which is Portuguese, and is probably the name given to him at his christening, as he was baptised a Roman Catholic by his Portuguese captors. His name appears only in Pigafetta's account, in Magellan's Last Will, and in official documents at the Casa de Contratación de las Indias of the Magellan expedition to the Philippines. Our theme song was written and performed by Anna Bosnick. If you’d like to support the show on a per episode basis, you can find our Patreon page here.  Be sure to check our website for more details.

Un gradito ritorno a Brussellando. Anna Laura Longo ha presentato le sue ultime produzioni artistiche e i suoi numerosi progetti in corso. Successivamente, Brussellando ha illustrato i punti e le tappe salienti de il progetto Pigafetta 500, “Sulla rotta di Magellano e Pigafetta, dall’Europa alle Isole delle Spezie, mezzo millennio dopo”. Un’avventura magistrale e indelebile che sarà riproposta agli amanti del mare e della vela prendendo spunto dalle epiche gesta di Antonio Pigafetta, il primo italiano a fare il giro del mondo e Ferdinando Magellano. A seguire, il librangolo ed una ricchissima agenda culturale.[Buon ascolto]  Brussellando coglie l’occasione per salutare Patrizio Roversi & Syusy Blady, tra i promotori del progetto Pigafetta 500, che purtroppo non hanno potuto prendere parte alla trasmissione come precedentemente annunciato. Siamo sicuri che le nostre rotte s’incroceranno di nuovo!

Tjugo år sen murens fall och Felicitas Hoppe, Olga Tokarzcuk och Ioan Es Pop pratar om litteratur, resor och det fria ordet Vad har hänt med författarna efter murens fall? Visst kan man skriva vad som helst men det är slut med stjärnstatusen, säger den rumänske poeten Ioan Es Pop. Vi har också träffat den polska författaren Olga Tokarczuk, vars roman ”Löparna” handlar om hur viktigt det är för den fria tanken och människan att ständigt hålla sig i rörelse. Hennes bok om resandet är en sinnesutvidgande färd mellan flygplatser och kuriosakabinett. Den kritikerrosade romanen ”Pigafetta”, av den tyska författaren Felicitas Hoppe, handlar om en världsomsegling med containerskepp. ”När jag fick mitt första litterära pris, lovade jag i stundens ingivelse att göra denna långa resa”, berättar Felicitas Hoppe för Bibliotekets Yvonne Ihmels. Intresset för murens fall ser författaren som ett stort spektakel. Programledare Louise Epstein och Anna Tullberg.

Kilka lat temu niemiecka pisarka Felicitas Hoppe zabrała się na kontenerowcu w podróż dookoła świata. Na podstawie dziennika podróży napisała niewielką książeczkę o tytule „Pigafetta”. I o tej książce mówię w dzisiejszym odcinku.