Podcasts about Asian

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US equity futures slightly softer. European equities opened firmer, while Asian markets were mixed with South Korea and Hong Kong outperforming. Trump to decide within two weeks on potential Iran strike, extending earlier timeline amid reported backchannel talks between US envoy Witkoff and Iran's foreign minister. Japan's May core inflation came in above expectations, keeping BOJ tightening speculation in play, while China held loan prime rates steady. BoE kept rates steady while SNB and Norges Bank cut rates; ECB bulletin released. Japan's Akazawa downplayed July 9 as deadline for US trade talks, mirroring tone from EU officials as negotiations drag on.Companies Mentioned: GMS Inc, Home Depot, QXO, Inc, Paramount Global, Ares Management Corp.

On this episode, we welcome award winning author and illustrator Mike Curato to the podcast to chat about his latest graphic novel, Gaysians, an adult graphic novel following four gay Asians navigating love, identity, found family, and friendship in early 2000's Seattle.Follow Mike on Instagram at @mike_curato and check out his latest graphic novel Gaysians available now on the Books & Boba bookshop!Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba June 2025 pick is Afterparties by Anthony Veasna SoThis podcast is part of Potluck: An Asian American Podcast Collective

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee

Markets are still grappling with global trade and fiscal policies in flux and we were reminded this week that geopolitical risk is never out of the frame for too long. The broadening of hostilities in Israel and Iran necessarily extends the vigilance of policymakers for first and second order impacts on their economies, carrying with it potential implications for currency and interest rate markets, in particular. This week, we look at how all-important reserve managers and governments in Asia are considering all of these threats to stability and how currency and monetary policies are likely to adapt. We bring Dwyfor Evans, our head of macro strategy for Asia, back to the podcast for a broad discussion of the most relevant considerations.See omnystudio.com/listener for privacy information.

More Lodi, Great Stories, Zinfandel, Young Blood, Earthquakes and interview with Jeff Farthing, Director of Winemaking, Michael David Winery in Lodi, CA. ON THE ROAD with MR CA WINE is about California's cool, aspirational lifestyle and awesome wines hosted by Chuck Cramer, a California native, living in London and is the Director of European & Asian sales & marketing, Terlato Wines. This is a wine journey covering the hottest topics in CA wine, chatting along the way with the experts who make it all happen. This week's episode includes an interview with Jeff Farthing, Michael David Winery. 

It has now been 30 years since the passing of Teresa Teng 鄧麗君, the legendary Taiwanese singer who transformed Asian pop music, and even influenced regional politics. But three decades have not dimmed her star. Teng remains beloved by millions across Asia and around the world. Now, to the delight of her fans, there is news of one final encore from the “Eternal Queen of Asian Pop”: a previously undiscovered Japanese-language recording has been found. The new song is reportedly set for release on June 25, 2025. To mark the occasion, we're re-releasing this classic 2022 Formosa Files episode celebrating her extraordinary life and legacy. Enjoy!

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!) & TikTok!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!G-DRAGON Tour Part 3 stops and datesComebacks: CRAVITY, BABY DONT CRY, ALLDAY_PROJECT, LE SSERAFIM, FROMIS_9, AESPA, KATSEYE, AESPA, ONEUSMusic Videos: BABY DONT CRY, ALLDAY PROJECT, KICKFLIP, HEARTS2HEARTS, JHOPE ft. GLORILLA, ATEEZ, ILLITAESPA 'Dirty Work' teasersAESPA x Street Fighter 6 collabMOMOLAND possibly returning?KATSEYE signed album event in LAMNET World Street Woman Fighter: One of the teams gets the help of TWICE (MOMO's sister is on the team)ATEEZ chaos sings and gets drunk on K Hot Chili: SEONGHWA voice crack & eats pepper from MINGI, quiet drunk SAN with the Asian glow and brief singing outburstsMEOVV Vlog of ELLA for MiuMiu Fashion ShowMEOVV in a classic countryside variety episode with missionsBTS will be OT7 again this week!JUNGKOOK takes the stage with JHOPESTRAY KIDS Dominate Tour has transformed into Waterbomb in the USAThe evolution of LEEKNOW with water gun upgrades for each stopSupport this podcast at — https://redcircle.com/permission-to-stan-podcast-kpop-multistans/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

Herald van der Linde welcomes Global Head of Transport Research Parash Jain and Asia Equity Strategist Prerna Garg into the studio for a discussion on the impact of Middle East tensions on Asian markets, economics and global shipping.Disclaimer: https://www.research.hsbc.com/R/101/Rc9xgDh.Stay connected and access free to view reports and videos from HSBC Global Investment Research follow us on LinkedIn https://www.linkedin.com/feed/hashtag/hsbcresearch/or click here: https://www.gbm.hsbc.com/insights/global-research.

Your noonas have rewritten an ending or two, but that's not what today is about. For this episode, we get to the heart of the matter and talk about what actually makes a good (or not so good) ending. We discuss what happens when a good drama has a bad ending, whether or not a good ending can save a bad drama, and of course, the best and worst (in our opinion) endings in our K-drama experience. Ready to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life. ★ Support this podcast on Patreon ★

Today we talk about our hormonal health and periods! We discuss the process of going off a long-term birth control and getting reintroduced to the hormonal cycle. We talk about how to work with the different phases of the cycle and changes we notice in our body and mood. We also share what we personally like to do during our periods.Support the showFollow us on social media @eatyourcrustpod

Dan Giusti is the founder and CEO of Brigaid, an organization bringing restaurant chefs to school cafeterias and senior centers. Formerly the head chef at Noma, he's now dedicated to providing delicious and healthy meals to 40 institutions across the country. This year alone, Brigaid expects to serve over a million meals. It's so special to have Dan in the studio to talk about growing up on Italian American classics, pivoting from Noma to Brigaid, and how all the work happens.Also on the show we have a terrific conversation with Adrian Miller. He's the author of a groundbreaking new book: Cooking to the President's Taste: Asian Heritage Chefs in White House History. We talk about how lesser-known Asian chefs have helped shape the food in the White House, and possibly policy.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we hear from with award-winning author, journalist and broadcaster Ben Arogundade about his latest book, Hollywood Blackout.Drawing on a century of film history, Hollywood Blackout explores how the Academy Awards have both resisted and reflected changing social forces — from the Nazi invasion of Europe to the Civil Rights Movement, Vietnam, #OscarsSoWhite, and #BlackLivesMatter. Arogundade reveals how external political and cultural shocks shaped who was celebrated at the Oscars and when — and how Hollywood's slow path toward inclusion has been won by generations of under-recognised artists and activists.We discuss the ground breaking victories of Hattie McDaniel, Sidney Poitier, Denzel Washington and Will Smith — and how moments of global crisis forced the Academy to evolve. Ben also shares powerful insights into the systemic barriers faced by Black, Asian, Latino, Indigenous, and female creatives throughout Hollywood history. Hollywood Blackout is a richly detailed, deeply researched account of the struggle for recognition in one of the world's most powerful cultural institutions. A must-listen for anyone interested in the intersection of race, politics, and cinema.*****STOP PRESS*****I only ever talk about history on this podcast but I also have another life, yes, that of aspirant fantasy author and if that's your thing you can get a copy of my debut novel The Blood of Tharta, right here:Help the podcast to continue bringing you history each weekIf you enjoy the Explaining History podcast and its many years of content and would like to help the show continue, please consider supporting it in the following ways:If you want to go ad-free, you can take out a membership hereOrYou can support the podcast via Patreon hereOr you can just say some nice things about it here Become a member at https://plus.acast.com/s/explaininghistory. Hosted on Acast. See acast.com/privacy for more information.

US equity futures slightly higher. European markets opened narrowly mixed, while Asian markets were also mixed. Geopolitical focus dominated as Trump held a National Security Council meeting to discuss potential strikes on Iranian nuclear sites, including the Fordow facility. Reports flagged risks of Iranian retaliation and potential mining of the Strait of Hormuz. Trump reiterated a hard stance, demanding Iran's unconditional surrender. Trade talks saw little movement. Trump criticized EU and Japan for failing to offer fair deals and reiterated tariff threats, including imminent action on pharmaceuticals.Companies Mentioned: KKR & Co, Orange, Zegona Communications, Hasbro, Plains All American Pipeline, Keyera

In this episode of the ChinaPower Podcast, Dr. Ely Ratner joins us to discuss the case for a defense pact in the Indo-Pacific. Dr. Ratner starts by laying out his argument of why he thinks now is the right time for this type of agreement, discussing that the pact may serve to help maintain stability and deterrence in the region amidst China's aggressive ambitions to reshape the global order. Dr. Ratner discusses the four countries, U.S., Japan, Australia, and the Philippines, that he believes the pact will include to start with and what their responsibilities will be within the pact. He shares that he envisions one of the main features of this partnership to be greater military integration among its members and to serve as a framework to garner the collective power of US allies and partners through a multilateral collective security agreement. Dr. Ratner discusses the viability of the pact and the reasons he thinks there are more opportunities for the pact to be successful now than there was in the past, including greater strategic alignment among the four partner countries, increased intra-Asian cooperation, and the growing reciprocity in U.S. alliances themselves. Dr. Ratner also considers how these different countries may respond to the idea of this pact, especially considering China may react badly to it. He underscores that Beijing is likely to behave badly regardless of this pact and states countries should not turn away from it because of Beijing. Finally, Dr. Ratner underscores how this pact would not require the U.S. to extend new commitments abroad and describes the continuing will and desire he sees from the Trump Administration to continue cooperation and strengthening of alliances in the region. Dr. Ely Ratner is a Principal at The Marathon Initiative, a bipartisan think tank dedicated to preparing the United States for an era of sustained great power competition. He served as the Assistant Secretary of Defense for Indo-Pacific Security Affairs from 2021-2025. Prior to confirmation, he was the Director of the DoD China Task Force and a Senior Advisor to China to the Secretary of Defense. Before arriving at the Department of Defense, Dr. Ratner was the Executive Vice President and Director of Studies at the Center for a New American Security (CNAS), where he was a member of the executive team and responsible for managing the Center's research agenda and staff. Dr. Ratner served from 2015 to 2017 as the Deputy National Security advisor to Vice President Joe Biden, and from 2011 to 2012 in the office of Chinese and Mongolian affairs at the State Department. He earned his Ph.D. in Political Science from the University of California, Berkeley.

I am saying it now, The Prisoner of Beauty will be one of my top dramas for 2025, so in this week's episode listen to my review of it and why that is the case. The Prisoner of Beauty is a 2025 Chinese drama, staring Song Zuer and Liu Yuning, it is enemies to lovers done absolutely right, and in this episode I discuss why I think that.So join me for my full thoughts on this drama. If you like the episode and would behind the scenes, deleted content and further reviews join Patreon - patreon.com/user?u=82789007 To join a safe, Asian drama chatter community there's Discord  - https://discord.com/invite/8CEPFjnaRY Social Liliana (Tea and Soju)Instagram: teaandsojupod - https://instagram.com/teaandsojupod?igshid=OGQ5ZDc2ODk2ZA== Tiktok - teaandsojupod- https://www.tiktok.com/@teaandsojupod?_t=8gXFJT3Q6Ov&_r=1 Email - teaandsojupodcast@gmail.com

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee

The food scene in Bridgeport has experienced a significant evolution in recent years. Chef Won Kim, who is changing the perception of Asian cuisine with his Korean-Polish fusion restaurant Kimski, has much to say about the neighborhood's changing tastes. In this episode, host David Manilow talks to Kim about his chaotic journey as a chef, artist and DJ. Plus, we'll celebrate Chicago's James Beard Award winners.

The fiendish thing about the iron cage of alienation is that the harder you try to escape, the harder that gets. The more you try to think your way out, the more surely you lock yourself in. A case in point: The Democratic Party recently paid $20 million to study how to talk to men. If Democrats are alienated from men, it might just be because they see them as objects of study, as opposed to human beings they actually know. And it's not just men who are becoming strangers to the Democratic Party. It's black, Latino, Asian, and female voters too. Many are members of the party's former, blue collar base. But how can Democrats get unalienated? How do you escape your own mind? Not by thinking the same old way, harder. You do it by learning to think in a different way. Find the full transcript and links for this episode at DastardlyCleverness.com.

Daniel and David once again travel abroad for the first of a Asian horror double feature. This week the guys look at 2000 cult classic Battle Royal. Does this action horror pack a punch? Or does is it underserving of its rating? Find out on this episode of Shiver: A Horror Movie Podcast.   #Shiver #Horror #HorrorMovies #HorrorPodcast #JapaneseHorror #Dystopian #DystopianFiction #DystopianHorror #Japan #2000sHorror #2000s #KinjiFukasaku #BattleRoyale #FrightYaVeryMuch

Subscribe to Throwing Fits on Substack. It's not clocking to you that we're standing on business, is it? This week, Jimmy and Larry want to thank everyone for buying shorts for a good cause, set your calendar alerts because we're doing a live pod at ThriftCon this weekend—Saturday, June 21st—jeans that are definitely jeans, when the brand doubles as your zodiac sign, Très Bien's sale is not to be trifled with, did we finally learn how to pronounce Port Tanger, we're not saying we convinced John C. Reilly to join Instagram but maybe we did, Tennis has officially gone full streetwear thanks to Supreme x Yonex and Kith x Wilson so how did we get here and what does it mean, are there any hobbies left that are immune to collabs, Lawrence had a wonderful time dining at Eddie Huang's new pop-up restaurant Gazebo, Asian fusion is so back which is good because it rules, James mingles with the fairer sex at Paige DeSorbo's Daphne launch, pajama drama, welcome to Jamaica where the Red Stripe is frosty and the fire is slapped, it's WW3 so make sure you hit up the gay orgy bomb shelter, explaining why Quentin Tarantino and Caitlyn Jenner are in Israel, England is magic, buying stock in a new TikTok guy, revising our assessment of Justin Bieber's mental health and more.

Yesterday Yvette Cooper announced a national inquiry into the grooming gangs scandal after the Casey Review found that a disproportionate number of Asian men were responsible and that governments and authorities had failed to step in over fears of racism. Anxious to press Labour on their U-turn – memorably, Starmer accused the Tories of ‘jumping on the far-right bandwagon' – Kemi Badenoch held a press conference, joined by victims of the gangs. ‘I'm not doing politics now, when I'm in the Houses of Parliament, when I'm in the Commons, I will do politics', she said. But can you really take the politics out of the grooming gangs scandal?Elsewhere, Donald Trump has fled the G7. Although this isn't the first time he has cut a G7 visit short, it does mean he snubbed meetings with Zelensky and the Mexican president. Have Labour got what they wanted out of the conference? And what should we read into Trump's early exit?Lucy Dunn speaks to Tim Shipman and James Heale.Produced by Oscar Edmondson. Hosted on Acast. See acast.com/privacy for more information.

There's no denying that western money in Global South countries has a profound impact, for better or worse. We might assume that spending money on volunteering and caring for orphans would be a net positive in the majority world. That however is not the case. As we dive back into the conversation around orphan care and volunteering, we're joined by filmmaker Barak Laub whose new documentary Volunteers Needed delves into this very dynamic in Nepal. He talks with Brandon Stiver about the film, his travels and the effort to advocate for government policies in the US that would mitigate harm in global orphan care. Support the Show Through Venmo - @canopyintl Podcast Sponsors The M.A. in Global Development and Justice program at Jessup University prepares students to work across the nexus of justice, community development, and peacebuilding. Learn More About The MAGDJ Online Program Alliance for Children Everywhere is on mission to bring vulnerable children into secure families, schools, and communities. Visit Alliance for Children Everywhere Online Resources and Links from the show Volunteers Needed Film Online The Westerner Abuse and Child Protection Conversation (Think Orphan Podcast) Conversation Notes The connection of volunteering to care for wild animals and canned hunting The importance of bringing and teaching skills when volunteering abroad The country conflict that led to the proliferation of orphanages in Nepal The relationship between corruption, poverty and caste in certain Asian countries The experience of kids that grow up in care in Nepal Misinformation told to volunteers that leads to exploitation Spending money in a way that reflects your values   Theme music Kirk Osamayo. Free Music Archive, CC BY License

In this episode, we're joined by Ryan Alexander Holmes, actor, athlete, and activist, who gets real about what it means to be 100% Chinese, 100% Black, and fully himself in an industry that often tries to simplify identity.We talk about his upbringing with a Chinese mother and Black father, navigating Hollywood as a biracial actor, and how he's using his platform to shift culture and build community. He also shares what he's diving into for his upcoming doctorate at UCLA (every Asian parent's dream), and surprises us with a totally unexpected twist on the classic PB&J that no guest has done before.It's one of our most raw, inspiring, and deep conversations we've had on the podcast. Click here to follow Ryan on IG

Richie is joined by Marilyn Hawes and Raja Miah MBE. Baroness Casey's interim report into group-based child sexual exploitation—often referred to as "grooming gangs"—has laid bare  widespread failures across UK institutions to confront this horrific abuse. Authorities frequently avoided recording the ethnicity and nationality of perpetrators, fearing accusations of racism. Two‑thirds of cases lacked any ethnicity data, though local records in areas like Rotherham, Greater Manchester, South and West Yorkshire revealed a disproportionate number of Asian‑background men were responsible.To discuss this, Richie is joined by two tireless - and fearless - campaigners for justice for the victims of these rape gangs. Former teacher Marilyn Hawes works around the clock to educate children, parents and educators to recognise the patterns of grooming.https://freedom-abuse.org/https://x.com/MarilynHawes7Raja Miah MBE is a a long-standing campaigner and whistle-blower who's been at the forefront of exposing grooming gang scandals, particularly in his hometown of Oldham. Six years ago, Raja blew the whistle on how senior Labour party figures in Oldham knew about gangs and covered it up. https://www.redwallandtherabble.co.uk/https://x.com/recusant_rajahttps://buymeacoffee.com/recusantnine

US equity futures are pointing to a lower open today. European markets have opened in the negative territory, following mixed trades in Asian markets. Global markets today are digesting Trump's decision to cut short his G7 attendance to return to Washington after warning on Truth Social for people to evacuate Tehran. BOJ left interest rates unchanged as expected. Ishiba and Trump failed to reach agreement at G7. US and Canada are aiming to strike a trade deal within a month.Companies mentioned: Verve Therapeutics, Eli Lilly, T-Mobile, Softbank

Is China's strategic push for chemical self-sufficiency reshaping the global petrochemical landscape? John Richardson, senior consultant at ICIS, joins The Chemical Show to share insights on how misjudged growth expectations for China, shifting demographics, and the rise of state-driven capacity expansions have led to the deepest, longest downturn in industry history. John and host Victoria Meyer examine why capacity was built around hopes for perpetual strong Chinese demand, only for real estate and demographic headwinds to alter the trajectory—creating a world of oversupply, negative margins, and mounting uncertainty. Their conversation covers the ongoing impact of trade tensions, the real drivers behind Chinese investment decisions, and why shutting down uneconomical assets is becoming a pressing necessity, especially in Europe and Asia. John and Victoria also weigh the challenges and promises of AI and data intelligence in a conservative, data-guarded sector, and offer advice for industry leaders navigating persistent market disruption. For chemical professionals, these perspectives highlight why adaptability, intelligence, and innovation will be critical in mastering both today's volatility and tomorrow's opportunities. Discover more about the following topics: How China's pivot from growth to self-sufficiency is reshaping global petrochemicals. Why chemicals face their worst business cycle ever, with Asian producers bleeding money on polyethylene. How tariffs and shifting policies create constant uncertainty for chemical companies. Why China's government-backed enterprises compete on strategy, not just cost. How data and artificial intelligence will separate industry winners from losers. “We've all assumed that polymer sciences are, you know, composites and stuff and playing with the same basic molecules, but maybe not.”  — John Richardson 00:00 Chemical Industry Insights by John 06:08 Domestic Chemical Manufacturing Expansion 08:48 Polyethylene Margins: China vs. Middle East 11:31 Tariffs and Global Business Perspectives 14:43 China's Trade Resilience Amid Challenges 20:23 Data Sharing's Impact on AI 23:50 Debating Productivity's True Impact 26:34 AI: Industrial Revolution or Renaissance? 30:49 Innovative Multi-Pane Glass Advancements 31:43 Innovative, Stronger Glass Advances  Subscribe to The Chemical Show on YouTube  ***Don't miss an episode: Subscribe to The Chemical Show on your favorite podcast player.  ***Like what you hear? Leave a rating and review. ***Want more insights? Sign up for our email list at https://www.thechemicalshow.com 

Attending a New York Mets game at Citi Field is a phenomenal experience for locals and tourists alike. With its proximity to some excellent Asian food in Flushing, cheap ticket prices (generally), and a fun atmosphere, it's an activity we highly recommend!Brief History of Citi Field and the MetsFounded in 1962, they're based in Queens, New York, and have won two World Series championships (1969 and 1986). The team colors are blue and orange.Citi Field has been the Mets' home stadium since 2009, replacing the iconic Shea Stadium. Located in the Flushing neighborhood of Queens, the ballpark was designed as a tribute to Brooklyn's old Ebbets Field, featuring classic brick architecture. The stadium has a capacity of about 41,900 and is known for its distinctive exterior rotunda, excellent sight lines, and the Home Run Apple that rises when a Met hits a home run.It's genuinely a beautiful stadium that feels both updated and modern, yet retains its charm. I love watching planes take off and land at nearby LaGuardia Airport as the game progresses.Best Seats at Citi FieldThere are NO bad seats at Citi Field. We often scour various ticket sites for last-minute cheap tickets, then float around the stadium throughout the game.We often have the best luck on ticket prices on Vivid Seats (plus you earn rewards for free tickets).Where to Eat/Drink Before a Mets GameThere is little to nothing right next to Citi Field, so most people either eat or drink wherever they're coming from, or go to Flushing or Corona.Corona is known for Latin food, Flushing (Main St. stop on the 7) is one of the best spots in the world for Asian, and specifically Chinese food (besides China, of course).Spots in Flushing (one stop on the subway or a 20-minute walk):Nan Xiang Soup DumplingsFood court in the basement of the New World MallPeking Duck Sandwich StallChung Moo, try the homemade kimchiWhite BearThis Episode's You'll Have to Check It Out Segment - White BearCash-only and very little seating (maybe none at all post-COVID.. We aren't 100% sure).Get the wontons in chili oil (the #6).A small, single-family operation for decades, where a few people handle all aspects, from taking your order to preparing the food, etc.Open daily from 10:00 a.m. to 7:00 p.m.Check out White Bear here.Best Food Options at Citi FieldFrom their website: Guests may bring in one soft, plastic, factory-sealed water bottle of 20 ounces or less. While it doesn't mention food, many people mention it's not an issue. We've def brought in candy and the like.Citi Field was voted Best Stadium Food in 2023 and Best Baseball Stadium Food in 2024 AND 2025 on USA Today.2025#1 Best Baseball Stadium Food2024#1 Best Baseball Stadium FoodRunner-up: Best MLB Stadium2023#1 Best Stadium FoodHere are some popular food options in Citi Field:Checked out Hudson Club food hall.Souvenir helmets for ice cream $10. Great for kids.$5 (per item) hot dogs, 12oz beer, pretzels on TuesdaysThe Hot PastramiGoya NachosFuku: Spicy Chicken SandwichSeoul: Korean Fried ChickenPat LaFrieda's: Surf & Turf sandwichSee the complete Citi Field dining guide here.

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee

In today's episode of iGaming Daily, sponsored by Optimove, Ted Orme-Claye, Viktor Kayed, and Ted Menmuir break down the recent removal of Gibraltar and the UAE from the EU's Anti-Money Laundering (AML) watch list. Viktor, who originally broke the story for SBC News, details why this delisting marks a crucial turning point for these markets. Gibraltar, long regarded as a premier hub for European gaming operators and B2B technology providers, has worked swiftly to address shortcomings flagged by the Financial Action Task Force (FATF)—strengthening its AML controls, asset seizure processes, and gambling oversight to restore its market reputation and access to EU business channels.The discussion then shifts to the United Arab Emirates, a fast-emerging player in the global iGaming scene. The UAE's removal from the AML list follows its creation of the General Commercial Gaming Regulatory Authority (GCGRA), a step towards a legalised and regulated gaming environment in the region. With Wynn Resorts' Ras Al Khaimah project on the horizon, the UAE is positioning itself not just as a potential destination for high-end land-based gaming but also as a future hub for game development, technology platforms, and iGaming investment—serving as a bridge to key Asian markets. However, the three caution against overestimating its immediate impact on broader online gambling in Asia, pointing to the unique complexities of neighboring countries such as China, India, and Japan.This episode highlights why these regulatory shifts are a game-changer for investors, gaming operators, and tech innovators alike. The removal from the EU and FATF “gray lists” reduces financial risk, removes regulatory barriers, and sends a strong signal of market credibility—opening doors for partnerships, funding, and new ventures in both Gibraltar and the UAE. Host: Ted Orme-ClayeGuests: Ted Menmuir & Viktor KayedProducer: Anaya McDonaldEditor: James RossiGaming Daily is also now on TikTok. Make sure to follow us at iGaming Daily Podcast (@igaming_daily_podcast) | TikTok for bite-size clips from your favourite podcast. Finally, remember to check out Optimove at https://hubs.la/Q02gLC5L0 or go to Optimove.com/sbc to get your first month free when buying the industry's leading customer-loyalty service.

US and European equity markets rallied on Monday, closing their sessions in positive territory. However, after President Trump called for the immediate evacuation of Tehran and decided to abandon the G7 summit to return to Washington, futures turned south. With the exception of Japan, most Asian equity markets turned in a nervous performance overnight as markets wait to see what direction the Israel/Iran situation takes next. US data and tomorrow's FOMC decision will also be closely monitored. On todays' show, Manuel Villegas, Next Generation Research, provides an update on digital assets where demand is strong and he sees a healthy derivatives market.(00:00) - Introduction: Helen Freer, Investment Writing (00:48) - Markets wrap-up: Bernadette Anderko, Investment Writing (06:54) - Digital assets: Manuel Villegas, Next Generation Research (11:01) - Closing remarks: Helen Freer, Investment Writing Would you like to support this show? Please leave us a review and star rating on Apple Podcasts, Spotify or wherever you get your podcasts.

Welcome to Season 5, Episode 24! In this episode, we have Part 1 of a Conversation with Olivia Cheng, a storyteller known predominantly for her acting, but beginning to make waves with her writing, directing, and producing.  Originally from Edmonton, Olivia's acting credits include playing Mei Lin in Marco Polo on Netflix, Ah Toy in Warrior on Cinemax and HBO, Charlotte in See on Apple TV+, Master Gao in Deadly Class, and Noel in the feature Lucky Star… just to name a few of her projects. Her performances have been praised for their depth and complexity, and she often plays roles that explore themes of identity, resilience, belonging, and empowerment. In addition to being a talented actress, she's also getting recognition for her action sequences in several roles she's played.  In this part of the conversation, we talk about her origin in acting, some of the key roles she has played, life as a journalist, how she approaches action scenes, and more. Additionally Olivia shares some of her thoughts on being part of productions with cast members of Asian Pacific descent both in front of and behind the camera.  If you're interested in seeing more of Olivia's work, then you can do the following: find her in the roles on the above listed projects, rent or buy Lucky Star on Apple TV or Amazon services, and/or follow her on Instagram @thatoliviacheng. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. *Above Photo of Olivia Cheng by Noah Asanias

US equity futures slightly higher. European markets trading weaker and Asian markets ended mixed. Geopolitical risk remains high as Israel and Iran exchanged strikes for a third day. Market concern remains about potential for disruption to crude shipments via Strait of Hormuz. China's May activity data came in mixed: industrial output and fixed asset investment growth slowed more than expected, while retail sales surprised to the upside amid holiday spending and a trade-in stimulus. G7 summit saw little progress on trade, though bilateral talks between Trump and other leaders continued. Japan and the US discussed a potential deal, while the US and Vietnam neared a framework agreement. Preliminary University of Michigan consumer sentiment rose for the first time in five months, while inflation expectations moderated.Companies Mentioned: US Steel, Nippon Steel, Coinbase, Gemini, Google, Meta

An exploration of workplace participation and earnings patterns for diverse women in US STEM professions that upends the myth that STEM work benefits women economically. Seen as part economic driver, part social remedy, STEM work is commonly understood to benefit both the US economy and people—particularly women—from underrepresented groups. But what do diverse women find when they work in US STEM occupations? What do STEM jobs really deliver—and for whom? In Disparate Measures: The Intersectional Economics of Women in STEM Work (MIT Press, 2024), Mary Armstrong and Susan Averett challenge the conventional wisdom that a diverse US STEM workforce will bring about economic abundance for the women who participate in it. Combining intersectionality theory and critical data theory with a feminist economic analysis, the authors explore how different groups of diverse women truly fare in US STEM professions.Disparate Measures is centered on eight unique, in-depth case studies, each of which provides an intersectional economic analysis (a term coined by the authors) of diverse women working in STEM occupations. Four case studies prioritize women of color and examine the STEM participation and earnings of Black women, American Indian and Alaska Native women, Asian and Pacific Islander women, and Hispanic women/Latinas; four additional case studies illuminate intersections that are frequently neglected by the STEM inclusivity literature: foreign-born women, women with disabilities, Queer women, and mothers. What the authors find in their groundbreaking, detailed analysis is that the promises of STEM are only partly true: when compared to women not working in STEM, most women are indeed economically elevated by STEM occupations—yet when compared to white men in the same STEM occupations, women's second-class status is usually reaffirmed. The authors conclude by offering seven “big-picture” recommendations for rethinking STEM equity, showing just how we can successfully confront the entrenched patterns of economic disadvantage faced by diverse women in STEM jobs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An exploration of workplace participation and earnings patterns for diverse women in US STEM professions that upends the myth that STEM work benefits women economically. Seen as part economic driver, part social remedy, STEM work is commonly understood to benefit both the US economy and people—particularly women—from underrepresented groups. But what do diverse women find when they work in US STEM occupations? What do STEM jobs really deliver—and for whom? In Disparate Measures: The Intersectional Economics of Women in STEM Work (MIT Press, 2024), Mary Armstrong and Susan Averett challenge the conventional wisdom that a diverse US STEM workforce will bring about economic abundance for the women who participate in it. Combining intersectionality theory and critical data theory with a feminist economic analysis, the authors explore how different groups of diverse women truly fare in US STEM professions.Disparate Measures is centered on eight unique, in-depth case studies, each of which provides an intersectional economic analysis (a term coined by the authors) of diverse women working in STEM occupations. Four case studies prioritize women of color and examine the STEM participation and earnings of Black women, American Indian and Alaska Native women, Asian and Pacific Islander women, and Hispanic women/Latinas; four additional case studies illuminate intersections that are frequently neglected by the STEM inclusivity literature: foreign-born women, women with disabilities, Queer women, and mothers. What the authors find in their groundbreaking, detailed analysis is that the promises of STEM are only partly true: when compared to women not working in STEM, most women are indeed economically elevated by STEM occupations—yet when compared to white men in the same STEM occupations, women's second-class status is usually reaffirmed. The authors conclude by offering seven “big-picture” recommendations for rethinking STEM equity, showing just how we can successfully confront the entrenched patterns of economic disadvantage faced by diverse women in STEM jobs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee

Oto and Jaycee interviewed Filipino-Kiwi comedian James Roque and played 2 hours of independent music by Filipino artists and other musicians in the Asian diaspora.

[39:59] In this insightful and timely episode, host Greg Gazin delves into the realities of the refugee experience with accomplished entrepreneur, advocate and author, Dalton T. Sirmans. They unpack the common myths and misconceptions surrounding refugees, moving beyond the headlines to reveal stories of incredible resilience, ingenuity, and significant economic contribution. Dalton introduces the core message of his book, "The Refugee Advantage," highlighting the remarkable strengths and hidden potential of those forced to flee their homes. Dalton shares his personal journey from the fintech industry to becoming a passionate advocate for refugee empowerment, a path that led him to at 60, pursue a Master's in International Relations at Harvard University to better understand the global challenges of displacement. He discusses the work of his firm, Amplio Ventures, which invests in refugee-led businesses and aims to create remote work opportunities for those in camps. Throughout the conversation, Dalton provides powerful examples and statistics that counter the narrative of refugees as a burden. He shares inspiring stories taken from his book of refugee entrepreneurs who have achieved remarkable success, including: Andrew Ly, a Vietnamese refugee who, along with his brothers, reimagined a corner coffee shop the Sugar Bowl Bakery, now one of the largest Asian-owned bakeries in the United States. The Haddad Family, Syrian refugees in Canada who started the internationally recognized chocolate company, "Peace by Chocolate," becoming a major employer in their new community of Antigonish, Nova Scotia. "JB," a former gymnast from Central Asia who, after becoming a Christian, facing persecution and imprisonment, built a successful set of gyms in Texas. TesfaMichael Yohannes's twin daughters, who fled Eritrea and later founded the successful 2•4•1 Cosmetics company, featured on Oprah's Favourite Things. Dalton explains that refugees often possess unique entrepreneurial qualities honed by their experiences, such as profound resilience, resourcefulness, and a refusal to accept failure. Statistics from a 2005-2019 U.S. study are shared, indicating that refugees contribute billions to the economy and become net-positive taxpayers faster than any other immigrant group. The conversation also touches on the quiet, yet significant, social and cultural impacts refugees have on the communities where they resettle, like in Clarkston, Georgia, known as the most diverse square mile in America. Dalton T. Sirmans is an accomplished entrepreneur, author, and advocate for refugee empowerment. He co-founded Amplio Ventures, an investment firm supporting refugee-led businesses, and previously served as the CEO of Main Street Technologies. He holds a Master of Liberal Arts in International Relations from Harvard University and is the author of The Refugee Advantage, a book that blends research and storytelling to highlight the resilience and contributions of refugees. To learn more about these inspiring stories and the research behind them, visit TheRefugeeAdvantage.com where you can pre-order Dalton's book, The Refugee Advantage. Dalton lives in Palm Coast, Florida, where he lives with his wife Margie. He can be reached at Dalton@AmplioVentures.com.  

A sweet, bubbly tale about a young boba tea who learns that being you is being enough! A heartwarming new picture book by Joanna Ho, the New York Times bestselling and award-winning author of Eyes That Kiss in the Corners that invites readers on a colorful journey of self-discovery. This charming tale celebrates self-love and identity, skillfully weaving in themes of Asian American experience and history. Illustrated by New York Times bestselling illustrator Amber Ren, this delightful story reminds readers that there's always room for unique flavors in our communities. Milk Tea Town was steeped in tradition. That is, until... Mindy came along. Mindy isn't like the other classic milk tea flavors, with their sensible straws and varying shades of brown. Instead, Mindy shines with her green, white and red colors. Worried about not being milk tea enough, Mindy decides to dive into their history so she can be less different. As she and her friends embark on this journey, they make a surprising discovery about the truth behind milk tea that could change the town forever. These cute boba characters and the charming Milk Tea Town tell the story of many immigrants, Asian or otherwise, who have grown up in their communities feeling like they're not Asian enough. BECOMING BOBA gently dismantles that argument by showing that people, like milk tea, are ever changing and more vibrant for it. Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

“We are sourcing, identifying misunderstood, high-quality middle-market companies where we have a real edge...,” said Sandor Hau, Managing Director & President, Credit, at Charlesbank, who oversees the company's opportunistic credit investment team. Hau joined Bloomberg Intelligence's Noel Hebert on the latest episode of the Credit Crunch podcast to discuss cutting teeth on the ground in the Asian financial crisis, missing out on the dot.com boom, a private equity approach to credit investing and tradeoffs between primary- and secondary-market investments. He also spoke about valuing heritage, leveraging learnings across the firm and portfolio companies and much more. The Credit Crunch podcast is part of BI's FICC Focus series.

An exploration of workplace participation and earnings patterns for diverse women in US STEM professions that upends the myth that STEM work benefits women economically. Seen as part economic driver, part social remedy, STEM work is commonly understood to benefit both the US economy and people—particularly women—from underrepresented groups. But what do diverse women find when they work in US STEM occupations? What do STEM jobs really deliver—and for whom? In Disparate Measures: The Intersectional Economics of Women in STEM Work (MIT Press, 2024), Mary Armstrong and Susan Averett challenge the conventional wisdom that a diverse US STEM workforce will bring about economic abundance for the women who participate in it. Combining intersectionality theory and critical data theory with a feminist economic analysis, the authors explore how different groups of diverse women truly fare in US STEM professions.Disparate Measures is centered on eight unique, in-depth case studies, each of which provides an intersectional economic analysis (a term coined by the authors) of diverse women working in STEM occupations. Four case studies prioritize women of color and examine the STEM participation and earnings of Black women, American Indian and Alaska Native women, Asian and Pacific Islander women, and Hispanic women/Latinas; four additional case studies illuminate intersections that are frequently neglected by the STEM inclusivity literature: foreign-born women, women with disabilities, Queer women, and mothers. What the authors find in their groundbreaking, detailed analysis is that the promises of STEM are only partly true: when compared to women not working in STEM, most women are indeed economically elevated by STEM occupations—yet when compared to white men in the same STEM occupations, women's second-class status is usually reaffirmed. The authors conclude by offering seven “big-picture” recommendations for rethinking STEM equity, showing just how we can successfully confront the entrenched patterns of economic disadvantage faced by diverse women in STEM jobs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

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An exploration of workplace participation and earnings patterns for diverse women in US STEM professions that upends the myth that STEM work benefits women economically. Seen as part economic driver, part social remedy, STEM work is commonly understood to benefit both the US economy and people—particularly women—from underrepresented groups. But what do diverse women find when they work in US STEM occupations? What do STEM jobs really deliver—and for whom? In Disparate Measures: The Intersectional Economics of Women in STEM Work (MIT Press, 2024), Mary Armstrong and Susan Averett challenge the conventional wisdom that a diverse US STEM workforce will bring about economic abundance for the women who participate in it. Combining intersectionality theory and critical data theory with a feminist economic analysis, the authors explore how different groups of diverse women truly fare in US STEM professions.Disparate Measures is centered on eight unique, in-depth case studies, each of which provides an intersectional economic analysis (a term coined by the authors) of diverse women working in STEM occupations. Four case studies prioritize women of color and examine the STEM participation and earnings of Black women, American Indian and Alaska Native women, Asian and Pacific Islander women, and Hispanic women/Latinas; four additional case studies illuminate intersections that are frequently neglected by the STEM inclusivity literature: foreign-born women, women with disabilities, Queer women, and mothers. What the authors find in their groundbreaking, detailed analysis is that the promises of STEM are only partly true: when compared to women not working in STEM, most women are indeed economically elevated by STEM occupations—yet when compared to white men in the same STEM occupations, women's second-class status is usually reaffirmed. The authors conclude by offering seven “big-picture” recommendations for rethinking STEM equity, showing just how we can successfully confront the entrenched patterns of economic disadvantage faced by diverse women in STEM jobs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

What frugal habits make the biggest difference in your life?

For the first time in two decades, the Democratic Party has found itself without a clear party leader or even an obvious frontrunner. Angry and adrift, politicians and voters are clashing over how to fight back. They're also grappling with an uncomfortable new reality: The places that shifted hardest away from Democrats last fall were the kinds of communities that formed the backbone of the Democratic coalition for years—working-class, nonwhite, and heavily immigrant areas of blue cities and states. Now the battle for the party's future and reckoning over its recent past is coming to a head in New York City, where support for Democrats has cratered among Latino and Asian voters. In one of the first big tests of the party's direction after Donald Trump's reelection, Democrats will choose between radically different options for mayor: a centrist former governor in his 60s who resigned in disgrace and a millennial democratic socialist whose rise in the polls has shocked the political establishment.  This week on Reveal, we head to New York to talk to voters who abandoned Democrats in November and take you inside the bitter fight to win them back. Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Connect with us on Bluesky, Facebook and Instagram Learn about your ad choices: dovetail.prx.org/ad-choices

Today, we welcome back award-winning pastry chef, cookbook author, and restaurateur Joanne Chang to the show! Joanne is the force behind the beloved Flour Bakery & Cafe, which now boasts 10 locations across the Boston/Cambridge area, and the co-owner of Myers + Chang, a celebrated Asian fusion restaurant in Boston's South End.Joanne joins host Jessie Sheehan to talk about her path from a childhood with few sweets to becoming one of America's most respected bakers, her evolving menu at Flour—including the new Milk & Honey Pound Cake and Embrace Chai Morning Bun—and the cookie-focused cookbook she's currently working on, which will be out next year. Get our new Power Issue, out now! Subscribe to our baking newsletter.Sign up here for Jubilee L.A. updates.Visit cherrybombe.com for subscriptions, show transcripts, and tickets to upcoming events.More on Joanne: Instagram, Flour Bakery & Cafe, Myers + ChangMore on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook

Following our last episode on U.S. equities with Carrie King, we're expanding the conversation globally to understand how these dynamics are playing out beyond American shores. European and Asian equity markets are navigating a complex mix of geopolitical shifts, technological disruption, and evolving investor sentiment.Helen Jewell, Chief Investment Officer for Fundamental Equities in EMEA, and Belinda Boa, Head of Active Investments for Asia Pacific at BlackRock, will unpack how equity markets across Europe and Asia are responding to these changing dynamics, whether companies are absorbing the cost of tariffs or passing them on to consumers, and what resilience looks like for investors in markets shaped by volatility and transformation.Key moments in this episode:00:00 Introduction to Global Equity Markets Landscape02:00 Asian Market Dynamics and Tariff Strategies04:05 European Companies' Resilience and Stock Specifics06:53 Drivers of European Market Performance08:30 AI and Other Investment Opportunities in APAC11:08 Themes and Opportunities in European Equities13:08 Insights on UK Market and Investor Strategies19:42 Conclusion and Final ThoughtsCheck out the full series covering tariffs and market volatility on The Bid: https://open.spotify.com/playlist/3iiZbbNz3eI08zXGZ4n3LI?si=TNiOrYRoSxyXVsbwsBs68Q

Dem congresswoman indicted on 3 charges in heated ICE protest. Black HR employee sues Disney for firing her after she exposed the company's hiring preference for Indian and Asian candidates while axing more Black employees. Host: Dr. Rashad Richey (@IndisputableTYT) Co-Host: Wosny Lambre *** SUBSCRIBE on ⁠⁠⁠YOUTUBE⁠⁠⁠  ☞ ⁠⁠⁠ https://www.youtube.com/IndisputableTYT⁠⁠⁠ FOLLOW US ON: ⁠⁠⁠FACEBOOK⁠⁠⁠  ☞ ⁠⁠⁠  https://www.facebook.com/IndisputableTYT⁠⁠⁠ ⁠⁠⁠TWITTER⁠⁠⁠  ☞     ⁠⁠⁠  https://www.twitter.com/IndisputableTYT⁠⁠⁠ ⁠⁠⁠INSTAGRAM⁠⁠⁠ ☞ ⁠⁠⁠ https://www.instagram.com/IndisputableTYT⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The South Bay 332 crew is back for another Asian adventure, this time in the former British territory and international banking hub, Hong Kong. After 30 years of nonsense, the party keeps on going, this time for the ultimate bachelor party. Even artificial intelligence crept into this party, as the invitation and connected website show the possibilities of what can be created when the right kind of nerds take control of the power. The Crew, the Rivals, the theme song, all of the detailed backstories, and the invitation found on the RushHour25 site were all created using this new technology. Links below. The Octopus of Global Control Audiobook: https://amzn.to/3xu0rMm Hypocrazy Audiobook: https://amzn.to/4aogwms Website: www.Macroaggressions.io Activist Post: www.activistpost.com Sponsors: Chemical Free Body: https://www.chemicalfreebody.com Promo Code: MACRO C60 Purple Power: https://c60purplepower.com/ Promo Code: MACRO Wise Wolf Gold & Silver: www.Macroaggressions.gold LegalShield: www.DontGetPushedAround.com EMP Shield: www.EMPShield.com Promo Code: MACRO ECI Development: https://info.ecidevelopment.com/-get-to-know-us/macro-aggressions Christian Yordanov's Health Program: www.livelongerformula.com/macro Privacy Academy: https://privacyacademy.com/step/privacy-action-plan-checkout-2/?ref=5620 Brain Supreme: www.BrainSupreme.co Promo Code: MACRO Above Phone: abovephone.com/macro Promo Code: MACRO Van Man: https://vanman.shop/?ref=MACRO Promo Code: MACRO My Patriot Supply: www.PrepareWithMacroaggressions.com Activist Post: www.ActivistPost.com Natural Blaze: www.NaturalBlaze.com Link Tree: https://linktr.ee/macroaggressionspodcast