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Born in the Pinar del Río province of Cuba, Steinway Artist, Grammy Nominated, and 2014 Jalc Millennium Swing Award! recipient pianist and composer Elio Villafranca was classically trained in percussion and composition at the Instituto Superior de Arte in Havana, Cuba. Since he arrived in the U.S. in mid-1995, Elio Villafranca has been at the forefront of the latest generation of remarkable pianists, composers, and bandleaders. NYC Jazz Record selected his concert Letters to Mother Africa as Best Concerts in 2016. In 2015, Mr. Villafranca was among the 5 pianists hand-picked by Chick Corea to perform at the first Chick Corea Jazz Festival, curated by Chick himself at JALC. Elio Villafranca's new album Caribbean Tinge (Motema), received a 2014 Preis der Deutschen Schallplattenkritik Nomination by the German Records Critics Award, as well has been selected by JazzTimes and DownBeat magazines for a feature on their very competitive section Editor's Pick. He also received a 2010 Grammy Nomination in the Best Latin Jazz Album of the Year category. In 2008 The Jazz Corner nominated Elio Villafranca as pianist of the year. That year, Mr. Villafranca was also honored by BMI with the BMI Jazz Guaranty Award. He received the first NFA/Heineken Green Ribbon Master Artist Music Grant for the creation of his Concerto for Mariachi, for Afro-Cuban Percussion and Symphony Orchestra. Finally, his first album, Incantations/ Encantaciones, featuring Pat Martino, Terell Stafford, and Dafnis Prieto was ranked amongst the 50 best jazz albums of the year by JazzTimes magazine in 2003. Over the years Elio Villafranca has recorded and performed nationally and internationally as a leader, featuring jazz master artists such as Pat Martino, Terell Stafford, Billy Hart, Paquito D'Rivera, Eric Alexander, Lewis Nash, David Murray, and Wynton Marsalis among others. As a sideman, Elio Villafranca has collaborated with leading jazz and Latin jazz artists including: Chick Corea, Jon Faddis, Billy Harper, Sonny Fortune, Giovanni Hidalgo, Miguel Zenón, and Johnny Pacheco among others. This year, in 2017 Elio Villafranca received The Sunshine Award, founded in 1989 to recognize excellence in the performing arts, education, science and sports of the various Caribbean countries, South America, Central America, and Africa. He is based in New York City and he is a faculty member of Temple University, Philadelphia, The Juilliard School of Music, New York University, and Manhattan School of Music in NYC.
Dr. Dan interviews award-winning jazz musician, composer, educator, and author Hayes Greenfield, founder of Creative Sound Play (CSP), a sound-based, generative learning system for Pre-K. The two discuss his book, Creative Sound Play for Young Learners, which invites educators to use sound-making as collaborative educational play and more. A jazz musician, Hayes Greenfield has released 10 critically acclaimed CDs and has performed at festivals and venues throughout the US, Canada, and Europe. Hayes' Jazz-A-Ma-Tazz school assembly program has reached over 300,000 young people and his music has been wonderfully received and reviewed in The New York Times, The New Yorker, Wall Street Journal, Billboard, Child Magazine, Downbeat, Jazz Times and more. As film composer, Hayes has scored more than 70 films, documentaries, commercials, animations, and TV specials. For more information visit: www.creativesoundplay.com and www.hayesgreenfield.com. Email your parenting questions to Dr. Dan podcast@drdanpeters.com (we might answer on a future episode). Follow us @parentfootprintpodcast (Instagram, Facebook) and @drdanpeters (X). Learn about more podcasts @exactlyright on Instagram. Please listen, follow, rate, and review on Apple Podcasts, Spotify, or wherever you listen to podcasts. Please support our podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/4bqTWJ2 For more information: www.exactlyrightmedia.com www.drdanpeters.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Hi everybody, my truly special Talk Music guest for this episode is ESTONIAN PIANIST KRISTJAN RANDALU, who exists among the most sought-after piano players of his generation, carrying the torch in both the improvised world of jazz and the traditional realm of classical music. Between creating his own original blend of contemporary jazz as a leader and collaborating with several generations of respected musicians, Randalu has brought his music to some of the world's most renowned jazz festivals and concert halls. The prestigious magazine Jazz Times describes Kristjan's playing as an “open invitation to an unnameable exotic land." At the same time, he is viewed as an esteemed interpreter of a broad spectrum of contemporary and classical music, performing alongside internationally acclaimed orchestras and conductors. We chat about how Kristjan was born in Estonia's capital Tallinn and how his family escaped Communist rule by relocating to Germany where he graduated from the Stuttgart Music University. Kristjan then went on to study at The Royal Academy of Music in London, followed by the Manhattan School of Music where he attained an additional master´s degree. We also delve into some of his most recent recordings including Sisu (awarded Jazz Album of the Year at the 2023 Estonian Music Awards) and Schumann's Dichterliebe (Berlin Classics, 2024) whereby Randalu has not only deepened his musical ties to the classical world, but presented a truly original recasting of one of the Romantic repertoire's cornerstones. We discuss his recordings with saxophonist Dave Liebman (Mussorgsky Pictures Revisited), Bodek Janke (Double Standard) and his album “Absence,” produced by Legendary owner of the ECM label, Manfred Eicher. Coming soon, his collaboration with Martin Kuuskmann (Schubert Voyage, release in March 2025 on Berlin Classics). Kristjan's list of musical partners include: Eivind Aarset, Mark Guiliana, Dieter llg, Marilyn Mazur, Nils Petter Molvaer, Claudio Puntin, Nguyen Le, Trygve Seim, Mathias Eick, Petros Klampanis, Dhafer Youssef, the Stuttgart Chamber Orchestra, the New Chamber Orchestra of Berlin, the Tallinn Chamber Orchestra, the London Symphony, Dennis Russell Davies, Paavo Järvi, Kristjan Järvi and Maria Schneider.With a discography of over 50 albums under his belt (including a Grammy-nominated recording) and numerous awards to his name (including “Jazz Artist of the Year” and “Jazz Composer of the year” in Estonia), Randalu's prolific body of work continues to grow in breadth and quality. His unique voice is becoming internationally more and more important. This was for me a most interesting deep dive into an amazing musician and fellow Estonian! Whenever I can attend a performance you will always find me in the front row! Enjoy! Hosted on Acast. See acast.com/privacy for more information.
Eric Leeds and Prince collaborated on a bunch of projects, including Eric's unexpected solo album, Times Squared. Vault material thought to become a third Madhouse album didn't sound “Madhouse” enough and thus this funky jazz album featuring the saxophonist and flautist came to be. Visit us on Facebook: https://www.facebook.com/TMATSPodcast/Twitter… X… Twix: @TMATSPodcastEmail: TMATSPodcast@gmail.com
Dr. Dan interviews award-winning jazz musician, composer, educator, and author Hayes Greenfield, founder of Creative Sound Play (CSP), a sound-based, generative learning system for Pre-K. The two discuss his book, Creative Sound Play for Young Learners, which invites educators to use sound-making as collaborative educational play and more. A jazz musician, Hayes Greenfield has released 10 critically acclaimed CDs and has performed at festivals and venues throughout the US, Canada, and Europe. Hayes' Jazz-A-Ma-Tazz school assembly program has reached over 300,000 young people and his music has been wonderfully received and reviewed in The New York Times, The New Yorker, Wall Street Journal, Billboard, Child Magazine, Downbeat, Jazz Times and more. As film composer, Hayes has scored more than 70 films, documentaries, commercials, animations, and TV specials. For more information visit: www.creativesoundplay.com and www.hayesgreenfield.com. Email your parenting questions to Dr. Dan podcast@drdanpeters.com (we might answer on a future episode). Follow us @parentfootprintpodcast (Instagram, Facebook) and @drdanpeters (X). Learn about more podcasts @exactlyright on Instagram. Please listen, follow, rate, and review on Apple Podcasts, Spotify, or wherever you listen to podcasts. Please support our podcast by shopping our latest sponsor deals and promotions at this link: https://bit.ly/4bqTWJ2 For more information: www.exactlyrightmedia.com www.drdanpeters.com Learn more about your ad choices. Visit megaphone.fm/adchoices
My guest... Award winner International seasoned performer/vocalist Berklee's own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchell Jackson has performed at prominent concert events for the World Cup ,Dusit Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee on Campus (standing ovation),Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada,and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with a interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound." She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode.Produced, directed, edited and hosted by Stephen E Davis
NYC flutist, composer, Sunnyside Records artist, producer, and clinician, Jamie Baum, has toured the US and over 35 countries performing at major festivals, clubs, and concert halls including the Monterey, Madrid, Oeiras, Bermuda, Edinburgh, North Sea, Winter Jazzfest and London Jazz Festivals, Tampere Jazz Happening, Guimaraes Jazz Festival, Jazztopad, Bimhuis, Unterfahrt, Jazz Gallery, Jazz Standard, 55 Bar, Dizzy's, Blue Note, etc.. She's performed with artists as renowned and diverse as Randy Brecker, Roy Hargrove, Donald Brown, Tom Harrell, Paul Motion, Mick Goodrick and Kenny Barron to Dave Douglas, Fred Hersch, Leni Stern, Louis Cole, Jane Bunnett, David Binney, Ralph Alessi, Ben Monder, Anthony Braxton, Karaikudi Mani, V. M. Bhatt, Navin Chettri and Wadada Leo Smith. Though focusing primarily on jazz, she's been involved in several projects performing classical, new music, Brazilian and Latin music. Receiving critical praise for seven CD's as a leader, with most making several “Best CDs of the Year” lists and four stars from DownBeat, her recently-released What Times Are These received five stars in DownBeat. Inch By Inch (GM Recordings), by the cooperative band Yard Byard: The Jaki Byard Project (w/Jerome Harris, George Schuller), also received four stars from DownBeat. Jamie has appeared on over 40 recordings as a sidewoman including those by Dave Binney, George Colligan, Ursel Schlicht, Frank Carlberg, Patrizia Scascitelli, Taylor Haskins, Monika Herzig, Louise Rogers, Sarah McKenzie, Steve Lampert, Brian Landrus, Laura Andel, Judi Silvano, Shigeko Suzuki, James Hall, etc. Ms. Baum's many awards and grants for composing and touring include the 2022 Cafe Royale Recording Grant, 2021 South Arts Jazz Road Touring Grant, 2020 International Society of Jazz Arrangers & Composers (ISJAC) Covid Relief Commission, Foundation for Contemporary Arts 2020, 2020 Chamber Music America Jazz Presenter Consortium, 2018 USArtists International Touring Grant, 2017 New Music USA Project Grant, and a 2014 Guggenheim Foundation Fellowship. Baum was selected as a 2014-15 Norman Stevens Fellow/MacDowell resident and has since been awarded residencies again at MacDowell (2021), at UCross (2015), and at VCCA (2020). She won the '99 International Jazz Composers Alliance Award, 2010 CAP Award (American Music Center), the 2003 New Works: Creation and Presentation Award and the 2007 Encore Award, both components of the Doris Duke/CMA Jazz Ensembles Project. Ms. Baum has been in the DownBeat Critics Polls annually since 1998, making #1 “Rising Star Flutist” in '12, #2 “Flutist” in '19, and #3 “Flutist” in '20. She was named a "Major New International Talent” in 2015 lists by both “Musica Jazz” and “Jazzit” (Italy), was #2 “Flutist of the Year” in the 2018 Eleventh Annual International Critics Poll and tied for 4th place with Hubert Laws in the 2018 JazzTimes Critics Poll. Jamie was included in Huffington Post's "Twenty-five Great Jazz Flute Performances”, nominated by the Jazz Journalists Association for “Flutist of the Year“ fourteen times, and The Jamie Baum Septet+ was nominated in 2014 "Best Midsize Ensemble" - in the same list with only two other bands -The Wayne Shorter Quartet and Steve Coleman's Five Elements! Media attention for her recent CD, Bridges, and previously released, In This Life, brought features on WBGO's RADAR and NPR's All Things Considered, reviews in The New York Times, DownBeat, JazzTimes, All About Jazz, etc.. and two hour-long feature/retrospectives on major German and Czech public radio shows. Bridges was voted #4 in the 2018 JazzTimes Readers Poll for “Best New Release,” and In This Life was in the "Best CDs of 2013” lists including Boston Globe, iTunes, and Francis Davis' NPR Music Jazz Critics Poll. Recently, Baum was included in the JazzTimes 10: Essential Jazz Flute Albums (2019), 3 Questions for Today's Jazz Musicians by Lilian Dericq, Cricket Publishers (Paris), the “Woodshed” in DownBeat, January 2019, and was the flutist on “The Essence of the Blues -- Flute: 10 Great Etudes for Playing and Improvising, Book & CD”, (Jim Snidero “play-along” series, 2019). Through a highly competitive auditioning process, Jamie was chosen to tour for the DOS/Kennedy Center Jazz Ambassador program from '99 -'03 in South America and South Asia. The US State Department also sponsored later shorter tours, in addition to several isolated US Embassy-sponsored programs while Baum was on her tours in Europe and South Asia. Baum's two main active projects featuring her compositions include The Jamie Baum Septet+, together since 1999, and her Short Stories band marking five years by performing at the 2020 Winter Jazzfest. In addition, she co-leads Yard Byard: The Jaki Byard Project and is involved in several other projects either as co-leader or side-woman, including The Richie Beirach/Jamie Baum Duo and NYC Jazz Flutes. Baum has been on the faculty of the Manhattan School of Music Jazz Arts department at since 2006, on the adjunct faculty roster at the New School University since 2004, and taught at Berklee College of Music (2011-2013). Summer jazz programs Baum has taught composition, improv, and flute technique, and coached ensembles at including the Stanford Jazz Workshop Institute, Litchfield Jazz Camp, Maryland Jazz Camp, etc. A clinician for Altus Flutes/KHS America since 1993, they have sponsored her innovative, pioneering workshop "A Fear Free Approach to Improvisation for the Classically-Trained Musician” TM, "A Fear Free Approach to Composition for the Improvising Musician” TM and “Flute Technique for Doublers” at colleges, conservatories, festivals, flute clubs and “music and art” schools worldwide.
This episode features my conversation with drummer Allison Miller. Based out of New York, Allison is an award winning musician, composer and educator who is highly regarded for her jazz improvisational skills showcasing her versatility and dynamic approach to the drum set. Allison was named as a Rising Star Drummer in Downbeat magazine's 67th Annual Critics Poll and Best Jazz Drummer in Jazz Times's 2019 Critics Poll. She is also the first recipient of the Mid Atlantic Arts Foundation's Commissioning Grant. The product of this commission is her immersive multi-media project, Rivers In Our Veins, dedicated to celebrating America's waterways. In our conversation, we talk about how sharing your own personal development can inspire others to overcome anxiety and embrace their own artistic voice. We also discuss her approach to composition and the creative process for “Rivers In Our Veins, and why it's essential to follow your creative paths despite the life obstacles you may encounter. Follow Allison: https://www.allisonmiller.com https://www.instagram.com/alliboomboom/ https://www.facebook.com/AllisonMillerBoomTicBoom
My guest... Award winner International seasoned performer/vocalist Berklee's own Alumni with honors, Grammy Voting member, flourishing multi talented pianist,and guitarist ,Whitney Marchell Jackson has performed at prominent concert events for the World Cup ,Dusit Dubai Hotel, United Nations, Apollo, New York Blue Note, Parkers Thompson Hotel, Berklee on Campus (standing ovation),Pier 84, Rutgers University, Numerous venues and festivals in Japan, Hawaii ,Canada,and USA. Music in Jazz, American, Songbook, blues,latin and some pop standards. Whitney Marchell Jackson had a credited acting and pianist role where they won the Best Feature Film at the QueerX Film Festival 2022 for Poets are the Last Destroyers. She worked with Dee Dee Bridgwater (duet)Art Deco Festival, Quincy Jones, Wayne Newton,Herbie Hancock, Opened For KISS, Bill Withers, Donny Hathoway, and has recorded three albums. Recently,on Channel 13 with a interview and performance . Receives international radio air play for her last three albums. Marchell Plays piano and guitar ASCAP songwriter. Teaches where students have been on movie Harriet, Tina Turner Boradway show, And received 100 plays on the radio. Whitney also is now taking the vocal performace undergraduate program at berklee. JazzTimes magazine quotes Whitney as a "Formidable singer with a scorched soulful Jazz sound." She always has a great audience attendance,reviews and helps promote her gigs on radio and social media. A marvelously funny, wonderful episode.Produced, directed, edited and hosted by Stephen E Davis
Podcasters note: I mistakenly called this podcast, episode 18. It is in fact episode 19.I first became aware of writer, producer and author Bill Milkowski back in the mid to late 70's, when, as a young up-and-coming rock guitar player, I started buying Guitar Player Magazine. As my pursuit shifted to Jazz Guitar, Bill's writing was right there with me in such publications as Downbeat, Jazz Times, Guitar World and other top-shelf publications. Not to mention countless album liner notes. Suffice it to say, his writing is just as impactful today as it was when I was 17.In this podcast, Bill and I talk about Wes Montgomery, Pat Martino, Jaco Pastorious and much more. He is definitely full of surprises and has a vast wealth of knowledge in both the Jazz and Rock worlds.It's a fun, insighful, informative and entertaining interview and is definitely worth checking out! I think you're really gonna enjoy this one!As always, I'd love to hear or read your feedback so don't be shy!And for more Jazz Guitar related content including interviews, reviews and more, please visit Jazz Guitar Life at www.thejazzguitarlife.com. As always, I'd love to hear or read your feedback so don't be shy! Enjoy :)
Norman Brown is a guitarist who's been called "a culmination of Jimi Hendrix and George Benson with some Wes Monthgomery thrown in," by Jazz Times magazine. His prowness as a musician and genre-bending facility has made him one of the most sought after internationally renowned musicians in contemporary jazz! Multi award-winning program director Ray White caught up with Norman after his performance who provided his insights into his latest album Let's Get Away, growing up in Kansas City and the music scene there, the latest with BWB and collaborating with the great saxophonist Gerald Albright. You'll find more from Norman on Episode 62. Lisa Davis, your "Hostess With The Mostest," closes out 2023 with two artists who were high on the contemporary jazz and blues charts during the year. Brian Culbertson who had several awesome songs on his The Trilogy - Pt. 3: White album and Susan Tedeschi, an awesome guitarist and vocalist, who just released her Just Won't Burn (25th Anniversary) CD. Finishing another fabulous year here on the Coool CAT!!
This week's Song of the Day picks, as chosen by DJ Miss Ashley, coincide with Indigenous Peoples' Day. While Indigenous Peoples' Day is recognized on October 9, KEXP will be paying tribute to Indigenous artists throughout the whole week here and throughout the rest of our podcasts and programming. Learn more about our Indigenous Peoples' Day coverage. Mali Obomsawin is an award-winning jazz musician from Abenaki First Nation at Odanak. Though she only just released her debut album, Sweet Tooth, in 2022, her rise and acclaim has been meteoric. She's been called one of the top 10 emerging jazz artists by GRAMMY.com, earning critical acclaim from NPR, The Guardian, and JazzTimes. She also received the International Folk music Association's Rising Tide Award in 2022. But all that doesn't do Obomsawin's work justice. Sweet Tooth bridges the celestial connections between jazz and traditional indigenous music, embracing the freedom of expression that both traditions allow, using sounds instead of words to articulate feelings. Sweet Tooth bridges traditional songs from Obomsawin's life with new original compositions. One of the latter comes with “Lineage.” A sprawling instrumental, the song gives the feeling of traversing space and time in the way that only great jazz can do. As a bassist by trade, Obomsawin's composition digs deep into the low feelings of searching and feeling your way through life. Matched with the song's title, you can feel an exploration of her past and possibly even the future. When her voice does come in and out throughout the song, it feels like a grounding in this deep, immersive, swell of the universe. Believe the hype, maybe even take it further. Obomsawin is tapping into something greater than herself on this record and it's a joy to experience. - Dusty HenrySupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.
Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Pianist-composer Kris Davis was named 2017 Rising Star Pianist/2018 Rising Star Artist in Downbeat magazine and dubbed one of the music's top up-and-comers in a 2012 New York Times article titled “New Pilots at the Keyboard,” with the newspaper saying: “One method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis.” To date, Davis has released twelve recordings as a leader. Her 2016 release, Duopoly, made The New York Times, Pop Matters, NPR, LA Times, and Jazz Times best albums of 2016. Davis works as a collaborator and side person with artists such as John Zorn, Terri Lyne Carrington, Craig Taborn, Tyshawn Sorey, Eric Revis, Michael Formanek, Tony Malaby, Ingrid Laubrock, Julian Lage, Mary Halvorson and Tom Rainey. Davis received a Doris Duke Impact award in 2015 and multiple commissions to compose new works from The Shifting Foundation, The Jazz Gallery/Jerome Foundation and the Canada Council for the Arts. She is the Associate Program Director of Creative Development for the Insitute Jazz and Gender Justice at Berklee College of Music. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
After decades as one of the world's leading jazz magazines, JazzTimes was purchased last May by The BeBop Channel, which unceremoniously cancelled all assignments. Staff and writers owed for past work are still waiting to get paid, and the publication has devolved into something unrecognizable. Host Andrew Gilbert discussed the distressing situation and the larger landscape for covering jazz in-depth with two brilliant colleagues, John Murph and James Gavin Andrew Gilbert https://www.facebook.com/andrew.gilbert.319James Gavin http://www.jamesgavin.com/John Murph https://www.linkedin.com/in/johnmurph/
Award-winning New York City jazz pianist and accordionist Ben Rosenblum has been described as “mature beyond his years,” (Sea of Tranquility), an “impressive talent” (All About Jazz), who “caresses [the music] with the reverence it merits” (Downbeat Magazine). Since the release of his debut trio album, Instead (4 stars, Downbeat), Rosenblum has toured extensively with his trio and sextet throughout the United States, including multiple trips to the Northeast, Midwest, South and West Coast, as well as internationally in Canada, Europe and Japan. He was a featured soloist at Carnegie Hall's Stern-Perelman Auditorium – with Reona Ito's New York Harmonic Band – and has appeared at prestigious venues throughout the world, including at the Appel Room at Lincoln Center, Kuumbwa Jazz Center, Ravinia, Himawari-No-Sato Concert Hall in Yokohama, Bird's Eye inBasel and the Library of Congress. Rosenblum's second trio album in 2018, River City, was called “richly romantic” and “well-realized” by JAZZIZ Magazine, which featured the title track as part of their Best of Fall 2018 CD. In 2020, Rosenblum released his third album, Kites and Strings, which is the first to feature him on both piano and accordion alongside his new sextet, the Nebula Project. That year, the Nebula Project was votedrunner-up for Best New Artist in JazzTimes' Readers' Poll. Most recently, Rosenblum recently his fourth album, A Thousand Pebbles, in 2023. In May 2023, Rosenblum and the album were featured in a Downbeat Magazine article entitled "Worldly Jazz Adventuring." Rosenblum has been privileged to share the stage with many highly acclaimed jazz musicians, including extensive work with Curtis Lundy, Winard Harper, Deborah Davis and Chris Washburne, as well as appearances with Bobby Watson, Sean Jones, TS Monk, Warren Wolf, Eliot Zigmund, and many others. Rosenblum's musical interests also extend beyond jazz to include work in numerous world music scenes, including musical styles from Brazil, Peru, Croatia, Bulgaria, India, Ireland, Jewish traditions and more.Support the show
After decades as one of the world's leading jazz magazines, JazzTimes was purchased last May by The BeBop Channel, which unceremoniously cancelled all assignments. Staff and writers owed for past work are still waiting to get paid, and the publication has devolved into something unrecognizable. I discussed the distressing situation and the larger landscape for covering jazz in-depth with two brilliant colleagues, John Murph and James Gavin Andrew Gilbert https://www.facebook.com/andrew.gilbert.319James Gavin http://www.jamesgavin.com/John Murph https://www.linkedin.com/in/johnmurph/
A Performance to Benefit the New Pine Plains Herald. Founded in 2022, the mission of the New Pine Plains Herald is to serve as a reliable online source of local news and information that has been carefully researched and reported. We intend to highlight events and developments in our, cut through misinformation, stimulate thinking and informed action, and encourage honest and civil discourse on community matters 15-time Grammy nominee Fred Hersch is a "living legend" (The New Yorker) whose solo performances are a “uniquely pure art form” (Jazz Times). Fred Hersch has been proclaimed “a master who plays it his way” by the New York Times, and an “elegant force of musical invention” by the Los Angeles Times. He is widely recognized for his ability to steadfastly create a unique body of original works while reinventing the standard jazz repertoire — investing time-tested classics with keen insight, fresh ideas, and extraordinary technique. In 2006, Hersch became the first artist in the 75-year history of New York City's legendary Village Vanguard to play a weeklong engagement as a solo pianist. His second solo run there was documented on the Grammy-nominated Alone at the Vanguard, one of six recordings he's made at the iconic club. All proceeds from the concert will go to benefit the New Pine Plains Herald, a non-profit journalism startup serving Pine Plains and members of its school district, which includes Ancram, Gallatin, Milan, and Stanfordville. The mission of the Herald is to serve as a reliable source of local news and information that has been carefully researched and reported. The Herald intends to highlight events and developments in the community, cut through misinformation, stimulate thinking and informed action, and encourage honest and civil discourse on community matters. If you can't make the concert but would like to make a donation to support the Herald you may do so HERE.
One of the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Nicole's passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance," and four Top-10 jazz albums on U.S. Billboard, JazzWeek, HMV Japan and UK Sweet Rhythms charts. Heralded by The New York Times, The Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence, and more, Nicole tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues, and originals. She has captivated audiences in 20 countries, headlining at venues in cities including New York, Tokyo, Madrid, Moscow, Paris, Shanghai, Los Angeles, Chicago, Las Vegas, Boston, San Francisco, and Miami at such venues as Blue Note; Jazz at Lincoln Center; Blues, Alley, The Smith Center; Kravis Center; Jazz St. Louis, Feinstein's; Madrid Jazz Festival; and more. Nicole has also recorded with some of today's musical greats including Kirk Whalum, Julian Lage, John Clayton, and Gerald Clayton and has performed with the Duke Ellington Orchestra, the Henry Mancini Institute Orchestra, Pasadena Pops and Michael Feinstein. In late 2019, she returned to the theatrical stage and garnered critical praise in the musical version of The Bodyguard; in Dec. 2021, she starred in the new musical A Wonderful World, based on the life of Louis Armstrong; and in 2022, she portrayed ‘Brenda' in Smokey Joe's Cafe.
City Lights presents Aidan Levy in conversation with Ammiel Alcalay celebrating the publication of “SAXOPHONE COLOSSUS: The Life and Music of Sonny Rollins” by Aiden Levy, published by Hachette Books. This virtual event took place over Zoom and was hosted by Peter Maravelis. You can purchase copies of "SAXOPHONE COLOSSUS” directly from City Lights here: https://citylights.com/saxophone-colossus-sonny-rollins/ Aidan Levy is the author of “Dirty Blvd.: The Life and Music of Lou Reed” and editor of “Patti Smith on Patti Smith: Interviews and Encounters”. A former Leon Levy Center for Biography Fellow, his writing has appeared in The New York Times, The Village Voice, JazzTimes, The Nation and other publications. He has served as co-convener of the African American Studies Colloquium and works with the Center for Jazz Studies at at Columbia University. For ten years, he was the baritone saxophonist in the Stan Rubin Orchestra. Ammiel Alcalay is a poet, novelist, translator, critic, and scholar. His books include “a little history”, “from the warring factions”, “Memories of Our Future”, and “After Jews and Arabs”. “Ghost Talk”, A Bibliography for “After Jews & Arabs” and “A Dove in Flight”, by Syrian poet and former political prisoner Faraj Bayrakdar, co-edited with Shareah Taleghani, all came out in 2021. "Follow the Person: Archival Encounters, and Controlled Demolition", a poem in four books, are due out in 2023. Alcalay is the founder and general editor of Lost & Found: The CUNY Poetics Document Initiative (http://centerforthehumanities.org/lost-and-found), for which he was recognized in 2017 with a Before Columbus Foundation American Book Award. This event was made possible by support from the City Lights Foundation: citylights.com/foundation
Spend some time with Phillip and David on Valentines Day with some romantic jazz as they are joined by stunning vocalist Corinne Mammana.Praised by JazzTimes for “superb technique”, and All About Jazz for her “sheer genius” arrangements, American jazz singer, songwriter, arranger, recording artist and bandleader Corinne Mammana is passionate about preserving the music of the past while placing her own personal spin on the American Songbook, as well as popular tunes from the past few decades. With creative arrangements sung in a sophisticated and soothing style, fans have described Mammana's voice as a cross between Norah Jones, Julie London and Stacey Kent.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better!If you'd like to sponsor our show or if you're a musician who'd like to come on the show, or if you have a recommendation for OUR next favorite band, hit us up on any of the social media platforms at @nextfavband, or visit our website at stereophilia.studio for more information and to contact us. Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival
In conversation with Nate Chinen The author of Dirty Blvd.: The Life and Music of Lou Reed and editor of Patti Smith on Patti Smith: Interviews and Encounters, Aiden Levy played the baritone saxophone in the Stan Rubin Orchestra for 10 years. His writing has been published in The New York Times, The Village Voice, and JazzTimes, among other publications. Formerly a fellow at the Leon Levy Center for Biography, he is a doctoral candidate at Columbia University in the Department of English and Comparative Literature, works with the Center for Jazz Studies, and was a co-convener of the African American Studies Colloquium. In Saxophone Colossus, Levy offers the first full-length biography of Sonny Rollins, one of jazz's most celebrated but enigmatic musicians and composers. WRTI jazz radio's editorial director, a regular contributor to NPR Music, and a consulting producer with Jazz Night in America, Nate Chinen formerly worked as a critic for The New York Times and wrote a long-running column for JazzTimes. He is the author of Playing Changes: Jazz for the New Century, named one of the best books of 2018 by NPR, GQ, and Billboard. A 13-time winner of the Helen Dance-Robert Palmer Award for Excellence in Writing, Chinen has also had his work widely anthologized. (recorded 1/17/2023)
Morgan Enos is a professional songwriter, journalist, essayist, and reporter currently working as a staff writer at Grammy.com. He makes music as Other Houses and has written for Fortune, Discogs, Jazztimes, Billboard, Tidal Magazine, Bandcamp Daily, Consequence and more. Morgan's life has been influenced by the Beatles in a fascinating way, and on today's podcast, Morgan and Jack talk about that, his favorite Beatles songs and albums, and the brand new remixes of Revolver. Check out Morgan's website: https://www.morganenos.com/ Morgan's review of the 2022 "Revolver" remix: https://www.talkhouse.com/eleanor-rigby-remains-a-shocking-work-of-art-and-i-dont-care-if-youre-tired-of-it/ If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth ----- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962. Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.
Brent returns for his THIRD visit to Bright Side Home Theater to talk about First Blood. But a great conversation about Audiophiles and Home Theater Enthusiasts just kept going. Brent and DJ eventually get to First Blood, but a lot of fun is had for the entire 2+ hour Home Theater/Audiophile conversation!Push Play and see/hear for yourself.ENJOY!Brent Butterworth Linkshttp://www.brentbutterworth.com/SoundStage! Audiophile PodcastSoundStage! Audiophile Podcast | a podcast by SoundStage! | The SoundStage! Network | Schneider Publishing Inc.Wire Cutter Brent Butterworth | Wirecutter (nytimes.com)Jazz TimesJazzTimes - Your source for all things JazzSound Stage SoloSoundStage! Solo | SoundStageSolo.com - HomeAnd if you'd like to contribute to the show…
Brent returns for his THIRD visit to Bright Side Home Theater to talk about First Blood. But a great conversation about Audiophiles and Home Theater Enthusiasts just kept going. Brent and DJ eventually get to First Blood, but a lot of fun is had for the entire 2+ hour Home Theater/Audiophile conversation!Push Play and see/hear for yourself.ENJOY!Brent Butterworth Linkshttp://www.brentbutterworth.com/SoundStage! Audiophile PodcastSoundStage! Audiophile Podcast | a podcast by SoundStage! | The SoundStage! Network | Schneider Publishing Inc.Wire Cutter Brent Butterworth | Wirecutter (nytimes.com)Jazz TimesJazzTimes - Your source for all things JazzSound Stage SoloSoundStage! Solo | SoundStageSolo.com - HomeAnd if you'd like to contribute to the show…
For Video Edition, Please Click and Subscribe Here: https://youtu.be/Pa6ZuENFQNI “I had the sense of being in the presence of a pop-soul superwoman whose every gesture and inflection conveyed confidence and mastery.” - Stephen Holden, New York Times “(Henry) can sell a power ballad as well as Whitney, Diana and Patti.” - Jazz Times “A paragon of perfection. The voice that pours out of her is even more impressive…the vocal love child of Whitney Houston and Sarah Vaughan." -Jordan Levin, Miami Herald “Listen and you'll hear an artist who knows how to make a song her own… Henry aims right for the emotional center…". - Philip Van Vleck, Billboard Since her debut, Nicole Henry has established herself among the jazz world's most acclaimed performers, possessing a potent combination of dynamic vocal abilities, impeccable phrasing, and powerful emotional resonance. Her passionate, soulful voice and heartfelt charisma have earned her a Soul Train Award for “Best Traditional Jazz Performance," and four Top-10 U.S. Billboard, Jazz Week and HMV Japan jazz albums. Heralded by The New York Times, Wall Street Journal, The Japan Times, El Pais, Jazz Times, Essence and more, Ms. Henry tells real stories through peerless interpretations of repertoire from the American Songbook, classic and contemporary jazz, popular standards, blues and originals. She has captivated audiences in over 20 countries, headlining at venues in cities including New York, Tokyo, Madrid, Moscow, Paris, Shanghai, Los Angeles, Chicago, Boston, San Francisco and Miami. Ms. Henry has also performed in more than 30 music festivals worldwide and in some of the world's most famous venues including Blue Note; Jazz at Lincoln Center...
If These Walls Could Talk with Wendy Stuart & Tym MossHosts: WENDY STUART & TYM MOSSSpecial guest: JAMES GAVINWednesday, January 26th2pm EST LIVE from PANGEA Restaurant, NYCWatch LIVE on YouTube at Wendy Stuart TVManhattan-born and a graduate of Fordham University, Gavin is a much-published freelance journalist. Aside from the New York Times, he has written for Vanity Fair, Time Out New York, the Daily Beast, and JazzTimes. His subjects have included Annie Lennox, Elizabeth Taylor, Frank Sinatra, Nina Simone, John Legend, John F. Kennedy, Jr., Miriam Makeba, Marilyn Monroe, Mae West, Ned Rorem, Edith Piaf, Karen Carpenter, and Jacques Brel. Gavin's 2015 feature for JazzTimes, “The Gates of the Underworld: Inside Slugs' Saloon, Jazz's Most Notorious Nightclub," earned him his second ASCAP Deems Taylor-Virgil Thomson Award. He has contributed liner notes to over 500 CDs; his essay for the GRP box set Ella Fitzgerald – The Legendary Decca Recordings was nominated for a Grammy Award. In 2016, the Metropolitan Room in New York honored Gavin for his contributions to cabaret at an evening programmed by the writer himself. In 2018, the Manhattan Association of Cabarets and Clubs (MAC) gave him its Board of Directors Award.Gavin has appeared in several documentaries, including an E! True Hollywood Story on Doris Day and Anita O'Day: The Life and Times of a Jazz Singer. He wrote and narrated a French TV documentary, Chet by Claxton, on legendary jazz photographer William Claxton and his muse, Chet Baker. Gavin has made hundreds of radio appearances, including multiple interviews on NPR, the BBC, and Australia's ABC Network; he has been seen on the Today show, Good Morning America, and PBS NewsHour. From 2011 through 2017, Gavin toured as narrator, host, and author of Stormy Weather: The Life and Music of Lena Horne, a show that starred former Supreme Mary Wilson. Aside from his Stormy Weather show, he has created and hosted shows based on all his other books, featuring Blossom Dearie, Nellie McKay, Jane Monheit, Mark Murphy, Andy Bey, Mx. Justin Vivian Bond and Kenny Mellman (Kiki & Herb), Spider Saloff, Oscar Brown, Jr., The New Standards, Catherine Russell, Jonatha Brooke, and others. These evenings have been presented at such venues as the Kravis Center for the Performing Arts (West Palm Beach, FL), the Miller Outdoor Theater (Houston, TX), the Castro Theater (San Francisco, CA), the Guthrie Theater (Minneapolis, MN), and Joe's Pub (NYC).Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style, of honest, and emotional interviews, sharing the fascinating backstories of celebrities, entertainers, recording artists, writers and artists and bringing their audience along for a fantastic ride.Wendy Stuart is an author, celebrity interviewer, model, filmmaker and hosts “Pandemic Cooking With Wendy,” a popular Youtube comedic cooking show born in the era of Covid-19, and TriVersity Talk, a weekly web series with featured guests discussing their lives, activism and pressing issues in the LGBTQ Community.Tym Moss is a popular NYC singer, actor, and radio/tv host who recently starred in the hit indie film “JUNK” to critical acclaim.
Американский тромбонист и композитор мексиканского происхождения Steve Turre часто побеждает в опросах читателей и критиков журналов JazzTimes, Downbeat и Jazziz в номинациях тромбон и исполнитель на других инструментах. И этот инструмент звучит в одной из композиций его нового альбома Generations - Поколения. Основной состав, кроме лидера, состоит из молодых музыкантов, а приглашенные - это бывалые джазмены. Композиции альбома посвящены учителям с которыми играл автор. Из десять пьес только одна принадлежит другим авторам и является популярным хитом из бродвейского мюзикла. Главное найти баланс между молодостью и возрастом, - говорит Турре. Возраст приносит мудрость и знания, а молодость приносит энтузиазм и энергию. Старшие наделяют меня мудростью, а младшие зажигают. И все это разумеется вдохновляет. Мне всегда нравится играть с музыкантами, которые бросают мне вызов. Раньше я обычно играл с людьми старше меня, а теперь пришло время, когда мне нужна энергетика молодых. Джаз не умер! ©️ Smoke Sessions Records 2022 Steve Turre - trombone & shells 7 Wallace Roney Jr. - trumpet Isaiah J. Thompson - piano Emilio Modeste - tenor & soprano sax Orion Turre - drums Corcoran Holt - bass Lenny White - drums 3,7 Buster Williams, bass 3,4,8,9 Pedrito Martinez - percussion 4,6,8 James Carter - tenor sax 9 Ed Cherry - guitar 3 Andy Bassford - guitar 5 Trevor Watkis - Rhodes 5 Derek Barnett - electric bass 5 Karl Wright - drums 5 Recorded on March 29, 2022 at Sear Sound, Studio C, New York City #contemporaryjazz --- Send in a voice message: https://anchor.fm/konstantins/message
Veteran journalists on the real deal working in print and internet media. Host Andrew Gilbert in a lively discussion with Mike West and Marcus J Moore Mr. Moore has been a contributing writer with The Nation and a contributing editor with Bandcamp Daily. His coverage of soul, jazz, rap, and rock can be found at The New York Times, Pitchfork, TIME, Entertainment Weekly, GQ, The Washington Post, NPR, Rolling Stone, and The Atlantic, among other outlets. He also operates The Liner Notes newsletter, where he writes about his favorite music of all genres and eras. Mike West is a regular contributor and review editor to JazzTimes , The Washington Post, Washington City Paper, and Down Beat. His byline has also appeared in Jazziz, Bandcamp Daily, NPR Music, and Slate, among others.Andrew Gilbert writes about jazz, roots & international music for the San Jose Mercury News, SF Chronicle, San Francisco Classical Voice, http://Berkeleyside.com, and others.https://www.marcusjmoore.mediahttps://www.michael-j-west.comhttps://www.kqed.org/author/agilbert
And the Hot Box gets to number 85! This time, a few samples from the Jazz Times's Top 10 albums of the 1980s, together with a review of the new Palmetto release by baritone and clarinet star Brian Landrus. And the third and final track, never before heard, of the Louis Stewart/Honor Heffernan acoustic session.
And the Hot Box gets to number 85! This time, a few samples from the Jazz Times's Top 10 albums of the 1980s, together with a review of the new Palmetto release by baritone and clarinet star Brian Landrus. And the third and final track, never before heard, of the Louis Stewart/Honor Heffernan acoustic session.
Host Susan Brink talks with Richard Conde, a NYC based photographer.. He currently serves as Senior Staff Photographer for the National Jazz Museum in Harlem, and is the official photographer for the Newport, Exit 0, and Jazz Mobile jazz festivals, as well as New York's famed Birdland Jazz Club. Conde's much in-demand work which has been praised as "making the invisible visible" has appeared in numerous publications, including the New York Times, NPR Radio, Down Beat, Jazz Times and National Geographic magazines. National Geographic recently added his work to their permanent stock collection. He has also shot many album covers, the latest for Verve Records. His camera of choice is the Nikon D5. He is currently represented by H.P Garcia gallery in New York City. www.richardcondephotos.comSusan's second guest, Jazz Journalist Association President Howard Mandel, discusses “Seeing Jazz: JJA Photographers Master Classes,” a new monthly series, which goes live at 1 pm ET on Saturday, June 25,as Award-winning Argentine-born/New York-based Adriana Mateo discusses her work with Hrayr Attarian, chair of the JJA's Photo of the Year committee, in an interactive Zoom session.Registration is free for JJA members, $10 to the public.
My guest today is Scott Yanow—one of the best known and most prolific jazz reviewers.Writing about jazz is special, because of the dynamic and fluid nature of the music. There is a basic melody in jazz…but only to begin with. The musicians, in their solos, interpret that melody and its underlying harmonic structure.And always, and without exception, that interpretation is different every time a jazz soloist plays.Here's an analogy for jazz beginners.Classical music, for instance, is like a play. The lines are written for the actors, who must use their skill to bring out the drama in the lines. But it's always the same lines, the same words.Jazz is like scintillating conversation. You don't say the same thing twice—for the sake of your friends I hope you don't. And how interesting you are depends on how much you know, and how well you say it.So, you see what I mean when I say that writing jazz reviews merits its own skill.Speaking of skill, Scott Yanow has authored 12 books, written over 20,000 recording reviews and over 900 liner notes. (Liner notes are those descriptive passages that accompany an album.)He has also written artist biographies and press releases for record labels, public relations firms and individual artists. And most easily accessible, he has written hundreds of summaries for jazzonthetube.com.Scott doesn't tire easily. And simply listening to him describe a typical day is enough to make most of us pine for a vacation.As I said earlier, it's all about how much you know and how well you say it. Scott Yanow knows a lot and says it in an unpretentious, direct and honest writing style.And now he joins us from his home near Los Angeles.ABOUT SCOTT YANOWScott Yanow was born in New York and grew up near Los Angeles. He became the jazz editor for Record Review, a now-legendary music magazine. Yanow has written for Jazz Times, Cadence, Coda, The Mississippi Rag, Jazz Forum, Jazz News, The Jazz Report, Planet Jazz, Jazz Now, Jazz Improv and other significant jazz magazines. He contributors to seven magazines: Downbeat, Jazziz, the NYC Jazz Record, the Los Angeles Jazz Scene, Jazz Artistry Now, the Jazz Rag and Syncopated Times. Yanow has written 12 books on jazz: The Jazz Singers, The Great Jazz Guitarists, Jazz On Film Duke Ellington, Swing, Bebop, Afro-Cuban Jazz, Classic Jazz, Trumpet Kings, Jazz: A Regional Exploration, the massive Jazz On Record 1917-76 and most recently Jazz Through The Eyes Of A Jazz Journalist (My Jazz Memoirs).Jazz Through The Eyes Of A Jazz Journalist: https://amzn.to/3PLnx5SWHAT'S THAT WORD?! - JAZZCo-host Pranati "Pea" Madhav joins Ramjee Chandran in the segment "What's That Word?", where they discuss the origins of "jazz" and tell jazz jokes.WANT TO BE ON THE SHOW?Reach us by mail: theliterarycity@explocity.com or simply, tlc@explocity.com.
Welcome to a new edition of the Neon Jazz interview series with Los Angeles-based Saxophonist & Flutist Ron Cyger & Double Bassist, Guitarist & Ukulele Player Brent Butterworth of Take2 .. This is the much anticipated debut album full of eight originals and one standard span multiple genres, including straightahead jazz, pop, bossa, mambo and blues .. Ron has been active in the Los Angeles jazz scene for years, while Brent is a well-known audio writer for such publications as JazzTimes and Wirecutter. Together, they make quality tunes .. Enjoy their story .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future. https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4
Join international dance artist Alina Sokulska as she discusses what is happening in her home country of Ukraine and how it is impacting Ukranian artists int he current moment. Alina Sokulska is an internationally acclaimed dance artist, choreographer, performer, instructor and researcher. She is one of those dancers elaborating on her own dance language with intertexts of swing, blues, bebop, tap dance, UK jazz, afro-latin dance. Emilie Pons is a digital reporter and audio producer for The World, on PRI. Her work has also been featured on CBC News, Radio DW, in JazzTimes and TRT World. Producer: Emilie Pons Associate Producer: Sam Grobmeier In association with Foreign Press Foundation.
The show where we uncover the stories, processes, and worldviews behind NYC's most artful and creative musicians. Today's guest is pianist, composer, and bandleader Jason Moran. A native of Houston, Texas, Jason is a leading artistic figure of the day. He is a MacArthur Fellow who is on faculty at the New England Conservatory in Boston and the Rhythmic Music Conservatory in Copenhagen and also serves as the Musical Advisor and Artistic Director for the Kennedy Center, a position which he has held since 2011. He has recorded with musicians such as Greg Osby, David Murray, Charles Lloyd, Paul Motian, Archie Shepp, and Henry Threadgill and has composed the score for several films such as the heralded documentary 13th, Ta-Nehisi Coates' Between the World and Me, and the movie Selma. His band, "Jason Moran and the Bandwagon"--which features Jason on piano, Tarus Mateen on bass, and Nasheet Waits on drums--has been touring and recording since their debut album in 2000 and has been praised by the New York Times, Jazz Times, and Downbeat Magazine. His inter-disciplinary collaborations with skateboarders, painters, and ballet dancers have distinguished Moran from other musicians and have proven him truly worthy of the title: Artist.
Join celebrated American producer and filmmaker Melissa Haizlip in conversation with FPA journalist Emilie Pons as they discuss Ms. Haizlip's celebrated documentary Mr. Soul! presented by the Foreign Press Association in honor of Black History Month. Melissa Haizlip is an American film producer, director and writer. Her 2018 documentary ‘Mr. Soul' celebrates African American contributions to American culture. Emilie Pons is a digital reporter and audio producer for The World, on PRI. Her work has also been featured on CBC News, Radio DW, in JazzTimes and TRT World. Join us for the FPA Arts and Culture Podcast presented the 3rd Tuesday of each month at 7pm EST on your favorite podcast platforms. Executive Producer: Camilla Hellman MBE Producer: Emilie Pons Associate Producer: Sam Grobmeier In association with Foreign Press Foundation.
Singer, Songwriter, Saxophonist, Bandleader…Curtis Stigers does it all. His new album, This Life will be released on February 25, 2022. “Keep Me From The Cold” was originally released on Curtis' sophomore album on Arista Records, where he was discovered and signed by legendary producer Clive Davis. It was co-written with Glen Ballard (Grammy-winning writer/producer) and Curtis has said that this is one of the songs that he's most proud of writing. It's been 30 years since Curtis released his eponymous debut album which took the charts by storm and generated the international hits “I Wonder Why”, “You're All that Matters To Me”, and “Never Saw A Miracle”. For This Life a seasoned Curtis Stigers has revisited these early successes (and a couple of later ones) and put a distinct jazz spin on them. The repertoire includes a new version of Nick Lowe's “(What's So Funny ‘Bout) Peace, Love, And Understanding”, which Stigers had recorded in 1992 for the smash hit film soundtrack of The Bodyguard. And there is, of course, also a fresh rendition of “This Life”, the marvelous Emmy-nominated theme song Curtis co-wrote and recorded in 2008 for the wildly popular TV show Sons Of Anarchy. Fans of Sons of Anarchy know him well and The Times of London enthuse "Stigers remains one of the most thoughtful and uncategorizable of artists. Armed with a characterful croon, a chiseled jaw and a saxophone..” Over the course of his career Curtis's music has been praised by many including The New York Times, The Times of London, The Guardian, The San Francisco Chronicle, Jazz Times, MOJO, and so many more. I'm looking forward to hearing your thoughts on this next release! Some Things That Came Up: 6:00 - Coming up on Southern CA radio 13:00 - Exposition on the sax 19:00 - Moving to NYC 20:00 - Toad's Place, New Haven 31:00 - Which Singer/Songwriters are the legends in the making? Jason Isbel, Hayes Carl, John Fulbright 35:00 - Being a Troubador 38:00 - Songs that move you 41:00 - Curtis performs a song 51:00 - RQOTD 52:00 - TV shows and movies as of late? Follow: www.curtisstigers.com Instagram: @thecurtisstigers Facebook: @Curtis Stigers The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits! Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at: https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1 One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)! Buy Rich's exact gear at www.lessonsquad.com/rich-redmond Follow Rich: @richredmond www.richredmond.com Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur. Follow Jim: @jimmccarthy www.jimmccarthyvoiceovers.com
Instagram: @zachjazzdrums • Montclair, New Jersey drummer Zach Adleman has performed at Carnegie Hall, the 57th Annual Grammy Awards After Parties, and the Newport Jazz Festival, alongside jazz luminaries Wynton Marsalis, Rodney Whitaker, Mike LeDonne, and Randy Brecker. Additionally, Zach has received a GRAMMY for playing percussion on the song "Water in Cupped Hands", on Ted Nash's 2016 release, the "Presidential Suite." A scholarship recipient at the Juilliard School and Michigan State University, Zach was asked to join eminent trombonist Michael Dease's band and is featured on his 2018 album release, "Reaching Out" on Posi-Tone Records. In 2019, the very next year, Zach released his debut record as a co-leader of the Becoming Quintet, “One-Track Mind,” where he earned a review from JazzTimes and DownBeat magazine. Zach is the winner of the J.C Heard National Drum Competition, where he led his trio featuring Rodney Whitaker and Isaiah Thompson at the 2017 Detroit Jazz Festival. In 2019, he was invited to take part in the “Future of Jazz Concert” in Moscow, Russia, including a performance with Igor Butman and the Moscow Jazz Orchestra at Tchaikovsky Hall. While in high school, Zach was extensively involved in many outstanding programs including Jazz House Kids and the Jazz at Lincoln Center Youth Orchestra, which fostered his love of playing jazz. While in college, Zach was selected to attend the JAS Aspen Academy led by Christian McBride, and the Ravinia workshop led by Rufus Reid and Billy Childs. In pursuit of his passion to teach, Zach served on faculty at the Jazz Institute @ Brevard; worked as a teaching assistant at the Jazz House Kids Summer Workshop; and currently teaches private lessons online and in the New York/New Jersey region.
Violinist, educator and composer, Christian Howes was voted #1 in the Downbeat Critics Poll (“Rising Stars/Violin”), named among the top three jazz violinists in the JazzTimes critics poll, and nominated for Violinist of the Year by the Jazz Journalist Association. He received the Residency Partner Award through Chamber Music America, earned a USArtists grant through the Mid Atlantic Arts Foundation, and was invited by the U.S. State department to teach and perform as a cultural ambassador twice, in Ukraine and Montenegro. His release on Resonance Records, “Southern Exposure” earned recognition in the New York Times, Wall Street Journal, Downbeat, Jazz Times, as well as a six-night run at Lincoln Center. His release, “American Spirit” was named among the Best Jazz Albums of 2015″ by the Huffington Post. Howes is the founder of “Creative Strings“, a 501(c)(3) non-profit organization with a mission to expand music education through the creation of online curriculum, an annual summer conference, and dozens of visits to schools annually teaching improvisation, contemporary styles, and related subjects. He endorses Yamaha violins and D'Addario strings. Connect with Christian on Facebook, YouTube, www.christianhowes.com, or www.creativestrings.org. --- Support this podcast: https://anchor.fm/orchestrateacher/support
Maggie LePique and Ashley Khan discuss this newly discovered live-recording of a performance of John Coltrane's A Love Supreme suite which has been called a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane's group. Ashley Kahn is a Grammy-winning American music historian, journalist, producer, and professor. He teaches at New York University's Clive Davis Institute for Recorded Music, and has written books on two legendary recordings—Kind of Blue by Miles Davis and A Love Supreme by John Coltrane—as well as one book on a legendary record label: The House That Trane Built: The Story of Impulse Records. He also co-authored the Carlos Santana autobiography The Universal Tone, and edited Rolling Stone: The Seventies, a 70-essay overview of that pivotal decade. His latest book is George Harrison on George Harrison: Interviews and Encounters.Source: https://www.johncoltrane.comSource: https://www.nybooks.com/daily/2021/10/07/coltranes-new-love-supreme/Source: https://jazztimes.com/features/profiles/ashley-kahn-meet-the-professor/This episode is from an archive from the KPFK program Profiles adapted for podcast. Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994. Support the show
Maria Schneider is a multiple Grammy Award winner and a recent Pulitzer Prize finalist in Music for her 2020 double album “Data Lords.” She was last a guest on The Jazz Session a decade ago and to think that she hadn't yet released her 2013 collaborative album with soprano Dawn Upshaw and the Australian Chamber Orchestra, “Winter Morning Walks”, OR her shimmering, somewhat biographical record 2015's “The Thompson Fields”. Anyone who is lucky to work with or know Maria, knows that her attention to detail is meticulous, her musicianship second to none, and her warmth and generosity immense. We talked about her towering new double album, her collaboration with David Bowie, and what award recognition means to her. Here is our conversation-a privilege and delight for a fangirl like me. Show Notes: Tracks played: - Braided Together - Walking By Flashlight - Sue - A World Lost - Sanzenin - Look Up Maria talks about streaming services with JazzTimes at the Newport Jazz Festival, 2017 Data Lords is available now on ArtistShare Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.
Maria Schneider is a multiple Grammy Award winner and a recent Pulitzer Prize finalist in Music for her 2020 double album “Data Lords.” She was last a guest on The Jazz Session a decade ago and to think that she hadn't yet released her 2013 collaborative album with soprano Dawn Upshaw and the Australian Chamber Orchestra, “Winter Morning Walks”, OR her shimmering, somewhat biographical record 2015's “The Thompson Fields”. Anyone who is lucky to work with or know Maria, knows that her attention to detail is meticulous, her musicianship second to none, and her warmth and generosity immense. We talked about her towering new double album, her collaboration with David Bowie, and what award recognition means to her. Here is our conversation-a privilege and delight for a fangirl like me. Show Notes: Tracks played: - Braided Together - Walking By Flashlight - Sue - A World Lost - Sanzenin - Look Up Maria talks about streaming services with JazzTimes at the Newport Jazz Festival, 2017 Data Lords is available now on ArtistShare Theme music by The Respect Sextet Follow The Jazz Session on Twitter, Instagram and Facebook Subscribe to The Jazz Session's YouTube Channel Support The Jazz Session by becoming a member at Patreon. For $5 a month you'll get a weekly bonus episode called Track of the Week, plus early access to every show. For $10 a month you get all that plus an extra monthly bonus episode of “The Insider”, a spin-off interview series where Nicky chats to jazz industry insiders (broadcasters, artist agents, label heads, journalists) about the nuts and bolts of the business.
Saxophonist Idit Shner joins us to chat about moving between the classical and jazz worlds, her early love for baroque music as a young recorder player, and her thoughts on providing space for students to experience music-making across genres. Idit talks about the differences in the physical technique and the mental preparation for jazz vs. classical performance, and how this influences her approach to performing and recording. She shares her interest in exploring traditional Jewish and Zimbabwean musics, the internal grammar inherent in each piece, the role that her local musical community plays in inspiring her work, and how she hates the word fusion when blending the musics of multiple cultures. An active performer of both jazz and classical music, Idit has played in various distinguished venues in the United States and abroad, such as The Kennedy Center in Washington, D.C. and Lincoln Center in New York. Currently, Shner plays with her jazz quartet in Eugene and Portland, Oregon. Her latest release of jazz originals, 9 Short Stories, garnered a 4 star review in Downbeat Magazine. Her jazz debut, Tuesday's Blues, features nursery rhymes and ancient melodies from the Jewish liturgy performed in a jazz setting. Tuesday's Blues got great reviews from JazzTimes, All Music Guide, and Jazz Review. Jazz festival performances include the Diet Coke Woman in Jazz Festival (NY), Bellayre Festival (NY), and New-Trier Jazz Festival (IL). Idit appears on Music from SEAMUS Vol. 16, a compilation CD of music for instruments and electronic sounds by members of the Society for Electroacoustic Music in the United States. As a classical saxophonist Idit has commissioned and recorded new music and performed solo recitals in the US and Israel. MINERVA is her latest classical release. Her third CD, Le Merle Noir, featuring music by Messiaen, Bozza, Partos, and Glass, was released on Origin Classics in August 2013. Her previous classical recording, FISSURES: 20th Century Music for saxophone and Harp with renowned harpist Yumiko Schlaffer, received great acclaim and was played on NPR's All Things Considered. Idit has collaborated with Fireworks, Beta Collide and Third Angle (new music ensembles), and performed with the Oregon Symphony and the Eugene Symphony. Other appearances include the Northwest Percussion Festival, Electronic Music Midwest, the Oregon Bach Festival, and many North American Saxophone Alliance Conventions. During March 2006 she played in Israel as a featured soloist with a symphonic orchestra, and performed contemporary music at the national convention of the Society for Electro Acoustic Music in the US. Her last solo recital in Israel was broadcasted live on Voice of Music, a national public radio station. During 2005-2006 Idit played lead alto with Sherrie Maricle and the DIVA Jazz Orchestra. Performing her own compositions in a jazz combo setting, she was selected to participate in Betty Carter's Jazz Ahead. Idit holds a Bachelor of Music degree from Oklahoma City University, a Masters degree in Music Education from University of Central Oklahoma, and a Doctor of Musical Arts degree from University of North Texas. Idit now teaches at the University of Oregon, as professor of saxophone and jazz studies. She was awarded two prestigious teaching awards: The 2015 Thomas F. Herman Award for Excellent in Pedagogy in areas of saxophone technique and chamber music coaching; and the 2016 University of Oregon Faculty Excellence Award. The transcript for this episode can be found here. For more information about Chamber Music America, please visit her website and Instagram.
We had a blast talking about all things drums and drumming! ENJOY and be sure to check out Carl's website at: http://www.carlallen.com With over 200 recordings to his credit, the gifted Milwaukee-born, New York-based drummer, sideman, bandleader, entrepreneur, and educator, Carl Allen's profound and propulsive percolations provided soulful and syncopated support for nearly three decades. Born on April 25, 1961, Allen grew up on gospel, R&B, and funk, but later turned to jazz after hearing an LP by the legendary saxophonist Benny Carter. He studied with drum instructor Roy Sneider and band director Robert Siemele. His first hometown gigs were with sax greats Sonny Stitt and James Moody. Allen studied at The University of Wisconsin at Green Bay from 1979 to 1981, and transferred to William Patterson College in New Jersey, where he graduated in 1983 with a Bachelor's Degree in Jazz Studies and Performance. Allen joined trumpeter Freddie Hubbard a year before his graduation, served as his Musical Director for eight years, and recorded several recordings with the trumpeter including Double Take and Life Flight. Allen also played with Michael Brecker, Randy Brecker, Benny Golson, Jennifer Holliday, J.J. Johnson, Rickie Lee Jones, Sammy Davis Jr., Branford Marsalis, Kenny Garrett, Lena Horne, Ruth Brown, Wayne Shorter, Herbie Hancock, Bobby Hutcherson, Mike Stern, Nellie McKay, Terence Blanchard, Phil Woods, Benny Green, Cyrus Chestnut, Joe Henderson, Billy Childs and many others. Allen's phenomenal sideman discography also includes Jackie McLean (Dynasty), Donald Harrison (Indian Blues, Noveau Swing), Donald Byrd (A City Called Heaven), and Art Farmer (The Company I Keep). “Carl Allen is an international powerhouse. His sound and feeings have fuled the bands of Freddie Hubbard, Christian McBride and countless others as well leading his own projects. “ – Joe Lovano Piccadilly Square (Timeless) was Allen's first CD as leader, released in 1989, followed by The Dark Side of Dewey (Evidence), The Pursuer (Atlantic), Testimonial (Atlantic), and Get Ready, his 2007 Mack Avenue gospel/Motown accented debut release with co-leader, bassist Rodney Whitaker followed up by Work to Do (Mack Avenue Records) featuring Kirk Whalum. Education has always been part of my mission Allen says. Art Blakey taught me the importance of nurturing the next generation of musicians. “Every generation needs someone to help them get to the next level and this what I am hoping to do”. In May of 2012 Allen received an honorary doctorate from Snow College in Ephraim, Utah in Humane Letters. Allen is also an accomplished businessman. He co-founded Big Apple Productions in 1988 with saxophonist Vincent Herring, produced several recordings for several Japanese labels with future stars Roy Hargrove and Nicholas Payton. Several years ago he created Nella Productions which produces projects and developed an education component to the company called The New York Jazz Symposium where he runs workshops around the world on jazz. Allen has also produced recordings for pianist Eric Reed, Dewey Redman. Pharoah Sanders, Freddie Hubbard, Kris Bowers and guitarist Lage Lund, the winner of the 2005 Thelonious Monk International Monk Competition and many others totaling nearly 70 credits as a producer. Carl Allen's multifaceted career provides the perfect template for what a modern musician should be. As Sid Gribetz of Jazz Times wrote, “more than just another fine drummer, Carl Allen has it all together as a bandleader, businessman, and producer, becoming a force in today's jazz world.” Allen maintains an exhaustive schedule of recording, touring and teaching. He remains active as a sideman with Christian McBride and Inside Straight, Benny Golson and others. As a leader most recently leading The Carl Allen Quartet as well as The Art of Elvin, a tribute band dedicated to his two drum influences, Art Blakey and Elvin Jones was started after the passing of Elvin Jones in 2004.
50 years ago Miles Davis released an album that blew the music world away, Bitches Brew. An album as close to perfect as perfect gets. The musicians all made incredible magic in the studio as the Grand Wizard, Miles Davis, stirred the cauldron. With help from Teo Macero, they made a masterpiece that still may be ahead of it's time 50 years later. The Imbalanced Brothers give you an overview of the album and how it was made as well as a brief look into who the complex genius Miles Davis was. Bitches Brew may be the first Jazz/Fusion - Jazz/Rock And Roll album recorded. It stands strong today and every music lover should listen to the album at least once all the way through.You can read more about Bitches Brew in the Jazz Times article about the making of the album.RATED-R (for language, sexuality and graphic violence, just like your favorite horror flicks!!!)Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!This show is part of Pantheon Podcasts.
50 years ago Miles Davis released an album that blew the music world away, Bitches Brew. An album as close to perfect as perfect gets. The musicians all made incredible magic in the studio as The Musical Wizard(Genius), Miles Davis, stirred the cauldron. With help from Teo Macero, they made a masterpiece that still may be ahead of it's time decades later. The Imbalanced Brothers give you an overview of the album and how it was made as well as a brief look into the complex genius that was Miles Davis. Bitches Brew may be the first Jazz/Fusion - Jazz/Rock And Roll album recorded. It stands strong today and every music lover should listen to the album at least once all the way through.You can read more about Bitches Brew in this Jazz Times article about the making of the album.Thanks to our sponsors, Crooked Eye Brewery AND One CBD for their support of the podcast!This show is part of Pantheon Podcasts.
Episode SummaryExperimental musician Mary Halvorson shares her story of how a practical person made the impractical leap to pursue a music career when she met a truly inspiring teacher in college. Mary discusses creating music that is out of the mainstream, finding acceptance by going her own way, and how receiving the prestigious MacArthur Grant has impacted her life. Syd and Mary talk leadership, women in music, quarantine, and more, in this episode of The Sydcast.Syd FinkelsteinSyd Finkelstein is the Steven Roth Professor of Management at the Tuck School of Business at Dartmouth College. He holds a Master's degree from the London School of Economics and a Ph.D. from Columbia University. Professor Finkelstein has published 25 books and 90 articles, including the bestsellers Why Smart Executives Fail and Superbosses: How Exceptional Leaders Master the Flow of Talent, which LinkedIn Chairman Reid Hoffman calls the “leadership guide for the Networked Age.” He is also a Fellow of the Academy of Management, a consultant and speaker to leading companies around the world, and a top 25 on the global Thinkers 50 list of top management gurus. Professor Finkelstein's research and consulting work often relies on in-depth and personal interviews with hundreds of people, an experience that led him to create and host his own podcast, The Sydcast, to uncover and share the stories of all sorts of fascinating people in business, sports, entertainment, politics, academia, and everyday life. Mary HalvorsonGuitarist and composer Mary Halvorson has been described as “a singular talent” (Lloyd Sachs, JazzTimes), ”NYC's least-predictable improviser” (Howard Mandel, City Arts), “one of the most exciting and original guitarists in jazz—or otherwise” (Steve Dollar, Wall Street Journal), and “one of today's most formidable bandleaders” (Francis Davis, Village Voice). In recent Downbeat Critics Polls, Halvorson has been celebrated as a guitarist, rising star jazz artist, and rising star composer of the year, and in 2019 she was awarded a MacArthur Fellowship.Halvorson has released a series of critically acclaimed albums on the Firehouse 12 label, from Dragon's Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015) and most recently debuted Code Girl (2018), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson's own lyrics), trumpeter Adam O'Farrill, saxophonist/ vocalist Maria Grand, bassist Michael Formanek, and drummer Tomas Fujiwara. One of New York City's most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.Insights from this episode:The benefits of studying musical traditions to build your own strong musical foundation.Reasons why you should play different types and styles of music to enhance and further your career.Differences between listening to music through a streaming service versus on a CD or vinyl album and the impact of listening to only one song versus an entire album.How to find a balance between instinct and editing when creating music.Benefits of performing music live that can not be achieved through streaming concerts. How to be a good bandleader and how to deal with the pressure that comes with being a leader in any situation.Quotes from the show:“I realized music was much more than I had initially thought, it was much bigger. There were so many more possibilities.” – Mary Halvorson“I think there's a misconception that people who play experimental music only like experimental music or can't play other types of music and vice versa. I've found that that's often not the case.” – Mary Halvorson“I think of an academic career as an entrepreneurial career where you can always try something new if you want to try something new.” – Syd Finkelstein“We know, in so many walks of life, narrative flow and storytelling is everything.” – Syd Finkelstein“I've always found it un-intuitive to have music and then put lyrics in later.” – Mary Halvorson“I'm just writing music that I find exciting or that I think is beautiful or that I like and I think that tends to be a little bit left of center.” – Mary Halvorson“I'm very lucky to do music that I believe in.” – Mary Halvorson“What I've realized during this [quarantine] period is there's no substitute for live music. Doing live-stream performances is not a substitute for live music.” – Mary HalvorsonOn what advice Mary would give to her younger self: “Take your time with things and make sure to do things thoroughly … get really deep into something.” – Mary Halvorson“I think focusing on the process and not the end result is also a good thing to think about.” – Mary HalvorsonStay Connected: Syd FinkelsteinWebsite: http://thesydcast.comLinkedIn: Sydney FinkelsteinTwitter: @sydfinkelsteinFacebook: The SydcastInstagram: The SydcastMary HalvorsonWebsite: www.maryhalvorson.comSpotify: Mary HalvorsonYouTube Music: Mary HalvorsonFacebook: Mary HalvorsonSubscribe to our podcast + download each episode on Stitcher, iTunes, and Spotify.This episode was produced and managed by Podcast Laundry (www.podcastlaundry.com)
find other episodes here: www.mattoestreicher.com/podcast find Clifford Carter here: http://www.cliffordcarter.com/index.html Clifford Carter Bio: One of the music industry's most sought-after keyboardists and composers, Carter has performed and recorded with legendary artists ranging from Art Garfunkel, James Taylor, Linda Ronstadt, Natalie Cole, Bette Midler, Carly Simon and Patti Scialfa to Chris Botti, Paul Simon, Betty Buckley, George Benson, Narada Michael Walden and Herbie Mann. He is currently the music director for Idina Menzel. His playing can be heard on film scores, television shows and commercials. He has been featured in a wide range of musical contexts from symphony orchestras to David Letterman's band. His songs have been recorded by Michael Franks, Phyllis Hyman, Vanessa Williams and The Four Tops, among others, and for his own solo CD. He owns Secret Road Studios, a versatile production environment, where he plays, writes, arranges and produces. The music from this podcast is all from Clifford's album Walkin' Into the Sun. It's available here: http://www.cdbaby.com/cd/cliffordcarter His full-time professional career began at that time as he worked playing Miami clubs with local and national artists, among them Bobby Vinton, the Coasters and Motown's legendary Four Tops. An offer to tour with The Four Tops took him on the road for the first time. He spent a year with the Tops and recorded three albums with them. With friends Steve Jordan, Hiram Bullock and Will Lee, Carter formed the 24th Street Band in 1978. He was one of the principal songwriters in the band, which made three records, played regularly in New York City clubs and embarked on a successful series of tours in Japan. In 1990, Carter began a long association with singer/songwriter James Taylor as a member of his touring and recording band. Carter's long-time friend and colleague Don Grolnick was keyboardist and musical director for the band at the time, and after playing a supportive role to Grolnick as the second keyboardist, Carter became the sole keyboardist when Grolnick tragically passed away in 1996. He remained in the band through 2001, playing acoustic piano and electronic keyboards. He worked on numerous Taylor releases, including the 1997 Grammy-award-winning Pop Album of the Year, Hourglass. Carter recorded Walkin' Into the Sun, his only solo recording to date, which was released in 1993 and described as "one of the most engaging surprises of the year" by Jazziz Magazine and "a showcase for the keyboardist's excellent musicianship" by Jazz Times. The CD, a jazz/pop hybrid, features Carter's vocal and instrumental songs with a top supporting cast of musicians including Steve Rodby, Will Lee, Mark Egan, Bob Sheppard, Luis Conte and producer-guitarist Tim Weston. A favorite of Late Night with David Letterman bandleader Paul Shaffer, he has often sat in with the band to accompany the show's guest artists, and he's subbed for Shaffer as well. He has accompanied a variety of artists on television programs ranging from The Tonight Show with Jay Leno, Saturday Night Live, The Oprah Winfrey Show, The Today Show, Regis and Kathy Lee, Late Night with Conan O'Brien, The Ellen DeGeneres Show and The View to Rosie O'Donnell's 1999 Christmas special and VH1's Storytellers and Live By Request. Among these artists are Al Green, Jewel, Christina Aguilera, the Black Crowes, Smokey Robinson, the B-52's, Rufus Wainwright, the Temptations, Little Richard, BB King, Lyle Lovett, Cher, LeAnn Rimes, Vanessa Williams, Michael McDonald and many others. Carter has played at star-studded music events such as the 1985 reopening of the Apollo Theater ("Motown at the Apollo"), tributes to artists including Bob Dylan, Willie Nelson and Chuck Berry at the Kennedy Center Honors, the Rock and Roll Hall of Fame, Sting's Rainforest Benefit in New York City, and Oprah Winfrey's "A Bridge To Now" celebration honoring 25 legendary African-American women, the concert for the 1st Annual Gershwin Prize for Popular Song honoring Paul Simon, and Fashion Rocks at Radio City Music Hall. His keyboard work has contributed to numerous film scores including You've Got Mail, A Chorus Line, The Object of My Affection, The Muppets Take Manhattan, and the recent remake of Shaft. In 2006, Carter began working with legendary singer Art Garfunkel, and continues to perform regularly with him both at home and abroad. 2009 highlights include appearing at the Rock and Roll Hall of Fame induction ceremony in Cleveland with Little Anthony and the Imperials and Bobby Womack, touring the United States with Art Garfunkel, concerts with Betty Buckley, performances of "Too Hot to Handel" with The Colorado Symphony Orchestra and the Baltimore Symphony Orchestra, and recording a soon to be released CD with leader/drummer Chris Parker. Carter continues to participate in a variety of musical settings from clubs to concert halls around the world, to television appearances and recording sessions. All these of course are his hobby - his main job is to raise his three daughters with occasional time out to watch the river flow. NOTES: The music from this podcast is all from Clifford's album Walkin' Into the Sun. It's available here: http://www.cdbaby.com/cd/cliffordcarter Intro track: Hard to Get Back Outro Track: Nothin' Left to Do (From Walkin' Into the Sun) The Frank Morgan track that I spoke of in the intro is the last track of his album Mood Indigo. It can be found here: https://play.spotify.com/album/3AVInHsvmgrL129ei5Tvft?play=true&utm_source=open.spotify.com&utm_medium=open
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