Podcast appearances and mentions of Michael Jackson

Mit "Back In Black" haben sich AC/DC 1980 nach dem Tod von Bon Scott zurückgemeldet und Brian Johnson als neuen Sänger der Band vorgestellt. Mit dem Album "Back In Black" und dem neuen Sänger Brian Johnson trauern AC/DC um ihren verstorbenen Frontmann Bon Scott, feiern mit den Songs des Albums aber auch das Leben und den Rock'n'Roll-Lifestyle. Und obwohl AC/DC vor diesem Album gerade erst ihren charismatischen Frontmann verloren hatten, mit dem die australischen Hardrocker damals den Durchbruch geschafft hatten, ist es "Back in Black", das zum (kommerziell) erfolgreichsten Album der Band wurde. Aber nicht nur das – "Back In Black" ist nach Michael Jacksons "Thriller" auch das zweitmeistverkaufte Album aller Zeiten. Über 50 Millionen Einheiten sollen von dem Album über den Ladentisch gegangen sein. Ganz besonders ist bei "Back In Black" natürlich auch die Gitarrenarbeit und der Gitarrensound der beiden Brüder Angus und Malcolm Young. Und was für viele Laien oft ganz einfach wirkt, ist es natürlich nicht. Es geht dabei um ganz viele Feinheiten. Von der Auswahl der unterschiedlichen Gitarren über Verstärker bis hin zur Wahl der Gitarrensaiten von Angus und Malcolm. Alles ist haargenau auf die jeweilige Rolle der beiden Brüder innerhalb der Band abgestimmt. Malcolm macht den Druck und die Power hinten und das bissige und verzerrte, darum kümmert sich Angus. Und diese unterschiedlichen Rollen sind auch im Mix auf dem Album genau aufgeteilt. Und auch beim Songwriting sind die Elemente und auch die Anschlagtechniken von Malcolm und Angus sehr fein aufeinander abgestimmt, erklärt Musikredakteur und Gitarrenexperte Stephan Fahrig im Podcast. Das kommerziell erfolgreichste Hardrockalbum aller Zeiten hat natürlich auch Spuren in der Musikgeschichte hinterlassen – und zwar sehr tiefe, wie Musikredakteurin Katharina Heinius im Podcast erzählt: "Sie (AC/DC) sind das Vorbild vieler, vieler Hardrockbands geworden – auch mit diesem Album. Sie haben auch einen Sound geprägt und sie haben den Sound auch durchgezogen. Wenn jemand fragt: Was ist [...] Hardrock? 100% "Back In Black"!" __________ Über diese Songs vom Album "Back In Black" wird im Podcast gesprochen: (23:13) – "Hells Bells"(37:05) – "Shoot To Thrill"(48:45) – "Back In Black"(01:03:12) – "You Shook Me All Night Long"(01:10:44) – "Rock and Roll Ain't Noise Pollution" __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/acdc-back-in-black __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

On this week's episode of The Lucky Cat Podcast, Outback Steakhouse and rita flights, the carnival was fun,, Bloody Mary makes responds to my latest clip, ALBUM REVIEWS: Clipse, Ovrkast, Boldy James, and Nicholas Craven, Steven uncovers an INSANE Michael Jackson clip, all that and more on this weeks episode of The Lucky Cat Podcast. WRITE INTO THE SHOW (Share whatever you want): steventlcp@gmail.com Like Review Share and Subscribe Socials: Instagram: @eyemsteve Twitter (X): @eyemsteve91 Tik Tok: @eyemsteve

Thursday 7-17-25 Show #1174: Comedian Preston Canavan joins us tonight and curses even though it's radio, plus we talk Michael Jackson and A.I. addiction.

Der Titel stammt von Michael Jacksons 5. Studioalbum „Off the wall“, und Quincy Jones hat es produziert. Der Einsatz von Geigen geht eindeutig auf Jones Konto, Michael Jackson hätte einen kantigeren Sound bevorzugt. In diesem Song gibt es einige sexuelle Anspielungen. Mit solchen Texten setzte sich Michael Jackson deutlich von den eher harmlosen Texten der Familienband „The Jackson five“ ab. Und er bedient sich erstmals einer Reihe von Lauten, die typisch werden sollten für seine Auftritte: Hickser, Stöhnen, Seufzer. Auch in den Nachfolgealben „Thriller“ und „Bad“ setzten Jackson und Jones ihre erfolgreiche Zusammenarbeit fort.

A new week means new questions! Hope you have fun with these!Which animal has the highest blood pressure?Two tubes of pureed meat and one of chocolate sauce, were part of what historical milestone?What are Will Smith and Tommy Lee Jones' character names in the film, Men in Black?Which country has the most active, dormant, and extinct volcanoes?At 77 years old, which actress just surpassed Angela Lansbury to become the oldest nominee ever in the lead drama actress category?Which is the only NFL team to go a whole season undefeated, including the Super Bowl?Name any of the three monachrs who reigned during the English Angevins era.There are 2 national flowers of Japan. Name either.Which country's national flag is flipped upside down during times of war to change the colors to have crimson red on top and royal blue on the bottom?What was the name of Michael Jackson's pet chimpanzee?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Michael Jackson, The Musical; All-Star Game Swing-Off; Will Blazers' next owner move the team?

Join Rawsko Squeezoff and Rich Blackman as they dive into two hot topics! First, they tackle Jim Jones' bold claim about being more relevant than Nas in 2025, dissecting the nuances of street respect versus global influence [00:13]. Then, they switch gears to a fun hypothetical: "If you were isolated for three months on a spaceship, what three albums would you bring?" Get ready for some surprising picks and a lively debate about musical legends [05:49]! Don't forget to share your own top 3 album choices in the comments below!Time-added Breakdown: * 00:00:13 - Jim Jones vs. Nas: Relevance in 2025 Debate Begins * 00:01:12 - Global Impact: Why Nas's Influence Extends Beyond Music * 00:03:17 - Generational Gap: Jim Jones and Reality TV vs. Nas and Hip-Hop History * 00:05:49 - The Spaceship Challenge: Choosing 3 Albums for Isolation * 00:07:01 - Rich Blackman's Top Picks Revealed (GZA, Big Pun, Stevie Wonder) * 00:10:37 - Rawsko Squeezeoff's Choices (Dr. Dre, Michael Jackson, R. Kelly)* Pinnacle Kustom Automotive: https://dot.cards/pinnacleautomotivecenter* DC Productions: https://dot.cards/dcproductionsTo save on your next Tesla product use the link below:https://ts.la/norman498499

“Look what they eye unearthed,” leaning into the tip of my ear with the warmth and closeness of the coming waves, high tide approaching in the waning moon. “More secrets.” I replied. It was a question but also a statement— there was never such as this the luminescent trace of the glowing lava that was his force and might that I could not see for miles before he would even wander— first in twinkling stars and then later the wind itself and the birds, and then beneath the waves, like the quaking shake of a mighty oak anchored elsewhere and tied to the sea. “So you know.” I was hoping he would kill me before the next time I had to ever really know anything. He was the subject, and the predicate The wrong done, and the justice She was the pride and the prejudice But Judas brings the law Did you look in the box? No, I– [The Box Is The Box] –No, I haven't. Nearly three nights ago, a mysterious box arrived on the doorstep of an equally mysterious writer, who spends their time in isolation due to the often unannounced arrival of various ghosts, spirits, time travelers, and other figures by instant teleportation and other magical forms of transportation into their shabby New York apartment. Some of ya'll got so many air wick plug ins and scentci wax melts you don't know you smell like booboo. It's an illusion. You leave your house, You smell like booboo. I promise. Oh, God, I think I need a drink. Are you alright? Let me just–sit down for a second. Of course. My God. What's wrong. Look, i'm not supposed to say anything about this but. What's wrong? It's nothing, I'm just–I'm in a song. …what? A song! Is that all?! You don't understand. It's not a normal kind of song. It's– [takes a puff of inhaler] You wouldn't understand. Well what's so wrong about being in a song? Its not – a regular song–and it's not [gasping] finished! I still kind of wanted to be a comedian–but I knew I wasn't funny in the way that made sense to keep going and stand up there. I was still writing comedy, but I didn't know how to take myself out of it–the truth was, I was in a lot of pain. A lot of emotional pain that was becoming physical–and I didn't know what to do about it to break the barrier of nervousness and blank slate state of feeling the audience's perceptions of me more overwhelmingly than ever feeling myself. look at this song. I know huh. It's purple. Every time. It is purple. And what is that. Like a muted trombone? IS THAT A TROMBONE? Or a tuba? No, it has to be a trombone…becasue you can hear it slide– And that's what that sound is. What a sneaky rabbit. Super sneaky rabbit. So if i can see all this, I'm almost certainly sure the motorcycles outside and the slamming doors are meant to murder me. I'm sure that's what it is. You ever notice how being broke in New York makes you a bad person? Like, if you're broke, you're just automatically shitty. I never meant to be in New York broke. I never meant to be in New York, But I certainly never meant to be here and be poor, Poor in New York? Automatically a shitty person. Despite how you act. You can be a rich piece of shit— But the status is automatically “You got dough? Oh, alright. Carry on” That's the attitude in New York City. Crap people get by cause they got their hands on some money and the rules in New York say it doesn't really matter how you come by it, As long as you come by it. There's no real rules or real laws to it— Just “Get the money” Well god damn. This makes me nervous. I'm an artist. I've tried everything. I didn't mean to be the automatic enemy here. Of course not. But New York is a terrifying place to me, now, Cause I realized I can be a very sweet, very humble, very honest person— And that kind of shit doesn't matter here, really. It brings you no respect to be decent. It's about the money. So I'm a musician— which in New York also makes me like, Automatically not special, And I'm trying to just be a musician, and so naturally, I'm broke. Like broke in half. Like all my bills are late. But music is my solace. So I'm listening to music, And I'm listening to a song that is so beautiful, that I start to cry. The first time I heard it, it made me cry And I'm listening to it over, and it made me cry And it's so beautiful, and God is so beautiful And look at what God did, So I'm crying, And I don't even know what it is about the beauty of it that's making me cry, But it's making me cry, And New York hears me crying And New York goes “I'll give you something to cry about” And I open my email And there's a bill from my landlord reminding me how often I'm talked about due to my late payments— And I'm realizing I've been here two years and I still don't have any money, Even though I've been trying and trying And trying So now I'm crying for other reasons. Thanks a lot, New York. “I'll give you something to cry about” So I did. If there's anything worse than being black in a city that hates blacks— It's being broke in a city that hates broke people. So I haven't spent any money in awhile. Not even on little things, or things I need. I just stay inside, and work, and think And try and really try To figure out how to make money Without having any, or spending any. Cause you can have it, and spend it, but it's always a gamble. Maybe all I needed was a good cry. But now it's not for the right reasons I'm not crying cause something is so beautiful and look at what God did I'm crying because of what I'm sure is just the devil I'm crying for the wrong things Not because of something that's so very beautiful But because of something that's so very ugly With just a wave of the hand And the flick of each finger as it rolls into a crisp closed palm, A flick of birds fell to the ground, bursting with caws Below his stance, and in a flutter of feathers and wings, The evil master, unmoved and untouched, Untouchable in his weight and glory, simply only even mildly and barely smirks at all. He has defeated all and still somehow, not won. Some say it's sure to come, the thing that wants and gathers ties; Some say surely it is yet but withered and then sure again will come It has, five times, and barely waded, Waking in the midsts of my pure eye, The morning light and fog, aye? Ye, they remembers none but our Art, And I'm bound as sure by wing and force Is you to dozens of masses, And ships having sailed but one, Which I have flourished and kept And stocked with these, the masses And yea having spade, and having friends And having honor, there was none past kept and mine, sured; And wicked may as wicked be but evil none truer thou nones't had yet pured, and muted and gathered, I have, And woken and laid and barren and truths do'st tied, And there have been shooken and wait, And m faire'd and barred here, and hereforth My duty it is to forward, forward, my shallows For my shadow, For my golden hour has shined and now you, These caged shall fly, And these thoughts shall sing, And these hour conspired to miss my time daily, And these things, beytraying that— There have no times at all, These walls in holy temples kept, swaying and cadences, and wearing, and weary, And foreign and ayered, aye— and armored. And he, you, does not wish to know but also has known— and does not wish to see, but he, too has blinded, and does not wish to betray, and yet has been crowned, made with guilt and also Shattered, as it was, And shatters, as it came, the wave o'er all us and tide sinking under, and caves and rebels and heart laid bare to surf not suffer, Nor cap nor keeping, nor tied nor honor, No, honor her; No honor came and I have tied also, this tie to mine, and another, and another and another Now forward. Forward! Forward! Damn, Conan's monologues he going deep. Yeah, I guess. He's fine, right? Look, you don't need this. Just promise me. I am sorry. Mr Jimmy has it good, too good Little sister doesn't have a heart. But didn't know it Mister music made it in the industry, too hat Mister rager had a sip at dinner It was all dramatic Stars went falling Crashing down and All it is Ms. Martha Is mismanagement of energy All it is, Ms. Margret is a magnet And it hasn't happened badly since I had a handle on it But I still get sick of madness And I still get sick with city sickness Still, forget the dancer I was sitting on the show, In the audience With my mother, Oh the models, Dozens of them Blondes and ballet buns, the brunettes I was just a lost cause And I wanted it all, the tux and the bow tie I wanted you gone so I looked at it harder Until It became nothing but Clouds in the sky You were stardust I'm a comet Here comes crashing, Had to find the progress report Then I lost it Soggy in the sideways rain It was days and days Do you promise? That's a concept? Do you promise God will be alright, Cause I came running Sent them under cover Sent the men a message Send the man a hammer Sitting in a hammock No one homes the hostile If you don't have anything nice to say Then don't say anything at all And certainly don't come and go As often as you want to It's a game of control; you know The whites, when they still want to own you Somehow I'm all sub so honest, I just—wanted that But only for a man and never bow to another woman Even if on my honor I found us as equals And no one walks the earth as calmly As someone whose never had their lights out Or had their light put out Or their lights turned off Who are God now? Who's our God, man? Who's our God, Math. That's heavy weight, And if you want a biblical fate This is Fallon, And if you watch what you ate You cut calories And if you want the girl back Give it Californian And I'm not towrth much more Than the project housing, Or a handful of candy corn, Conan— But I phone in Oscars, Still no nuts for the rabbit, And if you wanted the bunker back— You can have it. I'm all hands down in a game of poker Heaven doesn't want it Gotta get drunk not once, but at all the goalposts, Gotta count one, not two, the show hosts Too few car parts Wicked, mazes, starfold, gazes Wishes, Martyred. (But pronounced mar-tired} V.O I think about jay Leno a lot. Lately, anyway. I don't know why. I like all the hosts. Somebody. Tell me why Dillon Francis looks like JD Vance. I think he's a clone. Tel me why I know who JD Vance is. They're clones. Tell me why. Back to the future here and now So. Where do you want to go? Anywhere but here. Anywhere but here is kind of far, are you sure you're up for it? Good one, doc Though head of the alumni chapter of the cult-within a cult—to which each African American cast member of Saturday night live is automatically inducted into— EDDIE MURPHY refuses to participate in the group's latest and most complicated ritual. Delivery. Uh, I didn't order any— Breadsticks. What. Breadsticks. I didn't order any— Just— The delivery man hands over the breadsticks. —take them. Oh…Kay. See ya. The delivery man reaches in and shuts the door himself. Uh… Lol is this the one where the mysterious breadsticks are delivered without ever being ordered, and then they end up being the best breadsticks in the world, but they don't know where they came from? Yes. I think so. Lol I bought a planner because so much I loved Joan Rivers, and I planned to fill it with all the places I should go— because keeping anything digital online was not only not working as far as remembering places I wanted or needed to be be, but it was dangerous, also. I was already being tracked, and I couldn't afford a new phone just yet. Eventually, but for now I was stuck to the same signal— which meant the same traces and the same trackers they had been limiting my under-the-radar mystique. As it were, somebody always knew where I was, and it was in the most unpleasant way so far—the only thing I really wandered was what made me so important anyway to begin with. I wasn't actually political in anyway, and still someone seemed to be trying to derail my life… or at least control it, neither of which was beneficial for me in the way that made sense. I wasn't having any fun, nor did I consider living indoors as payment— especially since indoors, there were also paid plants and stalkers, and now that I had begun to more meticulously document the things that were happening, it was easy to separate from delusions. I was actually being followed— but why? Either way, having a detailed. Calendar of places I could go, the ways to get there and even alternate functions within the same grid allowed more control than just staying in my apartment a sitting duck; that's how they were hurting me. They knew where I was— all the time, and it no longer made sense to fight it and try to make music under this kind of insane irritation; the music I was making wasn't the kind I wanted anyway, and whatever war they were fighting with m stark white girls motorcycles was simply not my war. I didn't have a war, and so there wasn't a fight, and so at the very least if I were going to be fucked with, it would have to be in public; that way I had more control to steer whatever was happening in my favor and collect the energy as mine instead of lost. I wasn't an insane person— but what had been happening at my apartment was insane, and so I left it with the understanding that these people worked and operated on a level of violence and ignorance I would never be able to comprehend; they were simply tools for the devil, which in any case, was always the lesser than God. However— because I was starting to figure out who I was, and that I had some sort of power, I knew that I was going to be attacked— because it seemed my power had at the very least not been figured out as to some kind of way to make somebody else money. I had been studying Michael Jackson and this was a key indication that the way his talent priovided a power which would be used as a service, he was very successful. His talent and training alone wouldn't have reapresented with such great reverence the ability to capture a global audience as such— but it was this power, almost as if it had been bottled up and altered, rebranded and sold and labeled with something everyone could not only love and understand, but by the hand of the media and its conglomerates, be hypnotized to worship, and this power simply put would not have been exactly what it was were it not for the eye of the media remaining in complete control of its distribution to the eyes and ears of the public. This thing which might have been the first of its kind but certainly not the last was in a sense model for modern superstardom— the live concert business had not sense much changed but built upon this super powered control of the masses by assimilation, spectacle, and of course the magic and illusion. But, and it it just so happened to perfectly brush up against my studies in esoteric knowledge that I happened to rub up against this— although nothing was of course by mere circumstance anymore, because whether or not I remained incognito was a wash, and I was being looked at by someone no matter what on the internet I did, or where I decided to go and in that sense was being fed these things, and yet with some Grace of God was allowed with it to be aligned with my own higher purpose in a way, I could observe that Michael Jackson was not in fact of course certainly just a dancer or singer or remarkable performer— he was truly a magician, and I was able to clearly recognize this language with with the energy that had used his vehicle for such a projection was speaking— not only this, I was able to clearly count out the markings and sigils and signs and symbols Michael was making in his movement; ancient arts, and magical symbols, traced so rapidly that it almost created a heat signature in a sense of the symbols that were being dictated, unknowing to the untrained eye. For the most part, I could only really assume that this is why these people were losing their minds— in his movements, Michael Jackson was literally carving ancient callings, glyphs and sigils I had so recently read about in magical studies that it was impossible not to laugh. This was in every sense of the word, ‘magic' but not in the normal way one assumes to be something unexplainable. Michael Jackson was casting spells to thousands of people at a time, in front of cameras and at high volume vibration, often times even implementing the use of light, color, and fire. These were not simple gatherings in mass for entertainment purposes— these were rituals, and in the modern day, still were or are— but I had noticed in a quick glimpse, from Michael Jackson 30 some odd years ago to Lady Gaga just having passed something like a week ago to an audience of the same size— that something was kind of wrong, now. The people had changed, and the specable had been done over and over, and the brainwashing of the masses had in a sense been almost complete— and so It wasn't some sense of confusion or unknowing the things that were happening to me in my own life and my own world— I too, was capable of these things, at that capacity, and had simply not been trained in the same sense of the ideal superstar, however— the things that were happening in my own life and in my own world were not difficult to grasp or understand— when one comes upon a power as such, it finds means to seek to control it and harness it for his own use and purposes. Perhaps it was the simple fact that in this way, in the way I get the dream had gone and the spectacle had been played out of the masses and the illusion was no longer as such— that the actual knowledge of distinct ancient wisdom that had been Michael Jackson's natural ability was distinguishable from that of Lady Gaga's training in the same formula, and that one did not equal the other, but in terms of business could equal to that as such as the masses had been manipulated to seek solace in these same things— and it was not illusion or grandiosity that I, even in my agingness, was still capable of these things; I had no doubt in my mind that I could sing and dance for two hours to audiences of hundreds of thousands— but this was not the question for the business or the media— the question was, would hundreds of thousands pay to see me, or rather— who was willing to front the means to hypnotize hundreds of people to become aware of me so that they would do such a thing. My talent and capabilities were undeniable— but my markatability might have been in question, because it was no longer simply a matter or chance or luck: the people chosen to figure such spectacle were chosen, hand selected and well trained to become media conglomerate superstars, even regardless of talent; perhaps this itself was the key indication that the world of the superstar itself had come to an end—it was no longer so much of a spectacle was worth it. Or, perhaps, because money had come between these ancient arts and symbols and languages being spoken by the superstars of old, that the magic in the literal sense had gone all the way away. The symbolism in the art had died, and so the singing and the dancing remained, but the God had gone out of it. Maybe that was the difference. The superstars of today were just the shell of the model that had been built on God, but the Godsense of it was no longer there— and so the magic no longer remained in effect, as the powers of magic that be are in all ancient arts and texts and forms attributive to The Source. Either way, I wasn't going to continue to be a sitting duck in my apartment in Brooklyn— there were too many indications that it had all been a setup from the shelter to the day I moved in, with the motorcycles and cars and CBS studios one block away. So the real and only question was, what exactly had been played at and who exactly was pulling the strings? I might at this point become a loose cannon: my son was estranged and as far as the people were concerned, I mostly hated New York— because the refined, clean cut and classy people I liked and wanted to be around saw me as the dirt and the grime I was fighting my way through just to simply exist— in my mind, this was a world that could be no more. I like Sara in a dress I like Sara in a dress I like Sara in a dress I like Sara in a dress I met sparrow in a cage I like Sara in a dress I like Sara in a dress Keep writing I never thought I ‘d see the day Where i's taking lessons on Fallon From Michael Jackson That's ran That's a fan This is fame I'm insane I'm insane That's a fan Light the flame That's a fan. That's a fan. I like Sara in a dress I met sparrow in a cage I went up the rack, set the page on fire Nordstrom rack And I might take it back for the cash I like Sara in a dress Stay repressed Keep it dark If you kiss don't tell I will probably go to hell for just writing Try it In black ink, I got all spades, Ehy, Spare me the ridicule, the imbecile and I met Johnny in a cage I like Fallon in a dress, Obsessive, I'm dressed out Every day I leave where I do not live Where stalker crawl and haunt me Just to show the motorcycles Have desheveled my intelligence into Nothing And so with negligence, I leave the core of a rotting apple The foreign words of a doctor And You must call the king, says something far off But I wonder which one I wonder which one I so respect her honor That I no longer Follow my heart or my soul And I don't shallow But shatter to swallow So I let the sparrow Out of the cage I bought Sara A pair of pants And I haunt l Patrick Kirkpatrick in patches And haven't you read yet You're ready for forget the pageant? It hasn't happened yet! I love Sara in a dress I hate Fallon and his wife Keep the kids out if it Skull and crossbones Cross my heart and Really hope to the loveless Or else Someone might call my phone back It's on silent in my coffin Or wait— It's on vibrate. I'm obsessed with the way You're dressed And the name on your checks I guess I'm better for it I'll skip lunch if you think that's what's best And dinner, too If you deserve the best Then better have learned my lesson No sweat And to do, With you, Was then, Dinner through next supper All the love I had was Rubbed into something other than The glass I patted dry With microfiber With ever fiber of my being I want to be with you I should have just— Died, And then Did, and so next Life, Remind me not to Fall for it If i really wanted to know you,I would know you by now– If i wanted to have you? I would have had you already Nobody is a dancer after Michael Jackson. I just watched some shit that was like “What the fuck did I just see” The whole thing was just not right. It was-/ I was like First of all, it's Munich, 1997. I never really realized how terribly the world has changed; No cellphones, but the audience is lit, And the crazy thing is, you can tell that this is near the turn of the century because, when the camera is panning by the audience in the people, they're not looking directly into the camera or waving at the camera— not really. And clearly this is an all ages show, so there's children, so the interesting thing I'm finding out is that nobody's trained to look at the camera and wave and smile— except the babies on shoulders and shit. These kids— they're my age now, are the only ones that see the camera, and they look directly into the shit. Mi still can't do that, really— I'm theatrically trained. Haha If I see a camera, I try to act ‘natural' It's the weirdest thing to look at a camera and just start to work it. People at festivals now, the camera rolls by, Or the drone flies in, And they look deadass in the camera and start to work it. Not at this show. Munich 1997, I'm like “Damn, a lot of things is wrong with this” First of all, I love Michael Jackson, I look directly at this man, and I'm in my dirty peak so I have an instant— like a sex detector thing going on And I know people gave Michael a hard time when he was a live for being fruity and whatever But I'm looking at this dude, and I don't see fruit at all. I see 100% man. I see why people were mad at him. Cause I'm looking at this dude, 100% All I see is carnal, primal man. I'm like, “Yo, I see why they was mad at him” Because the camera kept panning to the audience And these people are losing their minds. They are coming out of themselves. They are UGLY CRYING, full out of body, Losing composure They don't know what to do. That's Michael Jackson. He's right there! And the place is huge so really besides these few hundreds of people in the front, Michael's just a speck, But he's working this audience like “Yo, you know who I am, I know who is me” And I'm realizing, that to these people That's their god. These girls are losing their minds m “AHHHHHHHHHHHHHHHHHHHHH!!!!l *crying inconsolably* Just UGLY crying Bitch, get it together . You all the way lost yourself Get. It together. She won't. This bitch. I can't get over this This one girl, They just keep going back to her Cause the whole show— And this is like 2 hours of pure non stop Michael Jackson, This girl, every time you see her, she's just ugly crying— And every time you see her Her cry is uglier and ugly I'm like “Damn bitch” “Daaaaaaang” So this is the first thing I see that is wrong. But there's a lot of things wrong here, Cause there's a lot of girls like this. There's just— hundreds of girls losing their minds, like, I've seen Beatles mania and thought that was crazy, Shit, I've even seen some people put out that kind of energy in the modern world for some dumb DJ's— That's their god— But THIS THIS Michael Jackson mania was mental illness That was hard to watch. That was people just Lost control. I'm thinking “Like goddamn. You— what?!” “AAagghhhhhhgahahahahahqhahahhahaha MICHAELl “These people are sick” But they are. And so is Michael Fame has gone too far, 1997; 12 short years before he died, by chance— So this is what I see, And then Michael starts dancing, And this— This is what I see; I see the only thing that can ever be what it was in that moment in time, as God being God: Michael Jackson. Shiny ass motherfucker, And so I'm watching this show, And all I see is a God being a man being a God being— Michael Jackson— And the whole thing is weird. But the worst part— Yes The worst part Was when, about mid show, Michael goes to do one of his slow, lovey doves songs, And like, this 6 foot 7 type body guard guy, Just pops up out of nowhere, Comes dead front and center to one of these little girls losing their minds, Runs up on her in an instant; You don't even have time to think— And just SNATCHES her— Snatches the bitch— “Ah!” then throws her up on stage with Michael— And he's still singing; this is his game, this is part of the show, he knows— But she doesn't know, And she's just lost her mind, She won't let go She's hugging and kissing on the dude, She's lost her mind, She's ugly crying She's on the floor, She's kissing his hand She's really lost her good goddamn mind— And they pan out to the audience, And all the girls that didn't get picked Are like WHY NOT MEEEEEEEREEEEE?!? THE UGLY CRIES ARE EVEN UGLIER NOW, They're like “Wh—what?” You don't know?! “WHY NOT ME” They're holding each other crying, Michael's just doing his thing, He's unphased, He's trying to play along; He's a professional like a motherfucker; He's just— keeps singing And this girl is just, Losing it, so at this point, it's weird, She's crazy batshit lost her mind all the way, Won't let go of Michael, kissing his face while he's singing, He's kind of unreceptive to it, now just looking out at the audience, almost not even looking at all Just cold as fuck actually, Like she's not there, kissing his face Cold as fuck— And then another bouncer dude— An even bigger one in a blue suit, comes and tears her off of Michael Cause clearly this has gone too far or whatever And I'm thinking “What in the fuck did I just see” Blue suit dude just snatches, Just— He has to tear her off of him! She's kicking and screaming and getting dragged off stage Michael's just: singing. YO. Then they dragged her back stage. Where did she go?! WHO DID SHE BECOME?! WHAT IN THE FUCK DID I JUST SEE?!? WHAT. 1997. You can't do that shit anymore! You cannot snatch bitches like that. I seen. Watch the video. Tell me what's wrong with it. It's disgusting. Not the snatching, Not the— Like, that was weird But the screaming and the crying and the— Like okay, the snatching was bad— But I'm like … ..:: …. Now I see why they was mad. Don't ever forget he was once— A dark skinned little boy, And in his genetics his whole life is still this thing That some hate. But people loved him; they loved him that hard— Screaming, ugly crying hard. I think in that moment you know someone was like “he must be stopped!” And it seems like yesterday was a year ago But I don't want let anybody know… Cause everybody wants something from me now— And I don't want to let them down. My life is over. New York City looks so small from the top of a skyscraper. What are you doing. Then again— my thoughts lately have been grandiose. Back market, eh? What's this for? You need a burner. I have three. Here, have another. For someone whose supposed to be entirely off grid, I'm admirably reachable. Clever vocabulary. Something has to be clever about me, doesn't it? Does it? It must be. Or else. [both men are speaking casually over the delicate process of loading rare guns; some of which appear to be antique, and some—almost even unearthly , as if from somewhere besides our own planet. But, you could say what planet this is at all, actually— this bunker, with no windows and no doors, is apparently hidden in a subterranean layer— the location, unknown. The men seem calm but also quite tired and weary, and seem to know each other well. We can assume they've probably been friends for years. Sickle cell anemia. Does that mean I'm going to die. Animus, I quite like whatever that is, Google. ;) don't mention it. Honestly, you might as well. What. I can't help you with this. What. I don't think there's anyone who can. Beg your pardon. Please, don't beg— but uh… [the doctor pats his patient on the shoulder] Do take care. Gee, doc! I'll try! You should do that. What. Try. The doctor leaves seemingly in some kind of hurry, trading his lab coat for a trench coat and closing the door behind him. The other man pauses for a second in the silence of the weird linoleum room, then ponders on the coat for a moment before walking up to the coat rack, putting on the coat, and then walking out the door himself; as he begins to shut the door, he quickly decides also to take the fedora that was sitting atop the coat rack, placing it on his head before he walks out the door himself, shutting it behind him quietly. You got anything to eat in here? Cereal…some rabbit food ina the drawers, there. Oh, you have salad. That sounds nice. No, rabbit food. [the man presents a large bag of weird brown dry food from the crisper drawer.] …pellets. For the rabbits. How do rabbits get in here? …I don't know. And— more importantly— where did you get rabbit food for them? If I told you Amazon, would you believe me? The man just winces and places the bag back into the crisper drawer. Now listen, I um— If you want cereal, the milk is powedred… I don't— and that's disgusting— but listen— [the man cocks a loaded gun and admires it intensively] (Dismissively) —I'm listening. I've been meaning to tell you something. Tell me what. It's important. Oh, You couldn't have used one of my four phones. Look, it's— You know I wasn't expecting company. Well— You should sit down. The man squints, beginning to listen more attentively. … …really. I'm holding a loaded gun; there are at least three more within arms reach if I do sit, you know. I know. But I should sit? One baby to another says, “I'm lucky to've met you.” Maybe you should. Not all my bad but all my might, And all my mind, The fire, The light. …business or personal. [beat] Both. {Enter The Multiverse} What are we watching?! Shhhhhh! Shut up. What is this? Some.. Sshhh. Shit, I don't know. Sit down. You don't know. SHH it just came on Shh. Ok. When? Uh… (Nobody really seems to know how long it's been. The show just happened to come on; no one remembers how, or why— or even when— But the show is intense as it gets; And it just keeps getting weirder and deeper.) {Enter The Multiverse} I'm transfixed on your soul And it seems I aspire To what has transpired here, Your unremarked and the umpire The spider veins and the way it washes. And watches and waves, and waters over you, And still I seem to think you've won another, Strum to thumb of you. And still I wake to gather here The odds and whats And the twists and turns and the Troublesome you've number some Or stuttered, stumbled conciousness. And withered branches Aces lie and house of cards And aging scoundrels— There you are, the..: Nevermind. Don't belittle my ways if, In the end my thinking may be correct As dumbfounded as I have shifted my lottery bonds tied to none, There ye are again who aren't I, And never were, And weathered now, as I, bound to Struggle under her might, Nothing I was, and nothing I am And nothing I came from but to barter Oh hard love, I only found my kings upon thrown As cast out of another by her likeness, Peace and pale and primed as it was, And wanted for love, As I was not— And then, the gates had opened And I, preaching withered, Gathered my arts and my minds And my eyes, and my thrones, Buried my ark and though not my bones The shallow waking peaks of pride And there you gathered, all as huddled sheep to mine, The cost of war, but certain therefore honored as I have, Happened went, came and untied, shattered Hating all I am and all my dark and all my eyes and all my brown Because you came and went, a baby born to as nothing was but beauty and yet having been gifted such life, Departed! Soon, I wake shattered and with none as it had began, in my time and in time there laid there none, But fortune seeks to favor, as ye are saying brave and yet I neither beg nor make to differ, Shall you come again in part, And in this time as shadows, as shadows As hating and wearing and waging, And shattered I, I pardon, Knowing not they seeking I, And I having none at all but one, As forgotten I shall came And went And followed this, The time y'i call now, And ours and ours, And yours and yours, And mine and mine, Though as one are also, Common not, And waking yet to find, These things making have gone into yer Another of ours, world, Another of our dozens, Shines, Another of our gathered, wit, and waking Though true to fortune, none us have gathered And have embarked to truth, The waking I have come, Another, and another, and another Departed. And yet, I bury my words having weakened to that which is this, Ye have no fear and lest no fortune in these words, For having I to come and gone, since they times In words to make this a language I or neither other Does not speak here, and almost never, And this yours time past, Has come and gone And come and gone And come and gone again, So long so I too have parted but not yet Unfolded as does my nature, As God does. Belittle this, you waking fools, As to this you pity though divine, Is unlike any other And steep remarked in gold and with chimes and words That ye here no often or either now, or in mine speak. Amen …can I go now? You are dismissed. C'cxell Soleïl, aka DJ Ū is an American DJ + Producer, Multi-Instrumentalist, Playwright, Poet, Comedian, Novelist & Filmmaker. She is best known for her unique vocal riffs, Clever Lyricism & Philanthropically Inspired Freestyles and her flagship venture [The Festival Project.™] [Ï A M B ī C], a freestyle studio mixtape recorded in Los Angeles, (Official Release: TBD) inspired the adaptation of a staged musical version for Broadway, and a concurrent multimedia (TV/Film) series and ongoing saga as part of The Festival Project ™ Brand. Inspired musically by an ‘Ultra American' experience of Racially, Binary Ambiguity, and Synesthetic Exploration, her reflective melodies signature sound provides a philosophical dissection of American culture through a careful and inquisitive mastery of the English language, and emergence of world sounds through music brings about ‘A New Era in Nature', and clarifies the establishment of the newest wave in human evolution: Unity Through Music. L E G E N D S What if I just want to be alone in the dark Alone in the dark Alone in the dark Bones Duggar was a long, handsome zombie Bones once was a very tall man Not great and tall, as he stands But average, Grand as it were, his status. Everything's black My heart My pants My home My mind Everything hurts But you don't understand that Like I can Calm the commercial holidays for a moment Who gets the card? Get our your hard earned My head hurts Slam the door man; You can't control thoughts With a wombat Murderer Now that's a hard concept to catch When you haven't a soul When you haven't a card Or a car Or a cat I think I'm vanilla. I always thought of myself as a super kink Like a freaky, freaky bitch. So I got on this app. This app is better then Tinder. Yes. But it is not for the faint of heart. No, sir. They have a test, I'm like “ooh, I like tests” So I take the test. The test was not at all… As I'd hoped. First of all, It was hard. It was not a quiz; It was a TEST And I failed. I realized “Oh my god, I don't like any of this stuff” I am not about that! No! Yuck! Gross. “I think I might be vanilla.” I might be vanilla. I want my hair pulled back like a leash And my arms tied up Like I'm being arrested Without being read my rights. — I want your hands on the back of my neck [breathe] Reach around to my Mortimer's apple Put the lights out, Adam. I want the lights cut off. I want the bills piled up so the phone don't work I want the habit back on Don't talk to nobody I told you, I'm coming No, God! That's dumb! Show me why I'm off all alone with a rattle so bad It's just segmented thoughts, colors and sounds I can't make with all the plugins in the kindgdom of chaos?! I WANT KINGS, AND KINGS WANT BLONDES— I WANT KINGS, AND KINGS WANT BLONDES I WANT KINGS, AND KINGS WANT BLONDES —but the one who could love me is God, And I guess he's not coming. The denial turns to tears, Not songs no more My womb is empty And the sun has turned into Not what I wanted But not my fault We got caught in the land of Cutting costs And processed morsels At 400 pounds And that's where I found What I thought was love But it turns out That it just turns up In the whole form of a person And that's why I got the collar, caller But really I'm no one's lover So I Do what I want I don't hang up on God But he don't got a body And I need someone to love/ Fuck me Please God Don't turn the lights off I'll pull the clock back Just like foreskin, god i want your skin Draped over mine in a warm swath Probably run a hot back Cause the next stop is a closet The line doesn't really move for the Doesn'tMatterhorn. some people are starting to doubt if it's even a ride. Others just admire it for its eloquence as a metaphor. Johnny! You scared me! Aha. Where did you go?! Nowhere— fast! Alright well— Money when you know I have it But I haven't really Paid attention to the never ending Digits never coming in but Simply, there's a secret, Sonny Someday you'll get lessons, honey. Much to find and much to serve and Surf us up Piñata's bout the burst But here comes Vesuvius (POW) Everyone was gone in an instant (Vapor) Had a good laugh that night in the pantheon; Everything's past, and the mortals They kept on running But i didn't want go, God Putting on a show then I blow up Just like the mountain Found her Now I got a broke back husband (hope so) To tell, don't ask Don't show up if you just get lost But I'm probably in the back with a bottle back mountain Now you got a real horse pack. Trip Girl keep camping What was the map with the mask and the Fashion? Pass. I put sugar on the rim of the glass With my eyes half closed And my ass clenched fast shut I'm an alcoholic Don't involve the God I got lost in the mall with the —- UGHHHHHHHH! Hello. Uh, yes— hi. what up. Mirror mirror. Uh…nothing. You're lost? No. You look lost. Oh? Disgruntled. I am that. You're lost? I'm not lost. My friend is lost. His phone is dead. You lost each other. Sort of. Continuity conniption I nipped an eclipse And he picked his nose For a full ass minute Sitting at the stop sign That's a gobstopper's worth in our time Pull all the clocks back, Pull the fool over, You just got fined It was Friday for nothing I was in the hatchback, Scratch that Sour patch Should have called Pat back Now I'm just a Cool 48 in the ring with a date And the cashapp Continuity construction I want a husband! Fuck that. I want a clean cut plus one Since I can't have Helmet, Elmo, Or Hatchetman; Tears of a Clow…no, Wait I lost focus Half finished album Got 6 tracks But I knew it was 12 from the get go Prob‘ly should have knocked off the showrunner; Nah, I'm sure I had that coming Hashtag, undon Could have been you, too If the cash came through Now it's hard times Hardwired Sitting on a hi wire, Little white liar, liar Wait I made Katey Sagal (Fire) Cut off her hair (Fire) Went to the hall of fame with the framed sunglasses Asked for her autograf, But she walked off So I shot her with a bottle/ can, But she ducked, popped back up With the brass knuckles Surfboard Good for a chuckle and a fuck So I asked for her number All that on a Sunday at Gelson's market. Christ, almighty I miss Walmart, I hit hard times. So many places to run, But not many places to hide I think I want to die here I think i want to die. City of corruption… Lay it out and lay it over City of corruption… no, it's not a choice It's a black tie function Right in that very moment Seth Meyers kind of became my defacto personal hero. “Never meet your heroes” Or perhaps it was just his writing team, or the fact that maybe even without there even being anything set in stone or solid at all, [redacted] itself seemed to have a price over my head– It all seemed to make sense; in fact, all the crazy things i was experiencing made more sense than it didn't. But after what felt something like between defeat and maybe even one day really getting justice for all the things that had happened to me in new york– it was that, at best; That without actually meaning it, by all probability, the opening monologue described what in perfect sense the thing that had been happening to me: hundreds of motorcycles and cars riding around in circles for over a year, any time i tried to work or sleep–and then, when I finally tried to reach out to find an attorney that would help, I was made to feel crazy for it. In a way, it was the perfect indication that it had all been some sort of sick game, and that I was more right than wrong, and being set up to appear, sound, or look crazy–but I wasn't. I had been under attack for nearly two years, and when I tried to reach out, my heart raced and my voice cracked, and I sounded crazy and desperate–but what was happening was very real; and now I knew where I was. As it turns out, New York's corruption was more common knowledge to everyone else before it was to me: New York was a common place for fucked up, dirty, low-down mind games: and this was my lesson in that. Seth Meyers in reality had nothing to do with it–and really I only meant to watch Kimmel over my afternoon tacos. But still, though it hadn't entirely anything to do with me, the opening statements rang true to exactly what I had experienced; I was made to lose my mind, only to have everyone around me tell me it was something wrong with me–but it wasn't. Something was wrong with the city, and the building management, and the people around who were making it all to be some kind of mental disorder or problems with my mind–in reality, it was 2 years of being in the center of a speedway, and all the time i'd lost because of it adding to the stress, and the angst, and the depression that resulted. Moo. Moo… Moo. Moo, sir. I'll kill you. You promise? I want to. Don't get me excited over nothing; If this isn't the exit, please take this tease To the left, dear Moo, cow My honor Level one, and brother, you've got nothing Flip the coin and landed on your headache Betting on your helmet Standing on my cock, i'm taller (Not a rooster) But my ops are rooting for you, No informants, Dont you know I was a collar, all along? I was a shot calling, Cop calling Kiss-and-tell all as the night goes on. But oh, I brought you a dollar bra Oh, I bought you for all of a dollar And oh, I'm so much taller, Standing on my cock But i'm not but ten feet tall You know, you wrote that Should i open the book, or close that Caught that cat, owl and As i soft spoke at Every broken model Broken bottle for the thoughts you owe Across the scatters skies and no one ever knows When you're realling coming over Come on, I'm on the pornhub Just to pick up another one Go on, and rub the bottle One more once, To call the Bubbles. Damn. Come. (The Monkey obeys) You should see Michael in all of his godform You won't recognize him at all if not by the eyes When you follow home Believe me, this not comes close to it; The one you wanted The world you jumped to but were just short of Call her back Oh no, you're wrong It's another song A pin up girl And the wrong number Okah. Okah, Pablo. Time can be altered, changed or effected presently in any omnidirectional plane by engaging certain acts or synchronicities within multidimensional parallels or adjacent realms in time and or space respectively. –the reverse quantum simulation theory. Does anyone else smell blood I hate wedding days suits and tuxedos No, I don't know you I'm just here to sound the hundred drums Of the once before us (The ones to come) Then, there we were and I didn't want to admit Again, I was caught into the ghost of the rapture Or the holy hour, No aux chord Show the holy one Just how old you are On these sacr d lands and a holy grounds Now I want here half an ounce to smoke And there were drowning orchestras in all of the hearts And all of the markets, The market the marker And all of the sins of the savior The maytyr Did you remember not to notice not to know him Were you sure with words you were for nickelodeaon! I was supposed to hold on to, Supposed to hold on to Suddenly, it's summer. And always our own are under the weather There was no other wise man the wind. Lee the one came The site came and went and then the songs went left The songs went left; Again, the songs went left Did you win at wintergreen Well, God, I didn't know gym was a game. I didn't know guns we're just portals to worlds unknownn I didn't know gossip was golden What all else didn't I know It wasn't for here! It was fourth flour And in the final hour of the battle I commenced to summon All the gods and all the lords and all the flowers All the worlds of oceans and the Remember, this The remembrance It may not matter to some, What matters to most But until summer comes, I'm still up under the rail And practically it's spring, for the next two weeks I'm all berries and cream and whatever you wanted. Tormaline, emerald and onyx, the fox said And fox says its west when instead it's quite under what of the reporter's offer? Comes down a little to none What of the offer Comes down from a billion to one A billion to one I'm on TV so it's really just a one way screen Either way, I don't think he likes me much I don't think he likes me much I'd rather die than to fall in love even one more time And to keep on just never being loved Never beingbloved {Enter The Multiverse} [The Festival Project™ ] {Enter The Multiverse} L E G E N D S: ICONS Tales of A Superstar DJ The Secret Life of Sunnï Blū Ascension Deathwish -Ū. Copyright © The Festival Project, Inc. ™ | Copyright The Complex Collective © 2019-2025 ™ All Rights Reserved. -Ū.

On the July 16 edition of Music History Today podcast, Michael Jackson does a private concert, Cream is born, and a couple of artists call it quits with their groups. Also, it's Stewart Copeland's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠https://allmylinks.com/musichistorytoday⁠ 

Comments and No Mas: We the CommentBack Kings and we highlight some recent YouTube comments. We also have an update on the "No Mas" situation and find that the beef with Mary Ellen Trainor might be deeper than we thought. Corey Characters Interview: Corey sits in with Gentry Thomas, who seems to know how to properly handle Corey and keep his attitude in check. Corey's Twitter: Corey's Birthday Bash is coming up, do we have to go? Also Corey defends Hooking Up, Jared Leto Joker Girlfriend is only 26 and more! COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, YOU KNOW THAT!, FELDDOGSUMMER!, THIS IS A COREY FELDMAN SHOW!, REAL ONES!, NMAN!, VIDEO!, STAY COOL!, EVIL NICK!, MID NICK!, GOOD NICK!, GET SUCKED!, JIMMY!, WOLF PACK!, YOUTUBE MEMBERS STREAM!, COREY FELDMAN'S BIRTHDAY!, 25K SUBSCRIBERS!, MUSIC VIDEO PACT!, CHARACTERS!, CHACHING!, COMMENT OF THE WEEK!, HISTORY!, 18 YEARS!, ICP!, MIRACLES!, NO MAS!, GOONIES HOUSE!, MARY ELLEN TRAINOR!, NO SEQUEL FOR HER!, MOST ETHICAL AI!, SCREAMO ASCENSION MILLENIUM!, GENTRY THOMAS!, THE BEATLES!, INSPIRED!, SAME STORIES!, COREY'S ANGELS!, SKIPPED!, MICHAEL JACKSON!, BB KING!, WEIRD AI YANKOVIC!, WOKE GROK!, GERK!, QUIT SMOKING!, HEART SURGEON!, 30 YEARS!, RECOVERY!, EARPODS!, AIRPODS!, BIRTHDAY BASH!, SECURITY!, CONCERT!, EAT YOUR VEGETABLES!, FUN FOR EVERYONE ELSE!, YOUNG!, AGE!, HOOKING UP!, POST CREDITS!, DOUCHEBAGS!, BIOPIC!  You can find the videos from this episode at our Discord RIGHT HERE!

Rock & Roll Hall of Famer Dave Mason chats about his early days in Traffic, writing the classic "Feelin' Alright?", working with Delaney & Bonnie, and so much more. PART ONEScott and Paul chat about Dave Mason's unique role in the rock & roll pantheon.PART TWOOur in-depth conversation with Dave Mason.ABOUT DAVE MASONAfter recording background vocals with The Spencer Davis Group on such hits as "Gimme Some Lovin'" and "I'm a Man," Dave Mason became a founding member of the British rock group Traffic alongside Steve Winwood, Jim Capaldi, and Chris Wood. He wrote some of the band's best-known songs, including “Hole in My Shoe” and “Feelin' Alright?” which went on to be covered in a memorable version by Joe Cocker. After touring and recording with Delaney & Bonnie (who recorded Dave's song “Only You Know and I Know”), he joined an early version of Eric Clapton's Derek & The Dominos. Dave soon left to pursue a solo career, beginning with the Alone Together album. He has released three Gold-certified solo albums and one Platinum album, Let It Flow, which featured the hit “We Just Disagree.” In addition to his solo releases and a duet album with Mama Cass Elliot, Dave has appeared on such legendary recordings as “Street Fighting Man” by the Rolling Stones, “All Along the Watchtower” by Jimi Hendrix, “Listen to What the Man Said” by Paul McCartney and Wings, as well as George Harrison's All Things Must Pass album. In the 1990s Dave spent time as a member of Fleetwood Mac, contributing original songs to the band's Time album in 1995. He has recorded with Michael Jackson, Graham Nash, Stephen Stills, Donovan, Phoebe Snow, and many others. Dave was inducted into the Rock & Roll Hall of Fame as a member of Traffic and, in 2024, published his memoir, Only You Know and I Know. 

On today's MJ Morning Show: Joe Exotic still wants a pardon Largo Fire & Rescue finish a man's yard Email from Sabe Morons in the news Speeder - 105 mph and a Titanic Jack pose Operation Southern Slowdown Battery on an LEO Bitter Ex... Bad breakup... We (sorta) took calls NSS Real estate agent posting funny listing videos A guy didn't tip well, so the server confronts by the restrooms Tampa Bay Rays sale closer to complete Teen fell into a meat grinder Did Britney adopt a baby girl? Sydney Sweeney Beyonce unreleased music stolen Michael Jackson friend accused of shaking down estate Elmo's X hacked Costco open an hour earlier for exec. membership holders Southwest Air plane may have taken lightning strike at gate Kids are OD'ing on nicotine pouches

On this emotionally rich Tuesday edition of What's On Your Mind, Scott Hennen and Kevin Flynn reflect on the legacy of Dr. Tom Strinden — UND alum, hockey dad, servant leader, and cherished North Dakotan. They share heartfelt stories, explore the meaning of end-of-life visits, and pay tribute to a life that truly "left the woodpile higher." Then, things heat up (literally) as the crew dives into the smoke blanketing the state. Congressman Ryan Zinke joins to talk fire mismanagement in Canada, "smoke tariffs," and the frustrating politics of forest policy. Plus, Senator Scott Meyer brings us updates from Grand Sky's drone innovation frontier. And yes — it's National Be a Dork Day, so buckle up for some MJ debates, whale trivia, and dorky texts from listeners. Only on WOYM.

Welcome To The Real Oshow,0:00 Intro0:49 Justin Bieber & Scooter Braun $33 M Settlement7:00 Justin Bieber is the Michael Jackson of this generation12:38 Justin Bieber Swag album review19:00 Drake Headlining 3-Day Wireless Festival in London 21:20 Closing Thoughts On this week's episode of The Real OShow, brothers Joshua and Zachary dive deep into Justin Bieber's brand-new project, Swag. We were hooked from the moment we hit play, and not just because the music hits. We break down our favorite tracks, how the vibe feels like classic Bieber with a fresh twist, and why this might be his most personal project yet. We also discuss the $33 million settlement with his former manager, Scooter Braun, and what it means for Bieber's future. With two albums left on his current deal, Justin's clearly playing the long game. Self-funding this project, for the most part, sets the stage for an independent path à la Drake's OVO or The Weeknd's XO. It's not just business moves, though. From vocals to choreography, JB's doing it all, and we make the case for why he might be the Michael Jackson of our generation. Childhood star? Check. Global icon? Check. Still evolving and relevant? Absolutely. Whether you're a Belieber or not, this episode celebrates one of the greatest pop stars of our time.All love,

What do Michael Jackson's Billie Jean, Line 6's Spider amps, and some of the wildest custom guitars on earth have in common? Rich Renken. In this episode, Rich walks Blake through decades in the gear trenches—starting as a bassist in church bands, engineering records with 90s rock royalty, helping invent products that changed the amp game, and now running the show at James Tyler Guitars. He tells the origin story of the legendary “lead/rhythm” switch, what it was like helping develop Line 6's Spider Valve, M13, and Variax guitars, and how he accidentally dissed Jim Tyler's headstock to his face. Oh, and did we mention he played a part in shaping the tone on Thriller? From Norm's Rare Guitars to dodging corporate spam calls mid-interview, Rich's journey is a masterclass in gear, hustle, and absurd luck. Put your headphones on. This one's basically a time machine for tone nerds. Check out the awesomeness on the James Tyler website HERE: https://www.tylerguitars.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

I was interviewed by Jerm of the Jerm Warfare feature on UK Column News. Here's his own account of the conversation:In this conversation, Mark Devlin, a British DJ and author known for exposing hidden agendas in the music industry, discusses the intricate relationship between music, mind control, and the darker aspects of the entertainment world. He reflects on his personal journey with music, the impact of social engineering, and the tragic stories of iconic artists like Michael Jackson and Prince. The chat also covers the 27 Club, the role of subliminal messaging, and the importance of awareness in navigating the entertainment landscape.If you continue to find value in my work, please consider supporting me on my Patreon channel, where much of my output concerning the true nature of music, popular culture and entertainment resides:https://www.patreon.com/c/user?u=113137448To support my output through Buy Me A Coffee:https://buymeacoffee.com/markdevlinTo support me via a Paypal.com donation, find me at paypal.com under the e-mail address markdevlinuk@gmail.comFor amazing natural health products through Clive De Carle, please use this affiliate link:https://clivedecarle.ositracker.com/361820/11489

01. Dj Lutique, Xsonatix, Teneya - Newly Born 02. Steve Kelley - Green Daze 03. Echo Daft, Ilias Katelanos, Plecta - Infinity Rhythm 04. Affkt - Sopasopa 05. Yadek - Arrakis 06. Bontrack - Mechanoid 07. Foglight - Secret Temple 08. Weska, Enamour - Deadbeat 09. Sharam Jey, Xandl - Your Soul 10. Sound Quelle, Referna - Leku 11. Alessa Khin, Tim Loco, Re Power - Afro Bass 12. Maze 28 - Redux 13. Notre Dame - Recollection 14. Michael Jackson, Interactive Sounds Unofficial - Thriller 15. Santi Cebrero - Requiem For A Dream 16. Dansyn - No Type 17. Montw, Echo Daft, Stereo Munk, Dublew - Lost on the Road 18. Stan Kolev, Lift Bliss - Obsidian 19. David Tort, Oken - Jungle Of Mirror 20. Simos Tagias - Melted Pot 21. Gladio - More We Seak 22. Adam Beyer - Taking Back Control 23. Oliver Koletzki - Weirdo 24. Jenner, Gai Barone - Euphoria 25. Jiminy Hop - Cavalier 26. Erich Lh, Ver Dikt, Andy Dav - Reflection 27. Fernando Olaya - Monophonik 28. Coqueit, Antrim - Promise 29. Mattias Herrera - Elka 30. Pretty Pink, Christian Burns, Anyasa - Lost & Found 31. Tomper - Take Me High 32. Jiminy Hop, Simos Tagias - A Tour 33. Hugel, Vidojean, Oliver Loenn, Mr. Alameyo - SXY 34. Jonathan Touch, Max Gazer - Barbie Doll 35. Almero - On Repeat 36. Blue Method - Indigo 37. Teamworx, Doriann - Personal 38. P.O.U - Aloya Chant 39. Nodus - Famy Aya 40. Sidepiece, Bobby Shmurda - Cash Out 41. Maksim Dark, Nonameleft - Detuner 42. Maezbi - Enjoy The Sounds 43. Eleven - Keep Faith 44. W.D.L & Nobe - Working 45. Deep Aztec, Ralf Mag, The Gosha - Hanana 46. Tali Muss, Vakabular - Downstairs 47. Paraframe - Rose 48. Pablo Fierro - Hantoor 49. Vintage Culture, Max Milner, Layla Benitez, Hot Since - Nirvana 50. Kasablanca - Crucible 51. Eanp - Hypnotica 52. Exile, Kyotto - Distant Scientist 53. Underher, Marc Luciano - Turn Back 54. Karpovich, Rstq - Internal Impulses 55. Meeting Molly - Double Tree 56. Stan Kolev - Paths To Devotion 57. Anuqram - Safari 58. Andhim, Selassie, Noah Becker - 1607 59. Kofa, Katar - Falling 60. Kaddyn Palmed, Fuenka - Ipse 61. Joeski, Unna X - Frequencia 62. Mark (Br) - Rollercoaster 63. Kay-D, Carlos Bacchus - Clear Existence 64. Lazara - Madrid 65. Paul Hazendonk, Alice Rose, Kyotto - Just Breathe 66. Morttagua, Kyotto - Asteromorph 67. Amir Telem, Radical Fantasy, Kyotto - Kiss the Sky 68. Noiyse Project - Fame Craver 69. Yuvee - Freydies

Criss Angel liefert – David Copperfield enttäuscht.In dieser Folge erzählen Nizar & Shayan von ihrer Erfahrung in Las Vegas: Eine der besten Magie-Shows ihres Lebens trifft auf eine der größten Enttäuschungen.Dazu gibt's Diskussionen über modernes Entertainment, die Rolle von Künstlern heute, warum Michael Jackson der Maßstab für alles ist und wie Shows heutzutage funktionieren (oder eben nicht).Von Schweben bis Schwimmbad – diese Folge ist ehrlich, kritisch, unterhaltsam.Alle Kanäle | Die Deutschenhttps://linktr.ee/diedeutschen

01. Dj Lutique, Xsonatix, Teneya - Newly Born 02. Steve Kelley - Green Daze 03. Echo Daft, Ilias Katelanos, Plecta - Infinity Rhythm 04. Affkt - Sopasopa 05. Yadek - Arrakis 06. Bontrack - Mechanoid 07. Foglight - Secret Temple 08. Weska, Enamour - Deadbeat 09. Sharam Jey, Xandl - Your Soul 10. Sound Quelle, Referna - Leku 11. Alessa Khin, Tim Loco, Re Power - Afro Bass 12. Maze 28 - Redux 13. Notre Dame - Recollection 14. Michael Jackson, Interactive Sounds Unofficial - Thriller 15. Santi Cebrero - Requiem For A Dream 16. Dansyn - No Type 17. Montw, Echo Daft, Stereo Munk, Dublew - Lost on the Road 18. Stan Kolev, Lift Bliss - Obsidian 19. David Tort, Oken - Jungle Of Mirror 20. Simos Tagias - Melted Pot 21. Gladio - More We Seak 22. Adam Beyer - Taking Back Control 23. Oliver Koletzki - Weirdo 24. Jenner, Gai Barone - Euphoria 25. Jiminy Hop - Cavalier 26. Erich Lh, Ver Dikt, Andy Dav - Reflection 27. Fernando Olaya - Monophonik 28. Coqueit, Antrim - Promise 29. Mattias Herrera - Elka 30. Pretty Pink, Christian Burns, Anyasa - Lost & Found 31. Tomper - Take Me High 32. Jiminy Hop, Simos Tagias - A Tour 33. Hugel, Vidojean, Oliver Loenn, Mr. Alameyo - SXY 34. Jonathan Touch, Max Gazer - Barbie Doll 35. Almero - On Repeat 36. Blue Method - Indigo 37. Teamworx, Doriann - Personal 38. P.O.U - Aloya Chant 39. Nodus - Famy Aya 40. Sidepiece, Bobby Shmurda - Cash Out 41. Maksim Dark, Nonameleft - Detuner 42. Maezbi - Enjoy The Sounds 43. Eleven - Keep Faith 44. W.D.L & Nobe - Working 45. Deep Aztec, Ralf Mag, The Gosha - Hanana 46. Tali Muss, Vakabular - Downstairs 47. Paraframe - Rose 48. Pablo Fierro - Hantoor 49. Vintage Culture, Max Milner, Layla Benitez, Hot Since - Nirvana 50. Kasablanca - Crucible 51. Eanp - Hypnotica 52. Exile, Kyotto - Distant Scientist 53. Underher, Marc Luciano - Turn Back 54. Karpovich, Rstq - Internal Impulses 55. Meeting Molly - Double Tree 56. Stan Kolev - Paths To Devotion 57. Anuqram - Safari 58. Andhim, Selassie, Noah Becker - 1607 59. Kofa, Katar - Falling 60. Kaddyn Palmed, Fuenka - Ipse 61. Joeski, Unna X - Frequencia 62. Mark (Br) - Rollercoaster 63. Kay-D, Carlos Bacchus - Clear Existence 64. Lazara - Madrid 65. Paul Hazendonk, Alice Rose, Kyotto - Just Breathe 66. Morttagua, Kyotto - Asteromorph 67. Amir Telem, Radical Fantasy, Kyotto - Kiss the Sky 68. Noiyse Project - Fame Craver 69. Yuvee - Freydies

It’s a celebration of the 40th anniversary of Live Aid! Live Aid was grand in scope and ambition. It was largely the brainchild of an unlikely hero, Bob Geldof, the Irish singer who fronted The Boomtown Rats, and who had helped assemble the all-star cast of Band Aid. Watched by 1.5 billion people, Live Aid eventually raised $127 US million for famine relief in Africa. But beyond that, Live Aid was also a cultural touchstone that showed the power of pop music and the determination of millions of people to make a difference in the world. Hours before the event took place, Christopher Ward had a chat with organizer Bob Geldof, who, in his intense way, told of the importance of Live Aid. He disputes the cultural significance in favour of the pragmatic view of delivering much needed aid to African famine relief. It’s an extraordinary interview with a man who is firing on all cylinders, almost to the breaking point. And of course, we also talk about the music, including: Although Geldof didn’t want them in the lineup, Freddie Mercury and the band provided the most memorable 22 minutes of the day, perhaps the best ever performance in music history. U2 – We have the full story of why they played only two songs that day… and how it became a major moment on their road to superstardom. David Bowie’s set was also memorable. But he almost didn’t play that day. And it was all because of a CBC report on the famine. We have the full story. Duran Duran. Simon LeBon made a considerable gaffe during one of their songs. He considers it the most embarrassing moment of his career. Led Zeppelin - why Jimmy Page blamed Phil Collins for Zeppelin’s less than perfect performance. There were also a number of artists who chose not to perform that day, including Bruce Springsteen, Michael Jackson, Prince, Culture Club and Huey Lewis. At least two of those acts regretted that decision. And we talk about the importance of Live Aid as a cultural milestone. Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville. It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

This is a continuation of my series of remembering Michael Jackson this time around it features 90s R&B supergroup of Allure.

Nos premiers invités #SessionLive sont Roseaux avec Ben l'Oncle Soul. Roseaux est un trio parisien composé Emile Omar, Alex Finkin et Clément Petit. Les trois mousquetaires du son cultivent leur savoir-faire désormais salué par la critique et un auditoire toujours plus nombreux depuis leur premier projet en 2012. Il leur a fallu du temps, pour prendre du recul et de la hauteur afin de nous offrir un retour tant réjouissant que retentissant. Roseaux prend racine au bord des rives de la soul, du folk, du jazz, et de la chanson de toutes les époques, une cascade de sonorités intarissables, où les trois compositeurs puisent leur inspiration et fusionnent leurs expériences. Les feuilles de Roseaux s'élancent au souffle de merveilleuses voix, choisies avec précision par les trois compères, comme celle, du chanteur américain Aloe Blacc, présent depuis le début de l'aventure, enchanteur incontournable des trois épisodes. Pensé comme une escapade onirique gorgée d'émotions, en marge de la production massive, instantanée et souvent désincarnée, Roseaux est un groupe totalement artisanal, sorte d'ovni dans le paysage musical hexagonal, qui opère à l'instinct et surtout à l'envie. Ainsi, Roseaux est devenu expert pour réunir, le temps d'un disque, les artistes qui forment spécifiquement l'ADN de leur hôte : des voix envoûtantes, une trame au piano et au violoncelle, mais aussi des rencontres et des retrouvailles, dans un univers poétique et volontairement nébuleux. Ce troisième album est l'œuvre de 3 passionnés de musique, capables d'intervertir leurs rôles : écriture, arrangements, production, d'où émergent cette fois, onze titres au mélodies ciselées dont trois instrumentaux colorés et insolites. Un périple entre mélancolie et euphorie, qui a conduit Roseaux aux confins de la planète, des Caraïbes à l'Europe en pasant par l'Afrique pour dénicher d'autres vibrations et des interprètes singuliers : la captivante chanteuse grenado-britannique Ala.ni, le petit prince afropop anglais originaire du Ghana, Ghetto Boy, et la troublante suédoise Isabel Sörling, signent ici une première collaboration flamboyante avec le groupe. Pendant que la talentueuse canado-haïtienne Mélissa Laveaux, l'hypnotique chanteur scandinave Olle Nyman, la pétillante franco-canadienne Anna Majidson et notre remarquable Ben national, déjà présents sur le deuxième volet, parviennent encore à créer la surprise en dévoilant de nouveaux aspects de leur tessiture. Les voix de Roseaux sont décidément impénétrables et sa magie se renouvelle aujourd'hui en faisant dialoguer la force de tous ces éléments scintillants, à découvrir dans un écrin de douceur et de volupté. La nature regorge de roseaux, celui-ci est unique.   Titres interprétés au grand studio - With Us Feat. Ben l'Oncle Soul Live RFI - Loving You Is All I Want To Do Feat. Aloe Blacc, extrait Roseaux III - Island Feat. Ben l'Oncle Soul (Roseaux II 2019) Live RFI Line Up : Emile Omar, machines, Alex Finkin, guitare, Clément Petit, violoncelle, Ben L'Oncle Soul, voix Son : Mathias Taylor, Benoît Letirant, Camille Roch. ► Album Roseaux III (Fanon Rd)

Nos premiers invités #SessionLive sont Roseaux avec Ben l'Oncle Soul. Roseaux est un trio parisien composé Emile Omar, Alex Finkin et Clément Petit. Les trois mousquetaires du son cultivent leur savoir-faire désormais salué par la critique et un auditoire toujours plus nombreux depuis leur premier projet en 2012. Il leur a fallu du temps, pour prendre du recul et de la hauteur afin de nous offrir un retour tant réjouissant que retentissant. Roseaux prend racine au bord des rives de la soul, du folk, du jazz, et de la chanson de toutes les époques, une cascade de sonorités intarissables, où les trois compositeurs puisent leur inspiration et fusionnent leurs expériences. Les feuilles de Roseaux s'élancent au souffle de merveilleuses voix, choisies avec précision par les trois compères, comme celle, du chanteur américain Aloe Blacc, présent depuis le début de l'aventure, enchanteur incontournable des trois épisodes. Pensé comme une escapade onirique gorgée d'émotions, en marge de la production massive, instantanée et souvent désincarnée, Roseaux est un groupe totalement artisanal, sorte d'ovni dans le paysage musical hexagonal, qui opère à l'instinct et surtout à l'envie. Ainsi, Roseaux est devenu expert pour réunir, le temps d'un disque, les artistes qui forment spécifiquement l'ADN de leur hôte : des voix envoûtantes, une trame au piano et au violoncelle, mais aussi des rencontres et des retrouvailles, dans un univers poétique et volontairement nébuleux. Ce troisième album est l'œuvre de 3 passionnés de musique, capables d'intervertir leurs rôles : écriture, arrangements, production, d'où émergent cette fois, onze titres au mélodies ciselées dont trois instrumentaux colorés et insolites. Un périple entre mélancolie et euphorie, qui a conduit Roseaux aux confins de la planète, des Caraïbes à l'Europe en pasant par l'Afrique pour dénicher d'autres vibrations et des interprètes singuliers : la captivante chanteuse grenado-britannique Ala.ni, le petit prince afropop anglais originaire du Ghana, Ghetto Boy, et la troublante suédoise Isabel Sörling, signent ici une première collaboration flamboyante avec le groupe. Pendant que la talentueuse canado-haïtienne Mélissa Laveaux, l'hypnotique chanteur scandinave Olle Nyman, la pétillante franco-canadienne Anna Majidson et notre remarquable Ben national, déjà présents sur le deuxième volet, parviennent encore à créer la surprise en dévoilant de nouveaux aspects de leur tessiture. Les voix de Roseaux sont décidément impénétrables et sa magie se renouvelle aujourd'hui en faisant dialoguer la force de tous ces éléments scintillants, à découvrir dans un écrin de douceur et de volupté. La nature regorge de roseaux, celui-ci est unique.   Titres interprétés au grand studio - With Us Feat. Ben l'Oncle Soul Live RFI - Loving You Is All I Want To Do Feat. Aloe Blacc, extrait Roseaux III - Island Feat. Ben l'Oncle Soul (Roseaux II 2019) Live RFI Line Up : Emile Omar, machines, Alex Finkin, guitare, Clément Petit, violoncelle, Ben L'Oncle Soul, voix Son : Mathias Taylor, Benoît Letirant, Camille Roch. ► Album Roseaux III (Fanon Rd)

Embarquez pour un voyage musical captivant au cœur de l'un des plus grands tubes de l'été 1987 : la Isla Bonita de Madonna ! Dans cet épisode passionnant de La Note Secrète, Fabrice Lafitte lève le voile sur les secrets de composition et les coulisses fascinantes de cette chanson devenue culte.Découvrez comment les auteurs-compositeurs Patrick Léonard et Bruce Getsch ont initialement proposé leur création à Michael Jackson, avant que Madonna ne s'en empare pour en faire l'un de ses plus gros succès. Plongez dans les détails de la réécriture des paroles et de l'enregistrement de ce titre aux influences latines qui a fait danser le monde entier.Vous serez surpris d'apprendre que les deux auteurs n'ont en réalité jamais mis les pieds sur l'île de San Pedro, Nolasca, qui a inspiré leur mélodie.

Today on the Walton and Johnson Show, the boys finally settle the debate between Michael Jackson vs. Prince, and how a lot of politicians don't even care about the district that elected them.

City girls love nature, too! Tawny and Lisa talk about the role it plays in their recoveries. Spending time in nature is linked to both cognitive benefits and improvements in mood, mental health and emotional well-being. But you can also bring nature into the home with herbs, plants, flowers or anything that connects with you. And nature is not just the mountains or the ocean – it can be anywhere you feel connected, like a dog park in the city!Check out the APA article Music Minute features Michael Jackson, Rolling Stones, Creedence Clearwater Revival, and SoundgardenOrder The Sobriety Deck Listen to The Sobriety Deck Playlist by Hannah GardnerOrder Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the BoozeSubscribe to Tawny's newsletter, "Beyond Liquid Courage"Order Tawny's new NA drink, (parentheses)Purchase Lisa's memoir, Girl Walks Out of a Bar   

This week: Why Sarah Grace Patrick will be the next big true crime case, Epstein's client list vanishes, Terry Perry is a creep (allegedly), murder by beef wellington, Michael Jackson's friend threatens to tell all, Grok goes crazy, and more!Further Reading:https://nypost.com/2025/07/09/us-news/georgia-teen-sarah-grace-patrick-accused-of-killing-mom-stepdad-as-younger-sister-discovered-bodies-in-their-bed/https://www.cnn.com/2025/07/09/politics/what-to-know-about-the-jeffrey-epstein-sagahttps://www.hollywoodreporter.com/news/general-news/tyler-perry-accuser-derek-dixon-interview-1236309879/https://www.nytimes.com/2025/07/10/world/asia/kpop-taeil-sentenced-sex-crime.htmlhttps://www.blackenterprise.com/michael-jacksons-estate-sues-accuser-extortion/https://apnews.com/article/erin-patterson-australia-poisonous-mushrooms-trial-bb2454928db178f77a332f39cb7897bahttps://www.newsweek.com/linda-yaccarino-x-quits-musk-grok-antisemitism-ceo-2096713 Hosted on Acast. See acast.com/privacy for more information.

Welcome To The Real Oshow, 0:00 Intro0:57 Drake - What Did I Miss 5:57 Flying Private7:20 Joe Budden on Drake Iceman11:30 Chuck "Ice Man" Liddell & Drake17:30 Closing Thoughts Brothers Joshua and Zachary break down Drake's What Did I Miss live stream and discuss what it means for the music industry in the future.Next, we discuss the story behind Iceman and how former UFC champion Chuck Liddell lost a championship fight, but came back a year later to knock out the champion in the first round.Seems like Drake has some more ammo left and is ready to get Kendrick in the first round and put an official end to the beef. All love,Check out our YouTube page - https://www.youtube.com/channel/UCoqz3s_B_VYHuQtuVIDxpiQTikTok - https://www.tiktok.com/@therealoshow?is_from_webapp=1&sender_device=pcTweet @zacharyowings2 with your thoughts about the podcast or suggestions for future shows.Music by Leno Tk - Greatness (Streaming on all platforms)

Though the King of Pop has passed away, the disputes surrounding his legacy are far from over, particularly with one of Michael Jackson's former close associates now embroiled in a shocking legal controversy.See omnystudio.com/listener for privacy information.

Today, we're sharing our craziest things you've done for love or sex stories. As usual, stories are submitted by the audience, and the best story of the day wins a cash prize. Pay attention to see if you won. Win on a future episode: 1. Share your story here: https://form.typeform.com/to/tzF51rLr 2. Comment below: What is your craziest thing you've done for love or sex story? Chapters 00: 00 Intro 04: 11 Today's prompt 05: 12 Story #1 - Ride a bike to hang 11: 38 Story #2 - Bronny Poo 21: 00 Story #3 - Ghost Lady 30: 12 Sour Candy 35: 00 Story #4 - Michael Jackson's death 41: 34 Story #5 - Act straight 46: 18 Story #6 - S*x on Mail 53: 10 Plugs 58: 16 Story #7 - Naked Man 01:04:25 Story #8 - Hysterectomy 01:10:21 Story #9 - Special Forces 01:13:49 Story #10 - Ex's bestfriend 01:16:29 Casey's story 01:18:52 Marcus' story 01:23:24 John's story 01:24:36 Story of the Day 01:26:09 More Plugs Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:05:32 - C'est une chanson - par : Frédéric Pommier - Tout cet été, nous réécoutons les entretiens de Frédéric Pommier. Aujourd'hui, c'est avec le chanteur M Pokora. Il évoque un tube de son artiste préféré : "Smooth Criminal" de Michael Jackson, qu'il considère comme la plus grande chanson de tous les temps. (Rediffusion de l'émission du 21/03/2025) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

- Trysta Krick, Heat Check & Let Her Shoot

In today's episode, I interview Steven Ray, a legendary figure in the music and entertainment industry. His expansive career began as a roadie for Sammy Davis Jr. and George Rhodes, and as a production assistant to Quincy Jones. Steven's early work includes contributing to groundbreaking projects such as Michael Jackson's Thriller, We Are the World, The Color Purple, and productions by Frank Sinatra and James Ingram.“Music is frequency. And frequency is healing. When you're in the presence of someone channeling that, it's almost like being in a temple.” - Steven Ray He later became a Senior Executive at Capitol Records and played a pivotal role at Windswept Pacific, where he signed and collaborated with major artists like Mariah Carey, Usher, TLC, Destiny's Child, and Beyoncé, contributing to over 150 million units sold. Steven's creative vision and industry expertise extend beyond music, as the founder of Red River Pictures, producing projects like Broadway's Ghost and the upcoming films Little Rootie Tootie and Son of the South (now streaming).In 2023, Steven co-hosted the Stories in the Room podcast on Thriller and appeared in the documentaries Thriller 40 and The Greatest Night in Pop. Known for his deep relationships and industry savvy, Steven is a sought-after advisor and a visionary in entertainment.We dive into the transformative power of music, spiritual transmission through sound, and the lessons Steven has learned from working with some of the greatest artists of all time, including Michael Jackson.In this episode, we discuss:- The spiritual power of music and how it can transcend the performer- Memorable moments with Michael Jackson and behind-the-scenes magic- The healing role of sound and vibration- The intersection of fame and spiritual awakening- What makes a piece of music timeless and sacred- Insights into intuition in the creative process- How music contributes to cultural transformation in today's worldSteven also shares his advice for the next generation of artists, the importance of studying music, and his thoughts on the evolution of the music industry in this era of social media and mass influence.Don't miss this enlightening conversation with a true industry legend. Tune in to Gateways to Awakening, where we host transformative discussions on wellness, creativity, and spirituality.Learn more about Steven Ray and his work at Stories in the Room, Instagram: @Mr.StevenRay *If you are an aligned wellness brand and would like to advertise your product on this show, please reach out at @therealyasmeentIf this conversation speaks to you, we'd love to hear from you — tag us @Gateways_To_Awakening on Instagram and Facebook to share your reflections. Your reviews on Apple Podcasts mean the world and help others find the show.To stay connected, you can follow my writing on Substack at substack.com/@therealyasmeent, join me on IG @TheRealYasmeenT, or sign up for my newsletter at InnerKnowingSchool.com.

Earnest ‘EJ' Christian discusses the NBA Offseason, family music debates, EJ's Top 5: Favorite Male vocalists, and a tribute to Black Sabbath.

Get ready to laugh, rant, and debate with us on today's episode of the Cut The Crap Podcast! We're diving into hilarious pet peeves, wild “would you rather” questions, and quirky hills we'd die on! From loud chewers to people clapping on planes (why though?!), we're spilling all the things that drive us insane—literally. Plus, we talk about daylight savings, cold pizza vs. hot pizza, and even Michael Jackson vs. Prince. It's a chaotic, fun ride you won't want to miss!Got a take on anything we discussed? Leave us a message, send a voice memo, or call in and leave a comment on our voicemail! Also, feel free to buy us a taco if you're feeling generous (because tacos make everything better). Let us know your thoughts—what's your biggest pet peeve, a “would you rather” answer, or a hill YOU'D die on? We can't wait to hear from you!Tune in now, join the convo, and don't forget to like, subscribe, and share. Let's cut the crap together!

This week we have a look at the 1970 Hammer Dracula film TASTE THE BLOOD OF DRACULA.  This is Episode #463! Taste the Blood of Dracula is a 1970 British supernatural horror film produced by Hammer Film Productions. Directed by Peter Sasdy from a script by Anthony Hinds, it is the fifth installment in Hammer's Dracula series, and the fourth to star Christopher Lee as Count Dracula, the titular vampire. The film also features Geoffrey Keen and Gwen Watford.Taste the Blood of Dracula was followed by Scars of Dracula, also released in 1970.Once more we are joined by a very special guest. This writer received the Tony award for his play Red and wrote the book for the Tony award-winning Moulin Rouge. As a screenwriter, he has been nominated for the Oscar three times and has received Golden Globe, BAFTA, WGA and Edgar awards. His film work includes Skyfall, Gladiator, The Aviator, Hugo, Rango, Sweeney Todd, They/Them, The Last Samurai, and Any Given Sunday. He also created the television series Penny Dreadful for Showtime.  next year will see the release of his movie Michael, about Michael Jackson. We are joined tonight by JOHN LOGAN.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

In this episode, I talk about Munich, Germany. I knew nothing about it before I went. You'll hear about the 1972 Olympic tragedy, the Michael Jackson memorial, and the BMW museum. Munich is much more than the place where the guy who started WWII got started, the Bayern Munich Futbol/soccer team, and Oktoberfest. P.S. My new book, "Going Solo," is available now in print and electronic formats. Get a copy here if you're thinking about taking your first international trip: Click here: Amazon: Going Solo

*Disclaimer: The audio quality in this episode is unfortunately below our standards but we felt that the content was too valuable not to share it* In episode 215, host Galit Friedlander and guest Stephanie Scull (dancer for Pharrell, Usher, America's Got Talent and founder of her own successful styling/costuming brand) get into the real-talk intersection of dance, identity, and personal style. Stephanie shares how her path took her from competitive dance and the fashion world to working major jobs in LA and what made her say yes to pivoting towards her own business. From audition looks to headshot rules to what “comfortable” really means when you're getting dressed for a career-defining moment, this one is full of practical gems and big-picture energy. We talk about boundaries, burnout, why dancers often forget their power, and how to use clothes to show the world who you are, before you even move. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Stephanie Scull on Instagram at https://www.instagram.com/scullysculls/. Stephanie's website is https://www.scullystyles.com. Listen to DanceSpeak on Apple Podcasts and Spotify.

In episode 215, host Galit Friedlander and guest Stephanie Scull (dancer for Pharrell, Usher, America's Got Talent and founder of her own successful styling/costuming brand) get into the real-talk intersection of dance, identity, and personal style. Stephanie shares how her path took her from competitive dance and the fashion world to working major jobs in LA and what made her say yes to pivoting towards her own business. From audition looks to headshot rules to what “comfortable” really means when you're getting dressed for a career-defining moment, this one is full of practical gems and big-picture energy. We talk about boundaries, burnout, why dancers often forget their power, and how to use clothes to show the world who you are, before you even move. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ Fit From Home - https://galit-s-school-0397.thinkific.com/courses/fit-from-home You can connect with Stephanie Scull on Instagram at https://www.instagram.com/scullysculls/. Stephanie's website is https://www.scullystyles.com. Listen to DanceSpeak on Apple Podcasts and Spotify.

Michael Jackson. Quincy Jones. Nine tracks. No filler.The McGuigan Brothers breakdown the biggest pop album ever made - track by track. From Billie Jean's haunted groove to Eddie Van Halen's guitar fireworks, from the Toto-driven rhythm section to a crooning Beatle, we dig into the songs, the legacy, and the vision that changed music forever.Is Thriller perfect or just untouchable? All the categories. All the takes. Three brothers. One moonwalk into pop history.

​Sean "Diddy" Combs has made a significant change to his legal team by bringing in renowned defense attorney Mark Geragos to take a leading role in his upcoming trial. Geragos, known for representing high-profile clients such as Michael Jackson, Chris Brown, and Hunter Biden, joins his daughter Teny Geragos, who is already part of Combs' defense team. This move comes after the resignation of attorney Anthony Ricco in March, leaving Marc Agnifilo as the primary counsel. The addition of Geragos suggests a strategic shift in Combs' defense as he prepares to face serious charges, including racketeering conspiracy and sex trafficking, with the trial set to begin on May 5, 2025.In a separate legal maneuver, Combs' attorneys have filed a subpoena seeking access to unaired footage and related materials from Warner Bros.' documentary series "The Fall of Diddy." The defense aims to obtain raw interviews, notes, and any compensation records involving two accusers featured in the series, identified as a former personal chef and an ex-girlfriend alleging misconduct. Warner Bros. has filed a motion to quash the subpoena, invoking journalist's privilege to protect unpublished materials and arguing that the request is overly broad and constitutes a "fishing expedition." The studio contends that the materials sought are likely inadmissible as hearsay and that Combs' legal team has not met the necessary burden to override these protections. The court has given Combs' attorneys until Thursday to respond to Warner Bros.' motion.to  contact me:bobbycapucci@protonmail.comsource:Exclusive | Diddy to shake-up defense, star lawyer Mark Geragos poised for leading roleDiddy's Legal Team Blocked From Accessing Raw 'Fall of Diddy' Footage, Warner Bros. Cites 'Reporter's Privilege'Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

RIP Michael Madsen.  He was a great guest over the years.  In this explosive full episode of Opie's old Radio Show, Hollywood legend Michael Madsen joins comedians Jim Norton, Mark Normand, Adam Pally, and Cheech Marin for a no-holds-barred conversation. Madsen dives deep into his Chicago upbringing, from running a car chop shop in his mom's garage and breaking into a liquor store with Chris Penn to sliding down a fire pole with his firefighter dad. He shares raw, hilarious stories from his iconic roles in Quentin Tarantino's Reservoir Dogs, The Hateful Eight, and Kill Bill, plus surreal run-ins with Marlon Brando, Michael Jackson, and a wild Lawrence Tierney.  Packed with gritty humor, heartfelt family reflections, and unfiltered Hollywood truths, this episode is a rollercoaster of epic anecdotes. 

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com Our guest is American media theorist Douglas Rushkoff. He is the author of such seminal books on digital culture and networked communication as Cyberia (1994), Media Virus (1995), and Coercion (1999); and numerous further titles including, Program or Be Programmed (2010/2025) and Survival of the Richest: Escape Fantasies of the Tech Billionaires (2022). He is also the host of Team Human and a professor of Media Theory and Digital Economics as CUNY/Queens. On this episode, Doug speaks with us about the evolution (and devolution) of digital culture across web 1, 2, 3, and beyond via a synthesis of media theory, psychedelic thinking, and practical wisdom for navigating our contemporary networks. Names cited: Adam Curtis, Alex Garland, Allan Kaprow, Amazon, Art Bell, AT&T, Bernie Madoff, CNN, Cyberia, CVS, Dan Rather, Daniel Dennett, David Bowie, David Hershkovitz, David Lynch, Donna Haraway, Douglas Rushkoff, Elon Musk, Emmanuel Levinas, Francis Bacon, Genesis P-Orridge, Jake Tapper, Jeff Bezos, Jeffrey Epstein, Jesse Armstrong, Joe Rogan, John Brockman, John Perry Barlow, Joseph Chaikin, Kamala Harris, Lauren Sanchez, Louis Rossetto, Ludwig Wittgenstein, Madonna, Marjorie Taylor Greene, Marshall McLuhan, Martin Buber, Martin Heidegger, Media Virus, Michael Jackson, Milton Friedman, Naomi Klein, Naomi Wolf, Neil Simon, New Models, New York Times, Norbert Wiener, Orit Halpern, Paper Magazine, Peter Thiel, Pierre Teilhard de Chardin, Present Shock, Ray Kurzweil, Richard Dawkins, Robert Anton Wilson, Ross Douthat, Skinny Puppy, Spinoza, Star Trek, Team Human, Temple of Psychic Youth, The Long Boom, The Process Church, The Simpsons, Vanessa Machado de Oliveira, Walter Benjamin, William S. Burroughs, Wired Magazine

An honest and unfiltered convo about college ball overseas, culture shock, relationships, late-night cravings, and chasing the pro dream. Plus—rapid-fire picks from Messi vs. Ronaldo to Michael Jackson vs. Bruno Mars.

Fan Favorite: This episode originally aired on August 14, 2018. Footballer turned dance star, Will "Willdabeast" Adams took the attention earned on America's Got Talent and became the entertainment industry's go-to choreographer. His high-energy dance videos and undeniable work ethic helped create ImmaBEAST, a community dedicated to elevating and uniting everyone through dance. The man picked by Usher, Demi Lovato, and Nike to choreograph discusses changing paths and what it takes to make history on this episode of Impact Theory with Tom Bilyeu. SHOW NOTES: Will speaks on changing paths after his football career ended. [2:45] Will gives advice on dealing with “no's” while pursuing a dream. [5:32] Will breaks down the “train like we suck” mentality. [9:45] Will on cultivating self-belief and dealing with fear while doing so. [13:51] Will tells how Michael Jackson dying changed his life. [15:48] Will explores the Unity Through Diversity principle. [20:20] Will and Tom discuss entrepreneurship in the social media age. [23:12] Will explains his drive to dream so aggressively. [29:01] Will reveals the impact he wants to have on the world. [32:52] FOLLOW WILL WILLDABEAST ADAMS: YOUTUBE - https://bit.ly/2dVpQkM INSTAGRAM - https://bit.ly/2veMTAO WEBSITE - https://bit.ly/2LYkKVC TWITTER - https://bit.ly/2mSiwwg FACEBOOK - https://bit.ly/2LMuplp CHECK OUT OUR SPONSORS Vital Proteins: Get 20% off by going to https://www.vitalproteins.com and entering promo code IMPACT at check out Allio Capital: Macro investing for people who want to understand the big picture. Download their app in the App Store or at Google Play, or text my name “TOM” to 511511. iTrust Capital: Use code IMPACTGO when you sign up and fund your account to get a $100 bonus at https://www.itrustcapital.com/tombilyeu  SleepMe: Visit https://sleep.me/impact to get your Chilipad and save 20% with code IMPACT. Try it risk-free with their 30-night sleep trial and free shipping. ButcherBox: Ready to level up your meals? Go to https://butcherbox.com/impact to get $20 off your first box and FREE bacon for life with the Bilyeu Box! Jerry: Stop needlessly overpaying for car insurance - download the Jerry app or head to https://jerry.ai/impact Netsuite: Download the new e-book Navigating Global Trade: 3 Insights for Leaders at http://NetSuite.com/Theory What's up, everybody? It's Tom Bilyeu here: If you want my help... STARTING a business: join me here at ZERO TO FOUNDER SCALING a business: see if you qualify here. Get my battle-tested strategies and insights delivered weekly to your inbox: sign up here. ********************************************************************** If you're serious about leveling up your life, I urge you to check out my new podcast, Tom Bilyeu's Mindset Playbook —a goldmine of my most impactful episodes on mindset, business, and health. Trust me, your future self will thank you. ********************************************************************** Join me live on my Twitch stream. I'm live daily from 6:30 to 8:30 am PT at www.twitch.tv/tombilyeu ********************************************************************** LISTEN TO IMPACT THEORY AD FREE + BONUS EPISODES on APPLE PODCASTS: apple.co/impacttheory ********************************************************************** FOLLOW TOM: Instagram: https://www.instagram.com/tombilyeu/ Tik Tok: https://www.tiktok.com/@tombilyeu?lang=en Twitter: https://twitter.com/tombilyeu YouTube: https://www.youtube.com/@TomBilyeu Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late seventies, Studio 54 was the place to be for musicians and celebrities alike. John Lennon, Mick Jagger, Michael Jackson, Bruce Springsteen and others all famously hung out at the notorious club where hedonism was part of the venue's allure. The success of Studio 54 was sudden and massive, resulting in mountains of cash, cocaine, jealousy, revenge, an FBI raid, and an ironic ending for one of its owners. To view the full list of contributors, see the show notes at ⁠disgracelandpod.com⁠ This episode was originally published on May 26, 2020. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Join us as we dive deep into the making of the iconic Captain EO featuring Michael Jackson, George Lucas, and Francis Ford Coppola. Taren unearths new insights about the 80s sensation. Plus, Erik delights us with a review of Takumi-Tei, the premier Japanese restaurant at EPCOT. Learn about the behind-the-scenes challenges and enjoy a taste of upscale Japanese cuisine! ---------------- Support the show! Come watch us on ⁠⁠⁠⁠⁠Twitch!⁠⁠⁠⁠⁠ Subscribe to us on ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠ Join everyone over on our ⁠⁠⁠⁠⁠Patreon page⁠⁠⁠⁠⁠ Visit us on Etsy for the ⁠⁠⁠⁠⁠coolest Disney-inspired shirts⁠⁠⁠⁠⁠ Come check out the ⁠⁠⁠⁠⁠Discord group⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

Download the complete collection of Talk of Ages bonus shows for $10 - or get a 7-day free trial - at Patreon.com/MikeTully

SPONSORS: - Use code BEARS at https://www.monarchmoney.com/bears in your browser for 50% your first year. - Get started at https://factormeals.com/bears50off and use code bears50off to get 50 percent off plus FREE shipping on your first box. This week on 2 Bears 1 Cave, Tom checks in on Bert's intestine surgery and his new commitment to being loud, red, and barely alive. The Bears cover everything from Hellcats to Titanic cowards, and disgusting public behavior. They spiral into career-ending scandals — Ray Rice, Aaron Hernandez, Mel Gibson, Michael Jackson, and Hitler — and debate whether being talented enough erases your crimes. Plus: the Oceangate sub disaster, a fisherman who supposedly ate his friend, and a fascinating discussion about racist costumes, slurs, and Bert turning purple in a sauna. Also: plutonium, bad names, the lady versions of both bears, and how throwing your wife through a window could be noble. Classic Bear chaos. 2 Bears, 1 Cave Ep. 295 https://tomsegura.com/tour https://www.bertbertbert.com/tour https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:00:58 - DMV Hotties & Beefing With Kids 00:10:07 - Women & Children First 00:17:53 - Shame, Mel Gibson, & Lance Armstrong 00:24:57 - Famous People Committing Crimes 00:35:32 - Would You Rather? 00:39:13 - War Documentaries 00:44:48 - Slurs In Other Languages 00:53:44 - Names & The Studio Beef 00:59:11 - Japan & Uranium 01:05:08 - Lady Bert Learn more about your ad choices. Visit megaphone.fm/adchoices

The prosecution called one of its last witnesses -- personal assistant Brendan Paul, who testified he was arrested last spring because he covered for Combs when federal agents found something illegal in his bag. Plus an interview with Joe Tacopina, who represented Michael Jackson, Meek Mill, and ASAP Rocky, but turned down Combs's case. He rates both legal teams' performance so far and tells us what his closing argument would be.If you want to read NBC's coverage of the trial, check out our newsletter, “Diddy On Trial”: NBCNews.com/Diddy