Podcasts about Pixar

This week, a new scavenger hunt for Magic Keyholders, a behind the scenes look at the new Soarin', Toy Story 5 comes to the resort, a new colorful line up of merchandise, we talk with Don Morin about the 2026 PNW Mouse Meet and more! Please support the show if you can by going to https://www.dlweekly.net/support/. Check out all of our current partners and exclusive discounts at https://www.dlweekly.net/promos. News: Disneyland is launching a new scavenger hunt on June 26, 2026, specifically for Magic Key holders to celebrate the park's 70th anniversary. To participate, eligible guests can pick up a stylized map at Disneyana on Main Street, U.S.A., and use it to complete the search for a prize. This upcoming event follows a similar road-trip-themed scavenger hunt hosted earlier in the year for Disney California Adventure's 25th anniversary. – https://www.laughingplace.com/disney-parks/disneyland-magic-key-scavenger-hunt/ A new episode of the Disney Unscripted series takes fans behind the scenes to show how filmmakers, musicians, and Imagineers collaborated on the new “Soarin' Across America” attraction. The video highlights the aerial filming process used to capture iconic American landscapes, alongside the creation of a brand-new musical arrangement of the classic ride theme. Debuting in celebration of America's 250th birthday, the updated experience is currently open at EPCOT and will launch at Disney California Adventure on July 2nd. – https://www.laughingplace.com/disney-parks/starspangled-soarin-disney-unscripted-explores-making-soarin-across-america/ Disney Parks has announced a new “Logo Mania” merchandise collection featuring more than 120 items across six color‑themed lines, including Blue for the “Last Day of Trip Blues” inspired by the end of a vacation, green for the “Tiki Tiki Tiki Room” focused on tropical adventure, and pink symbolizing “Fantasyland Feels” tied to storybook imagination. The collection will be available beginning June 12 at Disneyland Resort and Walt Disney World. – https://disneyparksblog.com/products/new-disney-parks-merch-logo-mania/ Disneyland has filed a building permit to reconstruct the New Orleans Square train station radio house, which was demolished in 2025 following a late-2022 fire. The planned 357-square-foot facility will look similar to the historic original structure and will feature an updated Cast Member break room, restroom, and an ADA-accessible pathway over the tracks. While no official construction timeline has been announced, the project aims to restore a landmark famous for broadcasting Walt Disney's iconic 1955 opening day speech in Morse code. – https://www.laughingplace.com/disney-parks/disneyland-new-new-orleans-square-station/ Following the world premiere of Pixar's Toy Story 5, stars Tom Hanks and Conan O'Brien stopped by the Disneyland Resort on June 10, 2026, for a special visit. The duo first visited Disney California Adventure to check out Pixar Pier and meet with classic Toy Story characters sporting new accessories from the upcoming film. Afterward, they parkhopped over to Disneyland Park to surprise a theater full of fans attending an advanced screening of the movie inside the Tomorrowland Theater – https://www.laughingplace.com/disney-parks/tom-hanks-conan-at-disneyland/ Margaret Kerry, the actress and dancer who served as the live-action model for Tinker Bell in Disney's 1953 Peter Pan, has died at 97 in Wilmington, North Carolina. Known for bringing the iconic fairy to life through her expressive movement and pantomime work, Margaret remained a beloved figure among Disney fans for her warmth and lifelong connection to the character. She leaves behind a lasting legacy in animation history and is survived by her three children. – https://www.micechat.com/437247-disneyland-news-autopia-tinker-bell-construction/ SnackChat: Disney Celebrates America Foodie Guide – https://disneyparksblog.com/disney-experiences/disney-eats-disney-celebrates-america-foodie-guide/ Discussion Topic: Pacifc Northwest Mouse Meet with Don Morin – www.pnwmousemeet.com www.facebook.com/pnwmousemeet Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jim Hill and Drew Taylor look at a packed week in animation, from the box office surprises around Disclosure Day and Obsession to the latest honors for Aardman's founders. They also preview Pixar's Gatto, salute Floyd Norman's upcoming Academy Honorary Award, and remember Tinker Bell reference model Margaret Kerry. The main event is Disney's live-action Lilo & Stitch 2, with Chris Sanders returning to write and direct a brand-new story for everyone's favorite blue alien experiment. NEWS • Disclosure Day opens big for Universal while Obsession continues its remarkable box office run. • Jim and Drew talk physical media, Hoppers on Disney+, and Best Buy's exit from DVDs and Blu-rays. • Aardman founders Peter Lord and David Sproxton receive knighthoods as the studio celebrates with a Royal Mint coin. • Pixar's Gatto gets a closer look, including its Venice setting, painterly style, and voice cast. • Floyd Norman is set for an Academy Honorary Award, while Jim and Drew remember Margaret Kerry's legacy as Tinker Bell's live-action reference model. FEATURE • Disney moves ahead with live-action Lilo & Stitch 2 for May 2028. • Chris Sanders returns to write and direct after voicing Stitch in both the original animated classic and the 2025 live-action remake. • Jim and Drew discuss how Angel, Stitch's pink counterpart from the animated series, may factor into the sequel. • The conversation connects Sanders' busy slate, from The Wild Robot to Lilo & Stitch, with Disney's long-running affection for Experiment 626. HOSTS • Jim Hill - X: @JimHillMedia, Instagram: @JimHillMedia • Drew Taylor - X: @DrewTailored, Instagram: @drewtailored FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR If a Disney or Universal trip is on your radar for 2026, UnlockedMagic.com helps you lock in great ticket prices without the stress. Head to UnlockedMagic.com to grab the best ticket deals and make that future trip just a little more magical. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of The Movie Podcast is brought to you by BenQ. Use our affiliate link to help support our show: ⁠https://benqurl.biz/4eiSeMX⁠ Daniel and Shahbaz review Disney and Pixar's TOY STORY 5 starring Tom Hanks, Tim Allen, Joan Cusack, and Greta Lee. The toys are back and this time it's Toy meets Tech. Woody, Buzz Lightyear, Jessie and the rest of the gang's jobs are challenged when they come face-to-face with Lilypad, a brand-new tablet device that arrives with her own disruptive ideas about what is best for their kid, Bonnie. Will playtime ever be the same? Toy Story 5 is directed by Academy Award winner Andrew Stanton, co-directed by Kenna Harris, produced by Lindsey Collins and features an original score by Oscar winner Randy Newman, who returns to score his fifth Toy Story feature. The film releases exclusively in theaters June 19, 2026. This review is spoiler-free. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our spoiler-free review of Disney and Pixar's Toy Story 5. Join us as we discuss the film's stunning visuals, heartfelt story, memorable new characters, and why Bonnie and Jessie's journey brings a fresh perspective to the beloved franchise. We explore the film's themes of imagination, play, and technology, share our thoughts on the performances, and explain why Toy Story 5 feels like a meaningful evolution of the series while staying true to everything that has made Toy Story special for nearly 30 years. Disney and Pixar's Toy Story 5 arrives exclusively in theatres on June 19, 2026. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Hey there, and a very happy Tuesday to you! This is your Disney News for Tuesday, June 16th, 2026. I hope you're excited to dive into today's magical updates! - Disney's Animal Kingdom at Walt Disney World Resort unveils a new exhibit with endangered animals, offering guests immersive wildlife conservation experiences. - Disneyland Resort in California adds a new float to the Main Street Electrical Parade, inspired by Disney and Pixar's latest hit, enhancing its nighttime entertainment. - Tokyo Disneyland celebrates Tanabata Days with themed decorations, special merchandise, and a limited-time festival-inspired menu until July 7th. - A new Disney+ documentary series, "Disney's Green Guardians," explores Disney's sustainability efforts in parks and resorts, highlighting environmental stewardship. Thanks for joining me, and I hope you have a magical day ahead. Remember to check in tomorrow for more enchanting updates. See you tomorrow!

TOY STORY 5 IS WAY MORE EMOTIONAL THAN EXPECTED?! Pixar Movie Review - John Humphrey and Coy Jandreau give their out-of-theater reaction to Toy Story 5 (2026), directed by Andrew Stanton and co-directed by Kenna Harris. This new Disney Pixar sequel brings Woody, Buzz, Jessie, and the rest of the toys into a modern “Toy meets Tech” story where electronics become a new threat to playtime. In this spoiler-free review, John and Coy break down the movie's slower first half, the challenge of juggling so many characters and new ideas, Jessie's bigger emotional role, the way Woody and Buzz are used, the film's faster modern pacing, the technology themes, the emotional second half, and whether Toy Story 5 earns its place as another full installment in the beloved Pixar franchise. If you're into Toy Story, Pixar sequels, Jessie's story, Woody and Buzz, childhood nostalgia, emotional animated movies, family-friendly adventures, and stories about growing up, love, loss, and the changing way kids play, this one definitely gives a lot to talk about — and make sure you stay through the credits for the final payoff! Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Oh my gosh good news everyone movies are back and we also have news of new movies being made. This week we review Steven Spielberg's latest alien sci-fi outing, Disclosure Day. Plus we talk the leaked Spider-Man Brand New Day trailer, 24 Jump Street, Doctor Who takes a big hiatus (is cancelled), potential trouble with the Paramount/Warner Brothers merger, trailers for The Social Reckoning, Whalefall (Whale Fail), Pixar's Gatto and more! Thanks for listeningNew bonus podcast ep for James & Maso's Time Crapsule out now! Available to listen with entire back catalogue of bonuses on bigsandwich.co and patreon.com/mrsundaymoviesPLEASE be aware timecodes may shift due to inserted ads.00:00 The Start04:42 Spider-Man: Brand New Day Trailer Leaked12:02 24 Jump Street Movie Announced15:28 Doctor Who Cancelled (for now maybe)19:45 Troubles for Paramount's Warner Bros Bid25:39 Social Reckoning Trailer29:40 Whalefall (Whale Fail) Trailer35:12 Pixar's Gato Trailer37:00 Toy Story 5 Next Week40:21 Disclosure Day Movie Review01:01:34 Disclosure Day Spoiler Segment01:11:39 What We Reading, What We Gonna Read01:22:04 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Johnny needs backup that there shouldn't be rule changes in sports or there should be. Andrew needs backup that there should be two categories of kids movies... Kids movies that are good for kids and kids movies that are made for adults that kids actually hate. Enjoy! Support the showRemember to sign up for the Patreon for Post-Show Banter! https://patreon.com/thecavalrypodcast?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink

This week's progress report highlights a tiny detail in Toy Story 5 that is a game changer for representation and the future of animation. We're also celebrating a major win for the LGBTQ community in Budapest that comes just in time for the end of Pride month. Plus, there is good news in the growing industry of accessible travel and an AI-created vaccine that could change how we protect ourselves from future pandemics. What Could Go Right? is produced by The Progress Network and Kaleidoscope. For transcripts, to join the newsletter, and for more information, visit: theprogressnetwork.org Subscribe to our (FREE) Substack newsletter: https://theprogressnetwork.org/newsletter/ Watch the podcast on YouTube: / theprogressnetwork Follow us on X, Instagram, Facebook, TikTok: @progressntwrk Follow Emma on Instagram: https://www.instagram.com/heyemmavarv/

This week, we're putting Toy Story 2 to the IQ Test to answer the ultimate question: Is it a Staple or a Quack? Along the way, we dive into the incredible true story of the woman who singlehandedly helped save Pixar's billion-dollar franchise from disaster, discuss why Toy Story 2 might actually be the best film in the entire series, and share everything we love about this Pixar classic. Plus, we're uncovering hidden Easter eggs, spilling Cheetos, exploring fan theories, revisiting some of the movie's most memorable moments, and even imagining what a Toy Story 2 theme park attraction could look like. So grab your Woody's Roundup gear and join us as we rewatch, review, and relive one of Pixar's greatest adventures. ------- Criteria: 0-6 Points = A Quack of a movie 7-9 Points = Staple of out childhood 10+ Points = STAPLIEST of the Staples Let us know what you think of the new format! ——— Apple Podcasts - https://podcasts.apple.com/us/podcast/inside-quotes/id1514975061 Spotify - https://open.spotify.com/show/0zbVsh3Lo2H6FeCNmZYINx?si=wDi-S32bR4ug2PEy29EelQ&nd=1 Instagram - https://www.instagram.com/insidequotescast?utm_medium=copy_link TikTok - https://www.tiktok.com/@insidequotescast?_t=zp-8veehloiroa&_r=1 Merch Store: https://www.teepublic.com/user/inside-quotes Show Artwork by @Groovybridge: https://www.instagram.com/groovybridge/ Questions, comments, or feedback? [Insidequotescast@gmail.com](mailto:Insidequotescast@gmail.com)  

This summer, Moving Panels is trying something new.Instead of discussing movies and TV shows directly adapted from comics, we're celebrating stories inspired by them — movies that capture the spirit of comic books without coming from the page.To kick things off, Laramy is joined by his daughters Ruby and Lily to discuss The Incredibles.Together they talk about why this Pixar classic may secretly be one of the greatest superhero movies ever made, the surprising connections to the Fantastic Four, favorite characters, memorable moments, and what makes this super-powered family story still resonate over twenty years later.Plus: powers we'd choose, Edna Mode appreciation, and the eternal question… saving the world or surviving family life?

Toy Story 5: Buzz vs Tech, New Buzz Army & Pixar's Biggest Challenge Yet | Your Nerd SideCore AngleToy Story 5 is about toys facing a new challenge: kids are growing up in a world filled with screens, tablets, and technology. The big question is whether classic toys can still matter when kids have so many digital distractions.Key Talking PointsWoody, Buzz, Jessie, and the toys return.The movie introduces a tech-related storyline involving a tablet-like character named Lilypad.There is also a major storyline involving 50 Buzz Lightyear figures.Pixar is leaning into the theme of toys versus technology.Jessie appears to have a bigger leadership role.The movie is aiming to connect with both kids and adults who grew up with Toy Story.Andrew Stanton is directing, which is important because he has deep Pixar history with Finding Nemo, WALL-E, and earlier Toy Story writing.Show AngleThis is a strong YNS topic because it works for:Pixar fansparentskidsnostalgia viewerstoy collectorsDisney fansOn this episode of Your Nerd Side, we break down what we know so far about Toy Story 5, including Buzz Lightyear's big new challenge, Jessie's role, the toys facing modern technology, new characters, and why Pixar is returning to one of its most beloved franchises. No major spoilers — just fun, family-friendly nerd talk.

Today's episode includes: •   Pixar released the teaser trailer of Gatto •   Warner Bros. released the 3rd trailer of The Cat in the Hat (2026) •   Disney+ released the trailer of The Doomies •   Disney released the final trailer of Moana (2026) •   Chris Sanders will direct the sequel of the Lilo & Stitch live-action remake

This week on Reel Talk, Jonathan and Honey head to the cinema to see Steven Spielberg's new alien blockbuster Disclosure Day, Jonathan takes a sneak peek at the highly anticipated Pixar animation Toy Story 5, and the two settle in to watch the new Netflix romcom Office Romance.In other news, the pair revisit the origin of 'freedom fries', Honey discloses "one of the most peculiar pieces of cinema" she's ever seen, and Jonathan has a thing or two to say about JLo and Mr. Bean's love affair.If you want to get involved in the show, follow us on Instagram at @reeltalkross.Listen and subscribe to Reel Talk wherever you get your podcasts.

Pixar's Gatto, Star Trek: Shadow Frontier, The Dog Stars, Jem and the Holograms, Last of Us, Widow's Bay, Dr Who, Get Jiro, Rebecca reviews Disclosure Days and Masters of the Universe, lots moredr

With the newest film in the franchise soon releasing, Tyler and Konnery've got a friend in them as they have animator and artist Maren Gainey join them to chat about the historically monumental animated film, "Toy Story"! Together they discuss the beginnings of Pixar, pitching, casting, and funding this first-of its-kind-movie, how it's gotten even funnier and heartfelt with age, misunderstood artists, strangely-animated dogs and so much more on this sad (no) strange (not really) little (it's almost 2 hours long!) episode of The Friendchise Podcast!   TikTok Threads Instagram What's New: Tyler: Master & Commander: The Far Side of the World Konnery: The Minecraft Movie (HBOMax) Maren: Obsession, Backrooms, Misery

Why do constraints so often lead to better results? In this conversation, Ravi chats with bestselling author David Epstein, who explains how limitations can spark creativity, improve focus, strengthen decision-making, and drive innovation across writing, business, sports, and technology. Drawing on stories from Haruki Murakami, David Chang, Pixar, Amazon, and NASA, David argues that success comes from balancing exploration with focused execution. The lesson is counterintuitive but powerful: having fewer options is often what unlocks our greatest potential. ––––– Leave us a voicemail with your thoughts on the show! 201-305-0084⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to our YouTube channel: https://www.youtube.com/@LostDebate Follow Ravi at @RaviMGupta Notes from this episode are also available on Substack: https://thelostdebate.substack.com/ Read more from Ravi on Substack: https://realravigupta.substack.com  Follow The Branch at @thebranchmedia Listen to more episodes of Lost Debate on Apple: https://podcasts.apple.com/us/podcast/the-lost-debate/id1591300785 Listen to more episodes of Lost Debate on Spotify: https://open.spotify.com/show/7xR9pch9DrQDiZfGB5oF0F Listen to Where the Schools Went: https://thebranchmedia.org/show/where-the-schools-went/ 

Support Dis After Dark on Patreon!Love the show and want even more magic in your ears? Join our Patreon community for just $2 a month and unlock exclusive perks: Weekly Mini-Episodes: Get a bite-sized, 10-to-15-minute bonus episode just like this one dropped straight into your feed every single week. Early Access: Skip the queue and listen to the main show before anyone else.How to JoinReady to support the chaos? Head over to ttps://www.patreon.com › afterdarkpodcastnetwork and sign up today. Your support helps us keep the lights on and the drinks flowing!

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers" on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the film's director, Daniel Chong and producer, Nicole Paradis Grindle, where we spoke about the movie's release on Disney+ and what they are hoping for it.  You can find "Hoppers" available to stream now on Disney+. Did you check out "Hoppers" on Disney+? Let me know on social media!

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers" on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the film's director, Daniel Chong and producer, Nicole Paradis Grindle, where we spoke about the movie's release on Disney+ and what they are hoping for it.  You can find "Hoppers" available to stream now on Disney+. Did you check out "Hoppers" on Disney+? Let me know on social media!

On episode 348 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Mark Johnson and Cody Dericks to give their thoughts on the latest film from director Steven Spielberg, Disclosure Day. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h07m. We will be back next week with a review of the latest film from Pixar, Toy Story 5. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers" on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the film's director, Daniel Chong and producer, Nicole Paradis Grindle, where we spoke about the movie's release on Disney+ and what they are hoping for it.  You can find "Hoppers" available to stream now on Disney+. Did you check out "Hoppers" on Disney+? Let me know on social media!

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers", on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the stars, Piper Curda and Bobby Moynihan, where we spoke about the movie's release on Disney+ and what they are hoping for it, plus their shocking reaction to finding out about their characters' avatars being available within Disney+. You can find "Hoppers" available to stream now on Disney+.    #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers", on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the stars, Piper Curda and Bobby Moynihan, where we spoke about the movie's release on Disney+ and what they are hoping for it, plus their shocking reaction to finding out about their characters' avatars being available within Disney+. You can find "Hoppers" available to stream now on Disney+.    #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

Max Pradera analiza cómo géneros mexicanos como el huapango y el son jarocho se han "infiltrado" en la música culta, el cine y el pop mundial. Detalla la influencia de estas raíces en hitos como West Side Story, las bandas sonoras de Ennio Morricone y el éxito de los Beatles "Twist and Shout", cuya base rítmica es una copia de "La Bamba". Desde las composiciones de Aaron Copland hasta el cine de Pixar, se revela una postal musical de Veracruz presente en la cultura universal.

Earlier this month, Disney released Pixar's latest animated movie, "Hoppers", on Disney+ around the world.  The movie  The wildly imaginative animated adventure follows animal lover Mabel as she uses a groundbreaking technology to "hop" her consciousness into a lifelike robotic beaver, uncovering a hidden animal world shaped by its own rules. Alongside charismatic beaver King George and an unforgettable community of local wildlife, Mabel embarks on an action-packed mission that invites audiences to experience nature like never before. Recently, I got to speak with the stars, Piper Curda and Bobby Moynihan, where we spoke about the movie's release on Disney+ and what they are hoping for it, plus their shocking reaction to finding out about their characters' avatars being available within Disney+. You can find "Hoppers" available to stream now on Disney+.    #DisneyPlus  VISIT ONLINE -  http://www.WhatsOnDisneyPlus.com If you enjoy my content, please consider supporting me by becoming a YouTube Channel Member for as little as $2 a month and get access to exclusive content and much more.  

PEOPLE THINK TOY STORY 4 IS TRASH?! Toy Story 4 Reaction — First Time Watching! Check out the DC Studios: Showcase Podcast HERE https://app.magellan.ai/listen_links/... Greg & Paige react to Toy Story 4 as we continue the Road to Toy Story 5, tackling the big question: is Toy Story 4 actually "trash"… or did Pixar prove everyone wrong?After the perfect ending of Toy Story 3, a lot of fans felt like Toy Story 4 didn't need to exist. But this full movie reaction completely won us over as we break down Woody's journey, Bo Peep's return, Forky's existential crisis, Gabby Gabby's surprising story, Buzz Lightyear, Duke Caboom, and one of the most debated endings in Pixar history.

Esta semana el chisme está cada vez más raro.Obsession se volvió un fenómeno de taquilla, pero ¿qué pasa cuando la película gana millones y el crew siente que no recibió lo justo?A eso se suma Scorsese, la inteligencia artificial y el Sindicato de Directores de Arte respondiendo con fuerza a la pregunta que cada vez pesa más en Hollywood: ¿la IA viene a ayudar al cine… o a reemplazar parte de lo que lo hacen los humanos?También hablamos de Gato, la película con la que Pixar parece estar cambiando su estilo visual, del regreso de 21 Jump Street, de la secuela de The Social Network sin David Fincher ni Jesse Eisenberg, y de los estrenos que llegan esta semana.Prepárense, porque el sábado arrancó fuerte y, Hollywood está entrando en una etapa rarísima.

Kristian Harloff breaks down the biggest movie news stories of the day, including glowing first reactions for Toy Story 5. Critics are calling Pixar's latest sequel "deeply profound," "moving," and a film that ranks alongside the original classic. Is Pixar about to deliver another all-time great animated movie? Kristian discusses the early buzz, audience expectations, and what this could mean for the franchise's future. Plus, major DC and franchise movie news as Wonder Woman writer Ana Nogueira lands a new Transformers project for Paramount while also sharing new details about her upcoming DCU Wonder Woman reboot. The show also covers George Miller's plans for more Mad Max films and TV projects, as well as new comments about a potential The Mask sequel featuring Jim Carrey. Stories For Today: Toy Story 5 First Reactions Praise Pixar's Sequel as a "Deeply Profound" and "Moving" Film Wonder Woman Writer Tapped By Paramount To Develop A New Transformers Movie George Miller Has Mad Max Film & TV Plans The Mask Director Chuck Russell Talks Possibility Of Sequel With Jim Carrey Wonder Woman: Ana Nogueira Confirms She's Writing Script For DCU Reboot; Explains Her Approach Today's show dives into the overwhelmingly positive first reactions to Toy Story 5 as Pixar appears poised for another major hit. Kristian also examines the growing influence of Ana Nogueira within both the DCU and Paramount's Transformers franchise, along with exciting updates for Mad Max fans and new hope for a long-awaited return of The Mask. If you're a fan of Pixar, Toy Story, Wonder Woman, Transformers, Mad Max, Jim Carrey, DC Studios, or the latest movie news, this episode is for you. #ToyStory5 #Pixar #WonderWoman #Transformers #MadMax #TheMask #JimCarrey #DCU #JamesGunn #MovieNews #KristianHarloffShow #Animation #Hollywood #ToyStory #DCStudios SPONSORS: KA'CHAVA: Go to https://kachava.com and use code KRISTIAN for 15% off your first order. CASHAPP: Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #CashAppPod Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Cash App Green features, Savings, Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures.

Drew Taylor is back from the Toy Story 5 Premiere and Jim Hill gets all the details! They talk about some highly anticipated projects like The Doomies heading to Disney Plus, some Treehouse of Horror-related theming coming to The Simpsons at Universal, and plenty of other animation they're looking forward to like Gatto from Pixar (with a teaser dropping pretty much right now!) NEWS • Toy Story 5 has it's premiere, and Drew was there to get the scoop • Ice Age Boiling Point is on it's way in February 2027 • Pixar's Gatto is coming shortly after in March 2027, with a teaser trailer dropping June 11th • Universal may be losing The Simpsons theme park rights, but they're planning some spooky changes in the coming years • Friend of the show Josh Gad karate kicked his way back into Book of Mormon after 14 years at the Tony's and as it turns out, he's still amazing FEATURE •Toy Story 5 had its premiere and Drew has now seen the film twice, so what's going on with all of the Buzz Lightyears? Jim and Drew talk about his reaction (without diving into spoilers) and some of the new tech Drew is hoping will make its way into a movie-accurate Buzz toy.  HOSTS • Jim Hill - X: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Drew Taylor - X: @DrewTailored | Instagram: @drewtailored | drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - StrongMindedAgency.com SPONSOR This episode is sponsored by UnlockedMagic.com, the go-to source for great deals on Disney and Universal theme park tickets. If a 2026 theme park vacation is on your radar, their team can help you save money while making the planning process easier. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Jim Hill Media Sponsorship Information Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our NEW RELEASE review podcast, ONE HOT TAKE.In an era where even very good Pixar films can feel overlooked, Hoppers deserves better. It's funny, warm, inventive and packed with heart. Synopsis:A 19-year-old animal lover uses technology to place her consciousness into a robotic beaver to uncover mysteries in the animal world beyond her imagination.DREW TAYLOR is a reporter for The Wrap. He has written for The New York Times, Vulture, Vanity Fair, The Playlist, and Collider. He also wrote The Art of Onward, which gives an inside look at the making of the 2020 Pixar film. The book is available to purchase here. He also co-hosts a weekly podcast about animation called Fine Tooning, which is available on all podcast platforms.Follow Drew:Twitter: @drewtailoredInstagram: @drewtailoredPodcast: Light the FuseOne Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Drew Taylor is back from the Toy Story 5 Premiere and Jim Hill gets all the details! They talk about some highly anticipated projects like The Doomies heading to Disney Plus, some Treehouse of Horror-related theming coming to The Simpsons at Universal, and plenty of other animation they're looking forward to like Gatto from Pixar (with a teaser dropping pretty much right now!) NEWS • Toy Story 5 has it's premiere, and Drew was there to get the scoop • Ice Age Boiling Point is on it's way in February 2027 • Pixar's Gatto is coming shortly after in March 2027, with a teaser trailer dropping June 11th • Universal may be losing The Simpsons theme park rights, but they're planning some spooky changes in the coming years • Friend of the show Josh Gad karate kicked his way back into Book of Mormon after 14 years at the Tony's and as it turns out, he's still amazing FEATURE •Toy Story 5 had its premiere and Drew has now seen the film twice, so what's going on with all of the Buzz Lightyears? Jim and Drew talk about his reaction (without diving into spoilers) and some of the new tech Drew is hoping will make its way into a movie-accurate Buzz toy.  HOSTS • Jim Hill - X: @JimHillMedia | Instagram: @JimHillMedia | jimhillmedia.com • Drew Taylor - X: @DrewTailored | Instagram: @drewtailored | drewtaylor.work FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - StrongMindedAgency.com SPONSOR This episode is sponsored by UnlockedMagic.com, the go-to source for great deals on Disney and Universal theme park tickets. If a 2026 theme park vacation is on your radar, their team can help you save money while making the planning process easier. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Jim Hill Media Sponsorship Information Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Behind The Geeks, we go behind the scenes of Disney and Pixar's Toy Story 5 with the filmmakers helping bring Woody, Buzz, Jessie, and the gang back to the big screen. We sit down with Director Andrew Stanton, Co-Director Kenna Harris, Producer Lindsey Collins, Production Designer Bob Pauley, and VFX Supervisor Thomas Jordan to discuss the film's themes, visual evolution, technological innovations, and the creative process behind one of animation's most beloved franchises. We also explore the toys that inspired their imaginations growing up, the role technology plays in children's lives today, and the invaluable lessons they've taken away from their time at Pixar. Disney & Pixar's Toy Story 5 opens exclusively in theatres June 19, 2026. Watch the full interview on YouTube Here Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Is “I Knew It, I Knew You” Taylor Swift's best movie song yet… or are we all just Pixar‑brained right now? In this week's Taylor Talk, we're ranking Taylor's soundtrack canon from “Safe & Sound” to “Carolina” to Toy Story 5, figuring out what actually makes a Swift song cinematic, and deciding where “I Knew It, I Knew You” lands on the Unhinged to EGOT clearing spectrum. Enjoy!Use our code for 10% off your next SeatGeek order*: https://seatgeek.onelink.me/RrnK/SNAKE10 Sponsored by SeatGeek. *Restrictions apply. Max $25 discount 

WBS: Happy Pride. #365 -- The gang is at it again. Brimstone is joined by his wing-man Alex DaPonte as they chat about the car humper from My Strange Addiction, and how he is now sleeping with a different vehicle, how a famous dog from social media was stolen, and then sold to a restaurant for meat. They chat about it being Pride Month, George Lucas' new museum opening in LA, and how the Mandolorian and Grogu was not too impressed. They discuss the Pride flag changing over the years, John Lithgow winning the Best Actor Award at 80 and how a huge overhaul is coming to Walt Disney's Carousel of Progress. Brim explains what gets Within Brim's Skin.

On this episode of The Movie Podcast, we head back to Pixar Animation Studios in Emeryville, California, to sit down with Tom Hanks and Tim Allen, the legendary actors behind Woody and Buzz Lightyear in Toy Story. We also speak with Co-Director Kenna Harris and returning friend of the show, Producer Lindsey Collins. The toys are back in Disney and Pixar's Toy Story 5, and this time it's toy meets tech. Woody, Buzz Lightyear, Jessie, and the rest of the gang have their roles challenged when they come face-to-face with Lilypad, a brand-new tablet device with her own disruptive ideas about what's best for their kid, Bonnie. Will playtime ever be the same? Toy Story 5 releases in theatres June 19, 2026. This episode of The Movie Podcast is brought to you by BenQ. Use our affiliate link to help support our show: ⁠⁠https://benqurl.biz/4eiSeMX⁠⁠ Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristian Harloff breaks down the biggest movie and entertainment news stories of the day! The surprise horror phenomenon Obsession has reclaimed the #1 spot at the domestic box office, while Masters of the Universe continues to struggle, falling all the way to fourth place. What does this mean for the future of major franchise filmmaking and the box office landscape heading into the fall season? Plus, the first reactions to Toy Story 5 are here, and critics are calling Pixar's latest sequel an emotional triumph that could become one of the studio's most beloved films. Kristian also discusses the newly released teaser for The Social Reckoning, the escalating battle between Paramount and Netflix over the proposed Warner Bros. Discovery deal, and a newly announced fan event for Spider-Man: Brand New Day. Topics Include: Obsession returns to #1 at the box office Masters of the Universe box office struggles Toy Story 5 first reactions and reviews The Social Reckoning teaser trailer discussion Paramount vs Netflix controversy explained Warner Bros. Discovery merger news Spider-Man: Brand New Day fan event details Stories For Today: Obsession Reclaims Domestic Box Office Top Spot As Masters Of The Universe Slips To No. 4 Toy Story 5 First Reactions: An Emotional Pixar Sequel That's "Perfect In Every Way" Teaser Trailer: The Social Reckoning Paramount Has Accused Netflix Of "Scorched-Earth Campaign" To Poison Regulators Against WBD Deal Spider-Man: Brand New Day Fan Event Set Today's show dives into the surprising box office shake-up as Obsession continues its incredible theatrical run, while Masters of the Universe faces a disappointing drop. Kristian also examines whether the overwhelmingly positive first reactions to Toy Story 5 signal another Pixar classic in the making. On top of that, there are major industry developments involving Netflix, Paramount, and Warner Bros. Discovery, along with new Spider-Man: Brand New Day news that Marvel fans won't want to miss. #ToyStory5 #SpiderManBrandNewDay #Marvel #MCU #Pixar #Obsession #MastersOfTheUniverse #HeMan #Netflix #Paramount #WarnerBrosDiscovery #MovieNews #KristianHarloffShow #BoxOffice #Disney #SpiderMan  SPONSORS: KA'CHAVA: Go to https://kachava.com and use code KRISTIAN for 15% off your first order. CASHAPP: Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #CashAppPod Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank, Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions for the Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Cash App Green features, Savings, Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit https://www.cash.app/legal/podcast for full disclosures.

The Worst It'll Ever Be: AI Apps in 20 Minutes, SpaceX's $1.8T IPO & Saylor's Head Fake — Bad Crypto Podcast #810 It's a bear market, so the bad boys of crypto are doing what builders do: SHIPPING. Bitcoin sits at $61,873, the altcoins are in the crapper, and Joel has officially divorced his bags. Travis explains why the 4-year cycle is alive and well — mapping this pullback exactly to previous cycles, with a projected bottom around mid-October. Then it goes full mad-scientist. Travis builds a viral-worthy "Culture Shock" site of World Cup visitors reviewing America in 20 minutes flat with Claude's new Fable model, then ships Viddl — a desktop app that downloads video from YouTube, X, TikTok, Instagram or LinkedIn with FFmpeg baked in. Joel premieres his AI-generated origin story film (1978, a food court paycheck, and a TRS-80 in a Radio Shack window) and announces his Acumen daily puzzle games are headed to the App Store. Plus: SpaceX IPOs as $SPCX at a $1.8 TRILLION valuation with ~$250B in demand, OpenAI and Anthropic file to go public, Michael Saylor's 32-BTC head fake, a trader who built his own exchange from a 42-page prompt, and the AI video tool stack the guys actually use (Kling, PAI, Higgsfield, Seedance & more). "The technology that we're using now to build stuff is the worst that it's going to be." — Joel ⏱ CHAPTERS0:00 Cold open & liftoff1:04 Episode 810 kicks off — semi-retired no more3:48 Bitcoin's 4-year cycle is mapping exactly4:45 Saylor's head fake: sells 32 BTC, buys 1,500 more6:40 Market check: BTC $61,873 & Joel divorces his altcoins7:49 The AI trading edge: OKX & the 42-page prompt exchange10:24 SpaceX IPO ($SPCX): $250B demand, $1.8T valuation11:27 Trillion-dollar AI: Anthropic & OpenAI file to go public15:48 Culture Shock: World Cup visitors review America19:09 Viddl: download any video, built in a morning23:06 Joel's AI origin story: 1978 & a TRS-8026:30 The AI video stack: Kling, PAI, Higgsfield, Seedance28:08 Acumen: 9 daily puzzle games headed to the App Store31:56 Travis's Pixar-style get-well video for his brother35:03 "The worst it's ever going to be" — why the opportunity is NOW37:18 The fine print

This episode is sponsored by Shopify - Go to http://shopify.com/SCB to sign up for your $1-per-month trial period.  A single chalkboard scene in Hoppers appears to reveal the origins of some of Pixar's most important technologies, including talking dog collars, WALL-E, MO, scream canisters, and possibly even the secret behind Cars itself. Today we're breaking down every clue, every Easter egg, and every connection to discover how Hoppers fits into the Pixar Theory timeline. #pixar #Hoppers #SuperCarlinBrothers

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment of Notorious Mass Effect, Analytic Dreamz delivers a complete breakdown of Taylor Swift's surprise involvement with Toy Story 5 and the film's star-studded June 9, 2026 Los Angeles premiere.Analytic Dreamz covers Swift's private arrival under heavy security, her backstage moments with Tom Hanks and the cast, and Hanks signing her original Toy Story VHS tape. The segment explores Swift's original closing song “I Knew It, I Knew You,” co-written with Jack Antonoff, its return to country roots, and how it was kept secret from the cast until hours before release.Discover the massive commercial success: the track became the biggest country song of 2026 in its first 24 hours, earned 100% Mediabase country radio adds, and is already generating Oscar buzz. Analytic Dreamz also examines the “Tay Story” fan theories, mysterious billboards, and how Swift's contribution perfectly captures Jessie's emotional arc.With full details on the premiere attendees, plot revelations, and Toy Story 5 release dates, this segment gives listeners everything they need to know about Taylor Swift's historic Pixar moment. Join Analytic Dreamz for an in-depth look at one of 2026's biggest pop-culture crossovers.Privacy & Opt-Out: https://redcircle.com/privacy

What if airports had self-driving mobility pods that could safely navigate through crowds, just like something out of The Jetsons? Or the Pixar movie Wall-E?In this episode, John Koetsier sits down with Matthew Anderson, CEO of A&K Robotics, to explore the future of autonomous mobility. A&K Robotics is building AI-powered self-driving pods designed to help people navigate airports independently without relying on wheelchairs or staff assistance.But the real breakthrough isn't just autonomy. It's crowd navigation. Matthew explains why navigating dense, unpredictable crowds is one of the hardest problems in robotics, and how A&K's “crowd-centric AI” could become foundational technology for airports, stadiums, smart cities, conferences, and even humanoid robots in the future.They also discuss:* Why airports are the perfect proving ground for robotics* The AI and sensor stack powering autonomous mobility* Directional sound systems inspired by The Sphere in Las Vegas* Scaling robotics startups from prototype to deployment* Raising an $8M Series A round* The personal story that inspired Matthew to build the company* Why the future of robotics depends on moving safely through human environmentsGuest:Matthew Anderson — CEO, A&K RoboticsCompany: A&K RoboticsIf you enjoy conversations about AI, robotics, startups, and the future of technology, subscribe for more interviews with founders and innovators shaping what's next.Subscribe here:https://techfirst.substack.com00:00 – Intro00:30 – Meet A&K Robotics and the Vision for Autonomous Airport Mobility01:20 – Why Crowd Navigation AI Is the Hardest Problem in Robotics02:40 – Navigating Dense Airport Crowds and Passenger Flow04:05 – Directional Sound and Designing a Better Airport Experience05:50 – Building an “iPhone Experience” for Mobility Robots06:30 – Sensors, LIDAR, and Operating Without GPS07:20 – Fleet Management and Autonomous Operations in Airports08:00 – Mapping Airports and Optimizing Routes Through Crowds09:00 – Scaling the Business and Solving Systems Integration10:00 – Charging, Docking Stations, and the Future Airport Network10:45 – Raising an $8 Million Series A Round11:20 – Customers: Vancouver International Airport and Aena12:10 – Building a Polished Robotics Platform on Seed Funding12:50 – Matthew Anderson's Background in Robotics and Drones14:00 – The Bigger Vision: Crowd Navigation for All Robots14:40 – The Personal Story Behind the Company Mission15:40 – Licensing Opportunities and the $5 Billion Airport Mobility Market16:45 – Hiring, Scaling the Team, and Expanding Production18:00 – Growing Up Hacking Robots and the AC/DC Story19:10 – Why Building Robots Is Fun — and Why Accounting Wasn't20:40 – Final Thoughts and the Future of Autonomous Mobility

https://triunfacontulibro.com/Hay un problema que casi ningún autor de no ficción quiere admitir. No es que su libro sea malo. Es que su libro se abandona. En la mesilla. En la app de lectura. En algún lugar entre el capítulo tres y el capítulo cinco, donde el lector dejó de sentir que necesitaba seguir. Y lo más frustrante es que el contenido era bueno. Las ideas eran sólidas. El autor sabía de lo que hablaba. Pero algo falló. Ese algo tiene nombre: las historias.  El error más caro de los libros de no ficción Cuando pensamos en storytelling, pensamos en novelas. En personajes ficticios. En tramas con giros inesperados. Y entonces los autores de no ficción desconectan. "Eso no es para mí. Yo escribo sobre liderazgo, sobre finanzas, sobre productividad." Error. De hecho, es precisamente en los libros de no ficción donde las historias hacen más falta. Porque sin ellas, el libro más riguroso del mundo se convierte en un manual. Y los manuales no se terminan. Se consultan. Si quieres que tu lector llegue a la última página, necesitas algo más que buen contenido. Necesitas que no pueda soltar el libro.  Lo que separa un libro que se termina de uno que se abandona No es la calidad de las ideas. Es cómo están contadas. Hay técnicas narrativas concretas — aplicables a cualquier tema, en cualquier capítulo — que cambian por completo la experiencia del lector. Técnicas que los mejores autores usan de forma casi invisible. Que el lector no detecta conscientemente, pero que siente en cada página. En este vídeo, Ana Nieto explica exactamente cuáles son y cómo aplicarlas en un libro de no ficción. Entre otras cosas, descubrirás: Por qué casi todos los autores tienen historias poderosas y no las reconocen como tales. Qué tienen en común Harry Potter, Cadena Perpetua y los mejores libros de ensayo que has leído. Qué hizo un vendedor de camisas en Tel Aviv para vender más que nadie — y qué tiene que ver eso con tu libro. Por qué Hemingway escribió el relato más devastador de la historia con solo seis palabras. Y qué significa realmente que Pixar tenga un único lema para crear historias que enganchan.  Una advertencia antes de ver el vídeo Si escribes no ficción y crees que las historias son "cosa de novelistas", este vídeo va a incomodarte un poco. Porque vas a darte cuenta de que llevas tiempo escribiendo con una mano atada a la espalda. La buena noticia es que tiene solución. Y es más sencilla de lo que parece. 

This week on the Mouse Minutes Podcast, Whitney + Jordan sink their teeth into one of the most talked about snacks at Walt Disney World: Jack-Jack's Num Num Cookie.Warm and packed with chocolate chips, this Pixar-inspired treat has developed a loyal following. But does this famous cookie live up to its reputation, or is it simply another overhyped theme park snack?Listen in as we share our experiences, final grades, and whether Jack-Jack's Num Num Cookie makes the grade on your next Disney vacation.Your ten minutes start… now!. . . Check out these other tasty Mouse Minutes snack-themed episodes:

Long before Steve Jobs was the unstoppable force of nature atop Apple, shipping hit product after hit product, he was practically run out of the company after a series of bad product and management decisions. But as Geoffrey Cain argues in his new book, Steve Jobs in Exile: The Untold Story of NeXT and the Remaking of an American Visionary, the 12 years Jobs spent outside of Apple turned him into the leader the world came to know. Cain joins the show to talk about Jobs' experiences at NeXT and Pixar, how Jobs learned to be a successful leader, and the true power — and danger — of the reality distortion field. Further reading: Steve Jobs in Exile Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. (Timestamps are approximate.) 00:01:30 Intro 00:01:56 90 Seconds on The Verge 00:03:46 Interview with Geoffrey Cain Learn more about your ad choices. Visit podcastchoices.com/adchoices

Beam and Austin Ward on a Tuesday night spectacular. Ohio State announces the start of Fall Camp. Birm joins the show to discuss the first day of the summer session. Austin's Question of the Day talks offensive line. Plus, what is the fallout of the Brendan Sorsby situation? Also, Rhymer has questionable Pixar takes

Jim Hill and Len Testa are joined by veteran Imagineer Jim Shull for a globe-trotting look at how Toy Story became one of Disney's most reusable theme park ideas. First, they cover the latest from Walt Disney World, Disneyland, Universal Orlando, and Disney Cruise Line, including Magic of Disney Animation details, Villains Land rumors, Oogie Boogie Bash logistics, and possible Universal expansion plans. Then Jim Shull shares how Toy Story Playland, Toy Story Hotel, and multiple international Pixar projects moved from clever pitch to built reality. Along the way, there is Godzilla, synergy, Stanley cups, and at least one very laminated airline milestone. NEWS • Bluey's Wild World shifts to standby as opening-day crowds settle down. • Victoria & Albert's retains its Michelin star, while Kappa at Four Seasons does not. • Disney reveals new activity areas for The Magic of Disney Animation at Hollywood Studios. • Jim, Len, and Jim Shull discuss the latest Villains Land rumors, including Maleficent, Hades, and possible dark ride concepts. • Universal updates include Universal United Kingdom Resort, Lost Continent demolition, Back to the Future speculation, and Epic Universe expansion pads. FEATURE • Jim Shull recalls seeing the original Toy Story before release at a SIGGRAPH screening in Los Angeles. • The team traces how Pixar's growing relationship with Disney led to Toy Story Playland in Paris and later Toy Story Lands in Hong Kong and Shanghai. • Shull explains the “Andy's backyard” conceit and how guests were meant to feel toy-sized inside the land. • The discussion turns to Toy Story Hotel in Shanghai and Tokyo, including how Pixar collaboration changed the way Disney handled character design. For this episode's full show notes, click here. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social, Instagram: @len.testa, Website: touringplans.com GUEST • Jim Shull - X/Twitter: @JimShull, YouTube: @jimhshull, Website: jimhshull.com FOLLOW • Jim Hill Media Podcast Network - Facebook: @JimHillMediaNews, YouTube: @jimhillmedia, TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR The Disney Dish News is sponsored by UnlockedMagic.com, from our friends at DVCRentalStore.com. Visit UnlockedMagic.com for discounts that make your next Disney trip cheaper than ever. EXCLUSIVE NordVPN Deal ➼ ⁠https://nordvpn.com/DISNEYDISH⁠ Try it risk-free now with a 30-day money-back guarantee If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Hill and Len Testa are joined by veteran Imagineer Jim Shull for a globe-trotting look at how Toy Story became one of Disney's most reusable theme park ideas. First, they cover the latest from Walt Disney World, Disneyland, Universal Orlando, and Disney Cruise Line, including Magic of Disney Animation details, Villains Land rumors, Oogie Boogie Bash logistics, and possible Universal expansion plans. Then Jim Shull shares how Toy Story Playland, Toy Story Hotel, and multiple international Pixar projects moved from clever pitch to built reality. Along the way, there is Godzilla, synergy, Stanley cups, and at least one very laminated airline milestone. NEWS • Bluey's Wild World shifts to standby as opening-day crowds settle down. • Victoria & Albert's retains its Michelin star, while Kappa at Four Seasons does not. • Disney reveals new activity areas for The Magic of Disney Animation at Hollywood Studios. • Jim, Len, and Jim Shull discuss the latest Villains Land rumors, including Maleficent, Hades, and possible dark ride concepts. • Universal updates include Universal United Kingdom Resort, Lost Continent demolition, Back to the Future speculation, and Epic Universe expansion pads. FEATURE • Jim Shull recalls seeing the original Toy Story before release at a SIGGRAPH screening in Los Angeles. • The team traces how Pixar's growing relationship with Disney led to Toy Story Playland in Paris and later Toy Story Lands in Hong Kong and Shanghai. • Shull explains the “Andy's backyard” conceit and how guests were meant to feel toy-sized inside the land. • The discussion turns to Toy Story Hotel in Shanghai and Tokyo, including how Pixar collaboration changed the way Disney handled character design. For this episode's full show notes, click here. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Len Testa - Bluesky: @lentesta.bsky.social, Instagram: @len.testa, Website: touringplans.com GUEST • Jim Shull - X/Twitter: @JimShull, YouTube: @jimhshull, Website: jimhshull.com FOLLOW • Jim Hill Media Podcast Network - Facebook: @JimHillMediaNews, YouTube: @jimhillmedia, TikTok: @jimhillmedia SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR The Disney Dish News is sponsored by UnlockedMagic.com, from our friends at DVCRentalStore.com. Visit UnlockedMagic.com for discounts that make your next Disney trip cheaper than ever. EXCLUSIVE NordVPN Deal ➼ ⁠https://nordvpn.com/DISNEYDISH⁠ Try it risk-free now with a 30-day money-back guarantee If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Have you ever lost the joy in your creative work — that sense of fun you had when you were starting out, before the admin and the algorithms drained it away? How do mid-career creatives get it back, and what can a four-year-old teach us about play? Austin Kleon talks about productive procrastination, silly rituals, the case for paper reference books in an AI world, and how his newsletter went from a marketing cost to the day job that keeps the lights on. In the intro, Does social media still sell books? [Self-Publishing with ALLi]; Trial by algorithm [The Bookseller]; Publishing's AI Hypocrisy Problem [The New Publishing Standard]; ALLi AI survey for authors; Brave New Bookshelf Podcast, and Pics from signing at BookVault. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why Austin wrote Don't Call It Art now, and what his kids taught him about creative joy Productive procrastination, silly rituals, and treating writing like Lego Comedy as a philosophical position, and giving yourself permission to be bad in private Sharing process in the algorithm era, and why your whole life is the process Bibliomancy, paper reference books, and what AI can't give you that a dictionary can Style, the Taco Bell distinctiveness rule, and how Austin's newsletter became his day job You can find Austin at AustinKleon.com. Transcript of the interview with Austin Kleon Jo: Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. So welcome back to the show, Austin. Austin: Thank you for having me back. It's nice to talk to you again. Jo: You were on the show in March 2020, and at the time, your book was Keep Going, which was prescient considering the pandemic and politics. So I wondered, why this book, Don't Call It Art, now? Was this something you see in the creative community or your own life that made you want to write this book? Austin: Keep Going is a book about what happens when the world goes crazy around you and you're still trying to do your creative work. This is a book about what happens when inside has bottomed out. Keep Going is a book about the world bottoming out, and you're worried that your own creative work is going to bottom out too. How do you keep pushing through and keep making stuff? This book, to me, is about what happens when you bottom out inside—when you've lost that love and feeling for the thing that you wanted to do, and you're just not connecting with it in the way that you used to or the way that you want to. How do you get back? How do you return to that sense of joy and wonder and fun that we have when we're starting out? And for me, it was being around my little kids that taught me how to tap into that. My kids were natural—they didn't have any creative hangups. I would spend all day talking to people who had creative hangups, and then I'd get back in the house, and I'd just be around these beings who didn't have any of them. It was really instructive. I felt like, if I could bottle the energy of my kids when they were about four years old and try to put it in a book, I think it could really help a lot of the people that I run into, and the people with the kinds of problems I hear from. Jo: You mentioned bottoming out. How do people know when they've hit that point? Austin: You just don't want to do it anymore. You're kind of like, “This just isn't giving me back what it used to.” When we start with our creative work, that's the thing that juices us. We come away from it feeling full up. I think you hit a certain point where you start to feel drained after it. Or maybe you don't feel drained by the thing itself that you're doing—maybe it's all the stuff around it, which is more often the case. For example, if you're a mid-career writer like me, who's been publishing books for 16 years now, I still really like writing. I still really like drawing. I still really like cutting and pasting and putting things together. It's the admin around the work—the emails, the meetings, the running-a-business part of it—that's super draining for me, and that stuff can start to bleed over into the creative work. So it's really important for me to make sure that I'm having some playtime, some R&D, some research and development time, to make sure it's not just all business. When you take the thing that you love and you turn it into the thing that you make a living from, you can really run into a lot of problems. Jo: I'm at 20 years, so I know exactly what you're saying, and a lot of listeners are the same. We love writing books, but it's all the stuff that goes around it. So for those of us who do this for money as well as passion, what are some practical ways to have more fun with our creativity? Austin: Something I learned from my kids is that you really are your most creative when you're supposed to be doing something else. So one of the things I use a lot in the studio is productive procrastination. Whatever I'm supposed to be working on, I start another little project, and that's my little naughty fun time. When I first come into the studio, I try to do something that I'm not supposed to be doing—something that I won't have much to show for. That could be making one of my blackout poems. That could be making a collage in my notebook. It could also be sitting here. I have a bass in the studio now, so I can practise my bass guitar. Sometimes I'll do that for the first 15 minutes just to get in that headspace of, “Hey, what's it like to do something just for yourself? Just because you want to do it?” The juice that you get from that little naughty “I'm going to do what I'm not supposed to be doing right now” thing, that carries into the rest of the day. It's like a nice start to things. Jo: Do you think that play could be something different to what we make our money with? For me, writing novels and stories is great fun in one way, but it's also what I then publish and make money on. So writing stories is more serious, I guess, than playing with Lego or something. Austin: Right. So the trick is, how can you make writing your stories like playing with Lego? That's kind of been my whole career. I hate staring at Microsoft Word and that blinking cursor, taunting you like, “Come on, what have you got?” A lot of my creative life has been about trying to make it more playful, trying to make it feel more like a game. That's how I came up with my blackout poems. I take an article from The New York Times and I black it out until it only has a few words left behind. It sort of looks like if the CIA did haiku, for some people listening. That was one little exercise. Then weirdly, that side thing that I thought was just play, just fun—that turned into my first book. So then it's, okay, what else can I mess around with and play with? I do a lot of collage work in the studio, and I rarely actually use that for any of the books. Sometimes I use it for my newsletter to illustrate the newsletter. But it's always about trying to figure out, how can I make writing a game? How can I make it more playful? There are different things that I do to make it feel more playful. One of them's really stupid. I really believe in silly rituals because I think silliness is really powerful. People talk about their daily rituals—Mason Currey has that great book, Daily Rituals: How Artists Work. When I was reading that book, I realised it was really the silly stuff that I really liked. There was, I think it was Balzac counting out coffee beans or something before he got to write. Or Steinbeck sharpening 12 pencils or something goofy like that. So one of the things I like to do before I write is that I have these cigarette pencils. They're pencils that look like cigarettes in the studio. I put one in my mouth before I start writing, and I pretend to be some old '40s writer on a typewriter. I like doing goofy stuff in the studio because I think when you do goofy stuff—stuff that you'd be embarrassed if anyone else saw it—it gets you in that playful state. Jo: It's interesting. In your book, you have a section that says, “Don't take things too seriously.” For many of us, we write memoir for example, and that is very close to us. It's like the deepest expression of what we want to say in the world. It feels very serious. So how can we hold things more lightly and not take things so seriously? Austin: For me, comedy is actually a philosophical position. What I mean by that is, I think a lot of people set out with a tragic model of creative work. They think, “Oh, I have this special gift,” or, “I have this thing that I really need to do, and I need to put it out into the world, and I need to make the world look more like I want it to look.” They have this idea that, “Through blood and sweat and tears, I'm going to see this thing through, and I'm going to push it into the world, and I'm going to have my way.” I think there's another way of working where it's more like, “I'm just a normal person trying to play with my environment, and take my experiences and put them into something interesting. So I'm going to play and use my wits, and we're going to see what we come up with.” Those really are two modes of life. The pandemic taught me that it was really when we were keeping our sense of humour, when we were having a laugh and keeping our egos in check around the house and just acknowledging how goofy we all were and how ridiculous the situation was, that seemed to be when we were really thriving. Versus, “Well, we're in this tough situation. We've got to make it into what we want it to be.” That felt really bad. But when we cruised along and we were just improvisational, when we went at things with a kind of lightness, that worked. There's a great Italo Calvino essay about lightness in Six Memos for the Next Millennium. Lightness is really underrated. Even when we're going about heavy work, having a sense of lightness and play with it just makes the work better. That's a philosophical position of mine. I aspire to comedy. I aspire to a comic outlook on life. I'm just a creature with a body who's going to die, and I'm fundamentally ridiculous. Life is pretty absurd. You just make the best of it. Jo: There's certainly some truth there. Staying on a similar theme, you have a chapter in the book on permission to be bad. Many of the listeners also have your book Show Your Work, and it shaped many of us into sharing our work in progress. It feels quite dangerous now, in a world where judgment is much louder than it maybe was when you wrote Show Your Work. So tell us a bit about permission to be bad versus should we keep some of this private? Austin: Permission to be bad is about the making part of things. It's the private part. It's permission to be bad when you're in private, when you're actually doing the work. Show Your Work is a book about what you do after you've done the work, or while you're doing the work. It was never about putting up a webcam and running a 24/7 feed. It was more like, hey, what are the ways that I can connect with the kind of audience I can build while I'm making the work itself? So the way I see permission to be bad is, you really have to give yourself permission when you're not sharing, when you're off screen, to really be as bad as you want to be. It doesn't necessarily mean quality-wise. I think it also means letting yourself write stuff that you would never say on social media. Letting yourself read stuff that you wouldn't admit you were reading on social media. Letting yourself listen to stuff. Letting yourself really be that unfiltered, unhinged, private person that you want to be. Then when it comes to sharing, you put some time in between that input time, that making time, and the sharing time, and then you share what you think is going to be useful or helpful or interesting to other people. Jo: I think you wrote that book before TikTok, and how fast people are moving. Do you think people need to slow down a bit in what they share, maybe? Austin: I don't know. I obviously had a lot more faith in social media back then. I use all the principles from Show Your Work in my newsletter. Newsletters are very much the new kind of great thing. They're doing a lot of the work that social media used to do, in that you're still able to have this direct connection with the people that you're trying to reach. The big problem with social media now is that it's all algorithmically tuned, where the people that are following you don't see the stuff that you're doing most of the time. What you have to do now, if you want the people who are following you to see your stuff on social media, is you have to make stuff that the algorithm likes. That's a whole different thing. As far as the Show Your Work principle—which is share your process as much as your product—that carries over to any platform. In my newsletter every Friday, I share a list of 10 things that were going on behind the scenes here. It might have been what I was watching on TV, what I listened to, a new pen I was trying out, or something like that. The Friday newsletter is almost always process stuff. When I talk about process, my definition is actually very broad. For a lot of people, it's drafting, editing, whatever. For me, the process is the whole life. The process is almost everything except the finished thing. A writer's life is 24/7. My friends who have real jobs really are like, “What do you do all day?” And I'm like, “Well, what do you mean?” They're like, “Well, I see you out on your bike ride.” I'm like, “Yes, when you see me out on a bike ride, I'm thinking through something half the time.” If I'm watching TV, I'm thinking, “Hey, would this be good in the newsletter?” I'm never off. My whole life—everything is copy, as Nora Ephron said. That's part of the job. It's very hard to turn off. So I see the whole life as process, and the question becomes, what little bits and pieces of that life and that process can you share with people while you're making the things that you hope to sell them later? Right now, I'm in a cycle where I'm selling this book, but all these people have showed up because I've shared my process every week for the past seven years since I put out a book. Jo: It's funny you say that. I was at the dentist yesterday, and— My dentist literally asked me, “So where do you get all your ideas?” This is a common question for all of us, right? And it just becomes so hard to explain that to people who don't walk around in the world just constantly getting ideas. Austin: I can't believe I'm going to tell this story. I was getting my vasectomy after my second kid, and I was talking to this doctor just before the operation. He said, “So what do you do for a living?” I said, “I'm a writer.” He said, “Oh, that must be cool. You get to use your brain.” And I said, “That's everything that you want your doctor to say.” I was going to say, “Please use your brain,” before he's about to cut into you. He said, “Oh, no, no. What I mean is, I know what I'm going to do every day for the next 10 years.” He knew exactly what his day was going to look like. He said, “You have to use your brain. You've got to figure out new stuff.” I was like, “Oh, that's really interesting.” That's the trade-off, right? He's got the job security. He knows what he's going to do. Every writer has a moment where they have to talk to a normal person about what you do. Jo: I was going to say, I'm married to one. Austin: Now, my wife, on the other hand, grew up the daughter of a writer, so she knows exactly what it's like. Nothing ever phases her. She's totally used to it. She's used to me staring off into space, completely checking out of a conversation. She's used to me using lines on her that I'm going to put in a piece later. She's used to the whole rigmarole. It's very handy. I've been very lucky in that sense. Jo: Coming back to the book, you talk about your use of bibliomancy for inspiration. Since we're talking about that, tell us about it. I think all the book people listening will be happy. Austin: I'm a person who still keeps a dictionary nearby—a paper dictionary. I keep a big old American Heritage. It's just a big, thick book. When I really don't have any ideas, I will turn at random to the dictionary, close my eyes, stick my finger down the page, open my eyes, and just see what I come up with. Sometimes just that act will give me an idea. I also do that with books. I'll go around the studio, pick up a book, flip to a random page, and just see what it says there, or read an old piece of marginalia that I've left in a book. I believe deeply in the power of bibliomancy, and I think it's a case for paper books. I'm one of those people that still really believes in reference books. I've started collecting more and more of them. I have an old, big dictionary that's always open on my desk, and I look up words. I learned from John McPhee, the writer, that you should look up words that you think you know. That was the first time I'd ever heard anyone say that. So I look up words that I think I know. Instead of reaching for a thesaurus when I need a different word, I actually just look up the definition of the word that I already have. That's another McPhee tip. The other thing that happened that I thought was really interesting is, I got a Roget's for the first time—a thesaurus. I don't think most people know what an actual thesaurus is. Most people think of a thesaurus as a synonym finder, and that's not actually what a thesaurus is at all. A thesaurus is more like an encyclopaedia, weirdly. You look up things based on big concepts, and then it gives you a bunch of words to look up later. It's a very strange thing. It's not what most people think it is. I have a couple of editions of Roget's in here. I like the really old Roget's from the 1900s because they actually have opposing ideas facing each other on the page. Do you have an old-school Roget's? Have you ever looked through one? Jo: I don't have one now, but I certainly grew up with them. I was literally just thinking, I wonder if there are ones for Americans and ones for British people, because so often we say different things and mean different things. I always hear Americans say, “Oh, that's a doozy,” or something, and it means the complete opposite thing here. Austin: Like if you say “fanny pack” over there. That means something very different than it means here, right? Chips or fries, that kind of stuff. So I wonder if there are different ones for different cultural references. Jo: I don't know. Austin: As people, with ChatGPT and all these LLMs and stuff, people are like, “Why would you ever pick up a paper reference book?” And I'm like, “I actually like the friction.” I like having to move in space and go over to my dictionary. I like flipping the pages. I like having to scan a page for the word I'm looking for, because— This marvellous thing happens when you're looking for the word, where you bump into all these other words. If you're a word nerd, you get to start thinking about the root of the word—oh, why is this word next to this word? Well, it's because they share the same root. Then you're going down all these fun rabbit holes. The thing that I'm trying to do as a writer and a creative person is, I'm trying to get to the thing that I didn't know I was looking for. The thing that people misunderstand about AI, I think personally, is that it's a great tool if you know what you're looking for. If you're like, “Find me this thing. I want exactly this. I want to see a picture of a dog wearing a king's costume,” or some crap like that, then it can spit that picture out for you. Or, “I want to know what happened on this day,” and whatever. It can do that. But that's not actually what I'm doing most of the time when I'm writing or making something. I start with an idea, but what really happens—the magic of writing and the magic of making stuff in general—is when you discover something that you didn't even know you were headed for. That's the real magic for me. Sometimes I have an idea and I want to articulate it for people, but more often than not, there's something that bothers me or something that I want to talk about, and I sit down and write, and I figure out what it is that I actually have to say and what I actually think. Every writer really knows this, and that's why the dictionary, stuff like that, those are ways of training you to get in that discovery mode. “Well, let me—oh, I bumped into this. I went looking for this one thing and then I ran into this other thing.” That's why I love the library. I don't know what system you use over there, but you look for one book in the Dewey Decimal System over here, and then, okay, here's all these other weird books next to it. Then you end up with three other books other than the one that you were looking for. That's the magic. To me, that's the magic of creative work, discovering what you didn't know you were looking for. That was particularly important for me when I was writing this book because we discovered that my wife has a condition called aphantasia. It's very rare in the population, about 2 to 3% of people. There's probably some people listening to this right now who are like, “What is this? Tell me.” Jo: Aphantasia actually more common in the creative industries. Austin: Yes. What it is, is that you don't see—when I say close your eyes and picture an apple, you don't actually see the apple in your head. You can think about an apple and the qualities of an apple, but you don't actually see it. Some people, and it's a matter of degree—some people like me, I can close my eyes, I can tell you what the apple looks like, I can tell you what colour it is, I can tell you where the shading is. Someone like my wife doesn't see the apple. She can tell you what an apple is. It's really interesting because she has a degree in architecture, which is known as a very visual field. But the thing you discover about aphantasia is, it doesn't keep people from becoming artists. In fact, it's the opposite. Someone like Ed Catmull, who co-founded Pixar, writes about it in his book, and so many of the great animators at Pixar are actually aphantasics. The reason is that they learned that they had to draw in order to see things. When you don't have a picture in your head of what you want something to look like, things appear in the drawing, and you find things that you couldn't even picture. A lot of writers actually are aphantasics. John Green discovered recently that he has aphantasia. It turns out that it's a superpower for writers, because if you don't have a picture in your head, then you don't have to translate that picture into words. A lot of writers talk about thinking in radio, like they have a constant narrator. My wife—she's probably going to kill me for talking about her this much—when she describes it to me, she's like, “Oh, it's like a radio in my head. I'm constantly hearing a voice, and it's a narrator.” I was like, “Holy shit, that would be really helpful to me.” I don't have anything like that in my head. I read Mrs Dalloway for the first time, and I gave it to her and I said, “You've got to read this book. I think this must be what it's like in your head.” And she said, “Oh my God, it is.” Part of the thing that I took away from that experience—this is a long-winded way of getting here—is that I take a lot of inspiration from people with this condition. Most of the people I know in the arts or the creative fields, they set out with this grand vision, and then they start working on the thing and it's nothing like what they had in their head, and they get really depressed: “This isn't what I had in mind.” Whereas if you set out without a picture in your head, and you just start manipulating things and you see what appears, that's more of the comic mode I was talking about earlier. What would happen if we just sat down with our materials and we started playing and we saw what appeared on the page? What if we started typing and saw what appeared, and then we played with that? That's the kind of joy. That's more like how kids operate. Kids are better at that. They're better at reacting to what's actually in front of them, instead of having these grandiose visions about what they're trying to achieve. Jo: Just coming back on the longevity of a creative career. Your books are very distinctive. You have a very distinctive visual style, your handwriting and the way the books are done. I wondered if another part of the ennui, perhaps, or the draining of the later career is that we get trapped into doing something that feels like it looks the same. Or we have a voice, and we're happy in that voice, but sometimes we want to do something completely different. For authors, we have different names. I write under two different names, and that helps. But equally— How do you define author voice, and do you ever feel like doing something completely different to your normal style? Austin: Style, in a lot of ways, is self-plagiarism. Style is the repeated things that we notice in people's work. Hitchcock talked about this in films. Wes Anderson is someone like that—Wes Anderson has a style. I'm sure that he gets really sick of it too sometimes, but you also can't help it in some ways. I thought a lot about this because people worry about style so much. A lot of the time, what we call style is what Adrian Tomine one time said: “Style is just the distance between what's in my head and what comes out of my hand.” I really like that definition. With this book, I was trying to think, “Okay, if I do another book in this series, how can I push things a little bit?” And then I was reading this article about Taco Bell. You guys have Taco Bell over there, don't you? Do you have Taco Bell? Jo: No. Austin: So Taco Bell, for people who don't know, is this American Mexican chain, and they have tacos and burritos and stuff like that. They're well known for making these really insane… it's so American, this company. They make a taco with a Doritos as a shell. Doritos are crisps, I guess. Jo: Yes, we have Doritos. Austin: Okay. I spent time in England, I just don't remember if I ate Doritos when I was in England. Anyway, I was reading this article about Taco Bell. It was really funny. They have an innovation kitchen at Taco Bell, and they have a rule about new products. The rule is called the distinctiveness rule, and the rule is: you can change the flavour or you can change the taste, or you can change the form, but you can't change both at the same time. I got really obsessed with this concept because I thought, “Well, this could be kind of interesting.” If you're someone who's had success and you're known for something, this presents an interesting thing. You could do a complete break and do something completely new, or you could try the distinctiveness rule. Okay, well, what if I play with this idea of taste versus form? What if I change the taste and keep the form? So the idea for Don't Call It Art was, what if I do another one of these books, but the taste is more like if my kids made it? It had the texture of kids' art, it had lots of scribbles in it, it was loose and messy. That was kind of the idea. The actual book ended up being more like the other books. It ended up looking like an Austin Kleon book, because I just can't help that. The thing you said about having multiple names that you write under, that's kind of what I do with the newsletter. I think of the newsletter as very different from the books. The newsletter is this twice-weekly thing where I can be a little bit more of myself. In the books, I'm this very helpful, happy version of myself. It's me, but it's me on my best day. I'm really helpful and interesting for you. The newsletter is still a highlight reel in a sense, but it's a little bit more of my weird everything-I'm-into. It's more of the unclipped version of me. The newsletter becomes a place where I can do a lot of the weird stuff that's much different from the books. I have these little projects going all the time. Sometimes I'll make a bunch of prints and put them online. Sometimes I'll make a bunch of zines on a topic I haven't covered in the book. Sometimes I'll do a mixtape. As someone who's interested in a lot of different forms and genres and just different modes of output, having something like a newsletter has been really creatively fruitful for me. It's kept me from getting too bottomed out with the books because the books do a certain thing for the reader, and as much as I'd love to do a book that was radically different, I also think I've been given a real gift with the form of my books, in that I kind of own the way that they feel and look. There aren't a lot of books that look like those books and feel like those books, and so I like playing with that form. It would be hard to get rid of it now. The pseudonym for me is kind of like the newsletter in a sense. The newsletter is a little bit more of where I get to be wild and wacky. Then the books are a little bit more of a chiselled thing. Jo: The books are perfect examples of the form, as you say, but it's interesting about the newsletter. You mentioned at the beginning that we can be drained by the admin around the work. For many people listening, a newsletter becomes admin. So how does the newsletter fit into your business? The books are traditionally published, they're very professional. How do you have your independent side, and how does all of that work together in your business? Austin: Thank you for asking that question. I run the whole show at the newsletter. The newsletter is just me, and then my wife edits it, and no one else is involved. I don't have an assistant. I don't have a team. It is just me, and that's why I love it. I control everything. I pick who gets in there. I pick everything. I love that. I grew up watching David Letterman over here, and Letterman had a nightly show, and I always thought that was killer. I thought, “Man, what a fun job. You have a show every night where you have a new guest, and you have all these wacky things going on.” It was like a variety show. I always thought that would be really fun, so the newsletter is my version of that. I started the newsletter in 2013, and it was just a Friday newsletter. It quickly became a list of 10 things I thought were worth sharing. I had a friend, Hugh MacLeod, who was like, “Hey, I have a newsletter. It's bigger than any conference you've ever gone to.” He was talking about South by Southwest here in Austin. He's like, “I have a newsletter now, and it's bigger than South by Southwest.” Jo: Oh, I remember him. Austin: He would say, “Every time I have a new print, I put it out, and there's a button, and then they buy it.” He was like, “You've got to get it. This newsletter thing is killer.” This was in 2011 or something. Jo: Yes, I still have his books. Blogging in Your Underwear or something. Austin: Totally. So Hugh's a whole different story, but I was just like, “Oh, I should really get a newsletter.” Letterman always had a top 10 list on his show. I just always thought a 10 list was really fun. And of course the books are lists of 10 too. So it just worked to have a weekly list of 10. It felt good, and it felt like an infinitely repeatable format. What I'm looking for as a creative person is an infinitely repeatable format that can go on and on and on and be new every time. So the list of 10 is something that people know the form of. It goes back to the Taco Bell thing. They know the form, but they're not sure what's going to go inside. They know it's going to be a burrito, but they don't know what's going to be in the burrito, and that's the exciting part. The newsletter, business-wise, was always a marketing cost for about the first eight years of its existence. I paid MailChimp to send it out. Then in about 2021, when I hadn't done a book for a while, my agent said, “You know, you should really think about doing a paid tier of your newsletter.” And this is to his credit, because he doesn't make anything off the newsletter. He said, “There's this thing called Substack now that makes that really easy.” So we moved to Substack in 2021 in October, and I started doing a Tuesday edition of the newsletter that was just for paid people. That grew enough that it's gone from a marketing cost to something that's almost—it's not quite as much as I make on my books, but it's close. And to be candid, my books sell pretty well. So suddenly the newsletter has become this really healthy income stream. The newsletter to me is actually the day job now. The newsletter is what really keeps the lights on. It's also the perfect mix. It's the day job, it's the thing that keeps income coming in on a regular basis, but it's also the thing I like to do the most. I'm not like a traditional writer who likes to just get lost in their book and take years and years and go away. I'm someone who loves to be doing a lot of different things. The newsletter is a perfect format for me. I'm talking myself into not quitting, actually. It's funny. It's gone from this thing that was a marketing cost to now it's a significant part of our income. That journey—such a bad word, journey—that trip has been very interesting. It's been really cool. But I'm also just lucky. I've been really lucky, and I think part of my thing is, I'm always just trying not to squander my luck. Jo: Well, the book is fantastic, and I know people are going to love it. And the newsletter, of course. So tell us— Where can people find you and your books and newsletter online? Austin: The easiest thing to do is to just go to AustinKleon.com, and that has links to everything—the books, the newsletter. I do actually keep an old-school blog still. I'm one of the few people that still maintains their blog and keeps it up to date. I'm hedging my bets because I think in the end everything will come back to a self-hosted website. I think in the end everyone's going to just go back to their little websites, or at least I hope so. Jo: Well, that was great, Austin. Thanks so much. Austin: Oh, thank you. The post Don't Call It Art: Rediscovering Creative Joy With Austin Kleon first appeared on The Creative Penn.

In the special segment "Today I Learned," Laura and Shanna discuss the fascinating or unusual things they have learned about recently, including the story of how a mom on maternity leave saved a major motion picture and a disturbing phenomenon involving a beloved children's toy. Also, Shanna navigates her daughter's last-minute wardrobe crisis, and Laura spends Mother's Day doing exactly what she wanted. Finally, the moms share their BFPs and BFNs for the week, including events that provided some big laughs. Shanna's kids are 7 and 10 years old, and Laura's kids are 7 years old and 5 years old.Topics discussed in this episode:• Planning a Mother's Day outing with your kids• Validating your child's feelings vs. gaslighting them into positivity• Reclaiming hobbies after having kids• How a mom saved Toy Story 2• Why your Owala (and other plastic items) may be melting• Surprising your partner: tips for keeping a secret in the age of smartphones• The Netflix Is a Joke Festival: a good excuse to see live comedy in LAProducts, links, resources mentioned in this episode:• The Next Web article: "How Pixar's Toy Story 2 was deleted twice, once by technology and again for its own good"• Reddit post about melting plastic Owala water bottle• Sad Doll Disease - article in New Scientist• Owala water bottle• The Handsome Podcast• The Wiltern• Largo at the Coronet• Flight of the Conchords• Netflix Is a Joke FestivalConnect with Us:• Become a Patreon member to access ad-free episodes, bonus content, live hangouts and more! patreon.com/bfppodcast• Follow us on social: Instagram, TikTok or Facebook at @bfppodcast• Join our Facebook community group for support and camaraderie on your parenting journey.• Visit our website: bigfatpositivepodcast.com• Email us: contact@bigfatpositivepodcast.com• Send us a voice message: speakpipe.com/bfppodcastIf you enjoyed this episode, help spread the word by sharing the show or leaving a review. Thank you!Big Fat Positive: A Pregnancy and Parenting Journey is produced by Laura Birek, Shanna Micko and Steve Yager. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this Showdown episode, Conor and Caroline are taking in the sights of two of Pixar's most iconic locales: Monstropolis and Radiator Springs. Is the cozy, metropolitan aesthetic of 2001's Monsters, Inc. enough to overcome Monstropolis's lack of work/life balance? Is the charm of the forgotten town of Radiator Springs in 2006's Cars enough to make it worthy of a pit stop? Start your engines and hang on to your doors because this road trip is going to be a scream!Follow us on Facebook, Instagram, Threads, BlueSky, and TikTok for fun content and exciting new updates!Subscribe to our YouTube Channel to watch the podcast!Dive deeper into the podcast by becoming a subscriber on our Poor Unfortunate Patreon for ad-free listening, exclusive bonus episodes, and more!Join the Poor Unfortunate Fam, our private community for listeners who love the podcast and want to connect to keep the discussions going! On Discord  |  On FacebookIf you like what you're hearing, help us keep bringing you your favorite Disney content by making a donation to Poor Unfortunate Podcast today!*This podcast is not affiliated with The Walt Disney Company.