Podcasts about Hong Kong

Shan Ng follows acclaimed Hong Kong and Taiwan cinematographer Kwan Pun Leung as he creates a new music video, Fragile Love. Known for his work on landmark films including In the Mood for Love and 2046, Kwan has built a reputation for crafting deeply poetic and emotionally resonant images. Across a career spanning decades, Kwan has developed a distinctive creative philosophy that places intuition and responsiveness at the centre of cinematography. Rather than focusing solely on the technical, he views film-making as a collaborative process with actors, directors and the natural environment. Light, movement and atmosphere are not simply tools but his partners in shaping meaning. For him, cinematography is not simply about capturing reality, but allowing unexpected moments to shape the emotional language of the frame.

Stijn Schmitz welcomes back Adrian Day to the show. Adrian Day is the CEO of Adrian Day Asset Management and Manager of the EuroPacific Gold Fund. The discussion centers on the current state of gold, silver, and global commodities markets, with Day providing deep insights into current investment trends and opportunities. Day remains bullish on gold, citing historical market cycles and key buyers like central banks and Tether. He notes that central banks are actively diversifying away from the US dollar due to concerns about government profligacy and potential asset weaponization. The trend of dollar reserve reduction has been ongoing for years, accelerated by events like the confiscation of Russian central bank assets. Regarding silver, Day sees potential but with more risks compared to gold. He highlights a genuine physical deficit in the silver market and increasing demand from sectors like solar panel manufacturing. However, he cautions that high prices might incentivize manufacturers to seek more efficient alternatives. In the broader commodity complex, Day finds significant value opportunities. He points out that commodities are trading near 100-year lows relative to financial assets, with underinvestment in sectors like oil, gas, and copper creating potential for price appreciation. He emphasizes the long lead times for new commodity projects and the challenges of rapidly increasing production. Day’s investment approach focuses on global markets, with a current preference for reducing US exposure and exploring opportunities in markets like Britain, Singapore, and Hong Kong. He remains particularly interested in gold mining stocks, especially mid-tier producers in stable jurisdictions. Timestamps: 00:00:00 – Introduction 00:00:50 – Bullish Case for Gold 00:01:58 – Gold Market Cycles 00:04:04 – Central Bank Buying Reasons 00:10:27 – Tether Gold Stablecoin 00:14:10 – Dollar Reserve Decline 00:18:08 – Gold Settlement Potential 00:22:33 – Silver Market Insights 00:30:20 – Commodity Value Opportunities 00:38:20 – Gold Mining Investments 00:45:24 – Other Commodities Analysis 00:50:53 – Oil and Gas Plays 00:53:52 – Concluding Thoughts Guest Links: Website: https://adrianday.com/ Adrian Day is considered a pioneer in promoting the benefits of global investing in the United Kingdom. A native of London, after graduating with honors from the London School of Economics, Mr. Day spent many years as a financial investment writer, where he gained a large following for his expertise in searching out unusual investment opportunities around the world. He has also authored two books on the subject of global investing: International Investment Opportunities: How and Where to Invest Overseas Successfully and Investing Without Borders. His latest book, widely praised by readers, is Investing in Resources: How to Profit from the Outsized Potential and Avoid the Risks (Wiley, 2010). Mr. Day is a recognized authority in both global and resource investing. He is frequently interviewed by the press, domestically and abroad. He is a popular speaker and is frequently invited to lecture at financial conferences and seminars around the world. His pleasures include fine dining, reading (especially history), and the opera.

In this CA, Jesse covers two major Virginia murder cases: first, the sentencing of the Banfield au pair, who received the maximum 10 years for her role in the staged home invasion that killed Christine Banfield and Joseph Ryan, and then a disturbing new case out of Norfolk, where Lina Maria Guerra was found dead in her apartment freezer after her Navy reservist husband allegedly fled to Hong Kong and fabricated a story about her imprisonment, triggering an international manhunt with potential extradition and national security complications.Current Affairs is Love Murder's shorter show about the cases of love gone fatally wrong that are in the news right now.Sources:https://en.wikipedia.org/wiki/Murders_of_Christine_Banfield_and_Joseph_Ryanhttps://abc7chicago.com/post/lina-guerra-case-us-navy-husband-david-varela-flew-hong-kong-missing-wife-was-found-kitchen-freezer-norfolk-virginia/18616404/https://www.fox5dc.com/news/navy-reservist-accused-murdering-wife-believed-have-fled-hong-konghttps://www.wtkr.com/investigations/international-manhunt-underway-for-norfolk-man-accused-of-killing-wife-hiding-body-in-freezerhttps://gtvnewshd.com/world/2026/02/18/virginia-woman-lina-guerra-found-dead-in-freezer-husband-david-varela-flees-to-hong-kong/Find LOVE MURDER online:Website: lovemurder.loveInstagram: @lovemurderpodTwitter: @lovemurderpodFacebook: LoveMrdrPodTikTok: @LoveMurderPodPatreon: /LoveMurderPodCredits: Love Murder is hosted by Jessie Pray and Andie Cassette, researched by Sarah Lynn Robinson and researched and written by Jessie Pray, produced by Nathaniel Whittemore and edited by Kyle Barbour-HoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When pro-democracy protesters marched in the streets in Hong Kong in 2019, China responded by arresting thousands, including the leaders of the movement. One of the arrested was Jimmy Lai, who had used his newspaper to campaign for democracy. This month, he received a 20-year jail sentence. In an interview, Michael Barbaro speaks to Mr. Lai's son, Sebastien Lai, about the sentence, what it means for the pro-democracy movement and where Hong Kong may go from here. Guest: Sebastien Lai, a democracy activist and the son of the pro-democracy media entrepreneur Jimmy Lai. Background reading: A Hong Kong court sentenced Jimmy Lai to 20 years in prison. The sentence for the media mogul shows how Hong Kong enforces Xi Jinping's red lines with a new severity. Listen to our interview with Jimmy Lai from 2020. Photo: Andrew Testa for The New York Times For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to Channel Nine. This week Chico Brenes sits in with us to talk about the new Antihero video "Dumpster Dive" featuring Finn Pope, Gus Gordon & Crew, the downtime video out of Portland, Budget Or Buttery, The Retail Report featuring 8Five2 shop in Hong Kong and much more! Become a Channel Member & Receive Perks: https://www.youtube.com/TheNineClub/join New Merch: https://thenineclub.com Sponsored By: AG1: Get a FREE Welcome Kit worth $76 when you subscribe, including 5 AG1Travel Packs, a shaker, canister, scoop & bottle of AG Vitamin D3+K2. https://drinkag1.com/nineclubLMNT: Grab a free Sample Pack with 8 flavors when you buy any drink mix or Sparkling. https://drinklmnt.com/nineclubWoodward: Purchase camp with code NINECLUB and receive a $150 discount off of summer camp. https://www.woodwardpa.comMonster Energy: Monster Energy's got the punch you need to stay focused and fired up. https://www.monsterenergy.comYeti: Built for the wild, Yeti keeps you ready for any adventure. https://www.yeti.comRichardson: Custom headwear for teams, brands, and businesses crafted with quality in every stitch. https://richardsonsports.comEtnies: Get 20% off your purchase using our code NINECLUB or use our custom link. https://etnies.com/NINECLUBéS Footwear: Get 20% off your purchase using our code NINECLUB or use our custom link. https://esskateboarding.com/NINECLUBEmerica: Get 20% off your purchase using our code NINECLUB or use our custom link. https://emerica.com/NINECLUB Find The Nine Club: Website: https://thenineclub.com Instagram: https://www.instagram.com/thenineclub X: https://www.twitter.com/thenineclub Facebook: https://www.facebook.com/thenineclub Discord: https://discord.gg/thenineclub Twitch: https://www.twitch.tv/nineclub Nine Club Clips: https://www.youtube.com/nineclubclips More Nine Club: https://www.youtube.com/morenineclub I'm Glad I'm Not Me: https://www.youtube.com/chrisroberts Chris Roberts: https://linktr.ee/Chrisroberts Links We Talked About: Antihero: Dumpster Dive | Finn Pope, Gus Gordon & Crew: https://youtu.be/BVEMwYhCnmY?si=Dd7cug4ggNYcWx9w downtime: https://youtu.be/IfqTLkHDgMs Chico Brenes Instagram: https://www.instagram.com/chicobrenes Chico Stix: https://www.chicostix.com 8Five2 Website: https://shop.8five2.com 8Five2 Instagram: https://instagram.com/8five2shop Timestamps (00:00:00) Channel Nine (00:00:20) Chico Brenes is in the Building! (00:06:00) Chico Stixx Preview (00:14:00) Bed Time! Legendary tour stories from Chris and Chico (00:17:00) Chico Brenes sponsor me tape (00:32:00) The Retail Report: 8Five2 Shop in Hong Kong (00:55:00) Downtime video review (01:04:00) Budget or Buttery (01:12:00) Anti Hero "Dumpster Dive" review (01:22:00) Thank you Chico! Learn more about your ad choices. Visit megaphone.fm/adchoices

Kraken's Mark Greenberg joins CoinDesk Live to announce a $20 billion milestone in tokenized equity volume and explain how xStocks is dismantling the traditional brokerage model through 24/7 fractional trading. Mark Greenberg, Kraken's VP of xStocks and Global Head of Consumer, joins CoinDesk Live at Consensus Hong Kong to announce a $20 billion milestone in tokenized equity volume. He explains how xStocks is dismantling the traditional brokerage model by allowing users to buy fractional shares of Tesla and the S&P 500 directly within everyday apps. Greenberg discusses the 24/7 trading advantage, the roadmap for adding Hong Kong stocks, and why tokenized equities are becoming the preferred asset class for retail investors across Asia. - This episode was hosted live by Jennifer Sanasie and Dave Lavalle at Consensus Hong Kong 2026, presented by Hex Trust.

A terrified teenager walks into a Hong Kong police station claiming her nightmares are haunted by a murdered woman who won't let her rest. Moments later, she admits she helped dispose of the body—and can lead detectives straight to what's hidden inside a Hello Kitty doll. Huge thanks to our sponsors for making this episode possible: Acorns: Sign up now and Acorns will boost your new account with a $5 bonus investment. Head to⁠⁠ ⁠acorns.com/crimehub⁠⁠⁠ or download the Acorns app to get started. Shopify: Sign up for your $1 per month trial today at shopify.com/crimehub Writer: Mike Colucci * * * CONTENT DISCLAIMER: This episode contains explicit content intended for mature audiences. Parental guidance is advised for children under the age of 18. Listen at your own discretion. #truecrime #truecrimestories #truecrimepodcast #crimehub  Learn more about your ad choices. Visit megaphone.fm/adchoices

Kraken's Mark Greenberg joins CoinDesk Live to announce a $20 billion milestone in tokenized equity volume and explain how xStocks is dismantling the traditional brokerage model through 24/7 fractional trading. Mark Greenberg, Kraken's VP of xStocks and Global Head of Consumer, joins CoinDesk Live at Consensus Hong Kong to announce a $20 billion milestone in tokenized equity volume. He explains how xStocks is dismantling the traditional brokerage model by allowing users to buy fractional shares of Tesla and the S&P 500 directly within everyday apps. Greenberg discusses the 24/7 trading advantage, the roadmap for adding Hong Kong stocks, and why tokenized equities are becoming the preferred asset class for retail investors across Asia. - This episode was hosted live by Jennifer Sanasie and Dave Lavalle at Consensus Hong Kong 2026, presented by Hex Trust.

I am Rolf Claessen and together with my co-host Ken Suzan I welcome you to Episode 172 of our podcast IP Fridays. Today's interview guests are Co-Founder & CEO of Inception Point AI, Jeanine Whright, and Mark Stignani, who is Partner & Chair of Analytics Practice at Barnes & Thornburg LLP. https://www.linkedin.com/in/jeaninepercivalwright https://www.linkedin.com/in/markstignani Inception Point AI But before the interview I have news for you: The Unified Patent Court (UPC) ruled on Feb 19, 2026, that specialized insurance can cover security for legal costs. This is vital for firms, as it eases litigation financing and lowers financial hurdles for patent lawsuits by removing the need for high liquid assets to enforce rights at the UPC. On Feb 12, 2026, the WIPO Coordination Committee nominated Daren Tang for a second six-year term as Director General. Tang continues modernizing the global IP system, focusing on SMEs, women, and digital transformation. His confirmation in April is considered certain. An AAFA study from Feb 4 reveals 41% of tested fakes (clothing/shoes) failed safety standards. Many contained toxic chemicals like phthalates, BPA, or lead. The study highlights that counterfeiters increasingly use Meta platforms to sell unsafe imitations directly to consumers. China's CNIPA 2026 report announced a crackdown on bad-faith patent and trademark filings. Beyond better examination quality, the agency will sanction shady IP firms and stop strategies violating “good faith” to make China’s IP system more ethical and innovation-friendly. Now, let's hear the interview with Jeanine Whright and Mark Stignani! How AI Is Rewiring Media & Entertainment: Key Takeaways from Ken Suzan's Conversation with Jeanine Wright and Mark Stignani In this IP Fridays interview, Ken Suzan speaks with two repeat guests who look at the same phenomenon from two angles: Jeanine Wright, Co-Founder & CEO of Inception Point AI, as a builder of AI-native entertainment, and Mark Stignani, Partner and Chair of the Analytics Practice at Barnes & Thornburg LLP, as a lawyer advising clients who are trying to use AI without stepping into a legal (or ethical) crater. What emerges is a clear picture: generative AI is not just “another tool.” It is rapidly becoming the default infrastructure for creative work—while the rules around ownership, consent, and accountability lag behind. 1) What “AI-generated personalities” really are (and why that matters) Jeanine's company is not primarily “cloning” real people. Instead, Inception Point AI creates original, fictional personalities—characters with backstories, ambitions, and evolving arcs—then deploys them into the world as podcast hosts and content creators (and eventually actors and musicians). Her key point: the creative work still starts with humans. Writers and creators define the concept, tone, audience, and story engine. What AI changes is speed, cost, and iteration—and therefore what is economically feasible to produce. 2) The “generative content pipeline” isn't a magic button A recurring misconception Ken raises is the idea that someone “pushes a button” and content pops out. Jeanine explains that real production looks more like a hybrid studio: A creative team defines character, voice, format, and storyline. A technical team builds what she calls an “AI orchestration layer” that combines multiple models and tools. The “stack” differs by format: the workflow for a long-form audio drama is different from a short-form beauty clip. This matters because it reframes AI content not as a single output, but as a pipeline decision: which tools, which data sources, which QA, and which governance steps are used—and where human review happens. 3) The biggest legal questions: origin, liability, ownership, and contracts Mark doesn't name a single “top issue.” He describes a cluster of problems that repeatedly show up in client conversations: Training data and “origin story” Clients keep asking: Can I legally use AI output if the tool was trained on copyrighted works? Even if the output looks new, the unease is about whether the tool's capabilities are built on unlicensed inputs. Liability for unintended harm Mark flags risk from AI content that inadvertently infringes, defames, or carries bias. The legal exposure may not match the creator's intent. Ownership and protectability He points to a big gap: many jurisdictions are still reluctant to grant classic IP rights (copyright or patent-style protection) to purely AI-generated material. That creates uncertainty around whether businesses can truly “own” what they produce. Old contracts weren't written for AI A final, practical point: many agreements—talent contracts, author clauses, data licenses—predate generative AI and simply don't address it. That leads to disputes about scope, permissions, and—crucially—indemnities. 4) Are we at a tipping point? The “gold rush” vs. “next creative era” views Jeanine frames AI as “the world's most powerful creative tool”—comparable to previous step-changes like animation, special effects, and CGI. For her, the strategic implication is simple: creators who learn to use AI well will expand what they can build and test, faster than ever. Mark's metaphor is more cautionary: he calls the moment a “gold rush” where technology is sprinting ahead of law. Courts are getting flooded with foundational disputes, while legislation is fragmented—he notes that states may move faster than federal frameworks, and that labor agreements (e.g., union protections) will be a key pressure point. 5) Democratization: more creators, more niche content, more experimentation One of the most concrete themes is access. Jeanine argues AI will: Lower production barriers for independent filmmakers and storytellers. Reduce the need for “hit-making only” economics that dominate Hollywood. Make micro-audience content commercially viable. Her example is intentionally niche: highly localized, specialized content (like a “pollen report” for many markets) that would never have made financial sense before can now exist—and thrive—because the production cost drops and personalization scales. 6) Likeness, consent, and “digital performers”: what happens when AI resembles a real actor? Ken pushes into a sensitive area: what if someone generates a performance that closely resembles a living actor without consent? Mark outlines the current (imperfect) toolbox—because, as he emphasizes, most laws weren't built for this scenario. He points to practical claims that may come into play in the U.S., such as rights of publicity and false endorsement-type theories, and notes that whether something is parody or “too close” can become a major fault line. Jeanine explains her company's operational approach: They focus on original personalities, designed “from scratch.” They build internal checks to avoid misappropriating known names, likenesses, or recognizable identities. If they ever work with real people, the model would be licensing their likeness/voice. A subtle but important business point also appears here: Jeanine expects AI-native characters themselves to become licensable assets—meaning the entertainment economy may expand to include “celebrity rights” for fully synthetic personalities. 7) Ethics: the real line is “deception,” not “AI vs. human” The ethical core of the conversation is not “AI is bad” or “AI is good.” It's how AI is used—especially whether audiences are misled. Mark highlights several ethical risks: Misuse of tools to manipulate faces and content (“AI slop” and political misuse). Displacement of creative workers without adequate transition support. A concern that AI often optimizes toward “statistical averages,” potentially flattening originality. Jeanine agrees ethics must be designed into the system. She describes regular discussions with an ethicist and emphasizes a principle: transparency. Her company discloses when content or personalities are AI-generated. She argues that if people understand what they're engaging with and choose it knowingly, the ethical problem shifts from “AI exists” to “Are we tricking people?” Mark adds a real-world warning: deepfakes are now credible enough to enable serious fraud—he references a case-like scenario where a synthetic video meeting deceived an employee into authorizing a payment. The point is clear: authenticity and verification are no longer optional. 8) The “dead actor” hypothetical: legal permission vs. moral intent Ken raises a provocative scenario: an actor's estate authorizes an AI-generated new performance, but the actor opposed such technology while alive. Neither guest offers a simplistic answer. Jeanine suggests that even if the estate holds legal rights, a company might choose to avoid such content out of respect and because the ethical “overhang” could damage the storytelling outcome. She also notes the harder question: people who died before today's capabilities may never have been able to meaningfully consent to what AI can now do—raising questions about how we interpret legacy intent. Mark underscores the practical contract problem: many rights are drafted “in perpetuity,” but that doesn't automatically settle the ethical question. 9) Five-year forecast: “AI everywhere,” but audiences may stratify Ken closes with a prediction question: in five years, how much entertainment content will significantly involve AI—and will audiences care? Jeanine predicts AI becomes the default creative layer for most content creation. Mark is slightly more conservative on the percentage, but adds an important nuance: the market will likely stratify. Low-cost, high-volume content may become saturated with AI, while premium segments may emphasize “human-made” as a differentiator—especially if disclosure norms become standard. Bottom line for business leaders and creators This interview lands on a pragmatic conclusion: AI will change how content is made at scale, and the competitive edge will go to teams that combine creative taste, operational discipline, and legal/ethical governance. If you're building, commissioning, or distributing content, the questions you can't dodge anymore are: What's the provenance of the tools and data you rely on? Who is responsible when output harms, infringes, or misleads? What rights can you actually claim in AI-assisted work? Do your contracts and disclosures match the new reality? Ken Suzan: Thank you, Rolf. We have two returning guests to the IP Friday’s podcast. Joining me today is Janine Wright and Mark Stignani. Our topic for discussion, how is AI transforming the media and entertainment industries today? We look at the issues from differing perspectives. A bit about our guests, Janine Wright is a seasoned board member, CEO, global COO and CFO. She’s led organizations from startup to a $475 million plus revenue subsidiary of a public company. She excels in growth strategy, adopting innovative technologies, scaling operations and financial management. Janine is a media and entertainment attorney and trial litigator turned technologist and qualified financial expert. She is the co-founder and CEO of Inception Point AI, a growing company that is paving new ground with AI-generated personalities and content through developing technology and story. Mark Stignani is a partner with Barnes & Thornburg LLP and is based in Minneapolis, Minnesota. He is the chair of the data analytics department with a particular emphasis on artificial intelligence, machine learning, cryptocurrency and ESG. Mark combines the power of artificial intelligence and machine learning with his skills as a corporate and IP counsel to deliver unparalleled insights and strategies to his clients. Welcome, Janine and Mark to the IP Friday’s podcast. Jeanine Whright: Thank you. Thank you. Thank you so much for having me and fun to be back. It feels nostalgic to be here. Ken Suzan: That’s right. And you both were on the program. So it’s fantastic that you’re both back again. So our format, I’m going to ask a question to Janine and or Mark and sometimes to both of you. So that’s going to be how we proceed. Let’s jump right in. Janine, your company creates AI-generated actors. For listeners who may not be familiar, can you briefly explain what that means and what’s now possible that wasn’t even two years ago? Jeanine Whright: Sure. Yeah, we are creating AI-generated personalities. So new characters, new personalities from scratch. We design who these personalities are and will be, how they will evolve. So we give them complex backstories. We give them hopes and dreams and aspirations. We every aspect of them, their families, how they’re going to evolve. And in the same way that, say, you know, Disney designs the character for its next animated feature or, you know, an electronic arts designs a character for its next major video game. We are doing that for these personalities and then we are launching them into the world as podcast hosts, content creators on social platforms like YouTube, Instagram and TikTok. And even in the future, you know, actors in feature length films, musicians, etc. Ken Suzan: Very fascinating. Mark, from your practice, what’s the single biggest legal question or dispute you’re seeing clients wrestle with when it comes to AI and media creation? Mark Stignani: Well, I think that, you know, it’s not just one thing, it’s like four things. But most of them tend to be kind of the origin story of AI data or AI tools that they use because, you know, but for the use of AI tools trained on copyrighted materials, the tools wouldn’t really exist in their current form. So a lot of my clients are wondering about, you know, can I legally use this output if it’s built upon somebody else’s IP? The second ask, the second flavor of that is really, is there liability being created if I take AI content that inadvertently infringes or defames or biases there? So there’s the whole notion of training bias from the training materials that comes out. The third phase is really, you know, can I really own this? Because much of the world does not really give IP rights into AI-generated inventions, copyrighted materials. It’s still kind of a big razor. Then at the end of the day, you know, if it’s an existing relationship, does my contract even contemplate this? So everything from authors contracts on up to just use of data rights that predate AI. Ken Suzan: And Janine and Mark, a question to both of you. How would you describe where we are right now in the AI revolution in media and entertainment? Are we approaching a tipping point? And if so, what are the things we need to watch for? Jeanine Whright: Yeah, I definitely think that we’re at a phase where people are starting to come to the realization that AI is the world’s most powerful creative tool. But that, you know, storytelling and point of view is what creates demand and audiences. And AI doesn’t threaten or change that. But it does mean that as people evolve in this medium, they’re very likely going to need to adopt, utilize and figure out how to hone their craft with these AI-generated content and these AI-generated toolings. So this is, you know, something that people have done certainly in the past in all sorts of ways in using new tools. And we’ve seen that make a significant change in the industry. So you look at, you know, the dawn of animation as a medium. You look at use of special effects, computer-generated imagery in the likes of Pixar. And this is certainly the next phase of that evolution. But because of the power of the tool and what will become the ubiquity of the tool, I think that it’s pretty revolutionary and all the more necessary for people to figure out how to embrace this as part of their creative process. Ken Suzan: Thank you, Janine. Mark, your thoughts? Mark Stignani: Yeah, I mean, I liken this to historically to like the California gold rush right now, because, you know, the technology is so far outpaced in any of the legal frameworks that are available. And so we’re just trying to shoehorn things in left and right here. So, I mean, the courts are beginning to start to engage with the foundational questions. I don’t think they’re quite there yet. I just noticed Anthropic got sued again by another group of people, big music group, because of the downloaded works they’ve done. I mean, so the courts are, you know, the courts are certainly inundated with, you know, too many of these foundational questions. Legislatively, hard to tell. I mean, federal law, the federal government is not moving uniformly on this other than to let the gold rush continue without much check and balance to it. Whereas states are now probably moving a lot faster. Colorado, Illinois, even Minnesota is attempting to craft legislation and limitations on what you can do with content and where to go with it. So, I mean, the things we need to watch for any of the fair use decisions coming out here, you know, some of the SAG-AFTRA contract clauses. And, you know, again, the federal government, I just, you know, I got a big shrug going as to what they’re actually going to come up with here in the next 90 to 100 days. So, but, you know, I think they’ll be forced into doing something sooner than later. Ken Suzan: Okay, let’s jump into the topic of the rise of generative content pipelines. My first question to Janine. Studios and production companies are now building what some call generative content pipelines. This is where AI systems produce everything from scripts to visual effects to voice performances. What efficiencies and creative possibilities does this unlock for the industry? Jeanine Whright: Yeah, so this is quite a bit of what we do. And if I could help pull the curtain back and explain a little bit. Ken Suzan: That’d be great. Jeanine Whright: Yeah, there’s this assumption that, you know, somebody is just sitting behind a machine pushing a button and an out pops, you know, what it is that we’re producing. There’s actually quite a bit of humans still in the loop in the process. You know, we have my team as creators. The other half of my team is the technologists. And those creators are working largely at what we describe as the the tip of the sphere. So they’re, of course, coming up with the concepts of who are these personalities? What are these personalities, characters, backgrounds going to be a lot of like rich personality development? And then they’re creating like what are the formats? What are the kind of story arcs? What is the kinds of content that this this character wants to tell? And what are the audiences they’re desiring to reach and what’s most going to resonate with them? And then what we built internally is what we refer to as an AI orchestration layer. So that allows us to pull from basically all of the different models and then all of these different really cool AI tools. And put those together in such a way and combine those in such a way that we can have the kind of output that our creative team envisions for what they want it to be. And at the end of the day, what you what the stack looks like for, say, a long form audio drama, like the combination of LLMs that we’re going to use in different parts of scripting and production and, you know, ideating and all of that. And the kinds of tooling that we use to actually make it and get it to sound good and have the kinds of personality characteristics that we want to be in an authentic voice for a podcast is going to be different than the tech stack and the tool stack that we might use for a short form Instagram beauty tip reel. And so there’s a lot of art in being able to pull all of these tools together to get them to do exactly what you want them to do. But I think the second part of your question is just as interesting as the first. I mean, what is what possibilities is this unlocking? So of course you’re finding efficiencies in the creative production process. You can move faster. You can do things were less expensive, perhaps, and you were able to do it before. But on the creator side, I think one thing that hasn’t been talked about enough is how it is really like blown wide the aperture of what creators can do and can envision. Traditionally, you know, Hollywood podcasting, many of these businesses that become big businesses have become hit making businesses where they need to focus on a very narrow of wide gen pop content that they think is going to get tens of millions, hundreds of millions in, you know, fans and dollars in revenue for every piece of content that they make. So the problem with that is, is that it really narrows the kinds of things that ultimately get made, which is why you see things happening in Hollywood, like the Blacklist, which is, you know, this famous list of really exceptional content that remains unpredited, unproduced, or why you see things like, you know, 70 to 80% of the top 100 movies being based on pre-existing IP, right? Because these are such huge bets that you need to feel very confident that you’re going to be able to get big, big audiences and big, big dollars from it. But with AI, and really lowering the barrier to entry, lowering the costs of production and marketing, the experimentation that you can do is really, really phenomenal. So, you know, my creative team, if they have an idea, they make it, you know, they don’t have to wring their hands through like a green lighting process of, you know, should we, shouldn’t we, like we, we can make an experiment with lots of different things, we can do various different versions of something. We can see what would this look like if I placed it in the 1800s, or what if I gave this character an Australian accent, and it’s just the power of being able to have this creative partner that can ideate with you and experiment with you at rocket speed. With the creators that are embracing it, you can see how it is really fun for them to be able to have this wide of a range of possibility. Ken Suzan: Mark, when you hear about these generative pipelines, what are the immediate red flags or concerns that come to mind from a legal standpoint? How about ethics underlying all of this? Well, Mark Stignani: that was not, that’s the number one red flag because I mean, we are seeing not just that in the entertainment industry, but it literally at political levels, and the kind of the phrase, to turn the phrase AI slop being generated, we’re seeing, you know, people’s facial expressions altered. In some cases, we’re seeing AI tools being misused to exploit various groups of individuals and genders and age groups. So I mean, there’s a whole lot of things ethically that people are using AI for that just don’t quite cover it. Especially in the entertainment industry, I mean, we’re looking at a fair amount of displacement of human workers without adequate transition support, devaluation of the creative labor. I mean, the thing though that I’m always from a technical standpoint is AI is simply a statistical average of most everything. So it kind of devalues the benefit of having a human creator, a human contribution to it. That’s the ethical side. But on the legal side, I see chain of title issues. I mean, because these are built on very questionable IP ownership stages, I mean, in most of these tools, there has been some large copying, training and taking of copyrighted materials. Is it transformational? Maybe. But there’s certainly not a chain of title, nor is there permission granted for that training. I mentioned SAG-AFTRA earlier, I think there’s a potential set of union contract aspects to this that if you know many of these agreements and use sub-licenses for authors and actor agreements, they weren’t written with AI in mind. So that’s another red flag. And also I just think in indemnification. So if we ultimately get to a point where groups are liable for using content without previous license, then who’s liable? Is the tool maker the liable group or the actual end user? So those are probably my top four red flags. But I think ethics is probably my biggest place because just because we can do something from an ethical standpoint doesn’t mean we should. Jeanine Wright: Yeah, if I can respond to both of those points. I mean, one from a legal perspective, just to be very clear, I mean, we are always pulling from multiple different models and always pulling from multiple different sources. And we even have data sources that we license or use for single source of truth on certain pieces of information. So we’re always pulling things together from multiple different sources. We also have built into our process, you know, internal QAing and checking to make sure that we’re not misappropriating the name or likeness of any existing known personality or character. We are creating original personalities there. We design their voice from scratch. We design their look from scratch. So we’re not on our personality side, we’re not pulling or even taking inspiration from existing intellectual property that’s already out there in creating these personalities. On the ethical side, I agree. I mean, when we came out of stealth, we came out of stealth in September. There was certainly quite a bit of backlash from folks in my—I previously co-founded a company in the audio space. I mean, there’s been many rounds of layoffs in audio and in many other parts of the entertainment industry. So I’m very sensitive to the feedback around, like, is this job displacement? I mean, I do think that the CEO of NVIDIA said it right when he said, you’re likely not going to lose your job to AI, but you will lose your job to somebody who knows how to use AI. I think these tools are transforming the way that content is made and that the faster that people can embrace this tooling, the more likely they’re going to be having the kinds of roles that they want in, you know, in content creation and storytelling in the future. And we are hiring. I’m hiring AI video creators, AI audio creators. I’m hiring AI developers. So people who are looking for those roles, I mean, please reach out to me, we would love to work with you and we’d love to grow with you. We also take the ethics very seriously. For the last few months or so, I’ve met regularly with an ethicist, we talk about all sorts of issues around, you know, is designing AI-generated people, you know, good for humanity? And what about authenticity and transparency and deception, and how are we in building in this space going to avoid some of the problems that we’ve seen with things like social media and other forms of technology? So we keep that very top of mind and we try to build on our own internal values-based system and, you know, continue to elevate and include the humanity as part of the conversation. Ken Suzan: Thank you, Janine. Janine, some argue that AI content pipelines will level the field for filmmaking, giving independent creators access to tools that were once available only to major studios. Is that the future you envision? Jeanine Wright: I do think that with AI you will see an incredible democratization of access to technology and access to these capabilities. So I do think, you know, rise of independent filmmakers, you won’t have as many people who are sitting on a brilliant idea for the next fantastic script or movie that just cannot get it made because they will be able to with these tools, get something made and out there, at least to get the attention of somebody who could then decide that they want to invest in it at a studio kind of level in the future. The other thing that I think is really interesting is that I think, you know, AI will empower more niche content and more creators who can thrive in micro-communities. So it used to be because of this hit generation business model, everything needed to be made for the masses and a lot of content for niche audiences and micro-communities was neglected because there was just no way to make that content commercially viable. But now, if you can leverage AI—we make a pollen report podcast in 300 markets, you know, nobody would have ever made that before, but it is very valuable information, a very valuable piece of content for people who really care about the pollen in their local community. So there’s all sorts of ways that being able to leverage AI is making it more accessible both to the creator and to the audience that is looking for content that truly resonates with them. Ken Suzan: Mark, let’s talk about the legal landscape right now. If someone creates an AI-generated performance that closely resembles a living actor without their consent, what legal recourse does that actor have? Mark Stignani: Well, I mean, I think we can go back to the OpenAI Scarlett Johansson thing where, you know, if it’s simply—well, the “walks like a duck, quacks like a duck” type of aspect there. You know, I think it’s pretty straightforward that they need to walk it back. I mean, the US doesn’t have moral rights, really, but there’s a public visage right, if you will. And so, one of the things that I find predominantly useful here is that these actors likely have rights of publicity there, we probably have a Lanham Act false endorsement claim, and you know, again, if the performance is not parody, and it’s so close to the original performance, we probably have a copyright discussion. But again, all of these laws predate the use of AI, so we’re going to probably see new sets of law. I mean, we’re probably going to see “resurrection” frameworks, we’ll probably have frameworks for synthetic actors and likenesses, but the rules just aren’t there yet. So, unfortunately, your question is largely predictive versus well-settled at this point. Ken Suzan: Janine, your company works with AI actors. How do you navigate the questions of consent and likeness compensation when creating digital performers? Jeanine Wright: I mean, if we—so first of all, if we were to work with a person who is an existing real-life person or was an existing real-life person, then we would work with them to license their name and likeness or their voice or whatever aspects of it we were going to use in creating content in partnership with them. Not typically our business model; we are, as I said, designing all of our personalities from scratch and making all of our content originally. So, we’ve not had to do that historically. Now, you know, the flip side is: can I license my characters as if they’re similar to living characters? Like will I be able to license the name and likeness and voice of my AI-generated personalities? I think the answer is yes and we’re already starting to do that. Ken Suzan: Let’s just switch gears into ethics and AI because I find this to be a really fascinating issue. I want to look at a hypothetical. And this is to both of you, Janine and Mark: an AI system creates a new performance by a beloved actor who passed away decades ago, and the actor’s estate authorizes it, but the actor was known to have expressed opposition to such technology during their lifetime. Is this ethical? Jeanine Wright: This feels like a Gifts, Wills, and Trusts exam question. Ken Suzan: It sounds like it, that’s right. Jeanine Wright: Throwing me back to my law school days. Exactly. What are your thoughts? It’d be interesting to see like who has the rights there. I mean, I think if you have the legal rights, the question is around, you know, is it ethical to go against what you knew was somebody’s wishes at the time? I guess the honest answer is I don’t know. It would depend a lot on the circumstances of the case. I mean, if we were faced with a situation like that where there was a discrepancy, we would probably move away from doing that content out of respect for the deceased and out of a feeling that, you know, if this person felt strongly against it, then it would be less likely that you could make that storytelling exceptional in some way—it would color it in a way that you wouldn’t want in the outcome. And I feel like there’s—I mean, certainly going forward and it’s already happening—there are plenty of people I think who have name, likeness, and voice rights that they are ready to license that wouldn’t have this overhang. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I mean, again, I have to kind of go back to our property law—the Rule Against Perpetuities. You know, from a property standpoint to AI rights and likenesses—since most of the digital replica contracts that I’ve reviewed generally do talk about things in perpetuity. But if it’s not written down for that actor and the estate is doing this—is it ethical? You know, that is the debate. Jeanine Wright: Well, gold star to you, Mark, for bringing up the Rule Against Perpetuities. There’s another one that I haven’t heard for many years. This is really taking me back to my law school days. Ken Suzan: It’s a throwback. Jeanine Wright: The other thing that’s really interesting is that this technology is really so revolutionary and new that it’s hard to even contemplate now what it is going to be in a decade, much less for people who have passed away to have contemplated what the potential for it could be today. So you could have somebody who is, perhaps, a deceased musician who expressed concerns about digital representations of themselves or digital music while they were alive. But now, the possibility is that you could recreate—certainly I could use my technology to recreate—that musician from scratch in a very detailed way, trained on tons of different available data. Not just like a digital twin or a moving image of them, but to really rebuild their personality from scratch, so that they and their music could be reintroduced to totally new generations in a very respectful and authentic way to them. It’s hard to know, with the understanding that that is possible, whether or not somebody who is deceased today would or would not agree to something like that. I mean, many of them might want, under those circumstances, for their music to live on. These deceased actors and musicians could live forever with the power of AI technology. Mark Stignani: Yeah, I really just kind of go to the whole—is deep-faking a famous actor the best way to preserve them or keep them live? Again, that’s a bit more of an ethical question because the deep fakes are getting good enough right now to create huge problems. Even zoom meetings in Hong Kong where a CFO was on a call with five synthetic actors who all looked like his coworkers and they sent a big check out based upon that. So again, the technology is getting good enough to fool people. Jeanine Wright: I think that’s right, Mark, but I guess I would just highlight the same way that it always has been: the ethical line isn’t AI versus human, the ethical line is about deception. Like, are you deceiving people? And if people know what it is that they’re getting and they’re choosing to engage with it, then I think it isn’t about the power of the technology. In our business, we have elected—not everybody has—but we have elected to be AI transparent. So we tell people when they listen to our show, we include it in our show notes, we include it on our socials. Even when we’re designing our characters to be very photo-realistic, we make an extra point to make sure that people know that this is AI-generated content or an AI personality. Like, our intention is not to deceive and to be candid. From a business model perspective, we don’t need to. I mean, there’s already people who know and understand that it is AI, and AI is different than people. Because it is AI, there’s all sorts of things that you can do with it that you would not be able to do with a real person. You know, we get people who ask us on the podcast side, we get all sorts of crazy funny requests. You know, people who say, “Can I text with this personality? Can I talk to them on the phone? Can they help me cook in the kitchen? Can they sing me Happy Birthday? Can they show up at my Zoom meeting today because I think my boss would love it?” You know, all sorts of different ways that people are wanting to engage with these characters. And now we’re in the process of rolling out real-time personalities so people will be able to engage with our personalities live. It is a totally different way that people are able to engage with content, and people can, as they choose, decide what kind of content they want to engage with. Ken Suzan: Jeanine and Mark, we’re coming to the end of this podcast. I would love to keep talking for hours but we have to stay to our timetable here. Last question: five years from now, what percentage of entertainment content do you predict will involve significant AI generation, and will audiences care about that percentage? Jeanine? Jeanine Wright: I mean, I would say 99.9%. I mean, already you’re seeing—I think YouTube did a survey—that it was like 90% of its top creators said that they’re using AI as material components of their content creation process. So, I think this will be the default way that content is created. And content that is not made with AI, you know, there’ll be special film festivals for non-AI generated content, and that will be a special separate thing than the thing that everybody is doing now. Ken Suzan: Mark, your thoughts? Mark Stignani: Yeah, I go a little lower. I mean, I think Jeanine is right that we’re seeing, especially in the low-quality content creation and like the YouTube shorts and things like that, you know, there’s so much AI being pushed forward that the FTC even acquired an “AI slop” title to it. I do think that disclosure will become normalized, that the industries will be pushed to say when something is AI and what is not. And I think it’s very much like, you know, do you care about quality or not? If you value the human input or the human factor in this, there will be an upper tier where it’s “AI-free” or low AI assistant. I think that it’s going to stratify because the stuff coming through the social media platforms right now—I can’t be on it right now just because there’s so much nonsense. Even my children, who are without much AI training at all, find it just too unbelievable for them. So, I think it will become normalized, but I think that we’re going to see a bunch of tiers. Ken Suzan: Well, Jeanine and Mark, this has been a fantastic discussion of an ever-evolving field in IP law. Thank you to both of you for spending time with us today on the IP Friday’s podcast. Jeanine Wright: Thank you so much for having me. Mark Stignani: Appreciate your time. Thank you again.

Kevin, Ben, and Chris return to the fun topic of Billy Biao Biao to discuss 1989's The Iceman Cometh and 1991's A Kid from Tibet. These are two vastly different films compared to most of Yuen Biao's filmography, figuratively and actually a departure from the Three Dragons' bread and butter. The Iceman Cometh is a pseudo-Highlander action film with time traveling warriors, and A Kid from Tibet is Yuen Biao's only directorial effort. Does Yuen Biao measure up to his brothers: international phenom Jackie Chan and Hong Kong legend Sammo Hung? Listen and find out! Chanuary walked so Fe-Biao-ary could run. And don't worry, when autumn hits, Hungtober awaits. Please rate us a 5/5 on Apple, Spotify, or Podbean, and review us on Apple.  Our episode catalogue: https://searchersfilmpodcast.podbean.com/

AS USUAL SHOWNOTES ARE AI SLOP BY CLAUDE SONNET 4.6 THANK YOU FOR YOUR ATTENTION TO THIS MATTER-----------------------------------------------------------A wide‑ranging hour covering domestic politics (One Nation's surge and the Coalition's paralysis), major policy debates (NDIS reform, political donations), crime and national security items, transport projects, and international flashpoints from the US tariffs decision to Iran and Russia. Jack the Insider and Hong Kong Jack mix sharp political analysis with on‑the‑ground colour and sport/entertainment roundups.00:00:26 — Intro & banterQuick greeting, light chat about Chinese New Year and local life in Hong Kong. Sets tone and introduces the episode.00:01:36 — One Nation surge & polling deep-diveDiscussion of recent polls showing One Nation jumping into mid‑teens/20s in places; skepticism about methodology (Roy Morgan/telephone vs face‑to‑face) and how soft protest votes can be. Hong Kong Jack calls this a historically large minor‑party rise.00:06:49 — Why major conservatives look frozen (cost of One Nation policy)Analysis of Coalition paralysis on immigration policy; PBO estimate on net‑zero migration cost discussed; critique that Liberals/Nationals aren't confronting One Nation's policy platform.00:10:47 — Keith Wallerhan essay: who are modern decisive voters?Summary of Wallerhan's argument that the old “Phil & Jenny” voter has shifted; a new aspirational, tertiary‑educated, renting suburban voter is key and the Liberal Party hasn't adapted.00:13:29 — Nationals, nuclear sites and political messaging failuresHow rushed / poorly communicated policy (nuclear sites list) triggered NIMBY backlash; claim the Coalition isn't doing the detailed work needed to respond to voter shifts.00:18:28 — High Court challenge to Victoria's political donations regimeTwo independents argue the law entrenches major parties by cutting off new fundraising structures; discussion of the likely timing and importance for the November state election.00:20:30 — Crime: abduction/murder linked to organised crime networksAppalling case of an elderly man abducted from North Ryde, body discovered near Penrith; two men charged, defence suggests broader Sydney crime network involvement.00:24:56 — Gang violence & the Matt Utai shooting; crime networks in SydneyBrief on organised‑crime turf disputes (the “Coconut Cartel” reference) and ongoing police investigations.00:24:56 — Transport — Sydney–Newcastle high‑speed rail proposalFederal funding for planning (~AUD 660m so far) discussed; doubts raised about cost, route feasibility and whether fast rail really suits Australia's geography and travel patterns.00:31:09 — NDIS & autism diagnosis debateMike Freelander (paediatrician & MP) argues autism diagnostic threshold is too low; Grattan Institute numbers referenced; concern NDIS budget/scope is unsustainable without reform.00:36:29 — Australians in Syrian camps / “ISIS brides” debateStrong views on repatriation and national security; discussion of Australian citizenship rights for children born in Australia and the political difficulty of extracting or repatriating individuals from camps.00:42:10 — UK entry rules for dual citizens (brief)Note about changes/fees affecting dual UK citizens arriving without a UK passport; implications for Hong Kongers and others.00:44:20 — United States tariffs & Supreme Court rulingSCOTUS decision limiting presidential tariff powers discussed; Gorsuch and Kavanaugh opinions mentioned; likely litigation and refund battles to follow.00:56:16 — AI, data centres and environmental concernsColorado moratorium mention; large energy/water footprints of data centres; practical notes on lawyers/journalists misusing AI (fabricated cases) and AI as a drafting tool that must be checked.01:04:37 — Middle East: Iran tensions & regional risksDiscussion of US/Israeli options, likely limits to air/missile strikes, regional escalation risk and implications for proxy groups (Hezbollah).01:05:30 — Russia & Ukraine: economic pressure on MoscowSurvey of views that Russia's economy is under severe strain and that continued war may be economically self‑sustaining for the regime.01:06:13 — UK politics: by‑election in Gorton & Denton (context)Background on the resignation/scandal that triggered the by‑election; polling context (Reform/Greens versus Labor).01:08:15 — High‑profile UK arrests (Mandelson, Andrew) and “misconduct in public office”Overview of arrests/interviews, differences in UK arrest process vs Australia, discussion of historical use and limits of the offence and prosecution challenges.01:19:04 — Sport: AFL documentary, Toby Greene, Carlton developmentsNotes on Amazon Prime's Inside the AFL; Toby Greene anecdote; Carlton's new training facility, ESG plan and player signings (Sam Walsh, Jager Smith, Wade Dirksen story).01:27:41 — NRL in Las Vegas; T20 World Cup & Australian cricket updateNRL double‑header success in Vegas; ticket/cost notes. T20 World Cup preview—India/England/West Indies form and women's team performance spotlight.01:32:18 — Global oddities and small items (N Korea, etc.)Quick remarks on North Korea's predictable “reelection” and the historic gap since last nuclear test.01:33:36 — Outro & listener call‑outsClosing thanks, invitation for listener questions and sign‑off.

In this episode, Dan Hugger speaks with Steve Barrows, chief operating officer of the Acton Institute, about entrepreneur and pro-democracy activist Jimmy Lai, who was recently sentenced by a Hong Kong court to 20 years in prison. Subscribe to our podcasts Watch this podcast here Jimmy Lai's 20-Year Sentence Follows Beijing's Playbook on Dissent | […]

From Michelin starred kitchens to Hong Kong's high rise tower blocks, via informal settlements in the Kenyan capital Nairobi. Ruth Alexander hears from people making the best out of the cramped and tiny spaces they're cooking in. Gina Lai shows her around the kitchen in her cramped Hong Kong high rise flat and Ruth visits chef Ryan Blackburn who has retained a Michelin star whilst cooking out of the tinest of professional kitchens in Northern England. Plus Leah and her daughter Janice explain how they cook family meals in an informal settlement in the Kenyan capital Nairobi and AJ Forget describes what it's like to give up a big kitchen for a new life on the road, living and cooking in a converted bus. If you would like to get in touch with the show, please email: thefoodchain@bbc.co.ukProduced by Izzy Greenfield, Rumella Dasgupta and Lexy O'ConnorImage Description: Gina Lai is cooking in her tiny Hong Kong flat. (Credit Gina Lai/BBC)

I recorded this episode live in Hong Kong with Wish Wu, Co-Founder and CEO of Pharos Network.We dive deep into what it really takes to build next-generation blockchain infrastructure.Pharos is an EVM-compatible Layer 1 hitting 20,000 TPS on testnet. But speed is not the real story. The real story is their focus on connecting Web2 and Web3. Not just users. But capital. Assets. Institutions.Wish shares his journey from building AntChain at Ant Group to launching Pharos. We talk about tokenizing real-world assets, institutional adoption, product-market fit, and why new Layer 1s must stop copying Ethereum.If you're a founder building in Web3, this episode is essential listening.Key LearningsWhy Hong Kong is regaining momentum as a crypto hub.What Pharos Network is building and why 20K TPS matters.Wish's background at Ant Group and building AntChain at scale.Tokenizing new energy assets and institutional funds.Why most new Layer 1s fail without product-market fit.The rise of purpose-built chains and niche-focused infrastructure.Why speculative crypto alone cannot sustain adoption.The vision for Pharos over the next five years.Launching a VC fund and incubator to grow the ecosystem.Fundraising advice: Stop copying. Find real product-market fit.Connecthttps://www.linkedin.com/in/wishlonger/https://www.pharos.xyz/https://www.linkedin.com/company/pharosnetwork/https://x.com/pharos_network DisclaimerNothing mentioned in this podcast is investment advice and please do your own research.It would mean a lot if you can leave a review of this podcast on Apple Podcasts or Spotify and share this podcast with a friend.Be a guest on the podcast or contact us - https://www.web3pod.xyz/

John talks to Lee Moore about his 2025 book China's Backstory: The History Beijing Doesn't Want You to Read, which focuses on four important China-related stories that often make headlines: Taiwan, Xinjiang, the Chinese economy, and Hong Kong. In this conversation, Lee and John focus on Taiwan before 1800. Who were the earliest Chinese arrivals in Taiwan? Which ruler's fondness for older women would impact the island's future? And were there Indigenous cowboys (as in horses and lassos)? Lee takes an unusual "pop-scholarship" approach to history in this book. For example, he uses colloquial translations of Chinese texts and names (meet Mr. Success Zheng), and employs...um..."colorful language." His controversial style will likely generate a mix of head-shaking and nodding approval, but almost everyone will learn something new from this episode and enjoy a few laughs.  

Olympic bobsledder Kaillie Humphries is coming home to Carlsbad with two new medals after the Milan-Cortina Olympic Games, bringing six medals total.She's widely considered one of the best bobsledders in the history of the sport.We sit down with Humphries to hear more about her journey through the sport and motherhood.Plus, a local student magazine highlighting arts and culture reports back after covering New York Fashion Week — one of the biggest events in the industry.Then, our Midday Movies critics sing the praises of Hong Kong director John Woo and celebrates his impactful work in the world of action cinema.Guests:Kaillie Humphries, Olympic bobsledder and six-time medalistErin Seitzler, editor-in-chief, The Look MagazineBeth Accomando, arts reporter, Cinema Junkie host, KPBSYazdi Pithavala, podcaster, Moviewallas

This week's show features stories from NHK Japan, Radio Deutsche-Welle, France 24, and Radio Havana Cuba. http://youthspeaksout.net/swr260227.mp3 (29:00) From JAPAN- Scientists report a 1 1/2 degree Celsius rise is Pacific Ocean water entering the Arctic Ocean. A Hong Kong company has stopped all operations at two of the ports at the Panama Canal. The leaders of China and Germany pledged to strengthen economic ties and free trade. From GERMANY- An interview with Vanessa Vanessa Vohs of University of Bundeswehr in Munich. Anthropic is an AI American company, with huge Department of Defense contracts. The Pentagon insists they should continue to use the AI for surveillance and autonomous weapons, as it was in the kidnapping of President Maduro in Venezuela. Anthropic is refusing to allow it. From FRANCE- An interview with Jodie Ginsberg from the Committee to Protect Journalists. The CPJ just released a report on the widespread use of torture of Palestinian journalists in Israeli prisons. The report is entitled "We return from Hell." From CUBA- The US government continues to enforce and executive order imposing sanctions and tariffs on any country attempting to help Cubans get oil supplies. The kidnapped Venezuelan President and First Lady have had a second court hearing in NY delayed until March 26. In the UK 12 activists with Palestine Action have been released on bail from prison after several months, and 6 were found not guilty of aggravated burglary. A Palestinian-American citizen, Nasrallah Abu Siyam was killed by Israeli settlers stealing sheep in the occupied West Bank. The US military destroyed another 3 more people on a boat in the Caribbean, alleged to be transporting drugs, bringing the death toll to 150. Available in 3 forms- (new) HIGHEST QUALITY (160kb)(33MB), broadcast quality (13MB), and quickdownload or streaming form (6MB) (28:59) Links at outfarpress.com/shortwave.shtml PODCAST!!!- https://feed.podbean.com/outFarpress/feed.xml (160kb Highest Quality) Website Page- < http://www.outfarpress.com/shortwave.shtml ¡FurthuR! Dan Roberts "It is ironic that people of modest means sometimes become conservative out of a scarcity fear bred by the very capitalist system they support." --Michael Parenti Dan Roberts Shortwave Report- www.outfarpress.com YouthSpeaksOut!- www.youthspeaksout.net

Nick reports from Wincanton, joined throughout by Dave Yates, as they react to the breaking news that Constitution Hill will not run in the 2026 Champion Hurdle at the Cheltenham Festival. Nick speaks exclusively to owner Michael Buckley about how the decision was reached. Also on the show, Nick catches up with Ian Delmonte, CEO of the Levy Board, to discuss prize money; Molly Armytage reflects on her first ride under Rules, which produced her first winner; Tom Ryan of SF Racing shares his insights; and JA McGrath provides the latest news from Hong Kong.

DOD – Disrupter Disrupters China markets reopening after Lunar New Year Mexico Cartel Wars Refunds requested for the illegal tariffs PLUS we are now on Spotify and Amazon Music/Podcasts! Click HERE for Show Notes and Links DHUnplugged is now streaming live - with listener chat. Click on link on the right sidebar. Love the Show? Then how about a Donation? Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter Warm-Up - The CTP for Caterpillar announced - DOD - Disrupter Disrupters - China markets reopening after Lunar New Year - Mexico Cartel Wars (Jalisco) Markets - Mortgage Rates - looking good! - Tariffs found illegal - that is not stopping anything - Refunds requested for the illegal tariffs - Monday's big drop and AI taking a bite out of stock prices Tariffs - First, who actually knows what is going on. 100% chaos - Supreme court ruled illegal (6-3) - 10% flat across all countries immediately added - Wait a day and make that 15% - FedEx seeks refund for illegal IEEPA tariffs imposed by Trump after the Supreme Court ruled Trump's tariffs exceeded authority - Numerous lawsuits expected for IEEPA tariff refunds - Apple has spent more than $3 billion on tariffs since President Donald Trump enacted his trade policies. What about that? (HOW TO FIGURE OUT WHO GETS THE REFUND) --- Estimate that $175B tariffs have been collected alreay - A group of 22 U.S. Senate Democrats on Monday introduced legislation that would require President Donald Trump's administration to fully refund within 180 days all of the revenue, with interest, collected from tariffs struck down by the U.S. Supreme Court. - The legislation would require the Customs and Border Protection agency, which collects tariffs at U.S. ports of entry, to prioritize small businesses. - The U.S. Customs and Border Protection agency said it will halt collections of tariffs imposed under the International Emergency Economic Powers Act at 12:01 a.m. EST (0501 GMT) on Tuesday Stop The Presses - After years of JCD's rants....... - Apple will soon introduce MacBooks with touch screens - Apple Inc.'s initial touch Macs will have the Dynamic Island at the center top of the display and OLED screen technology. The new MacBook Pro models will have a refreshed, dynamic user interface that can shift between being optimized for touch or point-and-click input. Europe Reacts - "The current situation is not conducive to delivering 'fair, balanced, and mutually beneficial' transatlantic trade and investment, as agreed to by both sides" in the joint statement setting out the terms of last year's trade agreement, the Commission said. "A deal is a deal." - All active discussions are halted on any USA/Europe trade deal The Potential Winners - Brazil and China may be the winners here - Chinese President Xi Jinping has a boost in bargaining power after the US Supreme Court invalidated Donald Trump's broad emergency tariffs, a key point of leverage over China. - The removal of tariff threats will make it harder for Trump to press Xi for larger purchases of certain products and leaves him without a key weapon to strike back if Chinese negotiators make fresh demands. - Xi's team will likely push harder for access to advanced semiconductors, the removal of trade restrictions on Chinese companies, and reduced US support for self-ruled Taiwan, according to Wu Xinbo, director at Fudan University's Center for American Studies. NVDA Earnings - NVIDIA drops its fiscal Q4 2026 (ended Jan 2025) results tomorrow—another make-or-break moment for the AI trade. - The bar is sky-high after years of blowout beats, but whispers of "peak AI" and slowing growth momentum have investors on edge. --- Consensus Expectations : ----Revenue: ~$65.6–$66.1 billion (up ~67–68% YoY from last year's ~$39B; guided $65B ±2% in prior report) ------EPS (adjusted/non-GAAP): ~$1.50–$1.53 (up ~70–72% YoY from $0.89). --------Gross margins: Targeting ~75% non-GAAP (holding strong despite supply chain noise). -----------Key driver: Data Center segment expected to crush ~$58–$60B, fueled by Blackwell ramp and hyperscaler spend. Home Depot Earnings - The home-improvement retailer gained 2.7% after posting fourth-quarter adjusted earnings of $2.72 per share on revenues of $38.20 billion. - That exceeded the per-share earnings of $2.54 on revenues of $38.12 billion expected by analysts polled by LSEG. AMD News - The semiconductor maker rose about 11% after it inked a multiyear deal with Meta to lend up to 6 gigawatts of its graphics processing units to artificial intelligence data centers. - The cost of the deal is unclear, but the companies' agreement includes a a performance-based warrant that could amount to up to 160 million of AMD shares, according to a statement dated Tuesday. - Meta has committed to deploying up to 6 gigawatts (GW) of AMD's Instinct GPUs (high-end graphics processing units optimized for AI workloads) to power its massive AI data centers. - Analysts estimate the GPU portion alone could be worth $60–$100+ billion over 5+ years Mortgage Rates - The average rate on the popular 30-year fixed mortgage fell to 5.99% on Monday, according to Mortgage News Daily, matching its lowest levels since 2022. - Last year at this time the rate was 6.89%. - A buyer putting 20% down on the median priced home, about $400,000 according to the National Association of Realtors, would have a monthly payment of $1,916 for the principal and interest. One year ago, that payment would have been $2,105, a difference of $189. Life Insurance Record - Manulife Financial Corp. sold a $300 million life insurance policy in Singapore, topping what Guinness World Records certified as the most valuable policy ever issued. - The policy surpasses the previous record of $250 million, set by HSBC Life in Hong Kong in 2024. Manulife said in a statement Tuesday that the deal reflects growing demand from ultra-wealthy clients to preserve their assets. - In Singapore over the past 12 months, Manulife has issued 25 individual policies each worth more than $50 million. Bitcoin Rout - Gemini said it was axing as much as a quarter of its staff and exiting the UK, European Union and Australia entirely. - This week, it parted with its chief operating officer, chief financial officer and chief legal officer, all in a single day. - Its stock has fallen more than 80% from a post-listing high last year, collapsing its market value from a peak of almost $4 billion to under $700 million. Over the Greenland - USA sending a "hospital ship" over - Trump's post on the ship came hours after Denmark's Joint Arctic Command said it had evacuated a crew member who required urgent medical treatment from a U.S. submarine in Greenlandic waters, seven nautical miles outside of Greenland's capital, Nuuk. - Greenland said thanks but no thanks So Long! - U.S. investors are pulling money out of their own stock market at the fastest pace in at least 16 years as Big Tech returns fade and better-performing overseas markets look more attractive. - In the last six months, U.S.-domiciled investors have pulled some $75 billion from U.S. equity products, with $52 billion flowing out since the start of 2026 alone, the most in the first eight weeks of the year since at least 2010 AI Disruption - DOD (Disruption of Disrupters) - CrowdStrike -9.8% and other cybersecurity names under heavy pressure again as AI disruption fears build following Anthropic's Claude Code release - - Cybersecurity stocks are under broad pressure today, extending recent weakness following Friday's launch of Claude Code Security by Anthropic. Claude Code Security scans codebases for vulnerabilities and suggests software patches for human review, fueling a narrative that AI platforms may be moving more quickly into parts of the security workflow than investors had previously expected. For cybersecurity, that raises concern around the forward demand outlook and competitive positioning, particularly in areas tied to application security, cloud security, identity workflows, and security operations automation, where AI-native tools could start to narrow perceived differentiation. - The move suggests investors are still sorting through the implications for product overlap, pricing power, and competitive positioning as AI capabilities evolve quickly. - IBM shares dropping toward lows of the session; attributed to news that Claude can automate cobol modernization COBOL (Common Business-Oriented Language) is a high-level, English-like programming language created in 1959 for business, finance, and administrative data processing. It is renowned for its verbosity, readability, and reliability, processing massive amounts of transactions on mainframe systems,, notes NetCom Learning and IBM. Despite being decades old, it remains critical in banking, insurance, and government sectors. - It is estimated that 70-80% of the world's business transactions are processed by COBOL Grok's Prediction about Future of OpenAi/ChatGPT Scenario Likelihood (My Estimate) Key Factors Outcome for OpenAI/ChatGPT Thriving Leader Medium (40%) Sustained breakthroughs, partnerships (e.g., Microsoft), regulatory wins OpenAI as AI giant; ChatGPT as ecosystem hub for agents/robots Evolved Survivor High (50%) Adaptation to agents/hardware; mergers Exists but rebranded; ChatGPT integrated into daily life tools Decline/Acquisition Low (10%) Overcompetition, funding collapse Absorbed or legacy; ChatGPT commoditized or obsolete Quick check on Europe Shares - European company earnings growth is picking up this reporting season against a tentatively improving economic backdrop, but wary investors are demanding more than solid results to justify sky-high valuations. - Companies representing 57% of Europe's market capitalization have reported so far, achieving average earnings growth of 3.9% in the fourth quarter, ahead of estimates for a final result of a contraction of 1.1% --- That is a big differential.... +3.9 vs -1.1 Iran Talks - News over the weekend that Iran will look to discuss a variety of items and potentially get a deal.... energy, mining and aircraft - Best guess: Iran will string us along like Russia is doing and we will say we have some kind of bogus deal. --- There is some talk of US "going in" as we are building military presence. Supposedly there are some saying it could be a multi-week incursion. - What is the plan - Regime change? What is this? - A divided Supreme Court on Tuesday ruled that Americans can't sue the U.S. Postal Service, even when employees deliberately refuse to deliver mail. - By a 5-4 vote, the justices ruled against a Texas landlord, Lebene Konan, who alleges her mail was intentionally withheld for two years. Konan, who is Black, claims racial prejudice played a role in postal employees' actions. - Justice Clarence Thomas, writing for a majority of five conservative justices, said the federal law that generally shields the Postal Service from lawsuits over missing, lost and undelivered mail includes “the intentional nondelivery of mail.” - So can ballots just be thrown in garbage for mail-ins for one party that will throw out another party's?     Love the Show? Then how about a Donation? HE CLOSEST TO THE PIN for CATERPILLAR Winners will be getting great stuff like the new "OFFICIAL" DHUnplugged Shirt!     FED AND CRYPTO LIMERICKS   See this week's stock picks HERE Follow John C. Dvorak on Twitter Follow Andrew Horowitz on Twitter

Nick reports from Wincanton, joined throughout by Dave Yates, as they react to the breaking news that Constitution Hill will not run in the 2026 Champion Hurdle at the Cheltenham Festival. Nick speaks exclusively to owner Michael Buckley about how the decision was reached. Also on the show, Nick catches up with Ian Delmonte, CEO of the Levy Board, to discuss prize money; Molly Armytage reflects on her first ride under Rules, which produced her first winner; Tom Ryan of SF Racing shares his insights; and JA McGrath provides the latest news from Hong Kong.

The Transformation Ground Control podcast covers a number of topics important to digital and business transformation. This episode covers the following topics and interviews:   Microsoft's Bundling Regulatory Issues, Q&A (Darian Chwialkowski, Third Stage Consulting) Who Are the Best System Integrators In the Market (Guest, Third Stage Consulting) SAP RISE We also cover a number of other relevant topics related to digital and business transformation throughout the show.  

The Protector (1985) was chosen by Greig, and it stands as one of the more unusual entries in Jackie Chan's filmography — an attempt to firmly break him into the American action market during the mid-1980s. Directed by James Glickenhaus and produced by Golden Harvest in collaboration with U.S. partners, the film was conceived as a tougher, more hard-edged vehicle than Chan's Hong Kong output. The production reflected a clear effort to reshape Chan's screen persona for Western audiences, emphasizing a grittier tone and more conventional cop-movie structure compared to the acrobatic, comedy-infused style that had made him famous in Asia.Filming took place across New York City and Hong Kong, giving the movie an international scope that was relatively ambitious for the time. However, creative differences emerged between Chan and the production team, particularly regarding tone and action style. Chan was reportedly unhappy with the film's direction and later took control of certain fight sequences for the Hong Kong release. Upon its theatrical debut, The Protector performed modestly but failed to fully launch Chan in the U.S. market as intended. In retrospect, the film is often viewed as an important transitional project — a fascinating snapshot of Hollywood's early attempts to package Jackie Chan for Western audiences before his eventual global breakthrough in the 1990s.TRAILER GUY PLOT SYNOPSISOne city on the edge… one cop pushed too far… and one case that's about to explode across continents.When a routine investigation spirals into something far more dangerous, a hard-hitting detective finds himself pulled into a deadly world of crime, corruption, and international danger. Outgunned and outnumbered, he'll have to rely on his instincts, his fists, and sheer determination to finish the job.The Protector — justice doesn't ask nicely.FUN FACTSThe Protector was Jackie Chan's second major attempt to break into the U.S. film market during the 1980s.The film exists in multiple cuts, including a Hong Kong version that differs noticeably from the U.S. theatrical release.Jackie Chan later cited the movie as a learning experience that influenced how he approached future Hollywood projects.The movie features some of Chan's earliest English-language leading-role work in a U.S.-focused production.Many fans consider The Protector a curious hybrid between Hong Kong action cinema and 80s American cop thrillers.The film was released during a period when Hollywood was actively trying to import Hong Kong martial arts stars for Western audiences.Jackie Chan would not achieve major U.S. box office success until Rush Hour (1998) more than a decade later.The movie has developed a cult following among Jackie Chan completists, despite its mixed reception.Some action scenes were reworked for international versions, reflecting different market expectations.Today, The Protector is often discussed as an important stepping stone in Chan's long road to Hollywood stardom.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Hannah Wilson is the all action, globe trotting, social media personality whose life has taken her to 30 countries in the last year alone! Moving to China out of uni and starting a media career? Running a 100km ultra-marathon in Hong Kong? Getting the miles in on a safari in Botswana? She's done it all!Listen for an inspirational story of impulsive life decisions (that are intertwined with running) and will inspire you to get out there yourself!

As part of our official DealFlow Discovery Conference Interview Series, produced by Mission Matters, along with our partner DealFlow Events, we showcased the innovative companies that presented at the DealFlow Discovery Conference (last January 28–29 at the Borgata in Atlantic City) and the executives behind them. In this episode, Adam Torres interviews Roger Parodi, Head of Strategy at 51Talk Online Education Group, on the company's post-2021 pivot to international markets, its AI-native approach to language education for children, and 51Talk's growth strategy across Southeast Asia and the Middle East. This interview is part of our effort to help investors discover compelling companies ahead of the event — and to help CEOs introduce their story to the 1500+ conference attendees. Learn more about the event and presenting companies:https://dealflowdiscoveryconference.com/ About Roger Perodi Roger is leading active investments in Asian listed equities for TR Capital. He was previously Managing Partner at Silverhorn Principal Investors, actively investing in Asian small cap companies. Prior to this, Roger held various management roles at UBS in Zurich, Hong Kong and Singapore. In Asia since 2004 and based in Hong Kong, he has spent more than 10 years in Beijing and is fluent in written and spoken Chinese. Roger holds a Master's degree from the University of St. Gallen, Switzerland, and an EMBA (in Chinese) from Tsinghua University in Beijing. About 51Talk Online Education Group 51Talk Online Education Group (NYSE: COE) is a global online education platform with core expertise in online English education. 51Talk, the name's meaning comes from its mission to unite 5 continents into 1 mission, i.e. to talk effectively with each other through a common language.  The Company's online  education platform enable students to take live, fun and interactive online English lessons anytime and anywhere. The Company connects its students with a large pool of highly trained and qualified teachers that it assembled using a shared economy approach, and uses student and teacher feedback as well as data analytics to deliver a personalized learning experience to its students. Follow Adam on Instagram at https://www.instagram.com/askadamtorres/ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: https://missionmatters.lpages.co/podcastguest/ Visit our website: https://missionmatters.com/ More FREE content from Mission Matters here: https://linktr.ee/missionmattersmedia Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Panamanian government formally took over the two ports operated by Hong Kong-based CK Hutchison this week at both ends of the Panama Canal. U.S. officials celebrated the move as part of their larger effort to expel China from the Western Hemisphere. Washington has now set its sights on the Chinese-owned Chancay mega port in Peru. But given the extent of Chinese engagement in Latin America, most notably the fact that the region does more than half-a-trillion dollars of trade annually with China, is it even possible for the U.S. to expel the Chinese? Pedro Armada, a Panama City-based risk consultant who closely follows the U.S.-China rivalry in Latin America, joins Eric to discuss what happens next following the expulsion of CK Hutchison from the canal zone and what it means for the rest of Latin America.

Why is spitting essential if you want to taste wine seriously? What made Hong Kong's wine boom in 2010 feel both extravagant and generous? Does formal wine tasting language strip the emotion out of wine writing? In this episode of the Unreserved Wine Talk podcast, I'm chatting with Sarah Heller. You can find the wines we discussed at https://www.nataliemaclean.com/winepicks.   Highlights How did Sarah's wine career almost end before it began? Why did her accident in southern France strengthen her commitment to the wine industry? What was it like to represent a restaurant alone at age 20 at the world's largest wine trade fair? How did an early lesson about spitting wine become a memorable introduction to professional wine culture? What's the difference between wine marketing and wine education? What made Hong Kong's wine scene during the 2010s feel both extravagant and unusually generous? How did Burgundy tastings in Hong Kong highlight the intersection of rarity, money, and shared passion? How did Sarah's fine art training at Yale shape the way she thinks about wine? What inspired her to move beyond traditional tasting notes to creating visual tasting notes? Why does Sarah believe conventional wine descriptors can feel sterile? How do shape, color, mood, and texture form the foundation of her visual tasting method? How does the shape of a wine differ between a plush Australian Shiraz and a structured Barolo?   Key Takeaways Why is spitting essential if you want to taste wine seriously? Sarah: You're really meant to spit when you try wines. There was a little bit of a macho culture around it, like, oh no, real, real, real people don't spit. And I was like, I don't know, that doesn't seem very smart. But, there I was. And so by the end of the day, the people who had been assigned to take me under their wing were decanting me into a taxi. I made it safely home, thank goodness. What made Hong Kong's wine boom in 2010 feel both extravagant and generous? Sarah: Something about Hong Kong that I think distinguishes it, certainly from the UK collector scene, which was sort of my reference point to a certain degree, is that people open their bottles. I mean, some people have generational collections, but most people this was the collection they started. They can remember starting it and they want to share it with people. Obviously showing off is part of it, there's no denying that. But there's also an incredible spirit of generosity in wanting to share these incredible treasures that you have in your cellar with everybody around you, with the people that you care about. Does formal wine tasting language strip the emotion out of wine writing? Sarah: After having finished the Master of Wine, which is very, very much a bounded problem. You have to accept that this is the way that things are done. It's very directed and clear, which I think is useful if you're trying to create a standardized certification. But having got out on the other side of that and broken my writing style down so that it was as objective as possible and as simple and direct as possible, I was just a bit done with it. I don't want to talk about red versus black fruit. It had become sort of sterile at that point for me. It's not that I don't think people should study that, but it was just the phase that I was in, and I wanted to figure out what my voice was going to be.   About Sarah Heller Sarah Heller MW is an internationally acclaimed wine expert and visual artist whose work explores the cultural history and multi-sensory experience of wine. She is the Italian wine reviewer for Club Oenologique, Faculty of the Vinitaly International Academy and Wine Editor for Asia Tatler. Sarah has co-hosted the series Wine Masters and Wine Masters Class and has collaborated with Lucaris Crystal on a line of hand-blown glasses.       To learn more, visit https://www.nataliemaclean.com/378.

El embajador de Estados Unidos en Chile advirtió que su país podría revisar la exención de visado para ciudadanos chilenos tras revocar el beneficio a tres funcionarios vinculados al proyecto de cable interoceánico "Chile-China Express" para conectar a Valparaíso con Hong Kong. El analista Guillermo Holzmann no descarta que estas tensiones continúen tras la llegada de Katz al poder. La administración Trump volvió a subir el tono frente al saliente gobierno de Chile el lunes al anunciar, por boca de su embajador, que podría abrir la puerta a retirar la exención de visado a los chilenos para ingresar a Estados Unidos como turistas, en otras palabras, eliminar la "Visa Waiver". La causa de las tensiones se encuentra en un cable de fibra óptica que podría conectar Valparaíso con Hong Kong —el cable interoceánico "Chile-China Express"— y que, para el gobierno de Boric, está en etapa de "evaluación". Para Washington, el proyecto socava la seguridad regional. De hecho, tres funcionarios de la administración chilena vinculados al proyecto fueron sancionados con la revocación de su Visa Waiver. "El embajador de Estados Unidos en Chile hizo ver a la autoridad respectiva en diciembre y enero que hay un inconveniente. Según Estados Unidos, hay antecedentes suficientes en términos de lo que podría ser una eventual fuga de datos (a China) o la interferencia en el traslado de esa información y, en la práctica, de que esas interferencias lleguen directamente al gobierno chino. Esto podría constituir un riesgo y una amenaza a la seguridad nacional de Estados Unidos, pero también a la seguridad regional", dijo a RFI Guillermo Holzmann, analista político y académico de la Universidad de Valparaíso. El anuncio del embajador de Estados Unidos es una advertencia a Santiago que se enmarca en la nueva Estrategia de Seguridad Nacional de la administración actual, sostiene Holzmann. La Visa Waiver no corre riesgos a corto plazo  "Hay un aumento de tono de parte del embajador. Pero todo hace pensar que la Visa Waiver no corre riesgo en este momento, ya que ésta se maneja por otras instancias en términos del acceso a los datos. Pero es cierto que Estados Unidos la puede colocar sobre la mesa si efectivamente desea presionar al gobierno de Chile con respecto a cuál va a ser el estatus que va a mantener en su relación con Santiago, si es o no una relación normal en términos migratorios y de circulación de personas", apunta. El presidente electo de Chile, Antonio Kast, tomará posesión en marzo, pero el cambio de gobierno no es garantía de que las tensiones con Estados Unidos se reduzcan, estima el analista. "Lo más probable es que las dificultades se mantengan [cuando Kast llegue al poder]. Chile tendrá que ver cómo abre el espacio de diálogo y negociación. Hay que considerar la atención y la focalización que tiene Estados Unidos respecto a los intereses chinos en América Latina. Esto no es nuevo; también está lo que pasa con el Canal de Panamá", concluye. En diciembre, el presidente Donald Trump celebró la victoria de Antonio Kast y señaló que apoyó abiertamente al candidato de extrema derecha durante las elecciones.

President Trump delivers the longest SOTU speech in history to defend his second-term record. Trump highlighted progress made on the economy and hailed the ‘golden age' of America. Several new tech partnership announcements including from Anthropic boost U.S. software stocks in yesterday's session and help push Asian equities into the green. UK banking giant HSBC posts a FY profit beat ahead of expectations despite being down on the prior year due to a series of one-off charges. CEO George Elhedery tells our colleagues in Hong Kong the recent shake-up at the lender s beginning to bear fruit. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As comedian Ronny Chieng says, "Gong Hay Fat Choy" isn't "Happy New Year"...it's "Hope you get rich!"Whether it's Miroki's Cantonese Lunar New Year celebrations, Vietnamese Tết, or Korean Seollal, festivities are in full swing during this period. As a first generation Chinese-Canadian, it's wonderful that Baker Joe of Wai Tack Kee is keeping Miroki's shelves full of delicious traditional Cantonese snacks. His daughter Audrey Tam joins us on Tasting Together to speak about Joe's journey from Hong Kong to Canada, and how their family business brings prosperity into homes all across the GTA through nut filled dumpling pastries, pineapple cakes and lotus flower cookies.André and friends join Miroki's celebrations at Jumbo Lobster in Markham, partaking in a banquet that included sweet, succulent king crab and a lobster tower stir fried with a salted egg yolk. Corkage at this famed seafood spot only starts at $15, but Andre did ogle at their insanely high end wine list presented on a deceptively humble laminated menu. The question to always ask is...order more dim sum or try their dry aged steaks?It has been nearly 7 years since Miroki has enjoyed a family style New Year dinner. Towards the end of Lunar New Year, she will finally have the opportunity to enjoy whole steamed fish (symbolizing wealth), noodles (prosperity) and barbecue pork (riches and strength) through delicious homecooking. Will this finally inspire her to take to the kitchen and learn to cook up some dishes that connect with her roots?Wai Tack Kee: https://www.waitackkee.com/Jumbo Lobster: https://jumbolobster.ca/You can follow Miroki on Instagram @9ouncespleaseYou can follow André on Instagram @andrewinereview Hosted on Acast. See acast.com/privacy for more information.

Stellar's Raja Chakravorti and Marketnode's Rehan Ahmed discuss how APAC's massive wealth and regulatory tailwinds are driving the commercialization of onchain assets. Raja Chakravorti, Chief Business Officer at Stellar Development Foundation, and Rehan Ahmed, CEO of Marketnode, joined CoinDesk Live at Consensus Hong Kong to discuss the shift from blockchain experimentation to full-scale commercialization in the Asia-Pacific region. With 7 million millionaires projected in the region by 2030 and $10 trillion in assets managed between Singapore and Hong Kong, the duo outlines how APAC is outperforming the West in the race for onchain settlement. - This episode was hosted live by Jennifer Sanasie at Consensus Hong Kong 2026, presented by Hex Trust.

Shenzhen-based Transsion Holdings is now a massive Chinese technology company that few people outside of Africa and certain parts of Asia have heard of. Even in China, the brand, now the world's 5th-largest mobile phone producer, remains largely unknown. Transsion gained notoriety after it entered the African market in 2006. Back then, the world's largest phone brands all but ignored African consumers, selling low-end, late-model devices designed primarily for Western and Asian consumers. The Chinese company saw an opportunity and tweaked the software on its phones to optimize photos for darker skin tones, and added a suite of features like dual SIM cards, dustproofing, and longer battery life to sell sub-$100 phones to Africa's booming youth market. That formula worked, and the company's three brands, Tecno, Infinix, and iTel, have dominated the market for more than a decade. But little is known about how Transsion achieved its success in Africa. Lu Miao, an assistant professor at Lingnan University in Hong Kong, joins Eric & Cobus to lay out the company's strategy and why it was so effective in a market that others largely ignored. Purchase the book: The Transsion Approach: Translating Chinese Mobile Technology in Africa by Lu Miao: https://a.co/d/04AKaajZ

Join Travel Brats Sof and Nat as they talk about Natalie's next BIG contract - working as a singer/performer on the luxury cruiseline Seabourn. She talks about what it's like to get a job like this, where all they will be traveling, and some info about Seabourn itself. Enjoy! 

Eddie Lee spent more than 15 years working within the Hong Kong real estate market, running agencies, mentoring over 50 agents and working directly with owners, buyers and tenants. After seeing agents waste money on ads that didn't convert, buyers struggle to trust listings and owners lack data-driven results, he founded HomeDash—a chat-first, AI-powered real estate platform for Hong Kong. HomeDash de-duplicates and verifies listings to surface real inventory, matches buyers and tenants via conversation and provides agencies with integrated CRM, AI lead copilot and analytics to track, nurture and convert inquiries. Eddie's background combines real estate operations, digital marketing and analytics, and product and AI development to transform offline workflows into scalable, data-driven systems.In this episode we discuss how real estate agents can use AI to build a consistent online brand and leverage SEO marketing in 2026. Eddie explains how AI and automation will reshape real estate agencies, shares practical frameworks for reducing wasted ad spend and growing high-intent deal flow and highlights how SEO strategies will evolve with AI. We also talk about HomeDash, his new AI-powered real estate portal in Hong Kong, and how it solves problems for agents, buyers and owners.You Can Find Eddie @:Website: https://www.homedash.hk/LinkedIn: https://www.linkedin.com/in/eddielee-hk/?originalSubdomain=hk

Shenzhen-based Transsion Holdings is now a massive Chinese technology company that few people outside of Africa and certain parts of Asia have heard of. Even in China, the brand, now the world's 5th-largest mobile phone producer, remains largely unknown. Transsion gained notoriety after it entered the African market in 2006. Back then, the world's largest phone brands all but ignored African consumers, selling low-end, late-model devices designed primarily for Western and Asian consumers. The Chinese company saw an opportunity and tweaked the software on its phones to optimize photos for darker skin tones, and added a suite of features like dual SIM cards, dustproofing, and longer battery life to sell sub-$100 phones to Africa's booming youth market. That formula worked, and the company's three brands, Tecno, Infinix, and iTel, have dominated the market for more than a decade. But little is known about how Transsion achieved its success in Africa. Lu Miao, an assistant professor at Lingnan University in Hong Kong, joins Eric & Cobus to lay out the company's strategy and why it was so effective in a market that others largely ignored. Purchase the book: The Transsion Approach: Translating Chinese Mobile Technology in Africa by Lu Miao: https://a.co/d/04AKaajZ

Washam Limbu, a Nepalese award-winning mixologist based in Hong Kong, joins Proudly Asian to talk about making a name for himself in the competitive mixology scene and the creative process behind crafting cocktails. Born in Nepal and raised in Hong Kong, Washam has spent nine years building his career in the F&B industry. In 2025, he was named Hong Kong's Young Mixologist of the Year. But for Washam, cocktails are more than drinks. They are a way to share Asian flavours and cultural stories on a global stage.**Special Thanks to Florence Yeung, Coco Ma, and Curtis @InfatuAsian Podcast for the guest intro!Follow Washam: https://instagram.com/bartenderwashamProudly Asian Playlist: ⁠https://open.spotify.com/playlist/1hmol1gJIFlnJVn6zyeJTm?si=wEe5dYexTJ2e5RqBfiVj1w----------------------------------------Stay Connected with Proudly Asian:Website - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proudly-asian.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/proudly.asian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/@proudlyasianpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support us - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ko-fi.com/proudlyasian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠proudlyasianpodcast@gmail.com⁠⁠

Violence erupts in Mexico after drug lord El Mencho is killed in a military operation, An armed man breaching the Mar-a-Lago perimeter is shot dead, Peter Mandelson is arrested over an alleged Epstein information leak, The ICC opens proceedings against former Philippine President Rodrigo Duterte for alleged war crimes, A Hong Kong court upholds the convictions of 12 ‘HK47' activists, Hungary vetoes EU economic proposals on Ukraine, Pakistan claims it killed over 70 people in strikes in Afghanistan, A judge blocks the release of Jack Smith's Trump report, A bomb cyclone slams the US Northeast, and Saint Francis of Assisi's skeleton goes on public display for first time. Sources: Verity.News

Join Alastair Stevenson and Michael Mervyn-Jones for a round-up of the main highlights from this month's SSY Monthly Shipping Review (MSR) alongside the latest news impacting shipping markets. The SSY Monthly Shipping Review is available to download for all SSY Navigator subscribers. To subscribe to SSY Navigator, simply email navigator@ssyglobal.com Panellist contact details Alastair StevensonHead of Digital Analysis, SSYE: a.stevenson@ssyglobal.comMichael Mervyn-JonesDirector of Communications and Marketing, SSYE: m.mervyn-jones@ssyglobal.com About SSY Established in 1880, SSY has grown to become one of the biggest and most trusted names in broking, operating around the world via its 28 local offices – with over 650 experts covering a range of major markets including Dry Cargo, Tankers, Derivatives, LNG, Sale and Purchase, Offshore, Rigs, Nuclear Energy, Chemicals, Aquaculture, LPG, Towage, Recycling and Corporate Finance. SSY has a global reach with offices in Aberdeen, Athens, Bergen, Copenhagen, Dubai, Geneva, Genoa, Hamburg, Hong Kong, Houston, Kristiansand, London, Madrid, Mumbai, New York, Osaka, Oslo, Rio, Rotterdam, Seoul, Shanghai, Singapore, Stamford-USA, Sydney, Tokyo, Vancouver, Varna, Zug.www.ssyglobal.com Hosted on Acast. See acast.com/privacy for more information.

These are 7 of the top headlines in military news. NOTE: All persons are innocent until proven guilty in a court of law.  Today I cover these 7 headlines:  -Navy Reservist Turned Fugitive David Varela - Possibly in Hong Kong? -North Carolina Valentine's Day Double Homicide (Victims Matthew Wade and Kateryna Tovmash -Gorge Amphitheater shooting case will be prosecuted under UCMJ (Spc James Kelly) -COLD CASE SOLVED: Michael and John Fields -National Guard Victims received Purple Heart -Fort Rucker Court-Martial - U.S. v. Brian Jones (Victim Abdul Latifu) -Fort Leonard Wood Court-Martial - U.S. v. Wooster Rancy (Victim Sarah Roque) ⸻

Auros CCO Jason Atkins defends the essential role of market makers in stabilizing institutional capital and evaluates Hong Kong's strategic position as the bridge between global liquidity markets. Auros CCO Jason Atkins joined CoinDesk Live at Consensus Hong Kong to debunk the "evil" market maker narrative, arguing that liquidity providers are the primary defense against catastrophic volatility. Atkins explains how recent market dislocations exposed the risks of a system without market makers, where absent liquidity makes assets uninvestable for pension funds and major institutions. He highlights the growing competition between centralized exchanges and on-chain venues like Hyperliquid, while detailing why Hong Kong is destined to "run back the playbook" as the definitive gateway for Western capital to access Eastern markets. - This episode was hosted live by Sam Ewen and Will Foxley at Consensus Hong Kong 2026, presented by Hex Trust.

Josh in for Nick on Monday. We hear from Dan Skelton on the exciting Kabral Du Mathan and get his thoughts on Nicky Henderson's bold call to run Constitution Hill in the Champion Hurdle. From Hong Kong, Zac Purton reflects on Ka Ying Rising's remarkable 18th consecutive victory at Sha Tin Racecourse. There's also insight from Neil King on Lookaway, and Lucy Wadham discusses what's next for Jax Junior. Plus, further reaction from Simone Meloni at the Godolphin Industry Thoroughbred Awards.

Josh in for Nick on Monday. We hear from Dan Skelton on the exciting Kabral Du Mathan and get his thoughts on Nicky Henderson's bold call to run Constitution Hill in the Champion Hurdle. From Hong Kong, Zac Purton reflects on Ka Ying Rising's remarkable 18th consecutive victory at Sha Tin Racecourse. There's also insight from Neil King on Lookaway, and Lucy Wadham discusses what's next for Jax Junior. Plus, further reaction from Simone Meloni at the Godolphin Industry Thoroughbred Awards.

In this episode, I sit down with Kenneth Shek from Animoca during Consensus Week in Hong Kong.We talk about what it really takes to drive mass adoption in Web3. Not hype. Not narratives. Real users.Kenneth shares how Moca Network is building the identity layer for the future of programmable money. We go deep into AI-native infrastructure, stablecoins, loyalty systems, and why distribution is the real moat.We also discuss why most Web3 projects struggle with adoption, what Web2 got right, and how AI agents will reshape commerce by 2026.If you care about identity, payments, AI, or building the next killer app in crypto, this episode is for you.Key LearningsKenneth's journey from startups, AI, and Accenture to AnimocaWhy identity is the missing layer for stablecoins and AI agentsWhy blockchain hasn't hit mass adoption yetThe biggest lesson from talking to enterprise customersAIR: Account, Identity, Reputation explainedWhy one-click UX matters more than decentralizationAI agents replacing front-ends and changing product designRegulatory fragmentation and global crypto challengesWhy distribution beats building another “killer app”Stablecoins, RWA, and the future of programmable loansIf starting today: build AI-agent native from day oneHiring engineers, fintech builders & strategic partnersConnect with Mocahttps://moca.network/enhttps://x.com/Moca_Networkhttps://t.me/MocaverseCommunityhttps://www.linkedin.com/in/ks20/ DisclaimerNothing mentioned in this podcast is investment advice and please do your own research.It would mean a lot if you can leave a review of this podcast on Apple Podcasts or Spotify and share this podcast with a friend.Be a guest on the podcast or contact us - https://www.web3pod.xyz/

Bruce Lee wasn’t born an icon. First, he was a baby, born in San Francisco and then a kid in Hong Kong who followed his father into acting. And it wasn’t a straight line from child star to groundbreaking Hollywood action star who broke stereotypes about Asian Americans. Lee’s adult life in America started when he moved to Seattle, still a teenager – where he studied at the University of Washington, washed dishes at a restaurant, and eventually opened his own gung fu schools. He also met his wife, Linda, once a martial arts student. His five years in Seattle were formative for Lee both in terms of learning about America, but also about himself and honing his cross-cultural philosophy. That’s the subject of a new play at Seattle Children’s Theater called Young Dragon: A Bruce Lee Story, it runs through March 22nd. Guest: Shannon Lee, founder and chair of the Bruce Lee Foundation and author of Be Water, My Friend: The Teachings of Bruce Lee Relevant Links: Seattle Children's Theater page Bruce Lee Foundation website Seattle Times: Seattle Children’s Theatre Bruce Lee play fights on after Kennedy Center canceling See omnystudio.com/listener for privacy information.

Markets are laser-focused on the AI buildout, but opportunities shaped by other mega forces abound. Roelof Salomons, Portfolio Strategist at the BlackRock Investment Institute, explains how fiscal expansion tied to geopolitical fragmentation in Japan and Europe is creating new return drivers.General disclosure: This material is intended for information purposes only, and does not constitute investment advice, a recommendation or an offer or solicitation to purchase or sell any securities, funds or strategies to any person in any jurisdiction in which an offer, solicitation, purchase or sale would be unlawful under the securities laws of such jurisdiction. The opinions expressed are as of the date of publication and are subject to change without notice. Reliance upon information in this material is at the sole discretion of the reader. Investing involves risks. BlackRock does and may seek to do business with companies covered in this podcast. As a result, readers should be aware that the firm may have a conflict of interest that could affect the objectivity of this podcast.In the U.S. and Canada, this material is intended for public distribution.In the UK and Non-European Economic Area (EEA) countries: this is Issued by BlackRock Investment Management (UK) Limited, authorised and regulated by the Financial Conduct Authority. Registered office: 12 Throgmorton Avenue, London, EC2N 2DL. Tel:+ 44 (0)20 7743 3000. Registered in England and Wales No. 02020394. For your protection telephone calls are usually recorded. Please refer to the Financial Conduct Authority website for a list of authorised activities conducted by BlackRock.In the European Economic Area (EEA): this is Issued by BlackRock (Netherlands) B.V. is authorised and regulated by the Netherlands Authority for the Financial Markets. Registered office Amstelplein 1, 1096 HA, Amsterdam, Tel: 020 – 549 5200, Tel: 31-20- 549-5200. Trade Register No. 17068311 For your protection telephone calls are usually recorded.For Investors in Switzerland: This document is marketing material.In South Africa: Please be advised that BlackRock Investment Management (UK) Limited is an authorised Financial Services provider with the South African Financial Services Board, FSP No. 43288.In Singapore, this is issued by BlackRock (Singapore) Limited (Co. registration no. 200010143N). This advertisement or publication has not been reviewed by the Monetary Authority of Singapore. In Hong Kong, this material is issued by BlackRock Asset Management North Asia Limited and has not been reviewed by the Securities and Futures Commission of Hong Kong. In Australia, issued by BlackRock Investment Management (Australia) Limited ABN 13 006 165 975, AFSL 230 523 (BIMAL). This material provides general information only and does not take into account your individual objectives, financial situation, needs or circumstances. Before making any investment decision, you should assess whether the material is appropriate for you and obtain financial advice tailored to you having regard to your individual objectives, financial situation, needs and circumstances. Refer to BIMAL's Financial Services Guide on its website for more information. This material is not a financial product recommendation or an offer or solicitation with respect to the purchase or sale of any financial product in any jurisdictionIn Latin America: this material is for educational purposes only and does not constitute investment advice nor an offer or solicitation to sell or a solicitation of an offer to buy any shares of any Fund (nor shall any such shares be offered or sold to any person) in any jurisdiction in which an offer, solicitation, purchase or sale would be unlawful under the securities law of that jurisdiction. If any funds are mentioned or inferred to in this material, it is possible that some or all of the funds may not have been registered with the securities regulator of Argentina, Brazil, Chile, Colombia, Mexico, Panama, Peru, Uruguay or any other securities regulator in any Latin American country and thus might not be publicly offered within any such country. The securities regulators of such countries have not confirmed the accuracy of any information contained herein. The provision of investment management and investment advisory services is a regulated activity in Mexico thus is subject to strict rules. For more information on the Investment Advisory Services offered by BlackRock Mexico please refer to the Investment Services Guide available at www.blackrock.com/mx©2026 BlackRock, Inc. All Rights Reserved. BLACKROCK is a registered trademark of BlackRock, Inc. All other trademarks are those of their respective owners.BII0226-5236911-EXP0227

Henry Zhang, Founder & CEO of DigiFT, sat down with me for an interview at the Halborn Access 2026 Summit at the NYSE. We discussed how DigiFT is helping global institutions go on-chain by tokenizing assets. Recorded January 23rd.Brought to you by ✅ VeChain is a versatile enterprise-grade L1 smart contract platform https://www.vechain.org/ 

THIS WEEK: Lifeline (1997), Bullets Over Summer (1999) and Fulltime Killer (2001)We're back in Hong Kong, with a trio of films that showcase a changing industry in the wake of the transition from British to Chinese rule.This topic was selected by one of our most excellent patrons. You too can choose a topic or slate of films for us to cover. See the link below for details!Donate to Palestinian Medical AidSupport Optimism Vaccine on Patreon

Four film lovers revisit The Matrix (1999) for the first time in years.   The action still holds up. The philosophical ideas still land. But the script? That's where things get complicated. We break down the Hong Kong cinema influences Hollywood never credited, the Dark City and Invisibles connections, what Keanu Reeves actually brings to Neo, and whether the Wachowskis wrote a cyberpunk masterpiece or got carried by everyone around them.   Plus: our 10-point rating and the one scene that still divides the room.   Ready to stop paying more than you have to? New customers can make the switch today and, for a limited time, get unlimited premium wireless for just $15 per month! Switch now at https://mintmobile.com/FOURPLAY. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode 14. Our Sun is more than a glowing ball in the sky. It's a dynamic, ever-changing star at the peak of its solar cycle. In this episode of ASTROMAN: The Dark Sky Guardian, we learn how to safely observe sunspots and solar flares, and why studying solar activity helps protect satellites, power grids, and even predicts auroras.   "ASTROMAN: the Dark Sky Guardian" is a podcast channel that aims to explore popular science in multiple disciplines and research on interdisciplinary approaches, such as sustainability, dark-sky protection, astrophotography, space exploration, astronomy innovation, inclusive science communication, and STEAM Education by integrating science and arts.   Exodus CL Sit, also known as the ASTROMAN, is a transmedia astronomy educator, popular science author, STEAM educator, and science communicator in Hong Kong. He is recently the National Astronomy Education Coordinator (Chair of Hong Kong, China) of the International Astronomical Union and President of Starrix. He was also an International Committee Member of the Dark Sky International, regularly organizing public lectures at the Hong Kong Space Museum and the Hong Kong Science Museum. He was also the author of a popular science book "Decoding the Starry Night: A Guide to Stargazing and Astrophotography".   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

John walks through the CBO's 2026–2036 outlook showing persistent deficits and a rising debt-to-GDP “hockey stick” trajectory The hosts argue the “gradual print + occasional big print” pattern is structurally embedded in fiat incentives and political constraints Supreme Court strikes down key Trump tariffs (reciprocal “Liberation Day” and fentanyl-related duties), framed as a separation-of-powers moment Market reaction appears muted and “wait-and-see,” with uncertainty over how the administration may reassert tariffs via other authorities A Bloomberg/EY-style projection is cited: debt potentially reaching ~$64T by 2036 with interest costs swelling materially Bitcoin ETFs: despite a drawdown from peak cumulative inflows, the broader flow base suggests many holders treat ETF exposure as long-term allocation 13F chatter: a new Hong Kong entity holding substantial IBIT is floated as possible capital-flight behavior, with caution that it could also be speculative positioning Quick hits: a congressman discloses additional Bitcoin purchases; Goldman CEO David Solomon (“DJ D-Sol”) mentions owning a small amount of BTC A Fed voice (Neel Kashkari) dismisses crypto cross-border narratives; hosts rebut that “no country will abandon monetary policy” is exactly why Bitcoin exists Crypto credit stress: BlockFills halting withdrawals is flagged as potential post-drawdown plumbing fallout and a reminder of leverage unwind dynamics ► For high-net-worth individuals and corporations seeking to build generational wealth with Bitcoin, Swan Private is your guide ✔ https://www.swanbitcoin.com/private?utm_campaign=private&utm_medium=sponsorship&utm_source=podcast&utm_content=swan_signal_live ► Secure your bright orange future with the Swan IRA today! Real Bitcoin, no taxes ✔ https://www.swanbitcoin.com/ira?utm_campaign=ira&utm_medium=sponsorship&utm_source=podcast&utm_content=swan_signal_live ► Secure your Bitcoin with Swan Vault ✔ https://www.swanbitcoin.com/vault?utm_campaign=vault&utm_medium=sponsorship&utm_source=podcast&utm_content=swan_signal_live ► Download the all-new Swan Bitcoin App ✔ https://www.swanbitcoin.com/app?utm_campaign=app&utm_medium=sponsorship&utm_source=podcast&utm_content=swan_signal_live ► Want to learn more about Bitcoin? Check out Welcome To Bitcoin a FREE Introductory course. Learn about Bitcoin in under 1 hour! ✔ https://www.swanbitcoin.com/welcome?utm_campaign=welcome_to_bitcoin&utm_medium=sponsorship&utm_source=podcast&utm_content=swan_signal_live ► Connect with Swan Bitcoin: ✔ Twitter: https://twitter.com/Swan ✔ Instagram: https://instagram.com/SwanBitcoin ✔ LinkedIn: https://linkedin.com/company/swanbitcoin ✔ Threads: https://www.threads.com/@swanbitcoin ✔ Facebook: https://www.facebook.com/SwanBitcoin/ ✔ TikTok: https://www.tiktok.com/@realswanbitcoin