Podcasts about Screen Actors Guild

(Airdate: 11.17.25) On today's Who Cares News, we start with the latest twist in a case that refuses to fade. O.J. Simpson's estate has finally acknowledged the decades-old wrongful-death judgment, agreeing that Fred Goldman is owed millions tied to the murder of his son Ron. It's a major step forward — not necessarily a check-in-the-mail moment — but a long-awaited nod to accountability after 31 years of legal battles. Then we pivot to Hollywood, where names are getting makeovers and nostalgia is cashing in. The Screen Actors Guild is officially rebranding its long-running awards show as The Actor Awards, leaning into its iconic statue and global reach. And from BravoCon in Vegas, the network is celebrating 20 years of Real Housewives chaos with a brand-new spinoff: The Real Housewives: Ultimate Road Trip, uniting OGs, current stars, and the next wave of table-turners. Buckle up — the drama is hitting the highway. Voted 6th Best Entertainment News Podcast! Because being #5 is soooo overrated. And @HalleBerry Listen to the daily Van Camp and Morgan radio show at: https://vancampandmorgan.com/stations buy us a coffee      

The Screen Guild Theater || (19) Variety || (20) A Review | May 14, 1939; May 21, 193900:57 -- Variety -- Jack Benny really wants to be on the show but this season Screen Guild are doing a dramatic series and he just wouldn't fit in. However when Jack found out that film director Ernst Lubitsch was going to direct Claudette Colbert and Basil Rathbone in a dramatic sketch right away he wanted to muscle in on it so he calls up Edward Arnold president of the Screen Actors Guild. || Starring: Jack Benny; Claudette Colbert; Ernst Lubitsch; Basil Rathbone32:00 -- A Review : : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

In this impactful and inspiring episode of Unstoppable Mindset, host Michael Hingson sits down with Ronald Cocking—performer, educator, and co-founder of the Looking Glass Studio of Performing Arts—to reflect on a remarkable life shaped by rhythm, resilience, and love. Ron's journey into the performing arts began at just five years old, when his passion for tap dance ignited a lifelong commitment to dance and musical theater. From his first professional role at age 15 in My Fair Lady to founding one of Southern California's most impactful arts schools, Ron's story is one of dedication, creativity, and community.   But perhaps the most moving part of Ron's story is his 49-year partnership—both personal and professional—with the late Gloria McMillan, best known as Harriet Conklin from Our Miss Brooks. Together, they created a legacy of mentorship through the Looking Glass Studio, where they taught thousands of students across generations—not just how to act, sing, or dance, but how to live with confidence and integrity.   Ron also reflects on the legacy Gloria left behind, his continued involvement in the arts, and the words of wisdom that guide his life:   “Teach a man to fish and you feed him for a lifetime.” “To find happiness, take the gifts God has given you and give them away.”   This is more than a story of a career in the arts—it's a touching tribute to passion, partnership, and purpose that will leave you inspired.   Highlights:   00:48 – Hear how early radio at home shaped a lifetime love for performance. 03:00 – Discover why drumming and tap both trained his ear for rhythm. 06:12 – Learn how a tough studio change led to ballet, jazz, and tumbling basics. 08:21 – See the “sing with your feet” method that makes tap click for students. 10:44 – Find out how a teen chorus role in My Fair Lady opened pro doors. 13:19 – Explore the drum-and-tap crossover he performed with Leslie Uggams. 15:39 – Learn how meeting Gloria led to a studio launched for $800. 18:58 – Get the long view on running a school for 44 years with family involved. 23:46 – Understand how Our Miss Brooks moved from radio to TV with its cast intact. 32:36 – See how 42nd Street proves the chorus can be the star. 41:51 – Hear why impact matters more than fame when students build careers. 43:16 – Learn what it takes to blend art and business without losing heart. 45:47 – Compare notes on marriage, teamwork, and communication that lasts. 48:20 – Enjoy a rare soft-shoe moment Ron and Gloria performed together. 56:38 – Take away the “teach to fish” approach that builds lifelong confidence.   About the Guest:   My father was a trumpet player, thus I heard music at home often in the early 50's and was always impressed and entertained by the rhythms and beats of Big Band music… especially the drummers.  Each time I would see Tap dancers on TV, I was glued to the screen.  It fascinated me the way Tap dancers could create such music with their feet!   In 1954, at age 5, after begging my Mom and Dad to enroll me in a Tap class, my Dad walked in from work and said “Well, you're all signed up, and your first Tap class is next Tuesday.  I was thrilled and continued studying tap and many other dance forms and performing and teaching dance for all of my life.     In my mid teens, I became serious about dancing as a possible career.  After seeing my first musical, “The Pajama Game” starring Ruth Lee, I new I wanted to do musical theatre.  I got my first professional opportunity at age 15 in “My Fair Lady” for the San Bernardino Civic Light Opera Association and loved every minute of it… and would continue performing for this organization well into my 30's   I met Gloria McMillan in the late 60's while choreographing a summer musical for children.  Gloria's daughter was doing the role of Dorothy in “The Wizard of Oz”.  Then, about 3 or 4 years later I would meet Gloria again and the sparks flew.  And, yes, she was Gloria McMillan of “Our Miss Brooks” fame on both radio and television.  Wow, was I blessed to have crossed paths with her.  We shared our lives together for 49 years.   On November 4, 1974, Gloria and I opened a performing arts school together named “The Looking Glass Studio of Performing Arts”.  We would teach and manage the school together for 44 years until we retired on June 30, 2018.  We moved to Huntington Beach, California and spent 3 beautiful years together until she left to meet our Lord in heaven on January 19, 2022.   Ways to connect with Ron:   Lgsparon@aol.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi there, wherever you are and wherever you happen to be today. Welcome to unstoppable mindset. I'm your host, Mike hingson, and today we get to chat with Ron Cocking, who is Ron. Well, we're going to find out over the next hour. And Ron was married for many years to another person who is very famous, and we'll get to that, probably not as well known to what I would probably describe as the younger generation, but you're going to get to learn a lot about Ron and his late wife before we're done, and I am sure we're going to have a lot of fun doing it. So let's get to it. Ron, welcome to unstoppable mindset. We're glad you're here.   Ron Cocking ** 01:59 Thank you. I'm so glad to be here. Michael, this. I've been looking forward to this.   Michael Hingson ** 02:04 I have been as well, and we're going to have a lot of fun doing it.   Ron Cocking ** 02:08 Do you one note on that last name? It is cocking. Cocking, he comes right? Comes from a little townlet in the coal mining country of England called Cockington.   Michael Hingson ** 02:20 I don't know why I keep saying that, but yeah, cocky, no   02:23 problem.   Michael Hingson ** 02:24 Well, do you go up to the reps recreations at all?   Ron Cocking ** 02:28 Oh my gosh, Gloria. And I know you and Gloria, did do you still do it? I've it's on my schedule for September.   Michael Hingson ** 02:35 I'm gonna miss it this year. I've got a speech to give. So I was going to be playing Richard diamond at recreation. Well, I'll have to be Dick Powell another time, but I thought that you you were still doing   02:50 it. I'm planning on it cool.   Michael Hingson ** 02:53 Well, tell us about the early Ron cocking and kind of growing up in some of that stuff. Let's start with that.   Ron Cocking ** 02:59 Well, the early part of my story was when I was born just a little before television came in, before everyone had a TV in their home. How old are you now? If I maybe, you know, I am now 76   Michael Hingson ** 03:12 Okay, that's what I thought. Yeah, you're one year ahead of me. I'm 75   Ron Cocking ** 03:16 I was born in 49 and so my earliest remembrances my mom and dad and my brother and I lived with our grandfather, and we had no television, but we had this big it must have been about three to four foot tall, this big box on the floor in a very prominent spot in the living room. And that was the Sunday afternoon entertainment. I remember my family sitting around, and I listened and I laughed when they did, but I had no idea what was going on, but that was the family gathering. And just, I know we'll talk about it later, but I I just have this notion that at that time I was laughing, not knowing what I was laughing at, but I bet I was laughing at my future   Michael Hingson ** 04:02 wife, yes, yes, but other things as well. I mean, you probably laughed at Jack Benny and Amos and Andy and   Ron Cocking ** 04:09 yeah, I remember listening to all those folks, and it was just amazing. Then when television came about and my father was a trumpet player, and I loved his trumpet playing, and he practiced often at home. He would sit in his easy chair and play some tunes and scales and that sort of thing. But what captured my ear and my eyes when I went to on rare occasions when I could go to his engagements, it was always the drummer that just stuck out to me. I was mesmerized by the rhythms that they could produce. And when TV came about, I remember the old variety shows, and they often would have tap dancers like. Had a stair gene, Kelly, Peg Leg Bates and the Nicholas brothers, and I just, I was just taken back by the rhythms. It sounded like music to me. The rhythms just made me want to do it. And so I started putting that bug in my parents ears. And I waited and waited. I wanted to take tap dance lessons. And one day, my dad walks in the back door, and I said, Dad, have you signed me up yet? And he said, Yep, you start next Tuesday at 330 in the afternoon. So I was overjoyed, and I went in for my first lesson. And mind you, this was a private tap class. Total Cost of $1.25 and we had a pianist for music, no record player, live piano, wow. And so I, I rapidly fell in love with tap dance.   Michael Hingson ** 05:56 And so you did that when you weren't in school. Presumably, you did go to school.   Ron Cocking ** 06:00 Oh, yeah, I did go to school. Yeah, I did well in school, and I enjoyed school. I did all the athletics. I played little league, and eventually would be a tennis player and water polo and all that stuff. But all through the years, after school was on the way to the dance classes.   Michael Hingson ** 06:16 So you graduated, or I suppose I don't want to insult drumming, but you graduated from drumming to tap dancing, huh?   Ron Cocking ** 06:24 Well, I kept doing them both together. I would dance, and then when my dad would practice, I would beg him to just play a tune like the St Louis Blues, yeah, and so that I could keep time, so I pulled a little stool up in front of an easy chair, and one of the arms of the chair was the ride cymbal, and the other one was the crash cymbal, and the seat of the chair was my snare drum. I would play along with him. And eventually he got tired of that and bought a Hi Fi for my brother and I, and in the bedroom I had a Hi Fi, and I started to put together a set of drums, and I spent hours next to that, Hi Fi, banging on the drums, and I remember it made me feel good. One day, my mom finally said to me, you know, you're starting to sound pretty good, and that that was a landmark for me. I thought, wow, somebody is enjoying my drumming,   Michael Hingson ** 07:18 but you couldn't do drumming and tap dancing at the same time. That would have been a little bit of a challenge. A challenge.   Ron Cocking ** 07:23 No, I would practice that the drums in the afternoon and then head for the dance studio later. And in this case, I was a local boy. I grew up in Riverside California, and my first tap teacher was literally maybe two miles from our house. But that didn't last long. She got married and became pregnant and closed her studio, and then I she recommended that I go see this teacher in San Bernardino by the name of Vera Lynn. And which I did, I remember walking into this gigantic classroom with a bunch of really tall kids, and I was maybe seven or eight years old, and I guess it was kind of an audition class, but after that evening, I she put me in the most appropriate classes, one of which was ballet, which I wasn't too excited about, but they all told me, If you're going to be a serious dancer, even a tap dancer, you need to get the basic body placement from ballet classes. And I said, Well, I am not going to put any tights and a T shirt on. But they finally got me to do that because they told me that the Rams football team took ballet class twice a week at that time. Ah. Said, no kidding. So they got me, they they got you. They got me into ballet class, and then it was jazz, and then it was tumbling, and so I did it all.   Michael Hingson ** 08:43 I remember when we moved to California when I was five, and probably when I was about eight or nine, my brother and I were enrolled by my mother. I guess my parents enrolled us in a dance class. So I took dance class for a few years. I learned something about dancing. I did have a pair of tap shoes, although I didn't do a lot of it, but I, but I did dance and never, never really pursued it enough to become a Gene Kelly or Fred Astaire. Well, few of us do. I didn't dislike it. It just didn't happen. But that was okay, but it was fun to, you know, to do it and to learn something about that. And so I even today, I I remember it, and I appreciate it. So that's pretty cool.   Ron Cocking ** 09:32 Well, you would understand what I always told my students, that tap dancing is like singing a song with your feet. Yeah. And I would sing, I would say, you all know, happy birthday, right? So I would sing it, and they would sing it along, and then I'd said, then I would sing it again, and I would sing it totally out of rhythm. And they would wrinkle their nose and look at me and say, okay, so what are you doing? And I'd say, Well, you don't recognize it because the rhythm is not correct. So then I would. Would tap dance Happy birthday, and I'd say, you sing along in your mind and I'm going to tap dance it. And that would always ring a bell in their mind, like, Oh, I get it. The rhythm has to be right on the button, or the people aren't going to recognize   Michael Hingson ** 10:16 that was very clever to do.   Ron Cocking ** 10:18 Yeah, thank you. And they got it, yeah, they got it, yeah,   Michael Hingson ** 10:22 which is even, even more important. That's pretty clever. Well, so you did that, and did you do it all the way through high school,   Ron Cocking ** 10:30 all the way through high school? And I think when I was 15, I was, I think I was in the eighth grade, maybe ninth, but I was 15 and got my first chance to I was cast in a professional show for San Bernardino civic light opera Association. And the show was My Fair Lady, and it was my English and journalism teacher at the junior high who had been cast. He was a performer also, but something came up and he couldn't follow through, so he had given the association my name, and I was out in the backyard. My mom came out. Said, Hey, San Bernardino clo just called and they want, they want to see it tonight at seven o'clock. So I put on my dance clothes and went over, and the director, by the name of Gosh, Gene Bayless, came out, and he showed me a couple of steps. And he said, Yeah, let's do it together. And he said, Boy, you unscramble your feet pretty well there kid. And he he looked over into the costumers and said, measure this guy. Let's put him in the show. So I was beside myself. And long story short, I Gosh, I'm over the over the years, I my first show was at age 15 with them, and I participated, did shows with them, until I think my last show, I was about 38 years old, and that last show was anything goes with Leslie uggums, wow.   Michael Hingson ** 11:52 So what part did you play on my fair lady?   Ron Cocking ** 11:55 I was just a chorus kid. I remember in the opening when Eliza sings, that wouldn't it be lovely? Wouldn't it be lovely? I was a street sweeper. I remember I had a broom, and there were three of us, and we were sweeping up that street and working in and around. Eliza Doolittle, of   Michael Hingson ** 12:11 course, being really spiteful. You just said a little while ago, you were beside yourself. And the thing that I got to say to that, quoting the Muppets, is, how do the two of you stand each other? But anyway, that's okay, good in the original Muppet Movie, that line is in there. And I it just came out so fast, but I heard it. I was going, Oh my gosh. I couldn't believe they did that. But anyway, it was so cute, very funny. That's great. So and then you were, you eventually were opposite Leslie UB,   Ron Cocking ** 12:39 yes, that was one of the high points talking about dancing and drumming at the same time. In fact, I used to give a drum a basic drum summer camp where I would teach tappers the basics of music notation, quarter notes, eighth notes, 16th notes. And then we would put a tap orchestra together. Everybody had their own music stand and their own drum pad. I would conduct, and we would play little pieces, and they would they would drum a rhythm, tap, a rhythm, drum, a rhythm, tap, a rhythm. And so anyway, it came full circle. One of the highlights of my dance slash drumming career was this show I did with Leslie uggums, the director had done this prior, and he knew it would work, and so so did the conductor in the entre Act. The top of the second act, the pit orchestra starts and plays like eight measures. And then there were six of us on stage, behind the main curtain, and we would play the next 16 bars, and then we would toss it back to the pit, and then toss it back to us, and the curtain would begin to rise, and we were right into the first song that Leslie uggums sang to get into the second act. Then she wanted to add a couple of songs that she liked, and she was very popular in with the audiences in San Bernardino, so she added a couple of songs, and I got to play those songs with her and and that was just so thrilling. And I with the scene finished, I had to have my tap shoes on, on the drum set. I had to hop down from the riser, and came out, brought one of my Toms with me, and played along with another featured tap dancer that kind of took over the scene at that point. So it was, it was really cool.   Michael Hingson ** 14:31 So with all this drumming, did you ever meet anyone like buddy rip?   Ron Cocking ** 14:35 No, I never met any famous drummers except a man by the name of Jack Sperling, which was one of my drumming idols,   Michael Hingson ** 14:44 Donnie Carson was quite the drummer, as I recall,   Ron Cocking ** 14:48 yeah, he did play yeah and boy, his his drummer, Ed Shaughnessy on his on The Tonight Show was phenomenal. Yeah, he's another of my favorites, yeah,   Michael Hingson ** 14:57 well, and I remember. I guess Johnny Carson and Buddy Rich played together, which was kind of fun. They   Ron Cocking ** 15:07 played together, and so did Ed Shaughnessy and Buddy Rich did a little competition on the show one time I realized, yeah,   Michael Hingson ** 15:15 right, yeah. Well, and it's interesting to see some of the performers do that. I remember once trying to remember whether what show it was on, maybe it was also a Tonight Show where Steve Martin substituted for Johnny, but he and the steel Canyon, the Steve Canyon band, came out. Of course, he was great on the band, and then flat and Scruggs or flat came out. Or which one? Yeah, which one did the banjo flat, I think, but they, but they banjo together, which was fun?   Ron Cocking ** 15:51 Oh, wow, yeah, yeah. Steve Martin is a tremendous band. He is, Whoa, yeah. I,   Michael Hingson ** 15:56 I have a hard time imagining fingers moving that fast, but that's okay, me too. I saved my fingers for Braille, so it's okay. So where did you go to college?   Ron Cocking ** 16:07 I went to for two years to Riverside City College, Riverside Community College, and then I went for two years to San Bernardino Cal State, San Bernardino, and I was majoring in English because I thought I may want to do some writing. But in the meantime, I became married, I became a father, and so I was trying to work and study and maintain a family life, and I just couldn't do it all. So I didn't quite finish a major at Cal State San Bernardino. I continued actually a nightclub drumming career. And now, now we're getting up to where this our performing arts studio began between Gloria and I.   Michael Hingson ** 16:50 So was it? GLORIA? You married first?   Ron Cocking ** 16:53 No, okay, no, Gloria was married. Gloria was a prior, prior marriage for 20 some years, or 20 years, I guess. And I had been married only two years, I think. And when we first, well, we actually met while we were both. I'll tell you the story in a minute, if you want to hear it. Sure, the first time I ever met Gloria Macmillan, I had no idea who she was, because she her name was Gloria Allen at the time that was, that was her married name that she took after the arm is Brooks TV show. Well, she took that the new name before the TV show even ended. But I was choreographing a children's summer musical, and the director came up said, hey, I want you to meet this young lady's mom. So the young lady was Gloria's daughter, her oldest daughter, Janet. And I said, Sure. So he said, This is Gloria. Allen, Gloria, this is Ron. And we shook hands, and I said, Nice to meet you. And that was it. And so the show happened. It ran for a couple of weeks, and Gloria was a wonderful stage mom. She she never bothered anyone. She watched the show. She was very supportive of her daughter. Didn't, didn't stage manage   Michael Hingson ** 18:09 whatsoever, which wasn't a helicopter mom, which is good,   Ron Cocking ** 18:12 definitely that, which was just really cool. So and so I was maybe three, four years later, so Gloria obviously knew that I could dance, because she had seen me choreographed. So I got a phone call from Gloria Allen, and I said, Okay, I remember her. She wanted to meet because she was thinking about starting an acting school and wanted someone to teach actors some dance movement. So I went over for a interview and took my little at that time, about two and a half year old, daughter, three year old, and we chatted, and oh my gosh, I just this, this beautiful woman swept me off my feet. And of course, I by the end of the conversation, I said, Gosh, you know, we talked about how we would integrate the acting and the dance, and I said, Can I have your phone number? Nope, I got the old well, we'll call you. Don't call us. And so I had to wait for a few days before I got a call back, but I got a call back, and I don't remember a lot of details, but the sparks flew really, really quickly, and we started planning our school. And if you can believe that this was 1973 when we started planning, maybe it was early 74 and we invested a whole total of $800 to get ourselves into business. We bought a record player, some mirrors, some paint, and a business license and a little shingle to hang out front. We had a little one room studio, and we. Opened on November 4, 1974 and we would close the studio on June 30, 2018 Wow.   Michael Hingson ** 20:08 Yeah. So you, you had it going for quite a while, almost, well, actually, more than 40 years. 44 years. 44 years, yes. And you got married along the way.   Ron Cocking ** 20:20 Well along the way, my my wife always said she fell in love with my daughter, and then she had to take me along with her. Yeah. Well, there you go. So we were together constantly, just running the school together. And then eventually I moved over to San Bernardino, and it was, gosh, some 1213, years later, we got married in on June 28 1987 and but nothing really changed, because we had already been living together and raising five children. GLORIA had four from a private prior marriage, and I had my little girl. So we we got all these five kids through elementary and junior high in high school, and they all went to college. And they're all beautiful kids and productive citizens, two of them still in show biz. Her son, my stepson, Christopher Allen, is a successful producer now and of Broadway shows. And our daughter, Barbara Bermudez, the baby that Gloria fell in love with. She's now a producer slash stage manager director. She does really well at big events with keynote speakers. And she'll, if they want her to, she will hire in everything from lighting and sound to extra performers and that sort of thing. And she's, she's just busy constantly all over the world, wow.   Michael Hingson ** 21:43 Well, that's pretty cool. And what are the other three doing?   Ron Cocking ** 21:47 One is a VP of Sales for it's a tub and shower company, jacuzzi, and the other one is a married housewife, but now she is a grandmother and has two little grandkids, and they that's Janet, the one that I originally had worked with in that children's show. And she and her husband live in Chino Hills, California, which is about 40 minutes from here. I live in Huntington Beach, California now,   Michael Hingson ** 22:14 well, and I'm not all that far away from you. We're in Victorville. Oh, Victorville, okay, yeah, the high desert. So the next time you go to Vegas, stop by on your way, I'll do that, since that's mainly what Victorville is probably most known for. I remember when I was growing I grew up in Palmdale, and Palmdale wasn't very large. It only had like about 20 703,000 people. But as I described it to people, Victorville wasn't even a speck on a radar scope compared to Palmdale at that time. Yeah, my gosh, are over 120,000 people in this town?   Ron Cocking ** 22:51 Oh, I remember the drive in the early days from here to Vegas in that you really felt like you could get out on the road all alone and relax and take it all in, and now it can be trafficking all all the   Speaker 1 ** 23:04 way. Yeah, it's crazy. I don't know. I still think they need to do something to put some sort of additional infrastructure, and there's got to be another way to get people to Vegas and back without going on i 15, because it is so crowded, especially around holidays, that one of these days, somebody will get creative. Maybe they'll get one of Tesla's tunnel boring tools, and they'll make a tunnel, and you can go underground the whole way, I don't know,   Ron Cocking ** 23:32 but that would be, that would be great. Something like that would happen.   Michael Hingson ** 23:38 Well, so you you started the school and and that did, pretty cool. Did, did Gloria do any more acting after our Miss Brooks? And then we should explain our Miss Brooks is a show that started on radio. Yes, it went on to television, and it was an arm is Brooks. Miss Brooks played by e vardin. Was a teacher at Madison High, and the principal was Osgood Conklin, played by Gail Gordon, who was absolutely perfect for the part. He was a crotchety old curmudgeon by any standards. And Gloria played his daughter, Harriet correct. And so when it went from radio to television, one of the things that strikes me about armas Brooks and a couple of those shows, burns and Allen, I think, is sort of the same. Jack Benny was a little different. But especially armas Brooks, it just seems to me like they they took the radio shows and all they did was, did the same shows. They weren't always the same plots, but it was, it was radio on television. So you, you had the same dialog. It was really easy for me to follow, and it was, was fascinating, because it was just like the radio shows, except they were on television.   Ron Cocking ** 24:56 Yeah, pretty much. In fact, there were a lot, there's lots of episodes. Episodes that are even named the same name as they had on the radio, and they're just have to be reworked for for the television screen,   Michael Hingson ** 25:08 yeah, but the the dialog was the same, which was so great,   Ron Cocking ** 25:13 yeah, yeah. And to see what was I going to add, it was our Miss Brooks was one of the very few radio shows that made the transition to television with the cast with the same intact. Yeah, everybody looked like they sounded. So it worked when they were in front of the camera. Yeah,   Michael Hingson ** 25:33 it sort of worked with Jack Benny, because most of the well, all the characters were in it, Don Wilson, Mary, Livingston, Dennis day, Rochester, world, yeah. And of course, Mel Blanc, yeah, oh.   Ron Cocking ** 25:49 GLORIA tells a story. She she and her mom, Hazel, were walking down the street on the way to do a radio show in the old days in Hollywood, and here comes Mel blank, he says, he pulls over. Says, Hey, where are you girls headed because I know that he probably recognized them from being at at CBS all the time, and they said, We're headed to CBS. He said, hop in. Oh, that's where I'm going. So Mel Brooks gave her a ride to the Mel Blanc, yeah, would have been   Michael Hingson ** 26:15 fun if Mel Brooks had but that's okay, Young Frankenstein, but that's another story. It is. But that's that's cool. So did they ever? Did she ever see him any other times? Or was that it?   Ron Cocking ** 26:30 No, I think that was it. That's the one story that she has where Mel Blanc is involved.   Michael Hingson ** 26:36 What a character, though. And of course, he was the man of a million voices, and it was just incredible doing I actually saw a couple Jack Benny shows this morning and yesterday. One yesterday, he was Professor LeBlanc teaching Jack Benny how to play the violin, which was a lost cause.   Ron Cocking ** 26:59 Actually, Jack Benny was not a bad view. No,   Michael Hingson ** 27:01 he wasn't violent. No, he wasn't. He had a lot of fun with it, and that stick went straight in from radio to television, and worked really well, and people loved it, and you knew what was going to happen, but it didn't matter. But it was still   Ron Cocking ** 27:16 funny, and I'm sure during the transition they there was a little bit of panic in the writers department, like, okay, what are we going to do? We got to come up with a few shows. We got to get ahead a little bit. So the writing being just a little different, I'm sure that's part of the reason why they went back and kind of leaned on the old, old script somewhat, until they kind of cut their teeth on the new this new thing called television   Michael Hingson ** 27:39 well, but they still kept a lot of the same routines in one way or another.   Ron Cocking ** 27:45 Yeah, when they work, they work, whether you're just listening or whether you're watching,   Michael Hingson ** 27:48 right, exactly what other shows made it from radio to television with the cast   Ron Cocking ** 27:53 intact? You know, I am not up on that number. I   Michael Hingson ** 27:57 know there were a couple that did. RMS, Brooks was, well, oh no, I was gonna say Abbott and Costello, but that was different, but our Miss Brooks certainly did. If   Ron Cocking ** 28:09 the Bickersons did, I forget the two actors that did that show, but that was a really, Francis   Michael Hingson ** 28:13 Langford and Donna Michi could be, but I think burns and Allen, I think, kept the same people as much as there were. Harry bonzell was still with them, and so on. But it was interesting to see those. And I'm awake early enough in the morning, just because it's a good time to get up, and I get and be real lazy and go slowly to breakfast and all that. But I watched the Benny show, and occasionally before it, I'll watch the burns and Allen show. And I think that the plots weren't as similar from radio to television on the burns and Allen show as they weren't necessarily in the Benny show, but, but it all worked.   Ron Cocking ** 28:58 Yeah, yeah. That's why they were on the air for so long?   Michael Hingson ** 29:02 Yeah, so what other kind of acting did Gloria do once? So you guys started the school   Ron Cocking ** 29:10 well after she well, when we started the school, we found ourselves, you know, raising five children. And so I continued playing nightclub gigs. I had one, one nightclub job for like, five years in a row with two wonderful, wonderful musicians that were like fathers to me. And Gloria actually went to work for her brother in law, and she became a salesperson, and eventually the VP of Sales for a fiberglass tub and shower business down here in Santa Ana. So she drove that 91 freeway from San Bernardino, Santa Ana, all the time. But in,   Michael Hingson ** 29:47 yeah, you could do it back then, much more than now. It was a little better   Ron Cocking ** 29:51 and but in, but twist in between, she managed. Her mom still did a little bit of agency. And she would call Gloria and say. Want you to go see so and so. She did an episode of perfect strangers. She did an episode with Elliot of the guy that played Elliot Ness, stack the show Robert Stack the show was called Help Wanted no see. I guess that was an in but wanted, anyway, she did that. She did a movie with Bruce Dern and Melanie Griffith called Smile. And so she kept, she kept her foot in the door, but, but not, not all that much she she really enjoyed when John Wilder, one of her childhood acting buddies, who she called her brother, and he still calls her sis, or he would call her sis, still. His name was Johnny McGovern when he was a child actor, and when he decided to try some movie work, he there was another Johnny McGovern in Screen Actors Guild, so he had to change his name to John Wyler, but he did that mini series called centennial, and he wanted Gloria for a specific role, to play a German lady opposite the football player Alex Karras. And they had a couple of really nice scenes together. I think she was in three, maybe four of the segments. And there were many segments, it was like a who's who in Hollywood, the cast of that show   Michael Hingson ** 31:28 does that was pretty cool.   Ron Cocking ** 31:32 But anyway, yeah, after Gloria finished armas Brooks, she became married to Gilbert Allen, who, who then became a Presbyterian minister. So Gloria, when you said, Did she continue acting? There's a lot of acting that goes on being a minister and being a minister's wife, and she would put together weddings for people, and that sort of thing. And she did that for 20 years. Wow. So she Gloria was a phenomenon. She did so many things. And she did them all so very well, in my   Speaker 1 ** 32:04 opinion. And so did you? Yeah, which is, which is really cool. So you, but you, you both started the school, and that really became your life's passion for 44 years. Yes,   Ron Cocking ** 32:16 we would get up in the mornings, go do a little business, come home, have a little lunch, go back about 132 o'clock, and we would normally crank up about four after the kids get out of school, and we would teach from four to nine, sometimes to 10. Go out, have some dinner. So yeah, we pretty much 24/7 and we had had such similar backgrounds. Hers on a national radio and television scale, and mine on a much more local, civic light opera scale. But we both had similar relations with our our moms after after the radio tapings and the TV things. GLORIA And her mom. They lived in Beverly Hills, right at Wilshire and Doheny, and they had their favorite chocolate and ice cream stops. And same thing for me, my mom would take me there, two doors down from the little studio where I was taking my tap classes. There was an ice cream parlor, haywoods ice cream. And that was, that was the the lure, if you go in and if you do your practicing, Ronnie, you can, I'll take it for an ice cream so that I did my practicing, had plenty of little treats on the way, so we had that in common, and we both just had very supportive moms that stayed out of the way, not, not what I would call a pushy parent, or, I think you mentioned the helicopter, helicopter, but it   Michael Hingson ** 33:37 but it sounds like you didn't necessarily need the bribes to convince you to tap dance, as you know, anyway, but they didn't hurt.   Ron Cocking ** 33:46 No, it didn't hurt at all, and it was something to look forward to, but I I just enjoyed it all along. Anyway, I finally got to to really showcase what I could do when I was cast as the dance director in the show 42nd street. Oh, wow. And I was lucky. We were lucky. San Bernardino clo was able to hire John Engstrom, who had done the show on Broadway. The earlier version that came, I think it was on Broadway in the mid or to late 70s. He had worked side by side with Gower Champion putting the show together. He told us all sorts of stories about how long it took Gower to put together that opening dance. Because everything in the opening number you you see those steps later in the show done by the chorus, because the opening number is an audition for dancers who want to be in this new Julian Marsh show. So the music starts, the audience hears, I know there must have been 20 of us tapping our feet off. And then a few seconds later, the curtain rises about two and a half feet. And then they see all these tapping feet. And then the main curtain goes out, and there we all are. And. I my part. I was facing upstage with my back to the audience, and then at some point, turned around and we did it was the most athletic, difficult, two and a half minute tap number I had ever done, I'll bet. But it was cool. There were five or six kids that had done it on Broadway and the national tour. And then during that audition, one more high point, if we have the time, we I was auditioning just like everybody else. The director had called and asked if I would audition, but he wasn't going to be choreographing. John Engstrom was so with there was probably 50 or 60 kids of all ages, some adults auditioning, and at one point, John pulled out one of the auditioners, and he happened to be one of my male tap dance students. And he said, Now I want everybody to watch Paul do this step. Paul did the step. He said, Now he said, Paul, someone is really teaching you well. He said, everybody that's the way to do a traveling timestamp so and that, you know, I'll remember that forever. And it ended up he hired. There were seven myself and seven other of my students were cast in that show. And some of them, some of them later, did the show in Las Vegas, different directors. But yeah, that, that was a high point for me.   Speaker 1 ** 36:19 I'm trying to remember the first time I saw 42nd street. I think I've seen it twice on Broadway. I know once, but we also saw it once at the Lawrence Welk Resorts condo there, and they did 42nd street. And that was a lot of that show was just a lot of fun. Anyway,   Ron Cocking ** 36:39 it's a fun show. And as John said in that show, The chorus is the star of the show.   Speaker 1 ** 36:45 Yeah, it's all about dancing by any by any definition, any standard. It's a wonderful show. And anybody who is listening or watching, if you ever get a chance to go see 42nd street do it, it is, it is. Well, absolutely, well worth it.   Ron Cocking ** 37:00 Yeah, good. Good show. Fantastic music, too. Well.   Michael Hingson ** 37:03 How did you and Gloria get along so well for so long, basically, 24 hours a day, doing everything together that that I would think you would even be a little bit amazed, not that you guys couldn't do it, but that you did it so well, and so many people don't do it well,   Ron Cocking ** 37:21 yeah, I don't know I from, from the the first time we met, we just seemed to be on the same wavelength. And by the way, I found out as time went by, Gloria was like Mrs. Humble. She wasn't a bragger, very humble. And it took me a while to find out what an excellent tap dancer she was. But when we went to the studio in the early days, we had, we just had one room. So she would teach actors for an hour, take a break. I would go in teach a tap class or a movement class or a ballet class. I in the early days, I taught, I taught it all. I taught ballet and jazz and and and and   Michael Hingson ** 38:01 tap. Well, let's let's be honest, she had to be able to tap dance around to keep ahead of Osgoode Conklin, but that's another story.   Ron Cocking ** 38:09 Yeah. So yeah, that. And as our studio grew, we would walk every day from our first studio down to the corner to a little wind chills donut shop wind chills donuts to get some coffee and come back. And about a year and a half later, after walking by this, this retail vacant spot that was two doors from our studio, we said, I wonder if that might be, you know, something for us, it had a four lease sign. So, long story short, we released it. The owner of the property loved knowing that Gloria Macmillan was that space. And so luckily, you know when things are supposed to happen. They happen as people would move out next to us, we would move in. So we ended up at that particular studio with five different studio rooms. Wow. And so then we can accommodate all of the above, acting, singing classes, all the dance disciplines, all at the same time, and we can, like, quadruple our student body. So then we made another move, because the neighborhood was kind of collapsing around us, we made another room and purchased a building that had been built as a racquetball club. It had six racquetball courts, all 20 by 40, beautiful hardwood. We made four of them, five of them into studios, and then there was a double racquetball racquetball court in the front of the building which they had tournaments in it was 40 by 40 we moved. We made that into a black box theater for Gloria. And the back wall of the theater was one inch glass outside of which the audiences for the racquetball tournaments used to sit. But outside the glass for us, we had to put curtains there, and out front for us was our. Gigantic lobby. The building was 32,000 square feet. Wow, we could it just made our heart, hearts sing when we could walk down that hallway and see a ballet class over here, a tap class over there, singers, singing actors in the acting room. It was beautiful. And again, it was just meant for us because it was our beautiful daughter, Kelly, who passed away just nine months after Gloria did. She's the one that said, you guys ought to look into that. And I said, Well, it's a racquetball court. But again, the first moment we walked in the front door, you start. We started thinking like, whoa. I think we could make this work. And it worked for another 20 years for us and broke our hearts to basically rip it apart, tear the theater down, and everything when we were moving out, because we we couldn't find another studio that was interested in in coming in, because they would have had to purchase the building. We wanted to sell the building. Yeah. So anyway, of all things, they now sell car mufflers out of there.   Michael Hingson ** 41:02 That's a little different way, way. Yeah, social shock, did any of your students become pretty well known in the in the entertainment world?   Ron Cocking ** 41:11 I wouldn't say well known, but a lot of them have worked a lot and made careers. Some of our former students are now in their 50s, middle 50s, pushing 60, and have done everything from cruise ship to Las Vegas to regional some national tours, even our son, Christopher, he did the national tour of meet me in St Louis with Debbie Boone, okay, and he's the one that is Now a successful producer. He's his latest hit. Well, his first, what can be considered legitimately a Broadway hit show was the show called shucked, and it opened about two years ago, I think, and I finally got to go back to New York and see it just a month before it closed. Very hilarious. Takes place in Iowa. The whole show is built around a county in which everybody that lives there makes their living off of corn, making whiskey. And it is a laugh, way more than a laugh a minute. But anyway, we had one of Gloria's acting students who was hired on with a Jonathan Winters TV sitcom called Davis rules. It ran for two seasons, and here he was like 16 or 17 years old, making, I think it was. He was making $8,000 a week, and he was in heaven. He looked like the Son he played, the grandson of Jonathan Winters and the son of Randy Quaid and so he, yeah, he was in heaven. And then after that, he did a very popular commercial, the 711 brain freeze commercial for Slurpee. The Slurpee, yeah, and he made the so much money from that, but then he kind of disappeared from showbiz. I don't know what he's doing nowadays,   Speaker 1 ** 43:00 but it's, it's, it's interesting to, you know, to hear the stories. And, yeah, I can understand that, that not everybody gets to be so famous. Everybody knows them, but it's neat that you had so many people who decided to make entertainment a career. So clearly, you had a pretty good influence on a lot of, a lot of kids.   Ron Cocking ** 43:20 Yes, I over the years, Gloria and I felt like we had 1000s of children of our own, that they that we had raised together. It's really a good feeling. And I still get phone calls. We got a phone call once a few years back from from one of our students who had been trying to crack the nut in New York, and she called us like 530 in the morning, because, of course, it was Yeah, but she had just signed her first national tour contract and was going to go out with the show cabaret. So fortunately, we were able to drive up to Santa not let's see, it's just below San San Jose. The show came through San Jose, and we got to see her up there. But those kinds of things are what made us keep teaching, year after year, all these success stories. Of course, we have former students that are now lawyers. Those are actors. Well, we   Michael Hingson ** 44:17 won't hold it and we understand, yeah and they are actors, by all means. How many teachers did you have in the studio when you had the big building?   Ron Cocking ** 44:26 Gosh, at one time, we had 10 or 12 teachers, teaching vocal teachers, two or three ballet teachers, jazz teachers, and you both taught as well. And we both continued teaching all through that time. We never just became managers, although that's that was part of it, and mixing business with art is a challenge, and it takes kind of a different mindset, and then what an unstoppable mindset you have to have in order to mix business with performing, because it's too. Different sides of your brain and a lot of patience and a lot of patience. And guess who taught me patience? Uh huh, Gloria Macmillan.   Michael Hingson ** 45:09 I would Conklin's daughter, yes, and I'll bet that's where she learned patience. No, I'm just teasing, but yeah, I hear you, yeah. Well, I know Karen and I were married for 40 years, until she passed in November of 2022 and there's so many similarities in what you're talking about, because we we could do everything together. We had challenges. Probably the biggest challenge that we ever had was we were living in Vista California, and I was working in Carlsbad, and the president of our company decided that we should open an office, because I was being very successful at selling to the government, we should open an office in the DC area. And so we both got excited about that. But then one day he came in and he had this epiphany. He said, No, not Virginia. I want you to open an office in New York. And Karen absolutely hated that she was ready to go to Virginia and all that.   Speaker 1 ** 46:15 But the problem for me was it was either move to New York or take a sales territory that didn't sell very much anymore. The owner wasn't really willing to discuss it, so we had some challenges over that, but the marriage was strong enough that it that it worked out, and we moved to New Jersey, and Karen made a lot of friends back there, but, you know, we always did most everything together. And then when the pandemic occurred, being locked down, it just proved all the more we just did everything together. We were together. We talked a lot, which is, I think one of the keys to any good marriages, and you talk and communicate.   Ron Cocking ** 46:56 Yes, in fact, when after we closed the studio in 2018 it took us a few more months to sell our home, and then when we moved down here, it was only about, I don't know, I don't know if it was a full year or not, but the pandemic hit and but it really didn't bother us, because we had, we had been working the teaching scene for so many years that we basically Were done. We basically walked out of the studio. We did. Neither of us have the desire to, well, let's continue in at some level, no, we cherished our time together. We have a little porch out in front of our home here, and it gets the ocean breeze, and we would sit for hours and chat. And oddly enough, not oddly, one of our favorite things to do, we have a website that we went to that had, I think, every radio show of armas Brooks ever made. And we would sit listen to those and just laugh. And, in fact, Gloria, there are some. She said, You know what? I don't even remember that episode at all. So yeah, that that was an interesting part. But yeah, Gloria and I, like your wife and you really enjoyed time together. We never talked about needing separate vacations or anything if we wanted to do something. We did it   Speaker 1 ** 48:16 together, yeah, and we did too. And you know, for us it was, it was out of desire, but also was easier for us, because she was in a wheelchair her whole life. I was I'm blind. I've been blind my whole life. And as I tell people, the marriage worked out well. She read, I pushed, and in reality, that really is the way it worked, yeah, yeah. Until she started using a power chair. Then I didn't push. I kept my toes out of the way. But still, it was, it was really did meld and mesh together very well and did everything   Ron Cocking ** 48:49 together. That's fantastic. I'm proud of you, Michael, and it really   Michael Hingson ** 48:53 it's the only way to go. So I miss her, but like, I keep telling people she's somewhere monitoring me, and if I misbehave, I'm going to hear about it. So I got to be a good kid,   Ron Cocking ** 49:04 and I'll hear I'll get some notes tonight from the spirit of Gloria McMillan too. I prayed to her before I went on. I said, please let the words flow and please not let me say anything that's inappropriate. And I think she's guided me through okay so far.   Michael Hingson ** 49:20 Well, if, if you do something you're not supposed to, she's gonna probably hit you upside the head. You know, did you two ever actually get to perform together?   Ron Cocking ** 49:30 Oh, I'm glad you asked that, because, well, it had been years since I knew that she was a darn good tap dancer. In fact, I had a tap dancing ensemble of of my more advanced kids, and if they wanted to dedicate the extra time that it took, we rehearsed them and let them perform at free of charge once they made it to that group, they they did not pay to come in and rehearse with me, because I would spend a lot of time standing there creating so. So we were doing a performance, and we wanted to spotlight, I forget the exact reason why we wanted to spotlight some of Gloria's career. Talk about radio a little bit. And I said, Gloria, would you do a little soft shoe routine? And because we had invited a mutual friend of ours, Walden Hughes, from the reps organization, and he was going to be the guest of honor, so I talked her into it. At first she wasn't going to go for it, but we had so much fun rehearsing it together. And it wasn't a long routine, it was relatively short, beautiful music, little soft shoe, and it was so much fun to say that we actually tap danced together. But the other times that we actually got to work together was at the old time radio conventions, mostly with reps, and that's really when I got to sit on stage. I was kind of typecast as an announcer, and I got to do some commercials. I got to sing once with Lucy arnazza. Oh, life, a life boy soap commercial. But when Gloria, Well, Gloria did the lead parts, and oh my gosh, that's when I realized what a superb actress she was. And if I don't know if you've heard of Greg Oppenheimer, his father, Jess Oppenheimer created the I Love Lucy shows, and so Gloria loved Jess Oppenheimer. And so Greg Oppenheimer, Jess Son, did a lot of directing, and oh my gosh, I would see he came in very well prepared and knew how the lines should be delivered. And if Gloria was not right on it, he would say, No, wait a minute, Gloria, I want you to emphasize the word decided, and that's going to get the laugh. And when he gave her a reading like that man, the next time she went through that dialog, just what he had asked for. And I thought, Oh my gosh. And her timing, after watching so many armist Brooks TV and listening to radio shows. GLORIA learned her comedic timing from one of the princesses of comedy timing is Eve Arden, right? They were so well for obvious reasons. They were so very similar. And if you have time to story for another story, do you know have you heard of Bob Hastings? He was the lieutenant on McHale's navy. McHale's Navy, right? Yeah. Well, he also did a lot of old time radio. So we went up to Seattle,   Michael Hingson ** 52:32 our two grandkids, Troy Amber, he played, not Archie. Was it Henry Aldridge? He was on,   Ron Cocking ** 52:40 I think you're right. I'm not too up on the cast of the old time radio show. Yeah, I think you're right. But anyway, he was there, and there was an actress that had to bow out. I don't know who that was, but our grandsons and Gloria and I, we walked in, and as usual, we say hi to everybody. We're given a big packet of six or eight scripts each, and we go to our room and say, Oh my gosh. Get out the pencils, and we start marking our scripts. So we get a phone call from Walden, and he said, hey, Ron Bob. Bob Hastings wants to see Gloria in his room. He wants to read through he's not sure if he wants to do the Bickersons script, because he you know, the gal bowed out and right, you know, so Gloria went down   Michael Hingson ** 53:23 couple of doors, coming   Ron Cocking ** 53:26 Yes, and she so she came back out of half an hour, 40 minutes later, and she said, well, that little stinker, he was auditioning me. He went in and she went in and he said, Well, you know, I don't know if I want to do this. It doesn't seem that funny to me. Let's read a few lines. Well, long story short, they read the whole thing through, and they were both, they were both rolling around the floor. I'll bet they laughing and so and then jump to the following afternoon, they did it live, and I was able to watch. I had some pre time, and I watched, and they were just fantastic together. I left after the show, I went to the green room, had a little snack, and I was coming back to our room, walking down the hall, and here comes Bob Hastings, and he says, oh, Ron. He said, Your wife was just fantastic. So much better than the other girl would have been. So when I told GLORIA That story that made her her day, her week. She felt so good about that. So that's my Bob Hastings story. Bob Hastings and Gloria Macmillan were great as the Bickersons.   Speaker 1 ** 54:29 Yeah, that was a very clever show. It started on the Danny Thomas show, and then they they ended up going off and having their own show, Francis Langford and Donna Michi, but they were very clever.   Ron Cocking ** 54:42 Now, did you realize when now that you mentioned Danny Thomas? Did you realize that Gloria's mom, Hazel McMillan, was the first female agent, talent agent in Hollywood? No, and that's how you know when the. They moved from from Portland, Oregon, a little city outside of Portland. They moved because Gloria's mom thought she had talent enough to do radio, and it wasn't a year after they got here to LA that she did her first national show for Lux radio at the age of five. That was in 1937 with with Edward G Robinson. I've got a recording of that show. What's what show was it? It was a Christmas show. And I don't remember the name of the of it, but it was a Christmas show. It was Walden that sent us. Sent   Michael Hingson ** 55:33 it to us. I'll find it. I've got it, I'm sure.   Ron Cocking ** 55:35 And so, yeah, so, so Gloria was a member of what they called the 500 club. There was a group of, I don't know, nine or 10 kids that by the time the photograph that I have of this club, it looks like Gloria is around 12 to 14 years old, and they had all done 500 or more radio shows. Wow, that's a lot of radio show. There's a lot of radio So Gloria did, I mean, I got a short my point was, her mom was an agent, and when Gloria was working so consistently at armas Brooks, she said, Well, I'm kind of out of a job. I don't need to take you. GLORIA could drive then. And so she came back from the grocery store, Ralph's market near Wilshire and Doheny, and she came back said, Well, I know what I'm going to do. I ran into this cute little boy at the grocery store. I'm going to represent him for television. And she that's, she started the Hazel McMillan agency, and she ran that agency until she just couldn't anymore. I think she ran it until early 1980s but she, my god, she represented people like Angela Cartwright on the Danny Thomas show and Kathy Garver on, all in the family a family affair. Family Affair. Yeah. Jane north. Jane North went in for Dennis the Menace. He didn't get the role. He came back said, Hazel, I don't think they liked me, and they didn't. They didn't call me back or anything. Hazel got on that phone, said, Look, I know this kid can do what you're asking for. I want you to see him again. He went back and they read him again. He got the part, yeah,   Michael Hingson ** 57:21 and he was perfect for it.   Ron Cocking ** 57:22 He was perfect for that part was, I'm sorry.   Michael Hingson ** 57:27 It's sad that he passed earlier this year.   Ron Cocking ** 57:29 Yeah, he passed and he had, he had a tough life, yeah,   Michael Hingson ** 57:36 well, you know, tell me you, you have what you you have some favorite words of wisdom. Tell me about those.   Ron Cocking ** 57:45 Oh, this goes back to the reason why I came across this when I was looking for something significant to say on the opening of one of our big concert programs. We used to do all of our shows at the California theater of Performing Arts in San Bernardino, it's a really, a real gem of a theater. It's where Will Rogers gave his last performance. And so I came across this, and it's, I don't know if this is biblical, you might, you might know, but it's, if you give a man a fish, you feed him for a day. If you teach a man to fish, you feed him for a lifetime. And that's what I felt like Gloria and I were trying to do. We wanted to teach these kids as as professionally. We treated our students as they were, as if they were little professionals. We we expected quality, we expected them to work hard, but again, Gloria taught me patience, unending patience. But we knew that we wanted them to feel confident when the time came, that they would go out and audition. We didn't want them to be embarrassed. We want we wanted them to be able to come back to us and say, Boy, I felt so good at that audition. I knew all the steps I was and I and I read so well it was. And thank you. Thank you. Thank you. And so that aspect of it, we felt that we were feeding them for a lifetime, but we also were creating all of these arts patrons, all these lovers of the arts, 1000s of kids now love to go to musicals and movies and plays because they've kind of been there and done that at our studio. And so anyway, that's and whether, whether or not it was their confidence in show business or whether it was their confidence we've had so many calls from and visits from parents and former students saying, Boy, I just was awarded a job. And they said my my communication skills were excellent, and I owe that to Gloria. I was on the beach the other day, and I looked over and there was this young man and his wife. I assumed it was his wife. It was they were setting. Up their beach chairs, and I looked and I say, Excuse me, is your name Brandon? And he said, No, but he said, Is your name Ron? And I said, Yes. He said, No, my name is Eric. And I said, Eric puentes. And so we reminisced for a while. He took tap from me. He took acting from Gloria, and he said, you know, he was sad to hear of Gloria's passing. And he said, You know, I owe so much to Gloria. I learned so much about speaking in front of groups. And he is now a minister. He has his own church in Redlands, California, and he's a minister. And of all the billion people on the beach, he sits next to me. So that's one of those things when it's supposed to   Michael Hingson ** 1:00:41 happen. It happens. It does. Yeah, well, and as we talked about earlier, you and Gloria did lots of stuff with reps, and I'm going to miss it this time, but I've done a few, and I'm going to do some more. What I really enjoy about people who come from the radio era, and who have paid attention to the radio era is that the acting and the way they project is so much different and so much better than people who have no experience with radio. And I know Walden and I have talked about the fact that we are looking to get a grant at some point so that we can train actors or people who want to be involved in these shows, to be real actors, and who will actually go back and listen to the shows, listen to what people did, and really try to bring that forward into the recreations, because so many people who haven't really had the experience, or who haven't really listened to radio programs sound so forced, as opposed to natural.   Ron Cocking ** 1:01:46 I agree, and I know exactly what you're saying. In fact, Walden on a couple of at least two or three occasions, he allowed us to take some of Gloria's acting students all the way to Seattle, and we did some in for the spurred vac organization Los Angeles, we did a beautiful rendition of a script that we adapted of the Velveteen Rabbit. And of all people, Janet Waldo agreed to do the fairy at the end, and she was exquisite. And it's only like, I don't know, four or five lines, and, oh my gosh, it just wrapped it up with a satin bow. And, but, but in some of our kids, yeah, they, they, they were very impressed by the radio, uh, recreations that they were exposed to at that convention.   Speaker 1 ** 1:02:37 Yeah, yeah. Well, and it's, it is so wonderful to hear some of these actors who do it so well, and to really see how they they are able to pull some of these things together and make the shows a lot better. And I hope that we'll see more of that. I hope that we can actually work to teach more people how to really deal with acting from a standpoint of radio,   Ron Cocking ** 1:03:04 that's a great idea. And I know Walden is really sensitive to that. He Yeah, he would really be a proponent of that.   Michael Hingson ** 1:03:10 Oh, he and I have talked about it. We're working on it. We're hoping we can get some things. Well, I want to thank you for being here. We've been doing this an hour already.  

On this weeks episode of One For The Road I am joined by Brad Garrett is an Emmy and SAG Award winning actor, comedian, and writer. He won three Emmys for his role as "Robert Barone" on the iconic television series EVERYBODY LOVES RAYMOND and received an Emmy nomination along with a Screen Actors Guild nomination for Outstanding Lead Actor in a Miniseries or Movie for his portrayal of "The Great One" in the telefilm GLEASON. Brad most recently co-starred in the Apple TV Plus series HIGH DESERT, and guest starred in the Peacock series BUPKIS following Pete Davidson's life. He starred in FX's FARGO (Season 2) as well as the Jim Carrey-produced Showtime series I'M DYING UP HERE (Season 2). He is also Co-creator/Executive Producer with David E. Kelley on BIG SHOT (Disney+). In features, Brad appears in CHA CHA REAL SMOOTH (Apple) directed by Cooper Raiff and starring Dakota Johnson as well as WILDFLOWER with Jean Smart and Dash Mihok, which premiered at Toronto International Film Festival. He also co-starred opposite Julianne Moore in GLORIA BELL (A24) directed by Sebastian Lelio.If you want to connect with me via Instagram, you can find me on the instahandle @Soberdave https://www.instagram.com/soberdave/or via my website https://davidwilsoncoaching.com/Provided below are links for services offering additional help and advice.www.drinkaware.co.uk/advice/alcohol-support-serviceshttps://nacoa.org.uk/Show producer- Daniella Attanasio-MartinezInstagram - @TheDaniellaMartinezhttps://www.instagram.com/thedaniellamartinez/www.instagram.com/grownuphustle Hosted on Acast. See acast.com/privacy for more information.

OnePlus unveiled a big OxygenOS 16 release coming with the OnePlus 15, and Andy Beach talks about the Screen Actors Guild's first AI casting.Starring Jason Howell, Jenn Cutter, Tom Merritt and Andy Beach.Show notes can be found here. Hosted on Acast. See acast.com/privacy for more information.

Tilly Norwood, the AI-generated actress created by Dutch producer Eline Van der Velden, is making waves, and enemies, in Hollywood. Billed as the next Scarlett Johansson, Tilly's synthetic performances and digital presence are sparking outrage among actors, unions, and talent agencies. Critics point out Tilly lacks genuine emotion, life experience, and true acting ability, raising fresh debates about AI's place in entertainment and the future of human performers. The Screen Actors Guild and stars like Emily Blunt have voiced strong opposition, fuelled by fears that AI could disrupt decades of creative work and artist livelihoods.Is Tilly Norwood a glimpse of the future, or just a flashy gimmick that's upending Hollywood's carefully crafted ecosystem? Join the conversation, share your thoughts, and don't forget to subscribe for more groundbreaking stories from the intersection of tech and entertainment!

Welcome to Monsters on the Edge, a show exploring creatures at the edge of our reality in forests, cities, skies, and waters. We examine these creatures and talk to the researchers studying them.Joining us on this week's show:Gregory Roman has a film background having graduated from film school in 2008. He joined the Screen Actors Guild in 2011 and has worked on different television shows. His passion for cryptozoology began in the mid 90'swatching Arthur C Clark's Mysterious World on the Learning Channel. Gregory developed his YouTube channel in 2023 after growing frustrations with the quality of the cryptozoology videos he was watching.YouTube Channelhttps://youtube.com/@kryptozoology?si=hmTWr3HTaTYCMkEmClick that play button, and let's unravel the mysteries of the UNTOLD! Remember to like, share, and subscribe to our channel to stay updated on all the latest discoveries and adventures. See you there!Join Barnaby Jones each Monday on the Untold Radio Network Live at 12pm Central – 10am Pacific and 1pm Eastern. Come and Join the live discussion next week. Please subscribe.We have ten different Professional Podcasts on all the things you like. New favorite shows drop each day only on the UNTOLD RADIO NETWORKTo find out more about Barnaby Jones and his team, (Cryptids, Anomalies, and the Paranormal Society) visit their website www.WisconsinCAPS.comMake sure you share and Subscribe to the CAPS YouTube Channel as wellhttps://www.youtube.com/channel/UCs7ifB9Ur7x2C3VqTzVmjNQ

In this episode of Clergy Talk, Sister Ash returns from her podcast hiatus, all giggles and giddy anticipation, to finally interview the long-awaited guest, actor Rocky Latham. His reflections on his military career, his short-lived journey toward a possible Jesuit priesthood, and the unique experiences that shape him promise to deliver both depth and insight to the conversation.Clergy Talk listeners might know him as the mysterious Mr. Psaltarian from the band Ghost's record-breaking rock film, “Rite Here Rite Now.”Will Ghost fans be indulged in their theories about the Four Horsemen of the Apocalypse in this episode?ATTENTION SAN DIEGO! Rocky will be one of our featured guests at "Meet The Clergy," a special fan social and meet & greet experience, on Saturday August 9th. Prepare to mingle with new friends, and meet actors Rocky Latham, Alan Ursillo (Papa Nihil), and Maralyn Facey (Sister Imperator).All for a good cause! Info & Tickets: https://meettheclergy.eventbrite.comFollow Rocky on Instagram: http://www.instagram.com/actorrockylathamBio: Rocky Latham (also known as Elester Rocky Latham) is a seasoned actor, retired Air Force pilot, and Vietnam veteran with over 40 years of experience in theatre and film. After serving in Vietnam as a Marine, where he felt quite conflicted about the war and its impacts, Rocky earned a B.S. in Theatre and Aerospace. He rejoined the military as a pilot while actively performing and later flew for United Airlines, earning his Screen Actors Guild membership as Major Bridges in the blockbuster film Air Force One.In 2013, he returned to acting full-time in Los Angeles, quickly amassing credits, including roles in Ted 2, Gone Girl, and the short film Court of Conscience with Jon Voight.With an extensive list of credits on IMDb, including NCIS and Grace and Frankie, Rocky Latham is also currently involved in exciting new projects, The Preservation of Roux Lee Richards, and Beyond Silence. Both films are in production and set to be available soon. These projects showcase his continued dedication to the craft, offering fresh narratives that reflect his diverse interests and talents. Fans can look forward to seeing Rocky bring his unique flair to these upcoming roles, further solidifying his status as a versatile performer in the film industry.Follow us on IG: http://www.instagram.com/clergytalk Follow us on Spotify: https://open.spotify.com/show/3uwqkwq5NiiMBhxZVcR58Q?si=KRIU2auNSF6gN55aQvJGhQ Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/clergy-talk-podcast/id1739012397 Music: Holeway Studios Artwork: SLD_art_comics

Gary Sinise's stage, film and television career has spanned more than four decades. In 1974, at 18 years old, he co-founded Chicago's Steppenwolf Theatre Company. 20 years later, for his performance as Lt Dan Taylor in Forrest Gump, he received nominations for Golden Globe, Screen Actors Guild and Academy Awards, and earned the Best Supporting Actor Award from the National Board of Review and the Commander's Award from the Disabled American Veterans. Other film credits include Apollo 13, Ransom, Snake Eyes, Impostor, The Green Mile, Mission to Mars and The Human Stain. For over 40 years, Gary has stood as an advocate on behalf of America's service members. In 2003, after several USO handshake tours, he formed the “Lt. Dan Band” and began entertaining troops serving at home and abroad. Over the years, the 13-piece cover band has performed hundreds of shows for charities and fundraisers supporting wounded heroes, Gold Star families, veterans and troops around the world. In 2011, to expand upon his individual efforts, he established the Gary Sinise Foundation with the mission to serve and honor America's defenders, veterans, first responders, Gold Star families and those in need. The foundation remains committed to finding new and exciting ways to give back to those who sacrifice for our nation and encouraging others to do the same has become his personal quest and what he hopes will endure as a legacy of service to others. In 2008, he was given the Presidential Citizens Medal, the second-highest civilian honor awarded to citizens for exemplary deeds performed in service of the nation. He is only the third actor ever to receive this honor. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam Arkin is an award-winning actor, director, and producer whose distinguished career has spanned over four decades. As a director and executive producer, Adam's most recent work is featured in season two of the award-winning Peacock series “Poker Face,” which premiered last month and stars Natasha Lyonne. He also recently directed six episodes of Netflix's “The Night Agent.” Adam has also executive produced and directed “Sugar”, “Cruel Intentions,” “Rebel”, and “Get Shorty”. His other directing credits include “Northern Exposure”, “The Offer”, “Succession," “Fargo,” “Billions,” “Justified,” "Sons of Anarchy,” “Grey's Anatomy,” “The Americans" (which he also produced), “Sneaky Pete,” and “Masters of Sex.” He won an Emmy for directing the Showtime film “My Louisiana Sky." As an actor, his film, tv and theater credits include the Coen Brothers' Oscar-nominated "A Serious Man”, “Pig”, ”Chicago Hope" (all 141 episodes), ”Life”, "Law and Order," "The Act," "Modern Family," "The West Wing," "Boston Legal," “Monk”, "Brooklyn Boy," "Guys and Dolls," and "I Hate Hamlet.” His work has garnered a plethora of acting and directing award nominations and wins including the Tony's, Primetime Emmys, Screen Actors Guild, Directors Guild of America, and the Daytime Emmys. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

"The Diplomat" is one of Netflix's hottest shows as its first season garnered star Keri Russell award nominations from the Screen Actors Guild, Golden Globes, and Emmy Awards for Outstanding Lead Actress in a Drama Series. The second season premiered to critical acclaim once again and has so far received more Critics' Choice, Golden Globe, and SAG Award nominations than the first season. Creator, Executive Producer, Showrunner, and Writer Debora Cahn was kind enough to spend some time speaking with us about her experience working on the second season, which you can listen to below. Please be sure to check out the series, which is now available to stream in full on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

 When The New York Times praises your music as having “crowd-pleasing ingredients,” and New York Parenting dubs you “the bestest kindie rock band in town,” you know you're hitting the right notes. For nearly two decades, Rolie Polie Guacamole has been a family favorite from coast to coast, blending energetic, interactive, and award-winning performances that entertain both kids and grown-ups. At the heart of it is Frank Gallo—a music educator, prolific performer, and child of entertainers, who joined the Screen Actors Guild before most kids learn to read. Now he's stepping into a surprising new role as a mayoral candidate for New York City. He's got rhythm, heart, and ambition to match. Meet my newest guest and friend, Frank Gallo. He's Someone You Should Know. Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to the Rolie Polie Guacamole WebsiteClick here to go to the Rolie Polie Guacamole FacebookClick here to go to the Rolie Polie Guacamole InstagramClick here to go to the Rolie Polie Guacamole Twitter/XClick here to go to the Rolie Polie Guacamole YouTube ChannelClick here to go to the Rolie Polie Guacamole TikTokClick here to listen to  the Rolie Polie Guacamole on SpotifyVideos from this Episode (click the song title to see the video)Haunted LibraryAll music used with permission from the artistSomeone You Should Know 2025 // CatGotYourTongueStudios 2025Feedback: Send us a text.How to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

Episode 149 - Tools and Techniques for Actors In part 2 of their interview on the Faith and Family Filmmakers podcast, host Matt Chastain continues his conversation with accomplished actor Todd Terry. Known for his roles in popular shows like 'Vindication,' '1923,' and 'The Chosen,' as well as many well known films, Todd discusses his career journey, the challenges of playing various roles, and his aspirations to diversify into comedy. He shares insights into the acting craft, emphasizing the importance of good writing, effective memorization techniques, and the impact of strong scene partners. The episode provides a deep dive into Todd's experiences and offers practical advice for aspiring actors.Highlights Include:Spotlight on Recent RolesComedy AspirationsBalancing Comedy and DramaScript MemorizationTools and Techniques for ActorsImportance of Scene PartnersWorking with the Vindication CastFuture Projects and AspirationsThe Resurgence of WesternsRespecting the Craft of ActingBio:Todd Terry, a native Dallasite, began his career in television, film and theater over 38 years ago. He studied theater at The National Youth Theater of Great Britain, American Conservatory Theater in San Francisco and Professional Actors Conservatory in Los Angeles. He has recently completed his fourth season as lead character, Gary Travis in the episodic series Vindication. Soon to be released film projects include The Senior, Hellcat and The Butcher. He will also be appearing in two comedic roles, the episodic series Fairwood and the film Empty Nets. He recently appeared in two of Taylor Sheridan's episodic Lioness and 1923. Additional film credits include Unbreakable Boy, Disciples in the Moonlight, Jesus Revolution, Five Feet Apart, Unplanned, Beyond the Farthest Star, Because of Gracia, Arlington Road and Walking Tall II. Todd has co-starred in several network television movies of the week including: The Legend of Cadillac Jack, In the Name of Love: A Texas Tragedy and The Year Without Santa Claus. He has recurred on such shows as Breaking Bad, Better Call Saul, Fear the Walking Dead, and American Crime. Additional co-star roles include Walker, The Winchesters, Mr. Mercedes, Drop Dead Diva, Dallas, My Generation, Chase, Walker-Texas Ranger and Friday Night Lights. He has appeared in commercials for Birdseye, JSX Airlines, Home Title Lock, Leaf Guard, Texas Oncology, American Airlines, Visionworks, Cabella's, Cooper Tires, Showtime, Blockbuster, TXU, Service King, Brookshire's, Pepsi and Braum's. He served as the President of the Dallas/Ft Worth branch of the Screen Actors Guild in 2001.Todd Terry on Instagram: https://www.instagram.com/toddterryactor/Purpose Film and Media Festival: https://www.purposefest.net/FAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program

After a decadeslong fight, the majority of ranching along the Point Reyes National Seashore will end by next year, thanks to a legal settlement involving environmentalists, ranchers, and the National Park Service. Environmentalists say the deal will protect native animal and grass species. Meanwhile, ranchers and workers are now in a scramble to find housing in an area already squeezed for options. Links: Cattle Ranching Is at the Center of a Battle Brewing in Point Reyes Point Reyes Ranching Will All But End Under New Deal, Capping Decadeslong Conflict Point Reyes Cattle Ranchers Urge Republicans to Leave Environmental Deal Alone Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists. San Francisco Northern California Local. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 148 - Becoming Detective Travis In this episode of the Faith and Family Filmmakers Podcast, your host, Matt Chastain interviews actor Todd Terry, renowned for his role as Detective Travis in the series 'Vindication'. Todd discusses his journey into acting, which began in high school. He shares his experiences in theater, film, and working with various directors, discussing the differences between stage and film acting. He reflects on his path to faith and its influence on his career choices. The conversation covers the evolution of his character in 'Vindication', the importance of subtlety in acting, and the challenges of balancing Christian values with the demands of the film industry.Highlights Include:Welcome and IntroductionEarly Acting JourneyExperiences with TheatreActing for Theater vs. FilmSubtlety in ActingTerry's Introduction to VindicationChallenges for Faith-Based FilmsBalancing Secular and Faith-Based RolesNavigating Content BoundariesDeveloping Detective TravisWorking with Director Jarod O'FlahertyConclusion and FarewellBio:Todd Terry, a native Dallasite, began his career in television, film and theater over 38 years ago. He studied theater at The National Youth Theater of Great Britain, American Conservatory Theater in San Francisco and Professional Actors Conservatory in Los Angeles. He has recently completed his fourth season as lead character, Gary Travis in the episodic series Vindication. Soon to be released film projects include The Senior, Hellcat and The Butcher. He will also be appearing in two comedic roles, the episodic series Fairwood and the film Empty Nets. He recently appeared in two of Taylor Sheridan's episodic Lioness and 1923. Additional film credits include Unbreakable Boy, Disciples in the Moonlight, Jesus Revolution, Five Feet Apart, Unplanned, Beyond the Farthest Star, Because of Gracia, Arlington Road and Walking Tall II. Todd has co-starred in several network television movies of the week including: The Legend of Cadillac Jack, In the Name of Love: A Texas Tragedy and The Year Without Santa Claus. He has recurred on such shows as Breaking Bad, Better Call Saul, Fear the Walking Dead, and American Crime. Additional co-star roles include Walker, The Winchesters, Mr. Mercedes, Drop Dead Diva, Dallas, My Generation, Chase, Walker-Texas Ranger and Friday Night Lights. He has appeared in commercials for Birdseye, JSX Airlines, Home Title Lock, Leaf Guard, Texas Oncology, American Airlines, Visionworks, Cabella's, Cooper Tires, Showtime, Blockbuster, TXU, Service King, Brookshire's, Pepsi and Braum's. He served as the President of the Dallas/Ft Worth branch of the Screen Actors Guild in 2001.Todd Terry on Instagram: https://www.instagram.com/toddterryactor/Purpose Film and Media Festival: https://www.purposefest.net/FAFF Association Online Meetups: https://faffassociation.com/#faff-meetingsScreenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers...

"The Diplomat" is one of Netflix's hottest shows as its first season garnered star Keri Russell award nominations from the Screen Actors Guild, Golden Globes, and Primetime Emmy Awards for Outstanding Lead Actress in a Drama Series. The second season premiered to critical acclaim once again and has so far received more Critics' Choice, Golden Globe, and SAG Award nominations than the first season. It's clear the Emmy Awards are next as the show looks to gain more than just Russell this year. Among them is director Alex Graves, who directed more than half of the second season. Graves was kind enough to spend some time speaking with us about his experience directing the second season, which you can listen to below. Please be sure to check out the series, which is now available to stream on Netflix. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

There's nothing Hollywood loves more than putting people in boxes. Comedy or drama. Actor or director. But with the fall of the old studio system and the rise of the indie, we're seeing more blurred lines than ever before. Everywhere you look today you can find genre blends and multi-hyphenates in every aspect of the industry, and our next guest is no exception. The oh so lovely Yvonne Strahovski garnered critical acclaim for her role as Serena Joy Waterford in Hulu's Emmy and Golden Globe winning original series, THE HANDMAID'S TALE, for which she has netted an Emmy nomination for Outstanding Supporting Actress,a Golden Globe nomination, and two Screen Actors Guild nominations.  The series is releasing its sixth and final season tonight, April 8. Yvonne recently starred/executive produced Peacock's horror series, TEACUP. She also made her directorial debut with VLOG, a short film for which she also wrote and stars in. Her husband, Tim Loden served as a producer and her two sons acted alongside her. The film was shot in their home and took place when she was pregnant with her third child, which made it an almost part-documentary, part-narrative film. Up next, Yvonne will star and produce an adaptation of the bestselling novel, A WOMEN OF INTELLIGENCE. During our chat, we talk about making art from scratch, the importance of being a good judge of character, and the very real fear that comes with turning down a job. xx Enjoy!  

With news breaking that a few studios have been making money on AI generated fake trailers for upcoming movies, Adam explores if the Screen Actors Guild should look into this further to protect the rights of their membership.

Don Crutchfield has been a private investigator for three decades. His list clients and subjects reads like a Who's Who of Hollywood. Present and former clients include Marlon Brando, the Beatles, Judy Garland, Frank Sinatra, Charles Bronson, Jerry Lewis, and Carroll O'Connor. Subjects of his investigations include Michael Jackson, Lisa Marie Presley, Tim Allen, Donald and Marla Trump, Roseanne Barr, Tom Arnold, and O.J. Simpson.Crutchfield has an international reputation, but his primary base of operations has always been the Los Angeles area. He is regularly contacted as a prime source of information by such media outlets as The Los Angeles Times, Primetime Live and Hard Copy.Don Crutchfield's insights and opinions are often sought by print and electronic media journalists. He has been interviewed on Entertainment Tonight, Hard Copy, A Current Affair, CNN Newsnight and Inside Edition. P.I. Crutchfield has also been the subject of feature articles in The New York Post and The Los Angeles Times.Crutchfield is also a member of International Association of Chiefs of Police, American Society for Industrial Security (A.S.I.S.), California Association of Licensed Investigators (C.A.L.I.), Board of Directors for World Boxing Hall of Fame, member of Screen Actors Guild and AFTRA.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Born in Dallas, Texas, K Callan's first professional job was at the Margo Jones Theatre. She first gained national attention as Peter Boyle's mousy wife in the legendary Joe. Her career includes film, television and theater. Other memorable films include American Gigolo and A Touch of Class. A regular guest star in countless television movies and series, her favorite television roles include the lesbian Veronica in the Emmy-winning "Cousin Liz" episode of All in the Family, Superman's mom on Lois & Clark: The New Adventures of Superman and the wife of an Alzheimer's patient on Nip/Tuck. Callan is a member of The Academy of Motion Picture Arts & Sciences, the Television Academy and is a past Board Member of the Screen Actors Guild. In addition to her work as an actor, she has also authored a string of showbiz reference books: "How to Sell Yourself as an Actor", "The Script is Finished, Now What do I Do?", "Directing Your Directing Career", "The Los Angeles Agent Book" and "The New York Agent Book".  K is also known for her work on Barney Miller, Quincy MD, Rhoda, The Waltons, Dallas, Lou Grant, Newhart, Police Squad, AfterMash, Moonlighting, Hunter, LA LAw, NYPD Blue, Star Trek Deep Space Nine, Coach, Desperate Housewives, ER, Chicago Hope, Greys Anatomy, Dawson's Creek, Heroes, Veep, Castle, King of the Hill, Meet the Browns, Justified, Carnivale, Brooklyn 99, NCIS and The Chosen.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Show Notes: Jung Park, a Korean immigrant, faced a conflict between her passion for acting and her academic pursuits. She initially wanted to concentrate in visual arts but ultimately chose English and American Literature and Language, which she loved. Despite this, she was conflicted about pursuing his artistic dreams versus what was expected of her.  Joining AFTRA and Going into Law School  In her junior year, she auditioned for an open call search for an ABC after-school special about kids with HIV and AIDS, which led to her joining the Screen Actors Guild, renowned as "SAG-AFTRA."  After a year in Boston, she returned to California and had to choose between continuing acting, moving to LA, or going to law school. She auditioned for a talent agency in San Diego and was accepted into law school. A Stand-up Comedian at Law School While in law school, Jung began doing stand-up comedy in Sacramento and moved to San Francisco, working in law firms and doing stand-up comedy at night. She eventually opened her own law firm in San Francisco and took on numerous cases, including helping a Vietnamese woman avoid deportation for a felony she committed. Jung had wonderful mentors in law, including 70-year-old white men in plaintiff-side civil litigation. She turned down a position at a major law firm after being nominated for the American Ends of Court, which was a group of old white lawyers. Instead, she auditioned and got into a traveling theater program with Kaiser Permanente, which offered health insurance for actors. Pursuing Acting and Leaving Law Jung began her acting career in high schools, continuation schools, and juvenile detention centers, performing educational theater shows and counseling Q&As. She later moved to Southern California and focused on stand-up, sketch, and improv. She joined the La Troupe improv training program and worked at a plaintiff side civil litigation law office, where she worked on behalf of farm workers and other vulnerable individuals. In 2012, she grew tired of being a lawyer and opened a Speech and Debate Academy in Pasadena, California. The academy focuses on helping kids be empowered and find their voice. The academy has been around for 13 years and has participated in the Harvard speech and debate tournament. The pandemic hit, and Jung found fulfillment in coaching speech and running her business. She joined an acting class before the pandemic and enjoyed hobnobbing for coffee afterwards. However, during the pandemic, her teacher encouraged her students to start TikTok accounts and post videos related to their work. She had a sketch idea developed in their sketch writing class, which was set up as a GPS that tells driving directions with the Korean accent. A Career Shift to Screenwriting   Jung is now focusing on writing scripts and developing her content to elevate her unique voice. She has also joined Harvardwood, an organization of Harvard alums in the Hollywood industry, where she took a writing class and attended webinars. She is currently getting a director certificate through UCLA Extension and working on a couple of silly short films. One of her projects is a magical realism short story about an old Asian Tiger Mom visited by a mysterious pigeon. She plans to rewrite it as a short film script and act in it herself, as she can do the pigeon well. She is also considering renting out pigeons for TV or film to see how they move and what they could do. Jung grew up in the Mexican border town of Calexico, near Yuma. She talks about the transition to Harvard and experiencing culture shock. Her stand-up comedy often deals with her experiences growing up in a Mexican American border town and feeling more Latina than Korean. She talks about her family and how her father's paranoia fueled a lot of jokes. She enjoyed her stand-up and has been considering writing new material or trying it out on America's Got Talent. Her last performance was a staged play reading for a Jewish Arts Council group in San Santa Barbara, which was a fundraiser.    Influential Harvard Professors and Courses Jung, a self-professed word nerd, was accepted into a special graduate seminar led by Phil Fisher, the head of the English department. The seminar focused on close reading of novels, a subject Park was deeply interested in. Fisher warned that few undergrads would be accepted, and Jung was accepted into the seminar, which she found to be a valuable learning experience. The seminar helped her understand the meanings of the first few pages of a novel and the larger work. She has since used this knowledge to teach English classes and writing skills to students, demonstrating the importance of close reading and analysis in academic pursuits.  Timestamps: 03:15: Balancing Law and Art  07:50: Transition to Acting and Comedy  12:06: Establishing the Speech and Debate Academy  14:09: Re-entering Acting and Social Media Success  19:34: Current Projects and Future Aspirations  Links: Instagram handle: @momentswithjung  TikTok handle: @momentswithjung Linktree (shows links to all Jung's sites): https://linktr.ee/JungPark Speech and debate academy website for Nova 42: www.nova42.com Short story Freebird that reached Top 50, Launch Pad Prose Competition 2024 ,and is on the Coverfly Red list as #13 Drama Short Story (Prose) in the past year: https://writers.coverfly.com/projects/view/37d599e9-9323-4be6-8b60-d58eeb335c04/FREEBIRD Jung's IMDB profile:https://www.imdb.com/name/nm2575833/ Featured Non-profit: The featured non-profit of this episode of The 92 Report is Generation recommended by Bonnie Theriault who reports:  "Hi. I'm Bonnie Theriault, class of 1992 the featured nonprofit of this episode of The 92 Report is Generation. Generation is a global nonprofit that supports people to achieve economic mobility and a better life by training, placing and supporting them into employment. I have been a generation for the past six years, and am privileged to serve as the chief partnerships officer. You can learn more about generations work at www.generation.org and now here is Will Bachmann with this week's episode." To learn more about their work visit: https://www.generation.org/  

Eljött a 2025, vele pedig a 97. Oscar-gála. A díjátadó ceremónia, amit március 3-án, magyar idő szerint hajnalban tartanak, az elmúlt évek tapasztalatai alapján nagy meglepetéseket tartogat a közönség számára. Ráadásul a nyugati filmgyártás többi rangos elismerése, akár a Golden Globe, a BAFTA és a Screen Actors Guild idén elég másképp díjazta a filmeket, így még papírformát sem olyan könnyű meghatározni. Ami azonban biztos, a legjobb vágás kategóriában egy magyarnak, Jancsó Dávidnak is szurkolhatunk.

Joy Reid cried on television about being fired, we break down how 2025 Leftists like Rachel Maddow and Joy Reid manufacture a false reality, Vivek Ramaswamy announced his bid for Ohio Governor last night, we presented 7+1 thing we did at the office last week in honor of Elon Musk's Department of Government Efficiency, Jane Fonda preached woeness at the Screen Actors Guild awards, and more!GUEST: Josh FirestineCALL 1-800-958-1000 or visit http://www.tnusa.com/crowderGet 10% off your favorite LWC gear site wide with Promo Code DOGE at https://crowdershop.com/DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-appsBite-Sized Content: https://rumble.com/c/CrowderBitsSOURCES: https://www.louderwithcrowder.com/sources-february-25-2025Connect your Mug Club account to Rumble and enjoy Rumble Premium: https://support.locals.com/en/article/how-do-i-connect-my-locals-account-to-my-rumble-account-on-rumble-vhd2st/Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/PremiumNEW MERCH! https://crowdershop.com/Subscribe to my podcast: https://rss.com/podcasts/louder-with-crowder/FOLLOW ME: Website: https://louderwithcrowder.com Twitter: https://twitter.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficialMusic by @Pogo

The film Conclave has picked up a host of awards across all the major ceremonies so far, including at the Screen Actors Guild, the Golden Globes, and winning Best Picture at the BAFTAs. Adapted from the novel by Robert Harris, it also has eight nominations at the upcoming 2025 Academy Awards. Full of intrigue, the film has viewers wondering how true to life the process depicted on the big screen is. And, with Pope Francis hospitalised, amidst the award season, this has only heightened interest in Papal conclaves and the election process.  Dr Kurt Martens, Professor of Canon Law at the Catholic University of America, joins Damian Thompson to unpack the process. What really happens when a Pope dies? Produced by Patrick Gibbons.

The film Conclave has picked up a host of awards across all the major ceremonies so far, including at the Screen Actors Guild, the Golden Globes, and winning Best Picture at the BAFTAs. Adapted from the novel by Robert Harris, it also has eight nominations at the upcoming 2025 Academy Awards. Full of intrigue, the film has viewers wondering how true to life the process depicted on the big screen is. And, with Pope Francis hospitalised, amidst the award season, this has only heightened interest in Papal conclaves and the election process.  Dr Kurt Martens, Professor of Canon Law at the Catholic University of America, joins Damian Thompson to unpack the process. What really happens when a Pope dies? Produced by Patrick Gibbons.

Gia Coppola is the director of “The Last Showgirl,” the poignant and beautifully crafted new film starring Pamela Anderson. Set in Las Vegas, the film explores the bittersweet end of a showgirl's career and has been nominated for multiple awards, with Pamela's moving portrayal of Shelly earning her Best Actress nods from both the Screen Actors Guild and the Golden Globes.Gia joins host Kerry Diamond to talk about the film, the influence of her late grandmother, Eleanor Coppola, working as a bar back at a Thomas Keller restaurant, being a cat lady, and her wine project, Gia Coppola Wines, which is part of the Francis Ford Coppola Winery. “I wanted to make a wine for my generation,” says Gia. Kerry and Gia discuss her collaboration with Coppola winemaker Ali Davignon, the creative process behind her wines, and the connection between her label and the iconic punk band, the Ramones.Thank you to Alex Mill for supporting Radio Cherry Bombe.For Jubilee 2025 tickets, click here. To get our new Love Issue, click here. Visit cherrybombe.com for subscriptions and show transcripts. More on Gia: Instagram, Gia Coppola Wine, “The Last Showgirl”More on Kerry: Instagram

Jane Fonda gets a Lifetime Achievement Award at last night's Screen Actors Guild ceremony. According to her, "woke" merely means you give a damn about other people! Jane is still sleeping. Let the Angels sing. https://www.youtube.com/watch?v=NWD-x3GIUFA

This weekend truly kicked off the Oscar race with the 1-2-3 punch of Critics Choice, the Directors Guild and the Producers Guild all announcing their winners in the span of 24 hours, including dueling ceremonies for the latter. On episode 274 of The AwardsWatch Podcast, Editor-In-Chief Erik Anderson is joined by AwardsWatch Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello to break down what happened, how it happened and what's next. In a surprising sweep, Sean Baker's Anora took home the top prize at all three: Best Picture at Critics Choice (its only win), the DGA for Theatrical Film and the Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures at the PGA. Erik, who was at all three events, offers his insight to vibe in the rooms, which felt muted at Critics Choice until the left field Best Director win for Wicked's Jon M. Chu (and the awkward Oscar-stat intro the category got), and the race from the DGA to the PGA that brought life back to everyone, making Anora the first film to win the Palme d'Or and DGA since 1955's Marty and pushing it (back?) to the top of the Best Picture race. But what does that mean for its star Mikey Madison? The young actress is the far and away critics' leader but so far has lost to Demi Moore (The Substance) in their first two face-offs, the Golden Globes and Critics Choice (ironically, or not so). With BAFTA and SAG looming, as well as the passion for Fernanda Torres (I'm Still Here), Best Actress remains the most exciting race of the season. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h57m. We will be back next week with the very fresh BAFTA winners and a preview of the Screen Actors Guild. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Rogers for America with Lt. Steve Rogers – Ronald Reagan stands as a fierce anti-communist, launching his fight long before his presidency. As head of the Screen Actors Guild in the 1940s, he takes on Soviet influence in Hollywood. His efforts help expose communists, leading to the Hollywood Blacklist. From the film industry to the White House, he wages and wins his battle against communism in America.

Episode 122 - The Miraculous Birth of a Film Festival In this episode of the Faith and Family Filmmakers Podcast, Jaclyn continues her interview with Rob Ekno. Rob shares more of his personal journey of overcoming struggles with self-acceptance, including a transformative moment on national TV. He emphasizes the importance of inner work, realistic goal setting, and staying grounded in faith. He also discusses his unexpected path to becoming an author and launching the Knoxville Christian Film Festival, highlighting how God's guidance led him to new opportunities to honor and glorify Him.Highlights Include:Welcome and IntroductionAdvice for Struggling ListenersStories of Struggle, Recovery and PeaceEmbracing Authenticity - The Hairpiece StoryRejection and Inner PeaceSetting Realistic Goals and Trusting God's PlanRob's Journey to Becoming an AuthorFrom California to TennesseeBirth of The Knoxville International Christian Film FestivalGod Has a Bigger PlanFestival InfoBio:Rob Ekno is a bestselling and multi award winning Christian author. He's also a multi award winning screenwriter and broadcaster and was named the 2023 Most Dedicated Speaker of the Year. A member of Hollywood's Screen Actors Guild since 1995, Rob worked four seasons working on the NBC sitcom NewsRadio. Rob also spent 15 years as a national TV host. His most recent acting work has included two films with Dean Cain and Eddie McClintock. Rob moved to Knoxville, Tennessee in 2024, where he was led to become the executive director of the Knoxville International Christian Film Festival.Rob's Website: https://robekno.com/Festival Website: https://knoxvillechristianfilms.com/Screenwriters Retreat - Mexico: https://www.faffassociation.com/writers-retreatJaclyn's Book - In the Beginning, Middle and End: A Screenwriter's Observations of LIfe, Character, and God: https://www.amazon.com/dp/B0D9R7XS9VVIP Producers Mentorship Program https://www.faffassociation.com/vip-producers-mentorship The Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications Enter the Faith & Family Screenwriting Awards festival Faith and Family Screenwriting Academy: https://www.faffassociation.com/Script...

In place of the delayed Oscar nominations, Brandon & Lorin discuss the film nominations for the Screen Actors Guild and BAFTA Awards. Later, they chat about the movies they've watched lately.

Brian Hite: Sports and Performance Psychologist: Understanding Pressure: How to Reframe It as a Choice Rather Than a Necessity or Inevitability Introduction Brian Hite is a modern-day Renaissance Man—a sport and performance psychologist, thought leader, university faculty member, and stuntman with over 100 film and TV credits, including a prestigious Screen Actors Guild award for 24. With a Ph.D. in Organizational Psychology and a wealth of high-stakes experience from Hollywood, Brian offers a unique lens on performance, motivation, and leadership. Drawing on his diverse background, he helps leaders and high-performers transform pressure into opportunities for growth, pushing beyond traditional approaches to unlock new levels of achievement and resilience. Having worked with the U.S. Army for over a decade, Brian combines practical experience with academic expertise to challenge conventional thinking and develop strategies that are both innovative and effective. His unique approach equips listeners with actionable tools that can be applied immediately, while also fostering long-term shifts in mindset and performance. Whether you're dealing with the pressures of everyday life or pursuing peak performance in high-stakes situations, Brian offers fresh perspectives and strategies designed to help individuals and teams excel and enhance their overall well-being. Link: https://brianhiteglobal.com/ Link: https://brianhiteglobal.com/ Donate to support PEG free artist interviews: PayPalMe link Any contribution is appreciated: https://www.paypal.com/paypalme/PhantomElectric?locale.x=en_US Support PEG by checking out our Sponsors: Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription. The best tool for getting podcast guests:  Podmatch.com https://podmatch.com/signup/phantomelectricghost Subscribe to our Instagram for exclusive content: https://www.instagram.com/expansive_sound_experiments/ Donate to support PEG free artist interviews: Subscribe to our YouTube  https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRpr PEG uses StreamYard.com for our live podcasts https://streamyard.com/pal/c/6290085463457792 Get $10.00 Credit for using StreamYard.com when you sign up with our link RSS https://anchor.fm/s/3b31908/podcast/rss

Have a request for an upcoming segment? Send me a Text Message! Many new reviews this week of some 2024 holdovers and new 2025 releases: DEN OF THIEVES 2: PANTERA, THE BRUTALIST, THE COUNT OF MONTE CRISTO, A COMPLETE UNKNOWN, THE DAMNED, BETTER MAN, and THE LAST SHOWGIRL.Also, Oscar Outlook looks at the state of the races after last week's Golden Globe Awards and Screen Actors Guild nominations.Follow on Instagram and Letterboxd @seeitorshoveitSupport the showInterested in becoming an official supporter or just want to buy me a popcorn? Click the Support the Show link above!

"The Last Showgirl" had its world premiere at the 2024 Toronto International Film Festival, where it received positive reviews for Pamela Anderson's lead performance, which has earned her Screen Actors Guild, Golden Globe, and Gotham Award nominations. Anderson and Director Gia Coppola were both kind enough to spend some time talking with us about their work on the film, which you can listen to or watch below. Please be sure to check out the film, which is set to open in theaters on January 10th from Roadside Attractions and is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Actress. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ralph and team spend the entire hour with Israeli reporter, Gideon Levy, a singular voice in an otherwise compliant domestic press to discuss his book “The Killing of Gaza: Reports on a Catastrophe” a series of columns written before and after the October 7th, 2023 attacks that put this ongoing tragedy in historical context.Gideon Levy is a Haaretz columnist and a member of the newspaper's editorial board. He is the author of the weekly “Twilight Zone” feature, which covers the Israeli occupation in the West Bank and Gaza over the last 25 years, as well as the writer of political editorials for the newspaper. He is the author of The Punishment of Gaza, and his latest book is The Killing of Gaza: Reports on a Catastrophe.If you talk with me about a very broad scheme—not ending this war now in Gaza, but really for a long range, a real vision—the vision is only the choice between an apartheid state between the river and the sea, or a democracy between the river and the sea. There is no third way anymore, unfortunately. And we have to choose, and the world has to choose: Is the world ready to accept a second apartheid state, or is the world ready to act for having an equal democracy for Palestinians and Israelis living between the river and the sea?Gideon LevyWe have to stick to global, universal values: occupation is illegal, apartheid is immoral, and war is always cruel.Gideon LevyAfter the 7th of October, an iron curtain fell between Israel and any kind of human sentiments toward Gaza— the people of Gaza, the victims of Gaza, we don't want to hear, we don't want to know, we are not bothered, and we have the right to do whatever we want.Gideon LevyWe hear about the hundred hostages held by Hamas underground a great deal in the US media, but we don't hear much about the torture and the other mistreatment of thousands of Palestinians—some of them women and children—who were arrested, just arbitrarily kidnapped, and sent to Israeli jails.Ralph NaderNews 12/18/241. Our top story this week comes from Public Citizen Corporate Crime expert Rick Claypool, who reports that the Biden Department of Justice has opted to not prosecute McKinsey, the consulting firm that advised Purdue Pharma to “turbocharge” OxyContin sales even as the opioid crisis reached its peak. Instead, the DOJ announced they would enter into a Deferred Prosecution Agreement with the firm; in other words, the Biden administration is giving McKinsey a get out of jail free card for their role in perhaps the most expansive, destructive, and clear case of corporate crime this century. Claypool rightly calls this deal “Pathetic” and “A slap in the face to everyone who lost a loved one to the crisis.”2. On December 10th, a federal judge blocked Kroger's proposed $20 billion acquisition of Albertsons supermarkets, per the Wall Street Journal. According to the Journal, U.S. District Judge Adrienne Nelson sided with the Federal Trade Commission, which had sued to stop the merger, agreeing that this consolidation in the grocery store sector would “erode competition and raise prices for consumers.” This argument was particularly poignant given the soaring cost of groceries since the COVID-19 pandemic. In the aftermath of this decision, Albertsons has filed suit against Kroger alleging that the larger supermarket chain had resisted calls to “divest itself of a larger number of stores,” in order to stave off the inevitable antitrust actions federal regulators would bring against this merger. Albertsons filed this lawsuit, which seeks at least $6 billion in damages less than 24 hours after the ruling, per the Journal.3. On December 14th, the BBC reported 26-year-old OpenAI whistleblower Suchir Balaji was found dead in his San Francisco apartment. In October, Balaji exposed that OpenAI had flagrantly violated US copyright laws while developing its flagship AI program ChatGPT. Balaji's revelations form the underpinnings of lawsuits against OpenAI by news publishers, including the New York Times, as well as best-selling authors who allege their work was unlawfully used to train the company's AI models. The BBC reports that Balaji's death was ruled a suicide by the San Francisco medical examiner's office and that his body was discovered by police when they were called in to “check on his wellbeing.” This report does not include who called in the wellness check.4. According to intrepid independent journalist Ken Klippenstein, the New York Times has issued internal guidance directing staff to “dial back” its use of photos of Luigi Mangione's face. The reasons for withholding images of Mangione's face – bizarre in its own right given the inherent newsworthiness of such photos – is however just the tip of the iceberg. The Times has also directed its reporters to refrain from publishing Mangione's manifesto, despite having copies in their possession. As Mr. Klippenstein puts it “This is media paternalism at its worst, the idea that seeing the shooter's face too much, or reading his 262-word statement, will necessarily inspire copy-cat assassinations and should therefore be withheld from the public.” To his immense credit, Mr. Klippenstein has published the manifesto in full, which is available on his Substack – as are photos of Mangione's face.5. Turning to the Middle East, the diplomatic tension between Israel and Ireland continues to deepen. On December 11th, the Middle East Monitor reported that Ireland will “formally join South Africa's genocide case against Israel,” at the International Court of Justice, following formal approval by the Irish government. Ireland will reportedly ask the Court to “broaden its interpretation” of what constitutes genocide, according to the nation's Foreign Minister Micheal Martin. Martin went on to say that Ireland is “concerned that a very narrow interpretation of what constitutes genocide leads to a culture of impunity in which the protection of civilians is minimised,” and that the government has also approved joining the Gambia's genocide case against Myanmar. Just days later, Israel announced that the country would shutter its embassy in Dublin, accusing Ireland of “extreme anti-Israel policies,” including joining the genocide lawsuit and recognizing the state of Palestine, per CNN. Irish Prime Minister Simon Harris, facing harsh criticism from Israeli politicians, wrote “I utterly reject the assertion that Ireland is anti-Israel. Ireland is pro-peace, pro-human rights and pro-International law.”6. In more Palestine news, the Hill has published a heartrending op-ed by Hamid Ali, widower to Aysenur Eygi, the American citizen murdered in cold blood by the IDF during a protest in the West Bank in September of this year. This piece begins “What do you do with the clothes your wife was wearing when she was killed, now stained with her blood? How do you preserve them as evidence for an investigation that may never happen? What else can you do when your government has given no indication that it will hold her killer — a soldier in the army of a close ally — accountable[?]” Ali goes on to tell the story of how he met Aysenur, how they fell in love, and eventually got married – and recounts the eyewitness testimony that she was shot after “20 minutes of calm, sheltering behind an olive tree.” Ali also expresses his anger and frustration – both at the Israeli military's flimsy attempt to cover up the murder by falsely claiming she was “shot accidentally during a violent protest,” an assertion that, he notes, was swiftly debunked by major news outlets – and at the United States government, which has refused to hold the Israeli military accountable. Ali ends this piece by laying out how he and his family will meet with the State Department and members of Congress next week to “plead with them to do something about Aysenur's senseless killing…support our family's call for an independent U.S. investigation into her death and accountability for the soldier that killed her…[and] urge President Biden to prioritize this case in the last days of his administration and uphold justice for our family.”7. Last week, we reported on the so-called “mutiny” of younger Democrats against the old-guard poised to take the ranking member committee seats in the new Congress. Chief among these was AOC's bid to seize the ranking member slot on the Oversight Committee from Congressman Gerry Connolly, who is 74 years old and suffering from cancer. At first, it seemed like the young Congresswoman from Queens had successfully outmaneuvered Connolly – even going so far as to pledge that she would no longer back primary challenges against incumbent Democrats, a cornerstone of her outsider brand and appeal, POLITICO reports. Yet, with help from the Democratic power brokers including Nancy Pelsoi, Connolly was able to beat back this challenge at the Democratic Steering Committee. The final vote was a lopsided 131-84, per Axios.8. Our last three stories this week concern the legacy of the Biden Administration. First, progressives are calling on the president to pardon environmental lawyer Steven Donziger, who has faced persecution as a “corporate political prisoner” per American University's Center for Environment Community & Equity for his role in suing Chevron over that company's environmental devastation in Ecuador. In a letter signed by 34 congressional Democrats, led by Congressman Jim McGovern and including Senators Bernie Sanders and Sheldon Whitehouse, along with Representatives Rashida Tlaib, Pramila Jayapal, and Jamie Raskin among others, the progressives write “Mr. Donziger is the only lawyer in U.S. history to be subject to any period of detention on a misdemeanor contempt of court charge…the legal case against Mr. Donziger, as well as the excessively harsh nature of the punishment against him, are directly tied to his prior work against Chevron.” This letter continues “Pardoning Mr. Donziger”…[would send] “a powerful message to the world that billion-dollar corporations cannot act with impunity against lawyers and their clients who defend the public interest.” We echo this call to pardon Donziger, particularly since President Biden's recent, highly-publicized pardons have consisted of corrupt public officials and his own troubled son Hunter.9. Next, Reuters reports that on December 11th, the Senate opted not to back President Biden's renomination of Lauren McFerran to the National Labor Relations Board. The upper chamber voted 50-49 against holding a confirmation vote, with the usual suspects – Senators Joe Manchin and Kyrsten Sinema – defeating the move. Had the Senate reconfirmed McFerran, the balance of the labor board would have remained tilted in favor of Democrats and their allies in organized labor. Now, incoming President Trump will be able to stack the board with his own nominees, expected to be much friendlier to business. Trump is also expected to sack NLRB General Counsel Jennifer Abruzzo, who has been instrumental in leveraging the power of the NLRB in favor of workers.10. Finally, on a lighter note, Deadline reports the NLRB has ruled that contests on the Netflix dating show Love Is Blind are in fact employees under the law. This reclassification opens the door to widespread unionization throughout the unscripted television sector, which has long skirted the heavily-unionized Hollywood system. The fallout from this decision will have to be observed over time and the Trump NLRB could certainly seek to hold the line against unionization in that industry – of which Trump himself was a longtime fixture – but this decision could mean an almost unprecedented expansion of the Screen Actors Guild. We will be watching.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

What word had moviegoers buzzing in 2024? They may not want to admit it, but that word would be sequels. From “Inside Out 2” to “Gladiator II,” Hollywood racked up big wins with the tried and true. With the 2023 Hollywood strikes by both the Screen Actors Guild and the Writer's Guild in the rearview, was Hollywood able to come roaring back in 2024? USA TODAY Entertainment Reporter Ralphie Aversa joins The Excerpt to discuss some of Hollywood's biggest hits and misses this year. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textIn this extraordinary episode of Badass Women in Business, Aggie and Cristy sit down with Melissa Gilbert and Nicole Haase, the visionary co-founders of Modern Prairie. What started as a business idea to support women in their "middle essence" has evolved into a thriving community focused on connection, empowerment, and meaningful storytelling. Melissa and Nicole share the journey of building Modern Prairie, the challenges of creating a community-first brand, and their commitment to serving women through authenticity, vulnerability, and collaboration. Whether you're an entrepreneur, a seasoned professional, or someone seeking inspiration, this conversation will leave you feeling empowered to embrace imperfection and lean into your passions.IntroductionMeet Melissa Gilbert, a multi-faceted entrepreneur, actor, and former Screen Actors Guild president, and Nicole Haase, a brand strategist and retail expert. Together, they co-founded Modern Prairie, a brand and community for women over 50.Key Topics DiscussedThe Origin Story: How a shared passion for community and connections sparked Modern Prairie.Reimagining Aging: Breaking societal norms and empowering women to embrace their prime.Community-First Business Model: Insights into building a supportive, judgment-free space for women.Authenticity in Branding: Why listening and engaging with their audience is at the heart of Modern Prairie's growth.The Importance of Vulnerability: Melissa and Nicole open up about navigating conflict and building trust in their partnership.Products with Purpose: From heirloom-quality items to events that inspire, Modern Prairie is redefining what it means to serve their audience.Navigating the Entrepreneurial Journey: Lessons learned about boundaries, balance, and staying true to their mission.Quotes to Remember“Perfection is a disease. Embrace imperfection—it's what makes things special.” – Melissa Gilbert“You have to ask yourself why you're building a community and be ready to embrace both the good and the bad.” – Nicole Haase“Stay curious. That's the key to staying vibrant and excited in life.” – Melissa GilbertWhy You Should ListenThis episode isn't just about building a business—it's about creating a legacy, fostering meaningful relationships, and finding beauty in imperfection. Melissa and Nicole share practical advice, heartfelt stories, and powerful lessons that will resonate with anyone striving to make an impact.Links to ConnectModern Prairie WebsiteModern Prairie on InstagramModern Prairie on FacebookClosing ThoughtsWhether you're pivoting in your career or seeking deeper connections in your community, Melissa and Nicole's journey will inspire you to embrace your true self and step boldly intoKeep up with more content from Aggie and Cristy here: Facebook: Empowered Women Leaders Instagram: @badass_women_in_business LinkedIn: ProveHer - Badass Women in Business Website: Badasswomeninbusinesspodcast.com

Unlock the Power to Thrive Under Pressure! with Brian Hite From Stuntman to Success Coach! Did you know that Brian Hite has worked on stunts for over 200 films, including some of the biggest blockbusters in Hollywood? His work has literally taken action sequences to the next level! In this electrifying episode of Hurricane H Talk Show, we welcome Brian Hite, a true Renaissance Man whose journey spans Hollywood's high-octane stunts to the transformative world of performance psychology. A Screen Actors Guild award-winning stuntman with over 100 film and TV credits—including 24—and a Ph.D. in Organizational Psychology, Brian has mastered the art of excelling under pressure. Drawing from his extensive work with the U.S. Army and corporate leaders, Brian reveals innovative strategies for turning challenges into opportunities and achieving peak performance. Whether you're a leader aiming to inspire your team, an individual seeking resilience, or simply curious about Brian's dynamic career, this episode offers invaluable insights and actionable tools to elevate your mindset and performance. Tune in for an inspiring conversation filled with practical tips and a fresh perspective on motivation, leadership, and personal growth. Learn more about Brian Hite: BrianHiteGlobal.com #HurricaneHTalkShow #BrianHite #PerformancePsychology #LeadershipDevelopment #PeakPerformance #Motivation #Resilience #HollywoodStuntman #OrganizationalPsychology #GrowthMindset #LeadershipCoach #ThrivingUnderPressure #MentalToughness #HighPerformanceHabits #SuccessStrategies #InnovativeLeadership #SAGAwardWinner #MindsetShift #TransformationalLeadership #ActionableInsights #PersonalGrowth Brian Hite, performance improvement, Organizational Psychology, Renaissance Man, motivation, sport psychologist, personal development, leadership, 24 TV series, thought leader, mental toughness, performance psychology, success strategies, Hollywood, transformation, high performers, pressure management, Screen Actors Guild

Ronald-Russell Farnham Held a top secret clearance for 15 years, working as active duty Army intelligence and a Korean linguist, and as a counterterrorism, analyst worked at major commands like headquarters, Southern command northern command and Central command and Special Operations Command is a member and good standing of the Screen Actors Guild. Has produced and directed motion pictures and reality shows and has written the solution and instruction manuals for sovereignty and freedom. To help people remove themselves from the jurisdiction of the state. Ronald recently used his defense tactics to get his case dismissed for obstruction without violence against Brevard County, Florida, and now he is suing 55 parties to the cause in federal court in Orlando for millions of dollars. This precedents, setting case will help free. All living men and women from the jurisdiction. Of a racketeering operation, being perpetrated by all of the states of the united states of america.https://www.networkisa.org/profile/enlightenmen-thruentTYPICAL SKEPTIC PODCAST LINKS AND AFFILIATES:TSP content is for entertainment purposes only and is not intended to be a substitute for professional medical advice, diagnosis, or treatment. Always seek the advice of your physician or qualified healthcare provider with any questions you may have regarding a medical condition.FDA Text for disclaimer. This statement has not been evaluated by the Food and Drug Administration. This product is not intended to diagnose, treat, cure, or prevent any disease.show support for the Typical skeptic podcast https://paypal.me/typicalskepticmedia cashapp $kalil1121 venmo @robert-kalil or buy me a coffee at https://buymeacoffee.com/typicalskeptic

Join Justin as he chats with actor and talk show host Barry Gordon about life as a child star, leaving his law practice for the stage, starring alongside Carroll O'Connor in ARCHIE BUNKER's PLACE, Ninja Turtles, SWAT KATS, and more!Barry Gordon bio:“Barry Gordon (born December 21, 1948) is an American actor and political talk show host. He was the longest-serving president of the Screen Actors Guild, having served from 1988 to 1995. He is perhaps best known as the original voice of Donatello and Bebop in the Teenage Mutant Ninja Turtles franchise.”Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.Monsters, Madness and Magic on YouTube.

Brian Hite is a modern-day Renaissance Man—a sport and performance psychologist, thought leader, university faculty member, and stuntman with over 100 film and TV credits, including a prestigious Screen Actors Guild award for 24.With a Ph.D. in Organizational Psychology and a wealth of high-stakes experience from Hollywood, Brian offers a unique lens on performance, motivation, and leadership. Drawing on his diverse background, he helps leaders and high-performers transform pressure into opportunities for growth, pushing beyond traditional approaches to unlock new levels of achievement and resilience.Having worked with the U.S. Army for over a decade, Brian combines practical experience with academic expertise to challenge conventional thinking and develop strategies that are both innovative and effective. His unique approach equips listeners with actionable tools that can be applied immediately, while also fostering long-term shifts in mindset and performance.Whether you're dealing with the pressures of everyday life or pursuing peak performance in high-stakes situations, Brian offers fresh perspectives and strategies designed to help individuals and teams excel and enhance their overall well-being.https://www.brianhiteglobal.com/ https://www.facebook.com/brian.hite1/ https://www.linkedin.com/in/brianchite/Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Renaissance Man: Stuntman and Performance Expert Challenging Assumptions, Elevating Success Brian Hite is a modern-day Renaissance Man. His journey from the adrenaline-fueled world of stunts to the thoughtful realms of philosophy and psychology gives him a unique perspective on performance and motivation. With over 100 film and TV credits, including a Screen Actors Guild award for 24, Brian has been hit by cars, set on fire, and jumped off buildings—all while mastering the art of performing under pressure. But what sets him apart isn't just his physical feats—it's how he's blended these experiences with a deep understanding of the mind and human behavior. Brian's fascination with the mind began during his early stunt career. While he thrived on the physical challenges of stunts, he realized that what intrigued him most was the mental preparation and focus that allowed him to excel in high-pressure environments. This led him to complete degrees in psychology, including a Ph.D. in Organizational Psychology, where he studied how our thoughts, beliefs, and emotions impact performance, leadership, and resilience. But Brian's story isn't just about the stunts or the degrees—it's about how he uses this unique combination to challenge deeply held assumptions about pressure, motivation, and what it means to perform at our best. @https://www.brianhiteglobal.com/#ScienceOfMotivation#BrianHiteInspires#CultivateDrive#InternalMotivation #AchieveLastingSuccess#MotivationScience#UnlockYourDrive#SuccessMindset#SustainableSuccess#MotivationMastery

In this episode of Broadway Drumming 101, I enjoyed interviewing the legendary Cubby O'Brien. You may know him from his days as a Mouseketeer on The Mickey Mouse Club, but his drumming career goes way beyond that. We talk about his early start in music, following in the footsteps of his drummer father, and his work with some of the biggest names in the industry—Lawrence Welk, Bernadette Peters, the Carpenters, and more.Cubby shares stories from his incredible journey through different eras of music, from the early influence of The Beatles and playing alongside icons like Steve Gadd. We dive into his Broadway experiences, where he brings his unique energy to every performance, and his thoughts on teaching and adapting to the ever-changing world of music. Whether you're a fan of musical history, a drummer, or just curious about what it takes to build a long-lasting career, this episode is packed with insights and memories you won't want to miss.Tune in to hear about his collaborations with legends like Shirley MacLaine and Nathan Lane and his work on Tony Award-winning shows—it's a deep dive into a life well lived!00:00 Introduction and Guest Introduction00:16 Chance Encounter on Broadway Cruise00:57 Sports Talk: Cowboys and Dodgers02:49 Cubby's Early Drumming Influences04:48 The Mickey Mouse Club and Early Career10:10 Transition to Studio Work and Variety Shows15:18 Working with the Carpenters18:43 Electronic Drums and Siegfried & Roy21:08 Collaborations with Bernadette Peters26:32 Learning the Drums: Insights from Jack Sperling27:13 Meeting Susan Stroman and the Producers Journey28:52 The Creative Process with Mel Brooks29:47 Challenges of Repetition in Broadway Shows31:30 Selecting Dependable Substitutes34:44 Transitioning to Gypsy and Working with Marvin Laird36:23 The Joy of Live Performances39:00 Maintaining Longevity and Avoiding Injuries42:41 Choosing Eugene, Oregon44:03 Advice for Aspiring Musicians44:38 Memories with Shirley MacLaine47:01 Appreciation from Fellow Musicians48:04 Preferences in Drum Kits53:05 Top Five Favorite Drummers54:27 Concluding Remarks and Future PlansCarl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby resides with his wife, a University of Oregon graduate who recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of the Broadway Drumming 101 podcast, we're thrilled to have the legendary Cubby O'Brien, one of the original Mouseketeers from The Mickey Mouse Club! Cubby takes us back to his early years, sharing how his musical journey began with his father teaching at a Sun Valley, California music school. He describes being part of a Dixieland band made up of young musicians who performed at various venues around Hollywood, from Rotary Club events to charity shows for the Screen Actors Guild. During one of these performances, his drumming skills caught the attention of Disney producers, leading to his audition for The Mickey Mouse Club—a gig that launched his storied career.Cubby also shares insights from his remarkable journey as a drummer, having played with legends like Ann-Margret, Lawrence Welk, and Bernadette Peters. His extensive Broadway career includes shows like The Producers, Hair, Oh! Calcutta!, and touring as the drummer for The Carpenters. Throughout the episode, Cubby offers anecdotes and lessons from decades of experience in the entertainment world.Subscribe to hear Cubby's stories, tips, and reflections from a lifetime in music and show business!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with an array of stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby currently resides with his wife, a University of Oregon graduate, having recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

In this episode of the Broadway Drumming 101 podcast, legendary drummer Cubby O'Brien shares a memorable story about subbing out of his first Broadway show and an unexpected encounter with Nathan Lane. When a stage manager informed Cubby that Nathan Lane wanted to see him in his dressing room, Cubby was slightly surprised. After finding his way upstairs, Nathan greeted him with a joking, "You can never leave again," followed by laughter and reassurance that everything was fine after a few nights of adjustment.Cubby explores the real challenge of subbing as a drummer on Broadway. He explains how Nathan Lane got used to his playing style and how every drummer strikes the drum differently; even the slightest variation can be noticeable. Cubby calls it a “thankless job,” where subs must maintain the established feel of the show while replicating the chairholder's unique sound as closely as possible.Throughout the episode, Cubby offers insights from his extensive experience with shows like Hair, The Producers, and The Carpenters' Tour. He underscores the importance of adaptability, consistency, and precision for subs trying to blend seamlessly. This episode is packed with wisdom!Carl "Cubby" O'Brien, born July 14, 1946, in Sun Valley, California, is an accomplished American drummer and former child actor, best known as one of the original Mouseketeers on The Mickey Mouse Club (1955–1958). Discovered by Disney talent scouts at a Screen Actors Guild benefit in 1954, Cubby became the youngest male to audition for the show, securing his spot after a simple yet memorable rendition of "Happy Birthday." After his time with Disney, Cubby pursued his true passion for drumming, performing with bands around Los Angeles, including a two-year stint with Spike Jones, which opened doors to major acts. He went on to work with legendary artists such as Ann-Margret, Shirley MacLaine, and Diana Ross, and spent ten years touring with The Carpenters after meeting them on The Carol Burnett Show.Cubby's prolific career extends to Broadway and television, with notable performances in productions such as West Side Story, Hair, The Producers, and Gypsy. He has also lent his drumming talents to movie soundtracks, including Grease, Change of Habit, and Gypsy. In addition to his extensive stage and screen credits, Cubby has played drums for Siegfried and Roy in Las Vegas and continues to perform in the Broadway production of Chicago. Throughout his career, he has worked with various stars, from Bernadette Peters to Steve Lawrence & Eydie Gorme, and remains a respected figure in the music industry. Cubby resides with his wife, a University of Oregon graduate who recently relocated from New York.Clayton Craddock founded Broadway Drumming 101, a comprehensive online platform that provides specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, and the TONY Awards and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Discover how to achieve peak performance in any field with insights from Brian Hite, a unique blend of stuntman, psychologist, and performance expert. Learn practical strategies for reframing pressure, building resilience, and cultivating lasting motivation. Whether you're an athlete, entrepreneur, or seeking personal growth, this episode offers actionable advice for reaching your full potential. ...................

Julianna Margulies joins us for a bonus conversation this week on You Are What You Read to talk about her memoir, Sunshine Girl. You can see Julianna now as Delia Ephron in Left on Tenth on Broadway, based on Delia's bestselling memoir. Julianna is an Emmy, Golden Globe, and Screen Actors Guild award winner. She starred as Alicia Florrick on the long-running hit CBS show The Good Wife, which she also produced, and is also well known for her role as one of the original cast members of ER. In this conversation, Julianna tells us about her rise to stardom…Her complicated relationships, difficult choices, and overwhelming rejections. But also about the moments where fate, faith, and talent aligned, leading to unforgettable roles, both professionally and personally. We'd like to thank our sponsor, Book of the Month.  Head over to bookofthemonth.com and use Promo Code ADRI to get your first book for just $9.99. Thank you for listening, and thank you for reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Reiser talks about his new film, “The Problem with People”, deciding to be a comic, comedy and heartbreak being from the same well, His love of Peter Faulk, Jack Lemon, and Alan Arkin, fathers, getting out of the house, building a music room just in case Billy Joel dropped by, Writing “What A Fool Believes” with and about Michael McDonnald, “Diner” “Mad About You.” “The Thing About My Folks”, acting and writing seriously, his sons, and realizing you can't write a standup act but just holding a pad and thinking to yourself…”What's funny?”Bio:  n Hulu's recent critically-acclaimed comedy series “Reboot” from Modern Family creator Steve Levitan, Reiser plays Gordon, the original creator of the old sitcom being rebooted. Awards Daily says “Reiser truly excels, giving one of his very best performances…here, he reminds us just how very funny and experienced he is in the world of television comedy.” He also took his first step into bloody, superhero glory, joining Season 3 of Amazon Prime's Emmy-nominated The Boys, playing “The Legend.” Also this year Reiser filmed “The Problem with People,” an original comedy feature film which he wrote, produced, and stars in alongside Jane Levy and Colm Meaney. Reiser currently stars in two hit shows for Netflix: Stranger Things—the company's biggest series of all time—where he plays Dr. Sam Owens, a role created by the Duffer Brothers specifically for him; and Chuck Lorre's The Kominsky Method, for which he received an Emmy nomination for Outstanding Supporting Actor in and Golden Globe-winning comedy ended in May 1999 and premiered 20 years later as a limited series on Spectrum Originals. All seven seasons of the original Mad About You and the re-visit are available for streaming on Amazon Prime. The multi-faceted actor also revived one of his most iconic roles in the highly anticipated return of Mad About You, the long-running hit 90s comedy Reiser co-created and starred in with Helen Hunt. The Emmy, Peabody and Golden Globe-winning comedy ended in May 1999 and premiered 20 years later as a limited series on Spectrum Originals. All seven seasons of the original Mad About You and the re-visit are available for streaming on Amazon Prime. Throughout his prolific career, Reiser has worked with both independent and mainstream filmmakers. Having earned acclaim for his supporting role in the Academy Award-winning film Whiplash, Reiser was also recently seen alongside Kevin Hart in the Netflix feature Fatherhood, John McDonagh's War on Everyone and in frequent collaborator Jeff Baena's “The Little Hours” and “Horse Girl,” which premiered at Sundance 2020, the fourth film the pair has worked on together. The veteran actor has garnered praise for notable performances in films such as Diner, Bye Bye Love, Aliens, One Night At McCool's, Beverly Hills Cop I/II and The Thing About My Folks, which Reiser wrote for his co-star Peter Falk. Reiser is a fixture behind the camera as well. He co-created and co-produced There's Johnny!, a seven-episode series which originally streamed on Hulu and now streams on Peacock. The show, a fictional story set behind-the-scenes of Johnny Carson's Tonight Show circa 1972, co-created with filmmaker David Steven Simon and co-produced with director David Gordon Green in conjunction with The Carson Company, premiered to critical praise, with Decider saying There's Johnny! is “a television experience unlike any I've seen on TV in recent years” and “unfolds like a dream, a memory fondly recalled.” As an author, Reiser's first book, Couplehood, sold over two million copies and reached the number one spot on The New York Times bestsellers list. His subsequent books, Babyhood and Familyhood, were best sellers as well. Voted by Comedy Central as one of the Top 100 Comedians of All Time, Reiser regularly performs sold-out standup at venues nationwide with dates currently booked throughout 2022 and beyond. A SUNY Binghamton graduate of its prestigious music program, Reiser co-wrote the theme song for Mad About You, “The Final Frontier,” with Grammy-winning producer Don Was, and released an album of original songs with British singer-songwriter Julia Fordham called Unusual Suspects. Over the course of his career, Reiser has received multiple Emmys, Golden Globes, American Comedy Awards and Screen Actors Guild nominations. Reiser and his family reside in Los Angeles.

Last year's strikes by both the Screen Actors Guild and the Writer's Guild, new technology such as generative AI, and a global pandemic have all drastically changed film production in Hollywood. Adding to the issues facing the big screen is the continuing trend of moviegoers bypassing theatrical releases in favor of watching films on the small screen. Is Hollywood ready for a reboot? Henry Jenkins, Professor at the University of Southern California, joins The Excerpt to talk about the current state of moviemaking here in America.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Former President Donald Trump cleaned up in the South Carolina Republican primary last Saturday, winning 60 percent of the votes to Nikki Haley's 40 percent, in spite of the fact that the battle played out in Haley's home state. For her part, Haley says she's still not dropping out.The race now heads to Michigan which holds its Presidential primary on Tuesday. The results could demonstrate how much support President Biden maintains among a key demographic in the state: Muslim and Arab American voters. Many of these voters pledge to vote “uncommitted” as part of the Listen to Michigan campaign, a statewide effort aimed at pressuring the president to take action to prevent the death of thousands more people in Palestine.And in headlines: Ukrainian President Volodymyr Zelenskyy said 31,000 of his country's soldiers have died since the start of Russia's invasion, the former head of the NRA was found liable in a massive corruption lawsuit, and what happened at the Screen Actors Guild and Independent Spirit Awards.Show Notes:Listen To Michigan campaign – https://www.listentomichigan.com/What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday