Podcasts about Kochel

Ein Bungalow voller Bilder - Die Kunstsammlung Hauenstein". Bis 27. April im Museum Bayerisches Vogtland und im Reinhard-Cabinett in Hof / "Elfriede Lohse-Wächtler: Ich als Irrwisch". Bis 8. Juni im Franz-Marc-Museum in Kochel.

Rotes Haar, Sommersprossen und ein unverwechselbares Lachen sind ihre Markenzeichen: Andrea Sawatzki, geboren im bayerischen Kochel am See, zählt zu den meistbeschäftigten und wandlungsfähigsten Schauspielerinnen Deutschlands. Mit 15 Jahren begeistert sie bereits im Schultheater ihr Publikum. Heute ist sie aus der Kino- und TV-Landschaft nicht mehr wegzudenken und überzeugt in unterschiedlichsten Rollen. Ob als Ermittlerin im "Tatort" oder als Gundula der "Familie Bundschuh" – deren Drehbücher auf ihren Romanen basieren – zieht die Tochter einer Krankenschwester ihre Zuschauer auf faszinierende Weise immer wieder in den Bann. Neben der Schauspielerei engagiert sich die Wahlberlinerin für Menschen mit Demenz und übernimmt 2023 die Schirmherrschaft der Deutschen Alzheimer Gesellschaft, um Betroffene und Angehörige zu unterstützen. Als Kind erlebt die Autorin die Alzheimer-Erkrankung ihres Vaters und weiß, welche Herausforderungen auf Familien zukommen, wenn ein Elternteil an einer Demenz erkrankt. Wie sehr sie diese Erfahrungen geprägt haben, warum sie mit ihrer Familie so gern Zeit im Süden Spaniens verbringt und wie es hinter den Kulissen abläuft, wenn sie mit ihrem Mann Christian Berkel vor der Kamera steht, erzählt Andrea Sawatzki bei 3nach9.

Im Abenteuer Wellness Podcast trifft Ingvar diesmal auf Sabine Rauh, eine beeindruckende Persönlichkeit der Saunaszene, die von der Flugbegleiterin zur gefragten Aufgussexpertin avancierte. Sabine hat viele Jahre in der Therme Erding gearbeitet, wo sie ihre Leidenschaft für Saunakultur und hochwertige Aufgüsse entdeckte. Heute arbeitet sie in der Therme in Kochel am See und ist als Jurorin regelmäßig bei Aufguss-Meisterschaften im Einsatz. Im Interview erzählt Sabine, wie sie ursprünglich in der Welt der Luftfahrt unterwegs war, bevor sie schließlich ihre Liebe zur Sauna fand. Der Wechsel vom Flugzeug zur Sauna mag ungewöhnlich klingen, doch Sabine beschreibt, wie das Arbeiten mit Menschen, die Freude am Reisen und das Erschaffen einzigartiger Erlebnisse beide Berufe verbindet. Heute bringt sie ihre Erfahrung und ihr Auge fürs Detail als Jurorin bei den wichtigsten Meisterschaften ein und bewertet dabei Kreativität, Technik und die Atmosphäre der Aufgüsse. Sabine gibt spannende Einblicke in die Arbeit hinter den Kulissen der Meisterschaften und berichtet, wie intensiv sich Aufgussmeister auf ihre Shows vorbereiten. Mit ihrer Erfahrung und ihrem Blick für Qualität ist sie eine wertvolle Stimme in der Jury. Sie zeigt uns, wie sie in der Saunaszene neue Wege gegangen und dabei stets der eigenen Leidenschaft gefolgt ist. In diesem Sinne: Immer schön entspannt bleiben! Pauline und Ingvar PS: Außerdem haben wir noch einen Tipp für alle, die Wellness zu sich nach Hause holen wollen: Hol dir Wellness nach Hause mit Manokin! Möchtest du dir den luxuriösen Sauna-Genuss direkt nach Hause holen? Dann ist Manokin die perfekte Lösung für dich! Entdecke die hochwertigen Außensaunen, die nicht nur stilvoll gestaltet, sondern auch optimal isoliert sind. So kannst du jederzeit entspannende Wellness-Momente in deinem eigenen Garten genießen.Und das Beste: Mit dem Code ABENTEUERWELLNESS sparst du 400 Euro bei deiner Bestellung! Schreibe einfach eine Mail an info@manokin.at mit diesem Code. Für alle, die ein Stück luxoriösen Wellness direkt bei sich zuahsue haben wollen. Mit den Saunen von Manokin verwandelst du deinen Garten in eine persönliche Oase der Entspannung. Erlebe die wohltuende Wirkung der Sauna, wann immer du willst!

Derek Champagne sits down for a special conversation with his dear friend, Charles Kochel. Charles is a husband, father, entrepreneur, and author. Charles is also the CEO of Infinity Blue, North America, a borderless e-commerce agency helping brands engage with new customers on multiple platforms and continents. Charles talks with us about business, life…and cancer. Charles new must-read book is More: A Mindful Guide To Intentional LivingIn More, Charles Kochel presents a heartfelt exploration of what truly matters in life: spirituality, health, relationships, time, and freedom. This book is not about imparting absolute truths but rather about encouraging readers to embark on their own unique journeys toward fulfillment. Through personal stories and valuable lessons, Kochel invites you to reflect on your path, recognize your potential, and embrace the richness of life. With an emphasis on mindfulness and intentionality, More serves as a guide to inspire you to live fully, love deeply, and discover the beauty in every moment. Join Kochel on this transformative journey and empower yourself to do more and be better. Order a copy of Charle's book at https://kochelhill.com/

In part two of our latest, we continue our conversation with Charles Kochel about how to get more out of life. Whether discussing fishing, work, vacations, or family, Charles highlights the importance of mindfulness, and why it's important to sometimes give yourself a break in order to maintain that mindfulness. Give it a listen. 

Charles Kochel has worn many hats throughout his career. One of those was estate planning, a role in which he discussed with people what they wished they'd done differently during their time on earth. The replies he got were consistent, with people telling him what they wished they'd done more of. Now he's written a book outlining the lessons he learned while helping those people. Listen to him discuss his life, his work, and the book in this episode. It's one you don't want to miss. 

This weeks episode is kinda cool! Hank from Rattlesnake Cable Company recommended that I reach out to Sean Kochel after we recorded our episode. So I hopped on Instagram found Sean, sent him a DM, and scheduled a show. I really enjoy going into an interview with no idea of how it's going to go. That being said Sean Makes some of the coolest resonator guitars Ive seen here lately and the story of how he started, where he sources wood, and his overall philosophy is so awesome! I know you'll dig this episode almost as much as I did recording it! check out all things Kochel guitars here and let Sean know I sent you his way! https://kochelguitars.com Check out all things Man the Helm herehttps://linktr.ee/manthehelm

Marcia Kochel shares the glaring gaps in middle school publishing and what middle grade authors can do to support and grow the reading interests of middle schoolers.   I would like to thank composer Nazar Rybak at Hooksounds.com for the music you've heard today.   Capstone *use UNITED for $20 off $100 or more on print and ebooks Editable PD Certificate FAQ's and ISO (In search of…) Online Doctoral Programs APA format for citing a podcast/podcast app SLU Playlists Search by title, guest and location! Have YOUR Say!!! Share your ideas on the next episode!   Marcia Kochel Gmail: mlkochel@gmail.com School email: marcia_kochel@dekalbschoolsga.org  If anyone out there wants to brainstorm with me how to get the word out and how to highlight the middle school books that do some along, email me at my work email and we can put something together. Twitter: @marciakochel Instagram for my school library (includes a lot of our contests, activities, creative stations): @dhmslibrary Ms. Kochel's book blog:  Indigo Girls in Concert at Druid Hills MS Closer to Fine Set list Kid Fears TLT Toolbox: Manifesto in Support of MS books by Marcia Kochel (May 2024) TLT Toolbox: Blog by Karen Jensen (Oct 2023)  

"Andy Warhol und Keith Haring. Party of Life": Bis 26. Januar 2025 im Museum Brandhorst in München / "Franz Marc. Das Reh fühlt": Bis 6. Oktober im Franz-Marc-Museum in Kochel. // Moderation: Julie Metzdorf

Ignatowitsch, Julian www.deutschlandfunk.de, Kultur heute

"Das Reh fühlt": Eine Ausstellung mit Werken von Franz Marc im Franz-Marc-Museum in Kochel. Zu sehen bis 6. Oktober. Von Julian Ignatowitsch / "Ein kleines Stück vom Kuchen": Die iranische Tragikomödie wurde im Februar auf der Berlinale gezeigt, die Regisseurinnen Maryam Moghaddam und Behtash Sanaeeha durften nicht ausreisen, ihnen droht ein Gerichtsverfahren. In Deutschland ist der Film nun im Kino zu sehen. Von Bettina Dunkel / "The Death of Slim Shady (Coup de Grâce)": Das neue Album von Rapper Eminem. Von Christoph Möller

Waldwandern um Spiegelau im Bayerwald | Feinstoffbelastung in Boulder- und Kletterhallen | Wanderung zum echten Nordkap | Pilgerradtour von Murnau nach Kochel | Auflösung Bergrätsel Juni.

Bis 30. Juni im Franz-Marc-Museum in Kochel am See / "The World in My Hand": Bis 31. Oktober in der Black Box der Alexander Tutsek-Stiftung in der Parkstadt Schwabing im Münchner Norden.

In Folge 27 von "Gottloses Gelaber" sprechen Randy Robot und Felix Krull über das vorläufige Podcast Ende auf YouTube, die Fleischdiät, The 50, den Wendler, Twenty4tim X Dieter Bohlen und über die neue Netflix Serie „3 Body Problem“. Das Hauptthema behandelt diesmal diverse (unfassbare) Themen aus Felix' vorausgegangenem Instagram Q&A, wie zB. Zoophilie und die Legende vom Schmied von Kochel. Außerdem geht es um einen Videobeweis, der den Außerirdischen „Skinny Bob“ zeigen soll ! Zu guter letzt lässt Randy noch eine Kurzgeschichte vom Stapel. Let that sink in and LG Ab sofort könnt ihr uns über Patreon unterstützen. https://tinyurl.com/GOTTLOSPATREON Vielen Dank und shout out's an alle supporter♥️

"Mit anderen Augen": Die Kunsthistorikerin Cathrin Klingsöhr-Leroy verabschiedet sich mit einer besonderen Ausstellung als langjährige Direktorin des Franz Marc Museums in Kochel / "Goldene Passion”: Das Bayerische Nationalmuseum hat, passend zur Osterzeit, einen Kunstkrimi um den barocken Star-Bildhauer Georg Petel gelöst / Der japanische Filmemacher Hirokazu Koreeda ("Shoplifters") verhandelt in seinem neuen Melodram "Die Unschuld" das Thema Mobbing an Schulen und andere große Fragen / Wenn aus Stoffen Überlebenskunst wird: Das Textilmuseum Augsburg zeigt Kleidung aus dem Nachlass von Arno Schmidt: Textilien zu den Texten des Autors

The Knobs welcome Sean Kochel founder of Kochel Guitars to the podcast. Located in Montana, Kochel Guitars is well known for creating a range of custom resonator guitars out of local historic barn lumber native to Montana, completely crafted by hand. Sean truly loves what he does and also has a formidable mustache. Hosted by Todd Novak, Tony Dudzik, and Jared Brandon   #guitarpodcast #electricguitar #pedaleffects #pedalfx #theguitarknobs #guitarknobs #guitarinterview #guitaramplifier #guitarpickups #guitarsetup #fuzz #overdrive #reverb #distortion #guitartips  Visit us at theguitarknobs.com Support our show on Patreon.com/theguitarknobs

"Norbert Kricke: Versuch über die Schwerelosigkeit". Bis 10. März im Franz Marc Museum in Kochel / Ignacio Zuloaga: "Mythos Spanien". Bis 4. Februar in der Kunsthalle in München.

Es ist wieder so weit! Dezember heißt im Hause runskills: "Challenge-Zeit". Nachdem Susi 2019 jeden Tag den Kalendertag gelaufen ist, 2020 jeden Tag einen Halbmarathon absolviert hat und 2021 jeden Tag 650 Höhenmeter bezwungen hat, geht es 2023 weiter. Susi beantwortet die ersten Fragen rund um die neue Herausforderung und verrät euch, warum sie sich ausgerechnet für diese Challenge entschieden hat.Und wird Mozzarella und Rote Beete etwas DER neue Post-Marathon-Snack?Wenn ihr Susis Spendenaktion und die Bergwacht in Kochel am See unterstützen wollt, dann könnt ihr hier spenden: https://www.gofundme.com/f/31-marathons-in-31-tagenVielen Dank für euren Support :-*Links zur Folge:VAAY CBD Aktiv SportgelKompressionsboots für Beine Hosted on Acast. See acast.com/privacy for more information.

This week on our interview series we sit down with Sean Kochel of Kochel Guitars.  Building out of Montana, Sean uses reclaimed wood from old structures to combine history and tradition.  Incorporating bullets and bones - he is offering a piece of Americana history in his hand-built instruments.  Not to mention Elk bone nuts!   @Kochel_guitarsKochelguitars.comSupport the show@sonic_artifactslinktr.ee/sonicartifactsSonicArtifactsShow@gmail.com

Veteran Iowa Republican consultant David Kochel, talks about the leading candidates, roles of momentum and organization, impact of the Hamas terrorist attacks, a possible endorsement by Gov. Reynolds and much more.

Das neue Album von Christine and the Queens - der Sänger und die Königinnen / Der Maler und die Managerin: eine Schau in Kochel über August und Elisabeth Macke / Die Jugend und der Lärm: Ein Bericht von der "Krachparade" in München. // Beiträge von: Tobias Stosiek, Cathrin Klingsöhr-Leroy, Lili Ruge; Moderation: Tobias Ruhland

Das neue Album von Christine and the Queens - der Sänger und die Königinnen / Der Maler und die Managerin: eine Schau in Kochel über August und Elisabeth Macke / Die Jugend und der Lärm: Ein Bericht von der "Krachparade" in München / Der Rückkehrer und die Stadt: Mario Martones Neapel-Film "Nostalgia" in den Kinos. // Beiträge von: Tobias Stosiek, Cathrin Klingsöhr-Leroy, Lili Ruge, Markus Aicher; Moderation: Tobias Ruhland

Bei ihrem neuesten Abenteuer nehmen euch Bettina und Christian mit in Südbayerns größtes Freilichtmuseum – das Freilichtmuseum Glentleiten. Es ist eine spannende Reise in die Vergangenheit vor atemberaubender Naturkulisse des Kochelsees und der Berge. Hier wird Geschichte lebendig! Auf dem 40 Hektar großen Gelände wurden historische Gebäude aus ganz Oberbayern originalgetreu wieder aufgebaut, oft auch inklusive der Einrichtung. Hier könnt ihr traditionelles Handwerk erleben, wie zum Beispiel Bierbrauen und wir sind sogar bei einem Bieranstich dabei. Wie lebten und arbeiteten die Menschen damals auf der Alm? Auch Kinder können hier überall aktiv mitmachen und unter anderem in der Töpferei Müslischüsseln herstellen. Alle Infos zum Programm des Freilichtmuseums findet ihr hier. Anschließend entschleunigen wir am Kochelsee mit Gregor Baumert und ihr erfahrt, was ein Bieber-Berater ist. Mehr Infos über das Netzwerk der Freilichtmuseen Bayerns findet ihr unter #freiLichtblick auf Social Media.

This week Gibbs and Murphy were joined by Mr. Iowa himself, super hack extraordinaire David Kochel. The Hacks address the indictment incitement (and excitement) looming over Manhattan, how Trump and his GOP friends and foes are responding, and how this will impact the 2024 election. Plus the Hacks dive deep into the cornfields of Iowa and discuss the upcoming caucus, the advantages and disadvantages for the current slate of GOP candidates, and of course the Iowa State Fair butter cow.

Bedrohter Mythos: ein Blick auf die Kultur der französischen Caféhäuser und Bistros in Paris./ Welche neuen Orte der Begegnung findet eine Gesellschaft im Wandel? Gespräch mit dem Stadtforscher Ulrich Berding./ Außerdem ein Blick auf das kommende Kunstjahr in Bayern./ Und: Abgerissene Avantgarde: Das Verdi-Heim in Kochel ist nominiert für den Negativpreis des Bayerischen Landesvereins für Heimatpflege "Abriss des Jahres".

"Karin Kneffel: Im Bild." Bis 3. Oktober im Franz-Marc-Museum in Kochel / "Moderne Zeiten. Industrie im Blick von Malerei und Fotografie". Bis 9. Oktober im Museum Georg Schäfer in Schweinfurt.

"Karin Kneffel: Im Bild." Bis 3. Oktober im Franz-Marc-Museum in Kochel / "Moderne Zeiten. Industrie im Blick von Malerei und Fotografie". Bis 9. Oktober im Museum Georg Schäfer in Schweinfurt

C'est quoi être un héros ? C'est la question au cœur du Festival Musiq3, en cette année 2020...héroïque. Le phosphore blanc - écrit et raconté par Pascale Seys. La musique d'inspiration est le quatuor Kochel 465 “Dissonance” de Mozart.

In dieser Folge #88 treffe ich Tanuka Birgit Lancelle in Kochel am See. Tanuka arbeitet heute als Qi Gong Lehrerin und als Heilpraktikerin für Psychotherapie. Tanuka und mich verbindet die intensive Freundschaft zur wunderVOLLEN Carmen, die 2005 diese Erde verlassen hat. Ein "Erbe" der ganz besonderen Art ist, dass Carmen im späteren Verlauf ihrer Brustkrebserkrankung den Wunsch an Tanuka gerichtet hat, dass sie gemeinsam ein Retreat bei einem Qi Gong Meister besuchen sollen. Tanuka -als Tai Chi- Übende hat alles organisiert ... ist dann allerdings ALLEIN dorthin gereist, da Carmen zwischenzeitlich gegangen ist. Aus dem Samen, den Carmen gesetzt hat, entwickelte sich Tanukas Weg zur Qi Gong Lehrerin. Tanuka spricht über das ErLEBEN ihrer gemeinsamen Freundinnen-Zeit, über größere und leisere Abschiede in ihrem Leben und wie sie dadurch Stück für Stück weiter in die Tiefe des Lebens eintaucht. Ein Gespräch von zwei Frauen, die gemeinsame Fäden aufgreifen und liebevoll betrachten. Höre in dieser Folge: - Von den "Zuckerpuppenevents" - Über den Weg einer Bankerin hin zur Qi Gong Lehrerin - Über die Begleitung des an Demenz erkrankten Vaters - Über das Erforschen und Erkunden des "Geschenks Leben" Ich freue mich sooo sehr, wenn du deine Gedanken oder Erfahrungen mit uns teilst ... hier oder komm "rüber zu Instagram" in die Kommentare unter das Folgenbild. Wir freuen uns wirklich auf den Austausch mit dir! @petraolenyi @tanukaqigong Kontakt zu Tanuka kannst du über Instagram aufnehmen @tanukaqigong oder über ihre Email-Adresse qigong@tanuka.de Ihre Webseite findest du unter https://tanuka.de/ Melde dich gerne für weiterführende Impulse von mir an... der kostenfreie herzwärts-Wochenimpuls flattert immer montags in dein Email Postfach ... und du startest gleich mit Gedanken-Wellness in die neue Woche. Anmeldung kostenfrei auf meiner Webseite www.petra-olenyi.de Mehr zu meinen Angeboten, um GUT durch "turbulöse" Zeiten zu kommen, findest du auf meiner Webseite www.petra-olenyi.de/angebote/ Einmal pro Monat wird der HerzensRaum geöffnet: Eine Begegnung am "virtuellen Lagerfeuer" über zoom. Termine und Infos findest du hier https://petra-olenyi.de/coaching/ Weiter Stöbern kannst du auf - Webseite: https://www.petra-olenyi.de - Facebook:https://www.facebook.com/petra.olenyi.9/ - Instagram: https://www.instagram.com/petraolenyi/ - Pinterest: petraolenyi

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短編(Short) 車掌の笛、運転手の声、汽笛、発車、車内音、踏み切り通過、鉄橋通貨、等～止まるまで。（一部収録） Train conductor's whistle, driver's voice, whistle, departure, car interior sound, railroad crossing passage, railway bridge currency, etc. Until it stops.(Partially recorded) ※ロングバージョンのある有料版「Sound in Nature」もあります。 There is also a paid version of "Sound in Nature" which is rich in episodes and has a long version.(Apple podcast only) https://podcasts.apple.com/us/podcast/sound-in-nature/id1569798616

"Göttderdämmerung II - Die letzten Monarchen". Bis 16. Januar 2022 im Haus der Bayerischen Geschichte in Regensburg / "Die Genese des Kopffüßlers. Horst Antes zum 85. Geburtstag". Bis 22. Mai 2022 im Franz-Marc-Museum in Kochel.

Formen traditionellen Handwerks in Bayern und ihre Weiterentwicklung. Bis 9. Oktober in der Galerie Handwerk in München / Ich bin mein Stil. Künstlerbildnisse im Kreis von Brücke und Blauem Reiter: Bis 3. Oktober im Franz-Marc-Museum in Kochel.

Statewide Public Information Officer Bridget Kochel joins the show to talk about responsible recreation, Operation Dry Water, fire safety, sober boating and respecting moose. See omnystudio.com/listener for privacy information.

Be bear aware; stay safe while camping and backpacking in Colorado.

Czy wiedzieliście, że za sukcesem marek Fancy, Jungle, Jaffa i SeaFood Bar & Market stoi jedna ekipa? Jaki jest ich przepis na sukces w budowaniu casualowych restauracji dostępnych dla każdego? O tym rozmawiamy z Patrykiem Kochelem - współwłaścicielem tych brandów! ---------- Partnerem odcinka był browar rzemieślniczy Brewery Hills ◄ ----------- Gastropodcast prowadzą: Magda Michalak (Z widelcem po Wrocławiu) oraz Irek Solicki (HORECA+)

Public Information Officer with Colorado Parks & Wildlife Bridget Kochel joins the show to talk about boating safety. See omnystudio.com/listener for privacy information.

Care For Colorado - Leave No Trace - This message for Colorado travelers was developed in a partnership between the Colorado Tourism office & Leave No Trace Center for Outdoor Ethics. Know Before You Go. State and federal agencies manage 42 percent of Colorado's landscape. Learn about and respect the spaces we all share. Bridget Kochel is a Statewide Public Information Officer at Colorado Parks & Wildlife. She helps manage media relations, press releases, the website and social media for the agency. Bridget's hobbies of outdoor adventures, hiking, biking, photography, music & traveling. Bridget loves living her life outside and working at CPW because she has the opportunity to mix her professional life with her passion for the outdoors and wildlife. Bobby is joined by Bridget to discuss, Care for Colorado Week, Leave no Trace, Outdoor Safety, Camping, Hiking, Public land, Wildlife, Outdoor life & much more. Please subscribe or like us on social media platforms for updates on shows, events, and episode drops. Become a Mountain Side Patron Here for exclusive footage.www.TheMountainSidePodcast.comwww.Colorado.comwww.CPW.State.co.usSponsor Linkswww.ONNIT.comMountain Side listeners use Discount code TMS to receive 10% off ONNIT products!www.TraegerGrills.com

Public Information Officer with Colorado Parks & Wildlife Bridget Kochel joins the show to talk about Care For Colorado week, Colorado Public Lands day and state parks LNT gold standard. See omnystudio.com/listener for privacy information.

Andy Cochran with Gunnison Sports Outfitters joins the show to talk about updates on Blue Mesa, ramp opening and shore fishing opportunities. Communication Specialist Bridget Kochel joins the show to talk about young wildlife and the importance of leaving them alone. Kochel says to be careful with your bird feeders and your trash due to bears and their sense of smell. Rebecca Ferrell, Manager of Branding & Communications at Colorado Parks & Wildlife, joins the show to talk about Take a Friend Fishing and the importance of mentoring and conservation. Austin Parr with Austin Parr Guide Service joins the show to talk about fishing updates from around the area. Austin mentions changing locations and the status of mountain fishing with the runoff and big heavy flows. See omnystudio.com/listener for privacy information.

Auf eine insgesamt 8.516 Kilometer lange Radtour bis ans Nordkap hat sich Askan von Schirnding aus Kochel aufgemacht. Von Oktober bis Dezember war er unterwegs, hat Schneesturm, aber auch Grenzkontrollen zum Trotz seine Reise durchgezogen. Wie er im Winter auf seine Tour in den tiefsten Norden gekommen ist, welche Herausforderungen unterwegs aufkamen, wie er sich vorbereitet hat und welche zukünftigen Tourziele er noch hat, erzählt er in der neuen Sportgondel-Folge. Link zu Askans Youtube-Account: https://www.youtube.com/channel/UCG2GBoOCVXzgRKd15ctGdQw Askan auf Instagram: https://www.instagram.com/askanvonschirnding/ Redaktion & Moderation: Annkathrin Stich; Produktion: Annkathrin Stich; Konzept: Antonia Engelhardt & Thomas Jensen

Bridget Kochel with Colorado Parks & Wildlife joins the show to talk about danger readings and planning your hike based on avalanche conditions. Kochel mentions the importance of safety equipment, a shovel and preparation based on forecast. See omnystudio.com/listener for privacy information.

Brad Petersen with Brad Petersen Outdoors joins the show to talk about fishing updates and to give tips on getting your boat ready. Scott Murdoch with Colorado Parks & Wildlife joins the show to talk about living with mountain lions and to offer tips on keeping your dog safe from danger. Murdoch reminds the listeners to look big, keep dogs on a leash and not to feed the wildlife. Bridget Kochel with Colorado Parks & Wildlife joins the show to talk about danger readings and planning your hike based on avalanche conditions. Kochel mentions the importance of safety equipment, a shovel and preparation based on forecast. Chris Steinbeck with Blue Quill Angler joins the show to talk about fly fishing updates and why the South Platte that runs through Denver doesn’t get enough attention. Chris agrees with Terry that carp can be underrated game fish. See omnystudio.com/listener for privacy information.

Hosts Jane and Ellen finish each other’s… sandwiches in this “Frozen” episode about glaciers. Glaciers are a body of moving ice that has been formed on land by the compaction and recrystallization of snow. They take forms like valley, ice sheet, or outlet, because, really, who’s going to tell them not to. Learn why glaciers are more likely to form at the equator than at 30 degrees latitude north and south, and find out how glacial budget has its pluses and minuses. Let it go and enjoy this frosty episode.Our main source for this episode is Process geomorphology (5th ed.), Ritter, Kochel, & Miller.Music for It’s Sedimentary, My Dear is provided by Solar Sleighs.Follow us on Twitter and Instagram. You can also contact us through our website sedimentarymydear.com.

Bridget Kochel Communications Specialist with Colorado Parks & Wildlife in Denver joins the show to talk about backcountry safety and avalanche activity. Bridget highly recommends a refresh on avalanche safety courses every year before you go out. See omnystudio.com/listener for privacy information.

Game of Thrones in Europa – das Spiel um die Macht bescherte bayerischen Bauern einst eine äußerst blutige Weihnacht. Wir erzählen euch außerdem, was es mit dem sagenumwobenen Schmied von Kochel auf sich hat.

Kochel am See! Europäische Ethnologie! Keramik! Ein Exkursionsbericht. Das steckt hinter Türchen 18 des mittelgroßen Rittergeschichten Adventskalenders. Jeden Tag bis zum Fest der Feste das Beste von der Resterampe und neuer Cringe von unter der Girlande. Der RITTERGESCHICHTEN ADVENTSKALENDER serviert selbst ausgestanztes Ear Candy in die gemütlichen, gut gelüfteten Stuben. Weiterführende Informationen: - Instagram.com/greatcritter - Twitter.com/gaststar - Kaufen Sie Bücher! Eintritt kann man bei Bedarf hier nachreichen: PayPal.me/Rittergeschichten

Jane interrupts our scheduled discussion of tsunamis to take us on a Magic Schoolbus-like field trip to Missouri’s Elephant Rocks State Park. Along the way we learn a bit about Missouri’s history, and culture (mort importantly the three Bs of St. Louis: Beer, Blues, and Barbeque). We also learn cool stuff about the geology of this Gateway to the West state. Granite domes & tors abound! And in the immortal words of Miss Frizzle, “Seatbelts, everyone!”Our sources for this episode are:Process geomorphology (5th ed.), Ritter, Kochel, & Miller.Earth: An Introduction to Physical Geology (9th ed.), by Tarbuck & LutgensThe Missouri State Parks page for elephant rocks state park: https://mostateparks.com/park/elephant-rocks-state-parkField Trip No. 6: Rapakivi Granites and Related Rocks in the St. Francois Mountains Southeast Missouri by Kisvarsanyi and HebrankGeologic Wonders and Curiosities of Missouri, 2nd ed, revised by VineyardMusic for It’s Sedimentary, My Dear is provided by Solar Sleighs.Follow us on Twitter and Instagram. You can also contact us through our website sedimentarymydear.com.

Ryan talks to Republican Strategist David Kochel about the latest developments in the 2020 election.

Ryan talks to Republican strategist David Kochel about President Trump and Joe Biden's performances during the iHeartRadio post-presidential debate special.

Jonathan and Karen share strategies for increasing the capacity for you and your students to discuss challenging topics. Jonathan C. Zur is President & CEO of the Virginia Center for Inclusive Communities (VCIC), an organization that works with schools, business, and communities to achieve success through inclusion. https://inclusiveva.org/. An experienced facilitator and consultant on issues of diversity, equity, and inclusion, Jonathan was appointed by the Governor of Virginia to the Commonwealth Commission on Diversity, Equity, and Inclusion, formed in the aftermath of the tragedy in Charlottesville in August 2017. In 2016, Jonathan was a speaker at the inaugural White House Summit on Diversity and Inclusion in Government. His program work with VCIC is noted in the book No COLORS: 100 Ways to Stop Gangs from Taking Away Our Communities as “the best…in the nation for sowing the seeds of non-violence, inclusiveness and understanding in a high school.”Karen Kochel is a Child Developmental Scientist and Associate Professor in the Department of Psychology at the University of Richmond. Her research focuses on childhood through adolescent social development and emphasizes the interplay between peer relationships, such as peer victimization and friendship, and psychological adjustment in classrooms and schools.

This episode talks about geomorphology, the study of the Earth’s landforms. This includes the physical makeup of the earth’s crust, the movement of the pieces that make up the Earth (plate tectonics), and the origin and evolution of topographic (and bathymetric) features created by physical and chemical processes, and operating at or near the earth’s surface.Our main source for this episode is Process geomorphology (5th ed.), by Ritter, Kochel, & Miller.Music for It’s Sedimentary, My Dear is provided by Solar Sleighs.Send us your pics/question about geomorphology, or follow us on Twitter and Instagram. You can also contact us through our website sedimentarymydear.com.

Communication Specialist with Colorado Parks & Wildlife Bridget Kochel joins the show to talk about Care for Colorado and Leave No Trace Principles Week See omnystudio.com/policies/listener for privacy information.

Water polo shut down across the nation in March 2020 and since then, there has been no water polo in Utah. The fall league kicks off water polo play again at the end of August in Utah, and in the United States for that matter. Listen to the first part of the podcast as Shawn reviews the changes and policies and procedures that will allow us to stay in the pool during COVID. The second part of the podcast explores the ups and downs of water polo growth with three great Utah coaches and club directors. James Keddington with South Davis Water Polo, Jesse Kochel with Southern Utah Water Polo and Eric Richards with Cache Valley Water Polo, represent water polo from the northern border to the southern border of Utah. Shawn explores how they got their start, how COVID has affected their teams, some awesome tips to continue to grow club membership and of course, they add their selections to the Salty Splash Pod Playlist. Let's play some water polo! --- Send in a voice message: https://anchor.fm/saltysplashpod/message

Ryan talks to Republican Strategist David Kochel about the Democratic National Convention, Joe Biden's speech, and the upcoming Republican National Convention.

Gedichte sind für Starkünstler Anselm Kiefer Inspiration. Nun schreiben Schriftsteller/Innen Geschichten zu seinem "Opus Magnum" - für den BR und das Franz Marc Museum in Kochel, das ab 12.7.20 Werke des Künstlers zeigt. Teil 2: Wim Wenders bei der Ausstellung in Kochel, Joseph-Breitbach-Preisträgerin Nora Bossong über "Liliths Töchter" und die "Wallküren", Alexander Kluge über "Antäus", Sibylle Lewitscharoff und die "Karfunkelfee".

Cory Reppenhagen with 9NEWS joins the show to talk about lightning awareness. Reppenhagen mentions earshot and distance when it comes to counting seconds after hearing thunder and reducing the probability of being struck. Communication Specialist Bridget Kochel joins the show to talk about being ‘bear aware’ while camping and hiking. Kochel says never feed or approach a bear and always double-pack your food and items that have an odor. Public Information Officer Jason Clay joins the show to talk about blue-green algae. Clay mentions the causes and toxins that can damage the environment when they multiply rapidly. Ronny Castiglioni joins the show to talk about river fishing updates and standing waist deep in a river when it’s 100 degrees outside. Ronny goes over the techniques he’s been using and the flows starting to slow. See omnystudio.com/listener for privacy information.

Gern läßt sich Starkünstler Anselm Kiefer von Literaten inspirieren. Nun schreiben Schriftsteller/Innen Geschichten zu seinem "Opus Magnum" - für den BR und das Franz Marc Museum in Kochel, das ab 12.Juli 20 Werke des Künstlers zeigt. Teil 1: Alexander Kluge besucht Anselm Kiefer in seinem Atelier. Sibylle Canonica liest Christoph Ransmayr, Gila Lustiger reagiert auf "Tagebücher der Könige von Juda", Gert Heidenreich auf "Thor".

Rufus Wainwright ist die Queen of Opera im Popgewerbe, scheut kein Pathos, keine Pose und kann klingen wie eine dekadente Dramaqueen , der sich eine Fluse der Federboa quergelegt hat. Nach 8 Jahren -zwischenzeitlich hat er wirklich zwei Opern geschrieben- erscheint Wainwrights neues Album: Unfollow the Rules. Marcel Anders stellt es vor und hat mit Rufus Wainwright gesprochen: Unsere weiteren Themen: Anselm Kiefer literarisch Deutsche Autor*innen schreiben über das "Opus Magnun" des Künstlers, das in Kochel ausgestellt wird / Zwischen ideologischer Konformität und offenem Diskurs. US Intellektuelle provozieren die Frage nach neuen Normen in der Debattenkultur / Das Prinzip Schanigarten - Die neuen Parkplatz-Terrassen und Buchten-Bars in der Stadt haben in Wien längst Tradition

Mythen, Legenden und Sagen aus Bayern gibts heid bei uns! Mit dem Schmied von Kochel und der weißen Frau aus dem Ebersberger Forst...!

Thomas Holz beklagt eine wachsende Rücksichtslosigkeit von Tagesausflüglern in seiner Gemeinde. "Es werden Verbotsschilder, Parkverbotsschilder, Rettungswegschilder offensichtlich nur noch als freundliche Empfehlung aufgefasst und definitiv nicht mehr eingehalten", so Holz.

Eduard Bauer aus Kochel am See bat die Löwen im Februar um Hilfe, damit seine Satzungsanträge für die Brief- und Onlinewahl für die am 12. Juli geplante Mitgliederversammlung ordnungsgemäß angenommen werden. Der TSV 1860 meldete sich aber erst nach Ablauf der Frist - mit einer Absage....

Ryan Gorman spoke with GOP strategist David Kochel about the Iowa caucuses debacle, the state of the Democratic presidential race, and the New Hampshire debate.

The Iowa Caucuses are the subject of the 173rd episode.Our guest is Des Moines-based political consultant David Kochel, who runs Redwave Communications.In this conversation, we examine how the Caucuses work, why ‘uncommitted’ will matter after the first ballot, how geography will play a role, who he thinks will win Iowa, how the Senate impeachment trial has effected the candidates, and whether Iowa will matter in 2020.

Dave Kochel joined the Jeb Bush presidential campaign in 2015. Over the course of the next year and a half, he would discover that the Bush name, so often a powerful ally in previous cycles, would be turned against them. Kochel speaks with us about the strategies they devised to try and overcome that, how they planned to beat Trump and win the nomination, and one of the most painful ends to a campaign anyone has ever experienced.

Music to me is, and has always been existential. From when I was a little boy growing up with a concertmaster – in many of the world's most famous orchestras – as my dad, in Vienna, and constantly visiting his workplace, the famous Musikverein, to today where I am a music aficionado, an avid vinyl record collector as well as a (fairly amateur) music producer. Music is a passion, or 'addiction' as my wife would say, and a great source of joy for me.Having Till Janczukowicz on this show was a big personal pleasure. His classical music streaming app, IDAGIO, is constantly running a fine line between catering to the young and the old, the classical novice versus the expert, and it is a fascinating branding game.Till discusses how classical music, as a brand, was intimidating, and how he and his team are breaking that wall down, out their offices in Berlin, Germany. And how classical music's role and perception in society has changed over the years, and what role technology played in it.We discuss how to showcase music visually, with all of its nuances, is an extremely difficult task, one that IDAGIO mastered from day one.So many fascinating takeaways in this conversation, one that struck with me, and that should give you an idea on how deep we are diving into not only the brand discussion, but also the entrepreneurial journey as a whole: "The bigger you grow as a corporation, the more you have to bring things that are on a subconscious level to a conscious level."A delightful conversation that truly inspired me, and I believe it will do the same for you.To support this show, please head to Patreon.____Full Transcript:F Geyrhalter: Welcome to HITTING THE MARK.Today we welcome a guest who I have been looking forward to for a while now. The subject hits home in many ways. Not only is this founder based in Berlin, Germany, hence you will get a double-German accent episode today, but his is the world of classical music, which is the same world in which I grew up in, back in Vienna.Till Janczukowicz is the founder of IDAGIO, which is often described as being the Spotify for classical music.Till has more than 20 years of experience as an artist manager, producer, and concert promoter. In 2000, he established the European office for Columbia Artists Management, heading it up as managing partner for 11 years. He was responsible for organizing several of the Metropolitan Opera’s European tours, and his personal clients included conductors Christian Thielemann, Seiji Ozawa, André Previn, and Jukka-Pekka Saraste, as well as pianists Ivo Pogorelich and Arcadi Volodos. In 2008, he founded the Abu Dhabi Classics, a performing arts series merging culture, education and tourism for the government of the United Arab Emirates. That is where he arranged debuts for the New York, Berlin and Vienna Philharmonics; the Bayreuth Festival; and Daniel Barenboim, Simon Rattle, Zubin Mehta, Yo-Yo Ma, Ben Kingsley, Jeremy Irons, and countless other musical and artistic luminaries.I am thrilled to welcome you to the show, Till!T Janczukowicz: Great, pleasure to meet you and to be here.F Geyrhalter: Absolutely. So as I mentioned in my intro, this is truly a pleasure for me since my father was an amazing violinist who spent most of his life as a concert master and some of Vienna's best orchestras from the Vienna State Opera Orchestra, the Vienna Tonkünstler Orchestra, the Kammer Orchestra, all the way to the Vienna Philharmonics, and appeared on over 50 records and radio productions. So he was also a sound purist who loved his audio gadgets the same way that I do now. He would've cherished to hear this conversation today.So listeners who are not classical music fans may wonder why. Why was there a need for classical music in an app form when you can find plenty of classical options on Spotify, Apple music and Tidal? Let me quote an article from Vogue that explained it perfectly well, "It all comes down to Metadata." While Metadata for most popular music is quite simple, there's the artist, the song, or track, the album it's from. Classical Metadata might encompass everything from the composer, the orchestra, the conductor, the choir, which may have its own director, various soloists, the title of the piece, along with perhaps some sort of number or nomenclature to indicate it's placed within the larger symphony of work.Then artists opus number, or in the case of composers like Mozart Bach whose works are ordered by their own system, their Kochel or BWV number. So it's not simple. Yes, there is a big need for it.Till, your biography talks a lot about the amazing journey you have taken prior to starting IDAGIO in 2015, but tell us a bit about the founding story behind IDAGIO. How did it all start? Give us the romance, the hardship of your startup's early days.T Janczukowicz: So where to start? Let's start with the Romance, maybe-F Geyrhalter: That's a good place. Let's start positive.T Janczukowicz: The very early Romance, but what I would say is that I was lucky and only looking back, I understood that I was lucky. I was offered to piano when I was six years old and that captured me immediately. So once I started to play the piano for the first time without knowing anything, I knew and felt, "Well, that's my life. I'm going to spend my life with this music that fascinated me.I could even say, probably I've never worked. I never felt I was working in my life. At the very end, it comes down to a variety of attempts to promote what fascinated me, in a very, I wouldn't say egoistic way, but it was a very obvious thing for me. Classical music captured me. It opened stories for me. It created images and so on.So I started to be a pianist at the beginning. Thanks god I became friends with a real pianist, Krystian Zimerman, when I was 18 years old, who by the way... You are from Vienna, it's probably you were even still in Vienna these days. He recorded the Beethoven Piano Concerto with the Vienna Philharmonics Leonard Bernstein in the 80s. So Christian became a good friend. I saw what he did, I saw what I did and said, "Okay, he's a pianist." So next step for me was then he wanted to push me into management. It helped me a lot.But first of all, I started to be a teacher during my studies, made some money. But I'm coming from a family of teachers and so, "Okay, my dad was a teacher, my mom was a teacher, my grandfather was a teacher. So do you really want to sign a contract at your end of your 20s and that's going to determine what you're going to do until the end of your life?" The answer was no. So I didn't want to become a teacher. I wrote a little bit, but also as a writer I saw, well, you can speak about it in part, but you can't really change things.So then I went into management and now I'm coming to your question to the necessity of IDAGIO. As a manager, my perspective was always a B2B perspective. If you manage a great conductor, or a great soloist, your touring orchestra, it's about, first of all, building brands. Any young artists you see or any unknown ensemble or new music you see, as a manager, you have some possibility to make these people famous, to assist them to find out how they work and how you can help them.What I saw then having spent my life in management, putting on concerts in all parts of the world and we can cover that a little later because there were many fascinating learnings. But the main thing for me was that, if the future of music listening is streaming and the all-genre streaming services aren't designed for classic music because as you said, they are around pop music and they're pop driven where you only have three criteria: The song, the artist, and the album, my clients are going to be invisible in the digital ecosystem.So the moment there is no digital structure that could trick down a recording where you have a conductor, you have an orchestra, you have singers, you have a soloist, you have the composition, and so on. The moment that doesn't exist, I saw that as a luxury problem from the user's perspective because you can still curate and so on. Maybe yes, it's a problem for aficionados, but at the very end, I want to push a button, and I want music to play without a huge cognitive investment that I like, fine, but even there is a huge group of aficionados worldwide that suffering from bad metadata, and bad usability of classic music streaming platforms.But if you look at it from an artist perspective, this is a real threat because if you can't be tracked down in the digital space and people don't find you, you cease to exist and with you, the entire genre ceases to exist. That was a motivation from you, I said, "Well, you have to do something." The main question at the beginning for me was, "How can we use technology in order to maintain that music genre that was the passion since I first encountered that.There was not at the beginning, the idea of, "Well, I have to found the best streaming service for classical music." That was the result of a chain of it durations. For us it's rather the beginning than the end.F Geyrhalter: It was really more of an action cry, right? It needed to be done in order to... in the biggest terms possible, save classical music for generations, right? To me, that's where it gets really interesting to think about who the audiences. When you think of classical music, many think of an older audience, but you're obviously a digital tool that already eliminates, I would say, the too old for tech audience, right?T Janczukowicz: Yeah.F Geyrhalter: You also clearly understand that you have to capture the hearts and souls of the next generations as the IDAGIO or IDAGIO... You and I had a little chat prior to this, it could go either way. So I don't feel guilty. The IDAGIO Instagram account, for instance. It nicely shows that it's going for the next generation. It's 29,000 followers. You have features like a relax playlist, which are perfect gateway drugs to anyone regardless of musical preference, right?T Janczukowicz: Sure.F Geyrhalter: Who do you cater to and how do you capture them in your brand communications? Do you constantly run that fine line between young and old, and classical novice versus expert?T Janczukowicz: Well, there are various levels to answer that. When I left my peer group, the classical music world that had been spending my life in, and started to enter into tech, I was, of course, reading a lot and all these blogs and I traveled to San Francisco, went to Silicon Valley just to be there to talk to people, to understand what it's all about.The first thing I learned, or the first thing at least that I remember is that one of the most failures of startups is to solve problems that don't exist.F Geyrhalter: Right.T Janczukowicz: For me, it was obvious that this problem does exist, both from a customer or user perspective and also from an artist perspective. So that was the beginning. Based on that, we did build our own technology, make a data model and so on and so on. Based on that, we can now, answering your question, cater for all varieties of audiences.What was interesting for me to see that after having spent 20 to 25 years in that world, more or less looking at things and reacting to things through my instinct, the assumptions I got over the years, they were confirmed in real numbers. Because the classical world is not really about numbers, it's about opinions. It's about being right, everybody is right. Everybody knows everything, it’s very controversially, very ego driven also.Now, I entered in a world where its numbers, "Okay, what you say is nothing more than a thesis, let's prove it." So that was totally new to me and very fascinating. What we found out that there are five, 10, 15, 20, maybe 50 use cases of listening to classical music and you can, of course, go and start segmenting classical music listeners.But interesting, is also to me that you can probably break it down into use cases because there are use cases that you would probably apply to an aficionado that sometimes also apply to a millennial listening to classical music and vice versa. So, for example, you mentioned this mood search we have and why do we have it? I wanted a tool where everybody, who opens the app and comes in contact with classic music, they can execute an action, move something, just touch screen with a finger, remove the finger, but already make a choice. So it can go to relaxed or meditative or joyful and so on. Then it's simply a playlist opening up with joyful or relaxing or focusing music.However, this is a use case and also some aficionados' life, because also aficionados are sometimes, I don't know, ironing their shirts, or cleaning the home. So this is the first thing I wanted to highlight because it was very interesting to me.Secondly, there are, of course, the obvious different segments. You have, the fact that classical music around the globe as a genre that's aggregating the high achievers. Classical music has always been, the music genre of the emerging communities. If you look at South America, you give underprivileged kids instruments and playing Beethoven makes their lives meaningful from one day to the other. So this is still system up. Gustavo Dudamel is one of the most known represented-F Geyrhalter: Well, he's here in the Los Angeles Philharmonic's now. So yeah, he's close to home.T Janczukowicz: Exactly.F Geyrhalter: Yeah.T Janczukowicz: Yeah, exactly. This is something that at the same time you have 50 million piano students in China these days. [] for example, used to say that the future of classical music is in China, which I wouldn’t say the future of classic music, but also be in China. But we see that a lot of young people in the Nordics, in Europe, but also in the United States are more and more turning to the classical, but they see and look at classical music in a different way, because especially in Germany... You're from Austria, central Europe, classical music is a heavy, serious thing. You have to gain some knowledge before you really understand it, which I believe is total bullshit. If music is great, everybody understands it immediately.The new use case that's coming up that I am listening to classical music because it helps me focus, it helps me calm down. But another word that I see in classical music as belonging, because if you listen to classical music and if you listen to a great concert with friends and a social environment, it also makes you feel connectiveness. You are connected with other people, you're connect with the musicians on stage. You are connected with the people you are listening with.So there was a very nice quote, which is very famous, but I heard it first from Yo-Yo Ma who once said, "The great thing about classic music is that it makes you part of something bigger than yourself." This is a very, very needed and a great value proposition.F Geyrhalter: I think, playing devil's advocate, that could be said about pretty much every musical genre, right? Because it is a very communal tribal idea. But with classical, just the idea that a lot of it happens in ginormous orchestras. There's so much where one person talks to the other via their musical instrument and jazz is kind of one step up from pop where you've got a couple of people that need to perfectly sync in an orchestra, make this 10, 20, 30 fold. So there's something by just the structure of classical music where it's more communal from the get go, I believe.T Janczukowicz: Yeah, I mean, jazz, I would say goes very much in the same direction, because it has various levels, but if you're looking at what is constituting music, first of all you have a melody, number two, you have rhythm, and number three you have harmonies. Then you can have one melody, which is the case in pop music, but then you can have two melodies, two themes.Then it starts with something that probably 70% or 80% of classical music have in common, which makes it so fascinating. You have two themes, and very often in the Sonata form, the first theme is male and the second theme is female.F Geyrhalter: How chauvinistic?T Janczukowicz: It's very chauvinistic, but everybody apparently seems to like Beethoven sonatas or Mozart symphonies where exactly this is happening. Then you have an exposition where the first theme, the male theme is being presented and after the female's theme is presented.Then you have the second part where these themes start to interact and to talk to each other. Sometimes there is tension and then comes down and so on. So it's very, very close to storytelling without words. This is something, probably, I said that earlier, what captured me at the very beginning, and I think it's a fascinating role because you can close your eyes, but you see stories, you feel stories, but you don't need to know when Beethoven was born, you don't need to know what is an overture. You don't need to know what is an aria. Just close your eyes and listen to it. This music is so appealing to everybody.I think one of the mistakes that classic music or classical music has made over decades is, is building this huge wall around it. Because if you go back to Mozart or Bach, it was entertainment music. It's agenre that comes from the courts and the people were eating and drinking and laughing and walking out and coming back. Something that the middle-class that occupied classic music for themselves, started to forbid. This created an intimidating...Let's say when we speak about branding, a part of this brand that is intimidating and it's not necessary because it's so embracing, and it's such a great genre.F Geyrhalter: I so agree with you. I so agree with you. Coming from a household where we constantly went to the Vienna Musikverein to see my dad play and others, it was always a big deal. Even though it's my dad on stage, and it's just normal, we go to his workplace, right?T Janczukowicz: Yeah.F Geyrhalter: There's something, there's an aura around classical music that feels like it's a cloud that should be broken. It feels like... I love how you talk about it. Even though I did not really realize that, but as I started looking through your brand work, through your website, through your app, it actually really is what you're doing. You're breaking that stigma. You're breaking that wall down, and I think it's beautiful.While we talk about musical terms, let's talk about IDAGIO, the brand name, for a second. It sounds a lot and pretty obviously to me like ADAGIO, which only has one letter replaced. ADAGIO for our non-musical listeners signifies a music played in slow tempo. So what was the inspiration for the name? Walk us through that a little bit.T Janczukowicz: It's very end simple. We needed a name, first of all, and we wanted the name to be self-explanatory. So we wanted something that people around the globe would associate with classical music. So ADAGIO, as you said, it's an international word. Many albums are just having one title, which is ADAGIO. If you have music that calms you down.At the same time, we wanted something that people understand context of technology. This is, I. The funny thing is that we had a law firm working for us this time and they were also representing a very famous American brand that has created many new devices that are starting with an I-F Geyrhalter: Whatever that could be.T Janczukowicz: Whatever that may be, and they called us back after three days said, "We checked it. You can use the name. No problem at all." So IDAGIO was born. That was the funny incident.F Geyrhalter: That's hilarious. Yeah, and it's not always the case. I heard of other firms that try to use names that started with I, and couldn't do it based on that same conglomerate that tries to own that one letter. But obviously, those are words where the, I, has more of a meaning in front of it with IDAGIO. It is a word. The, I, itself is not as meaningful.So, great. Well, I'm glad I got that quiz right. I'm proud of myself. How did you and your team obviously derive the brand's visual aura, so to speak? I use the word aura specifically since the gradient based imagery surrounding your brand has a very meditative feel to it. Even talking about IDAGIO, the idea of slowing down. Then you have the nifty mood selection feature, which we talked about in your app. Overall, you really crafted a beautiful slick visual identity that mixes the atmospheric, like in many of the Instagram posts with the harsh and crisp in the actual logo or the line work that apps dimension to the gradient artwork.Now, for everyone listening, unless you're currently driving a car, head on over to @IDAGIOofficial on Instagram to see what we're actually talking about. Till, how was the look derived? I think it just really found its groove, no pun intended, back in May on Instagram where everything started to have this very distinct and beautiful look. Can you talk a little bit about how this came about?T Janczukowicz: I think there are three factors probably, and, of course, none of these factors was conscious during it was there. Only looking back, you're connected in a meaningful way. Probably the first thing is that my grandfather, who offered me the piano, he had a Braun stereo system at home. We all know that Braun was one of the decisive branding and visual influences for this very, very famous brand we have been speaking about. I remember it was that it was the first thing.The second thing, as an artist manager, I was always in the second row. So that means you work as a catalyst. You are doing a great job if you work invisible. So you mentioned the Abu Dhabi Classics I created. The star was the series. If you manage an artist, if you build the career of a conductor, the conductor is the star, not yourself. You are always in the background.I think this is a thinking that also my co-founder was aesthetically a very big fan of minimalistic architecture. We said, "We want a look and feel that really highlights the musicians and the music and that's not dominating them. I think that's the second aspect.The third aspect is that, we had, at a very, very early stage, I think, our designer was a part of the founding team. He started on day one. I think he was one of the third or fourth people we hired. Because we believe it's very important that you reflect the beautiful and fascinating and special role that you also described. We were just speaking, that you going to the Musikverein with family when your father was playing. It's a fascinating thing. We wanted to translate that into a user interface and into a look and feel that respects the music and the artists.F Geyrhalter: Which is really, really difficult to pull off. It's very easy to look at and then criticize or get your own emotions about it, which by the way, I would never criticize because I think it is brilliant. It is so easy to look at something after it has been established. But to showcase music visually with all of its nuances, is an extremely difficult task. So bravo to that. It's really, really well done and it was one of the reasons why I got sucked into your brand.So while we talk about that, we might as well talk one more second about the actual icon, about the logo. It's a play on the play button and there is a horizontal line to the right of it, right below it. Tell us a bit about the idea behind it. Obviously you are not the designer, but I'm sure that that you played a role in signing it off and adopting it. What is the key idea behind it?T Janczukowicz: Well, I don't want to take a credit of others. My role was to not say no to it. Let’s put it like this, which at a minium I disliked it or I liked it, but my thinking here is rather, and thinking big, I was designing all this myself five, six, seven years ago. I had the first ideas of IDAGIO and I was very proud of, I don't know, copying some letters from an Italian luxury brand and I showed it to our designer when we hired him and he laughed at me. He was right there laughing at me.So I understood. I don't really understand this. I can express what I wanted for the brand and I could express how I believe it may look like, but he really did it. Then I think it's at the very end minimalistic thinking. I think when it comes down to that. Not something that disturbs and then some people get some agencies from outside before and they we're proposing a logo with some music scores and all this, a key, so it's really...I think we are in a different world.F Geyrhalter: Yeah.T Janczukowicz: Yeah. The icon that we have. Maybe one other thing. It's a little bit high level, but I was thinking when you were talking about... Again, I'm seeing in front of me your dad sitting on the stage of the Musikverein and what was the classic music 20, 30, 40 years ago, and what has really changed? Because also we were talking about different customer segments.When I started to work as a manager, that was '96, that was still a period where a conductor was still a maestro. He was the icon, you couldn't reach him, you couldn't talk to him. The entire management approach was to create a myth, create something that's unavailable because the less it's available, the more people want it. This is something, and this is an understanding of value. It's to the old world, which is an old world value thinking.I think in the digital world, and this is a big shift, in the digital world value is being created by being visible, by being transparent, by showing with as many people as possible what you are, who you are, what you do. So this is a total paradigm shift. If you look, for example, at a Karajan, you could not reach out to him. A Schulte was the same running the Chicago symphony orchestra for many years.If you now these days at young comebacks like Yannick Nezet-Seguin, the music director of the Philadelphia orchestra, music director of the metropolitan opera Andris Nelsons, music director of the Boston symphony and the Gewandhaus orchestra in Leipzig Germany. It's a new generation of open minded and more communicating conductors.What was very interesting to me, I had a meeting with the Juilliard School of Music in New York some months ago. I didn't know that when you are making your degree there, if you leave school, you don't have to only play, you also have to moderate the performance. The way how you talk about the music you play, as an artist, is also being judged. I think it's a very interesting thing.But this is all owed to transparency that came through technology. All the scandals that we are seeing and witnessing these days, it's not that humanity has apparently become immoral, just our ways to measure things and to see things are much more granular than 10, 20, 30, 50 years ago.This is also an aesthetic shift in classical music and this is also creating a new type of classical musicians. I find that a very interesting thing to see how technology even has some impact on the way you perform classical music.F Geyrhalter: That is absolutely fascinating. I agree. I've never thought about it that way. But just like everything else, classical music is being touched by it and it's great to be on the forefront of that like you are. While we were talking a little bit about philosophy here, what does branding mean to you? The actual word, branding. How do you see it?I know we talked a lot about emotion, we talked a lot about how people feel something rather than just listen to something. But maybe even in the classical arena, like where you are, what do you think when you think of branding?T Janczukowicz: Well, I would spontaneously say branding is an aggregated public perception. If it goes well and first of all, you have a good intention and you succeed in running the brand, the way you want, then it's probably aggregated trust that says, "Well, yeah, I can turn into this complex thing without making a mistake, without failing."Because I've heard of the brand from, whomever, my brother, my peers these days, then through, through, through advertisement because I think trust is getting more and more local, and we less and less trust governments and we less trust corporations. So I rather trust my peers because I'm so over flooded with information and bombarded by visual things that want to get my attention.But I think branding for me done right it's something of, well, yes, I can go. It's a safe harbor, safe place for me. I can recommend it. I can package that when I talk to other people pass it on to others and recommend to others.F Geyrhalter: You talked about trust and failures. I'm not as familiar with the entrepreneurial scene in Berlin, but here in the US we love to talk about failures. There are entire business book sections dedicated to it. Even though in my eyes it's blown way out of proportion, there are great things to be learned from mistakes that startup founders have made or witnessed during the early days of the brand formation.What was an enormous fail that you went through with IDAGIO in the very early days? Was there something where you just look back and you're like, "Okay, that was a fail, we could have prevented this, someone can learn from this?"T Janczukowicz: Well, I have to say, I think we were lucky in leaving out many mistakes you can potentially make. But, of course, there were mistakes, but there is not this story where I would say, "Well, this is really, really, really, I'll never forget it." I think it's rather a pattern.What I've learned over the years is that, if you do something for the first time and being an entrepreneur and forming and building something new has to do a lot of with trial and error. Probably the biggest mistake that I'm trying to avoid more and more is that I wasn't listening early enough to my natural instincts. I don't know if it's right or wrong, but I'm more and more convinced that this is the right thing. It sounds like cliché, but this is a principle that you can break down into any daily decision. If you feel something, but...and this is a personal problem that I have because everybody is, of course, different. I'm coming from the world of the arts. I'm rather intuitive, some people say visionary, but at least I have ideas. Some of these ideas have worked out in my life so far.But I'm also analyzing it. But if I feel that something is right, I start to do it. The bigger you grow as a corporation, you more and more have to bring things that are on a subconscious level to a conscious level. Then it has to arrive on the conscious level and then you have to explain it to everybody. Then you have to also give ownership to the people with whom you work with your team, because you are nobody with a team.You can form the North star, you can say that the direction and give a vision and the mission, I think in our company everybody is on that mission and people coming to the office, to our premise here in Berlin they say, "Oh wow, this is a great chemistry here. It feels good to be here." So that's the thing.But we're not talking about the good things, we're talking about failures. Of course, at the very end, nobody wants to fail. But thanks God, I was brought to this life by really an American entrepreneur, who was the owner of Columbia Artists, Ronald Wilford, and he was a typical American self-made man. One of his quotes was, "I didn't learn anything and that's why I can do everything."I think this is a good thing and this, and the combination that when I met him after our job interview in '96 where we even didn't perceive it as a job interview, but afterwards we had the first meetings. They will tell, "We are in an industry of ideas." Usually, we all have a lot of ideas and if you fail with 10 ideas, it's bad, you're gone. If you make one of the 10 ideas work, it's really great. If you make two of your 10 ideas work, this is highly above average.I think this is a mentality that's very, very un-German and having inhaled this kind of thinking for 16 years, I got more comfortable with the idea of making failures because, a young artist is like stakes you buy a company, you see something and you believe all to be there in two, four, six, eight years. Sometimes you're right and sometimes you are wrong. Then you have principles to figure out and to understand why you may be right.But going back in a nutshell, re-listen to yourself and if you feel something, you're really convinced, do it, whatever others say.F Geyrhalter: Mm-hmm (affirmative). Yeah, absolutely.T Janczukowicz: But listen to them, then think, but then do what you feel.F Geyrhalter: And the same holds true for data, because I'm sure, at this point, your app has been downloaded over 1.5 million times, I think it's the latest in 190 countries?T Janczukowicz: Yeah.F Geyrhalter: So you must have so much great data about your users at this point, and I know you're using it and you have studies made about listenership and about what classical music means today. But on the other hand, you have to balance that out with not always listening to customer data and just solely basing decisions on your instinct as well. It's always a fine line that an entrepreneur walks.T Janczukowicz: Yeah.F Geyrhalter: On the flip side now, we talked a little bit about failures. Now, let's climb over that hill to success. When you look back, what was that big breakthrough moment where you felt like, "Okay, the startup is slowly moving into a brand." People start using the name, the app becomes part of daily life. When did you know that you had something that would become a major player in the music world? No pun intended. May it have been a funding round or the Salzburg Festival where you launched or early user feedback. What was it for IDAGIO where you knew that this will actually be a success?T Janczukowicz: Well, I think in order to do something like that, you need a certain, what we call... I don't know how you may be able to translate that in German. There's a nice word, Gottvertrauen. I don't know how you translate it. You put your trust in God. You have to do something. Everybody was, "Oh, you're going to fail, you're stupid." But to trust, you trust that it will work.So this is something that was always there. However, I, would say two things. One thing was quite early. It was that we were indeed launching, not the app, a minimal viable product, even not the beta at the Salzburg festival in 2015. We were launching there and we were sitting on stage in the premises of the festival upon invitation of the Vienna Philharmonic.Then some days later there was an article in Frankfurter Allgemeine Zeitung. They wrote, it was 2015 and they wrote, "If they're not going to run out of money, they could change the way how people listen to classical music." This is something, I remember, we were by far not yet there, but having read that and then securing the next funding round, the combination of those two things that we say, "Okay, we are on the good way. Let's put it like that."F Geyrhalter: Right. That’s amazing. For our international listeners, which is not the majority of our listeners, I think we have 6% German listeners. The Frankfurter Allgemeine Zeitung is the authority, not only in Germany but it reaches through all of the central Europe. So that is a huge deal. To go back to when you talk about Gottvertrauen, the idea of you trust in God, just to make it universally accessible. It's also for atheists. That idea that you just trust in the universe, right? You have this ideology where you trust in the universe.All right, Till, we're coming slowly to a close, but none of my guests can get away without answering this particular question. Mainly because I believe it is such a great exercise for any entrepreneur to give some thought to as they keep building their culture and brand. I gave you a heads up on that. If you could describe everything about your brand in one or two words that would turn into your brand's DNA, as I call it, what would it be like? Examples could be freedom for Harley Davidson or happiness for Coca-Cola. What would that brand DNA be?T Janczukowicz: I have to answer that with an anecdote and then I try to answer your question.F Geyrhalter: Perfect.T Janczukowicz: There was a young Romanian conductor, Sergio Celibidache, amazing, amazing conductor. Was for many years the music director, legendary music director of the Munich Philharmonic. He believed he would get the job of the music director of the Berlin Philharmonic, then Karajan got the job. I just have to say that because he said Karajan is like Coca Cola.F Geyrhalter: I think I know that story from my dad actually because it's so classic.T Janczukowicz: Yeah, exactly. So sorry to... But it's not exactly an answer to what you asked, but I had to raise that. If you would allow two words that are not very romantic, I would say, what people should think in three, five, 10 years when they hear IDAGIO, it's classical music. If you would ask me to really distill it down to one word, then I would rather turn to what the classic music does with people. Then we could say happiness because it brings happiness. It gives people a more happier life because it makes you healthy.There are all these studies, classical music connects when you're growing up the right and the left half of the brain in a more meaningful way. You learn empathy, the social skills and so on. You could say health, but probably if we could nail it. Ask to really nail it down to one word, I think it's belonging.I think it's belonging because, if you look at what happens, we come alone, we go along but we have this 60, 70, if you're lucky, 80 years. To overcome this, this illusion of loneliness and classical music has this power to really connect you with other people. You don't need to touch them. You don't need to look at them. You close your eyes, but you feel connected with other people. I think this is probably best described by the word belonging.F Geyrhalter: That's beautiful. I knew that belonging would come back up because you had talked about it in the beginning. It is such a perfectly emotional word to really capture the brand beyond, right, really the entire genre. Where can listeners find IDAGIO if they are intrigued enough after listening to us for the last 45 minutes to give it a try and perhaps even become converts to the magic of classical music?T Janczukowicz: Very easily, on the internet, idagio.com. In the app store, there's an Android version. Anybody, for example, who has a Sonos device. There's been Sonos implementation of IDAGIO. But I would say go to the internet and there you'll find all the app stores to find IDAGIO and the different partnerships we have also with hardware manufacturers. Yeah, that's probably the easiest way.F Geyrhalter: Excellent. Excellent. That's the beauty of owning your name online. So I know you launched the company at the Salzburg Festival or the Salzburger Festspiele in 2015.T Janczukowicz: Yeah.F Geyrhalter: That is exactly what I would be heading next week. So watch out for me Till. If you're in Salzburg, you might run into me at one of the many Festspiele locations.T Janczukowicz: Cool.F Geyrhalter: Thank you so much for staying late at your office in Berlin to have this conversation with me today and to share your stories and your thoughts on branding with me and my listeners. We really appreciate your time.T Janczukowicz: A great pleasure. Thank you so much.F Geyrhalter: And thanks to everyone for listening, and please hit that subscribe button and give the show a quick rating - it only takes 5 seconds and it helps the podcast’s visibility and growth.And if you really enjoy it, please head on over to PATREON.com/Hittingthemark to become a sustaining member supporting this show.There has never been a more important episode in which to give the theme music some credit. It was written and produced by Happiness Won. If you want to know who is behind Happiness Won, then also head on over to PATREON.com/Hittingthemark and you may find what you learn amusing.I will see you next time – when we, once again, will be hitting the mark. 

Gośćmi Weroniki Goworowskiej są Patryk Kochel i Konrad Kobiela. Rozmawiamy o wrocławskich konceptach: SeaFood Bar&Market, Jaffa Bar&Market i Jungle. Wszystkie trzy opracowane przez agencję Pepiniera Kreatywna.

"Tony Cragg. Skulpturen und Zeichnungen". Bis 6. Oktober im Franz-Marc-Museum in Kochel / "BODY CHECK. Martin Kippenberger - Maria Lassnig". Bis 15. September im Münchner Lenbachhaus / "Superstars mit Todesmut - Die Gladiatoren Roms". Bis 3. November im Archäologischen Museum der Stadt Kelheim.

When you look at a Sean Kochel guitar you will notice the shotgun shell knobs, the bullet casing fret markers, and the 100 year-old woods from demolished buildings that are featured in all his guitars.  For episode 31 of the podcast, we visit Sean's remote shop in the mountains outside of Missoula, Montana. It takes us a little while to discuss to his cool guitars, because Sean has quite a history: from working in Alaska's oil fields, to snowboarding and bee keeping, all before starting his successful guitar business. Finally, Sean tell us about his Croatian grandfather's tamburtiza instruments and how these could be the inspiration of the original Fender headstock.   To learn more visit: http://www.kochelguitars.com/   This episode is sponsored by Roberto-Venn School of Luthiery, Gibson Guitars, Martin Guitars and Carter Vintage.   

Bree K. started We•col•ogy Society after selling on eBay for 7 years. We•col•ogy Society is a sustainable circular retailer and brand. Bree K. is working on scaling We•col•ogy Society to a brick and mortar store that offers a buy/sell/rent platform (Imagine a mixture of Buffalo Exhange, Anthropologie, and Rent the Runway) as well as an in-house, sustainable clothing label. Website: www.wecologysociety.com

Die Zeit der Münchener Räterepublik und Revolution war auch ein Experimentierfeld für unterschiedlichste politische Ideen. Auffällig ist, dass etliche Wissenschaftler/innen versuchten, ihre Konzepte, Ideale, Forschungen in die Sphäre der Politik zu (über)tragen. Die Vortragsreihe geht diesem Phänomen bezogen auf unterschiedliche Wissenschaftsgebiete nach. Sabine Hake gibt in ihrem Vortrag einen Ausblick auf die Weimarer Republik, insbesondere in Bezug auf Film und Populärkultur. Cathrin Klingsöhr-Leroy stellt Paul Klees Rolle in der Münchener Räterepublik vor. | Sabine Hake ist Professorin für deutsche Literatur und Kultur an der University of Texas at Austin. Cathrin Klingsöhr-Leroy ist Direktorin des Franz Marc Museums in Kochel am See.

Dr. Karen Kochel, Assistant Professor of Psychology, discusses a special issue of the Journal of Applied Developmental Psychology, entitled Applying symptoms-driven models of depression to the investigation of peer relationship adversity: Mediating and moderating mechanisms. Dr. Kochel served as the guest editor … Continue reading →

Dave Kochel has been a republican strategist for decades, helping GOP candidates from Branstad to Bush - Jeb Bush. He’s fought plenty of battles but none like the one he faced in the midst of the Iowa Caucus campaign in 2015 when he got the news he had cancer. Here’s a one-on-one interview as Kochel talks about the big fight.

单词：三段式，Ternary Form；主题，statement；对比contrast；重复repetition；独奏solo；华彩cadenza；Ludwig von Kochel（克扣）配图01：

Rosie talks to Jay Kochel from the ANU School of Art on the Graduate exhibition while he installs the Drawing Prize at M16 Artspace and Lucy talks Exquisite Corpse at the ANU Medical School

Franz Marc suchte nach dem vollkommenen Sein, zuerst in seinen Tierbildern, dann in der "reinigen Kraft" des Kriegs. Er fiel bei Verdun. Am 3. April 1917 wurde er zum zweiten Mal bestattet - zu Hause, in Kochel. Autorin: Julia Devlin

Zwölfuhrläuten aus Kochel am See in Oberbayern, kath. Pfarrkirche St. Michael

Bayerische Bauern gegen österreichische Kavallerie. Das ist wie David gegen Goliath. Dazu kommt ein Held - der Schmied von Kochel. Und ein besonderes Datum: Der Weihnachtsabend 1705.

Vor einiger Zeit war ich im Franz-Marc-Museum in Kochel. Weil Sara mich gebeten hat, über deutsche Kunst zu sprechen, werde ich das heute tun. Ich werde Euch etwas erzählen vom Blauen Reiter. Der Blaue Reiter war ein Künstlerkreis in München. Gegründet wurde er von Franz Marc und Wassily Kandinsky 1911. Sie wollten die festgefahrenen Traditionen der akademischen Malerei befreien. Mit dabei waren auch August Macke, Alexej von Jawlensky und Kandinskys Lebensgefährtin Gabriele Münter. Sie alle sind bis heute berühmte Künstler, deren Werke in vielen Museen weltweit zu sehen sind. Gemeinsam brachten sie einen Almanach heraus und organisierten Ausstellungen. Die abstrakten, farbenfrohen und oft grafisch wirkenden Bilder von Wassily Kandinsky sind bis heute auf Postern, Postkarten und allen möglichen anderen Gegenständen zu sehen. Er ist eigentlich schon fast ein Pop-Art-Künstler, auch wenn er natürlich offiziell nicht zu dieser Gruppe gehört. Franz Marc ist berühmt geworden durch seine immer weiter verfremdeten Bilder von Pferden und anderen Tieren. Besonders interessant ist es, wenn man in Bayern nach den Spuren dieser Künstler sucht. Zum Beispiel lebten sie lange in Schwabing, genauer gesagt in der Ainmillerstraße. Schwabing ist ein Stadtteil von München, der in den 20er-Jahren berühmt war für seine Künstlerateliers. Hier in den Kneipen trafen sich berühmte Autoren und Maler. Wenn die Künstler genug hatten von der Stadt, gingen sie aufs Land. Franz Marc und Kandinsky ließen sich in Murnau nieder, am Kochelsee. Es ist wunderschön dort – man fährt von München aus gut eine Stunde mit dem Auto Richtung Süden und in die Alpen hinein. Und dort steht dann zum einen das so genannte Russenhaus, in dem Kandinsky und Münter lebten, und das gerade modernisierte und erweiterte Franz-Marc-Museum. Es ist tragisch, dass einige dieser interessanten Künstler so jung gestorben sind. Franz Marc und August Macke fielen im Ersten Weltkrieg, Marc war gerade mal 36 Jahre alt. Kandinsky ging zurück nach Rußland und lebte später in Paris, wo er 1944 starb. Der Blaue Reiter existierte nicht mehr, und München war nicht länger eine internationale Kunst- und Kulturhauptstadt. Wenn Ihr nach München kommt, dann müsst Ihr unbedingt in das Lenbachhaus gehen. Das Lenbachhaus ist mein Lieblingsmuseum. Es ist eine schöne Villa, die beinahe so aussieht, als stünde sie in der Toskana. Dabei liegt sie mitten in München, gleich in der Nähe des Königsplatzes. Hier sind viele Bilder des Blauen Reiter zu sehen, viele davon wurden von Gabriele Münter der Stadt München geschenkt. Im Moment ist eine Kandinsky-Sonderausstellung hier zu sehen, die später in diesem Jahr nach Paris weiterzieht und nach New York. Was die deutsche Kunstszene heute macht? Sie ist weiterhin lebendig. Es gibt einige große Namen, hauptsächlich allerdings sind es Männer. Zum Beispiel Jörg Immendorff und Georg Baselitz. Ich empfehle Euch die Werke von Gerhard Richter, vor allem die älteren Gemälde von ihm. Text der Episode als PDF: https://slowgerman.com/folgen/sg46kurz.pdf

15.11.1877 Jennerwein wird gefunden: Kein Held von Königs Gnaden war er, sondern einer aus dem Volk. Im 1848er Jahr geboren, stammte Georg Jennerwein aus armen Verhältnissen. Den Vater haben ihm die königlichen Jäger vor seinen Augen totgeschossen, weil er gewildert hat. Zwölf war er damals, der Girgl. Und weil er später als Holzknecht zum Sterben zu viel, aber zum Leben zu wenig, und weil er auf die Jäger eh schon einen Hass hatte, drum ist er selber auch zum Wilderer geworden...

Sun, 1 Jan 1989 12:00:00 +0100 http://epub.ub.uni-muenchen.de/9424/ http://epub.ub.uni-muenchen.de/9424/1/9424.pdf Nehlsen, Hermann Nehlsen, Hermann (1989): Kochel nach 1803. Entstehung der neuen Gemeinde. In: Badura, Peter (Hrsg.), Kochel 739 - 1989. Gemeinde Kochel am See: Kochel am See, pp. 79-87. Geschichts- und Kunstwissenschaften, Jura 0