Podcasts about jim crow

Hear about living in Escobar-Era Medellin, Surviving Cancer & Leaving an Abusive Relationship to Solo-Travel the World. _____________________________ Subscribe to The Maverick Show's Monday Minute Newsletter where I email you 3 short items of value to start each week that you can consume in 60 seconds (all personal recommendations like the latest travel gear I'm using, my favorite destinations, discounts for special events, etc.). Follow The Maverick Show on Instagram ____________________________________ Mari Monsalve starts off talking about her involvement with two empowering travel events: The WITS Travel Creator Summit and Latino Travel Fest.  She then reflects on her grandparents experience immigrating to Florida in the 1960s during Jim Crow segregation.  Mari tells the story of growing up in Miami and then moving back to Medellin during the Pablo Escobar era and what it was like to live there during that time.  She then talks about moving back to the U.S. as an adult, developing her interest in world travel, and organizing a transformative trip to Iceland.  Next, Mari opens up about leaving an abusive relationship to travel the world solo, being diagnosed with cancer, and choosing to use travel as a tool to recover from cancer.  She shares stories at different points in her cancer journey from Paris, Morocco and Thailand.  Finally, Mari reflects on her last trip to the Pacific coast of Colombia, shares some ethical considerations for visiting Colombia, and makes specific recommendations for how to respectfully immerse in her beautiful country.  FULL SHOW NOTES INCLUDING DIRECT LINKS TO EVERYTHING DISCUSSED ARE AVAILABLE HERE. ____________________________________ See my Top 10 Apps For Digital Nomads See my Top 10 Books For Digital Nomads See my 7 Keys For Building A Remote Business (Even in a space that's not traditionally virtual) Watch my Video Training on Stylish Minimalist Packing so you can join #TeamCarryOn  See the Travel Gear I Use and Recommend See How I Produce The Maverick Show Podcast (The equipment, services & vendors I use) ____________________________________ ENJOYING THE SHOW? Please Leave a Rating and Review. It really helps the show and I read each one personally.  You Can Buy Me a Coffee. Espressos help me produce significantly better podcast episodes! :)

How did the US orchestrate the Panamanian Revolution to be able to build the Panama Canal? Why did French engineer Bunau-Varilla and the US sign a treaty about Panama without a single Panamanian in the room? How did Americans impose Jim Crow laws in The Canal Zone?  William and Anita are joined by Matthew Parker, author of Hell's Gorge: The Battle To Build The Panama Canal, to discuss how America finally completed the building of the Canal and entered the dawn of the American Century… Empire Club: Become a member of the Empire Club to receive early access to miniseries, ad-free listening, early access to live show tickets, bonus episodes, book discounts, our exclusive newsletter, and access to our members' chatroom on Discord! Head to empirepoduk.com to sign up. For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Assistant Producer: Becki Hills Producer: Anouska Lewis Executive Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tsunami hits Hawaii (no damage reported). White House Considers 'Pocket Rescissions' To Sidestep Congress: What To Know. Why is the Senate slow rolling judicial confirmations? Place your bets: Rates will probably hold. Katy Perry & Justin Trudeau out on a date. Of course, Gov. Hochul uses the NYC attack to push for gun control. Cincinnati Racial attack is not being covered by the MSM because it was racial. IMPD Officer Shot, Three Suspects Arrested, One is At Large. CHUCK SCHUMER FUMES: "If you don't think they wanna revert to Jim Crow, just look what they did in the SAVE Act! Skull refrigerator for sale on the Marketplace. The Democratic party already have a pre-October 7th mindset. New York Times stunningly rolls back claims about viral photo of starving Gaza boy. Megyn Kelly wants Israel to "wrap it up". Will Anthony Richardson be the Colts starting QB? Islamic State militant group claimed responsibility for a deadly attack that had killed at least 43 worshippers during a night mass at a church in eastern Congo. US and Chinese officials agreed to seek an extension of their 90-day tariff truce. Kevin O'Leary: Use any excess capital to reduce the national debt. That is the most important thing. US GDP increasing at a 3% annualized rate, largely due to trade swingsSee omnystudio.com/listener for privacy information.

IMPD Officer Shot, Three Suspects Arrested, One is At Large. CHUCK SCHUMER FUMES: "If you don't think they wanna revert to Jim Crow, just look what they did in the SAVE Act! Skull refrigerator for sale on the Marketplace. The Democratic party already have a pre-October 7th mindset. New York Times stunningly rolls back claims about viral photo of starving Gaza boy. Megyn Kelly wants Israel to "wrap it up"See omnystudio.com/listener for privacy information.

About 70 years ago, The Blues gave birth to two genres of music: R&B (Soul) and Rock & Roll.One made for black listeners, one for white listeners. The United States was segregated back then and Jim Crow and his laws were real! But we've discussed this already.The question is, What is Yacht Rock?This class breaks down Yacht Rock into bite sized pieces, but there are a few rules that you should know. First, Yacht Rock is not a genre, there is no such thing, not for real-for real.Second, Artist that thrive in this “not genre” all these years later still hate the title “Yacht Rock.”There's more, this is just the tip of the iceberg. “Yacht Rock, What it is — is some of the best music ever created, by artist who might surprise you!And if you ready to learn more, press play.

Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “Blues wasn't forced on us like that religion. Nah, son, we brought that with us from home. It's magic what we do. It's sacred... and big.” Penny, Sam, Kara and Jason revel in the artistic and box office success of Ryan Coogler's genre defying tale of family, fellowship, music, and freedom. The discussion ranges from the serious to the silly, with stops along the way for auteur theory, sports metaphors, representation, all art is political, zombie movies, sundown towns, the Tulsa Massacre/Black Wall Street, the horror genre as conduit for political and social discourse, joy as revolutionary act, A.I. and cultural appropriation, Annie as a potential slayer, oners, Alvin Ailey, and #OscarsSoWhite.    Note: Since this is an R-Rated movie, we've decided not to humorously bleep out the swear words.   Next time we'll be covering Buffy the Vampire Slayer, Season 4, Episode 11, “Doomed.”    Keep Slaying! News Links/Referenced Links Sinners (Original Motion Picture Soundtrack) - Album by Sinners Movie | Spotify Jim Crow Museum Blues Foundation The ‘Sinners' Movie Syllabus - AAIHS Life (1999) Official Trailer - Eddie Murphy, Martin Lawrence Movie HD The Rise and Fall of Jim Crow. Richard Wormser.  Segregated America. Smithsonian Institute.  Jim Crow Laws. National Park Service.  “Exploiting Black Labor After the Abolition of Slavery.” The Conversation.  https://www.npr.org/2017/03/08/515814287/heres-whats-become-of-a-historic-all-black-town-in-the-mississippi-delta “The Model Minority Myth” Aspect Ratios with Sinners Director Ryan Coogler Mound Bayou, Mississippi - Wikipedia Ruth E. Carter on designing costumes from ‘Do The Right Thing' to ‘Black Panther' Ruth Carter's Creative Process | Oscar-Winning Costume Designer Watch Abstract: The Art of Design | Netflix Official Site Ryan Coogler on 'Sinners' Creative Process, 'Black Panther' News, NBA Players Love & More Ryan Coogler says 'Sinners' inspiration felt 'like a bolt of lightning' —---------------------------------------- Viewing Order BONUS: “Sinners”  Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #ryancoogler #sinners #michaelbjordan #smokestacktwins #milescaton #jimcrow #mississippidelta #history #filmreview #vampires #southerngothic #wunmimosaku #haileesteinfeld #ruthcarter #blackhistory #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #smashthepatriarchy #feminism #patriarchy #buddyguy In Defense of ‘Grace' from ‘Sinners' Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, we're sharing an episode from our new podcast documentary series, Charlie's Place. Beloved, notorious, defiant, folk hero – these are just a few ways to describe Charlie Fitzgerald, the entrepreneur who owned an integrated nightclub during Jim Crow in Myrtle Beach, South Carolina. What happened in Myrtle Beach at Charlie's would come to define a community and generations to come. This is the almost forgotten history of Charlie's Place.Charlie's Place is a production of Atlas Obscura and Rococo Punch in partnership with Pushkin Industries and presented by Visit Myrtle Beach. 

Episode Notes My guests include the Honorable Mayor Jaylen Smith of Earle, Arkansas. He was elected in 2022 at the age of 18 making him the youngest elected official in the country. I ask him how he's grown along with the city and if he has any future political aspirations. Next, if you are of a certain age and were born and raised in the south you were familiar with Jim Crow laws that enforced racial segregation. Raka Nandi, Director of Exhibits & Collections at MoSH joins me to talk about their newest exhibit, Overcoming Hateful Things and why it's important to remember history and teach it to the next generation. Finally, last week, the city of Memphis held a special ceremony to salute and honor the work of area nonprofits with $6.5 million dollars in grant awards. One of those organizations is Hope House Memphis who received $1.3 million dollars. Their mission is to improve the quality of life for individuals and families affected by HIV and poverty. Melissa Farrar, COO, joins me to share what this will mean as they continue to build on their efforts in a greater way. That and more on air and online Monday, 6 pm on 91.7 WYXR. Also, the WYXR app, Tunein, Facebook Live, YouTube and wherever you get your podcasts. It's time to talk!

Charleston White shares his story growing up amid violence and loss, influenced by family struggles and hip hop culture. He reveals how media glorified gangster life, shaping youth behavior and exposing the dark reality behind the culture's impact on Black communities.

Was Jim Crow really a “blessing in disguise” for Black Americans? In this episode of Black Talk Radio News, host Scotty Reid confronts the revisionist…

Was Jim Crow really a “blessing in disguise” for Black Americans? In this episode of Black Talk Radio News, host Scotty Reid confronts the revisionist narrative promoted by Dr. Claude Anderson and others who suggest segregation was a time of Black prosperity. We dig into Anderson's family legacy with Safe Bus Company in Winston-Salem, explore whether their success was the norm or an exception, and ask why there's no record of their support for the Civil Rights Movement, despite benefiting from the gains it produced. Scotty also challenges Anderson's economic theory that wealth must precede political power, raising concerns about how that logic mirrors today's super PAC and billionaire-controlled political landscape. This episode calls for accountability from those in Black media and scholarship who perpetuate myths that undermine the legacy of civil rights fighters and mislead new generations. Video Version:

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

A rethinking of African American religious history that focuses on the development and evolution of Africana spiritual traditions in Jim Crow New Orleans. When Zora Neale Hurston traveled to New Orleans, she encountered a religious underworld, a beautiful anarchy of spiritual life. In Underworld Work, Ahmad Greene-Hayes follows Hurston on a journey through the rich tapestry of Black religious expression from emancipation through Jim Crow. He looks within and beyond the church to recover the diverse leadership of migrants, healers, dissidents, and queer people who transformed their marginalized homes, bars, and street corners into sacred space. Greene-Hayes shows how, while enclosed within an antiblack world, these outcasts embraced Africana esotericisms--ancestral veneration, faith healing, spiritualized sex work, and more--to conjure a connection to freer worlds past and yet to come. In recovering these spiritual innovations, Underworld Work celebrates the resilience and creativity of Africana religions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Join Jim and Greg for Wednesday's 3 Martini Lunch as they examine Major League Baseball's return to Atlanta for the All-Star Game four years after Democrats pressured the league to pull the event over Georgia's election integrity law. They also dig into the ridiculously slow wildfire recovery efforts in Los Angeles County and break down what could be a wild U.S. Senate race in Texas next year.First, they're glad to see the all-star game back in Georgia, where it was originally scheduled in 2021 before Commissioner Rob Manfred moved it under political pressure. Democrats claimed Georgia's election law was “Jim Crow 2.0,” but two election cycles later, record turnout disproves those claims. Jim and Greg ask whether Manfred, the media, or top Democrats will ever acknowledge how wrong they were, or apologize to Gov. Brian Kemp for likening him to segregationists and the confederacy?Next, they fume as little more than a hundred building permits have been issued in Los Angeles County in the six months since the devastating wildfires. Jim says this is a perfect example of how the blue state, big government approach to problems grinds progress to a halt and how Mayor Karen Bass and Gov. Gavin Newsom have failed. Greg offers insights on why the media won't criticize Newsom and Bass over this.Finally, they look ahead to the 2026 Texas U.S. Senate race, where new polling suggests Rep. Jasmine Crockett could dominate the Democratic primary if she runs. The GOP primary has plenty of its own drama as Sen. John Cornyn and Texas Attorney General Ken Paxton battle for the nomination. Many in the MAGA base are disappointed in Cornyn but Paxton brings his own baggage, including a very public divorce that was just announced.Please visit our great sponsors:Stop putting off those doctors' appointments and go to https://zocdoc.com/3ML to find and instantly book a top rated doctor today.  If your business can't adapt in real-time, you're in a world of hurt.  Get the free e-book “Navigating Global Trade: 3 Insights for Leaders” from NetSuite by Oracle.  Download today at https://NetSuite.com/MARTINI No missed calls, no missed customers with OpenPhone. Get 20% off your first 6 months at https://Openphone.com/3ml

12 - Keep sports for sports journalists only! A reporter asked Pat McAfee and a panel of athletes at the MLB All-Star Media Day in Atlanta about Jim Crow laws and election interference within the state back in previous elections. 1210 - Side - associated with prison/jail. 1220 - Just how in favor are Americans for mass deportation? Dom tells the story of a local illegal alien criminal's assault, but the neighborhood is outraged he might get deported! What did Alan Dershowitz say about Jeffrey Epstein with Cuomo? 1235 - EPA Administrator Lee Zeldin joins the program today. How excited is he to be with Dave McCormick at his big summit today in the Pittsburgh area? What was so important for Americans to know about both the environment and the economy when the EPA acted back on the 12th? What qualifies as a federal waterway? Why be completely transparent on geoengineering? What would Lee like the public to know regarding policy? Are they chemtrails or contrails? 1250 - Your calls at the end of the hour. 1 - Legal scholar and professor, as well as Jeffrey Epstein's former attorney, joins us to today to pour cold water all over the rumors and speculations around the case as the Trump administration has pivoted away from releasing the case's information, despite promising answers. Why does Alan think the judges, and not the Trump administration, are holding the information from the public? Are the people rumored to be on his guest list actually mentioned in the files? Did they even set foot on the island? What about Prince Andrew and his antics? How did Ghislane Maxwell embarrass not only herself, but other high profile people she said were hanging around Epstein? 110 - Is Christopher Columbus “provocative”? Are there icons that didn't do bad things as well? Who should be in the “Garden of Heroes”? 120 - Who is in Trump's “Garden of Heroes”? Who are the notable omissions 135 - Should there be a “Garden of Losers” for those who project anti–American Trump sentiment? Would someone decline an invitation to the “Garden of Heroes”? 150 - Your calls. Are Trump supporters trying to unmask corrupt elites? 2 - Who was causing a problem at the Joe Conklin Show last weekend? It was Chief Pat Molloy and his friends taking Dom's seats up front! Senator Muth might not be a fan of law enforcement, but now she wants front facing license plates! Did Chief Molloy sandbag Dan to get on the show? Does he like the front license plate? What kind of vanity plate should we get Dan? How revolutionary is their plate recognizing technology? 215 - Dom's Money Melody! 225 - As Penn continues to allow transgender rhetoric to flow in its classrooms, we are alerted to a scholar with an interesting name who says “sex is fake”, referring to one's physiology. Dinesh D'Souza had some thought on new Epstein revelations. 235 - Hank Johnson put out a song calling out Trump. 240 - Is Trump seriously equating the Epstein files to Russiagate? 250 - The Lightning Round!

Story #1: How was attempted Trump assassin Thomas Crooks able to escape the surveillance state that has information on everyone? Will revisits his conversations with Mike Benz and Jason Chaffetz on yesterday's 'The Will Cain Show' and realizes there's a question that few are asking. Story #2:  The Host of 'The Wade Show with Wade,' Wade Stotts joins Will to discuss the rise of the new Minneapolis Mamdani, Omar Fateh, the remittance problem in America, and picking apart Vice President J.D. Vance's “dad run” and Gov. Gavin Newsom's (D-CA) odd hand movements on the 'Shawn Ryan Show.' Story #3: Despite no changes to the "Jim Crow 2.0" election laws that saw Major League Baseball take away the All-Star Game from Atlanta, Will asks why no one is holding people accountable for their faux outrage four years ago? Plus, Two-A-Dayz give his review of one of Will's sports movie favorites, ‘Days Of Thunder.' Subscribe to 'Will Cain Country' on YouTube here: Watch Will Cain Country! Follow Will on X: @WillCain Learn more about your ad choices. Visit podcastchoices.com/adchoices

12 - Keep sports for sports journalists only! A reporter asked Pat McAfee and a panel of athletes at the MLB All-Star Media Day in Atlanta about Jim Crow laws and election interference within the state back in previous elections. You're asking the wrong people here... 1210 - Side - media associated with prison/jail. 1220 - Just how in favor are Americans for mass deportation? Dom tells the story of a local illegal alien criminal's assault, but the neighborhood is outraged he might get deported! What did Alan Dershowitz say about Jeffret Epstein with Cuomo? 1235 - EPA Administrator Lee Zeldin joins the program today. How excited is he to be with Dave McCormick at his big summit today in the Pittsburgh area? What was so important for Americans to know about both the environment and the economy when the EPA acted back on the 12th? What qualifies as a federal waterway? Why be completely transparent on geoengineering? What would Lee like the public to know regarding policy? Are they chemtrails or contrails? 1250 - Your calls at the end of the hour.

This week on Black & Published, Nikesha speaks with Nikkolas Smith about his new picture book The History of We. It's a book he says shows the lineage for every human on Earth beginning with Black people in Africa. In our conversation, Nikkolas discusses why he's grateful for the winding path that led him to his full time role as an illustrator. Plus the Jim Crow era story that was one inspiration point for the book. And the viral piece he created for the 2016 summer games as a tribute to Simone Biles that led to his first book deal and current career. Mahogany Books Mentioned in this episode:Rate & ReviewThanks for listening, family! Please do us a solid and take a quick moment to rate and/or leave a review for this podcast. It will go a long way to making sure content featuring our stories and perspectives are seen on this platform

Have a comment? Send us a text! (We read all of them but can't reply). Email us: Will@faithfulpoliticspodcast.comIn 1954, white Southern churches declared that school integration “defied God's design.” Seven decades later, many of those congregations champion “color-blindness” instead. What changed—and what hasn't? Historian Rusty Hawkins (Indiana Wesleyan University), co-editor of The Bible Told Them So: How Southern Evangelicals Fought to Preserve White Supremacy, joins Faithful Politics to trace the theological through-line from Jim Crow sermons to modern debates over CRT and DEI. Hawkins explains how pastors and laypeople alike used Scripture to sanctify segregation, then re-branded the same resistance as a fight for “quality education” and “parental choice.” He also argues that today's church can still become a force for racial reconciliation—if it learns from the prophetic witness of the Black church and rejects power for service. Whether you're a pastor, activist, or history buff, this conversation equips you with the receipts—and the hope—to confront racism's religious roots.Guest BioRusty Hawkins is Associate Professor of History at Indiana Wesleyan University, specializing in American religion and race. He co-edited the award-winning The Bible Told Them So and is currently writing a religious biography of Alabama Governor George Wallace. Hawkins's scholarship appears in Christianity Today, the Journal of Southern Religion, and other outlets, making him a leading voice on how evangelical theology has shaped—and been shaped by—America's color line. Support the show

Hour 2 of the Tuesday Bob Rose Show, on the fearmongering years ago leveled by the left over a Georgia voting reform bill, which led to Major League Baseball punishing the state by pulling the All-Star Game from Atlanta. With the game's return to ATL tonight, baseball now admits the voting law was the opposite of “Jim Crow 2.0,” actually increasing voter participation. Plus all the morning's breaking news for 7-15-25

Dr Boyce Watkins gives the truth about Jim Crow from the work of Dr Claud Anderson

To craft legal discrimination, the Third Reich studied the United States - and Jim Crow policies. Join this channel for exclusive access and bonus content: https://www.youtube.com/channel/UCkbwLFZhawBqK2b9gW08z3g/join Five Minute News is an Evergreen Podcast, covering politics, inequality, health and climate - delivering independent, unbiased and essential news for the US and across the world. Visit us online at http://www.fiveminute.news Follow us on Bluesky https://bsky.app/profile/fiveminutenews.bsky.social Follow us on Instagram http://instagram.com/fiveminnews Support us on Patreon http://www.patreon.com/fiveminutenews You can subscribe to Five Minute News with your preferred podcast app, ask your smart speaker, or enable Five Minute News as your Amazon Alexa Flash Briefing skill. Please subscribe HERE https://www.youtube.com/channel/UCkbwLFZhawBqK2b9gW08z3g?sub_confirmation=1 CONTENT DISCLAIMER The views and opinions expressed on this channel are those of the guests and authors and do not necessarily reflect the official policy or position of Anthony Davis or Five Minute News LLC. Any content provided by our hosts, guests or authors are of their opinion and are not intended to malign any religion, ethnic group, club, organization, company, individual or anyone or anything, in line with the First Amendment right to free and protected speech. Learn more about your ad choices. Visit megaphone.fm/adchoices

We pick up where we left off with the infamous formation of everyone's most hated wizards, the Ku Klux Klan, during the Reconstruction era; this movement sparked a rise in hate crimes and lynchings for decades to come. As we enter the Jim Crow era, we see state and local laws worsen the societal divide by enforcing racial segregation and discrimination. The Great Migration sees the movement of African Americans from the South to the bustling cities of the West and the North, including Emmitt's mother Mamie, though it is not all sunshine and rainbows in these areas either; prejudice runs rampant, and Emmett Till's family is about to be at the center of it all. 

This week, I'm reading Chapter 23, the final chapter of the Peter David penned movie novelization of the 1991 Rocketeer film.  Ironically, this episode will come out right after the United States' birthday (7/4/1776), at a time when there is a lot of turmoil in the country.  It's not the first time, nor will it be the last, I suspect.  I won't get into the wasteland of politics, but since this episode is on the Rocketeer, I thought it would be an interesting time to reflect on how the character fits some American ideals. Speaking of which - ideals ... the country was founded on the idea that all men are created equal and all deserve some basic rights.  Was this true in 1776?  Let's be frank (it's an American ideal).  No.  Not even close. It might have been true if you were a free white man but was probably not anywhere close to being true if you were a woman, child, slave, indentured servant, or a race other Caucasian.  It took a long time for other groups to finally catch up.  US women finally achieved the right to vote in national elections in 1920 (19th amendment to the US Constitution).  Though slavery was officially abolished after the US Civil War in 1865, black men were were not granted the right to vote in federal elections until 1870 (the 15th amendment to the US Constitution), and it was not until the 1950s and 60s and beyond that segregation practices were ended (Jim Crow laws ended on a national level in 1964, but in many cases, still exist in other, less overt forms depending on the location).  It was not until 1967 that interracial marriage was allowed on a federal level (see the 1967 US Supreme Court case of Loving v. Virginia).  Although the United States was founded by immigrants, the Chinese exclusion act, passed in 1882, was the first significant law that restricted the flow of immigrants into the US, targeting Chinese laborers.  While there were amendments to the law in 1943, there were still quotas and other restrictions to abide by.  It was not until 2012 (!) that the Chinese exclusion act was official condemned by Congress.  Although Native Americans were the first people on this land, they were not granted access to US citizenship until 1924 (Indian Citizenship Act), and it was not until 1965 that they were granted the federal right to vote (Voting Rights Act of 1965), though US Native Americans still are often unable to vote for various reasons to this day.  Same sex marriage was not legally allowed on federal level until 2015 (see the US Supreme Court decision of Obergefell v. Hodges). These are just a few examples of inequality in the face of a federal Constitution claiming basic rights for all.  I write all this not to condemn all the ways in which we as a country fail to live up to our ideals but rather to show that as any society, especially one made up by immigrants from all over the world, is going to have its problems and will require a lot of work and constant maintenance to work in any somewhat functional way.  The US is basically a nearly 250 year old hotel with guests constantly coming and going, clogging the sinks and toilets, running down the hot water, making messes, and yelling in the hallway.  Even in low season times, there is still plenty of maintenance to do since things break.  Nothing lasts forever.   How does all this relate to the Rocketeer?  Read more at https://13thhr.wordpress.com/2025/07/07/the-thirteenth-hour-podcast-517-and-like-a-hood-ornament-81-reading-the-conclusion-of-the-rocketeer-movie-novelization-chapter-23/∞∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form on services such as Bandcamp, Spotify, and YouTube Music. -Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

The show opens with new numbers that completely destroys the ones from yesterday. No matter how hard the bought-and-paid-for Legacy/mainstream media tries, their predictions of economic doom and gloom are not coming true. DNI Gabbard calls out a reporter at the Washington Post for using a burner phone and trying to get members of the ODNI to leak classified information to her. The paper is already being scrutinized for printing such material. A CIA report just dropped telling us what this audience already knew – the Obama-era intel and leadership rushed a narrative when pushing the Trump-Russia collusion hoax. The Secretary of State's Office is continuing to stand by their reforms to track aid funds to ensure they get to where they are supposed to go. They also remind the press that Hamas is to blame for all of the lack of ceasefires, let alone the Oct 7, 2023 attack. Dollar Store 44 goes on a 7+ hour filibuster to try to stop the BBB from getting a new vote in the House. Funny, not that long ago he accused those who did such a thing as clinging to the vestiges of the Jim Crow days. Treasury Secretary Scott Bessent says of Rep. Hakeem Jeffries (D-NY), “I would not ask an arsonist advice about how to put out a fire.” Then, I spend some time on two inter-related subjects. I am trying to understand how a sub-set of our nation can be convinced to believe in Marxist/socialist ideas. I think it's because we have all forgotten to take stock of the wealth we have thanks to Capitalism. We all need to learn how to explain it and defend it. This leads to my closing about the US Constitution and how the signing of the Declaration of Independence was the start of a radical transformation on how people could and should be governed. With our 249th birthday on July 4, I think it made sense to give just a little reminder about what our Founding Fathers achieved and why we must all fight to keep this glorious Republic intact. Happy Independece Day, America! Please take a moment to rate and review the show and then share the episode on social media. You can find me on Facebook, X, Instagram, GETTR,  TRUTH Social and YouTube by searching for The Alan Sanders Show. And, consider becoming a sponsor of the show by visiting my Patreon page!!

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

 Emmy Award Winner ArtistNetflix's ground-breaking Paralympic documentary ‘Rising Phoenix' won two prestigious Sports Emmy AwardsKeith Jones is the President and CEO of SoulTouchin' Experiences LLC,. It is an organization aimed at bringing a perspective to the issues of access inclusion and empowerment, which affect him as well as others who are persons with and without disabilities. To achieve this multicultural, cross-disability education and outreach efforts he collaborates and conducts trainings with the purpose of strengthening efforts to provide services and information for people with disabilities. The issues he tackles are wide ranging from immigration, criminal justice reform, health care and environmental justice just to name a few. Paralleling with his policy and social justice work Mr. Jones is a multitalented artist who along with Leroy Moore and Rob Temple founded Krip Hop Nation which is an international collection of artists with disabilities. Krip Hop Nation is currently celebrating 14 years with the recent Emmy Award winning success of their title song for the Netflix documentary of the Paralympic Games, Rising Phoenix and its critical  acclaimed sound track.  © 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy's mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario's Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (Oxford University Press, 2025) explores the under-appreciated division in the South between the oligarchic rule of plantation owners and industrialists on the one hand, and the more democratic mindset of the mountain-dwelling small farmers on the other. These two mindsets were in continual tension from the 1800s to the 1960s, when the adherents of the more democratic side of the struggle capitulated to the oligarchical side in response to the Civil Rights movement. Bryan Jones draws from his own family's centuries-old history in the region to explore the rise and fall of the "two minds" of the South. Through a comparison of the experiences of a slaveholding line in his family with three non-slaveholding lines, Jones provides a rich history of the politics of both class and race in the region from the Founding era to the present. The slaveholding side of his family settled in Black Belt Alabama, while ancestral members of the other side of his family were poorer uplanders. In the 1890s, the latter supported the burgeoning populist movement, which for a short window of time tried to unite poor Blacks and poor whites against the patrician planter class and industrialists. After a series of close elections, the planter class was able to stanch the populist tide. They did this in large part by sowing racial division among populism's supporters. Indeed, one of Jones' ancestors helped draft the 1901 Alabama constitution that made Jim Crow the law of the state. Throughout, Jones shows how deep the political differences were between the two regions, with oligarchy characterizing the slaveholding region and a more democratic ethos shaping the non-slaveholding areas. Jones serves as the final observer, a white boy observing not only the demise of the Jim Crow South, but--in the wake of the Civil Rights movement--the demise of the mountain democratic South as well. Today, the vast majority of Southern whites regardless of class support an oligarchical Republican Party. Bryan Jones is J.J."Jake" Pickle Regents' Chair in Congressional Studies at the University of Texas at Austin. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Monique and Kevin dive into the life and philosophy of Booker T. Washington, exploring his seminal work, Up from Slavery. They discuss how his story of resilience, education, and self-reliance contrasts with modern narratives about race and history. Kevin also shares his controversial perspective on why he thinks the Civil Rights Act of 1964 should be repealed, arguing it violates constitutional freedoms of association, creating bureaucratic overreach and unintended consequences. From Washington's vision of black empowerment to the complexities of Jim Crow, integration, and DEI, this episode challenges mainstream views and invites honest dialogue. Time Stamps: 0:00 Intro 2:58 Booker T. Washington's Up from Slavery 38:01 The Case Against the Civil Rights Act 1:04:33 Final Thoughts & Call to Action

Trey's Table Episode 323: Book Awards, Racism, and UF Law.

This month, as Louisiana Eats marks our 15th anniversary, we're relishing the opportunity to bring you some favorite moments from our archives. We begin with our 2011 interview with the late civil rights activist, Dr. Rudy Lombard. He talks about his role in the 1960 McCrory's lunch counter sit-in and what motivated him to write his seminal 1978 book, "Creole Feast." Then, we revisit our 2011 tribute to one of the chefs featured in that tome: Clarence "Buster" Holmes. British jazz drummer Barry Martyn and Chef Susan Spicer both share memories of their friend and mentor. Next, we hear again from the late Michael Mizell-Nelson, who spent his career studying the experience of working-class New Orleans. We bring you the second half of our streetcar ride with Michael in 2010, as he shares the history of public transportation during the era of Jim Crow. To end our show, we spotlight our 2011 conversation with local icon Mildred Covert, who taught the world how to cook Creole and Cajun while keeping kosher. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

Crows play many roles in human cultures, from ominous tricksters to sacred purveyors of wisdom. After exploring the stories behind her family surname, attorney and playwright Alice T. Crowe discovered a deep historical connection between the racist symbology of Jim Crow and the negative image of these birds in many Western cultures. Despite the social stigma surrounding crows, Alice says we can learn important lessons from how they treat each other.More info and transcript at BirdNote.org.Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.