Podcasts about Ocean

Oceans, baths, ponds, and amniotic sacs? In episode 131 of Overthink, David and Ellie take a deep dive into the topic of water as part of their four-part series on the elements. They discuss how all life begins in water, and the conceptual features of water, such as its fluidity and shapelessness. What did Thales of Miletus mean by ‘all is water'? How is water used as a metaphor for the Dao? And at what point does being in water go from feeling like Moana to feeling like Jaws? In the Patreon bonus segment, they talk about water as a symbol of purification, the significance of plate tectonics, and the relationship between AI and water usage. Works Discussed: Aristotle, On the Heavens Francis Bacon, Novum OrganumJamie Linton, What Is Water? The History of a Modern AbstractionDavid Macauley, Elemental Philosophy: Earth, Air, Fire, and Water as Environmental Ideas Anna Secor, “Spacetimeunconscious”Neil Shubin, Your Inner FishLao Tzu, Dao De Jing Peter Godfrey Smith, MetazoaSupport the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast

Allyson with a Y. Ocean with two Ls. And zero chill when it comes to changing the face of cancer care. Dr. Allyson Ocean has been quietly—loudly—at the center of every major cancer breakthrough, nonprofit board, and science-backed gut punch you didn't know you needed to hear. In this episode, she joins me in-studio for a conversation two decades in the making. We talk twin life, genetics, mitochondrial disease, and why she skipped the Doublemint Twins commercial but still ended up as one of the most recognizable forces in oncology. We cover her nonprofit hits, from Michael's Mission to Let's Win Pancreatic Cancer to launching the American Jewish Medical Association—yes, that's a thing now. We get personal about compassion in medicine, burnout, bad food science, and microplastics in your blood. She also drops the kind of wisdom only someone with her résumé and sarcasm can. It's raw. It's real. It's the kind of conversation we should've had 20 years ago—but better late than never.RELATED LINKS:– Dr. Allyson Ocean on LinkedIn– Let's Win Pancreatic Cancer– NovoCure Leadership Page– Michael's Mission– American Jewish Medical Association– The POLG Foundation– Cancer Buddy App (Bone Marrow and Cancer Foundation)– Dr. Ocean at OncLiveFEEDBACK:Like this episode? Rate and review Out of Patients on your favorite podcast platform. For guest suggestions or sponsorship inquiries, email podcast@matthewzachary.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We ponder different sci-fi ideas of what USO's might be doing out there. Watch out for Matty's movie - the next Diary of a Wimpy Kid and also his video game - "Super Free Play" follow him on X  x.com/MattyDanner We stream live video every sunday at 4 pm pacific only at www.SchrabHomeVideo.com visit RealLifeSciFi.show and follow us everywhere (please) Support us and get more content at Patreon.com/reallifescifi we exist because of you. hit us up at WadeandWilly@gmail.com Thank you for listening  Thank you for having friends with different beliefs than you.

Join us as we discuss the ever ongoing topic of Space vs Ocean. Featuring Brendon's hot take.#ocean #space #mars #moon #spacex #elonmusk #nasa #angryastronaut #aquanaut #underwater #spaceexolparion #oceanexploarionhttps://discord.gg/jp5aSSkfNShttp://atlantisseacolony.com/https://www.patreon.com/atlantisseacolony

Hi

Welcome to Oceans Online! We hope wherever you are viewing from that Oceans Online blesses you. We'd love to hear from you in the chat or if you need prayer DM us or type "Pray" in the chat. For more information, visit www.oceans.church Our Vision is that YOU would: * KNOW GOD * GROW TOGETHER * GO WITH PURPOSE GET CONNECTED: https://o.churchcenter.com/people/for...

Welcome to Oceans Online! We hope wherever you are viewing from that Oceans Online blesses you. We'd love to hear from you in the chat or if you need prayer DM us or type "Pray" in the chat. For more information, visit www.oceans.church Our Vision is that YOU would: * KNOW GOD * GROW TOGETHER * GO WITH PURPOSE GET CONNECTED: https://o.churchcenter.com/people/for...

In this special members-only episode, Bryan dives into Hawaii's new visitor fees that are set to take effect, exploring the hidden costs that could catch visitors completely off guard. He breaks down the new hotel taxes, unexpected cruise charges, and proposed climate fees, explaining exactly when they'll hit and how they could impact your travel budget. Learn the specific dollar amounts and timing so you can plan your Hawaii vacation budget before these charges surprise you at checkout.Become a member to access premium episodes like this and so many more: hawaiisbesttravel.com/members

The Jazz Session No.417 from RaidersBroadcast.com as aired in May 2025, featuring the 1977 album “Enigmatic Ocean” from jazz-violinist Jean-Luc Ponty. TRACK LISTING: Scenes from an Italian Restaurant - Billy Joel; New York Minute - Herbie Hancock; Lu Lu's Back In Town - The Cable Street Rag Band; Climax Rag - George Lewis and his New Orleans Stompers; Mirage - Jean-Luc Ponty; The Struggle of the Turtle to the Sea, Part III - Jean-Luc Ponty; Easy Does It - Freddie Green; Azure - Cecil Taylor; A Kinder Eye, ft. Allan Holdsworth - Level 42; Wind Parade - Donald Byrd; Blues for Pablo - Miles Davis & Gil Evans; Sih-Sah - Coleman Hawkins & His Rhythm; Optimum Friction - Emma Rawicz & Gwilym Simcock; Let's Get Deluxe - The Impossible Gentlemen; The Trans-Love Express - Jean-Luc Ponty; Nostalgic Lady - Jean-Luc Ponty; Some Day my Prince Will Come - Dave Brubeck Quartet; Lester's Be Bop Boogie - Lester Young & His Band; La Fiesta - Gary Burton & Chick Corea; Brigas Nunca Mais - Paula Morelenbaum.

How much is a fish worth? Most anglers would immediately default to answering that question based on what the cost of that fish sells at market. The real answer, however, is much more complex! In this engaging and informative seminar, Dr Ben Meadows of the University of Alabama at Birmingham provides viewers an in-depth look into the economics of catch & release fishing. Using striped bass as a case study, Meadows engages listeners with relatable prose that helps dispel many of the myths of fisheries economics and provides a better understanding of how we should value the fish we all love.

In this guest lecture, Dr. Walt Golet from the University of Maine provided an in-depth exploration of the remarkable physiology and global movements of Atlantic bluefin tuna. Dr. Golet highlighted the species' exceptional adaptations, such as their ability to regulate body temperature and sustain high-speed, long-distance migrations, which contribute to their status as apex ocean predators. The seminar discussed extensive lab research efforts, including the collection and analysis of over 12,000 bluefin tuna samples since 2011, focusing on biological data like age, growth, and stock origin to enhance stock assessments and inform management strategies. Dr. Golet also emphasized the importance of understanding the mixing between eastern and western Atlantic stocks, a factor critical to sustainable fisheries management. As an active contributor to the International Commission for the Conservation of Atlantic Tunas (ICCAT), Dr. Golet integrates his scientific findings into international policy discussions, aiming to ensure the long-term sustainability of bluefin tuna populations through informed, science-based management practices.

Published 1 June 2025This week we chat to Maud Jayet, one of the next wave of women leading the way in professional sailing. Maud is great fun and very open in her discussion and a great story teller, so we were very keen to get her on the show. Enjoy it.#maudjayet #ilca_sailing #paris2024  #olympicsailing #vaikobi #vaikobisail #radixnutrition #barkarate #sailingpodcast #barkarateconversations #worldsailingofficial #sailing #boat #ocean #sport #voile #sail #sea #offshore #sailors #sailingworld #extremesailing #foils #yacht #yachts #saillife #instayacht #sailingblog #instasail

Episode 23 of ClubHaus Radio features the best in progressive house & trance, including new music from PROFF, Because of Art, Vintage & Morelli, HI-LO, and many more. This month's Resident Record is a long awaited ID from Hausman, and our HausGuest mix is a groove-centric set from ClubHaus' latest signing, Schuyler Ocean.Tracklist:Papfay, Thabza De Soul, Naarly - By My Side (Slow Ted Remix) [Engeloop]16BL ft. Nour - Sharks [Anjunadeep]Mats Westbroek - Heart On The Line (Jordin Post Remix) [Sekora]M.O.S. - Here I Am [Anjunadeep Explorations]Different Stage - Signals [Melody Of The Soul]Because of Art - Running [Anjunadeep]Local Singles - Catch and Kiss [Helix Records]Yuvèe - Freydies [Anjunadeep Explorations]PROFF - Glittering Puzzle (PROFF Edit) [Anjunabeats]Above & Beyond - World On Fire (PROFF Edit) [Anjunabeats]Fon.Leman & Mona Mi - Haunting Spirits [SkyTop]Dan Ficara - Zarqa [Enormous Moments]Envotion - Dream of You [Songspire]Julian Gray & Ash Nova - Don't Go Away (Porth Nole Remix) [Graydient Collective]Vintage & Morelli - Binary Synthesis [Avanti]Steve Angello - Tivoli (KREAM Remix) [SIZE Records]KREAM - Manta [Liquid Lab]Khrøne - Poison [Graydient Collective]J Ribbon - Lifetime [Anjunabeats] [TOP TRACK]John Grand - Don't Let Me Go [Euphonic]5h1a - Thawing Lake (Fazius Remix) [Embers Melody]Oliver Smith & Amy J Price - Open Up [Anjunabeats]Alex Sonata & TheRio - Crescendo [Anjunabeats]Taygeto - Grit [AVA]Alex Sonata & TheRio x Elevven - Blue Java [Anjunabeats]Hausman - Ripper [ClubHaus] [RESIDENT RECORD]HI-LO & Sarah De Warren - Born To Love [HILOMATIK]HI-LO & Temper - Work That Body [Armada]Tim Hox - Mature [The Myth of NYX]Mason - Exceeder (UMEK & Mike Vale Remix) [Armada] [CLUB CLASSIC]HausGuest: Schuyler OceanSchuyler Ocean & Eunith - Holdin' On [ClubHaus]Carl Bee - Sinfonia [Diynamic]YOTTO & Something Good - Love Shop [Anjunadeep]Because Of Art - Fired Up [Anjunadeep]Crackazat - In The Sky [Heist Recordings]Weekend Heroes, Ruback, Mila Journée - The Wall [Diynamic]Qrion & Blake.08 - Pushing Up [Anjunadeep]True School Players - Blow Your Mind [Bambossa Records]Carlo Whale, Th;en, Innellea - Inside Your Mind [belonging]Hausman & Discognition - Red Alert [ClubHaus]Sandy Rivera, Cristoph, Hayze - Changes [Defected]Tholin - ID [White]Michael Cassette - Memories (90's Piano Mix) [Anjunadeep]Follow Hausman:www.hausmanmusic.comwww.facebook.com/hausmanmusicwww.instagram.com/hausman.musicwww.twitter.com/hausman_musicwww.soundcloud.com/hausmanmusic Follow me on Twitch to catch it LIVE!twitch.tv/hausmanmusic

 Dr. Bruce Lipton has proved and explained how we can heal our self with our mind.What we are?A battery with 50Trillions cells.We are not an entity; we are a community of 50Trillions cells.Every cell is communicating via the energy or via the vibration.Every cell is intelligent. The cells are in a community, they give up their personal intelligence and respond to the central voice… If the central voice wants to die the cells will die.The central voice is the mind.The mind is influenced by the internal and external environment.The brain perceives the signals from the internal and external environment and interpret these signals and send the information to the cells to control the behavior and genetics.Explanation of the placebo effect:You have a positive thought that something can heal you, even you don't know it (for instance sugar pill); if you believe in it, then it can heal yourself.It is proved that 1/3 of all healing occurs through the placebo effect or through that thought.What is if you have negative thinking that you can't be healed? This is the nocebo effect.As positive thinking/feelings/belief can heal you, negative thinking/feelings can kill you!!!If the doctor gives you the belief that you will die this belief will kill you!What is if we suppress our negative feelings and thoughts?Then these suppressed negative feelings and thoughts will harm our body! The solution is to release our negativity so that the positivity comes by itself! If we practice “Positive thinking”, then we suppress our negativity, and that will harm our body!Some sects of the Baptists contemplate on God to go in Ecstasy. And when they are in Ecstasy, even deadly Rattlesnakes can bite them without harming them.Or some drink Strychnine in Toxic doses and when they in that state of belief the toxic doesn't affect them.Even we would not have so many evidence in the past that Faith heals… at least the Baptists proof that…. Instead, we still believe that Mosquitoes can make us ill… What you believe you will harvest and that proves the Quantum Physics. Next week I will write more…If we had stronger beliefs, we would be much stronger.In 1961, Terry Jo Duperrault, an 11year old girl was found alone on the Ocean in a small broken white raft. She over lived the family massacre and were drifting 4 days without water or food, far away from the Bahamas. She prayed to God and trusted in God… She is still alive!  Don't be limited through your beliefs. Also, we can use the energy of the cell for healing. With Qigong, acupuncture, acupressure we lead the energy through our body in a certain way to heal the body!My Video: Quantum physics proves that faith heals https://youtu.be/MiECabMy9M0My Audio: https://divinesuccess.net/wp-content/uploads/2021/Podcast.B/Quantum-physics-proves-that-faith-heals.mp3

As authored by Phil Plumley.

Interview with Mark Gordon, CEO, Odyssey Marine ExplorationRecording date: 29 May 2025Odyssey Marine Exploration (OMEX) represents a unique investment opportunity in the emerging seafloor mining industry, leveraging three decades of deep ocean expertise to address global critical mineral shortages. The publicly traded company has successfully transitioned from historic shipwreck recovery to modern mineral extraction, positioning itself as a first-mover in an industry valued in the billions.The company focuses on two strategic mineral categories essential for human needs: phosphate for fertilizer production and polymetallic nodules containing battery metals crucial for electrification. CEO Mark Gordon explains the operational advantage: "We learned how to use complicated equipment in the deep ocean, how to execute difficult projects in difficult environments." This expertise translates directly from archaeological recovery to geological extraction, utilizing the same sophisticated sonar systems, remotely operated submarines, and specialized vessels.Odyssey's most advanced project involves phosphate extraction off Mexico's Pacific coast, where the resource is valued in the billions under 43-101 standards. The project awaits final environmental approval following successful NAFTA arbitration against previous political interference. Mexico currently imports over 50% of its phosphate requirements, creating substantial domestic market potential. "Mexico could turn into a net exporter almost instantly with this project," Gordon notes.In the Cook Islands, Odyssey holds strategic minority stakes in two companies exploring cobalt-rich polymetallic nodules, with combined valuations approaching $9 billion. These investments provide battery metals exposure without direct operational requirements.Recent catalysts include President Trump's pro-mining executive order and Mexico's new science-friendly administration under President Sheinbaum. Gordon anticipates significant developments within 30-90 days for Mexico and 6-12 months for Cook Islands projects.The macro environment strongly supports seafloor mining development. As Gordon observes, "the critical minerals mankind is going to need into the future has to come from the 70% of our earth that's underwater because the 30% of the dry surface has been pretty exhausted." This fundamental resource constraint, combined with unprecedented demand for electrification and food security, positions Odyssey at the forefront of a transformational industry shift toward ocean-based mineral extraction.Learn more: https://www.cruxinvestor.com/companies/odyssey-marine-explorationSign up for Crux Investor: https://cruxinvestor.com

a look into what messages the ocean and its inhabitants had to share (cta)

Ocean recovery is not just possible, it's already happening in places where we've taken action. In this episode, I dive into Ocean with David Attenborough, a documentary that reminds us of the ocean's incredible resilience. From thriving coral reefs to fish populations bouncing back, the film offers powerful proof that when we give marine ecosystems space and protection, they can heal faster than we think. It's a rare example of ocean storytelling that balances urgency with genuine optimism. Bottom trawling, however, threatens that progress. The documentary pulls back the curtain on this destructive fishing method, revealing how vast swaths of ocean floor are scraped clean, alongside the fish, sharks, and invertebrates that live there. The fishing industry's backlash has been swift, but the film doesn't dwell on blame. Instead, it shows us that even in damaged habitats, life can return when given the chance. The hope is real—but only if we act now. Follow a career in conservation: https://www.conservation-careers.com/online-training/ Use the code SUFB to get 33% off courses and the careers program.   Do you want to join my Ocean Community? Sign Up for Updates on the process: www.speakupforblue.com/oceanapp   Sign up for our Newsletter: http://www.speakupforblue.com/newsletter   Facebook Group: https://bit.ly/3NmYvsI Connect with Speak Up For Blue: Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube  

Kale Afong is a self-taught chef from the island of Oʻahu. He is the executive chef and owner of Kaleʻs Hale, Hawaiʻiʻs newest dining hotspot featuring an all-you-can-eat Japanese Yakiniku experience with a Hawaiian twist. This father and husband also started Hawai'i's first “Ocean to Table” experience, offering guests the opportunity to dive or fish, then learn to prepare their catch in a beach-picnic setting. His business Hawai'i's Only sells locally carved cutlery, including his signature knives and the first-ever designed “Poke Cooler”. He is an entrepreneur, winner of episode 2 of Hawai'i News Now's Kitchen Scraps, and an unofficial comedian.In this episode we talk about barely graduating high school, having his daughter at a young age, why he got into spearfishing, his multiple jobs throughout the years, how he became a chef, Kale's Hale, and so much more. Enjoy!Find Kale here: https://www.instagram.com/hawaiisonly/Buy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

Did you know that most travelers miss out on Hawaii's best summer experiences just by sticking to the usual beach routine?If you're dreaming of a trip to Hawaii but worry about missing the real magic—or feeling overwhelmed by all the options—this episode is for you. Unlock the secrets to an unforgettable Hawaii vacation by discovering the seven must-do activities that locals and seasoned visitors swear by.

Ready to make a splash? Join Ms. Elizabeth, Forte the Lion, and special guest Charlotte for a fun-filled ocean-themed music adventure! This episode is packed with interactive songs, musical movement, and a listening adventure to Vivaldi's Summer. We'll explore echo singing, legato and staccato movement, and the energetic rhythms of a summer thunderstorm.

Mares misteriososJuan Jesús Vallejo nos lleva a navegar por las vastas aguas del océano Pacífico en busca de los misterios que se esconden en Oceanía, una región salpicada de islas remotas y culturas milenarias. Desde la enigmática Isla de Pascua, hogar de los imponentes Moáis, hasta la rica tradición espiritual de la cultura maorí.Junto a Luis Tobajas, desentrañan el pasado ancestral de Australia y de las tribus nativas que habitan estas tierras e islas, explorando creencias, símbolos y conocimientos que podrían revelar secretos aún ocultos sobre el origen de sus civilizaciones. En su recorrido, abordan también las sorprendentes afirmaciones de los aborígenes australianos, quienes aseguran que sus antepasados descendieron de seres venidos de las estrellas.¡Descubre más sobre estas enigmáticas islas en un nuevo episodio de Noche de Misterio!

Welcome to Tembo Sounds – The Culture radio show #579, where roots, revival, and modern reggae blend into pure magic! This episode features timeless harmony from The Melodians, deep consciousness from Anthony B and Jah9, and fresh vibes from Khalia, Tanya Stephens, and Naomi Cowan. Feel the energy of Samory I's Ocean, the wisdom of Culture's Humble African, and the bold fire of Sizzla and Spice. Let the riddims lift you—roots to reality, it's all here!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

Where the law of the land ends, the story begins. Pulitzer-prize winning journalist Ian Urbina returns with a new season of his riveting podcast anthology, The Outlaw Ocean, which explores the most lawless place on earth — the vast unpoliceable ocean. New episodes starting June 4, 2025.In season two, Urbina sheds light on the secretive Libyan prisons swallowing up sea-faring migrants; flagrant human rights abuses in China's massive off-shore fleet; the horrors of a shrimp processing plant in India; and the wild story of a modern-day James Bond — if he were a repo man.Urbina and his team repeatedly risk their safety to tell stories powerful people don't want you to know. As podcast reviewer Lauren Passell notes, “Ian's not relying on research, he was there [...] Outlaw Ocean makes you feel like you're there, too.”This immersive audio documentary series brings together more than eight years of reporting at sea on all seven oceans and more than three dozen countries.

The Tragically Hip Top Forty Countdown: Round Table TwoSongs #40–21 | Live Streamed May 23, 2025Every ten songs, we hit pause on the countdown and bring the community to the mic. This is Round Table Two — a live-streamed, unfiltered, and occasionally unhinged group chat about all things Tragically Hip. In this installment, we turn our attention to the middle meat of the countdown: songs ranked #40 through #21, where the debates get louder, the takes get spicier, and the stakes feel weirdly personal.I'm your host, jD, joined by four of the most thoughtful and opinionated Hip fans I know: Chris Sinclair, Jeff Schnurr, Craig Rogers, and Sara J. Together, we dissect the placements, praise the sleepers, question the darlings, and throw a few punches (with love) at the songs we think missed their mark.Here's what you can expect inside this episode:Jeff from Vaughan can't believe We Want to Be It and You're Not the Ocean made it this far — especially when Don't Wake Daddy is chilling down at #41. He's got opinions, and he's not afraid to name names.Sara J celebrates the perfection of matchups — how the right guests landed the right songs in uncanny fashion — and gives a heartfelt shoutout to Sherry and her beautiful number symphony around Long Time Running.Craig from Vancouver argues he'd flip the entire list upside down if he could, with Three Pistols and We Want to Be It trading places. He also reflects on how playing in a tribute band changes how you hear — and feel — a song.Chris from Guelph shares his emotional milestone: the moment Saturday Night Live introduced him to The Hip and forever changed the trajectory of his fandom. He also lists five songs in this range he'd swap out for deep cuts like Dire Wolf, Opiated, and Morning Moon.We talk bridges (and how Bobcaygeon might have the greatest one of all time), overplayed classics (Boots or Hearts vs. Grace, Too), and bold predictions for what's still to come.And me? I mostly try to wrangle the chaos, play devil's advocate, and float the idea that no one will be able to predict the Top 5 in the right order — not even me, and I've seen the data.This is not your average podcast episode. It's a jam session. A group therapy night. A barstool conversation happening in real time. And like all good round tables, it ends in laughter, hot takes, side quests, and one bold prediction from every guest.Here's a sneak peek at just a few of the quotes you'll hear:

The RV Celtic Explorer has been officially recognised as Ireland's first Integrated Carbon Observation System (ICOS) ocean station, marking a significant milestone in the country's contribution to global climate monitoring. The Integrated Carbon Observation System (ICOS) is a European Research Infrastructure (RI) network that monitors the movement of carbon through the atmosphere, oceans, and terrestrial ecosystems. Established to support high-quality climate change research, ICOS provides long-term, standardised observations of greenhouse gases essential for understanding and responding to climate change. Ireland joined ICOS in 2023, proposing a national network of ten observation stations: four atmospheric, five terrestrial, and one ocean station. At its recent General Assembly meeting, ICOS officially accepted the RV Celtic Explorer as a Class 2 Ocean Station - the first of its kind for Ireland. Onboard, the General Oceanics pCO2 system semi-continuously monitors atmospheric and surface ocean carbon dioxide, enabling high-resolution, real-time data collection. Together with Clara Bog, which was also recently accepted as an associated terrestrial station, these are the first two Irish sites to complete the ICOS certification process and be formally labelled. The global ocean absorbs approximately 25% of human-generated CO2 emissions each year. Without this vital sink, the effects of climate change would be even more severe. However, the strength of this ocean sink is variable and projected to decline, which could further accelerate global warming. Additionally, the increasing absorption of CO2 is driving ocean acidification, posing a growing threat to marine ecosystems. Monitoring air-sea CO2 exchange is therefore critical to understanding and predicting these environmental changes. Ireland is uniquely positioned for this research, and the RV Celtic Explorer's operational zone in the European continental shelf and North Atlantic provides an ideal setting for routine, high-quality measurements. The 65.5-metre RV Celtic Explorer, operated by the Marine Institute, is a purpose-built (2003) ocean-going research vessel. The General Oceanics equilibrator system has been operational since 2017, continuously measuring surface seawater and atmospheric CO2. Principal Investigating Scientist Margot Cronin remarked: "These essential climate data, along with other carbon data collected on ship-based oceanography surveys, are reported to the Surface CO2 Atlas and other international data centres. The data are widely used in national, regional and global scientific assessments, including the Global Carbon Budget, IPCC reports, OSPAR Convention assessments, and the UN Sustainable Development Goal indicator 14.3 on ocean acidification. This has been a highly successful group effort, thanks in no small part to the support of the P&O Instrumentation team, the ICOS Ocean Thematic Centre, and the Marine Institute's RV Operations team." Read more here. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: https://anchor.fm/irish-tech-news If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News have a range of services available to help promote your business. Why not drop us a line at Info@IrishTechNews.ie now to find out more about how we can help you reach our audience. You can also find and follow us on Twitter, LinkedIn, Facebook, Instagram, TikTok and Snapchat.

Animaux, bactéries, plantes, protistes, champignons… Il n'y a pas un mais des planctons, dans toutes les branches du vivant. Ces organismes sont souvent unicellulaires ou microscopiques… même si l'animal le plus long du monde, le siphonophore, qui peut dépasser 100 m, en fait partie !Ils sont parmi les premiers êtres vivants apparus sur Terre. Après avoir régné seuls dans les océans pendant des milliards d'années, ils furent et sont toujours la matrice de la Vie. Le reste du Vivant descend d'eux. Ils représentent toujours 60 % de la biomasse animale dans l'océan.Nous devons au plancton, in fine, 100% de l'oxygène qu'on respire… si l'on tient compte du fait qu'ils ont permis l'émergence des algues puis des plantes, les autres producteurs actuels.Son importance est cruciale pour le climat, car il absorbe le CO2, pour la biodiversité, car il est au départ de toutes les chaînes alimentaires. Il purifie l'eau et recycle les nutriments vitaux pour la vie marine.Les falaises de Douvres et les craies pour les tableaux sont les reliques des planctons morts…… tout comme le pétrole ! Et on brûle chaque année un million d'années de plancton sédimenté.Malgré tout ça, le plancton est le parent pauvre des politiques internationales.Vincent Doumeizel, conseiller pour les océans à l'ONU, est l'auteur du Manifeste du plancton. Il nous explique pourquoi et comment le plancton doit devenir la clé de voûte et la priorité des politiques._______

Animaux, bactéries, plantes, protistes, champignons… Il n'y a pas un mais des planctons, dans toutes les branches du vivant. Ces organismes sont souvent unicellulaires ou microscopiques… même si l'animal le plus long du monde, le siphonophore, qui peut dépasser 100 m, en fait partie !Ils sont parmi les premiers êtres vivants apparus sur Terre. Après avoir régné seuls dans les océans pendant des milliards d'années, ils furent et sont toujours la matrice de la Vie. Le reste du Vivant descend d'eux. Ils représentent toujours 60 % de la biomasse animale dans l'océan.Nous devons au plancton, in fine, 100% de l'oxygène qu'on respire… si l'on tient compte du fait qu'ils ont permis l'émergence des algues puis des plantes, les autres producteurs actuels.Son importance est cruciale pour le climat, car il absorbe le CO2, pour la biodiversité, car il est au départ de toutes les chaînes alimentaires. Il purifie l'eau et recycle les nutriments vitaux pour la vie marine.Les falaises de Douvres et les craies pour les tableaux sont les reliques des planctons morts…… tout comme le pétrole ! Et on brûle chaque année un million d'années de plancton sédimenté.Malgré tout ça, le plancton est le parent pauvre des politiques internationales.Vincent Doumeizel, conseiller pour les océans à l'ONU, est l'auteur du Manifeste du plancton. Il nous explique pourquoi et comment le plancton doit devenir la clé de voûte et la priorité des politiques._______

Animaux, bactéries, plantes, protistes, champignons… Il n'y a pas un mais des planctons, dans toutes les branches du vivant. Ces organismes sont souvent unicellulaires ou microscopiques… même si l'animal le plus long du monde, le siphonophore, qui peut dépasser 100 m, en fait partie !Ils sont parmi les premiers êtres vivants apparus sur Terre. Après avoir régné seuls dans les océans pendant des milliards d'années, ils furent et sont toujours la matrice de la Vie. Le reste du Vivant descend d'eux. Ils représentent toujours 60 % de la biomasse animale dans l'océan.Nous devons au plancton, in fine, 100% de l'oxygène qu'on respire… si l'on tient compte du fait qu'ils ont permis l'émergence des algues puis des plantes, les autres producteurs actuels.Son importance est cruciale pour le climat, car il absorbe le CO2, pour la biodiversité, car il est au départ de toutes les chaînes alimentaires. Il purifie l'eau et recycle les nutriments vitaux pour la vie marine.Les falaises de Douvres et les craies pour les tableaux sont les reliques des planctons morts…… tout comme le pétrole ! Et on brûle chaque année un million d'années de plancton sédimenté.Malgré tout ça, le plancton est le parent pauvre des politiques internationales.Vincent Doumeizel, conseiller pour les océans à l'ONU, est l'auteur du Manifeste du plancton. Il nous explique pourquoi et comment le plancton doit devenir la clé de voûte et la priorité des politiques._______

Jack is interviewed by Ocean Robbins to explore the big spiritual questions—why there is suffering, how to navigate duality, making the ordinary holy, and cultivating a loving witness.Discover Your Buddha Nature with Jack Kornfield, an online journey for reclaiming our dignity, compassion, and generosity, beginning June 2.“It's important to not use spiritual practice to set up an ideal or judge yourself. Sometimes you need to shut down, and then you open again. So the spiritual path is really about being with both the calm ocean and the storm.” – Jack KornfieldIn this episode, Jack and Ocean mindfully explore:What first got Jack into mindfulness and meditationLife as beautiful, and an ocean of tearsSuffering, Buddhism, and the end of sufferingWhy is there suffering in the world?Navigating the reality of duality—form and emptiness, life and deathThe recycling nature of the universeHow to make the ordinary holyMeeting our lives with presenceA simple way to explain “The Witness”The magic of consciousnessA calming and deep guided meditation Holding fear and grief in compassionNot getting caught in reactions and angerActing the nobility of heart and your original dignity This episode was originally recorded for the Food Revolution Network in November of 2024. “Life is extraordinarily beautiful, and it's an ocean of tears. You can't have birth without death, you can't have light without dark, you can't have beginnings without endings. We live in a universe constructed of opposites. That's just the game of form, of duality. You can't have form without the emptiness from which it comes.” – Jack KornfieldAbout Ocean Robbins:Ocean Robbins is an American entrepreneur and author, best known for his role as the co-founder of Food Revolution Network, Inc. This California-based company is dedicated to advocating for a whole foods, plant-based diet. Check out Ocean's book, 31-Day Food Revolution, to learn more about healing the body and transforming the world. You can keep up with Ocean on his website, HERE.About Jack Kornfield:Jack Kornfield trained as a Buddhist monk in the monasteries of Thailand, India, and Burma, studying as a monk under the Buddhist master Ven. Ajahn Chah, as well as the Ven. Mahasi Sayadaw. He has taught meditation internationally since 1974 and is one of the key teachers to introduce Buddhist mindfulness practice to the West. Jack co-founded the Insight Meditation Society in Barre, Massachusetts, with fellow meditation teachers Sharon Salzberg and Joseph Goldstein and the Spirit Rock Center in Woodacre, California. His books have been translated into 20 languages and sold more than a million copies.Jack is currently offering a wonderful array of transformational online courses diving into crucial topics like Mindfulness Meditation Fundamentals, Walking the Eightfold Path, Opening the Heart of Forgiveness, Living Beautifully, Transforming Your Life Through Powerful Stories, and so much more. Sign up for an All Access Pass to explore Jack's entire course library. If you would like a year's worth of online meetups with Jack and fellow community members, join The Year of Awakening: A Monthly Journey with Jack Kornfield.Stay up to date with Jack and his stream of fresh dharma offerings by visiting JackKornfield.com and signing up for his email teachings.“We live in a universe that's recycling itself—the ultimate recycling of birth and death, form and rebirth. For us as human beings, the question is not why or how. The Buddha didn't actually answer those questions. He said those are questions that don't tend to have understanding. He said, what I'm interested in is how to navigate the universe as it is, in a way that brings love, well-being, and freedom to all who want to awaken to this.” – Jack Kornfield See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Laird Hamilton is a big wave surfer and a pioneer in the world of action water sports. Over the last decade, Laird has transcended from surfing to become an international fitness icon and nutrition expert. He is Co-Founder and Chief Innovator of Laird Superfood, and the author of several books. Laird has also appeared in a number of feature films and surfing documentaries, and on numerous television shows.

Diana Vega grew up on the Isle of Wight sailing in the Solent. She will be the First Mate with Guy Waites on Team Unicef UK in the 2025-2026 Clipper Round the World Race. We talk about crew dynamics, a transatlantic on an Outremer catamaran, refitting a steel boat, installing a synthetic teak deck, heaving-to in the Bay of Biscay, the Clipper Race, the role of the first mate, training for the Clipper, the boats, Guy Waites, fear, anticipations, the southern ocean, book recommendations, bucket-list destinations, beautiful moments, unexplainable sights, and more. Photos and links can be found at https://www.paultrammell.com/podcast-season-7 Support the show through Patreon

Our brand new Business of Film SPECIAL: Join Enfys Dickinson, Dom Lenoir, Stephen Follows and Giles Alderson, as we talk Cannes, Festivals, Indie Films, AI and What Makes an American Film. Plus we do the QUIZ! On this special MASSIVE BUMPER episode we are joined by the wonderful Stephen Follows who's website stephenfollows.com is a must read by an indie filmmaker. PLUS we are also joined by the wonderful Enfys Dickinson who has more than 250 productions under her belt incl: HIGH FIDELITY, CHOCOLAT, THE POLAR EXPRESS and 102 DALMATIANS before moving to Warner Bros to work on films such as HARRY POTTER, BATMAN BEGINS, CHARLIE & THE CHOCOLATE FACTORY and OCEAN'S 12. Enfys then left the studios to set up WonderLust Pictures. Listen and Enjoy. LINKS DIRTY BOY Premiere at Raindance tickets https://raindance.eventive.org/schedule/dirty-boy-68234eda5e47ea122831f7f4 FILM FORGE FILM COURSES info here. FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world.  And if you enjoyed the film, please take a moment to share & rateit on your favourite platforms. Every review & every comment helpsus share the film's important message with more people. Your supporttruly makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit podcastchoices.com/adchoices

Yes, it has been awhile. Apologies. I've been busy with other creative endeavours but I'll always circle back to the BOOMCAST!This is the 4th MOVIE VAULT PROJECT episode, where I'm joined once again with the other Cinema Saviours CLINT CHAFFER and CHAD WEEKS. If you are not aware, the U.S. Government has commissioned us to save 50% of all the major films ever made due to the unfortunate fact that an asteroid is approaching and the chances of society being wiped out is roughly 50/50. Due to storage space issues, I guess, the other half will be condemned to be forgotten. Will we pick the right films? Weigh in on our decisions! This episodes films are: THE FIFTH ELEMENT, SUPER 8, HOUSE OF 1000 CORPSES, 40 YEAR OLD VIRGIN, ASSAULT ON PRECINCT 13, HOW TO LOSE A GUY IN TEN DAYS, GONE IN 60 SECONDS, 300, DISTRICT 9, OCEANS 11, 3000 MILES TO GRACELAND, 2012, 1408, 30 DAYS OF NIGHT, 13 GHOSTS, 12 ANGRY MEN, 8MM, THREE KINGS, 16 CANDLES and THREE MEN AND A BABY.Enjoy! And don't forget to subscribe, leave a review and enjoy the time you have left.

The Metal Exchange Podcast guys discuss Kreator's 1986 release, "Pleasure to Kill".Justin's Recommended Track: Pleasure to KillChris' Recommended Track: Command of the Bladehttps://www.kreator-terrorzone.de/https://www.facebook.com/KreatorOfficialListen to "Pleasure to Kill": https://open.spotify.com/track/0tiHUNPWw48fN6N1VIzczm*Become a Member of our Patreon*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Purchase our theme song - "The Blade of Nicchi"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://taliesin3.bandcamp.com/track/blood-sky-the-blade-of-nicchi-feat-micheal-mills⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠*Other Band Mentions*Pearl Jam: https://pearljam.com/ & https://www.facebook.com/PearlJamSlow Fall: https://www.facebook.com/slowfallofficial...and Oceans: https://andoceans.bandcamp.com/ & https://www.facebook.com/andoceansDream Theater: https://dreamtheater.net/ & https://www.facebook.com/dreamtheaterKarnivool: https://www.karnivool.com/ & https://www.facebook.com/karnivoolGrand Cadaver: https://www.grandcadaver.com/ & https://www.facebook.com/grandcadaverSavatage: https://savatage.com/ & https://www.facebook.com/savatage*Join us at The Metal Exchange*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/MetalExchange⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://metalexchangepodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/TheMetalExchangePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/metalexchanges⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/themetalexchange.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/themetalexchangepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/user/4tn81zpim10zdl0qu1azagd8o⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Create your ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! #madeonzencastrOffer Code: METALEXCHANGE

Yellowfin Grouper, P.I., Jumbo the Shrimp, and Sting Ray finish gathering the members of their crew...  • Written and created by Matt Deitchman and Jed Feder. Episode 3 features Jed Feder, Jonathan Butler-Duplessis, Tiffany Tatreau, Julia Wheeler Lennon, Brandon Springman, Nathaniel Stampley, Nathaniel, and Matt Deitchman. More at YellowfinGrouperPI.com

D&SD is Taking a break to do a short adventure in the Doctors and Daleks Universe with DM Chris Parsons. Renegade Time Lord the Corsair and his faithful sontaran companion Dyrall Viddae find themselves in 18th century Charleston, VA. Please support Dugongs & Sea Dragons on Patreon:  https://www.patreon.com/DugongsAndSeadragons  

David Hill reviews Ocean: Earth's Last Wilderness by Sir David Attenborough and Colin Butfield published by Hachette

Sean Todd This is an edited version of an interview with Sean Todd that was first heard in episode 72 in July 2020. Sean serves on the marine science faculty at College of the Atlantic in Bar Harbor, Maine, and he's also the director of Allied Whale, the college's marine mammal research program. Mount Desert Rock, more than 20 miles from the nearest port and home to a historic light station, serves as Allied Whale's research station. The former keeper's house has accommodations for 20 students. Sean also acts as a professional guide, including many seasons in the Antarctic. He created, wrote and starred in the award-winning “Life in the World's Oceans,” a 30-part DVD series available from TheGreatCourses.com. Mount Desert Rock, Maine. Photo by Jeremy D'Entremont.

Published 25 May 2025This week we have three World Champions from the Hobie Class. Cam Owen, Susie Ghent and Paddy Butler, each of them putting time and energy in to growing the sport. Its a chat about excellence, but excellence in ideas to grow sailing. We also talk in depth about a bunch of catamaran events including Western Australia's Cat Summer. Its fun as usual. Enjoy!#hobie16 #hobie14 #hobiecataustralia #hobiecatcompany #hobiecatnationals #vaikobi #vaikobisail #radixnutrition #barkarate #sailingpodcast  #barkarateconversations #worldsailingofficial #sailing #boat #ocean #sport #voile #sail #sea #offshore #sailors #sailingworld #extremesailing #foils #yacht #yachts #saillife #instayacht #sailingblog #instasail

   Quite a debate broke out this week on whether or not Kansas and Missouri should be competing against each other to lure businesses... especially big ones like the Chiefs and Royals.  I think the best debate was on our radio show on KCMO and I've got a chunk to play for you.  It's spirited to say the least.    Trump slams the EU and says tariffs are soon going up to 50% if they don't come to the table.    The unofficial start of summer is here and Oceans of Fun is taking a pass because it's too cold.  Darn global warming.     The Royals have a really big series this weekend in Minnesota and hope its the start of good things from Salvy.    Caitlin Clark gets beaten up on the court... again.  She is the WNBA and if she's smart, she'll leave and start her own league. They treat her like crap and don't punish the race baiters.    College Football has found yet another way to help the SEC and Big 10 in the playoffs and the Song of the Week is from the most requested band from our listeners.  

Ocean conservation isn't always about what's happening in the water—it's also about the choices we make on land. In this episode, we speak with Maddie Hamann, a former oceanographer turned sustainable food entrepreneur. Maddie shares how her background in ocean science led her to co-found PACHA, a company that creates sourdough buckwheat bread using organic, regenerative practices. From nutrient cycles to sustainable packaging, Maddie explains how oceanography continues to inform her mission—even in the kitchen. Sustainable food systems play a major role in protecting marine environments. Maddie breaks down why she and her partner chose buckwheat, how they built an ocean-friendly food brand, and how consumers can support businesses that align with ocean values. This conversation goes beyond the surface, connecting science, health, and sustainability in a delicious way. Website: https://livepacha.com/  Instagram: https://www.instagram.com/livepacha/ Follow a career in conservation: https://www.conservation-careers.com/online-training/ Use the code SUFB to get 33% off courses and the careers program.   Do you want to join my Ocean Community? Sign Up for Updates on the process: www.speakupforblue.com/oceanapp   Sign up for our Newsletter: http://www.speakupforblue.com/newsletter   Facebook Group: https://bit.ly/3NmYvsI Connect with Speak Up For Blue: Website: https://bit.ly/3fOF3Wf Instagram: https://bit.ly/3rIaJSG TikTok: https://www.tiktok.com/@speakupforblue Twitter: https://bit.ly/3rHZxpc YouTube: www.speakupforblue.com/youtube    

                                        Listen in as Erin and Amanda discuss: Amanda's journey from flipping houses to becoming a midterm rental powerhouse The strategy pivot that saved her business after a $60K cancellation overnight Why relying solely on Airbnb (or any platform) is a risky business model How Amanda built a real estate relocation funnel that fuels her agent team Lessons on freedom, flexibility, and creating a brand that outlasts market shifts …and much more!                                               About Amanda Williams, widely recognized as "Amanda the Traveling Realtor," is an accomplished author, international speaker, and mentor specializing in the medium-term rental (MTR) sector. As the co-founder of Carolina Furnished Rentals in Raleigh, North Carolina, she has expanded the company's portfolio to over 25 fully furnished properties, catering to clients seeking flexible housing solutions. Her expertise has been featured in SUCCESS Magazine, highlighting her innovative approach to real estate investment. Amanda is also a Top 1% influencer with eXp Realty, leading a tribe of several hundred agents. Through her work, she empowers individuals to achieve financial independence via strategic real estate investments. How to Connect With Amanda Website: https://linktr.ee/amandathetravelingrealtor LinkedIn: https://www.linkedin.com/in/amandaw83/ Facebook: https://www.facebook.com/amandathetravelingrealtor Instagram: https://www.instagram.com/amandathetravelingrealtor/ 

Join Ellen & special guest, champion of the reef Jessie Palmer, as we try to save the world one polyp at a time. We discuss coral wars and neural nets, aliens from a different version of our own planet, literally re-inventing the wheel with coral-inspired biomimicry, what's up with coral bleaching and how can we help, and even surprisingly philosophical questions, like “what is an individual?” “what is the self?” and “at what point do you have a new body?” This episode will change the way you look at a reef - and maybe even yourself. Hope you're ready.Links:Follow Jessie on Instagram!For more information about us & our podcast, head over to our website!Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord!Follow Ellen on BlueSky!

To order In Search of Darkness 1995-1999 go to https://90shorrordoc.com/David Weiner is back to talk with Dana about his latest film "In Search of Darkness 1995-1999", the incredible Documentary series that is an exploration of 90's horror movies through the perspective of the actors, directors, producers and SFX craftspeople who made them, and their impact on contemporary cinema. Social Media links : https://www.facebook.com/80sHorrorDoc/ https://www.facebook.com/80sscifidoc https://www.creatorvc.com/X, Instagram: @80sHorrorDoc @80sSciFidoc It Came From Blog/David Weiner: https://itcamefromblog.com/ https://www.facebook.com/ItCameFromBlog/ X, Instagram: @ItCameFromBlog (X, Instagram) @TikiAmbassador (X only) Join our Facebook group https://www.facebook.com/groups/danabucklershowJoin my Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovieHelp Support our work : Cash App $DanaBuckler or Venmo @DanaABuckler Subscribe to the podcast on your favorite podcast platform by going to https://linktr.ee/DanaBucklerShowJoin our Facebook group https://www.facebook.com/groups/danabucklershowJoin Our Patreon for early access to all episodes, plus a new exclusive podcast, go to Patreon.com/howisthismovie

Trapped in a remote lighthouse, three men face a nightmarish siege by thousands of bloodthirsty rats in the harrowing tale of Three Skeleton Key, presented by Sleep No More! | #RetroRadio EP0413Download The FREE Word Search Puzzle for this episode: https://weirddarkness.com/WDRR0413Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Man Who Preyed On Women” (March 12, 1976) ***WD00:47:07.579 = The Shadow, “The Shadow Returns” (November 19, 1939)01:12:29.619 = Sleep No More, “To Build a Fire” and “Three Skeleton Key” (February 20, 1957) ***WD01:41:37.389 = BBC's Spine Chillers, “Ale of Gobhniu” (1984)02:07:33.639 = Strange, “Greenwood Acres” (October 10, 1955) ***WD02:20:19.229 = Strange Wills, “Alias Doctor Svengali” (June 15, 1946)02:50:29.739 = Suspense, “Five Canaries In The Room” (June 08, 1943)03:18:26.299 = Tales of the Frightened, “Just Inside the Cemetery” (1957)03:23:32.309 = Tales From The Tomb, “Don't Drink With Strangers” (1960s)03:27:22.099 = Theater Five, “A Genuine Grenotte” (September 25, 1964) ***WD03:48:29.339 = Theater 1030, “The Thing In The Hall” (1960s) ***WD04:18:02.599 = 2000 Plus “Insect” (May 17, 1950) ***WD04:47:37.369 = The Unexpected, “Heard But Not Seen” (1948)04:59:43.674 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0413

We are partnering with Greenpeace and Crowd Network, so that we can continue to bring our listeners brilliant investigations on The Slow Newscast. You can join Tortoise as a member to get early and ad-free access to new series and support our investigations at www.tortoisemedia.com/inviteWhat does it sound like at the bottom of the ocean? In this new podcast from Greenpeace and Crowd Network, you can find out. Join Wildlife Filmmaker Hannah Stitfall as she embarks on a journey across the planet and under the waves. You'll be swimming with dolphins, visiting the seabed, and meeting the people aiming to protect 30% of our oceans by 2030. Part of the series was even recorded aboard the ship Arctic Sunrise in the Arctic Circle. Season 2 is out now, listen on Apple Podcasts or your favourite podcast app. Hosted on Acast. See acast.com/privacy for more information.