Podcasts about Pulp fiction

This week on Bad Dads Film Review, Wolf Week continues as Sidey, Dan and new dad Jamie sink their teeth into Martin Scorsese's riotous financial crime epic The Wolf of Wall Street, starring Leonardo DiCaprio, Jonah Hill, Margot Robbie, Matthew McConaughey, Kyle Chandler, Rob Reiner, Jon Bernthal, Jon Favreau and Joanna Lumley. With Reegs absent and therefore no proper intro to keep things vaguely professional, the dads begin by catching up on what they've been watching. Dan has largely swapped screen time for Cold War spy histories while his wife is away in the Czech Republic for the summer, Jamie has returned to the comforting embrace of Blue Bloods, No Offence and Stuart Fails to Save the Universe, and Sidey has endured Jason Statham's Mutiny, a revenge-on-a-boat action thriller with suspiciously Die Hard-adjacent poster energy. The Top 5 this week is Wolves, which naturally sends the conversation roaming all over the cultural wilderness. There's Winston Wolf from Pulp Fiction, Moro from Princess Mononoke, Teen Wolf and the obvious sporting advantage of being Michael J. Fox with werewolf powers, plus Shrek's Big Bad Wolf and a detour through wolf-related music from Warren Zevon, Ozzy Osbourne, Metallica, Duran Duran, Howlin' Wolf, Steppenwolf, Los Lobos, Wolfmother and Wolf Alice. Liam Neeson's miserable survival odds in The Grey get a mention, as do Bad Wolf and Rose Tyler from Doctor Who, Jack Nicholson in Wolf, Remus Lupin, Dances with Wolves, Portia Crystal from Sing 2, Lupine Howl, the direwolves from Game of Thrones, How Wolves Change Rivers, Rainier Wolfcastle and Oz from Buffy the Vampire Slayer. Then it's on to The Wolf of Wall Street, a film the dads note is arriving neatly alongside Jersey's current Martin Scorsese cinema season. They follow Jordan Belfort from his first day as Wall Street pond scum through Matthew McConaughey's career-rescuing lunch scene of coke, booze,chest-thumping and “rookie numbers”, before Black Monday promptly ends any chance of a respectable finance career. From there it's penny stocks, Spike Jonze, 50% commissions and the arrival of Donnie Azoff, whose cousin-wife logic, blinding white teeth and crack-pipe networking help turn Stratton Oakmont into a full-blown fraud machine. Along the way, the dads dig into the film's most notorious moments: the “sell me this pen” lesson, motivational speeches, middle fingers to clients, dwarf tossing, strippers, head shaving, Rob Reiner as Belfort's furious father, Margot Robbie's Naomi making her entrance, Donnie's appalling first impression, the famous 11-second romance, Vegas excess, penicillin shots and a superyacht wedding present. They also cover Kyle Chandler's FBI agent Patrick Denham closing in, Jon Favreau's lawyer trying desperately to make Jordan stop, the Steve Madden IPO, hidden stock ownership, Joanna Lumley's Aunt Emma and the Swiss bank account, plus Jordan's spectacularly arrogant attempt to bribe the FBI with lobster, prostitutes and absolutely no self-awareness. The review also takes in the yacht storm and Italian rescue, the infamous Lemmon Quaaludes sequence with crawling, ham-choking and the destroyed Lamborghini reveal, Jordan wearing a wire while warning Donnie not to incriminate himself, and the ugly final collapse as Naomi demands a divorce, Jordan turns violent and everything finally crashes. By the end, the dads are left wrestling with prison, sales seminars and the uncomfortable question of whether the film really works as a cautionary tale, or whether it is simply too entertaining for its own good. Verdicts are strong across the board. Sidey recommends it, while still insisting it is far too long. Dan also gives it a strong recommend, particularly for the endlessly quotable scenes, and Jamie calls it a must-watch — although preferably consumed as three one-hour chunks rather than one enormous sitting.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Roger Avary is an Academy Award-winning screenwriter, director, and producer. Best known for co-writing Pulp Fiction with Quentin Tarantino, he shared the Academy Award for Best Original Screenplay. Avary made his feature-directing debut with the 1994 crime thriller Killing Zoe. He later directed Mr. Stitch, adapted Bret Easton Ellis's The Rules of Attraction, and returned to the crime genre with Lucky Day. His screenwriting credits also include the horror hit Silent Hill and Robert Zemeckis's animated epic Beowulf. Additionally, he is the founder of Pulp Time, a social movie platform for always-on programming and interactive public and private watch parties. Currently, Avary is set to write and direct a feature adaptation of John Milton's Paradise Lost with Ex Machina Studios, set to release in 2027.  Projects Beowulf Pulp Fiction  Video Archives Podcast ------ Thank you to the sponsors that fuel our podcast and our team: Anthropic ⁠https://Claude.com/tetra⁠ ------ AGZ ⁠https://DrinkAG1.com/tetra⁠ ------ LMNT Electrolytes ⁠https://DrinkLMNT.com/tetra⁠ Use code 'TETRA' ------ Squarespace ⁠https://Squarespace.com/tetra⁠ Use code 'TETRA' ------ Lectio 365 ⁠https://Lectio365.com⁠ ------ Sign up to receive Tetragrammaton Transmissions ⁠https://www.tetragrammaton.com/join-newsletter

Welcome to Missouri, where the booze is conveniently located, the dispensaries are plentiful, and buying a car on Sunday is apparently where society decided to establish some boundaries.Episode 41 kicks off with Rizz and Moon embracing their new identities as BMW owners ahead of a BMW-sponsored golf tournament. Surely the logo on the hood counts as a parking credential, right? Lern attempts to explain concepts like “parking passes” and “hang tags,” but luxury has changed these men. They've seen the badge. They know what they're worth now.From there, this comedy podcast investigates what outsiders notice when they first arrive in Missouri. Is it the rolling green landscape? The hills? The beautiful scenery? Nope. It's the ability to walk into a grocery store and buy hard liquor like a civilized Midwesterner.A woman new to Missouri is stunned by the accessibility of alcohol and recreational weed, which sends the crew down a rabbit hole of grocery-store liquor laws across America. Apparently some states still make you visit a separate store to purchase booze. We assume residents there spend their evenings staring sadly toward Missouri and wondering where freedom went wrong.But Missouri has its limits.You can buy liquor. You can visit a dispensary. You can apparently grab a tall boy at a gas station with concerning ease. But if you want to purchase a car on Sunday? Absolutely not, you lawless animal.The discovery of Missouri's “blue law” leads to another revelation: Lern and Rafe enjoy wandering dealership lots on Sundays specifically because the salespeople aren't there. Rizz finds this behavior completely alien because, according to Rizz, he loves human interaction. Moon immediately requests that the program stop lying to its audience.Then it's time for workplace rage.A leaked video of former Detroit news anchor Taryn Asher berating a colleague launches a debate over losing your temper at work, professionalism, double standards and whether one meltdown should define somebody's career. Naturally, this means revisiting some of broadcasting and Hollywood's most legendary freak-outs.Chris Berman gets angry. Christian Bale goes nuclear. Bill O'Reilly encounters the phrase “to play us out” and briefly enters another dimension.The crew debates whether these blowups are understandable high-pressure moments or just adults being terrible to coworkers. Lern also shares her own battles against studio technology, proving once again that the greatest threat to morning radio isn't declining attention spans—it's a computer deciding at 5 a.m. that today feels like a good day to die.Then Crap on Celebrities arrives with some genuinely sad rock news: longtime ZZ Top drummer Frank Beard has died at 77. The crew looks back at the band's massive career, their unmistakable Texas blues-rock sound, their MTV-era reinvention and the scientific fact that putting on a ZZ Top song makes you approximately 34% more likely to feel capable of winning a bar fight.It also raises an important question nobody else was brave enough to investigate: Has anyone ever seen ZZ Top wearing shorts?The comedy podcast rolls deeper into entertainment chaos with Nick Jonas revealing that he completely bombed his audition for Frozen after arriving unprepared, Tool frontman Maynard James Keenan expanding his Arizona empire with a sushi restaurant and apparently carrying the same pair of traveling chopsticks for decades, updates surrounding Tupac's murder trial, new Queens of the Stone Age music, and the planned return of Ozzfest.The celebrity pile continues with Robin Williams' children fighting AI-generated impersonations of their father and reactivating his official Instagram account as a source for authentic material. The crew also looks ahead to Dune: Part Three sharing a release weekend with Avengers: Doomsday, because movie theaters apparently decided December needed its own traffic apocalypse.David Krumholtz says he's stepping away from acting after more than 30 years in Hollywood, which leads everyone into the great “I know that guy!” exercise before the conversation turns toward the tiny club of movies that have crossed $1 billion worldwide.That becomes a game of guessing the biggest box-office monsters before pivoting into actors whose careers were revived by one huge role: John Travolta in Pulp Fiction, Robert Downey Jr. in Iron Man, Keanu Reeves in John Wick, Brendan Fraser in The Whale, Bruce Willis in Die Hard and more.By the end, we've covered BMW privilege, Missouri liquor laws, empty car dealerships, workplace tantrums, ZZ Top, celebrity news, AI, Dune, billion-dollar movies and celebrity birthdays.And just when you think the show has reached the absolute peak of intellectual discourse, Rizz teases what's coming next:A school has a fart corner.Education is healing.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The boys are heading back to the decade of slick crime flicks, sharp dialogue and Hollywood cool for our Get Shorty 1995 Movie Review. This is peak John Travolta, riding the post-Pulp Fiction wave; Gene Hackman is doing comedy without really doing comedy, and Dennis Farina has arrived to swear at practically everyone in Los Angeles.Welcome back to Born to Watch, the Movie Review Podcast where we don't take the movies or ourselves too seriously.This week Whitey and Gow are joined by a returning Dan, who has finally wandered back into the studio after his extended sabbatical. It doesn't take long before old stories, old insults and the questionable exploits of 1990s G start flying around the room.But eventually, somehow, we get to Get Shorty.Adapted from the Elmore Leonard novel and directed by Barry Sonnenfeld, Get Shorty drops loan shark Chili Palmer into Hollywood and quickly discovers that the movie business might be even more crooked than organised crime. Chili comes to Los Angeles chasing money and ends up chasing something completely different, a shot at the movies.And nobody could play Chili Palmer quite like John Travolta.The boys dig into Travolta's incredible mid-'90s resurgence and why Chili might be one of his coolest performances. This isn't the dialled-up Travolta of Face/Off or the villainous version from Broken Arrow. Chili is controlled, confident, charismatic and almost impossible to rattle. As Whitey puts it, he's basically Vincent Vega without the heroin problem.Then there's Gene Hackman as B-movie producer Harry Zimm. Hackman was apparently reluctant to play comedy, which makes his performance even better. He plays Harry almost completely straight while chaos unfolds around him, and the result is bloody funny.Rene Russo brings Karen Flores to life, Danny DeVito sends up the Hollywood superstar as Martin Weir, Delroy Lindo is outstanding as Bo Catlett, and a pre-Sopranos James Gandolfini turns up as Bear.But then there's Dennis Farina.Farina's Ray "Bones" Barboni has no interest in becoming a producer, landing a movie deal or joining Hollywood's endless bullshit machine. He wants his money. That's it. His delivery, aggression, and complete inability to understand why everyone else is suddenly obsessed with making movies produce some of the episode's biggest laughs. By the time the boys get to Star of the Show, Farina is very much in the conversation.The real star, however, might be the dialogue.The boys talk about how Get Shorty captures Elmore Leonard's distinctive rhythm, humour and effortless conversations. Whitey remembers absolutely hammering this movie after first seeing it at Hoyts with the boys, watching it repeatedly on VHS because he loved the back-and-forth between the characters.That leads perfectly into Film School for F-Wits, where Dan dives into Elmore Leonard. Get Shorty was Leonard's favourite adaptation of his work, and the boys explore the run that also gave us Jackie Brown and Out of Sight. Dan also breaks down Leonard's famous approach to writing, including natural dialogue, avoiding unnecessary exposition and one beautifully simple philosophy: if your writing sounds like writing, rewrite it.There's also plenty buried in Listen to This, including the actors considered for Chili Palmer, Danny DeVito originally being lined up for the role, James Gandolfini's performance attracting the attention of David Chase, Tarantino's connection to the project and Travolta's determination to protect Leonard's dialogue.Add The Good, The Bad and The Ugly, 1995 movie memories, Quickfire, quotables and the G-Man's wonderfully ridiculous Born to Get Shorty Kick Arse Credit Song, and we've got ourselves another proper Born to Watch outing.Is Get Shorty still one of the smartest crime comedies of the '90s? Does Travolta's Chili Palmer remain one of cinema's coolest operators? And can Dennis Farina steal an entire movie simply by being Dennis Farina?There's only one way to find out.Join Whitey, Gow and Dan as Born to Watch heads to Hollywood, where everybody wants to be in the movie business, even the gangsters.#GetShorty #GetShortyMovie #JohnTravolta #GeneHackman #DennisFarina #ElmoreLeonard #90sMovies #MovieReview #MoviePodcast #BornToWatch

Green Lantern [vol 2] #182 (1984)LANTERNS, an honest-to-goodness live action TV show with Green Lanterns in it, is coming our way so let's see what the Emerald Knight was up to back in the mid-80s. Turns out quite a bit as Hal Jordan bails on the gig and the formidable John Stewart is next in line. Also, Major Disaster is walking the streets and Eclipso is rightfully lurking in the shadows!Highlights include:Hal pours one out for Abin SurWonder Woman no-sells a political assassinationLeather wristbands in the 80sMagenta bootsThe Guardians on Oa are kind of uselessHal's STEEEEEEL TRAP…..RUSTED!Also, Shawn finally gets around to watching PULP FICTION and is sort of non-plussed by Quentin Tarantino overall.*** PROPER COMIC BOOK DISCUSSION STARTS AT 00:09:48***Promo: LANTERNCAST (https://lanterncast.com/) Continue the conversation with Shawn (@AngryHeroShawn) and Jen (@JenStansfield) on Twitter / Instagram / Facebook / Threads / Bluesky or email the show at worstcollectionever@gmail.com Also, get hip to all of our episodes on YouTube in its own playlist! https://bit.ly/WorstCollectionEverYTDownload the podcast on Spotify, Apple Podcasts and wherever you get your favorite shows. Please rate, review, subscribe and tell a friend!

In 1994, a former video store clerk turned indie provocateur rearranged the crime film and, in the process, rearranged Hollywood itself.Pulp Fiction, Quentin Tarantino & Roger Avary's take on hardboiled detective novels from pulp magazines in the 1920s and 30s, stemmed from the success of his first feature, Reservoir Dogs. It would lead to him becoming acquainted with Danny DeVito; a man who would encourage Tarantino having final cut privileges, as well as cast approval for an $8.5 million independent movie, featuring extreme violence, drugs, crime, death and revenge.Pulp Fiction would lead to star turns (and Oscar nominations!) for Samuel L. Jackson and Uma Thurman, as well as John Travolta's career resurrection. It would also lead to Harvey Weinstein not getting his way, for once.Pulp Fiction has become iconic in its soundtrack, its visual language, its use of storytelling, certain scenes are immortalised in cinema, it's influenced TV, music, literature and ads. It showed us the brutality of life, in a way that was somehow palatable to the masses, and became the template for a new generation of indie imitators.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

In 2007, the Coen Brothers made a thriller set in 1980 that somehow captured an American dread that hadn't fully arrived yet. Critic Hugo Emmerzael and academic Dan Hassler-Forest return to No Country for Old Men — the coin toss, the deaths that happen offscreen, the sheriff who solves nothing — to ask how a film everybody already loves quietly called the next twenty years.Hugo and Dan get into the film's nihilism, its collapse of the Western hero and detective who restores order, and the strange afterlife of Javier Bardem's iconic Anton Chigurh: from Oscar winner to right-wing meme. JD Vance has even used Chigurh's monologue in a political speech, while Pete Hegseth apparently mistook Pulp Fiction for the Bible.And what does No Country for Old Men have in common with Euphoria? What felt like a disturbing vision of a society emptied of values in 2007 can now feel less like a warning than a description of everyday life.Get tickets to ⁠⁠Cine Of The Times: No Country For Old Men⁠⁠ @ LAB111A LAB111 production. Edited and produced by Elliot Bloom, co-produced by Laura Gommans. Music by Hugo Emmerzael. Artwork by Studio FFF.

Enligt Socialdemokraterna var Jesus sosse, SD säger ”om Jesus levat idag hade han varit sverigedemokrat” och Kristdemokraterna går till val på att Sverige är ett land med kristna värderingar.Politiken tar sig alltmer in i religionen, en trend som kyrkohistorikern och debattören Joel Halldorf starkt ifrågasätter.Men varför tyr man sig egentligen till religionen, har den inte spelat ut sin roll 2026? Vi reder ut vad ordet religion egentligen innebär, hur det påverkar definitionen av religionsfrihet och om det finns en lagstiftad frihet från religion.Vi pratar också om att problemet med koranbränningar inte kan lösas med förbud, världens genom tiderna blodigaste religion, Pete Hegseths förväxling av Bibeln och Pulp Fiction, vilken grupp som sekulariseras fortast i Sverige just nu, Joels koppling till tidningen Flamman och varför rika människor är extremt pinsamma.Men vi börjar i sportens värld. Var det verkligen Guds vilja att Arsenal skulle vinna Premier League i år?Moderator: Gunnar OesterreichMusik: Mattias Klasson/Daniel OlsenDistribution: AcastSamarbetspartners: Life Genomics, Gröna Gårdar, FunmedHitta allt om podden: Websida: https://spannandemoten.se/Instagram: @spannandemotenFacebook: https://www.facebook.com/spannandemotenLinkedin: https://www.linkedin.com/in/gunnar-oesterreich/Kontakt: gunnar@oesterreich.se eller via sociala medier Hosted on Acast. See acast.com/privacy for more information.

I talk to filmmakers all the time who say things like, I'm reviving the romcom. Or my film is a homage to 1950s Westerns. The statements encompass so many genres but the truth is, most of the time they don't work. It ends up being a facsimile of something great, which isn't good at all.This is a long way at getting to the point that NIMRODS, opening in theaters on August 14th, is the absolute real deal: a film that will remind you of the GOONIES, as my guest, director Lee Kirk hints at, without trying to remake it. It tells the story of three kids driving cross country to open for Green Day on New Year's Eve, and as you might imagine, complications ensue.I'm so excited to celebrate original art with a director who knows his classics.Lee and I talk about:how he was able to successfully bring back the feelings of 1990s/2000s road trip films;if non-Green Day fans will enjoy the film;how he got started in filmmaking;actors writing parts for themselves and if that's a way in;how new filmmakers can find their voice;what he's learned since his previous features;whether this ever was going to be a biopic and how he feels about the genre;the amazing casting in this film;how he ended up casting himself in the film;the festival strategy for the film and the decision to go theatrical;the luxury of avoiding social media;if being a playwright bleeds over to screenwriting.Memorable Quotes:"We started talking about the movies that we wanted it to feel like, right? So one of the big ones was "Goonies." We talked about "Goonies," but also movies like "Footloose" and "Vacation""It's a film about being a teenager and the struggles that go along with not having all the agency over your life, having these hopes and dreams and beliefs in yourself, and wanting to find something, wanting to build a life, but frustrated with what you got.""Every actor should be [writing their own scripts."" If you like Quentin Tarantino, make your version of "Pulp Fiction," and you're gonna find something in there about what you have to say.""Theatrical was always the goal."Links:Follow NIMRODS On Instagram

Kaum ein Film hat das Kino der 90er so geprägt wie Pulp Fiction. In der heutigen Folge führen wir unsere Reihe fort, die sich mit den Inspirationen und Vorlagen für Quentin Tarantinos Filme befasst und widmen uns seinem vermutlich bekanntesten und beliebtesten Film. Mit Freude dürfen wir wieder Hoffi von „Ja, hier… Filme.“ als Gast begrüßen und erforschen gemeinsam die Werke der Filmgeschichte, die fragmentarisch zu der Erschaffung dieses Kultfilms beigetragen haben. Wir sprechen für euch über Rächer der Unterwelt / The Killers (1946), Kiss Me Deadly / Rattennest (1955), Kiba, der Leibwächter / The Bodyguard (1973), Die Außenseiterbande / Band Of Outsiders (1964), Fellinis Achteinhalb / 8 ½ (1963), American Boy: A Profile Of Steven Prince (1978), Psycho (1960) und Beim Sterben ist jeder der Erste / Deliverance (1972).

What does the first name of a Pulp Fiction actress and a river in the Balkans have in common? Only the fact that they are the name of my newest debutant: Una.-However, Una is one of my first ever guests who has a bigger love for a different language: Swedish. Why? Because it's a language that's not so taught and spoken in Una's part of the Balkans. But after starting with Italian, Una decided to go for something that would go right under the radar and that was indeed Swedish.-But how did the love affairs for these languages start? In English it was something that Una loved from an early age. Swedish would follow later.-Come and find out more about Una's affiliation with these two languages and why she loves Sweden and Swedish so much!

Send us Fan MailCharles reports on this year's York River Art Market and Graham on Wakefield's bold but, obviously wholly correct, declaration of achieving its UK sculpture capital status by 2029.Paul McCartney has been nominated for the Mercury Prize at the age of 84 for his latest album The Boys From Dungeon Lane.How three cult films of the late 1990s show that times were different before the onset of the new puritanism. Pulp Fiction, Trainspotting and Buffalo Soldiers.Why Simon Reynolds new book Still In A Dream is more of a disguised personal memoir than a sequel to his classic Rip It Up & Start Again.Graham reports that Harrogate gallery, Red House Originals is involved with The Kinks in a new art project in London. Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

You are listening to an extended preview clip of our We ❤️ Movies episode on Pulp Fiction— to access the full show, click through here to sign up for our Patreon!“I saw [this movie] at 11 years old, opening weekend” - EricOn this edition of We ❤️ Movies, we're chatting about one of the landscape-shifting indie films of the 1990's, Quentin Tarantino's Pulp Fiction! How incredible is this soundtrack? Have Samuel L. Jackson and John Travolta had better chemistry with any other actors? Did a Jersey City realtor actually give QT the idea for the foot fetish discussion? And Lord Almighty, this movie did not need that director's cameo! PLUS: What were they thinking with that Seinfeld/Pulp Fiction promo? Pulp Fiction stars Samuel L. Jackson, John Travolta, Uma Thurman, Tim Roth, Amanda Plummer, Bruce Willis, Christopher Walken, Harvey Keitel, Phil LaMarr, Frank Whaley, Paul Calderon, Rosanna Arquette, Eric Stoltz, Steve Buscemi, Kathy Griffin, Peter Greene, Alexis Arquette, Julia Sweeney, and Ving Rhames Marsellus Wallace; directed by Quentin Tarantino.Come hang out in Vegas with us THIS WEEKEND (August 6-8) as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today!Original cover art by Felipe Sobreiro.

The Shawshank Redemption is now the highest-rated film on IMDb's Top 250, a fixture of cable rotation, and shorthand for cinematic hope itself. But in 1994, it was a box office failure; a $25 million adaptation of a Stephen King novella. It opened on just 33 screens, and despite fantastic test screenings, got buried under Pulp Fiction and Forrest Gump. A movie that was destined to be a huge success, disappeared uneventfully from cinema screens, and usually that's the end of the story.But destiny had its own plans for The Shawshank Redemption.A movie about hope, patience and decades-long endurance became a story about its own hopeful, patient, decades-long climb. Through a slow-burn afterlife on home video and TNT, that rewrote its fortunes, to become a cinematic classic beloved by audiences worldwide.Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app

John Travolta had a major comeback with Pulp Fiction which led to a Golden Globe win in this 1995 comedy. Get Shorty is a send-up to Hollywood that is an easily digestible and fun movie. We had a good time digging into this one with out typical antics and tangents along the way. Thanks for listening to our movie podcast and as always be kind, rewind, relax, and enjoy the show!

Dust off your CD jewel cases and fire up the portable discman, because this week Dave and Rob are diving headfirst into nineties nostalgia with their top 10 favorite '90s movie soundtracks! The 1990s was the undisputed golden age of cinematic compilations—an era when a movie's tracklist could become a cultural phenomenon in its own right. While the guys are keeping their final rankings strictly under wraps until recording, expect a wild ride through the decade's absolute juggernauts: think the world-conquering pop dominance of The Bodyguard and Titanic, the cool-as-ice cool of Quentin Tarantino's Pulp Fiction, and the grunge-and-alt-rock essential compilations like Singles, Empire Records, and Clueless. Tune in to see which soundtrack claims the ultimate spot at number one, which forgotten classics make a surprise appearance, and whether Dave and Rob can actually agree on a single top pick! Chapters 00:00 - Opening of show   Connect with Totally 80s and 90s Recall  Website: https://bleav.com/shows/totally-80s-and-90s-recall/  Email: 80s90srecall@gmail.com  Voicemail: (509) 426-4542  Linktree: https://linktr.ee/80s90srecall Send Us Actual Mail! PO Box 506, Sunnyside, WA 98944 Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when journalists cover politics without understanding the religion shaping the story?Brian Kaylor, president and editor-in-chief of Word&Way and the leader of A Public Witness, joins Will Wright and Pastor Josh Burtram to explain why religion reporting matters in an era of Christian nationalism, government-sponsored worship, and growing confusion about the role Christianity plays in American public life. Kaylor describes how political reporters can miss biblical references, theological claims, and denominational differences that are central to understanding events such as January 6, presidential elections, and the political influence of conservative Christianity.The conversation then turns to Kaylor's reporting on Christian worship services organized inside the Pentagon and other federal agencies. He explains the involvement of Pete Hegseth, Doug Wilson, Franklin Graham, Southern Baptist leaders, defense contractors, violent biblical rhetoric, and a prayer borrowed from Pulp Fiction. The episode also examines the constitutional difference between a private religious group using a government building and the government planning and hosting its own worship service.The final episode of Church & State 250 returns to the principle at the center of the series: America's most significant religious experiment was the decision to separate church and state. Kaylor argues that this separation protects religious minorities, government employees, and Christianity itself from the corrupting influence of political power.Guest BioBrian Kaylor, PhD, is president and editor-in-chief of Word&Way, an independent Christian media organization founded in 1896, and the leader of A Public Witness, a publication covering religion, politics, and culture. A Baptist minister with a doctorate in political communication from the University of Missouri, Kaylor is an award-winning journalist, author, speaker, and scholar whose work focuses on Christian nationalism, political rhetoric, religious liberty, church-state separation, and the ways Christianity is used to support government power. He is the author or co-author of seven books, including Sacramental Politics, Baptizing America, and The Bible According to Christian Nationalists. His Government Worship Watch project documents worship services organized by the Pentagon and other federal agencies, making his reporting central to understanding the current relationship between Christianity and the federal government.Books MentionedThe Bible According to Christian Nationalists: Exploiting Scripture for Political Power by Brian KaylorBookshop.org: https://bookshop.org/a/112456/9780827203501Baptizing America: How Mainline Protestants Helped Build Christian Nationalism by Brian Kaylor and Beau UnderwoodBookshop.org: https://bookshop.org/a/112456/9780827203389Relevant Links & ResourcesBrian Kaylor Official WebsiteURL: https://briankaylor.com/A Public WitnessURL: https://publicwitness.wordandway.org/Word&WayURL: https://wordandway.org/

In this episode of 3 Movies That Changed Your Life screenwriter Stuart Wright talks with Stay Safe screenwriter Rolando Viñas about: Misery, Shawshank Redemption, and Pulp Fiction. Discover how these films shaped his screenwriting journey, personal growth, and understanding of cinema's power. Plus Rolando Viñas discusses how, as a writer for hire, he wrote the sci-fi horror STAY SAFE.  Movies That Changed Your Life   Find out about how Rolando Viñas wrote the sci-fi horror STAY SAFE; and the lasting impact of cinema on his life with Stuart Wright on this movie podcast.   [1:20] Writing STAY SAFE 3 Movies That Changed Your Life [13:40] Misery (1991): Fortunate to be a teenager in the 1990s [19:35] Shawshank Redemption (1994): It is a perfect film [27:30] Pulp Fiction (1994): A breath of fresh air to see this movie Key Take Aways:   Discover how movies that changed your life shape personal and professional growth.  How Rolando Viñas wrote the sci-fi horror STAY SAFE How to be a writer for hire Understand cinema's transformative power through Misery (1991), Shawshank Redemption (1994), Pulp Fiction (1994) Subscribe on Apple Podcasts, follow on Spotify or wherever you listen to your podcasts for more movies that impacted your life!  Share your favourite movies that impacted your life on X (@leytonrocks) and leave a 5-star review and tell us which 3 films impacted your adult life. Best ones get read out on the podcast About my Guest:   Rolando Viñas is known for Investigation 13 (2019), Stay Safe (2025) and Arcana STAY SAFE is out now on TUBI. https://tubitv.com/en-gb/movies/100053997/stay-safe  Credits:   3 Movies That Changed Your Life Podcast is written, produced, and hosted by Stuart Wright see https://linktr.ee/stuartwright  Learn more about your ad choices. Visit megaphone.fm/adchoices

You wanted to tussle? Let's tussle, as NostalgiaCast sets its sights on OUT OF SIGHT, directed by Steven Soderbergh and starring George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle, Steve Zahn, and Albert Brooks. Jonny and Darin discuss the movie as an Elmore Leonard adaptation with a voice, the jump cuts, freeze frames, and electric filmmaking choices that defined the rest of Soderbergh's career, and the megawatt movie star performances by Clooney and Lopez. Also, where does the movie rank among PULP FICTION wannabes?

Send us a text or a voicemailBaron "Bear" Bailey breaks a novelty charm to force his favorite podcast to return from a hiatus, but the supernatural compulsion warps their minds into violent obsession, causing them to non-stop stream their inane thoughts and opinions 24/7. On Episode 727 of Trick or Treat Radio our feature film discussion is the runaway horror hit Obsession from director Curry Barker! We also catch up on events of the past several weeks, talk low budget horror hits, and react to new trailers for the films Werwulf and Namaslay! So grab your novelty monkey's paw trinket, use every ounce of your willpower to manifest your desires, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror fans pining, Friday the 13th Part VII: The New Blood, Reddit users, uncut gore, Paramount, The Haunting, Dagon, Impetigore, Daniel Radcliffe, Horns, Frankenstein, Ichabod Crane, Woody Harrelson, Natural Born Killers, Juliette Lewis, Silver Scream V, Ronnie Cox, Robocop, The Beast Within, Deliverance, Little Dick Energy, Chuck Courtney, Billy the Kid vs. Dracula, Mina Rose, Bunghole Liquors, Jebediah Bunghole, The Boston Bungholes, Lindsey Graham's Grindr Account, hotboy summer, cable management, Count Orcock's Nightmare Gallery, One Wish Willow, breaking our 726 episode streak, taking a course, Ravenshadow headlining Def Comedy Jam, Septic, Signal to Noise, Bronco Buster, Robert Eggers, Werwulf, Aaron Taylor-Johnson, Willem Dafoe, Nosferatu, interesting aspect ratios, saving yourself for your friends, gray/black/white color palette, Silver Bullet, Gary Busey, werewolf tropes, Darkstalkers, anthropomorphic, dog werewolves, Namaslay, white people do shitty stuff?, Curry Barker, Milk and Serial, Obsession, The Simpsons, most successful horror film in the history, Pulp Fiction, The Shape of Water, word of ‘mouf', Easy Rider, Backrooms, Kane Parsons, Dennis Hopper, some people have the wish gene, Coast to Coast with Art Bell, Parker Brothers, losing bodily autonomy, Salem, MA, Cold Stone, 4th of July, Gipsy Kings, traitors day, Melbourne International Film Fest, getting hit and run by a bike, Victorian Psycho, Ghost in the Cellar, Gone to Earth, Passion the Plucky Spirit, Bedknobs and Barcodes, Chum Up and Fluffed Out, Odyssey Accurate, Monologue or Polylogue, Dangerously Stinky, and Evil Shouldn't Have a Barcode.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Urge Overkill appeared to be riding high after the critical triumph of its 1993 album, Saturation, and the prominent appearance of its Neil Diamond cover, “Girl, You'll Be a Woman Soon,” in Pulp Fiction in 1994. But by the time the alt-rock trio reunited with producers the Butcher Bros. to record the follow-up album, expectations and circumstances had changed. As singer-songwriter-guitarists Nash Kato and Eddie “King” Roeser recall here in stark detail, the two of them were in different places personally and musically, drummer Blackie Onassis was fighting his own demons, and an unhealthy environment developed around the Butcher Bros.' new studio outside Philadelphia. Exit the Dragon, the resultant album that recently marked its 30th anniversary, is a dark, slithery, ragged work that has achieved a lasting power amid its tattered nerve endings. What happened here, and why did Exit the Dragon turn out to be the final Urge Overkill album featuring Kato, Roeser and the late Onassis? (Photo: Jerod Herzog)

The Summer of Cusack continues with a trip home back to 1997's Grosse Pointe Blank, a soft Pulp Fiction send up in the era when hitman roamed free and fell in love easily!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Rien de tel qu'une belle affiche de cinéma chez soi, pour décorer, et pour faire genre que tu as vu ce film, si connu et acclamé par la critique. Le marketing des produits autour du cinéma fait un carton, les affiches en font partie. Produits dérivés, vêtements, alimentation, les licences comme celles appartenant à Marvel déclinent les produits à tout va. Mais une simple affiche de cinéma reste l'objet culturel le plus culte que tu puisses posséder. Sur movieposters.com, les meilleures ventes d'affiches sont, sans étonnement, celles des Dents de la mer, de Retour vers le futur, de Jurassic Park, Pulp Fiction, Harry Potter, E.T, Le Parrain, Alien ou encore Rocky. Quelles sont les affiches les plus convoitées ? Et quelles sont les affiches les plus chères au monde ? Comment se procurer de belles affiches ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : mars 2023 A écouter aussi : ⁠Quels sont les 5 bruitages les plus cultes du cinéma ?⁠ ⁠Le tueur de Scream a-t-il vraiment existé ?⁠ ⁠Qu'est-ce que le Prix Cléopâtre, dédié aux réalisatrices oubliées ? Retrouvez tous les épisodes de "Maintenant vous savez". Pour rester informé et recevoir le meilleur de “Maintenant vous savez” chaque semaine, abonnez-vous à notre ⁠newsletter⁠. Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chegamos no CineYur 40 e decidimos transformar dois diretores chamados Quentin num campeonato de filmografia.Quentin Tarantino vs Quentin Dupieux.O episódio inteiro funciona assim.Criamos 3 rounds.No primeiro, os filmes se enfrentam por ordem cronológica. Primeiro filme contra primeiro filme, segundo contra segundo e por aí vai. Então vira coisas como Reservoir Dogs vs Steak, Pulp Fiction vs Rubber, Jackie Brown vs Wrong.No segundo round, os filmes são comparados pela função dentro da carreira de cada diretor. O filme que consolidou a identidade do autor. O mais agressivo visualmente. O mais obcecado por identidade. O mais autoconsciente. O mais claustrofóbico.E em algum momento a gente percebeu que estava discutindo The Hateful Eight vs Yannick como se isso fosse completamente normal.No terceiro round a conversa vira quase uma discussão sobre o que realmente importa no cinema.Melhor filme absoluto. Melhor roteiro. Originalidade. Personagens. Técnica. Impacto. Reassistibilidade.Cada categoria vale ponto. Vitória vale um. Empate vale meio.Só que depois de um tempo o placar começa a importar menos que a diferença entre os dois diretores.O Tarantino parece alguém tentando transformar cinema em mito moderno.O Dupieux parece alguém tentando descobrir até onde ainda dá pra brincar com um filme.E talvez o episódio tenha acabado ficando exatamente sobre isso.

In hour four, is Pulp Fiction the best Tarantino movie? There's some traction gaining around Klay Thompson joining the Heat and we're all for it. Crowder thinks he could take down a full grown bison.

Trente-huitième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies.Piloté par Mad, Ben et Franck.Les films abordés dans cet épisode :00:01:24 : Skip générique (on juge pas promis)00:04:48 : Randonnée pour un tueur, Roger Spottiswoode (1988)02:52:54 : Apocalypto, Mel Gibson (2006)05:29:32 : BLINDTEST : I ran, The flock of Seagulls05:36:25 : Runner, Andrius Blazevicius (2021)Les réponses au blindtest précédent (Épisode 37 - Happy meal) sur Mayonaise, The Smaching Pumpkins :Festen, Requiem for a dream, Pulp Fiction, Gremlins, 10 Cloverfield Line, Inglorious Bastards, Signes, Le silence des agneauxPour participer au blindtest, nous contacter, nous exprimer votre avis sur les films ou notre podcast, ou juste nous faire un coucou : podcast.vanishingpoint@gmail.comRejoignez-nous sur les réseaux sociaux :BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.socialDISCORD : https://discord.gg/mDgZZd6CzjFACEBOOK : https://www.facebook.com/podcast.vanishingpointINSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/TWITTER/X : https://twitter.com/vpoint_podcastEt sur votre plateforme de podcasts préférée ! Abonnez-vous

Aristotle in his POETICS made a simple yet incisive claim-good dramatic work has a 3 act structure-a beginning, a middle, and an end. Horace in classic Rome expanded this to a 5 act structure.  In the age of cinema, a slightly modified three act structure has been the dominant approach in American screenwriting. Yet many, if not most movies, actually deviate from this structure. And filmmakers like Kurosawa and Kubrick embrace other structures like the symphonic structure-4 movements. Yet, ultimately, many variations can still be harmonized to a progression of 3 distinct parts. Secret Movie Club programmer.founder Craig Hammill looks at Pulp Fiction, Memento, The Thin Red Line, 2001, Mad Max and many others to discuss all the different kinds of successful and discovered structures. And what that might say about an even more profound structure in successful cinematic work. 

The Crow (1994) Review is finally here, and the Born to Watch boys are diving headfirst into one of the most iconic cult films of the 1990s. Directed by Australian filmmaker Alex Proyas and forever linked to the tragic death of Brandon Lee during production, The Crow has become far more than just another comic book adaptation. It's a film surrounded by myth, emotion and an unforgettable soundtrack, but does the movie itself still deserve its legendary reputation?Whitey is joined by Gow, Damo and returning fan favourite Adam "Strangles" Strang as they revisit the dark, rain-soaked streets of Detroit to find out whether Eric Draven's tale of love, revenge and redemption still flies more than three decades later.From the opening scene, the boys tackle the elephant in the room. Has The Crow become more famous because of Brandon Lee's tragic passing than because of the movie itself? It's a question that sparks one of the episode's biggest debates as they separate the film from the legend surrounding it.There is no denying the visual impact. Alex Proyas creates one of cinema's most distinctive gothic worlds, drenched in perpetual darkness, flickering fire and endless rain. Whitey argues it could be one of the best-looking films of the decade, while the panel discusses whether the relentless black colour palette enhances the atmosphere or simply makes it impossible to see what's happening half the time.Brandon Lee delivers a performance filled with charisma, physicality and vulnerability as Eric Draven, a murdered musician brought back from the dead by a mysterious crow to seek revenge on the gang responsible for killing him and his fiancée. Along the way, the boys question the film's mythology, wonder why so little is explained about the supernatural rules and debate whether audiences are expected to simply accept everything without asking questions.The laughs continue as the conversation drifts into grandad slippers, Skippy, Video Ezy memories, terrible engagement rings, goth fashion, VHS collections and one of Damo's most detailed Snorbs Reports yet. As always, no tangent is off limits.The cast also comes under the microscope. Michael Wincott's gloriously over-the-top Top Dollar, Ernie Hudson's compassionate Sergeant Albrecht and the unforgettable David Patrick Kelly all receive plenty of love, while the panel reflects on Brandon Lee's short but promising career and imagines what Hollywood might have looked like had tragedy never struck.As the discussion unfolds, comparisons are made to other revenge classics, including John Wick, The Warriors and Darkman, while Whitey questions whether the film spends enough time developing its central love story for audiences to truly care about Eric's mission.The boys also explore the incredible year that was 1994, discussing how The Crow stacked up against cinematic heavyweights like Pulp Fiction, Forrest Gump, The Shawshank Redemption, Speed and The Lion King. It's another reminder of just how stacked one of Hollywood's greatest years really was.Of course, it wouldn't be Born to Watch without the regular favourites. IMDb ratings, Rotten Tomatoes scores, box office numbers, Question Time, the Snorbs Report, hilarious listener interaction and plenty of brutal honesty all feature as the team works towards the all-important final verdict.So, does The Crow still deserve its place among the greatest cult movies ever made? Has its reputation been elevated by tragedy, or is it genuinely one of the defining films of the 1990s? Join Whitey, Gow, Damo and Strangles as they break down every crow, every quote and every questionable fashion choice in another laugh-out-loud episode of Born to Watch.Join the F WitsIf you love movies, nostalgia and four mates who aren't afraid to call out the good, the bad and the downright ridiculous, make sure you subscribe to Born to Watch wherever you get your podcasts. Follow us on social media, join the conversation, and let us know whether The Crow deserves its cult-classic status or if the legend has outgrown the film itself.#BornToWatch #TheCrow1994 #BrandonLee #AlexProyas #MovieReview #CultClassic #MoviePodcast #90sMovies #FilmReview #GothicCinema

Juanma González y Dani Palacios conversan en esRadio sobre la relación de Howard Hawks con Faulkner y la influencia del filme 'El Crack'. En esta nueva entrega de Par Impar, el programa de cine de esRadio, los presentadores Juanma González y Dani Palacios conversan con Martín Torres, médico de urgencias y escritor que presenta la segunda edición de su aclamada novela negra, La Enfermera. Durante la charla sobre la mítica película de cine negro El Sueño Eterno, de Howard Hawks, se analiza cómo el autor ha logrado plasmar su experiencia profesional en un relato trepidante, ambientado en una ciudad que evoca la atmósfera del cine negro clásico: San Sebastián. Los tertulianos comparan la capital guipuzcoana con Los Ángeles por su capacidad para acoger intrigas oscuras bajo una fachada de sofisticación. Martín Torres explica que San Sebastián posee una dualidad idónea para el suspense, ya que combina el glamour de su festival de cine con el ambiente sombrío de sus días lluviosos, siendo la capital de provincia con más jornadas de precipitaciones al año. Esta atmósfera sirve de telón de fondo para La Enfermera, donde el entorno hospitalario de urgencias se convierte en el epicentro de una compleja trama criminal. El autor destaca que la medicina de urgencias aporta un dinamismo y una constante toma de decisiones extremas que encajan a la perfección con el ritmo que exige el thriller contemporáneo. El debate se traslada rápidamente a los grandes referentes del género, prestando especial atención a El Sueño Eterno, la mítica película dirigida por Howard Hawks y basada en la novela de Raymond Chandler. Martín confiesa su admiración por este clásico y destaca la colaboración del Nobel William Faulkner en el guión junto a Leigh Brackett. Entre las anécdotas del rodaje, recuerdan el famoso telegrama que Hawks envió a Chandler preguntándole quién había matado al chófer de la historia, a lo que el novelista respondió que tampoco lo sabía, un claro ejemplo de cómo la atmósfera y el magnetismo de los personajes superan a la propia coherencia de la trama. Otro aspecto de gran interés que se analiza de El Sueño Eterno es la inigualable química entre Humphrey Bogart y Lauren Bacall, cuya relación traspasó la pantalla y dio origen al famoso término Rat Pack, acuñado por la propia Bacall. Los presentadores de esRadio recuerdan cómo el estudio decidió añadir nuevas escenas para aprovechar el tirón publicitario del romance real, lo que dio pie a secuencias tan recordadas como la de los caballos, cargada de dobles sentidos de carácter sexual que lograron sortear la férrea censura de la época. Centrándose en el proceso de escritura de La Enfermera, Martín Torres revela que su prioridad ha sido construir diálogos ágiles y de gran realismo, inspirándose en el habla de la gente joven con la que trabaja a diario en el hospital. Asimismo, el autor confiesa que evita realizar descripciones físicas minuciosas de los personajes o de las localizaciones para estimular la imaginación del lector. Esta técnica permite que cada persona proyecte su propia imagen de los protagonistas, lo que agiliza notablemente la lectura y sumerge al público directamente en la acción. Por último, el programa de esRadio aborda una de las conexiones más fascinantes del cine español con Hollywood, detallando la supuesta influencia de El Crack, la obra maestra de José Luis Garci protagonizada por Alfredo Landa, en el cine de Quentin Tarantino. Los tertulianos rememoran una anécdota según la cual se le preguntó directamente a Tarantino en un festival si había copiado una escena para Pulp Fiction, a lo que el director estadounidense admitió conocer y admirar el filme de Garci. El broche de oro de la emisión lo pone la música de Fleetwood Mac con clásicos como Lies y Everywhere, que ponen ritmo a esta enriquecedora conversación sobre literatura, medicina y celuloide.

John Reardon sits down with Cameron Barr, founder and CEO of Craft + Tailored, to discuss their favorite, and not-so-favorite, watch placements in film and TV since 1964, when James Bond first notably looked at his Rolex Submariner in Goldfinger.The conversation works through some of the most memorable watch moments on screen, from the Patek Philippe pocket watch in The Thomas Crown Affair, to Steve McQueen's Heuer Monaco in Le Mans, to the trench watch scene in Pulp Fiction. They also revisit the fake Patek Philippe that took center stage in Drive, and the fake Patek Philippe watches used in Succession and Friends and Neighbors that were so obviously props they pulled viewers right out of the story.John and Cameron also highlight the moments Patek got the screen treatment it deserved, from the ref. 5037J that James Gandolfini's presented in The Sopranos, to the ref. 5270 at Wempe New York in Billions. They share their experiences working with prop masters and explain why the small details matter so much for believability.Cameron then takes us behind the scenes of Good Fortune, last year's comedy with Keanu Reeves, Aziz Ansari, and Seth Rogen, where he was cast to play himself. He explains how the role came about, how the watches in the film were carefully chosen to suit each character, and the story behind "Pretty Baby", the yellow gold Daytona that became a character of its own.

Week two of trying to decide if Harvey Weinstein is hot or not (his work, not his looks...ew) and Mita and Nadeem are watching "Pulp Fiction" for the next movie review. There's also another post-movie car review after watching Bollywood's, "Main Vaapas Aaunga"

Just days after Anthropic launched Fable 5 and Mythos — two of the most capable AI models ever released — the US Commerce Department stepped in with an unprecedented national security export control order and effectively forced Anthropic to pull the kill switch on both models globally. The move signals something that we have been watching build for years: Washington now legally treats cutting-edge AI code the same way it treats weapons. We also get into the social media ban backfire hitting governments worldwide, the emerging analog bag movement, and a few pieces of tech that are either genuinely useful or complete nonsense depending on how much disposable income you have.Key Moments0:00 — The US government shuts down Anthropic's Fable 5 and Mythos: what just happened1:08 — Jason explains how AI export controls work — and why this one is different3:18 — What Fable 5 actually did: Jeremy asks Jason to explain the threat5:12 — How Fable 5 turned three weeks of Jason's dev work into one day7:08 — The 'get me $20 million in two weeks' scenario: why state actors are the real concern8:24 — AI as the Wolf from Pulp Fiction — but it cleans its own car9:29 — Senator Kelly's amendment: forcing human accountability into autonomous weapons11:12 — Why the audit trail problem makes the amendment unenforceable15:32 — College seniors boo Eric Schmidt: the worst commencement speech in recent memory16:24 — Why a four-year degree doesn't buy what it used to — and who's actually getting work22:42 — Social media bans for kids are backfiring: VPNs, underground platforms, and unintended consequences26:40 — We're all addicts and we know it: the screen dependency conversation we keep not having27:35 — The analog bag movement: is carrying a sack of notebooks actually the answer?33:43 — Dream's $700 floor lamp that gives you a blowout: luxury appliance or absurd gimmick?34:08 — Switchbot's AI art frame with e-ink display: actually kind of cool36:08 — FITIC's 3D-printed custom shoes: great engineering, requires pictures of your feet

Nobody expected the second half of the cleric episode to begin with a discussion about wolves conducting hate crimes against coyotes, crows acting as aerial bounty hunters, and the lasting trauma of Game of Thrones season eight. Somehow this naturally transitioned into Pathfinder clerics, giant dragon towers, vampire bat transformations, and a godless revolutionary whose greatest enemy remains organized religion. In hindsight, this was probably the only possible outcome. Show Notes In the second half of our Pathfinder 2e Cleric build series, we advanced our morally questionable holy figures from level 11 all the way to 20. Before we even reached the introduction, however, we somehow found ourselves discussing wolf vendettas, crow conspiracies, Game of Thrones, British pronunciation crimes, and Pulp Fiction-inspired monologues. Naturally, this was exactly the kind of preparation required for high-level clerics. Randall returned with his godless anti-religious war priest, continuing his crusade to dismantle divine authority while simultaneously benefiting from divine magic. The contradictions only made the character stronger. Ash continued building a dragon-obsessed kobold servant of Dahak, leaning heavily into domains, summoning magic, and draconic heritage feats. Tyler doubled down on his undead survival machine, creating a cleric who would rather become increasingly horrifying than ever experience death again. As the builds progressed, the characters became increasingly absurd. Randall evolved into a social revolutionary capable of literally preaching atheism to enemies. Ash transformed into a majestic kobold empowered by dragons and armed with enough fire to solve nearly any problem. Tyler embraced his inner vampire, eventually turning into a bat, draining enemies, and becoming nearly impossible to kill. High-level spells stole much of the spotlight. Summoning dragons, collapsing enemies with Implosion, unleashing Massacre, and transforming into avatars of divine power all showcased just how spectacular Pathfinder's spellcasters become in the late game. Meanwhile, Randall's philosophy remained unchanged: peace is important, and anyone who disagrees can discuss it with the business end of a glaive. By the time we reached level 20, our collection of short kings had somehow become terrifying demigods. None of them were remotely good people, but they were certainly memorable clerics. Key Takeaways Levels 11 through 20 dramatically increase a cleric's power through doctrines, master spellcasting, and powerful class feats. High-rank divine spells provide some of the most cinematic effects in Pathfinder 2e. Harm-focused builds can become incredibly durable through self-healing and defensive feats. Domain spells continue to scale well into the highest levels of play. Heritage feats can dramatically shape a character's identity and capabilities. Avatar provides one of the most flavorful capstone spells available to divine casters. Additional 10th-rank spell slots are difficult to pass up at level 20. Warpriests gain survivability but still lag behind dedicated martial classes in weapon proficiency. Pathfinder 2e offers many ways to support unusual character concepts, including technically illegal godless clerics. Team Fun Size successfully evolved from weird clerics into full-blown nightmares for any GM. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Here's what the clankers say about our special guest today:Terry Persun is a multi-genre, award-winning author and marketing expert. Known for his intelligent, tech-forward fiction, he has written over a dozen novels across science fiction, mystery, and historical genres. A former electronics design engineer and U.S. Air Force veteran, he actively blends his technical background with rich storytelling.Did they get it right? Special Guest LinksTerry Persun, award winning and Amazon bestselling novelistEntertainment Engineering MagazineLee Chase pulp fiction series One review says it all about Terry's writing..."The Witness Treeby Terry Persun (Goodreads Author)Jason Pryde's review from Oct 30, 2025it was amazingSend us Fan MailSupport the showSupport Curious Cat, an independent, human-made podcast!Anxious about AI? Take two minutes to contact your local politician and ask them to tap the brakes on this technology. Still worried? Contact one of the orgs below and get involved. But for today, hug your kid, cook food and really breathe in deep as it simmers, walk in nature, brush a cat, donate to the food bank, brew a cup of tea, or draw a five-minute portrait of your dog. ***Is AI the Devil? on Substack!***Hero Organizations:80,000 HoursCenter for Humane TechnologiesState of Surveillance, an organization that helps foster online privacyBuy Curious Cat Podcast a Coffee!

Summer's coming in hot, and so are we. In this episode of Prisoners of Rock and Roll, we're checking out one of the coolest, most American sounds in rock history: surf music.  It's a sound designed to imitate the ocean — dripping wet reverb, a clean glowing tone, and that lightning-fast, machine-gun guitar picking you instantly recognize.  It exploded right in the gap between the first wave of rock ‘n' rollers and the British Invasion, when the music charts had gone soft. But while surf rock as short lived, it wasn't just a blip.  This scene drove major advances in guitar amps, influenced guitar gods from Jimi Hendrix to Eddie Van Halen, and even helped blaze a path toward speed metal. And of course, it gave the world The Beach Boys. This was counterculture. This was pure American teenage freedom in musical form — cars, girls, waves, and rebellion.  In this episode, we're riding the wave: and talking about artists like Dick Dale, The Surfaris, and the Ventures. We'll also touch on how the Pulp Fiction soundtrack helped surf rock get back up on the board as well as some modern bands that are still hanging 10 with the sound. Episode Playlist Check out this week's ⁠⁠Episode Play⁠l⁠ist.⁠ ⁠⁠⁠⁠⁠Get In Touch Check us out⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Armstrong interviewed Golden and Silver Age great, John Broome in 1998 on set at San Diego Comic Con about his entry into comic books and pulps in the 1930s, working at Quality Comics and DC Comics, knowing Otto Binder, his favorite comic book genre, his science fiction stories synergizing with the space race,  trying to gather support for creators to claim reprint rights from Jack Liebowitz, his stories of the 1950s, if comic books were a gateway to larger narrative projects, his enjoyment of films, writing a movie about Casanova, why he left comic books, and his dearest friend, Julius Schwartz. Armstrong also interviewed Pulp & Graphic Novel writer and Silver Age great, Arnold Drake in 2005 on set at San Diego Comic Con about his early forays into writing in the army during the Battle of the Bulge, submitting stories to the vintage paperback market, meeting Leslie Waller with whom he wrote what some consider the first graphic novel, It Rhymes With Lust, entering DC Comics through his friendship with Bob Kane, his opinion of Mort Weisinger, writing Showcase #1, revitalizing Bob Hope and Jerry Lewis licensed comics at DC,  discussing the threat of Stan Lee's Marvel Age with Irwin Donenfeld, creating Doom Patrol, interacting with Dick Giordano, Carmine Infantino and his favorite artist, Bruno Premiani. Interview conducted, recorded and copyrighted to David Armstrong. Remastered, edited, timestamped and postproduction by Alex Grand.Support the show

This is pure Hollywood theatrics and satanic fanatics dragging America into another bankers' war for Greater Israel while the country collapses at home on TheDeenShowTV. They're using fake Ezekiel 25:17 Bible verses, third temple Armageddon propaganda, and Epstein blackmail to divide Christians and Muslims so we never see the real enemy controlling both parties and our military.

Welcome to Dev Game Club, where this week we continue our series on Tom Clancy's Splinter Cell: Chaos Theory. We cover lots of topics, delving into stealth and AI systems, objectives and their communication, and other thoughts. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Another mission Issues covered: whether it was designed for a controller, graphic fidelity holding up, the fixed function shading pipeline, the crossover between audio and visual meters, what's going on with the light meter, ambient noise affecting how quickly you can move, adjusting eyesight, layering mechanics into a mini-game, sprinklers everywhere, hose extraction, trip lasers, using a body as a laser avoider, a key that isn't a key, interrogation mechanics, consequences for not interrogating, multiple paths to information, forgetting the vision modes, the marketing targets for particular consoles, dynamic mission objectives, motivating spaces through pattern language, having to mark up the world to tell you what's important, a digression into climbing anywhere, "what map?," not wasting space, clockwork levels, a globetrotting set of ops vs single-location games, Brett has a good point, contrasting flavors, just jumping in and having the briefings paper over travel, the attract mode, benefitting pacing. Games, people, and influences mentioned or discussed: XBOX, Pulp Fiction (obliquely), PlayStation 3, Clint Hocking, NOLF 2, Max Payne, Metal Gear (series), Three Men and a Baby, Poltergeist, Eternal Darkness, Mission: Impossible (series), Entrapment, Sean Connery, Catherine Zeta-Jones, Dishonored, Prey, Hitman, Die Hard, Assassin's Creed, Crazy Climber, Cairn, Jusant, Hideo Kojima, Reacher (series), The Gray Man (series), The Hunt for Red October, Quiller (series), Shadowlord-72, Kirk Hamilton, Aaron Evers, Mark Garcia. Next time: More TCSCCT! Errata: Apparently there were in fact multiple shader units on the original Xbox, and supported Pixel/Vertex 1.1 shaders. We regret the error. (Fixed function was still a thing, though, I'm just not remembering the details correctly.) Twitch: timlongojr and twinsunscorp YouTube Discord DevGameClub@gmail.com 

What do we mean by a “good book”? Some people choose a holiday read that demands time and attention. Others pick rip-roaring novels that require little thought. Our bookworms discuss whether art has to be improving to be praiseworthy, and give genre fiction some much-needed air time. This is a full list of the books mentioned in the show:“Pride and Prejudice” by Jane Austen“Red Rising” by Pierce BrownJack Reacher series by Lee Child“The Hunt for Red October” by Tom Clancy“Riders” and the other Rutshire chronicles by Jilly CooperDungeon Crawler Carl series by Matt Dinniman“Middlemarch” by George Eliot“Ulysses” by James Joyce“Wolf Hall” by Hilary Mantel“The Diamond Age” by Neal StephensonThe Murderbot series by Martha Wells “The Martian” by Andy Weir“American Wife” by Curtis SittenfeldGuests and host:Catherine Nixey, culture and Britain correspondentTom Standage, Economist deputy editorAlexandra Suich Bass, culture editorAlex Hern, AI writerRosie Blau, host of “The Intelligence”Topics covered: Fiction, romance, sci-fi, crime, thrillers, fantasy, romantasyJane Austen, Jilly Cooper, Curtis Sittenfeld, Lee ChildMatt Dinniman, Pierce Brown, Neal StephensonListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

What do we mean by a “good book”? Some people choose a holiday read that demands time and attention. Others pick rip-roaring novels that require little thought. Our bookworms discuss whether art has to be improving to be praiseworthy, and give genre fiction some much-needed air time. This is a full list of the books mentioned in the show:“Pride and Prejudice” by Jane Austen“Red Rising” by Pierce BrownJack Reacher series by Lee Child“The Hunt for Red October” by Tom Clancy“Riders” and the other Rutshire chronicles by Jilly CooperDungeon Crawler Carl series by Matt Dinniman“Middlemarch” by George Eliot“Ulysses” by James Joyce“Wolf Hall” by Hilary Mantel“The Diamond Age” by Neal StephensonThe Murderbot series by Martha Wells “The Martian” by Andy Weir“American Wife” by Curtis SittenfeldGuests and host:Catherine Nixey, culture and Britain correspondentTom Standage, Economist deputy editorAlexandra Suich Bass, culture editorAlex Hern, AI writerRosie Blau, host of “The Intelligence”Topics covered: Fiction, romance, sci-fi, crime, thrillers, fantasy, romantasyJane Austen, Jilly Cooper, Curtis Sittenfeld, Lee ChildMatt Dinniman, Pierce Brown, Neal StephensonListen to what matters most, from global politics and business to science and technology—Subscribe to Economist Podcasts+For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Knight Rider’s car on a ticket-rampage, Mr. T in New Mexico, and a musical ode to the Packers, Truth is stranger than Pulp Fiction, Hitler’s dog, throwing out the first pitch at Wrigley, A.I. makes up a new eye malady are among the minutiae topics discussed this week by Rick and Dave. [Ep430]

"We're going to the Finals, baby." Michelle Beadle joins the show for one question before Greg learns about Pulp Fiction, a movie he already claimed to know. Also, can you be upset if your partner is incredibly hot and wants to have a lot of sex? And Valerie has her OWN Top 10 Things Dan Did To Piss Off ESPN. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What are the best movies from six of the greatest directors ever? Lance Taylor and Tyler Johns go filmmaker by filmmaker through the careers of Quentin Tarantino, Martin Scorsese, David Fincher, Paul Thomas Anderson, Stanley Kubrick, and Christopher Nolan to choose the films that best define each director. From Tarantino's pop-culture-changing Pulp Fiction to Scorsese's gangster classic Goodfellas, Fincher's dark thriller Seven, PTA's powerhouse drama There Will Be Blood, Kubrick's horror landmark The Shining, and Nolan's massive historical epic Oppenheimer, this episode is a full movie-lover deep dive. The guys also discuss the difference between a director's “best” movie and their personal favorite, why some films age better than others, and how certain movies reshape an entire genre. Before the main topic, Lance and Tyler review recent viewings including Who Will Stop the Rain?, Marathon Man, Billy Idol Should Be Dead, Hooper, Widow's Bay, Mortal Kombat 2, and Batman Beyond. #BestFilms #BestMovies #LegendaryDirectors #QuentinTarantino #MartinScorsese #ChristopherNolan #StanleyKubrick #DavidFincher #PaulThomasAnderson #PulpFiction #Goodfellas #Oppenheimer #TheShining #TheNextReel #moviereview SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After too long a drought, we return to the writing of Armond White, the legendarily contrarian conservative film critic (currently with the National Review) whose writing has texture like no one else's. We focus on his recent defense of Pete Hegseth via Quentin Tarantino's Pulp Fiction. PLUS: Is Remains of the Day a #grindset classic? PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/714-pulp-158271632

On episode 128 of Native Land Pod, hosts Angela Rye, Andrew Gillum and Bakari Sellers are joined by guest Gary Chambers. A mass shooting in Shreveport, Louisiana, was one of the worst domestic violence incidences in recent history. A father of 7 killed his children and their mother, along with one other child. Our hosts are joined by Louisiana native, and civil rights activist, Gary Chambers, to discuss how to break the cycle violence. FOR YOUR SITUATIONAL AWARENESS: 1. During a Pentagon Prayer Breakfast last Wednesday, Secretary of War, Pete Hegseth, read a fake bible verse that’s actually from the Quentin Tarantino movie, Pulp Fiction. 2. GOP Congressman Troy Nehls says Trump is “almost the second-coming” of Christ. 3. Senator Reverend Raphael Warnock (GA) says America “needs to be healed” after supporting a sex-abuser, Trump, for so long. 4. The Louisiana state House advanced a bill that would force unhoused people to choose between jail or a treatment program (rehab). If they choose treatment, they have to pay for it, and if they can’t afford to pay, they’ll be forced to do unpaid labor for the state. 5. Senate Majority Leader John Thune has shelved the SAVE Act in favor of other legislation that has a better chance at passing. The bill would have disenfranchised 10s of millions of Americans of their right to vote. 6. Tucker Carlson apologizes for “misleading people” about Donald Trump. 7. The Southern Poverty Law Center has been indicted over their alleged use of paid informants to infiltrate white supremecist, and other extremist groups. 8. Virginia voters passed a redistricting measure on Tuesday, giving Democrats an advantage in the upcoming midterm election. 10 out of 11 available congressional seats are expected to go to Democrats. If you’d like to submit a question, check out our tutorial video: http://www.instagram.com/reel/C5j_oBXLIg0/ and send to @nativelandpod. We are 194 days away from the midterm elections. Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer, and cofounder of Reasoned Choice Media; Andrew Gillum as host and producer, Bakari Sellers as host and producer, and Lauren Hansen as executive producer; LoLo Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

JD Vance and Mike Johnson defend Donald Trump's fight against the pope, while Trump says "he's all about the Gospel" and Defense Secretary Hegseth leads soldiers in prayer using a fake Bible quote from "Pulp Fiction." More troops are on their way to the Middle East as the United States and Iran look for a short-term agreement before the ceasefire expires Tuesday. Republicans worry that Trump's "nonsense" is distracting from their midterm affordability message, and a New York Post reporter publishes an excerpt from Health Secretary Kennedy's diary in which he recalls cutting off the penis of a roadkill raccoon. Then, Minnesota Lt. Gov. Peggy Flanagan stops by the studio to talk to Tommy about her campaign for Senate, how ICE's operations in her state have reshaped the race, and what she wants to see from Democratic leadership in the Senate.Are you a Friend of the Pod subscriber? Take our survey to tell us what else you're looking for out of your subscription!For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast.

Van and Rachel discuss the mysterious circumstances around the death of an influencer before diving into Dave Chappelle's interview with NPR and Democratic Representative Ilhan Omar's comments on embracing Trump allies. Plus, an argument for Trump being the Antichrist. Then, Michael Tubbs, a candidate for lieutenant governor of California, joins the show. (0:00) Intro (06:38) The mysterious death of an influencer (13:49) Dave Chappelle's NPR interview (37:26) Representative Ilhan Omar on former Trump allies (1:05:42) Pete Hegseth's ‘Pulp Fiction' prayer (1:15:07) Tamera Mowry and Threads (1:18:18) Michael Tubbs joins the show Hosts: Van Lathan and Rachel Lindsay Guest: Michael Tubbs Producers: Donnie Beacham Jr. and Jade Whaley Social Producer: Bernard Moore Video Supervision: Chris Thomas and Jacob Cornett This just in, the Comcast Business Price Lock Guarantee is back. For a limited time you can lock in the same great rate on gig speed internet and advanced security for 5 years. Learn more about your ad choices. Visit podcastchoices.com/adchoices

April 16, 2026; 8pm: Tonight, the high costs of Trump's brinksmanship on Iran and beyond. Then, real life turns stranger than Pulp Fiction as the Trump-Pope feud rolls on. And new reporting on the painful reality on the ground in Trump's economy. Want more of Chris? Download and follow his podcast, “Why Is This Happening? The Chris Hayes podcast” wherever you get your podcasts.To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Defense Secretary Pete Hegseth is getting clowned for delivering a “prayer” he said originated from Ezekiel 25:17. The problem is, the rendition he recited was from a scene in Pulp Fiction delivered by actor Samuel L. Jackson. Hegseth said it was a combat search and rescue prayer meant to reflect the biblical passage, however, his words were the very same lines from the movie script. We let you hear the line by line comparison between the two, and then hear who the Pentagon is blaming in its official statement on the controversy. See omnystudio.com/listener for privacy information.

RFK Jr. cut off the dick of a dead raccoon (?), Pete Hegseth quoted fake scripture from 'Pulp Fiction', Shannon Elizabeth of 'American Pie' fame is now on OF, Dave has a food update for us, This Weekend in Fun, and Run it Back. Support us on Patreon and receive weekly episodes for as low $5 per month: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/circlingbackpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch all of our full episodes on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/washedmedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shop Washed Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.washedmedia.shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • (00:00) Fun & Easy Banter • (16:15) Racoon Dick • (33:35) Pete Hegseth is Dialed • (46:20) Shannon Elizabeth OF • (1:00:20:) A food update from Dave • (1:12:20) This Weekend in Fun • (1:20:45) Run it Back Support This Episode's Sponsors: - Aura Frames: Exclusive $25-off Carver Mat at ⁠https://on.auraframes.com/CIRCLING⁠. Promo Code CIRCLING - Lucy: Go to ⁠⁠https://lucy.co/steam⁠⁠ and use promo code (STEAM) to get 20% off your first order. - Tecovas: Right now get 10% off at ⁠⁠https://tecovas.com/crclbk⁠⁠ when you sign up for email and texts. - Rocket Money: Join at ⁠https://rocketmoney.com/circling⁠ - Shopify: Sign up for your one-dollar-per-month trial today at ⁠https://shopify.com/circling Learn more about your ad choices. Visit megaphone.fm/adchoices