Podcasts about Photography

See Adam on tour https://theadamfriedland.show/pages/tour -- JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join -- Patreon: https://www.patreon.com/cw/TheAdamFriedlandShow -- Buy our merch!: https://theadamfriedland.show/collections/new -- The Adam Friedland Show - Season Two Episode 36 | Jeff Garlin X: https://x.com/adam_talkshow Instagram: https://www.instagram.com/theadamfriedlandshow TikTok: https://www.tiktok.com/@adamfriedlandshowclips YouTube: Subscribe to @TheAdamFriedlandShow here: https://www.youtube.com/c/TheAdamFriedlandShow Subscribe to @TAFSClips here: https://www.youtube.com/@tafsclips -- For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit Hims.com/TAFS — #AdamFriedland #theadamfriedlandshow #JeffGarlin

HT2544 - Famous or Decor I may be wrong about this and I'm more than willing to admit that, but I think photography on the wall divides itself into two fundamental types. There are photographs we frame and hang for their value as decor (goes good above the couch) or it is a photograph that is celebrated for its maker (often a collectable master). This is the main reason why I so rarely frame my photographs for display on the wall. My work tends not to be decor because it is too personal and I'm not famous nor collectible. Worse, I'm not interested in chasing fame nor chasing those kinds of images that make great decor. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In this episode Jerry and Stablydiscussed Susan Sontag's On Photography, with both finding the book overly long, baroque, and pedantic, though both agreed that Sontag's observations were interesting when extracted from the dense, "show-offy" prose. Jerry and Stably critiqued Sontag's positions on photography as a predatory act, its role in tourism and status, and its potential for desensitization, with Jerry challenging Sontag's political framing and insistence on classifying art. The discussion included Stably suggesting Sontag's critique was politically motivated, while Jerry  prioritized free speech regarding photography in public.

John welcomes writer-directors Natalie Musteata and Alexandre Singh (Two People Exchanging Saliva) to ask, what happens when your short film is nominated for an Oscar? They look at each step from their initial idea to awards season to see how they positioned their short to be considered for an Academy Award. We also reflect on the lessons learned from short films, and answer listener questions on how to give actors your script and finding representation after your Oscar heat has cooled. In our bonus segment for premium members, we turn up the contrast on the many reasons for shooting in black and white. Links: Two People Exchanging Saliva Taika Waititi's Two Cars One Night Andrea Arnold's Wasp Martin McDonagh's Six Shooter Damien Chazelle's Whiplash short film Jim Cummings' Thunder Road short film David F. Sandberg's Lights Out short Troy by Mike Donahue The New York Public Library's Picture Collection ReMarkable tablet Get your copy of the Scriptnotes book! Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Become a Scriptnotes Premium member, or gift a subscription Subscribe to Scriptnotes on YouTube Scriptnotes on Instagram and TikTok John August on Bluesky and Instagram Outro by Nick Moore (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Our Director of Photography is Jonathan Pope. Email us at ask@johnaugust.com You can download the episode here.  

Taxes don't have to be the thing you avoid until April. In this episode of The Portrait System, Nikki sits down with Heather Leicy (tax prep educator + bookkeeper + working photographer) to break down photographer tax deductions, year-round tax prep, and the biggest “can I write this off?” mistakes.You'll learn:What to do monthly so you're not scrambling at tax timeA simple system for setting aside 20–30% for taxesCommon photographer deductions: education, software, gear, website costs, client giftsThe truth about meals/coffee write-offs (when it counts, when it doesn't)Home office deduction basics and “dedicated space” rulesWhy mileage tracking is one of the most missed deductions (and the app Heather recommends)A simple breakdown of LLC vs S-corp taxation and why it's a math decisionWhy sales tax rules vary so much by state (digital vs physical vs services)Important: This episode is for educational purposes only and is not tax, legal, or accounting advice. Tax laws vary by location and change over time. Always consult a qualified CPA/tax professional about your specific situation.Find HeatherInstagram: @heather.marie.LeicyCommunity: Conquer Community – theconquercommunity.comIf you enjoyed this episode, please subscribe, leave a review, and share it with a photographer friend who needs a tax reset.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

HT2543 - Choosing Your Preferred Medium Let's say you want to read a book. Do you go to the library or bookstore, get the book and consume the miles of text across the physical pages? Or do you download the e-Publication onto your tablet or e-reader and consume the miles of text across the screen? A live symphony performance or a recording? Physical prints, or a PDF? Such decisions used to be about fidelity of the experience, but I'm not sure that's true anymore. I have countless images in my mental gallery about which I can no longer remember the medium in which I first saw them. It seems as if medium has become a matter of personal preference and choice. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,040, Feb. 24, 2026. Today's theme is, "Snapseed Sprouts a New Camera, and It's Beautiful" I'm Derrick Story. Just when you think it's dead, Snapseed springs to life with additional editing tools, a refreshed UI, and a new camera app. And just like with some of our favorite mirrorless brands, we can capture images choosing from a variety of film simulations. And just like that Snapseed is relevant again. More about that, plus other interesting stories, on today's TDS Photography Podcast. thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address. Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation. Red River Paper - And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. See you next week! You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Recorded live at SocialEast 2025 in Halifax, this episode of the Marketing News Canada podcast features guest host Odum Idika sitting down with Will Yang, Founder of Differo, to define what modern content creation really looks like.Will breaks down his approach to “pocket production” and explains why your smartphone may be the most powerful marketing tool you already own. From simple three-shot storytelling techniques to why audio clarity matters more than cinematic visuals, he shares practical ways brands of any size can start creating authentic, story-driven content that performs on platforms like TikTok and Instagram Reels.The conversation also explores why polished ads often underperform on social, how Gen Z consumes content differently, and why showing up imperfectly is better than not showing up at all.A reminder that great marketing is not about better gear. It is about better stories.

Stephen Shames – A Legendary Documentary Photographer (Part 2)

In this episode of Combat Vet Vision, Aaron Seibert and co-host JB Brown sit down with Mikel Conrad, known as “Henderson's Photographer,” to discuss his powerful visual storytelling initiative, the 250 Faces of Service & Sacrifice project.The conversation explores the importance of preserving veteran legacies, the emotional depth behind portrait photography, and the responsibility of documenting stories before they fade with time. Mikel shares how his deep roots in Henderson and decades of professional experience led him to create a lasting tribute to service members ahead of America's 250th anniversary.This episode reflects Combat Vet Vision's mission of honoring service, strengthening community, and preserving the stories that shape our nation.Warrior Built Foundation – https://warriorbuilt.orgPTSD Foundation of America – https://ptsdusa.orgVeterans Transition Resource Center – https://vtrc.orgRecon Chief Inc. – https://reconchief.com/Combat Vet Vision Host – https://linktr.ee/aqseibert

Branding doesn't have to feel like putting on a costume. In this episode of Cowgirls with Cameras, we talk about how to build a brand that feels natural instead of forced and why the most magnetic marketing is often the simplest: showing up as a real human with clear values.Kim breaks down the marketing language you actually need (brand, niche, target market, income streams) so you can make smarter choices without getting trapped by “expert” rules.Cara dives into the idea that you are the brand and why people are choosing humans over perfectly polished businesses. We talk about what it means to be personal without oversharing, how boundaries create trust, and why being “not for everyone” is a feature, not a failure.Phyllis brings the power of diversification, how a brand can expand without losing identity, and why multiple income streams can create creative and financial stability.Also: a little Groundhog Day chaos and some very honest talk about rebranding, AI, and staying recognizable in a noisy world.➡️ Learn about upcoming events + workshops: CowgirlsWithCameras.com➡️ Join the private community: CowgirlsWithCameras.community➡️ Follow us on Instagram, TikTok, and Facebook: @CowgirlsWithCameras

HT2542 - Cameras and the Limits of Human Vision We all need new, better, more feature-packed cameras, right? That is what we are being told everyday by the makers of cameras. But do we really? Has it occurred to you that today's cameras can resolve more detail than human vision? Can register more dynamic range than our media of presentation? Think and execute focus and the exposure triangle calculations faster and more reliably than is humanly possible? What more — from a technology point of view — do we need? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1494 - An Annual Series In 2007 I conceived a long-term project that I still believe in. I decided I would do an annual project consisting of five images each year whose subject would always be winter trees. (This was before Seeing in Sixes) This started off as an annual folio project but quickly expanded to an accompanying PDF version. For reasons I can't quite pin down. I did an annual five-image project for 7 years in a row and then stopped. I shouldn't have. In fact, I'm thinking of restarting this annual series. The reasons for continuing this project are still valid and have overwhelmed my lethargy. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

In this episode of "F-Stop Collaborate and Listen," host Matt Payne sits down with Patrick Krohn, winner of the Natural Landscape Photography Awards' "In Your Backyard" special award. Patrick Krohn shares his journey from photojournalism and sales into a deeply rooted local photography practice centered around his hometown of Aiken, South Carolina. The conversation dives into the value of photographing locally—both for developing creative consistency and for lowering the stakes so you can experiment, learn from mistakes, and hone your skills daily. Patrick Krohn discusses the parallels between sales tenacity and artistic growth, emphasizes the importance of community connections, and makes a compelling case for finding your own audience rather than chasing external trends. Sprinkled with practical advice and thoughtful anecdotes, this episode is packed with actionable insights for photographers looking to find meaning and improvement without traveling far from home or bending to outside pressures. Links and Resources: Patrick Krohn (One Eyed Dog Studios) Support the Show on Patreon Natural Landscape Photography Awards (NLPA) Out of Chicago Workshops Chicago Botanic Garden Center for Photographic Art, Carmel, CA Anne Belmont Carol Guzy Beth Young Stephanie Johnson Seth Godin – Purple Cow John Sexton Freeman Patterson Matt Payne's Infrared Photography Article Slow Photography Movement – Episode 210

Featuring Nancy Guthrie, Royals, Mark Walter and more, In this #papisode Jedi is on a 2 week Guthrie bender in AZ. Mark commits a grimesy with the wrong Mark. We discuss shots from England. Its pure muzz. For the content in this papisode please visit our socials @paparazzipodcast. Thank you for listening and sharing. Be Well!Become a supporter of this podcast: https://www.spreaker.com/podcast/paparazzi-podcast--4122011/support.

Join us for a behind-the-scenes conversation with Academy Award®-nominated cinematographer Autumn Durald Arkapaw about her work on “Sinners” — and the creative choices that shaped the film's look from the very early stages of conception. Autumn breaks down how she and director Ryan Coogler developed the visual language together, from camera and lens selection to lighting strategies designed to support performances, tone, and mood, especially in those challenging night scenes. Along the way, she reflects on collaboration, preparation, and the real on-set problem-solving that is always involved in filmmaking. “How our team collaborates: It's the authority [director Ryan Coogler] gives each department to pour themselves into it… everyone has a say, your opinion matters. Any great filmmaker knows that it's never about one department… When we approach stuff, we want the lighting to be a character, but we also want it to feel of the space — and so that requires us to collaborate very closely with production design… When you give people that respect and you consider them and you give them that authority, they work very hard for you and they care.” —Autumn Durald Arkapaw, ASC, Director of Photography, “Sinners” Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Watch our previous episode with the Oscar-nominated sound team behind “Sinners.” Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Stolen: Lives, Money Movement is a documentary feature that premiered February 20th, 2026, at the Pan African Film Festival. On this podcast the filmmakers tell the story of why this film had to be kept under wraps for two years of production, what widespread rumors and misinformation it takes on and how this powerful Black Lives Matter Grassroots story made it to the big screen. Niele Anderson is a producer and on-air talent for television, radio and print media. She is the Director of Stolen. Dominique DiPrima is also a Writer and Producer on the project. Phillip Jackson is a freelance Cinematographer, Director of Photography and Producer of numerous film and television projects. He is a longtime member of Black Lives Matter Los Angeles and the Cinematographer for Stolen.https://www.instagram.com/nielela/ https://www.instagram.com/diprimaradio/

You can only get certain photo angles of the Sydney Opera House from the variety of ferries that are constantly entering and exiting Circular Quay. This is the beginning of a series showing those views.

-   Pat O'Brien, David Fleming, Tom Hanley  and host Jim Collins, discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

HT2540 - There Is No Favorite I received an email I had to think about before responding. The writer asked if out of the 180 projects I've published in Kokoro, did I have a favorite? I couldn't help feel this was like asking which of all the breaths I've taken today is my favorite? The answer, of course, is the next breath and, no doubt, the next project. This did have me thinking, however, about what work I choose to exhibit, publish, submit, or produce as a digital publication. As the producer, I may value the most recent work, but our chronology of production may have no impact on how others select their favorite work of ours. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Boston-based photographer Jim Dow talks about: The Boston art community (which is often connected to the art school and universities) and why he's lived there the great majority of his life (he lives in the house he grew up in); he's a dedicated Mass-hole- there's an edge to people there and you have break that edge; how he navigates random passersby when he's photographing for long sessions with his wooden large-view camera (his exposures range from a second to 20 minutes), with people always around him (here's a short video of a food stand guy singing tango where Jim was doing a shoot); his experiences with the difference between analog and digital photography, each of its pros and cons, and why he uses digital for documenting exhibitions which he's used for his teaching; suggestions for how to best edit documentation of your own work, which starts with photographing on your phone, to get a good sense of color that you can use as a template for your photo editing; how he used the NEA's selection process, of not using artist statements as part of the process for the initial rounds, as a tool to teach his students (including as a guest lecturer at Harvard) about how decisions are made; the Harvard student he had who wrote a study evaluating the value of photography based on economic models; two fully adults students he's had over the years, and how their stories impacted both Jim and his other, younger students; and how the odds of becoming monetarily successful artists are worse than becoming a professional baseball player, at least by one (possibly obsolete?) metric. This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod       In the 2nd half of the conversation, available to Patreon supporters, we talk about: His own relationship to financial success as an artist, both as a teacher and a photographer, which has added up to a solid middle-class income, and how 'his photography supports his photography,' just barely; how crucial it is for artists to have day jobs; how scarcity and nostalgia play a big role in a photograph's market value; his insights on financial precarity, not only through his students but his own kids, and what he tends to advise kids to do vis-à-vis art school; how he worried about students who thought their path after leaving art school was being an art star – because of those low odds he mentioned – and meanwhile how many mature adult students he had who were in their 30s all the way up to even their 70s, and how they got so much out of his classes with the life experience they brought; how he wrote 'a million' letters of recommendation for students, always starting from scratch (no template); though he didn't want to necessarily become friends with his students, he's become good friends with about 7 of them between early 30s and early 70s; how he saw his students as "peers-in-training;" the visual sophistication of the recent college kids he taught, due to their lifelong exposure to such a vast range of imagery; how the women and the gender fluid students were infinitely more articulate than the men, in his experience; how one of his students, who grew up on a dairy farm, expressed her frustrations with class differences she experienced amidst her fellow students (read: privilege); and his next project, documenting the food stands and other businesses along north-south highway 111, using it as an opportunity to explore the 'hallway doors' along the way.  

HT2539 - The Medium That Encourages Your Productivity Simply said and factually undeniable, the medium you choose for the production of your images will either support and encourage more work or it will erect barriers that can make your work more difficult, more expensive, more discouraging. It's a matter of balance. We need a medium that challenges us, but not too much. We need a medium that allows us the freedom to create, but is substantial enough to require our sincere effort. We need a medium that allows us to connect with the audience we value. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

NO RESERVATIONS — Welcome to a new season of The Full Bleed. This year, we're going to be talking to makers and creators, of course, but also more about the business of magazines. Because, let's face it, making a magazine is not easy. It never has been. But we're seeing more and more magazines—in print—out in the world and there's a reason for that. At a time where the digital world is a messy place, and that's being polite, magazines are perfectly positioned as a part of an “analog” wave that is going to become more and more important in the media and in marketing.  We open the season with Nathan Thornburgh from Roads & Kingdoms, a media brand that started out as a media brand—stay with me here—with the support of Anthony Bourdain, yes, that one, and then pivoted to becoming a kind of gastronomic tour company with loads of content on their website, and has now published their first magazine. And it won't be their last. Travel, especially these days, is pure analog, a completely human experience. It touches the senses in a way not many things can. Think about Anthony Bourdain's work and you think of how immersed he was everywhere he went. Whether he was writing about the reality of a kitchen or filming a meal of noodles at a roadside stand in Thailand, he was all in. His was a very human-centered media, full of sights and smells and sounds and people. And that's what Roads & Kingdoms will try and replicate. On the page. On every page. — This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Send a textIn this episode of the SheClicks Women in Photography Podcast, Angela Nicholson speaks with award-winning landscape and cityscape photographer Ridhima Singh about balancing a full-time career in IT finance with a fast-growing photography portfolio.Ridhima only picked up her first mirrorless camera a few years ago, yet her work has already gained significant recognition, including winning the landscape category at the British Photography Awards, as well as success in the International Garden Photographer of the Year and the Neutral Density Photography Awards.After moving to the UK, photography became Ridhima's way of connecting with new places, people and experiences. What began as phone photography on solo trips soon evolved into a deep love of landscape photography, particularly after a transformative trip to Iceland. Since then, she has pursued big landscapes, dramatic light and moments that evoke a powerful sense of awe.In this conversation, Ridhima shares how photography has helped her navigate challenging periods in her life, how competitions have accelerated her growth, and why external validation can ease imposter syndrome. She also talks about planning shoots around a demanding job, learning through feedback, and pushing herself creatively in familiar locations like London.This episode is full of insight for anyone trying to grow their photography while juggling a busy career, proving that you do not need to choose between stability and creativity.TakeawaysYou do not have to leave a stable career to take your photography seriously.Growth often comes from self-reflection and reviewing your past work.Entering competitions can accelerate learning and build confidence.Powerful images begin with emotion, not just technical skill.Challenging yourself in difficult conditions leads to creative breakthroughs.Photography can be a powerful tool for processing life's challenges.Connect with RidhimaInstagramSupport the show

When you look around at photography, whether it is printed or digital, your work or someone else's, you'll see that most prints are one of the common standard sizes or aspect ratios, and nearly all of them are rectangular, either horizontal or vertical. Those certainly aren't shapes that we are limited to, so why is it that prints nearly always come in these sizes? Let's examine some of the reasons, starting with a brief lesson on how some of the most common print sizes or aspect ratios came to be... Podcast Notes: https://www.moneymakerphotography.com/must-photos-always-rectangular/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

This week we have Kyle Cooper, the team photographer for the MLB team the Colorado Rockies. If anybody knows me you will understand my utter obsession with baseball so it was exciting to hear the ins and outs of what it's like to be a team photographer for a major league team and how he got there in the first place. Enjoy!

If you've ever said, “I just don't have enough content to post,” this episode is for you. I'm walking you through a simple mindset shift that will completely change how you see your sessions—and your marketing. You already have more content than you think… you just don't have a system for using it.In this episode, I break down how to take one photography session and turn it into seven strategic pieces of content—enough to post every day for a full week. From behind-the-scenes reels to client stories and educational posts, you'll learn how to stretch the work you're already doing so your marketing finally feels consistent, intentional, and doable.Join the Market Like a Tog Membership  Grab what you need!

HT2538 - Recognizing Excellence, Second Attempt "Even those who fall flat on their face are at least moving forward." In the spirit of true confession, yesterday's Here's a Thought was not my best effort. Let me try again from a slightly different point of view, hence "Recognizing Excellence, Second Attempt." Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Jesse hosts the Learnings and Missteps podcast and introduces guest Maya McGlynn, a Pennsylvania-based construction influencer, writer, photographer, and fractional support partner who focuses on “the people behind the work.” Jesse gives an LnM Family shout-out to Bryce Ager for reviewing one of Jesse's construction trainings, and notes his business offers training, coaching, and consulting. Maya explains her passion for blue-collar stories comes from building relationships and bridging gaps between management and shop/field workers, emphasizing retention and the need for leaders to “give a shit,” not just attract more people into the industry. They discuss treating people well as foundational to solving construction's workforce challenges, rising interest in more human-centered workplaces, and how companies that only rely on pay raises and ignore relationships will be left behind. Jesse shares his view that people should leave poor leaders to find better environments and describes how supportive leadership 00:00 Attraction vs. Retention: If Leaders Treat People Like Crap, Nothing Changes00:21 Meet Maya McGlynn: Showing Up for the People Behind the Work02:08 LnM Family Shoutout + What Jesse Actually Does (Training/Coaching/Consulting)04:45 What Fires Maya Up: The People, the Shop Floor, and Bridging the Office–Field Gap07:32 “Put Some Gas on the Fire”: Caring, Connection, and Why Liaison Roles Matter14:25 The Human-Centered Shift: Mental Health, Culture Change, and Companies That Will Be Left Behind19:56 Quit for a Better Leader: Unlocking Talent by Changing Environments22:47 Zumba to Construction: Maya's Fitness Journey and Accidental Entrepreneurship28:07 Entrepreneurship as Survival: Divorce, Single-Mom Resourcefulness, and Building Independence33:26 Seeing the People Behind the Work: Validation, Imposter Syndrome, and the Power of Humility37:58 Learning to Accept Compliments: “I Receive That” + Permission to Celebrate40:21 From Admin to Marketing: Finding the Holes and Creating Value at Work43:31 Photography to Published Author: Turning Jobsite Photos into a Children's Book46:47 Advice for the Windowless-Office Grind: Skill Up, Build Proof, Move On48:46 Building Workforce Pipelines: Fixing Leadership Gaps & Creating an Internship Program51:39 Crew Collaborative Explained: Mission, Ambassadors, and How to Get Involved54:26 Why the Podcast Exists: COVID, Trades Advocacy, and Doing Something About It58:17 Money vs Meaning: Choosing Purpose, Setting Boundaries, and Mission-Driven Work01:08:35 The Closing Question: “What Is the Promise You're Intended to Be?”01:14:16 Final Takeaways + Free PDF Gift and Send-OffGet the blueprint to Plan, Commit, and Execute your way into optimal performance: https://www.depthbuilder.com/time-management-webinar-sign-up-page Download a PDF copy of Becoming the Promise You are Intended to Behttps://www.depthbuilder.com/books

British photographer Martin Parr knew how to observe and highlight aspects of culture and contemporary life in both humorous and refreshingly honest ways. On this episode, Dan speaks with the legend about how he got his start, stories behind some of his more storied projects and books, why he started his own foundation in Bristol, his latest book from Rizzoli that gives an overview of his incredible career, and much more. Hosted on Acast. See acast.com/privacy for more information.

HT2537 - Recognizing Excellence I attended my first workshop 40 years ago. I did so because I wanted to learn the specific techniques that were being taught by the instructors. Looking back on that experience, I realize the most important thing I experienced was seen hundreds of wonderful prints by the three instructors. The techniques I learned back then have been replaced during the digital revolution. The way I learned how to see and recognize excellence in a photograph is still one of the most valuable lessons of my creative life. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Stephen Shames: A Lifetime in Photography – Lessons on Social Documentary, the Black Panthers, and Child Poverty (Part 1) Introduction In the latest episode of “10 Frames per Second,” host Molly & Joe interview legendary American photojournalist Stephen Shames. Over a 50‑year career, Shames has documented everything from the Black Panther Party to child poverty in America, testifying before the U.S. Senate and publishing twelve monographs. If you're a photographer, journalist, activist, or anyone who cares about visual storytelling, this interview is a goldmine. Below we break down the most actionable takeaways, organize them into easy‑to‑read sections, and show you how to apply Shames's methods to your own work. Who Is Stephen Shames? Fact Detail Profession Photojournalist & documentary photographer Career span 50+ years (1960s‑present) Focus Social issues – child poverty, racism, civil rights Notable achievements Testified before the U.S. Senate (1986), 42 museum collections, 12 monographs (e.g., Power to the People, Outside the Dream), new book Stephen Shames – A Lifetime in Photography – Purchase Directly with Autograph and Print from Stephen via eBay HERE Key collaborations Black Panther leader Bobby Seale, New York Times reporter Earl Caldwell, various grassroots organizations How Stephen Shames Discovered Photography College activism – While studying at UC Berkeley during the 1960s, he witnessed the civil‑rights movement and anti‑Vietnam protests. First camera purchase – After hitch‑hiking to New York's East Village, he bought a camera at a pawn shop. Choosing the “artist of the movement” – Frustrated by student‑government politics, he decided to capture the larger picture rather than be a “politician.” “I just wanted to look at the big picture and try and move people with photography.” Working with the Black Panther Party Why the Panthers Accepted a White Photographer Shared goals – Economic and social justice, not just race. Pragmatism – Panthers needed allies outside the Black community to build coalitions (Peace & Freedom Party, Young Lords, Young Patriots). Personal connection – Bobby Seale liked Shames's images and invited him to use them in the Panther newspaper. Key Facts About the Panthers (From the Interview) Founded: October 1966 (initially ~20 members). National expansion: Post‑1968, 10,000+ members, 50‑60 chapters. Community programs: “Breakfast for School Children,” feeding 10,000+ kids daily. Self‑defense model: Legal gun ownership (California) + law books; later, they shifted to “cameras are better weapons.” Lesson for Photographers Build trust by aligning with a group's mission, not merely your identity. Stephen Shames Research‑First Approach “Journalism is two‑dimensional; you need to experience the culture you want to document.” Steps to Deep‑Dive Research Read nonfiction – History, journalism, policy reports. Read fiction – Novels written by members of the community. Listen to music – Understand emotional tone and cultural references. Watch movies / documentaries – Visual language and storytelling cues. Live the bubble – Immerse yourself in daily life, food, rituals. Why It Matters Breaks the “bubble” of your own biases. Helps anticipate reactions and capture authentic moments. Stephen Shames on Building Trust & Relationships Core Principles Honesty: Be transparent about your intent. Respect: Never mock or look down on subjects (e.g., drug addicts, police). Reciprocity: Offer subjects control—let them tell you when to stop. Presence: Stay physically in the community (sleep on sofas, eat meals together). Practical Tactics Find a community “gatekeeper.” Example: a nun from Catholic Social Services who introduced Shames to Chicago projects. Sit down for a conversation before shooting – explain the project, listen to concerns. Share your work later (photos, stories) to reinforce the relationship. “If you're honest, people will accept you, even if you're a ‘liberal New York Jew.'” Bullet‑Point Checklist Identify and contact a respected local figure or organization. Explain your project in plain language. Offer a clear “opt‑out” for subjects. Spend time off‑camera – meals, conversations, errands. Follow up after the shoot with thank‑you notes or shared images. Cameras vs. Guns: The Evolution of “Weapons” 1960s‑70s: Panthers used firearms legally to patrol police. Today: Shames notes that cameras and smartphones are the most powerful weapons for exposing injustice. Why the shift? Legal restrictions on open carry. Instant global distribution of visual evidence. “The camera is a much better weapon because it puts the story directly in front of the world.” Lessons for Modern Photographers Insight How to Apply Research beyond headlines Read novels, watch local films, listen to playlists from the community. Immerse, don't observe from a distance Stay in the neighborhood for days or weeks, not just a single shoot. Earn trust through honesty Share your intent, give subjects a “stop” word, and be transparent about usage. Leverage community allies Partner with NGOs, churches, or trusted locals to gain entry. Think of yourself as a “doctor,” not a “tourist” Your presence should be accepted as part of the environment, not an intrusion. Use the camera as an activist tool Publish work on platforms that reach decision‑makers, not just art galleries. Document, don't dictate Let subjects tell their own story; avoid imposing your narrative. Why Shames's Story Matters Today Media fragmentation & AI‑generated images: Shames emphasizes that authentic, verified photography is more vital than ever. Social justice resurgence: The same patterns of protest, police scrutiny, and grassroots organizing repeat across generations. Educational relevance: Teachers can use Shames's methods to teach research, empathy, and ethical storytelling. Conclusion Stephen Shames's career shows that powerful photography comes from empathy, rigorous research, and deep community ties. Whether you're documenting the modern Black Lives Matter movement, child poverty, or any social issue, the principles he shares—exit your bubble, build trust, and let the camera speak—remain timeless. Ready to start your own documentary project? Apply the checklist above, stay authentic, and remember: your camera can change policy just as much as any courtroom testimony. Call to Action Start a research journal today for the community you wish to photograph. Subscribe to our blog for more interviews with visionary photojournalists. Share this post with classmates, activists, or anyone interested in visual storytelling. Steve is represented by: Amar Gallery, London, UK (vintage & contemporary art prints Steven Kasher Gallery, New York (vintage & contemporary art prints Polaris Images, New York (editorial & stock) _____ child poverty, Black Panther Party, civil rights movement, Vietnam War, documentary photography, social justice, racism, university protests, student government, activism, police brutality, COINTELPRO, gun control, media ownership, AI-generated deepfakes, fake news, community immersion, research methodology, cultural immersion, trust building, ethics in photography, hunger crisis, farm crisis, poverty in America, Senate testimony, camera as weapon, Rainbow Coalition, Young Lords, political coalitions, storytelling through imagesThe post Episode 175: Stephen Shames (Documentary Photography) Part 1 first appeared on 10FPS A Photojournalism Podcast for Everyone.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: https://gagosian.com/exhibitions/2026/nan-goldin-the-ballad-of-sexual-dependency https://gagosian.com/exhibitions/2026/richard-avedon-facing-west/ www.npg.org.uk/whatson/exhibitions/2025/taylor-wessing-photo-portrait-prize/ https://website-artlogicwebsite0087.artlogic.net/viewing-room/69/ Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale now wherever you buy your books. © Grant Scott 2025

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

Today I am joined by the talented London-based photographer Haris Ahmed. He specializes in corporate, startup, and comedy/celebrity photography.During the episode, we discuss how Haris transitioned from working at Apple to building a sustainable photography business, his unconventional path into comedy photography, and his approach to balancing commercial work with creative passion projects.Episode Takeaways:→ Finding reliable income sources like corporate work funds creative experimentation in other genres—you don't need to monetize every aspect of your photography.→ Reverse-engineer the client's perspective: understand that marketing managers need to justify spending and require proof of capability, not out of distrust but necessity.→ Build portfolio proof through alternative means—Haris's YouTube channel demonstrated consistent content creation ability when he lacked traditional client work.→ Equipment choices should prioritize achieving specific creative outcomes rather than technical specifications alone.→ The quiet, personal moments shot for yourself often become client favorites—integrate your authentic voice across all genres rather than compartmentalizing.→ Act as if you already have the job when discussing opportunities, focusing on problem-solving rather than pitching.Chapters00:00 - Introduction to Creative Journeys01:32 - Haris Ahmed's Photography Evolution06:59 - Transitioning from Apple to Photography12:58 - Building a Portfolio through YouTube18:17 - Navigating Corporate Photography25:22 - Finding Inspiration in Corporate Work30:52 - The Importance of Personal Style in Photography35:39 - Exploring the Art of Photography40:06 - The Balance of Corporate and Creative Work46:07 - Navigating Equipment Choices for Photography1:02:05 - Evolving Creative Direction and Future Aspirations1:08:58 - Advice for Aspiring CreativesLinksHaris Ahmed's YouTube and Instagram - https://www.youtube.com/@HVRIS and https://www.instagram.com/hvrisworldHaris' Website - https://www.haychdigital.com/Tom's Website - https://www.bytomw.comTom's Instagram - https://www.instagram.com/bytomwDB Captures (Next Interview Recommendation) - https://www.instagram.com/dbcaptures

As a photographer, you'll never stop learning. However, finding new places or people to learn from is sometimes challenging. That is doubly true if you're unsure where to find quality photographs. The Internet is filled with websites and galleries open to everyone – Flickr.com is one example. Because anyone can post images, you'll soon find it difficult to sift the snapshots and amateur images from the works of art. So, where do you turn to advance your knowledge of fine art photography? I'll show you a few of my favorite places! Podcast Notes: https://www.moneymakerphotography.com/learning-masters-look-fine-art-photographs/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

HT2536 - You Cannot Fake Sharpness I'm always hesitant to say that we can't do something because there may be a way to do it that I just don't know about. To date, I have no idea how to fake sharpness. I can process an image to fake dynamic range, exposure, contrast, etc. But once an image is captured with soft focus, it's going to look like soft focus forever. At least it will until the software engineers figure out how to resolve this for us. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,039, Feb. 17, 2026. Today's theme is, "Is Sky Replacement OK If It's Your Sky?" I'm Derrick Story. The Sky AI tool in Luminar Neo is sooo tempting to tap. With it, you can replace the drab no clouds background in your landscape images with any type of heavenly image. The question is: should you? I'll answer the question with an another question: Is it OK if it's your sky you're using to replace it? I'll grapple with this nebulous issue in today's TDS Photography Podcast. I hope you enjoy the show.

Toshio Meronek's parents met at a bar. In this episode, meet and get to know Toshio. Today, they do Sad Francisco, a really fucking amazing project that reports on and holds truth to power around here. I first became aware of Sad Francisco a few years ago and right away, I was struck by the deep reporting on and understanding of the many complex relationships and goings on in San Francisco and The Bay. And so I sat down with my fellow podcaster to get to know the human behind those efforts. Toshio's story starts with their parents. That bar where they met was in Los Angeles. Shortly after meeting, the couple moved to Germany, where Toshio's dad had found work at a major German tech company. But after getting pregnant with Toshio, the young couple came back to Southern California—Orange County to be exact, where Toshio was born. Some of Toshio's earliest memories involve not really digging that infamous SoCal heat. We'll get into this more later in Part 1, but Toshio picked Portland for college in part because of its more temperate, albeit wetter, climate. Born in 1982, Toshio did most of their growing up in the Nineties. When I ask them what kinds of things they were into as a kid, they immediately say, "zines." Making zines, collecting zines, living and breathing zines. We hop on a short sidebar about Riot Grrrl, a Nineties feminist punk-adjacent movement that seeped into both our lives at different points—mine early in the decade, and Toshio's toward the end of the Nineties. Riot Grrrl arrived in the typically and generally conservative Orange County later than a lot of other parts of the country and the world. But arrive it did, and it had an outsize impact on Toshio's young life. Zines were huge in that subculture, too. To expound on their interests as a kid, Toshio was generally into media, curious about how others live, and also sci-fi and fantasy (think D&D). Toshio was around 13 or 14 when they started writing their own zines. Here we go on a sidebar about one of my favorite pet topics—Kinko's (RIP). IYKYK. Eventually, Toshio eschewed the ubiquitous copy+print shop and had their zines printed on newsprint paper. It was part of a deliberate attempt to appear legitimate, more like "the establishment," something I find fascinating. They wanted people to take them seriously, and that just makes a lot of damn sense. Music was very much a part of the Riot Grrrl movement Punk rock music to be specific. And Toshio's early publications covered that. In fact, topics ran the gamut from music and politics to culture and community. We turn to the topic of Toshio's surroundings when they were a teenager. Record stores, zine shops, cafes that also had live music. They dabbled in the SoCal rave scene as well. They settled into the Candy Kids rave subculture and talk a little about that. There's another short sidebar where we talk about how amazing youth activism is, and how much we always need it. As much as young Toshio was part of these communities and subcultures, they also describe this time in terms of being a loner. They also experienced a lack of self-confidence, lots of acne, therapy to work through their being Japanese and white, or hafu (another term for "hapa"), being gay. Though Toshio has grown past those struggles, they consider them powerfully formative. Then came time to relocate and go to college. Besides Portland having more desirable weather, Toshio chose it in part because of the Northwest's grunge legacy. College life started right around 9/11, and they started going to protests. Lots of protests. College lasted four years, and after that, Toshio stayed behind in Portland. They got work at a magazine covering ecology for K–12 kids. They were also in bands (they play guitar, ish, sing, and play tambourine). "It felt like everybody was in an alt-country band," they say. And then, in 2006, they left Portland for … San Francisco. An editing job brought Toshio here. The publication was a so-called "light-green living" outfit, targeted, as it said, to yoga moms who drive their hybrid SUVs to Whole Foods. I ask Toshio if the job was editing words, and then mention that it's been my profession for a long-ass time. And we go on a sidebar about how important the work is. I'll add that everyone (including editors!) needs an editor. Sorry (not sorry), AI. That leads to yet another sidebar (can you tell we're both podcasters?)—this one from Toshio about the nature of the "yoga mom" publication. They grew disillusioned with their work there, suffice to say. We end Part 1 with Toshio's early memories of visiting San Francisco, before they moved here. They involve the older men who used to be found daily playing chess off Powell and Market. Check back Thursday for Part 2 with Toshio Meronek. We recorded this episode at Toshio's home at the confluence of The Transgender District, Tenderloin, UN Plaza, and Civic Center in January 2026. Photography by Jeff Hunt

Watch the video version of this podcast here: https://www.youtube.com/watch?v=kTISPXr73s4 Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Filmmaker Raymond J. Roman is a Producer on the documentary Concussed: The American Dream. With more than two decades of experience in video production since 2000, Ray has refined his expertise across various roles. For this documentary, he not only Produced but also applied his creative talents as the Director of Photography and Drone Operator. In addition to his film work, his company, Ray Roman Media, specializes in capturing commercial and residential real estate listings throughout Southern California, as well as covering local stories from San Diego to Riverside County. Ray Roman is consistently working on new projects and looks forward to sharing upcoming stories with his audience. CONNECT WITH CONCUSSED: THE AMERICAN DREAM https://www.concussedfilm.com / concussedmovie https://x.com/ConcussedFilm / concussedmovie MORE VIDEOS WITH RAY ROMAN https://tinyurl.com/9ktmmrue CONNECT WITH RAY ROMAN https://rayromanmedia.com https://www.rayromandrones.com / rayromanmedia https://x.com/RayRomanMedia https://x.com/RaymondRoman / rayromanmedia (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 ►Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Academy Award®-nominated cinematographer Darius Khondji joins us to discuss his stunning work on “Marty Supreme.” In this episode, Khondji unpacks his bold visual approach with director Josh Safdie, from shooting on film with classic anamorphic lenses and expressive close-ups to building a richly textured 1950s world through production design, lighting, and color. He also shares how collaboration across every department shaped the film's emotional power.“Anamorphic can be very minimal… The important thing is the way it renders closeups; it makes people bigger than life, like black and white does… The real old classic anamorphic of the fifties—I wanted to go back to this feeling… Anamorphic is like a magnifier. And Marty is seen through the film like that.”—Darius Khondji, ASC, AFC, Director of Photography, “Marty Supreme”Be sure to check out “Marty Supreme,” now available for at-home purchase or rental, as well as in select theaters, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

We catch up on the gallery space that didn't come together — not because of conflict, but because the arrangement shifted enough that the original vision no longer fit. What stings isn't the logistics, it's the built-in community that came with that particular spot, and the version of things we'd already started imagining.From there the conversation turns inward. We're both feeling the gap between talking about making work and actually making it — the pull to get back out with a camera, the fatigue of looking at old sequences, and what it means when commerce brain starts crowding out everything else. We end up somewhere around the question of what art even is — Tolstoy's definition, the transcendentalist framing, Rick Rubin and George Saunders on process — and whether finding your own answer to that matters more than finding the right one. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

HT2535 - Sitting Patiently, Waiting for the Response One of the most challenging formats I produce is what I call "One-Picture Stories." I pull up an image and then just sit with it until an idea, a response, a question, perhaps some sort of reaction occurs. This might take a few minutes; it might require an hour or more. My job in this exercise is to be quiet, be aware, be receptive, be open. It's a quiet meditation where I try to empty my mind of interference and just let the process unfold on its own. Here is the Special Edition PDF of "One-Picture Stories" that was discussed in Brooks' Here's a Thought Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1493 - Six Photographs That Changed My Life Photography, we hope, is an art medium that can have an impact on our life, add content and meaning to our viewing experience. If a photograph succeeds at the highest level, it's not only memorable, but has the ability to change our life. Not many photographs are that powerful and even fewer are universally that impactful. Here are six images that literally changed my life and why. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

In this engaging conversation, Kavin Chawla shares his journey as an abstract photographer, discussing how his upbringing in Thailand and experiences in nature have shaped his artistic vision. He emphasizes the importance of curiosity, playfulness, and embracing imperfection in photography. Kavin also reflects on the meditative aspects of being in nature and how it influences his creative process. He encourages aspiring photographers to stay true to their unique vision while drawing inspiration from others. As he prepares to launch his website, Kavin contemplates how to present his work authentically, moving away from conventional styles. The discussion concludes with recommendations for fellow photographers who embody similar values in their work. Links and Recommended Photographers: Kavin Chawla: Instagram Support the show on Patreon The Colorado Way book Natural Landscape Photography Awards (NLPA) Richard Martin: Wabi Sabi gallery Brent Clark's Website Michael Shainblum David Southern Robert Hecht: Instagram Jack Krohn: Instagram Scott Oller: Instagram Eric Bennett Matt Payne / Sean Tucker: Podcast Brooks Jensen: LensWork Erik Malm: Instagram

[REBROADCAST FROM November 7, 2025] In December 1974, the writer Linda Rosenkrantz recorded a conversation with the influential downtown photographer Peter Hujar, to hear how he spent a day over a 24 hour period. The tape of the conversation has been lost, but a transcript was recently discovered at The Morgan Library & Museum. The transcript has been adapted almost word for word in a new movie adaptation, "Peter Hujar's Day" starring Ben Whishaw playing Hujar and Rebecca Hall as Rosenkrantz. Director Ira Sachs talks about the film, which was a nominee at this year's Independent Spirit Awards. 

HT2534 - The Criteria For Which Is Best You found an interesting subject with interesting light and made a dozen or so captures that you hope will produce a terrific image. When you look at those dozen or so captures in review, how do you determine which one is best? What criteria do you use to determine which is best? This spawns an even more fundamental question: Why should you determine which one is best? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Leslie Lazenby | The Language of Film Photography / Controversy & Censorship in Photography In Episode 368 of the Film Photography Podcast, Leslie Lazenby leads a thoughtful and wide-ranging conversation exploring the deeper meaning behind how we talk about, interpret, and react to film photography. Beginning with The Language of Film Photography, the discussion looks at how words, labels, and long-held assumptions shape our understanding of images - sometimes clarifying intent, and other times complicating it. The episode then moves into a timely and nuanced discussion on Controversy and Censorship in Photography, examining where creative expression, public perception, and institutional boundaries collide. Rounding out the show is a brand-new music video from longtime Film Photography Podcast musical contributor Darren Riley, adding a familiar and welcome creative close to the episode. Support the Podcast - https://filmphotographyproject.com/donate/

The work of acclaimed photographer Meghann Riepenhoff examines our relationship to nature and time, both in subject-matter and process. In projects like Litoral Drift, a series of cameral-less cyanotypes, Rieopenhoff makes use of natural elements like water and sediment. Her art is intentionally vulnerable to weather conditions like wind, and her interest in environmental degradation as well as the sublime carry across her work, from Waters of the Americas and State Shift. Based in the Pacific Northwest, Riepnhoff was born in Atlanta and received a BFA in Photography from the University of Georgia and an MFA from San Francisco Art Institute. Her work has been exhibited internationally at locations including the San Francisco Museum of Modern Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Royal Maritime Museum, Centre d'art contemporain de l'Onde, and The Smithsonian. She has published two monographs: Littoral Drift and Ecotone and Ice.  Nigel Poor is a co-founder of Ear Hustle and Bay Area visual artist whose work explores the various ways people make a mark and leave behind evidence of their existence. Her work can be found in various museum collections including the the San Francisco Museum of Modern Art, the M.H. deYoung Museum and the Corcoran Gallery of Art, Washington, D.C. She is also a professor of photography at California State University, Sacramento.