Podcasts about Photography

HT2664 - Our Attachment to Stuff In the early 1980s, I fumbled a lens swap and dropped an expensive view camera lens into the Pacific Ocean. I grieved then and still grieve to this day. Why is stuff so important? Every photographer I know has a piece of gear they lament selling — or losing. Isn't it silly that we can be so attached to stuff? I used to think this had something to do with the loss of potential, but now I'm not so sure. I once had a client who owned a Western store and I learned a great deal about stuff and our sense of self-identity from that experience. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2663 - How Each Image Contributes Although they are both forms of music, listening to a piano recital is a completely different experience than listening to a fully orchestrated symphony. The same can be said when comparing the single, standalone image and the multiple-image project. In the orchestra, each instrument contributes its part to the whole. In the multi-image project, each image contributes its uniqueness yet still exists in harmony with all the others. This is the key to selecting the images to be included in the project. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2662 - One Grain of Sand It's difficult to admire one grain of sand while we are standing on the beach. I offer this as a metaphor for photography today. You and I sweat bullets to make a photograph we can be proud of, but if we look about a bit, we see trillions of photographs being made every year here in the digital age. Even if our masterpiece is spectacular, it is difficult to get it noticed in the tsunami of images being produced every day. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Join this channel to get access to perks: https://www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ/join Or Join the DAS Patreon: www.patreon.com/DarkArtSociety PLEASE LIKE/SHARE/SUBSCRIBE!!! This week friend of the show Gabe Leonard comes on to talk about artists promoting on social media, AI, art business and a number of other related topics. This is another great chat with Gabe! Gabe's links: Website: https://gabeleonardart.com/ Patreon: https://www.patreon.com/gabeleonardart Instagram: https://www.instagram.com/gabeleonardart/ TikTok: https://www.tiktok.com/@GabeLeonardArt The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar Our sponsors: The Skull Shoppe: www.SkullShoppe.com beautifulbizarreartprize.art Entries are now open for the 2026 Beautiful Bizarre Art Prize and there is over $76,000 worth of cash and prizes to win. The Beautiful Bizarre Art Prize now has seven award categories that you can enter. The Sculpture, Photography, Digital Art, Drawing and Painting awards. They also have a separate Emerging Artist award – plus the new Imaginative Realism award as well! You don't need to submit a physical artwork - just enter online via their website. As well as cash and product prizes, winners will also be invited to exhibit in the Beautiful Bizarre Magazine exhibition at Modern Eden Gallery in San Francisco in November 2026. Better yet - the Beautiful Bizarre team guarantee that they look at every single entry! This is a great way to get on their radar for future opportunities too. They are also sharing many entries on their social media and online blogs until entries close on 17th July. For more information and to enter, go to beautifulbizarreartprize.art ----- The Dark Art Society Podcast is produced by Chet Zar. Become an Official Member of the Dark Art Society: www.patreon.com/DarkArtSociety Chet's Patreon: www.patreon.com/ChetZar The Dark Art Society Instagram: www.instagram.com/darkartsociety Official Dark Art Society Website: www.darkartsociety.com The Dark Art Society Podcast is now available in a variety of places, including the following platforms: SoundCloud: @darkartsociety iTunes: apple.co/2gMNUfM Stitcher: www.stitcher.com/s?fid=134626&refid=stpr Podbay: podbay.fm/show/1215146981 YouTube: www.youtube.com/channel/UCrQBJayd-dfarbUOFS5m7hQ DarkArtSociety.com Copyright Chet Zar LLC 2026

HT2661 - Images That Changed My Life Knowing my love for photography, a non-photographer friend of mine recently asked if there were images that literally changed my life. I fumbled an answer at the time, but I've thought a lot about this in the recent weeks. I realized I have two sets of answers: images I produced that changed my creative life, and images others produced that have had an enormous impact on me. The most interesting part of this thought experiment is to compare the two sets of images. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,057, June 23, 2026. Today's theme is, "When B&W Is Better (and when it isn't)" I'm Derrick Story. During an interesting walk through a graveyard with dappled lighting, I was reminded of how powerful B&W photography can be. And at the same time, when it absolutely fails. Join me for a stroll so we can figure this out together. I hope you enjoy the show.

Mike is back with another Coffee Time Kicks episode, and this one is for anybody who has ever looked at a sneaker photo and wondered how someone made a shoe feel alive.Jared Moody is the photo manager at Sneaker Politics, a contract shooter for Sneaker News, and one of the most intentional sneaker photographers working right now. Born and raised in Dallas, Moody got into sneakers around 2010 through his cousins, got deep once he hit high school, and has been building his craft ever since.In this conversation, Mike and Moody cover the full arc, from the KD 4 that changed how Moody thought about shoes, to what it actually takes to walk into a shoot prepared, to the quiet discipline behind his best work. They also get into building trust with models, shooting events as community acts, and what it looks like to do contract work for two outlets without letting either one look like the other.Moody's advice for anyone trying to break in is as straightforward as it gets: work hard, stay consistent, and stop worrying about the numbers. The art is the point.Find Jared on all socials at @JaredAMoody and check out Sneaker Politics at all their locations, including Dallas.New episodes of the Sneaker History Podcast drop almost every Monday. Subscribe wherever you listen, find everything at sneakerhistory.com, and if you want more sneaker business insights, The Sneaker Newsletter goes out on Substack at thesneakernewsletter.com.Nick also has a book coming. Small Luxuries: Sneakers drops October 2026 and is available to pre-order now at bookshop.org/a/122044/9798317900854.If you are interested in advertising to our audience, contact us: podcast@sneakerhistory.comCHECK OUT OUR OTHER SHOWS:For the Formula 1 Fans - Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans - Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans - Cars & Kicks: https://carsxkicks.comFor the Creators & Creatives - Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106[Links contain affiliate links; we may receive a small commission if you purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryHosted & Distributed By Captivate: https://bit.ly/3j2muPbDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

Pricing comes up in our community more than almost anything else, in the coaching calls, in the DMs, in the late-night worries. The reason is simple: pricing touches everything. Your confidence, your client experience, your time with your family, your ability to keep this business going for the long haul. For this best-of episode, we pulled five conversations from the Season 5 archive that, side by side, give you a complete picture of how to think about what you charge. In This Episode: The four pricing tiers and what each one actually requires, so you can build a business that fits the photographer you want to be What "enough" really means for your life, and why naming your freedom figure is the thing that lets you breathe Why raising your prices is never enough on its own, and the client experience work that has to hold the new number up How to say your prices out loud with confidence and move past the money blocks that keep so many of us quiet What a full pricing transformation looks like from the inside, twelve months in, including what finally moved the needle Pricing isn't just a number on your website. It's the thing that gives you room to do your best work and the thing that gives you your life back. Whether you're staring down a price increase or just tired of guessing, these five conversations are your reality check and your permission slip, all at once. Each of these women is connected to TMA in some way, whether as a mentor, a featured educator, a coaching week guest, or a member who let us walk alongside their transformation. If these conversations leave you wanting to be in the room where this work happens between episodes, this is your invitation. Get on the wait list for our next Coaching Week: ⁠⁠⁠⁠⁠themotherhoodanthology.com⁠⁠⁠⁠⁠ Connect with TMA: Website | Membership | Courses: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.themotherhoodanthology.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Free Community: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/themotherhoodanthology ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/themotherhoodanthology⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with Kim: Site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kimbox.com ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IG ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/kimbox ⁠⁠⁠

Editing can make a Western image feel true and alive, or strip away the very things that made it work.In this episode of Cowgirls with Cameras, we're talking about editing styles that bring out the soul of the ranch. We discuss how place, light, weather, season, and landscape should guide your edit, why one preset does not fit every ranch, and how to avoid retouching away the real-life details that tell the story.We also dig into timeless versus trendy editing, because trends can be fun, but images made for walls, albums, ranch brands, magazines, and family archives need to hold up for years. The best edits support the story without stealing the show.

Send us a message.We open on what a trip does to you once you're home. Time away, then the return, where the familiar looks sharper and the work feels urgent again. That sets up the thread running through the whole episode: the difference between a trip planned down to the hour and one you make up as you go, and why the unplanned kind tends to leave the stronger memory. No itinerary, no booked room, just landing somewhere and letting it unfold.From there we get into friction: the small obstacles we put in our own way to avoid doing the things we actually want to do, and how clearing them is most of the work. That carries into gear. The pull to bring everything, the freedom of bringing almost nothing, and the old principle that a fraction of your tools does most of the lifting. What sits in front of the camera matters more than what's in the bag.The back half settles on one question: when does skill start working against the work? Too controlled, too finished, no room for the accident that makes a thing feel alive. We talk about how constraints, small budgets and short schedules, can produce better work than freedom does, and why mastery alone isn't the whole story. If it were, the most experienced would always make the best thing, and they don't. We close on keeping expectations small enough to leave room for chance, plus a sweet interruption from home. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG 

Su Kaye of [www.sukaye.com](http://www.sukaye.com) is a UK-based family and dog photographer with decades of experience, a reputation for creating unexpected pet portraits, and a business built on client care, confidence and constant evolution. In this interview, Su shares how she moved from family portraiture into dog photography, grew her business from £61k to £132k, lifted her average sale, and why she believes photographers need to stop undervaluing what they create. She also talks about payment plans, in-person sales, dog shows, Facebook ads, client experience, pricing confidence, and the simple business change that made one of the biggest differences to her revenue: getting someone else to handle her phone calls. The post 674: Su Kaye – From $81k to $175k by Believing in the Photography Experience You Sell appeared first on Photography Business Xposed - Photography Podcast - how to build and market your portrait and wedding photography business.

HT2660 - The Drama of Good vs Evil Can you think of an artistic expression that doesn't involve, in some way, the drama of good versus evil, innocence versus the diabolical, the weak vs the strong, dark versus light? (You don't suppose I slipped that last one in for a reason?) If the central themes of art are rooted in drama, why would art photography not also be rooted in drama? If so, that leads us to the question How do we build drama into a photographic image? Perhaps even more informative is the question How do we build drama into a photographic project? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2600 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

HDR Displays have been around for a while, but the technology is still rapidly improving, and the process is simplifying. Yet so many photographers still choose to use SDR images on social media, even when HDR is supported and far more stunning. In this podcast episode, HDR expert and photographer Greg Benz shares what you need to know to start using HDR displays to their fullest capability, and how you can use this type of image to help differentiate yourself from other photographers.Links from this episode:Greg's WebsiteSee if You Have an HDR DisplayWeb Sharp PRO PanelGreg's YouTubeGreg's InstagramToday's podcast is sponsored by my friends over at ⁠⁠⁠⁠⁠⁠⁠⁠⁠MPB⁠⁠⁠⁠⁠⁠⁠⁠⁠, the place to buy and sell used photography gear. Go online to get a quote for your gear today: https://tinyurl.com/mse6bzk2

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Lyn Morton shares his journey from falling in love with photography at an early age, undoubtedly influenced by his loving father, to becoming a photographer in the military to starting his own photography studio in northern NJ and working with clients across the country. www.lynmortonphoto.comPlease subscribe to our channel. Every subscriber helps.

“A boho-inspired reading retreat featuring a raised deck with a cozy daybed, angled design lines, and a sculptural moon window. Warm textures, lush greenery, tranquil water and fire features create an inviting outdoor book nook perfect for relaxing, daydreaming and … Continue reading → Read more on this topic: Guzmania Flower, Idyllwild, California [Photography] California Room Garden 3, The 36th Annual Southern California Spring Garden Show, Costa Mesa, California [Photography] View. Earl Burns Miller Japanese Garden, CSULB, Long Beach, California [Photography] From My Shop: “Queen Anne's Lace Flowers” Prints and Products! From My Shop: “Butterfly in Spring” Prints and Products!

Wayfaring: Photography in Taiwan, 1950s–1980s (Australian Centre on China in the World, 2025) explores four transformative decades of photography in Taiwan, tracing its evolution amid the island's emergence from Japanese colonialism and integration into Nationalist China, largely under martial law (1949–87). Through a dozen richly illustrated essays and interviews, the book bridges the gap between vigorous Chinese-language scholarship on photography in Taiwan and its limited representation in English. Essays on photographers in the 1950s–60s, including Long Chin-San (Lang Jingshan) (1892-1995), Deng Nan-Guang (1907-1971), Chang Chao-Tang (1943-2024), Liu An-Ming (1928-2022), Hwang Pai-Chi (b. 1931), Hsu Yuan-Fu (1932-2018) and Tsai Hui-Feng (1928-2005), reveal photography's pivotal role in documenting ‘local' culture and shaping cultural identity, while challenging ideas of ‘amateur' and ‘realist' practices and recognising the importance of transnational connections. Meanwhile, essays on Hsu Jen-Shiu (b.1946), Lin Bo-Liang (b. 1952), Kao Chung-Li (b. 1958), Lien Hui-Ling (b. 1961) and Hou Tsung-Hui (b. 1960), along with interviews sharing the firsthand experiences of Liu Chen-Hsiang (b.1963), Lulu Shur-tzy Hou (1962-2023) and Yao Jui-Chung (b.1969), highlight the experience of photography in 1970s–80s Taiwan, as both witness and agent of social transformation, addressing issues such as environmental protection, mental health and gender politics, as well as being a crucial vehicle for the transdisciplinary nature of contemporary art, theatre, cinema and performance in Taiwan at that time. Chen Shuxia is a historian and curator of Chinese art. Her research concerns art collectives, diasporic artistic practice, and reciprocal relations between people and objects. Her most recent books include Wayfaring: Photography in Taiwan, 1950s–1980s (2025), Chinese Toggles: Culture in Miniature (2024) and A Home for Photography Learning: the Friday Salon, 1977-1980 (2024). Her most recent curated exhibitions include “Merchants of Haymarket: the Making of Sydney's Chinatown” (2026), “The trace is not a presence…” (2025), “Chinese Toggles: Culture in Miniature” (2024). Chen is the inaugural curator of the Chau Chak Wing Museum's China Gallery, and a Senior lecturer in the Master's degree programme in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Olivier Krischer is a historian and curator of art from East Asia and the Asian Australian diaspora, whose research concerns modern and contemporary transcultural art, photography and intermedia practices. His curatorial projects include “Assembly” (2023), featuring eight Hong Kong-born artists, “Wayfaring: Photography in 1970s-80s Taiwan” (2021) and “Between: Picturing 1950-1960s Taiwan” (2016). His publications include John Young: The History Projects (2025), Zhang Peili: From Painting to Video (2019) and Asia through Art and Anthropology: Cultural Translation Across Borders (with F. Nakamura and M. Perkins, 2013). Krischer is currently a lecturer and program convenor for the Master's degree programe in Curating and Cultural Leadership, at the University of New South Wales School of Art & Design. Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping's NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University. Relevant Links: Open Access for Wayfaring: Photography in Taiwan 1950s−1980s Wayfaring 找路: Photography in 1970s–80s Taiwan Exhibition Webpage Wayfaring Exhibition Pamphlet Wayfaring Exhibition Video Tour | Part 1 — Overview “Between: Picturing 1950s-60s Taiwan / 間：臺灣五六十年代面影” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

HT2659 - Perfection or Enthusiasm Deep in the heart of an artist is the pursuit of perfection. It goes with the territory. Creating artwork is the one thing we do in our life without regard to time, expense, or even effort. We pursue perfection because we have faith that achieving perfection is a possibility with each creation we make. Is it? I'm not sure pursuit of perfection is the healthiest option. What if we change the measurement of success? What happens if we pursue enthusiasm, curiosity, and passion rather than perfection? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Follow me on Instagram at @douglaswelch, @dewdesignphoto, @agardenersnotebook and Pixelfed. Read more on this topic: Rock Garden, Earl Burns Miller Japanese Garden, CSULB, Long Beach, California [Photography] Long picture: Tomatomania, Tapia Bros Farm, Encino, CA [Video] View. Earl Burns Miller Japanese Garden, CSULB, Long Beach, California [Photography] Rhaphiolepis, Costa Mesa, California [Photography] From My Shop “Rhododendron Splendor with Raindrops” Prints and More!

Follow me on Instagram at @douglaswelch, @dewdesignphoto, and @agardenersnotebook and Pixelfed. Dedicated in April 1981, the 1.3 acre garden was built through the generosity of Mrs. Loraine Miller Collins in memory of her late husband, Earl Burns Miller. Following three … Continue reading → Read more on this topic: California Room Garden, The 36th Annual Southern California Spring Garden Show, Costa Mesa, California [Photography] California Room Garden 2, The 36th Annual Southern California Spring Garden Show, Costa Mesa, California [Photography] View. Earl Burns Miller Japanese Garden, CSULB, Long Beach, California [Photography] From My Shop “Rhododendron Splendor with Raindrops” Prints and More! Rhaphiolepis, Costa Mesa, California [Photography]

HT2658 - Seducing The Eye of the Beholder Said another way, a way that can bypass the numb response to a cliché, art appreciation is an act of free will. Extending that thought even further, people look at your artwork because they've made a decision to do so in anticipation of some rewarding or beneficial experience. Where does that anticipation come from? What is our responsibility as art makers to build that anticipation so they are motivated to spend the time to see what we've produced? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2657 - Guiding Their Consumption I know, that's sort of an odd title for this thought, but there's an important issue that demands our attention. Imagine you want to assemble sizable project of 100 or so images for a book or PDF. Selecting images is one challenge, but not the biggest one. How do you organize those images in the finished presentation? Sequential by date? Alphabetically? Location? Subject? Genre of photography? By which camera you used? Time of day? Time of year? Weather conditions?" Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

¿Vale la pena contratar una wedding planner? ¿Cuánto cuesta una boda sencilla en República Dominicana? ¿Por qué cada vez más parejas deciden invertir en una coordinadora de bodas para evitar estrés, errores y gastos innecesarios? En este episodio 227 de Dominicanamente conversamos con Daniela, wedding planner certificada internacionalmente y fundadora de Rústico Event Planner, quien comparte su experiencia organizando bodas, manejando presupuestos, resolviendo emergencias de último minuto y ayudando a parejas a convertir sus sueños en realidad. Hablamos sobre costos reales de una boda en República Dominicana, fotógrafos, videógrafos, decoración, techos para eventos, bodas destino, bodas en la playa, bodas en la Zona Colonial, tendencias actuales, errores que cometen los novios y todo lo que ocurre detrás de una boda perfecta que los invitados nunca llegan a ver. Además, Daniela revela anécdotas increíbles sobre proveedores, cambios de wedding planner a pocas semanas de una boda, presupuestos ajustados, bodas de más de un millón de pesos y por qué la tranquilidad es una de las mejores inversiones para el día más importante de una pareja. Si estás planeando casarte, eres wedding planner, trabajas en eventos o simplemente te da curiosidad conocer cómo funciona esta industria, este episodio es para ti.Un podcast de Cooltura.

In this special Father's Day episode, Afi and Zuu take a moment to reflect on the impact their fathers have had on their lives.Fathers can be responsible for shaping who we are today, and so we unpack the role fathers play and why they often don't get the same appreciation as mothers. We also get into the tricky question of gifting dads… because let's be honest, it's never easy.It's a thoughtful, honest, and slightly funny conversation about fatherhood, appreciation, and the things we don't always say out loud.Sending money from abroad? Use Tap Tap Send — it's fast, simple, and you don't pay extra charges. — https://www.taptapsend.com/ Use our discount code: STAYBYPLAN for the best rates!

“Welcome to the California ‘Room’ Garden where there is no clear boundary between garden and room, no enclosed wall, no barrier – just a seamless transition that makes you feel relaxed and at ease while your field of vision fills … Continue reading → Read more on this topic: California Room Garden 3, The 36th Annual Southern California Spring Garden Show, Costa Mesa, California [Photography] View. Earl Burns Miller Japanese Garden, CSULB, Long Beach, California [Photography] From My Shop: “Queen Anne's Lace Flowers” Prints and Products! From My Shop: “Butterfly in Spring” Prints and Products! Guzmania Flower, Idyllwild, California [Photography]

HT2656 - Big Things Are Made from Little Things One of the great lessons from my dad who was also my coach, is an approach to making progress. He used to say that "inch by inch is a cinch, yard by yard is hard." Doesn't this equally well apply to art making? If you want to create a big thing like a book, an exhibition, a digital publication, a lifetime of creative output, the path to do so is one capture at a time, one processed image at a time, step by step, accumulating little successes one at a time. Aim for the Big; work the Small. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

In Part 2, we pick up where we left off in Part 1. While in college at Marymount, Theo ran the Boys and Girls Club program with Phillip Redd. He liked the connections and impact he had made in SoCal, and wondered whether he could do the same at home. This was back when Barack Obama was first running for president, and there was a prevailing sense of hope and possibility pervading life for a lot of folks. And so Theo moved back home. He transferred to Notre Dame de Namur in Belmont after his sophomore year, and got a degree there three years later. Upon his arrival in The City and concurrent with his time in college in The Bay, he got involved in SF politics serving on commissions and boards. It helped him really dig in to living here. Then-mayor Newsom appointed Theo to the Youth Commission. He had done yet another documentary in high school, this time on homelessness in The City. That got the mayor's attention. "The Homeless Orchestra" compared the crisis of the unhoused population to the inner workings of an orchestra. The mayor took that doc to Davos, Switzerland, and showed it at the World Economic Forum there. Young Theo talked with folks like Tom Ammiano and Matt Gonzalez for his movie. He lived near his transfer college, Notre Dame de Namur, in Belmont on the Peninsula. After class, he'd hurry back to San Francisco for Youth Commission meetings. He also sat on the Southeast Community Facility (SCF) Commission. Theo and I go on a sidebar here about how we use the tools at our disposal—tech, government—for better and for worse. From his place on the SCF Commission, Theo joined the commission on community investment and infrastructure. They oversaw the development of Hunter's Point Shipyard, Mission Bay, the Transbay Terminal, as well as a few other spots around The City. They worked on housing in those areas and approved 3,000 units, one-third of which were affordable and 250 that were set aside for formerly houseless families. Theo, his mom, and his brother had moved to Third and Newcomb, near the opera house where we recorded. With that move, Theo saw BVOH as a community fixture. The opera house has been there since 1888 (which we learned in our episode with them). Theo took classes there when he was a kid. Around 2010, he walked in and asked how he could get involved. He joined the board and took over years later as interim executive director after a shakeup. In his tenure as interim ED, he helped get a $250K grant for lighting and sound. They were able to give grants to artists and they launched their SF Sounds series: an artist is actually on the floor with eventgoers for those events. I ask Theo about friend of this show Allegra Madsen and her time at BVOH. After stating the obvious, that Allegra is awesome, Theo says that the opera house wants to bring back Frameline and other film fests. "You shouldn't have to leave your neighborhood to catch a film," he says. We also talk about the Hey, Auntie! gumbo contest, which I helped judge, back in 2025 and which took place at the Bayview Opera house. Then we talk about Theo's run for D10 supervisor. The campaign's premise: We can do better in the Southeast. He ran back in 2018, but he's running again because of the potential he sees for the area to dictate the kind of community it wants to become. San Francisco obviously has equitable differences among different parts of our city. Theo cites better transit, housing, and support for small businesses among the most important issues he wants to tackle. Visit his website for more info: https://www.theoellington.com/. Photography by Jeff Hunt

HT2655 - Do It Again and Again and Again The difference between a hobbyist and a professional is that a hobbyist practices until they get it right. A professional practices until they can't get it wrong. For some reason that advice seems to make sense for athletics, but in creative endeavors we often assume that all we need is the initial effort. This shows up particularly, I think, in travel photography. It's easy to assume that once we've visited a location and photographed it we don't need to go back and do it again. Nothing could be further from the truth. Ansel Adams wasn't lucky photographing Yosemite; he was persistent. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Harriet Logan is a multi-award winning photographer who spent the first half of her career working on international assignments in places such as Sudan, Angola, Chechnya, Afghanistan, Iraq, Kosovo and Somalia for a range of international newspapers and magazines. She subsequently turned her attention to working commercially on advertising campaigns for various big brand clients, including The Pictet Group and Canon, alongside some of the worlds largest advertising agencies. Today she curates the Incite Project, an issue driven collection of photographs broadly based around the subject of world events and conflict. Harriet is also the executive director of The Ian Parry Photojournalism Grant which has run for over 30 years and which she won in 1992. The grant has a mission to support young and emerging Photojournalists. She co-parents 4 boys with her husband Mark, an owl, a peregrine falcon, three dogs, a dressage horse, and a bunch of sheep, cows, chickens and pigs. On episode 284, Harriet discusses, among other things: Her journey into photojournalism from art college in the USA Her early project on an Aids patient, with whom she became close Beginners luck at the Poll tax riots in London in 1990 Ending up in southern Sudan…and then Somalia Winning the The Ian Parry Photojournalism Grant and how it changed everything The reality of being a female photojournalist in the 90's An example of the danger of inadvertantly fucking over your subject He story about victims of rape in Kosovo during the Balkans conflict Being sent to Afghanistan for the first time by The Sunday Times… …And returning four years later to find the women and girls she had photographed there A close call on the road from Kabul to Jalalabad Motherhood, falling out of love with being a photographer, and the decision to quit photojournalism Becoming the Executive Director of the The Ian Parry Photojournalism Grant The new Tom Stoddart Award for Excellence How The Incite Project came about and how she defines what it is The fundamental strangeness of having graphic and disturbing photojounalism framed on your walls Referenced: Eugene Richards, Exploding Into Life Don McCullin Les Wilson Len Greener Josef Koudelka Cartier Bresson Robert Capa W. Eugene Smith Colorific Aidan Sullivan Tom Stoddart Michael Rand Jillian Edelstein Simon Norfolk Jenny Matthews Jeremy Clarkson AA Gill Mark Hix Tristran Lund Giles Duley, Legacy of War Foundation Laura Pannack Omar Ashtawey Trevor Paglen Richard Mosse Ed Burtynsky Luke Delahey Ed Clarke Network Photographers Simon Roberts Matt Black Lorenzo Meloni Chris Donovan Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Get Your Spot In The Live Workshop - Book Your Next Client in 7 Days With a 7 Day Giveaway Funnel™ - Limited to 10 SpotsIn this episode, Joey and Christy are breaking down the exact giveaway funnel strategy that generated $50,000 in inquiries in 7 days, and how photographers, filmmakers, content creators, and social media managers can use it to book more clients without a massive following.Most creatives have tried a giveaway at some point. And most didn't book a single client from it. Not because giveaways don't work - because the giveaway wasn't built for the right person.When you give away something generic, you attract everyone. And everyone doesn't book. When you give away something so specific that only your ideal client would care, you get a list of pre-qualified leads who already want what you offer.That's the difference. And Christy learned it firsthand when she ran a targeted giveaway for Yosemite couple sessions and had $50K in inquiries hit her inbox inside of a week.Here's what's covered:How to choose a prize that attracts your ideal client instead of freebie-huntersHow to use ManyChat to turn every comment into a direct conversation with a real leadThe follow-up strategy to use after the giveaway ends to close actual bookingsThe most common mistakes that turn a giveaway into noise instead of a lead generatorHow to structure the full funnel from post to booked clientIf you've run a giveaway and heard crickets, this episode is exactly what you needed to hear first.

Ray Ray's Podcast — Episode 162 “Andrew Sherman”Andrew Sherman joins Ray Ray's Podcast for an in-depth conversation about photography, media, music, and the evolving culture of Dallas. As the 2026 Dallas Entertainment Awards Best Concert Photographer, host of the Dallas Famous Podcast, Managing Editor of Last Nite Live, and recipient of the Dallas Morning News Best in DFW People's Choice Gold Award, Andrew has documented some of the most important moments in the city's entertainment scene.In this episode, we discuss Andrew's journey behind the camera, his work covering concerts and live events, his role in shaping local media, and his upcoming art exhibition at Fermata at Tucker Art Projects. We also dive into the current state of Dallas, the city's creative community, the future of local arts and entertainment, and where Dallas is headed next.From music venues and emerging artists to entrepreneurship, storytelling, and community building, Andrew shares valuable insights from years of experience documenting the people and moments that define Dallas culture.

In Road to PMRE #5, Reed sits down with Kelsey Kurtis for a conversation about burnout, reinvention, and finding the courage to pivot when something no longer feels right. Kelsey shares her journey from branding photography and content creation to building a business and life more aligned with what truly excites her. They talk about authenticity, failure, UGC, women's empowerment, and the challenge of balancing passion with profitability. The conversation also explores what it means to redefine success and why so many entrepreneurs struggle to answer a simple question: are you actually happy? This is an honest discussion about choosing the path that sets your soul on fire, even when it doesn't make sense on paper.It's time to start thinking about PMRE 2026! Go to pmreconference.com for all the details on PMRE 2026, which is November 17-19th at Palms Resort & Casino in Las Vegas. The Photography and Media for Real Estate conference will be better than ever this year! Upmarket is proud to be the official podcast of PMRE!Upmarket Pod is once again, beyond excited to partner with iGUIDE to bring you our exclusive Road to PMRE 2026 series of Upmarket episodes. SWEEPSTAKES ALERT - iGUIDE and their Tour to PMRE is giving away THREE (!!!!!!) ALL-EXPENSES PAID TRIPS TO PMRE 2026!!!!! That's right, one lucky winner will be drawn in June, one in August and one in September to win a PMRE ticket, travel and accommodation, all compliments of the fine folks at iGUIDE. To enter, all you need to do is follow @go_iguide and @upmarketpod on Instagram. Then, go to goiguide.com/pmre and enter your email address and you'll be entered in the drawing.NOTE If you have already bought a ticket and/or booked travel to PMRE and win the sweepstakes, iGUIDE will reimburse you for money spent.Follow the pod on Instagram at @upmarketpod.The Presenting Sponsor of Upmarket is AutoHDR, helping real estate media professionals deliver high-quality edited photos faster and more efficiently. As a special offer for Upmarket listeners, get one month of free photo editing with your purchase. To learn more and claim the offer, visit autohdr.com/upmarket.Another amazing sponsor is iGUIDE, which helps real estate professionals capture spaces fast and with industry-leading accuracy. Their PLANIX Pro camera delivers trusted measurements, with no subscriptions and priced per project. Options like iGUIDE Instant provide a clean 3D tour and interactive floor plan in minutes, starting at $7.99. Learn more at goiguide.com or @go_iguide.Another sponsor is HDPhotoHub, the all-in-one platform for ordering, scheduling, and delivering complete marketing kits, from video reels to print. With pay-per-listing pricing, transparent terms, and industry-leading integrations, HDPhotoHub helps you build the workflow you actually want. Visit HDPhotoHub.com and use code Upmarket to get your first 15 full deliveries free.Another amazing sponsor of Upmarket is SecondFloor, the fastest way to create a finished floor plan. It's so fast that you can deliver the finished floor plan while you are still on-site! Not only that, but you can get UNLIMITED floor plans for one low monthly fee. We love SecondFloor and you can go to secondfloorapp.com/upmarket and any new subscriber will get a one-month free trial.Our Action Items are sponsored by PixlCRM, where you can scale your real estate photography business through automation. It's an all-in-one business and marketing platform that complements your current delivery app. If you go to pixlcrm.com/upmarket you can get a 30-day risk-free trial!

From Shipping in Paraguay to Photojournalism in Kyrgyzstan: Luke Oppenheimer's Journey & the Making of Ottuk

For more than 18 years, Giles Clarke, a visual storyteller, has documented conflict, displacement and survival, telling stories from the frontlines of human experience. In this conversation with EVN Report's Roubina Margossian, he explores how corporate takeovers and misinformation have reshaped the media landscape, and reflects on the tenacity, drive and obsession needed for a photojournalist to survive.

THE AFTER PARTY IS BACK. And on this one we feature the new girls of Cincy Street. They tell about their bartending journey to Cincy Street, give us their latest relationship tea and our boy Gee asks them some crazy questions! Follow us on social media @AaronScenesAfterParty

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Mentioned in this episode: www.japanhouselondon.uk/whats-on/ www.michaelhoppengallery.com/exhibitions/254-sarah-moon-10-portland-road/ https://huxleyparlour.com www.npg.org.uk/whatson/exhibitions/2026/marilyn-monroe-a-portrait Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

Chris, Ade and Jeremiah explore the ways new technology can help you make fantastic photos.

HT2654 - Those Delicate Highlights I remember a workshop instructor once suggesting that photographs live in Zone VIII. I'm not sure a definitive statement like this is universally accurate, but it definitely points in a direction I've found true more often than not. If we lose those delicate highlights, we end up with a gray smudge or an invisible blankness. I've found that the best images have, like us humans, a dependence on respiration. If a print doesn't breathe, it isn't alive. And that breath seems to reside in those delicate highlights.. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,056, June 16, 2026. Today's theme is, "Nighttime Is the Right Time for Smartphone Photography" I'm Derrick Story. Smartphones are good at a lots of things. And they are really good at night photography. And when you want to escape the hot, contrasty glare of summer days, let the evening roll in, grab your phone, and go make some stunning pictures. I'll share my favorite tips for just that on today's TDS Photography Podcast. I hope you enjoy the show. Camera. Go to Prioritize Faster Shooting and toggle it off. We want the best image quality possible. Next, learn how to turn on Night Mode Max by long-pressing the Moon icon at the top of the Camera app. This allows for a longer exposure, up to 30 seconds, depending on how steady the camera is. There is a tradeoff, however. In Night Mode the resolution is set to 12MP, even on new iPhones such as the 17 Pro. Techniques for Shooting in Night Mode Keep hands as steady as possible. Widen your stance and use two hands to grip the phone and keep them close to the body. Brace your body against a solid surface. Gently press the shutter button. Take multiple photos instead of just one. Then you can choose the best. Use the Main Camera (1X) because of fast aperture. Pro RAW + Night Mode for maximum edibility. One of the great things about nighttime photography with a smartphone is that you don't attract attention to yourself like you would using a mirrorless camera on a tripod. You can go about your business unnoticed and unbothered. Yet, you can come away with stunning shots. If you are in a situation where you feel comfortable setting up a tripod, then shooting in RAW with Night Mode Max can provide exposures up to 30 seconds with incredible detail and color. Night photography is a great way to separate your images from everyday snapshots. Whether you're exploring new territory on vacation, or just feeling like getting out in your hometown stomping grounds, these techniques will render your world in a whole different light. This Week in the News Apple's RAW Processing is Finally Evolving After a Decade and It's a Big Deal as featured on PetaPixel.com Sales of full-frame mirrorless cameras are flatlining, while compact camera sales continue to grow - what's going on? as featured on AmateurPhotographer.com 5 Lenses Nobody Gets Excited About That Produce More Photos Than Anything in Your Bag as featured on PetaPixel.com Virtual Camera Club News Workshops! The 2026 TDS Photography Workshop Season. We are featuring webinars, online workshops, and in-person events focused on creating impactful images in the company of those who love photography as much as you. Our workshops are like no others, and we think you will throughly enjoy the camaraderie and the tips and techniques. Stop by The Nimble Photographer Workshop Page and reserve your spot today. Lightroom Power Tools Online Workshop - Led by Rob Knight, Sept. 9, 16, 23, 30, 2026 Adobe Certified Expert Rob Knight will be showcasing some powerful editing tools that have recently been added to Adobe's raw editing in this new workshop. As the tools improve, the work gets easier. Rob will go over the ins and outs of the improved masking tools, point color adjustments, color grading, AI noise reduction, and more. Each session is recorded and made available to all registered participants. Inner Circle Bold. Sign up for the Annual Membership that's only $75.60 a year, you will receive all of the regular Inner Circle benefits, plus a coupon for your choice of a 2026 Online workshop hosted by me. Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view. If you're interested in writing for Live View, drop me a line at dstory@gmail.com. The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear. Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout. The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on

Before you announce your fall calendar to the world, there's one group of people who should hear from you first — and most photographers skip right past them on the way to the public launch.In this episode, I'm sharing the strategy I recommend to every photographer releasing their fall schedule: give your past clients early access before anyone else gets a look. I'll walk you through how long to keep the window open, what to offer instead of a discount, how to handle the booking process whether you use a scheduler or book manually, and how to identify exactly who should be on this list using the segmentation framework from episode 238.Plus — I'm connecting this to the bigger picture. Early access might fill 30-40% of your calendar. What happens when you're deep in fall, your queue is full, and new inquiries are still coming in for those last spots? I've got something for that too.Read the full strategy at coliejames.com/earlyaccess.

Today, Theo Ellington is the secretary at the Ruth Williams Opera House. This born-and-raised San Franciscan is also running to be the next D10 supervisor. In Part 1 of this episode, meet Theo. His maternal grandfather, Clifton Weeks, came to SF because his sister, Marie Weeks (Theo's great-aunt), had come here. Clifton and his sister had grown up in rural Natchez, Mississippi, but they came out West during the Great Migration. Their first landing spot was The Fillmore. Clifton found work as a laborer, where he helped build roads and bridges. He also did a little work at the shipyard back when it was still in The City. He had three daughters and made enough money to be able to buy a house in Bayview. Theo grew up in that house with his aunts and cousins. Theo's dad, Grant Ellington, a veteran, came here from Cleveland as an adult. While Theo isn't 100 percent sure what the story is, his parents say that they met at a party … in the Eighties, no less. Grant was a big dude, 6'5", and he commanded a presence. Grant would come by the house, Theo says, and seemed overly concerned with whether his son had a girlfriend. Theo would get that question as young as 6. His dad passed away when Theo was in high school. Theo has two brothers—one older and one younger. He was the third-youngest among the 10 cousins living in his house at Third and Palou. They grew up pre-internet, and so, like a lot of us, went out and made up their own games. He and his cousins and their friends would stay out until the streetlights came on. Theo goes an aside about one of the games they invented—"baserunner." They rode bikes and skateboards, as well. He was born in 1988 and went to a lot of school all in The Bayview. Because he's born-and-raised, I ask Theo to rattle off the schools he attended: Charles Drew Elementary, afterschool at Leola Havard, and Gloria R. Davis Middle School, where he helped make a documentary on a grant from Salesforce about the 24-Divisadero called Bus 24 "The Diversity Bus." It's very much worth watching. That experience really helped to shape Theo's perspective. He started to see his neighborhood, The Bayview, in a different light. And he saw the rest of The City. It sparked a curiosity in him—why was his own hood living in such poverty while other parts of SF thrived? Theo was in the top of his class at Davis Middle School. He began high school at Sacred Heart, and suddenly found himself at the bottom of his class. Drawing from his experience making the Muni documentary, for his junior year, he transferred to School of the Arts (SOTA), where he could focus less on academics and more on filmmaking and documentaries. When he was a kid, Theo had done some acting with American Conservatory Theater (ACT) and WB TV, back when they had a studio in The Bayview. He spent two years in SoCal at Marymount College. One aspect he appreciated as a young freshman was the townhouse dorms, which felt less like typical college dorms and more like adult homes. The move served two goals—go to college, but also, pursue his dream of working in the film industry. While at Marymount, Theo worked at the local Boys and Girls Club, where he and others helped young boys who lacked role models. The experience allowed him to see how life in Southern California was different than life in his hometown. Check back Thursday for Part 2 and the conclusion of Theo Ellington's story. We recorded this podcast at the Bayview Opera House in Bayview in November 2025. Photography by Jeff Hunt

Javier Proenza speaks with Ioanna Sakellaraki, a Greek visual artist, photographer, and Fulbright Scholar currently conducting research with the Smithsonian, about the development of her interdisciplinary practice across photography, collage, embroidery, and archival work. The conversation examines Sakellaraki's transition from a career in communications strategy with EU institutions into contemporary art, the influence of personal grief and the discovery of her late father's archive on her work, and her engagement with Greek mourning traditions, Orthodox ritual, memory, and the unstable boundary between documentary and conceptual image-making.

HT2653 - There Are No Bad Lenses, There Are No Perfect Lenses The other day I was working on some images in Lightroom and realized that one of them was a fantastically sharp image that I had made with a notoriously bad lens. Looking more closely at the EXIF data I realized this image had been shot in the middle of the zoom range and stopped down a bit. My "bad lens" performed beautifully. Wide open at maximum zoom this lens was just crap. Do I blame the lens for making bad pictures, or do I blame myself for not knowing the lens as well as I should have? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2600 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2652 - A Grand Slam Home Run If you are a baseball fan like I am, you know what a thrill it is when your team hits a grand slam. A true baseball fan, however, knows that the occasional grand slam is not the reason to be a baseball fan. It just happens from time to time. The true fan loves every pitch, every swing, every hit, every subtlety of the game. I say the exact same thing about photography. The stone-cold winners are a thrill, but not the reason to be a photographer. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

HT2651 - Processing Delta In mathematics and statistics, delta is the measure of change. Strangely enough, I find this a useful concept in processing my photographic artwork. What is the delta (change) required between the scene captured and the artwork I envision? My role as a creator changes dramatically depending on the delta between the image capture by the camera and the finished photograph. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

What does it take to photograph elite athletes pushing their bodies to the point of collapse, or freeze the motion of cars hurtling by at speeds that blur the line between control and catastrophe? Two of our favorite recent podcasts went deep inside those worlds: one with Phil Penman and Kristof Ramon on the brutal beauty of competitive cycling, and the other with Camden Thrasher and Jamey Price on the relentless sensory overload that comes with photographing motor sports. While our video podcast studio gets its finishing touches, we're revisiting our archive for an encore that pairs the best of both sports—from the many stages of suffering baked into professional cycling to the wild mix of visual stimulation and sleep deprivation that comes with shooting a 24-hour endurance race. In each conversation, you'll find sparks of enlightenment that happens when photographers who thrive on adrenaline get a chance to really talk shop. The excerpts here contain the highlights. Yet, the full episodes are also worth your time—links to those are in the timeline below. And make sure to subscribe @BHPodcastNetwork to get our latest updates on YouTube, Instagram, and TikTok. Guests: Phil Penman, Kristof Ramon, Camden Thrasher & Jamey Price Episode Timeline: The Art of Competitive Cycling Photography, with Phil Penman & Kristof Ramon 3:25: Phil Penman's background in competitive cycling and how this informs his photographs of the sport. 5:48: Logistics to shooting competitive cycling and perils of damaging photo gear. 9:21: Creative aspects to competitive cycling photography and how to get impactful shots. 14:00: The many stages of suffering in competitive cycling, and the pride riders take in having this photographed. 20:02: Technical aspects of cycling photography, understanding light, capturing speed, and learning to react intuitively to the action. 25:00: Gaining access and building rapport with athletes and teams. 31:28: The back story to Kristof's book and how he identified suffering as a narrative element. 37:38: Starting out and getting credentials as a competitive cycling photographer. 41:13: Balancing the technical with an emotional response while building in certainties and calculating risk. 50:29: EPISODE BREAK High-Octane Motor Sports Photography, with Camden Thrasher & Jamey Price 53:46: Jamey's start as a jockey, plus comparisons between photographing horse racing and motorsports 55:25: Camden's early years at auto races and exploring the mechanics of his father's film camera. 56:55: The logistics behind working as a motor sports photographer and a race day timeline. 1:10:58: The thrill of endurance racing and how covering these 24-hour races differs from other auto racing events. 1:16:34: Camden and Jamey's go-to gear, and using manual focus for panning shots.  1:23:00: How to capture adverse weather or unique atmospheric conditions for great results.  1:27:15: Camera settings and creative techniques for panning, plus challenges to calculating relative distance combined with speed.  1:33:42: Varied limits to image use, copyright ownership, and licensing images to clients. 1:37:36: Parting advice to fans seeking to become a credentialed motor sport photographer. Guest Bios: British-born, New York-based photographer Phil Penman has documented the ever-changing scene of New York City's streets for more than 25 years. and he has quite a bit of experience in the world of professional cycling himself. In his career as a news and magazine photographer, Phil has photographed major public figures and historical events. His reportage following the 9/11 terrorist attack was featured in major print publications and media broadcasts worldwide, and his work covering New York City's pandemic lockdown is in the collection of the U.S. Library of Congress. In addition to exhibiting at Leica galleries in New York, Washington, D.C., Boston, and London, Phil's signature street photography has appeared in international exhibitions as far afield as Venice, Berlin, and Sydney. He also tours the world teaching photo workshops for Leica Akademie. Phil's books, "Street" published in 2019, and "New York Street Diaries" published in 2023 both became best-sellers and have been featured at New York's Museum of Modern Art. Kristof Ramon is a pro-cycling photographer who covers some of the world's most prestigious races, including the Tour de France, the Giro d' Italia, the Tour of Flanders and Paris Roubaix. Born and raised in Belgium, Kristof discovered photography while attending film school at age 19. He eventually followed his passion for cycling and photography and has focused exclusively on this sport since 2011. Working under the name Kramon, his talent for storytelling and his ability to capture the atmosphere and raw emotion of racing makes his images stand out from typical race photography. Kristof's reputation has earned him the respect and trust of many of the biggest racing teams and riders - which is why he's able to capture such extraordinary in-between moments and behind-the-scenes images. The riders are always his primary focus, as evidenced in his close-up portraits of racers caked in sweat, mud, dust, snow, and grime. Kristof's first book, The Art of Suffering, was released in June 2024 by Laurence King Publishing. Camden Thrasher is a motor sports photographer with a distinctive ability to capture unique scenes of fast action. Growing up in Vancouver, Washington, it was the sound of engines from a nearby racetrack that first drew him to motor sports. After becoming a fixture at the track with his camera during high school, Camden studied automotive design and engineering in college, expecting to work as an engineer or on a pit crew. But the money he was making as a side hustle with his camera convinced him to stick with photography, and he hasn't looked back since. Using a unique slow shutter speed method, perfected over many exposures, Camden revels in showcasing the abstract qualities of gleaming metal, bright lights, and dynamic action that are hallmarks of this sport. Now based out of Atlanta, Georgia, Camden's work has been commissioned by top racing teams and featured in a wide range of media, from print magazines to automotive branding campaigns. Jamey Price is an automotive photographer based in Charlotte, North Carolina, whose motor sports work has taken him to more than 25 countries, and across most of the continental US. Jamey's photography career began while he was competing as a thoroughbred horse racing jockey and exercise rider. During this time, he completed more than 50 races, notching 11 wins in the saddle. His life in horse racing was eventually compiled into the self-published book Chasing: Racing Life in England & Ireland. Yet, in 2011, Jamey's photography career switched from horses to horse-power. Since he began chasing race cars, his images have been published worldwide in magazines, distributed by sports imagery wire services, and featured by top commercial clients. Additionally, Jamey is a LEXAR Elite Artist, since 2014. Stay Connected: Phil Penman Website: https://www.philpenman.com Phil Penman Instagram: https://www.instagram.com/philpenman/ Phil Penman Facebook: https://www.facebook.com/philpenmanphotography/ Phil Penman Twitter: https://x.com/Penmanphoto Phil Penman Wikipedia: https://en.wikipedia.org/wiki/Phil_Penman Kristof Ramon Website: https://kramon.be/ Kristof Ramon Instagram: https://www.instagram.com/kramon_velophoto Kristof Ramon Facebook: https://www.facebook.com/kramon/ Kristof Ramon Twitter: https://x.com/kristoframon Kristof Ramon Photoshelter: https://kramon.photoshelter.com/ Kristof Ramon Flickr: https://www.flickr.com/photos/kristoframon/ Kristof Ramon at Lawrence King Publishing:  https://us.laurenceking.com/products/the-art-of-suffering Camden Thrasher Website: https://www.camdenthrasher.com/ Camden Thrasher Instagram: https://www.instagram.com/camdenthrasher/ Camden Thrasher Facebook: https://www.facebook.com/CTimages/ Camden Thrasher Flickr: https://www.flickr.com/photos/cthrash/  Jamey Price Website: https://www.jameypricephoto.com/ Jamey Price Instagram: https://www.instagram.com/jameypricephoto/ Jamey Price Facebook: https://www.facebook.com/jameypricephoto/ Jamey Price Twitter: https://x.com/jameypricephoto/ Jamey Price YouTube: https://www.youtube.com/jameypricephoto Jamey Price TikTok: https://www.tiktok.com/@jameypricephoto/ Jamey Price Lexar: https://americas.lexar.com/lexar-elite-team/jamey-price/  For more information on our guests and the gear they use, see: www.bhphotovideo.com/explora/podcasts

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Laura Foos. Interview Overview Guest: Laura FoosHost: Rushion McDonaldShow: Money Making Conversations MasterclassLocation: Camp Springs, Maryland (DMV area)Focus: Entrepreneurship, tax education, real estate ownership, multiple income streams, women in business, and asset‑based thinking Laura Foos is a serial entrepreneur, accountant, tax professional, property owner, and business educator. In this conversation, she walks through how she built several aligned businesses—from a salon to a tax firm, educational products, and a multi‑use commercial space—while raising her daughter as a single mother and intentionally building wealth through ownership. Purpose of the Interview The purpose of the interview is to: Educate everyday entrepreneurs—especially women and small business owners—on how to use taxes, ownership, and strategy to build sustainable wealth Demystify entrepreneurship by showing how multiple income streams can grow from practical decisions, not hype Highlight asset‑based thinking, where liabilities are intentionally offset by income‑producing assets Inspire single mothers and women entrepreneurs to pursue ownership, funding, and scalability without waiting for permission Rushion positions Laura as a living example of “walking the walk”—not just talking about business success, but executing it with discipline, planning, and faith. Key Themes & Takeaways 1. Location, Ownership, and Convenience Matter Laura intentionally built her life and businesses close together—owning her home of 20 years and purchasing a nearby commercial property—to maximize efficiency and control.Takeaway: Strategic location and ownership reduce friction and increase long‑term stability. 2. Taxes Are a Growth Tool—Not Just Compliance As a college‑educated accountant and longtime tax professional, Laura explains that many small business owners are taught to eliminate taxable income entirely, but this limits growth. She emphasizes the importance of: Showing income on paper Planning annually for tax obligations Using taxes strategically to qualify for loans and asset purchases Takeaway: You cannot scale—or secure funding—without showing money on paper. 3. Every Liability Should Have an Asset Attached Laura repeatedly returns to a core principle: “For every liability that I have, I want to figure out an asset that is going to pay for that. Examples include: Rental units inside her home paying the mortgage Booth rentals covering salon rent Event space, studios, and meeting rooms generating income to cover the commercial property Takeaway: Bills are optional when assets are designed correctly. 4. Multiple Streams Came from One Smart Decision What began as a tax office expanded into: A podcast studio Photography studio Meeting rooms Event space Takeaway: One owned asset can support several revenue streams if you design for flexibility. 5. Mentorship and Representation Matter Laura consciously mentors other women through: Her Confessions of a Boss Lady Facebook group (400+ women) Social media education Direct example She emphasizes that visibility—“I’m living this”—is key to inspiring others. 6. Teaching Financial Literacy Starts at Home Laura involved her daughter in entrepreneurship early, helping her launch a bracelet business to fund private school tuition. She taught her: Customer interaction Inventory management Profit allocation Reinvestment Takeaway: Wealth habits are taught, not inherited. 7. Smart Delegation Enables Growth After experiencing burnout and a health scare during the pandemic, Laura learned she could not do everything herself. She expanded her team and invested in automation. Takeaway: Growth requires letting go—not grinding harder.. 8. Faith Replaces Fear When asked why she isn’t afraid to take big risks, Laura attributes her confidence to faith. “I have fearless faith… If He put it in front of me, that’s what I’m supposed to try.” Takeaway: Purpose reduces fear and reframes failure as learning. Standout Quotes On asset‑based thinking: “For every liability that I have, I want an asset that’s going to pay for that.”. On taxes and growth: “To grow and expand and purchase things in the business name, we have to start showing something on paper.”. On entrepreneurship as a single mother: “One income is not enough.” On delegation and health: “I realized I don’t have to be in it 24 hours a day.”. On fearlessness: “If it doesn’t work, I’ll reorganize, learn the lesson, and move on. Overall Impact Laura Foos is presented as a grounded, disciplined, and strategic entrepreneur who built wealth through ownership, education, planning, and faith—not shortcuts. The interview reinforces that success is not about one big idea, but about stacking smart decisions over time. Core message:Ownership + education + faith + execution = freedom. #BEST #STRAW #SHMSSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.