Podcasts about Photography

Most people know Meshkiey for his hilarious and sometimes chaotic skits. But this conversation showed a completely different side.In this episode of Stay By Plan, we sit down with the Nigerian creator to talk about:Ghana

What should you do when another photographer copies your work? Nothing. In this episode, I break down why the fear of "stolen ideas" is one of the biggest things holding creatives back. After a recent post sparked debate, I dive into the difference between inspiration and theft, what copyright actually protects, and why most photographers are focused on the wrong problem. We're talking about: Why ideas aren't the asset, execution is The truth about "first usage rights" and copyright How a scarcity mindset slows your growth Why competition is actually a good thing And how to position yourself so copycats don't matter Referencing insights from Austin Kleon and Steal Like an Artist, this episode reframes how creatives should think about originality, influence, and building a sustainable career. If you've ever been frustrated by someone "ripping off" your work, this is the perspective shift you need. https://jamespatrick.com/

HT2565 - The Updating Dilemma Major software updates have become a part of our photographic life. Some of these updates in software features are subtle, but occasionally an update introduces a major game-changing capability. What are we to do if a new update in software processing allows us to make a significant improvement in one of our images from yesteryear? Do we go back and "fix" the images processed with older software? If so, where do we draw the line? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This episode felt like such a full-circle moment for me. I'm talking with my former photography mentee, Cortnie Davis, who has grown from an 18-year-old wedding photographer into a thoughtful consultant helping creative entrepreneurs build calmer, more sustainable businesses.Cortnie began her career behind the camera and later added floristry to her creative life. Today she works at the intersection of creativity, systems, and sales, helping wedding professionals and other service-based creatives turn all that invisible behind-the-scenes work into intentional systems that actually support their businesses.With a background in hospitality and years of client-facing experience, Cortnie believes strong processes should feel human and supportive — not rigid or overwhelming. She's equal parts people-obsessed and spreadsheet-loving, and her work focuses on helping creatives build workflows that allow their artistry to thrive.In our conversation, we also reminisce about her early photography days and the moment at a conference when a little encouragement helped her keep going. Hearing how that stayed with her all these years truly touched my heart.We also talk about the powerful mindset shift from scarcity to service, and why documenting your workflows and using tools like HoneyBook and ShootProof can make running a photography business so much easier.In this episode• The moment of encouragement that helped Cortnie stay in photography• Why a service mindset can calm anxiety and make selling feel natural• How documenting your workflows can completely change your business• The importance of personal touches in client communication• Systems and tools that free creatives to focus on what they loveA thoughtful, honest conversation about creativity, burnout, service, and building a photography business that feels calmer, clearer, and more profitable — without losing the human touch.To connect with Cortnie hello@cortniedee.comcortniedee.comConnect with Photography Business Coach Luci Dumas: Website Email: luci@lucidumas.comInstagram FacebookYouTubeNew episodes drop every week — make sure to subscribe so you never miss an inspiring guest or a powerful solo episode designed to help you grow your photography business.

Join Dexter Brown in this insightful conversation as he shares his journey from childhood bullying to becoming a high-profile LA photographer. Explore themes of authenticity, purpose, self-care, and the intersection of art and spirituality, all woven through personal stories and professional insights.Self-care, Photography, Purpose, Spirituality, Art, Mental Health, Personal Growth, LA Lifestyle, Creativity, Authenticity

HT2564 - I Saw This Very Cool Thing Here's another thought experiment about producing artwork. I looked back at all I've done and divided my productivity into two piles. The first pile was photographs that essentially say, "I saw this very cool thing." And the second pile was the artwork where the essence of the work was to say, "This is what I have to say about this thing." I found I had way more work in the first pile, but that the most meaningful work I'd done was in the second. I wouldn't be surprised that you might find the same divisions in your work. If I'm right about this, what does that say about those projects we are yet to complete? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Photography is a technology of contradictions. It is at once mechanical and mysterious, even magical. It furnishes evidence of presence while being a token of absence. It can show us proof but can't, without accompanying narration or context, make us understand. And perhaps most perplexing of all, it is an imperialistic technology which, paradoxically, atomizes the world and democratizes all events and experiences, making each viewer of photographs the owner of a facsimile-world in his or her head. Wes & Erin discuss two essays from Susan Sontag's collection, “On Photography,” “In Plato's Cave” and “America, Seen Through Photographs, Darkly,” and ask what constitutes photography's “ethics of seeing,” and whether Sontag suggests an alternative comportment towards the camera, the subject, and the photographic image. Upcoming Episodes: Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

This is The Digital Story Podcast 1,043, March 17, 2026. Today's theme is, "No Matter Where Your Photos Are, This App Can Display Them." I'm Derrick Story. On my MacBook, I have Aperture libraries, Capture On catalogs, Lightroom collections, thousands of images in Photos for macOS, and a bunch of file folders. I can search across all of those proprietary catalogs, find what I want, and export to my desktop. How? Using a magical application called Peakto. I'll explain how, and its latest updates, on today's TDS Photography Podcast. I hope you enjoy the show.

Week 50 of Ted Gioia's Immersive Humanities List brings us to three mid-20th-century thinkers wrestling with art, media, and the modern world: Susan Sontag, Walter Benjamin, and José Ortega y Gasset.I begin with Susan Sontag's famous essay “In Plato's Cave” from On Photography. Writing in 1972, she asks how photography changes our relationship to memory and experience. At the time, photographs were printed objects. We saved them in albums, books, or wallets. Today we carry thousands in our pockets. If photographs once captured moments, now they seem to overwhelm them.Walter Benjamin's “Art in the Age of Mechanical Reproduction” pushes this further, asking what happens to art when it can be endlessly copied. Photography and film, he argues, transform not just art but perception itself.Finally, José Ortega y Gasset's The Revolt of the Masses explores the rise of “mass-man”—a culture where opinions are everywhere but the pursuit of truth is optional.Taken together, these essays were more uncomfortable than I expected: the problems of our modern media world may have been visible long before smartphones, if only we'd paid attention.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Rae Alexandra has 35 stories to share with you, plus her own. In this Women's History Month episode, meet and get to know Rae. She recently published a book with City Lights Publishing called Unsung Heroines: 35 Women Who Changed the Bay Area. It's of course available at City Lights, but you can also find it at your local independent bookstore. I read the book and could not put it down. Only toward the end of the 35 essays did I start to recognize the women Rae features. I love history and I love learning and I have mixed feelings about the fact that there are so many rad women whose stories are untold. Thank you, Rae Alexandra, for shining on a light on these incredible women. These days, she's a staff writer at KQED. But Rae's story starts in Wales in the UK. She grew up in Cardiff, the capital of the country. (I learn in the conversation that Wales is a country. I also learn that "United Kingdom" and "Great Britain" are the same thing. Now, British vs. English we don't touch, for obvious reasons. But I digress …) Ed. note: I'll describe my conversation with Rae as two Gen Ex journalist types with ADHD (is that redundant?) doing their best to be linear. To me, the meanderings of our talk are totally normal. Rae says that Wales is delightful and has all the best castles, but that's because of the number times the country has been invaded and conquered. Close to where her mom lives today is a castle that boasts the world's largest crossbow. When I ask when Rae was born (1978), we discover that she's a horse as in Year of the Horse (aka 2026). Cool. Rae continued to call Cardiff home up through her college years. She didn't go to another school outside of Wales that had accepted her because she was attached to a group of skateboarders in her hometown. After she graduated, though, she moved to London. Music has been central for Rae as far back as she remembers (same). She shares stories of being maybe 5 and listening to the Top 40 with her cassette recorder ready to nab her favorite songs (same). According to Rae, the English look down on the Welsh, and have for some time, based on classist generalizations. Wales is where the UK mines most of its coal. London-types consider their neighbors to the southwest feral, and in some regards, the Welsh are, she says. In the Eighties, she remembers stories about IRA bombings appearing on the news nightly. Also, in Wales, miners went on strike and everyone knew about it. Rae says that Wales in the Eighties was essentially like listening to The Clash. We go on a sidebar about siblings, birth order, and what it means to be the youngest, which Rae and I both are. Growing up, she was close with both her older sisters. Today, one lives in Australia and the other lives in the London suburbs. Around age 10, Rae discovered metal. By 12, she decided that she would become a music journalist. In her teen years, she "snuck" her writing into local and college newspapers. The music journalism she consumed in those days included publications like Smash Hits, Kerrang!, NME, and Melody Maker. In fact, her first job out of college was at Kerrang! We go on a sidebar on the whole idea of living somewhere vs. visiting, and how they're so totally different on every level. I use Chicago, where I lived for a full six months in the Nineties, as my example. Rae offers up a stay in Brooklyn as hers. That job at Kerrang! is what brought Rae to London, another place she found impossible to live. I ask her to expound on what it was about the place, and she indulges me. She says that you have to be obscenely wealthy to live in Central London, so most folks are forced to the outskirts. But the jobs are in the middle of town, and so you end up spending around two or three hours a day commuting underground. It was/is also gray—the weather, the architecture—and the people in London were, as Rae describes it, hostile. When she goes into detail about the ways in which they were hostile, we agree that only you get to shit on your own hometown. People who aren't from there aren't allowed. It's a rule. Look it up. After a year working for the magazine in London, Rae met a guy from San Francisco. She'd been to The City and even spent significant time here working for Maximum Rock 'n' Roll. (At this point in the recording, I mistakenly call the BBQ place near Hayes and Divisadero until sometime in the early 2000s "Brothers." It was in fact called Brother in-law's. My apologies.) She moved in with that guy she met, lived with him for six months in London, and then it was time for him to come home to SF. He asked her if she wanted to join him and she accepted. She had already transitioned to freelance writing for the magazine, because office life didn't suit her, so work wasn't so much a problem. But upon arrival, she soon discovered how difficult it was to do anything without a Social Security number. That added an extra layer to moving here. But it wasn't the place itself or its people that made things hard. It was the system, so to speak. Also, while she was getting settled and learning how to survive in the US without an SSN, she started to see that the guy was, let's just say, not for her. She felt he'd been playing the long game when they lived together in London, but once back on his home turf, some of his sociopath tendencies emerged. It was 2002 and she lived in Bernal Heights on Cortland. She spent most of her time in the Mission, just down the hill. After a short time, the guy convinced her that they needed to get married, so they moved back to London. The marriage lasted three months, and Rae returned to her new home—San Francisco. When she came back, she experienced a stretch of housing instability. You could call it "couch surfing," but either way, it was dicey. Six months or so later, things settled. It was easier to live cheaply in the early 2000s, also. A $5 burrito could be a whole day's worth of food. And Rae had befriended enough bartenders that she rarely paid full-price for booze. She describes "The Blackout Triangle" of Killowatt, Delirium, and Dr. Bombay's. She also regularly visited Beauty Bar until that place went downhill. Check back this Thursday for Part 2 with Rae Alexandra. We recorded this episode at Vesuvio in North Beach in February 2026. Photography by Jeff Hunt

HT2563 - Advice on Travel Photography Here is some advice about travel that doesn't come from me, although I do agree with it. Strangely enough, it's a passage from the book Dodsworth by Sinclair Lewis, published in 1929. Not aimed specifically at photographers or artists, it still is an observation about travel that I think fits perfectly with our creative process as photographers. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

An ET contactee reveals real footage, cosmic messages, and how to activate your dormant Starseed DNA now.Watch Now:• What really happened when UFOs began appearing in Lily Nova's camera lens during lockdown• How contact evolved from sightings to relationship and cosmic teaching • The specific methods she learned to initiate contact • How to activate your psychic gifts and dormant Starseed DNA• The current galactic messages about where humanity stands right nowHear Lily and Debbi speak at the New Living Expo, April 17-19, 2026 in san Rafael, CA. Get your tickets: ⁠https://newlivingexpo.com/⁠She went out to photograph the stars… and the stars answered back. Today, Lily Nova reveals the UFO footage, the direct ET contact, and the process to activate your dormant Starseed DNA – plus how to reconnect with your cosmic family at a time when humanity is standing on the brink of a massive consciousness shift. Listen to our conversation – as you receive insight, activation, and a roadmap for your own contact and awakening. Lily is an ET contactee, UFO and space photographer, cosmic channel, and bestselling author whose footage and experiences have been featured on Ancient Aliens and international media. Join us as we go beyond headlines and into the heart of what contact truly means: ⁠https://www.lilynovacontact.com/ ⁠Enter a world of channeling, ET's, metaphysics & multidimensional truth. Dare to Dream reveals what most shows won't touch — and what your soul's been asking for.Free Starseed Report: ⁠https://debbidachinger.com/starseed⁠IG: @daretodreampodcast @debbidachingerHosted by Debbi Dachinger, award-winning broadcaster, shamanic healer, & book launch mentor for authors ready to rise.#LilyNova #UFOFootage #ETContact #StarseedActivation #GalacticAwakening #CosmicChannel #LightworkerHealing #AlienEncounters #SpiritualAwakening #ConsciousnessShift #StarFamily #DareToDreamPodcast #DebbiDachingerBecome a supporter of this podcast: https://www.spreaker.com/podcast/dare-to-dream-with-debbi-dachinger--1980925/support.

HT2562 - More on Framing At the risk of beating a dead horse, here are a few more thought about photography in frames, an extension of yesterday's comments about whether or not mats and frames are part of the artwork. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Apple has announced the MacBook Neo, a $600 laptop running on the same A18 Pro processor that was used in the iPhone 16 Pro. Oh, and it has 8GB of RAM and starts at 256GB of storage. Believe it or not, lots of people on the Internet take issue with those specs, so we look at it from the point of view of whether it could be a good machine for photographers who blew all their money on a $10,000 Leica f/1.2 lens. Hosts: Jeff Carlson: website, Jeff's photos, Jeff on Instagram, Jeff on Glass, Jeff on Mastodon, Jeff on Bluesky Kirk McElhearn: website, Kirk's photos, Kirk on Instagram, Kirk on Glass, Kirk on Mastodon, Kirk on Bluesky Show Notes: (View show notes with images at PhotoActive.co) Rate and Review the PhotoActive Podcast! MacBook Neo You Probably Don't Need an f/1.2 Lens Leica Leitzphone Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

In this episode of the Sajin Photography Podcast, I talk about the photography class I've been teaching at the Ulsan Support Center for Foreign Residents. We're two weeks into the new term, and it's already reminded me why I keep coming back to teaching photography.Photography isn't just about cameras or settings — it's about learning to see the world differently.In this episode, I share what happens in those first few weeks of class, the challenges students face when they start, and the moment when things begin to click. We talk about confidence, creativity, community, and why photography can be such a powerful tool for exploring the places we live.Teaching this class has also reminded me of something important: sometimes the best way to reconnect with photography is to watch someone else discover it for the first time.If you've ever taken a photography class, taught one, or are just trying to find your motivation again, I think you'll enjoy this conversation.Support the showStay connected with the Sajin Photography Podcast for more captivating discussions, interviews, and updates on the vibrant photography community in Korea. Don't forget to subscribe, rate, and review me on your favorite podcast platform. Follow me on social media @the_sajin_photography_podcast on instagram for clips, content and upcoming announcements. Keep capturing those unforgettable moments, and until next time, happy shooting!

HT2561 - Is the Frame Part of the Artwork? We don't just thumbtack our prints to the wall. Instead, we dress them up a little bit. We mat them and frame them and then hang them on the wall. Where does the artwork stop and the presentation embellishments begin? Said another way, are the mat and the frame part of the artwork? This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Hey Retro Gamers! On today's episode of Smashing Bricks we travel back to 2000 to find all of the secret VHS tapes and ollie the magic bum 5 times in Tony Hawk's Pro Skater 2 for the Sony PlayStation.Smashing Bricks is a retro gaming podcast about revisiting classic video games together to see if they hold up to the rose tint of nostalgia. Join me, Eddie Inzauto, and regular guest Anthony LaBella as we spend hours grinding rails and hitting vert ramps to rack up SICK scores in this extreme sports game for the "new millenium."Make sure you listen until the end to hear what the next game is and play through with us before the 14th of next month! Smashing Bricks Bonus Round Episodes are now available to all Fire Flower tier (and higher) Patreon Patrons! These amazing episodes post on the 28th of each month, and I really want as many of you to hear them as possible, so I've made it easier to be a part of that audience! Be sure to check them out at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/smashingbricks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Non-patrons can ALSO now hear these episodes on the main feed, but they'll be posted there a little over a year after initial release, on the 1st of each month.Smashing Bricks has a Discord server! Follow this link to join our community and chat about games, the podcast, and anything else your heart desires! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/gfnpx62JzS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You're invited to join the discussion with your comments on our current and upcoming titles or any past game we've played. You can also make suggestions for games you'd like to hear about on future episodes!Check out the Smashing Bricks Playlist and help me fill in the gaps, or let me know that a game that's already on the list is a must-play for the show! Here's a link to the list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠playlist.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠And again, if you'd like to go above and beyond to support the show and even get yourself some brand new bonus episodes, donate a few bucks a month via Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/SmashingBricks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SOCIAL LINKS:Linktree with all links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠links.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Intagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SB on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.smashingbricks.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eddie's Photography on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/edwardinzauto⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music Credits"Victory (Captain Tsubasa Medley)" used under Creative Commons Attribution license.Provided by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GameChops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Brave Wave Productions

Fluent Fiction - Hungarian: Santorini's Hidden Beauty: Friendship Beyond the Lens Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-03-14-07-38-19-hu Story Transcript:Hu: Santorini tavaszi reggelén a nap sugarai incselkedve játszottak a fehér falakon és a kék kupolákon.En: On a spring morning in Santorini, the sun's rays playfully danced on the white walls and blue domes.Hu: A smaragdzöld tenger lágy hullámokat vetett a parti sziklákra.En: The emerald-green sea gently lapped against the shore's rocks.Hu: Leventének, Rékának és Ágotának ez a nap ígéretesen kezdődött.En: For Levente, Réka, and Ágota, this day began with promise.Hu: A három barát izgalommal teli szívvel készülődött, hogy felfedezzék a sziget rejtett szépségeit.En: The three friends, hearts full of excitement, prepared to discover the island's hidden beauties.Hu: Levente, kamera a kezében, eltökélten keresett egy egyedülálló nézőpontot, amely újra felkeltette volna régi lelkesedését.En: Levente, with a camera in hand, was determined to find a unique perspective that would reignite his old enthusiasm.Hu: Réka, az antik történelem lelkes csodálója, mosolyogva követte őt.En: Réka, a devoted admirer of ancient history, followed him with a smile.Hu: Mindig ő volt a legtámogatóbb, nemcsak Levente munkájában hitt, de titkon a szívében magában is bízott.En: She had always been the most supportive, not only believing in Levente's work but secretly trusting in herself too.Hu: Rá akarta ébreszteni Leventét, mennyire fontos neki.En: She wanted to make Levente realize how important he was to her.Hu: Ágota pedig, aki mindent meg akart osztani blogján, érdeklődve tekintett körbe, hogy mesés történeteket találjon.En: Meanwhile, Ágota, who wanted to share everything on her blog, looked around curiously to find enchanting stories.Hu: A nap előrehaladtával a csapat Oia keskeny utcácskáin sétált.En: As the day progressed, the team strolled through the narrow streets of Oia.Hu: Minden sarkon újabb csoda és kihívás várta őket.En: At every corner, a new wonder and challenge awaited them.Hu: Levente és Ágota között tapintható volt a rivalizálás feszültsége.En: The tension of rivalry between Levente and Ágota was palpable.Hu: Mindketten ugyanazt az utánozhatatlan pillanatot keresték.En: Both sought the same inimitable moment.Hu: De Levente számára most többet jelentett ez a kép – egy lehetőséget, hogy ismét érezze a szenvedélyt hivatása iránt.En: But for Levente, the image meant more than ever—a chance to once again feel passionate about his profession.Hu: Miközben a hegyi ösvény mentén haladtak, észleltek egy masszív viharfelhőt, ami lassan Santorini fölé kúszott.En: While they walked along the mountain path, they noticed a massive storm cloud slowly creeping over Santorini.Hu: Levente, elragadtatva a pillanattól, elmerészkedett egy elhagyatott sziklára, ahonnan fantasztikus kilátás nyílt a kalderára.En: Enthralled by the moment, Levente ventured onto an abandoned rock from which there was a fantastic view of the caldera.Hu: Réka aggódva figyelte, és kérte, hogy térjen vissza biztonságba.En: Réka watched anxiously and urged him to return to safety.Hu: Az érkező vihar gyors döntést követelt tőle.En: The impending storm demanded a quick decision from him.Hu: "Levente, vigyázz magadra," szólt Réka, hangjából aggodalom csengett.En: "Levente, be careful," Réka called out, her voice tinged with concern.Hu: A fotós azonban érezte, hogy most vagy soha.En: However, the photographer felt it was now or never.Hu: Amint a szél megkavarta a levegőt és az esőcseppek megérkeztek, Levente elővette kameráját.En: As the wind stirred the air and raindrops arrived, Levente took out his camera.Hu: Majd, csodák csodájára, az égbolt tisztulni kezdett.En: Then, miraculously, the sky began to clear.Hu: A nap újból előbukkant, és egy feltűnő szivárvány ívesen jelent meg a kaldera fölött.En: The sun reappeared, and a striking rainbow boldly arched over the caldera.Hu: Levente elkapta a pillanatot.En: Levente captured the moment.Hu: A kamera kattant, és a kép tökéletes lett.En: The camera clicked, and the picture was perfect.Hu: Szinte kézzel fogható volt számára az újraélesztett szenvedélye.En: He could almost touch the reignited passion within him.Hu: Réka és Ágota visszatértek mellé, és együtt csodálták a lenyűgöző tájat.En: Réka and Ágota returned to his side, and together they admired the stunning landscape.Hu: A nap végére Levente nemcsak szakmai önbizalmat nyert vissza, hanem felismerte Réka támogatásának valódi értékét.En: By the end of the day, Levente not only regained his professional confidence but also recognized the true value of Réka's support.Hu: Megértette, hogy nemcsak a fókuszára kell figyelnie, hanem a barátok fontosságát is értékelnie kell.En: He understood that he needed not only to focus on his work but also to appreciate the importance of friendship.Hu: Santorini naplementéjében, Réka felé fordulva, a kihívások és a gyönyörűség amidőn mosolyogva nézett rá, Levente tudta, hogy megtalálta amit keresett – nem csupán egy képet, hanem valami sokkal mélyebbet is.En: In the sunset of Santorini, turning to Réka, as he looked at her amidst the challenges and beauty with a smile, Levente knew he found what he was looking for—not just a photo, but something much deeper. Vocabulary Words:emerald-green: smaragdzöldgently lapped: lágy hullámokat vetettdetermined: eltökéltenunique perspective: egyedülálló nézőpontreignite: felkeltetteenthusiasm: lelkesedésdevoted admirer: lelkes csodálójasupportive: legtámogatóbbenchanting: mesésstrolled: sétáltpalpable: tapinthatórivalry: rivalizálásinimitable: utánozhatatlanmassive storm cloud: masszív viharfelhőcreeping: kúszottenthralled: elragadtatvaurged: kértetinged with concern: aggodalom csengettimpending: érkezőventured: elmerészkedettmiraculously: csodák csodájárastriking rainbow: feltűnő szivárványreappeared: újból előbukkantadmired: csodáltákrecognized: felismerteappreciate: értékelnieamidst: amidőnconfidence: önbizalomrecognize: megértettefantastic view: fantasztikus kilátás

HT2560 - Describe What You See Before you click the shutter, tell me what you see. I would be willing to bet big money that your description would mostly include details of the things you mentally isolate from the larger context. In essence, your description would be a list of objects you deem important enough to notice. Reread that last sentence and replace the word "description" with "photograph." To make a better photograph do we need a better description? Or, is what's missing emotional content and connection beyond mere description? Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Who's the Ghanaian celebrity on your forehead… and can you guess them before time runs out?In this episode of Stay By Plan, we play a Ghana-themed version of the viral guessing game where you ask questions to figure out who (or what) is on your forehead.What should have been simple… quickly turned chaotic.The questions got weird, the guesses got worse, and somehow Afi kept winning.Let's just say this game exposed a lot.Play along while you listen and watch and see if you can guess the answers faster than we did!

Why does love feel harder to find than it used to?In this episode of Clarity to Consciousness, Kristen Leigh Griffiths continues her conversation with psychic medium Nicole Angel to explore a question many people are quietly asking in 2026: Why does love feel so difficult to find right now?Across age groups and cultures, loneliness and emotional disconnection are rising. Recent research shows that nearly one in three adults report feeling lonely at least once a week. But from a spiritual perspective, is something deeper happening?Nicole shares insights from her work connecting with spirit guides, angels, and clients from around the world. Together, Kristen and Nicole explore how technology, protection after past heartbreak, and shifts in modern culture may be influencing our ability to form meaningful relationships—and what spirit suggests we do about it.This heartfelt and honest conversation touches on healing after trauma, trusting intuition in dating, conscious manifestation of love, and why self-love may be the key to attracting the connection we seek.Most importantly, this episode offers reassurance: you haven't done anything wrong, and love has not passed you by.In This Episode, We Explore

HT2559 - A Catalog of Your Work A friend of mine (who is a little older than I am) is involved in a massive project to create a digital catalog of his life's work. This consists of over 2500 finished images. He has inspired me to think about doing a similar project and catalog for my own work. But then, I had to ask myself, who would ever see it? Why would such a catalog be important to anyone other than me? Which is more important, doing new work or recording that past work has been done? Perhaps here is a compromise Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

On this episode the Cincinnati Pink Pony crew joins us at the After Party as they talk about working and partying at the Cincinnati party bar. Matt tells us about his staycations at El Paso County jail and Mad's catches us up from her last episode and her ex drama. Follow us on social media @AaronScenesAfterParty

On Thursday's show: Houston Mayor John Whitmire and Houston Police Chief Noe Diaz have announced revisions to the department's protocols for engaging with Immigration and Customs Enforcement. We learn what's changed and why.Also this hour: Seeking out a spring break-appropriate trip into nature within a day's drive? We visit Lake Houston Wilderness Park to learn more about it.Then, we get answers to some questions about pharmaceutical drugs. For example, when you're sick, how can you tell the difference between a symptom and a drug interaction? We ask a pharmacist about safer medication habits.And we discover what a new photo exhibit called Between Borders has to show us about the war in Ukraine -- and the unlikely organization hosting the exhibit.Watchhttps://www.youtube.com/watch?v=p0wvHnr5z6w

Hey Cape Cod, did you think we forgot you!? Here's a brand new Dr. Phil LIVE! episode featuring Josh Wolf, Joey McIntyre, Chris Redd, and a ton more. Catch up with Adam while he's on tour: https://www.adamraycomedy.com Tour Dates! March 11th & 12th - Cary, NC March 13th - Charlotte, NC March 14th - Charleston, SC March 20th - Las Vegas, NV March 27th - Columbus, OH March 28th - Cleveland, OH March 29th - Pittsburgh, PA April 17th - St. Louis, MO April 18th - Denver, CO May 5th - Hollywood, CA May 9th - Napa, CA June 4th-6th - Eugene, OR This Episode's Sponsor HomeChef! 50% off and free shipping for your first box PLUS free dessert for life! Go to ⁠⁠⁠⁠Homechef.com/ALN⁠⁠⁠⁠ Must be an active subscriber to receive free dessert. Written and Directed by Adam Ray ‪@adamraycomedy‬ ‪@AboutLastNightPodcast‬ Adam Ray as Dr. Phil Josh Wolf as himself ‪@JoshWolfComedy‬ Joey McIntyre as himself Chris Redd as himself Jeremiah Watkins as Willy Wonka ‪@jeremiahwatkins‬ ‪@TrailerTalesPod‬ ‪@standupots‬ Produced by Adam Ray Produced by Norman Parker Executive Producers Jack Fink and Barrett Leigh Hair and Makeup by Jennifer Aspinall Show Technician, Stephen Hauser Motion Graphics, Colby Cusick Director of Photography, Editor: Albert Nicolas Still Photography, Van Corona Like, Subscribe, and keep coming back for more! Learn more about your ad choices. Visit megaphone.fm/adchoices

HT2558 - Losing History When I started in photography some 50 years ago it was axiomatic and universally understood that it was important to learn the history of photography. There were, I'm guessing, a couple of hundred photographers who are still important to this day, who were the pioneers, whose work we needed to know at least briefly if not intensely. We built a library of their books, study their images, read their essays, and recognized intuitively that this was a prerequisite for our own photographic growth. Instagram and internet influencers have replaced the need to study the masters from the history of photography. I'm trying to imagine a novelist who doesn't read novels or a pianist who never listens to music. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

Andrew Dutton, better known as @ad__sneaks on Instagram, has built one of the most recognizable sneaker photography accounts anywhere online. Hundreds of thousands of followers. Features from Complex. Brand invitations to NBA All-Star Weekend. And a coffee table book, The Art of the Sneaker, releasing March 24th , that nobody saw coming... including him.Nick and Andy get into how a digital media teacher from rural Idaho turned a COVID-era passion project into a published photography book, what it actually looks like behind the scenes of those perfectly lit shots, and why "trying is cool" might be the most important creative philosophy nobody is talking about enough.They also get into the The Gathering experience and what it means to find your people in a culture that's increasingly fragmented across algorithms, how sneakers have always been a connector more than a commodity, and why the work behind the photo matters just as much as the photo itself.If you've ever thought about turning your passion into something bigger, this one's for you.The Art of the Sneaker is available for pre-order now at Andy's Instagram bio and will be available at Barnes & Noble, Amazon, and bookstores everywhere on March 24th.Subscribe to the Newsletter: https://ww.thesneakernewsletter.comSUPPORT THE SHOW:Donate Through Venmo: https://venmo.com/u/sneakerhistoryBuy Me A Coffee: https://buymeacoffee.com/nickengvallEarly Access, Exclusive Videos, and Content On Patreon: https://patreon.com/sneakerhistoryIf you are interested in advertising to our audience, contact us: podcast@sneakerhistory.comCHECK OUT OUR OTHER SHOWS:For the Formula 1 Fans - Exhaust Notes: https://exhaustnotes.fmFor the Fitted Hat Fans - Crown and Stitch: https://crownandstitch.comFor the Cars & Sneakers Fans - Cars & Kicks: https://carsxkicks.comFor the Creators & Creatives - Outside The Box: https://podcasts.apple.com/id/podcast/outside-the-box-convos-with-creators/id1050172106[Links contain affiliate links; we may receive a small commission if you purchase after clicking a link. A great way to support the pod!]—––––—––––—––––—––––—––––—––––—––––—––––Our podcast is proudly...Recorded on Riverside: http://www.riverside.fm/?via=sneakerhistoryHosted & Distributed By Captivate: https://bit.ly/3j2muPbGET IN TOUCH:Robbie - robbie@sneakerhistory.comMike - mike@sneakerhistory.comRohit - rohit@sneakerhistory.comNick - nick@sneakerhistory.comDisclaimer: The views and opinions expressed in this program are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.This podcast uses the following third-party services for analysis: Spotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/

Zackary Canepari is an Emmy Award–winning filmmaker and Guggenheim Fellow whose work moves between documentary film and photography.  He began as a photojournalist in India and Pakistan before creating the Sundance-screened series California Is a place, a portrait of the golden state unraveling at the edges. He later co-directed the feature documentary T-Rex (SXSW), following teenage Olympic boxer Claressa “T-Rex” Shields as she fought her way toward gold; the film was adapted by MGM into the narrative feature The Fire Inside. His Guggenheim-supported project Flint Is a place expanded documentary storytelling across film, photography, archival material, and immersive media, earning a World Press Photo Award and recognition as Multimedia Photographer of the Year at POYi. His monograph REX won POYi Book of the Year and was shortlisted for the Paris Photo–Aperture First PhotoBook Prize. Zackary's documentary Fire in Paradise won an Emmy and an Edward R. Murrow Award and was shortlisted for an Academy Award. He received a second Emmy for directing The Gallagher Effect for The New York Times Presents (FX/Hulu). Instagram In episode 277, Zackary discusses, among other things: How he started in photography The experience of cutting his photographic teeth in India The complicated question of whether it's a good time to be a filmmaker His early project California Is a place, with his collaborator Drea Cooper Learning the ropes through experience His first feature documentary, T-Rex, and being smiled upon by the documentary gods Flint Town Thoughts & Prayers Fire in Paradise Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Welcome back, loves!The male gaze didn't begin with film, it was already centuries old by the time cameras appeared. In this episode, I trace how powerful patrons, religious institutions and elite collectors shaped beauty standards through the paintings they commissioned. From reclining Venuses to carefully staged portraits, these images didn't just depict women, they trained viewers how to look at them. But when women finally entered the art world and began painting themselves and each other, the visual language started to shift.By the end of the episode, you may never look at a painting, a movie scene, or even your own camera roll quite the same way again.Are. You. Ready?****************Sources & Further Reading:The Civil Contract of Photography, Ariella Aïsha Azoulay. 2008. Zone Books.Negotiating the Female Body in Art, Elisabeth Bronfen. 1998. University of Chicago Press.Women, Art, and Society, Whitney Chadwick. 1990. Thames & Hudson.Why Love Hurts, Eva Illouz. 2012. Polity Press.The Painting of Modern Life, T. J. Clark. 1985. Princeton University Press.The Will to Change: Men, Masculinity, and Love, bell hooks. 2004. Atria Books.Ways of Seeing, John Berger. 1972. Penguin Books.Museum Frictions, Ivan Karp & Corinne A. Kratz (eds.). 2006. Duke University Press.Women, Art, and Power, Linda Nochlin. 1988. Harper & Row.Old Mistresses: Women, Art, and Ideology, Rozsika Parker & Griselda Pollock. 1981. Routledge & Kegan Paul.Vision and Difference, Griselda Pollock. 1988. Routledge.The Burden of Representation, John Tagg. 1988. University of Minnesota Press.Visual and Other Pleasures, Laura Mulvey. 1989. Palgrave Macmillan.Gender and Art, Gill Perry. 1999. Yale University Press.Cold Intimacies, Eva Illouz. 2007. Polity Press.Art and Agency, Alfred Gell. 1998. Oxford University Press.The Linda Nochlin Reader, Linda Nochlin (ed. by Maura Reilly). 2015. Thames & Hudson.The Guerrilla Girls' Bedside Companion to the History of Western Art, Guerrilla Girls. 1998. Penguin Books.****************Peer-Reviewed Articles & Theoretical EssaysNochlin, Linda. “Why Have There Been No Great Women Artists?” 1971. ARTnews.Pollock, Griselda. “Feminist Interventions in the Histories of Art.” 1988. Various academic journals.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” 1975. Screen.****************Paintings Mentioned:Venus of Urbino — TitianLa Fornarina — RaphaelPortrait of Eleonora di Toledo with Her Son — Agnolo BronzinoThe Arnolfini Portrait — Jan van EyckGinevra de' Benci — Leonardo da VinciPortrait of Agnolo and Maddalena Doni — RaphaelThe Birth of Venus — Sandro BotticelliDanaë — TitianDanaë — Jean-François de TroySusanna and the Elders — TintorettoGrande Odalisque — IngresLa Maja Desnuda — Francisco GoyaGirl with a Pearl Earring — VermeerThe Three Graces — RubensDiana Leaving the Bath (representing Boucher's mythological nudes)Self‑Portrait as the Allegory of Painting — Artemisia GentileschiSelf‑Portrait with Her Daughter Julie — Élisabeth Vigée Le BrunSelf‑Portrait — Judith LeysterThe Child's Bath — Mary CassattWoman at Her Toilette — Berthe MorisotThe Chess Game — Sofonisba Anguissola****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

Photojournalist Bryan Anselm on Climate Change Photography, Storytelling & Changing Minds The 10 Frames Per Second podcast (new episodes every Tuesday) brings together photojournalists who turn complex stories into powerful images. In this episode, host Molly Roberts (Joe Giordano was out for this one) sits down with Bryan Anselm, a New‑York‑based photographer whose work chronicles the long‑term impacts of climate change across the United States. If you're a: Photojournalist looking for inspiration on climate‑related assignments Emerging visual storyteller seeking practical career advice Editor or curator interested in the intersection of documentary and fine‑art photography

In Episode 34 DDSWTNP sit down for a revelatory talk with Tom LeClair, a founding critic in the study of DeLillo, his longtime friend and liaison to the literary world, and a figure who has both written fiction shaped by DeLillo's and (he suggests) seen his own stories turned into scenes and dialogue by DeLillo himself. We get into LeClair's relationship with DeLillo going back more than forty years, starting from the time the author sent him a copy of Ratner's Star and proceeding to a 1979 interview in Athens that illuminated a then rather reclusive and secretive writer, including the story behind a card DeLillo handed out in those years reading “I don't want to talk about it.” We also ask LeClair questions about his many readings of DeLillo's and others' works over the years, starting from his major books In the Loop: Don DeLillo and the Systems Novel (1987) and The Art of Excess: Mastery in Contemporary American Fiction (1989), studies that initiated LeClair's career-long examination of encyclopedic works that form categories of “systext,” “monsterpiece,” and others he has defined in his many major magazine and newspaper reviews and in his current substack. What does LeClair make of the many mentions of “systems” in Underworld? What does a line from Point Omega suggest to him about the possibility someday of a DeLillo biography? What does LeClair mean when he calls DeLillo a thoroughly “intuitive” writer and an artist obsessed his whole life with embodiment, birth, death, and fear? Is “mystery” the right word for what drives DeLillo's narrative seeking, and is Catholicism a useful lens? What to make of the ending of Zero K? Why did DeLillo want to visit Beirut with LeClair? And what do these two talk about when they have lunch together? The interview also gets into depth on the many comparisons LeClair sees with his own fiction, its set of Kierkegaardian maneuvers through the Greece-based world of basketball player Michael Keever, the hero of Passing Off (1996) who begins for LeClair a series of examinations of games, terrorism, and some familiar DeLillo territory that extends through the four other Passing novels that LeClair has published in the thirty years since.    Cover photograph by Kinga Owczennikow. A native of Poland, Kinga Owczennikow is currently based in New York City. She holds a BA (Hons) in Photography from the University for the Creative Arts in the UK. Kinga is an Associate of the Royal Photographic Society, a member of the Center for Photographic Art in Carmel and an exhibiting member of the Soho Photo Gallery in New York City. Kinga had a solo exhibition “The secret paths of Hong Kong” at the Asia and Pacific Museum in Warsaw, in 2011. Her photographic work has also been exhibited internationally in group shows. Her first photobook "Framing the World" was published by Ephemere in Tokyo, in 2025.   Texts by Tom LeClair and others discussed in this episode:   “Don DeLillo: The Word, The Image, The Gun.” BBC, 1991. https://www.imdb.com/title/tt4029096/   Amy Hungerford, “Don DeLillo's Latin Mass.” Contemporary Literature 47.3 (Autumn 2006): 343-380.   Tom LeClair and Larry McCaffery, eds. Anything Can Happen: Interviews with Contemporary American Novelists. U. of Illinois P., 1983.   Tom LeClair. In the Loop: Don DeLillo and the Systems Novel. U. of Illinois P., 1987.   ---. The Art of Excess: Mastery in Contemporary American Fiction.U. of Illinois P., 1989.   ---. “Me and Mao II” (1993). https://perival.com/delillo/meandmaoii.html   ---. Passing Off. Permanent Press, 1996.   ---. “An Under-history of Mid-Century America” (review of Underworld). The Atlantic, October 1997.   ---. “Two On One: Writing a Basketball Novel.” In What to Read (and Not): Essays and Reviews. Dzanc Books, 2014.   ---. “Serious But Not Dangerous Don DeLillo” (review of The Silence). American Book Review 42.4 (May/June 2021): 10-11.   —-. Harpooning Donald Trump: A Novelist's Essays. Mediacs, 2017.   ---. Passing Again. 2022.   Tom LeClair's Substack: https://tleclair.substack.com/   Vince Passaro, “Dangerous Don DeLillo.” New York Times Magazine, May 19, 1991. https://www.nytimes.com/1991/05/19/magazine/dangerous-don-delillo.html   Lawrence Weschler, Mr. Wilson's Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology. Vintage, 1995.

In episode 409 UNP founder and curator Grant Scott is reflecting on the big and small things that impact on the everyday engagement we all have with photography. Mentioned in this episode: W. Eugene Smith: Shadow and Substance - The Life and Work of an American Photographer: Jim Hughes, 1989. Gene Smith's Sink: A Wide-Angle View - Sam Stephenson, 2017. Minamata (2020) theatrical trailer https://www.youtube.com/watch?v=hOXN6zgNwfk W. Eugene Smith: Photography Made Difficult (1989) https://www.youtube.com/watch?v=E3nNDOrJWjA W.Eugene Smith: The Camera as Conscience (1998) Thames & Hudson Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work as a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8 magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), What Does Photography Mean To You? (Bluecoat Press 2020) and Inside Vogue House: One building, seven magazines, sixty years of stories, (Orphans Publishing 2024). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. © Grant Scott 2026

In the Season 3 finale, Jo sells Charlotte on Alan Warner's “amazingly textured” Movern Callar, which leads the hosts to reflect on some of the season's recurring themes. They're then joined by the radically reflective William C. Anderson, who explains how the Buddhism transmitted in Thich Nhat Hanh's Zen Battles, a commentary on the teachings of Master Linji, informed his political development.William C. Anderson is a writer and activist from Birmingham, Alabama. His work has appeared in The Guardian, MTV, British Journal of Photography, Logic(s) Magazine, and Prism, where he's a monthly columnist. He is the author of The Nation on No Map (AK Press 2021) and co-author of As Black as Resistance (AK Press 2018). He's also the co-founder of Offshoot Journal and provides creative direction as a producer of the Black Autonomy Podcast. His writings have been included in the anthologies, Who Do You Serve, Who Do You Protect? (Haymarket 2016) and No Selves to Defend (Mariame Kaba 2014). Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In Part 2 of our cookbook deep dive, we zoom out from the writing and into the ecosystem that actually gets a book into the world. Photography. Editing. Design. Illustration. Marketing. Pub Day and Book tours. Translation. Ghostwriting.We talk about when you move from the lonely writing to working with the essential teams! How to work with each team, keep your voice focused and stay organized. We call out titles Will This Make You Happy by Tanya Bush, Small Victories by Julia Turshen, Good Things by Samin Nosrat, By Heart by Hailee Catalano, and memoir-driven hybrids like Prune, Our Lady of Perpetual Hunger, and Everything Is Under Control. We explore the editorial voices of Maria Zizka, the visual storytelling of artists like Asami Watanabei, prop styling worlds like Three Bird Props, and the broader industry network — from agencies to publications like Edible LA.If Part 1 was about writing the book, Part 2 is about everything that makes it real — and what it actually takes for a cookbook to last. This is the full machine behind the magic.Mentioned in this episode:Will This Make You Happy: Stories and Recipes from a Year of Baking by Tanya BushSmall Victories by Julia TurshenRebecca StumpfJennifer Chong Proplink (no longer open)Three Bird PropsNidia Cueva, Holl & ArtistsEat This Book by Stacy MichelsonAsami Watanabei (@artsami.w)Good Things: Recipes and Rituals to Share with People You Love by Samin NosratAnna and David Posey, ElskeMaria ZiskaBy Heart: Recipes to Hold Near and Dear by Hailee CatalanoEdible LAPrune by Gabrielle Hamilton Our Lady of Perpetual Hunger by Lisa DonovanEverything Is Under Control: A Memoir With Recipes by Phyllis Grant

Hello Denimheads and welcome to the 48th episode of The Sons of Selvedge Podcast, where a group of friends get together to talk about denim, boots and heritage clothing. In this episode founders David and Andy interview Wyatt Gilmore, founder of Grant Stone Shoes (www.granstoneshoes.com). Please like this interview, and subscribe to us wherever you enjoy our content: YouTube, Spotify, Apple, Google or Stitcher. Check us out on Instagram @‌sonsofselvedgepodcast. Give us a shout with any questions, or if you'd like to join our Discord Server. Photography by @‌illcutz.

durée : 00:36:19 - Les Nuits de France Culture - par : Albane Penaranda - En 2000, Arlette Farge était l'invitée de l'émission "Du jour au lendemain", à l'occasion de la parution de son livre "La chambre à deux lits et le cordonnier de Tel-Aviv". Un essai dans lequel l'historienne rapprochait des archives du siècle des Lumières et quelques photographies contemporaines. - réalisation : Virginie Mourthé - invités : Arlette Farge Historienne française spécialiste du 18e siècle

Hey Folks, we've got a classic episode for you this week, but next week we'll be back with some apocalyptic podcasting! Something cool about having a podcast is that you can talk about whatever you'd like and no one can stop you. This week, we're doing just that. We've both gotten really interested in photography as a hobby and practice, so we're talking about Vilém Flusser's Toward a Philosophy of Photography and also some ideas about how it relates to the photographs of Mev Puleo, a photographer who was involved in liberation theology.You can find Mev Puleo's book The Struggle is one here: https://archive.org/details/struggleisonevoi0000pule/mode/2upIntro Music by Amaryah Armstrong Outro music by theillogicalspoon https://theillalogicalspoon.bandcamp.com/track/hoods-up-the-low-down-technified-blues*Support The Magnificast on Patreon* http://patreon.com/themagnificast *Get Magnificast Merch* https://www.redbubble.com/people/themagnificast 

HT2557 - Key Tones There's a theory in fine art photography that every image needs to have key tones, some spot in the photograph that is absolute black and another that is absolute white. These tones supposedly calibrate our vision for everything else in the image. They become tonal reference points. Like all other rules in photography, I find this one contains a truth, but not a rigid one. Key tones are worth considering, but not with inflexible rigidity. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

This is The Digital Story Podcast 1,042, March 10, 2026. Today's theme is, "Is It Time to Reconsider the Bridge Camera?" I'm Derrick Story. Last week I talked about small sensor cameras in general and how they can pack a big punch in a small package. This week I want to reintroduce you to the high magnification bridge camera that leverages small sensors to a 600mm extreme and beyond. You'll be amazed at the images you can create with them. All of that, plus industry news, on today's TDS Photography Podcast. I hope you enjoy the show.

Your best marketing message might not be what you say… it's what your clients say.I was working with a photographer who described her sessions as making photo shoots “less miserable.”Funny. Honest. Very her.But then she told me what her clients actually say when they see their photos:“Wait… that's me?”That's the message.Not the process. Not the joke. The result.So if your marketing isn't landing, ask yourself:

I'm so excited to welcome back one of our favorite guests, Danielle Hobbs, to the podcast. Danielle is a master of newborn photography and a beloved mentor inside our TMA membership. If you've been around the photography community for a while, you've probably heard Danielle referred to as the "GOAT" (greatest of all time) when it comes to capturing those sweet, sleepy newborns. In this episode, Danielle and I dive into all things newborn photography - from setting up the perfect bean bag scene to nailing the ideal lighting. She's also giving us a peek into her studio and sharing her top tips for handling those tricky toddler + newborn sessions. Check out Picture Perfect Rankings: Group Coaching: ⁠⁠⁠⁠⁠⁠https://pictureperfectrankings.com/found-booked/⁠⁠⁠⁠⁠⁠ Learn more: ⁠⁠⁠⁠⁠⁠https://pictureperfectrankings.com/⁠⁠ Connect with Danielle: ⁠https://www.daniellehobbsphotography.com/for-photographers/⁠ Connect with TMA: Website | Membership | Courses: ⁠www.themotherhoodanthology.com⁠ Free Community: ⁠https://www.facebook.com/groups/themotherhoodanthology ⁠ Our Instagram: ⁠instagram.com/themotherhoodanthology⁠ Connect with Kim: Site: ⁠https://kimbox.com ⁠ IG ⁠https://www.instagram.com/kimbox 

This is one of those episodes you may need to listen to twice.In this conversation, Miles Witt Boyer and Jared Mark Fincher sit down with photographer, artist, and creative entrepreneur Jeremy Cowart. Jeremy is the founder of the Help Portrait movement, which has provided free portraits to hundreds of thousands of people around the world, and he has spent years pushing the boundaries of what photography can look like through experimentation, technology, and empathy.But this episode is bigger than photography.It is about curiosity.It is about courage.It is about what happens when an artist refuses to stop learning.Jeremy shares how he moves between photography, fine art, AI, augmented reality, humanitarian storytelling, and wildly experimental creative processes without losing his sense of purpose. He talks about why experimentation matters, why so many creatives stop learning too early, and how staying curious has opened unexpected doors in both commercial and personal work.We also talk about his latest project, If You're Breathing, a powerful concept built around using art and storytelling to help people in extreme financial need. It is one of the most honest and inspiring conversations we have had on the podcast.If you are a photographer, artist, or creative entrepreneur trying to stay inspired in a changing industry, this episode will challenge the way you think about your work.And in the Aftercast, Jeremy breaks down the process he uses to filter, test, and pursue new ideas.What we cover:Who Jeremy Cowart is and why his work mattersWhy curiosity is one of the most important traits a creative can haveHow experimentation shapes Jeremy's processThe connection between empathy and meaningful artWhat Jeremy sees in the future of photography and AIWhy creative risk is still worth takingHow personal projects can lead to powerful commercial opportunitiesThe heart behind If You're BreathingAbout Jeremy:Jeremy Cowart is an internationally recognized photographer, artist, and creative entrepreneur. He is the founder of Help Portrait and is known for blending photography, technology, and humanitarian storytelling in ways that consistently push creative boundaries. His work spans portraiture, immersive art, AI driven image making, and collaborative projects designed to bring hope and dignity to people around the world.Links:Jeremy Cowarthttps://jeremycowart.comHelp Portraithttps://help-portrait.comJeremy on Instagramhttps://instagram.com/jeremycowartMiles Witt Boyerhttps://www.mileswittboyer.comPHOTOCOhttps://www.photoco.coIf this episode challenged you, inspired you, or made you want to create something new, don't miss the Aftercast. Jeremy shares the framework he uses to evaluate and pursue creative ideas, and it is gold. You can get access inside PHOTOCO.

Starting photography can feel exciting and overwhelming at the same time. In this episode, Kim, Phyllis, and Cara share practical ways beginners can grow their skills faster without trying to learn everything at once. They talk about choosing a subject to focus on, learning the behavior and rhythm of what you photograph, and finding a supportive community that can offer feedback, ideas, and real solutions when you get stuck. They also introduce the Equine Photography for Beginners course available inside the Cowgirls with Cameras Community (cowgirlswithcameras.community), designed to help new photographers focus on what actually matters in the beginning, cut through the noise, and concentrate their time on the skills and knowledge that will move them forward fastest.

The photo of a Vietnamese girl running away from a napalm strike is one of the most famous in history. But who actually took it? With conflict photographers Gary Knight and David Burnett, and film-maker Bao Nguyen. Help support our independent journalism at theguardian.com/infocus

LW1497 - Dates, Time, and Eras When was Edward Weston's famous Pepper #30 photographed? How about Ansel Adams classic Moonrise Over Hernandez? Or Dorothea Lange's now icon image, Migrant Mother? What year were they photographed? If you can't recall the year these famous image where made, can you at least place them in chronological order? If not, why not? Simple — the year nor the order are important, at least not to our emotional response to the content. All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

HT2556 - Knowing When to Move I think it was Picasso who said, "The trick in painting is knowing when to stop." I've adapted Picasso's thought for photograph. When out photographing, try to remind myself that the trick is knowing when to move on. I'm always tempted to move on immediately after I've pressed the shutter. I have it, so be done. If I can remember to resist this temptation, it's amazing how many times I find a better picture by being still, waiting a few moments, paying attention to the changes, and looking for the unexpected. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

LW1496 - When do you own a photograph? Do you own a piece of music because you purchased the CD, or do you own it when you have memorized the tune? Do you own a novel because you purchased the book or because you read it? Do you own a photograph when you've purchased the original print? Or do you own a photograph when it becomes so familiar that it's part of your mental gallery? Thought about another way, do you own a photograph because of the physicality of the print, or is it more important that the image is treasured in a corner of your soul? All previous episodes of our weekly podcast are available to members of LensWork Online. 30-day Trial Memberships are only $10. Instant access, terabytes of content, inspiration and ideas that expand daily with new content. Sign up for instant access! You might also be interested in. . . Every Picture Is a Compromise, a series at www.brooksjensenarts.com. and... "How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Ema Peter of Vancouver-based Ema Peter Photography joins Architectural Record's DESIGN:ED podcast to discuss marketing architecture, the importance of collaboration, and the influence of photography on the built environment. 

HT2555 - My Advice Cannot Make Your Pictures I spend way too much time on YouTube because it's such a great way to learn tidbits about the technology of photography. That said, there are also gazillions of videos that will try to tell you the steps you must (or must not take) to make an aesthetically pleasing photograph, in essence how to follow the rules without admitting that you are following the rules. The challenge is to learn from the technical while simultaneously using aesthetic advice with extreme caution lest you find you are making other people's photographs. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process. Show your appreciation for our free weekly Podcast and our free daily Here's a Thought… with a donation Thanks!

HT2554 - Scant Feedback, If Any Applause is lovely. Accolades are lovely. Sales are lovely. Relying on such feedback to fuel your motivations is to place yourself in a position that doesn't help your creativity. Statistically, it just doesn't add up. Produce your work because you need to do it and because the Universe needs you to do it, not for the applause and (God forbid) not for the sales. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.