Podcasts about Istanbul

The inaugural episode of Kickback Travel kicks off with No Brakes Nu' and special guest Heidi B as she takes us through her solo adventures across Athens, Santorini, Mykonos, Kusadasi, Istanbul, Milan, Florence, Pisa, Venice, Versailles, and Paris.From the party life of Mykonos to the postcard beauty of Santorini, Heidi paints the perfect picture of Greece. We explore the culture of Turkey—spice racks, castles, shisha flavors, and the art of bartering—and dive into the romance (and grit) of Paris, where a dinner cruise with the Eiffel Tower as your backdrop is the ultimate date. Along the way, we accidentally discover that “The Eiffel Tower” is also a wild sex position

Some foreign shippers are suspending US package deliveries, as a customs tax exemption for low-value goods comes to an end this Friday. Also, a look at the status of the Russian mercenary force Wagner Group's operations in Mali. And, new mouth guards with flashing lights may be able to alert rugby players of potential concussions. Plus, Istanbul's free public orchard allows visitors to pick their own produce.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

In this week's episode, Simon and Beth broadcast from Istanbul, fresh from Simon's attempt at the iconic Bosphorus Cross-Continental Swim. Covering 6.5km from Asia to Europe, this unique race combines history, strategy, and a little bit of chaos. Beth puts Simon in the hot seat to find out what the experience was like, what really happened with the current, and how his Battle Ready approach allowed him to take it on without changing his regular training. They also look back at Simon's recent 218km gravel ride across Salisbury Plain, discussing how consistency, strength training, and sustainable routines can keep you prepared for big adventures—whether you've got three months' notice or just a week. What You'll Learn in This Episode The history and logistics of the Bosphorus Swim, including how to qualify and what makes it so different from a normal open-water race. Why navigation and currents are just as important as fitness on race day. The reality of swimming among thousands of jellyfish—and why they weren't as scary as expected. How Simon's regular three-times-a-week swim routine (plus strength and mobility) was enough preparation. Reflections from a 218km gravel ride: pacing, heat, cramp, and the importance of being “always ready.” Why Battle Ready training is less about huge training blocks and more about building a consistent lifestyle. Get a feel for the event by watching this video Bosphorous Cross Channel swimmers guide Connect with Us If this episode resonated with you, share it with a training buddy or leave us a review on your favourite podcast platform. Subscribe now to make sure you don't miss upcoming episodes on fasting, midlife performance drops, and more awkward questions from Beth.   Check out my Instagram  and YouTube  channels Join the BattleReadySociety - For those who want to be ready for anything — adventure, challenge, life. Get in early and be first in the fight. https://simon-ward.kit.com/battlereadyvanguard   Join the Unstuck Collective – for Beth's weekly inspiration and coaching insights (not a chat group; replies welcome via DM). Download Simon's Free ‘Battle Ready Lifestyle' Infographic — https://simon-ward.kit.com/battlereadylifestyle   Connect with Us: Website: www.simonward.co.uk Email: Simon@thetriathloncoach.com Sign up for Simon's weekly newsletter Sign up for Beth's weekly newsletter  

Biographer Nicholas Boggs joins co-hosts Whitney Terrell and V.V. Ganeshananthan to discuss his groundbreaking new book, Baldwin: A Love Story, the first major biography of James Baldwin to be published in three decades. Boggs recalls how finding Baldwin's only children's book in a Yale library as a college student led him to track down the volume's illustrator, the French artist Yoran Cazac, Baldwin's last great love. He talks about interviewing people who had never previously spoken about their relationships with the iconic author, including Cazac, whom at least one previous biographer had wrongly guessed was deceased. Boggs reflects on the importance of considering Blackness, queerness, and chosen family as central to Baldwin's life and art. He discusses Baldwin's youth in Harlem, his years in Europe and Istanbul, and his relationships with the painters Beauford Delaney and Lucien Happersberger, the actor Engin Cezzar, and Cazac, as well as many others. Boggs considers how Baldwin's deepest friendships and romances influenced his life and work, including Another Country, Go Tell It on the Mountain, Notes of a Native Son, and Giovanni's Room. He reads from the book. To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the ⁠Fiction/Non/Fiction Instagram account⁠, the ⁠Fiction/Non/Fiction YouTube Channel⁠, and our show website: ⁠https://www.fnfpodcast.net/⁠ This podcast is produced by V.V. Ganeshananthan, Whitney Terrell, and Moss Terrell. ⁠Nicholas Boggs⁠ ⁠Baldwin: A Love Story⁠ ⁠Little Man, Little Man (ed.)⁠ ⁠“They Will Try to Kill You”: James Baldwin's Fraught Hollywood Journey | Vanity Fair⁠ ⁠James Baldwin's Love Stories | Vogue⁠  ⁠James Baldwin⁠ ⁠"Open Letter to the Born Again" | The Nation⁠ “⁠If Black English Isn't a Language, Then Tell Me, What Is?⁠” | The New York Times ⁠Giovanni's Room⁠ ⁠Another Country ⁠ ⁠Notes of a Native Son⁠ ⁠Go Tell It on the Mountain⁠ ⁠Everybody's Protest Novel⁠ Others: ⁠James Baldwin′s Turkish Decade by Magdalena J. Zaborowska⁠  ⁠James Baldwin: A Biography by David Leeming Learn more about your ad choices. Visit megaphone.fm/adchoices

In de laatste Zomergasten van dit seizoen ontvangt Eva van de Ven fashion consultant en voormalig Vogue-hoofdredacteur Yeliz Çiçek.Yeliz deelt openhartig over haar ondernemerschap, de weg na Vogue, haar investeringen in mode, en de kracht van personal branding. We ontdekken haar grootste inspiratiebronnen: van Miuccia Prada en Dries van Noten tot de natuur en de stad Istanbul.Wat je kunt verwachten in deze aflevering:Hoe Yeliz de stap zette van journalistiek naar ondernemerschap en investerenHaar visie op mode als empowerment voor vrouwenWaarom natuur en surfen haar ultieme inspiratiebronnen zijnDe invloed van Istanbul en verschillende culturen op haar werk en levenDe kunst van branding, personal brand en bruggen bouwen tussen verhalenEen persoonlijke en inspirerende afsluiter van dit Zomergasten-seizoen.Music from #Uppbeathttps://uppbeat.io/t/hartzmann/buoyantLicense code: 2AE87LQB17XZQJL6

Meghan Markle's “With Love” marketing lands with a thud, critics blast her Christmas special, and a risqué legal battle looms over alleged topless photos. Plus: Prince Edward hits the road, Lady Amelia Windsor brings Istanbul to London Fashion Week, and Andrew Lownie gears up for a warts-and-all Prince Philip biography. The royals may be scattered, but the drama is very much together.

Jess here! A while back, Sarina and KJ talked about how much they enjoyed Tess Gerritsen's novel, The Spy Coast, and Sarina reassured KJ she'd enjoy book two of the series even more. I had never read a Tess Gerritsen novel, and while I'd heard her name before and vaguely understood she wrote thrillers, I was starting from square one when I downloaded the audio version of The Spy Coast. Now, I'm not an international spy thriller kind of gal. In the abstract, I understand the allure of books like Tinker Tailor Soldier Spy or Six Days of the Condor. Spies! Intrigue! International [almost exclusively men] of mystery! But they have never really floated my proverbial boat. That said, I loved Tess Gerritsen's spies and the world they inhabit. There's a sense of place - nay, a downright LOVE of place - and a retiring, rural New England domesticity that spoke to this retiring, rural New England reader. Book two, The Summer Guests, is even more rooted in Maine, on its history and the social dynamics of its natives and its summer people. Once I tore through those first two books, I went back to Gerritsen's first book, The Surgeon, one of Time Magazine's top 100 thriller/mystery books of all time and the first in the Rizzoli & Isles series, consequently made into a long-running television series. Gerritsen has a fascinating career trajectory, lots to talk about regarding pantsing and plotting, where the ideas come from, and lots of other geeky details about the writing life. I hope you enjoy it as much as we did. Find Tess at Tessgerritsen.com, or on Bluesky, @TessGerritsen Transcript below!EPISODE 462 - TRANSCRIPTJennie NashHey everyone, it's Jennie Nash, founder and CEO of Author Accelerator, the company I started more than 10 years ago to lead the emerging book coaching industry. In October, we'll be enrolling a new cohort of certification students who will be going through programs in either fiction, nonfiction, or memoir, and learning the editorial, emotional, and entrepreneurial skills that you need to be a successful book coach. If you've been curious about book coaching and thinking that it might be something you want to do for your next career move, I'd love to teach you more about it, you can go to bookcoaches.com/waitlist to check out the free training I have—that's bookcoaches.com/waitlist. The training is all about how to make money, meaning, and joy out of serving writers. Fall is always a great time to start something new. So if you're feeling called to do this, go check out our training and see if this might be right for you. We'd love to have you join us.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, this is Jess Lahey, and this is the Hashtag AmWriting Podcast. This is the podcast about writing all the things—short things, long things, poetry, prose, narrative nonfiction, fiction, creative nonfiction, queries, proposals. This is the podcast about writing all the things. More than anything else, this is the podcast about the writing life and about getting the work done. I am Jess Lahey. I'm the author of The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The Atlantic and The Washington Post, and my bi-weekly (formerly bi-weekly) column at The New York Times, The Parent-Teacher Conference, ran for about three years I am joined today by Sarina Bowen, who has written 50-odd books. She has written lots and lots of romance, and her most recent addition to the world of publishing has been her thrillers, Dying to Meet You and The Five Year Lie. And she has a book coming out this fall called Thrown for a Loop. The reason I am recording this intro on my own—which, as you may know if you've been listening, is highly unusual for us—is because I know myself. And I know when I'm really excited to talk to someone on the podcast; I'm going to flub the intro. I'm going to forget something. I'm going to forget to introduce them altogether. So today, I'm doing that first, so I don't mess it up. A while ago on the podcast, you may have heard Sarina and KJ read some books by an author named Tess Gerritsen. I had heard of Tess Gerritsen, but I had never read any of her books. I just hadn't yet. I haven't read Nora Roberts yet. I haven't read—there are lots of authors I haven't read yet. And sometimes you don't even know where to start. So when Sarina and KJ recommended Tess Gerritsen's new series set in Maine—the first one being The Spy Coast and the second one being The Summer Guests—I figured I had a good place to start. And you know, as a New Englander, I love a good book about New England, and that was the start of my interest in Tess Gerritsen's work. I have gone back to the beginning and started with her book The Surgeon, which was her first book in the series that became the Rizzoli and Isles Series, as well as a television show. Tess Gerritsen has a—she's written through 33 books at this point. And as I now know, she has also directed a documentary called Magnificent Beast about pigs, which I listened to this morning while I was vacuuming the house. I loved it. She also—she has a lot to say about genre, about publishing, about second careers, about a writing place, and about process. So let's just jump right into it. I am so excited to introduce to you today, Tess Gerritsen. So from the perspective of what our listeners love—this podcast, the Hashtag AmWriting Podcast —is super geek. People who love the nuts and bolts and the dorky details of the writing life. Sarina has a past life in finance, and so she tends to be, like, our “no, but let's talk about the numbers” kind of person. I'm just the research super dork, which is why I spent my morning watching your documentary about pigs.Tess GerritsenOh my god! (Laughing)Jess LaheyMagnificent Beast. I—I've joked in the past that if I could, I would probably just research things in—in, you know, maybe there'll be a book out there, maybe there won't, but I would research things and—and just learn as much as I could. And so I loved—loved—your Magnificent Beast documentary. I thought it was fantastic. But one of the reasons that we wanted to talk to you, just from the very beginning, is that we feel like you do some pretty incredible world-building and relationship-building with your places and your characters. And so I just—I would love to start there, mainly with the idea of starting with the real nuts and bolts stuff, which is, like, what does an average writing day look like for you? And how do you, sort of—how do you set that up? What does it look like, if you have an average writing day? Maybe you don't.Tess GerritsenWell, it's hard to describe an average writing day, because every day is—there are days when you sit at your desk and you just, you know, pull your hair. And there are days when you get distracted by the news. And there are many days when I just do not want to write. But when I'm writing, the good days are when my characters are alive and talking to me. And it's—it's—you talked about world-building and character-building. That is really key to me. What are they saying to me? Can I hear their voices? And it sounds a little—a little crazy, because I am hearing voices. But it's those voices that really make characters come alive.Jess LaheyI—You have said in other interviews that you are very much—sorry to those of you who hate the terms—that you are very much a pantser. And you are sitting on this interview with a consummate plotter. Sarina is our consummate plotter. So could you talk a little bit about how those character—how those voices—influence, you know, the pantsing of the—of the book, and—and how that works for you?Tess GerritsenWell, I mean, it is weird that I am a pantser. And it's funny—I think that people who are plotters tend to be people who are in finance or in law, because they're used to having their ducks lined up, you know. They—they want everything set up ahead of time, and it makes them feel comfortable. And I think a large part of becoming a pantser is learning to be comfortable with unpredictability. Learning to just let things happen, and know you're going to take wrong turns, know you're going to end up in blind alleys—and yet just keep on forging ahead and change direction. So I suppose that what helps me become a pantser, as I said, is hearing a character's voice. If, for instance, when I wrote The Spy Coast, the first thing I heard about that book was Maggie Bird's voice. And she just said, “I'm not the woman I used to be.” And that's an opening there, right? Because you want to find out, Maggie, who did you used to be? And why do you sound so sad? So a lot of it was just—just getting into her head and letting her talk about what a day-to-day life is, which is, you know, raising chickens and collecting eggs and becoming—and being—a farmer. And then she does something surprising in that very first chapter. There's a fox that's killing her chickens, so she grabs her rifle and kills it with one shot. And that opens up another thing, like—how are you, a 62-year-old woman, able to take out a rifle and kill a fox with one shot? So it's—it's those things. It's those revelations of character. When they come out and they tell you something, or they show you they—they have a skill that you weren't aware of, you want to dig deeper and find out, you know, where did they get that skill?Sarina BowenAnd that is a really fun way to show it. I mean, you're talking today with two people who have also kept chickens.Multiple Speakers(All laughing)Jess LaheyAnd had foxes take their chickens, actually.Sarina BowenOh yes, because the two go together.Tess GerritsenYes.Sarina BowenBut yes, I admit I have never shot a fox, and maybe wouldn't.Jess LaheyI have yelled very loudly at a fox, and he actually—I have to say—really mad respect for the fox, because he took one look at me—he did drop the chicken that I was yelling at him for grabbing—and then he went across the street, around the neighbor's house, around the back of the other neighbor's house, and came at the exact same chicken from the other side of the house, where I couldn't see him out the window.Tess GerritsenOh, they are so smart. They are so smart.Jess LaheySo smart. Sarina, it sounded like you had something— you had something you wanted to add, and I interrupted you when we were talking about pantsing and we were talking about world-building and characters speaking to you.Sarina BowenWell, I just had thought that it was a lovely moment to explain why I was so excited to read this book after I heard Tess speak at Thriller Fest 2024, in a packed room where there was nowhere to sit except on the floor. You told the audience a little bit of a story from your real life that—that made you want to write that book. And I wonder if you could tell us what that was, because for me—I mean, we were only five minutes into your talk, and I'm like, oh, I'm—I'm going to download that tonight.Tess GerritsenWell, yes, it was. A lot of my books come from ideas that I've been stewing over for years. I have a folder called the ideas folder. It's an actual physical manila folder. And if I see something in an article or a newspaper or a magazine, I'll just rip it out and stick it in there, and it sometimes takes a long time before I know how to turn this into a book. So the idea for The Spy Coast is a little bit of obscure knowledge that I learned 35 years ago, when I first moved to Maine. My husband is a medical doctor. He opened up a practice, and when he would bring in new patients, he would always get an occupational history. And he used to get this answer—this very strange answer—from his new patients. They would say, “I used to work for the government, but I can't talk about it.” And after he heard that three times, he thought, what town did we land in? And who are these people? And we later found out that on our very short street, on one side of us was a retired OSS person, and on the other side was retired CIA. A realtor told us that our town was full of CIA retirees. So, I mean, of course you want to ask, why did they get here? What are they doing here? What are their lives like? I knew there was a book in there, but I didn't know what that book was. I needed 35 years to come up with the idea. And what I really needed to do was become old and—and realize that as you get older, especially women, we become invisible. People don't pay attention to us. We are over the hill. You know, everybody looks at the young, pretty chicks, but once you start getting gray hair, you fade into the background. And with that experience myself; I began to think more and more about what it's like to be retired. What is it like to be retired from a job that was maybe dangerous, or exciting, or something that you really risked your life to—to achieve? So that was—that was the beginning of The Spy Coast. What happens to CIA retirees—especially women—who are now invisible? But that makes them the best spies of all.Jess LaheyYeah, and we have—we did this really cool thing, this really fun thing for us on the Hashtag AmWriting Podcast. It's like a supporter-only thing, where we call First Pages, where very brave authors—very brave writers—submit their first page to us, and we talk about it and decide whether or not we'd want to turn the page. And you have an incredible skill on your first pages. You're very, very good at first pages. And I was thinking about The Summer Guests, that you had this wonderful line that I'm going to read now:Purity, Maine, 1972. On the last day of his life, Purity police officer Randy Pelletier ordered a blueberry muffin and a cup of coffee at the Marigold Café,Which immediately reminded me of my very, very favorite line from all of literature—my very favorite first line—which is Irving's first line from A Prayer for Owen Meany, in which he ruins the story for you right there in the first line:I am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God.There is this incredible power to first lines. And I'm sort of wondering where—how first lines happen for you. Do they happen first? Do they happen last? Do they happen along the way?Tess GerritsenFirst lines usually happen last. I—it's—I will write the whole book, and I'll think, something's missing in that first chapter. How do I open this up? And, you know, there are things that make lines immediately hypnotic, and one of those things is an inherent contradiction—something that makes you think, wait, okay, you start off this way, but then all of a sudden, the meaning of that line switches. So, yeah, it starts off with, you know, this guy's going to die. But on that last day of his life, he does something very ordinary. He just orders coffee at the local café. So I think it's that contradiction that makes us want to read more. It's also a way to end chapters. I think that—that if you leave your reader with a sense of unease—something is about to go wrong, but they don't know what it is yet—or leave them with an unanswered question, or leave them with, as I said, a contradiction—that is what's page-turning. I think that a lot of thriller writers in particular mistake action for—for being—for being interesting. A car chase on the page is really very boring. But what's interesting is something that—you could feel that tension building, but you don't know why.Sarina BowenI have joked sometimes that when I get stuck on a plot, sometimes I will talk at my husband and—and say, “you know, I'm stuck here.” And he always says, “And then a giant squid attacked.” And it—of course I don't write books that take place where this is possible, so—but it never fails to remind me that, like, external action can sometimes be just, you know, totally pointless. And that if you're stuck, it's because one of your dominoes isn't leaning, you know, in the right spot. So...Tess GerritsenYeah, it's—it's not as much fun seeing that domino fall as seeing it go slowly tilting over. You know, I really learned this when I was watching a James Bond movie. And it starts off—you know, the usual James Bonds have their cold open to those action and chasing and death-defying acts. I found that—I find that really, in that movie anyway—I was like, Ho hum. Can we get to the story? And I found the time when I was leaning forward in my theater seat, watching every moment, was really a very quiet conversation aboard a train between him and this woman who was going to become his lover. That was fascinating to me. So I think that that transfers to book writing as well. Action is boring.Jess LaheyYou and Sarina do something that I feel, as a writer; I would probably not be very good at, which is creating that unease. I—Sarina in particular does this thing... I've read every one of Sarina's books, as a good friend is supposed to do. And I text her, and I say, Why don't they just talk about it and just deal? Get it out in the open! And she's like, you know, we just got to make these people uncomfortable. And you both have this incredible talent for helping—keeping the reader, uh, along with you, simply because there is this sense of unease. We're slightly off-kilter the whole time. And yet in me, as a people pleaser, that makes me very uncomfortable. I want people to be happy with each other. So how do you—if you get to a place where you feel like maybe things aren't off-kilter enough, or things aren't off-balance enough—how do you introduce a little bit of unease into your—into your story?Tess GerritsenWell, I think it comes down to very small points of conflict—little bits of tension. Like, we call it micro-tension. And I think those occur in everyday life all the time. For instance, you know, things that happen that really don't have any big consequence, but are still irritating. We will stew about those for—for a while. And, you know, I used to write romance as well, so I understand entirely what Sarina is doing, because romance is really about courtship and conflict. And it's the conflict that makes us keep reading. We just—we know this is the courtship. So there's always that sense of it's not quite there, because once the characters are happy, the story is over, right?Sarina BowenYeah.Multiple Speakers(All laughing)Sarina BowenAlso, writing the ends of romance novels is the least interesting part. Like, what...? Once the conflict is resolved, like, I cannot wait to get out of there.Tess GerritsenRight, exactly. You know, I—I pay attention to my feelings when I'm reading a book, and I've noticed that the books that I remember are not the books with happy endings, because happiness is so fleeting. You know, you can be happy one second, and then something terrible will happen. You'll be unhappy. What lasts for us is sadness, or the sense of bittersweet. So when I read a book that ends with a bittersweet ending—such as, you know, Larry McMurtry Lonesome Dove—I ended up crying at the end of that book, and I have never forgotten that ending. Now, if everybody had been happy and there had been nobody to drag all those miles at the end, I would have forgotten that book very quickly. So I think—I try—I always try to leave the end of the book either bittersweet—I mean, you want to resolve all the major plot points—but also leave that sense of unease, because people remember that. And it also helps you, if you have a sequel.Sarina BowenThat's so interesting you've just brought up a couple of really interesting points, because there is a thriller—I actually write suspense now—and one of the books that so captured my attention about five years ago was killing it on the charts. And I thought it was actually a terrible book, but it nailed the bittersweet ending. Like, the premise was solid, and then the bittersweet ending was perfect, and the everything between the first chapter and the last chapter was a hot mess, but—but—um, that ending really stuck with me. And I remember carrying it around with me, like, Wow, they really nailed that ending. You know, and—and maybe that has, like, legs in terms of, like, talking about it. And, you know, if it—if—if it's irritating enough, like, the tension is still there—enough to, like, make people talk about it—it could actually affect the performance of that book. But also, um, one thing that I really love about this series—you have—what is the series title for the...?Tess GerritsenMartini—The Martini Club.Sarina BowenThe Martini Club, right? So The Martini Club is two books now. I inhaled the first one last summer, and I inhaled the second one this summer. And The Martini Club refers to this group of friends—these retired spies. And of course, there are two completely different mysteries in book one and book two. And I noticed a couple of things about the difference between those mysteries that was really fun. So in the first case—or in one of the two cases, let's see—in one of them, the thing that happens in their town is actually, like, related to them. And in the other one, it's kind of not. So to me, that felt like a boundary expansion of your world and your system. But also, I just love the way you leaned into the relationship of these people and their town in such a way. And how did you know to do that? Like, how—what does your toolbox say about how to get that expansiveness in your character set? Like, you know, to—to find all the limits of it?Tess GerritsenThat—you know, so much is like—it's like asking a pole-vaulter how they do it. They just—they have just—I guess its muscle memory. You don't really know how you're doing it, but what I did know was—with age, and because I love these characters so much—it really became about them and about what is going to deepen their friendship? What kind of a challenge is going to make them lean into each other—lean on each other? That's really what I was writing about, I think, was this circle of friends, and—and what you will do, how much you will sacrifice, to make sure your friends are safe. No, you're right—the second book is much more of a classic mystery. Yeah—a girl disappears. I mean, there was—there were—there were CIA undertones in that, because that becomes an important part of the book. But I think that what people are—when people say they love this book—they really talk about the characters and that friendship. And we all want friends like this, where we can go and—and—and have martinis together, and then if we—one of us needs to—we'll go help them bury a body.Multiple Speakers(All laughing)Tess GerritsenThat's—they all have shovels, and they're willing to do it. That's the kind of friendship—friends—we want.Jess LaheyWell, and that's funny you mention that—I had an entire question—it wasn't even a question, it was a statement—in here about friendships and being grateful to you for the reminder about the importance of relationships. And this entire podcast was born out of the fact that we were talking writing all the time, and we just wanted an official way to sit down once a week and actually talk about the work. And your work is suffused with just these incredible relationships—whether that's the Rizzoli and Isles—you know, in your first—in the one of your other series—and I'm just—I'm very grateful for that, because we—especially—I think I re—I really crave books about female relationships, especially about older female relationships. And I have been loving your books, and I've—like, as I may have mentioned to you in my initial email—I had—I'm so sorry—never read your books before. And I admitted in the introduction that there are lots of very, very famous authors whose books I have never read. And it's always so exciting to me to dive into someone's series and realize, oh, this person really touches on themes that mean a lot to me, and I can already tell that I'm going to be enjoying a lot of their books to come forward. So thank you for all of the great descriptions of relationships and how we do rely on each other for various aspects of just how we get through all of this stuff.Tess GerritsenYeah—get through life. But you know what's funny about it is that it didn't start that way. For instance, let's go back to Rizzoli and Isles. The very first time they both appear in a book is in The Apprentice. And they don't start off being friends. They start off being—they're so different. As the TV producer once said, “you've really written about Captain Kirk and Mr. Spock.” That's okay—they are—in the books. They are not natural friends. But like real-life friendships, sometimes—just kind of develop slowly, and—and they have their ups and downs. So there are times when—when Jane and Maura are barely speaking to each other because of conflicts they have. But by the time book twelve comes around—or maybe book seven comes around—you know that they would risk their lives for each other. So I think that if you're writing a series like Rizzoli and Isles, or like The Martini Club, it really helps to develop the friendship on the fly and see how they react to certain stresses. The next book, which I just turned in, called The Shadow Friends—it even put—pushes them even further, and it really—it really strains a marriage, because it's—it's more about Ingrid, and an old lover comes back into her life. She used to—they were both spies—and he is, like, hot, hot, hot—Antonio Banderas kind of guy. And here's Ingrid, married to Lloyd, you know, who's just a sweet analyst who cooks dinner for her every night. And I—when I was coming up with that story, I thought, I want to write a book about their marriage. So it wasn't—the plot wasn't about, oh, you know, international assassinations, even though that does occur in the book. It's really about the story of a marriage.Jess LaheyAnd it gives you, it gives you added unease. You know, if you have your two characters not speaking to each other, and you know your readers love those characters and crave those characters to be getting along at some point, then that's just another reason that we're following along. I was just thinking about, uh, Michael Connelly, uh, book the other day, because I really, really like the series he did with Renée Ballard and her relationship with the Bosch character, and how that series is totally about crime, but yet it's also very much about the relationship. And I think I follow—I continue to read those because of the relationship between those two human beings, and less so because of the murder mystery sort of stuff.Tess GerritsenI think it really becomes important if you're dealing also with Hollywood television series. I still remember what the producer first said when he called me up about Rizzoli and Isles. He said, "I love your girls, and I think they belong on TV.” He didn't say, I love your plots. He didn't say, I love your mysteries, you know, all your intricate ups and downs. It was really about the girls. So if you hope to sell to a television series, really, it's about characters again.Jess LaheyAbsolutely.Sarina BowenI was going to ask about longevity, because you have so many books, and you're so obviously still invigorated by the process, or there wouldn't be a book three that you just turned in. So how have you been able to avoid just being sick to death of—of writing suspense novel after suspense novel?Tess GerritsenI refused. That's what it is. You know, I—I don't—I guess I could say that I have a little bit of ADHD when it comes to—to the books I write. I cannot—after 13 books of Rizzoli and Isles, I just had a different idea. And it takes—it takes a certain amount of backbone to say no to your publisher, to your editor, to people who are going, well, when's the next one in this series coming out? And to be able to say, I need a break. I need to do something completely different. So over—how many years I've been a writer—almost 40 now—I've written science fiction and historicals and a ghost story and romantic suspense and spy novels and medical thrillers and crime novels. I've been all over the place, but each one of those books that took me out of what I was expected to do was so invigorating. It was a book that I needed to write. As an example, I wrote a book called Playing with Fire. Nobody wanted that book. Nobody expected that book. It was a historical about World War II, and about music—about the power of music—and having to do with the death camps. I remember my publisher going, "What are you doing?" And, you know, it's—it's true—they're—they—they are marketers, and they understood that that book would not sell as well, and it didn't. But it still remains one of my favorite books. And when you want to write a book, you need to write that book. That's all—even—even if nobody wants it.Jess LaheyI actually was—I'm so pleased that this came up, because that was actually going to be my question, because both you and Sarina have done this—done, you know, 90 degrees—whether it's out of, you know, one genre into another—and that, to me, requires an enormous amount of courage. Because you know you have people expecting things from you. And you in particular, Tess, have people saying, "No, I want the next one. I love this relationship. I want the next one." And—and dealing—you're not just dealing with the disappointment of whether it's an agent or an editor, but the disappointment of fans. And that's a pressure as well. So when I used to do journalism, I remember a question I asked of another journalist was, "How do you continue to write without fear of the comment section?" And essentially, for us, that's our—you know, those are our readers. So how do you find that thing within yourself to say, no, this really is the thing that I need to be writing now?Tess GerritsenWell, that is a really—it's a really tough decision to buck the trend or buck what everybody's expecting, because there's a thing in publishing called the death spiral. And if your book does not sell well, they will print fewer copies for the next one. And then that won't sell well. So you start—your career starts to go down the drain. And that is a danger every time you step out of your tried and true series and do something out of—you know, completely out of the ordinary. I think the reason I did it was that I really didn't give a damn. It was—it was like, Okay, maybe this will kill my career, but I've got to write this book. And it was always with the idea that if my publisher did not want that, I would just self-publish. I would just, you know, find another way to get it out there. And I—I was warned, rightly so, that your sales will not be good for this book, and that will—it will hurt the next contract. And I understood that. But it was the only way I could keep my career going. Once you get bored, and you're—you're trapped in a drawer, I think it shows up in your writing.Jess LaheyI had this very conversation with my agent. The—my first book did well. And so then, you know, the expectation is, I'll write like part two of that, or I'll write something for that exact same audience again. And when I told my agent—I said, "You know, this book on substance use prevention and kids—I—it's—I have to write it. And I'm going to write it even, you know, if I have to go out there and sell it out of the trunk of my car." And she said, "Okay, then I guess we're doing this." And yes...Tess Gerritsen(Laughing) They had their best wishes at heart.Jess LaheyAnd honestly, I love—I loved my book that did well. But The Addiction Inoculation is the book I'm most proud of. And, you know, that's—yeah, that's been very important to me.Tess GerritsenI often hear from writers that the book that sold the fewest copies was one that was—were their favorites. Those are the ones that they took a risk on, that they—I mean, they put their heart and soul into it. And maybe those hurt their careers, but those are the ones that we end up being proud of.Jess LaheyI like to remind Sarina of that, because I do remember we text each other constantly. We have a little group, the three of us, a little group text all day long. And there was—I remember when she first wrote a male-male romance, she was scared. She was really scared that this was going to be too different for her readers. And it ended up being, I think, my favorite book that she's ever written, and also a very important book for her in terms of her career development and growth, and what she loves about the work that she does. And so I like to remind her every once in a while, remember when you said that really scared you and you weren't sure how your readers were going to handle it?Sarina BowenRight? Well, I also did that in the middle of a series, and I went looking for confirmation that that is a thing that people did sometimes, and it was not findable. You know, that was...Jess LaheyWhat? Change things up in terms of—change things up in the middle of a series?Sarina BowenIn the middle of a series. And anyway, that book still sells.Tess GerritsenThat is a great act of courage, but it's also an act of confidence in yourself as a writer. There are ways to do it. I think some writers will just adopt a different pen name for something that's way out there.Jess LaheyIt's funny you should say... it's funny you should say that.Sarina BowenWell, no, and I never have done that, but, um—but anyway, yeah, that's hard. I, uh...Jess LaheyYeah.Sarina BowenIt's hard to know. Sometimes...Jess LaheyWe entertain it all the time. We do talk about that as an option all the time. Shouldn't we just pick up and do something completely different? One of the things that I also—I mentioned at the top of the podcast about, you know, you went off—not only have you done lots of different things in terms of your writing—but you went off and you did an entire documentary about pigs. I have—I have to ask you where on earth that came from and why. And it is a total delight, as I mentioned, and I have already recommended it to two people that I know also love the topic. But, you know, to go off—and especially when you usually, as some of us have experienced—our agents saying, so when am I going to see more pages? or when am I going to see the next book? And you say, I'm really sorry, but I have to go off and film this documentary about pigs.Tess GerritsenYes. Well, you know, I was an anthropology major in college, and I've always been interested in the pig taboo. You know, back then, everybody just assumed it was because, yeah, it was disease or they're dirty animals—that's why they're forbidden food. It never quite convinced me, because I'm Chinese-American. Asia—you know, Asia loves pork. Why aren't they worried about all that? So I was in Istanbul for a book tour once, and I remember I really wanted bacon, and, you know, I couldn't get bacon. And then I thought, okay, I really need to find out why pork is forbidden. This is a—this is a cultural and historical mystery that never made sense to me. The explanations just never made sense to me. It cannot be trichinosis. So I told my son that—my son is—he does—he's a filmmaker as well. And he just said, "Well, let's do it. Let's—we will pose it as a mystery," because it is a mystery. So it took us probably two years to go and—you know, we interviewed anthropologists and pet pig owners and archaeologists, actually, just to find out, what do they say? What is the answer to this? And to us, the answer really just came down to this cultural desire for every—every tribe—to define us versus them. You know, they eat pigs. They're not us, so therefore they're the enemy. And it was fascinating because we—we ended up finding out more about pigs than I was expecting, and also finding out that people who have pet pigs can sometimes be a little unusual.Jess LaheyAnd the people who purchase the clothes for the pigs are also crazy.Tess GerritsenYes. Sew outfits for their pigs and sleep with their pigs. And there was—there was one woman who had—she slept on the second floor of her house, so she had an elevator for her pig who couldn't make it up the stairs, and, you know, ramps to get up onto the bed because they've gotten so fat—they've been overfed. But it was—for me, at the heart of it was a mystery.Jess LaheyAs a nonfiction author whose whole entire reason for being is, "I don't know—let's find out," I think that's just the most delightful thing. And I loved your framing as, "I don't know, we have this question, let's go out there and just ask people about it and find the experts." And that's—oh, I could just live on that stuff. So...Tess GerritsenSo could I. You know, research is so enticing. It's enticing. It is—it can get you into trouble because you never write your book. Some of us just love to do the research.Jess LaheySarina actually has taken skating lessons, done glass blowing—what else have you done? Yoga classes and all—all kinds of things in the pursuit of knowledge for her characters. And I think that's a delight.Sarina BowenYes. If you can sign up for a class as part of your research, like, that is just the best day. Like, you know, oh, I must take these ice skating lessons twice a day for five months, because—yeah—or twice a week, but still.Tess GerritsenYou must be a good ice skater then.Sarina BowenI'm getting better.Tess GerritsenSo you never gave them up, I see.Jess LaheyWell, it's fun because she usually writes about hockey, but she has a figure skater coming up in this book that's coming out this fall. And she's like, "Well, I guess I'm just going to have to learn how to figure skate."Tess GerritsenYeah.Sarina BowenI also—one time I went to see Rebecca Skloot speak about her big nonfiction The Immortal Life of Henrietta Lacks.Tess GerritsenOh, okay.Sarina BowenAnd she said that all her best ideas had come from moments in her life when she went, "Wait, what?!"Tess GerritsenYes. Yep.Sarina BowenIncluding for The Immortal Life of Henrietta Lacks. Like, she learned about the cells in high school—she was in high school biology class—and the teacher said, like, "This woman died in the '60s, but we're still using her cells," and she said, "Wait, what?!" And that's—that's what you made me think of with the pigs. Like, I think...Jess LaheyWell, and also your folder of ideas. I mean, I immediately texted Sarina after listening to a podcast where I heard an ad, and the ad made me go, "Oh that could be creepy." And then I'm like, "Okay, this is—this is a plot. This is going in the folder somewhere." And so you have to just think about how those things could unfold over time. And I love the idea of—and even in journalism—there are articles that I've written where I said, this just isn't their time. And then, like, five years later, I'll hear something out there, and I'm like, okay, finally, it's the time for this thing. And there's a reason you put that article in your idea—in your paper—manila folder of ideas.Tess GerritsenWell, I think writers are—we have to be curious. We have to be engaged in what's going on around us, because the ideas are everywhere. And I have this—I like to say I have a formula. It's called "two plus two equals five." And what that means is, sometimes you'll have a—you'll have a piece of information that, you know, there's a book here, but you haven't figured out what to do with it. And you wait for another piece of information from some completely different source, and you put them together, and they end up being like nuclear fusion—bigger than the…Sarina BowenYes!Jess LaheyYes!Tess GerritsenSome of the parts.Sarina BowenMost every book I've ever written works like that. Like, I have one idea that I drag around for, like, five years, and then I have this other idea, and one day I'm like, oh, those two things go together.Tess GerritsenYep.Jess LaheyYeah, absolutely. I think Stephen King mentioned that about Carrie. I think it was like, telekinesis, and that usually starts about the time of menstruation, and it was like, boom, there was Carrie. You know, those two things came together. I love that so much. So you mentioned that you have just handed in your next book, and we don't—we do not, as a rule, ask about what's next for an author, because I find that to be an incredibly intimidating and horrifying question to be asked. But I would love to hear; you know, is this—is this series one that you hope to continue working on? The main series, mainly because we have quite fallen in love with your little town in Maine—in Purity, Maine. Fantastic name for your town, by the way. It's really lovely. It creates such a nice dichotomy for these people who have seen and heard things during their careers that maybe are quite dark, and then they retire to a place called Purity. Is this a place where we can hopefully spend a little bit of time?Tess GerritsenWell, I am thinking about book number four now. I have an idea. You know, it always starts with—it starts with an idea and doodling around and trying to figure out what—you know, you start with this horrible situation, and then you have to explain it. So that's where I am now. I have this horrible situation, I have to explain it. So, yeah, I'm thinking about book four. I don't know how—you never know how long a series is going to go. It's a little tough because I have my characters who are internationally based—I mean, they've been around the world—but then I can't leave behind my local cop who is also a part of this group as well. So I have to keep an eye out on Maine being the center of most of the action.Sarina BowenRight, because how many international plots can you give Purity, Maine?Tess GerritsenThat's right, exactly. Well, luckily…Jess LaheyLook, Murder, She Wrote—how many things happened to that woman in that small town?Tess GerritsenExactly, exactly. Well, luckily, because I have so many CIA retirees up here, the international world comes to us. Like the next book, The Shadow Friends, is about a global security conference where one of the speakers gets murdered. And it turns out we have a global security conference right here in our town that was started by CIA 40 years ago. So I'm just—I'm just piggybacking on reality here. And—not that the spies up here think that's very amusing.Sarina BowenThat is fantastic, because, you know, the essential problem of writing a suspense novel is that you have to ground it in a reality that everyone is super familiar with, and you have to bring in this explosive bit of action that is unlikely to happen near any of us. And those two things have to fit together correctly. So by, um, by putting your retired spies in this tiny town, you have sort of, like, gifted yourself with that, you know, precise problem solver.Tess GerritsenYeah, reminding us.Sarina BowenYeah.Tess GerritsenBut there's only so far I can take that. I'm not sure what the limits... I think book four is going to take them all overseas, because my local cop, Jo, she's never been out of the country—except for Canada—and it's time for her dad to drag her over to Italy and say, "Your dead mom wanted to come to Italy, so I'm taking you." And, of course, things go wrong in Italy for Jo.Jess LaheyOf course, of course. Well, we're going to keep just banging on about how much we love these books. I think we've already mentioned it in three podcast episodes so far in our “What have you been reading lately that you've really loved?” So we're—we're big fans. And thank you so much for sitting down to talk with us and to—you know, one of the whole points of our podcast is to flatten the learning curve for other authors, so we hope that that's done a little bit of that for our listeners. And again, thank you so much. Where can people find you and your work if they want to learn a little bit more about Tess Gerritsen—her work?Tess GerritsenYou can go to TessGerritsen.com, and I try to post as much information there as I can. But I'm also at Bluesky, @TessGerritsen, and what is now called “X”—a legacy person on X—@TessGerritsen, yes.Jess LaheyThank you so, so much again. And for everyone out there listening, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music—aptly titled Unemployed Monday—was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Dans Radio Foot Internationale 16h10 TU et 21h10 TU au sommaire : - Bundesliga – Ça repart ; Ligue des Champions – Barrages aller ; Angleterre – Star Power ; - Ligue 1 – OM K.O. Le feuilleton continue… - Bundesliga – Ça repart. Honneur au champion ! Le Bayern ouvre le bal contre Leipzig ce vendredi. Challengers en embuscade : Dortmund, Leverkusen, Francfort… Les Bavarois sont-ils armés pour se succéder ? Qui pour les déloger ? Personne ? - Ligue des Champions – Barrages aller. Benfica tenu en échec par Fenerbahçe de Mourinho (0-0) à Istanbul ! Benfica piégé ou Fener déjà en mission  « Mou ». Bodø/Glimt gifle Sturm Graz (5-0) et se rapproche d'une première historique ! Le Club Bruges frappe fort à Ibrox contre Glasgow Rangers (3-1)… Sept dernières places à prendre en C1 ! Faites vos jeux avant les retours ! - Angleterre – Star Power. Mohamed Salah élu joueur PFA (3e fois, record !) et place Arsenal favori. Réaliste le Pharaon ou coup de bluff ! On en débat ! Pendant ce temps, Alexander Isak veut quitter Newcastle : Liverpool et l'Arabie saoudite sont à l'affût. Le torchon brûle entre les Magpies et le buteur suédois… Quelle issue ? - Ligue 1 – OM K.O. Le feuilleton continue… Défaite inaugurale à Rennes (1-0), vestiaire en fusion : Adrien Rabiot et Jonathan Rowe mis à l'écart après une altercation violente, déjà placés sur la liste des transferts. Saison à peine commencée et déjà plombée ?! Mais à quoi joue donc la direction de l'Olympique de Marseille ? Autour d'Annie Gasnier, nos consultants du jour : Salim Baungally, Ludovic Duchesne, David Lortholary — Édition : David Fintzel — TCR : Laurent Salerno.

Turkey set to host a Nato summit for a second time. Monocle’s Istanbul correspondent highlights Turkey’s growing role on the international stage. See omnystudio.com/listener for privacy information.

Benfica draw 0-0 in Istanbul and leave it all to play for in leg 2 next week.Check Out My Latest Video on My YouTube Channel byClicking HereCheck Out the Latest Episode of Tuga Tuesday by⁠Clicking HereCheck Out my Vlog I shot while watching the Benfica-Porto match at the Casa do Benfica in Newark, NJ.⁠Click Here to Watch on YouTube⁠Follow the show on the platforms below:⁠Twitter   ⁠⁠Instagram  ⁠⁠Facebook ⁠⁠Apple Podcasts⁠  ⁠Spotify⁠    ⁠Podbean⁠⁠iHeartRadio⁠  ⁠Amazon Music/Audible⁠For more content check out  ⁠www.misterbenfica.com⁠And don't forget to give some love to the musicians who provide the theme music for this podcast! Follow Agendaz on their socials below!!!⁠Spotify ⁠⁠Apple Music⁠⁠Soundcloud⁠⁠Instagram⁠⁠Facebook⁠

Dans Radio Foot Internationale 16h10 TU et 21h10 TU au sommaire : - Bundesliga – Ça repart ; Ligue des Champions – Barrages aller ; Angleterre – Star Power ; - Ligue 1 – OM K.O. Le feuilleton continue… - Bundesliga – Ça repart. Honneur au champion ! Le Bayern ouvre le bal contre Leipzig ce vendredi. Challengers en embuscade : Dortmund, Leverkusen, Francfort… Les Bavarois sont-ils armés pour se succéder ? Qui pour les déloger ? Personne ? - Ligue des Champions – Barrages aller. Benfica tenu en échec par Fenerbahçe de Mourinho (0-0) à Istanbul ! Benfica piégé ou Fener déjà en mission  « Mou ». Bodø/Glimt gifle Sturm Graz (5-0) et se rapproche d'une première historique ! Le Club Bruges frappe fort à Ibrox contre Glasgow Rangers (3-1)… Sept dernières places à prendre en C1 ! Faites vos jeux avant les retours ! - Angleterre – Star Power. Mohamed Salah élu joueur PFA (3e fois, record !) et place Arsenal favori. Réaliste le Pharaon ou coup de bluff ! On en débat ! Pendant ce temps, Alexander Isak veut quitter Newcastle : Liverpool et l'Arabie saoudite sont à l'affût. Le torchon brûle entre les Magpies et le buteur suédois… Quelle issue ? - Ligue 1 – OM K.O. Le feuilleton continue… Défaite inaugurale à Rennes (1-0), vestiaire en fusion : Adrien Rabiot et Jonathan Rowe mis à l'écart après une altercation violente, déjà placés sur la liste des transferts. Saison à peine commencée et déjà plombée ?! Mais à quoi joue donc la direction de l'Olympique de Marseille ? Autour d'Annie Gasnier, nos consultants du jour : Salim Baungally, Ludovic Duchesne, David Lortholary — Édition : David Fintzel — TCR : Laurent Salerno.

MUSICA drone kept buzzing the stage during Limp Bizkit's set Sunday night in Istanbul, Turkey. So Fred Durst took a page from "Break Stuff" and swatted the drone from the sky. Watch it happen on YouTube. https://youtu.be/_8X-qSO82yI?si=-vwDjpJi5MZtEFrtLast week, a video of Florence Welch screaming into a hole was released, and now we know its meaning. https://www.instagram.com/p/DNiL1M1OEcL/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA%3D%3D Get your MTV Video Music Awards Hummus ready, because the first performers for the upcoming MTV Video Music Awards have been announced. https://themusicuniverse.com/first-performers-and-honorees-revealed-for-2025-mtv-vmas/ Gary Oldman thinks the world has gone to [crap] since David Bowie died on January 10th, 2016. Quote, "It was like he was cosmic glue or something. When he died, everything fell apart. So, yeah, I miss him." https://consequence.net/2025/08/gary-oldman-david-bowies-death-worlds-gone-shit/Post Malone is the new face of Skims Men, which is Kim Kardashian's brand. He just appeared in a risqué photo shoot in the mountains of Utah. The collection, which launches tomorrow on the brand's website, includes underwear, tees, and heavyweight fleece loungewear in camouflage. https://www.gq.com/story/post-malone-skims-campaign-interview TVActress Aubrey Plaza spoke publicly for the first time about coping with the death of her husband, filmmaker Jeff Baena, who died by suicide in January at age 47. https://www.youtube.com/watch?v=gLe9yRkrfCE Kelly Clarkson has returned to work on her upcoming season of The Voice following the death of her ex-husband, Brandon Blackstock. https://www.tmz.com/2025/08/19/kelly-clarkson-returning-to-the-voice/ Euphoria star Colman Domingo opened up about his experience of almost joining a cult on the Mythical Kitchen series, Last Meals. https://www.thenews.com.pk/latest/1336908-euphoria-star-colman-domingo-reveals-horrifying-incident-from-past MOVING ON INTO MOVIE NEWS:The Annabelle popcorn bucket for The Conjuring: Last Rite has arrived! Cinemark released a creepy video showing the popcorn doll, which will be available starting on Friday. https://www.superherohype.com/guides/620467-the-conjuring-last-rites-annabelle-popcorn-bucket-price-marcus-amc-regal-cinemark AND FINALLYTravis Kelce and Patrick Mahomes' steakhouse in Missouri has an opening date and is taking reservations soon! https://www.today.com/food/restaurants/patrick-mahomes-travis-kelce-1587-prime-steakhouse-opening-date-rcna225784 AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What does it take to walk around the world — literally? In this remarkable episode of Just Wondering, Norm Hitzges sits down with explorer Karl Bushby, who has spent the last 27 years on a 36,000-mile mission to be the first person to circumnavigate the globe entirely on foot. From surviving in Patagonia with little more than road scraps and berries, to crossing the icy, unforgiving Bering Strait, Karl's journey has been defined by grit, danger, and an unshakable belief in the impossible. Along the way, he's faced guerrillas in the Darien Gap, been detained by Russian authorities, and endured financial setbacks — yet through it all, he's pushed forward, mile after mile. Speaking from Istanbul as he nears the end of his epic journey, Karl shares his motivations, brushes with death, encounters with kindness, and the strict rules that have shaped his quest. This isn't just a story about walking — it's a testament to endurance, resilience, and the audacity of the human spirit. If you've ever doubted what one person can achieve, Karl Bushby's story will change your mind. Sign up for Norm's Picks of the Pole, here: https://payhip.com/PicksofthePolewithNormHitzges or email Norm for picks: norm13tenmail.com Chapters: 0:01 – Introducing Karl Bushby: A lifetime adventurer joins from Istanbul2:23 – Why walk the world? How a young paratrooper's idea became a mission8:00 – Surviving Patagonia with $500 and the kindness of strangers12:34 – The two rules that define Karl's journey15:19 – Crossing the Bering Strait and being detained in Russia18:45 – Facing guerrillas in the Darien Gap and 18 days in Panamanian jails20:57 – Norm shifts gears: football picks, sponsors, and what's ahead  Check us out: patreon.com/sunsetloungedfwInstagram: sunsetloungedfwTiktok: sunsetloungedfwX: SunsetLoungeDFWFB: Sunset Lounge DFW

Seán's guest is a Journalist based in Istanbul, and has spent time investigating the unusual world of leg lengthening surgery which clinics in the city provide.Ruth Michaelson has been writing about her findings in the Guardian, and joins to discuss.

An international history of the uncanny in the 1920s and 1930s. The interwar period was a golden age for the occult. Spiritualists, clairvoyants, fakirs, Theosophists, mind readers, and Jinn summoners all set out to assure the masses that just as newly discovered invisible forces of electricity and magnetism determined the world of science, unseen powers commanded an unknown realm of human potential Drawing on untapped sources in Arabic in addition to European ones, Raphael Cormack follows two of the most unusual and charismatic figures of this age: Tahra Bey, who took 1920s Paris by storm in the role of a missionary from the mystical East; and Dr. Dahesh, who transformed Western science to create a panreligious faith of his own in Lebanon. Traveling between Paris, New York, and Beirut while guiding esoteric apprenticeships among miracle-working mystics in Egypt and Istanbul, these men reflected the desires and anxieties of a troubled age. As Cormack demonstrates, these forgotten holy men, who embodied the allure of the unexplained in a world of dramatic change, intuitively speak to our unsettling world today Raphael Cormack is an award-winning editor, translator, and writer. The author of Midnight in Cairo, Cormack is assistant professor of modern languages and cultures at Durham University in the United Kingdom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An international history of the uncanny in the 1920s and 1930s. The interwar period was a golden age for the occult. Spiritualists, clairvoyants, fakirs, Theosophists, mind readers, and Jinn summoners all set out to assure the masses that just as newly discovered invisible forces of electricity and magnetism determined the world of science, unseen powers commanded an unknown realm of human potential Drawing on untapped sources in Arabic in addition to European ones, Raphael Cormack follows two of the most unusual and charismatic figures of this age: Tahra Bey, who took 1920s Paris by storm in the role of a missionary from the mystical East; and Dr. Dahesh, who transformed Western science to create a panreligious faith of his own in Lebanon. Traveling between Paris, New York, and Beirut while guiding esoteric apprenticeships among miracle-working mystics in Egypt and Istanbul, these men reflected the desires and anxieties of a troubled age. As Cormack demonstrates, these forgotten holy men, who embodied the allure of the unexplained in a world of dramatic change, intuitively speak to our unsettling world today Raphael Cormack is an award-winning editor, translator, and writer. The author of Midnight in Cairo, Cormack is assistant professor of modern languages and cultures at Durham University in the United Kingdom. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Nigerian superstar Victor Osimhen is back at Galatasaray in a record-breaking €75 million deal that has sent shockwaves through European football. The Super Lig is on notice, as the former Napoli striker returns to Istanbul ready to dominate. Our deep dive covers all the details, from the massive fee and his huge new contract to what this means for Galatasaray's Champions League ambitions. We also break down Osimhen's unique skill set—his blistering pace, aerial power, and big-game mentality—and how his homecoming could forever change the perception of Turkish football.Victor Osimhen transfer, Galatasaray, Napoli, Super Lig, Champions League

دورین هو، طراح مد ایرانی‌تبار مقیم کانادا، بنیان‌گذار برندی است که با رویکرد متفاوت و آوانگارد در استریت‌ویر شناخته می‌شود. او متولد تهران و دانش‌آموخته طراحی مد در کالج لا‌سال استانبول است و با الهام از تجربه‌های کودکی و خلاقیت شخصی، لباسی می‌آفریند که مرز میان هنر و پوشاک روزمره را از میان برمی‌دارد. برند او بر پایه پایداری، استفاده از پارچه‌های باقی‌مانده و تولید بی‌فصل شکل گرفته و تاکنون جوایزی چون استعداد نوظهور مؤسسه مد کانادا را کسب کرده و به جمع فینالیست‌های جایزه امیری نیز راه یافته است. آثار دورین در رسانه‌های معتبر جهان مانند فوربز، ووگ و ال‌کانادا معرفی شده و برندش به عنوان مجموعه‌ای مستقل و زن‌محور، بر تنوع، ماندگاری و آزادی در بیان فردی تأکید دارد.00:00:00 مقدمه 00:01:40 دورین هو کیست؟ راز یک نام‌گذاری منحصربه‌فرد 00:04:11 جرقه اولیه و شروع مسیر طراحی لباس 00:12:33 چالش‌های صنعت فشن در کاناد 00:15:59 از الهام خانوادگی تا رسیدن به آرزوها 00:25:52 دوران تنهایی کارآفرینی 00:30:20 چرا دورین برند خودش را تأسیس کرد؟ 00:33:19 پروسه تولید لباس و چالش‌های پارچه ددستاک 00:46:16 برند جندرلس: شکستن مرزها در فشن 01:03:00 راز "پیوت کردن" و آینده صنعت فشن با هوش مصنوعیDorian Who is an Iranian-Canadian fashion designer and the founder of an avant-garde streetwear brand that has quickly gained international recognition. Born in Tehran and a graduate of fashion design from LaSalle College in Istanbul, she draws inspiration from her childhood experiences and personal creativity to create pieces that blur the line between art and everyday wear.https://www.instagram.com/dorian.whoSponsorحامی این قسمت:ملّی گلد | سامانه قانونی خرید و فروش طلای آبشدهhttps://melligold.comTabaghe 16اطلاعات بیشتر درباره پادکست طبقه ۱۶ و لینک پادکست‌‌های صوتی https://linktr.ee/tabaghe16#پادکست #طبقه۱۶ Hosted on Acast. See acast.com/privacy for more information.

Slow Horses: Season 3, Episode 1 "Strange Games" A romantic relationship in Istanbul takes a turn for the worse; Lamb faces a crisis when one of his Slow Horses fails to report for duty. Feedback : blackgirlcouch@gmail.com  (audio/written) Tumblr: blackgirlcouch Youtube: ChristinaBCG

Today's West Coast Cookbook & Speakeasy Podcast for our especially special Daily Special, Blue Moon Spirits Fridays, is now available on the Spreaker Player!Starting off in the Bistro Cafe, Trump hated the Jobs Report so much, wait until he finds out about the Producer Price Index. Who's left to fire?Then, on the rest of the menu, a federal judge struck down Trump administration orders against DEI programs at the nation's schools and colleges; a federal judge ordered RFK, Jr to stop giving deportation officials access to the personal information, including home addresses, of all seventy-nine million Medicaid enrollees; and, a federal judge struck down key parts of the Florida law that led to the removal of books from school libraries.After the break, we move to the Chef's Table where Turkish authorities detained the mayor of a key Istanbul district along with over forty other officials; and, a senior lawyer in Australia apologized to the Victoria State Supreme Court for AI-generated errors in a murder case.All that and more, on West Coast Cookbook & Speakeasy with Chef de Cuisine Justice Putnam.Bon Appétit!The Netroots Radio Live Player​Keep Your Resistance Radio Beaming 24/7/365!“Structural linguistics is a bitterly divided and unhappy profession, and a large number of its practitioners spend many nights drowning their sorrows in Ouisghian Zodahs.” ― Douglas Adams "The Restaurant at the End of the Universe"Become a supporter of this podcast: https://www.spreaker.com/podcast/west-coast-cookbook-speakeasy--2802999/support.

On Thursday's Football Daily, David Wilson brings you all the build-up ahead of from a huge European night at Tallaght Stadium for Shamrock Rovers.Stephen Bradley won't be going all out early on.Stephen Kenny is keen to up the intensity from last week.Three Israeli teams continue to play in UEFA competition despite the ongoing situation in Gaza and the West Bank.Liverpool's Arne Slot on new signings.And Steve McManaman on how Trent will be remembered by 'pool supporters.Become a member and subscribe at offtheball.com/join

En el episodio de hoy me siento con Ángel Otero, artista plástico contemporáneo puertorriqueño que ha expuesto su obra en museos y galerías de Nueva York, Los Ángeles, Londres, Hong Kong, Istanbul, Suiza y España.Ángel me cuenta cómo fueron sus años creciendo en Bayamón, el rol que tuvo su abuela en su crianza, sus años en la Universidad de Puerto Rico, Recinto Río Piedras, antes de mudarse a estudiar en Chicago, cómo la curiosidad ha sido el motor de su carrera y el accidente creativo que lo llevó a desarrollar la técnica que definiría su obra: los "oil skins".También hablamos sobre el reto de equilibrar la autenticidad con las exigencias del mercado del arte, por qué la "memoria" es un ser vivo que cambia con el tiempo, la vulnerabilidad en su proceso y el valor de devolverle a la comunidad que lo vio crecer.Tres "takeaways" de este episodio:1.⁠ ⁠“Buen arte debe tener un cierto sentido de problema y diálogo.”2.⁠ "Lo más duro es manejar el mundo del arte sin que eso altere la honestidad con la que trabajas en tu estudio.”3.⁠ "Me gusta confiar en la ignorancia.”Sigue a Ángel:Página Web | InstagramNo olvides suscribirte a nuestro canal de Youtube.

Grab your sour-patch straws, stop sour punching your straw, and join us as we slip into the impeccably tailored, morally dubious world of The Man from U.N.C.L.E., where Henry Cavill smirks his way through the Cold War and Armie Hammer glowers in various shades of “angry Russian.” We talk about the opening Berlin chase, the world's suavest tablecloth yank, and why Guy Ritchie clearly decided style was more important than historical accuracy—or sometimes, basic physics. Also, everyone is ridiculously good-looking, and yes, we noticed. Repeatedly. Somewhere between the CIA, the KGB, and whatever Hugh Grant is doing in this movie, there's a plot about nuclear warheads, a fake engagement, and a fashion show that doubles as spycraft. We pick apart the “unlikely partners” dynamic, try to decide if Gaby is the actual MVP, and get distracted by the soundtrack every time Roberta Flack or Nina Simone shows up. (Seriously, this might be the most our Spotify queues have been influenced by a rewatch.) Naturally, we wander into side quests: our rankings of cinematic buddy duos, a brief tangent about how many spy movies would be ruined if the characters had iPhones, and Elise's theory that Cavill's Solo is basically James Bond on a heavy sedative. Somewhere in there we debate who in the group could actually pull off a 1960s double-breasted suit. Spoiler: not all of us. By the end, we're in Istanbul, the team's assembled, and we're low-key mad this stylish mess never got a sequel. If you're into slick visuals, flirty banter, and the occasional implausible stunt involving vintage cars, you might want to give this one another spin—preferably with a drink in hand and your sharpest spy outfit on standby. https://www.imdb.com/title/tt1638355

Beşiktaş delivered a dominant performance on the road, beating St. Patrick's Athletic **4-1** in the first leg of UEFA Conference League qualifiers!

Justin Timberlake BioSnap a weekly updated Biography.The past few days have seen Justin Timberlake step out of the global spotlight and into a time of recovery and honest reflection. Fresh off the triumphant final stop of his two-year Forget Tomorrow World Tour in Istanbul on July 30, Timberlake stunned fans and the industry by publicly revealing, via Instagram, that he has been battling Lyme disease. His posts described months of relentless pain, debilitating fatigue, and nerve issues that he first chalked up to age and the grind of touring. Timberlake said he kept his diagnosis private at first, but decided to speak out now to shed light on both the physical and mental toll the disease exacts, adding that the challenge had given him clarity about unexplained issues he'd quietly managed behind the scenes. According to People, it was his wife Jessica Biel who encouraged him to seek medical help when she noticed he was not himself, and she remains steadfastly supportive as he now focuses on rest and recovery with his family.Social media lit up with support. His Instagram Story, showing himself in a shirt reading “I'm not doing s*** today,” matched the mood—humor returning to the front now that the tour is complete and the health ordeal is public. His former NSYNC bandmate Chris Kirkpatrick praised Timberlake's “superhero” resilience, saying he'd witnessed another level of toughness as Justin powered through shows regardless of pain and exhaustion, a sentiment echoed by fans and music figures alike.Business headlines followed another big Timberlake move in Nashville. The Farm Nashville, a luxury golf venture co-developed by Timberlake and backed by 8AM Golf, just announced the acquisition of a total of 475 acres northwest of downtown Nashville, including a recent $7.5 million purchase, to build an exclusive, members-only course called Bounty Club. The company describes the membership as “highly curated,” adding another elite offering to the city's expanding golf scene. This isn't Timberlake's only Nashville enterprise—he also co-owns The Twelve Thirty Club on Lower Broadway, continuing to deepen his business ties to the city alongside his music career.On fan pages and Instagram, Timberlake was recently spotted, newly clean-shaven and in good spirits, drawing comments about his appearance and his return home. Hashtags like #jtlive25 trended as social accounts celebrated the marathon tour, while news outlets like US Weekly and AOL ran headlines emphasizing his openness about Lyme disease, the tour's emotional finish, and his next chapter of healing. No new music or film announcements have broken in the past week, but Timberlake's candor and resilience are driving the Justin Timberlake conversation as summer winds down. There is speculation from some music insiders that this health revelation and period of rest could reshape his future touring and recording plans, but nothing is confirmed. For now, Timberlake's story is about hard-won perseverance, a new chapter of self-care, and business ventures that keep him at the center of both pop culture and Nashville's social scene.Get the best deals https://amzn.to/3ODvOta

Edition No219 | 08-08-2025 - Today marks the deadline for Trump's latest “final warning” to Putin. The White House says that no date has been decided yet on the much-hyped last-minute Putin-Trump summit. Remember today is last date Trump set to reach a ceasefire in Ukraine. That deadline has blown past, apparently with no consequences whatsoever for the criminal in the Kremlin. In today's episode we examine the grim and urgent reality: the delusions of a negotiated peace, and the collapse of diplomacy into spectacle, farce even, covering Putin's maximalist war aims without accountability, stolen children, oil black markets, and a world where every handshake is transactional and every value is negotiable. The world of Trump, where there seem to be no consequences for terrible behaviour. We will navigate this moral abyss.Have you noticed how Putin managed to wriggle out of this deadline yet again? Trump's latest and ultimate ‘ultimatum' seems to have been handled using the same trick, the same sleight of hand as the previous awkward situations for Putin. Using the same playbook, he used back in May, which has worked like a charge to make the harsh deadlines melt away. Back then Ukraine and Europe were demanding an unconditional 30-day ceasefire. Back then, Trump and Putin tried to close Europe and Ukraine out of the so-called negotiations, and the same thing is happening now. Putin proposed holding a meeting in Istanbul instead of agreeing to a ceasefire — effectively knocking the sanction weapon out of his opponents' hands with a counterproposal. And here we are three months later, and the same trick is being used to achieve the same effect. Don't expect Putin to stop erasing Ukrainian cities, however. ----------SUPPORT THE CHANNEL:https://www.buymeacoffee.com/siliconcurtainhttps://www.patreon.com/siliconcurtain----------DESCRIPTION:Fake Peace Process: Trump's Deadline to Putin & The Political Theater of Ceasefire NegotiationsIn this episode of Silicon Bytes, we dive into the latest in the so-called peace process regarding the Russia war against Ukraine. As Trump's ceasefire deadline for Putin passes with no consequences, we examine the manipulation, deceit, and geopolitical theater at play. From fraudulent negotiations and broken promises, to the transactional dealings and machinations behind the scenes, we uncover the grim reality of diplomacy turned spectacle. Join us as we analyze the situation in depth, including the role of Putin's maximalist war aims, the exploitation of international meetings, and the ineffectiveness of ultimatums without enforcement.----------CHAPTERS:00:00 Introduction to the Fake Peace Process00:22 Trump's Deadline and Its Aftermath01:14 The Grim Reality of Diplomacy01:53 Putin's Strategic Maneuvers04:13 The Illusion of Sovereignty04:33 From Ultimatum to Appeasement06:38 The Worthless Ceasefire Proposal09:03 Human Rights and Hypocrisy11:12 The Absurdity of Diplomacy15:02 Conclusion and Next Steps----------SOURCES: https://thehill.com/policy/international/5442747-john-bolton-donald-trump-vladimir-putin-meeting/ https://www.nbcnews.com/world/russia/russia-putin-trump-meeting-confirmed-ukraine-rcna223572 https://www.washingtonpost.com/world/2025/08/07/putin-trump-summit-meeting-ukraine/ https://www.bbc.com/news/articles/c1e02q12z32o ----------

The film and TV biz defines LA—so what's it look like as the biz moves abroad? Host (and longtime Angeleno) Rico Gagliano takes a tour of a changing city, from the Hollywood sign to a new crop of booming rep cinemas. Guests include THE STUDIO co-creator Evan Goldberg, indie icon Charles Burnett (KILLER OF SHEEP), and Sean Fennessey, host of THE BIG PICTURE podcast. Part travelogue, part deep-dive storytelling, the latest season sees host Rico Gagliano jet off to Ireland, Amsterdam, Mexico City, Los Angeles and Istanbul, to learn about their cultures through the lens of cinema. Season 8's guests include actors Gael García Bernal (AMORES PERROS) and Fiona Shaw (HOT MILK), writer/directors Rich Peppiatt (KNEECAP), Evan Goldberg (THE STUDIO) and Halina Reijn (BABYGIRL), producer Ed Guiney (POOR THINGS), production designer Eugenio Caballero (ROMA) and a host of other filmmakers, programmers, academics, cinema owners, critics, tour guides, and festival directors.LURKER is coming to theaters in the US & Canada. Check out mubi.com/lurker for showtimes and tickets.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

Rosie Bailey has turned haggling into a cutting-edge AI negotiation company - taking lessons from a sneaker market in Istanbul to powering over 1.5M human–machine negotiations with Nibble.In this episode, she shares how trust, humor, and tech are transforming negotiations across industries - from property rentals to telecom renewals to fashion inventory management.What You'll Learn:• Why trust is the foundation of every great negotiation in 2025• How humor makes AI feel more human and close more deals• The biggest fears brands have about automated negotiation• How Nibble increases conversion, reduces churn, and saves time

Click the post for details on this episode! Welcome back to Open House! Randy Seidman here, with another two hours of the grooviest beats. I had an amazing first time playing in Tokyo at Zero last weekend, and a triumphant return to Seoul after 12 years, for two incredible events. Big thank you to everyone who made it out! The rest of the summer is stacked with upcoming shows at Baccarat in Bangkok, Sound in LA, as well Seattle, Denver, Dubai, Istanbul, and more. Today's episode is a special one, with some of my top tunes in the first hour, followed by an exclusive session with the quickly rising star out of Bangkok, JXNIXR. You can grab all past episodes and track lists from openhousepodcast.com, Soundcloud, or wherever you like to download your favorite podcasts. For now, turn it up. Randy Seidman's Website Randy Seidman's SoundCloud Randy Seidman's Beatport Randy Seidman's Spotify Randy Seidman's Facebook Randy Seidman's Twitter Randy Seidman's Track List: 01. Bob Angetti - Nothing Special (Extended Mix) [ChillNova] 02. Louis Botella - Vulu Dansé (Extended Mix) [Sirup Music] 03. SHADU - Ahora (Extended Mix) [Shadu] 04. Nick Mac - Afro Jack (Original Mix) [Gathering Music] 05. Sonickraft - Be Better (Original Mix) [Dear Deer] 06. Antoine Clamaran Feat. Rose - Missing (Extended Mix) [Tumbata Records] 07. Wakyin, Ronis Goliath, and bees & honey - Ice 2 Water (Extended Mix) [Bamboo] 08. Sidekick - Deep Fear (Glauko & Neil Amarey Afro Extended Remix) [Netswork Records] 09. Maigual Abaze - Zulu (Extended Mix) [Sirup Music] 10. Indifferent Guy, Monomax - Chayeh (Extended Mix) [Indifferent Music] 11. Stefy De Cicco x Paakman - Rakata (Extended) [ID] 12. KILIMANJARO x Jazzy x Jayda G - No Bad Vibes (Original Mix) [CHAOS] 13. Klangkarussell, GIVVEN, Senes - Sun Went Down, Sky Went Dark (Extended Mix) [Bias Beach Records] 14. &Me Ft. John Summit - The Rapture Pt.III x Where You Are (AAFROWAVES Mashup) [ID] I hope you enjoyed the first hour with some of my top recent tunes. Up next is a special exclusive session with the rising Bangkok based talent, JXNIXR. I met this young star when he opened for me at the legendary Bangkok techno club, Mustache, and was immediately drawn to his quality song selection and technical mixing. Since then he has made regular appearances at the city's best venues, and has produced amazing music which is finding its way into the crates of top DJs. Today he is here just for you. For the next hour, JXNIXR is in the mix. JXNIXR's Instagram JXNIXR's Track List: 01. 1&friends, CIZA, Thukuthela - Isaka (6am) &friends Mix - In Beirut (Extended) [LVRN Records] 02. Meliora - PENDIENTE A MI (Extended Mix) [AFRODITE] 03. Jorja Smith - Feelings (David Mackay Remix) [ID] 04. Adam Port, Stryv, Malachiii - Positions (Extended) [Interscope] 05. ANOTR - RELAX MY EYES (Mr. Moudz Afro Edit) [NO ART] 06. Yamil - Craftman (Original Mix) [Pieces of Life] 07. Rona Ray, Antdot, Miguel Ante, Bakka (BR) - Inner Wars (feat. Rona Ray) (Original Mix) [Dawn Patrol Records] 08. Malumz on Decks, Mpho.Wav - Teka (Maz (BR) Remix) [Dawn Patrol Records] 09. Marino Canal, Kotiēr - Shadow (Original Mix) [Siamese] 10. DOSAMIS - We Were High (Original Mix) [MoBlack Records] 11. Curol - Oxum (Sone. Remix) [Nature Recordings] 12. JUNO (DE) - Heat (Original Mix) [Magnifik Music] 13. Nosi - So Good (Extended Mix) [Disorder] Randy Seidman · Open House 246 w/Randy Seidman + JXNIXR [Aug. 2025]

Get to Know Beşiktaş's Next Opponent: St Patrick's Athletic!

Former Bangladeshi Prime Minister Sheikh Hasina is facing a landmark trial in absentia over alleged crimes against humanity. The charges are linked to the 2024 student protests that toppled her government. Also, a new report looks at  health impacts throughout the life cycle of plastic ahead of a global meeting to negotiate the final steps of an international plastics treaty. And, wholesalers in Istanbul, Turkey, give surplus fabric a second life. Plus, New Zealand recognizes the world's oldest alpaca in captivity.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

Vittorio and Alasdair are back to discuss Lazio's friendly double-header in Istanbul against Fenerbahce and Galatasaray. What did we learn about how Maurizio Sarri is building this team, and who performed well and badly? Hosted on Acast. See acast.com/privacy for more information.

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

A special episode from the Football Daily archives when in 2019 Rafa Benitez joined Guillem Balague to talk Istanbul, Tyneside & Madrid. [This is a re-versioned episode from the Football Daily archive. It was first published on the 25th April 2019]

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Beşiktaş are officially out of the UEFA Europa League following a 2-0 defeat against Shakhtar Donetsk in Warsaw, Poland—losing 6-2 on aggregate. The Black Eagles now drop into the UEFA Conference League, where they'll face Irish side St. Patrick's Athletic in the playoff round. The first leg will be played **next week in Dublin at 20:45 CEST**, with the return leg in **Istanbul a week later at 20:00 CEST (21:00 local time)**. With this European exit, **is Ole Gunnar Solskjær already on the hot seat** as Beşiktaş manager? Meanwhile, the club has **sold Gedson Fernandes to Spartak Moscow** for €20.7M + €7.3M in potential bonuses (totaling up to €28M). Rising star **Semih Kılıçsoy is also set for a loan move to Serie A side Cagliari**, with a medical scheduled in Italy. As for incoming transfers, Beşiktaş fans are still waiting. Club president **Serdal Adalı** was caught on camera telling a supporter that a **new winger is expected to arrive “within the next 10 days.”**

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Erich Auerbach wrote his classic work Mimesis, a history of narrative from Homer to Proust, based largely on his memory of past reading. Having left his physical library behind when he fled to Istanbul to escape the Nazis, he was forced to rely on the invisible library of his mind. Each of us has such a library—if not as extensive as Auerbach's—even if we are unaware of it. In this erudite and provocative book, William Marx explores our invisible libraries—how we build them and how we should expand them.Libraries, Marx tells us, are mental realities, and, conversely, our minds are libraries. We never read books apart from other texts. We take them from mental shelves filled with a variety of works that help us understand what we are reading. And yet the libraries in our mind are not always what they should be. The selection on our mental shelves—often referred to as canon, heritage, patrimony, or tradition—needs to be modified and expanded. Our intangible libraries should incorporate what Marx calls the dark matter of literature: the works that have been lost, that exist only in fragments, that have been repurposed by their authors, or were never written in the first place. Marx suggests methods for recovering this missing literature, but he also warns us that adding new titles to our libraries is not enough. We must also adopt a new attitude, one that honors the diversity and otherness of literary works. We must shed our preconceptions and build within ourselves a mental world library. William Marx is professor of comparative literature at the Collège de France. He is the author of The Hatred of Literature, The Tomb of Oedipus: Why Greek Tragedies Were Not Tragic, and other books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Announcement! Please join other podcast listeners for the next online BGTG Mini-Con, scheduled for September 6. I plan to be online from 9am-9pm Pacific time, including Discord for voice & video. The games will mostly be played on BoardgameArena, but adventurous gamers can also use Yucata, Brettspielwelt, Boardgames.io, Steam, apps, or whatever. It's free, and no RSVP or signup is necessary. Opener: Qwinto Closer: The SdJ awards ceremony, which we watched/listened to live on the drive back from a convention Over the years you've heard me talk about a number of game conventions. Usually that's recounting the games I played, and my enthusiasm for them in a 5-star rating. This time, I'm taking more of a meta approach to the topic. Yes, I'm still talking about a convention I went to recently, and some games played there, but half of the episode is about the idea of game conventions in the first place. The different types, which ones I prefer, and so on. Then the second half was recorded at a recent convention, meant to highlight the sort of fun, deep, not-so-serious discussions about the hobby and our shared experience in it. That's a lot of what I enjoy about game conventions--getting to hang out for continuous time with others who are just as geeky as I am about boardgames. I'm among my people! In this particular case, DaveO, Jonathan, Jeff, and SteveV join me to talk about games of designer Rüdiger Dorn. We concentrated on those for an entire day. This prolific designer has titles from 1992 to the present day. He's won the Kennerspiel des Jahres and been nominated for the Spiel des Jahres multiple times. Some of his most famous titles include Istanbul, Goa, Jambo, Traders of Genoa, and Louis XIV...none of which we played! Instead we tabled Dragonheart, Las Vegas Royale, Emerald, Montana, Rune Stones, My Farm Shop, Karuba, Arkadia, Danger 13, Mercado, Karuba the Card Game, and Diamonds Club. That was primarily with two groups playing all day long on two tables. It was the Dornücopia! At the last minute I thought a funny hat would be a great addition to our little event. While I couldn't find a cornucopia hat on short notice, I did find a corn hat. That was great! The winner of a game was crowned with it, and soon enough we were calling that person The Great Dornholio. Now I think all of our future mini-events will benefit from a special hat!     -Mark

The 3rd Pyramid Band: https://www.youtube.com/@3rdPyramidBand Rus Crow: https://www.youtube.com/watch?v=4tEz-Si5-VQ 00:00:00 – Tech Trouble & Show Preview Mike recaps Joe's latest computer meltdown, plugs the GiveSendGo for Joe's medical bills, and teases the main segments: Alex Jones “clips of the week” and expert survival tips for an alien invasion. 00:10:00 – Alex Jones Audio Montage The crew plays a chaotic Jones sound-mash-up—“Mr. Pepperoni,” “dumb-a-bust,” and other outbursts—then riffs on YouTube censorship and why the show struggles on the platform. 00:20:00 – Billionaire Bunkers & Sam Altman Conversation shifts to doomsday prepping among tech elites: Sam Altman's rumored bunker plans, Worldcoin's iris scans, and the growing “AI-armageddon” anxiety. 00:30:00 – Russell Crowe's 2027 Alien Prediction Russell Crowe's GQ clip sparks debate on a possible 2027 “contact” date, the Doomsday Clock, and society's fixation on existential threats. 00:40:00 – How to Survive an Alien Attack Step-by-step guide: stay calm, bunker up, kill the A/C to foil infrared, monitor short-wave, and aim for alien “eyes, gills or gonads” if it comes to blows. 00:50:00 – “My Neighbor Is an Alien” Homicide A Minnesota man fatally shoots a 70-year-old neighbor he thought was extraterrestrial—raising dark questions about paranoia, legality, and mental health. 01:00:00 – Kecksburg: Pennsylvania's Roswell Re-opened History Channel uses drone LIDAR to hunt fresh evidence at the 1965 Kecksburg crash site; locals recall acorn-shaped craft and intimidating men in black. 01:10:00 – The Vanishing Corpse Flight An 83-year-old dies mid-flight from Istanbul to Chicago—yet the body “disappears” before landing, leaving airlines and authorities baffled. 01:20:00 – Tsunami Hype: “Could Be Bigger…or Smaller” Cratchit lampoons sensational wave warnings after a Russian quake; real measurements show only minor surges, but headlines still scream doom. 01:30:00 – Another Jeffrey Epstein (Really) Runs for Mayor A perfectly innocent “Jeffrey Epstein” campaigns in Massachusetts—providing endless headline fodder and jokes about unfortunate name recognition. 01:40:00 – Turtles in the TSA Scanner Florida woman busted with two live turtles stuffed in her bra; hosts recap other reptile-smuggling capers (including the infamous “pants turtle”). 01:50:00 – Wallet Lost for 11 Years Found in Ford Engine Feel-good story: a mechanic discovers a coworker's wallet lodged in a Ford Edge after 150k miles—gift cards still honoured (inflation not included). 02:00:00 – Sign-off Shenanigans Recording ends with rapid-fire banter, “watch the skies” jokes, and the usual OBDM fare of plugs, laughter, and pepperoni callbacks.   Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research ▀▄▀▄▀ CONTACT LINKS ▀▄▀▄▀ ► Phone: 614-388-9109 ► Skype: ourbigdumbmouth ► Website: http://obdmpod.com ► Twitch: https://www.twitch.tv/obdmpod ► Full Videos at Odysee: https://odysee.com/@obdm:0 ► Twitter: https://twitter.com/obdmpod ► Instagram: obdmpod ► Email: ourbigdumbmouth at gmail ► RSS: http://ourbigdumbmouth.libsyn.com/rss ► iTunes: https://itunes.apple.com/us/podcast/our-big-dumb-mouth/id261189509?mt=2    

Syria remains an unstable country, with outbreaks of deadly violence, yet many refugees in Turkey are still choosing to return home after their brutal dictator Bashar al-Assad was toppled in December.We're in Little Syria, in Turkey's largest city Istanbul, where lines of Arabic businesses once stood and where the streets are now noticeably quieter. As Syrians return home, what impact is that having on the Turkish economy?If you'd like to get in touch with the programme, please email businessdaily@bbc.co.ukPresented and produced by Emily Wither(Picture: Women pass by Syrian shops at Malta bazaar, with other mainly Syrian shopkeepers at Fatih district in Istanbul, Turkey, on the 6th of December 2024, two days before Bashar al-Assad was overthrown. At the time, 500,000 Syrian refugees were living in Istanbul. Credit: Getty Images)

#516 Want to run your business from anywhere in the world? In this episode, host Brien Gearin chats with Eric Dingler, owner of InTransit Studios and host of the Digital Nomad Entrepreneur Podcast. Eric shares his inspiring journey from running a summer camp to building a thriving web design and digital marketing agency — all while traveling the globe with his wife and four teenagers. As a digital nomad for over four years, Eric has lived in 14 countries, mastering the art of balancing family, business, and adventure. We cover how he transitioned his business to a location-independent model, the systems and strategies he uses to support his team remotely, and the practical steps to setting up a business that allows you to live life on your terms. Plus, Eric offers invaluable insights for anyone aspiring to live the digital nomad lifestyle, including how to manage time zones, healthcare, taxes, and more. Don't miss his exclusive offer for podcast listeners: the first three people to reach out can claim a free 90-minute business coaching session! (Original Air Date - 11/20/24) What we discuss with Eric: + Eric's journey to digital nomadism + Life-changing test trip to Europe + Building and managing a remote team + Pivot to “done-with-you” business model + Balancing family and nomadic lifestyle + Affordable living as a digital nomad + Managing taxes and international banking + Favorite cities: Istanbul, Mendoza, Prague + Marketing Momentum Framework overview + Key tips for aspiring digital nomads Thank you, Eric! Check out In Transit Studios at ⁠InTransitStudios.com⁠. Check out Family of Dashes at ⁠FamilyofDashes.com⁠. Listen to ⁠The Digital Nomad Entrepreneur podcast⁠. Get a free ⁠Marketing Momentum Scorecard⁠. Follow Eric on ⁠Instagram⁠. Watch the ⁠video podcast⁠ of this episode! To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. And follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Want to hear from more incredible entrepreneurs? Check out all of our interviews ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The President's Daily Brief:   A Chinese-American engineer pleads guilty to stealing sensitive U.S. national security tech, raising new alarms over Beijing's espionage campaign.   Delegations from Ukraine and Russia meet in Istanbul to discuss a potential peace deal—though progress remains uncertain.   President Trump unveils a major trade agreement with Japan, featuring 15% tariffs and reduced auto duties.   And in today's Back of the Brief: Saudi media reports Israel and Hamas have resolved most disputes in ceasefire talks—including a proposed release of over 1,200 Palestinian prisoners. Bless their hearts.   To listen to the show ad-free, become a premium member of The President's Daily Brief by visiting PDBPremium.com. Please remember to subscribe if you enjoyed this episode of The President's Daily Brief. YouTube: youtube.com/@presidentsdailybrief Birch Gold: Text PDB to 989898 and get your free info kit on gold American Financing: Call American Financing today to find out how customers are saving an avg of $800/mo. 866-885-1881 or visit https://www.AmericanFinancing.net/PDB- NMLS 182334, https://nmlsconsumeraccess.org Learn more about your ad choices. Visit megaphone.fm/adchoices

It has been a bruising week domestically for President Zelensky, as a controversial move to overhaul key anti-corruption bodies saw thousands of Ukrainians take to the streets in the biggest nationwide demonstrations held since Russia's full-scale invasion. With the EU already raising concerns, could this undermine his recent progress on the diplomatic stage, particularly when it comes to the Trump administration?To discuss the fallout, Lucy is joined by chief international correspondent Lyse Doucet and Russia editor Steve Rosenberg, who also react to reports of a potential meeting between Donald Trump and Vladimir Putin in China. Plus - after representatives from Russia and Ukraine met in Istanbul for the shortest round of peace talks yet - we get Vitaly's take from Turkey. Today's episode is presented by Lucy Hockings. The producers were Laurie Kalus, Julia Webster and Polly Hope. The technical producer was Hannah Montgomery. The series producer is Tim Walklate. The senior news editor is Sam Bonham. Email Ukrainecast@bbc.co.uk with your questions and comments. You can also send us a message or voice note via WhatsApp, Signal or Telegram to +44 330 1239480You can join the Ukrainecast discussion on Newscast's Discord server here: tinyurl.com/ukrainecastdiscord

In this episode of The President's Daily Brief:    First—Iran's foreign minister admits that his country's nuclear facilities were “destroyed” by the recent American bombing campaign, but vows to resume uranium enrichment efforts once their sites have been rebuilt. Later in the show—Russia and Ukraine are holding a new round of peace talks in Istanbul today aimed at ending the ongoing war, but the Kremlin is already dashing hopes for a breakthrough. Plus—watchdog groups in Ukraine sound the alarm after their parliament passed a bill that critics say will effectively destroy the independence of Ukraine's two key anti-corruption institutions. In our 'Back of the Brief—tragic news out of Syria, where an American citizen from Oklahoma was executed alongside members of his family during the attacks on the Druze community by Sunni Islamists and government forces. To listen to the show ad-free, become a premium member of The President's Daily Brief by visiting PDBPremium.com. Please remember to subscribe if you enjoyed this episode of The President's Daily Brief.   YouTube: youtube.com/@presidentsdailybrief TriTails Premium Beef: Visit https://trybeef.com/pdb & get $10 off 20 Lbs Ground Beef Special Birch Gold: Text PDB to 989898 and get your free info kit on gold Learn more about your ad choices. Visit megaphone.fm/adchoices

Skip the Mona Lisa when you visit Paris. Don't tour the Coliseum in Rome. Walk, don't hurry. Chris Arnade speaks with EconTalk's Russ Roberts about a different way to travel. Listen as Arnade shares what he learned from Istanbul's small community mosques and how Avignon's Congolese-neighborhood cathedrals provided moving moments of spirituality. He also explains why Japan and Vietnam's emphasis on community lends itself to more happiness than America's "me-focused" approach, and what gear he carries--and leaves behind--for his extremely long walks through the world. Finally, he offers suggestions for choosing places to eat on the road that can elevate meals into meaningful experiences. This is a thoughtful conversational journey about veering off the beaten path to find home in surprising places.