Podcasts about arnon milchan

Howdy folks of the interwebs! Welcome back for another shenanigan infused journey into the mind of this particular Garbage Can Dood!Tonight's discussion is an Occult and/or Esoteric review of the 1993 cinematic masterpiece "Striking Distance"!Where Bruce Willis reprises his character of "Die Hard" 's "John McClane" but this time as a homicide detective for Pittsburgh PD, investigate'n a "serial killer" dump'n bodies in the rivers!It's a tale complete with the standard conspiracy culture coverup tropes! Lone nut, orgy of evidence, crooked cops, family feuds, and much much more! All brought to us by an international gangster & Iran Contra figure Arnon Milchan! We even take a deep dive into a Sarah Jessica Parker focused "Transvestigation"!Anyhow, folks of the interwebs thank for join'n me to get a lil GCD! An Occult and/or Esoteric Review of the 1993 cinematic masterpiece "Striking Distance"! w/Julia host of the Cosmic Peach podcast & (NOT-Bill) Colby host of Conspiracy Playtime podcast!Enjoy the show! Links for Julia - https://linktr.ee/xpeachLinks for "NOT Bill" Colby - https://www.conspiracyplaytime.com/https://x.com/Conspiracy_PlayLinks for JJ - https://linktr.ee/operationgcdLinks from show:https://en.wikipedia.org/wiki/Striking_Distancehttps://www.youtube.com/watch?v=3vXaq00fq1whttps://fox56news.com/news/kentucky/kentucky-woman-accused-of-cutting-up-cooking-mother-due-back-in-court/https://people.com/health/ellie-kemper-jogs-in-new-york-city-two-weeks-after-giving-birth/https://www.reddit.com/r/TheOA/comments/duvhzu/phyllis_smithbba_used_to_be_a_burlesque_dancer/https://www.youtube.com/watch?v=mWq_wY2TQkM

You really think this guy gets a job 40 days before the assassination, moving to Dallas from New Orleans and just happens to work in a high rise building right at the end of the motorcade rout that had an empty (meaning no people) room on the top floor?You'd have to say one of 3 things. Either he was part of a plan, was extremely well handled, or was a super rare coincidence.Think about it, a covert asset of ONI and CIA who could speak Russian and was certainly not lacking intelligence, moves to a new city to get a minimum wage job moving books. And then as testified by Roselli, he was shot so as to silence him.Remember what Hoover wrote Nov 24th 1963Why say the Real Assassin?”It is nteresting because Nick Katzenbach who Hoover is referring to, himself wrote the next day in a memo to Bill Moyer “THE PUBLIC MUST BE SATISFIED THAT OSWALD WAS THE ASSASSIN; THAT HE HAD NO CONFEDERATES WHO ARE STILL AT LARGE; AND THAT EVIDENCE WAS SUCH THAT HE WOULD HAVE BEEN CONVICTED AT TRIAL.””Jack Ruby, also a Jew, even told the warren commission he had to do it “because of his Jewish faith”and what was he talking about when he told Earl Warren“Unfortunately, Chief Earl Warren, had you been around 5 or 6 months ago, and I know your hands were tied, you couldn't do it, and immediately the President would have gotten a hold of my true story, or whatever would have been said about me, a certain organization wouldn't have so completely formed now, so powerfully, to use me because I am of the Jewish extraction, Jewish faith, to commit the most dastardly crime that has ever been committed. Can you understand now in visualizing what happened, what powers, what momentum has been carried on to create this feeling of mass feeling against my people, against certain people that were against them prior to their power?” That goes over your head doesn't it.…I want to say this to you. The Jewish people are being exterminated at this moment. Consequently, a whole new form of government is going to take over our country, and I know I won't live to see you another time. Do I sound sort of screwy–in telling you these things?… All I know is maybe something can be saved. Because right now, I want to tell you this, I am used as a scapegoat, and there is no greater weapon that you can use to create some falsehood about some of the Jewish faith, especially at the terrible heinous crime such as the killing of President Kennedy….Now maybe something can be saved. It may not be too late, whatever happens, if our President, Lyndon Johnson, knew the truth from me. But if I am eliminated, there won't be any way of knowing. Right now, when I leave your presence now, I am the only one that can bring out the truth to our President, who believes in righteousness and justice.”Note that later while talking to the press that Jack Ruby says the Truth may never come above board and that it goes all the way to the top. If LBJ isn't in the loop and at the top as it were, then who is he talking about?“But he has been told, I am certain, that I was part of a plot to assassinate the President…. I am sorry, Chief Justice Warren, I thought I would be very effective in telling you what I have said here. But in all fairness to everyone, maybe all I want to do is beg that if they found out I was telling the truth, maybe they can succeed in what their motives are, but maybe my people won't be tortured and mutilated. ….No; the only way you can do it is if he knows the truth, that I am telling the truth, and why I was down in that basement Sunday morning, and maybe some sense of decency will come out and they can still fulfill their plan, as I stated before, without my people going through torture and mutilation. …But I won't be around, Chief Justice. I won't be around to verify these things you are going to tell the President. … I have been used for a purpose, and there will be a certain tragic occurrence happening if you don't take my testimony and somehow vindicate me so my people don't suffer because of what I have done. …All I want is a lie detector test, and you refuse to give it to me. Because as it stands now—and the truth serum, and any other–Pentothal–how do you pronounce it, whatever it is. And they will not give it to me, because I want to tell the truth. And then I want to leave this world. But I don't want my people to be blamed for something that is untrue, that they claim has happened. “It seems that Jack Ruby is paranoid that the president has been told already that he was party of a plot to kill the president that that “his people” meaning Jewish people or the Israeli state was behind it. Israel had several motives to want both JFK and RFK dead. It was in their eye a matter of survival.1 The Kennedys want Israel inspected for nuclear weapons. RFK also had information and testing done around Dimona showing the Uranium there had come from the US's Nautilus project, since it was the only uranium in the world enriched to that high a % at that point in time. It was all over the area.2 The Kennedys supported Palestinians right of Return.3 They wanted Israel's foreign lobbies to register as foreign agents4 JFK along with France's Charles de Gaulle who also survived an assassination attempt, supported Algeria independence.The John Birch Society, who Ruby tries to paint a picture of as all powerful, didn't kill the President. As much as big oil was tied to LBJ, and Texas oil man David Harold Byrd owning the building where Lee Harvey Oswald worked, they didn't control Jack Ruby nor did they gain anything worth the risk when RFK was assassinated in California. Guys like David Ferrie and Jacob Rubenstein were working for the Mafia. And the Mafia lost a billion dollars in revenue when Castro shut down the casinos. They had every reason to work with the CIA when they came knocking and they did, and the CIA had every reason to seek plausible deniability that the mafia provided for a variety of illegal activities, from narcotic and gun running to assassination. The CIA's Victor Marchetti testified that Ferrie worked for the CIA.Jack Ruby was a central mafia figure and knew almost every cop in Dallas. He also went the Cuba and even rode with FBN agents to the airport. So was Oswald's childhood friend and fellow closet f****t Efraim Sullivan, who became a chief of police in Louisiana and got 4 cops killed as well as 5 civilians all in one shooting. According to his son he work for the Mossad. These southern mafia heads guys were bragging about JFK AND Robert getting killed before both happened. The Kennedys demanded the ZAC/ZOA/AIPAC register as a foreign agent. RFK issued them a moratorium with 72 hrs to comply in November of 63. The PM resigned over it to stall for time and Kennedy was killed the same month.The mafia was the CIA's plausible deniability and ground distribution network for narcotics which is how they were covertly financing anti communist resistance in Cuba, China, and USSR. Vietnam's opium was a natural market move as Europe was recovered from WWII. RFK was prosecuting the same mob leaders who the CIA was secretly working with to sell drugs and even attempt to assassinate Castro. Think back to the CIA's earliest operations in the Middle East, operation Ajax and the Suez Crisis, which was itself the product of a botched 1956 Israel false flag operation, Operation Suzanna, now commonly called the Lavon Affair. As a Senator, Johnson blocked the Eisenhower administration's attempts to apply sanctions against Israel following the 1956 Sinai Campaign. Who did these CIA operation in Iran and Egypt really benefit? Not the United States. But of course both Dulles brothers were hardcore Zionists. Bobby was killed on the first anniversary of the six day war and set up a Palestinian. Now who would want to do that?The plan was to replace him with Katzenbach, which LBJ did. And none of it could move until JFK was out of the way. The mob lost a billion dollars a year in gambling revenue when Castro shut down casinos. Hoffa using teamster pension funds to create Las Vegas as the new Cuba was in reaction to this. These are the guys who end up in a series of murders for or before finishing testimony to the House Committee on assassination. Giancana had been Ruby's boss. Trafficante had him killed.The Jewish finger prints are all over both assassinations. Johnson's domestic and foreign policies on Cuba on Russia on Vietnam didn't really change. Kennedy was not getting out of Vietnam. This is wishful thinking on par with the fools who thought Obama was going to be an antiwar president. JFK had already procured 6 billion dollars, most of it left over from Eisenhower who had had enough of the MIC, to spent on the F111 fighter jet. Oh it is interesting that the Crown family benefited when Johnson lobbied to have the contract go to General Dynamics. They also married into the family who owned the hotel where Bobby was shot and allowed Jewish mobsters to use it for gambling operations. It was Henry Crown's personal lawyer Albert E Jenner, who was appointed by Johnson and to be part of the Warren Commission whitewash, was hired to look into the backgrounds of the two most important individuals, Lee Harvey Oswald and Jack Ruby. Of course he found no intelligence ties or mob ties. Jenner was also a director for general Dynamics. Reading the biographies given for these men by the WC and comparing them to the mountains of information we have now is enough to make even the most crooked lawyer blush. Jack Ruby's first jail visitor was the mob boss of Dallas.The only dramatic changes under LBJ were on his Middle East policy. He had Americans killed! About the USS Liberty which the Israelis attacked in the Six Day War, LBJ told Admiral Lawrence Geis “I dont care if that ship sinks to the bottom of the ocean.” LBJ stacked his admin with Zionists and the US has never recovered. Israel kept it nukes, Palestinians never got right of return, (it was never even brought up again) the lobbies never registered as foreign agents, and America as subsidized the racist apartheid state with billions every year from then to now. Of Course Johnson didn't want the ZOA (Zionist Organization of America) to be registered as a foreign lobby. His aunt, Jessie Johnson was on it! Few people know that according to Jewish law, LBJ was himself Jewish. His mother was Rebekah Baines, thus Johnson's middle name. She was Jewish. Her mother was Ruth Ament Huffman, and her mother was Mary Elizabeth Perrin all of whom were Jewish. Perrin's husband was John S. Huffman whose mother was Suzanne Ament, thus Ruth's Middle name. Ament was a German Jew. The Huffman's settled in Fredrick Maryland and from there went to Kentucky and finally Texas. The Jewish times brags ” The line of Jewish mothers can be traced back three generations in Lyndon Johnson's family tree. There is little doubt that he was Jewish.” Regardless there is no doubt that LBJ was a Zionist and put Israel's needs first. Writing that list would take a long time.On November 21, 1963, a government informant named Thomas Mosley was negotiating the sale of machine guns to a Cuban exile named Echevarria. In the course of the transaction, Echevarria said that “we now have plenty of money – our new backers are Jews” and would close the arms deal “as soon as we [or they] take care of Kennedy.” The next day, Kennedy was assassinated in Dallas.You wont see that in Oliver Stone's film on JFK of course the Executive producer of that film was Arnon Milchan, Israel's largest arms dealer. It is unfortunate but many laymen JFK researcher use that film as their initiation.Echevarria's words are often associated with the Mocone -Rowley memo. CD 498 [Rowley memorandum| which does reference it. It goes on to explain how the conversation was interrupted by other bus drivers. The follow up interview with the informant is of course classified.Furthermore this adds. “I further told Mr Johnson that the informant had worked with us in a recent counterfeiting Case and had proved to be reliable.”However the primary source is a Secret Service ReportSpecial Agent Joseph E Noonan.What is the Jewish (mafia/state) doing mixed up with anti-Castro Cuban exiles who were illegally buying arms? And why isn't this pre Kennedy assassination foreknowledge more well known? Oh but you see it is, only the Jews part is usually removed. I don't think researchers should omit this just to be Politically Correct. The international angle and Johnson's deep ties with Israel and Israel's motives to kill not only JFK but RFK as well, is seldom explored. Stone's movie doesn't even mention middle eastern policy or Israel and instead focuses on the Bay of Pigs and Vietnam. I think enough eyeballs have been over every inch of those theories for over 5 decades. I have a working theory that cleanly ties both assassinations together. But I am censored on everything.How Israel stole the bomb and killed JFKI need you to subscribe, it is just $6 a month less if you sign up for a year. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.ryandawson.org/subscribe

Hey everyone, Steve McQueen - director of 12 Years a Slave - has a new film coming out in Blitz. This film just had its premiere at the BFI London Film Festival and since I'm in Manchester for university, I was lucky enough to attend one of the LFF on tour screenings that was held in Manchester (on the same day as its world premiere)! So, is Blitz primed to be the major OSCAR player that everyone is predicting it to be or is this an example of a top-class filmmaker who isn't quite at the top of his game? Find out in this review! Blitz: Written and Directed by: Steve McQueen Produced by: Tim Bevan, Eric Fellner, Steve McQueen, Arnon Milchan, Yariv Milchan, Anita Overland, Michael Schaefer, Adam Sommer Executive Producers: Natalie Lehmann, Sheeraz Shah, Anna Smith Tenser Music by: Hans Zimmer Cinematography by: Yorick Le Saux Edited by: Peter Sciberras Casting by: Nina Gold Production Design by: Adam Stockhausen Costume Design by: Jacqueline Durran Cast: Elliott Heffernan, Saoirse Ronan, Harris Dickinson Synopsis: In World War II London, nine-year-old George is evacuated to the countryside by his mother, Rita, to escape the bombings. Defiant and determined to return to his family, George embarks on an epic, perilous journey back home as Rita searches for him.

Due to the ongoing strike by SAG-AFTRA, the release of Jeff Nichols' film The Bikeriders, featuring Tom Hardy, Austin Butler, and Killing Eve star Jodie Comer, has been delayed. Originally scheduled for a December release this year, New Regency Productions has decided to postpone it. However, according to The Hollywood Reporter, there is still hope that the movie's release will be pushed for the awards season next year. The Bikeriders is based on the 1968 book of black-and-white photographs by Danny Lyon, which captures authentic biker portraits. The film immerses viewers in the lives of the Vandals, a fictional biker gang in 1965 Chicago, and the extended cast includes Michael Shannon, Boyd Holbrook, and Norman Reedus. The movie is a collaboration between Regency Enterprises, Tri-State Pictures, and 20th Century Studios, with Sarah Green, Brian Kavanaugh-Jones, and Arnon Milchan as the producers

There has been no journalist that has been more effective in penetrating the self-serving secrecy of the NSA and the security state than James Bamford, the Emmy-nominated filmmaker and best-selling author. He joins host Robert Scheer on this episode of Scheer Intelligence to discuss his latest book, Spyfail: Foreign Spies, Moles, Saboteurs, and the Collapse of America's Counterintelligence. While Bamford has engaged in his share of muckraking on the NSA in his previous works, his new book focuses on an even more pernicious aspect of the intelligence apparatus: their carelessness in allowing foreign governments access to some of our own government's most treacherous cyberwar creations. While the government often likes to claim people like Edward Snowden and Julian Assange are the dangerous actors in revealing the inner workings of the U.S. security state, Bamford's journalism exposes the irony in shifting the blame. Nefarious surveillance and military equipment has been co-opted by foreign governments by way of the NSA yet not much has been done about it. “[T]here's all this effort to silence whistleblowers when there is no effort to really stop foreign countries from accessing the material that NSA has and then… use it against American citizens,” Bamford said. Bamford specifically highlights Israel as one of those foreign powers and that might explain the limited mainstream attention given to this latest book. He explores the multi-faceted relationship Israel has to the U.S. with regard to lobbying, Hollywood and espionage. Bamford explained, “Israel has been spying in the United States for a long time and it's been not only not written about, but it hasn't been prosecuted and that's one of the problems.” Names like Arnon Milchan—the Hollywood producer, Israeli spy and Robert De Niro confidant—also came up as an example of someone who has engaged in committing espionage in the U.S. yet has faced no repercussions. Despite his hand in maintaining apartheid in South Africa, being an arms dealer and propagandizing it in the U.S., justice never seems to reach him, Bamford said.

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Military correspondent Emanuel Fabian and legal reporter Jeremy Sharon join host Amanda Borschel-Dan on today's episode. Yesterday, Jenin saw some of the heaviest fighting in the area in two decades. Today, "Operation Bayit Vagan," as it's unofficially known as, sees its second day as Israeli political and security leaders agree to continue with the counter-terror operation. What goals have been met so far and where are we heading? During anti-judicial overhaul demonstrations yesterday evening, 37 protesters were arrested for disturbing the peace after overrunning barricades, blocking roads, and entering Ben Gurion Airport's Terminal 3 arrival hall. Sharon sets the scene of the unusual protest. The testimony from Hollywood producer Arnon Milchan is continuing in Prime Minister Benjamin Netanyahu's corruption trial yesterday. We hear the salient points of his testimony and how there are contradictions in previous statements. Discussed articles include: IDF says Palestinian gunmen showing little resistance in Jenin, some targets remain Thousands flee Jenin as Israel indicates terror crackdown will continue More large raids planned for Jenin, army says, as Israel vows to press offensive Gallant: IDF dealt ‘heavy blow' to terror, Jenin operation ‘progressing as planned' Police tussle with anti-government protesters as chaos erupts at Ben Gurion Airport Prosecutor: Milchan feels uncomfortable with Sara Netanyahu in room during testimony Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Army vehicles are seen during an Israeli military raid on the militant stronghold of the Jenin refugee camp in the occupied West Bank, July 4, 2023. (AP Photo/Nasser Nasser)See omnystudio.com/listener for privacy information.

Estamos aí! Bloco 1 - Depoimento de Arnon Milchan traz uma série de complicações para Netanyahu e sua esposa. - Procuradoria cogita voltar atrás na acusação de suborno na pasta 4000. Bloco 2 - Comissão de Justiça debate sobre cláusula da razoabilidade. - Governo decide não alistar ultraortodoxos. - Comandante da polícia Kobi Shabtay confirma que não segue por conta de desavenças com Ben Gvir. Bloco 3 - A semana depois de mortes, atentado e pogroms. - A coluna de Henry Galsky. - Netanyahu foi convidado a ir à China e vai aceitar. Bloco do esporte com Nelson Burd Episódio #194 do podcast "Do Lado Esquerdo do Muro", com Marcos Gorinstein e João Miragaya.

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Knesset correspondent Tal Schneider and US correspondent Jacob Magid join host Jessica Steinberg for today's podcast. Magid discusses his inside story regarding Washington's views of Prime Minister Benjamin Netanyahu and his government right now, and whether US President Joe Biden is looking to change his strategy regarding Israel. Schneider follows up with yesterday's phone call between Foreign Minister Eli Cohen and US Secretary of State Anthony Blinken, in which they discussed the outbreak of settler violence, and how the government is handling that. Schneider also speaks about Zman Yisrael's breaking story regarding Netanyahu's announced trip to China — and what he wants that to mean in terms of his relationship with the US and President Biden. Magid and Schneider also look at the postponed Negev Summit in Morocco with Israel, the US and several Arab countries, due to escalating West Bank settlement activity and how that demonstrates changes in international treatment of Netanyahu. Discussed articles include: ‘Not alone in the driver's seat': US thinks Netanyahu has lost control of coalition Cohen speaks to Blinken, says Israel will bring violent settlers to justice Netanyahu confirms to US lawmakers that he is heading to China Morocco confirms US-Israel-Arab ministerial forum delayed, cites ‘political context' Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: Prime Minister Benjamin Netanyahu seen at the District Court in Jerusalem to as he arrives to listen to the testimony of businessman Arnon Milchan on June 27, 2023 (Photo by Oren Ben Hakoon/POOL)See omnystudio.com/listener for privacy information.

Despite the weakened position of Russian President Vladimir Putin following the weekend's aborted coup, chances that Israel's government will change its policy in the Russia-Ukraine conflict are extremely low, says Haaretz senior correspondent Anshel Pfeffer, who has covered the war from the ground. “Israel has - both on a moral level and on a strategic level - been making a mistake by staying on the sidelines and keeping its relationship intact with the Russians,” Pfeffer tells host Allison Kaplan Sommer on Haaretz Weekly podcast. In a wide-ranging conversation, Sommer and Pfeffer, author of the book “Bibi: The Life and Turbulent Times of Benjamin Netanyahu” discuss producer Arnon Milchan's testimony in the Prime Minister's corruption trial that kicked off in Brighton, England this week, his sinking numbers in the polls, and the renewed effort to reboot the controversial judicial revolution. He also addresses the violent attacks on Palestinian towns by West Bank settlers in the wake of a deadly terror attack, and the response by far-right ministers in the government “who openly support this kind of vigilantism.” While they pay lip service against settlers taking the law into their own hands, “We know what Minister of National Missions Orit Struck, National Security Minister Itamar Ben Gvir and Finance Minister Bezalel Smotrich have said in the past. And you can see it now in their body language when they're not saying it: that they're perfectly okay with, with the settlers going on rampage. So the only difference between this government (and those in the past) is that it's out in the open.”    See omnystudio.com/listener for privacy information.

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Times of Israel editor David Horovitz and Zman Yisrael editor Biranit Goren join host Amanda Borschel-Dan in today's episode. Three months after it was frozen, the judicial overhaul was officially restarted yesterday with deliberations in the Knesset's Constitution, Law and Justice Committee. Why do critics call it a “pathway to corruption”? Hollywood producer Arnon Milchan testified yesterday in the prime minister's ongoing corruption trial, Case 1000. What did we hear? Yesterday, Police Commissioner Yaakov (Kobi) Shabtai said he would not seek a fourth year in his position. But Goren explains how this isn't the only power vacuum we're set to see in the police force. Discussed articles include: PM said ready to ‘go all the way' with reasonableness bill to limit judicial review Knesset restarts judicial overhaul with bill to broadly outlaw ‘reasonableness' test In testimony, Milchan confirms conveyor belt of cigars, champagne to Netanyahus Police chief says he won't seek 4th year in office ‘under these conditions' Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: MK Simcha Rotman, Head of the Constitution, Law and Justice Committee, leads a committee meeting on the planned judicial reform, at the Knesset, the Israeli Parliament in Jerusalem on June 25, 2023. (Yonatan Sindel/Flash90)See omnystudio.com/listener for privacy information.

AP correspondent Mimmi Montgomery reports on Israel Netanyahu's Trial.

On this edition of Parallax Views, legendary journalist James Bamford, known for his books The Puzzle Palace and Body of Secrets that lifted the veil of secrecy around the National Security Agency (NSA) as well as his critical exploration of the Bush-era Iraq War/War on Terror A Pretext for War, joins us to discuss his latest book Spyfail: Foreign Spies, Moles, Saboteurs, and the Collapse of America's Counterintelligence. For those interested in the subject of spycraft and it's implications/consequences this is a wide-ranging and comprehensive conversation that is worth a listen. James and I delve into such subjects as the leak of U.S. cyberweapons by an entity known as The Shadow Brokers (TSB) and how it nearly had apocalyptic consequences, United Arab Emirates (UAE) and Israeli spying operations in the United States, the stealing of massive amounts of classified materials by former Booz Allen Hamilton contractor Hal Martin, Hollywood movie producer Arnon Milchan and Israeli nuclear smuggling, Russiagate and the Maria Butina affair, and, perhaps most explosively, the portions of Bamford's book dealing with alleged collusion between Israel's Netanyahu government and the Trump campaign during the 2016 election (read more about this specifically in Bamford's The Nation article "The Trump Campaign's Collusion With Israel").

Stevie, Pappy and Josh go urban exploring in suburban Detroit. Will they meet any barbarians? Thanks, Vera. ********* A young woman discovers the rental home she booked is already occupied by a stranger. Against her better judgment, she decides to spend the night but soon discovers there's a lot more to fear than just an unexpected house guest. Release date: September 9, 2022 (USA) Director: Zach Cregger Distributed by: 20th Century Studios Box office: $45.4 million Music by: Anna Drubich Produced by: Arnon Milchan; Roy Lee; Raphael Margules; J.D. Lifshitz

On this edition of Parallax Views, Richard Silverstein of the Tikun Olam blog returns to discuss the latest eruptions of violence in Israel/Palestine starting with the massacre in the Palestinian Jenin refugee and then the deadly attack on Israelis outside a Synagogue in East Jerusalem shortly thereafter. In addition to this, we talk about the anti-government protests in Israel against Netanyahu's government and the fears within Israel over Netanyahu's judicial reforms which some are arguing would be a fascistic judicial coup by the Israeli far-right. Moreover, Richard and I discuss President Joe Biden and U.S. foreign policy with regards to Israel and specifically Secretary of State Antony Blinken visit to Israel and meeting with the deeply dysfunctional and corrupt Palestinian Authority's President Mahmoud Abbas. Additionally Richard and I will delve into Netanyahu's cozying up with America's evangelical Christian right, background on Richard's own evolution of thought in regards to Israel/Palestine, Israeli messianism and the end times, the potential for a Third Intifada to erupt, the Israeli economy and big tech start-up companies in Israel, the former Shin Bet (domestic Israeli intelligence chief) calling for a General Strike in Israel, Rabbi Meier Kahane and the Israeli far-right, Israeli ministerial position figures Bezalel Smotrich and Itamar Ben-Gvir, Itamar Ben Gvir's vision for Israel and the Temple Mount, the "toxic brew" that is effecting Israeli politics right now, religious violence and conflict escalation, cycles of violence in Israel/Palestine, secular politics and conflict resolution/compromise, the permanent banning of the anti-Zionist/non-Zionist Mondoweiss media outlet from TikTok, the IHRA (International Holocaust Remembrance Alliance) definition of antisemitism, the attacks on UN Special Rapporteur Francesca Albanese's and her work on the situation of human rights in the occupied territories, and more! In the second half of the program, Grant F. Smith of the Institute for Research: Middle East Policy returns to discuss New York Times op-ed columnist Thomas Friedman and his reporting on Israel/Palestine over the years. Grant's recent article on Friedman is entitled "Thomas L. Friedman's Israel: The krytron and the cholent heater". Recently, Friedman commented that he fears the two-state solution is dead in a conversation with Peter Beinart and penned an op-ed pleasing with President Joe Biden to save Israel from losing it's democracy and sliding into becoming “illiberal bastion of zealotry”. In the second half of the program, Grant F. Smith of the Institute for Research: Middle East Policy returns to the program to discuss his critique of New York Times op-ed columnist Thomas Friedman's reporting on Israel/Palestine over the years. Grant recently penned a piece at irMEP on the subject entitled "Thomas L. Friedman's Israel: The krytron and the cholent heater". In a recent conversation with Peter Beinart, Friedman expressed fear that the two-state solution is dead and has also written an op-ed imploring Joe Biden to save Israel from becoming “illiberal bastion of zealotry”. In other words, Friedman has been critical of Israel as of late. Grant, however, believes the criticism is mild and undermined by his previous writings especially in regards to Israeli spy and movie mogul Arnon Milchan, nuclear weapons and smuggling operations, and Benjamin Netanyahu in the 1980s. Among the topics covered in the course of our conversation: - Nuclear smuggling and Israel's "Project Pinto" - Saudi Arabia, the Abraham Accords, Israel's WeWork boondogle, and the private Israeli salmon farming Project Jonah that funded by large sums of taxpayer dollars/government funding - The NUMEC Affair and Israeli nuclear weapons smuggling - Critiques of Thomas Friedman's writings on globalization (see: The World is Flat and The Lexus and the Oliver Tree) and his "Golden Arches Theory of War" (ie: no two countries with a McDonald's would go to war with each other) - And more!

Director:  Alejandro G. Inarritu Producers:  Alexander Dinelaris, Nicolas Giacobone, Steve Golin, Alejandro G. Inarritu, Douglas Jones, Arnon Milchan, Mary Parent, Keith Redmon, Scott Robertson, Alex G. Scott, James W. Skotchdopole Screenplay:  Mark L. Smith, Alejandro G. Inarritu Photography:  Emmanuel Lubezki Music:  Alva Noto, Ryuichi Sakamoto Cast:  Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, Will Poulter, Forrest Goodluck Rotten Tomatoes:  Critics: 78%/Audience: 84%

Director:  Adam McKay Producers:  Dede Gardner, Jeremy Kleiner, Arnon Milchan, Brad Pitt, Robyn Wholey Screenplay:  Charles Randolph, Adam McKay Photography:  Barry Ackroyd Music:  Nicholas Britell Cast:  Christian Bale, Steve Carell, John Magaro, Finn Wittrock, Ryan Gosling Rotten Tomatoes:  Critics: 89%/Audience: 88%

On this actual final episode of 2022, we take a look back at our favorite Christmas movie of the decade, Danny DeVito's 1989 film The War of the Roses. ----more---- TRANSCRIPT   Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   Before we get started, yes, I said our previous episode, on Michael Jackson's Thriller, was going to be our last episode of 2022. When I wrote that, and when I said that, I meant it. But then, after publishing that episode, I got to thinking about Christmas, and some of my favorite Christmas movies, and it reminded me I have considering doing an episode about my favorite Christmas movie from the 1980s, and decided to make myself an unintentional liar by coming back one more time.   So, for the final time in 2022, this time for real, I present this new episode of The 80s Movie Podcast. This time, we'll be talking about Danny DeVito's best film as a director, The War of the Roses.   The genesis of War of the Roses was a novel by American author and playwright Warren Adler. After graduating from NYU with a degree in English literature, in a class that included Mario Puzo, the author of The Godfather, and William Styron, who won the 1968 Pulitzer Prize for Fiction for his novel The Confessions of Nat Turner, Adler paved an interesting road before becoming a novelist. He worked as a journalist at the New York Daily News, before becoming the editor of the Queens Post, an independent weekly newspaper devoted to all things happening in that New York City borough.    He would buy four radio stations and a television station in New York City, before opening his own advertising and public relations firm in Washington D.C.   Adler would create ads for politicians, businesses and communities all across the nation. In fact, it was Warren Adler who would create the name of the DC complex whose name is now synonymous with high crimes: Watergate. In 1974, he would sell the firm, and the stations, after the publication of his first novel, Undertow.   The War of the Roses would be Adler's seventh novel to be published in as many years, and the first of four to be published in 1981 alone. The novel follows Jonathan and Barbara Rose, who, initially, seem to be the perfect couple. He has a thriving career as a lawyer, she is an up-an-coming entrepreneur with an exceptional pâté recipe. Their extravagant home holds a collection of antiquities purchased over the years, and they enjoy their life with their children Evie and Josh. One day, Jonathan suffers what seems to be a heart attack, to which Barbara responds by asking for a divorce. Very quickly, their mutual love turns to a destructive hatred, especially after Jonathan, trying to save his marriage despite his wife's de facto declaration of lost love for her husband, decides to invoke an old state law that allows a husband to remain in his house while in the process of divorce.   The novel became an immediate sensation, but Hollywood had already come knocking on Mr. Adler's door seven months before the book's publication.   Richard D. Zanuck, the son of legendary Fox studio head Daryl Zanuck, and his producing partner David Brown, would purchase the movie rights to the book in September 1980 through their production deal at Fox. The producers, whose credits included The Sting and Jaws, would hire Adler to write the screenplay adaptation of his novel, but they seemingly would let the film rights lapse after two years.    James L. Brooks, the television writer and producer who created The Mary Tyler Moore Show and Taxi, was transitioning to movies, and purchased the movie rights to the book, which he would produce for Polly Platt, the former wife of filmmaker Peter Bogdanovich who had made a name for herself as an art director, costume designer, screenwriter and producer, including as the production designer and on-set sounding board for Brooks on Terms of Endearment.   At the time, Brooks was working at Paramount Pictures, but in 1986, he would end his association with that studio when Fox would offer Brooks the opportunity to create his own production company at the studio, Gracie Films. When the transfer of Brooks' properties from Paramount to Fox was being worked on, it was discovered that Brooks didn't actually own the movie rights to War of the Roses after all.    In fact, Arnon Milchan, an Israeli businessman who had been making a splash in the film industry financing movies like Martin Scorsese's The King of Comedy, Ridley Scott's Legend and Terry Gilliam's Brazil, had actually purchased the movie rights to the novel before the Zanuck/Brown option seemingly lapsed, which would require Brooks to enter into a new round of negotiations to secure the rights once and for all. Milchan would sell them to Gracie Films for $300k and a producer credit on the final film.   Once the rights were finally and properly secured, Brooks would hire Michael Neeson, a writer Brooks had worked with on The Mary Tyler Moore, Rhoda and Taxi, to write the screenplay. But instead of spending time getting ready to make her directorial debut, Platt instead took a job as the production designer on George Miller's adaptation of John Updike's The Witches of Eastwick. In fact, Miller was so keen on getting Platt involved in his production that he would consider shooting a good portion of the movie in Platt's hometown of Hingham, Massachusetts, although they would eventually spend most of the location shoot in nearby Colhasset, which had more of the historical buildings Miller wanted for the film.   Platt would finish her work on Witches before Brooks would begin shooting his Terms of Endearment follow-up, Broadcast News, on which Polly would serve as an executive producer, but her leaving Brooks for several months to work on someone else's film would begin a fracture between the two that would lead to Platt leaving Gracie Films in a few years.   But not before she helped with the creation of The Tracy Ullman Show, one of the earliest shows on the then-brand new Fox television network, which included a short animated segment each week about a quirky family in a town called Springfield.    The Simpsons.   While Platt was in New England working on Witches, James L. Brooks would visit an old friend, Danny DeVito, who was shooting his feature directing debut, Throw Momma From the Train. DeVito had known about The War of the Roses for years, and really wanted to make it as a director, but knowing how important the project was to Platt, he would defer his interest in the film.    In a July 2020 episode of Karina Longworth's excellent podcast You Must Remember This, Danny DeVito tells Longworth that he only became involved in the film when Brooks told him the project was not going to move forward with Polly Platt.    And sidebar, if you aren't familiar with Polly Platt or her importance to cinema and pop culture, I highly encourage you to listen to Ms. Longworth's entire season about Ms. Platt. Polly Platt was an amazing, complicated woman who deserves a better legacy. Just trust me on this. Please.   Okay, so now were at the end of 1986. Polly Platt was out as the director of The War of the Roses, even if she didn't know she was out at the time.   So what could DeVito bring to the project that Platt could not?   DeVito had just finished his first feature film as a director. And while Momma wasn't a big hit when it was released in December 1987, it was successful enough at the box office, and the film would garner an unlikely Oscar nomination for Anne Ramsay, the actress who played the film's diminutive title character. But more importantly, DeVito could bring in Michael Douglas and Kathleen Turner, his co-stars on Romancing the Stone and The Jewel of the Nile, to play the now Oliver and Barbara Rose. The three actors had had spent years looking for another project unrelated to that other series they could make together. Douglas would sign on to the project before his amazing fall and winter 1987 run, first as the star of the mega-hit Fatal Attraction, and then as the star of Wall Street, which would garner him an Academy Award for Best Actor.   Turner had been taking some time off from acting after finishing Peggy Sue Got Married in July 1985, and was pregnant with her daughter Rachel when DeVito approached her about The War of the Roses. Turner was already working on a comedy called Switching Channels, which had to finish shooting by early July 1987, as Turner's pregnancy would be rather visible if shooting lasted any longer. She had also committed to being a featured actor in Body Heat director Lawrence Kasdan's The Accidental Tourist, which would also re-team Turner with William Hurt.    But she would agree to star in The War of the Roses if they could give her some time being a new mom before shooting began.   DeVito and Leeson would continue to work on the script. As there was no character in the novel that would work for the compact actor/director, the two would create a framing device for the story. DeVito would play Gavin D'Amato, a divorce lawyer who was friends with Oliver Rose, who tells the story of Oliver and Barbara Rose to a potential client, played by Dan Castellaneta, the voice of Homer Simpson, as a way of trying to get his client to reconsider splitting with his wife. The character of Gavin D'Amato would take the place of Murray Goldstein in the novel, an overweight former rabbi who would only meet Oliver Rose during the course of the story.   Sean Astin, who had made a splash a few years earlier as the lead in The Goonies, would be cast as the Rose's teenage son Josh, while newcomer Heather Fairfield would get her first major movie role playing the Roses' daughter Evie, who would be renamed Carolyn for the movie.   The other major change DeVito and Leeson would make to the story would be to change the Roses' sitter from a teenager to a fortysomething woman, as they would be able to get German actress Marianne Sägebrecht, who had just found international stardom as the star of Percy Adlon's surprise global hit Baghdad Cafe, to come aboard.   Although the $26m film took place on the East Coast, the scenes not shot on the sound stages at Fox Studios in Los Angeles were filmed in Coupeville, WA, a small town on Whidbey Island, about forty miles north of Seattle, which had never been used as a filming location before.   Filming would begin on Stage 6 on the Fox lot, which was set up as the main living area for the Roses' house, on March 21st, 1989. The production would shoot as much of the film on the soundstages until April 7th, which was the first day they would be allowed to shoot in Coupeville. The evening of April 6th, though, would be spent on the backlot of Universal Studios, which was the only available space in Los Angeles at the time to accommodate shooting a massive, snowy Christmas Eve scene standing in for Cambridge, MA.   Two days after arriving in Coupeville, DeVito would discover a note on his rental car parked at the hotel where the production had its base, stating that thieves had stolen the dailies from the first day of location shooting, and demanded a ransom to have the footage returned. But DeVito was quickly able to find the dailies had not been stolen, and just laughed the note off as a prank.   After several weeks in Washington State, the production would return to Los Angeles to finish the remainder of the set shooting on the Fox Lot, as well as a few additional shots of homes in the Los Angeles neighborhood of Hancock Park, standing in suburban Washington D.C. Shooting would finish on July 25th, which would give DeVito and his team less than four and a half months to get the film ready for its planned December 8th release date.   Because the editing team lead by Lynne Klingman had been putting together an assembly cut for DeVito during production, the director was able to screen his first cut of the film for Fox executives in mid-August. That cut would run three hours and four minutes. But that's what an assembly cut is for. You get to see all the stuff you shot put together, and see what you need to whittle down, what you need to move around, and what you need to get rid of completely.   Over the course of the next few months, DeVito and the editors would get the movie down to a tight one hour and fifty six minutes. And unlike many movies then and now, there were very few scenes that needed to be reshot or added in. One shot that would be added after the audiences at several test screenings was horrified at the suggestion that Barbara's pâté may have been made with the family dog. DeVito would later state that he always meant to have a shot of the dog later in the movie, but it was definitely a late addition after the first few test screenings.   The War of the Roses would hold its world premiere at Century Plaza Cinemas in Century City, about a mile from the Fox lot, on December 4th, 1989. It would be a star-studded affair that included DeVito, Turner, and Douglas, who brought his father Kirk along with him, along with Courtney Cox, Olivia Newton-John, Kelly Preston, Mimi Rogers, Christian Slater and Samantha Morton, Oliver Stone, and Jennifer Tilly, followed by a New York City premiere two days later at the Gotham Theatre. The film would open in 1259 theatres on Friday, December 8th, and would be the highest grossing film in the nation, taking in $9.5m, knocking the previous week's #1 film, National Lampoon's Christmas Vacation, out of the top spot. It would fall to second place in its second week, as Christmas Vacation retook first place, and it would fall to third place during the long Christmas weekend. However, in its fourth week of release, the long New Years weekend, The War of the Roses would retake the top spot for the second and final time. At the end of the year, after 25 days of release, the film had grossed $43.85m, or the equivalent of $105m in 2022 dollars. The film would continue to stay strong for several more weeks, staying in the top ten until mid-February, before ending its run in theatres in the spring with $86.89m.   The reviews were pretty good, with particular praise heaped upon Douglas and Turner's performances as well as DeVito's direction. But, sadly, there would be little awards love for the film.   The Golden Globes would nominate the film for Best Comedy, and both Turner and Douglas for lead comedy performances, and the British Academy would nominate Michael Leeson for his screenplay, but would be completely shut out at the Academy Awards.   I love the movie. It was one of the first movies I bought on Laserdisc back in the early 1990s, and when I call it a box set, I mean it was actually two discs and a four page booklet about the movie not in an album-like slipcover but an actual box. The movie was on the first disc, with roughly an hour on each side, which included a separate audio track for DeVito's commentary and a personal introduction to the film by DeVito, while the second disc featured deleted scenes, theatrical trailers, a copy of the shooting script, production stills, and a gallery of the theatrical posters. For a guy who had spent years building an enviable VHS videotape collection, this was next level stuff most people wouldn't get to experience for nearly another decade.   More than thirty years after Warren Adler published The War of the Roses, he would release a sequel to his novel, entitled The Children of the Roses. Josh and Evie are now adults. Josh is married with two children himself, a boy and a girl, Michael and Emily. Much like his parents' marriage, Josh's marriage to Victoria seems to be picture perfect on the outside, but after their son gets caught up in a caper at his elite private school involving stolen Milky Way bars, Josh finds himself in his own War of the Roses.   Evie, who still copes with her depression by eating, comforts her niece and nephew with loads of food, since to Evie still, food is love, while Michael and Emily decide for themselves that their parents will stay together no matter what.   While the book was not a best seller like the first book, it would still sell quite well, as did almost every one of the other 43 books Adler would write and publish until his passing in 2019 at the age of 91.   Thank you for joining us for this year's Christmas episode of The 80s Movie Podcast. We'll talk again in early 2023, when Episode 98, about Neil Diamond's sole attempt at movie acting, The Jazz Singer, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about The War of the Roses.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

On this actual final episode of 2022, we take a look back at our favorite Christmas movie of the decade, Danny DeVito's 1989 film The War of the Roses. ----more---- TRANSCRIPT   Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   Before we get started, yes, I said our previous episode, on Michael Jackson's Thriller, was going to be our last episode of 2022. When I wrote that, and when I said that, I meant it. But then, after publishing that episode, I got to thinking about Christmas, and some of my favorite Christmas movies, and it reminded me I have considering doing an episode about my favorite Christmas movie from the 1980s, and decided to make myself an unintentional liar by coming back one more time.   So, for the final time in 2022, this time for real, I present this new episode of The 80s Movie Podcast. This time, we'll be talking about Danny DeVito's best film as a director, The War of the Roses.   The genesis of War of the Roses was a novel by American author and playwright Warren Adler. After graduating from NYU with a degree in English literature, in a class that included Mario Puzo, the author of The Godfather, and William Styron, who won the 1968 Pulitzer Prize for Fiction for his novel The Confessions of Nat Turner, Adler paved an interesting road before becoming a novelist. He worked as a journalist at the New York Daily News, before becoming the editor of the Queens Post, an independent weekly newspaper devoted to all things happening in that New York City borough.    He would buy four radio stations and a television station in New York City, before opening his own advertising and public relations firm in Washington D.C.   Adler would create ads for politicians, businesses and communities all across the nation. In fact, it was Warren Adler who would create the name of the DC complex whose name is now synonymous with high crimes: Watergate. In 1974, he would sell the firm, and the stations, after the publication of his first novel, Undertow.   The War of the Roses would be Adler's seventh novel to be published in as many years, and the first of four to be published in 1981 alone. The novel follows Jonathan and Barbara Rose, who, initially, seem to be the perfect couple. He has a thriving career as a lawyer, she is an up-an-coming entrepreneur with an exceptional pâté recipe. Their extravagant home holds a collection of antiquities purchased over the years, and they enjoy their life with their children Evie and Josh. One day, Jonathan suffers what seems to be a heart attack, to which Barbara responds by asking for a divorce. Very quickly, their mutual love turns to a destructive hatred, especially after Jonathan, trying to save his marriage despite his wife's de facto declaration of lost love for her husband, decides to invoke an old state law that allows a husband to remain in his house while in the process of divorce.   The novel became an immediate sensation, but Hollywood had already come knocking on Mr. Adler's door seven months before the book's publication.   Richard D. Zanuck, the son of legendary Fox studio head Daryl Zanuck, and his producing partner David Brown, would purchase the movie rights to the book in September 1980 through their production deal at Fox. The producers, whose credits included The Sting and Jaws, would hire Adler to write the screenplay adaptation of his novel, but they seemingly would let the film rights lapse after two years.    James L. Brooks, the television writer and producer who created The Mary Tyler Moore Show and Taxi, was transitioning to movies, and purchased the movie rights to the book, which he would produce for Polly Platt, the former wife of filmmaker Peter Bogdanovich who had made a name for herself as an art director, costume designer, screenwriter and producer, including as the production designer and on-set sounding board for Brooks on Terms of Endearment.   At the time, Brooks was working at Paramount Pictures, but in 1986, he would end his association with that studio when Fox would offer Brooks the opportunity to create his own production company at the studio, Gracie Films. When the transfer of Brooks' properties from Paramount to Fox was being worked on, it was discovered that Brooks didn't actually own the movie rights to War of the Roses after all.    In fact, Arnon Milchan, an Israeli businessman who had been making a splash in the film industry financing movies like Martin Scorsese's The King of Comedy, Ridley Scott's Legend and Terry Gilliam's Brazil, had actually purchased the movie rights to the novel before the Zanuck/Brown option seemingly lapsed, which would require Brooks to enter into a new round of negotiations to secure the rights once and for all. Milchan would sell them to Gracie Films for $300k and a producer credit on the final film.   Once the rights were finally and properly secured, Brooks would hire Michael Neeson, a writer Brooks had worked with on The Mary Tyler Moore, Rhoda and Taxi, to write the screenplay. But instead of spending time getting ready to make her directorial debut, Platt instead took a job as the production designer on George Miller's adaptation of John Updike's The Witches of Eastwick. In fact, Miller was so keen on getting Platt involved in his production that he would consider shooting a good portion of the movie in Platt's hometown of Hingham, Massachusetts, although they would eventually spend most of the location shoot in nearby Colhasset, which had more of the historical buildings Miller wanted for the film.   Platt would finish her work on Witches before Brooks would begin shooting his Terms of Endearment follow-up, Broadcast News, on which Polly would serve as an executive producer, but her leaving Brooks for several months to work on someone else's film would begin a fracture between the two that would lead to Platt leaving Gracie Films in a few years.   But not before she helped with the creation of The Tracy Ullman Show, one of the earliest shows on the then-brand new Fox television network, which included a short animated segment each week about a quirky family in a town called Springfield.    The Simpsons.   While Platt was in New England working on Witches, James L. Brooks would visit an old friend, Danny DeVito, who was shooting his feature directing debut, Throw Momma From the Train. DeVito had known about The War of the Roses for years, and really wanted to make it as a director, but knowing how important the project was to Platt, he would defer his interest in the film.    In a July 2020 episode of Karina Longworth's excellent podcast You Must Remember This, Danny DeVito tells Longworth that he only became involved in the film when Brooks told him the project was not going to move forward with Polly Platt.    And sidebar, if you aren't familiar with Polly Platt or her importance to cinema and pop culture, I highly encourage you to listen to Ms. Longworth's entire season about Ms. Platt. Polly Platt was an amazing, complicated woman who deserves a better legacy. Just trust me on this. Please.   Okay, so now were at the end of 1986. Polly Platt was out as the director of The War of the Roses, even if she didn't know she was out at the time.   So what could DeVito bring to the project that Platt could not?   DeVito had just finished his first feature film as a director. And while Momma wasn't a big hit when it was released in December 1987, it was successful enough at the box office, and the film would garner an unlikely Oscar nomination for Anne Ramsay, the actress who played the film's diminutive title character. But more importantly, DeVito could bring in Michael Douglas and Kathleen Turner, his co-stars on Romancing the Stone and The Jewel of the Nile, to play the now Oliver and Barbara Rose. The three actors had had spent years looking for another project unrelated to that other series they could make together. Douglas would sign on to the project before his amazing fall and winter 1987 run, first as the star of the mega-hit Fatal Attraction, and then as the star of Wall Street, which would garner him an Academy Award for Best Actor.   Turner had been taking some time off from acting after finishing Peggy Sue Got Married in July 1985, and was pregnant with her daughter Rachel when DeVito approached her about The War of the Roses. Turner was already working on a comedy called Switching Channels, which had to finish shooting by early July 1987, as Turner's pregnancy would be rather visible if shooting lasted any longer. She had also committed to being a featured actor in Body Heat director Lawrence Kasdan's The Accidental Tourist, which would also re-team Turner with William Hurt.    But she would agree to star in The War of the Roses if they could give her some time being a new mom before shooting began.   DeVito and Leeson would continue to work on the script. As there was no character in the novel that would work for the compact actor/director, the two would create a framing device for the story. DeVito would play Gavin D'Amato, a divorce lawyer who was friends with Oliver Rose, who tells the story of Oliver and Barbara Rose to a potential client, played by Dan Castellaneta, the voice of Homer Simpson, as a way of trying to get his client to reconsider splitting with his wife. The character of Gavin D'Amato would take the place of Murray Goldstein in the novel, an overweight former rabbi who would only meet Oliver Rose during the course of the story.   Sean Astin, who had made a splash a few years earlier as the lead in The Goonies, would be cast as the Rose's teenage son Josh, while newcomer Heather Fairfield would get her first major movie role playing the Roses' daughter Evie, who would be renamed Carolyn for the movie.   The other major change DeVito and Leeson would make to the story would be to change the Roses' sitter from a teenager to a fortysomething woman, as they would be able to get German actress Marianne Sägebrecht, who had just found international stardom as the star of Percy Adlon's surprise global hit Baghdad Cafe, to come aboard.   Although the $26m film took place on the East Coast, the scenes not shot on the sound stages at Fox Studios in Los Angeles were filmed in Coupeville, WA, a small town on Whidbey Island, about forty miles north of Seattle, which had never been used as a filming location before.   Filming would begin on Stage 6 on the Fox lot, which was set up as the main living area for the Roses' house, on March 21st, 1989. The production would shoot as much of the film on the soundstages until April 7th, which was the first day they would be allowed to shoot in Coupeville. The evening of April 6th, though, would be spent on the backlot of Universal Studios, which was the only available space in Los Angeles at the time to accommodate shooting a massive, snowy Christmas Eve scene standing in for Cambridge, MA.   Two days after arriving in Coupeville, DeVito would discover a note on his rental car parked at the hotel where the production had its base, stating that thieves had stolen the dailies from the first day of location shooting, and demanded a ransom to have the footage returned. But DeVito was quickly able to find the dailies had not been stolen, and just laughed the note off as a prank.   After several weeks in Washington State, the production would return to Los Angeles to finish the remainder of the set shooting on the Fox Lot, as well as a few additional shots of homes in the Los Angeles neighborhood of Hancock Park, standing in suburban Washington D.C. Shooting would finish on July 25th, which would give DeVito and his team less than four and a half months to get the film ready for its planned December 8th release date.   Because the editing team lead by Lynne Klingman had been putting together an assembly cut for DeVito during production, the director was able to screen his first cut of the film for Fox executives in mid-August. That cut would run three hours and four minutes. But that's what an assembly cut is for. You get to see all the stuff you shot put together, and see what you need to whittle down, what you need to move around, and what you need to get rid of completely.   Over the course of the next few months, DeVito and the editors would get the movie down to a tight one hour and fifty six minutes. And unlike many movies then and now, there were very few scenes that needed to be reshot or added in. One shot that would be added after the audiences at several test screenings was horrified at the suggestion that Barbara's pâté may have been made with the family dog. DeVito would later state that he always meant to have a shot of the dog later in the movie, but it was definitely a late addition after the first few test screenings.   The War of the Roses would hold its world premiere at Century Plaza Cinemas in Century City, about a mile from the Fox lot, on December 4th, 1989. It would be a star-studded affair that included DeVito, Turner, and Douglas, who brought his father Kirk along with him, along with Courtney Cox, Olivia Newton-John, Kelly Preston, Mimi Rogers, Christian Slater and Samantha Morton, Oliver Stone, and Jennifer Tilly, followed by a New York City premiere two days later at the Gotham Theatre. The film would open in 1259 theatres on Friday, December 8th, and would be the highest grossing film in the nation, taking in $9.5m, knocking the previous week's #1 film, National Lampoon's Christmas Vacation, out of the top spot. It would fall to second place in its second week, as Christmas Vacation retook first place, and it would fall to third place during the long Christmas weekend. However, in its fourth week of release, the long New Years weekend, The War of the Roses would retake the top spot for the second and final time. At the end of the year, after 25 days of release, the film had grossed $43.85m, or the equivalent of $105m in 2022 dollars. The film would continue to stay strong for several more weeks, staying in the top ten until mid-February, before ending its run in theatres in the spring with $86.89m.   The reviews were pretty good, with particular praise heaped upon Douglas and Turner's performances as well as DeVito's direction. But, sadly, there would be little awards love for the film.   The Golden Globes would nominate the film for Best Comedy, and both Turner and Douglas for lead comedy performances, and the British Academy would nominate Michael Leeson for his screenplay, but would be completely shut out at the Academy Awards.   I love the movie. It was one of the first movies I bought on Laserdisc back in the early 1990s, and when I call it a box set, I mean it was actually two discs and a four page booklet about the movie not in an album-like slipcover but an actual box. The movie was on the first disc, with roughly an hour on each side, which included a separate audio track for DeVito's commentary and a personal introduction to the film by DeVito, while the second disc featured deleted scenes, theatrical trailers, a copy of the shooting script, production stills, and a gallery of the theatrical posters. For a guy who had spent years building an enviable VHS videotape collection, this was next level stuff most people wouldn't get to experience for nearly another decade.   More than thirty years after Warren Adler published The War of the Roses, he would release a sequel to his novel, entitled The Children of the Roses. Josh and Evie are now adults. Josh is married with two children himself, a boy and a girl, Michael and Emily. Much like his parents' marriage, Josh's marriage to Victoria seems to be picture perfect on the outside, but after their son gets caught up in a caper at his elite private school involving stolen Milky Way bars, Josh finds himself in his own War of the Roses.   Evie, who still copes with her depression by eating, comforts her niece and nephew with loads of food, since to Evie still, food is love, while Michael and Emily decide for themselves that their parents will stay together no matter what.   While the book was not a best seller like the first book, it would still sell quite well, as did almost every one of the other 43 books Adler would write and publish until his passing in 2019 at the age of 91.   Thank you for joining us for this year's Christmas episode of The 80s Movie Podcast. We'll talk again in early 2023, when Episode 98, about Neil Diamond's sole attempt at movie acting, The Jazz Singer, is released.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about The War of the Roses.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

On this edition of Parallax Views, Grant F. Smith of the Institute for Research: Middle East Policy returns to discuss his article "ADL files FBI 'Civil Rights Threat' conflating white nationalists with pro-Palestinian charities" as well the broader history of the ADL and its relationship with the FBI. Additionally, Grant gives his thoughts on the FBI probe into the death of Palestinian-American Al Jazeera journalist Shireen Abu Akleh and briefly summarizes his October 2022 article "Virginia Rejects Israel's Energix CdTe Solar Farm Panels". Some of the points we touch on include: - The ADL's infiltration of the Organization of Arab Students in the late 1960s - THE FBI, the Jewish Defense League, and the assassination of Palestinian activist Alex Odeh in 1985 - The murder of Mary Phagan, the lynching of pencil factory superintendent Leo Frank, and the formation of the Anti-Defamation League by B'nai B'rith - The ADL and Hollywood; Hollywood producer Arnon Milchan and arms dealing - The ADL's relationship with the FBI in 1940s Hollywood; the FBI and the Red Scare over communist infiltration of Hollywood - The ADL, Dr. John Lechner, and the internment of West Coast Japanese Americans in WWII - Arms smuggling, pressure campaigns, and spying scandals - Israel affinity groups in America; the ADL and state/national law enforcement - The ADL's attempt to conflate the pro-Palestinian Friends of Sabeel North America and the American Muslim Alliance with the neo-nazi group Vanguard America; the FBI's dismissal of the conflation - The FBI's COINTELPRO program and J. Edgar Hoover - Israeli intelligence operative Rafael Eitan - The targeting of Jewish civil rights activist and University of Minnesota professor Matthew Stark - Freedom of Information Act (FOIA) documents obtained by IRmep - The Friends of Sabeel's pro-BDS (Boycott, Divestment, Sanctions) stance and the anti-BDS movement - And much, much more!

Barbarian is a 2022 American horror film written and directed by Zach Cregger (in his solo directorial debut). It is produced by Arnon Milchan, Roy Lee, Raphael Margules, and J.D. Lifshitz. The film stars Georgina Campbell, Bill Skarsgård, and Justin Long. The story sees a young woman find out that the rental house she reserved has been accidentally double-booked with a man, while not knowing of a dark secret within the home. Barbarian premiered at San Diego Comic-Con on July 22, 2022, and was theatrically released in the United States on September 9, 2022, by 20th Century Studios. The film was a critical success, with reviewers praising Cregger's screenplay and direction as well as the cast performances (particularly that of Campbell). It was a sleeper hit at the box office, grossing over $43 million worldwide against a $4.5 million budget. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Que tal uma trama de mistério com boas doses de humor? Saiba mais sobre "Amsterdam", novo filme do diretor David O. Russell ("O Lado Bom da Vida"), com um elenco estelar. Lançamento exclusivo nos cinemas, em cartaz a partir de 6 de outubro. Este episódio é um oferecimento da 20th Century Studios. - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema   Neste episódio do cinematório café, nós falamos sobre o filme "Amsterdam".  Uma fascinante história com um rico enredo que brilhantemente mescla fatos históricos e ficção para trazer uma experiência cinematográfica oportuna, o épico romance criminal original da 20th Century Studios e New Regency sobre três amigos que se encontram no centro de uma das mais secretas conspirações da história dos Estados Unidos. "Amsterdam" é estrelado pelo vencedor do Oscar® Christian Bale, pela duas vezes indicada ao Oscar® Margot Robbie, assim como John David Washington, Alessandro Nivola, Andrea Riseborough, Anya Taylor-Joy, Chris Rock, Matthias Schoenaerts, Michael Shannon, Mike Myers, Taylor Swift, Zoe Saldaña, com o vencedor do Oscar® Rami Malek e o duas vezes vencedor do Oscar® Robert De Niro. Escrito e dirigido pelo cinco vezes indicado ao Oscar® David O. Russell, "Amsterdam" é produzido por Arnon Milchan, Matthew Budman, Anthony Katagas, David O. Russell e Christian Bale, com produção executiva de Yariv Milchan, Michael Schaefer e Sam Hanson. Podcast apresentado por Renato Silveira e Larissa Vasconcelos. Quer mandar um e-mail? Escreva para contato@cinematorio.com.br

“You think you have won! What is light without dark? What are you without me? I am a part of you all. You can never defeat me. We are brothers eternal!” In this episode, we discuss the criminally under-seen film from director Ridley Scott: Legend! as well as briefly reviewing the films we logged on our Letterboxd dairies in the past week. — TIME CODES: 00:00 - INTRO 02:59 - BASIC FACTS 05:25 - THE MEAT 45:26 - WHAT WE WATCHED — Legend (1985) “Set in a timeless mythical forest inhabited by fairies, goblins, unicorns and mortals, this fantastic story follows a mystical forest dweller, chosen by fate, to undertake a heroic quest. He must save the beautiful Princess Lili and defeat the demonic Lord of Darkness, or the world will be plunged into a never-ending ice age.” Directed by Ridley Scott and starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, Cork Hubbert, and Peter O'Farrell. Written by William Hjortsberg, scored by Jerry Goldsmith, Christopher Franke, Edgar Froese, and Johannes Schmölling, shot by Alex Thomson, and produced by Arnon Milchan, Joseph P. Grace, and Hugh Harlow. Find where to stream it here: https://www.justwatch.com/us/movie/legend — OUR LINKS: Recently Logged Main Webpage: https://anchor.fm/recentlylogged Micah's Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie's Stuff Website: https://robbiegrawey.com — EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Songs used in episode - Big Horns Intro 2 by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ | Artist: http://audionautix.com/ Editor - Robert Grawey Episode art designer - Robert Grawey Episode description - Robert Grawey --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/recentlylogged/support

Welcome to The Times of Israel's Daily Briefing, your 15-minute audio update on what's happening in Israel, the Middle East and the Jewish world, from Sunday through Thursday. Senior analyst Haviv Rettig-Gur and legal correspondent Jeremy Sharon join host Amanda Borschel-Dan on today's episode. Israel has welcomed US President Joe Biden with all due official pomp and circumstance, and he has been busy, paying a poignant visit to Yad Vashem, viewing Israel's defense technology, and meeting with Prime Minister Yair Lapid. But some analysts are scratching their heads trying to figure out why he is really here and what he hopes to accomplish with this trip to the Middle East. Rettig-Gur provides some important context for Biden's travels -- and goals. We also hear whether or not part of the Biden visit is to influence the upcoming November 1 Israeli elections. Sharon updates us about the ongoing trial of former prime minister Benjamin Netanyahu, including details that emerged from the explosive testimony of key prosecution witness Hadas Klein. Klein is the personal assistant of Hollywood producer Arnon Milchan and an aide to Australian billionaire James Packer, both of whose luxury gifts to Netanyahu and his wife, Sara, are at the heart of Case 1000, one of the cases for which the former premier is standing trial. Sharon updates us on a potentially game-changing step on the way to Israeli civil marriage. Discussed articles include: Why Biden's 10th visit to Israel must be his most productive Biden, Lapid to sign ‘Jerusalem Declaration' – a platform for US-Israel cooperation Witness details Sara Netanyahu suicide threat over pool refit; $46,000 bracelet gift Court rules online civil marriages valid, upending Israel's religious status quo Subscribe to The Times of Israel Daily Briefing on iTunes, Spotify, PlayerFM, Google Play, or wherever you get your podcasts. IMAGE: United States President Joe Biden during a welcoming ceremony, at Ben Gurion Airport near Tel Aviv on July 13, 2022, for his first official visit to Israel since becoming US president. (Sraya Diamant/Flash90) See omnystudio.com/listener for privacy information.

The authors of a recently published book dealing with the history of Hollywood's relation with Israel discuss some of their findings From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peace-making, Hollywood has long enjoyed a 'special relationship' with Israel. Based on a newly-published book by Columbia University Press, this paper outlines the ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades, including Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arthur Krim and Arnon Milchan. The paper probes the influence of Israeli public diplomacy on Hollywood's output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. It demonstrates how show business has played an important role in crafting the U.S.-Israel alliance and illuminates how U.S. media and soft power have helped shape the Arab-Israeli conflict. Tony Shaw is professor of contemporary history at the University of Hertfordshire. Giora Goodman, a historian, chairs the Department of Multidisciplinary Studies at Kinneret College on the Sea of Galilee.

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

From Frank Sinatra's early pro-Zionist rallying to Steven Spielberg's present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood's moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel's relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. In Hollywood and Israel: A History (Columbia University Press, 2022), Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood's output and lobbying activities but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world's entertainment capital to be an important player in international affairs. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams

In the high stakes world of holiday spirits, used car salesman Buddy Hall will dethrone mild mannered optometrist Steve Finch for the King of Chrstmas with Christmas lights that can be seen... from space. The guys (Ben, Bracken, Brant, Nate and producer, Danny) visit this yuletide pile of… cinema. This film stars Danny DeVito, Matthew Broderisk, Kristin Davis, Kristin Chenoweth, Alia Shawkat, Jorge Garcia, and Fred Armisen. Does this movie deserve a lump of coal or is this film Exceptionally Bad? Listen to find out. Follow us on Instagram @ExceptionallyBad and Twitter @XceptionallyBad or email us at theguys@exceptionallybad.com or check out our website at exceptionallybad.com Deck the Halls (2006) was Directed by John Whitesell, Produced by Michael Costigan, Arnon Milchan, Jeremiah Samuels, and John Whitesell, Written by Matt Corman, Chris Ord, and Don Rhymer. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In an idyllic, sun-dappled forest, the pure-hearted Jack takes his true love Princess Lili to see a pair of unicorns frolicking at the forest's edge. Little do they know, however, that the Lord of Darkness has dispatched his minions to capture the unicorns and sever their horns so that he may plunge the world into everlasting night. After Lili and the unicorns are taken prisoner, Jack must team with a group of forest creatures and descend into Darkness' subterranean lair to face off with the devilish creature before it is too late. Legend stars Tom Cruise, Mia Sara, Tim Curry, Arnon Milchan, David Bennent, Alice Playten, Billy Barty, Cork Hubbert and more. Special Effects/Makeup by Rob Bottin. Music by Jerry Goldsmith and Tangerine Dream. Written by William Hjortsberg. Directed by Ridley Scott.

Il cucchiaino più famoso della storia del cinema: quello che sta girando Noodles in "C'era una volta in America" con tutti gli altri che lo guardano, in silenzio, e Max che morde il sigaro. Una scena, questa del cucchiaino, che De Niro ha completamente improvvisato sul set La clip sonora è tratta da "C'era una volta in America" (regia Sergio Leone-con Robert De Niro e James Woods-produttori Arnon Milchan e Claudio Mancini-1984) all rights reserved

Fresh off discussing one of the grandest superhero movies ever made, we make a trip to the dimly lit streets of 2003 Hell's Kitchen to discuss the infamous Marvel superhero movie, "Daredevil". Is the movie as bad as it's reputation suggest? Does the director's cut improve the viewing experience?  Music and audio from "Marvel's Daredevil" is the property of John Paesano, Drew Goddard, Kati Johnston, Marvel Television, ABC Studios, DeKnight Productions, and Goddard Textiles. Music and audio from "Daredevil" is the property of Graeme Revell, Avi Arad, Gary Foster, Arnon Milchan, Regency Enterprises, Marvel Enterprises, and Horseshoe Bay Productions. The intro and outro music was created by Cackles and Jeremy Eckert. We thank them for their generous support of this podcast. Check out our Facebook page at www.facebook.com/batjarpodcast. Invite your friends to like our page! You can contact us at @thebatcookiejar on Twitter or you can send an e-mail to batjarpodcast@gmail.com. 

1. Four Soldiers Killed In Truck Ramming Attack A vehicular terror attack in southern east Jerusalem's Armon Hanatziv neighborhood claimed the lives of one male and three female soldiers; and injured well over a dozen more people. #TerrorAttack #Jerusalem ____________________ 2. ‘Yediot' Publisher Arnon Mozes Named In P.M. Investigation Israeli Prime Minister Benjamin Netanyahu allegedly accepted gifts from two businessmen. One of them is now believed to be famous Israeli-tycoon and Hollywood producer Arnon Milchan and the other is Yediot Ahronot publisher Arnon Mozes. #Netanyahu #Investigation #ArnonMozes ____________________ 3. Investigation Of The Prime Minister Is Growing Very Serious Yaakov Katz, Editor in Chief for the Jerusalem Post spoke with ILTV's Steve Leibowitz regarding the investigation of the Israeli Prime Minister and that he could be in deep legal trouble. #Netanyahu #YaakovKatz #SteveLeibowitz ____________________ 4. Israel Cuts $6 Million In Funding To The U.N. Israel has just cut six million dollars in funding to the United Nations following through on their promise to retaliate for U.N.S.C. resolution 2334. #UN #Funding ____________________ 5. ‘Jerusalem Embassy Move Will Cause “Explosion” Of Violence' Outgoing-US Secretary of State John Kerry is warning that President-elect Donald Trump's promise to move the American embassy to Jerusalem will likely to have a detrimental effect in the West Bank, Israel itself and also the Jewish state's peace-partners - Jordan and Egypt. #JohnKerry #Embassy #Jerusalem ____________________ 6. U.S. Congress Condemns Anti-Israel UN Resolution 2334 The US. House of Representatives has overwhelmingly passed a resolution condemning UN Security Council resolution 2334 which demanded an end to Israeli settlement building. #US #UN ____________________ 7. Four Soldiers Killed In Truck Ramming Attack & Israeli P.M. Investigation For Graft Continues Sharren Haskel, Knesset Member, Likud speaking at ILTV studio about the vehicular terror attack in Jerusalem that killed 4 people and the investigation of Israeli Prime Minister for graft. #SharrenHaskel #TerrorAttack #Netanyahu ____________________ 8. 2016 Israeli Tech Sector Exits Total $10 Billion In Israel, there was a 12-percent increase in business over 2015 with Israeli firms racking-up a total of 10 billion-dollars. The hi-tech sector closed 104 “exit deals” including “M-and-A's" meaning- mergers or acquisitions, investor buyouts, or initial public offerings. #Tech #Israel ____________________ 9. Hebrew Word Of The Day, L'HITCHANEN | להתחנן = TO BEG Learn a new Hebrew word every day. Today's word is "l'hitchanen" which means "to beg" #Learnhebrew #Hebrewwordofday #Iltvhebrewwordofday _____________________ 10. The Weather Forecast Tonight should be rainy and cold as thunderstorms intensify overnight. The low will be around forty-eight; or nine degrees Celsius. The storms are expected to continue into tomorrow as temperatures continue to drop. The projected high is about fifty-seven; or fourteen degrees Celsius. #Israelweather #Israelforecast See omnystudio.com/listener for privacy information.

Thanks for downloading this episode of Travis Bickle--if you like what you hear, please check out our Patreon page to find out more about how you can help support the show! THE SEGMENTS On this special episode your hosts Sean CODE NAME: TRIXIE, Tucker Sayonara Stone, and Morgan Wet Donut in Aliens Jeske are joined by the voice talents of: 0:00:00 -  0:02:15 - Introductions / We are launching a Patreon! 0:02:30 - 2:54:53 - Continued from Part 1, our Roundtable Brother Vs Brother bracket, featuring 32 movies from the brothers with our brother in arms Devil Brothers. Brothers? Brothers.  0:11:57 - 0:55:03 - Domino with Springheel Jeff Lester and Grim McMillan. 1:08:47 - 1:31:38 - Man on Fire and Crimson Tide with Slay Leong. 1:47:31 - 2:28:53 - Deja Vu, Spy Game, Enemy of the State, Taking of Pelham 1 2 3, and Unstoppable with Ignatiy "The Hatchetman" Vishnevetsky. THE GUESTS Morgan Jeske's latest comic is ●●●● Vol. I and it can be purchased here. He is also the co-host of this show, dummy.  David Brothers is the host of the Image Comics podcast The I Word, and hosted more panels at comic conventions this year than any human ought to.  Ignatiy Vishnevetsky is the host of Film Club at the AV Club, where you can also read his criticism. Check out his 2012 article on Tony Scott's metaphysical romances at MUBI Notebook.  Sloane Leong's currently drawing From Under Mountains, and you can purchase her solo comics here. Jeff Lester & Graeme McMillan are the hosts of the Wait, What? comics podcast.  Which is taking part of a thing with about 30 other podcasts this month, featuring everybody and all the ships at sea. THE MOVIES THE MOVIES The films of Tony Scott The Hunger (1983), starring David Bowie, Susan Sarandon, Catharine Denueve, Cliff De Young, Beth Ehlers, and Dan Hedeya. Written by Ian Davis, Michael Thomas, and Whitley Streiber. Music by Danny Jaeger and Michael Rubini. Cinematography by Stephen Goldblatt. Editing by Pamela Power. Production design by Brian Morris. Costume design by Milena Canonero. Special makeup effects by Dick Smith.  Top Gun (1986), starring Tom Cruise, Val Kilmer, Kelly McGillis, Anthony Edwards, Tom Skerrrit, Michael Ironsides, and John Stockwell. Written by Jim Cash and Jack Epps Jr. Music by Harold Faltermeyer. Cinematography by Jeffrey Kimball. Editing by Chris Lebenzon and Billy Weber.  Beverly Hills Cop 2 (1987), starring Eddie Murphy, Judge Reinhold, Jurgen Pronchow, Ronny Cox, John Ashton, Brigitte Neilsen, Allen Garfield, Dean Stockwell, Paul Reiser, Gilbert R. Hill, Chris Rock, and Paul Guilfoyle. Written by Larry Ferguson, Warren Skaaren, David Giler, and Dennis Klein. Music by Harold Faltermeyer. Cinematography by Jeffrey Kimball.  Editing by Chris Lebenzon, Michael Tronick, and Billy Weber. Revenge (1990), starring Kevin Costner, Madeline Stowe, Anthony Quinn, Tomas Milian, Sally Kirkland, Miguel Ferrer, and John Leguizamo. Written by Jim Harrison and Jeffrey Fiskin. Music by Jack Nitzsche. Cinematography by Jeffrey Kimball. Editing by Chris Lebenzon and Michael Tronick.  Days of Thunder (1990), starring Tom Cruise, Nicole Kidman, Robert Duvall, Randy Quaid, Cary Elwes, John C. Reilly, Fred Thompson, and Michael Rooker. Written by Robert Towne. Editing by Chris Lebenzon, Michael Tronick, Robert C Jones, Bert Lovitz, Stuart Waks, and Billy Weber. Music by Hans Zimmer. Cinematography by Ward Russell.  The Last Boy Scout (1991), starring Bruce Willis, Damon Wayans, Taylor Negron, Danielle Harris, Chelsea Field, Noble Willingham, Halle Berry, Kim Coates, and Bruce McGill. Written by Shane Black and Greg Hicks. Music by Michael Kamen. Editing by Stuart Baird, Mark Helfrich, and Mark Goldblatt. Cinematography by Ward Russell.  True Romance (1993), starring Christian Slater, Patricia Arquette, Dennis Hopper, Christopher Walken, Val Kilmer, Gary Oldman, Brad Pitt, Sam Jackson, Bronson Pinchot, Chris Penn, Michael Rappaport, Saul Rubinek, James Gandolfini, Victor Argo, Kevin Corrigan, Paul Ben-Victor, and Ed Lauter. Written by Quentin Tarantino. Music by Hans Zimmer. Cinematography by Jeffrey Kimball. Editing by Michael Tronick and Christian Wagner.  Crimson Tide (1995), starring Denzel Washington, Gene Hackman, Matt Craven, Viggo Mortensen, George Dzundza, Jason Robards, and James Gandolfini. Written by Michael Schiffer and Quentin Tarantino. Music by Hans Zimmer. Cinematography by Dariusz Wolski. Editing by Chris Lebenzon.  The Fan (1996), starring Robert Deniro, Wesley Snipes, Ellen Barkin, John Leguizamo, and Benicio Del Toro. Written by Phoef Sutton. Cinematography by Dariusz Wolski. Music by Hans Zimmer. Editing by Claire Simpson and Christian Wagner. Enemy of the State (1998), starring Will Smith, Gene Hackman, Jon Voight, Lisa Bonet, Regina King, Barry Pepper, Stuart Wilson, Ian Hart, Scott Caan, Jake Busey, Jason Lee, Gabriel Byrne, Dan Butler, Jack Black, Jamie Kennedy, Seth Green, Anna Gunn, Tom Sizemore, and Jason Robards. Written by David Marconi. Music by Harry Gregson Williams and Trevor Williams. Cinematography by Daniel Mendel. Editing by Chris Lebenzon.  Spy Game (2001), starring Brad Pitt, Robert Redford, Catharine McCormack, Stephen Dillane, Marianne Jean-Baptiste, David Hemmings, Benedict Wong, and Charlotte Rampling. Written by Michael Frost Beckner and David Arata. Music by Harry Gregson Williams. Cinematography by Daniel Mendel. Editing by Christian Wagner.  Man on Fire (2004), starring Denzel Washingston, Dakota Fanning, Christopher Walken, Radha Mitchell, Marc Anthony, Giancarlo Gianini, Mickey Rourke, Rachel Ticotin, and Jesus Ochoa. Written by Brian Hegeland. Music by Harry Gregson Williams. Editing by Christian Wagner. Cinematography by Paul Cameron. Domino (2005), starring Keira Knightley, Mickey Rourke, Edgar Ramirez, Delroy Lindo, Monique, Mena Suvari, Christopher Walken, Lew Temple, Macy Gray, Jacqueline Bissett, Dabney Coleman, Ian Zering, Brian Austin Green, T.K. Carter, and Lucy Liu. Written by Richard Kelly and Steve Barancik. Music by Harry Gregson Williams. Editing by Christian Wagner and William Goldenberg. Cinematography by Daniel Mendel.  Deja Vu (2006), starring Denzel Washington, Paula Patton, Val Kilmer, Jim Caviezel, Adam Goldberg, Erika Alexander, Elle Fanning, and Bruce Greenwood. Written by Terry Rossio and Bill Marsili. Music by Harry Gregson Williams. Cinematography by Paul Cameron. Editing by Chris Lebenzon and Jason Hellman.  Taking of Pelham 1 2 3 (2009), starring Denzel Washington, John Travolta, Luis Guzman, John Tutturo, and James Gandolfini. Written by Brian Hegeland. Music by Harry Gregson Williams. Editing by Chris Lebenzon. Cinematography by Tobias A. Schliessler.  Unstoppable (2010), starring Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee, TJ Miller, Kevin Dunn. Lew Temple, Kevin Corrigan, and Kevin Chapman. Written by Mark Bomback. Music by Harry Gregson Williams. Editing by Chris Lebenzon and Robert Duffy. Cinematography by Ben Seresin.  The films of Ridley Scott The Duellists (1977), starring Keith Carradine, Harvey Keitel, Albert Finney, Cristina Raines, Edward Fox, Tom Conti, Stacey Keach and Diana Quick. Written by Gerald Vaughn Hughes, cinematography by Frank Tidy, edited by Pamela Power. Music by Howard Blake.  Alien (1979), starring Sigourney Weaver, Yaphet Kotto, Tom Skerritt, Veronica Cartwright, John Hurt, Harry Dean Stanton, and Ian Holm. Written by Walter Hill, David Giler, Dan O'Bannon & Ron Shussett. Cinematography by Vanlint. Design work by HR Giger, Moebius, Ron Cobb, Chris Foss, Carlo Rambaldi, Roger Christian, and Michael Seymour. Music by Jerry Goldsmith. Editing by Terry Rawlings and Peter Weatherly. Blade Runner (1982), starring Harrison Ford, Sean Young, Rutger Hauer, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, and James Hong. Music by Vangelis. Cinematography by Jordan Cronenweth. Editing by Terry Rawlings and Marsha Nakashima. Design work by Syd Mead and David Synder. Screenplay by Hampton Fancher and David Peoples.  Legend (1985), starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, and Annabelle Lanyon. Written by William Hjortsburg. Produced by Arnon Milchan. Music by (depending on which cut) Jerry Goldsmith and Tangerine Dream. Cinematography by Alex Thomson. Editing by Terry Rawlings. Design work by Assheton Gordon, Les Dilley, Norman Dorme, Ann Mollo, and Charles Knode. Special Makeup Effects by Rob Bottin.  Someone To Watch Over Me (1987), starring Tom Berenger, Mimi Rogers, Lorraine Bracco, Jerry Orbach, and John Rubenstein. Written by Howard Franklin. Music by Michael Kamen. Edited by Claire Simpson. Produced by Ridley Scott, Thierry De Ganay, and Harold Schneider.  Black Rain (1989), starring Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw, Yusaku Matsuda, Shigero Koyama, Stephen Root, Jun Kumimura, Al Leong, and Luis Guzman. Written by Craig Bolotin and Warren Lewis. Produced by Craig Bolotin, Stanley R. Jaffe, Julie Kirkham, and Sherry Lansing. Edited by Tom Rolf. Music by Hans Zimmer. Cinematography by Jan De Bont. Production design by Norris Spencer.   Thelma & Louise (1991), starring Susan Sarandon, Geena Davis, Harvey Keitel, Christopher McDonald, Brad Pitt, Stephen Tobolowsky, Michael Madsen, and Jason Beghe. Written by Callie Khouri. Produced by Ridley Scott and Mimi Polk Gitlin. Music by Hans Zimmer. Editing by Thom Noble. Cinematography by Adrian Biddle. Production Design by Norris Spencer.  1492: The Conquest of Paradise (1992), starring Gerard Depardiu, Armand Assante, Ridley Scot, Fernando Rey, Frank Langella, Tcheky Kayro, Angela Molina, and Arnold Vosloo. Written by Rose Bosch. Cinematography by Adrian Biddle. Music by Vangelis. Production design by Norris Spencer.  White Squall (1996), starring Jeff Bridges, Caroline Goodall, Scott Wolf, Ryan Phillipe, Jeremy Sisto, Balthazar Getty, Zeljko Ivanek, and Ethan Embry. Written by Todd Robinson. Cinematography by Hugh Johnson. Music by Jeff Rona. Editing by Gerry Hambling.  G.I. Jane (1997), starring Demi Moore, Viggo Mortensen, Jim Caviezel, Anne Bancroft, Jason Beghe, John Michael Higgins, and Morris Chestnut. Written by Danielle Alexandra andDavid Twohy. Cinematography by Hugh Johnson. Edited by Pietro Scalia. Music by Trevor Jones. Production design by Arthur Max.  Gladiator (2000), starring Russell Crowe, Joaquin Phoenix, Connie Neilsen, Oliver Reed, Richard Harris, Djimon Honsou, David Hemmings, Tommy Flanagan, and Sven Ole Thorson. Written by David Franzioni, John Logan, and William Nicholson. Music by Hans Zimmer and Lisa Gerard. Cinematography by John Mathieson. Editing by Pietro Scalia. Production design by Arthur Max.  Hannibal (2001), starring Anthony Hopkins, Julienne Moore, Gary Oldman, Ray Liotta, Zeljko Ivanek, Frankie Faison, Giancarlo Giannini, and Francesca Niri. Written by David Mamet and Steve Zaillian. Music by Hans Zimmer. Cinematography by John Mathieson. Editing by Pietro Scalia. Production design by Norris Spencer.  Black Hawk Down (2001), starring Eric Bana, Josh Hartnett, Ewan McGregor, Tom Sizemore, Orlando Bloom, Sam Shepard, William Fichtner, Ewan Bremmer, Kim Coates, Hugh Dancey, Ron Eldard, Ioan Grufford, Zeljko Ivanek, Jeremy Piven, and Tom Hardy. Written by Mark Bowden and Ken Nolan. Music by Hans Zimmer. Cinematography by Slawomir Idziak. Editing by Pietro Scalia. Production Design by Arthur Max.  Matchstick Men (2003), starring Nicholas Cage, Sam Rockwell, Alison Lohman, Bruce McGill, Bruce Altman, and Melora Waters. Written by Nicholas and Ted Griffin. Music by Hans Zimmer. Cinematography by John Mathieson. Editing by Dody Dorn. Production design by Tom Foden.  Kingdom of Heaven (2005), starring Orlando Bloom, Michael Sheen, David Thewlis, Liam Neeson, Eva Green, Edward Norton, Kevin McKidd, Martin Csokas, Brendan Gleeson, Jeremy Irons, and Ghasan Massoud. Written by William Monahan. Music by Harry Gregson Williams. Cinematography by John Mathieson. Editing by Dody Dorn. Production design by Arthur Max.  A Good Year (2006), starring Russell Crowe, Marion Cottilard, Albert Finney, Freddie Highmore, Rafe Spall, Archie Panjabi, and Richard Coyle. Written by Marc Klein. Music by Martin Streitenfeld. Cinematography by Phillipe Le Sourd. Editing by Dody Dorn and Robb Sullivan. Production design by Sonja Klaus.  American Gangster (2007), starring Denzel Washington, Russell Crowe, Cuba Gooding Jr., Chewitel Ejifor, Idris Elba, Josh Brolin, John Hawks, Lymari Nadal, Ted Levine, Rza, Yul Vazquez, Ruby Dee, Carla Gugino, John Ortiz, Joe Morton, T.I., Armand Assante, John Polito, Kevin Corrigan, Norman Reedus, and Anthony Hamilton. Written by Steve Zaillian. Cinematography by Harris Savides. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max.  Body of Lies (2008), starring Leonardo Dicaprio, Russell Crowe, Mark Strong, Golshifteh Farahani, Oscar Isaac, Ali Suliman, and Simon McBurney. Written by William Monahan. Cinematography by Alexander Witt. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max.  Robin Hood (2010), starring Russell Crowe, Cate Blanchett, Max Von Sydow, William Hurt, Mark Strong, Oscar Isaac, Danny Huston, Eiileen Atkins, Mark Addy, Scott Grimes, and Lea Seydoux. Written by Brian Hegeland. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by John Mathieson. Prometheus (2012), starring Noomi Rapace, Charlize Theron, Michael Fassbender, Idris Elba, Guy Pearce, Rafe Spall, Logan Marshall-Green, Sean Harris, and Benedict Wong. Written by John Spaihts and Damon Lindelof. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  The Counselor (2013), starring Michael Fassbender, Brad Pitt, Penelope Cruz, Cameron Diaz, Javier Bardem, Bruno Ganz, Rosie Perez, Dean Norris, John Leguizamo, Rueben Blades, Edgar Ramirez, Goran Visnjic, and Sam Spruell. Written by Cormac McCarthy. Music by Daniel Pemberton. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  Exodus: Gods and Kings (2014), starring Christian Bale, Joel Edgerton, Sigourney Weaver, John Tutturo, Aaron Paul, Ben Mendelsohn, Maria Valverde, and Ben Kingsly. Music by Alberto Iglesias. Editing by Billy Rich. Production design by Arthur Max. Cinematography by Dariusz Wolski. Written by Adam Cooper, Bill Collage, Steve Zaillian, and Jeffrey Caine.  The Martian (2015), starring Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Chewitel Ejifor, and Benedict Wong. Written by Drew Goddard. Music by Harry Gregson-Williams. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  ALSO DISCUSSED IN THIS SECTION Christopher McQuarrie, Dances With Wolves, Waterworld, Valkyrie, Jack Reacher, Risky Business, Three Days to Kill, Lethal Weapon, The Long Kiss Goodnight, Sonny Chiba, Kevin Pollack, Jay Mohr, Action, Steve Engleheart, The Property Brothers, Sniper, Gone Girl, Claire Denis, Michael Mann, Kathryn Bigelow, Richard Kelly, Donnie Darko, Quentin Tarantino, The Manchurian Candidate, Roger Avery, Brian De Palma, Obsession, Rob Zombie, Joe Carnahan, Edgar Wright, Mad Max Fury Road, Pirates of the Caribbean, Charlize Theron, Meryl Streep, Laurence Harvey, Guy Maddin, Cowards Bend the Knee, Smokin Aces, Garfield Without Garfield, Richard Kelly and Quentin Tarantino in conversation talking about writing for Tony Scott, Agent Orange, Beat the Devil, Cahiers Du Cinema, Point of No Return, Bridget Fonda, Single White Female, Olivier Assayas, George Miller, Michael Bay, Terrence Malick, Michael Cimino, Beverly Hills Cop 3, The Killing, I'm Gonna Get You Sucka, New Jack City, John Landis, 2001: A Space Odyssey, The Getaway, Cary Grant, Boomerang, the Red Ghost, '71, Trainspotting, Drive Angry, Strange Days, Heat, Zulu, Shigeru Mizuki, The Hurt Locker, Roger Corman, Battleship, Man on Fire (1987), A Knights Tale, Payback, The Runaways, Takashi Ito, John Wick, Nightwatch, A.O. Scott, Dune, Safe House, Bastards, John Q, Liam Neeson, Inside Man, Eastern Promises, Akira Kurosawa & Toshiro Mifune, Paul Thomas Anderson, Johnny Carson, Unforgiven, French Connection, Conan, The Royal Tenenbaums, "Simpson Tide", Farewell My Lovely, Battleship Potemkin, Akira, Neuromancer, The Incal, The Airtight Garage, Enki Bilal, Barry Lyndon, The Texas Chainsaw Massacre, Godfather, Zoot Suit, Orson Welles, Interstellar, Person Of Interest, CSI,  Robert Rauschenberg, Nicholas Roeg, John Hyams, Z Nation, Gamer, John Carpenter, Undisputed 3, Undisputed 2, US Seals, Return to Savage Beach, Warrior, Vertigo, Henry James, Out of the Furnace, The Hunger Games, Temple of the Dog, Pearl Jam, The Long Goodbye, A Clockwork Orange, Reservoir Dogs, Pump Up The Volume, Osterman Weekend, Ricochet, Terminator, Jack Reacher, Bill Paxton, Predator, Aliens, The Conversation,  Chris Ryan & Sean Fennessey on Ridley Scott, True Detective Season 2, Craig Bierko, Friday Night Lights, Explosions in the Sky, The Punisher, Sicario, and A.A. Ron.   MUSIC Jamie Lee Curtis' prison introduction from Escape From New York (our intro, as always) Cliff Martinez - "Placental Repair" from The Knick Iggy Pop - "Funtime" from The Hunger Prince - "Gett Off" from The Last Boy Scout. Hans Zimmer - "Chant" from Black Hawk Down. Nine Inch Nails - "The Mark Has Been Made" from Man On Fire. Harry Gregson Williams - "The End" from Man On Fire. Harry Gregson Williams - "Red Shirt" from Spy Game. Harry Gregson Williams - "Frank Barnes" from Unstoppable. Marianne Faithful - "Ballad of Lucy Jordan" from Thelma & Louise. Next Week: Crimson Peak and Steve Jobs.  

We have been talking about doing a Ridley Scott vs Tony Scott special since the earliest episodes of the show, and we're finally doing it now for this year's Halloween special. And due to the scope of the thing, it's longer than Steven Wright reading the unexpurgated bible aloud to DJ Screw. Today's show is part 1, please check out part 2 available this Friday. Here are career retrospective video interviews with Tony and Ridley Scott, please check these out. They've informed how we talk about each director going into the show.   THE SEGMENTS On this special episode your hosts Alternate Memphis Mafia Timeline Sean Witzke and Tucker Sayonara Stone are joined by the voice talents of: 0:00:00 - 3:26:09 - Roundtable Brother Vs Brother bracket, featuring 32 movies from the brothers with our brothers in arms Devil Brothers and Wet Donut In Aliens. Brothers? Brothers.  0:13:06 - 0:42:55 - The Duellists and The Hunger with John Keogh's 's Shadow Burned Into a Wall. 1:06:22 - 1:55:15 - The Counselor and Prometheus with Mater SuSarahia. 2:09:09 - 2:30:48 - Days of Thunder with Spawn of Mork. THE GUESTS   Morgan Jeske's latest comic is ●●●● Vol. I and it can be purchased here. He is also the co-host of this show, dummy.  David Brothers is the host of the Image Comics podcast The I Word, and hosted more panels at comic conventions this year than any human ought to.  John Keogh's webcomic is The Pillars of Fear, read it and taste the chain. He is also co-runner of SCRENSHOS. Sarah Horrocks is co-host of the Trash Twins podcast with Katie Skelly (Sean edits that), and you can read her latest comic, The Leopard, here.  John Schork's writing can be read at Village Machine.  THE MOVIES The films of Tony Scott The Hunger (1983), starring David Bowie, Susan Sarandon, Catharine Denueve, Cliff De Young, Beth Ehlers, and Dan Hedeya. Written by Ian Davis, Michael Thomas, and Whitley Streiber. Music by Danny Jaeger and Michael Rubini. Cinematography by Stephen Goldblatt. Editing by Pamela Power. Production design by Brian Morris. Costume design by Milena Canonero. Special makeup effects by Dick Smith.  Top Gun (1986), starring Tom Cruise, Val Kilmer, Kelly McGillis, Anthony Edwards, Tom Skerrrit, Michael Ironsides, and John Stockwell. Written by Jim Cash and Jack Epps Jr. Music by Harold Faltermeyer. Cinematography by Jeffrey Kimball. Editing by Chris Lebenzon and Billy Weber.  Beverly Hills Cop 2 (1987), starring Eddie Murphy, Judge Reinhold, Jurgen Pronchow, Ronny Cox, John Ashton, Brigitte Neilsen, Allen Garfield, Dean Stockwell, Paul Reiser, Gilbert R. Hill, Chris Rock, and Paul Guilfoyle. Written by Larry Ferguson, Warren Skaaren, David Giler, and Dennis Klein. Music by Harold Faltermeyer. Cinematography by Jeffrey Kimball.  Editing by Chris Lebenzon, Michael Tronick, and Billy Weber. Revenge (1990), starring Kevin Costner, Madeline Stowe, Anthony Quinn, Tomas Milian, Sally Kirkland, Miguel Ferrer, and John Leguizamo. Written by Jim Harrison and Jeffrey Fiskin. Music by Jack Nitzsche. Cinematography by Jeffrey Kimball. Editing by Chris Lebenzon and Michael Tronick.  Days of Thunder (1990), starring Tom Cruise, Nicole Kidman, Robert Duvall, Randy Quaid, Cary Elwes, John C. Reilly, Fred Thompson, and Michael Rooker. Written by Robert Towne. Editing by Chris Lebenzon, Michael Tronick, Robert C Jones, Bert Lovitz, Stuart Waks, and Billy Weber. Music by Hans Zimmer. Cinematography by Ward Russell.  The Last Boy Scout (1991), starring Bruce Willis, Damon Wayans, Taylor Negron, Danielle Harris, Chelsea Field, Noble Willingham, Halle Berry, Kim Coates, and Bruce McGill. Written by Shane Black and Greg Hicks. Music by Michael Kamen. Editing by Stuart Baird, Mark Helfrich, and Mark Goldblatt. Cinematography by Ward Russell.  True Romance (1993), starring Christian Slater, Patricia Arquette, Dennis Hopper, Christopher Walken, Val Kilmer, Gary Oldman, Brad Pitt, Sam Jackson, Bronson Pinchot, Chris Penn, Michael Rappaport, Saul Rubinek, James Gandolfini, Victor Argo, Kevin Corrigan, Paul Ben-Victor, and Ed Lauter. Written by Quentin Tarantino. Music by Hans Zimmer. Cinematography by Jeffrey Kimball. Editing by Michael Tronick and Christian Wagner.  Crimson Tide (1995), starring Denzel Washington, Gene Hackman, Matt Craven, Viggo Mortensen, George Dzundza, Jason Robards, and James Gandolfini. Written by Michael Schiffer and Quentin Tarantino. Music by Hans Zimmer. Cinematography by Dariusz Wolski. Editing by Chris Lebenzon.  The Fan (1996), starring Robert Deniro, Wesley Snipes, Ellen Barkin, John Leguizamo, and Benicio Del Toro. Written by Phoef Sutton. Cinematography by Dariusz Wolski. Music by Hans Zimmer. Editing by Claire Simpson and Christian Wagner. Enemy of the State (1998), starring Will Smith, Gene Hackman, Jon Voight, Lisa Bonet, Regina King, Barry Pepper, Stuart Wilson, Ian Hart, Scott Caan, Jake Busey, Jason Lee, Gabriel Byrne, Dan Butler, Jack Black, Jamie Kennedy, Seth Green, Anna Gunn, Tom Sizemore, and Jason Robards. Written by David Marconi. Music by Harry Gregson Williams and Trevor Williams. Cinematography by Daniel Mendel. Editing by Chris Lebenzon.  Spy Game (2001), starring Brad Pitt, Robert Redford, Catharine McCormack, Stephen Dillane, Marianne Jean-Baptiste, David Hemmings, Benedict Wong, and Charlotte Rampling. Written by Michael Frost Beckner and David Arata. Music by Harry Gregson Williams. Cinematography by Daniel Mendel. Editing by Christian Wagner.  Man on Fire (2004), starring Denzel Washingston, Dakota Fanning, Christopher Walken, Radha Mitchell, Marc Anthony, Giancarlo Gianini, Mickey Rourke, Rachel Ticotin, and Jesus Ochoa. Written by Brian Hegeland. Music by Harry Gregson Williams. Editing by Christian Wagner. Cinematography by Paul Cameron. Domino (2005), starring Keira Knightley, Mickey Rourke, Edgar Ramirez, Delroy Lindo, Monique, Mena Suvari, Christopher Walken, Lew Temple, Macy Gray, Jacqueline Bissett, Dabney Coleman, Ian Zering, Brian Austin Green, T.K. Carter, and Lucy Liu. Written by Richard Kelly and Steve Barancik. Music by Harry Gregson Williams. Editing by Christian Wagner and William Goldenberg. Cinematography by Daniel Mendel.  Deja Vu (2006), starring Denzel Washington, Paula Patton, Val Kilmer, Jim Caviezel, Adam Goldberg, Erika Alexander, Elle Fanning, and Bruce Greenwood. Written by Terry Rossio and Bill Marsili. Music by Harry Gregson Williams. Cinematography by Paul Cameron. Editing by Chris Lebenzon and Jason Hellman.  Taking of Pelham 1 2 3 (2009), starring Denzel Washington, John Travolta, Luis Guzman, John Tutturo, and James Gandolfini. Written by Brian Hegeland. Music by Harry Gregson Williams. Editing by Chris Lebenzon. Cinematography by Tobias A. Schliessler.  Unstoppable (2010), starring Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee, TJ Miller, Kevin Dunn. Lew Temple, Kevin Corrigan, and Kevin Chapman. Written by Mark Bomback. Music by Harry Gregson Williams. Editing by Chris Lebenzon and Robert Duffy. Cinematography by Ben Seresin.  The films of Ridley Scott The Duellists (1977), starring Keith Carradine, Harvey Keitel, Albert Finney, Cristina Raines, Edward Fox, Tom Conti, Stacey Keach and Diana Quick. Written by Gerald Vaughn Hughes, cinematography by Frank Tidy, edited by Pamela Power. Music by Howard Blake.  Alien (1979), starring Sigourney Weaver, Yaphet Kotto, Tom Skerritt, Veronica Cartwright, John Hurt, Harry Dean Stanton, and Ian Holm. Written by Walter Hill, David Giler, Dan O'Bannon & Ron Shussett. Cinematography by Vanlint. Design work by HR Giger, Moebius, Ron Cobb, Chris Foss, Carlo Rambaldi, Roger Christian, and Michael Seymour. Music by Jerry Goldsmith. Editing by Terry Rawlings and Peter Weatherly. Blade Runner (1982), starring Harrison Ford, Sean Young, Rutger Hauer, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, and James Hong. Music by Vangelis. Cinematography by Jordan Cronenweth. Editing by Terry Rawlings and Marsha Nakashima. Design work by Syd Mead and David Synder. Screenplay by Hampton Fancher and David Peoples.  Legend (1985), starring Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty, and Annabelle Lanyon. Written by William Hjortsburg. Produced by Arnon Milchan. Music by (depending on which cut) Jerry Goldsmith and Tangerine Dream. Cinematography by Alex Thomson. Editing by Terry Rawlings. Design work by Assheton Gordon, Les Dilley, Norman Dorme, Ann Mollo, and Charles Knode. Special Makeup Effects by Rob Bottin.  Someone To Watch Over Me (1987), starring Tom Berenger, Mimi Rogers, Lorraine Bracco, Jerry Orbach, and John Rubenstein. Written by Howard Franklin. Music by Michael Kamen. Edited by Claire Simpson. Produced by Ridley Scott, Thierry De Ganay, and Harold Schneider.  Black Rain (1989), starring Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw, Yusaku Matsuda, Shigero Koyama, Stephen Root, Jun Kumimura, Al Leong, and Luis Guzman. Written by Craig Bolotin and Warren Lewis. Produced by Craig Bolotin, Stanley R. Jaffe, Julie Kirkham, and Sherry Lansing. Edited by Tom Rolf. Music by Hans Zimmer. Cinematography by Jan De Bont. Production design by Norris Spencer.   Thelma & Louise (1991), starring Susan Sarandon, Geena Davis, Harvey Keitel, Christopher McDonald, Brad Pitt, Stephen Tobolowsky, Michael Madsen, and Jason Beghe. Written by Callie Khouri. Produced by Ridley Scott and Mimi Polk Gitlin. Music by Hans Zimmer. Editing by Thom Noble. Cinematography by Adrian Biddle. Production Design by Norris Spencer.  1492: The Conquest of Paradise (1992), starring Gerard Depardiu, Armand Assante, Ridley Scot, Fernando Rey, Frank Langella, Tcheky Kayro, Angela Molina, and Arnold Vosloo. Written by Rose Bosch. Cinematography by Adrian Biddle. Music by Vangelis. Production design by Norris Spencer.  White Squall (1996), starring Jeff Bridges, Caroline Goodall, Scott Wolf, Ryan Phillipe, Jeremy Sisto, Balthazar Getty, Zeljko Ivanek, and Ethan Embry. Written by Todd Robinson. Cinematography by Hugh Johnson. Music by Jeff Rona. Editing by Gerry Hambling.  G.I. Jane (1997), starring Demi Moore, Viggo Mortensen, Jim Caviezel, Anne Bancroft, Jason Beghe, John Michael Higgins, and Morris Chestnut. Written by Danielle Alexandra andDavid Twohy. Cinematography by Hugh Johnson. Edited by Pietro Scalia. Music by Trevor Jones. Production design by Arthur Max.  Gladiator (2000), starring Russell Crowe, Joaquin Phoenix, Connie Neilsen, Oliver Reed, Richard Harris, Djimon Honsou, David Hemmings, Tommy Flanagan, and Sven Ole Thorson. Written by David Franzioni, John Logan, and William Nicholson. Music by Hans Zimmer and Lisa Gerard. Cinematography by John Mathieson. Editing by Pietro Scalia. Production design by Arthur Max.  Hannibal (2001), starring Anthony Hopkins, Julienne Moore, Gary Oldman, Ray Liotta, Zeljko Ivanek, Frankie Faison, Giancarlo Giannini, and Francesca Niri. Written by David Mamet and Steve Zaillian. Music by Hans Zimmer. Cinematography by John Mathieson. Editing by Pietro Scalia. Production design by Norris Spencer.  Black Hawk Down (2001), starring Eric Bana, Josh Hartnett, Ewan McGregor, Tom Sizemore, Orlando Bloom, Sam Shepard, William Fichtner, Ewan Bremmer, Kim Coates, Hugh Dancey, Ron Eldard, Ioan Grufford, Zeljko Ivanek, Jeremy Piven, and Tom Hardy. Written by Mark Bowden and Ken Nolan. Music by Hans Zimmer. Cinematography by Slawomir Idziak. Editing by Pietro Scalia. Production Design by Arthur Max.  Matchstick Men (2003), starring Nicholas Cage, Sam Rockwell, Alison Lohman, Bruce McGill, Bruce Altman, and Melora Waters. Written by Nicholas and Ted Griffin. Music by Hans Zimmer. Cinematography by John Mathieson. Editing by Dody Dorn. Production design by Tom Foden.  Kingdom of Heaven (2005), starring Orlando Bloom, Michael Sheen, David Thewlis, Liam Neeson, Eva Green, Edward Norton, Kevin McKidd, Martin Csokas, Brendan Gleeson, Jeremy Irons, and Ghasan Massoud. Written by William Monahan. Music by Harry Gregson Williams. Cinematography by John Mathieson. Editing by Dody Dorn. Production design by Arthur Max.  A Good Year (2006), starring Russell Crowe, Marion Cottilard, Albert Finney, Freddie Highmore, Rafe Spall, Archie Panjabi, and Richard Coyle. Written by Marc Klein. Music by Martin Streitenfeld. Cinematography by Phillipe Le Sourd. Editing by Dody Dorn and Robb Sullivan. Production design by Sonja Klaus.  American Gangster (2007), starring Denzel Washington, Russell Crowe, Cuba Gooding Jr., Chewitel Ejifor, Idris Elba, Josh Brolin, John Hawks, Lymari Nadal, Ted Levine, Rza, Yul Vazquez, Ruby Dee, Carla Gugino, John Ortiz, Joe Morton, T.I., Armand Assante, John Polito, Kevin Corrigan, Norman Reedus, and Anthony Hamilton. Written by Steve Zaillian. Cinematography by Harris Savides. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max.  Body of Lies (2008), starring Leonardo Dicaprio, Russell Crowe, Mark Strong, Golshifteh Farahani, Oscar Isaac, Ali Suliman, and Simon McBurney. Written by William Monahan. Cinematography by Alexander Witt. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max.  Robin Hood (2010), starring Russell Crowe, Cate Blanchett, Max Von Sydow, William Hurt, Mark Strong, Oscar Isaac, Danny Huston, Eiileen Atkins, Mark Addy, Scott Grimes, and Lea Seydoux. Written by Brian Hegeland. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by John Mathieson. Prometheus (2012), starring Noomi Rapace, Charlize Theron, Michael Fassbender, Idris Elba, Guy Pearce, Rafe Spall, Logan Marshall-Green, Sean Harris, and Benedict Wong. Written by John Spaihts and Damon Lindelof. Music by Martin Streitenfeld. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  The Counselor (2013), starring Michael Fassbender, Brad Pitt, Penelope Cruz, Cameron Diaz, Javier Bardem, Bruno Ganz, Rosie Perez, Dean Norris, John Leguizamo, Rueben Blades, Edgar Ramirez, Goran Visnjic, and Sam Spruell. Written by Cormac McCarthy. Music by Daniel Pemberton. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  Exodus: Gods and Kings (2014), starring Christian Bale, Joel Edgerton, Sigourney Weaver, John Tutturo, Aaron Paul, Ben Mendelsohn, Maria Valverde, and Ben Kingsly. Music by Alberto Iglesias. Editing by Billy Rich. Production design by Arthur Max. Cinematography by Dariusz Wolski. Written by Adam Cooper, Bill Collage, Steve Zaillian, and Jeffrey Caine.  The Martian (2015), starring Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Chewitel Ejifor, and Benedict Wong. Written by Drew Goddard. Music by Harry Gregson-Williams. Editing by Pietro Scalia. Production design by Arthur Max. Cinematography by Dariusz Wolski.  Also discussed on this episode: The Hardy Boys Case Files,  Commando, Nancy Drew, King of New York, The Babysitters Club, Joe Dirt, Always Sunny in Philadelphia, Idris Elba, The Open Curtain, Chuck Palahniuk, Tom Cruise, Mimi Rogers, 1984 Apple Commercial, Beyond the Sea, In the Heart of the Sea, James Spader, Kevin Spacey, Midnight in the Garden of Good and Evil, Boy and Bicycle, Takashi Miike, Woody Allen, Happiness of the Katakuris, Deadwood, Bad Lieutenant, Bride Wars, Barry Lyndon, Singer Sargent, Bad Timing, Mean Streets, Fingers, Taxi Driver, Reservoir Dogs, Joseph Conrad, There Will Be Blood, The Prestige, Nashville, The Long Riders, John Woo, Stanley Kubrick, D.A. Pennebaker, the Maysles Brothers, Sade, Bauhaus, Nicolas Roeg, The Man Who Fell To Earth, Performance, xXx, Michael Bay, Bob & Carol & Ted & Alice, Alan Parker, The Wall, Angel Heart, Henry Rollins, Columbo, Blood Simple, To Live and Die In LA, The Loveless, Near Dark, Night Gallery, Alien Vs Predator, Quentin Tarantino, Robert Deniro, Andrew Dice Clay, The Adventures of Ford Fairlane, Russell Mulcahy, Blue Jasmine, Armageddon, Adrian Lyne, Terrence Malick, John Wayne Gacy, Sunshine, Kristen Wiig on SNL, Marco Polo, Kenny Loggins, Daniel Tiger, Raiders of the Lost Ark, Predator, The Texas Chainsaw Massacre, Exit Wounds, Michael Jai White, DMX, Steven Seagal, Tom Arnold, Anthony Anderson, Brett Ratner, Audition, Shadow of a Doubt, Wait Until Dark, Paul Thomas Anderson, Aliens, Star Wars, Trauma, Tom Savini, Dario Argento, No Country For Old Men, All the Pretty Horses, Shame, The Long Tomorrow, The Big Sleep, William Faulkner, Tom Cruise, Daniel Craig, Layer Cake, Paycheck, Vanilla, Sky, Steve McQueen, The Getaway, Keanu Reeves, A Most Violent Year, Breaking Bad, The Girl With the Dragon Tattoo, Das Boot, The Cotton Club, Francis Ford Coppola, George Lucas, Steven Soderbergh, Walter Murch's edit of Touch of Evil, Blood Meridian, Moon, HR Giger, Moebius, Ron Cobb, Ingmar Bergman, Luis Bunuel, The Seventh Seal, James Cameron, Dune, Alien 3, Neil Blomkamp, Pacific Rim, 2001 A Space Odyssey, Wally Wood, Short Circuit 2, Chris Cunningham, Sylvester Stallone, Paul Schrader, Rolling Thunder, Inside Llewyn Davis, Fight Club, Monty Python, Show Me A Hero, The Wire, Treme, Steve Zahn, Sicario, Fargo, Justified, Our Brand Is Crisis, Jackie Chan, Thunderbolt, Chinatown, The Terror, J. Edgar, Nashville, The Americans, Talladega Nights: The Legend of Ricky Bobby, Cross of Iron, Tone Loc, Without Limits, Friend of the show Abhay Khosla talking Tony Scott, Oliver and Company, Lethal Weapon, Always Sunny does Lethal Weapon, Richard Donner, Richard Lester, St. Elmos Fire, The Island, Hot Fuzz, Burn After Reading, Django Unchained, Le Mans, Henry Portrait of a Serial Killer, Dead Calm, Malice, BMX Bandits, John Romita Jr., The Karate Kid, Transformers 4, Goodfellas, Big, The French Connection, Norman Rockwell, Silence of the Lambs, Silver Surfer, Modesty Blaise, Krazy Kat, Run Silent Run Deep, Apocalypse Now, Bourne Supremacy, Aphex Twin, Nine Inch Nails, Walton Goggins in Bourne Identity, United 93, The Conversation, Person of Interest, 24, Numbers, Heat, Mission Impossible, Woodlawn, Ali, Signs, Scarface, Game of Thrones, John Wick, Sergio Corbucci, Virtuosity, The Insider, Romper Stomper, Jax from Mortal Kombat, Traci Lords, Throwing Copper, The Long Kiss Goodnight, The Piano, Johnny Suede, Cool World, Career Opportunities, Jennifer Connelly, Jennifer Garner, Timothy Dalton, The Rocketeer, David Lee Roth, Akira, Wolverine, The Yakuza, Crazy Thunder Road, The November Man, The Cell, Labyrinth, The Dark Crystal, Cecil Taylor, Southland Tales, Grand Theft Auto, and Kenneth Branagh.   Music Delphine Seyrig's introduction of Mr. Freedom. Ladies and Gentlemen, you've been living like pigs. The Simpsons singing "A Chorus Line" from Treehouse of Horror V. Jerry Goldsmith - music from the 2nd Alien trailer. Jamie Lee Curtis - "Prison Introduction" from Escape From New York (our intro, as always). Bauhaus - "Bela Lugosi's Dead (original single mix)" from The Hunger. Hans Zimmer - "The Steel Plant - part 1" from Black Rain. Tangerine Dream - "Unicorn Theme" from Legend. Hans Zimmer - "Main Title" from Days of Thunder. The Spencer Davis Group - "Gimme Some Lovin" from Days of Thunder. David Bowie - "Starman" from The Martian  COMING UP IN PART TWO: Please come back this Friday to hear part 2 of our Ridley Vs. Tony Halloween special with special guests Ignatiy Vishnevetsky, Sloane Leong, Graeme McMillan, and Jeff Lester.