Podcasts about Drama Desk Award

Ryan J. Haddad is an actor and playwright whose work across theater and television consistently challenges outdated narratives around disability, queerness and identity. He made a striking Off-Broadway playwriting debut with “Dark Disabled Stories” at The Public Theater, which enjoyed a sold-out, extended run and earned him the Obie Award for Best New American Play. His autobiographical solo show “Hi, Are You Single?” has become a defining part of his artistic voice, touring nationally and earning critical acclaim. Ryan's television credits include memorable appearances on Hulu's “A Murder at the End of the World” and Netflix's “The Politician.”In addition to performing, Haddad is a dedicated writer and access advocate. His essays have appeared in The New York Times and Out Magazine, and he is a contributor to the anthology “Disability Intimacy,” curated by Alice Wong. His creative work and activism have earned him a Drama Desk Award, a Paula Vogel Playwriting Award from Vineyard Theatre and a Disability Futures Fellowship. He is also a proud alum of the Public Theater's Emerging Writers Group.In this interview, conducted just a few days before he premiered his latest solo piece, “Hold Me in the Water,” at Playwrights Horizons in New York City, Ryan reflects on the pivotal experiences that shaped his journey as an artist, from performing fairy tales in his childhood living room to commanding major stages and screens. He speaks candidly about navigating the entertainment industry as a gay man with cerebral palsy, building a career on his own terms and advocating for authentic representation and accessibility in the arts.https://www.ryanjhaddad.com/https://www.playwrightshorizons.org/about/production-history/2020s/2425-season/hold-me-in-the-water

Yo! Yo! Yo! Yo! Yoooooo! LOL-eros, grab your maracas and get ready for this high-energy episode of #LatinosOutLoud! This episode is dedicated to the amazing production of Buena Vista Social Club on Broadway. Join #RachelLaLoca on the red carpet for opening night of the Broadway musical that touches the soul and pulls at both the heart AND guitar strings! She was joined by Latino theatre expert, Paola "Pie" Soto who covered interviews with band members such as Renestio Avich aka the Jimmy Hendrix of Cuba and trombonist, Eddie Venegas. Rachel got to chat with the celebs that came out to support this tribute to the pursuit of a dream during tumultuous political times. She linked up with icons and former guests of #LOL, like Producers of the show, John Leguizamo, Lin-Manuel Miranda, his father, Luis A. Miranda, Jr, and actress Daphne Rubin-Vega. Other stars captured during this amazing evening include Luna Lauren Velez and Rubén Blades. Also, enjoy a recap of both the musical and red carpet coverage by Rachel and Pie, shot at the Recirculation Bookshop in Washington Heights. ABOUT THE SHOW Inspired by true events, the new Broadway musical BUENA VISTA SOCIAL CLUB™ brings to life the GRAMMY®-winning album and tells the story of the legendary musicians who lived it. A world-class Afro-Cuban band joins a sensational cast in this unforgettable story of survival, second chances, and the extraordinary power of music. With a book by Marco Ramírez (Drama Desk Award, The Royale), direction by Saheem Ali (Tony Award nominee for Fat Ham), and a visionary creative team, BUENA VISTA SOCIAL CLUB™ showcases the golden age of Cuban music. The production features choreography by Patricia Delgado and Tony Award winner Justin Peck (Illinoise, Steven Spielberg's West Side Story). Follow Rachel Follow Buena Vista Social Club Follow Recirculation https://www.wordupbooks.com/recirculation And while you're at it, follow the yellow brick road! #LatinosOutLoud #Broadway #BuenaVistaSocialClub #RachelLaLoca #LinManuelMiranda #LuisMiranda #RubenBlades #DaphneRubinVega #LunaLaurenVelez #RubenBlades

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning director Michael Mayer has worked in a broad spectrum of media from theatre and opera to television and film. Current theatre: Swept Away, a new musical featuring songs of The Avett Brothers which opened November 19, 2024 on Broadway, the hit revival of Little Shop of Horrors now playing at the Westside Theatre, the national tour of his hit Broadway revival of Funny Girl (which starred Lea Michele) and the national tour of A Beautiful Noise: The Neil Diamond Musical, which recently ended its Broadway run.  Recent opera:  Jeanine Tesori and George Brant's new opera Grounded which opened the Metropolitan Opera season on September 23, 2024 with performances running until October 19. Upcoming opera: a new production of Aida at the Metropolitan Opera this season opening on December 31, 2024. Other Broadway credits include Adam Driver and Keri Russell in Burn This, Head Over Heels (featuring the songs of The Go-Go's), Neil Patrick Harris in Hedwig and the Angry Inch (Tony Award, best musical revival, also National Tour), Spring Awakening (Tony Award/Best Musical and Tony, Drama Desk and Outer Critics Circle Awards for Best Director; also London, National Tour, Vienna, Tokyo, and Seoul productions); Green Day's American Idiot (also co-author, Drama Desk Award for Best Director; also US, UK and Asia tours); Thoroughly Modern Millie (Tony Award/Best Musical also London and National Tour), Side Man (Tony Award/Best Play also London and Kennedy Center Productions),  A View from the Bridge (Tony Award/Best Revival),  Michael Moore's The Terms of My Surrender, Everyday Rapture, You're a Good Man, Charlie Brown, and Triumph of Love; off-Broadway credits include Lin-Manuel Miranda's 21 Chump Street (BAM), Chess (Kennedy Center), Love, Love, Love (Roundabout), Brooklynite (Also co-author, Vineyard), Whorl Inside A Loop (with Dick Scanlan, Second Stage), 10 Million Miles (Atlantic): Angels in America. London: a record-breaking West End run of Funny Girl and a UK tour. Tokyo: As You Like It (Toho Theatre). Film: A Home at the End of the World (Excellence in filmmaking, National Board of Review, GLAAD nomination), Single All the Way for Netflix, Flicka, The Seagull. He was featured in both the documentaries Those You've Known on HBO and Broadway Idiot. Television credits Include: SMASH (Pilot, producing director: Season One), two seasons of Alpha House (Amazon), and producer for the HBO film WIG. He made his Metropolitan Opera debut with a celebrated new production of Rigoletto, followed by a co-production (with the English National Opera) of Nico Muhly's Marnie, and a new production of La Traviata, which broke box office records. He directed the world premiere of Jeanine Tesori's Grounded at the Washington National Opera. Grounded  opened the Met's 24/25 season on September 23, 2024, and his new production of Aida will premiere at the Met on New Year's Eve 2024.  Additional Awards and fellowships: the inaugural Daryl Roth Creative Spirit award, Drama League Founders Award, Jefferson, Ovation, Alan Schneider, and Carbonell awards;  Fox Foundation, Drama League and TCG/NEA Directing Fellowships.   He serves on the Boards of SDC (Stage Directors and Choreographers Society) and the Arthur Miller. Photos by Sergio Villarini for Broadway.Com- assisted by BrookeBellPhoto Learn more about your ad choices. Visit podcastchoices.com/adchoices

We all have dreams—those aspirations that ignite our souls and push us toward greatness. Whether it's a childhood ambition or a newfound passion, the journey to achieving our dreams is filled with challenges, triumphs, and invaluable lessons. In this episode, we delve into the art of chasing big dreams and how to navigate the path to success. Our guest, Mandy Gonzalez, embodies the spirit of fearless pursuit. At 19, she left college to sing backup for Bette Midler, marking the beginning of an illustrious career. Mandy's Broadway debut was in Aida, and she went on to originate the role of Nina Rosario in Lin-Manuel Miranda's In the Heights, earning a Drama Desk Award. She captivated audiences as Elphaba in Wicked and portrayed Angelica Schuyler in the megahit Hamilton for six years. Beyond the stage, Mandy has appeared in TV shows like Madam Secretary, Bull, Quantico, and Only Murders in the Building. She's also the author of the Fearless young adult book series and the founder of the social media movement #FearlessSquad, promoting inclusivity and empowerment. In this episode, Mandy shares her journey, the obstacles she overcame, and the mindset that propelled her forward. She emphasizes the importance of taking risks, embracing failures as learning opportunities, and staying true to oneself. Connect with Our Guest: Mandy Gonzalez Website: https://mandygonzalez.com/  IG: https://www.instagram.com/mandy.gonzalez/  Related Podcast Episodes: Holler At Your Dreams with Judi Holler | 211 How To Build Courage with Dr. Margie Warrell | 273 7 Keys To Unlock Your Dynamic Drive with Molly Fletcher | 229 Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform!

We're taking a bit of a pivot here at the podcast factory with this one, pinching from the season-opening episode of Writer's Bone, our flagship podcast at the Writer's Bone Podcast Network.  “As Told To” producer and Writer's Bone host and founder Daniel Ford featured a conversation with the writing team of Hannah Bos and Paul Thureen, co-creators of the enchantingly poignant HBO series “Somebody Somewhere,” starring actress/comedian Bridget Everett—a conversation that brushed up against so many relatable aspects of collaborative writing that we decided to rebroadcast it (to re-podcast it?) here.  “Somebody Somewhere” ended its three-season run in December, shortly after the creators sat with Daniel Ford to discuss the series—hailed by The Los Angeles Times as “epic television”—and we were charmed by their conversation, inviting listeners behind the scenes to reflect on how the show came about, and the singular place it now holds in the annals of bittersweet television.    Paul Thureen is a founder and co-Artistic Director of The Debate Society, a Brooklyn-based theater company.  He received an OBIE Award for his performance in the company's Blood Play. Hannah Bos, also a founder and co-founder of the company, received a Drama Desk Award for her performance in the Signature Theater Company's production of Will Eno's The Open House. Together, they have written for “Mozart in the Jungle” and “High Maintenance,” and developed pilots for HBO, FOX, Amazon and Paramount.  “This has been a dream come true,” Hannah reflected on the duo's “Somebody Somewhere” run as the series came to a close. “It was a dream that they made the pilot. It was a dream that they made the first season, the second season, the third season. And it was a dream that we made it with really fun, good people. So I hope we can do it again.” Paul's reflections were a little less…well, reflective, as he shared what it was like to write for a group of midwestern-ish characters who weren't used to talking about their feelings. “If it gets a little too real,” he said, of the pain and heartache that could often be found at the show's core, “then you have to make a fart joke.”  Indeed.  Learn more about Hannah Bos and Paul Thureen: “Somebody, Somewhere” Season Three Trailer Hannah Bos Website Paul Thureen Instagram The Debate Society Please support the sponsors who support our show: Ritani Jewelers Daniel Paisner's Balloon Dog Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

Grey most recently played Buddy in Elf the musical on Broadway. He received Tony and Drama Desk Award nominations for his performance as Damian in the original Broadway cast of Mean Girls. He was recently seen playing Michael in tick, tick… BOOM! at the Kennedy Center and Storyteller 2 in the Tony nominated musical Shucked on Broadway. He played the role of Elder McKinley in The Book of Mormon on Broadway after originating the role on the first national tour. Grey recurred as Tate in Girls5Eva on Netflix and can be seen in the Sony Pictures film A Journal for Jordan directed by Denzel Washington. Carnegie Mellon University Drama. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Warren Carlyle is a Tony Award-winning director and choreographer. His recent Broadway credits include Harmony (Director/Choreographer), The Music Man (Tony nomination for Choreography), and Hugh Jackman's The Man. The Music. The Show. world tour. He directed and choreographed After Midnight (Tony Award for Choreography, Tony nominations for Best Director and Best Musical), Chaplin, and Finian's Rainbow. Other Broadway choreography includes Hello, Dolly! (starring Bette Midler), Kiss Me, Kate (Tony nomination), She Loves Me, Follies, and A Christmas Story. Off-Broadway, he worked on Harmony, Cotton Club Parade, and Me & My Girl (City Center Encores!). In television, Warren has choreographed for The Tony Awards, So You Think You Can Dance, She Loves Me (BroadwayHD), and PBS's Great Performances. He has also directed and choreographed acclaimed productions for the New York Philharmonic, Carnegie Hall, and Radio City Music Hall. Warren has been recognized with a Tony Award, three Outer Critics Circle Awards, two Drama Desk Awards, and the Astaire Award for Choreography.

We talked with Director Sara Scheidies about her upcoming production "She Kills Monsters" by Qui Nguyen which opens January 20th at the Chanticleer Community Theatre at the Hoff Center at PACE.  "She Kills Monsters" was published in 2011 and was nominated for the Drama Desk Awards, GLAAD Media Awards, and ITBA Patrick Lee Awards in 2012.  In 2013 it won the AATE Distinguished Play Award. Even if you are not a Dungeons and Dragons fan, you will easily find meaning in this play about a young girl who lost her sister and parents in a car accident.  She embarks on a quest to learn more about her sister who loved playing D&D. Through her grief, she begins to understand her deceased estranged sister better, and this journey also leads to a self-discovery about her own sexuality.  "She Kills Monsters" performances will be January 10-12 and 17-19th, 2025.  Get your tickets now!  Note: This show has language and situations not suitable for young children. CONTACT Chanticleer Community Theatre at the Hoff Center at PACE Tickets: https://www.showpass.com/she-kills-monsters/ Website: https://www.paceartsiowa.org/theater/chanticleer-community-theater HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

pWotD Episode 2799: Linda Lavin Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 357,593 views on Monday, 30 December 2024 our article of the day is Linda Lavin.Linda Lavin (October 15, 1937 – December 29, 2024) was an American actress and singer. Known for her roles on stage and screen, she received several awards including three Drama Desk Awards, two Golden Globe Awards, two Obie Awards, and a Tony Award as well as nominations for a Daytime Emmy Award and a Primetime Emmy Award. She was inducted into the American Theater Hall of Fame in 2010.After acting as a child, Lavin joined the Compass Players in the late 1950s. She made her television debut in Rhoda and had a recurring role in Barney Miller (1975–1976). She gained notoriety for playing the title role of a waitress at a roadside diner in the CBS sitcom Alice (1976–1985), a role for which she was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series and won two consecutive Golden Globe Awards for Best Actress – Television Series Musical or Comedy. She later starred in NBC's sitcom Sean Saves the World and the CBS sitcom 9JKL and took recurring roles in the legal drama The Good Wife (2014–2015) and the sitcom B Positive (2020–2022). She was set to star in Hulu sitcom Mid-Century Modern at the time of her death with a pilot and ten of thirteen episodes filmed and to premiere in 2025. The production team issued a statement but plans for re-cast have yet to be determined.On stage, she won the Tony Award for Best Actress in a Play playing a strong-willed mother in the Neil Simon play Broadway Bound (1987). She was Tony-nominated for her roles in Last of the Red Hot Lovers (1970), The Diary of Anne Frank (1998), The Tale of the Allergist's Wife (2001), Collected Stories (2010), and The Lyons (2012). She is also known for acting in It's a Bird... It's a Plane... It's Superman (1966), On a Clear Day You Can See Forever (1967), Gypsy (1990), The Sisters Rosensweig (1993), and Follies (2011). She made her film debut in Damn Yankees! (1967) and later had roles in The Morning After (1974), The Muppets Take Manhattan (1984), I Want to Go Home (1989), and Being the Ricardos (2021).This recording reflects the Wikipedia text as of 01:53 UTC on Tuesday, 31 December 2024.For the full current version of the article, see Linda Lavin on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joanna.

Consent is Sexy! Intimacy director Claire Warden on her extensive experience in TV, film, and theater, highlighting her groundbreaking work on Broadway and various TV productions. Claire explains the role of an intimacy director, the importance of actor consent, and how her methods elevate performances by ensuring actors feel safe and empowered. Sarah and Claire also delve into the collaborative nature of her work and its profound impact on storytelling. Claire (she/her) is an intimacy coordinator/intimacy director with over twenty years experience in TV, film and theatre across America and the UK. Claire works as an intimacy coordinator on numerous television productions under various studios including HBO, Hulu, Amazon, Showtime and Apple TV as well major motion picture studios such as Sony and 20th Century Fox. She was the intimacy coordinator for Mrs Fletcher, And Just Like That (S2), Gossip Girl(2021), Dickinson, Billions, Harlan Cobens's Shelter, Your Honor, Looking for Alaska, Hunters and the feature films West Side Story (dir. Steven Spielberg) and A Journal for Jordan (dir. Denzel Washington). She worked as intimacy coordinator and part of the creative team on the TV series of Three Women and has recently finished working as intimacy coordinator on the upcoming TV series Dying For Sex. Claire is the Director of Advanced Training at Intimacy Director and Coordinators, which is a global leader in training and certifying intimacy coordinators for film and intimacy directors for theatre. She is also part of the collaboration team advising SAG-AFTRA on their effort to standardize, codify and implement guidelines for on-set intimacy coordinators. Claire also works in theatre and made history as the first intimacy director on Broadway with Frankie and Johnny in the Clair de Lune. She also worked as intimacy director on the Broadway productions of Slave Play, Romeo and Juliet (directed by Sam Gold), The Inheritance, Jagged Little Pill, The Notebook, Company, Death of a Salesman, Waitress and West Side Story. In Jan 2025 she will begin work as the intimacy director for Othello, starring Denzel Washington and Jake Gylennhaal and directed by Kenny Leon. She recently opened the West End production of Slave Play, serving once again as intimacy and fight director. She has also worked on the National Tours of Les Miserables, Company and Waitress. She was awarded Variety Magazine's 2019 '10 Broadway Players to Watch'. Claire was also recently awarded a special Drama Desk Award for “pioneering work as an intimacy choreographer… and her leadership in the rapidly emerging movement of intimacy direction”. Claire is a Drama Desk award winner for ‘Outstanding Fight Choreography' for Slave Play at NYTW and was also nominated in the same category for the play Daddy. Claire trains faculty & students in acting training institutions across the country, including Yale, Brown/Trinity, Brandeis, Tufts, JMU, SITI,University of Hawaii, Stella Adler, the O'Neill Theatre Center and numerous others. She has presented workshops, conferences and training across the globe. www.IDCprofessionals.com www.clairewarden.com Connect with GOOD SHOW! Instagram: @goodshowpodcast  Tik Tok: @goodshowpodcast   Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivier and Tony winning video designer Finn Ross is In The Frame! Finn has won two Olivier Awards, a Tony Award, three Drama Desk Awards and four WhatsOnStage Awards.Some of Finn's productions include My Neighbour Totoro (RSC), Back to the Future (West End/Broadway), Frozen (International), Les Misérables (International), Mean Girls (Broadway/West End), Harry Potter & The Cursed Child (West End/Broadway), The Curious Incident of the Dog in the Night-Time (Broadway/West End/Tour), Jagged Little Pill (ART), American Psycho (Broadway/Almeida Theatre), Chimerica (Almeida Theatre/West End), The Tempest (The RSC & Barbican) and lots more, including many projects in opera, dance and music. Most recently, Finn did the video design for the Broadway production of Tammy Faye. Next year he's doing the Broadway production of Boop: The Betty Boop Musical which has music by David Foster and is directed by Jerry Mitchell.In this episode, Finn discusses his path into video design and how attitudes towards video designers has changed. He also offers insights into some of his productions... including why he's proud of Tammy Faye, why Mean Girls was so much fun and how he feels about revisiting Back To The Future for the upcoming cruise ship production... and lots more. Follow Finn on Instagram: @finnrossvideoThis podcast is hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

2024 has been the year of the iconic lovers Romeo and Juliet, and director Sam Gold has brought a bold new production of the timeless tragedy to Broadway. With a fresh, contemporary approach, Gold transforms Shakespeare's classic love story into an immersive experience that features a dynamic young cast led by Rachel Zegler (West Side Story) and Kit Connor (Heartstopper) and an innovative score by Grammy-winning musician Jack Antonoff, blending live music seamlessly into the action. Gold discusses how he re-envisioned the play for today's world, capturing the urgency and intensity of youth while staying true to the emotional heart of the original. He reflects on the challenges and joys of reinterpreting a well-known story and shares the creative process behind staging a Romeo and Juliet that feels relevant to a whole new generation of theatergoers, many of whom may be seeing their first Broadway. Sam Gold is a Tony Award-winning director with an extensive Broadway and theater resume. His Broadway credits include An Enemy of the People (this season) with Jeremy Strong and Michael Imperioli, Macbeth with Daniel Craig and Ruth Negga, King Lear with Glenda Jackson, A Doll's House, Part 2 (Tony Award Nomination), The Glass Menagerie, Fun Home (Tony Award), The Real Thing, The Realistic Joneses, and Seminar. Recent credits include Hamlet at The Public Theater, Othello at New York Theatre Workshop, The Flick (Lucille Lortel Award nomination) at Playwrights Horizons, Barrow Street Theatre, and the National Theatre, The Glass Menagerie (Toneelgroep, Amsterdam), John (Signature Theatre; Obie Award, Lortel and Drama Desk Award nominations), The Village Bike (MCC Theatre), and Uncle Vanya (Soho Repertory Theatre; Drama Desk nomination), among many others. From the Shakespeare Unlimited podcast. Published December 16, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

This week on Black on Black Cinema, the crew returns to discuss The Piano Lesson, a powerful literary classics adaptation from acclaimed playwright August Wilson. The film, which earned both a Pulitzer Prize and Drama Desk Award, explores deep themes of communication and family business legacy through the story of the Charles family's conflict over their cherished piano heirloom. The talented cast brings Wilson's masterful dialogue and complex characters to life in this profound examination of family heritage and the weight of ancestral possessions. The film is co-written and directed by Malcolm Washington, starring Samuel L. Jackson, John David Washington, Danielle Deadwyler, Ray Fisher, and Corey Hawkins. The random topic this week is all about Drake and Kendrick Lamar's rap beef is rekindled again as Drake decides to file two lawsuits alleging that UMG and Spotify conspired to fake the streams of the hit song "Not Like Us."

This episode originally aired on Feb. 14, 2023 “I moved on to the next thing I was going to write,” says the noted dramatist and television writer Winnie Holzman, recalling the cancellation of her critically-acclaimed series “My So-Called Life,” after just one season. “That's what we do as writers.  We move on to the next thing.”  Indeed. In Winnie Holzman's case, one of those “next things” turned out to be the book for the hit Broadway musical “Wicked,” with music and lyrics by Stephen Schwartz—one of the longest running shows in Broadway history. The collaboration earned her a prestigious Drama Desk Award for Outstanding Book of a Musical, as well as a Tony nomination for Best Book of a Musical. Prior to her Emmy-nominated work on “My So-Called Life,” which she created for executive producers Ed Zwick and Marshall Herskovitz, Winnie wrote several scripts for the Zwick-Herskovitz drama “Thirtysomething,” and she would go on to serve as executive producer of “Roadies,” created by Cameron Crowe, and as co-creator of the series “Huge,” with her daughter Savannah Dooley.  Join us as Winnie reflects on her wickedly successful career writing for the stage and the small screen, the many ways writers measure their successes, and the give-and-take that has fueled her collaborations with some of the most creative minds in theater and television. Please support the sponsors who support our show: Gotham Ghostwriters/ASJA “Andy Awards” Guidelines Ritani Jewelers Chelsea Devantez's I Shouldn't Be Telling You This Daniel Paisner's Balloon Dog  Daniel Paisner's SHOW: The Making and Unmaking of a Network Television Pilot Unforgiving: Lessons from the Fall by Lindsey Jacobellis Film Movement Plus (PODCAST) | 30% discount Libro.fm (ASTOLDTO) | 2 audiobooks for the price of 1 when you start your membership Film Freaks Forever! podcast, hosted by Mark Jordan Legan and Phoef Sutton Everyday Shakespeare podcast A Mighty Blaze podcast The Writer's Bone Podcast Network Misfits Market (WRITERSBONE) | $15 off your first order  Film Movement Plus (PODCAST) | 30% discount Wizard Pins (WRITERSBONE) | 20% discount

pWotD Episode 2763: Wicked (musical) Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 367,870 views on Sunday, 24 November 2024 our article of the day is Wicked (musical).Wicked is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman. It is a loose adaptation of the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. The musical is told from the perspective of two witches, Elphaba and Galinda, before and after Dorothy's arrival in Oz. The story explores the complex friendship between Elphaba (who becomes the Wicked Witch of the West) and Galinda (who becomes Glinda the Good). Their relationship is tested by their contrasting personalities, conflicting viewpoints, shared love interest, reactions to the corrupt rule of the Wonderful Wizard, and ultimately, Elphaba's tragic fall.Produced by Universal Stage Productions with producers Marc Platt, Jon B. Platt, and David Stone, director Joe Mantello and choreographer Wayne Cilento, the original production of Wicked premiered on Broadway at the Gershwin Theatre in October 2003, after completing pre-Broadway tryouts at San Francisco's Curran Theatre in May and June of that year. Its original stars included Idina Menzel as Elphaba, Kristin Chenoweth as Galinda, Norbert Leo Butz as Fiyero, and Joel Grey as the Wizard.The original Broadway production won a total of three Tony Awards and seven Drama Desk Awards, while its original cast album received a Grammy Award. The success of the Broadway production has spawned many productions worldwide, including a long-running West End production. Wicked has broken box-office records around the world, holding weekly-gross-takings records in Los Angeles, Chicago, St. Louis, and London. In the week ending January 2, 2011, the London, Broadway, and both North American touring productions simultaneously broke their respective records for the highest weekly gross. In the final week of 2013, the Broadway production broke this record again, earning $3.2 million. In 2016, Wicked surpassed $1 billion in total Broadway revenue, joining The Phantom of the Opera and The Lion King as the only Broadway shows to do so. In 2017, Wicked surpassed The Phantom of the Opera as Broadway's second-highest grossing musical, trailing only The Lion King.A two-part film adaptation was directed by Jon M. Chu and starred Cynthia Erivo as Elphaba, Ariana Grande as Galinda, Jonathan Bailey as Fiyero, and Jeff Goldblum as the Wizard. The first part was released on November 22, 2024, with the second part to premiere on November 21, 2025.This recording reflects the Wikipedia text as of 01:39 UTC on Monday, 25 November 2024.For the full current version of the article, see Wicked (musical) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Matthew.

DAPHNE RUBIN-VEGA BIO  Daphne Rubin-Vega can currently be seen on Hulu's hit series ONLY MURDERS IN THE BUILDING. She can also be heard voicing the role of 'CARMILLA CARMINE' in the hugely popular A24/Prime Video R-rated animated musical comedy series HAZBIN HOTEL. She can be seen in the David Duchovny-directed feature BUCKY F*CKING DENT. She was seen in the Tony Goldwyn-directed feature EZRA, in the Apple TV+ series THE CHANGELING opposite Lakeith Stanfield, and as a guest lead on FOX's anthology series ACCUSED directed by Marlee Matlin.Rubin-Vega starred in the Jon Chu-directed Warner Brothers feature IN THE HEIGHTS as 'Daniela.' During the pandemic, she shot the Netflix series SOCIAL DISTANCE, produced by Jenji Kohan and Tara Hermann, and SAME STORM, the newest Peter Hedges film. Additional TV credits include THE HORROR OF DOLORES ROACH (Prime Video), which Rubin-Vega developed into both scripted podcast and TV iterations, KATY KEENE (CW) and TALES OF THE CITY (Netflix).  A staple of the New York theatre community, Daphne earned a Tony nomination for her portrayal of 'Mimi' in the original cast of RENT, and another for ANNA IN THE TROPICS. She was most recently seen starring in the Signature Theatre's NIGHT OF THE IGUANA opposite Tim Daly and Lea DeLaria. She starred in the musical MISS YOU LIKE HELL at The Public Theatre and in the one-woman show EMPANADA LOCA, which was written for her. She helped adapt the play into the scripted podcast, THE HORROR OF DOLORES ROACH, which was then adapted into a TV series for Amazon. Additional theater credits include Broadway revivals of A STREETCAR NAMED DESIRE, THE ROCKY HORROR PICTURE SHOW, and LES MIS; TWO SISTERS AND A PIANO and F*CKING A at The Public; ROMEO & JULIET at Classic Stage; and JACK GOES BOATING opposite Philip Seymour Hoffman.  ELIZABETH RODRIGUEZ BIO  An award-winning actress who crosses seamlessly from studio films to independent, from the stage to television, Elizabeth Rodriguez played the emotionally complex Aleida Diaz on the groundbreaking Netflix series "Orange Is the New Black" for which she received three consecutive Screen Actors Guild Awards. Most recently, she was seen as a series regular in the CBS drama "East New York". She was also a series regular in the role of Liza Ortiz on AMC's "Fear the Walking Dead", NBC's "Prime Suspect", and Cinemax's "Blanco". Rodriguez recurred as Paz Valdez on Starz' "Power", in Showtime's "Shameless", Hulu's "Chance', "Devious Maids", "Grimm", "The Shield", "ER", and "Six Feet Under.  Rodriguez's film credits include co-starring in the blockbuster film "LOGAN" opposite Hugh Jackman, Michael Mann's "Miami Vice", "The Drop", "Tio Papi" (for which she garnered an Imagen Award Nomination), "Making Babies", "Skate Kitchen", "11:55", "Return to Paradise", and "Jack Goes Boating." Most recently, she completed a starring role in the feature film "Allswell in New York", which she also co-wrote and co-produced. Rodriguez received an Obie Award, as well as a Drama Desk Award nomination, for her performance in "Halfway Bitches Go Straight to Heaven" at the Atlantic Theater, and a Tony Award nomination, and won the Outer Critics Circle Award and the Theatre World Award, for her performance in the role of "Veronica" on Broadway in Stephen Adly Guirgis' "The Motherfu**er With The Hat". Additional theater includes three world premieres at NYC's acclaimed Public Theater in "The Last Days of Judas Iscariot" (directed by Philip Seymour Hoffman), "Unconditional" and "A View from 151st Street". Other notable plays include "Beauty of the Father" (MTC) and "The Power of Duff" (Geffen). Rodriguez is a native New Yorker and member of Labyrinth Theater Company.  ABOUT ALLSWELL IN NEW YORK, AVAILABLE ON DIGITAL NOVEMBER 15th  Three sisters navigate the daunting life challenges of single motherhood, career, and family, all while finding humor and solace within the bond of sisterhood.  Here's the trailer:   Https://www.youtube.com/watch?v=Wb8CKBdXK70 Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

Christopher Akerlind, has designed lighting, and occasionally scenery, for over 650 productions of theater, opera, and dance across the U.S. and around the world, including 24 shows on Broadway. Chris's recent work includes Waiting for Godot at Theatre for a New Audience, Lynn Nottage's play Clyde's on Broadway and at the Mark Taper Forum, The Light in the Piazza, for which he won his first Tony, Paula Vogel's play Indecent, winning him both the Tony and Drama Desk Awards, Rocky the Musical, which garnered him a Tony nomination, Sting's musical The Last Ship, and The Gershwin's Porgy and Bess, for which he was also Tony nominated. Among Chris's other Broadway lighting designs are: August Wilson's The Piano Lesson and Seven Guitars, Talk Radio, and the musical, Waitress.Chris's numerous shows not on Broadway include: Scene with Cranes for CalArts Center for New Performance; the premiere of M Butterfly for the Santa Fe Opera; and Martha Clarke's devised pieces God's Fool, Angel Reapers, and Cheri. Chris has also received an Obie Award for Sustained Excellence, four Drama Desk Awards, the Michael Merritt Award for Design and Collaboration, two Chicago area Joseph Jefferson Awards, as well as numerous nominations for the Drama Desk, Lucille Lortel, and Outer Critics Circle Awards.Chris has taught lighting design at schools like Cal Arts, USC, CMU, and his alma mater, Yale.

Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, two Drama Desk Awards and a Lucille Lortel Award, is the recipient of an Ed Kleban Award, Jonathan Larson Award and Richard Rodgers Award.  Joe's musical Be More Chill (with Joe Tracz) opened this season at Broadway's Lyceum Theatre, following a sold-out Off-Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theatre. He is the author of Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), Theaterworks USA's The Plant That Ate Dirty Socks and We The People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson Musical (for La Jolla Playhouse), Punk Rock Girl, and Love In Hate Nation. His music appeared on Season 2 of NBC's “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. Albums: Be More Chill (OCR), which has been streamed over 220 million times; Things To Ruin (OCR); Two-Player Game; and The Joe Iconis Rock and Roll Jamboree all available on Sh-K-Boom/Ghostlight Records. His concert act, Joe Iconis and Family, frequently plays Feinstein's/54 Below, The Laurie Beechman Theater, Weston Playhouse, and other venues around the country. Joe is deliriously inspired by Robert Altman, Dolly Parton, Martin Scorsese, Sardi's, The Rolling Stones, whiskey, The Muppets, and The Family of artists he frequently surrounds himself with.

Today on Too Opinionated, we talk with Jane Dorian about the illustrious career of her godfather, Jerry Herman (Hello Dolly!, Mame, La Cage Au Faux, Mack & Mable, Dear World, Milk & Honey, etc) and the women that would become known as Jerry's Girls (Carol Channing, Angela Lansbury, Bernadette Peters, Pearl Bailey, Liza Minnelli, Leslie Uggams, Karen Morrow, Rita Moreno, Ethel Merman, Mary Martin, and many more).   The Doyle Auction House is currently scheduled to offer items of historic significance on November 14th, while his crypt (Adjacent to Marilyn Monroe and Hugh Hefner will be auctioned on October 25th.   JERRY HERMAN (Composer/Lyricist) There is never an evening when, somewhere in the world, the music and lyrics of Jerry Herman are not being sung by a lady in a red headdress, or a lady with a bugle, or a middle-aged man in a wig and a boa.  Hello, Dolly!, Mame, and La Cage are home to some of the most popular, most-often performed and most successful musical heroines of all time, and have given Jerry the distinction of being the only composer-lyricist in history to have had three musicals that ran more than 1,500 consecutive performances on Broadway.  His first Broadway show was Milk and Honey (1961), followed by Hello, Dolly! (1964) Mame (1966) Dear World (1969), Mack & Mabel (1974) The Grand Tour (1979), La Cage (1983), Jerry's Girls (1985) and "Mrs. Santa Claus" (1966), a CBS TV special starring Angela Lansbury.  Showtune, a revue of his life's work, is performing in regional theatres around the country.  His string of awards and honors includes, Tonys, Grammys, Drama Desk Awards, the Johnny Mercer Award, the Richard Rodgers Award, the Oscar Hammerstein Award, the Frederick Lowe Award, the Songwriters Hall of Fame and the Theatre Hall of Fame.     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

In this episode, Jonathan and Devon chat with six-time TONY Award Nominee Chad Beguelin about his new novel "SHOWMANCE" and his life as a Broadway writer. About SHOWMANCE: Noah Adams's career as a playwright is circling the drain, thanks to a scorching review of his first Broadway musical. So when a family emergency sends him back to his Podunk hometown of Plainview, Illinois, he figures he'll hide out for a bit. But to Noah's horror, his agent has secretly arranged for him to stage an amateur version of the career-ruining musical at the local community theater. As if trying to work with a bunch of artless amateurs wasn't enough, Noah runs into Luke, the jerk from his high school years, everywhere he goes. Luke somehow grew up to be beloved by everyone in town…and undeniably gorgeous. As rehearsals begin, Noah is surprised by his cast's insights, the warmth of the town he'd dismissed, and the reality of what happened with Luke all those years ago. Just how much has Noah misjudged? Available at Penguin Books Guest - Chad Beguelin Chad Beguelin is a six-time Tony® nominee. His works include Disney's Aladdin (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics), The Prom (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award Nomination for Best Book and Outstanding Lyrics) and The Wedding Singer (Tony Award nomination for Best Book and Best Original Score, Drama Desk Award nomination for Outstanding Lyrics). He also wrote the lyrics for the Broadway musical Elf, which broke several box office records at the Al Hirschfeld Theatre. His play Harbor premiered Off-Broadway at Primary Stages. He is the recipient of the Edward Kleban Award for Outstanding Lyric Writing, the Jonathan Larson Performing Arts Foundation Awards, the Gilman & Gonzalez-Falla Musical Theater Award and the ASCAP Foundation Richard Rodgers New Horizons Award. Chad is a graduate of New York University's Tisch School of the Arts Graduate Dramatic Writing Program. He currently lives in Bridgehampton with his husband Tom and their dog, Tucker.  Produced and edited by Jonathan Cook Intro music by JK/47 You can watch the full video of this episode at https://www.youtube.com/@GatherbytheGhostLight Gather by the Ghost Light merch is available at www.ghostlightpubs.com (Ghost Light Publications) If you would like to further support this podcast, please visit Gather by the Ghost Light is increasing public knowledge of emerging writers and actors (buymeacoffee.com) If you enjoy this podcast, please please please leave a rating on your preferred podcast app! For more info or if you wish to contact us, please visit www.gatherbytheghostlight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Composer Jerry Herman (Composer and lyricist; born July 10, 1931, in New York City) It only takes a moment to realize that Broadway's Golden Age is alive and well and thriving as long as Jerry Herman's around. "When they passed out talent," the legendary Carol Channing has said, "Jerry stood in line twice." Almost single-handedly, the creator of Milk and Honey, Hello, Dolly!, Mame, La Cage aux Folles and so much more has revitalized and nourished the all-American tradition of great and unstoppable show tunes. His music and lyrics have kept audiences tapping their feet, humming along, and wiping their eyes with tears of joy for generations. Even as often he's been underrated as being too easy to like in a world of dark and foreboding musicals, too entertaining, too tuneful and much too upbeat, the genius of Herman's deceptively simple songs cuts through any shortsighted criticism. "Jerry has succeeded so well in his mission that people don't give him credit," said Michael Feinstein, "because to be simple without being cliche is nearly impossible." Herman's genius, in truth, is not so much simple as it is subtle. For all his cock-eyed optimism-and very much in the tradition of his forefathers Rodgers and Hammerstein-a Herman musical always carries a message of timeless values, of humanity's triumph over hatred and ignorance, of happiness over despair. 1983's La Cage aux Folles, a smash hit on Broadway and a Tony Award winner in all three of its Broadway productions-and counting-is not only a bona fide crowd-pleaser but also the most sweetly radical musical of its age. Here on the Broadway stage, decades before the fight for marriage equality hit the headlines, was a pair of gay dads raising a family, and here was "...a man singing a love song to another man-I don't think that's ever been done in a Broadway musical before." Herman told The Washington Post that during previews in Boston "I didn't know whether or not they'd throw stones. The audience gave it an ovation." "By the time Georges and Albin-having weathered a son's passing ingratitude and a zealot's intolerance-walked hand in hand into the St. Tropez sunset, the audience was on its feet," The Washington Post reported. "What La Cage aux Folles celebrates, after all, is loyalty and love, respect for others and respect for self and, yes, even family. The good old values." Gerald Herman was born in New York in 1931 and raised in Jersey City. His parents Harry and Ruth ran a children's summer camp in the Catskills, where young Jerry surprised everyone by teaching himself the piano. Once, he recalled years later, "my parents took me at a tender age to see Annie Get Your Gun, and I was absolutely dazzled. I have one of those retentive ears, and when I came home I sat down at the piano and played about five of the songs. My mother was amazed." Many more would be amazed. At 17, he was introduced to Frank Loesser, who encouraged him to continue composing once he heard some of Herman's songs. He went to the University of Miami, joining its adventurous theater program and himself appearing in undergraduate shows including the musical Finian's Rainbow. His alma mater since then has honored this distinguished alumnus and today boasts the Jerry Herman Ring Theatre at the heart of its drama program. After graduation from Miami, Herman headed back to New York and put together a review of his songs so far: I Feel Wonderful opened at the Theatre de Lys in Greenwich Village October 18, 1954 and ran for 48 performances. He was just getting going. While playing piano in a New York jazz club called the Showplace, Herman brought together his friends Phyllis Newman and Charles Nelson Reilly for another review called Nightcap, which opened in 1958. This one ran for two years. In 1960 came Herman's Broadway debut, alongside material by Fred Ebb and Woody Allen, in the review From A to Z. That same year came Parade, also at the Showplace, starring Reilly and Dody Goodman. A hit, Parade moved to the Players' Theatre and it was during this run that a producer asked Herman if he would be interested in writing a musical about the founding of the state of Israel. Milk and Honey, starring Molly Picon as the ultimate Hadassah lady, opened in 1961. It earned Herman his first Tony nomination for Best Musical of 1962. He had arrived. It was David Merrick who brought together Herman and the first of his vulnerable but ultimately invincible heroines, Dolly Levi. Hello, Dolly! starring Carol Channing opened in 1964, ran for 2,844 performances, became Broadway's longest-running musical and has been revived often since. It swept the Tony Awards, taking home a then unmatched 10 including Best Musical and becoming one of the happiest episodes in the history of the Broadway musical. Mame followed in 1966, starring Angela Lansbury and teaching the world that in the toughest times "We Need a Little Christmas." What has followed amounts to a life-affirming body of work rivaled by few: Dear World, the underappreciated Mack Mabel, The Grand Tour, Mrs. Santa Claus, Jerry's Girls, and of course La Cage aux Folles. The theater world knew a good thing when it heard and saw it: Tonys, Drama Desk Awards, Theatre World Awards all followed, as did a 2009 Special Tony Award for Lifetime achievement, and a 2010 Drama Desk Special Award for "enchanting and dazzling audiences with his exuberant music and heartfelt lyrics for more than half a century." Right now in the 21st Century, we can be sure that someone, somewhere is singing a Jerry Herman song. That's one happy way we know the man's been right all along: the best of times is now.

Julian Schlossberg (2 Oscar Noms, 2 Primetime Emmy Noms, 6 Tony Awards, 2 Obie Awards, 7 Drama Desk Awards, 5 Outer Critic Circle Awards) and club promotions manager, artist, DJ, producer extraordinaire Mark Loverush join us on this episode of The Jimmy Star Show with Ron Russell broadcast live from the W4CY studios on Wednesday, August 28th, 2024.Our Sponsors:* Check out BetterHelp: betterhelp.com/JIMMYSupport this podcast at — https://redcircle.com/the-jimmy-star-show-with-ron-russell9600/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

ANDREA GRODY is an Olivier and Drama Desk Award-nominated music director, arranger, and composer with a focus on developing new work. She is the Music Director & Music Supervisor of the Tony Award-winning Broadway musical SUFFS. Andrea was also the Music Director and Additional Arranger for THE BAND'S VISIT (Best Musical Tony Award, 2018) and the Music Director and Vocal & Incidental Arranger for TOOTSIE (Best Musical Tony nom, 2019). Other recent projects include the world premieres of Public Works' AS YOU LIKE IT (Public Theater), CAKE OFF (Signature Theatre/Bucks County), THE FORTRESS OF SOLITUDE (Public Theater/Dallas Theater Center), UNKNOWN SOLDIER (Williamstown), and LOVE'S LABOUR'S LOST (Shakespeare in the Park); and the regional premieres of THE GREAT IMMENSITY and VENICE (Public Theater). Other favorites include ASSASSINS (Yale Rep) and ROBIN HOOD as Composer/Music Director (Williamstown). Writing credits include the full-length musical STRANGE FACES and several songs for The Civilians' Let Me Ascertain You series. Andrea is Resident Music Director and Senior Voice Teaching Associate at New York Vocal Coaching, and she is the creator of WordWaves (www.singwordwaves.com). She is also training to be an Alexander Technique teacher. Andrea holds a B.A. Princeton University, and M.A. Royal Conservatoire of Scotland.www.andreagrody.comwww.signwordwaves.comSUFFS the Musicalhttps://suffsmusical.com/?gad_source=1&gclid=Cj0KCQjww5u2BhDeARIsALBuLnPIJck7Ws6LcHRoPW5bukPlF7P3Gd4YzYaoNHJNzeeuSoCkCC9TuSkaAmvDEALw_wcB&gclsrc=aw.dsTop 5 Songs of Encouragement1) Elevation by U2https://www.youtube.com/watch?v=19KstSgU-c02) Underdog by Alicia Keyshttps://www.youtube.com/watch?v=izyZLKIWGiA3) If the Stars Were Mine by Melody Gardothttps://www.youtube.com/watch?v=HLFKKY5RHxc4) In the Heights from In the Heights by Lin Manuel Mirandahttps://www.youtube.com/watch?v=g0BVfBwVqFo&list=PLn0Zn1caShZWlW5JwG0ULhWjEa2hFN6m65) Don't Lose Sight by Lawrencehttps://www.youtube.com/watch?v=C01nBm6vV5cSupport the Show.

In Episode 264, Sean and Andy talk with two members of the production team for the Broadway musical How to Dance in Ohio, sound designer Connor Wang and Liz Weber, who was a member of the Access Team for the show and also works as a sound engineer. The musical is based on the Peabody Award-winning documentary about the challenges and triumphs of a group of autistic teens working toward their first spring formal dance, notably starring actual autistic actors as the characters. Connor and Liz talk about the unique approaches the show took to make sure it was sensory-friendly for both the cast and the audience. This episode is sponsored by Allen & Heath and RCF.The production also made strides in making every aspect of the show accessible to those with autism, both on stage and in the audience, for which it won a Special Award for Authentic Autistic Representation Team from the Drama Desk Awards in July 2024. Connor and Liz also discuss the use of assistive listening devices, headphones, and the careful design of sound effects to accommodate individuals with sound sensitivities, and highlight the importance of authentic casting and representation in the show. Further, they focus on the challenges and considerations of mixing sound for a theater production generally and How to Dance in Ohio specifically, including the importance of creating a full mix for the performers on stage without letting volume levels get out of control. Liz (they/them) also shares a bit about their work as a sound engineer for music venues and how the sensory issues their autism brings to the table influence their approach to mixing, proving as much a benefit as it can be a challenge.Episode Links:Connor Wang On InstagramLiz Weber On InstagramConnor Wang DesignsMeet the Folks Making How to Dance in Ohio Accessible at Every PerformanceHow to Dance in Ohio Access Team Drama Desk Award Acceptance Speech“How to Make a Sound System More Accessible”How to Dance in Ohio Performance At The Macy's Thanksgiving Day ParadeHow to Dance in Ohio (Original Documentary)Episode 264 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to

On August 12, 1990, American playwright August Wilson won the Pulitzer Prize for "The Piano Lesson," one of the ten plays in his acclaimed "Pittsburgh Cycle" that explores the Black experience in the 20th century. Set in 1936 Pittsburgh, the play delves into themes of family, legacy, and self-worth through the story of a brother and sister grappling with the inheritance of an ornate piano.  "The Piano Lesson" also earned Wilson the Drama Desk Award and the New York Drama Critics Circle Award. Wilson, who had previously won a Pulitzer for "Fences" in 1987, passed away in 2005 at age 60. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Stokes Mitchell is a two-time Tony Award-winning actor who has always thought the universe chose him. Born on Halloween when “people dress up in costumes and pretend to be other people”, the stars have indeed decided. Aside from performing, he also writes, dances, produces his own music, and orchestrates, but out of all the things he can do, his best quality is being a really good student. He details his latest project, “HOPE”, realizing that sometimes creative works have their own timing - this video dropping exactly when we need to hear it the most. He presents a profound metaphor about life as a "long sentence" full of commas rather than periods, and what his “dead questions” are. With an upcoming role in “3 Summers of Lincoln” at the La Jolla Playhouse, he recounts how the project deeply resonated with him upon reading the script. Aside from all his projects, he always makes sure to give back to the community–from being chairman of the board for the Entertainment Community Fund for 19 years to providing entertainment from his balcony during the pandemic. Stokes shares how curiosity continues to motivate him, and why we should follow our heart in all our endeavors. Brian Stokes Mitchell is a two-time Tony Award-winning, Drama Desk Award-winning, and Outer Critics Award winning actor. He is renowned for his powerful baritone voice and dynamic stage presence with standout performances in Broadway productions like “Ragtime”, “Kiss Me, Kate”, “Man of La Mancha”, and “Shuffle Along”. He's become a celebrated figure in musical theater, but beyond Broadway, he has showcased his talent on television, including shows like “Vampirina”, “Wolverine”, “Billions”, “Mr. Robot”, and of course, “Trapper John, M. D.” He's also recognized for his philanthropic work, particularly for his 19 years of serving as chairman of the board for the Entertainment Community Fund, and is a member of the Theater Hall of Fame since 2016. Connect with Brian: Website: www.brianstokes.com Facebook: @bstokesmitchell Instagram: @brianstokesm Youtube: @brianstokesmitchell7280 X: @bstokesmitchell Listen: Brian Stokes Mitchell - HOPE (feat. Jason Robert Brown) “3 Summers of Lincoln” at La Jolla Playhouse What's Possible When the Arts Belong to Everybody | Lear deBessonet with Brian Stokes Mitchell | TED Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Emmy winner and Tony-nominee Kevin Del Aguila joins The Art of Kindness with Robert Peterpaul to discuss joining the cast of Little Shop of Horrors, backstage antics, writing children's television with kindness, his viral Some Like It Hot moment and more. Kevin Del Aguila currently plays Mr. Mushnik in Little Shop of Horrors. He received a Tony nomination and a Drama Desk Award for his performance as Osgood in Some Like It Hot on Broadway. Other Broadway credits: Frozen (Oaken), Peter and the Starcatcher (Smee), Rocky (everybody in Philadelphia). Off-Broadway: Love's Labour's Lost (Shakespeare in the Park), Jacques Brel, God Bless You Mr. Rosewater (Encores!). Film/TV: “Peg+Cat,” “Law & Order: SVU,” “Deadbeat” and Disney's Frozen. In his spare time, Kevin is an Emmy-winning TV writer, lyricist for the stage and screen, and book-writer of the musicals Diary of a Wimpy Kid, Dog Man, Madagascar and Altar Boyz. Follow Kevin: @kevinoftheeagle Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Love the Flaws and Uncertainties of Life.There is theme that quickly emerges from my conversation with Seana Kofoed. If you want something in your life, you can't sit around waiting for someone to recognize your worth. Go out and create it for yourself. And in the pursuit of creating that something that can sometimes be elusive, you can't be afraid of failure. Because the failure is the byproduct of actually doing the work; sometimes you fall. Now you start to understand why a little girl who wasn't always encouraged to be an actor has starred in two Broadway shows alongside Matthew Broderick (Night Must Fall) and Jennifer Jason Leigh (Proof). Been nominated for the prestigious Drama Desk Award for Best Featured Actress in a play, starred in multiple television series - including her latest role as Commander Chase on NCIS Hawaii – and started her own production company Film Camp Productions, that has produced the two feature films 30 Miles From Nowhere and Clearmind. And if a thriving career wasn't enough, Seana says that raising her two kids is the most important role she has. Looking at the broadness of her life today, Seana says “I've reached a point where I've learned to love the flaws and the uncertainties of life. I've been surprised by not needing to cling so tightly to what I thought I wanted for myself and my trajectory.”At the Podium WebsiteAt the Podium on IGPatrick on IGFor more information contact Patrick at patrick@patrickhueyleadership.com

This week Johnny C has a special guest from his early days at NYU and the New York City theater. Eric Bogosian is one of the most prolific actors/playwrights today. You may have seen him recently on Anne Rice's Interview With A Vampire.   Eric Bogosian was born in Boston and grew up in Woburn, Massachusetts. After graduating from Woburn Memorial High School in 1971, he attended the University of Chicago and graduated from Oberlin College in 1976, whereupon he moved to New York City. In New York he was hired by the Kitchen as an assistant, established a dance series there and after five years left to devote all his energies to his theater work. Between 1976 and 1982, Bogosian wrote, directed and/or starred in over sixteen productions Off-Off-Broadway. In 1982, he toured the Midwest with Fab Five Freddy and the Rock Steady Crew.   In the early 1980's Eric Bogosian became well-known in New York for his intense one-man theater pieces, winning the Obie Award three times as well as the Drama Desk Award. In 1983, after attending one of his one-man shows, Larry Cohen cast Bogosian as the homicidal director in his low-budget film Special Effects (1984). Four years later, Bogosian's Pulitzer-nominated play, (in which he also starred), "Talk Radio" caught the attention of the greater film world. Robert Altman cast Bogosian in his film of The Caine Mutiny Court-Martial (1988) while producer Edward R. Pressman obtained the rights to the play and brought it to director Oliver Stone. Stone and Bogosian adapted the play script to film script, Bogosian again played the lead and the film of Talk Radio (1988) opened in December 1988. Bogosian received the prestigious "Silver Bear" at the 1989 Berlin Festival for his work on the film.   After the release of "Talk Radio", Bogosian worked regularly as an actor in film and television while remaining very active in the theater. 1994 was a banner year in which Bogosian co-starred with Steven Seagal in Under Siege 2: Dark Territory (1995) as the diabolical "Travis Dane", was featured in Dolores Claiborne (1995), staged another one-man show Off-Broadway and authored the play, "subUrbia" directed by Robert Falls and produced by Lincoln Center Theater, ("subUrbia" was adapted for film by director Richard Linklater). Around this time, Bogosian would also cameo appearances in Woody Allen's Deconstructing Harry (1997), Atom Egoyan's Ararat (2002), Cindy Sherman's Office Killer (1997) and Mike Judge's Beavis and Butt-Head Do America (1996).   In the 1990's Bogosian continued to write for film and TV, adapting his own work as well as receiving assignments from studios. He began to write for television when he was invited to co-create a show for Steven Spielberg: High Incident (1996) in 1996. As an actor, in 2003, he co-starred with Val Kilmer as the notorious Eddie Nash in James Cox's Wonderland (2003). In 2006 he was invited onboard Law & Order: Criminal Intent (2001) as Captain Danny Ross (where he appeared in over sixty episodes).   In 2010, Bogosian starred on Broadway in Donald Margulies' "Time Stands Still" with Laura Linney, Brian d'Arcy James, Alicia Silverstone and Christina Ricci.   In 2013, Bogosian created a website featuring his numerous monologues performed by notable actors. Visit 100monologues.com to view the complete catalog of over 75 monologues.   More recently, Bogosian landed a series of featured television roles on Netflix's The Get Down (2016), Showtime's Billions (2016) and as Senator Gil Eavis on HBO's Succession (2018).   Bogosian has been featured in Josh Safdie and Benny Safdie's Uncut Gems (2019) (starring Adam Sandler).   In addition to his numerous plays, Bogosian is the author of three novels "Mall", "Wasted Beauty" and "Perforated Heart." His non-fiction history, Operation Nemesis: The Assassination Plot that Avenged the Armenian Genocide was published by Little, Brown in 2015.   He lives in New York City with his wife, director Jo Bonney with whom he has two children; Travis Bogosian and Harry Bogosian Produced by John C McGinleye and Angie Quidim  Copyright TME Productions 2023-2024 all rights reserved  May not be used without permission.  Contact connectivetissuejcm@gmail.com

Tony and Grammy Award-winner Jessie Mueller joins The Art of Kindness with Robert Peterpaul to discuss her incredible career, how Chita Rivera changed her life with an act of kindness, navigating negative voices in her head when she's recording an album or just in life, and much more. *This episode was originally recorded in July of 2023* Jessie Mueller is a Tony and Grammy Award-winning actress and singer. She was last seen on Broadway in Tracy Lett's The Minutes. Other recent credits include the Kennedy Center's Guys & Dolls, The Music Man, Julie Jordan in the Broadway revival of Rodgers and Hammerstein's Carousel (Tony & Grammy nominations, Drama Desk Award), originating the roles of both Jenna in Waitress, for which she received Tony, Drama Desk & Grammy noms, and Carole King in Beautiful - The Carole King Musical, for which she won Tony, Grammy & Drama Desk Awards. I saw her in Waitress and Beautiful and she was well… BEAUTIFUL! She's done concert appearances at Carnegie Hall, Chicago's Lyric Opera, and Jazz at Lincoln Center.   Jessie is also no stranger to shining bright in the Film and Television world. You can watch her in Steven Spielberg's The Post, Madam Secretary, Blue Bloods, Hulu's Candy, and Lifetime's Patsy & Loretta. Like Javier Munoz who was previously on the AOK (go listen if you haven't already), Jessie is in the new musical concept album My Heart Says Go - which you can stream everywhere. Jessie is an Arts Education champion for groups such as Rosie's Theatre Kids (rosiestheaterkids.org) and a long-time supporter of The Entertainment Community Fund (entertainmentcommunity.org) & Broadway Cares Equity Fights Aids (broadwaycares.org). Got kindness tips or stories? Please email us: artofkindnesspodcast@gmail.com Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This weeks guest is the incredibly talented actress, songwriter, singer, dancer, and Broadway star Orfeh! In this episode, we talk about the world of Broadway, the nuances of performance, life lessons, and the current state of the arts.   Orfeh, best known for her Tony-nominated role as Paulette in the Broadway musical "Legally Blonde," brings her unique perspective and experiences to the table. With a career spanning stage, screen, and music, Orfeh has captivated audiences with her powerful performances and dynamic talent. She has also earned Drama Desk Award nominations and has been celebrated for her contributions to the performing arts.   In our conversation, Orfeh shares her inspiring journey from her early days in the business to her rise as a Broadway star. We discuss the challenges she faced along the way, her success stories, and the valuable lessons she has learned. Orfeh also offers insightful advice for upcoming actors and actresses, emphasizing the importance of perseverance, passion, and authenticity in the performing arts.   As an actor myself, I, Chazz Palminteri, am thrilled to explore Orfeh's remarkable career and the world of Broadway. From her early start to her acclaimed roles, Orfeh's story is one of dedication, talent, and resilience.   Join me every Monday morning for brand new episodes of The Chazz Palminteri Show, where we bring you exciting insights and captivating guests who contribute to the dialogue of change.

Fast-talking and feisty-looking John Leguizamo has continued to impress movie audiences with his versatility: he can play sensitive and naïve young men, such as Johnny in Hangin' with the Homeboys; cold-blooded killers like Benny Blanco in Carlito's Way; a heroic Army Green Beret, stopping aerial terrorists in Executive Decision; and drag queen Chi-Chi Rodriguez in To Wong Foo, Thanks for Everything! Julie Newmar.Arguably, not since ill-fated actor and comedian Freddie Prinze starred in the smash TV series Chico and the Man had a youthful Latino personality had such a powerful impact on critics and fans alike. John Alberto Leguizamo Peláez was born July 22, 1960, in Bogotá, Colombia, to Luz Marina Peláez and Alberto Rudolfo Leguizamo.He was a child when his family emigrated to the United States. He was raised in Queens, New York, attended New York University and studied under legendary acting coach Lee Strasberg for only one day before Strasberg passed away.The extroverted Leguizamo started working the comedy club circuit in New York and first appeared in front of the cameras in an episode of Miami Vice. His first film appearance was a small part in Mixed Blood, and he had minor roles in Casualties of War and Die Hard 2 before playing a liquor store thief who shoots Harrison Ford in Regarding Henry.His career really started to soar after his first-rate performance in the independent film Hangin' with the Homeboys as a nervous young teenager from the Bronx out for a night in brightly lit Manhattan with his buddies, facing the career choice of staying in a supermarket or heading off to college and finding out that the girl he loves from afar isn't quite what he thought she was.The year 1991 was also memorable for other reasons, as he hit the stage with his show John Leguizamo: Mambo Mouth, in which he portrayed seven different Latino characters. The witty and incisive show was a smash hit and won the Obie and Outer Circle Critics Award, and later was filmed for HBO, where it picked up a CableACE Award.He returned to the stage two years later with another satirical production poking fun at Latino stereotypes titled John Leguizamo: Spic-O-Rama. It played in Chicago and New York, and won the Drama Desk Award and four CableACE Awards. In 1995 he created and starred in the short-lived TV series House of Buggin', an all-Latino-cast comedy variety show featuring hilarious sketches and comedic routines.The show scored two Emmy nominations and received positive reviews from critics, but it was canceled after only one season. The gifted Leguizamo was still keeping busy in films, with key appearances in Super Mario Bros., Romeo + Juliet and Spawn. In 1998 he made his Broadway debut in John Leguizamo: Freak, a "demi-semi-quasi-pseudo-autobiographical" one-man show, which was filmed for HBO by Spike Lee.Utilizing his distinctive vocal talents, he next voiced a pesky rat in Doctor Dolittle before appearing in the dynamic Spike Lee-directed Summer of Sam as a guilt-ridden womanizer, as the Genie of The Lamp in the exciting Arabian Nights and as Henri DE Toulouse Lautrec in the visually spectacular Moulin Rouge!.He also voiced Sid in the animated Ice Age, co-starred alongside Arnold Schwarzenegger in Collateral Damage and directed and starred in the boxing film Undefeated. Subsequently, Leguizamo starred in the remake of the John Carpenter hit Assault on Precinct 13 and George A. Romero's long-awaited fourth "Dead" film, Land of the Dead.There can be no doubt that the remarkably talented Leguizamo has been a breakthrough performer for the Latino community in mainstream Hollywood, in much the same way that Sidney Poitier crashed through celluloid barriers for African-Americans in the early 1960s.Among his many strengths lies his ability to not take his ethnic background too seriously but also to take pride in his Latino heritage.Please enjoy my conversation with John Leguizamo.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Join The Art of Kindness with Robert Peterpaul live from the 2024 Drama Desk Awards at NYU Skirball in New York City. The Drama Desk Awards, recognizing the best of Broadway, Off-Broadway, and Off-Off-Broadway, were hosted by Sutton Foster and Aaron Tveit (Sweeney Todd) with Stereophonic emerging as the most-winning production of the season. In this episode you'll hear from stars like Leslie Rodriguez Kritzer (Spamalot), Shaina Taub (Suffs), Corbin Bleu (Little Shop, High School Musical), Brody Grant (The Outsiders), Liam Pearce (How to Dance in Ohio), Cole Escola (Oh, Mary!), the cast and crew of Stereophonic and many more live from the red carpet. Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. This episode was edited by Carli Sanger. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eve Best is an acting ace. She's got loads of impressive screen credits to her name and is a theater legend with two Tony Award nominations, a Drama Desk Award win and a Laurence Olivier Award win as well. Now she's an absolute force on HBO's House of the Dragon. It probably goes without saying, she's always been a dream guest for Collider Ladies Night, but a recent Ladies Night guest skyrocketed Best to being a top priority. While chatting with Jessica Gunning for Baby Reindeer, a performance that appears to have put her on the path to snagging an Emmy nomination, Gunning pinpointed an actor who made a major impression on her during the early days of her career. That actor? Eve Best. Soon after chatting with Gunning, interview opportunities for House of the Dragon Season 2 popped up, and I jumped on it.Best plays Rhaenys, the Queen Who Never Was, in the Game of Thrones prequel series. Despite having a number of qualities that'd make her an ideal leader, Rhaenys was passed over to succeed King Jaehaerys I for being a woman. She eventually comes to terms with the decision and attempts to serve Westeros valiantly as a dragon rider and as the wife of Lord Corlys Velaryon of Driftmark (Steve Toussaint). Despite Viserys (Paddy Considine) naming Rhaenyra (Emma D'Arcy) his heir, Aegon II (Tom Glynn-Carney) takes the throne, solidifying the stark divide between the Greens, those who support Aegon, and the Blacks, those who continue to back Rhaenyra's claim. As a member of Team Black, Rhaenys begins Season 2 doing what she can to keep her side safe while strategizing for all-out war.With House of the Dragon Season 2 kicking off its highly anticipated run on Sunday, June 16, I recently sat down with Best for a Ladies Night conversation to discuss how she's honed her craft over the years, and Rhaenys' approach to being a strong leader with war brewing in Westeros. Hosted on Acast. See acast.com/privacy for more information.

In this special episode, Dr. Murthy sits down with Sara Bareilles, Grammy award-winning singer-songwriter and actress, and Celia Keenan-Bolger, Tony award-winning singer and actress. You may know more about them as performers than you do about their experiences with mental health, but this conversation will change that.  As two very good friends who are warm, funny, and genuine, this conversation is an intimate portrait of their friendship and its importance to mental health. Their conversation explores questions many of us have on our minds: How do you prioritize friendship when the world demands us to be so productive? What does it mean to show up for one another? And how do you overcome questions of self-worth and find the courage to speak openly about your mental health? As you listen, we hope you feel their friendship effect, too. Sara Bareilles closes out the episode with a surprise performance. This episode was recorded LIVE in New York. Special thanks to the 92NY for hosting. (03:55)    How did Sara Bareilles and Celia Keenan-Bolger meet and become good friends? (08:33)    How can we make friends and have healthy social lives as we get older? (18:03)    Is there a difference between the way men and women make friends in middle age? (25:54)    How do Sara Bareilles and Celia Keenan-Bolger create the space for friendship in a world that's always asking them to be more productive? (33:24)    How do Sara Bareilles and Celia Keenan-Bolger balance online activity with real-world friendships? (44:02)    Where did Sara Bareilles and Celia Keenan-Bolger find the courage and clarity to speak openly about their mental health? (52:41)    How have Sara Bareilles and Celia Keenan-Bolger dealt with feelings about lack of self-worth when they arise? (01:02:19)    What are some of Dr. Murthy's and his guests' favorite lyrics? (01:12:52)    A special performance by Sara Bareilles We'd love to hear from you! Send us a note at ⁠housecalls@hhs.gov⁠ with your feedback & ideas. For more episodes, visit ⁠www.surgeongeneral.gov/housecalls⁠. Sara Bareilles, Singer-Songwriter & Actress Instagram: ⁠@sarabareilles⁠ X: ⁠@SaraBareilles⁠ Facebook: ⁠@sarabareilles⁠ Celia Keenan-Bolger, Actress & Singer Instagram: ⁠@celiakb⁠ About Sara Bareilles and Celia Keenan-Bolger Sara Bareilles has received three Tony® Award nominations, most recently in 2023 for her performance as ‘The Baker's Wife' in Stephen Sondheim and James Lapine's Into the Woods – three Primetime Emmy® Award nominations and nine GRAMMY® Award nominations. On Broadway, she composed music and lyrics for Waitress, and stepped into the lead role both on Broadway and in the West End. Most recently, she starred in the filmed live-capture of Waitress: The Musical, which ran for two weeks in theatres nationwide in December 2023. Her other musical theater credits include a song on the Tony Award-nominated score for SpongeBob SquarePants and Emmy Award-nominated appearance as Mary Magdalene in NBC's “Jesus Christ Superstar Live.” Bareilles produced original music and executive-produced the musical drama series “Little Voice,” teaming up with Jessie Nelson, J.J. Abrams and Apple. She also plays Dawn Solano on the Emmy-nominated musical comedy series “Girls5eva”, the third season of which premieres in March 2024 on Netflix.  Celia Keenan-Bolger is an actress and singer. She won the Tony Award for Best Featured Actress in a Play for portraying Scout Finch in To Kill a Mockingbird (2018). She has also been Tony-nominated for her roles in The 25th Annual Putnam County Spelling Bee (2005), Peter and the Starcatcher (2012), The Glass Menagerie (2014), and her most recent role in Mother Play (2024). Other credits - Broadway: The Cherry Orchard, Les Misérables. Off-Broadway: The Oldest Boy, Merrily We Roll Along, A Small Fire. Select Film/TV: “The Gilded Age,” “Bull,” “Louie,” “The Good Wife,” “Nurse Jackie,” “Good Behavior,” “Elementary". Tony Award, Outer Critics Circle, three Drama Desk Award wins.

This season on my podcast, Baring It All with Call Me Adam, I am highlighting My Entertainment Idols.Today, I am going back in time and Behind-The-Curtain to bring you this blast from the past, my 2010 interview with then 3-time Tony nominated Broadway Actress Kelli O'Hara.Now, here's a little Behind-The-Curtain Story….In 2010, I got to attend the opening night of Kelli O'Hara's one-woman show Beyond The Ingenue at Michael Feinstein's cabaret club, Feinstein's at the Regency on the Upper East Side in NYC.In addition to seeing the concert, I got to interview Kelli live, at the VIP after party. When you listen to this episode, I hope you feel all the excitement that I felt, and was swirling around me, while talking to Kelli at that opening night party.When this interview took place, I did not have a podcast, so I had to transcribe the interview into print format. Now I do have a podcast, and I am so excited to share this interview with you.In this interview, Kelli is Baring It All with Call Me Adam about:Who inspired her to become a performerThe Best Advice she has receivedA Strange or Unusual Talent she hasFavorite way to stay in shapeSo much moreTo read the interview, and see a photo of me & Kelli, click here!Special Thanks:Dan Fortune, Fortune CreativeTheme Song by Bobby CroninPodcast Logo by Liam O'DonnellEdited by Adam RothenbergUnderscore Intro Music by CutiqueConnect with Me:Website: www.callmeadam.comFacebook: @CallMeAdamNYCInstagram: @CallMeAdamNYCMore on Kelli O'Hara:Kelli O'Hara has unequivocally established herself as one of Broadway's great leading ladies. She recently starred in the Tony Award-winning revival of South Pacific at Lincoln Center, enrapturing audiences and critics alike with her soulful and complex interpretation of Nellie Forbush, and garnering a third Tony nomination.A native of Oklahoma, Kelli received a degree in opera, and, after winning the State Metropolitan Opera Competition, moved to New York and enrolled in the Lee Strasberg Institute.She made her Broadway debut in Jekyll & Hyde and followed it with Sondheim's Follies, Sweet Smell of Success opposite John Lithgow, and Dracula. In 2003 Kelli committed to a production of The Light in the Piazza at Seattle's Intiman Theatre. The show landed on Broadway in 2005 and earned Kelli her first Tony and Drama Desk Award nominations. She moved from one huge critical and commercial success to another when she joined Harry Connick on Broadway in the 2006 Tony award-winning production of The Pajama Game, for which Kelli received Tony, Drama Desk, and Outer Critics Award nominations. Kelli has worked regionally and Off Broadway in Sunday in the Park with George at Reprise, My Life With Albertine at Playwright's Horizons, and Beauty at the La Jolla Playhouse.In addition to her critically acclaimed performance as Eliza Doolittle in the New York Philharmonic production of My Fair Lady, Kelli has performed a solo concert at Carnegie Hall with the New York Pops conducted by Rob Fisher. She has sung at Carnegie Hall with Barbara...

In Episode 251, Tony-award sound designer Jessica Paz joins the show and talks about all things Broadway and touring sound design, including how to make a theatre sound like a stadium or an intimate office as well as the trials and tribulations of doing live theatre outdoors at New York's iconic Delacorte Theatre for Shakespeare in the Park, and more. This episode is sponsored by Allen & Heath and RCF.Jessica's the first, and to date only, non-male Tony-winning sound designer. She's collaborated on Broadway productions that include Hadestown (Tony and Drama Desk Award, Best Sound Design of a Musical), A Beautiful Noise, Dear Evan Hansen, Bandstand, Disaster!, The Assembled Parties, and Fela! (Tony Award, Best Sound Design of a Musical).Episode Links:Jessica Paz DesignsMeyer Sound Profile Of Jessica PazJessica Paz Tony Acceptance SpeechTheatre Avenue: Problem Solving in Sound DesignTheatre Avenue: Sound Design of Little Shop of HorrorsKrotos Interview With Jessica PazEpisode 251 TranscriptBe sure to check out the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there

Jayne Atkinson believes she has this kind of magic superpower of getting what she wants if she puts her attention to it, and she's got a long list of credits to prove just that. She looks back on her childhood and having an English sensibility (and sense of humor) even though she grew up in America. She credits her high school drama teacher as the one who gave her the foundation of her work, and thinks fellow classmate Michael Greif is her “theatre angel”. Jayne talks about her latest play, "Still," which she stars in alongside her old friend Tim Daly. She shares the story of what made her say yes to the play after receiving the script from Will Rucker, and the show's themes of love, connection, and the importance of listening to each other. Jayne gets real as she reflects on the impact of technology on human connection, why she thinks “the SAG strike didn't hit some of the issues it needed to hit”, and the significance of live theater, especially today. With a successful acting career and so many credits under her name, she shares her personal motivations, advising aspirants to prioritize self-care and enjoyment in auditions. Jayne Atkinson is a British American actress who's graced everything from Broadway's grand stages to popular television shows. You might recognize her from her Emmy-nominated role as Karen Hayes on “24” or her powerful performances in “House of Cards” and “Criminal Minds”. Her accolades extend far beyond the screen, including Tony Award nominations for her captivating theater work in the 2000 production of “The Rainmaker” and the 2003 production of “Enchanted April”. Her other TV and film credits include “Parenthood”, “A Year in the Life”, “Gossip Girl”, “Madam Secretary”, and “Death and Other Details”. Jayne is also a three-time Drama Desk Award nominee. She was last seen on stage starring alongside Angela Lansbury in “Blithe Spirit”, and can now be seen in the off-Broadway production of “Still” at the DR2 Theater. Connect with Jayne: Instagram: @jayneatkinsonofficial Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

My next guest has been working as a writer, performer, and producer in television, film, and theatre in Canada and the US for more than three decades. He is the co-creator of the Tony Award winning The Drowsy Chaperone, which is widely considered to be the most successful show in Canadian musical theatre history. He served as co-writer on Elf, which has enjoyed similar success on Broadway and internationally and co-wrote the The Prom, which opened on Broadway in November 2018 to high critical acclaim, including being named a New York Times Critic's Pick and was later adapted into a Netflix film with an all-star cast, produced by Ryan Murphy. He has been recognized internationally with award wins and nominations for his acting, producing, and writing work, including multiple Tony Awards, a Drama Desk Award, and multiple Gemini Awards. He is co-creator of Slings & Arrows, which was named one of the ten best television shows of the decade by a number of publications including New York Magazine. As I sat down with the endlessly inventive Bob Martin, his narrative unfolded like a vivid tapestry, weaving tales of a life rich with humor, heart, and the pursuit of creative enlightenment. In our conversation, we journey from Bob's early days, where comedy and writing were a refuge from shyness, to the birth of his Broadway hit "The Drowsy Chaperone." Bob's insights on identity, culture, and the lure of the present moment offer a refreshing perspective on the complexities hidden beneath the surface of professional accomplishments.Listeners are in for a treat as we peel back the layers of fear and vulnerability that accompany the world of improvisational theater. Bob shares the philosophy that guides his approach to performance, emphasizing connection over perfection. The dance of co-creation is at the heart of our discussion, as we explore the transformative power that comes from watching one's work brought to life by others. Bob's reflections on the therapeutic nature of arts, the challenges of collaboration, and the joy of reinvention are a testament to his belief in the courage to embrace change.The episode takes a more personal turn as Bob opens up about navigating through life's significant shifts, including the emotional landscape of divorce and the daunting leap into a full-time arts career. With the world of entertainment shaken by a global pandemic, we ponder the resilience of live performances and the reinvention of connection with audiences. Concluding with a look toward new horizons, Bob shares his aspirations for growth and the creative pathways he's eager to explore. Join us for an inspiring session that celebrates the resilience, passion, anSupport the showTAKE YOUR MINDFULNESS & INSIGHTS ONE STEP FURTHER WITH PREMIUM MEDITATIONSSubscribe to premium content today and have access to bonus episodes worksheets and meditations. Whether you are looking to relax, recenter, reduce stress, increase motivation, fall asleep peacefully or wakeup ready to take on the day, these meditations and visualizations are for you. You will also have the opportunity to connect directly with me via email to let me know what kind of meditations you are looking for, share your episode insights and suggest guests that you might be interested in hearing from so that I can create content for you!Subscriptions begin at $3/month and subscribers who choose $10 a month subscription also receive a monthly coaching exercise from my client workbook.Interested in finding out more about working with Lisa Hopkins? Visit www.wideopenstages.comFollow Lisa https://www.instagram.com/wideopenstages/

Christopher Fitzgerald is an actor and singer known for his role as Boq in the musical Wicked, Igor in the musical Young Frankenstein, and Ogie Anhorn in the musical Waitress - he also starred on Broadway in Spamalot, Company, Act Of God and Amour. He earned Outer Critics Circle Award, Drama Desk Award, and Tony Award nominations for his performances in Waitress and Young Frankenstein and won the Drama Desk Award and Outer Critics Circle Award for his performance in Waitress. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A globally renowned actor known for his iconic roles in shows like "Quantum Leap", “Star Trek: Enterprise” and "NCIS: New Orleans," Scott Bakula looks back on his fruitful and diverse career, including his time as Dr. Sam Beckett (Becket?), and some interesting behind-the-scenes details including whether or not that final end screen of the series actually has a typo! With so many changes that occurred post-pandemic, he shares his thoughts on doing self-tapes for auditions, why he thinks it's become an empty experience, and why it can be limiting and isolating. He talks about his current role in the new Jason Robert Brown musical “The Connector”, his view on journalism after doing the show, and the reason behind their incredibly designed double-raked stage. With his family and the joy of connecting with people as his driving forces, Scott advocates theater as a foundational learning ground for aspiring actors. Scott Bakula is an actor who commanded the leading role of Dr. Sam Beckett in “Quantum Leap” from 1989 to 1993 and has earned him a Golden Globe Award and multiple Emmy Nominations. His other TV and film credits include “Star Trek: Enterprise” where played Captain Jonathan Archer, “American Beauty”, “Necessary Roughness”, “Murphy Brown”, and Ray Romano's “Men of a Certain Age”. Aside from lending his voice to animated series such as “American Dad”, “The Simpsons”, and “Archer”, he also has a Tony Award nomination for his performance in the 1988 Broadway production of “Romance/Romance”. His additional stage credits include “Is There Life After High School” in 1982, “Marilyn” in 1983, and “Three Guys Naked from the Waste Down” in 1985 for which he received a Drama Desk Award nomination. Apart from acting, he's now showing off his dancing and singing skills eight times a week as Conrad O'Brien in “The Connector”, extended through March 17th at MCC Theater in New York. Connect with Scott: Instagram: @scottbakula Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"Master Harold"...and the Boys is sponsored by the California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Academy-Award winner Athol Fugard, one of theatre's most acclaimed playwrights, finds humor and heartbreak in the friendship of Harold, a 17-year old white boy in 1950's South Africa, and the two middle aged black servants who raised him. Racism unexpectedly shatters Harold's childhood and friendships in this absorbing and affecting coming of age play. The play, initially banned from production in South Africa, is a Drama Desk Award winner for Outstanding New Play.Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May of 2004.Directed by Stuart K. RobinsonProducing Director: Susan Albert LoewenbergLeon Addison Brown as WillieKeith David as SamBobby Steggert as HallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 11 years on ABC's Modern Family, Jesse Tyler Ferguson never won a Primetime Emmy even though he was nominated 5 times. Jason, who reminds us often, was nominated 7 times for Seinfeld so in this episode, we find out who lost it, better. And Jesse's show is so popular there are even versions in Chile, Greece, Russia, and even Iran! Really, no really? Actor, author, podcaster, philanthropist, restaurateur, and activist Jesse Tyler Ferguson is best known for his portrayal of Mitchell Pritchett on the hit sitcom Modern Family. He's also done a variety of stage and screen work including “Cocaine Bear”, and “Ice Age: Collision Course.” He won the Tony Award for Best Featured Actor in a Play for his performance in the 2022 Broadway revival of Richard Greenberg's “Take Me Out” and for his performance in 2016's “Fully Committed”, Jesse won a Drama Desk Award for Outstanding Solo Performance. IN THIS EPISODE: The strange commonalities between Jason and Jesse. The documentarian on Modern Family finally revealed! Jesse on the responsibility of representing the Gay Community. When you podcast from a restaurant, is the food free? Straight actors cast as LGBTQ characters? Jesse came out to his dad 3 times. Really! Living an actual “Modern Family.” How to play 40 roles in a one-man show? Jesse responds to criticism for “wearing a fat-suit” in Cocaine Bear. How Jason and Jesse fostered such collaborative ensembles. In Hollywood, being gay is no longer included as a diversity hire, RnR?     FOLLOW JESSE: Website: www.jessetylerferguson.com Podcast: Dinner's on Me wit Jesse Tyler Ferguson Instagram: @jessetyler TikTok: @jessetyler X @jessetyler FOLLOW REALLY NO REALLY: www.reallynoreally.com Instagram YouTube TikTok Facebook   Threads XSee omnystudio.com/listener for privacy information.

From Broadway to Business: Unlocking the Power of Personal Branding Tyler Mount, Henry Street Creative – The Sharkpreneur podcast with Seth Greene Episode 1022 Tyler Mount As the nation's leading expert in branding and marketing, Tyler Mount has served as a consultant to nearly 1000 agents spanning 14 countries worldwide. His experience includes brand development for residential real estate agents, national brokerages, and commercial brokers, in addition to new development portfolios valued at over $7 billion. As an industry-leading branding and digital strategy expert and owner of Henry Street Creative, a creative agency, specializing in brand design, content creation, and web development for some of the most esteemed industry professionals, Tyler and his team have partnered with Ryan Serhant, Spencer Rascoff (Founder, Zillow), Pacaso, John Legere (CEO, T-Mobile), NBC, Nomura, Baccarat, 1 Hotel, and countless others. Tyler's career has been profiled in dozens of esteemed publications, including The New York Times, Forbes Magazine, Medium, and Out Magazine, in addition to serving as keynote speaker for marketing and real estate conferences across the country. His non-traditional, direct approach empowers agents and business owners to take control of their businesses and build empires. In addition to real estate branding and marketing, Tyler has co-produced eight theatrical productions earning him three Tony Awards, a Grammy Award, an Olivier Award, two Outer Critics Circle Awards, two Drama League Awards, a Drama Desk Award, and a GLAAD Media Award. In October 2020, Tyler received his third and fourth Tony Award nominations making him the youngest individual producer to be nominated in all four production categories. Tyler Mount proudly sits on the Board of Trustees for St. Edward's University, The Houston Children's Chorus, and Rise Above Arts. He earned a Bachelor of Arts in Theatre Performance and Arts Administration from St. Edward's University, attended CAP21 in New York City, and holds a postgraduate certificate from MIT in Digital Marketing and Social Media Analytics. Listen to this informative Sharkpreneur episode with Tyler Mount about unlocking the power of personal branding. Here are some of the beneficial topics covered on this week's show: - How brand authenticity is crucial in making genuine connections with an audience. - Why personal branding in business is the key its success. - How business owners should share professional, personal, and differentiating content on social media. - Why focusing on humanizing your brand is more critical than focusing on personal stories. - How it's important to stay up to date with digital marketing trends through resources like Social Media Daily. Connect with Tyler: Guest Contact Info Instagram @henrystreetcreative LinkedIn linkedin.com/company/henry-street-creative Links Mentioned: Henrystreetcreative.com Learn more about your ad choices. Visit megaphone.fm/adchoices

BRUCE SUSSMAN received the 2022 Drama Desk Award for Outstanding Book of a Musical for the Broadway show Harmony. With Jack Feldman, he co-authored the scores for Ted Tally's Coming Attractions (Outer Critics Circle Award) and Wendy Wasserstein's first musical, Miami, both produced by André Bishop at Playwrights Horizons. He also co-authored the score and book for Copacabana: The Musical, (Olivier Award nominee). His half century-long collaboration with Barry Manilow has produced over 200 songs that have been featured in numerous films & have been recorded by an array of artists, earning Grammy Awards & multiple Gold & Platinum records. We discuss:  What is it like collaborating with Barry Manilow and how did that all unfold? When did you first get the desire to write, score & produce music?  Who & what were your inspirations? Does writing the book for a show & scoring the music come naturally to you?  What are the easy parts, what are the hard parts and what does it take to get it all done to your exacting standards? Is there a secret to your success?   What advice would you offer someone else who needs a better roadmap to reach the same pinnacle of success that you have? The show's slogan is that HARMONY tells the extraordinary true story of the greatest entertainers the world would ever forget.  There were 6 Comedian Harmonists.   What made them so beloved at the time and why were they forgotten? What does the Broadway musical Harmony mean to you and can you tell our listeners exactly your role in the show is as the maestro behind the book and lyrics and also Barry Manilow's role with his original score in the show? What would you like audiences to take away from the intended meaning & message of the show  & how you would like to see them feeling during & after the show? How long did it take for Harmony to get to Broadway & why the long and winding road that finally landed the show there.  What are you most proud of?  Anything you would change?        

Barbara Barrie has had a distinguished career in film, television and theatre. On Broadway, she has appeared in Company (Tony Award nomination), The Selling of the President, The Prisoner of Second Avenue, California Suite, Torch Song Trilogy, and, most recently, in the Broadway transfer of Significant Other, for which she received the Actors' Equity Association Award for the Best Performance in a Supporting Role by a Veteran Actor. Her notable off-Broadway credits include I Remember Mama (Outer Critics Circle Award nomination), The Vagina Monologues, Current Events, After-Play, The Crucible, The Beaux' Stratagem, Love Letters, Isn't It Romantic? and The Killdeer (Obie Award and Drama Desk Award). Her best known television series appearances include "Law & Order" (Emmy Award nomination), "Law & Order: Special Victims Unit" (Emmy Award nomination), "Breaking Away" (Emmy Award nomination), "Suddenly Susan," "Enlightened," "Nurse Jackie," "Once and Again," "Barney Miller," "Thirtysomething" and "Family Ties." Her mini-series and television movie credits include "Scarlett," "Roots: The Next Generation," "A Chance of Snow," "My Left Breast," "The Odd Couple: Together Again," "Tell Me My Name," "To Race the Wind," "American Love Affair," and "Barefoot in the Park." Film credits include ""Somewhere Only We Know," One Potato, Two Potato" (Best Actress Award at the Cannes Film Festival), "Breaking Away" (Academy Award nomination), "Judy Berlin" (Independent Spirit Award nomination), "Frame of Mind," "Second Best," "Hercules," "Private Benjamin," "The Bell Jar" and "Thirty Days." Learn more about your ad choices. Visit podcastchoices.com/adchoices