Podcasts about fine arts

Kyra Belle Johnson originated and is currently playing the role of Belle in Disney's North American Tour of "Beauty and the Beast." Previously, Kyra played the role of Sophie in the Broadway National Tour of "Mamma Mia" and has been seen in films and on television in "Damned If You Do," "Role Play," and "FBI."A Los Angeles native, Kyra graduated from Texas State University, with a Bachelor of Fine Arts in Musical Theatre. She continued her studies abroad, training at The Globe, Shakespeare's Birthplace Trust, and the Royal Shakespeare Company in the United Kingdom.Kyra is a beauty, inside and out, and we know you're going to love listening to this interview!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

JC Bonilla is joined by Andrew Ramsammy, President of Vermont College of Fine Arts, for a deep dive into what it means to lead in the era of AI, especially agentic AI. JC sets the stage for a conversation ranging from the challenges of navigating a college presidency during the pandemic to the transformative effects of affiliating with CalArts. Andrew shares his journey from board member to president and describes how AI, far from being just a technological add-on, demands a renewed focus on agency and intentionality in leadership. Related Link: https://www.a16z.news/p/the-next-ai-goldrush-tokens-loops - - - -Connect With Our Co-Host:Dr. JC Bonillahttps://www.linkedin.com/in/jcbonilla/About The Enrollify Podcast Network:Higher Intelligence is a part of the Enrollify Podcast Network. If you like this podcast, chances are you'll like other Enrollify shows too! Enrollify is made possible by Element451. Learn more at element451.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this week's episode of the Artist Academy Podcast, I sit down with artist Mary Harris, for a fascinating conversation about the fine art world. While we usually spend a lot of time talking about murals, this episode takes a different direction as Mary shares what it really takes to build a career as an exhibiting fine artist. Mary is a Los Angeles-based artist who has worked with brands like Microsoft, Coca-Cola, Home Depot, Hyatt, Cinemark, Pressed Juicery, and more. She has built a career that blends commercial projects with gallery exhibitions, collectors, residencies, and the international fine art market. We discuss what it takes to break into the fine art world and how artists can position themselves for gallery representation. Mary explains why building a cohesive body of work matters and how genuine relationships with other artists often lead to the biggest opportunities. She also shares practical advice on pricing artwork, finding grants and residencies, choosing professional materials, and creating a career that balances commercial work with personal creative projects. If you've ever wondered what life looks like beyond commissions and murals—or if you've dreamed about seeing your work in galleries and museums—this conversation will help you better understand that path.

On the 523rd episode of Piecing It Together, we are LIVE from Galaxy Theatres Boulevard Mall with guests MN Miller, Samantha Soriano and Jason Harris to talk about The Odyssey! Puzzle pieces include Lawrence Of Arabia, The Retuur, The Northman and The Last Temptation Of Christ.As always, SPOILER ALERT for The Odyssey and the movies we discuss!Written by Christopher NolanDirected by Christopher NolanStarring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, ZendayaUniversalSamantha Soriano is a film theorist, critic, and filmmaker with a Fine Arts degree in Film from UNLV and has brought her skills to a variety of film and creative projects over the city of Las VegasCheck out her Film School Textbook at https://www.instagram.com/filmschooltextbookM.N. Miller is a film critic and writes for Ready Steady Cut, FandomWire, and many other websites.Check out Ready Steady Cut at https://readysteadycut.com/Follow M.N. Miller on Twitter @MNMillerFilmRevJason Harris is a writer and stand-up comedian (not just here in Las Vegas). He also co-hosts the Awesome Movie Year Podcast which you can find at https://www.awesomemovieyear.comCheck out Jason Harris on Facebook at https://www.facebook.com/jasonharriscomedy/My latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

Join host Sue Rose Minahan as she welcomes Rick Levine—internationally renowned astrologer and Seattle local—to speculate on the profound “4° Barbault Basket Burst” occurring on July 19th.The celestial sky is presenting a powerful alignment. The first major shift arrives on July 19, 2026, anchoring at 4° and involving five distinct planets: the Moon, Jupiter, Uranus, Neptune, and Pluto.This interlocked pattern forms a grand trine and mystic triangle, creating a supportive "cradle" of trines and sextiles that will hold a tight, potent orb at 4° for three consecutive days.The Core Dynamics of the Alignment-The Outer Planet Foundation: The mystique of this pattern pivots on the outer planets, which are currently engaging in an extended mini grand trine spanning 2024–2029 (concentrating at its tightest from 2025–2027).-The Jupiter Amplifier: Jupiter in Leo adds a massive dynamic energy to the mix, hinging a "BIG" tag onto this aspect and promoting a lasting legacy that pushes humanity forward.-The Lunar Trigger: While the outer planets move slowly, the Moon transiting Libra acts as the crucial fifth point. The Moon unites these five archetypes of transformation, serving as the immediate catalyst that begins a collective bursting through old paradigms.With Uranus and Pluto intensely breaking old patterns, this extraordinary planetary cradle acts as a true launching pad for elevated cultural consciousness.RICK LEVINE: is a world-renowned astrologer, scholar and author. He continues to be a widely respected voice in the global astrology community, giving professional talks and seminars around the world. Astrology Hub Foundations: Midpoints Aug 20 (18-22) 2026 Lily Dale; 2026 UAC; 2027 TBA 6-day workshop Buellton, California.https://www.RickLevineAstrologer.com/https://www.patreon.com/ricklevine https://www.youtube.com/@RickLevineTHE EDUCATORHe has a special gift for bridging the gaps between astrology and spirituality, science and religion, the head and the heart. For over twenty years, millions of readers from around the world became acquainted with the relevance of astrology through Rick's authentic daily horoscopes that appeared on Yahoo, AOL, Huffington Post, LA Times, Tarot.com, and many other sites. Tens of thousands of serious astrology students view Rick's teachings on YouTube every month. Classes with Astrology Hub, Kepler Astrology College, Heaven & Earth.COMMUNITY CONTRIBUTIONS-Founding trustee of Kepler College-Co-founder (with Jeff Jawer) of StarIQ.com-Co-author of eight editions of Barnes and Noble's annual Your Astrology Guide. -Subject of Sacred Mystery's DVD, Quantum Astrology: Science, Spirit, and Our Place in the Cycles of History. COMMUNITY AWARDS-The International Astrologer of the Year at the Krishnamurti Institute of Astrology's 28th International Astrology Conference in Kolkata, India.-The Fomalhaut Award for Astrological Excellence in Istanbul, Turkey.-Favorite Social Media Content Creator and Favorite Astrology YouTube Channel by ISAR (The International Society for Astrological Research). THE PERSONRick Levine's articles and poems have graced the pages of many magazines and websites, including The Mountain Astrologer. He is a true modern-day wizard, a net-junkie, a lover of fine red wine and is rumored to have been initiated into his astrological studies by Pythagoras, himself. Email: rlevine@stariq.comSUE ‘Rose' MINAHAN: Evolutionary Astrologer, Consultant, Writer, Speaker, Mythology enthusiast. Dwarf Planet University graduate; Vibrational Astrology Student under Linda Berry, Kepler Astrology Toastmaster Club (KAT). Wine Country Speakers. Associate of Fine Arts Music Degree, & a Certificate of Fine Arts in Jazz. Artist, musician. Founder of Talk Cosmos weekly conversations awakening heart and soul consciousness since 2018.#4°BarbaultBasket #AndreBarbault #RickLevine #astrology2026 #UranustrinePluto #JupiterinLeo #Moon #TalkCosmos #SueRoseMinahanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join host Sue Rose Minahan as she welcomes Rick Levine—internationally renowned astrologer and Seattle local—to speculate on the profound “4° Barbault Basket Burst” occurring on July 19th. The celestial sky is presenting a powerful alignment. The first major shift arrives on July 19, 2026, anchoring at 4° and involving five distinct planets: the Moon, Jupiter, Uranus, Neptune, and Pluto. This interlocked pattern forms a grand trine and mystic triangle, creating a supportive "cradle" of trines and sextiles that will hold a tight, potent orb at 4° for three consecutive days. The Core Dynamics of the Alignment -The Outer Planet Foundation: The mystique of this pattern pivots on the outer planets, which are currently engaging in an extended mini grand trine spanning 2024–2029 (concentrating at its tightest from 2025–2027). -The Jupiter Amplifier: Jupiter in Leo adds a massive dynamic energy to the mix, hinging a "BIG" tag onto this aspect and promoting a lasting legacy that pushes humanity forward. -The Lunar Trigger: While the outer planets move slowly, the Moon transiting Libra acts as the crucial fifth point. The Moon unites these five archetypes of transformation, serving as the immediate catalyst that begins a collective bursting through old paradigms. With Uranus and Pluto intensely breaking old patterns, this extraordinary planetary cradle acts as a true launching pad for elevated cultural consciousness. RICK LEVINE: is a world-renowned astrologer, scholar and author. He continues to be a widely respected voice in the global astrology community, giving professional talks and seminars around the world. Astrology Hub Foundations: Midpoints Aug 20 (18-22) 2026 Lily Dale; 2026 UAC; 2027 TBA 6-day workshop Buellton, California. https://www.RickLevineAstrologer.com/ https://www.patreon.com/ricklevine https://www.youtube.com/@RickLevine THE EDUCATOR He has a special gift for bridging the gaps between astrology and spirituality, science and religion, the head and the heart. For over twenty years, millions of readers from around the world became acquainted with the relevance of astrology through Rick's authentic daily horoscopes that appeared on Yahoo, AOL, Huffington Post, LA Times, Tarot.com, and many other sites. Tens of thousands of serious astrology students view Rick's teachings on YouTube every month. Classes with Astrology Hub, Kepler Astrology College, Heaven & Earth. COMMUNITY CONTRIBUTIONS -Founding trustee of Kepler College -Co-founder (with Jeff Jawer) of StarIQ.com -Co-author of eight editions of Barnes and Noble's annual Your Astrology Guide. -Subject of Sacred Mystery's DVD, Quantum Astrology: Science, Spirit, and Our Place in the Cycles of History. COMMUNITY AWARDS -The International Astrologer of the Year at the Krishnamurti Institute of Astrology's 28th International Astrology Conference in Kolkata, India. -The Fomalhaut Award for Astrological Excellence in Istanbul, Turkey. -Favorite Social Media Content Creator and Favorite Astrology YouTube Channel by ISAR (The International Society for Astrological Research). THE PERSON Rick Levine's articles and poems have graced the pages of many magazines and websites, including The Mountain Astrologer. He is a true modern-day wizard, a net-junkie, a lover of fine red wine and is rumored to have been initiated into his astrological studies by Pythagoras, himself. Email: rlevine@stariq.com SUE ‘Rose' MINAHAN: Evolutionary Astrologer, Consultant, Writer, Speaker, Mythology enthusiast. Dwarf Planet University graduate; Vibrational Astrology Student under Linda Berry, Kepler Astrology Toastmaster Club (KAT). Wine Country Speakers. Associate of Fine Arts Music Degree, & a Certificate of Fine Arts in Jazz. Artist, musician. Founder of Talk Cosmos weekly conversations awakening heart and soul consciousness since 2018. #4°BarbaultBasket #AndreBarbault #RickLevine #astrology2026 #UranustrinePluto #JupiterinLeo #Moon #TalkCosmos #SueRoseMinahan

Mike Stephen discusses the legacy of the Chicago Race Riot of 1919 with Peter Cole of the Chicago Race Riot of 1919 Commemoration Project, explores how entrepreneurship is creating opportunities for people returning from incarceration with Judy Dawson and Rudy Gonzalez of the William H. Hall Center for Entrepreneurship, and celebrates the legacy of the Mayfair Academy of Fine Arts with owner and president Peggy Sutton.

We can't stop thinking about our incredible chat with Grandpere's Ghost Swamp Author Rachel M. Marsh! We can't wait for you to tune in! But first, here's more about Rachel!Rachel M. Marsh grew up in Baton Rouge, Louisiana where she took field trips to Alligator Bayou and assumed the entire United States celebrated Mardi Gras. She earned her Bachelor of Arts from Tulane University in New Orleans, where she studied English and Psychology and minored in Spanish.After graduating, she moved to Boston where she earned her Master of Fine Arts in Creative Writing for Children from Simmons University. There, she studied under smart and supportive professors. She made a strong group of friends who continue to write together long after graduation. She had the opportunity to work in publishing and learn under the mentorship of editors at independent publishing houses. However, she missed her home. She missed her family and now-husband. She missed crawfish boils and thunderstorms and every get-together brewing a fresh pot of coffee. And did you know, winter in Boston lasts about half the year!?She's back in New Orleans now, where she eats the world's best food and stays busy with her almost-hundred-year-old house. She works for the New Orleans Public Library, and her writing is represented by Larissa Melo Pienkowski at Azantian Literary Agency.https://rachelmmarsh.com/about

What does it really mean to build bridges that last for decades? I want you to meet Bircan Unver, whose lifelong commitment to responsibility, creativity, and global citizenship has shaped more than 25 years of meaningful work through Light Millennium. From growing up as the eldest of seven children in Turkey to creating an internationally recognized nonprofit connected with the United Nations, Bircan shares how art, public media, and open dialogue can bring people together across cultures. We explore why responsibility begins with each of us, how local communities can help solve global challenges, and why issues like water security, environmental stewardship, and human connection matter more than ever. I believe you'll enjoy hearing how one person's unstoppable mindset continues to inspire collaboration, education, and hope for a better future. Highlights: 06:55 - How growing up with responsibility shaped Bircan's lifelong commitment to serving others. 18:30 - Why public access television became the foundation for sharing voices and building community. 26:15 - The story behind founding Light Millennium and creating a nonprofit built on dialogue and education. 36:55 - How local communities can play a meaningful role in advancing United Nations goals. 49:45 - Why water security, cybersecurity, and gender equality are becoming deeply connected. 55:40 - Bircan reflects on preserving ideas through books, creativity, and lifelong learning. About the Guest: Bircan Ünver is the Founder-President of The Light Millennium, a Charitable Global Human Advancement Organization (LMGlobal.Org, 2001, New York); Executive Producer of the LMTV Programs; Multi-Media and Event Producer; Host, Author, Publisher, Public Speaker; [Head] NGO Representative of The Light Millennium to the United Nations Department of Global Communications since 2005 (formerly, UN.DPI); and Chair, Outreach and Partnerships Subcommittee at Global NGO Executive Committee and director for the 2021-2023 term. She has been also a Content Provider at QPTV since 1992, and she is the editor and co-founder of the U.S. Turkish Library & Museum Project. She has undertaken the Organization's e-publications, public programs since its inception in August 1999, and #LightMillenniumTV Series and Specials in all aspects of it since January 2000; along with, the LMGlobal.Org's all UN-related activity and programs since 2005. Bircan is the author and director of the Compulsory Peace & ICTs Education from Kindergarten to K-12, and Beyond Campaign, which she launched it through the Light Millennium Global in support of the Summit of the Future in 2024. The Campaign has delivered its 8th session along with the Coalition for the Campaign, which contains 22 organizations and educational institutions including The Light Millennium Global as the leading organization. Further,  she is also author of the bi-annual international high school project, “J.U.C. Media, Research, Writing & Innovation Awards”. The third of its kind was dedicated to the “Water Action Decade” and was delivered  (virtually) on the World Water Day, March 22, 2025. Bircan served as a mentor to the GPODS for three consecutive terms in Winter'22, Summer'22, and Fall'22 Fellowship Programs; and delivered lectures on “How to associate with the UN-NGO”, Public Access TVs in the U.S., and the latest one was on the #WaterActionDecade and the #2023UNWater Conference. To attach that, on behalf of LMGlobal.Org, she organized and hosted an Outside-UN Side Event ID #W175, titled, “What Is Your Commitment To The #WaterActionDecade? ~ Seven Core Ideas Toward #WaterAwareness, #WaterConscience and #GameChangers” in NYC on March 21, 2023, and was the head delegate of the LMGlobal.Org at the #UN2023WaterConference. Based on LMGlobal.Org's Commitments to the #WaterActionDecade, she launched #OneMinuteWaterActionCommitment during the #W175 Side Event, along with continues to work toward #WaterAwareness toward building up #WaterConscience.  She served as the chair of the ATAA Committee on UN Relations, guided its association to the UNDGC in 2020, and also served as the New York Regional Vice-President of ATAA (Assembly of Turkish American Associations) from October 2019 to January 2022. Furthermore, she served on several Planning Committees of the UN-Civil Society Conferences, and the Planning Committee of the High-Level Forum on the Culture of Peace (HLF-CoP). She has been a strong advocate of the UN Vision, Programs & Sustainable Development Goals (2015-2030) along with the relevant UN Days, which are in line with the LMGlobal.Org's Mission/Purposes since its association with the UNDGC (formerly, UN.DPI/NGO) in December 2005. Currently, Bircan is on the Advisory Board of the Turkish Forum (based in Germany). She encourages and guides interested civil society organizations and members of academia toward their educational institutions' associations with the UN, along with engaging them with the UN Programs that are within her networks and beyond. Further, she is an Ambassador of Peace and Goodwill for Anuvrat (Anuvibha) Global Organization (Jaipur, India, since 2014); and a Member of the Global Movement for the Culture of Peace (GMCoP, since 2012). Bircan is also the founder and president of the IsikBinyili.Org Association based in Istanbul (2010), which is a sister organization and counterpart of the LMGlobal.Org. Author of the following four book titles in print (Turkish): “En Kutsalı Yaratmak” (The Most Sacred is to Create) (1995, 2022), “Sanatın Labirentlerinde” (The Labyrinths of Arts) (2016), and “Işık Yollarında (“The Ways of the Light”) (poetry, 2017), and “Bin Yıl Daha…” (2020, A Thousand Years More…). Also, she is the author of the concept and compilation of the “Hope Never Fades” (English) book (Istanbul, 2023). Bircan initially received her local and studio television production certificates at QPTV.Org in 1992. Based on this capacity, she produced and broadcasted near to 260 television programs through local channels in New York City, which are also available online through www.vimeo.com/channels/LightMillenniumTV including 36 #OneMinute #WaterAction PSAs. Bircan celebrated her 30th Anniversary at QPTV.Org through a video profile, titled, “A Turkish Experience in America” (Duration: ~9 min. Production Year: 2022). Her works through The Light Millennium Global is a recipient of various national (U.S.) and international awards and recognitions including two awards from the Foundation of Alliance Community 2023 Hometown Media Awards (F-ACM-HMA for her “GroundWater” Light Millennium TV program in Web-based Programming and Online Events / Independent Producer categories (received at Brick TV, New York), the Anuvrat Ahimsa Award For International Peace-2023 (received in Mumbai, India), and the 2023 International Volunteer President Award by Institution of Green Engineers (received in Chennai, India), and ashe is also the recipient of the 2024 Best Web-Based Program – Independent Producer for the #HopeNeverFades program by F-ACM-HMA, which was produced based on the 2023 J.U.C. Media, Research & Writing Awards (ACM HomeTown Media Awards, San Jose, CA). Bircan holds a Bachelor of Arts (B.A.) Degree from the Mimar Sinan Fine Arts University (Istanbul, 1988) and a Master's Degree (M.A.) from Media Studies of the New School University (New York City 1999). Ways to connect with Bircan**:** Websites: www.lmglobal.org  (active web site) | www.lightmillennium.org (serves as the organization's web archive)#LightMillenniumTV | www.vimeo.com/LMTV | www.vimeo.com/channels/LightMillenniumTV Social Media: Linkedin: http://www.linkedin.com/in/bircan-ünver-7353207 X@lightmillennium Instagram@lightmillennium About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe? Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingston, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head-on, and show what's possible when we choose curiosity over fear. Together, we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Well, hello everyone, and I want to welcome you to another edition of Unstoppable Mindset, and today we get to talk to a very interesting person with a with a lot of roots in Turkey, but she is also doing a lot of work with the United Nations here in the U.S. and other places. Her name is Birchan Umfer, and I hope I got that right. And Bircan Unver  01:23 thank you. Michael Hingson  01:24 Oh, good. And Berjan is is with us, and is going to talk about a number of things that she is working on. She's working on, and for years has been involved with a program called Light Millennium, and we'll we'll talk about all that, but let's just start and and as usual we'll have a great conversation. So, Bir John, I want to welcome you to Unstoppable Mindset. We're glad you're here. Bircan Unver  01:50 Thank you so much, Michael Hingston. It's great honor and privilege to have your guests. Especially, I love the title Unstoppable Minds. It's really inspiring and triggering the mind. Thank you. Michael Hingson  02:08 Well, my pleasure. We're glad that you have the time to to spend with us, and we will we will we will do it and make it work. Well, let's start. I love to start this way because I really want people to learn about you. Tell us kind of about the early Birchan growing up, and then we'll go from there. So tell us about Birchan and growing up, and and and all of that. Bircan Unver  02:32 Thank you. This will be a little bit different than most people know about me, my work. Well, we'll get to Michael Hingson  02:38 your work. Bircan Unver  02:40 Yeah, I know. I mean, the people who already know my work. What I'm gonna say now is completely too different from Berja. So I am a elder of seven siblings, and I was born in an ancient village in Mid Anatolia, actually nearby the Black Sea region, and I'm proud with my age, 1959, and my family moved to town first from the village, and then Istanbul for our educations for their kids, and but I don't know really as a girl child growing up with seven kids, as especially with a traditional family, being older girl is not a good idea. But but maybe it was a kind of tough childhood as a girl child. I I don't feel that I never been a child. That's really what I feel. But on the other hand, and that was you know when you are growing up, living through like I was a kind of second mom, and also our home was kind of everyone our guest from the village town and stay over not only one night, like or a week, like sometimes months, even years. You won't believe that, and it was not because either. So, but those kind of build up maybe my feeling to be responsible, so I consider myself a responsible person because I was responsible for my sisters, brothers, and also washing dishes, making helping my mom to prepare the meal, lunch, breakfast, and clean up. Like you know, I was kind of second person, second mom at home. So those early things, all those stolen my childhood, but at the same time, provide me being able to do everything from very early age. Even though I remember several times at the time. The bread wasn't, you know, you you weren't buying the bread from the market, but from the bakery, real where they were baking the bread. So she was, and time to time also she was making the the bread at home, and then she she wasn't sending me to school because then I had to stay with my brothers and kids so she can make the you know breads a big amount for a couple days. So that said, also gave my idea. I want to suddenly want to work as soon as you know I'm 17, 1617, So and then I started early working at a bank, and it was my first eight years. I worked at a bank in Istanbul. It is called Istanbul Bank, and then my graphic is like life graphic is a little bit different, like curvy, not like straight line. Then after eight years working at a bank, I started to university and fine arts, and then I had kind of interest art history, especially TV production, art history, arts in in the concept is producing art documentaries. That was kind of my vision. Also, it was also my reason initially coming to the U.S. learning TV production. Of course, English as first. So that was very much my childhood until you know 18 until starting at the bank, and then the rest is another story. I have, I must say, I would have three different life. Michael Hingson  06:48 Well, you had certainly an interesting childhood, needless to say, and I, I can understand what you're saying about being the oldest and all the challenges. I was not. I was the youngest, but we only had two siblings, and neither of us we were we were both males, and so we we did not do a lot in terms of preparing meals and all that sort of stuff. Except my brother and I were both in the Boy Scouts, and so when we went camping and other things like that, we learned how to cook on an open or an open fire and and things like that. But still, I understand that you you had a a lot that you had to do. What lessons did you learn by being the oldest child? What kinds of things do you think that you you carry over to what to your life today, because you were the oldest. Bircan Unver  07:44 I think two different components of that. One is also because it wasn't only I was the as a kid at the home and as a girl, girl, but also at the time there wasn't that kind of awareness which we have today. Which I mean, my mom got married with my dad at the age of 15, and she had birth. She had given me birth at the age of 16, the reason I'm bringing up this, when we were going to shopping Kapolechar, Grand Market of Istanbul, when I was 1516, and literally we were halfway age difference between my mom and myself. And when I was saying mom, and the people were surprised, and she and isn't your sister, other sister? They were asking me, and she was my mom. So, but this is in the long later years. I always become the best friend with my mom, and even my brother was saying, "Oh, now I understood that she, you are the joy of my mom because she can kind of a joke, and the others, my kids, like they are kids, but I'm her friend because they kind of feel similar. That is one, you know, lifetime developed feeling and strong connection, different connection with my mom, and the other also, as I mentioned at the beginning, it really this whole, you know, not selected, but where you, which house you born, which condition you grow up, that build up for me early high level responsibility. I feel responsible to do everything, and I, you know, that's a little bit tiring because that's what I want to say here. You say something in our after our initial Zoom meeting. It's really very inspiring. You say something. I just took note. We can solve all the worst problem. We can. You say you don't say we cannot. You say we can. Solve all the world's problems. So, like, it wasn't possible. It's not possible, but you know, as if I could solve the problems or I could carry everything. So it's kind of you know build up my bricks in my life. Michael Hingson  10:18 One of the things that you certainly, it sounds like you learned as you were growing up, though, was was all about responsibility and and and learning to take charge, but learning about responsibility and and feeling that it was okay to be responsible for others in your family and so on. And I think a lot of people don't necessarily learn a lot of lessons about responsibility, like they should. But you were put in a position where you had to do that, which is is certainly a good thing because you clearly have have done that in your life. Bircan Unver  10:54 That's very true, and also it goes with everything. Let's say sometimes some people think maybe unnecessary action when people cut trees, even in their you know backyard or front yard, whatever trees or any type of trees or fruit trees. I really get mad and upset because it is irresponsible to nature, to their own environment, just feeling they're responsible to trees, loving the trees, loving the you know, for instance, if when I was it was two weeks ago, I was working on at my desk, a bees was you know flying around me, and I don't like you know trying to hit and chase the bees, and I just left the window open, moved the room two hours, and it's gone. So I don't want to hurt things, even though if it bites, it would hurt me, right? So to kind of find a way, being responsible, because also I have a subconscious thinking that if I try to chase a herd, if an insect, any of them, they you know they react sharp. So I'm not a threat to them. So they are not threat to me. So I kind of make a subconscious connection, communication. Michael Hingson  12:22 Well, and it's it's better to to learn to love than than not. So I I hear what you're saying. Now you didn't go to college or university, right? Or you did? Bircan Unver  12:35 Of course, I did. That's what I was just briefly brought this stair at that level. That after eight years working at at Istanbul Bank, from literally actually 17 to 24 or 23 late 23 early 24 then I started at the Fine Arts University in Istanbul, and I mainly study both as major Turkish tradition arts and also along with as a minor. We didn't have a minor, but we had we didn't have the minor degree, but we had a selected course. So I was following up several like four years in a row and also whole year around, not a quarter semester base artist troy and contemporary art. So I started writing on art and exhibit and interviewing artists while I started study at the Fine Arts University, which is top university in Fine Arts in Istanbul, Myanmar, Sinan Fine Arts University. Michael Hingson  13:44 So you learned a lot about fine arts, and Bircan Unver  13:47 yeah, Michael Hingson  13:47 and you had obviously learned about finance from the bank, which Bircan Unver  13:51 is didn't learn that Michael Hingson  13:53 much, huh? Bircan Unver  13:53 Not at all, and I didn't like it. That's why I, you know, I changed all my life line. Michael Hingson  14:00 Right, but but you enjoyed art. Bircan Unver  14:03 Yes, and because also art always for me, and it as it is today. Whatever the life problems we cannot be resolved, art is always for me a branch to hold on and to kind of feel strength, connect with the nature, with the art culture, whom I never might met, or maybe you know through art, through music, through books. So it's kind of really, I think the the best human conscious and what we leave behind is what we produce. Creative might be a little bit another discussion. What is the term defined? And now everyone using like creative for everything, but creativity is like really what stays, you know, central. And something as what is already before, and what you brought it something new, that new perspective, like cubism and faism and expressionism and all that different genres or pop arts and another one Dali's movement. So all the Dadaism, so each of them brought something what is already existed, and then you know moved to different level, and also technology and communication brought where we are today. So and music, I'm not any degree. Degree train or understand, but I love music as most people about music and arts and literature and writing is always for me. Also taking pictures. I don't trust my memory much, but this is not new, not because of my age now. But I somewhat I always like take the pictures, whether I have cell phone, the oldest, you know, digital or the manual photo photographs. So even though when I run into where where was it, where I was, who was with, who next to me? I can't remember. But why I love that? Because really, it brings, it captures your life, even you don't remember, and then reconnect. Also, I I come up with a new concept. I haven't done anything yet, but it's kind of developing in my mind, that we can, we are able to capture the past, but we cannot capture the future, because you know whether you know unexpected the one photo comes up, or an audio recording, or all those movies, musics, and documentaries and paintings throughout artistry, you can really capture the past depending on what you know your background or interest and education, but you cannot capture the future. But you can imagine, we can imagine the future. We can invest into the future. Michael Hingson  17:16 Well, and and the the reality is that that the future is based on so many things that happen in the past, and so you can learn to to use some of that information and and have a better idea of what the future might be like, and that's that's pretty fascinating too. So so, how long did you go to college Bircan Unver  17:42 in in Turkey the basic four university education is annual base, not semester base. It's a four years, and actually when I started it was five years. Then later on they the system education board changed it to like four years plus two years. So I graduated from a four years fine arts, and then I have a master's degree based in New York News School University. Michael Hingson  18:20 Ah, in New York. Bircan Unver  18:21 Yeah. Michael Hingson  18:22 Okay. So that was was that two years. Bircan Unver  18:27 Yes, but it was a little bit different again. Yeah. See, because first when I was here for the first time, 18 919, 89 to 1994, I started and I took to six credits and I love it. But I had to go back to Istanbul, so then I got the you know absence live of absence, and then but coming back three years later, I readmitted, and then I finish it. I got my graduate diploma in 1999 May 1999 Michael Hingson  19:12 Okay, so Bircan Unver  19:14 you've been dealing late. You've been Michael Hingson  19:17 dealing with school for a while, but but while all that was going on, you got interested in, and you started to to do things regarding public access television. And you started that, if I read your biography correctly, in in 1991, you started doing things with public public access TV. Tell us a little bit about that, and why did you do that? Bircan Unver  19:41 That's really the kind of key point in my life. In as for the initial one of the two reasons that I came to the U.S. as the first time, I was you know the first aim to learn English. The second also. To learn the TV production, and then my first year was in the U.S. was in L.A. and then I was looking for the schools and just I'm I I'd like to get the formal education, formal training, and then one of my friends there, whom I met there, she said my aunt is TV producer at Queens Public TV in New York, and she is looking for someone like you who really wants to get in and all that. And then I think a couple months later, I had a very brief trip to New York, and I met with her, and then I met with her at QPTV. Now she is unfortunately not with us, but she was also she was the first Turkish producer at QPTV, and I'm forever grateful in memory of her. She was the one who introduced me QPTV, so I met Victor at QPTV in 1990, and then when I went back to LA, I decided to move to New York. So as soon as I moved to New York and I registered to QPTV's both field production and studio, and at the time, there were seven, eight months waiting list. Eventually, I got it on the list, 1991, and first I got the field production certificate, and it was I think six months something, and we had a group project and solo project, and then studio and studio production. It's when the same group project after you are learning all the equipment and then shooting and everyone is crewing everyone is helping each other within the same group of the class and then also producing group project and then the individual project that it is the similar step for the field production and the studio, that also provides a certificate to enabling us to use QPTV equipment, studios taking out the equipment, inviting studios, studios. Unfortunately, after COVID 19, there has been a long dragging issue. They haven't opened the studios. This is I don't want to get in because it is beyond our concept, but because that was my initial reason also moving to New York. And then once I started producing program and airing, I really loved idea from one idea, just idea, and then put paper and develop it. Bring yes, bring the crew, especially with the manual three-inch tapes, and to present, put everything in a tape, and then submit it an ARC schedule. I really love that. So then, while I was there, and then I said, "Okay, I want to really have a master's degree on TV production. So my master's degree from New Zealand University is in media studies. So and I got my diploma May 1999 So, but New Zealand was amazing. I learned all the first my you know my life although it was 39 maybe 3839 years old when I was Photoshop and Premiere or Evid and all the first offline digital all the software program I learned at the new school and I edited my first program offline at the new circle as well, but when I got diploma, and then I had nowhere no access to continue. Also, you know, it's just I, I never been about the person. My mind and my heart wealthy, but not financial terms. And then, so QPT was always my second home because it provides me continuing the producing and provides me access, provides me equipment. It's like provides the community. That's what it is exists for, especially in support of the Article First Amendment and freedom of expression, and also QPTV format is really, really not well known, or not QPTV loaned. It is public access, pack programming, public education and government programming, non-commercial. So it's it is not much known widely, but it is really one of the best symbol of democracy. And now it's kind of a little bit diminishing because also widespreading out other web streaming platforms like this or other, so that there are so many. Discussion and issues, and also there is one petition to the New York Senate that is called Team New York that could also bring in all the web streaming to this community media access public access media. So then, Michael Hingson  25:19 oh, go ahead. Bircan Unver  25:20 No, I mean the question is so QPTV had has been the longest since 1991. I've been providing content, and as long as I am in the US, if I'm out of the country, even if I am out of the country, my previously submitted programs are rerunning in different, you know, whenever they schedule for my new programs, I determine which time slot because I have a time slot to be scheduled, and whether 28 minutes or one hour. But especially again after COVID 19, I couldn't produce anything at the studio at QPTV, but like this Zoom-based programs, and then for the late million organization, the programs I produce and then edit them, reformat them to schedule for QPTV. But it wasn't as it used to be produced at QPTV, at the studio with the crew, that's the excitement teaming up. It's really, I love it. But Zoom, this type also make more maybe manageable, but also bring more intonation speakers. You know, through online connection. If Speaker 1  26:54 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset Community. Michael Hingson  27:28 So you you started in public access television and and and are still doing that essentially. But in 2000 you started Light Millennium TV. Tell us about Light Millennium Television. Bircan Unver  27:42 Thank you so much. Because Late Millennium, I still consider it's my third child because already 25th anniversary. The flyer on my back says 25th That also refers the 25th anniversary of the Light Millennium. I think a the experience and production, and also providing three platform QPTV, Queens Public TV, but actually the 1992 Communication Act and PAC programming, public government public education and government programming; those emerge with my new school education, like Fatrus, Plato, the concept of the two ways of messaging, and for the first time in my life, at the age of I think it was I was 39 I was able 3039, I was able to use. It was very new, also for the war. Internet. We had the internet at the new school as our media class, the open forum. One week media theory class. We have open discussion forum about Greek philosophy, further is communication, media theory. The other class we had the classic format. So all these together merged in my mind, and I really felt I found my medium. That medium is the internet, which me, especially someone is living in New York, who has you know 30 years first life in Turkey, Istanbul, that culture, and then I I didn't want to kind of disconnect from my root cultures, and internet provided me that connections, and also I always like to write and communicate, so so it becomes like natural medium. And then when I just graduated in May 1999 I send out by then like 40 people with my friends. Colleagues, and then I said, "Oh, I want to start a platform. This platform is going to be ours. And everyone wants to say, kind of to expand the QPTV's concept, because when I say QPTV's concept, this is the again First Amendment, and they don't control the content. They don't say anything you can do, you cannot unless it is a threat to someone's life. So it's all the content, or you are responsible as the producer. So I really love that freedom and responsibility again. And then then I was mentoring at the New York Food Moon Finance and Television, and I was kind of trying to find what I want to do, and I was already producing programs at QPTV. I never give up as as long as I could afford to produce the time and edit. Edit is always more time consuming, and then the executive director of the at the time 1999 Woman Film Man Television, she said you can form a nonprofit. I never taught it before, and I'm forever thankful to her. And then I said I don't know what to do where to start because she perhaps she saw the potential because I was producing non-commercial and publishing, trying to promote, you know, through group emails, and whatever the you know social media available at the time. Well, mostly email and group emails, and then she suggested me a volunteer lawyers of arts that she said they can help you, and I never knew and I never thought I if I never came to U.S. maybe I will never had a concept of forming a nonprofit or light minimum. So that U.S. and all combination brought me and news called Queens Public TV, First Amendment, United Nations Article of 19 Universal Declaration of Human Rights. Everything together kind of merged in my mind. Also, the projects I produce, I communicate, is contact with people, I learn from them. So then, when I contacted with them, they ask me, you know, what is my statement this type? And then I drafted all of them, and they put in medical, you know, terms and terminology, and I was lucky that we got a pro bono at the time one of the you know major U.S. law firms. I I think I can say now because they even though I think merged K Shuler, but they took our case and they formed my organization on on a pro bono basis and officially the first as a non profit organization done with the 500 1c T V together. So we officially formed 2001 July 17, and we and then right after that they filed 501c3 for us, and then we granted that in September 18, 2002. Bircan Unver  33:14 My memory is not good, but I I remember that date as of today because it was kind of imprinted in my mind, but also the beauty was that the granted granting 501 c3 was effective of the formation date, which is July 17 2001 So then, since I developed started the light minimum concept, introducing speaking people trying creating an open platform that everyone can you know contribute be part of it, so then I started in January 2000 on January 13 2000 started first monthly the like TV series at like at QP TV. That's how it came about. Michael Hingson  34:02 Yeah, you have certainly created quite a niche in in the whole light millennium and all the other things that you've done, which is pretty fascinating. How did you get connected with the United Nations? Because I know you're doing work with them. Bircan Unver  34:18 Thank you. Actually, the concept with the UN use, I don't do work for them. Michael Hingson  34:29 Right. Bircan Unver  34:29 We do work with them. Right. You're connected Michael Hingson  34:34 with them. You're not working for them. I understand that. Bircan Unver  34:36 Yeah, I just you know one word, but it's key key differences. But as as I mentioned, how the light millennium concept emerged, and also my master's degree program, media studies at the New School, and also there is another person I have to mention here, also in. Separate for her respectful and loving memory, Danielle Camille. She was my advisor for my thesis project advisor at the new school, and all that TV ideas and my thesis project. And she loved, and I got all A. And my first TV ideas project was peace, reality, or utopian dream, and it was 11 minutes or so. It was just before the first Clinton administration election, just October, I think 2002 and then I interviewed many academicians, civil society, non-profits who whose focus area on peace and war and you know against nuclear or all that and and then that actually the concept peace reality or utopian dream that took me to the United Nations I don't know now as a as an outsider, at the time it was so welcoming, and I went to photo department. They share me with photos, and I got all the books I was looking for. Of course, public library. I got all the books about the peace and peace organization. So that 12 minutes program, peace rate or utopian dream, and physically led me to step in the UN for the first time, and then producing this project, searching kind of open to me new horizon, and also my advisor was persistent. Birjan, we know you are great. You produce fundamental programs on arts, but I want you to do something else. So that actually also forced me to move beyond producing something beyond arts. And so then then peace, reality, or utopian dream concept came in, but also it wasn't far topic in my life because my son was born 20 when I was 2022 Now he is 45 His name is Borush, and mean is in Turkish peace. Peace also at the time, you know, Africa hunger, and I was hoping when I get 4050, this will be over. It's not the case, but as a vision, I always look for humanistic positive for the humanity, not you know for myself well-being. Michael Hingson  37:38 Well, you you kind of act as a bridge between UN programs and local communities. Tell me more about that because you view that you view yourself as being a bridge between UN programs and the local community. Why do you why do you view yourself as more of a bridge? Bircan Unver  38:00 That's very nice metaphor, and I think it's very true for me too. Maybe I could take it two three step backs. One is the village I was born. There is a river, and and then there was a bridge, and that bridge was kind of fundamental. Really, going to where you know people are established, living in all the agriculture and large fields, and it was kind of nostalgic to me. It's a bridge, but it's a stone, short bridge. That's the the first part. The second Istanbul. You know, my life main path when I was in Istanbul, Turkey in Istanbul, and Istanbul the Bosphor and then the Istanbul Bridge. Now the name changed, and now three bridges, and not just the bridge itself, but also Turkish geographic Turkey's geographical space place on Earth and especially on in between Europe and Asia and Black Sea and then the Mediterranean Sea and then when you go down North Africa, and then you go up like Russia and North Europe. So you see that that connection physically, geographically, and troy physical bridges. We live, we grow up with this kind of as part of our DNA and vision. When I was working on this, the first the initial need you know in the non-profit world to describe the need need was to connect with my culture, people, friends, family, the internet medium, and then village is also metaphor, and when we associated with the. I let I'm proud to say it. Let the association process. That was also my vision from that small video for the class project. And then, then I realize this is also. I think today is real fact that local communities, even Queens here, people are paying 1000s of dollars to come to New York to get visas. All that trying to get the sponsor, you know, to attend a conference, and I I didn't see much interest within the local nonprofits there, and that little bit was shocking realization for me. So I brought to my programs UN visions programs, MDGs, UN days, sustainable development goals. For instance, when it was announced at the UN for the 2023 agenda, we created dreams for humanity. So we brought people from lots of life, poets, authors, and youths to really share their ideas for humanity, for peace. Michael Hingson  41:12 Well, you-it sounds like, from all that I've read and and studied, you're you're, or at some point, you kind of have moved more into dealing with a lot of things with the environment. So I know that your program has been able to get a credit accredited as an observer observer status with the UN Environment Program. How is how has that affected what you do and all of your work going forward. Bircan Unver  41:43 Thank you. This is also another important, I think, milestone for us. The first in connection with the UN, associated with the in the formerly United Nations Department of Public Information, and then it has changed to Department of Global Communications. Officially, we've been associated since 2005, active and good standing, and we are able to be presented at the UN with six representatives, and therefore we are able also to reflect back to our committee's networks from the UN and it's two ways. I really like the concept two ways messaging, and then always environment in somewhat it involves in our programs. But let's say through water, through energy, through, for instance, when the forest fires really burns my heart. So being sensible and trying to, as much as I could, to attend the meetings, especially MDGs for the first phase of the Millennium Declaration, really, it's. I consider UN is the best school I ever had, and it's for me lifetimes to call, and I learn about so many countries I will never otherwise know them much. Some of the names you hardly hear in media and anywhere else, so it's kind of opens and to see the global spectrum. Also, one of the things I really love at the UN, whether you you are a ambassador or president or prime minister of a country that has maybe a population 1 million or 2 million or 1 billion or two 1.6 billion, the largest one, so you have the same minutes of speaking time, same voting, especially of course, I'm talking about the general assembly. So those things I follow up, and we try to incorporate time to time. And water issue always, I wanted to involve. I want to do something about, but it's just not like because I love the tourists, and I'm not, you know, scientist, so I'm not officially trained. So also, I'm not able to protect the, you know, fires in the forest. And every year it's getting worse and worse. And then I'm sensible, but you know, you can't do much about it. And eventually, although our last name is same, but we are not blood connected. Professor Oljoymer, at the time he was vice president for the UN Water at the UN, and we connected. And I was following up, and I was aware his work before we met. We connected through the UN. So then, especially during the COVID era, then when I've seen his speeches, natural-based solutions, and then his piece on smart water, so I propose him if we can do something. About water, and then he was very supportive, very kind, very modest. We had our first water program on the World Water Day in March 2001 and then it has turned out an annual program, and we kind of made the global connections and collaborations, and especially first three, four of them, Professor Olja led and guide, and also we worked together in a sense that I brought one part of the speakers and he brought other parts. So it was also great, diverse speakers and also the level of the speakers from whether civil society, academia, UN, and youth, all that. So we already presented six of them, and 2023 we were part of the UN Water Conference. We presented a program, and then last year we participated and presented a program site event in Nice on the Ocean Conference, and we kind of we also had previously on the ocean again. So plastic also become whether ocean, whether water, whether land life, like plastic, is becoming a huge in every level. Not plastic, but also chemical, all all sorts of polluters on in environment. So then we become promoting, producing, and there are really great level of academicians and experts, and they also like to share and connect their research and their findings. So it's a platform to break down together, and then when it is a video, when it is posted as both a summary along with the full presentation or speech, so it becomes a really source where you know you can find diverse voices, diverse solutions, diverse ideas, and also we align them in support of the UN days, UN conferences, SDGs, sustainable development goals like Water Days. Also, we collaborate with an organization in India, IGEN Green Institution, Green Engineers Institute of Green Engineers. So they are focusing on energy SDG seven. So we contribute them, bringing speakers. Bircan Unver  47:40 So then they join us to our program. So really, it's an organic volunteer base. So that that actually, I was so proud that we got a call, invitation to submit the application for this accredited status, and it was June 2025 after the ocean conference. I think ocean conference kind of brought them cumulatively and maybe brought their attention. And then October they asked our official documents, the bylaws and and certificate of organization, which is the regular require any formal application at the UN, and then I I submitted them in I think it was October 1525 but I haven't heard anything, and then I thought maybe you know they didn't consider, and then literally a year later, in June, last June, we got approval, and with a, it's not just accredited for a special one particular conference. It is an observer status assembly to contribute draft ideas. I mean, to contribute drafts, draft resolution to observe, to participate, and then also to be responsible to provide every four-year quadrennial report. Let's say if we fail to produce contribution at any level to this cause, then you know we may lose that observed status, but of course we'll do our best to contribute and to continue. Michael Hingson  49:27 With all of the work that you've done in all of this, I want to come back to World Water Day in a moment. But with all the work that you've done and all the the the things that you've done in public television and so on, when you host these meetings or you participate in these meetings, do they get televised? Also, are you able to bring those to to the public through public television? Bircan Unver  49:53 When it is Zoom, then I edit within my time slot within the limits of. Time slots and QPTV provides two different time slots. One is 20-eight minutes, the other one is 50-eight minutes. So then, let's say if it's two-hour session, I you know a little bit edit and then title, etc. and part one, part two, and also depending on the length of the session or 20-eight minutes. So then I schedule them through the local channels, as we spoke at QPTV. Also, I make them available through our vmail.com/lmtv channel on web on the web. Also, when we have a summary or outcomes, so we also provide those links and share through social media. Try our best to make those information available, visible, and reachable. Michael Hingson  50:51 Well, that I'm glad you do that. I'm glad that it gets to be something that is a lot more publicized than you just attending a meeting-that's important, I would think, to do when when you talk about World Water Day and so on. One of the things that that I I understand you do is you compare water security directly with cybersecurity and gender equality. Those are three different sorts of things when you include water security. Tell us more about that. Bircan Unver  51:24 This was our latest program in last March, and we had in our prior program on AI a discussion on AI a public discussion on AI policy or AI arc. So he's a professor and at the SUNY, and he's a mathematician, and he's also teaching cybersecurity. And when I was talking about when we met about the water conference upcoming, actually in this December, in the United Emirates on I think December six to eight. Even I was thinking to attend, but I wanted part a bit this time virtually instead of going there. So when we were talking about and and I really like this idea and I say as I asked exactly what you asked for, and then his really statement explanation made great sense because everything is nowadays control troy some form of electronic or AI or a combination of those systems, right? Competing systems. So if or if there is a technical issues, that's one case. But if there is a hack, especially water is the life source for everyone, whether you are billion or trillion, or you are you know ordinary people on the you know everyday life. So water is the source for everything, including producing the energy. AI. So water is the life itself. So then, when he said, if any hacking, whether you know small you know some you know people with a bad intention or some maybe big corporation because some profit purpose they want to sell more you know bottled water whatever or some international security issues you you may name this many other things. So if a computer system, if the control mechanism, if the AI system, whatever that combination in that system, is hack, then everything is a huge risk, and that's number one. How it connects with the water. Also now you know we smart how everything is electronic. Everything and then when that somewhat the life collapses there. So including water, including energy. So everything is so much you know interconnected. And then how that the gender equality came. Also, we follow Michael the UN annual-based dedication team for each UN Day or conferences. For instance, last year, water and gender equality, because water and gender required is also so inseparable concept and conditions in many parts of the world, and then also our professor Emre Tokus, he also. Make beautiful connection that if woman or when woman, if and when women are more in the security, cyber security, IT technology sectors, they are more sensitive. They are more like maybe natural in their dealings, like mother protection. So more protective, so there is less risk than where it is now. So to increase the gender equality, both not burden on the woman, you know, where it's the water scarcity that woman has to carry the burden. Girls, even five, seven years old, when developing countries, when it comes to developing countries, and then if the girls are, and also that was staggering. Stats he gave sort of shocked me today because he is a professor at SUNY. So what I mean by that, he said one of his class has only four girls out of 31. of his class has only one girl. One of his class doesn't have no girl. So even though if if girls are girls are not getting in this field, how we gonna bring the gender balance in all cross-cutting sectors of society. So that's how both from the UN perspective, the dedication team, also cybersecurity, the profile from a university that girls are not showing attention, interest studying cybersecurity. That was the fact based on his class last semester. One Michael Hingson  56:46 of the things that you have done, as I understand, is you've written several books. Bircan Unver  56:53 Yes, there are more, but hopefully I could get work on them, publish them as well. The my first book was Michael, based on my interviews with artists and my reviews on art exhibits, and also when I had questionnaire surveys like with artists, galleries, academicians, professors, students. When I before my first life prior prior the U.S. So when I went back after four years and I was really eager to get in a job for as a TV producer and somewhat that didn't work despite all my efforts even I my project load and everyone was after me, but they want to take the project, but not give me the role what I deserve for. So then I kind of close myself, and then I said I want to compile my books, my articles, my interviews. So that was how my first book came about in Turkish. To create is the most sacred. So, like the value to give the highest value for the creativity, intellectual production. That is through all those interviews, reviews, and questions. So that's that was the first book. The second book is in a way a bridge again between U.S. and Istanbul, New York and Istanbul, or maybe L.A. New York and Istanbul. Because when I came in, also I've done freelance journalism, so I wrote some you know reviews and the magazine. I used to, you know, send and appear my interviews and reviews. So and it was include not too frequent, but it was include some of major exhibits, both from LA and also from the Metropolitan Museum in MoMA in New York. Also Turkish artists here. So I met them, you know, when I was living. I started living in here. So then I a combination of those, and also that was another metaphor developed in my mind when I was Istanbul. I was feeling like the labyrinths of arts. So that's my second book title in Turkish labyrinths in arts. So like you are like this kind of narrow and small world in Istanbul art worlds and very high competition, and then nobody expanding to New York and LA expansion means bringing some, for instance, Franz Bacon, Thomas Hart Benton, and Max Ernst and Marina Magritte. Those also the last part connecting with the New York Istanbul from my art based on my art background. Michael Hingson  59:51 So, were any of the books published in English? The Bircan Unver  59:54 last 120, 23 is English, but. It is a compilation concept is written me. I directed the project, and of course I have some pieces also beside the concept. But it is a compilation by 24 contributors. It is based on the JUC Media Research Writing Awards 2021 and 2023 High School Awards Project, and also it is also engaging the youth to involve the UN programs at an early age and encourage them award them. So that also the next one is going to be on the Water Action Decatur in the same line, same concept, and also I have a book project since 2022 I couldn't still 2022 2020 actually. I dream, therefore I am. I have 80% of the book manuscript is ready, but I couldn't finalize it, and so the other one also I was hoping but couldn't to have a book for the 25th anniversary of the latentium. Unfortunately, it didn't happen. It's a little bit seemingly not going to happen this year to come up 25th anniversary of late millennium, but I had 20 anniversary of the late millennium in Turkish, and so this is completely different issue because I introduced like Millennium both in Turkish and in English, so it's like Tiffany Sister is the Turkish one, and then I formed Turkish sister in 2010, and then so on the 20th anniversary of the Turkish organization, as it is association, official association. So I compile the first part, the concept vision, very much like Millennium, because it's the system. But the second part based on the programs, activities, and challenges in Istanbul. So this book also in English will be first the the manifesto and the first all the history will be very much in English, the original one. But the second part is going to be completely, you know, selected ideas and projects and programs from the website and public programs from the last 20-five years, and it's hard hard things to do. It it's very challenging. I couldn't do it. Michael Hingson  1:02:47 It's it's a lot of work. Well, Berjan, I I want to tell you that we have now been talking for more than an hour. Time flies when you're having fun. Man, I'm going to go. I'm going to have to go ahead and and end our time, but we'll have to do this again and and continue the discussion. But I really appreciate you taking the time to be here, and I hope that people will monitor your programs and and and read your books if they can read Turkish or English, whichever works. Troy Bircan Unver  1:03:18 has so many English pieces, and now everyone welcome to look out our website. And what's the Michael Hingson  1:03:26 website again? Bircan Unver  1:03:28 lmglobal.org. Michael Hingson  1:03:32 lmglobal.org. Okay. Bircan Unver  1:03:34 Yes, but the whole archive from 2019 to 2000 no, 2019 no. of course not 2019 1999 to 2018 The archive. Our initial website is light millennium.org Millennium is with double N double N. So the everything we are talking about, all the process, our UN programs, and the reports from the UN NGO briefings, some conferences we participated. If anyone has any question, I'll be happy to provide the link and you know to contact them. Michael Hingson  1:04:17 And we will put that information in the show notes, the notes for the podcast. So I want to thank you for being here. This has been absolutely informative. I really appreciate your time, and I hope the programs continue to go well. So I want to thank you again for being here, and this has just been a lot of fun. Bircan Unver  1:04:39 Thank you so much, Michael Kingston, it is great honor and privilege. Especially, you are a hero, and your your story is amazing, and you are also taking really one of the challenges works like producing these programs, and we never met in real life. And then this is also like Millennium and your work. How we connected through? Otherwise, there was no like regular environment or database environment that we could meet. Your work and your dedication and your inspiring contribution really connected us and bring us together in this session. Thank you, and I'm really grateful for that. Michael Hingson  1:05:29 Thank you for being here with me on Unstoppable Mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset

Sally Huss, Author/Illustrator of more than 100 Books for Children and Adults, former Wimbledon semifinalist Sally Huss, author and illustrator of more than 100 books for children and adults, former Wimbledon semifinalist, creator of Happy Musings, and lifelong artist dedicated to bringing more happiness into the world.”  Sally Moore Huss, former American tennis player grew up in Bakersfield, California. She won several national titles and was part of the 1959 Wightman Cup team. In 1958, she won the Wimbledon junior championship and made it to the women's singles semi-finals of the 1959 Wimbledon Championships. “Bright and happy,” “light and whimsical” have been the catch phrases attached to the writings and art of Sally Huss for over 40 years. Sweet images dance across all of her creations, whether in the form of children's books, paintings, wallpaper, ceramics,baby bibs, purses, clothing, or her King Features syndicated newspaper panel “Happy Musings. Sally creates children's books to uplift the lives of children. Sally is a graduate of the University of Southern California with a degree in Fine Art and through the years has had 26 of her own licensed art galleries throughout the world. Find Sally Here: https://www.sallyhuss.com/ https://sally-huss.pixels.com/ https://www.facebook.com/sallyhussfan/ https://www.instagram.com/sallyhuss/  https://www.youtube.com/@SallyHussTheHappyArtist Call In and Chat with Deborah during Live Show: 833-220-1200 or 319-527-2638 Learn more about Deborah here:  www.lovebyintuition.com

The University of Kentucky Alumni Association established the Great Teacher Awards in 1961 to recognize outstanding teaching at UK. More than 300 faculty members have received the honor, and nominations may only be submitted by current students. Honorees must demonstrate exceptional knowledge of their subject, innovative teaching, and a strong commitment to students inside and outside the classroom. On this episode of Behind the Blue, Steve Shaffer speaks with 2026 award recipient ToniMarie Marchioni, professor of oboe in the UK College of Fine Arts, about the highly personal nature of one-on-one music instruction, the connection between performing and teaching, and her goal of helping students become independent problem-solvers who carry lessons in excellence, accountability and integrity far beyond the oboe studio.

Retired signwriter Norman Arendse speaks to Lester Kiewit about 40 years of hand-painting signs, his years on the road for Coca-Cola, and why he believes this old-school craft is one job AI will never replace. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalkSee omnystudio.com/listener for privacy information.

Why can some people effortlessly build professional relationships through networking? The work starts long before they ever walk into the room.In this first installment of a three-part networking series, Elaine Hamm, PhD, is joined by special guest host James Zanewicz, JD, LLM, RTTP, to explore why preparation is the most overlooked part of successful networking. From researching attendees to refining your personal pitch, they share practical strategies that help professionals build authentic relationships with greater confidence and purpose. Whether you're attending a major biotech conference, investor meeting, or local networking event, the right preparation can make every conversation more meaningful.In this episode, you'll learn:How researching attendees and defining your networking goals can make every event more productive.Why a well-prepared story, elevator pitch, and leave-behind materials create stronger first impressions.Practical ways to use LinkedIn, AI tools, and thoughtful preparation to reduce anxiety and build genuine professional relationships.Join Elaine and James as they kick off this three-part series on networking by showing why the most successful conversations begin long before you ever step into the room.Links: Connect with James Zanewicz, JD, LLM, RTTP, and learn about Connect.Connect with Elaine Hamm, PhD, and learn about Tulane Medicine Business Development and the School of Medicine.Check out Elaine's book recommendations: The Fine Art of Small Talk, The Speed of Trust, How to Talk to Anyone, and The Vault Guide to Schmoozing.Learn more about The Alliance for Artificial Intelligence in Healthcare.Check out our previous episode on Networking for Introverts.Connect with Ian McLachlan, BIO from the BAYOU producer.Learn more about BIO from the BAYOU - the podcast. Bio from the Bayou is a podcast that explores biotech innovation, business development, and healthcare outcomes in New Orleans & The Gulf South, connecting biotech companies, investors, and key opinion leaders to advance medicine, technology, and startup opportunities in the region.

The following was recoded live at San Fransisco Sketchfest at the Palace of Fine Arts on January 25th 2026. We've got the whole fam band on this one (Scott Passarella on Keys, Brett Morris on Guitar, and Dana Wickens on Drums!) This one is about brothers, cheese making, calculus, and the difference between dreams and careers. It also contains one tiny audio glitch during a sexy library song, but such is the will of the audio Gods. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What is really political art? What is the relation between art and hegemony? And how to be an uncompromising antifascist in a complex, multipolar world? To discuss these deep question, we are joined by Nora Sternfeld, an independent curator and Professor of Art Education at the University of Fine Arts in Hamburg. Expect no clear-cut, simple answers, but in-depth discussions about the opposition between simplistic complexity and complex simplicity, para-institutionality, counter-monuments, sober coalition-building, and the notion of propaganda. Please join us in the labyrinth of concepts, because it will be worth your while. Duckrabbits Talk Back is a podcast about postartistic antifascism, hosted by Aria Spinelli, Kuba Szreder, and Sepp Eckenhaussen. It was inspired by the comic treatise Duckrabbits Unveiled: A Sneak Peek at the Postartistic Theory and Practice (2025): https://networkcultures.org/blog/publication/duckrabbits-unveiled-a-sneak-peek-at-the-postartistic-theory-and-practice This episode is hosted by Kuba Szreder and Sepp Eckenhaussen Editing and production by Anielek Niemyjski Cover art by Kacper Greń Jingle by Olka Dąbrowska Amsterdam, Institute of Network Cultures, 2026

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--For today's episode we sat down with fine artist Tony D'Amico. Tony is a full-time representational painter and draftsman based in southern Connecticut whose work spans cityscapes, landscapes, coastal scenes, interiors, and everyday local subjects, all unified by his obsession with light, atmosphere, and strong design. He began his journey in art as a child, later studying graphic design, working as a commercial artist and technical illustrator, and eventually running his own marketing and design firm before transitioning gradually into fine art. Plein air painting transformed both how he sees and how he paints, forcing him to simplify quickly, capture specific moments in changing conditions, and infuse his studio work with authentic memories of place, light, and atmosphere. Tony is highly intentional in planning his compositions—often using thumbnails, photography, and Photoshop—to design compelling paintings that go beyond mere realism and invite viewers into a story. Drawing from his marketing background, he emphasizes that artists must learn to present and promote their work, build relationships with collectors and galleries, and accept rejection as a motivator rather than a verdict. For aspiring artists, he stresses persistence, continuous learning, good materials, honest self-critique, and the understanding that developing a true artistic voice and career can easily take a decade or more. Finally, Tony tells us about his upcoming shows and his revised book!Tony's FASO site:tonydamicofineart.com/Tony's Social Media:instagram.com/tonydamicofineart/facebook.com/tony.damico.524/Tony's Book:tonydamicofineart.com/books

My friend Alisha Anderson (graduate degrees in Environmental Humanities and Masters of Fine Arts, Artist, Writer, Adjunct Professor, mid-30s), joins us to share her queer story center around four main themes: Love is easy when it's based on sameness. The true test of love is difference. Time is one of God's greatest tools. I've come to believe in a God who does not wish to sacrifice me, but grow me. We need each other—in both our suffering and our joy. As part of these themes, Alisha shares unique and powerful insights are deeply moving—and even after 900+ episodes are unique. Insights that I believe will help other queer Latter-day Saints find hope as they bravely move forward—and insights that help allies/parents better support/love our queer friends. Thank you, Alisha, for being on the podcast. I learned so much from you! You are so emotional/spiritual/intellectually mature and thoughtful. You are a gift to our community. Honored to have you on the podcast! Links: Instagram: @_a_anderson Website: alishaanderson.org

Experience Talk Cosmos on Sunday, JULY 12 at 1:00 PM PDT! Host Sue ‘Rose' Minahan shares insights interweaving the “July 2026 Moon Manifestation.” Sue explores various lunar mythologies alongside the upcoming 21°59′ Cancer New Moon and the 6°30′ Aquarius Full Moon.The Cancer-Aquarius Lunation Theme Jupiter, the planet of expansion, entered Leo between the June 21st Summer Solstice and the Cancer New Moon. The theme of these two July moon phases jumps circuits into renewing beliefs—for the individual, for communities, and for how we manifest our Jupiterian belief structures within society. In addition, between July's New and Full Moon, the lunar nodes will shift, transiting to the Aquarius North Node and Leo South Node.Bridge into New Consciousness Mid-month on July 14, the 21°59' Cancer New Moon reflects upon past stories to strategize adjustments for creating a healthier foundation. A retrograde Mercury activates deep communication, connecting the Sun's will and the Moon's emotional patterns.On July 19, Jupiter and the Moon will join an ongoing mini grand trine between Pluto, Uranus, and Neptune. The energetic forces of all five planets tightly intersect at 4°, creating several astrological patterns that kickstart the regeneration of humanity's consciousness. Remember, what appears as chaotic is simply an undefined process of restructuring. On July 29, the 6°30′ Aquarius Full Moon holds this 4° patterned energy while Jupiter conjuncts the Sun at 6° Leo.Celestial Timing:14 JUL 2026: 21°59′ Cancer New Moon at 5:44 AM EDT29 JUL 2026: 6°30′ Aquarius Full Moon at 10:36 AM EDTTHE ESSENCE OF THE LUMINARIES: UNDERSTANDING THE CURRENT NEW AND FULL MOON FOR GREATER AWARENESS & CONNECTION TO LIFE.The second week of the month captures the essence of the New & Full Moon. The Moon, our most personal celestial body, regulates the past as it flows into the present, allowing us to experience emotions, habits, and feelings. Ultimately, moon phase energies help us piece together the meaningfulness of our life story. Each month offers new energetic input we can use to grow, heal, and develop in mind, body, heart, and spirit.Connect with inspiration! Never miss an episode—subscribe at TalkCosmos.com and catch new weekly episodes across YouTube, Facebook, radio, and podcast platforms.SUE ‘ROSE' MINAHAN: Evolutionary Astrologer Consultant, Speaker, Writer, Dwarf Planet University graduate, and Vibrational Astrology student under Linda Berry. Kepler Astrology Toastmasters (KAT) Charter member, and WineCountrySpeakers.org member. Holds an Associate of Fine Arts Music Degree and a Certificate of Fine Arts in Jazz. Artist & musician. Mythology enthusiast. Founder of Talk Cosmos weekly conversations, awakening heart and soul consciousness since 2018.Website: TalkCosmos.com | YouTube: YouTube.com/@talkcosmos#CancerNewMoon2026 #AquariusFullMoon2026 #ChironinTaurus #JupiterinLeo #Astrology2026 #TalkCosmos #SueRoseMinahan #SummerSolstice #MarsUranus #BarboultBasket #AquariusNorthNode #LeoSouthNode #KKNW #YouTubeTalk Cosmos is your opportunity to ponder realms of what Carl Jung called the collective unconsciousness that's shared through time to the present…all through the lens of Sue's lifetime of peering into astrology.“Thankfully, I discovered Evolutionary astrology. Its perspective points directly to our unique personal spiritual soul growth…driven by our aligned intentions. Its promising purpose of soul growth ignited an entirely alive Zodiac. Captured, I felt compelled to study the deep significance of astrological application,” said Sue.Sue is your guide to focusing the Cosmos kaleidoscope. In the words of Einstein, “Energy's never destroyed, energy only changes.”Discover the energy that is Talk Cosmos, every Sunday from 1 p.m. to 2 p.m. right here on Alternative Talk 1150!Contact https://talkcosmos.com for weekly schedule, blog, and information.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Experience Talk Cosmos on Sunday, JULY 12 at 1:00 PM PDT! Host Sue ‘Rose' Minahan shares insights interweaving the “July 2026 Moon Manifestation.” Sue explores various lunar mythologies alongside the upcoming 21°59′ Cancer New Moon and the 6°30′ Aquarius Full Moon. The Cancer-Aquarius Lunation Theme Jupiter, the planet of expansion, entered Leo between the June 21st Summer Solstice and the Cancer New Moon. The theme of these two July moon phases jumps circuits into renewing beliefs—for the individual, for communities, and for how we manifest our Jupiterian belief structures within society. In addition, between July's New and Full Moon, the lunar nodes will shift, transiting to the Aquarius North Node and Leo South Node. Bridge into New Consciousness Mid-month on July 14, the 21°59' Cancer New Moon reflects upon past stories to strategize adjustments for creating a healthier foundation. A retrograde Mercury activates deep communication, connecting the Sun's will and the Moon's emotional patterns. On July 19, Jupiter and the Moon will join an ongoing mini grand trine between Pluto, Uranus, and Neptune. The energetic forces of all five planets tightly intersect at 4°, creating several astrological patterns that kickstart the regeneration of humanity's consciousness. Remember, what appears as chaotic is simply an undefined process of restructuring. On July 29, the 6°30′ Aquarius Full Moon holds this 4° patterned energy while Jupiter conjuncts the Sun at 6° Leo. Celestial Timing: 14 JUL 2026: 21°59′ Cancer New Moon at 5:44 AM EDT 29 JUL 2026: 6°30′ Aquarius Full Moon at 10:36 AM EDT THE ESSENCE OF THE LUMINARIES: UNDERSTANDING THE CURRENT NEW AND FULL MOON FOR GREATER AWARENESS & CONNECTION TO LIFE. The second week of the month captures the essence of the New & Full Moon. The Moon, our most personal celestial body, regulates the past as it flows into the present, allowing us to experience emotions, habits, and feelings. Ultimately, moon phase energies help us piece together the meaningfulness of our life story. Each month offers new energetic input we can use to grow, heal, and develop in mind, body, heart, and spirit. Connect with inspiration! Never miss an episode—subscribe at TalkCosmos.com and catch new weekly episodes across YouTube, Facebook, radio, and podcast platforms. SUE ‘ROSE' MINAHAN: Evolutionary Astrologer Consultant, Speaker, Writer, Dwarf Planet University graduate, and Vibrational Astrology student under Linda Berry. Kepler Astrology Toastmasters (KAT) Charter member, and WineCountrySpeakers.org member. Holds an Associate of Fine Arts Music Degree and a Certificate of Fine Arts in Jazz. Artist & musician. Mythology enthusiast. Founder of Talk Cosmos weekly conversations, awakening heart and soul consciousness since 2018. Website: TalkCosmos.com | YouTube: YouTube.com/@talkcosmos #CancerNewMoon2026 #AquariusFullMoon2026 #ChironinTaurus #JupiterinLeo #Astrology2026 #TalkCosmos #SueRoseMinahan #SummerSolstice #MarsUranus #BarboultBasket #AquariusNorthNode #LeoSouthNode #KKNW #YouTube Talk Cosmos is your opportunity to ponder realms of what Carl Jung called the collective unconsciousness that's shared through time to the present…all through the lens of Sue's lifetime of peering into astrology. “Thankfully, I discovered Evolutionary astrology. Its perspective points directly to our unique personal spiritual soul growth…driven by our aligned intentions. Its promising purpose of soul growth ignited an entirely alive Zodiac. Captured, I felt compelled to study the deep significance of astrological application,” said Sue. Sue is your guide to focusing the Cosmos kaleidoscope. In the words of Einstein, “Energy's never destroyed, energy only changes.” Discover the energy that is Talk Cosmos, every Sunday from 1 p.m. to 2 p.m. right here on Alternative Talk 1150! Contact https://talkcosmos.com for weekly schedule, blog, and information.

A fifth-generation quilter from the legendary community of Gee's Bend, Alabama, Loretta Pettway Bennett turns well used cloth into her own expressions of color and community. Loretta Pettway Bennett began her quilting journey as a child, threading needles for her mother as she sewed scraps into bedcoverings. The women in the town of Gee's Bend pieced quilt tops and got together to hand quilt their work, a tradition that spans decades. Loretta's first quilt was an ambitious Flower Garden hexagon design that she cut and sewed entirely on her own when she was 12 years old. Half a century later, quilting is woven into Loretta's life, as it is for her sister, aunts, cousins, and ancestors. Although quilting has always been part of her life, Loretta's vision is uniquely her own. In the early 2000s, Loretta decided to embrace her own style and gave herself the freedom to enjoy making quilts in her own way. She decided to resist rules that seams line up perfectly or that only certain colors go together. Instead, she lets the quilt make itself and invites the colors to talk to each other. Working with thrifted and gifted material, she chooses the fabrics that speak to her (bright colors, few prints) and especially loves the pieces that have been well used and mended. The contemporary interest in thrifting and mending is a simple fact of life to Loretta, as natural as eating. Several of her designs include denim jeans, patched knees and all. In 2002, the Museum of Fine Arts, Houston mounted a major exhibition of quilts from Gee's Bend, and Loretta saw her quilting traditions in a new light. A quilt that her mother made to cover her bed, on which Loretta and her sister had laid on the floor, was described as art in one of the country's most important art museums. Standing in the exhibit, she says, “. . . the more I looked at the quilts, the more I started seeing what [viewers] saw in the quilts.” Today, Loretta's own quilts are part of museum, corporate, and U.S. State Department collections and have appeared in 19 U.S. Embassies worldwide. Her work has been recognized with numerous prizes and fellowships, most recently a 2026 Maxwell/Hanrahan Award in Craft. Loretta teaches quilting both to children in her community and through Vacation with an Artist, a program where crafters work in her workshop and learn the community's methods. She plans to put her recent award money toward a coloring book of her quilts, an echo of her childhood wish to be a painter. Having spent decades painting with fabric, she loves to see others playing with color for themselves through her classes and is excited to see their interpretations in her coloring book. Links View some of Loretta Pettway Bennet's quilts at Souls Grown Deep and Greg Kucera Gallery Learn about Gee's Bend and visiting the area at the Visit Gee's Bend website Discover the history and revival of the Freedom Quilting Bee Find details of the Airing of the Quilts Festival, which will be held next on Saturday, October 3, 2026 Read about Loretta at the Maxwell/Hanrahan 2026 Awards in Craft website Find details on the Vacation with an Artist hosted by Loretta and her sister-in-law, Marlene Bennett Follow Loretta's Instagram This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com. You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. The Michigan Fiber Festival—Michigan's largest sheep and wool festival—is a vibrant world of fiber arts. Discover five days of classes with nationally recognized teachers in spinning, weaving, lacemaking, dyeing, felting, and rug hooking. Enjoy three days of shopping. Delight in shearing and fiber arts demonstrations. Enjoy a truly immersive experience. Join us in August at the picturesque Allegan County Fairgrounds (you can even camp on site!) Find more details at [michiganfiberfestival.info.](The Michigan Fiber Festival – Michigan's largest sheep and wool festival – is a vibrant world of fiber arts. Discover five days of classes with nationally recognized teachers in spinning, weaving, lacemaking, dyeing, felting, and rug hooking. Enjoy three days of shopping. Delight in shearing and fiber arts demonstrations. Enjoy a truly immersive experience. Join us in August at the picturesque Allegan County Fairgrounds (you can even camp on site!) Find more details at michiganfiberfestival.info.)

Episode 534 / Nicole EconomidesNicole Economides (b.1992) is an Athens based artist born in New York. She received her BA/BFA from the Department of Fine Arts and Arts Sciences at the University of Ioannina Greece (2015). She is an MFA Fine Arts graduate at Parsons, The New School (2019). Economides has been an artist in residence at the Agora Collective: WHILE WE WORK in Berlin, Germany (2016) and at the Macedonian Museum of Contemporary Art in Thessaloniki, Greece (2014). She was awarded the Elizabeth Greenshields Scholarship for Painters (2017) and the Artists' Grant from the Gerondelis Foundation Inc (2018). She has shown her work in many group exhibitions and workshops in Crete, Ioannina, Athens, Thessaloniki, Paris, Berlin, and New York City. She currently lives and works in New York City. 

"Real Life Evolution" With close to ten brilliant albums under her belt, including Real Life, To Survive and The Classic, it's hard to think of a more critically-acclaimed artist in recent memory than singer/songwriter and multi-instrumentalist Joan As Police Woman. After studying music as a violinist at the College of Fine Arts at Boston University with her lifelong friend Mary Timony of Helium, the Maine-born Joan Wasser Wasser played in punk bands, joined the Dambuilders, formed Black Beetle and played with Those Bastard Souls and Antony and the Johnsons. I'm cutting corners here, but over the course of her winning career, Wasser has become one of the most in-demand musicians on the planet. She's played, recorded and toured with the likes of Iggy Pop, Damon Albarn, Rufus Wainwright, Elton John, Tony Allen, Lou Reed, Sheryl Crow, Lloyd Cole, Joseph Arthur, Scissor Sisters, Tanya Donelly, David Sylvan and John Cale, just to name a few. Joan As Policewoman's new album finds Wasser revisiting her Real Life album on the occasion of its twentieth anniversary. Reimagined with soul, grace and musical precision, Real Life Evolution not only demonstrates the elasticity of the original compositions, it also demonstrates how art can be reimagined and reinterpreted by the artist themselves. Featuring guest like Iggy Pop and Krystle Warren, Real Life Evolution simmers with reggae grooves, jazzy shuffles, and spare, indie rock ache and it's not only the perfect companion to the original, it stands proudly by itself. www.joanaspolicewoman.com (http://www.joanaspolicewoman.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com

Bradley Jay Fills In On NightSide with Dan Rea: The Museum of Fine Arts, Boston, is one of the nation’s largest art museums, featuring nearly 500,000 works from around the world. From ancient treasures to masterpieces by renowned artists, the MFA offers something for every generation. Bradley welcomed the museum's Director of Public Programs, Kristen Hoskins, and Senior Programmer of Film, Katherine Irving, to discuss the many things to discover at the MFA!See omnystudio.com/listener for privacy information.

In this episode of Creative Guts, co-hosts Laura Harper Lake, Becky Barsi, and Joe Acone sit down for an Ask Me Anything (AMA) episode. You asked and we shared! We touch on everything from our stances on AI, to our favorite anime, and even the order in which we put on our socks and shoes. So much to learn about who WE are as artists/creatives/podcast hosts.  Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com.  If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.  Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!  Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

Step into the orchestra of interpersonal connections with this revisit to Daily Influence's episode 208, "The Social Symphony: Fine-Tuning Your Emotional Intelligence." Discover the harmonious blend of skills that can amplify your social repertoire and resonate through every interaction. - **Mastering Active Listening**: Learn the art of truly hearing others and showing your engagement, transforming every conversation into an opportunity for connection and growth. - **Cultivating Empathy**: Walk in the shoes of others and respond to the emotions that dance between the lines, nurturing relationships with compassion and understanding. - **Articulating with Clarity**: Communicate with precision and positivity, ensuring your message is not only heard but also felt in the way it's intended. - **Conveying Without Words**: Dive into the subtle yet powerful world of nonverbal cues, from the ballet of body language to the nuances of cultural expressions. - **Asserting with Confidence**: Stand firm in expressing your needs and managing boundaries, balancing your rights with respect for others. - **Socializing with Purpose**: Turn everyday encounters into practice sessions, joining groups and role-playing scenarios to elevate your conversational choreography. - **Reflecting for Growth**: Seek out feedback and engage in self-reflection after social interactions to refine and evolve your approach. - **Embracing Continuous Learning**: Stay curious and informed with resources like Debra Fine's "The Fine Art of Small Talk," workshops, and seminars to keep your social skills sharp. Join us for "The Social Symphony" and tune up your emotional intelligence to lead more fulfilling and harmonious interactions both in your personal life and the workplace. Whether you're looking to polish your networking prowess or enrich your relationships, this episode hits all the right notes. #SocialSkills #EmotionalIntelligence #ActiveListening #Communication #DailyInfluencePodcast

Osvaldo Budet: Upriver DownriverMaitland Regional Art Gallery opens July 11th 2026, opening night 24th July and 25th July a talk and Q & A with Dr Nancy Cushing from University of Newcastle.Puerto Rican Australian artist Osvaldo Budet joins Art Wank to discuss Upriver Downriver, his exhibition at Maitland Regional Art Gallery exploring one of the Hunter region's most debated public monuments: Maitland's Black Boy statue, now more commonly referred to as Jocko Graves.For more than a century, the cast iron figure has stood in the centre of Maitland's civic life. Celebrated by some as a beloved local landmark and questioned by others for its racial imagery and colonial associations, the statue has become a focal point for conversations about history, memory, race, and heritage.Budet's work is informed by his experience growing up in Borikén, Puerto Rico, a place still shaped by colonial structures and histories. In Upriver Downriver, he considers how inherited images and public monuments continue to shape contemporary understandings of identity, authority, and belonging. Rather than offering simple answers, the exhibition asks how communities engage with historical objects whose meanings shift over time.This conversation explores the power of monuments, the persistence of colonial narratives in public space, and the ways artists can help us reimagine our relationships with difficult histories.Osvaldo Budet (b. 1979) is a Puerto Rican artist whose multidisciplinary practice spans painting, drawing, photography, video, and research based projects. His work examines the physical, historical, and political dimensions of colonisation and post colonisation, exploring how systems of power shape culture, identity, and memory.Budet received a Master of Fine Arts in Painting from the Maryland Institute College of Art, where he studied under Grace Hartigan. Since 2008, he has lived and worked across Puerto Rico, Germany, the United States, and Australia. His work has been exhibited internationally, including at the Museo de Arte Contemporáneo de Puerto Rico, Museo de Arte de Puerto Rico, me Collectors Room Berlin, the Museum of Latin American Art, and numerous galleries and institutions throughout Europe, the Americas, and Australia.Through Upriver Downriver, Budet brings a global perspective on colonialism, representation, and historical memory to a distinctly local Australian story, inviting audiences to consider how we preserve, reinterpret, and reckon with the complex objects of our past. Hosted on Acast. See acast.com/privacy for more information.

Join the journey on Talk Cosmos, Sunday 5 JULY 2026, 1–2 p.m. PDT (4-5 p.m. EDT) exploring the planet of expansion and growth in its next cycle! Jupiter Leo Breaking Beyond. Joining Sue ‘Rose' Minahan will be Kay Taylor, President of Organization of Professional Astrology, and of 2026 United Astrology Conference.Jupiter in Leo exemplifies creativity and manifestation of self-expression. Bridging extremes, at best means expanding your life through confidence, playfulness, and authentic visibility. This year magnifies desire to be seen, inspired to take creative risks and share what uniquely uses your talents with the world. Leo's highest empowerment understands leadership centers on love, the gift of Leo generosity.Adding to the energetic exchange in late July the lunar nodes enter South Node Leo and North Node Aquarius. Be prepared for instinctive interactions, and meeting new horizons as we manage new worlds in a world working together.Catch new weekly episodes and subscribe to TalkCosmos.com plus YouTube channel @TalkCosmos to access the latest content through YouTube, Facebook, radio, and podcast platforms.KAY TAYLOR: is a visionary astrologer, teacher, and author who has spent over 40 years integrating evolutionary astrology with intuitive mastery, psychosynthesis, yoga philosophy, and a rich foundation of healing wisdom.She serves as President of the OPA since 2020 (Organization for Professional Astrology), is President of the UAC2026 board, and is on the faculty and Board of Kepler College, coordinating the new Evolutionary Astrology program.A respected international lecturer, Kay trains and mentors intuitives and astrologers through her Soul Path School. Her publications include Soul Path Way (2016), chapters in The Professional Astrologer (2015), Essential Astrology (2027), and numerous articles.Certified by OPA, ISAR CAP, and NCGR, Kay maintains a thriving full-time consulting practice based in the San Francisco Bay Area, working with clients worldwide. https://www.kaytaylor.comhttps://www.opaastrology.orgSUE ROSE MINAHAN: an Evolutionary Astrologer Consultant, speaker, writer. Vibrational Astrology student with Linda Berry. Dwarf Planet University graduate. Charter member of Kepler Astrologer Toastmaster Club, and member of WineCountrySpeakers.org. Holds an Associate of Fine Arts Music Degree and a Certificate of Fine Arts in Jazz. A mythology enthusiast, Musician, and Artist. Founder Talk Cosmos since 2018 where weekly conversations awaken heart and soul consciousness to align personal meaningfulness, connect curiosity and creativity to successfully develop life's turning points. Presented on YouTube, Facebook, radio & podcasts. Website: TalkCosmos.com and YouTube.com/@TALKCOSMOS.#JupiterinLeo #Chiron #Taurus #UranusGemini #KayTaylor #OrganizationofProfessionalAstrology #UAC #OPA #TalkCosmos #Astrology2026 #SueRoseMinanan #AstrologicalCycles #WoundedHealerIn the spirit of Einstein's wisdom on the shifting nature of energy, “Energy's never destroyed, energy only changes.” Talk Cosmos is your opportunity to ponder the collective unconscious and focus on the cosmic kaleidoscope.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jennie Nash interviews author Meghan P. Browne about her journey from picture-book nonfiction to selling her first middle-grade novel, after participating in the 2022 Blueprint Challenge. Browne began the project in 2019, drafted it during her MFA at Vermont College of Fine Arts, then used the Blueprint framework to “reverse engineer” the manuscript and discover it lacked plot; the inside outline helped her connect scene events to emotional meaning. After tragedy and other commitments, she returned to revise intensively, resubmitted to her agent, and the novel later sold. Browne also describes submitting pages to the podcast's First Page Lab and learning to absorb both critical and positive feedback. Visit Meghan on her website: https://meghanpbrowne.comThanks for reading #AmWriting! Subscribe for free to receive new posts and support my work.Join the Blueprint Summer ChallengeStarting a book? Stuck in a draft? Planning a revision?The Blueprint Summer Challenge is designed to help you make meaningful progress on your manuscript this summer.Over six weeks, beginning July 10, you'll use the Blueprint—a proven framework for developing stronger books with greater clarity, purpose, and reader impact—to move your project forward, wherever you are in the process.Whether you're writing nonfiction, memoir, fiction, or another genre entirely, the goal is simple: spend six focused weeks making your book stronger.Start with the Blueprint CourseWe're offering an all-new Blueprint course in Teachable, which includes:* The full text of The Blueprint* Fourteen video lessons covering every step of the framework* Real coaching examples that show writers applying the Blueprint to their own projects* Practical guidance you can use immediatelyThe course is designed to help you develop a stronger foundation for your book—whether you're beginning from a blank page, working through a draft, or planning a revision.Course enrollment: $19

In a city ruled by the dead and the corrupt, a cynical survivor and a terrified romantic walk into the ultimate death trap. Ray Corbin has survived the San Francisco wasteland for three years by sticking to two unbreakable rules: never take risks, and never believe in fairy tales. But when a naive file clerk named Penny Finch straps on a makeshift suit of rusted tin armor to rescue the woman he loves, Ray finds himself dragged headfirst into a suicide mission. Hunted by ruthless mob enforcers and surrounded by hundreds of dormant "sleepers" inside the ruined Palace of Fine Arts, Ray and Penny must rely on a desperate mix of grit, heavy iron, and impossible hope. Will the Noir Knight save his princess, or will the fog finally claim them all? A hard-boiled, survival-horror audio drama from the Zombie Podcast Network. Link: https://redcircle.com/shows/the-dead-dont-sleep RSS Feed: https://feeds.redcircle.com/c2d96231-eff4-40b9-9123-bb033893b821

Episode 533 / Rebecca Bonaci Rebecca Bonaci is an artist born and based in Malta who  graduated with a B.A. (Hons) in Fine Art in 2014, after which she pursued a career in tattooing alongside her visual arts practice. Her work is often shaped by immediate experiences, focusing on intimate emotions and personal moments. Bonaci explores how these individual experiences resonate on a broader human level, inviting connection and empathy.Her solo exhibition Ġuf (2023) explored contemporary motherhood through a deeply personal lens. In 2024, she was selected to participate in the Malta Biennale, followed by her solo exhibition Wens: Comfortable Silence at Valletta Contemporary in 2025. She was also a finalist for the Hopper Prize (USA) in Fall 2025. Her work has been featured in various group exhibitions in Malta and abroad.

On Wednesday's show: From the U.S. Supreme Court upholding birthright citizenship, to other decisions from the High Court, we discuss the latest developments in politics in our weekly roundup.Also this hour: Foodies discuss their favorite places for happy hour food and drink in the latest installment of The Full Menu.And, as the nation prepares to celebrate the 250th anniversary of independence, we consider the nation's story through the lens of several pieces of art on display at the Museum of Fine Arts, Houston in conjunction with America 250 festivities.Watch

In this episode of Creative Guts, co-hosts Laura Harper Lake and Joe Acone sit down with Drew West, Ryleigh Schwab, and Griff Comtois, the three founders of the annual Wildflower Festival, which is happening this year on August 22nd in Keyes Memorial Field, Milford, NH. This team is building stronger communities and enhancing green spaces through art, education, and action. Our delightful conversation covers how the Wildflower Festival starts, what it's grown into, the message of ecology, and the collaboration between Drew, Ryleigh, and Griff. We also dive into  the topics of garden design, the benefits of native plants, and the mystery of a missing plant!  Learn more about the Wildflower Festival at www.instagram.com/wildflowerfest. Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com.  If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.  Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!  Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

[Contemporary Realism] Joining the show today is painter Brian Haberlin, who is well known in both the fine art world, as well as in the world of comic books, where he is a superstar for a number of popular titles. Brian will be showing at the Festival of Arts Laguna Beach from July 7 through September 3, 2026, in Laguna Beach, California. American Art Collector is a media sponsor of the show. Learn more about the magazine at americanartcollector.com.

Hope Giselle joins us to talk about her incredible journey to becoming a sought-after activist and speaker. Hope began her advocacy work fighting for inclusion and access for herself as an undergraduate at Alabama A&M University. Hope founded the university's first LGBTQ+ organization and later became the first openly trans woman to earn a Master of Fine Arts from the university. She has since built a decade-long career as an activist, author, speaker, and nonprofit founder (AllowMe). Hope has proven that nothing is off limits to her, and she has committed her life's work to ensuring the same for all others. During our conversation, we talked about the incredible life she's built fighting against marginalization, and how she manages to look so good doing it.During our conversation, Hope told us what it was like growing up in Miami and having others project their beliefs about her gender and sexuality onto her at five years old. We talked about how growing up surrounded by her stylish Caribbean family of Cuban and Haitian descent shaped her ideas about femininity and womanhood. She shared that her journey of defining and redefining herself was difficult, but at 19, a video of Janet Mock opened up new possibilities for her life. Hope talked about the most eye-opening aspects of her transition, especially at an HBCU that skews conservative about gender and sexuality. We have an incredible conversation about why there is sometimes a struggle among cis women, with being in community with our trans sisters, and how we might overcome those barriers. Hope brilliantly outlines the dangers trans people face each day, and the tangible ways we can all fight transphobia and transmisia. Of course, there was beauty talk, about the ways that the LGBTQ+ community has shaped the beauty industry across time. She also gave us her entire skincare, body care, and makeup routines.Tune in as we discuss:(00:00) Welcome Hope Giselle(4:35) What Being Caribbean Taught Hope About Gender Presentation(8:15) Early Introduction To Definitions of Queerness and Gender Identity(10:45) How Janet Mock Introduced Her To Transness(17:45) The Struggles Of Being In Community With Cis Women(26:10) Facing Violence After Being Outed(30:40) What Keeps Her In The Professional Activism Space(36:58) Why Hope Wants Accomplices, Not Allies(40:55) How To Support Trans People In Your Everyday Life(47:20) How Queer and Trans People Have Shaped The Beauty Industry(47:35) Trans Icons Across Time(55:35) Her Skincare Routine(58:39) Her Bodycare Routine(1:00:43) Favorite Makeup Products(1:04:04) Her MAC Classics (1:05:49) Hair Journey(1:12:15) When She Feels The Most BeautifulRate, Subscribe & Review the Podcast on AppleJoin the Naked Beauty Community on IG: @nakedbeautyplanetThanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :)Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevardFollow Hope @hopegiselleProducts:Face:The Ordinary Granactive Retinoid 2% EmulsionSalt Water Vanilla Body ButterTIRTIR Ceramic Milk AmpouleDrunk Elephant B-Hydra™ Intensive Hydration Serum with Hyaluronic AcidGood Molecule Daily Moisturizer Olay Super SerumInnisfree Green Tea Seed Hyaluronic SerumBody:Sol de Janeiro Limited Edition Cheirosa 71 *out of stockLush Golden Egg Glitter Mist SprayMakeup:TIRTIR FoundationAbout Face The Performer FoundationYSL LipstickONE/SIZE Oil Sucker SprayONE/SIZE Powder Melt Glass Setting SprayMAC Lip Pencil ChesnutMAC Time Check Lotion Hosted on Acast. See acast.com/privacy for more information.

This last episode of the current season begins with Frida Kahlo. Tate Modern in London this week opened Frida: The Making of an Icon, an exhibition that began at the Museum of Fine Arts in Houston earlier this year and which explores the Mexican artist's paintings but also her influence on other artists and wider cultural forms. Ben Luke speaks to Tobias Ostrander, the co-curator of the exhibition. This week also marked 10 years since Brexit, the UK vote to leave the European Union. Ben speaks to Alexander Herman, the director of the Institute of Art and Law in London, about the impact of the UK's withdrawal from the EU on art and cultural heritage laws. And this episode's Work of the Week is the Visconti-Sforza Tarot, a deck of cards made by Bonifacio Bembo in 1456-58. Forty-five cards from the deck, which are held in the collections of the Morgan Library and Museum in New York and the Accademia Carrara in Bergamo, are reunited in the Morgan Library and Museum's new exhibition, called Tarot! Renaissance Symbols, Modern Visions. Ben talks to one of the show's curators, Joshua O'Driscoll, about it.Frida: The Making of an Icon, Tate Modern, London, until 3 January 2027Tarot! Renaissance Symbols, Modern Visions, Morgan Library and Museum, New York, 26 June-4 October Hosted on Acast. See acast.com/privacy for more information.

In this episode of Creative Guts, Becky Barsi and Joe Acone talk with Terry Neill and Jill Teeters of Northern Voices A Cappella, a Manchester-based chorus celebrating its 50th anniversary.  This conversation covers how the chorus makes music, prepares for performances, and competes as part of SingUnited International (formerly known as Sweet Adelines International). Most recently, Northern Voices earned 1st place Division A, 3rd place overall, and “Most Improved” at the regional competition in Springfield, MA.  Learn more about Northern Voices by visiting their website: Learn more at northernvoicesac.org on Facebook at Northern Voices A Cappella, and on Instagram at @northernvoicesacappella.  Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack newsletter at creativegutspod.substack.com.  If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax-deductible donation at www.CreativeGutsPodcast.com.  Thank you to Kennebunk Savings Bank for being an official sponsor of the podcast! Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!  Any views or opinions expressed by our hosts or guests do not necessarily reflect the views or positions of Creative Guts.

In memory of the great James Borrows we rebroadcasting this episode of "Dont Be Alone with Jay Kogen". We talk with James Burrows about his reign as Hollywood's greatest sitcom director, being the son of Abe Burrows, the genetics of comedy, his book "Directed by James Burrows", "Cheers", "Will & Grace", "The Mary Tyler Moore Show", "Taxi", "Friends", the scripts that make him want to direct, the ones that don't, his amazing memory, his humble beginnings, the decade it took him to learn how to direct, working with geniuses like James L. Brooks, Chuck Lorre, and Kohan & Mutchnick, and Andy Kaufman. And Jimmy explains how his two best friends are Al Michaels and Bruce Springsteen. BIO: James Burrows was one of television's most respected and honored creative talents. Over his distinguished career, Burrows was the recipient of eleven Emmys, five Directors Guild of America Awards, the 1996 American Comedy Awards' Creative Achievement Award, the Television Critics Association's Career Achievement Award, and in 2006 he was inducted into the Academy of Television Arts and Sciences' Hall of Fame and was honored by the US Comedy Arts Festival with their Career Tribute Award. He was the recipient of 22 nominations for the Directors Guild of America Award, thus bestowing him the honor of being the most nominated director in the history of television at the Guild. He was honored by the DGA with the Inaugural 2014 Lifetime Achievement Award in Television. In November of 2015 he directed his 1,000th episode, which was recognized by a TV Special on NBC in January of 2016. Burrows' success as the director of television pilots was legendary. He directed the first two episodes of the "Frasier" reboot's second season, and wrapped the pilot "Mid-Century Modern" for Fox, which went to series. In January of 2020, he received his fifth DGA Award for directing the Emmy Award-winning show "Live in Front of a Studio Audience #1: Norman Lear's All in the Family and The Jeffersons." He was also asked back to direct "Live in Front of a Studio Audience #3: Diff'rent Strokes and The Facts of Life" in December of 2021. In June of 2022, he published his autobiography, "Directed by James Burrows," which received considerable attention and praise from the industry. Burrows was probably best known as co-creator, executive producer and director of the critically acclaimed series "Cheers." The hit show, which aired for 11 seasons, is tied for the most nominated Comedy series in the Television Academy's history and is in third place for most Emmys received by a Comedy Series. Burrows also received numerous awards for his work on "Will & Grace," "Frasier," "Friends," "Wings," "Night Court," "Taxi," and "Dear John." For the first time in 25 years, he returned to the stage in the spring of 1998 to direct the highly acclaimed "The Man Who Came to Dinner" at the Steppenwolf Theatre in Chicago, starring John Mahoney. Burrows learned his trade from the very best, the legendary writer/director Abe Burrows, whose noted career included such classics as "Guys and Dolls," "How to Succeed in Business Without Really Trying," and "Cactus Flower." Born in Los Angeles and raised in New York, Burrows graduated from Oberlin College and continued his education at Yale, where he earned a Master of Fine Arts degree. Burrows relocated to Hollywood to work as a dialogue coach for "O.K. Crackerby!," a short-lived television series starring Burl Ives. When the show ended, he returned to New York and initially worked as a stage manager before directing several off-Broadway shows, such as "The Castro Complex," and stock productions of "The Odd Couple" and "Never Too Late." In 1974, Burrows moved back to the West Coast when he was invited to visit MTM Productions in Los Angeles and offered a job directing an episode of "The Mary Tyler Moore Show." Mr. Burrows and his wife, Debbie, resided in Los Angeles and between them they had four daughters. He passed away on June 19, 2026. He left an indelible mark on American television. He will be remembered and missed. Learn more about your ad choices. Visit megaphone.fm/adchoices

Heather Berlin is a neurologist and associate clinical professor who studies the science of giving up control. She joins Chris to talk about finding the balance between knowing when to hold on to control and when to let go and be present in the moment. They also discuss why you don't need to always be productive or in a constant state of self-optimization, but how there are benefits in learning to lose track of time and practicing boredom.Featured guestFollow Heather Berlin on Instagram, LinkedIn, and at https://heatherberlin.com/Buy Heather's book The Fine Art of Losing ControlTune in to Heather's TED Talk, coming soon in November 2026Connect with the teamFollow Chris on Instagram and at chrisduffycomedy.comBuy Chris' book, Humor Me Watch How to Be a Better Human videos on YouTube at TEDAudioCollectiveFollow TED on X, Instagram, Facebook, LinkedIn, and TikTokFor the full text transcript, visit go.ted.com/BHTranscripts Hosted on Acast. See acast.com/privacy for more information.

Stewart Alsop hosts a conversation with Oliver Polzin, a founding team member of Meow Wolf and naturalist, exploring the intersection of creativity, conservation, and architecture. Oliver discusses his current postgraduate work at SCI-Arc in Los Angeles studying synthetic landscapes through an architectural lens, his deep fascination with Pleistocene megafauna and the La Brea Tar Pits, and his vision for creating a "biophilic culture" that reframes humanity's relationship with other species and ecosystems. The discussion ranges from Oliver's early work building mud caves at Meow Wolf to his current explorations of AI-assisted design tools, 3D printing with recycled materials, holistic grazing management systems for the Great Plains, and the ancient Amazonian practice of creating terra preta soil—all part of his broader investigation into how we can design interventions for climate and conservation issues while maintaining what makes us fundamentally human.Timestamps00:00 Stewart introduces Oliver Polzin from Meow Wolf's founding team and discusses how his yoga teaching there inspired the podcast's exploration of creativity and stress relationships.05:00 Oliver describes his architecture graduate program studying climate and conservation through synthetic landscapes, contrasting dark green naturalist ecology with bright green capitalist environmentalism.10:00 Discussion of conservation ethics and AI's potential for monitoring environmental systems, with Oliver explaining his journey from painting to experimental mud construction at early Meow Wolf.15:00 Stewart shares his robotics learning journey with ESP32s in Buenos Aires while Oliver questions humanoid robot design, suggesting functional form factors matter more than human resemblance.20:00 Oliver explores cardboard as material obsession and explains treasure hunt mechanics in Meow Wolf exhibits, creating dopamine-driven discovery experiences through layered storytelling.25:00 Stewart describes creating treasure hunts for Spanish learners in Buenos Aires parks while Oliver validates experiential art's growing importance in an increasingly digital culture.30:00 Conversation shifts to three-d printing flexible filaments for architectural models and Oliver's megafauna book project about La Brea Tar Pits Pleistocene fossils.35:00 Oliver connects Earth consciousness to Pale Blue Dot perspective, arguing humans face developmental threshold understanding planetary responsibility after 300,000 years as anatomically modern species.40:00 Deep dive into end-Pleistocene extinction events and megafauna loss, discussing two-ton capybaras and how predator relationships shaped human psychology and anxiety responses.45:00 Oliver presents speculative Great Plains biopreserve concept with de-extinct megafauna, contrasting holistic rotational grazing with destructive monoculture agriculture systems.50:00 Discussion concludes with Amazonian dark earth technology and indigenous landscape management, emphasizing need for biophilic culture embracing deep time ecological perspective.Key Insights1. Oliver Polzin is part of the founding team of Meow Wolf and is currently studying at SCI-Arc in Downtown LA in a postgraduate program called Synthetic Landscapes, which examines global scale climate and conservation issues through an architectural lens. Architecture exists between art and science, and he believes architectural thinking offers a valuable framework for designing interventions for climate and conservation challenges. This program represents a significant evolution from his earlier work at Meow Wolf, where he created immersive experiential art installations using materials like adobe and cardboard.2. There is an important distinction in ecological thought between what Paul Kingsnorth calls dark green and light green approaches to environmentalism. The dark green strain represents the older naturalist movement from the early twentieth century, focusing on biological systems, ecosystems, and endangered species. Light green emerged in the 1970s after the Earth Day movement and centers on clean energy, solar panels, and wind power as a way to maintain our current lifestyle. Oliver argues that the bright green approach represents a capitalist overlay that has captured the conservation movement, whereas true conservation requires focusing on actual biological systems rather than just technological solutions.3. The experiential art form that Meow Wolf pioneered still has enormous untapped potential, particularly as society becomes increasingly digital. Oliver believes there will be a huge wave of experiential desire in this decade as people crave human connection and real-world excitement. The treasure hunt and scavenger hunt format represents a compelling form of real-life RPG that creates meaningful human interactions. This type of experience design, which Meow Wolf developed through installations like the House of Eternal Return, plays with human dopamine systems by compelling people to open doors, explore spaces, and follow narrative threads through physical environments.4. The architectural model or dollhouse concept represents a crucial rhetorical tool that Oliver is learning to apply to climate and conservation work. Architects have long created physical models to show stakeholders what a building will be like, and this practice of showing a story in compelling ways for different types of brains is essential for getting traction on projects. While architectural models used to be made from foam core, paper, and balsa wood, they are now largely created through 3D printing, which allows for incredibly complex forms and interlocking structures that would have been impossible to construct manually.5. Oliver is obsessed with megafauna and the end Pleistocene extinction event that occurred roughly twelve thousand years ago. For three hundred thousand years, anatomically modern humans existed alongside massive beasts like short faced bears and American lions, and we were the smaller creatures in the ecosystem. The extinction of over one hundred genera of animals over ninety nine pounds, combined with sea level rise of nearly four hundred feet, fundamentally changed human existence and led to the development of agriculture and civilization. Much of our current psychological development, including anxiety responses, is still based on this time period when we lived among these massive animals.6. The current food system in the Great Plains is fundamentally broken compared to the historical managed food system maintained by Plains tribes, who sustained thirty to sixty million bison through 1800. Oliver explored a speculative project about turning the Great Plains into a massive biopreserve of de-extinct megafauna, contrasting the natural system of rotational grazing where predators keep herds moving with the current monoculture crop agriculture that requires external inputs like fertilizer, pesticides, and herbicides. The natural system builds soil and increases fecundity, while industrial agriculture degrades soil, creates toxic runoff, and produces genetically modified crops that feed animals in toxic concentrated feeding operations.7. The fundamental challenge facing humanity now is creating what Oliver calls a biophilic or ecophilic culture that is loving of other species and our home planet. This requires both psychological shifts and changes in how we design systems at all scales. The Amazon provides a powerful example of this, as recent LiDAR mapping has revealed that what appeared to be pristine wilderness was actually a vast tended garden created by indigenous civilizations who developed technologies like Amazonian dark earth through burning middens with various additives. These cultures understood how to be embedded in a web with other species while playing an important orchestrating role, offering a model for how humans might relate to other forms of life in our current era.

WILDsound interviewed Darcy Birdwhistle Cook, a grade 12 student from the suburbs of Toronto, about her 3-minute film "Cooked," which was accepted into the under-5-minute film festival. The film, which explores a woman trapped in a bad marriage who uses a microwave to glimpse alternative realities, was created as a grade 11 film project and shot in under 5 hours at a family friend's downtown apartment. Darcy discussed her decision to pursue a Bachelor of Fine Arts in Film Production at Concordia University in Montreal rather than a Bachelor of Arts at McGill and explained how her teacher encouraged her to submit her work to festivals. She shot the film alone with a non-professional actress and used her family friend's actual apartment and fridge for the location, demonstrating impressive technical skill for a high school student. Darcy expressed interest in continuing her film studies and potentially working in the industry, while also discussing her favorite film, "The Social Network" which she has watched approximately 20 times. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

http://www.copperplatemailorder.com    Copperplate Time 541                                presented by Alan O'Leary                             www.copperplatemailorder.com  1. BOTHY BAND: Green Groves of Erin/Flowers of Red Hill.After Hours 2. DANU:   The Coachman's Whip.   When All is Said & Done3. BROCK MAGUIRE BAND:   The Bluebell Polka.  Green Grass, Blue Grass4. MACALLA:   Aililiú na Gamhna.   Women of Ireland5. TEADA:   Nora Criona.   Inné Amárach 6. TOMMY GUIHEN: The Navvy on the Shore/PegMcGrath's/McFadden's.  The Torn Jacket  7. JIMMY CROWLEY:   Jimmy Mo Mhíle Stór.  Jimmy mo Mhile Stór 8. DANNY O'MAHONY:  Lord Gordon's Reel.  Private   Recording 9. NOTIFY:  Sean Nancy's Reel. Private Recording  10. DAOIRI FARRELL:A Pint of Plain. A Lifetime of Happiness    11. LIAM FARRELL & RAYMOND ROLAND:               McGlinchey's HP/Cooley's HP Snuff. Trad Music From Galway & Clare 12. JOE COOLEY & JOE LEARY:  Queen of the Fair/The Carraroe Jig.   Cooley13. COLUM SANDS:   Fresh Bread.  Look Where I've Ended Up Now 14. JOHN McEVOY & JOHN WYNNE: The Last Train From Loughrea/Ned Coleman's. The Dancer at the Fair 15. SEAMUS ENNIS: Ask My Father/Pat Ward's Jig.  The Best Of Irish Piping 16. LIAM O'FLYNN:  Johnny McGreevey's/Sweeping the Cobwebs Out of the Sky.   The  Fine Art of Piping 17. LOUISE &MULCAHY FAMILY:  Planxty Davis/The Queen of May/Johnny Henry's Fave. The Reel Note 18. SEAMUS ENNIS: Football Crazy.  Private Recording 19. DICK GAUGHAN:The Father's Song. A Different Kind of Love Song 20. JUDY COLLINS: My Father. Who Knows Where the Time Goes 21. BOTHY BAND: Green Groves of Erin/Flowers of Red Hill.   After Hours

Photographers Cheryle St. Onge and Scott Offen join PhotoWork with Sasha Wolf to discuss their photobooks, Calling the Birds Home and Grace, both published by L'Artiere Editions. In this conversation, St. Onge and Offen generously share their deeply personal approaches to collaborating with and photographing people with whom they have profound emotional connections. St. Onge reflects on documenting her mother's experience with dementia, describing the work as an act of communication, care, and connection. Offen discusses his collaborative portrait project with his partner, Grace, exploring themes of co-authorship, gender, representation, and aging. https://www.cherylestonge.com/ https://www.scottoffen.net/ Scott Offen (b. 1960) is an American East Coast photographer whose work has been exhibited across the United States and prominently featured online. Scott holds a Bachelor of Fine Arts and a Master of Fine Arts from Massachusetts College of Art and Design. He was selected as a finalist for the Critical Mass top 200 Photolucida award in 2021 and has been chosen as a participant in the Chico Hot Springs Portfolio Review in 2020 and 2021. Scott became a recipient of the MassArt Graduate Thesis Award in 2024. Cheryle St. Onge was born in Worcester, Massachusetts. She grew up on college campuses as the only child of a Physics professor and a painter. She received an M.F.A. from Massachusetts College of Art in Boston, Massachusetts. St. Onge's work focus on the crossover of art and science and photography's ability to distill our sense of time and curiosity. She makes pictures predominantly with an 8 x 10 view camera and considers her work a collaborative process. Her photographs have been widely exhibited, most notably at London's National Portrait Gallery, Princeton University, Griffin Museum, University of Rhode Island, Massachusetts College of Art, Rick Wester Fine Arts, and with the American Institute of Architects traveling exhibition. She has received numerous awards and residences, among them a 2009 John Simon Guggenheim Fellowship, a Critical Mass Finalist Exhibition Award, Polaroid Materials Artist Support Grant, a Massachusetts Institute of Technology (MIT) Graduate Fellowship, and was named one of the ‘Top 50 Photographers' in the country by Time Magazine.

Lamar’s Wild Italian Adventure. T-Rex Purse. Morons in the News.   Everyone Needs a Laugh - Comic Trish Suhr. Lamar on the Fine Art of Picking a Switch. Lamar Returns with Italian Opinions.   Talkback Callers. Broken Nose. Can You Believe This?   Talkback Callers. From the Vault.

Perhaps it was the AIDS Quilt that redefined what a monument could look like and who could create it. Or maybe it was the quilters of Gee's Bend or the Freedom Quilting Circle in Alabama, taking the scraps of their lives — old military camo uniforms, overalls, flour sacks — honoring the living and the dead. Quilts as monuments, memorials, large and small, stretch far back into our American story.Monuments are a contentious issue these days in the South and beyond. But right now, in Alabama, the Sew Their Names Project — some 20 quilters, a reverend, and a judge — are bringing unlikely collaborations together to embroider the names of hundreds of forgotten people who were once enslaved. Creating quilts that record and tell.Today The Kitchen Sisters, together with the Jule Collins Smith Museum of Fine Art at Auburn University, present: Quilts as Monuments: Sew Their Names

President Trump is working fast to remake the nation's capital in his image.His major construction projects include demolishing the East Wing of the White House for his proposed ballroom and a planned 250-foot arch that would dwarf the Lincoln Memorial.As part of the mission to renovate D.C., the White House has bypassed many of the checks put in place for any president seeking major transformations in the city — like firing all six members of the Commission of Fine Arts and installing deputies who align with his policies.But as the president moves to transform D.C., what does the lack of oversight say about how transparent the administration is being with its plans? And where is the money from these projects coming from?Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Listen to the full episode Influential right-wing pundit turned celebrity conspiracy-peddler, Candace Owens, just visited Russia for the St. Petersburg International Economic Forum. While at “Russia's Davos” she marvelled at the cleanliness and beauty of Moscow, explained that Americans were never given any real reason why Putin invading Ukraine was bad, and deflected questions about her potential presidential run. She's not alone. MAGA has increasingly found a warm place in its heart for Vladimir Putin and other strongman dictator-types (like Viktor Orban). Owens rubbed shoulders with accused sex traffickers, the Tate Brothers, fake martial artist and aging film star, Steven Segall, Trump's head of the Commission of Fine Arts, and representatives of the Taliban, North Korea, Iran, and China. In this reimagining of Russia—the same “evil empire” of GOP patron saint, Ronald Reagan—the post-Soviet dictatorship is poo-pooed as a danger to European democracies by a growing cadre on the right. Figures like Owens, Tucker Carlson, Megyn Kelly, Tim Pool, Nick Fuentes, and Marjorie Taylor Green all oppose US support for Ukraine and involvement in the war in Iran. In another interesting turn, they now also all oppose US support for Israel—which makes for some strange diagonalist bedfellows with certain figures on the left, like Hasan Piker.  Julian unpacks this story. Stay tuned for claims that Carlson and Green have been less harmful to Gaza than Alexandria Ocasio-Cortez, as well as for erstwhile left-wing pundit Ana Kasparian's come-to-Jesus moment on Owens' show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for June 14, 2026 is: emblazon • im-BLAY-zun • verb To emblazon something is to decorate its surface, usually with a name, slogan, or picture. // Her favorite souvenir from her trip to the Grand Canyon was a t-shirt emblazoned with a rosy sunset over the famous chasm. See the entry > Examples: “Later that week we were boarding our flight with the painting secured in an enormous case with a toothy, bespectacled cartoon squirrel emblazoned on the back and a speech bubble that read ‘I'M JUST NUTS ABOUT PUZZLES!'” — Orlando Whitfield, All That Glitters: A Story of Friendship, Fraud and Fine Art, 2025 Did you know? Blazon is a less commonly used synonym of the more familiar coat of arms. Both centuries-old terms refer to heraldic designs, symbols, and other imagery (think crosses, lions, stripes, etc.) that typically appear on banners, shields, armor, and elsewhere. The verb form of blazon meaning “to depict heraldic figures or designs in drawing or engraving” and emblazon, “to inscribe or adorn with or as if with heraldic figures or designs,” came into use around the same time in the late 1500s, from the French spoken in medieval England. (The word heraldry, also ultimately from Anglo-French, came into use then too.) Emblazon still refers to marking something with an emblem of heraldry, but it is now more often used for adorning or publicizing something in any conspicuous way, whether with eye-catching decoration or colorful words of praise.

Welcome to the Wednesday Weekly Win, our business breakthrough story series. Each week, we sit down with real entrepreneurs from our Business By Design community who are building digital businesses and creating results that once felt impossible. Today, Jenni is live in the studio with none other than the Next Level "Breakthrough of the Year" winner, Chanelle Jefferson. Every year at Business by Design Live, a handful of finalists take the stage to share their massive transformations in a five-minute, TED-Talk-style presentation. The live audience votes, and Chanelle took home the top honor along with a $20,000 cash prize. Why? Because she completely revolutionized how artists sell their work, choosing to step off the exhausting, traditional hamster wheel of hoping and praying at gallery shows to build an incredibly intentional, highly profitable digital machine.  Chanelle opens up about her raw journey from running a chaotic, all-consuming $300k service business with zero profit, zero structure, and a team member she had to babysit, to finding true alignment. She reveals how she looked her numbers in the eye, restructured her entire business model using the core principles of Business by Design, and built a sustainable, multiple six-figure ecosystem with a consistent 40% to 50% profit margin - plus so much more!  This is another real story of clarity, momentum, and the breakthroughs that happen when you finally stop guessing and start following a proven path. From first digital products to 6-figure launches, to building audiences and scaling systems, every conversation reveals the mechanics of what actually creates growth in a digital business. Because when you see someone just a few steps ahead of what you're doing, something powerful happens. James's biggest free training of the year is right around the corner… The Business Breakthrough Experience - and the first live training kicks off TOMORROW, June 11th.  And leading up to it, we're creating even more opportunities for you to get the coaching, clarity, and momentum your business truly deserves. We've been hosting a special series of live panels featuring incredible Digital CEOs—like Chanelle—who are in it, doing it, and ready to share what's actually working right now. These aren't just sit-back-and-watch sessions… You'll be able to join us live on Zoom, ask your questions, and get real-time coaching from experts who have been exactly where you are. And the best way to make sure you don't miss a single one? Register for The Business Breakthrough Experience. You'll be the first to know about every panel, every opportunity to get coached, and every new Wednesday Weekly Win episode—so you can stay inspired, take action, and keep moving forward.

Jason Fisher is an award-winning producer, former studio executive, and founder of StageRunner. As former Head of Production at Disney+, Paramount, AMC Networks, and First Look Media, Fisher oversaw production on prestige series such as Breaking Bad, Mad Men, The Mandalorian, and The Walking Dead and helped shape some of the most influential film and television projects of the past two decades. Originally from Connecticut, Jason graduated from Tulane University with degrees in Architecture and Fine Arts before driving cross-country to Los Angeles with dreams of becoming a production designer. This ultimately led him on an unexpected path from production assistant to freelance producer to one of Hollywood’s top production executives. Currently, Jason is the CEO and Founder of StageRunner, a rapidly growing global soundstage marketplace and media platform connecting more than 850 studios across six continents. StageRunner is also a growing media company providing daily coverage of the latest production news, virtual production infrastructure, and the AI technologies reshaping how content gets made. In this conversation, Jason reflects on his unlikely career path, the evolution of prestige television, and the forces reshaping the entertainment industry today.See omnystudio.com/listener for privacy information.