Podcasts about fine arts

For many artists, an art career takes many twists and turns—an adventure shaped by different mediums, jobs, and ways of sustaining creative work  while at the same time, educating oneself with the histories of your chosen path.  On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with printmaker Charles Spitzack. We talk about his discovery of mokuhanga and how it connects to his broader printmaking practice. Charles shares his early experiences making mokuhanga, his teaching methods, and how his understanding of the medium developed through a Western American perspective. He also speaks about his time at the Mokuhanga Project Space, and his thoughts on the differences between oil-based and water-based mokuhanga. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Charles Spitzack - website, Instagram Seattle Print Arts - is a printmaking association based in Seattle, Washington, United States. It maintains a membership and is dedicated to the exchange of knowledge related to various printmaking practices. More info can be found, here.  High Point Center for Printmaking -is located in Minneapolis, Minnesota, United States. It is dedicated to increasing the understanding of printmaking and operates a co-op, gallery, and educational programs. More info can be found, here.  Cornish College of the Arts - is an independent art college located in Seattle, Washington, United States. Its programs emphasize experimentation and critical thinking. More info can be found, here.  Mokuhanga (木版画) - is a Japanese word meaning "wood" and "print." Traditionally, it refers to a relief printing method using woodblocks, water, natural handmade papers, and water-based pigments. With the rise of the sōsaku hanga (creative print) movement in the early to mid 20th century, mokuhanga expanded to include works made with Western oil pigments as well. Today, mokuhanga can be difficult to define, as many artists experiment with new approaches while others remain dedicated to traditional water-based methods. This balance between innovation and tradition shows that mokuhanga is limitless, continually evolving while still grounded in its past. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Stephen Hazel (1934-20120 - was a painter and printmaker based in the Pacific Northwest. He created works on paper, and educated upon the subject. More info can be found, here.  Beautiful Display 10: Beauties of Chinatown (1977) 24" x 17 11/16" Katheleen Rabel - is an American printmaker, painter and sculptor. More info can be found, here.  Penedo Alto (sōsaku hanga) 50″ x 39″ Hideo Hagiwara (1913-2007) - was a mokuhanga printmaker who came of age during the sōsaku hanga period of the mid 20th Century in Japan. He studied printmaking with Un'ichi Hiratsuka (1896-1997). Hagiwara made prints that were expressive of the self and abstract. He taught at Oregon State University in 1967.   Lady No. 6 (1975) 24.75" x 18.25"  kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   floating kentō - is like the traditional kentō registration technique but is carved on an "L" shaped piece of wood, and not onto the wood block.  monotype print - is a unique print created from an image painted or drawn on a smooth surface, such as glass or metal, and then transferred to paper. Unlike most printmaking methods, where multiple copies of the same image can be produced, a monotype typically has a single, one-of-a-kind image. It's called a "mono" type because it is not part of an edition like traditional prints (e.g., lithographs, etchings), where you can make multiple copies.  Mike Lyon  -  is an American artist. His medium has varied throughout his career such as "square tiles," or "pixels," through to making mokuhanga, monoprinting, and machine-assisted etching, drawing and mezzotint. Mike Lyon also has a large woodblock print collection which he has curated for the public, here. More information about his work can be found, here. Mike's interview with The Unfinished Print can be found, here.  Grass 4 (2010) 77" x 22" Naoko Matsubara - is a Japanese/Canadian contemporary artist, and sculptor, who lives and works in Oakville, Ontario, Canada.  She has focused much of her artistic life on making mokuhanga and has gained critical acclaim for it.  Naoko Matsubara's interview with The Unfinished Print can be found, here.  Conducting (2004) 22.05" × 15.59" Katsutoshi Yuasa - is a Japanese contemporary artist, and sculptor, who works predominantly in mokuhanga. He has  produced an incredible mount of work. Katsu's interview with the Unfinished Print can be found, here.  On The Dawn of Night and Fog (2025) 39.37" in × 78.74" Antonio Frasconi (1919-2013) - was a Urugyuan printmaker who lived and worked in the United States. He cerated coloured woodcuts and was an educator and author. Frasconi's themes could be political in nature. More info can be found, here.  Cows (1955) 7 1/2" x 12 15/16" The Arts and Crafts Movement in America - flourished from the late 19th to early 20th century, emphasizing simplicity of design, and the use of natural materials as a response to industrial mass production. Inspired by the ideals of John Ruskin (1819-1900) and William Morris (1834-1896) in Britain, the movement in the United States was closely tied to architecture, furniture making, and decorative arts, promoting honesty and a functional beauty.  There was a link with social reform, criticizing modernity and industry and fostering communities of makers across the country. In Japan this folk movement was explored in the mingei movement of the early 20th Century.  William S. Rice (1873-1963) - was a painter, educator and woodblock artist from the United States. Having moved to California early in his life, Rice made landscape prints and paintings of California. At the 1915 Panama Pacific International Exhibition, Rice had a chance to see Japanese mokuhanga in person and was influence by those prints in his woodcuts.  The Windy Summit (1925) 9" x 12" Arthur Wesley Dow (1857-1922) - was an American printmaker who was greatly influenced by Japanese ukiyo-e. He wrote a book on the subject of printmaking called Composition which was published in 1905.    Lily (Ipswich Prints x 1901) 5½" x 4⅛"   Toledo Museum Shin Hanga Exhibitions (1930 & 1936) - were held at the Toledo Museum of Fine Arts in the United States. These two exhibitions played an important role in introducing Japanese woodblock prints to the American market. They were curated by J. Arthur MacLean and Dorothy L. Blair. Artist Hiroshi Yoshida (1876-1950) had traveled to the United States in the 1920s, helping to set the stage for these exhibitions. More info can be found, here.    Walter J. Phillips (1884–1963) - was a British-Canadian printmaker who began his career as a commercial artist. After moving to Canada, he produced etchings, watercolors, and color woodcuts. Influenced by Japanese ukiyo-e, Phillips's prints offer a distinctive view of Canada in the early to mid-20th century.My interview with Sophie Lavoie of The Muse/Lake Of The Woods/Douglas Family Arts Centre about the life and times of Walter J. Phillips can be found, here.      Warren's Landing, Lake Winnipeg (1931) 6.30" × 9.45"   Kathleen Hargrave - is a printmaker and kiln formed glass maker. Kathleen explored various printmaking methods but uses mokuhanga in her practice. Kathleen's mokuhanga is abstract and uses colour in a fantastic way. More info can be found, here.      Resilience 5   Pratt Fine Arts Center - is a nonprofit arts educator in Seattle, Washington. It offers classes and instruction on various artistic expressions such as blacksmithing, glass, jewelry, paintings and printmaking. More info can be found, here.     Mokuhanga Project Space - is a mokuhanga residency located in Walla Walla, Washington, USA. It was established in 2016 and is led by printmaker Keiko Hara. My interview with Keiko Hara and Benjamin Selby of MPS can be found, here. More info can be found, here.    Shoichi Kitamura - is a woodblock carver and printmaker based in Kyoto, Japan. Shoichi has been involved in MI Lab through his demonstrations on carving. More info can be found, here.    Utagawa Kuniyoshi - from The Series Bravery Matched With The Twelve Zodiac Signs. A Modern Reproduction 4.13" x 11.15" (2017) printed and carved by Shoichi Kitamura   April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the most authoritative books on the subject and has influenced many mokuhanga artists. April's interview with The Unfinished Print can be found, here.     It Happened To Me  (1995) 11" x 14"   Andrew Stone - is an American mokuhanga printmaker based in Florence, Italy. He is also a baren maker. The baren is a mokuhanga specific tool. Andrew's interview with The Unfinished Print can be found, here.    Tutto Bene? (2024)   Davidson Galleries - is a gallery situated in Seattle, Washington. Opening in 1973 Davidson Galleries focus on works on paper. In their stable of artists is Charles Spitzack and Andy Farkas. More info can be found, here.    SGC International - the Southern Graphics Council is a member supported printmaking organization which supports printmakers throughout the world. It is located in Kennesaw, Georgia, United States. More info can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. My interview with Karen Kunc for The Unfinished Print can be found, here. More information can be found on her website, here.      Weight of Air (2018) 12" x 24" Woodcut, etching, pochoir, watercolor   Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan and New York City, NY. More information can be found, here.    Ballinglen - is an arts foundation based in Ballycastle, Co Mayo, Ireland. The groups aim is to "enhance cultural awareness," of North County Mayo. This is done via fellowships, education, exhibitions and workshops. More info can be found, here.    Pomegranate - is a company which sells items such as jigsaw puzzles, holiday cards, etc using different types of artists  and their work in these pieces. More info can be found, here.    Gustave Baumann (1881-1971) - was a colour woodcut printmaker, and painter of German descent who made his life in the United States. More info can be found, here.      Marigolds (1960) colour woodcut 12 7/8" x 12 7/8" © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Intro music by Oscar Peterson, I Got It Bad (And That Ain't Good)  from Night Train (1963) Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know.  ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                  

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Philip Hoffman is here to share his journey from CPA to investing in fine art. He founded The Fine Art Group, where he advises wealthy families on art investing, valuations, lending, and education. He outlines the global art market as a $60 billion industry with only $6–10 billion considered truly investable, highlights the risks and pitfalls of treating art as an asset class without expert guidance, and shares cautionary tales of investors losing millions by buying discounted works without due diligence, contrasted with success stories where expertise and timing led to strong returns. We discuss...  Philip Hoffman began his career as a CPA at KPMG, later became CFO and youngest board director at Christie's, and eventually founded The Fine Art Group. His firm advises wealthy families across 28 countries on art transactions, valuations, education, and art-backed lending. Investable art includes high-value works, jewelry, vintage cars, and luxury items like Hermès handbags, while most antiques and collectibles fall outside this category. Investors can access art through funds, private credit against art, direct ownership, or syndication with others. Hoffman emphasizes that art buyers should use reputable advisors, much like when purchasing real estate, to avoid costly mistakes. A client once spent $4 million on 40 polo paintings by an unknown artist with no resale market, ultimately finding them worthless. Using an advisor costs a fraction of an artwork's price but can prevent costly mistakes. Even seasoned collectors often misjudge valuations; in one example, most experts mistook a $1M Monet for a $10M Monet. Condition issues, provenance gaps, and theft risks make professional due diligence essential in high-value purchases. Current market conditions—with top-tier art down 20–30% from recent highs—make this one of the best times in decades to buy blue-chip works. Wealthy collectors often allocate about 5% of their portfolio to art, balancing enjoyment with investment. The black market exists, but high-profile stolen works are nearly impossible to sell through reputable channels. Damage usually devastates value, though rare cases like Banksy's shredded artwork increased in worth due to notoriety. Mishandling in storage, shipping, or moving can ruin artworks, highlighting the importance of professional logistics. Over decades, disciplined art investors with good advisors typically achieve strong compounded returns comparable to or exceeding equities. Today's Panelists: Kirk Chisholm | Innovative Wealth Phil Weiss | Apprise Wealth Management Douglas Heagren | Mergent College Advisors   Follow on Facebook: https://www.facebook.com/moneytreepodcast Follow LinkedIn: https://www.linkedin.com/showcase/money-tree-investing-podcast Follow on Twitter/X: https://x.com/MTIPodcast For more information, visit the show notes at https://moneytreepodcast.com/investing-in-fine-art-philip-hoffman-742 

Kate Burling (b.1998, Reading) lives and works in South East London. Her iridescent finger-paintings examine a corporeal experience of exponential change. Marking the inside and outside of the skin as initial zones of softness and hardness respectively, Burling observes a gradual obscuring of boundaries as the sponge-like body ages and absorbs. Her paintings are amalgamations of rolling mass with repeated motifs, scattered like confetti. They are places of rumination, where the artist attempts to catch elusive ideas and map them in soft, organic space. Since completing her BA in Fine Art at Camberwell College in 2022, Burling has presented two solo shows with Nosbaum Reding (Brussels) and Ronchini Gallery (London), as well as taking part in a number of group exhibitions at Christie's, Guts Gallery, Soup Gallery and Milan Art Fair, and residencies at Goodeye Projects, Pictorum Gallery (both London) and Fondazione Sandro Moretti (Umbria). Since November 2024, Kate Burling has been a participant at the Conditions Studio Programme in Croydon. She is currently working towards a breadth of projects within the programme and externally, including a solo show with Solito Gallery, Naples in October 2025.

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

Claire de Mézerville López welcomes IIRP alumnus Joseph Iacona to the Restorative Works! Podcast. We are joined by Joseph as he takes us behind the scenes of projects in schools, libraries, prisons, shelters, and behavioral health facilities, revealing how restorative practices create authentic collaboration between artists and communities. He shares powerful stories, including a mural co-created with youth aging out of the foster care system—a project that evolved into a living, breathing space of connection and care years after the paint dried. As a featured speaker at the IIRP's upcoming World Conference on Artful Integration, Joseph offers a preview of his presentation on the parallels between successful public art projects and restorative leadership. He issues a call to action for more intentional partnerships between artists and restorative practitioners to use art as a tool for authentic collaboration and social change. Joseph is a visual artist and restorative practitioner. He has initiated more than 100 community art projects in schools, libraries, museums, prisons, shelters, behavioral health facilities, and other public service centers. As the director of the Mural Arts Institute for Mural Arts Philadelphia, the United States' largest public art nonprofit, he develops resources on community driven mural-making for other artists and public art advocates around the world. Joseph holds a Master of Science in Restorative Practices with a specialization in Community Engagement from the IIRP and a Bachelor of Fine Art with concentrations in painting and art history from Kutztown University of Pennsylvania. He's an upcoming featured speaker at the IIRP's next World Conference on Artful Integration, Exploring the Art and Science of Restorative Practices. Tune in to hear more from Joseph as he explores how defining “community” is an essential first step, and how tools like narrative mapping can uncover shared values and vision.

Tony Dočekal (Amsterdam, 1992) is a photographer and visual artist. Her work explores identity, belonging, and the friction between autonomy and societal expectations. Working intuitively, she combines personal encounters with quiet observations. Her images balance intimacy and distance, often showing how personal stories and landscapes reflect larger systems.Tony's first book, The Color of Money and Trees, was published by VOID in 2024 and launched at Paris Photo. The work was also exhibited at Biennale Images Vevey alongside her debut short film, Pearls on Credit. She holds a BA in Fine Arts from ArtEZ University of the Arts. In episode 263 Tony discusses, among other things:Her Czech dad and Dutch mum's historyDealing with the ‘weight' of the photographic history of the American road trip genreThe advantage of being an outsiderGetting a dream gig early on - a photobook book about alternative schoolsGoing to Lesbos to cover the refugee crisisWorking with the unhoused for Dutch non-profit the Sheltersuit FoundationThe story behind her picture of a man in a pink frilly dress…… And the one of 9-year-old Lyric in front of a plate of beansThe short film she madeThe amazing 70's-built house she has bought with her partnerReferenced:Josef Koudelka Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Shirley Moorhouse was 65 when she decided to pursue a Master of Fine Arts. Though she's been creating art for more than three decades, now, at age 69, she's finally having her moment. This year, the Labrador-based Inuk artist is on the longlist for the prestigious Sobey Art Award, a major solo exhibit of her work is currently on display in St. John's, and one of her wall hangings will be shown at the National Gallery of Canada come October. Shirley speaks with guest host Gill Deacon about how her grandmother set her on course to become an observer and a creator when she was just a newborn, the technique behind her wall hangings, and how it feels to be in the prime of her creative life.

Join Kate for an interview with Lisa D. Watson, an artist, gardener, and activist.    Lisa D. Watson (b.1967) grew up in Northeast Ohio where she spent many days in the wooded forest behind her childhood home. The day the bulldozers flattened the forest to a suburb was the day she found her lifelong mission; tell the stories of the voiceless species of the natural world.  Watson received a Bachelor of Fine Arts from the Columbus College of Art & Design in Columbus, Ohio. Since her academic studies, she has used salvaged objects as her medium.  Through her art and garden designs, Watson strives to find balance between urbanization and conservation. Her company, Plan it Green Design, LLC, provides homeowners with creative and sustainable design solutions, emphasizing the use of native plant species. Currently she is collaborating with The Georgia Plant Conservation Alliance, The Longleaf Alliance, and the Georgia Native Plant Society. After receiving a Certificate of Interior Design in Chatsworth, California, Lisa moved to Savannah, Georgia and works out of her studio and native garden. I was lucky enough to be able to visit and chat.   Check out Lisa here: https://www.art-ldw.com/ https://www.instagram.com/art.ldw/ https://www.facebook.com/planitgreendesign/     Theme song by Jose Ray, an artist, DJ, & friend of the show!

Rethinking the Alien Mythos with Christopher Noël Christopher Noël holds a Master's degree in philosophy from Yale University and a Master's in Fine Arts from Vermont College of Fine Arts where he taught writing for 20 years. He also researches the phenomenon of Sasquatch. He is author of several books, including There is No Veil: … Continue reading "Rethinking the Alien Mythos with Christopher Noël"

What happens when your creative process becomes a mirror, reflecting back the deepest parts of your identity? I sit down with abstract artist Gina Tyquiengco to discuss her winding creative path, from teaching herself graphic design to finding her voice as a painter.  Gina explains how her signature black, white, and gold palette is a deliberate reflection of her Guamanian and African American heritage, duality, and spirituality. This is a powerful conversation about trusting the process and the joy of making art alongside your children.   Chapters 00:00 - Introduction to Gina Tyquiengco 01:50 - A Multicultural Upbringing Fueled by Creativity  04:00 - The Clever Kid Who Drew Inside the Cabinets  05:20 - How Bob Ross Sparked a Lifelong Passion for Painting  07:25 - The Winding Road from Graphic Design to Fine Art  10:00 - Painting for a Paycheck vs. Painting for Self-Discovery  14:10 - The Meaning Behind a Black, White, and Gold Palette  18:00 - Exploring and Mastering a Signature Style  21:00 - Knowing When a Painting is Truly Finished  27:00 - The Beautiful Collaboration of Painting with Her Daughter  31:30 - Advice for Aspiring Artists on Mastering Your Craft  35:30 - The Key to Getting Your Work Seen by the Right People   Check out the full video interview on our YouTube channel! https://youtu.be/kMS6hWeBtPI   Connect with Gina: Follow Gina on Instagram:https://www.instagram.com/ginatyquiengco/ Gina's Website: https://www.ginatyquiengco.com/   Support the Show Website: www.martineseverin.comFollow on Instagram: @martine.severin | @thisishowwecreate_ Subscribe to the Newsletter: www.martineseverin.substack.com This is How We Create is produced by Martine Severin. This episode was edited by Santiago Cardona and Daniel Espinosa.   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Een inkijkje achter de schermen bij BMW verdient wat tijd. Daarom hierbij deel 2 van het interview met Michael Kreeft, die ook nog naar Japan verhuisde. Ook dit deel is opgenomen in het Louwman Museum, tijdens de Fine Art on Wheels expositie, waarin de BMW Art Cars centraal staan. Laat ons vooral even weten wat je vond van een aflevering als deze. We mogen trouwens nog korting weggeven bij ⁠⁠⁠⁠⁠⁠Carclean.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ voor poetsspullen. Vul de code YDP10 in, en je snapt meteen waar dat getal op slaat. Volg ons op ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠en check ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠onze website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Muziek voor tijdens het rijden ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vind je hier⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Gary is a writer, actor and producer. His love for film from all eras of history inspired him to go to film school and graduate with his Bachelor's of Fine Arts degree. He continues to work hard in this wonderful field.Gary's Links: ⁠https://www.imdb.com/name/nm10850139/?ref_=tt_ov_st_3⁠⁠https://www.instagram.com/garymiceli/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

At some point in our lives, we all step into the void. Something so big happens that we struggle even to make sense of it.  This week Andrew is in conversation with artist JESSA FAIRBROTHER about finding our way through the pain of these unwanted experiences without getting trapped in repeating loops.  We discuss: How grief over the loss of her parents and experiences of infertility have shaped Jessa's work as an artist.  Finding value and beauty inside the void. The cultural concept of the happy ending.  The transformative power of art.  Jessa Fairbrother is a British visual artist whose work spans stitch, photography, performance and drawing. The body is her main material. The artist book of her work Conversations with my mother, is held in collections at Tate Britain, the V&A, London and The Museum of Fine Art, Houston. Her companion piece, Role Play (Woman with Cushion) is included in Acts of Creation: On Art and Motherhood, a Hayward Touring exhibition travelling the UK throughout 2024-2025. Jessa became an RWA Academician in 2023. In 2025 she was awarded a DYCP award from ACE to expand her interdisciplinary writing and is authoring her experimental hybrid memoir. She works from her studio in Bristol and the Wye Valley, UK. If You're Looking for More…. You can subscribe to The Meaningful Life (via Apple Podcasts, Spotify or Google Podcasts) and hear a bonus mini-episode every week. Or you can join our Supporters Club on Patreon to also access exclusive behind-the-scenes content, fan requests  and the chance to ask Andrew your own questions. Membership starts at just £4.50 This week supporters will hear: The Healing Power of Making Things With Your Hands Three Things Jessa Fairbrother knows to be true.  AND subscribers also access all of our previous bonus content - a rich trove of insight on love, life and meaning created by Andrew and his interviewees. Follow Up Attend Andrew's new men's retreat, Reconnect With Yourself, this autumn in the Brandenberg countryside near Berlin  Get Andrew's free guide to difficult conversations with your partner: How to Tell Your Partner Difficult Things  Visit Jessa Fairbrother's website  Follow Jessa Fairbrother on Instagram @jessfairbrother Read “Letting Go of IVF”, by Jessa Fairbrother, on the Wellcome Collection website Take a look at Andrew's new online relationship course: My Best Relationship Tools Join our Supporters Club to access exclusive behind-the-scenes content, fan requests and the chance to ask Andrew your own questions. Membership starts at just £4.50 Andrew offers regular advice on love, marriage and finding meaning in your life via his social channels. Follow him on Twitter, Facebook and YouTube @andrewgmarshall   

Artist Shelley Bruce is a 4th generation, Black Los Angelino, sharing her service work with a focus on the arts, healing and activism. With two Bachelors in Ethnic Studies and Fine Art, for nearly 20 years, Shelley has performed poetry at hundreds of shows, directed nonprofit organizations, and organized social justice programs throughout Southern California. She has most notably traveled to Washington DC, New York, Ghana, London, Barcelona, and across Southern California sharing her artistic expression. Her first book of poetry titled On Blooming (2018) first poetry album Heaven Here (2021), and newest poetry EP “MVP.iii” (2024) reflect some of her published bodies of work. Shelley is also the founder of grassroots movements Day of Healing and BIPOC cultural production company The Heart Dept. Her central focus is to create wellbeing for all people through compassion-centered, sustainable movements.theheartdept.cowww.instagram.com/artistshelleybruce

The Kaleidoscope Visions panel presents this month's “VIRGO MOON PHASES Pisces Lunar Eclipse” where mutable moons stir massive shifts.“Get ready for a powerful new lunar cycle! It all kicks off with a new moon at the very start of Virgo. This journey will take us through a series of mutable signs, building towards a dramatic moment: a lunar eclipse at 15 degrees Pisces. This first of two eclipses beautifully highlights the dynamic tension between the broad, sweeping consciousness of Pisces and the careful, focused detail of Virgo. Eclipses are a time for redefining and starting fresh," explains founder and host, Sue Minahan. “This month is a chance for us to discover how we can serve our truth and nurture those around us. As we move through the Gemini 3rd quarter moon, we'll be thinking about how to fix what's broken before the final curtain call of this cycle: the solar eclipse at 29 degrees Virgo.” The moon's our personal planet regulating the past coming into the present. Weekly the moon systematic monthly cycle transitions from the New Moon to first quarter, Full Moon, and third quarter moon phases. Daily moving 12-13 degrees, the moon moves through a Zodiac sign in two & a half days.Joining Sue Rose Minahan from Kailua-Kona, Big Island, Hawai'i are Kaleidoscope Visions panel members, Amanda Pierce, and John Chinworth of Seattle. Speaker bios are listed below and on the Talk Cosmos website.Catch new episodes weekly through YouTube, Facebook, radio, and podcast platforms. Be sure to stay connected and subscribe at TalkCosmos.com to access the latest content, including curated panels and subject-themed playlists.JOHN CHINWORTH: Consultant, Conference Lecturer, Writer/Poet. Diploma from the International Academy of Astrology (IAA) in 2021. More than two decades of experience. Lectured at NORWAC, and SFAS | Obsessed with mythology & branded the Greco-Roman pantheon into his psyche | Past board member of WSAA |Teaches and mentors developmentally disabled and resource students for many years | Pens poems and does road trips around Washington. email: archerstars@gmail.com | website: https://www.skypathastro.comAMANDA PIERCE: blends her eclectic style of astrology and energy magic around a soul-centered approach to life and healing. With a B.A. in Psychology, Astrology and Energy Work Consultation | Meditation | Writing & Editing. Empowerment-based Meditation: teaching in-person 4-week series classes. Email: Amandamoonastrology@gmail.com Past WSAA Board Member | UAC 2018 Volunteer Coordinator.SUE ‘ROSE' MINAHAN: Evolutionary Astrologer Consultant, Speaker, Writer, Dwarf Planet University graduate & tutor; Vibrational Astrology student, Kepler Astrology Toastmaster Charter Member; member of Wine Country Speakers; holds an Associate of Fine Arts Music Degree, & a Certificate of Fine Arts in Jazz. Artist & musician. Mythology enthusiast. Founder of Talk Cosmos weekly conversations awaken heart and soul consciousness. 2025 Season 8. https://www.talkcosmos.com#TalkCosmosKaleidoscopeVisions #SueMinahan #JohnChinworth #AmandaPierce #astrologyYouTubeconversations #MajorLunarPhases #marsinlibra #talkcosmos #Kaleidoscopevisions #astrologypodcastweather #TalkCosmos #SkyPathAstro #TalkCosmosYouTubeChannel #KKNWAM #PiscesLunareclipse #virgonewmoon #firstquarterMoon #QuarterMoon #moonphases #astrologyfacts #astrologywisdom #astrologyinsights #astrologypodcasts #radiopodcast #youtubeconversationpodcasts #jupiterincancer #saturninaries #neptuneinaires #astroweather #cosmos #uranusingemini #newmoonleo #virgoseason #moonenergy #astrologytips #astrologyfacts #astrologywisdom #lunareclipseSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this week's Fraud Friday, Laci is joined by Chelsea Devantez (The Problem with Jon Stewart) to discuss Inigo Philbrick, a young art dealer who took the fine arts world by storm with a few Ponzi schemes. Plus, an LA rapper who rapped about committing fraud has plead guilty! Stay Schemin'! (Originally Released 09/12/2022) CONgregation, catch Laci's TV Show, Scam Goddess, now on Freeform and Hulu!Did you miss out on a custom signed Scam Goddess: Lessons from a Life of Cons, Grifts and Schemes book? Look no more, nab your copy here on PODSWAG Follow on Instagram:Scam Goddess Pod: @scamgoddesspodLaci Mosley: @divalaciChelsea Devantez: @chelseadevantez Research by Kaelyn Brandt SOURCES:https://news.artnet.com/art-world/inigo-philbrick-intelligence-report-2020-1800972https://www.dailymail.co.uk/news/article-10819073/Made-Chelsea-star-led-lavish-life-Inigo-Philbrick-faces-years-jail.htmlhttps://www.theguardian.com/artanddesign/2022/may/25/inigo-philbrick-jailed-art-fraudhttps://www.tatler.com/article/inigo-philbrick-art-dealer-arrested-vanuatu-south-pacific-art-fraudhttps://www.latimes.com/california/story/2022-07-06/rapper-accused-of-fraud-agrees-to-plead-guilty-but-will-nuke-bizzles-career-fizzle Subscribe to SiriusXM Podcasts+ to listen to new episodes of Scam Goddess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus.

Rohan Blair-Mangat brings a sharp, painter's eye to filmmaking, shaped by his roots in Jamaica, India, and London. With a degree in Fine Art from Central Saint Martins, his work vibrates with bold visuals and layered storytelling. This episode of Visual Intonation dives into the early influences that shaped his creative voice and the moments that first sparked his passion behind the lens.From award-winning music videos to global commercial campaigns, Rohan's portfolio reads like a cultural mixtape. He has collaborated with icons including JAY-Z, Lionel Messi, Maya Rudolph and Nas, crafting visual narratives that are as emotionally rich as they are technically masterful. We explore what it takes to bring out the human core in star-driven projects, and how Rohan balances art with scale.We also dig into the stories behind his standout works—like the haunting short film “Bam,” video with Jay-Z, and the cinematic journey of “Nasir – The Film.” Rohan shares how each project challenged him differently, and why music continues to be a powerful entry point into larger cultural conversations.Now based in Los Angeles, Rohan is developing original film and television projects with the same precision and perspective that define his short-form work. Join us as we talk vision, identity and the rhythm that drives a director at the intersection of art and impact.Rohan Blair-Mangat's Website: https://rohanbm.com/Rohan Blair-Mangat's Instagram: https://www.instagram.com/rohanbm/?hl=enRohan Blair-Mangat's IMDB: https://m.imdb.com/name/nm3337828/Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

This episode of Drawing Hive we're joined by illustrators and painters John English and Cassandra Kim as we paint reference inspired by a very silly movie. View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Want more art tips & industry insights? Subscribe & turn on notifications!#figuredrawing #artpodcast #visualartspassage

This episode of Drawing Hive Cassandra Kim, Scott Anderson, Adam Gustavson, and John English are joined by comic book artist Reilly Brown. Reilly's illustration work includes Deadpool, DC comics, Darkhorse, and more.View Visual Arts Passage Courses:https://www.visualartspassage.com/Follow Visual Arts Passage:https://www.instagram.com/visualartspassage/https://www.facebook.com/visualartspassageSubscribe to our Youtube:https://www.youtube.com/visualartspassage?sub_confirmation=1----------------------------------------------------------Visual Arts Passage offers online mentorship programs in Illustration and Fine Arts, led by industry professionals to help you develop real-world skills and build a career doing what you love.Want more art tips & industry insights? Subscribe & turn on notifications!#figuredrawing #artpodcast #visualartspassage

In the second part of my conversation with Lisa See, author of Lady Tan's Circle of Women, The Island of Sea Women, and more, we talked about the interior side of writing–things like dealing with your inner critic and dealing with the parts of writing and of life you would really rather not do, including:- The fascinating tidbit of information her research taught her about Los Angeles- How the Chinese public discourse about the smallpox epidemic that occurred 500 years ago is eerily similar to the controversy over Covid vaccines- The predictable emotional rollercoaster she rides each time during the revision process- Why writers should start celebrating good sentences the way Olympians celebrate an important point- The ninja trick of agreeing with your inner critic- A potential peril of becoming an internationally bestselling author- How the inevitable losses we experience with age can deepen your writing- The things she says no to now that she's the age that she is- Some of the beliefs and attitudes passed down through the Chinese side of her family she really had to work to cast off (and how her mother, who is not Chinese, helped)- Why reading fiction is her go-to personal development toolThis week's episodes are a replay. Hope you enjoy the last couple weeks of official summer and come back September 1 when I have a new guest–another author who specializes in historical fiction and telling women's stories that have been hidden or overlooked.Connect with Lisa on Instagram @lisasee_writer.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening!And thanks to this week's sponsor, Air Doctor Pro. Visit airdoctorpro.com and use code KATE to save 30% off an amazing indoor air filter *and* receive a free three-year warranty (an $84 value). Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we delve into the critical issues of immigrant rights, the profound impact of storytelling, and how both shape justice and community in Los Angeles.Angelica Salas is a nationally recognized immigrant rights leader and Executive Director of the Coalition for Humane Immigrant Rights (or Chirla), a Los Angeles-based non-profit organization that advocates for the human and civil rights of immigrants and refugees, working to advance justice and full inclusion for all immigrants . An immigrant from Durango, Mexico, Angelica came to the U.S. as a child and later became a citizen in 2008. Since joining CHIRLA in 1995 and becoming its director in 1999, she has helped grow the organization into one of the country's most influential immigrant-led groups, leading major local and national campaigns for immigrant justice—including drivers' licenses for undocumented people, in-state tuition and aid for undocumented students, and DACA protections. She also helped found key national coalitions like FIRM and NPNA and serves as a powerful spokesperson for immigrant communities across media and policy spaces.Resources:www.chirla.orgInstagram: @chirla_orgErnesto Rocha aka ‘undocubae', is an organizer, storyteller, artist and TEDx Speaker. He has over 15 years of community organizing and storytelling experience. His work focuses on advocating for systematically impacted communities, immigrant rights and low wage workers in various industries in Los Angeles. Ernesto uses the power of story to explore identity and narrative formation as a process of collective empowerment and liberation. He is a sought after curator and creative director that works with non-profit organizations, governmental agencies and art/cultural centers to produce original storytelling installations/activations to advance the understanding of complex social justice issues. He worked at Community Coalition for 8 years and served as the Associate Director of Art + Culture. He graduated from UCLA with a Bachelors of Arts in Political Science and Chicana/o Studies and is currently pursuing his Masters in Fine Arts from the USC Roski School of Art.Resources:Instagram: @undocubaelinktr.ee/undocubaeCommunity AnnouncementsFamily Source Centers: l4families.orgLA Legacy Business Grants: bit.ly/LAlegacy (link is case-sensitive)LA Business Source Centers: bit.ly/BusinessSource10 (link is case-sensitive)

Jeremy Drummond's work has been exhibited in museums, galleries, and festivals worldwide. His films/videos have received awards such as the National Film Board of Canada Award at the Images Festival (Toronto), Best Experimental Video at the Reeling: Chicago Lesbian & Gay International Film Festival, the People's Choice Award at the New Forms Festival (Vancouver), and the No Budget Award at the Cinematexas Festival of International Film & Video (Austin). He has received grants and fellowships from the Canada Council for the Arts, National Film Board of Canada, and Virginia Museum of Fine Arts. His work has been featured and/or reviewed in magazines, journals, and newspapers, including Art Papers, Cabinet, Canadian Architect, Frieze, NRC Handelsblad, Prefix Photo, SEAMUS, The Washington Post, and The Wire: Adventures in Sound & Music.Drummond's films and videos are distributed internationally by LIMA (Amsterdam), Videographe (Montreal), Video Pool Inc. (Winnipeg), Vtape (Toronto), and The Film-maker's Cooperative/The New American Cinema Group (NYC). His printed works are/have been available from Art Metropole (Toronto), Printed Matter Inc. (NYC), and the New Museum of Contemporary Art (NYC). In addition to his solo work, Drummond works extensively with artist David Poolman as Never Met A Stranger -- a collaborative platform for the production of art and experimental media, a publisher of vernacular arts and culture, and an ongoing archive of field recordings, interviews, and documentary resources that collectively explore relationships between perception and representation, industry and the environment, and landscape and culture throughout central Appalachia and the rural North American South.Drummond is the organizer and curator of the Frames of Reference annual program of artists' film and video. With support from the University of Richmond's Department of Art & Art History, University Museums, and School of Arts & Sciences, Frames of Reference showcases some of the most creative, challenging, thoughtful, and visionary artists working in film, video, and alternative media today. Programs feature artists and artworks that resist conventions and ideologies of mainstream media; explore creative, innovative approaches to narrative and experiments in time-based media; and embrace unique viewpoints, perspectives, or frames of reference.

Archetypal Symbols panel unpacks the “0° Virgo New Moon Discriminating Power”.“The Virgo New Moon refines the threshold of transcending metamorphic change. Using discrimination to empower reconstructing patterns that must be broken down to be re-woven. Perhaps connecting with our neighborhood environment provides clarity activating how to work with present adjustments,” said Sue Minahan, founder and host of the weekly show. “This Virgo New Moon internalizes values ready to nurture a deeper authentic self.”The 0°23' Virgo New Moon cosmic energies peak on 23 August at 2:06:18 a.m. EDT (Washington DC) and 6:06:17 a.m. UT (Greenwich, UK). The Archetypal Symbols panel synthesizes each New Moon's astrology, numerology, tarot, Jyotish Nakshatra, and the Sabian Symbol system—a mystical imagery set serving as a unique tool for personal exploration and astrological insight.Joining Sue Rose Minahan from Kailua-Kona, Big Island, HI, are Justin Crockett Elzie of Port Angeles, WA, and Elizabeth (Liz) Muschett from Camano Island, WA. Speaker bios are listed below and on the Talk Cosmos website.Catch new episodes weekly through YouTube, Facebook, radio, and podcast platforms. Be sure to stay connected and subscribe to TalkCosmos.com to access the latest content, including curated panels and subject-themed playlists.ELIZABETH (LIZ) MUSCHETT: Professional Astrologer, Intuitive, Numerology, Tarotist, Counselor; International Teacher & Tutor; Workshops; Lecturer; Author & Blogger. / @elizabethlizmuschett episodes. Past board member of WSAA. Sacred Healing Counselor; International Reiki Master & Teacher. Provides nurturing in-depth individual and couples consultations. https://www.ALightPath.com Email: liz@alightpath.comJUSTIN CROCKETT ELZIE: An Archetypal Jyotish Astrologer, Teacher, Spiritualist Evidential Medium, Yoga & Meditation Teacher, Buddhist, and Author. Justin specializes in Predictive/Electional, and Karmic Astrology. He combines Western Ancient Astrology and Modern Psychological Astrology with Eastern Jyotish Astrology providing in-depth analysis of Natal charts, Synastry (couples charts), Draconic Charts, Progressions, Transits and Planetary Returns. Justin does Astrological research into arcane Astrological concepts, focusing on the mystical/occult side of Astrology. / @astrologicalyogi Email: justin.elzie@gmail.com | https://www.JustinCrockettElzie.com SUE ROSE MINAHAN: Evolutionary Astrologer & Consultant, Workshops, Lecturer, Talk Host, Writer. Vibrational Astrology student. Dwarf Planet Astrology graduate & tutor. Kepler Astrology Toastmasters charter member (KAT); Wine Country Speakers member. Associate of Fine Arts Music Degree; Certificate of Fine Arts in Jazz. Founder of Talk Cosmos insightful conversations awaken heart and soul consciousness. Talk Cosmos 2025 Season 8 on Talk Cosmos YouTube Channel, Facebook, Radio, Podcasts. https://www.TalkCosmos.com email: info@talkcosmos.com#talkcosmos #sueminahan #elizabethlizmuschett #justincrockettelzie #virgonewmoon #uranusingemini #astrologypodcast #podcasting #sabiansymbols#alightpathmuschett #numerology #tarot #nakshatra #vedic #neptuneinaries #kknw #astrology #podcast #sueroseminahan #sueminahan #archetypalsymbols #jupiterincancer #saturninaries #alightpath #astroweather #virgoseason #virgo #lunarcycle #moonenergy #newmoonritual #virgovibes #celestial #astroinsights #zodiaclife #astrowisdom #cosmicguidance #astroguidance #empowermentjourney #newmoonmagic #newmoonintentions #healing #archetypalsymbols #talkcosmos #astrologicalyogi #justinelzie #saturnneptuneSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In Tandem, the joint exhibition between printmaker extraordinaire Chloe Alexander and your boy, JBarber, recently ended its run at the Emma Darnell Aviation Center in Atlanta, GA. If you made it thank you we definitely appreciate your support. If you didn't get to see the show now worries! We recorded the artist talk live and your can still here the insights of this incredible show. Moderated by Studio Noize fam Natassha Chambliss, Chloe and Jamaal take about the big themes of the show, relationships, grief and memory. They also talk about the exploration of color, pushing the printmaking medium to new limits, the approach to curating and much more. Its that good art talk (literally!) that you love right here on the Noize! Listen, subscribe, and share!Episode 205 topics include:In Tandem artist talk recorded live at the Emma Darnell Aviation Centerweaving narratives togetherexploring printmaking as a mediumresponding to the moment pushing each other to be greatcurating Bonds of Kinship exhibitionhow to Jamaal and Chloe picked the colors for the showchildhood memories Chloe Alexander Bio:Chloe Alexander is a printmaker who lives and works in Atlanta, Georgia. Her most recent work focuses on using various printing techniques to create unique works and varied editions. She obtained a BFA from the Ernest G. Welch School of Art & Design at Georgia State University in 2010. Since then, her work has been exhibited broadly, including at Kai Lin Art in Atlanta, the International Print Center in New York, and the Woolwich Contemporary Print Fair in London. Chloe has received several awards, including the Parent Artist Award at Kala Art Institute in Berkeley, California and the Penland Summer Residency Fellowship at Penland School of Craft in North Carolina. Her work is included in numerous public and private collections, including the Harvard Museums in Cambridge, MA; The Museum of Fine Art in Boston, MA; The Fidelity Investments Art Collection; and The Petrucci Family Foundation for African American Art in Asbury, NJ.Jamaal Barber bio:Jamaal Barber is a creative, imaginative soul born in Virginia and raised in North Carolina. In 2013, after seeing a screen printing demo at a local art store, Jamaal started experimenting with printmaking, making it his primary focus. His woodcuts and mixed-media prints illustrate the new Folio Society special edition of The Underground Railroad written by Colson Whitehead. Jamaal recently participated in the MTV/Smithsonian Channel art competition show The Exhibit. He has also worked for Twitter, the New York Times, Penguin Random House, Black Art in America, and Emory University. See more: Chloe Alexanders' website + Chloe Alexander's IG @cbrooksart + Jamaal Barber's website + Jamaal Barber's IGFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

Carl Hooker brings us a live podcast from the ISTE+ASCD conference in San Antonio, Texas. He connects with conference attendees, friends old and new, asking each to share a problem they're working to solve in their corner of the education world — or, as Carl puts it: “Tell me your idea spark." In this episode, Carl sits down with Peggy Hammond. She teaches technical theater at the Alabama School of Fine Arts.She has an innovative idea for a live podcast of her own! This episode of The Idea Spark is brought to you by EdSurge Solutions Studio.

Mike Esneault converses with East Baton Rouge - Fine Arts Director, Dr. Sean Joffrion. They discuss the artistic environment and support of Joffrion's formative years and how this helped instill his deep love of the arts moving forward. They also converse on various topics including the importance of arts education as well as arts integration and the role it can play in a person's artistic and academic development.

De installaties van kunstenaar Morena Bamberger zijn een ode aan haar Sinti roots, haar identiteit en Moeder Aarde. De Limburgse studeerde in 2018 af aan de Academy of Fine Arts and Design in Maastricht en creëert sindsdien installaties die door licht, geluid en geur een zintuiglijke reis zijn voor de toeschouwer. Bamberger won in 2018 de Gilbert de Bontridder Prijs en de Henriëtte Hustinxprijs en werd in 2022 bekroond met de Parkstad Limburg Prijs. Ze werd onder andere bekend door haar installatie ‘Sonnekaskro Djiephen', Sinti voor ‘Een Leven Van Goud'. Daarin liet zij de woonwagen als een kapel zien, waar religie en reizen samenkomen. Dit werk werd besproken in de New York Times. Nu tovert zij met haar installatie ‘Through Matter of Time' de zolder van het Stedelijk Museum Schiedam om tot een duister universum. In haar eerste solotentoonstelling buiten Limburg onderzoekt ze de overgang tussen leven en dood. De mystieke kanten van het leven en oude culturen vormen haar inspiratiebronnen. Femke van der Laan gaat met Morena Bamberger in gesprek.

This week, Wes and Todd talk with Painter and Gallerist, Nicole Korbe. Nicole discusses growing up in New Mexico & Oklahoma, creativity, being shy, her degree in Biology & Botany, her time working as a project manager for environmental consulting firms and how that experience plays into running a gallery, her beginnings as a painter, her pivot and jump to being a full-time Artist, cold wax & encaustic, how memory & place play into her work, process, emotion, dystopian work, cityscapes, being optimistic in dark times, her gallery Nkollectiv and its evolution, time outs & renovations, building a community of Artists, her Apis Opus and +1 shows, the catalyst for NKollectiv making its move to South Broadway, EASEL, her business model, the challenges of running a gallery, 2nd Saturdays, types of work shown at NKollectiv, her current exhibition VAST, the power of art, buying and selling art, pricing, advice to aspiring Artists, and her idea of perfect happiness.Join us for an insightful, wonderful conversation with Nicole Korbe!Check out Nicole's work at her website www.nicolekorbe.com Follow Nicole on social media:Instagram - www.instagram.com/nicole_korbe_art/ - @nicole_korbe_artFacebook - www.facebook.com/nicole.korbe & www.facebook.com/korbeart Check out Nicole's gallery, NKollectiv, at www.nkollectiv.comFollow NKollectiv on social media:Instagram -  www.instagram.com/nkollectiv/ - @nkollectivFacebook - www.facebook.com/nkollectivCheck out the events and offerings at EASEL – Englewood Art Studios, Events, Lessons at www.easel-co.comFollow EASEL on social media:Instagram - www.instagram.com/easelcoartspace/ - @easelcoartspaceFacebook - www.facebook.com/easelcoartspaceSend us a text Follow us on Instagram: @tenetpodcast - www.instagram.com/tenetpodcast/ @wesbrn - www.instagram.com/wesbrn/ @toddpiersonphotography - www.instagram.com/toddpiersonphotography/ Follow us on Facebook: www.facebook.com/TenetPodcast/ Email us at todd@toddpierson.com If you enjoyed this episode or any of our previous episodes, please consider taking a moment and leaving us a review on your favorite podcast platform. Thanks for listening!

BUY THE BOOKS - STORY QUESTIONS and 17 Steps To Writing A Great Main Character https://payhip.com/StoryQuestions Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=nMIFINOXhto 0:00 - What Beginning Cinematographers Should Know As They Get Started 10:09 - Pro Cinematographer Reveals The Truth About Cinematography 21:05 - Biggest Difference Between Bad Cinematography and Great Cinematography 30:01 - Most Common Mistake That New Cinematographers Make 38:56 - Pro Cinematographer On The Best Way To Learn Lighting 47:29 - If You Want To Be A Cinematographer This Is A Great Lesson Suki was born in Derventa, Bosnia and Herzegovina. While in high school he became interested in still photography but his real involvement in film started when he was accepted at The National Film School for Dramatic Arts, FDU, Belgrade, Yugoslavia. He continued his education at the renowned National Film School (FAMU), Prague, Czech Republic, where he earned his Master's Degree with Honors in cinematography. Shortly thereafter, he came to the USA to continue his professional career. He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, "The History of Imagineering" for Disney Studios being one of them. In 2024 he received "Jan Award" by ASBH for his cinematography at "Shining Vale" series. In 2010, he became a member of the American Cinematographers Society (ASC). In addition, for his academic achievements and contribution to the art of cinematography, he was awarded a Honorary Doctorate Degree in Fine Arts. Suki is a proud father and husband and living and working in Los Angeles. CONNECT WITH SUKI MEDENCEVIC https://www.sukiasc.com https://www.imdb.com/name/nm0575530 https://www.instagram.com/sukimedeni/ Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu https://www.nyfa.edu/location/nyfa-los-angeles/

Madeline Peckenpaugh (b. 1991, Milwaukee, Wisconsin) renders depth through iterations of adding and subtracting paint, creating a semblance of deep and flat space simultaneously. Probing the slips in perception between corporeal experience, memory, and imagination, she shifts the scale of everyday elements, interlaces components, and depicts forms in both single tones and fluctuating textures. The viewer's trained perception of the landscape can become questioned, as monumental structures begin to vaporize, and natural forms become paper thin. There is a reconciliation of opposites: deep space of the real world with the flat space of the canvas. Peckenpaugh received an MFA in Painting from Rhode Island School of Design, Providence, RI and a BFA from the Pennsylvania Academy of Fine Arts, Philadelphia, PA. Peckenpaugh's work has been exhibited at Alexander Berggruen, New York, NY; Bremond Capela, Paris, FR; 1969 Gallery, New York, NY; F2T Gallery, Milan, IT; Andrew Reed Gallery, Miami, FL; PM/AM Gallery, London, UK; COMA, Sydney Australia; and The Rhode Island School of Design Museum, Providence, RI; among others. Her work is included in the public collections of the Institute of Contemporary Art, Miami, FL; the Woodmere Art Museum, Philadelphia, PA; Brown University, Providence, RI; and the Pennsylvania Academy of Fine Arts, Philadelphia, PA. She was recently an artist in residence at Palazzo Monti in Brescia, Italy. Peckenpaugh lives and works in Queens, NY. Madeline Peckenpaugh, In Orbit, 2025 oil on canvas 77 1/2 x 100 in. (196.8 x 254 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Aries Moon, 2025 oil on linen 54 x 52 in. (137.2 x 132.1 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann Madeline Peckenpaugh, Spring, 2025 oil on canvas 70 x 65 3/4 in. (177.8 x 167 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Philipp Hoffmann

Author and architectural glass artist Robert Sowers wrote that lead should be considered a design element and not just a matrix to hold stained glass. That idea spoke to Richard Prigg, who has developed a body of work that celebrates lead and solder as much as it does breathtakingly beautiful glass. Though historically stained glass windows conveyed the teachings of the church, Prigg's work intentionally tells no stories, but rather impacts the viewer by combining more expressive lead work with various light-modulating elements of and beyond the window itself. States Prigg: “I have an aversion to storytelling. I feel that it can often move the viewer away from the work so that instead of observing and considering what is in front of them, they fly off to the never-never land where the story takes them. Of course, I recognize that storytelling is an integral part of being human. We tell stories to one another to help define our identities. The stories in our culture give us a we that can guide our ways of living. But there is a dark side of storytelling, and it is intrinsic to the spoken word. It is our human tendency to use story to deceive. So, I am distrustful of art with a story, because a story can be a lie. I am distrustful of religion with a story, too. Religion and art – they are such good friends.” A graduate of the Pennsylvania Academy of Fine Arts, Prigg started his career at Beyer Stained Glass, Philadelphia, Pennsylvania. He later joined Willet Hauser Architectural Glass, the largest stained glass studio in the US, where he served as General Manager from 1999 to 2011. There, he oversaw challenging projects such as restoration of the Alcuin and Charlemagne and The Death of Sir Philip Sidney windows, which included re-creating missing plates for areas of the windows where the glass had chemically decomposed. He also oversaw the creation of $3.5 million of gothic stained glass fabricated by Willet Hauser for St. Martin's Episcopal Church in Houston. It was huge job that took 2.5 years to finish. Says Prigg: “I worked closely with Crosby Willet, who was incredibly generous to me and taught me a lot about stained glass. He introduced me to everyone in the business more or less. That included Charlie Lawrence who became a mentor and friend as well.” In December of 1999, Prigg left Willet Hauser and opened Sycamore Studios with his wife Ellen Lustgarten, where in addition to repair, restoration and new work, he developed a unique body of personal work featuring mouthblown antique sheet glass in conjunction with calligraphic lead lines built up with lead came. These works include Spin for a Western Light and Two Circles and a Dot. Later, he began to explore concrete as a matrix, resulting in works such as Blue Moon, Tossed and his recent Tower series. Prigg also uses his Lansdowne studio to showcase the work of young artists who often can't get into galleries.  Prigg is a member of the Stained Glass Association of America and has served on the board of directors of the American Glass Guild (AGG). He is the recipient of two AGG AGNX Awards for Excellence in the Art of Stained Glass. In 2025, he presented From Artist To Artisan To Artist: How I Painted Myself Into a Corner and Escaped through a Stained Glass Window at the AGG conference. Recent exhibitions of his work include: 2025 at the AGG AGNX Show, Mesa Contemporary Art Museum, Mesa, Arizona; 2025, Juried Show: Vibrance at the Aston Mills Art Center, Aston PA; and the 2023 Juried Show: 100 Skulls, Aston Mills Arts Center. His work can be found in private collections in Philadelphia as well as at the Center for Emerging Visual Artists. Says Prigg, about goals for his personal work: “When I began working with glass, I was so in love with these materials – lead and glass – that I just wanted to find ways to show people what delighted me. I wanted people to be presented with these materials in a way so that they would be engaged in the textures, the colors, the voices of the materials.”  

In this episode, I revive my podcast with a quick catch-up on the various photography-related projects I've worked on in the 9 months since my last episode. I've made a few road trips, written a 20th anniversary photo retrospective, and learned how to make platinum/palladium prints.Transcripts are available at my blog: https://icatchshadows.comSee my photographs at: https://keithdotson.comCheck out my books and downloads at: https://keithdotson.com/collections/booksInstagram: instagram.com/keithdotsonYouTube channel: Keith Dotson Photography

In this episode, Jessica and I begin with a question: How does one stay rooted in beauty without being consumed by it?Our conversation traces the slow emergence of Babalon—the archetypal force of erotic creativity, sovereignty, and sacred presence—as she rises from beneath perception and into felt experience. We explore how this creative power nourishes when embodied, but also how it can distort when separated from feeling.We draw on priestess and magician lineages to consider what it means to grow in relation to beauty—to open without losing oneself, to feel deeply without flooding, and to hold the creative current with integrity.This is an episode for those navigating the subtle path between inspiration and fragmentation, and seeking to rise gently, steadily, into the sacred power of presence. --------------------Jessica Christine is the creator of DeerWomen. Her work has been featured internationally. As a Creative Director, she has brought together worlds and traveled worldwide with event management, welcoming and taking care of all needs of visiting high-profile ambassadors, including royals of Belgium. As a STEM teacher, she has taught coding and 3D printing through gaming and robotics. Mentored by Francesca Lia Block, Maja D'Aoust and attended the Royal Academy of Fine Arts in Antwerp, Belgium amongst others. At an early age, she cultivated a strong interest in mythology, evolution, travel, and esoteric sciences and applied those interests to the several facets of visual arts. In 2006 she began traveling to the Middle East, where she lived and worked for a number of years. In 2010, she launched DeerWomen, a world to combine her fascination with the art of travel, tea and folklore's long and wonderful history of ritual objects with intent. In 2022, we welcome DeerWomen's reopening in the heart of Belgium, Antwerpen.Jessica strives to join the quiet intimacy and elegance of herbs with the magic of storytelling: narratives that emerge from myths, cultures, and stories, both new and old; universal and personal.Moreover, every work of art holds beauty and strength over time while imbuing the atmosphere of unique traditions and histories. Pieces are sourced from around the globe, made from nature and crafted with intention. --------------------Songs for the Witch Woman by Jack Parsons & Marjorie CameronPoems written and read by Marjorie Cameron from An Evening with Cameron - MOCA U - MOCAtvAn interview with Kenneth Anger on Cameron, Jack Parsons etc - Düsseldorf 18.II.2013 --------------------Support Jessica --> https://deerwomen.comSupport V --> https://saturnvox.comSupport the Show --> https://ko-fi.com/saturnvox156

Tony Freund is Editorial Director and Director of Fine Art at 1stDibs, which operates at the intersection of design, collecting, taste, and cultural storytelling. Freund has spent decades chronicling the world of design, collecting, and connoisseurship, helping to shape the editorial voice of one of the world's leading online marketplaces for art and design. He brings a deep, nuanced view of how we live with objects — and what they say about us.He and Zuckerman discuss the connoisseur's eye in a digital world, the evolving meaning of luxury, the power of objects to connect time, place, and people, beauty, storytelling,and why objects — whether functional, historical, or sublime — continue to hold cultural power!

Beeldend kunstenaar Susanne Khalil Yusef werd geboren in Duitsland, als dochter van Palestijnse vluchtelingen. Yusef behaalde haar bachelor en master in Fine Arts aan de St. Joost Academie in Den Bosch en raakte toegewijd aan onderzoek naar haar familiegeschiedenis en de Palestijnse diaspora tijdens een semester aan de International Academy of Art Palestine (IAAP) in Ramallah. Ze maakt kleurrijke installaties door verschillende media te combineren, zoals muurschilderingen, video, keramiek en publieksparticipatie. Hoewel haar felgekleurde werk luchtig en speels is, stelt ze kritische vragen over thema's als thuisland en ontheemding, identiteit en sociaalgeografische machtsverhoudingen. Werken van haar hand zijn op dit moment te zien op De Textiel Biënnale 2025 in Museum Rijswijk en in de vierde editie van ‘Makersgeheimen', in het Textielmuseum in Tilburg. Femke van der Laan gaat met Susanne Khalil Yusef in gesprek.

[Contemporary Realism] We recorded today's episode from Main Street in Scottsdale, Arizona, as Jason Williams, owner of Altamira Fine Art, sat down to chat about the art world. Jason talks about his own work in photography and then about his recent purchase of Altamira Fine Art in Arizona and Wyoming. He gives key insight into how the art world functions, particularly how artists and galleries work together to show and sell art. Today's episode is sponsored by Michigan's Muskegon Museum of Art and The Bennett Prize, which celebrates women artists. To learn more about these two sponsors and their long-standing partnership in the art world, visit  thebennettprize.org.

Welcome, Adrian R. Tió, a former Professor of Fine Arts in the College of Visual and Performing Arts at the University of Massachusetts Dartmouth. He was also a former dean at the College. Tió received his fine arts training from Temple University (BA ‘74), the University of Cincinnati (MFA ‘79), and his post-baccalaureate study at the Tyler School of Art in Rome, Italy (‘75-76). He resides in Mattapoisett, Massachusetts. Adrian Tió has exhibited nationally and regionally, in drawing, painting, and printmaking for over 40 years. Tió maintains the Hare of the Dog Press & Studio in New Bedford, Massachusetts, at the north end Hatch Street Studios. Adrian spoke with The Artists Index co-founder, documentarian, and podcast host, Ron Fortier. They discussed his art, heritage, life, and his time and experiences at the University of Massachusetts Dartmouth. This episode was recorded at our recording studio at Spectrum Marketing Group at Howland Place in New Bedford.   Adrian Tió Mattapoisett, MA 02739     Email | Website | Facebook | Instagram | Linktree | Other   ALSO AVAILABLE ON: YouTube Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!    

In this episode of the Artist Academy podcast, I'm chatting with hyper-realistic painter and educator Christopher Remmers, and let me just say—his work is next level. I reached out to him because I was blown away by the level of detail in his paintings and just had to know what's going on behind the scenes.Christopher shares how he left behind a successful construction career to go all in on art, and how that leap of faith led to a fully booked commission schedule, an online academy, and projects that align with his creative vision.We get into:-His exact commission process (including pricing)-How he finds clients on purpose by pitching to aligned collaborators-His behind-the-scenes design workflow (spoiler: it's intense and brilliant)-The email funnel strategy he uses to stay booked-Why mindset and mastering your craft matter more than any marketing trickWhether you're just starting out or looking to grow, this episode will give you the push to take action and keep going. Christopher's journey shows how skill, clarity, and persistence can turn your passion into a full-time career. www.artistacademy.com

Send us a textIn this episode we are joined by Donald Devito who worked for the Pan Am board of directors from the early 1960s until the end of the airline. Also, joining us is his son, Dr. Donald DeVito, a renowned musical educator. The senior DeVito will share stories working for the Central Intelligence Agency in the 1950s and being hired by Pan Am in the early 1960s to work for the corporate board of directors and founder Juan T. Trippe. He was on a first name basis with Mr. Trippe and coordinated the materials and presentations for board members such as aviation legend Charles Lindbergh and banker James Rockefeller, among others. His hiring by Pan Am was tied to his cryptography training in the U.S. Air Force and Central Intelligence Agency where he served in the 1950s during the Cold War in Rangoon, the Philippines and Libya. Don's son, the junior Dr. Donald DeVito, will share his memories of traveling around the world as a Pan Am kid and how that shaped his career in education. Dr. Don is a music educator at the Rawlings Elementary Center for Fine Arts since 2018 and is an adjunct instructor in the University of Florida Online Masters in Music Education program. From 2001 to 2018 he was the music director and special education teacher at the Sidney Lanier Center, a public school in Gainesville, Florida, for students with disabilities between 3 and 22. The music programs are global in scope and linked online with universities and music programs internationally through research, cooperative music making, and professional music education organizations.  Dr. DeVito was named the 2011 National Teacher of the Year by the Council for Exceptional Children.The elder Mr. DeVito, his sons, and their families live in Florida. They even have a rescue horse that lives on their farm affectionally named "Clipper" in honor of Pan Am! Support the show Visit Us for more Pan Am History! Support the Podcast! Donate to the Museum! Visit The Hangar online store for Pan Am gear! Become a Member! Follow us on Facebook, Instagram, and Twitter!A very special thanks to Mr. Adam Aron, Chairman and CEO of AMC and president of the Pan Am Historical Foundation and Pan Am Brands for their continued and unwavering support!

Lisa and Amy are revisiting one of their personal property specific episodes in today's Summer Throwback.

What happens when the art world's golden boy vanishes—and leaves behind a trail of deception, millions in missing artwork, and a best friend caught in the blast radius? Today Ceri speaks with Orlando Whitfield: writer, former art dealer, and the author of All That Glitters—a blisteringly honest memoir of ambition, illusion and the cost of loyalty in a world where value is often just a well-told story. Orlando pulls back the velvet curtain on how the art world really works: the emotional mechanics of value, the seduction of proximity, and the fine line between friendship and coercion. We talk about breakdowns, betrayals, and the kind of care that doesn't come with a price tag. KEY TAKEAWAYS Story telling lands sales. Galleries might promise the world, but often it's the small teams—the ones who see you clearly, who care—that hold the real value. The only work worth doing is the work you'd still want to make when nobody's watching. BEST MOMENTS “Most artworks have no intrinsic value whatsoever… emotion becomes economics.” "Writing a memoir is a sort of shockingly lonely experience, because you're having to live your life again as it were in your head, without anybody else there." “Art was ruined for me by the money side of it.” EPISODE RESOURCES https://www.instagram.com/orlando_whitfield_writer All That Glitters - https://www.amazon.co.uk/All-That-Glitters-Story-Friendship-ebook/dp/B0CGFTCW5X PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/

In this episode of The Face I’m joined by Melbourne-based Specialist Plastic Surgeon Dr Andrew Greensmith to explore the fascinating intersection between fine art and surgical practice. We discuss how an artistic eye can shape surgical planning, the influence of creativity on precision, and his unique perspective gained from over two decades in the field. Dr Greensmith has also been part of some remarkable surgical milestones including operating on conjoined twins an experience that speaks to both the technical and human sides of medicine. This conversation is an insightful look at how skill artistry and compassion come together in Plastic Surgery. Disclaimer: The content of this podcast is intended solely for educational purposes within the aesthetics and cosmetic industry. The views and opinions expressed by the hosts and guests are based on their professional experiences and do not constitute medical advice or a substitute for consultation with a qualified healthcare professional. Always seek the guidance of a licensed practitioner before making decisions related to medical or aesthetic treatments.See omnystudio.com/listener for privacy information.

In this episode, Tom and Peter discuss the different options open to creatives in terms of "getting qualified". With the rise of the internet over the past couple of decades, there has been an increase in the number of certificates, diplomas, courses, workshops and even degrees available - but what does each one entail, which ones are worth their salt and which ones do the art world actually care about?In the first half of the episode, Peter talks about his own experience of going to university to study a Fine Art degree; what this can entail, include, facilities available and what you come out with at the end.  They also discuss a one-year, foundation diploma, and share the experiences of colleagues and friends who have completed one of these.  In the second half of the episode, they discuss the myriad of less "formal" art courses, workshops and qualifications available - where these take place, how they might look and how you might choose the right one for you. This Podcast is sponsored by Rosemary & Co Brushes, Jackson's Art Supplies and Search Press publishers.For more information about our sponsors, please visit:Rosemary & Co Brushes: www.rosemaryandco.comJackson's Art supplies: www.jacksonsart.comSearch Press publishers: www.searchpress.comTom's website: tomshepherdart.comPeter's website: peterkeegan.comPodcast website: www.askanartistpodcast.com

In this episode, we talk with New York–based visual artist Dakota Gearhart about her four-part animated video series Life Touching Life, currently featured in the Projected Ecologies program within the exhibition Pulsar at MUCA in Mexico City. We discuss the show's algae femme host Tiffany—part toxic bloom, part human—who travels through time to interview scientists, poets, and caretakers about reimagining relationships between human and non-human life. Dakota shares how humor, multiplicity, and collaboration shape the series, blending found footage, analog techniques, and diverse animation styles into speculative, eco-futurist narratives. We also dive into her sculptural practice, the challenges of large-scale installation, the translation of Life Touching Life into multiple languages, and her upcoming public art commission for Flushing Meadows Park. Plus, we hear about the zine that brings the series off-screen and into readers' hands.Dakota Gearhart is a New York-based visual artist born in Arizona, raised in Florida, and educated in the Pacific Northwest. Her work has been exhibited, screened, and presented at the New Museum, Bronx Museum, Queens Museum, St. Petersburg Museum of Fine Arts, Tacoma Art Museum, Oregon Contemporary Art Center, Northwest Film Forum, and International House of Japan, among others.https://www.dakotagearhart.com/https://newinc.metalabel.com/life-touching-lifehttps://www.instagram.com/_dakotagearhart/https://muca.unam.mx/pulsar.htmlhttps://www.lydianstater.co/projected-ecologieshttps://www.elisagutierrezeriksen.com/

Allison Schreiber is entering her seventh year as an early morning seminary teacher in New Braunfels, Texas—an experience she describes as one of the most joyful and spiritually rich callings of her life. Fluent in German and Russian, Allison served in the Russia Moscow Mission before earning a Bachelor of Fine Arts in Interior Design from Brigham Young University, along with certification in International Color Consulting. Her dedication to sacred spaces led her to intern with the Temple Construction department, contributing to the designing of temples in Houston, Boston, and Nauvoo. A born leader and meticulous planner, Allison has worn many hats across decades of youth and community service, serving extensively in the Young Women organization. She's chaired committees, organized record-breaking Boy Scouts of America district events, and served on BSA Woodbadge staff for three consecutive years after completing the prestigious leadership training herself. Whether designing a youth conference or directing a camporee, Allison brings creativity, discipline, and a touch of grace to every detail. In her seminary classroom, Allison blends her vast experience with a personal mission: to make early morning Seminary not just bearable but transformational. Through intentional leadership moments and peer-supported learning, she cultivates a classroom culture where students feel empowered to plan, lead, and strengthen one another in faith. Links

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Amy Mackin joins Let's Talk Memoir for a conversation about the disability landscape and advocating for our children, special education and early intervention, struggling to get kids the help they need, parental guilt and shame, mom rage,  flexible education programs, balancing how we write about loved ones, changing names for privacy, showing the parts of us that are really cranky, wondering if we're getting it wrong, beginning a memoir in MFA program, using a hybrid memoir form, placing work in literary journals, trusting our intuition and voice, staying true to our own style and vision, and her new memoir Henry's Classroom: A “Special” Education in American Motherhood.   Also in this episode: -family and gender roles -feeling as if we don't fit in -conflicting feedback from agents   Books mentioned in this episode: The Year of Magical Thinking by Joan Didion Lit by Mary Karr Mom Rage by Minna Dubin Screaming on the Inside by Jessica Grose books by Barbara Ehrenreich books by Nora Ephron   Amy Mackin writes at the intersection of education, cultural history, public health, and social equity. Her essays have been featured in The Atlantic, Chalkbeat, The Washington Post, Literary Mama, The Writers Chronicle, The Shriver Report, and elsewhere. She earned her MA in American Studies from the University of Massachusetts and her MFA in Creative Writing from Vermont College of Fine Arts. Her new memoir is Henry's Classroom: A “Special” Education in American Motherhood from Apprentice House/Loyola University Press.    Connect with Amy: Website: www.amymackin.com Facebook Author Page: https://www.facebook.com/AmyMackinWriter/ LinkedIn: https://www.linkedin.com/in/amymackin/ X (formerly Twitter): https://x.com/mackinwriting Get the book: https://bookshop.org/p/books/henry-s-classroom-a-special-education-in-american-motherhood-a-memoir-amy-mackin/22134318?ean=9781627205726&next=t&affiliate=109363   – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories.  She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social   Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers

When multi-media artist Javiera Estrada speaks about her work, it's not just about aesthetics or technique—it's about transformation. Born in Acapulco, Mexico and raised in the United States after emigrating in 1989, Estrada brings a rich cultural memory of vibrant color, ritual, and mysticism into everything she creates. Whether working with photography, photograms, textiles, or mixed media, her art bridges the seen and unseen—merging earthly material with spiritual inquiry. Her work doesn't divide the physical and metaphysical, the beautiful and the chaotic—it unifies them. Philosophically, Estrada rejects the idea of separation. Artistically, she explores this through layered, immersive processes that slow time and call her deeper into presence. From sculptural explorations of the female body in communion with nature, to cosmic fields of ink and color that evoke the prima materia of existence, her pieces are meditations on unity, consciousness, and becoming. Estrada describes her process as both frenzied and laborious, embracing mess and unknowing as necessary steps to uncover what lies beneath the surface. In a world defined by speed and distraction, her work is an invitation to move differently—to let intuition guide and to give the sacred a place in the mundane. It's bold, beautiful, and deeply human. Resources: Javiera Estrada Instagram Altadena Photographers Support Ibarionex & The Candid Frame Websites Sponsors Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device Contribute a One-Time Donation   Support the Show Monthly on Patreon You can also support the show via . Follow Ibarionex on and .

“There will be no more mercy now; anyone who stands in our way will be butchered.” This is the story of Adolf Hitler and the collapse of the Weimar Republic.  A dropout. A failed applicant to Vienna's prestigious Academy of Fine Arts. A decorated but low-ranking soldier who attempts to overthrow the state and is convicted of treason. But only a decade or so later, he's the nation's leader. Not just the Chancellor, not even a “mere” president. He's Germany's dictator. The “Führer.”  How on earth does such an underwhelming man rise to such an overwhelming position of power? With virulent nationalism, rabid antisemitism, fearmongering, and violence in an economically panicked, democracy-doubting, and defeated Germany. This is the rise of Adolf Hitler and his Nazi Reich.  ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of Audacy media network. Interested in advertising on the History That Doesn't Suck? Contact Audacyinc.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices