Podcasts about Some Like It Hot

Josh and Drusilla discuss the middle-aged Elizabeth Taylor melodrama thriller, Indentikit aka The Driver's Seat (1974). From wiki: "The Driver's Seat (also known as Identikit) is a 1974 Italian drama film directed by Giuseppe Patroni Griffi.[1] Based on the 1970 novella The Driver's Seat by Muriel Spark, it is a psychological drama starring Elizabeth Taylor and Ian Bannen, and featuring Andy Warhol.[2]"Also discussed: Maddie's Secret, pools, Marilyn Monroe including Some Like It Hot and Niagara, John Early, Kate Berlant, Vanessa Bayer, Rap World, Connor O' Malley, melodrama, Polyester, Valley of the Dolls, House of Psychotic Women, Muriel Spark, Picnic at Hanging Rock, Secret Ceremony, NEXT WEEK:The Cure for Wellness (2016)Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

To celebrate comedy legend Mel Brooks' centennial, the American Film Institute has crowned ‘Blazing Saddles' the funniest American movie of all time, moving the classic satire to the top of its ‘100 Years...100 Laughs' list and nudging ‘Some Like It Hot' into second.But, what makes a great comedy film?Andy McCarroll, host of the ‘Extra Vision' podcast, joins Shane to discuss.Image: Paramount Pictures

On August 5, 1962, Marilyn Monroe—the glamorous actress whose beauty, charisma, vulnerability, and unforgettable screen presence made her one of Hollywood's most enduring icons—died in Los Angeles at the age of 36. By the time of her death, Monroe had become one of the world's biggest stars through films like Some Like It Hot, Gentlemen Prefer Blondes, and The Seven Year Itch, while also becoming a symbol of fame's pressures behind the scenes. More than six decades later, Marilyn Monroe remains one of the most recognizable and influential figures in popular culture, remembered not only for her timeless performances and unmistakable image but also for the humanity and complexity that continue to fascinate audiences around the world.Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Author Events Series presents Marc Shaiman | Never Mind the Happy In Conversation with Alan Zweibel Featuring a special performance from Rob Reiner's THE AMERICAN PRESIDENT with MATTHEW GALLAGHER, Principal trumpeter of The Philly Pops Orchestra.  In Never Mind the Happy, musical dynamo Marc Shaiman looks back on five decades of Broadway triumphs, Hollywood hijinks, and unforgettable collaborations. Along the way, he charts the personal highs and heartbreaks that have shaped him-spending his teenage years in community theater, starting a decades-long collaboration with Bette Midler in the '70s, surviving the AIDS crisis of the '80s, his award-winning film music career in the Hollywood of the '90s, right up to the peaks (and valleys) of creating Broadway musicals from 2000 on. Candid, hilarious, and deeply human, Shaiman's story is a tribute to the power of music, the pull of the spotlight, and the beat that never stops. Part showbiz tell-all, part love letter to the melancholy that fuels creativity, told with perfect comic timing-along with a few wrong notes, and plenty of standing ovations. Marc Shaiman is a renowned American composer, lyricist, arranger, and music producer known for his work across film, television, and theater. Shaiman began his career as a musical director and arranger for Bette Midler before expanding into film scoring. He gained prominence with his work on films such as When Harry Met Sally, The Addams Family, Sister Act, City Slickers, A Few Good Men, Sleepless in Seattle, The American President, and South Park, on television with SNL, and on his recordings with Harry Connick Jr. and Mariah Carey. Shaiman earned widespread acclaim for co-writing the Broadway musical Hairspray alongside his longtime co-lyricist Scott Wittman. The duo has also co-created the musicals Catch Me If You Can, Charlie and the Chocolate Factory, Some Like It Hot, and Smash. He has been nominated for multiple Academy Awards and has won a Tony, two Emmys, and two Grammys. Marc Shaiman is celebrated for his versatile, emotionally resonant music and his ability to blend classic musical theater sensibilities with modern storytelling. Born and raised in New Jersey, he currently lives in New York with his husband, Lieutenant Commander (ret) Lou Mirabal. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night! If you'd like to purchase two tickets but only one copy of the book, please email authorevents@freelibrary.org All tickets are non-refundable. (recorded 1/29/2026)

On the sixty- second episode of All the Film Things, film historian/ author/ lecturer Max Alvarez, Director of Communications for the Film Noir Foundation Anne Hockens, attorney Katherine Jakeway, Oscar- nominated writer Kim Krizan, and festival organizer Monique Madrid join me in paying tribute to and celebrating Marilyn Monroe for her 100th birthday!Marilyn Monroe is one of the most beloved, and certainly most famous, movie stars of all time through her classic, recognizable public image and beloved performances in cinema. Her story is one of extremes between her rough beginnings to being on top of the world as well as that global fame bringing her despair behind closed doors. Marilyn began in the industry as a model and, after a few years of acting starring in films like All About Eve and The Asphalt Jungle, Marilyn's breakthrough came in the vibrantly- colored noir film Niagara. From then on came some of her most treasured films like Gentlemen Prefer Blondes and The Seven Year Itch. Between those two films and How to Marry a Millionaire, Marilyn came to establish a particular image for herself with her blonde hair and whispery, seductive voice. At the turn of the decade, Marilyn started to seek out different roles again, just as she took on in the beginning of her career, in films like The Misfits and the film widely regarded as her best, Some Like It Hot. Since her passing in 1962, Marilyn has remained popular and deeply beloved due to the world's endless fascination with her, making her icon status nearly unattainable to achieve. But while many know her face, there are less who have seen the films that made her a star.“The Magic Hour” is Kim Krizan's virtual writing class accessible to people around the world who want to gain the inspiration to write and tell original stories. Some of the collections offered include personal exploration and solving writing problems. Go to Patreon.com/KimKrizan to subscribe to “The Magic Hour”!Catch Anne alongside Eddie Muller on the next episode of Ask Eddie every other Thursday night on the Film Noir Foundation Facebook page and subscribe to their YouTube channel!The 10th annual LOL JAX Film Festival, organized by Monique Madrid, will be held on August 1- 2 in Jacksonville. The deadline to submit your films is June 30 so go to LOLJax.com to learn more about how to submit your film. Follow LOL Jax on Facebook and Instagram to stay updated on when ticket purchases are live and all things LOL Jax!Max Alvarez will be leading a few online lectures on classic films this summer through New Plaza Cinema! Go to https://newplazacinema.org/talks-lectures/ to watch Max's past lectures and buy tickets to his upcoming online lectures.In this episode, Marilyn's films from Ladies of the Chorus to the unfinished Something's Got to Give are discussed as most of us share our favorite Marilyn films, favorite fashion moments, and examine why she remains so relevant decades after she passed away. My conversation with Kim, who happens to be a Marilyn expert, serves as sort of the base for the episode since it's wide- encompassing about Marilyn while Anne and I discuss one of Marilyn's greatest yet underrated films, Don't Bother to Knock. Max shares which director and actor he wished Marilyn could've worked with, Katherine points out the importance of considering the mental health of a star like Marilyn who is hounded by the press, and Monique fondly recalls being introduced to Marilyn's films as a child thanks to her mother. All this and much more on the latest episode of All the Film Things!Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.Photo of Marilyn used in the cover art was retrieved from Public Domain Pictures (link to the photo: https://www.publicdomainpictures.net/en/view-image.php?image=509154&picture=marilyn-monroe-posing and link to the license rules: https://creativecommons.org/licenses/by-nc-sa/2.0/ ).

Whether you've been following along with us all season or have only recently joined us, this brief recap will prepare you for our journey into the back half of Wilder's career, which kicks off on June 30 with our episode on Some Like It Hot. Join our Patreon for episodes and content you won't find anywhere else! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

Hope your Pride month has been lovely so far! We're celebrating by discussing some of our favorite queer media and what makes it feel authentically queer.   Queer Friends | Sex Representation | Sexual Communication | Talking About Being Queer | Homophobia & Coming Out | The Tragedy of Heterosexuality by Jane Ward | Leviticus (2026) | I Saw the TV Glow (2024) | Teenage Sex and Death at Camp Miasma (2026) | Blue Moon (2025) | Present Laughter (2019) | Handsome Devil (2016) | No Ordinary Man (2020) | Rope (1948) | The Favourite (2018) | The Handmaiden (2016) | Kissing Jessica Stein (2001) | Forbidden Love (1992) | Cloudburst (2011) | D.E.B.S. (2004) | Angels in America miniseries | Fellow Travelers | Myra Breckinridge (1970) | Funeral Parade of Roses (1969) | Queens At Heart (1967) | Some Like It Hot (1959) | Sylvia Scarlett (1935) | Boy! What a Girl! (1947) | Red, White & Royal Blue | One Last Stop | I Kissed Shara Wheeler | The Pairing | I Hope We Choose Love | Detransition, Baby | Ace | TAZ: Petals to the Metal | 99 Erics | Love in a F*cked-Up World | The Seven Husbands of Evelyn Hugo | On the Move | The Wolf Suit | This Is How You Lose the Time War | In Universes | Wayfarer series | The F*ggots and Their Friends Between Revolutions | Sondheim & Magnetic Fields Credits:Music by PROTODOMEArtwork by Addison FinchBecome a patron to support the show and get access to our private Discord, monthly bonus episodes, and your name mentioned on the show.

Udaran gelditzen dira Nosferatu Zikloko pelikulak eta Ispilu Beltzan, hilabete honetan proiektatuko diren bi pelikulen inguruan hitz egin nahi izan dugu Josemi Beltranekin, Donostia Kulturako zinema saileko zuzendariarekin. Pelikulak hauek dira: The Spirit of St. Louis eta Some Like It Hot---El Ciclo Nosferatu hace parón en verano y en Ispilu Beltza hemos querido conocer dos de las películas que van a proyectarse este mes. Para ello hemos charlado con Josemi Beltrán, responsable del area de cine de Donostia Kultura. Las películas en cuestión son: The Spirit of St. Louis y Some Like It Hot

We would love to hear from you. Send us your thoughts or suggestions. The Way Home just name-dropped "Some Like It Hot" and Eric is not letting it go. Nick called himself Spats. The character Spats in that film witnessed the St. Valentine's Day Massacre. Al Capone is connected. The 1920s timeline suddenly has a lot more layers, and this episode is either brilliant or a little too ambitious. Eric and Andrea break down Season 5 Episode 7 with questions, theories, and at least one genuine concern.What You'll Hear•       Why Eric thinks Sam is the "keeper of the pond" and what that might mean for Del's future with him, including the moment Del says "I love you" while concussed and who she was actually talking to•       The "Some Like It Hot" Easter egg: how Spats, Al Capone, and the St. Valentine's Day Massacre connect directly to Nick's time travel story in the 1920s•       Casey calling Alice selfish and why that mirrors exactly what fans have been saying about Kat for seasons•       Elliot making a deliberate choice not to jump into the pond, and the "Big Fish" arrest photo that raises a huge question about where his arc is going•       Fern and Cliff's steamy 1920s kiss, the key hidden in the piano, and what it all might mean with only three episodes left•       The honest take on the Al Capone/Tessa direction: did The Way Home bite off more than it can chew?Chapters0:00 - Welcome + Where We Are in Season 54:15 - Casey, Sam, and the Keeper of the Pond8:30 - The "Some Like It Hot" Easter Egg You Missed13:00 - Tessa Calls Everyone Out (And She's Right)16:45 - Elliot's Big Fish Twist + The Al Capone Problem20:30 - The Key in the Piano, 11:11, and Final Theories23:23 - See You for Haunted HarmonyDid you clock the "Some Like It Hot" connection before Eric brought it up, or did that one slip past you? Tell us in the comments.New episodes every week. Subscribe and hit the bell so you never miss a The Way Home breakdown or Hallmark deep dive.

Ein gehauchtes «Happy Birthday, Mr. President» wird Ihnen vielleicht in den Sinn kommen, wenn Sie an die Sängerin Marilyn Monroe denken, oder ihre kecke Versicherung, dass Diamanten die besten Freunde seien für ein Mädel. Zum 100. Geburtstag von Marilyn Monroe ein Wiederhören. Marilyn Monroe hat aber mehr zu bieten als uns das kollektive Gedächtnis überliefert. Die Popikone nahm Gesangsunterricht und war eine begeisterte Jazzhörerin. Davon zeugt z.B. das kindlich-laszive Kauderwelsch in «I Wanna Be Loved By You», das eben auch eine Hommage ist an den Scatgesang. Boop-boop-de-boop! An einem ihrer Konzertbesuche freundete sich Marilyn Monroe übrigens mit Ella Fitzgerald an und unterstützte die damals noch aufstrebende Jazzsängerin aktiv im Kampf gegen Rassendiskriminierung. Die beiden Frauen blieben ihr Leben lang befreundet. Welche Qualitäten die Monroe als Sängerin und Performerin hat, ob sie swingen konnte und wie ihr Talent als Komikerin mit einfloss, darüber diskutiert Manfred Papst in der Jazz Collection mit Annina Salis. Erstausstrahlung: 22.06.2021 Die gespielten Titel: Interpret:in: Titel (Album / Label) - Madonna: Material Girl (Like a Virgin / Sire Records, Warner) - Elton John: Candle in the Wind (Elton John: Greatest Hits 1970-2002 / Mercury) - Pharrell Williams: Marilyn Monroe (Girl / Columbia Records) - Marilyn Monroe: Runnin' Wild (aus «Some Like It Hot» 1959) (Collector / Milan) - Marilyn Monroe: Every Baby Needs a Dad-Dad-Daddy (aus «Ladies of the Chorus» 1948) - Marilyn Monroe, Jane Russell: Diamonds Ar a Girl's Best Friend / Two Little Girls from Little Rock (aus «Gentlemen Prefer Blondes» 1953) (Marilyn Monroe: Complete Recordings / Legend) - Marilyn Monroe: Down in the Meadow (aus «River of No Return» 1954) (Marilyn Monroe: Complete Recordings / Legend) - Marilyn Monroe: Lazy (There's No Business Like Show Business: La Joyeuse Parade / BNF Collection) - Marilyn Monroe: That Old Black Magic (aus «Bus Stop» 1956) - Marilyn Monroe: I'm Through With Love / I Wanna Be Loved by You (aus «Some Like It Hot» 1959 / Some Like It Hot. Original Motion Picture Soundtrack / Varèse Sarabande Records) - Marilyn Monroe: Happy Birthday, Mr. President (Collector / MIlan) - Marilyn Monroe: My Heart Belongs to Daddy (aus «Let's Make Love» 1960) (Collector / Milan)

Comedy Month continues as Mike talks with co-hosts Keith Gordon and Heidi Honeycutt about Billy Wilder's Some Like It Hot (1959).Chicago, 1929. Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are barely scraping by when they stumble onto the St. Valentine's Day Massacre, witnessing Spats Colombo and his mob gun down a rival gang. With the killers on their tail, the two desperate musicians disguise themselves as women and join Sweet Sue's Society Syncopators, an all-girl band heading to Miami. Aboard the train they meet Sugar Kane Kowalczyk (Marilyn Monroe), a ukulele-playing singer with a weakness for saxophonists and a dream of marrying a millionaire.  Mike also talks with scholar Noah Isenberg — author of the Los Angeles Times bestseller We'll Always Have Casablanca and currently completing a cultural history of Some Like It Hot for Norton — about the film's origins, its enduring legacy, and what it still has to say.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Comedy Month continues as Mike talks with co-hosts Keith Gordon and Heidi Honeycutt about Billy Wilder's Some Like It Hot (1959).Chicago, 1929. Musicians Joe (Tony Curtis) and Jerry (Jack Lemmon) are barely scraping by when they stumble onto the St. Valentine's Day Massacre, witnessing Spats Colombo and his mob gun down a rival gang. With the killers on their tail, the two desperate musicians disguise themselves as women and join Sweet Sue's Society Syncopators, an all-girl band heading to Miami. Aboard the train they meet Sugar Kane Kowalczyk (Marilyn Monroe), a ukulele-playing singer with a weakness for saxophonists and a dream of marrying a millionaire.  Mike also talks with scholar Noah Isenberg — author of the Los Angeles Times bestseller We'll Always Have Casablanca and currently completing a cultural history of Some Like It Hot for Norton — about the film's origins, its enduring legacy, and what it still has to say.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The March 27, 2026, episode of The Gay Mix kicks off with a high-energy countdown to host Daniel Brewer's 59th birthday, a milestone he approaches with a mix of excitement and "paranoia" about the legalities of retirement accounts. Joined by his best friend and co-host Adam Burns, Daniel provides a "running update" for the thousands of "highly addicted" fans, revealing he is back in training for the upcoming Springtime Surprise 10-miler at Walt Disney World. The duo quickly dissolves into a heated "poultry debate" after Daniel's first-ever visit to Raising Cane's, which he disparages as the "poultry form of mashed potatoes" compared to the spiced breading of Zaxby's—a controversy they plan to settle with a future filmed taste test.The banter takes a theatrical turn as Adam recaps his weekend seeing the musical Some Like It Hot, though the conversation takes a sharp detour into a "party foul" involving "cute college boys" peeing in a parking lot. Between Adam's "bland" Greek food critiques and Daniel's obsession with flaming saganaki cheese, the hosts find time to dissect the "common thread" of other shows on the Afterthought Media network. They specifically point out how network founder Joe Batance acts as a "narrator" who pokes and prods at his friends' insane adventures like he is "at a zoo".The "Contact" segment turns into a heartwarming birthday tribute as the 707-613-3284 voicemail line overflows with wishes from regular listeners like Gary and RT Cruiser. The highlight is a custom, AI-assisted birthday song from Brian in New Orleans that chronicles Daniel's 15-year podcasting journey "from Azeroth to the Springtime Surprise". After a lackluster showing in the "News Game" and a Disney-themed "Bonus Round," Adam reveals his new career pivot: a travel-themed Etsy shop where he'll use UV and 3D printers to create state-themed coasters and QR-coded luggage tags. The show concludes with the duo heading into the "Level 13" after-show to finally cross the midnight threshold into Daniel's birthday.Email: Contact@MixMinusPodcast.comVoice/SMS: 707-613-3284

It's getting hot in here! Moiya tells Connie about infrared light and its uses on Earth and in space. They play a fun game, Some Like It Hot!MessagesWatch and follow THAT'S A LOT, please! Watch on YouTube, Instagram, and TiktokBecome a star and join the patreon at patreon.com/palebluepod!Go supernova and support Pale Blue Pod on PayPal Listen to Spirits every WednesdayFind Us OnlineWebsite: palebluepod.comPatreon: patreon.com/palebluepodTwitter: twitter.com/PaleBluePodInstagram: instagram.com/palebluepodCreditsHost Dr. Moiya McTier. @GoAstroMo, Website: moiyamctier.comHost Connie Gibbs. @constar24Editor Mischa Stanton. Twitter: @mischaetc, Website: mischastanton.comCover artist Shae McMullin. Twitter: @thereshaegoes, Website: shaemcmullin.comTheme musician Evan Johnston. Website: evanjohnstonmusic.comAbout UsPale Blue Pod is an astronomy podcast for people who are overwhelmed by the universe but want to be its friend. Astrophysicist Dr. Moiya McTier and her best friend ConStar demystify space one topic at a time with open eyes, open arms, and open mouths (from so much laughing and jaw-dropping). By the end of each episode, the cosmos will feel a little less “ahhh too scary” and a lot more “ohhh, so cool!” New episodes every Monday.Pale Blue Pod is a member of the Multitude Collective.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sichern Sie Ihre Privatsphäre mit SURFSHARK! Geben Sie den Gutscheincode STRATERSTREBERG bei https://surfshark.com/straterstreberg ein und erhalten 4 zusätzliche Monate auf ihr Abo. Bis zur kompletten Genesung von Torsten bestreitet Gerry die kommenden Folgen mit wechselnden Co-Moderatoren und interessanten Gästen. Den Anfang macht der wohl neugierigste Kopf der deutschen Medienlandschaft: RALPH CASPERS. In dem illustren Gespräch erzählt der Moderator und Autor Gerry und Co-Host HENRY von seinen Anfängen im Dschungel Borneos, wo er mit drei Jahren das Licht der Welt erblickt hatte, seinen Anfängen bei der SENDUNG MIT DER MAUS, warum Zombie-Filme seine Wohlfühlen-Filme sind, warum es ihm ganz wichtig ist, kein Arschloch zu sein, und vieles, vieles mehr. Viel Spaß XL-Version gibt es bei PATREON: https://www.patreon.com/c/SBSPodcast Viel Spaß Unsere Werbekunden für diesen Monat: https://linktr.ee/StraeterStreberg.podcast

Amber Ruffin thought she was about to join Saturday Night Live. Instead, she got a rejection call—and three days later, a life-changing phone call from Seth Meyers.This week as we kick off a new season of Inside Late Night with Mark Malkoff, Ruffin shares the story of auditioning for SNL, missing out, and being recruited by her former Boom Chicago castmate to help launch Late Night with Seth Meyers.Plus: her Emmy-nominated Amber Ruffin Show, Broadway's Some Like It Hot, CNN's Have I Got News For You, and her new musical Bigfoot!.

Sean McDaniel is currently the drummer for Chess on Broadway.  He also played Smash, Cabaret, Some Like It Hot, Frozen, The Book Of Mormon, Spamalot, Violet, La Cage Aux Folles, and Nine To Five on Broadway.  Off-Broadway he originated Hamilton. Sean can be seen and heard in Lin-Manuel Miranda's Tick Tick Boom.  He has played all over the country with American Idol Runner-Up Clay Aiken.  Other performances include Sutton Foster, Barry Manilow, Audra McDonald, Jennifer Hudson, Sting, Dolly Parton, Idina Menzel, Tituss Burgess, Jane Lynch, and the Tony Awards. Sean earned his BM at University of North Texas and his MFA at New York University. He is endorsed by DW, Evans, Vic Firth, and Sabian.  In this episode, Sean talks about: Not just playing to serve the song, but playing to serve the drama The importance of getting some live playing experience you can then bring into a musical theatre show  The huge variety of playing experience he got at North Texas The common thread among great Broadway drummers/drumming Playing for the Tony Awards Finding ways to love the process, not just the product ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Send us a textOn the podcast this time, Steven and Sean are on the run from the mob… and looking great while doing it! We watched the 1959 film from Billy Wilder, Some Like It Hot.Need to make an escape fast? Have we got the solution for you! Find your finest dress, pitch your voice up as high as you can, and hop aboard the party train. Next stop, Miami, baby!Be warned: you may still be pursued. But in the midst of it all, love (in all its forms) will still prevail. Join us as we continue our month of love with one of the all time greats.(Recorded on November 10, 2025)Links to Stuff We Mentioned:Some Like It Hot - The Movie Database (TMDB)Some Like It Hot trailer - YouTubeTony Curtis — The Movie Database (TMDB)Jack Lemmon — The Movie Database (TMDB)Marilyn Monroe — The Movie Database (TMDB)Joe E. Brown — The Movie Database (TMDB)George Raft — The Movie Database (TMDB)To Wong Foo, Thanks for Everything! Julie Newmar (1995) — The Movie Database (TMDB)Bad Boys (1995) — The Movie Database (TMDB)Lucifer (TV Series 2016–2021) — The Movie Database (TMDB)Good Omens (TV Series 2019- ) — The Movie Database (TMDB)Follow Us:Give us a rating and review on Apple Podcasts!Sean's Letterboxd profile!Steven's Letterboxd profile!Our Buzzsprout site!Our Instagram profile!Support the show

Revisitamos, discutimos y analizamos la comedia SOME LIKE IT HOT de Billy Wilder (1959). Fico CangianoJose MoralesLuis AngeletAlexis Leon

Hier ist der zweite Teil unseres Live-Spektakels aus dem wunderbaren Schmidtchen in Hamburg. Diesmal geht es direkt in die Vollen: Torsten erklärt, warum man ein neugeborenes Baby keinem Pavian anvertrauen sollte. Die unvergleichliche Ina Müller verrät uns ihre Lieblingsfilme, Musicals und Serien (der Name Kevin Costner taucht dabei verdächtig oft auf) und Gerry erinnert sich daran, wie Reiner Schöne und er in der Vergangenheit bereits einmal für dieselbe Produktion gearbeitet haben: Gerry hinter und Reiner vor der Kamera. Darüber hinaus erzählt Reiner Schöne, wie seine Karriere in der damaligen DDR begann und ihn sogar bis nach Hollywood führte, womit er natürlich die Vorfreude auf seine im März erscheinende Autobiografie ordentlich anheizt. Und weil der Podcast STRÄTER & STREBERG heißt, mischen Batman und der Weiße Hai auch irgendwie mit. Viel Spaß! Unsere Werbepartner für diesen Monat: Hier gehts zu unserem Werbepartner: Hol dir deine persönlichen Daten mit INCOGNI zurück! Gib einfach den Code "sunds" über den Link unten ein und hol dir 60 % Rabatt auf ein Jahresabo : https://incogni.com/sunds https://linktr.ee/StraeterStreberg.podcast

Marc Shaiman is an Emmy, Tony, and Grammy Award-winning composer and lyricist for his decades of work on stage and screen, including beloved Broadway hits HAIRSPRAY, SOME LIKE IT HOT, SMASH and acclaimed films When Harry Met Sally, The First Wives Club, Sister Act, Beaches, Sleepless in Seattle, Hocus Pocus, and many more. In this episode, Marc shares stories from his memoir, Never Mind the Happy: Showbiz Stories from a Sore Winner, and discusses the power of believing in yourself, showing up, and saying "yes."   Order Marc's book The Sweeney Sisters View Stages Podcast on YouTube    

Marc Shaiman is a renowned composer, lyricist, arranger, and music producer known for his prolific work across film, television, and theater. His film work includes “When Harry Met Sally”, “Sister Act”, “City Slickers”, “A Few Good Men”, “Sleepless in Seattle”, “The American President”, and the first “South Park” movie. Shaiman has written and arranged music for countless artists such as Harry Connick Jr., Mariah Carey, Billy Crystal, and Bette Midler. Shaiman earned widespread acclaim for co-writing the hit Broadway musical “Hairspray” alongside his co-lyricist Scott Wittman. Shaiman and Wittman went on to co-create musicals “Catch Me If You Can”, “Charlie and the Chocolate Factory”, “Some Like It Hot”, and “Smash”. Marc Shaiman has been nominated for seven Academy Awards, two BAFTA awards, and has won a Tony, two Emmys, and two Grammys.See omnystudio.com/listener for privacy information.

MUSICFans of Bad Bunny are "big mad" after a height requirement for the Super Bowl halftime show field team began circulating on social media. Red Hot Chili Peppers bassist Flea will release his debut solo album titled "Honora" on March 27th. https://consequence.net/2026/01/flea-honora-traffic-lights-2026-tour-dates/ The Offspring and Limp Bizkit will be the headliners at Rock Fest in Cadott, Wisconsin July 16th through the 18th. Other acts on the bill include I Prevail, Des Rocs, Autumn Kings, Halestorm, The Pretty Reckless, Hollywood Undead and Badflower.A report in the U.K. Sun says that Metallica are "90% there" in signing a deal for their long-rumored residency at the Sphere in Las Vegas later this year. https://loudwire.com/metallica-almost-done-las-vegas-sphere-residency-deal/Jelly Roll's voice is going to be heard in the role of Grizz for the upcoming animated movie GOAT. In addition, Jelly's song "I'm Good" will be featured in the movie's soundtrack and in trailers. TVNetflix is set to launch its first original video podcasts, featuring comedian Pete Davidson and former NFL star Michael Irvin. https://variety.com/2026/tv/news/pete-davidson-netflix-podcast-the-pete-davidson-show-1236631253/ SPEAKING OF PODCASTS: Travis and Jason Kelce are set to release their debut book titled "No Dumb Questions: And All of Our Dumbest Answers", inspired by a segment of their podcast "New Heights". https://people.com/travis-kelce-jason-kelce-new-book-no-dumb-questions-see-the-cover-exclusive-11884320 MOVING ON INTO MOVIE NEWS:Matthew McConaughey trademarked his catchphrase, "Alright, Alright, Alright". It's an effort to protect his voice and likeness from unauthorized A.I. misuse. https://variety.com/2026/biz/news/matthew-mcconaughey-trademarks-alright-alright-alright-ai-misuse-1236631214/ Amazon MGM Studios has announced the release of a documentary about Paul McCartney's post-Beatles years with his band Wings. "Man on the Run" examines McCartney's journey after the Beatles' split, highlighting emotional challenges, artistic struggles, and the formation of Wings with his wife Linda and musician Denny Laine. There's a new documentary about the tragic death of "Poltergeist" star Heather O'Rourke. Check out the trailer. https://youtu.be/TGUjYNG6XLc· Disneyland's "Star Wars: Galaxy's Edge" will undergo significant changes starting April 29th, bringing back characters from the original trilogy. https://www.latimes.com/travel/story/2026-01-14/disneyland-star-wars-galaxys-edge-whats-new Nick Reiner has a new attorney. https://www.rollingstone.com/tv-movies/tv-movie-news/nick-reiner-alan-jackson-lawyer-talks-stepping-down-case-1235499520/· AND FINALLYIs there such thing as a perfect comedy? Well, Collider.com believes there are 10 NEARLY perfect ones. And they ranked them for you. Here's their list . . .1. "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" (1964)2. "Airplane!" (1980)3. "Monty Python and the Holy Grail" (1975)4. "Some Like It Hot" (1959)5. "Ghostbusters" (1984)6. "The Big Lebowski" (1998)7. "Groundhog Day" (1993)8. "Step Brothers" (2008)9. "Superbad" (2007)10. "Anchorman: The Legend of Ron Burgundy" (2004) AND THAT IS YOUR CRAP ON CELEBRITIES!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Marc Shaiman is a renowned American composer, lyricist, arranger, and music producer known for his work across film, television, and theater. Shaiman began his career as a musical director and arranger for Bette Midler before expanding into film scoring. He gained prominence with his work on films such as When Harry Met Sally, The Addams Family, Sister Act, City Slickers, A Few Good Men, Sleepless in Seattle, The American President, and South Park: Bigger, Longer & Uncut, on television with SNL, and on recordings with Harry Connick Jr. and Mariah Carey. Shaiman earned widespread acclaim for co-writing the Broadway musical Hairspray alongside his longtime co-lyricist Scott Wittman. The duo has also co-created the musicals Catch Me If You Can, Charlie and the Chocolate Factory, Some Like It Hot, and Smash. He has been nominated for multiple Academy Awards and has won a Tony, two Emmys, and two Grammys. Marc Shaiman is celebrated for his versatile, emotionally resonant music and his ability to blend classic musical theatre sensibilities with modern storytelling. Born and raised in New Jersey, he currently lives in New York with his husband, Lieutenant Commander (ret) Lou Mirabal. For more information visit www.marcshaiman.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since 1944, the Golden Globes have offered an alternative to the Oscars and the Emmys. Giving us a boozier, looser take on the best in both TV and movies, the Globes have at their best championed less-obvious projects, and given early wins to actors and creators who would go on to be some of the entertainment industry's biggest stars. Of particular interest is the Best Film Musical or Comedy category, which has celebrated some of the less stodgy, but still incredibly well made, films that might not make the cut for the prestige-obsessed Academy Awards. So join us for one of our 2026 Patreon-sponsored episodes as the Great Pop Culture Debate attempts to name the Best Golden Globe Winner for Best Motion Picture, Musical or Comedy.Movies discussed: The Sound of Music (1965), The Lion King (1994), West Side Story (1961), Beauty and the Beast (1991), Mrs. Doubtfire (1993), Chicago (2002), Some Like It Hot (1959), The Graduate (1967), Cabaret (1972), Romancing the Stone (1984), Moulin Rouge! (2001), Almost Famous (2000), My Fair Lady (1964), Tootsie (1982), Working Girl (1988), Lady Bird (2017)Join host Eric Rezsnyak, Patreon sponsor Steve Nikoloff, and GPCD panelists Karissa Kloss and Kevin Dillon as they discuss and debate 16 of the most celebrated Globe-winning films.EPISODE CREDITSHost: Eric RezsnyakPanelists: Karissa Kloss, Kevin DillonPatreon Sponsor: Stephan NikloloffProducer: Bob ErlenbackEditor: Eric RezsnyakTheme Music: “Dance to My Tune” by Marc Torch#goldenglobes #goldenglobe #awards #awardshow #bestfilm #comedy #musical #comedyfilms #musicalfilms #thesoundofmusic #somelikeithot #workinggirl #tootsie #mrsdoubtfire #almostfamous #romancingthestone #beautyandthebeast #thelionking #chicago #cabaret #thegraduate #moulinrouge #ladybird #podcastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Paul and Amy dig into Variety's list of the 100 greatest comedies of all time, celebrating the highs, questioning the rankings, and debating what makes a movie truly funny. From The Naked Gun taking the top spot to spirited discussions around Some Like It Hot, Annie Hall, Groundhog Day, and The Great Dictator, they unpack the list's surprises, omissions, and the impossible challenge of ranking comedy at all. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christian Borle American actor and singer. He is a two-time Tony Award winner for his roles as Black Stache in Peter and the Starcatcher and as William Shakespeare in Something Rotten!.[2] Borle also originated the roles of Prince Herbert, et al. in Spamalot, Emmett in Legally Blonde, and Joe in Some Like It Hot on Broadway, earning Tony nominations for the latter two. He starred as Marvin in the 2016 Broadway revival of Falsettos, which also earned him a Tony nomination. His first leading role on Broadway was Jimmy Smith in Thoroughly Modern Millie. He would later also star as Bert in Mary Poppins and Willy Wonka in Charlie and the Chocolate Factory. He also portrayed Orin Scrivello in the Off-Broadway revival of Little Shop of Horrors. Borle starred as Tom Levitt on the NBC musical-drama television series Smash and Vox in the adult animated black comedy musical series Hazbin Hotel.He has been nominated for five Tony awards and won twice, and he also won a Grammy for Best Musical Theater Album for the original cast recording of Some Like It Hot in 2024.Holiday Movies to Watch (Theatrical + Streaming)In Theaters:• Five Nights at Freddy's 2  • Moana 2  • Wicked: Part 1  • Sonic the Hedgehog 3  • Kraven the Hunter  • Gladiator II  Streaming:• Disney+ – Wish, Percy Jackson, The Santa Clauses  • Netflix – Family Switch, Leo, Rebel Moon  • Prime Video – Candy Cane Lane  • Peacock – Trolls Band Together, FNAF  • Apple TV+ – Spirited, Napoleon (coming)3. Holiday Gift GuideFor Kids/Tweens:• Pokémon sets  • LEGO sets  • Nintendo Switch games  • Mini arcade cabinets  For Partners:• Smart mug  • Vinyl turntable  • Streaming bundles  • Custom comic portraits  For Yourself:• LED lightsabers  • Gaming headset  • Nerd subscription boxes  • Collectibles  4. Hottest Games Right Now• Spider-Man 2.5 DLC  • Fortnite Chapter 6  • Super Mario RPG Remake  • Call of Duty: New Black Ops  • Zelda: Echoes of Hyrule  • Minecraft Legends  Top Consoles:• Nintendo Switch OLED  • PlayStation 5 Slim  • Xbox Series S/X  • Meta Quest 3  • Steam Deck OLED  5. Current Movie Box-Office Records• FNAF 2 breaking post-Thanksgiving records  • Moana 2 dominating animated box office  • Gladiator II strong adult turnout  • Godzilla x Kong breaking IMAX monster records  6. AI & Hollywood (CBS Sunday Morning Highlights)• AI used in pre-visualization  • Actor likeness rights concerns  • New WGA/SAG rules: consent + compensation  • AI won't replace actors but will replace technical labor  7. Netflix x Warner Bros. / DC DealFan reactions:• Excitement for exposure  • Concerns about WB's financial strategy  • Hopes for revived animationExec statements:• Not a merger  • DCU storyline still controlled by DC Studios  • Goal: global audience expansion  8. Top Video Games to Buy Now• Super Mario Bros. Wonder  • EA FC 25  • Spider-Man 2  • Roblox  • FNAF: Help Wanted 2  • Lego Fortnite  9. Top Consoles for Holiday 2025• Switch OLED  • PS5 Slim  • Xbox Series X  • Meta Quest 3  • Steam Deck OLED  10. Recommended Old Christmas Movie“The Muppet Christmas Carol” (1992)11. Recommended Comic Book“Superman: Last Days of Krypton” (2025)

Kevin Del Aguila has one of those careers that feels impossible on paper but makes perfect sense once you hear him talk about it. He shares how acting and writing grew side by side almost accidentally, from staging one-acts with unemployed friends to becoming the secret ingredient that finally unlocked Altar Boyz. Kevin opens up about years of temp jobs, the anxiety of switching to a full-time artistic life, and the surprising moment he quietly “quit acting” without telling anyone—only to find himself pulled back in through Peter and the Starcatcher, where collaborating with Christian Borle reignited his love for performing. His stories from backstage, especially the legendary “silent aria” of laughter waves, remind you why the magic of theater is so addictive. We also explore the second creative empire Kevin has built in children's entertainment, from Wonder Pets to his Emmy-winning work on Peg + Cat, to writing the lyrics for Click, Clack, Moo and the wildly popular Dog Man: The Musical. He breaks down why kids instantly know when something has been sanitized, how a little edge goes a long way, and why he's drawn to writing that treats young audiences with intelligence and respect. Kevin also reflects on his full-circle return to The Baker's Wife more than twenty years after first performing it, now taking on Antoine in the highly anticipated Classic Stage Company revival. The episode is full of craft, heart, humor, and the reminder that longevity—not overnight success—is the real engine of a creative life. Kevin Del Aguila is an Emmy Award–winning writer and Tony-nominated actor whose career spans theater, television, and children's entertainment. He wrote the book for the long-running hit Altar Boyz and the lyrics for Click, Clack, Moo and Dog Man: The Musical. His Broadway and stage performances include Some Like It Hot, Frozen, and Peter and the Starcatcher. His television writing earned him an Emmy for Peg + Cat, and he appears in the newest season of Hazbin Hotel. Kevin currently stars as Antoine in the Broadway revival of The Baker's Wife. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Kevin: Instagram: @kevinoftheeagle Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bryan Carter is a Grammy and Tony Award-winning drummer, vocalist, composer, arranger, orchestrator, and bandleader. After completing his training at The Juilliard School, Carter played with legendary artists including McCoy Tyner, Wynton Marsalis, Kenny Barron, and Kurt Elling. In addition to working in the worlds of film, television, and Broadway, Bryan founded "Jazz at Pride," a non-profit organization dedicated to curating performances and educational engagements featuring world-class artists from the LGBTQIA+ community. Bryan most recently served as co-orchestrator for Broadway's “Some Like It Hot,” for which he and his co-orchestrator Charlie Rosen made history as the first orchestrators to sweep all three major awards in a single season: the 76th Annual Tony Awards for Best Orchestrations, the Outer Critics Circle Awards, and the Drama Desk Awards for Outstanding Orchestrations. Rosen and Carter continued their streak of success at the 66th Annual GRAMMY Awards, winning the title of Best Musical Theater Album as producers on the recording. In the fall of 2024, Bryan premiered “Rustin in Renaissance,” a seven-movement oratorio on the life of civil-rights pioneer Bayard Rustin. The premiere was held at Jazz at Lincoln Center's Appel Room and coincided with the 20th anniversary of “The House of Swing.” In this episode, Bryan talks about: Playing multiple instruments and musical roles since early childhood  His orchestration role on “Some Like It Hot” that garnered him a Tony and a Grammy His experience at Julliard, and feeling like the curriculum put him in too small a box Looking around for “who was hiring” in New York and what that looks like on that scene The New York tradition of older established artists seeking out younger musicians and giving them a platform Writing and playing for George Clooney's Broadway production of “Good Night and Good Luck” How using piano for composition has made him think of drumming from an arrangement standpoint  Welcoming how different performers offer different interpretations of what he writes ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Interview Date:Episode Summary:MSA New York's Talent Director Bre Traver breaks down exactly how dancers get on an agent's radar and build sustainable careers. From her path from dancer to agent, to what MSA looks for in reels, headshots, and Instagrams, Bre shares practical, no-fluff guidance on submissions, onboarding, and being an ideal client. She contrasts the NYC vs. LA markets (live stage, Broadway, tours, award shows), outlines big client don'ts, and explains how agents scout in class, at shows, and online. The lively Q&A hits trends, triple-threat training, youth work, self-tapes vs. in-person calls, and why persistence, professionalism, and clear goals separate dancers who book “the big jobs.”Shownotes:(0:00) – Welcome & intro to MSA and Bre's NYC leadership (11:28) – Bre's journey: dancer to MSA Talent Director(20:24) – Inside MSA NYC: Broadway, tours, TV, and more (24:53) – How dancers get signed and scouted by agents (28:14) – Social media tips: Instagram presence that books work (32:23) – Onboarding goals: materials, availability, and communication(35:56) – NYC vs LA markets: knowing where you belong (39:10) – Professionalism tips: biggest audition and booking don'ts(44:10) – How agents scout in class and online presence matters (51:12) – Q&A takeaways: training, self-tapes, visas, and persistenceBiography:Bre Traver joined McDonald Selznick Associates East Coast division in 2007. She worked through the ranks as an assistant to Jr. Agent, to Franchised Sr. Agent, to Director of the Talent Department to now Equity Partner in the company. Prior to agenting, Bre grew up as a dancer and received a BFA from University at Buffalo. Bre is still serving as a lead agent for MSA's NY talent roster. Over the years she has had the pleasure of booking clients on national commercials (APPLE, Advil PM, Pepsi), feature films (Best of The Best, West Side Story, In The Heights, 13, Tick Tick Boom), television (SNL, Law & Order, Pose, Maisel, Étoile, GMA, The Tonight Show, Last Week Tonight), award shows (MTV VMAs, BET Awards, Super Bowl Halftime), national tours (Hamilton, Wicked, Moulin Rogue, MJ, Hell's Kitchen, Beetlejuice, Some Like It Hot, The Notebook, Mean Girls, Chicago), and live work (Corporate industrials, New York Fashion Week, The Met Gala). Bre is proud to work on behalf of such an established roster of talent and enjoys keeping her finger on the pulse of our ever-changing industry!Connect on Social Media:Instagram: https://www.instagram.com/breezyotoole/?hl=enWebsite: www.msaagency.com

Happy Thursday e te whānau! E whai ake nei: Political Commentary with Lara Greaves, a kōrero with Ekho Laliah about her new album, and Greening Out with Jim! Plus, a chance to with Bar Italia's 'Some Like It Hot' and tickets to Kate Bollinger. Whakarongo mai nei! Thanks to eighthirty coffee roasters!

Ce 23 octobre, Marjorie Hache livre une nouvelle édition de Pop-Rock Station riche en contrastes. Elle ouvre avec Florence + The Machine et le morceau-titre du futur album "Everybody Scream", avant de plonger dans les classiques de Neil Young, Nirvana ou The Rolling Stones. L'animatrice de RTL2 célèbre aussi les 19 ans du titre "Rehab" d'Amy Winehouse, devenu emblématique depuis sa sortie. L'album de la semaine reste "Some Like It Hot" du trio londonien Bar Italia, présenté ici dans sa version la plus douce avec le titre éponyme. Côté découvertes, Marjorie Hache propose les nouveautés de The Charlatans, avec "Deeper and Deeper", annonciateur de leur album "We Are Love", et le retour punk des Américains Be Your Own Pet avec "What A Bitch". La reprise du soir revisite "Personal Jesus" de Depeche Mode, dans une version puissante signée Def Leppard. En fin d'émission, Pop-Rock Station s'aventure entre rock alternatif et garage avec Eagles of Death Metal, Babes in Toyland, les Yeah Yeah Yeahs et les Deftones. La nouveauté "Fresh Fresh Fresh" du jour présente UFO, le nouveau projet réunissant des membres de Phoenix et le duo Braxe & Falcon. Florence + The Machine - Everybody Scream Emerson, Lake & Palmer - From The Beginning Amy Winehouse - Rehab Nirvana - Polly Idles - Dancer The Beach Boys - Surfin' U.S.A. Franz Ferdinand - Walk Away Bar Italia - Some Like It Hot The Rolling Stones - Miss You Suicidal Tendencies - How Will I Laugh Tomorrow Neil Young - Rockin In The Free World The Charlatans - Deeper And Deeper Def Leppard - Personal Jesus Gorillaz - Dirty Harry Coilguns - Nightshifter Supertramp - Give A Little Bit Slowdive - When The Sun Hits Be Your Own Pet - What A Bitch Otis Redding - My Girl Alanis Morissette - Hands Clean UFOs - UFO Elton John - Crocodile Rock Eagles Of Death Metal - Wannabe In La Babes In Toyland - He's My Thing Yeah Yeah Yeahs - Date With The Night Deftones - Infinite Source The B52's - Rock LobsterHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce 22 octobre, Marjorie Hache propose deux heures éclectiques, mêlant nouveautés et classiques. Elle ouvre avec Blue Öyster Cult avant de passer aux sons plus récents de Wet Leg, qui s'apprêtent à défendre leur album "Moisturiser" sur scène, et Tame Impala avec "Dracula", extrait de leur nouvel album "Deadbeat". L'animatrice de RTL2 Pop-Rock Station revient aussi sur les 21 ans de "One by One" des Foo Fighters, disque phare récompensé aux Grammy Awards. L'album de la semaine, "Some Like It Hot" de Bar Italia, est présenté ce soir avec le titre "Eyepatch", à la croisée de l'art rock et du jazz. La reprise du jour revisite "Do I Wanna Know" des Arctic Monkeys, signée CHVRCHES dans une version électro-indé. Les hommages se poursuivent avec Guns N' Roses, The Smiths, Tom Petty ou encore Justice. En deuxième partie, Pop-Rock Station met à l'honneur les découvertes : la jeune Américaine Caytlynn Curtis avec "Amen", et Vera Daisies, alias Margaux Jaudinaud, nouvelle voix pop française repérée avec "Can't Blame You". La soirée s'achève sur Creedence Clearwater Revival, Stevie Wonder, Sam & Dave,Raye et Kyuss dans un enchaînement où se croisent nostalgie et renouveau. Blue Öyster Cult - Dont Fear The Reaper Wet Leg - Mangetout Foo Fighters - All My Life T.Rex - 20Th Century Boy No One Is Innocent - La Peau Them - Gloria Larkin Poe - She's A Self Made Man Bar Italia - Eyepatch Aerosmith - Dude (Looks Like A Lady) Guns N' Roses - You Could Be Mine The Smiths - Heaven Knows I'm Miserable Now Tame Impala - Dracula Chvrches - Do I Wanna Know Justice - Helix New Order - Crystal Caitlynne Curtis - Amen America - A Horse With No Name Tom Petty - Learning To Fly Nine Inch Nails - As Alive As You Need Me To Be Curtis Stigers - This Life Creedence Clearwater Revival - Fortunate Son Vera Daisies - Can't Blame You Muse - Uprising Presidents Of The USA - Lump Stevie Wonder - Have A Talk With God Sam & Dave - Hold On, I'm Coming Raye - Where Is My Husband!Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce 21 octobre, Marjorie Hache signe deux heures de pop-rock électrique et variée dans Pop-Rock Station. Au menu, Depeche Mode, The Kinks, Alice Cooper ou encore The Hives, attendus au Zénith de Paris le 20 novembre. L'animatrice de RTL2 célèbre aussi l'anniversaire de "Super Fly", bande originale culte de Curtis Mayfield, un classique du cinéma "blaxploitation". L'album de la semaine reste "Some Like It Hot" de Bar Italia, trio londonien adepte du shoegaze et de la pop 2000's, avec le titre "Cowbella". La reprise du jour plonge dans le métal : "Welcome Home (Sanitarium)" de Metallica revisité par Bullet For My Valentine. Parmi les découvertes, la chanteuse suédoise Vella mêle soul et rock avec "All My Love", et les Texanes de Die Spitz envoient "Riding With My Girls", extrait de "Something To Consume". Marjorie met aussi en avant le festival Les Femmes s'en Mêlent, dédié à l'égalité et aux artistes émergentes, avec Pain Magazine et leur titre "Magic" en nouveauté du jour. La soirée se conclut sur des classiques de Placebo, Biffy Clyro, Elastica et Highly Suspect. The Hives - The Hives Forever Forever The Hives Green Day - Oh Yeah Curtis Mayfield - Freddie's Dead Red Hot Chili Peppers - Suck My Kiss Blondie - Denis Depeche Mode - A Pain That I'm Used To Air - Sexy Boy Bar Italia - Cowbella Bruce Springsteen - Born To Run The Offspring - Pretty Fly (For A White Guy) The Kinks - Waterloo Sunset Suede - Dancing With The Europeans Bullet For My Valentine - Welcome Home (Sanitarium) Stereophonics - Have A Nice Day Vella - All My Love Alice Cooper - Poison Bloodhound Gang - The Bad Touch Die Spitz - Riding With My Girls The Beatles - All You Need Is Love Electric Six - Gay Bar Pain Magazine - Magic AC/DC - If You Want Blood Highly Suspect - Lydia Elastica - 2:1 Placebo - Post Blue Biffy Clyro - Hunting Season Frank Zappa - Inca RoadsHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ce 20 octobre, Marjorie Hache orchestre deux heures de pop-rock dense et affutée. L'émission s'ouvre sur The Cure, Feist, Anthrax et David Bowie, avant un hommage au guitariste de Kiss, Ace Frehley, disparu à 74 ans. L'animatrice de RTL2 revient ensuite sur le crash tragique de Lynyrd Skynyrd en 1977, à l'occasion de l'anniversaire du drame, avec "You Got That Right". L'album de la semaine est "Some Like It Hot" du trio londonien Bar Italia, illustré par le titre "Fundraiser". La reprise du soir est "Freedom" de George Michael revisité par Rahim Redcar, ex-Christine and the Queens. Les nouveautés s'enchaînent avec le retour punk de Be Your Own Pet, désormais signés chez Third Man Records, et le shoegaze hypnotique de Just Mustard avec "Endless Deathless", extrait de leur album à venir "We Were Just Here". La seconde moitié de l'émission alterne entre hommages et découvertes : Limp Bizkit endeuillé par la mort de leur bassiste Sam Rivers, le retour d'Alabama Shakes après dix ans de silence, et des classiques de Pearl Jam, Led Zeppelin ou Crosby, Stills, Nash & Young. Kiss - I Was Made For Lovin' You Nine Inch Nails - As Alive As You Need Me To Be Lynyrd Skynyrd - You Got That Right Feist - 1 2 3 4 The Heavy - How You Like Me Now The Mama's And The Papa's - Monday Monday Pearl Jam - Jeremy Bar Italia - Fundraiser The Cure - Boys Don't Cry Papa Roach - Last Resort Anthrax - Antisocial Be Your Own Pet - What A Bitch Christine And The Queens - Freedom Cold War Kids - Hang Me Up To Dry Limp Bizkit - Break Stuff Bones Owens - Best Western Led Zeppelin - Black Dog Arctic Monkeys - I Bet You Look Good On The Dancefloor Alabama Shakes - Another Life Iron Maiden - Run To The Hills Girls Against Boys - Kill The Sexplayer Just Mustard - Endless Deathless David Bowie - Space Oddity The White Stripes - I Just Don't Know What To Do With Myself Crosby Stills Nash & Young - Our House Blur - Song 2 Franz Ferdinand - Hooked (Ft. Master Peace) The Chemical Brothers - The TestHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bar Italia publican mañana, “Some Like It Hot”, su nuevo álbum y comparten el último adelanto, ‘omni shambles’, una canción de rock tenso y catártico que protagoniza esta sesión junto a Oliver Sim y la elegancia de "Telephone Games", el regreso de la australiana Courtney Barnett y lo nuevo de Portugal.TheMan. VALERIA CASTRO - SentimentalmenteVEINTIUNO - Complicidad ft Malena VillaVIVA SUECIA - Tú y yo contra los demás ft HoonineELYELLA feat Suu - Me falta tu vozDAFT PUNK - Robot RockTHE ITCH – The InfluencerJUANA EVERETT - One Million DollarsBAR ITALIA - omni shamblesCOURTNEY BARNETT - Stay In Your LaneIDEALIPSTICKS - Supreme MachineLEIVA - BarrioLOS PIRATAS - Mi CocoPORTUGAL. THE MAN - AngoonOLIVER SIM - Telephone GamesPINKPANTHERESS - Illegal + AnittaWET LEG - PokemonEscuchar audio

Michelle is back again and she and Jason are once again discussing the brilliant films of the great Billy Wilder. This time they discuss the films which feature Marilyn Monroe. There's no question that Some Like It Hot is one of the greatest comedies of all time, a delirious, delightful, dizzy masterpiece of sheer lunacy. In other words, Jason and Michelle liked it.They also look at The Seven Year Itch, which is also a fine movie but much more problematic and complicated for a contemporary viewer. Monroe's character is just called The Girl in the film, which only hints at the problematic aspects of this film which is also quite fun, clever and entertaining.We also think this pod is entertaining and hope you agree!

Marilyn Monroe, born Norma Jeane Mortenson on June 1, 1926, was an iconic American actress, model, and singer, celebrated for her roles in films like Gentlemen Prefer Blondes (1953), The Seven Year Itch (1955), and Some Like It Hot (1959). Known for her glamorous persona, comedic talent, and breathy voice, she became a cultural symbol … Continue reading Episode 474: The Life & Mysterious Death of Marilyn Monroe

Chris Sullivan with a Chokepoint: Looking at the implementation of the Real ID Act // Cast members from Broadway's "Some Like It Hot" on its run at the Paramount in Seattle // The Rick Rizzs Show: Mariners in the final stretch, pushing for the postseason // Charlie Harger Commentary on the billions spent on Sound Transit // Gee Scott on Starbucks employees suing the company over the dress code

In Episode 5 we take a shoddy look at "Niagara" and try not to go over the falls. Along with analyzing "Niagara", we mention “The Misfits”, "Gentlemen Prefer Blonds", “Some Like It Hot”, “The Seven Year Itch” and “Sunset Boulevard”. Next up is "My Favorite Brunette" You can always contact us at theshoemakerbrothers@gmail.com or Shodcast@gmail.com for that sweet audience interaction you are craving. If we remember to check, we'll respond. Go to patreon.com/TheShoemakerBrothers to support the show.

This week episode is a special Book Club episode digging into the brand new book The Costumes of Hollywood with co-authors Coleen Scott & Larry McQueen! We cover Larry's extensive collection, the creation of the book, the importance of preserving Hollywood history and maintaing the legacy of Costume Designers and their teams, advice for Costume Designers on archiving their own pieces and so much more!    The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century. All costumes featured are from The Collection of Motion Picture Costume Design, one of the world's largest private collections, curated over thirty-five years by leading Hollywood costume historian and archivist, Larry McQueen.   The book presents full costumes on display in addition to close-ups, and rarely seen interior details of some garments. Iconic costumes, including many with Academy Award nominations, from Some Like It Hot, Hello Dolly, Cabaret, Rear Window, Ben Hur, Mildred Pierce, Angel, Masters of the Universe, The Piano, The Hunger Games, and so many others are featured. This book gives the audience a rare and heretofore unpublished insight into what collecting, restoring, and reproducing entails, and highlights differences between private collecting and museum-backed collections. The Costumes of Hollywood details the significance of the designer, costume, and wearer via thorough research, interviews, and Larry McQueen's behind-the-scenes knowledge of collecting and working as an archivist in Hollywood.   Within the entertainment field, this book will be of interest to professional costume designers and technicians in film, theatre, and performance, as well as students of film production, history, and costume design and construction. The Costumes of Hollywood will also enrich and entertain anyone with an interest in costume design in film and collecting.   — If you want to support me and this podcast, please subscribe to the Patreon - we have tiers starting at just $3 and you will get access to extended cuts of every episode with more even more stories.  --- The Costumes of Hollywood: Highlights from The Collection of Motion Picture Costume Design Written by Coleen Scott & Larry McQueen --- Larry McQueen is a leading Hollywood costume historian and archivist. He has held the position of consultant for Camden House Auctioneers, Inc. in Los Angeles; Christie's East, New York: Christie's London; Butterfield and Butterfield Los Angeles/ San Francisco; Entertainment Rarities; and Julien Entertainment.   As consultant, he has been responsible for the authentication of film costumes and the estimation of their value. From 1999-2012, Mr. McQueen worked as an archivist with MGM/ UA in creating and maintaining a prop and costume collection of MGM films. In addition, his collection has worked with private estates and costume houses such as Lucille Ball, Jane Withers, Edith Head, Wayne Finkleman, Julie Newmar, Debbie Reynolds, Western Costume Company, Eastern Costume Company, CRC, American Costume Co., and others in researching items and their valuation. Mr. McQueen's private collection of film costumes is one the finest, and consists of over 600 costumes worn in films and television from 1920 to present. Portions of his collection have been exhibited in museums across the globe including the Metropolitan Museum of Art in New York, The Fashion Foundation in Tokyo, and The Victoria and Albert Museum in London. Website: www.filmcostumecollection.com.   Coleen Scott is a costume designer and historian with an MFA in Costume Design from Boston University, where she received the Kahn award upon graduation. She has worked for over 25 years in theater, opera, film, and television. She has worked with Academy Award-winning costume designer Ann Roth as well as designers Stephanie Maslansky and Tina Nigro. She frequently works with her creative partner and photographer, Ben Trivett, doing styling, set decoration, and photo tech for celebrity and editorial portrait photography.   Coleen taught Costume Production and Makeup for Stage and Studio at Saint Ann's School in Brooklyn, NY for thirteen years. Her book The Costumes of Burlesque was published by Routledge in 2019. She is a proud member of lATSE, USA 829, USITT, and is Chair of The Costume Society of America's Western Region. Coleen is tenured faculty in the Theatre Arts and Fashion Department at Santa Rosa Junior College in California heading the Costume Design, Technology and Makeup programs. Website: www.coleenscottdesign.com.     CoH Links: Book Link @ Routledge Website: The Collection of Motion Picture Costume Design Podcast (Apple Podcasts): The Costumes of Hollywood Podcast Podcast (Spotify): The Costumes of Hollywood Podcast Instagram: @CostumesofHollywood --- TFACD Links: Patreon: Tales From A Costume Designer Instagram: @talesfromacostumedesigner Twitter: @talesfromaCD TikTok: @talesfromaCD --- Whitney Anne Adams Links: Website: whitneyadams.com IMDb: Whitney Anne Adams Instagram: @WAACostumeDesign Twitter: @WhitneyAAdams TikTok: @waacostumedesign --- Union Links: Costume Designers Guild IG: @cdglocal892 United Scenic Artists Local 829 IG: @unitedscenicartists IATSE IG: @iatse ---

Bar Italia is a band from London that we're both fans of. Their new record, Some Like It Hot, is out next month on Matador. We chat with Nina and Jezmi about Vogue's new editor, Tim Dillon's Abu Dhabi payday, Howard Stern, Harry Styles in Rome, Jezmi's dad's salsa dancing career, silent mat pilates, pissing in a cup at the Oasis show, our karaoke songs, how they write songs, Pro Tools as a band member, good and bad festivals, how many push ups Jezmi can do, and their top five over the counter homeopathic remedies. instagram.com/baritaliaa twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 189: End of Summer Special 2025 (Part 1) - The Power Station & Bananarama In the United States, the Labor Day weekend marks the unofficial end of summer. Brian and Sarah just aren't ready to say goodbye to summer yet, so over the holiday weekend, they recorded a couple of episodes featuring songs that invoke the feeling of summer. Each episode in this mini-series will feature one song chosen by Brian and one chosen by Sarah. The first song up for discussion is the only one without the word “Summer” in the title. However, there's no question that it makes you think of summer and other sultry situations. Sarah selected the 1985 hit “Some Like It Hot” from supergroup The Power Station. Sarah shares chart information and reviews for the song, and she also explains the origin of the supergroup and the recording of the song. Brian is quite enthusiastic about Sarah's choice and shares memories of purchasing the album on cassette and watching the video for “Some Like It Hot” many times back in the day. As discussion turns to the video, both hosts can't contain their amusement at some of the promo's elements; Sarah even provides a bulleted list of the more notable features.  To wrap up the discussion on “Some Like It Hot,” Sarah shares a bit of ‘extra credit' information about the song's use in some network television promotions, back in 1985 but also in the 2020s! Then it's time to move on to Brian's selection. His choice is “Cruel Summer” by British girl group Bananarama (NOT a certain American solo artist). Brian also provides ‘the usual' information such as chart positions, reviews, the writing and recording of the song, and his personal history. Discussion of the “Cruel Summer” video reveals a common thread—or should we say line?—between the songs in this episode: cocaine! There's also a brief James Bond reference made, although it's from Sarah, rather than Brian! The episode wraps up with Brian sharing a recent review, which are always read aloud on the show, and always very much appreciated by both hosts.   Watch the videos here: "Some Like It Hot" - The Power Station "Cruel Summer" - Bananarama CBS Daytime Drama Promos featuring "Some Like It Hot" Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

"Fundraiser" es el segundo adelanto de "Some Like It Hot", el nuevo disco de Nina Cristante, Jezmi Tarik Fehmi y Sam Fenton, es decir, Bar Italia, que se publicará el 17 de octubre y cuyo título está sacado de la película de 1959 protagonizada por Marilyn Monroe, Tony Curtis y Jack Lemmon. "Fundraiser" de Bar Italia es la portada de este podcast donde también suena lo nuevo de Amaarae, Wolf Alice, Biffy Clyro, Alizzz y Celia es Celiaca. BAR ITALIA - FundraiserANNA CALVI - As a ManFONTAINES DC - DesireKNEECAP, Mozey - THE RECAPAMAARAE - She Is My DrugGOOGLY EYES - I Don't Go OutOLIVER SIM - ObsessionWOLF ALICE - White HorsesALABAMA SHAKES - Another LifeMILES KANE - Electric FlowerCELIA ES CELIACA - No Me Dejas Dormir NadaBIFFY CLYRO - Hunting SeasonALIZZZ - CallaítoBLOOD ORANGE ft CAROLINE POLACHEK - The Train (Kings Cross)RICHARD ASHCROFT - Lovin' YouFLORENCE ROAD - Break The GirlTHE SOPHS - First TimeEscuchar audio

Get ready for a hilarious blast from the past as Bob and Brad take a trip down memory lane and revisit a movie (and whiskey) they haven't experienced since season 1. In this episode, they dive into the timeless comedic masterpiece Some Like It Hot, directed by the legendary Billy Wilder. Alongside this classic film, they pair it up with the oak-stave-finished Maker's Mark 46 bourbon, creating the perfect combination of laughter and flavor.Timestamps:0:00: Introduction09:00: Brad Explains12:46: Performances and Direction25:00: Maker's Mark 46 review37:20: Two Facts and a Falsehood40:15: Themes and Final Analysis51:40: Let's Make it a Double54:15: Final ScoresFilm & Whiskey Podcast. New episodes every Tuesday.Theme music: "New Shoes" by Blue WednesdayFilm & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!

Happy Birthday to Bryan! Fresh off his first week at the Edinburgh Fringe, Bryan tells us about the hustle it takes to perform at the world's largest performing arts festival. Erin saw the musical Some Like It Hot and has now been inspired to sign up for tap classes. Bryan explains the UK's Online Safety Act which now requires people to upload personal documents in order to view adult websites. Erin calls out Superintendent of Public Instruction Ryan Walters for watching porn during a work meeting, and celebrates Rhode Island for being the first state to provide workplace accommodations for menopause. For tickets to Bryan's show visit www.bryansafi.comSee omnystudio.com/listener for privacy information.

We're remembering the late great director (and Trailers From Hell Guru) Jonathan Kaplan (1947–2025) and re-running our chat with the director of Over The Edge, The Accused, and many more. Jonathan took us on a journey through some of his favorite movies. Movies Referenced In This Episode The Student Teachers (1973)Night Call Nurses (1972)White Line Fever (1975)Truck Turner (1974)Heart Like A Wheel (1983)The Accused (1988)Over The Edge (1979)Modern Times (1936)City Lights (1931)Manhattan (1979) Some Like It Hot (1959)The Apartment (1960)North By Northwest (1959) Moon Pilot (1962) Mr. Billion (1977)White Heat (1949)The Wizard of Oz (1939)The Three Musketeers (1973)The Four Musketeers (1974)Superman (1978)Superman II (1980)The Three Musketeers (1948)Shane (1953) The 400 Blows (1959)8 ½ (1963)Fellini Satyricon (1969)Richard (1972)Millhouse (1971)The Projectionist (1970)El Dorado (1966)The Shootist (1976)Woodstock (1970) Payback (1999)A Hard Day's Night (1964) The Loneliness of the Long Distance Runner (1962)Billy Liar (1963)Ford Vs Ferrari (2019)The Wild Bunch (1969)The Ballad of Cable Hogue (1970)Bad Girls (1994)Masters of the Universe (1987)Giant (1956)The More The Merrier (1943) The Graduate (1967) The Victors (1963)…And Justice For All (1979)Citizen Kane (1941)An Alan Smithee Film: Burn Hollywood Burn (1997)The Day of the Dolphin (1973)The Call of the Wild (2020) The Lion King (1994)The Lion King (2019) The Revenant (2015)Lawrence of Arabia (1962)Dr. Strangelove (1964)Hollywood Boulevard (1976) Day For Night (1973)Being There (1979)Bound For Glory (1976)Second-Hand Hearts (1981)Requiem For A Heavyweight (1962)The Night of the Hunter (1955) The Godfather (1972)The Godfather Part II (1974)The Student Nurses (1970) Valley of the Dolls (1967) Charlie's Angels (2019)2001: A Space Odyssey (1968)Psycho (1960) The Oscar (1966) Barry Lyndon (1976) Once Upon A Time In The West (1968) Bird (1988)The Outlaw Josey Wales (1976)American Sniper (2014) The Beguiled (1971)The Grapes of Wrath (1940) Fort Apache (1948)The Searchers (1956) Straight Time (1978)Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)True Confessions (1981)Monster (2003)Beyond The Valley Of The Dolls (1970) This list is also available on Letterboxd. Learn more about your ad choices. Visit megaphone.fm/adchoices

I've been pre-scheduling podcast episodes this summer &, forgetting that we are now living in a time of anything goes chaos in the U.S., last week's conversation wound up publishing in the hours after the news involving Iran. Hopefully anyone who knows me knows that I wouldn't normally pivot from major world news to self-promotion but I still wanted to take this opportunity to apologize for any confusion or insensitivity that the accidentally ill-timed new episode caused. To make up for that gaffe, I thought I'd deliver this third conversation in our summer suite of episodes devoted to Physical Media early, just in case you're heading to the airport or about to unplug for the next week or so since it's a big time for summer travel here in the states. (So far, nothing Earth-shattering has happened that I'm aware of as I type this but as a friend joked, it's getting harder & harder to find a day without a catastrophe.) In any case, may this be a distraction for you. In last week's new Watch With Jen, we led you down the dark streets of neo-noir. This installment is centered on American independent filmmakers (or in the case of Billy Wilder, very independently minded ones) & is devoted to matters of the heart. Kicking things off, VULTURE's brilliant TV critic & Peabody Awards juror Roxana Hadadi joins me to discuss Sean Baker's Oscar winning ANORA, SAINT OF THE NARROWS STREET novelist William Boyle returns to tackle CHOOSE ME by one of his favorite filmmakers Alan Rudolph, & I reunite with the knowledgeable film essayist Peter Avellino to talk about the magic of Billy Wilder's SOME LIKE IT HOT. Emotional, sparkling, & warm, I know this conversation will delight. Thanks so much for listening! Originally Posted on Patreon (6/27/25) here: https://www.patreon.com/posts/132487075Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

In this episode of Scene N Nerd, Sarah and Will dive into the latest buzz in the entertainment world, starting with Amazon's new series "We Were Liars." Spoiler alert: Sarah's not a fan! She's got some serious beef with the adaptation, questioning the storytelling choices and character development that left her feeling like she just bit into a stale popcorn kernel. Next up, Will takes a trip down memory lane, sharing his nostalgic vibes from attending a stage adaptation of "Some Like It Hot." He reflects on its classic charm and even spills some tea about his past performances. And when you think things couldn't get more exciting, they chat about the jaw-dropping news of Jon Bernthal reprising his role as The Punisher in "Spider-Man: Brand New Day." Cue the fan theories about potential crossovers with Daredevil and what it all means for the Marvel universe, and thoughts on Blade! Plus, preview their thoughts on the premiere of Ironheart. As the episode rolls on, Sarah and Will break down the finale of "The Studio," tackling the last three episodes like pros. They dissect the comedic chaos of the Golden Globes episode, serving up clever commentary on the film industry and Matt's quest for respect in a world dominated by creative artists. They critique the pacing and character arcs, wondering what the future holds for the series as it gears up for Season 2. With plenty of laughs and insightful commentary, this episode is a must-listen for fans of adaptations, classic cinema, and the behind-the-scenes antics of Hollywood! 0:00 Welcome 1:00 "We Were Liars" review 5:07  Will's stage nostalgia with "Some Like It Hot" 7:10 Jon Bernthal as The Punisher in Spider-Man, Blade update, Ironheart preview 18:36 "The Studio" Episodes 8-finale breakdown 47:10 Closing thoughts Connect with us! Follow us on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. Check out our website at www.scenennerdpodcast.com. If you enjoyed the episode, please leave us a rating and a comment on Apple Podcasts, Spotify, or wherever you get your podcast fix!

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe