Podcasts about film festivals

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This week, The Gimme Three Podcast is proud to host two outstanding Latina filmmakers, Arianna Ortiz and Cruz Gonzalez-Cadel. Their film, The Birthday Gift, will have its West Coast Premiere at the 25th Annual LA Latino International Film Festival (LALIFF). Arianna and Cruz discuss the adaptation of the piece (from play to short film), their creative process, their approach to character-driven work, and the pertinent historical context of the film. Tickets to see The Birthday Gift on the big screen are available at https://laliff.org/.And you can follow them on Instagram at https://www.instagram.com/birthdaygiftfilm/❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode, Charles interviews filmmaker and vinyl enthusiast Steve Herold, best known for the award-winning short film Death of an Umbrella Salesman. Steve takes us back to the summer of 1984 and his first concert — the Thompson Twins on their Into the Gap tour at the Garden State Arts Center in New Jersey. He shares how the show almost didn't happen, thanks to a failed attempt to see Van Halen at Madison Square Garden, and how that near-miss planted the seed for a lifetime of concert-going. The real coming-of-age concert moment, Steve admits, came two years later when he finally saw David Lee Roth on his debut solo tour — a far wilder introduction to arena rock than the Thompson Twins had provided. Steve opens up about his most memorable concert experiences, including his best-ever shows: the New Jersey alternative band Dramarama at the legendary Fast Lane in Asbury Park in the early '90s. Those packed, sweat-soaked club nights — where getting to the bathroom was nearly impossible and crowd surfing was mandatory — turned Steve into a devoted fan and shaped his love of small-venue rock. He also recounts the 1996 Sex Pistols reunion at New York's Roseland Ballroom, an evening of full-on debauchery that ended with him and a friend finding a $50 bill on the floor — money that had fallen from the pockets of crowd surfers — and heading out to continue the night on someone else's dime. The image of punk-show attendees pouring out of Roseland and colliding with Broadway theatergoers on the sidewalk is one of the episode's most vivid moments. Beyond concerts, the conversation dives into Steve's YouTube channel, where he has spent years showcasing his vinyl and CD collection and visiting independent record stores during his travels for TV production work. He reflects on how the channel introduced him to a whole new community of fellow collectors — friendships that have taken him to record stores in Reno, Southern California, Long Island, and Charleston, South Carolina. Steve also discusses his filmmaking work, including the upcoming documentary about a former Hot Tuna drummer who is also a visual artist, and two music videos he directed for his friend's garage rock band Manflesh, one of which is set to screen at the Coney Island Film Festival. The episode wraps with a shared appreciation for the Wet Leg concert both Charles and Steve attended in 2025, and a laugh-out-loud detour into the chaotic legacy of G.G. Allin. BANDS: Agent Orange, David Lee Roth, Dramarama, Eagles, G.G. Allin & the Murder Junkies, Goldfinger, Hot Tuna, Jeff the Brotherhood, L7, Lady Gaga, Manflesh, Ram Jam, Sex Pistols, The Strokes, Thompson Twins, Van Halen, Wet Leg, Yeah Yeah Yeahs. VENUES:  Aragon Ballroom (Chicago), Chicago Stadium, Coney Island Film Festival, Exit (Chicago), Fast Lane (Asbury Park), Garden State Arts Center (New Jersey), Lounge Ax (Chicago), Madison Square Garden (New York), Maxwell's (Hoboken), Monster Music (Charleston), Roseland Ballroom (New York), Stone Pony (Asbury Park). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this business, we all end up doing double duty....Well we got laid up for a couple of days, but luckily the Hot Docs Canadian International Documentary Festival is still running strong and we've got plenty of non-fiction still to talk about.In the spirit of double duty we got to talk with programmer Aisha Jamal about working as a programmer for the festival for a decade+, the evolution of documentary cinema, the importance of festivals like this and so very much more...AS WELL AS...Talking with her about her new film which just debuted on TVO, is available on the TVO Docs YouTube Channel and app which is called 'The Theft'.'The Theft' is set in the backdrop of Afghanistan as the film traces a series of 12th century marble panels looted from the country over the decades of political upheaval and rampant looting in recent memory.  The film tackles the consequences of the cultural looting of a country like Afghanistan and the complexities in getting these artifacts back to their home countries while they currently sit in many Western museums.It was a fascinating conversation on both fronts, and yet another testament to the importance of documentary film.Support documentary film, support Hot Docs, support the art form of cinema as it is such a vital cog in our collective consciousness and culture.

Every year, the German Film Festival is one of the highlights for enthusiasts of German-language film. Behind the scenes, a lot of work and careful planning goes into its organisation. Elysia Zeccola is Director of the German Film Festival and has been curating the program for eight years. With SBS German, she talks about the selection of films, the significance of the festival in Australia and her personal highlights of this year's program. - Jedes Jahr zählt das German Film Festival zu einem der Highlights für alle, die sich für deutschsprachigen Film begeistern. Doch hinter dem Festival steckt viel Arbeit und sorgfältige Planung. Elysia Zeccola ist die Direktorin des German Film Festivals. Seit acht Jahren kuratiert sie das Programm. Im Interview spricht sie über die Filmauswahl, die Bedeutung des Festivals in Australien und ihre persönlichen Highlights des diesjährigen Programms.

Stars, Glanz & Glamour - das erwartet man von doch von Filmfestivals und Awardshows? Wie die Realität aber aussehen kann, das hat Kölncampus Reporterin Kim erfahren.

Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn't separate fiction and nonfiction, approaching cinema as one language built around truth and urgency.The film follows survivors returning to the prison where they were held, using reenactment to access memory rather than spectacle. Built around faces instead of events, it focuses on the human imprint of trauma, with the process itself forcing Sabouni to confront experiences he nearly walked away from.Drawing from filmmakers like Rithy Panh (The Missing Picture) and Joshua Oppenheimer (The Act of Killing), the film blends personal testimony with cinematic form. The takeaway is clear: tell the stories that matter, especially the ones others would rather ignore.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist, this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes immediate, emotional, and human.Co-directed by Daniel Roher, Academy Award winning director of Navalny, and produced by Daniel Kwan, Academy Award winning director of Everything Everywhere All At Once, the filmmaking process was massive and chaotic, built from dozens of interviews, extensive transcripts, and layered animation. The challenge was finding clarity inside that volume while keeping the film engaging and cinematic, reflecting a lineage of documentaries that blend personal narrative with larger ideas. Charlie's past inspirations include Stories We Tell by Sarah Polley and recent films Weapons and 28 Years Later.At its core, AI is already here, already shaping everything, and the real question is who chooses to engage with it. Don't assume someone else will shape the future for you.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone's Sorry Nowadays, a coming-of-age story set almost entirely inside a single home and a young girl's mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character's inner world to life.She talks through her unconventional path into directing, from acting and production work to navigating Europe's state-funded film system. A key turning point came not from making films, but from receiving funding, the moment she says she finally felt “allowed” to call herself a director. The conversation digs into adapting a novel, working within creative limitations, and why fear is an unavoidable part of the process. Migom cites films like Boy, Arizona Dream, the work of Céline Sciamma and Andrea Arnold, and Eternal Sunshine of the Spotless Mind as touchstones for balancing realism with subjectivity. She also shares a simple philosophy that carried her through: feel the fear, do it anyway - and trust that the process will lead you where you need to go.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Jeremy Workman discusses Secret Mall Apartment, his Netflix documentary about a group of Rhode Island artists who secretly built and lived in an apartment inside a busy shopping mall, filming the entire four-year experiment themselves. After a strong self-released theatrical run, the film is now streaming on Netflix.Jeremy traces the project back to a chance meeting in Athens, where he connected with the main subject and slowly earned the trust of the full group after years of other filmmakers being turned away. He also reflects on his path into nonfiction, growing up around editing through his father, Chuck Workman, and building a career through independently financed documentaries.He cites films like American Movie (Chris Smith), Man on Wire (James Marsh), The Raft (Marcus Lindeen), and The Act of Killing (Joshua Oppenheimer) as inspirations for playful, form-bending nonfiction. The conversation also explores self-distribution, theatrical strategy, and why filmmakers should stop waiting for perfect conditions and just go make the thing.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

(00:32) Der französische Fotograf Luc Delahyae hat in den 1990er Jahren das Grauen an Kriegsschauplätzen dokumentiert. Heute arbeitet er als Fotokünstler hauptsächlich an Panoramabildern, die er nachträglich am Computer verändert. Das Photo Elysée in Lausanne zeigt eine Schau mit seinen Bildern. Weitere Themen: (04:44) Kosmos und Klang: Das «Interfinity Festival» startet in Basel. (09:10) António Lobo Antunes ist tot – ein Meister der portugiesischen Literatur. (10:00) Wandel im Iran: Wie blicken iranischstämmige Kulturschaffenden auf die Angriffe der USA und Israel in ihrem Heimatland? (15:25) Berlinale-Sieger «Gelbe Briefe» von İlker Çatak läuft in Schweizer Kinos. (19:57) Welche Auswirkungen haben Diskussionen um Berlinale-Intendantin Tricia Tuttle auf die Zukunft des Filmfestivals? (24:06) Schlüsselwerk der österreichischen Moderne: Wiener «Villa Beer» nach Umbau für Öffentlichkeit zugänglich.

Eigentlich ist für Derya und Aziz die Welt in Ordnung, bis die Premiere ihres neuen Theaterstücks alles verändert. Über Nacht verlieren sie ihre Arbeit, ihre Wohnung - das Paar ist ins Visier des Staates geraten. Beide suchen einen Weg aus der Situation, gehen aber auf ihre Weise und sehr unterschiedlich mit dem Druck und der Frage um: Wie soll man leben, wenn Zensur und Repression das Dasein bestimmen? İlker Çataks Politdrama "Gelbe Briefe" ist ein nachdenkliches Gesellschaftsdrama über die Lage in der Türkei seit dem Putschversuch 2016.Mit Filmpreisen bereits für "Das Lehrerzimmer" ausgezeichnet, erhielt İlker Çatak gerade erst bei der Berlinale für "Gelbe Briefe" den Goldenen Bären. Eine große Überraschung, denn damit gewinnt erstmals seit mehr als 20 Jahren der Film eines deutschen Regisseurs die wichtigste Auszeichnung des Filmfestivals. Bevor "Gelbe Briefe" in dieser Woche in die deutschen Kinos kommt, spricht İlker Çatak mit Katja Weise über die Entstehung des Films, über seine fortwährende Suche nach gesellschaftlich relevanten Stoffen.

Gille Klabin discusses Weekend at the End of the World, his follow-up to The Wave, and the deliberate choice to build a second feature that didn't require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave's release, where traditional distribution left him frustrated by opaque marketing spends and limited transparency, and how that experience reshaped his approach to ownership, equity, and rollout strategy the second time around.Gille discusses the current indie landscape not as a lament, but as a tactical puzzle, and breaks down the realities of aggregators versus distributors, the economics of digital-first releases, and why he chose to prioritize transparency and direct recoupment over a conventional deal. Drawing comparisons to films like Shaun of the Dead, Tucker & Dale vs. Evil, and The Cabin in the Woods, he discusses the balance of tone, heart, and genre - and how surprise and emotional whiplash can be a strategic storytelling tool.He also outlines a 50/50 equity split between investors and cast/crew, a flat-rate pay structure on set, and a belief that if independent filmmakers want a more just system, they have to build it at their own scale first. The conversation closes on preparation, resilience, and the long game: make the movie you can actually control, learn the business as deeply as the craft, and let your specific weirdness become the thing that carries you forward.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This episode of "Seeing Them Live" features Eric Vollweiler, a seasoned producer, marketing consultant, and strategist in the film, festival, and entertainment industry with nearly two decades of experience. Charles explores Eric's journey from his early concert experiences to his current work helping festivals and creators connect with audiences, sponsors, and industry partners, including major festivals like Sundance, Cannes, and Toronto. Eric's passion for live entertainment was shaped early—his mother took him to his first concert at age 14, seeing Aerosmith with Black Crows at the Saratoga Performing Arts Center. He also attended a massive Grateful Dead and Crosby, Stills & Nash show that drew 70,000 people. After high school, Eric moved to New York City in 1996, working at legendary nightclubs like the China Club and the Tunnel under mentor Michael James. During this time, he even worked alongside a young Mark Sinclair—now known as Vin Diesel—at an elite catering company. His nightclub experience ended when he broke his wrist breakdancing at the Tunnel, prompting him to move back upstate for college. Eric's festival career began in 2001 when he volunteered at Sundance, eventually co-producing seven events there. A memorable highlight was sneaking into a Beastie Boys performance at the 2006 Sundance Film Festival. He recently launched the Vollweiler Agency, which provides comprehensive services to festivals including sponsorship acquisition, advertising, and social media strategy. Currently, he's working on the 11th annual Hip Hop Film Festival in New York City, which focuses on hip-hop culture through the lens of filmmaking. At the heart of his work is a commitment to filmmakers and providing opportunities for the next generation, guided by his philosophy: "Never ask the CEO for a job, but ask him to learn" and "the humbler you are, the better you'll be in life." BANDS: Aerosmith, Beastie Boys, Betty Buckley, Black Crows, Crosby Stills and Nash, Grateful Dead, Jerry Garcia, Melba Moore, U2, Ziggy Marley VENUES:  Buffalo Highmark Stadium, China Club, Egyptian Theater, Knickerbocker Arena, Life, Saratoga Performing Arts Center, Saratoga Race Course, Sundance Film Festival, The Tunnel PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

We invited some LAMBs to create Top Five Lists for the week to share with you. We got two old school LAMBs to join the show, along with two old LAMBs and we imported one from Great Britain as well. You are going to hear about Film Festivals, Character Actors, Anthology films and comedies. Oh yeah, we also get some risqué talk about male appendages that  show up in movies when they are least expected. Howard Casner, Nick Jobe, Tony Cogan, and Jason Soto are our guests, do you have any doubt about who found five wangs to talk about? The biggest dick on the show is not named Richard. 

With films such as Maybe... Maybe Not, The Miracle of Bern and Family Affairs, Sönke Wortmann has established himself as one of the most successful German directors. With “The Empty Nesters”, based on texts by Jan Weiler, he now dedicates himself to the moment when children start their own lives — and parents must learn to let go. In conversationis he talks about his latest film, but also about the cinema experience in times of streaming, the special role of film festivals and his relationship with soccer in times of oversaturation and commercialization. - Mit Filmen wie Der bewegte Mann, Das Wunder von Bern oder Der Vorname hat sich Sönke Wortmann als einer der erfolgreichsten deutschen Regisseure zwischen Unterhaltung und gesellschaftlicher Reflexion etabliert. Mit „Die Ältern“, basierend auf Texten von Jan Weiler, widmet er sich nun dem Moment, in dem Kinder ihr eigenes Leben beginnen – und Eltern lernen müssen loszulassen. Im Gespräch geht es um seinen neuesten Film, aber auch um das Kinoerlebnis in Zeiten von Streaming, die besondere Rolle von Filmfestivals und sein Verhältnis zum Fußball in Zeiten von Übersättigung und Kommerzialisierung.

Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable can happen in a place that looks quiet on the surface. The film moves beyond headlines into character, contradiction, and the uncomfortable gray areas that fueled the raid.We dig into craft and access: how Liese drove two hours the moment she heard the news on NPR, earned trust without a formal agreement for months, and built a film out of surveillance footage, body cams, courtroom material, and intimate interviews. She talks about structuring the story around a one-year time jump, using a young reporter as an audience surrogate, shaping tone so viewers can register the absurdity without losing the stakes, and making the call to abandon fourth-wall devices in favor of a cleaner, more immersive approach.She shares the films that informed her thinking during the edit, including All the President's Men and the investigative restraint of Laura Poitras' Citizenfour and Cover Up. Sharon reflects on what it meant to launch the film at Sundance amid both celebration and uncertainty in the documentary market. Advice to filmmakers: there are no shortcuts. Put in the hours, earn trust slowly, and keep showing up until the experience begins to live inside the work.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Tharaka Sriram ist Meereschützerin, Gründerin von "Ocean Education" und Kuratorin verschiedener Filmfestivals. Bei Halbe Katoffl spricht sie über ihr strenges tamillisches Elternhaus, körperliche häusliche Gewalt und ihre Rebellion dagegen. Wie sie sich gegen Zwangsheirat wehrte, warum ihr Therapie anfangs nicht half und wieso sie sich für den Schutz der Meere einzusetzen begann. Über Weltkarten-Schreibtischunterlagen, eine tatsächliche Weltreise auf Kredit, Schwimmunterricht mit 32, Jack-Wolfskin-Jacken – und nervige aber notwendige E-Mails gegen Gatekeeping. INSTAGRAM: https://www.instagram.com/OE_OceanEducation/ MARINE CONSERVATION INSTITUTE: https://marine-conservation.org/ (04:30) Passkontrolle (12:30) Klischee-Check (31:30) Einzige braune Familie, Kriegserklärung an Eltern und Bibliotheksausweis als Rebellion (49:35) Extreme häusliche Gewalt, Kontaktabbruch (1:14:20) Fernweh, Weltkarte und wenn Women of Color alleine reisen (1:26:15) Meeresschutz, Selbstdiskriminierung und Weltreise-Kredit (1:43:20) Filme aus dem "globalen Süden" und Offene Tabs SUPPORT: Halbe Katoffl unterstützen: https://halbekatoffl.de/unterstuetzen/ Paypal: frank@halbekatoffl.de Steady: https://steady.page/de/halbekatoffl/about Überweisung/ Dauerauftrag: Schreib an frank@halbekatoffl.de | Stichwort: KONTO PODCAST WORKSHOP & BERATUNG https://halbekatoffl.de/workshops/ KONTAKT: frank@halbekatoffl.de

Today Heath, Sam, Sophia and Josh Hull get caught in some Bad Romances as we draft these broken hearted Film Festivals. They discuss what makes us love bad love affairs on the screen, what makes us drawn to the monster in many of these tales, and the kharmic come-uppance when you betray the heart of another. From Men with Scissor Hands, Thin Cannibals, Leather Clad Catwoman, and River Monsters we cover all manner of doomed pairings in this draft.  Let us know whose list you think wins this heated battle. Which festival would win your money? Let us know in the comments wherever you find the Podcast.  Youtube: https://youtu.be/AZdCagT1YUk Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/  Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

Burg, Susanne www.deutschlandfunkkultur.de, Studio 9

Heute Abend eröffnet das Filmfestival „Berlinale“. Den Auftakt macht „No Good Men“, ein Spielfilm der Regisseurin Shahrbanoo Sadat, die auch gleichzeitig die Hauptrolle spielt. Rüdiger Suchsland hat ihn schon vorab gesehen und ist beeindruckt, wie der Filmdrehort Deutschland täuschend echt wie Kabul wirkt, wo der Film spielt. Die Berlinale habe in den letzten Jahren an Status verloren, sagt Suchsland. Viele Filme seien schon von anderen Filmfestivals „durchgereicht“. Das habe auch mit den bekannten Strukturproblemen der Berlinale zu tun.

Gabby Osio Vanden and Jack Weisman join the show after winning Sundance's Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear's journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labeled a “nuisance” in a shared landscape.We dig into craft and access: finding the right position for the camera so the story can reveal itself, structuring the feature in two halves, and how a dialogue-free short film born partly out of COVID constraints became the proof of concept that unlocked TIFF, The New Yorker, and eventually A24. They also talk candidly about what the audience never sees: rough living conditions, long hours waiting, the specific agony of “the best thing happened, and we missed it,” and the slow but important work of earning trust, where listening comes before filming.They share influences that shaped them, including Miyazaki's sense of nature and modernity, Gus Van Sant's bravery with form, and John Cassavetes' belief in the energy of a set. The conversation closes on what it meant to experience Sundance as both a career peak and a personal milestone, getting engaged and then married during the festival. Advice to filmmakers: be tenacious when you know you need to tell a story, protect trust like it is part of the craft, and do not turn on each other when the pressure spikes.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This episode of the No Film School Podcast is recorded live from the final Sundance Film Festival in Park City, 2026. GG Hawkins and Ryan Koo are joined by No Film School writer Jo Light and special guest Teddy Kim to share insights and lessons from Sundance. Together, they reflect on what it takes to find true creative collaborators at festivals, how the indie landscape continues to shift, and why human connection still matters more than ever in a rapidly changing industry. The episode includes a game of "Red Flag, Green Flag" and wraps with an interview between Ryan Koo and writer-director Stephanie Ahn, whose feature Bedford Park took 16 years to make and is now premiering at Sundance. In this episode you'll hear... How to make the most of Sundance even if you're not actively pitching a project Why networking at film festivals is more about vibe than résumé The evolving role of indie production companies balancing studio and independent films Which films are getting buzz at Sundance 2026 and what the acquisition market looks like How filmmakers are using episodic pilots and private screenings to get attention The pros and cons of “networking dinners” and late-night parties like Tao A playful, practical game of "Red Flag, Green Flag" to decode festival behavior GG's and Jo's favorite short and episodic pilots—and what makes them feel fresh A deep-dive interview with Bedford Park director Stephanie Ahn about perseverance, editing your own movie, and telling emotionally resonant stories Memorable Quotes: “In filmmaking, they often say you better give 10 years of your life… I exceeded that, and Stephanie exceeded that.” “You have to be very clear about what your intentions are and what the story is going to be. If you maintain an integrity with that, people come.” “It's not a matter of whether there is a big headline acquisition… but can a bunch of other movies get acquired for $3 million and have a healthy minimum guarantee?” “I wanted to make a film that hopefully an audience would actually feel something—genuinely feel something.” Guests: Jo Light Teddy Kim Stephanie Ahn Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Stephanie Ahn discusses Bedford Park, her Sundance U.S. Dramatic Competition debut about a Korean American woman in her 30s pulled back into her parents' home after her mother's car accident, where she meets the man responsible and an unexpected connection begins to form. Ahn shares why she needed to make this film, how growing up Korean American left her hungry for stories that felt real beyond familiar clichés, and why writing Bedford Park meant finally walking straight into something deeply autobiographical she avoided for years.She talks about choosing uncertainty over comfort and taking the scary road on purpose, stepping away from a stable editing career to pursue a story that wouldn't let go. Ahn reflects on journaling as a way into the script, years of rejection, and learning to be ruthless with her own material as the film evolved from a family drama into a more intimate relationship story. Rather than starting with a message, she describes how the film's themes revealed themselves over time, ultimately centering on human connection, being truly seen, and how that clarity reshapes self-understanding.Ahn walks through the long, practical build: seven years of persistence, financing that finally unlocked through relationships and Korean backing, and an unusually deep rehearsal process with actors that stretched across years before shooting in New Jersey. She reflects on editing as a brutal but clarifying search for truth alongside a trusted co-editor, and on the films she kept returning to for structure and inspiration, including A Separation, Secret Sunshine, Rust and Bone, Heat, and The Insider.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Ever wondered how festival programmers decide which films make the cut? For our first episode of 2026, I'm joined by two incredible women who've been shaping the landscape of independent cinema for over a decade. Ana Souza has been with Sundance Film Festival for 10 years, working alongside some of the most exciting independent filmmakers in the world. Diana Cadavid is currently Director of Industry Programs for the Latino Film Institute (LFI) in Los Angeles, and International Programmer for the Toronto International Film Festival (TIFF) She helped build IFF Panama's programming department from scratch. In this conversation, we break down: → The REAL selection process (spoiler: it's not about who you know) → How to map your premiere status strategy BEFORE you finish your film → The big film/small film balance that keeps festivals alive (and why you should stop resenting those studio movies) → Distribution in the post-COVID era: why the all-night bidding wars are gone, but deals are still happening → Why attending festivals WITHOUT a film might be the smartest career move you can make

Documentary filmmaker and editor J.M. Harper discusses Soul Patrol, his six-year journey telling the story of the first Black special operations unit in Vietnam. What began with reading Eddie Manuel's book grew into years of weekly conversations, slow trust-building, and eventual access to never-before-seen Super 8 footage and photographs shot by the soldiers themselves. Harper also reflects on how his work editing Jeen‑Yuhs: A Kanye Trilogy sharpened his instincts around character, structure, and letting footage reveal meaning over time.We talk about point of view and theme as the engine of a film, not ideas layered on afterward. Harper frames Soul Patrol around a central question: whether speaking openly about acts committed in war, long buried and rarely acknowledged, can offer any form of healing. Drawing on Steven Spielberg's Saving Private Ryan, he discusses how cinema can confront violence without glamorizing it, and the ethical tension of rendering horrific experiences with clarity, restraint, and intention.He reflects on editing as discovery, assembling a team of editors with different strengths, and shaping a film that moves between memory, present-day reckoning, and historical record.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

In this episode, Todd and Tony discuss the upcoming 10th anniversary of the Ocean City Film Festival, featuring a planned appearance by Patton Oswalt and a retrospective on the event's growth from a grassroots project to a prestigious regional festival. CLICK HERE FOR TICKET INFORMATIONTodd shares reflections on his recent trip to the Poconos and his 15-year career documenting life at the beach, while Tony outlines his new investigative research into the intersection of burial traditions, law, and environmental concerns. The hosts also check in on their "Damp January" progress and a potential comedy sketch regarding the realities of life in your 50s. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit daydrinkingondelmarva.substack.com

Watch the video version of this podcast here: https://www.youtube.com/watch?v=rg0isLOwvAA Our two new books... STORY QUESTIONS: How To Unlock Your Story One Question At A Time - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Andrés Taboada was born in Perú, where he stayed until a scholarship sent him off to finish high school in Germany. After receiving a B.S. in Biology from Cal State Long Beach and teaching in Southeast Asia, he moved back to Miami for a Master's in International Education. While in grad school, he became a standup comedian. Andrés won the award for Best Comedic Actor at Miami WebFest and was a finalist at the World Series of Comedy. He then turned his focus towards Alta California, a bilingual dramedy, which he wrote, produced, directed, and starred in as “Perucho,” the hotel clerk. As the director of Alta California, Andrés won the award of Best Directorial Debut at the Fort Lauderdale International Film Festival. Alta California recently had a sold-out screening at the TCL Chinese Theatres in Hollywood, California as part of the 27th annual Dances With Films. MORE VIDEOS WITH ANDRES TABOADA https://tinyurl.com/bdf82c44 WATCH 'ATLA CALIFORNIA' - The Full Movie • ALTA CALIFORNIA (2025) | Feature Film CONNECT WITH ANDRES TABOADA https://www.altamovie.com https://www.imdb.com/name/nm10841273 / altamovie / altacaliforniamovie https://x.com/andreswhat / andreswhat_ SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage ►BOOKS WE RECOMMEND: STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow's Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most.We discuss the realities filmmakers obsess over, including who you know, timing, marketplace “success,” and why Vimeo analytics do not tell the full story. Ania breaks down what actually happens behind the scenes at Sundance, how programmers balance limited slots with thousands of film submissions, and why being the right fit matters more than trends or agendas.She shares why festivals need balance between urgent, heavy films and work that is entertaining, humane, and emotionally alive. Drawing from examples like André Is an Idiot and Gleason, Ania explains how character-driven storytelling can carry even the most difficult subjects. Advice to filmmakers: do your research, be clear about what you are making, and remember that programmers are rooting for you, even when the answer might still be no.What Movies Are You Watching? Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

We cover the wide range of topics of the year that was 2025. Comedy, Movies, Shows, Music, and Film Festivals.   Linktree https://linktr.ee/filmandbeyond www.filmandbeyond.com Follow us on Instagram: @filmandbeyondpod Get episodes early and exclusive episodes with Patreon www.patreon.com/filmandbeyond YouTube www.youtube.com/@filmandbeyondpod

In this episode, Todd returns from a family trip to Copenhagen, Denmark, sparking a comparison between European leisure culture and American consumerism. The conversation also covers upcoming local projects, including the 10th anniversary of the Ocean City Film Festival and a new historical book on Ocean Pines. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit daydrinkingondelmarva.substack.com

Italian documentarian Parsifal Reparato discusses She, his five-year journey inside Vietnam's electronics manufacturing world, where young migrant women work 12-hour shifts producing devices for the global market. What began as labor-rights research grew into a portrait of fear, capitalism, and survival, earned through slow trust-building with workers afraid to speak openly.We unpack creative influences like Lars Von Trier's Dogville, Joshua Oppenheimer's The Act of Killing, and the observational approach he absorbed from working with Roberto Minervini. Parsifal explains how the film's black-box reenactment set became a space where workers could rebel, speak freely, or even destroy it. Instead, they rest together, revealing exhaustion itself as resistance.We talk filmmaking as labor, the emotional toll of activist storytelling, parting with his first editor and later rebuilding the film with Alice Roffinengo, whose perspective shaped its final form. Parsifal reflects on his Locarno premiere, the weight of representing real people on screen, and the responsibility of carrying stories born from hardship.Advice to filmmakers: trust your voice early, accept risk, and if you're going to struggle, struggle for something that matters.What Movies Are You Watching? Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Taiwanese filmmaker Shih-Ching Tsou traces her path from a strict upbringing in Taipei to directing Left-Handed Girl, Taiwan's 2025 Oscar submission for Best International Film, and now streaming on Netflix. After years working alongside Sean Baker, the four-time Academy Award winner known for Anora, Tangerine, and The Florida Project, and her creative partner since they co-directed their first feature Take Out, Shih-Ching steps forward with her solo directorial debut.Shih-Ching and Baker wrote the script for Left-Handed Girl in 2010, but financing challenges kept the project on hold for more than a decade. Principal photography finally began in July 2022, a delay she now views as part of the film's natural evolution. The story draws from her experience growing up left-handed in a culture with rigid expectations for girls, and its emotional specificity has already connected with audiences around the world.Shot on an iPhone 13 with Beastgrip anamorphic lenses, the film captures Taipei's night markets with stripped-down realism influenced by Dogme 95 and Lee Chang-dong's Oasis. Shih-Ching worked with a small mobile crew, created the soundscape herself, and shaped the edit with Baker, whose instinct for editing performances she considers unmatched.After premiering at Cannes Critics' Week, Left-Handed Girl traveled the global festival circuit before Netflix acquired most territories, followed by theatrical releases in Taiwan, New York, and Los Angeles. Now representing Taiwan internationally, Shih-Ching reflects on stepping into visibility after decades behind the scenes. Her advice to filmmakers: trust your voice, avoid trends, build community, and keep going. Some films take time, and recognition often arrives later.What Movies Are You Watching? Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Nya Chambless is now 16 years old, has been an actor since she was 4 years old, and is the now the Award Winning 16 year old Director of the Short Film MY GUARDIAN ANGEL. Nya and her father Jerry, who is the film's producer, will talk about this film which details the true story of the friendship between Nya and Teeja Johnson, who met in pre kindergarten, became best friends , and then Teeja passed away from Neuroblastoma just 5 months later. This film was introduced to Film Festivals across the country and beyond in April of 2025, has won multiple awards, and features topics such as Inclusion, Acceptance, Love, Friendship , the scrooge of Bullying, and awareness of Pediatric Cancer. If you would like to see information on this film click on this link. http://www.griefdialogues.com/my-guardian-angel/

Not Today,,, Jenn and Eddie talk food poisoning and flying. Jenn fills us in on her New York trip. Eddie has never has a lay down seat on a plane. Colton's team ran into a brick wall in the second round of the playoffs. Art vs Content, Eddie is having an existential crisis. Plus, Florida Man Friday!

November in Bratislava is very busy. Two important long time events are the International Women's Club of Bratislava's Charity Bazaar and the Slovak Queer film festival. Ben Pascoe sat down with the organizers of these events to find out more about them.

Marketing is a must for every film, especially if you doing it independently. That's why I'm sitting down with Doug Weiss today to dive back into the world of marketing including how film festivals tie in marketing yourself in the industry as well as your film projects on today's can't miss episode.Tell us your thoughts about today's episode: micah.theproducerpodcast@gmail.comHost: Micah VersemannGuest: Doug WeissFaith Film Fests - Christian Film Festivals and Distribution⁠⁠⁠Save 20% on your copy of The Producer's Life today!⁠

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

HAPPY HALLOWEEN! Though Death By DVD is taking a break to relocate and build a bigger and better Death By DVD studio we thought it would just be down right insane to not have at least SOMETHING to offer our fine dead studio audience for Halloween. Halloween is our favorite holiday, our favorite time of year and I'll boldly say it's down right the best time of year, so we wanted to celebrate with you and boy howdy, though short in run time we have a whole lot for you to hear on this episode.An all new movie from your host Harry-Scott Sullivan is available now to stream, we have an exclusive new song from SATANIC HEARSE RECORDS called NO LIFE IN THEIR EYES from their forthcoming record DEATH SEX GORE HORROR and of course an update on when Death By DVD will return full time. Celebrate the season of the witch and hit play and hear this episode today! SATANIC HEARSE on Bandcamp : tap here or copy and paste the link belowhttps://satanichearserecords.bandcamp.com/WATCH YOUR HOSTS DOCUMENTARY AND DARK TALES FROM CHANNEL X NOW ON BLOODSTREAM TV: tap here or copy and paste the link belowhttps://bloodstreamtv.com/show-details/dark-tales-from-channel-xLearn more about Bloodstream TV : Tap here or copy and paste the link belowhttps://bloodstreamtv.com/homeIf you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

In this episode, Professor Brian Hu from SDSU helps us tackle the world of Asian and Asian American cinema as they travel throughout various locales. Hu's position as a film scholar and Artistic Director of the San Diego Asian Film Festival leads us through conversations about how people connect with and discover Asian culture. We touch on how regionality and heritage influence people's interactions with Asian and Asian American media. We also discuss the shifting definitions of Asian American and how that plays out in AAPI/AANHPI film festival creation. Hu guides us through the process of film curation and circulation at AAPI/AANHPI film festivals. In the end, we ask Hu what to look forward to for the upcoming 2025 SDAFF on November 6-15.  Our discussion with Hu leaves us wondering what the future holds for Asian and Asian American media as global industries become more invested in Asian works like K-pop, anime, and Labubus.  Here are some of the references from this episode, for those who want to dig a little deeper:Academic Readings:Worldly Desires: Cosmopolitanism and Cinema in Hong Kong and TaiwanIdentities in Motion: Asian American Film and VideoMaking Asian American Film and Video History, Institutions, MovementsDoogie Kameāloha, M.D.: Gen Z to AAPI Direct Marketing and Its Effects on Native Hawaiians (chapter) Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence (chapter)Names and Locations:Payal KapadiaAnna May WongNancy KwanLisa LuJames ShigetaPeter X FengJun OkadaJohn WooDante BoscoIngyu OhDaniel Dae KimBruce LeeJackie ChanHayao MiyazakiStudio GhibliSatoshi KonBig Bang (group)Ang LeeSeafood CityFilm Festivals:San Diego Asian Film FestivalLos Angeles Asian Pacific Film FestivalCineconFestival de CannesBusan Film FestivalGolden Horse Film FestivalSan Francisco Silent Film Festival Berlin Film FestivalMovies, Shows, and Media:A Night of Knowing NothingGodzilla Minus OneUlanHard BoiledFlower Drum SongAll We Imagine As LightNe ZhaNe Zha 2The Untamed (TV Series)Pulp Fiction Chan is MissingButterfly (TV Series)The DebutUltraman seriesGundam seriesThe Fabulous Filipino BrothersSuperstore (TV Series)Destroy All MonstersThe MatrixJoy Luck ClubTFCHaikyu!! The Dumpster BattleCrunchyrollCrunchyroll partners with Delta AirlinesJust According to Keikaku memeNaruto (anime, manga)Animal Crossing Crazy Rich AsiansSinnersX-FilesMillenium ActressPerfect BlueTokyo GodfathersDemon Slayer: Kimetsu no Yaiba- The Movie - Infinity CastleDemon Slayer Infinity Castle US Box Office KPop Demon HuntersMy Neighbor TotoroThe Boy and the HeronParasiteSquid GamesTikTokCriterion Channel Hong Kong Action ClassicsCriterion Channel Asian American 80'sCriterion Channel Asian American Filmmaking 2000-2009 (user list of films from collection)TerminatorJames BondDrive My Car ––––––––––––––––––––––––––––––Share your thoughts via Twitter with Henry, Colin and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com.Music:“In Time” by Dylan Emmett and “Spaceship” by Lesion X.In Time (Instrumental) by Dylan Emmet https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

Matt is joined by film data analyst Stephen Follows to dig into one of Hollywood's most ridiculous phenomenons, the film festival standing ovation. Stephen gathered over 500 reported standing ovations across five of the world's biggest film festivals to see whether the length of applause tells us anything meaningful about a film's future (02:26). Matt finishes the show with a prediction about the 25 shows eligible for Best Podcast at the Golden Globes (25:53). For a 20 percent discount on Matt's Hollywood insider newsletter, ‘What I'm Hearing ...,' ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Email us your thoughts! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thetown@spotify.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Host: Matt Belloni Guest: Stephen Follows Producers: Craig Horlbeck and Jessie Lopez Theme Song: Devon Renaldo Learn more about your ad choices. Visit podcastchoices.com/adchoices

SEASON 2 - EPISODE 163 - Iris Prize LGTBQ+ Film Festival - with Lewis Bayley In this special episode of the Team Deakins Podcast, we speak with Lewis Bayley, Industry Coordinator for the Iris Prize LGBTQ+ Film Festival. Lewis invited us to speak with him about filmmaking earlier this year, and what you'll hear is that recorded conversation. We had the pleasure of discussing many topics with Lewis, such as the overall importance of film festivals and our longtime efforts giving back to younger generations of filmmakers. Additionally, we share a few work stories from our long careers, Roger gives a preview of what to expect in his upcoming memoir, Reflections, and James reveals the game she played with director Martin Scorsese while we were shooting KUNDUN in the Moroccan desert. The Iris Prize LGBTQ+ Film Festival is hosted annually in Cardiff, Wales with talks, panels, and screenings of shorts and features highlighting the myriad of experiences within the global LGBTQ+ community, and we were happy to be a small part of their 19th edition.  - This episode is sponsored by Aputure & Sandstorm

In this episode, Sean is joined by DJ Intel, a festival goer and co-owner of The Brewed Coffee Shop in Chicago. They explore DJ Intel's experiences at film festivals like Fantastic Fest, Panic Fest, Chicago International, and Music Box of Horrors, highlighting standout films such as 'The Forbidden City' and 'Obsession.' The conversation shifts to DJ Intel's 31 Days of Horror movie list, touching on classics and hidden gems. They also discuss the Halloween atmosphere at Brood Coffee Shop and share personal experiences and preferences for horror films and seasonal activities. 00:00 Introduction and Announcements 01:23 Special Guest: DJ Intel 03:14 Film Festivals and Favorite Movies 06:15 Fantastic Fest Highlights 10:56 Other Film Festivals and Experiences 23:42 31 Days of Horror Movie List 36:37 Discussing 'Trim Season' and Other Horror Films 37:31 Exploring 'Long Weekend' and 'April Fool's Day' 38:53 Praising 'Fallen' and Other Classic Horror Movies 41:45 Nostalgic Horror Films and TV Specials 45:23 Halloween Favorites and Traditions 59:11 Upcoming Horror Directors and Films 01:04:47 Halloween Events and Coffee Talk 01:09:54 Conclusion and Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Most filmmakers assume film festivals are where the deals happen — but the truth is, only a select few festivals actually help you sell your movie. In this episode, I break down the handful of A+ festivals that carry real industry weight, how genre festivals fit into the mix, and why film markets are still where the real money is made. Perfect for any indie filmmaker navigating the festival circuit.

Mark Kermode and Jack Howard share the stories, and unpack the mysteries and the madness of Awards and Festivals in this edition of Kermode On Film.MK3D and Kermode On Film are HLA Agency productionsThis episode was edited by Jack Howard© HLA Agency Hosted on Acast. See acast.com/privacy for more information.

Rebecca and John are joined by Joy Press to talk about the Venice, Telluride, and Toronto Film Festivals, where some movies soared (Hamnet) and other stumbled (After the Hunt). They also take a closer look at some of the most contested Emmys races ahead of Sunday's show. Learn about your ad choices: dovetail.prx.org/ad-choices

THE SWIMMER (1968) We dive deep in to The Swimmer and discuss and analyze, maybe just a little bit the glorious film directed by Frank Perry, based on a screenplay by Eleanor Perry, from the 12 page short story by John Cheever. "Well-off ad man Ned Merrill (Burt Lancaster) is visiting a friend when he notices the abundance of backyard pools that populate their upscale suburb. Ned suddenly decides that he'd like to travel the eight miles back to his own home by simply swimming across every pool in town."If you're reading this I would like to thank you from the bottom of my heart for your support. Death By DVD has almost existed for 2 solid decades, please consider supporting Death By DVD directly on Patreon to secure the future of this very show. ★ Support this podcast on Patreon ★ Thank you for choosing Death. DEATH BY DVD FOREVER. FOREVER DEATH BY DVD. ★ Support this podcast on Patreon ★ CHECK OUT DEATH BY DVD ON YOUTUBE : https://www.youtube.com/@DeathByDVDDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES 

For Episode 456, I am joined by Ema Sasic, Dan Bayer & Will Mavity to preview the 2025 Venice and Telluride Film Festivals. We reveal the winner of last week's poll, where we asked for all of the upcoming fall film festivals, "Which 2025 Fall Film Festival Films Are You Most Excited To See?" For this week's poll, for the Telluride Film Festival, we're asking, "Which Best Picture Nominee Screened At The Telluride Film Festival This Century Is Your Favorite?" We also share our reactions to the trailers for "Ballad Of A Small Player," "Anemone," "Hedda," "The Mastermind," "Arco," reveal the 2009 NBP Film Award Winners, answer your fan-submitted questions, and more! Thank you all for listening, supporting, subscribing, and voting. We will see you all again live from the Telluride Film Festival later this week once the lineup is announced. Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

PREVIEW NAVALNY: Colleague Marina Yarovskaya explains the reluctance of many film festivals, excepting the giant Cannes, from displaying dissident stories such as Marina's recent film of the Navalny murder by Putin and the Kremlin. More. 1921