Podcasts about film festivals

The Field Museum is in the process of repatriating 175 sacred objects to the Pulikla Tribe of Yurok People. Contributor Adora Namigadde digs into the museum's efforts to return objects and remains to Native American tribes. Plus, contributor PJ Walker is previewing some of Chicago's fall film fests, and executive producer Simone Alicea celebrates “Just Because” day. Want some more City Cast Chicago news? Then make sure to sign up for our daily newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Aug. 27 episode: TimeLine Theatre DCASE AFSP Illinois Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE 

Wellinski, Patrick www.deutschlandfunk.de, Kultur heute

Vor 50 Jahren geriet die Sekte Meternita aus Linden im Berner Oberland in die Schlagzeilen, nachdem ihr Gründer Paul Baumann (genannt "Vatti") 1976 wegen Misshandlung und Missbrauchs Minderjähriger zu sieben Jahren Zuchthaus verurteilt wurde.Anlässlich des Filmfestivals von Locarno feiert derzeit eine neue vierteilige Dokumentarserie namens Der EngelmacherPremiere, in der Betroffene erstmals offen über die Geschehnisse hinter den verschlossenen Türen auspacken.„Was wir da machen, was ich mit dir machen, ist etwas ganz Besonderes.“ Paul Baumann "Vatti"

Wellinski, Patrick www.deutschlandfunk.de, Kultur heute

Während des Filmfestivals in Locarno treffen sich Schweizer Kinobetreiber und Kinoverleihe zu einem gemeinsamen Ausstausch. Und man schaut, welche Filme in die Kinos kommen könnten. Nicht jeder Film, der im Ausland produziert wird, schafft den Sprung auf die Schweizer Kinoleinwände. Der wichtigste Grund dafür: Es braucht einen Filmverleih, der die Rechte am Film erwirbt und ihn aktiv bei den Schweizer Kinos platziert. Das Interesse an solchen Produktionen kann sehr unterschiedlich ausfallen. Während manche Filme kaum Beachtung finden, entbrennt um andere ein regelrechter Bieterwettstreit. In solchen Fällen entscheidet oft die finanzielle Schlagkraft der Verleiher: Wer bereit ist, am meisten zu investieren, erhält den Zuschlag. Viele Filmverleihe in der Schweiz waren deshalb auch am Filmfestival von Cannes präsent, wo sie sich am weltgrössten Filmmarkt die Rechte an vielversprechenden Produktionen sicherten. Welche Filme schliesslich den Weg in die Schweizer Kinos finden, zeigt sich unter anderem an der «Film Convention Locarno» während des 79. Filmfestivals von Locarno, welches heute startet. Dort präsentieren die Verleiher den Schweizer Kinobetreiberinnen und Kinobetreibern ihre neu erworbenen Filme. Diese können anschliessend ihr Interesse an den jeweiligen Produktionen anmelden. In der Sendung «Treffpunkt» treffen wir auf der legendären Piazza Grande auch den Oscarpreisträger Xavier Koller. 1991 bekam er für seinen Film «Die Reise der Hoffnung» den wichtigsten Filmpreis der Welt.

In der Sommerserie «25 Jahre Tagesgespräch» steht das Tessin im Fokus. Zu Gast ist Marco Solari. Der langjährige Präsident des Locarno Film Festivals spricht über seine Zeit an der Spitze des Festivals und erklärt, weshalb er dem Anlass heute weitgehend fernbleibt. Marco Solari war vieles in seiner langen Karriere: Tessiner Tourismusdirektor und später Präsident von Ticino Turismo, Delegierter der 700-Jahr-Feier der Eidgenossenschaft, Mitglied der Generaldirektion der Migros und stellvertretender Konzernchef von Ringier. All diese Erfahrungen habe er in seine Aufgabe als Präsident des Locarno Film Festivals einbringen können, sagt Solari. Im Tagesgespräch mit Iwan Santoro blickt er auf die Höhepunkte seiner 23-jährigen Präsidentschaft zurück. Er erzählt, weshalb die Piazza Grande das Herz des Festivals bleibt und warum es richtig war, das Präsidium abzugeben, auch wenn ihm dieser Schritt nicht leichtfiel.

I Is Another marks Felix Randau's return to the Locarno Film Festival, where the film premieres in competition. Inspired by the true story of Felix Kersten, personal masseur to Heinrich Himmler, we discuss why Randau rejected a conventional hero narrative in favor of a morally ambiguous portrait, exploring the blurred line between truth, history, and the stories we choose to believe.We also discuss antiheroes, historical storytelling, filmmaking in Germany, and the films that shaped Felix's love of cinema, including The African Queen, Heat, The Third Man, and the work of John Huston, Michael Mann, François Truffaut, and Fritz Lang.At its core, our conversation is about resisting simple answers, embracing moral complexity, and recognizing that history is often shaped as much by storytelling as it is by fact.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

DIESE FOLGENBESCHREIBUNG IST NUR IN 70MM ZU SEHENFalls ihr sie doch seht, habt ihr Glück gehabt. Kenan und Léo reden in dieser Folgen "Bleibende Schäden" über "The Odyssey" - in einem Filmpodcast von Männern, so wie Christopher Nolan es gewollt hätte. Doch kann der Film abseits von Diskussionen und Memes bestehen?Kaum von den griechischen Inseln losgelöst, blicken unsere Hosts nach Italien. In Venedig startet das jährliche Filmfestival und wieder sind kaum englischsprachige Regiegrößen vorhanden. Ist das Kalkül oder noch sture Verweigerung?Außerdem im Programm: "Was haben wir gelacht", eine Dokumentation des ZDF. Das kann schwierig sein, ist es aber nicht. Was den Film so sehenswert macht, erklären Kenan und Léo in dieser Folge "Bleibende Schäden".DISCLAIMER: Leider hatten wir bei dieser Aufnahme extreme Tonprobleme. Wir bitten euch, das zu entschuldigen. Die nächste Folge ist dann umso cleaner im Ton. LG aus dem Schnitt, Léo :)

Send us Fan MailIn this episode, Las Vegas filmmaker and marketing coordinator Cody Dades shares insights on the local creative scene, film production, marketing strategies for indie creators, and upcoming projects. Discover how Cody combines art and strategy to thrive in Vegas's vibrant but small-town film community.key topicsLas Vegas film industry debates over billion-dollar studio incentivesThe intersection of filmmaking and marketing in VegasBehind the scenes content as a marketing toolCody Dades' approach to indie filmmaking and community engagementUpcoming projects and the future of Vegas film sceneFollow Cody Dade on InstagramStay Connected

Danish filmmaker Mads Mengel joins Past Present Feature just before his world premiere of The Guest in the Crystal Globe Competition at the Karlovy Vary International Film Festival. Since this recording, The Guest has gone on to win the festival's Special Jury Prize, while Mengel received the Best Director Award. We discuss how the film grew from a simple question into an intimate family drama shaped by years of writing, collaboration, and refinement.Along the way, we explore contained storytelling, the Danish filmmaking model, building a visual language around performance rather than coverage, and why practical limitations often lead to stronger creative decisions. Mads also reflects on the films and filmmakers that shaped his love of cinema, including Magnolia, Eternal Sunshine of the Spotless Mind, The Lord of the Rings, 12 Angry Men, and The Conversation.At its core, our conversation is about making more with less, trusting the people around you, and discovering that limitations often become your greatest creative advantage.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 19-21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

In this Film Ireland podcast, we're delighted to shine a light on three filmmakers whose short films are screening at this years's Galway Film Fleadh. Gemma Creagh chats with Alan Hopkins (A Knock at Your Door), Jaro Waldeck (Linger) and Thomas Bennett (The Galley). Watch the recording here:https://www.filmireland.net/podcast-filmmakers-alan-hopkins-jaro-waldeck-thomas-bennett-at-galway-film-fleadhA Knock at Your Door - DIR/WRI: Alan HopkinsA young couple's life is thrown into disarray when they receive a late night knock on their door. Florence and James's quiet evening in front of the TV comes to an abrupt end when a young teenager, Alex, arrives at their door badly beaten and in clear distress. Florence, a nurse, acts quickly and brings him inside, but James, who spends most of his free time in the darker sections of the internet, is immediately unsure. The situation escalates when James is sent a video purporting to show Alex, accompanied by extremely serious sexual allegations. Before James can eject Alex from the house, a mob, whipped up by online extremists, arrives outside seeking vigilante justice. Florence stands firm and won't hand Alex over based on an online accusation. Can their relationship survive as the mob's pressure grows? A Knock at Your Door screens on Saturday, 11th of July in the Town Hall Cinema at 11.30 as part of Fís Éireann/Screen Ireland World Premiere ShortsLinger - DIR: Jaro Waldeck • WRI: Bobby MoloneyIn a secluded house, Eve cares for her bedridden husband, David, who is now a shell of the man he once was. With only an AI assistant to keep her company, Eve longs for the love and connection they once shared. When offered a miraculous pill that can restore David to full health for seven days, Eve chooses to seize one last chance at happiness, knowing she will set off the countdown to his final moments. As David awakens, unaware of the years lost or the sacrifice Eve has made, their reunion is joyful but fleeting.Linger screens on Saturday, 11th of July, Town Hall Cinema at 11.30 as part of Fís Éireann/Screen Ireland World Premiere ShortsThe Galley - DIR: Thomas Bennett • WRI: Thomas Bennett, Niall McCloskeyAs the coast of Northern Ireland sinks deep into the hands of gentrification, the workers of Crillis Arcade are struck with this reality when their workplace is sold for redevelopment; this news affects nobody greater than Helen (Bríd Brennan), a down on her luck woman living in a caravan along the coastline. When finding herself short on cash at the local chippy, Helen commits a victimless crime to pay for dinner...The Galley screens on Friday 10th July, at 11:45 in the Town Hall Theatre as part of Irish Fiction 4.Alan HopkinsAlan Hopkins is a Dublin-based writer, director and co-founder of HAL Pictures. A graduate of the National Film School at IADT, he holds both a BA in Film & Television Production and a Master's Degree in Screenwriting. His work has screened at festivals across Ireland and internationally, as well as on RTÉ. In 2024, his Screen Ireland Focus Short Ogham premiered at the Galway Film Fleadh before continuing its international festival run, receiving awards for cinematography and original score.Jaro WaldeckJaro has been working in the Irish film and TV industry largely as a freelance cinematographer for 15 years. She shot over 50 short films (live action and documentary) as well as feature films DREAMTOWN and HOUSEWIFE OF THE YEAR. Jaro studied at Columbia College Chicago and FAMU Prague, two prestigious film universities, where she earned Bachelor's and Master's degrees in cinematography, respectively.Thomas BennettThomas is a Belfast based artist and director focused on Hi-8 tape and Super 8. His short film directorial work has been funded by BFI Network, Arts Council NI and has been recognised and awarded nationally and internationally, showcasing at Academy®, BAFTA, BIFA & IFTA qualifying Film Festivals.Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Cannes, Venedig und Berlin - das sind die Orte der drei großen Filmfestivals in Europa. Doch auch das Internationale Filmfestival im tschechischen Karlovy Vary (Karlsbad) gehört in die so genannte A-Kategorie. In diesem Jahr feiert es ein doppeltes Jubiläum - nämlich den 80. Geburtstag und die 60. Ausgabe.

Episode 227 - Nippon Connection Special - 2026 Vol.1 Der Podcast über die Montags (OV) Sneak in Frankfurt am Main, in euren Wohnzimmern und auf den Filmfestivals. Auch dieses Jahr waren wir wieder auf der Nippon Connection, die zum 26. Mal in Frankfurt stattgefunden hatte. Auf https://www.bedroomdisco.de/ folgt die Tage unser Festivalbericht, im Folgenden schon einmal die erste Hälfte unserer Podcast nachlesen, dieses Mal mit folgenden Filmen: - 00:18:00 Fujiko - 00:37:17 How dare you? (JP: Futsu no kodomo) - 00:50:55 The Last Blossom (JP: Hosenka) - 01:00:40 Blind Woman's Curse (JP: Kaidan nobori ryû - 01:14:44 5 Centimeters per Second (JP: Byôsoku 5 senchimêtoru) (Link: https://schoener-denken.de/ ) - 01:30:14 Nippon Animation Shorts Competition: Slices of Life (Link: https://db.nipponconnection.com/de/event/1948/nippon-animation-shorts-competition-slices-of-life ) - 01:39:38 Katsura Sunshine - 01:44:48 First Kiss (JP: ファーストキス 1ST KISS) - 02:03:54 Jinsei (JP: Mumei no jinsei)

Allweiss, Marianne www.deutschlandfunkkultur.de, Fazit

Cara Cusumano, Director of Programming for the Tribeca Festival, joins Past Present Feature as the festival celebrates its 25th year. She pulls back the curtain on how one of the world's premier film festivals selects its films,  and how curation, audience, and timing shape every lineup. Along the way, Cara reflects on the films and filmmakers that shaped her own cinematic taste, from F for Fake, Jiro Dreams of Sushi, to the fiction work of David Fincher, Agnès Varda, and Steven Spielberg.The conversation also explores Tribeca's origins following 9/11, the future of film festivals in the streaming era, why filmmakers shouldn't let deadlines dictate their creative process, and why the stories that resonate most are often the ones that keep moving, staying one step ahead of their audience, and continuing to surprise us.  What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 19-21, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Was passiert, wenn Filmkritik auf das größte asiatische Festival trifft? In dieser Episode nehmen wir euch mit auf eine abenteuerliche Reise zum Shanghai International Film Festival – von der Ticket-Odyssee bis zu den überraschenden Regeln für Presse und Publikum. Wir sprechen über jugendliche Kinofans, den Einfluss von AI auf Festivaltexte und die auffällige Abwesenheit von Kontroversen und queeren Themen im Programm. Gemeinsam diskutieren wir, wie sich das Festival als glamouröses Aushängeschild Chinas inszeniert, welche Herausforderungen westliche Reporterinnen vor Ort erwarten und ob hier bereits ein Blick in die Zukunft europäischer Festivals liegt. Hört rein für ehrliche Eindrücke, persönliche Erlebnisse und kritische Beobachtungen zwischen Kinosälen, Preisverleihung und digitaler Infrastruktur.

Hey set-jetters, it's the movie episode, and Belle is teaming up with our entertainment reporter Alaisdair Leith to talk the best of travel films. We're chatting movie destinations, because  set-jetting is one of the hottest trends in travel at the moment, where you decide where to travel based on something you saw in a movie. But also, we want you to take this as a list of movies you should watch on your way to your next destination. Think New Zealand and Hobbiton, Game of Thrones for Northern Ireland and what's now called the White Lotus effect - the fourth season is currently being filmed on the French Riviera, and expected to drop mid-to-late 2027 so buckle up for an overload of Saint Tropez.Emily in Paris (and Rome), Eat Pray Love, North of North, The English Patient.... Alaisdair shares the best new films while Belle digs up the classics, and we throw a a few wild cards. Also, we share a roll-call of great film festivals coming up in Australia, diaries out!Fire Pit Festival, Sydney christmasinjuly.com.auSouth African Film Festival, Sydney 2026, 21 June–26 July saff.org.auMelbourne International Film Festival (August 6–23) miff.com.au Adelaide Film Festival (October 14–25) adelaidefilmfestival.org Nordic Film Festival, national (July- August) nordicfilmfestival.com.au  Send us Fan MailSupport the showVisit us at https://theworldawaits.au

Daniel Blake Schwartz breaks down how Tribeca Best U.S. Narrative Feature winner Cotton Fever grew out of years spent collecting stories during his own experience with addiction and recovery, ultimately transforming those fragments into a deeply personal debut feature. Drawing inspiration from filmmakers like Andrea Arnold and Hirokazu Kore-eda, Schwartz pursued a style rooted in realism, empathy, and lived experience rather than conventional dramatic structure.The film evolved from a self-funded short into an award-winning feature through grassroots fundraising, community support, a first-time filmmaker grant from Panavision, and the eventual attachment of actors Kyle Gallner and Sosie Bacon. Along the way, Schwartz navigated the uncertainty of first-time feature directing, discovering that some of the film's strongest moments emerged from vulnerability, collaboration, and instincts that couldn't always be explained on the page.At its core, Cotton Fever is a reminder that the most powerful stories often come from the experiences we're most hesitant to revisit. The challenge isn't always finding something meaningful to say. It's having the courage to tell the story that's already closest to you.What Movies Are You Watching?Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week. Support the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

HamptonsFilm, home of the Hamptons International Film Festival (HIFF), recently launched a new media partnership with The Express News Group and its digital platform, 27east.com. The collaboration names The Express News Group as an official media partner for HamptonsFilm's year-round community programming, including the 34th annual Hamptons International Film Festival, which runs October 2 to 12. As part of the new collaboration, The Express News Group will insert the festival's annual program guide inside its newspapers on September 17. On this episode of “The Follow-Up,” HamptonsFilm Executive Director Bob Feinberg and Chief Creative Officer David Nugent join the Express News Group team to discuss the new partnership, reflect on the evolution of HIFF over the past three decades, and preview what's ahead. They also share details on the 2026 SummerDocs series and the return of free outdoor film screenings across the East End in the weeks ahead.

US-Präsident Trump äußert sich positiv zum Stand der Verhandlungen mit dem Iran, 77 Jahre Grundgesetz: Ein Hoch auf das Ehrenamt, Ukraine, Störungen an der Ostsee: Wie Russland GPS-Signale beeinflusst, DFB-Pokalfinale, US-Schauspielerin und Sängerin Barbra Streisand zum Abschluss des Filmfestivals von Cannes mit Ehrenpalme ausgezeichnet, Das Wetter Hinweis: Der Beitrag zum Thema DFB-Pokalfinale darf aus rechtlichen Gründen nicht auf tagesschau.de gezeigt werden.

Today's episode features a Who Am I with a twist. Facebook PatreonSee omnystudio.com/listener for privacy information.

This week, The Gimme Three Podcast is proud to host two outstanding Latina filmmakers, Arianna Ortiz and Cruz Gonzalez-Cadel. Their film, The Birthday Gift, will have its West Coast Premiere at the 25th Annual LA Latino International Film Festival (LALIFF). Arianna and Cruz discuss the adaptation of the piece (from play to short film), their creative process, their approach to character-driven work, and the pertinent historical context of the film. Tickets to see The Birthday Gift on the big screen are available at https://laliff.org/.And you can follow them on Instagram at https://www.instagram.com/birthdaygiftfilm/❗️SEND US A TEXT MESSAGE ❗️Support the showSign up for our Patreon for exclusive Bonus Content.Follow the podcast on Instagram @gimmethreepodcastYou can  keep up with Bella on Instagram @portraitofacinephile or Letterboxd You can keep up with Nick: on Instagram @nicholasybarra, on Twitter (X) @nicholaspybarra, or on LetterboxdShout out to contributor and producer Sonja Mereu. A special thanks to Anselm Kennedy for creating Gimme Three's theme music. And another special thanks to Zoe Baumann for creating our exceptional cover art.

In this episode, Charles interviews filmmaker and vinyl enthusiast Steve Herold, best known for the award-winning short film Death of an Umbrella Salesman. Steve takes us back to the summer of 1984 and his first concert — the Thompson Twins on their Into the Gap tour at the Garden State Arts Center in New Jersey. He shares how the show almost didn't happen, thanks to a failed attempt to see Van Halen at Madison Square Garden, and how that near-miss planted the seed for a lifetime of concert-going. The real coming-of-age concert moment, Steve admits, came two years later when he finally saw David Lee Roth on his debut solo tour — a far wilder introduction to arena rock than the Thompson Twins had provided. Steve opens up about his most memorable concert experiences, including his best-ever shows: the New Jersey alternative band Dramarama at the legendary Fast Lane in Asbury Park in the early '90s. Those packed, sweat-soaked club nights — where getting to the bathroom was nearly impossible and crowd surfing was mandatory — turned Steve into a devoted fan and shaped his love of small-venue rock. He also recounts the 1996 Sex Pistols reunion at New York's Roseland Ballroom, an evening of full-on debauchery that ended with him and a friend finding a $50 bill on the floor — money that had fallen from the pockets of crowd surfers — and heading out to continue the night on someone else's dime. The image of punk-show attendees pouring out of Roseland and colliding with Broadway theatergoers on the sidewalk is one of the episode's most vivid moments. Beyond concerts, the conversation dives into Steve's YouTube channel, where he has spent years showcasing his vinyl and CD collection and visiting independent record stores during his travels for TV production work. He reflects on how the channel introduced him to a whole new community of fellow collectors — friendships that have taken him to record stores in Reno, Southern California, Long Island, and Charleston, South Carolina. Steve also discusses his filmmaking work, including the upcoming documentary about a former Hot Tuna drummer who is also a visual artist, and two music videos he directed for his friend's garage rock band Manflesh, one of which is set to screen at the Coney Island Film Festival. The episode wraps with a shared appreciation for the Wet Leg concert both Charles and Steve attended in 2025, and a laugh-out-loud detour into the chaotic legacy of G.G. Allin. BANDS: Agent Orange, David Lee Roth, Dramarama, Eagles, G.G. Allin & the Murder Junkies, Goldfinger, Hot Tuna, Jeff the Brotherhood, L7, Lady Gaga, Manflesh, Ram Jam, Sex Pistols, The Strokes, Thompson Twins, Van Halen, Wet Leg, Yeah Yeah Yeahs. VENUES:  Aragon Ballroom (Chicago), Chicago Stadium, Coney Island Film Festival, Exit (Chicago), Fast Lane (Asbury Park), Garden State Arts Center (New Jersey), Lounge Ax (Chicago), Madison Square Garden (New York), Maxwell's (Hoboken), Monster Music (Charleston), Roseland Ballroom (New York), Stone Pony (Asbury Park). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

In this business, we all end up doing double duty....Well we got laid up for a couple of days, but luckily the Hot Docs Canadian International Documentary Festival is still running strong and we've got plenty of non-fiction still to talk about.In the spirit of double duty we got to talk with programmer Aisha Jamal about working as a programmer for the festival for a decade+, the evolution of documentary cinema, the importance of festivals like this and so very much more...AS WELL AS...Talking with her about her new film which just debuted on TVO, is available on the TVO Docs YouTube Channel and app which is called 'The Theft'.'The Theft' is set in the backdrop of Afghanistan as the film traces a series of 12th century marble panels looted from the country over the decades of political upheaval and rampant looting in recent memory.  The film tackles the consequences of the cultural looting of a country like Afghanistan and the complexities in getting these artifacts back to their home countries while they currently sit in many Western museums.It was a fascinating conversation on both fronts, and yet another testament to the importance of documentary film.Support documentary film, support Hot Docs, support the art form of cinema as it is such a vital cog in our collective consciousness and culture.

Every year, the German Film Festival is one of the highlights for enthusiasts of German-language film. Behind the scenes, a lot of work and careful planning goes into its organisation. Elysia Zeccola is Director of the German Film Festival and has been curating the program for eight years. With SBS German, she talks about the selection of films, the significance of the festival in Australia and her personal highlights of this year's program. - Jedes Jahr zählt das German Film Festival zu einem der Highlights für alle, die sich für deutschsprachigen Film begeistern. Doch hinter dem Festival steckt viel Arbeit und sorgfältige Planung. Elysia Zeccola ist die Direktorin des German Film Festivals. Seit acht Jahren kuratiert sie das Programm. Im Interview spricht sie über die Filmauswahl, die Bedeutung des Festivals in Australien und ihre persönlichen Highlights des diesjährigen Programms.

Tawfik Sabouni breaks down his Berlinale-bound documentary Other Side of the Sun and how it grew out of lived experience, from filming protests during the Syrian revolution to imprisonment, exile, and ultimately shaping that reality into his first feature. He doesn't separate fiction and nonfiction, approaching cinema as one language built around truth and urgency.The film follows survivors returning to the prison where they were held, using reenactment to access memory rather than spectacle. Built around faces instead of events, it focuses on the human imprint of trauma, with the process itself forcing Sabouni to confront experiences he nearly walked away from.Drawing from filmmakers like Rithy Panh (The Missing Picture) and Joshua Oppenheimer (The Act of Killing), the film blends personal testimony with cinematic form. The takeaway is clear: tell the stories that matter, especially the ones others would rather ignore.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Charlie Tyrell breaks down how The AI Doc: Or How I Became an Apocaloptimist, this years SXSW Audience Award winner now in theaters from Focus Features, turns an overwhelming, abstract subject into something personal by grounding it in fatherhood. Instead of approaching AI through pure information or fear, the film frames it through the lens of bringing a child into the world, making the stakes immediate, emotional, and human.Co-directed by Daniel Roher, Academy Award winning director of Navalny, and produced by Daniel Kwan, Academy Award winning director of Everything Everywhere All At Once, the filmmaking process was massive and chaotic, built from dozens of interviews, extensive transcripts, and layered animation. The challenge was finding clarity inside that volume while keeping the film engaging and cinematic, reflecting a lineage of documentaries that blend personal narrative with larger ideas. Charlie's past inspirations include Stories We Tell by Sarah Polley and recent films Weapons and 28 Years Later.At its core, AI is already here, already shaping everything, and the real question is who chooses to engage with it. Don't assume someone else will shape the future for you.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone's Sorry Nowadays, a coming-of-age story set almost entirely inside a single home and a young girl's mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character's inner world to life.She talks through her unconventional path into directing, from acting and production work to navigating Europe's state-funded film system. A key turning point came not from making films, but from receiving funding, the moment she says she finally felt “allowed” to call herself a director. The conversation digs into adapting a novel, working within creative limitations, and why fear is an unavoidable part of the process. Migom cites films like Boy, Arizona Dream, the work of Céline Sciamma and Andrea Arnold, and Eternal Sunshine of the Spotless Mind as touchstones for balancing realism with subjectivity. She also shares a simple philosophy that carried her through: feel the fear, do it anyway - and trust that the process will lead you where you need to go.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the showListen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeatureThe Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Jeremy Workman discusses Secret Mall Apartment, his Netflix documentary about a group of Rhode Island artists who secretly built and lived in an apartment inside a busy shopping mall, filming the entire four-year experiment themselves. After a strong self-released theatrical run, the film is now streaming on Netflix.Jeremy traces the project back to a chance meeting in Athens, where he connected with the main subject and slowly earned the trust of the full group after years of other filmmakers being turned away. He also reflects on his path into nonfiction, growing up around editing through his father, Chuck Workman, and building a career through independently financed documentaries.He cites films like American Movie (Chris Smith), Man on Wire (James Marsh), The Raft (Marcus Lindeen), and The Act of Killing (Joshua Oppenheimer) as inspirations for playful, form-bending nonfiction. The conversation also explores self-distribution, theatrical strategy, and why filmmakers should stop waiting for perfect conditions and just go make the thing.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

(00:32) Der französische Fotograf Luc Delahyae hat in den 1990er Jahren das Grauen an Kriegsschauplätzen dokumentiert. Heute arbeitet er als Fotokünstler hauptsächlich an Panoramabildern, die er nachträglich am Computer verändert. Das Photo Elysée in Lausanne zeigt eine Schau mit seinen Bildern. Weitere Themen: (04:44) Kosmos und Klang: Das «Interfinity Festival» startet in Basel. (09:10) António Lobo Antunes ist tot – ein Meister der portugiesischen Literatur. (10:00) Wandel im Iran: Wie blicken iranischstämmige Kulturschaffenden auf die Angriffe der USA und Israel in ihrem Heimatland? (15:25) Berlinale-Sieger «Gelbe Briefe» von İlker Çatak läuft in Schweizer Kinos. (19:57) Welche Auswirkungen haben Diskussionen um Berlinale-Intendantin Tricia Tuttle auf die Zukunft des Filmfestivals? (24:06) Schlüsselwerk der österreichischen Moderne: Wiener «Villa Beer» nach Umbau für Öffentlichkeit zugänglich.

Eigentlich ist für Derya und Aziz die Welt in Ordnung, bis die Premiere ihres neuen Theaterstücks alles verändert. Über Nacht verlieren sie ihre Arbeit, ihre Wohnung - das Paar ist ins Visier des Staates geraten. Beide suchen einen Weg aus der Situation, gehen aber auf ihre Weise und sehr unterschiedlich mit dem Druck und der Frage um: Wie soll man leben, wenn Zensur und Repression das Dasein bestimmen? İlker Çataks Politdrama "Gelbe Briefe" ist ein nachdenkliches Gesellschaftsdrama über die Lage in der Türkei seit dem Putschversuch 2016.Mit Filmpreisen bereits für "Das Lehrerzimmer" ausgezeichnet, erhielt İlker Çatak gerade erst bei der Berlinale für "Gelbe Briefe" den Goldenen Bären. Eine große Überraschung, denn damit gewinnt erstmals seit mehr als 20 Jahren der Film eines deutschen Regisseurs die wichtigste Auszeichnung des Filmfestivals. Bevor "Gelbe Briefe" in dieser Woche in die deutschen Kinos kommt, spricht İlker Çatak mit Katja Weise über die Entstehung des Films, über seine fortwährende Suche nach gesellschaftlich relevanten Stoffen.

Gille Klabin discusses Weekend at the End of the World, his follow-up to The Wave, and the deliberate choice to build a second feature that didn't require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave's release, where traditional distribution left him frustrated by opaque marketing spends and limited transparency, and how that experience reshaped his approach to ownership, equity, and rollout strategy the second time around.Gille discusses the current indie landscape not as a lament, but as a tactical puzzle, and breaks down the realities of aggregators versus distributors, the economics of digital-first releases, and why he chose to prioritize transparency and direct recoupment over a conventional deal. Drawing comparisons to films like Shaun of the Dead, Tucker & Dale vs. Evil, and The Cabin in the Woods, he discusses the balance of tone, heart, and genre - and how surprise and emotional whiplash can be a strategic storytelling tool.He also outlines a 50/50 equity split between investors and cast/crew, a flat-rate pay structure on set, and a belief that if independent filmmakers want a more just system, they have to build it at their own scale first. The conversation closes on preparation, resilience, and the long game: make the movie you can actually control, learn the business as deeply as the craft, and let your specific weirdness become the thing that carries you forward.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This episode of "Seeing Them Live" features Eric Vollweiler, a seasoned producer, marketing consultant, and strategist in the film, festival, and entertainment industry with nearly two decades of experience. Charles explores Eric's journey from his early concert experiences to his current work helping festivals and creators connect with audiences, sponsors, and industry partners, including major festivals like Sundance, Cannes, and Toronto. Eric's passion for live entertainment was shaped early—his mother took him to his first concert at age 14, seeing Aerosmith with Black Crows at the Saratoga Performing Arts Center. He also attended a massive Grateful Dead and Crosby, Stills & Nash show that drew 70,000 people. After high school, Eric moved to New York City in 1996, working at legendary nightclubs like the China Club and the Tunnel under mentor Michael James. During this time, he even worked alongside a young Mark Sinclair—now known as Vin Diesel—at an elite catering company. His nightclub experience ended when he broke his wrist breakdancing at the Tunnel, prompting him to move back upstate for college. Eric's festival career began in 2001 when he volunteered at Sundance, eventually co-producing seven events there. A memorable highlight was sneaking into a Beastie Boys performance at the 2006 Sundance Film Festival. He recently launched the Vollweiler Agency, which provides comprehensive services to festivals including sponsorship acquisition, advertising, and social media strategy. Currently, he's working on the 11th annual Hip Hop Film Festival in New York City, which focuses on hip-hop culture through the lens of filmmaking. At the heart of his work is a commitment to filmmakers and providing opportunities for the next generation, guided by his philosophy: "Never ask the CEO for a job, but ask him to learn" and "the humbler you are, the better you'll be in life." BANDS: Aerosmith, Beastie Boys, Betty Buckley, Black Crows, Crosby Stills and Nash, Grateful Dead, Jerry Garcia, Melba Moore, U2, Ziggy Marley VENUES:  Buffalo Highmark Stadium, China Club, Egyptian Theater, Knickerbocker Arena, Life, Saratoga Performing Arts Center, Saratoga Race Course, Sundance Film Festival, The Tunnel PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

We invited some LAMBs to create Top Five Lists for the week to share with you. We got two old school LAMBs to join the show, along with two old LAMBs and we imported one from Great Britain as well. You are going to hear about Film Festivals, Character Actors, Anthology films and comedies. Oh yeah, we also get some risqué talk about male appendages that  show up in movies when they are least expected. Howard Casner, Nick Jobe, Tony Cogan, and Jason Soto are our guests, do you have any doubt about who found five wangs to talk about? The biggest dick on the show is not named Richard. 

With films such as Maybe... Maybe Not, The Miracle of Bern and Family Affairs, Sönke Wortmann has established himself as one of the most successful German directors. With “The Empty Nesters”, based on texts by Jan Weiler, he now dedicates himself to the moment when children start their own lives — and parents must learn to let go. In conversationis he talks about his latest film, but also about the cinema experience in times of streaming, the special role of film festivals and his relationship with soccer in times of oversaturation and commercialization. - Mit Filmen wie Der bewegte Mann, Das Wunder von Bern oder Der Vorname hat sich Sönke Wortmann als einer der erfolgreichsten deutschen Regisseure zwischen Unterhaltung und gesellschaftlicher Reflexion etabliert. Mit „Die Ältern“, basierend auf Texten von Jan Weiler, widmet er sich nun dem Moment, in dem Kinder ihr eigenes Leben beginnen – und Eltern lernen müssen loszulassen. Im Gespräch geht es um seinen neuesten Film, aber auch um das Kinoerlebnis in Zeiten von Streaming, die besondere Rolle von Filmfestivals und sein Verhältnis zum Fußball in Zeiten von Übersättigung und Kommerzialisierung.

Sharon Liese joins the show after premiering Seized at Sundance to unpack the story behind the Marion, Kansas newspaper raid that ignited a national debate around press freedom, abuse of power, and the fragility of the First Amendment. What begins as an egregious police search of a small-town newsroom expands into a layered portrait of community tension, history, ego, and how something unthinkable can happen in a place that looks quiet on the surface. The film moves beyond headlines into character, contradiction, and the uncomfortable gray areas that fueled the raid.We dig into craft and access: how Liese drove two hours the moment she heard the news on NPR, earned trust without a formal agreement for months, and built a film out of surveillance footage, body cams, courtroom material, and intimate interviews. She talks about structuring the story around a one-year time jump, using a young reporter as an audience surrogate, shaping tone so viewers can register the absurdity without losing the stakes, and making the call to abandon fourth-wall devices in favor of a cleaner, more immersive approach.She shares the films that informed her thinking during the edit, including All the President's Men and the investigative restraint of Laura Poitras' Citizenfour and Cover Up. Sharon reflects on what it meant to launch the film at Sundance amid both celebration and uncertainty in the documentary market. Advice to filmmakers: there are no shortcuts. Put in the hours, earn trust slowly, and keep showing up until the experience begins to live inside the work.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Tharaka Sriram ist Meereschützerin, Gründerin von "Ocean Education" und Kuratorin verschiedener Filmfestivals. Bei Halbe Katoffl spricht sie über ihr strenges tamillisches Elternhaus, körperliche häusliche Gewalt und ihre Rebellion dagegen. Wie sie sich gegen Zwangsheirat wehrte, warum ihr Therapie anfangs nicht half und wieso sie sich für den Schutz der Meere einzusetzen begann. Über Weltkarten-Schreibtischunterlagen, eine tatsächliche Weltreise auf Kredit, Schwimmunterricht mit 32, Jack-Wolfskin-Jacken – und nervige aber notwendige E-Mails gegen Gatekeeping. INSTAGRAM: https://www.instagram.com/OE_OceanEducation/ MARINE CONSERVATION INSTITUTE: https://marine-conservation.org/ (04:30) Passkontrolle (12:30) Klischee-Check (31:30) Einzige braune Familie, Kriegserklärung an Eltern und Bibliotheksausweis als Rebellion (49:35) Extreme häusliche Gewalt, Kontaktabbruch (1:14:20) Fernweh, Weltkarte und wenn Women of Color alleine reisen (1:26:15) Meeresschutz, Selbstdiskriminierung und Weltreise-Kredit (1:43:20) Filme aus dem "globalen Süden" und Offene Tabs SUPPORT: Halbe Katoffl unterstützen: https://halbekatoffl.de/unterstuetzen/ Paypal: frank@halbekatoffl.de Steady: https://steady.page/de/halbekatoffl/about Überweisung/ Dauerauftrag: Schreib an frank@halbekatoffl.de | Stichwort: KONTO PODCAST WORKSHOP & BERATUNG https://halbekatoffl.de/workshops/ KONTAKT: frank@halbekatoffl.de

Today Heath, Sam, Sophia and Josh Hull get caught in some Bad Romances as we draft these broken hearted Film Festivals. They discuss what makes us love bad love affairs on the screen, what makes us drawn to the monster in many of these tales, and the kharmic come-uppance when you betray the heart of another. From Men with Scissor Hands, Thin Cannibals, Leather Clad Catwoman, and River Monsters we cover all manner of doomed pairings in this draft.  Let us know whose list you think wins this heated battle. Which festival would win your money? Let us know in the comments wherever you find the Podcast.  Youtube: https://youtu.be/AZdCagT1YUk Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/  Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod  Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

Gabby Osio Vanden and Jack Weisman join the show after winning Sundance's Grand Jury Prize to unpack the ten-year road behind Nuisance Bear, a polar bear's journey through two connected worlds: tourist-heavy Churchill, Manitoba, and the Inuit community of Arviat, where the stakes are far more complex and far less welcoming. The film becomes a meditation on coexistence, control, and who gets labeled a “nuisance” in a shared landscape.We dig into craft and access: finding the right position for the camera so the story can reveal itself, structuring the feature in two halves, and how a dialogue-free short film born partly out of COVID constraints became the proof of concept that unlocked TIFF, The New Yorker, and eventually A24. They also talk candidly about what the audience never sees: rough living conditions, long hours waiting, the specific agony of “the best thing happened, and we missed it,” and the slow but important work of earning trust, where listening comes before filming.They share influences that shaped them, including Miyazaki's sense of nature and modernity, Gus Van Sant's bravery with form, and John Cassavetes' belief in the energy of a set. The conversation closes on what it meant to experience Sundance as both a career peak and a personal milestone, getting engaged and then married during the festival. Advice to filmmakers: be tenacious when you know you need to tell a story, protect trust like it is part of the craft, and do not turn on each other when the pressure spikes.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

This episode of the No Film School Podcast is recorded live from the final Sundance Film Festival in Park City, 2026. GG Hawkins and Ryan Koo are joined by No Film School writer Jo Light and special guest Teddy Kim to share insights and lessons from Sundance. Together, they reflect on what it takes to find true creative collaborators at festivals, how the indie landscape continues to shift, and why human connection still matters more than ever in a rapidly changing industry. The episode includes a game of "Red Flag, Green Flag" and wraps with an interview between Ryan Koo and writer-director Stephanie Ahn, whose feature Bedford Park took 16 years to make and is now premiering at Sundance. In this episode you'll hear... How to make the most of Sundance even if you're not actively pitching a project Why networking at film festivals is more about vibe than résumé The evolving role of indie production companies balancing studio and independent films Which films are getting buzz at Sundance 2026 and what the acquisition market looks like How filmmakers are using episodic pilots and private screenings to get attention The pros and cons of “networking dinners” and late-night parties like Tao A playful, practical game of "Red Flag, Green Flag" to decode festival behavior GG's and Jo's favorite short and episodic pilots—and what makes them feel fresh A deep-dive interview with Bedford Park director Stephanie Ahn about perseverance, editing your own movie, and telling emotionally resonant stories Memorable Quotes: “In filmmaking, they often say you better give 10 years of your life… I exceeded that, and Stephanie exceeded that.” “You have to be very clear about what your intentions are and what the story is going to be. If you maintain an integrity with that, people come.” “It's not a matter of whether there is a big headline acquisition… but can a bunch of other movies get acquired for $3 million and have a healthy minimum guarantee?” “I wanted to make a film that hopefully an audience would actually feel something—genuinely feel something.” Guests: Jo Light Teddy Kim Stephanie Ahn Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

Stephanie Ahn discusses Bedford Park, her Sundance U.S. Dramatic Competition debut about a Korean American woman in her 30s pulled back into her parents' home after her mother's car accident, where she meets the man responsible and an unexpected connection begins to form. Ahn shares why she needed to make this film, how growing up Korean American left her hungry for stories that felt real beyond familiar clichés, and why writing Bedford Park meant finally walking straight into something deeply autobiographical she avoided for years.She talks about choosing uncertainty over comfort and taking the scary road on purpose, stepping away from a stable editing career to pursue a story that wouldn't let go. Ahn reflects on journaling as a way into the script, years of rejection, and learning to be ruthless with her own material as the film evolved from a family drama into a more intimate relationship story. Rather than starting with a message, she describes how the film's themes revealed themselves over time, ultimately centering on human connection, being truly seen, and how that clarity reshapes self-understanding.Ahn walks through the long, practical build: seven years of persistence, financing that finally unlocked through relationships and Korean backing, and an unusually deep rehearsal process with actors that stretched across years before shooting in New Jersey. She reflects on editing as a brutal but clarifying search for truth alongside a trusted co-editor, and on the films she kept returning to for structure and inspiration, including A Separation, Secret Sunshine, Rust and Bone, Heat, and The Insider.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Revival Hub is your guide to specialty screenings in Los Angeles - classics on 35mm, director Q&As, rare restorations, and indie gems you won't find on streaming. We connect moviegoers with over 200 venues across LA, from the major revival houses to the 20-seat microcinemas and more.Visit revivalhub.com to see what's playing this week.  Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Ever wondered how festival programmers decide which films make the cut? For our first episode of 2026, I'm joined by two incredible women who've been shaping the landscape of independent cinema for over a decade. Ana Souza has been with Sundance Film Festival for 10 years, working alongside some of the most exciting independent filmmakers in the world. Diana Cadavid is currently Director of Industry Programs for the Latino Film Institute (LFI) in Los Angeles, and International Programmer for the Toronto International Film Festival (TIFF) She helped build IFF Panama's programming department from scratch. In this conversation, we break down: → The REAL selection process (spoiler: it's not about who you know) → How to map your premiere status strategy BEFORE you finish your film → The big film/small film balance that keeps festivals alive (and why you should stop resenting those studio movies) → Distribution in the post-COVID era: why the all-night bidding wars are gone, but deals are still happening → Why attending festivals WITHOUT a film might be the smartest career move you can make

Documentary filmmaker and editor J.M. Harper discusses Soul Patrol, his six-year journey telling the story of the first Black special operations unit in Vietnam. What began with reading Eddie Manuel's book grew into years of weekly conversations, slow trust-building, and eventual access to never-before-seen Super 8 footage and photographs shot by the soldiers themselves. Harper also reflects on how his work editing Jeen‑Yuhs: A Kanye Trilogy sharpened his instincts around character, structure, and letting footage reveal meaning over time.We talk about point of view and theme as the engine of a film, not ideas layered on afterward. Harper frames Soul Patrol around a central question: whether speaking openly about acts committed in war, long buried and rarely acknowledged, can offer any form of healing. Drawing on Steven Spielberg's Saving Private Ryan, he discusses how cinema can confront violence without glamorizing it, and the ethical tension of rendering horrific experiences with clarity, restraint, and intention.He reflects on editing as discovery, assembling a team of editors with different strengths, and shaping a film that moves between memory, present-day reckoning, and historical record.What Movies Are You Watching?This episode is brought to you by BeastGrip. When you're filming on your phone and need something solid, modular, and built for real productions - including 28 Years Later and Left Handed Girl - BeastGrip's rigs, lenses, and accessories are designed to hold up without slowing you down. If you're ready to level up your mobile workflow, visit BeastGrip.com and use coupon code PASTPRESENTFEATURE for 10 % off.  Acclaimed documentary ROADS OF FIRE is now available on Amazon, iTunes, and Fandango at home. Directed by Nathaniel Lezra, the film won best documentary at the 2025 Santa Barbara International Film Festival. The film examines the migrant crisis here in the States all the way down to Venezuela, and Academy Award nominee Diane Lane calls it "a must-see journey of human dignity." Roads of Fire - now on Amazon, iTunes, Fandango. Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look. Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeatureSupport the show Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

Watch the video version of this podcast here: https://www.youtube.com/watch?v=rg0isLOwvAA Our two new books... STORY QUESTIONS: How To Unlock Your Story One Question At A Time - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Andrés Taboada was born in Perú, where he stayed until a scholarship sent him off to finish high school in Germany. After receiving a B.S. in Biology from Cal State Long Beach and teaching in Southeast Asia, he moved back to Miami for a Master's in International Education. While in grad school, he became a standup comedian. Andrés won the award for Best Comedic Actor at Miami WebFest and was a finalist at the World Series of Comedy. He then turned his focus towards Alta California, a bilingual dramedy, which he wrote, produced, directed, and starred in as “Perucho,” the hotel clerk. As the director of Alta California, Andrés won the award of Best Directorial Debut at the Fort Lauderdale International Film Festival. Alta California recently had a sold-out screening at the TCL Chinese Theatres in Hollywood, California as part of the 27th annual Dances With Films. MORE VIDEOS WITH ANDRES TABOADA https://tinyurl.com/bdf82c44 WATCH 'ATLA CALIFORNIA' - The Full Movie • ALTA CALIFORNIA (2025) | Feature Film CONNECT WITH ANDRES TABOADA https://www.altamovie.com https://www.imdb.com/name/nm10841273 / altamovie / altacaliforniamovie https://x.com/andreswhat / andreswhat_ SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage ►BOOKS WE RECOMMEND: STORY QUESTIONS: How To Unlock Your Story One Question At A Time https://payhip.com/b/ZTvq9 THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►FILMMAKER STARTER KIT BLACKMAGIC Design Pocket Cinema Camera 4K - https://amzn.to/4gDU0s9 ZOOM H4essential 4-Track Handy Recorder - https://amzn.to/3TIon6X SENNHEISER Professional Shotgun Microphone - https://amzn.to/3TEnLiE NEEWER CB300B 320W LED Video Light - https://amzn.to/3XEMK6F NEEWER 160 LED CN-160 Dimmable Ultra High Power - https://amzn.to/3XX57VK ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow's Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most.We discuss the realities filmmakers obsess over, including who you know, timing, marketplace “success,” and why Vimeo analytics do not tell the full story. Ania breaks down what actually happens behind the scenes at Sundance, how programmers balance limited slots with thousands of film submissions, and why being the right fit matters more than trends or agendas.She shares why festivals need balance between urgent, heavy films and work that is entertaining, humane, and emotionally alive. Drawing from examples like André Is an Idiot and Gleason, Ania explains how character-driven storytelling can carry even the most difficult subjects. Advice to filmmakers: do your research, be clear about what you are making, and remember that programmers are rooting for you, even when the answer might still be no.What Movies Are You Watching? Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature The Past Present Feature Film Festival - Nov. 20-22, 2026 in Hollywood, CA - Submit at filmfreeway.com/PastPresentFeature

We cover the wide range of topics of the year that was 2025. Comedy, Movies, Shows, Music, and Film Festivals.   Linktree https://linktr.ee/filmandbeyond www.filmandbeyond.com Follow us on Instagram: @filmandbeyondpod Get episodes early and exclusive episodes with Patreon www.patreon.com/filmandbeyond YouTube www.youtube.com/@filmandbeyondpod

Not Today,,, Jenn and Eddie talk food poisoning and flying. Jenn fills us in on her New York trip. Eddie has never has a lay down seat on a plane. Colton's team ran into a brick wall in the second round of the playoffs. Art vs Content, Eddie is having an existential crisis. Plus, Florida Man Friday!

SEASON 2 - EPISODE 163 - Iris Prize LGTBQ+ Film Festival - with Lewis Bayley In this special episode of the Team Deakins Podcast, we speak with Lewis Bayley, Industry Coordinator for the Iris Prize LGBTQ+ Film Festival. Lewis invited us to speak with him about filmmaking earlier this year, and what you'll hear is that recorded conversation. We had the pleasure of discussing many topics with Lewis, such as the overall importance of film festivals and our longtime efforts giving back to younger generations of filmmakers. Additionally, we share a few work stories from our long careers, Roger gives a preview of what to expect in his upcoming memoir, Reflections, and James reveals the game she played with director Martin Scorsese while we were shooting KUNDUN in the Moroccan desert. The Iris Prize LGBTQ+ Film Festival is hosted annually in Cardiff, Wales with talks, panels, and screenings of shorts and features highlighting the myriad of experiences within the global LGBTQ+ community, and we were happy to be a small part of their 19th edition.  - This episode is sponsored by Aputure & Sandstorm

In this episode, Sean is joined by DJ Intel, a festival goer and co-owner of The Brewed Coffee Shop in Chicago. They explore DJ Intel's experiences at film festivals like Fantastic Fest, Panic Fest, Chicago International, and Music Box of Horrors, highlighting standout films such as 'The Forbidden City' and 'Obsession.' The conversation shifts to DJ Intel's 31 Days of Horror movie list, touching on classics and hidden gems. They also discuss the Halloween atmosphere at Brood Coffee Shop and share personal experiences and preferences for horror films and seasonal activities. 00:00 Introduction and Announcements 01:23 Special Guest: DJ Intel 03:14 Film Festivals and Favorite Movies 06:15 Fantastic Fest Highlights 10:56 Other Film Festivals and Experiences 23:42 31 Days of Horror Movie List 36:37 Discussing 'Trim Season' and Other Horror Films 37:31 Exploring 'Long Weekend' and 'April Fool's Day' 38:53 Praising 'Fallen' and Other Classic Horror Movies 41:45 Nostalgic Horror Films and TV Specials 45:23 Halloween Favorites and Traditions 59:11 Upcoming Horror Directors and Films 01:04:47 Halloween Events and Coffee Talk 01:09:54 Conclusion and Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Rebecca and John are joined by Joy Press to talk about the Venice, Telluride, and Toronto Film Festivals, where some movies soared (Hamnet) and other stumbled (After the Hunt). They also take a closer look at some of the most contested Emmys races ahead of Sunday's show. Learn about your ad choices: dovetail.prx.org/ad-choices