Podcasts about ithaca new york

Soy sauce. So many of us in North America grew up thinking it was one thing when in fact it's a big category of things. Yes, mostly related. But the array of soy sauces offers a big difference in flavors and even textures.Join us, Bruce Weinstein & Mark Scarbrough, veteran cookbook authors who have written three dozen cookbooks. This podcast is all about our passion: food and cooking. Thanks for joining us.Here are the segments for this episode of COOKING WITH BRUCE & MARK:[01:07] Our one-minute cooking tip: Store opened soy sauce in the fridge.[03:25] Japanese, Chinese, and Korean soy sauces: what types are there, what are their differences, and why should you have more than one in your pantry?[21:13] What's making us happy in food this week: pho and the Ithaca NY farmers' market.

In this episode of The Industrial Real Estate Show, I had the honor of interviewing Nick Huber about his new book and his entrepreneurial philosophy. We discuss why speed matters more than over-preparation early in a career, the danger of chasing status over real opportunity, and how decision-making and sales are critical muscles to build for long-term success. About Nick:Nick Huber is an entrepreneur and real estate investor who resides in Athens, Georgia with his wife and three children. He started his first business, Storage Squad in 2011 and grew it to 25 major college towns before he sold the business in 2021 for $1.7M. While running the service business, Nick built his first self storage facility in Ithaca NY from the ground up for $2.4M. That facility is worth over $10M+ today. After Storage Squad, Nick started a real estate private equity and self storage operations firm called Bolt Storage. With his business partner Dan Hagberg, Bolt Storage now owns 2M square feet of self storage across 68 locations in 11 states. There is no mark to market in real-estate but the portfolio is worth well over $100M dollars today. More recently, Nick acquired a controlling stake with a group of investors in Somewhere.com for $52 million dollars in May of 2024. Somewhere has helped over 3500 businesses hire more than 6000 remote workers for 80% less than US equivalents. The business has 200 employees located worldwide across 9 countries including the US, Latin America, South Africa, the Philippines and more. In total, Nick's businesses do more than $30 million in annual revenue and employ over 325 people. Alongside his portfolio of businesses, Nick is a content creator and has more than 780,000 followers across channels. Nick's content has received more than 2 billion views online across platforms in the last few years. Nick's companies / websites:www.sweatystartup.com www.nickhuber.com www.sweatystartupbook.com www.somewhere.com www.boltstorage.com www.recostseg.com www.adrhino.com www.spidexx.com www.boldseo.com www.webrun.com www.titanrisk.com www.recruitjet.com www.hubermethod.com Connect with Nick:www.x.com/sweatystartup www.instagram.com/sweatystartup www.linkedin.com/in/sweatystartup / sweatystartup www.tiktok.com/sweatystartup www.threads.net/@sweatystartup.com https://podcasts.apple.com/us/podcast... https://podcasts.apple.com/us/podcast... Link to buy the book on Amazon: https://amzn.to/4bLazjW Link to buy the book in the UK: https://bit.ly/422njPW --

In einer Zeit, in der der Kalte Krieg allmählich an Intensität gewinnt, sind sich die Entscheidungsträger in Washington lange nicht einig, ob man es dem kommunistischen China erlauben sollte, Taiwan zu erobern. Dass die Verbündeten der USA widerstreitende Ziele haben, macht die Entscheidung besonders schwer. Literaturtipp zur Folge: Iain D. Henry, Reliability and Alliance Interdependence. The United States and Its Allies in Asia, 1949–1969. Ithaca (New York) 2022. John Franklin Copper, Taiwan. Nation-State or Province? New York 2020. Nick Bunker, In the Shadow of Fear. America and the World in 1950. New York 2023.

Heat pumps warm and cool the facility, and its kitchen relies on induction ranges and electric fryers and ovens. Learn more at https://www.yaleclimateconnections.org/ 

Click HERE to Sign Up for my Free Live Training: 3 Crucial Pillars for a Profitable Farm When we start our farms, we often have this secret thought...   "Wouldn't it be great if we could support ourselves full-time on the farm and quit our day jobs?"   And then you get further into the business and realize how expensive it is. How hard the work is. How stressful it is. And you start to doubt.   Today you're in for a treat that'll curb your doubts and give you hope.   Brooke Palmer, a winter tulip farmer near Ithaca New York, is sharing her success story on the Profitable Mindset Podcast.   She joined my program two years ago, frazzled, teaching during the day and squeezing in farming every other moment of the day and night.   She didn't enjoy selling. She didn't even know how to sell - her process was stressful and time-consuming.   Once she joined Farm Marketing Mastery, she studied and implemented the three pillars I teach over the year. She raised her prices. She started selling efficiently and calmly.   She sold out. She re-joined for a second year. She continued getting my feedback and coaching, improving her selling and time management.   This year Brooke fulfilled her dream of quitting her high-school teaching job to farm full-time.   She learned the skills I teach so her farm could replace her income.   Please know that she's no different than you and I.    Brooke's here to share her journey so you can have hope and confidence that you can build a profitable farm, too.   Perhaps you want to quit your day job, retire your spouse, or just make enough to contribute financially to the household.   You can.    I interview my students regularly on the podcast, so you can know this is available to you, too.   Building a profitable farm is a learned skill.    Please, let that sink in. When you learn the skill of creating time, money and mind management, you will notice huge financial growth.   Farm Marketing Mastery is opening up soon.   If you're considering joining and have any hesitations or questions - let's meet on Zoom. This is not a sales call. This private meeting is so I can get to know you and your needs and see if the program is a good fit.    You can schedule that 25 min. 1-1 with me by clicking HERE.   I would LOVE to meet you!   Hugs,   Charlotte

We would LOVE to hear what you think. Please drop a line.This Episode Brick once again holds it down and talks to Anthony Kannon from Ithaca, NY. Who as he exclaims has been doing music from a very young age and it definitely shows. This artist has profound bars and an understanding on what to give to the hip hop audience. He has also been signed to a 12 track deal. Kudos to him for that. Check this interview out, so you can go and check his music. You won't be disappointed. Support the Show.

Dans ce nouvel épisode, Vincent Gabriel reçoit Duncan McCargo, professor of Global Affairs at Nanyang Technological Univeristy of Singapore et spécialiste de la Thaïlande. Ensemble, ils étudient les enjeux et résultats des élections thaïlandaises survenues l'an dernier. Commençant par brosser un portrait politique du pays, ils discutent ensuite plus précisément du cas du Move Forward Party.Avec Vincent GabrielInvité : Duncan McCargoVoix française & traduction : Simon OrellanaCe podcast fait partie du projet européen "The EU in the Volatile Indo-Pacific Region", dont l'objectif principal est de sensibiliser à l'importance stratégique, politique et économique de la région volatile de l'Indo-Pacifique pour l'Europe et pour une approche européenne de cette région fondée sur des valeurs : https://www.euvip-project.com/.Bibliographie:Interview au sujet Fighting for Virtue : https://www.youtube.com/watch?v=96hKeHE_ZVg&ab_channel=WeatherheadEastAsianInstitute.Interview sur le résultat des élections thaïlandaises : https://www.youtube.com/watch?v=fmiq99ODInk&ab_channel=CNA.McCargo, D., Fighting for Virtue: Justice and Politics in Thailand, Ithaca NY and London: Cornell University Press, 2019 (Studies of the Weatherhead East Asian Institute), 266pp.McCargo, D. & Chattharakul, A., Future Forward. The Rise and Fall of a Thai Political Party, NIAS Press, 2020, 250pp.Suivez le podcast ! Il est désormais sur X/Twitter : @20MPC_podcast  Générique : Léopold Corbion (15 Years of Reflection)Financé par l'Union européenne. Les points de vue et opinions exprimés sont toutefois ceux des auteurs et ne reflètent pas nécessairement ceux de l'Union européenne. Ni l'Union européenne ni l'autorité qui l'a financée ne peuvent en être tenues pour responsables.Ce projet a été financé par l'action de coordination et de soutien Horizon Europe de l'Union européenne 101079069 - EUVIP - HORIZON-WIDERA-2021-ACCESS-03.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"Meet Kurt Becker, a seasoned public health professional with a rich journey of dedication and impact. Originally from Ithaca, NY, Kurt earned dual degrees in broadcasting and developmental psychology from Tompkins Cortland Community College. After moving to Las Cruces, New Mexico, he finished courses at New Mexico State University and graduated from SUNY Cortland in 1994 with a bachelor of science in psychology.Kurt's commitment to community health began in Las Cruces, where he served as a Health Educator for Families and Youth. Notably, he initiated an LGBTQ+ youth group, 'The Next Rainbow Generation,' orchestrating remarkable initiatives such as raising funds to showcase the largest ever NAMES Project AIDS memorial quilt in southern New Mexico, spanning over 15,000 square feet. Kurt and his youth also pioneered 'Not Your Mom's Prom,' one of the area's first alternative proms. In 1999, Kurt's journey led him to Austin, Texas, where he assumed the role of the City's Coordinator for Ryan White funds, overseeing the distribution of over $4 million annually. In 2006, he became the immunization manager for the City of Austin and Travis County. He successfully secured a $12 million grant to provide easy and free access to vaccines for at-risk adults.In 2021 Kurt retired from the City of Austin and returned to his roots in Ithaca with his husband of 15 years, Jose. Nestled on 1.5 green acres, they share their home with their two dogs, Molly and Heidi." **Ithaca, New York Quick Facts:**- **Location:** - Located in the Finger Lakes region of New York, in the northeastern United States. - Approximately 225 miles northwest of New York City - **Geography:** - Surrounded by picturesque natural landscapes, including gorges, waterfalls, and Cayuga Lake. - Home to Cornell University and Ithaca College.- **Climate:** - Experiences a humid continental climate with cold winters and warm summers. - Average winter temperatures range from -1 to -8°C (30 to 18°F), while summer temperatures range from 14 to 27°C (57 to 80°F).- **Cost of Living:** - The cost of living is moderate, with housing costs being a significant factor. The average price of a single-family home varies but may range from $250,000 to $400,000, depending on the neighborhood and size.- **Arts and Culture:** - Vibrant arts scene with numerous galleries, theaters, and cultural events. - Hosts festivals, including the Ithaca Festival and the Finger Lakes International Film Festival.- **LGBTQ+ Community:** - Ithaca is known for its LGBTQ+ inclusivity and progressive values. - Supportive community with LGBTQ+ events and organizations.- **Healthcare:** - Access to healthcare through local hospitals and clinics. - Presence of medical facilities associated with Cornell University.- **Crime and Safety:** - Generally considered a safe city with a low crime rate.

"Meet Kurt Becker, a seasoned public health professional with a rich journey of dedication and impact. Originally from Ithaca, NY, Kurt earned dual degrees in broadcasting and developmental psychology from Tompkins Cortland Community College. After moving to Las Cruces, New Mexico, he finished courses at New Mexico State University and graduated from SUNY Cortland in 1994 with a bachelor of science in psychology.Kurt's commitment to community health began in Las Cruces, where he served as a Health Educator for Families and Youth. Notably, he initiated an LGBTQ+ youth group, 'The Next Rainbow Generation,' orchestrating remarkable initiatives such as raising funds to showcase the largest ever NAMES Project AIDS memorial quilt in southern New Mexico, spanning over 15,000 square feet. Kurt and his youth also pioneered 'Not Your Mom's Prom,' one of the area's first alternative proms. In 1999, Kurt's journey led him to Austin, Texas, where he assumed the role of the City's Coordinator for Ryan White funds, overseeing the distribution of over $4 million annually. In 2006, he became the immunization manager for the City of Austin and Travis County. He successfully secured a $12 million grant to provide easy and free access to vaccines for at-risk adults.In 2021 Kurt retired from the City of Austin and returned to his roots in Ithaca with his husband of 15 years, Jose. Nestled on 1.5 green acres, they share their home with their two dogs, Molly and Heidi." **Ithaca, New York Quick Facts:**- **Location:** - Located in the Finger Lakes region of New York, in the northeastern United States. - Approximately 225 miles northwest of New York City - **Geography:** - Surrounded by picturesque natural landscapes, including gorges, waterfalls, and Cayuga Lake. - Home to Cornell University and Ithaca College.- **Climate:** - Experiences a humid continental climate with cold winters and warm summers. - Average winter temperatures range from -1 to -8°C (30 to 18°F), while summer temperatures range from 14 to 27°C (57 to 80°F).- **Cost of Living:** - The cost of living is moderate, with housing costs being a significant factor. The average price of a single-family home varies but may range from $250,000 to $400,000, depending on the neighborhood and size.- **Arts and Culture:** - Vibrant arts scene with numerous galleries, theaters, and cultural events. - Hosts festivals, including the Ithaca Festival and the Finger Lakes International Film Festival.- **LGBTQ+ Community:** - Ithaca is known for its LGBTQ+ inclusivity and progressive values. - Supportive community with LGBTQ+ events and organizations.- **Healthcare:** - Access to healthcare through local hospitals and clinics. - Presence of medical facilities associated with Cornell University.- **Crime and Safety:** - Generally considered a safe city with a low crime rate.

Ellen Kamhi talks with Dr. Mary Balliett, a Doctor of Chiropractic and teacher of biochemistry and physiology at Northeast College of Health Sciences. She was the former Dean of Nutrition at that college, and previously taught chemistry, pharmacology and herb-drug interaction classes at the Finger Lakes School of Acupuncture and Oriental Medicine. Dr. Balliett is also a practicing chiropractor for the last 35 years and continues to treat chiropractic/nutrition patients in Ithaca NY. She is also the creator of Potential Power Nutrition as a supplement company that makes products that achieved measurable results that are easy for Doctors, Dietitians, Nutritionists, and other professionals within the Nutrition industry to recommend. www.potentialpowernutrition.com

Welcome to this special season of the Get Free podcast accompaniment to Dirge: Black and Indigenous Hemispheric Burial a Sound Sculpture, which is a multimedia project curated by your host Tao Leigh Goffe. In these five episodes you will hear from collaborators on themes of stolen land and stolen life in the Western Hemisphere. Ithaca: Dwagáhdęgyoh géh, who are you responsible to?André Nascimento (Romance Languages), Waylon Wilson (Performing and Media Arts), Marsha Taichman (Cornell Library)For more information visit:https://www.darklaboratory.com/dirge

“All of the gifts of the spirit are ours to use when faith meets need.” ~Andy ReeseIn this episode, our special guest, Andy Reese, teaches us how to understand what our spiritual gifts may be and how to live in the realm of God presence where these gifts can be used for his glory.Prepare for a powerful conversation.Guest BioAndy Reese is a thankful follower of God, husband, father of four, ex-military officer, engineer, writer, and serial idea entrepreneur. From Minnesota, he is a graduate of Cornell University in Ithaca NY (civil engineering), with master's degrees from Colorado State (water engineering), and Boston University (business). He is well known leader in rainwater management and sustainable design having co-authored a standard textbook in the field (Municipal Stormwater Management, Lewis Pub. 2nd ed.) and numerous papers, taught at Vanderbilt and Lipscomb Universities, given many keynote addresses, and worked in every state and several countries.In ministry, he has a long history as a church leader and minister in inner healing and freedom. He is the Co-author of a book (Freedom Tools, Chosen Books, 2nd ed.) and co-founder of a non-profit ministry (Freedom Prayer) that seeks to help bring greater freedom and spiritual vitality to believers. This book's simple, God-led and biblical approach is used in a fast-growing number of churches in about 20 countries and it has been published in several languages. He is also the author of The Spiritual Gifts Blueprint (Chosen Books, 2023) which focuses on moving beyond freedom to purpose. It has been tested in hundreds of situations and has been found effective in helping in connection with God, and moving into a fulfilling and purposeful life.Connected With Andy:Andy's | WebsiteAndy's | InstagramGrab Andy's  Book | Spiritual Gifts Blueprint HEREPodcast Mentions:Magi-The True Story of the Star of Bethlehem | WATCH NOWPre-Order Taking the 5 Leaps Book+Bonuses | LEARN MORERachel's BioRachel G. Scott is a devoted wife, mother, and Ohio native. She is also the author of the upcoming book, Taking the 5 Leaps, which releases March 2024. As founder of the I Can't Come Down Movement, speaker, and podcast host, she desires to inspire believers to walk in their purpose and assignment as they boldly take leaps of faith. Discover more at rachelgscott.comSpecial Announcement:Ladies ONLY: Join Women On The Wall Facebook Group | HEREStay Connected:Rachel's| WebsiteRachel's | YouVersionRachel's | Youtube***If you enjoyed this episode, do us a favor and kindly leave a review. This helps more people to see the podcast in their explorer feed.

Let us ask it in the form of a question…what is it about a good villain? Isn't it juicy sometimes to think about what sort of villain you'd be? And what do villains represent, what do they teach us?We're going to have a look at some stories, scope out our favourite characters and attributes. We hope you enjoy the show!Now some notes…firstly, our list* Yzma* Magneto* “Man” as portrayed in Fern Gully, Julie of the Wolves, Avatar, * Agent Smith* The Skeksi * Jafar* Ursula * Maleficent * The Nothing* Sauron* The Jana'ata- the Reshtar (from The Sparrow)* The White Witch and The Snow Queen* Boyd Crowder from Justified* Donald Whitfield from 1923Self reflection prompts:* What makes a good villain and how do they get made?* What do they represent? * What can they teach us?* What parts of them make them well rounded?* Talk about the difference between “real life” villains and story book ones* What are healthy ways we can resolve pain and shame outside of violence and retribution?The music we use for our podcast entitled “Whimsical Aliens”  was written and performed by Alejandro Bernard from Ithaca NY.  Subscribe and like his music tutorials on Youtube they are so charming. You can become a patron to his work tooOur podcast project is edited and produced by Bjorn. Rudo's first encounter with chat GPTchat GPT transcript: Rudo's prompt- Who are some good villains? Darth Vader (Star Wars) - A powerful Sith Lord with a tragic backstory.Lord Voldemort (Harry Potter series) - The dark wizard seeking power and immortality.The Joker (Batman) - An anarchic and unpredictable criminal mastermind.Sauron (The Lord of the Rings) - The dark lord seeking to conquer Middle-earth.Hannibal Lecter (The Silence of the Lambs) - A brilliant and cannibalistic serial killer.Iago (Othello by William Shakespeare) - The manipulative and scheming antagonist.Count Dracula (Dracula by Bram Stoker) - The classic vampire villain.Cruella de Vil (101 Dalmatians by Dodie Smith) - The infamous dog-napper with a penchant for fur.Wicked Witch of the West (The Wizard of Oz by L. Frank Baum) - The iconic antagonist in the magical land of Oz.Norman Bates (Psycho by Robert Bloch) - The disturbed hotel owner with a sinister secret.These characters have left a lasting impact on literature, film, and popular culture. Keep in mind that opinions on the "greatest" villains may vary, and there are many other memorable villains not included in this list.Pick the top villains from all the largest civilisations in history from all timeChatGPTSelecting the top villains from the largest civilizations in history is a complex task, as it involves considering different time periods, cultures, and perspectives. Additionally, what may be considered a villainous figure in one culture could be viewed differently in another. Nevertheless, here are some figures from various civilizations who are often considered significant antagonists:* Ancient Egypt: Set (Seth) - The god of chaos and storms in Egyptian mythology, often portrayed as a disruptive force.* Ancient Greece: Medea - The sorceress and wife of Jason who commits heinous acts, including killing her own children, in revenge.* Roman Empire: Nero - The Roman Emperor known for his tyrannical rule and alleged persecution of Christians.* Ancient China: Empress Wu Zetian - The only female emperor in Chinese history, known for her ruthless tactics and consolidating power.* Mesopotamia: King Hammurabi - While known for his code of laws, Hammurabi's methods of enforcing justice were often brutal and tyrannical.* Persian Empire: Xerxes I - The Persian king who led the invasion of Greece, depicted as a formidable adversary in Greek history.* Indian Civilization: Ravana - The antagonist in the Hindu epic Ramayana, a powerful demon king with ten heads.* Mongol Empire: Genghis Khan - While a great military leader, Genghis Khan is often viewed as a ruthless conqueror who caused widespread destruction.* Aztec Empire: Moctezuma II - The emperor during the Spanish conquest, whose actions and decisions are debated among historians.* Inca Empire: Atahualpa - The last emperor of the Inca Empire, captured and executed by the Spanish conquistadors.Certainly! Here are villains from folk tales representing each continent:* Africa: Anansi (Various African cultures) - Anansi the spider is a trickster figure in African folklore, known for his cunning and deceitful behavior.* Asia: Ravana (Hindu mythology, India) - The ten-headed demon king from the Ramayana, who kidnaps Sita and is defeated by Lord Rama.* Europe: The Big Bad Wolf (Various European cultures) - A common antagonist in European fairy tales, such as Little Red Riding Hood and The Three Little Pigs.* North America: Wendigo (Algonquian folklore, Native American) - A mythical creature or evil spirit associated with cannibalism and greed in Algonquian mythology.* South America: El Chupacabra (Latin American folklore) - A creature said to attack and drink the blood of livestock, often portrayed as a villain in Latin American folklore.* Australia: Bunyip (Aboriginal Australian folklore) - A mythical creature in Australian Aboriginal mythology, often associated with waterholes and depicted as a dangerous spirit.* Antarctica: N/A (No indigenous population) - Antarctica doesn't have indigenous human populations, so it lacks specific folk tales with villains.Remember that folk tales can vary widely within continents, and different regions may have their own unique stories and characters. Additionally, interpretations of these characters can differ across cultures and storytelling traditions.pick villains that are people from folk tales, from all continentsChatGPTCertainly! Here are villains from folk tales who are people from various continents:* Africa: Anansi's Son (Various African cultures) - Anansi's son is often portrayed as a mischievous and cunning character who creates trouble for others.* Asia: Lady White (Chinese folklore) - A malevolent spirit in Chinese folklore, Lady White is known for her supernatural powers and often appears as a beautiful woman who brings tragedy.* Europe: Bluebeard (French folklore) - Bluebeard is a wealthy and violent nobleman who murders his wives. His story is a cautionary tale about the dangers of curiosity.* North America: La Llorona (Mexican and Southwestern U.S. folklore) - Also known as the Weeping Woman, La Llorona is a ghostly woman who drowned her children and now wanders, crying, in search of them.* South America: El Silbón (Venezuelan folklore) - El Silbón is a malevolent spirit associated with whistling sounds. He is said to carry a bag of bones and torment those who hear his whistle.* Australia: Yowie (Australian Aboriginal folklore) - Yowies are mythical humanoid creatures in Australian Aboriginal folklore, often portrayed as menacing figures.* Antarctica: N/A (No indigenous population) - As mentioned earlier, Antarctica lacks specific folk tales due to the absence of indigenous human populations.Remember that folk tales can have various versions, and the characters may be interpreted differently in different regions and communities. Additionally, the nature of folk tales often involves moral lessons or warningsThere are many memorable villains from TV and movies, and opinions on the "best" can vary. Here's a diverse list of iconic villains known for their complexity, charisma, and impact on popular culture:TV Villains:* Hannibal Lecter (Hannibal) - A brilliant and cultured serial killer with a taste for human flesh.* Cersei Lannister (Game of Thrones) - A cunning and power-hungry queen with a complex character arc.* Walter White (Breaking Bad) - While initially a protagonist, Walter White transforms into a morally ambiguous character involved in the drug trade.* Sideshow Bob (The Simpsons) - An intelligent and vengeful character with a deep dislike for Bart Simpson.* The Joker (Batman: The Animated Series) - The animated version of the Joker is often praised for its voice acting and psychological depth.Movie Villains:* Darth Vader (Star Wars) - The iconic Sith Lord with a tragic backstory.* Hannibal Lecter (The Silence of the Lambs) - Also a movie villain, Lecter is portrayed by Anthony Hopkins in this classic psychological thriller.* The Joker (The Dark Knight) - Heath Ledger's portrayal of the Joker is widely acclaimed for its intensity and complexity.* Norman Bates (Psycho) - The disturbed hotel owner with a dark secret.* Lord Voldemort (Harry Potter series) - The dark wizard seeking to conquer the wizarding world.* Hans Gruber (Die Hard) - A sophisticated and intelligent terrorist mastermind.* Anton Chigurh (No Country for Old Men) - A cold and remorseless hitman with a twisted sense of morality.* Keyser Söze (The Usual Suspects) - A mysterious and elusive criminal mastermind.* Scar (The Lion King) - The treacherous uncle of Simba, known for his Shakespearean traits.* Agent Smith (The Matrix trilogy) - A relentless and powerful computer program with a disdain for humanity.These villains have left a lasting impact on the entertainment industry and continue to be celebrated for their performances and storytelling contributions.n Slavic, Celtic, Romani, and African folktales who are common villainsChatGPTFolktales from Slavic, Celtic, Romani, and African cultures feature a variety of villains and mythical beings. Keep in mind that folklore is rich and diverse, with many variations of stories. Here are some common types of villains or malevolent beings found in the folktales of these cultures:Slavic Folktales:* Baba Yaga - A supernatural, old witch-like character often depicted as living in a hut that stands on chicken legs. She is known for her capricious and unpredictable nature.* Koschei the Deathless - An evil, immortal figure often portrayed as a skeletal, death-like character. He hides his soul in a needle, which is hidden in an egg, which is in a duck, which is in a hare, and so on.* Domovoi - A household spirit in Slavic folklore, the Domovoi is generally protective, but if offended, it can become a malevolent force within the home.Celtic Folktales:* Púca - A shape-shifting creature in Celtic folklore known for its mischievous behavior. It can appear as a horse, goat, cat, or other animals.* Banshee - A female spirit in Irish folklore, the Banshee is often considered an omen of death and is associated with wailing or keening.* Fomorians - In Irish mythology, the Fomorians are a group of supernatural beings often depicted as hostile and monstrous.Romani Folktales:* Chajdaan - In Romani folklore, Chajdaan is a trickster figure, often depicted as a sly and cunning character.* Devel - A Romani term for the Devil, often appearing in Romani folktales as a deceptive and malevolent force.African Folktales:* Anansi the Spider (Akan folklore) - While Anansi is often a trickster figure, his actions can sometimes lead to negative consequences for others.* Mami Wata - A water spirit found in the folklore of various African cultures. Mami Wata can be benevolent or malevolent, often associated with water and enchanting beauty.* Eshu - A trickster and messenger deity in Yoruba mythology, Eshu is known for his mischievous and unpredictable nature.These are just a few examples, and the actual stories can vary significantly across regions and communities within each cultural group. Folktales often serve as a way to convey cultural values, morals, and lessons.End. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit themagichourdreamcast.substack.com

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens (Dutton, 2023) explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits. Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax. Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories. Raul Palma is a second generation Cuban American, born and raised in Miami. His short story collection In This World of Ultraviolet Light won the 2021 Don Belton prize. His writing has appeared in Alaska Quarterly Review, the Greensboro Review, Hayden Ferry Review and elsewhere. He teaches Fiction at Ithaca College, where he is the associate dean of faculty in the School of Humanities and Sciences. He has also taught at the Elmira Correctional Facility through Cornell University's prison education program. He lives with his wife and daughter in Ithaca New York. Recommended Books: Alejandro Nodarse, Blood in the Cut Claire Jimenez, What Ever Happened to Ruthie Ramirez  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens (Dutton, 2023) explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits. Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax. Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories. Raul Palma is a second generation Cuban American, born and raised in Miami. His short story collection In This World of Ultraviolet Light won the 2021 Don Belton prize. His writing has appeared in Alaska Quarterly Review, the Greensboro Review, Hayden Ferry Review and elsewhere. He teaches Fiction at Ithaca College, where he is the associate dean of faculty in the School of Humanities and Sciences. He has also taught at the Elmira Correctional Facility through Cornell University's prison education program. He lives with his wife and daughter in Ithaca New York. Recommended Books: Alejandro Nodarse, Blood in the Cut Claire Jimenez, What Ever Happened to Ruthie Ramirez Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens (Dutton, 2023) explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits. Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax. Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories. Raul Palma is a second generation Cuban American, born and raised in Miami. His short story collection In This World of Ultraviolet Light won the 2021 Don Belton prize. His writing has appeared in Alaska Quarterly Review, the Greensboro Review, Hayden Ferry Review and elsewhere. He teaches Fiction at Ithaca College, where he is the associate dean of faculty in the School of Humanities and Sciences. He has also taught at the Elmira Correctional Facility through Cornell University's prison education program. He lives with his wife and daughter in Ithaca New York. Recommended Books: Alejandro Nodarse, Blood in the Cut Claire Jimenez, What Ever Happened to Ruthie Ramirez Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A genre-bending debut with a fiercely political heart, A Haunting in Hialeah Gardens (Dutton, 2023) explores the weight of the devil's bargain, following the lengths one man will go to for the promise of freedom. Hugo Contreras's world in Miami has shrunk. Since his wife died, Hugo's debt from her medical bills has become insurmountable. He shuffles between his efficiency apartment, La Carreta (his favorite place for a cafecito), and a botanica in a strip mall where he works as the resident babaláwo. One day, Hugo's nemesis calls. Alexi Ramirez is a debt collector who has been hounding Hugo for years, and Hugo assumes this call is just more of the same. Except this time Alexi is calling because he needs spiritual help. His house is haunted. Alexi proposes a deal: If Hugo can successfully cleanse his home before Noche Buena, Alexi will forgive Hugo's debt. Hugo reluctantly accepts, but there's one issue: Despite being a babaláwo, he doesn't believe in spirits. Hugo plans to do what he's done with dozens of clients before: use sleight of hand and amateur psychology to convince Alexi the spirits have departed. But when the job turns out to be more than Hugo bargained for, Hugo's old tricks don't work. Memories of his past--his childhood in the Bolivian silver mines and a fraught crossing into the United States as a boy--collide with Alexi's demons in an explosive climax. Equal parts hilarious and heartbreaking, A Haunting in Hialeah Gardens explores questions of visibility, migration, and what we owe--to ourselves, our families, and our histories. Raul Palma is a second generation Cuban American, born and raised in Miami. His short story collection In This World of Ultraviolet Light won the 2021 Don Belton prize. His writing has appeared in Alaska Quarterly Review, the Greensboro Review, Hayden Ferry Review and elsewhere. He teaches Fiction at Ithaca College, where he is the associate dean of faculty in the School of Humanities and Sciences. He has also taught at the Elmira Correctional Facility through Cornell University's prison education program. He lives with his wife and daughter in Ithaca New York. Recommended Books: Alejandro Nodarse, Blood in the Cut Claire Jimenez, What Ever Happened to Ruthie Ramirez Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

From Cornell University in Ithaca New York, Vincent and Cindy meet with Ellen Rothenberg to review her career in science, starting with work on retroviruses to unraveling transcriptional networks underlying T-cell development and signaling. Hosts: Vincent Racaniello and Cynthia Leifer Guest: Ellen Rothenberg Click arrow to play Download Immune 72 (53 MB .mp3, 73 min) Subscribe (free): Apple Podcasts, Google Podcasts. RSS, email Become a patron of Immune! Links for this episode MicrobeTV Discord Server Synthesis of infectious DNA of murine leukaemia virus (Nature) Runx factors launch T cell and innate lymphoid programs (Nat Immunol) Time stamps by Jolene. Thanks! Music by Steve Neal. Immune logo image by Blausen Medical Send your immunology questions and comments to immune@microbe.tv

My guest today is Bill McQuay, who's an  independent audio producer, NPR contributor, National Geographic Explorer and founder of Eco Location Sound. Before starting Eco Location Sound, Bill was Supervising Audio Engineer for the Library of Natural Sound at the Cornell Lab of Ornithology and an audio producer for the Lab's Multi-media group. Prior to joining the Lab of Ornithology, Bill was an NPR sound engineer and technical director for NPR programs including: Morning Edition, Weekend Saturday and Sunday, Performance Today and NPR's Radio Expeditions. Radio Expeditions is where he began his long time collaboration with NPR science correspondent Christopher Joyce, a creative relationship that continues today. Bill led NPR's early surround-sound recording effort and was its first technical director. He was also the mastering engineer for NPR Classics CD's. He has also worked on many other 360 degree interactive projects. Along the way Bill has won the National Academy of Sciences award for the years best science reporting, a Grammy for the NPR recording of the Benjamin Britten War Requiem, The Alfred I Dupont-Columbia University Journalism award, and Individual Artist Award from the Maryland State Arts Council. During the interview we spoke about telling stories with sound, going around the world to capture audio, helping scientists use sound to understand the world, his setup for recording spatial audio, how sound is determining if insects are disappearing or not, and much more. I spoke with Bill via Zoom from his office in Ithaca New York. On the intro I'll take a look at BMI being acquired by a private equity fund, and a look at the glut of new musical instruments and audio gear on market today. var podscribeEmbedVars = { epId: 87324464, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

We continue our miniseries on the 1980s movies distributed by Miramax Films, with a look at the films released in 1988. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we finally continue with the next part of our look back at the 1980s movies distributed by Miramax Films, specifically looking at 1988.   But before we get there, I must issue another mea culpa. In our episode on the 1987 movies from Miramax, I mentioned that a Kiefer Sutherland movie called Crazy Moon never played in another theatre after its disastrous one week Oscar qualifying run in Los Angeles in December 1987.   I was wrong.   While doing research on this episode, I found one New York City playdate for the film, in early February 1988. It grossed a very dismal $3200 at the 545 seat Festival Theatre during its first weekend, and would be gone after seven days.   Sorry for the misinformation.   1988 would be a watershed year for the company, as one of the movies they acquired for distribution would change the course of documentary filmmaking as we knew it, and another would give a much beloved actor his first Academy Award nomination while giving the company its first Oscar win.   But before we get to those two movies, there's a whole bunch of others to talk about first.   Of the twelve movies Miramax would release in 1988, only four were from America. The rest would be a from a mixture of mostly Anglo-Saxon countries like the UK, Canada, France and Sweden, although there would be one Spanish film in there.   Their first release of the new year, Le Grand Chemin, told the story of a timid nine-year-old boy from Paris who spends one summer vacation in a small town in Brittany. His mother has lodged the boy with her friend and her friend's husband while Mom has another baby. The boy makes friends with a slightly older girl next door, and learns about life from her.   Richard Bohringer, who plays the friend's husband, and Anémone, who plays the pregnant mother, both won Cesars, the French equivalent to the Oscars, in their respective lead categories, and the film would be nominated for Best Foreign Language Film of 1987 by the National Board of Review. Miramax, who had picked up the film at Cannes several months earlier, waited until January 22nd, 1988, to release it in America, first at the Paris Theatre in midtown Manhattan, where it would gross a very impressive $41k in its first three days. In its second week, it would drop less than 25% of its opening weekend audience, bringing in another $31k. But shortly after that, the expected Oscar nomination for Best Foreign Language Film did not come, and business on the film slowed to a trickle. But it kept chugging on, and by the time the film finished its run in early June, it had grossed $541k.   A week later, on January 29th, Miramax would open another French film, Light Years. An animated science fiction film written and directed by René Laloux, best known for directing the 1973 animated head trip film Fantastic Planet, Light Years was the story of an evil force from a thousand years in the future who begins to destroy an idyllic paradise where the citizens are in perfect harmony with nature.   In its first three days at two screens in Los Angeles and five screens in the San Francisco Bay Area, Light Years would gross a decent $48,665. Miramax would print a self-congratulating ad in that week's Variety touting the film's success, and thanking Isaac Asimov, who helped to write the English translation, and many of the actors who lent their vocal talents to the new dub, including Glenn Close, Bridget Fonda, Jennifer Grey, Christopher Plummer, and Penn and Teller. Yes, Teller speaks. The ad was a message to both the theatre operators and the major players in the industry. Miramax was here. Get used to it.   But that ad may have been a bit premature.   While the film would do well in major markets during its initial week in theatres, audience interest would drop outside of its opening week in big cities, and be practically non-existent in college towns and other smaller cities. Its final box office total would be just over $370k.   March 18th saw the release of a truly unique film.    Imagine a film directed by Robert Altman and Bruce Beresford and Jean-Luc Godard and Derek Jarman and Franc Roddam and Nicolas Roeg and Ken Russell and Charles Sturridge and Julien Temple. Imagine a film that starred Beverly D'Angelo, Bridget Fonda in her first movie, Julie Hagerty, Buck Henry, Elizabeth Hurley and John Hurt and Theresa Russell and Tilda Swinton. Imagine a film that brought together ten of the most eclectic filmmakers in the world doing four to fourteen minute short films featuring the arias of some of the most famous and beloved operas ever written, often taken out of their original context and placed into strange new places. Like, for example, the aria for Verdi's Rigoletto set at the kitschy Madonna Inn in San Luis Obispo, where a movie producer is cheating on his wife while she is in a nearby room with a hunky man who is not her husband. Imagine that there's almost no dialogue in the film. Just the arias to set the moments.   That is Aria.   If you are unfamiliar with opera in general, and these arias specifically, that's not a problem. When I saw the film at the Nickelodeon Theatre in Santa Cruz in June 1988, I knew some Wagner, some Puccini, and some Verdi, through other movies that used the music as punctuation for a scene. I think the first time I had heard Nessun Dorma was in The Killing Fields. Vesti La Giubba in The Untouchables. But this would be the first time I would hear these arias as they were meant to be performed, even if they were out of context within their original stories. Certainly, Wagner didn't intend the aria from Tristan und Isolde to be used to highlight a suicide pact between a young couple killing themselves in a Las Vegas hotel bathroom.   Aria definitely split critics when it premiered at the 1987 Cannes Film Festival, when it competed for the festival's main prize, the Palme D'Or. Roger Ebert would call it the first MTV opera and felt the filmmakers were poking fun at their own styles, while Leonard Maltin felt most of the endeavor was a waste of time. In the review for the New York Times, Janet Maslin would also make a reference to MTV but not in a positive way, and would note the two best parts of the film were the photo montage that is seen over the end credits, and the clever licensing of Chuck Jones's classic Bugs Bunny cartoon What's Opera, Doc, to play with the film, at least during its New York run. In the Los Angeles Times, the newspaper chose one of its music critics to review the film. They too would compare the film to MTV, but also to Fantasia, neither reference meant to be positive.   It's easy to see what might have attracted Harvey Weinstein to acquire the film.   Nudity.   And lots of it.   Including from a 21 year old Hurley, and a 22 year old Fonda.   Open at the 420 seat Ridgemont Theatre in Seattle on March 18th, 1988, Aria would gross a respectable $10,600. It would be the second highest grossing theatre in the city, only behind The Unbearable Lightness of Being, which grossed $16,600 in its fifth week at the 850 seat Cinerama Theatre, which was and still is the single best theatre in Seattle. It would continue to do well in Seattle, but it would not open until April 15th in Los Angeles and May 20th in New York City.   But despite some decent notices and the presence of some big name directors, Aria would stiff at the box office, grossing just $1.03m after seven months in theatres.   As we discussed on our previous episode, there was a Dennis Hopper movie called Riders on the Storm that supposedly opened in November 1987, but didn't. It did open in theatres in May of 1988, and now we're here to talk about it.   Riders on the Storm would open in eleven theatres in the New York City area on May 7th, including three theatres in Manhattan. Since Miramax did not screen the film for critics before release, never a good sign, the first reviews wouldn't show up until the following day, since the critics would actually have to go see the film with a regular audience. Vincent Canby's review for the New York Times would arrive first, and surprisingly, he didn't completely hate the film. But audiences didn't care. In its first weekend in New York City, Riders on the Storm would gross an anemic $25k. The following Friday, Miramax would open the film at two theatres in Baltimore, four theatres in Fort Worth TX (but surprisingly none in Dallas), one theatre in Los Angeles and one theatre in Springfield OH, while continuing on only one screen in New York. No reported grosses from Fort Worth, LA or Springfield, but the New York theatre reported ticket sales of $3k for the weekend, a 57% drop from its previous week, while the two in Baltimore combined for $5k.   There would be more single playdates for a few months. Tampa the same week as New York. Atlanta, Charlotte, Des Moines and Memphis in late May. Cincinnati in late June. Boston, Calgary, Ottawa and Philadelphia in early July. Greenville SC in late August. Evansville IL, Ithaca NY and San Francisco in early September. Chicago in late September. It just kept popping up in random places for months, always a one week playdate before heading off to the next location. And in all that time, Miramax never reported grosses. What little numbers we do have is from the theatres that Variety was tracking, and those numbers totaled up to less than $30k.   Another mostly lost and forgotten Miramax release from 1988 is Caribe, a Canadian production that shot in Belize about an amateur illegal arms trader to Central American terrorists who must go on the run after a deal goes down bad, because who wants to see a Canadian movie about an amateur illegal arms trader to Canadian terrorists who must go on the run in the Canadian tundra after a deal goes down bad?   Kara Glover would play Helen, the arms dealer, and John Savage as Jeff, a British intelligence agent who helps Helen.   Caribe would first open in Detroit on May 20th, 1988. Can you guess what I'm going to say next?   Yep.   No reported grosses, no theatres playing the film tracked by Variety.   The following week, Caribe opens in the San Francisco Bay Area, at the 300 seat United Artists Theatre in San Francisco, and three theatres in the South Bay. While Miramax once again did not report grosses, the combined gross for the four theatres, according to Variety, was a weak $3,700. Compare that to Aria, which was playing at the Opera Plaza Cinemas in its third week in San Francisco, in an auditorium 40% smaller than the United Artist, grossing $5,300 on its own.   On June 3rd, Caribe would open at the AMC Fountain Square 14 in Nashville. One show only on Friday and Saturday at 11:45pm. Miramax did not report grosses. Probably because people we going to see Willie Tyler and Lester at Zanie's down the street.   And again, it kept cycling around the country, one or two new playdates in each city it played in. Philadelphia in mid-June. Indianapolis in mid-July. Jersey City in late August. Always for one week, grosses never reported.   Miramax's first Swedish release of the year was called Mio, but this was truly an international production. The $4m film was co-produced by Swedish, Norwegian and Russian production companies, directed by a Russian, adapted from a Swedish book by an American screenwriter, scored by one of the members of ABBA, and starring actors from England, Finland, Norway, Russia, Sweden and the United States.   Mio tells the story of a boy from Stockholm who travels to an otherworldly fantasy realm and frees the land from an evil knight's oppression. What makes this movie memorable today is that Mio's best friend is played by none other than Christian Bale, in his very first film.   The movie was shot in Moscow, Stockholm, the Crimea, Scotland, and outside Pripyat in the Northern part of what is now Ukraine, between March and July 1986. In fact, the cast and crew were shooting outside Pripyat on April 26th, when they got the call they needed to evacuate the area. It would be hours later when they would discover there had been a reactor core meltdown at the nearby Chernobyl Nuclear Power Plant. They would have to scramble to shoot in other locations away from Ukraine for a month, and when they were finally allowed to return, the area they were shooting in deemed to have not been adversely affected by the worst nuclear power plant accident in human history,, Geiger counters would be placed all over the sets, and every meal served by craft services would need to be read to make sure it wasn't contaminated.   After premiering at the Moscow Film Festival in July 1987 and the Norwegian Film Festival in August, Mio would open in Sweden on October 16th, 1987. The local critics would tear the film apart. They hated that the filmmakers had Anglicized the movie with British actors like Christopher Lee, Susannah York, Christian Bale and Nicholas Pickard, an eleven year old boy also making his film debut. They also hated how the filmmakers adapted the novel by the legendary Astrid Lindgren, whose Pippi Longstocking novels made her and her works world famous. Overall, they hated pretty much everything about it outside of Christopher Lee's performance and the production's design in the fantasy world.   Miramax most likely picked it up trying to emulate the success of The Neverending Story, which had opened to great success in most of the world in 1984. So it might seem kinda odd that when they would open the now titled The Land of Faraway in theatres, they wouldn't go wide but instead open it on one screen in Atlanta GA on June 10th, 1988. And, once again, Miramax did not report grosses, and Variety did not track Atlanta theatres that week. Two weeks later, they would open the film in Miami. How many theatres? Can't tell you. Miramax did not report grosses, and Variety was not tracking any of the theatres in Miami playing the film. But hey, Bull Durham did pretty good in Miami that week.   The film would next open in theatres in Los Angeles. This time, Miramax bought a quarter page ad in the Los Angeles Times on opening day to let people know the film existed. So we know it was playing on 18 screens that weekend. And, once again, Miramax did not report grosses for the film. But on the two screens it played on that Variety was tracking, the combined gross was just $2,500.   There'd be other playdates. Kansas City and Minneapolis in mid-September. Vancouver, BC in early October. Palm Beach FL in mid October. Calgary AB and Fort Lauderdale in late October. Phoenix in mid November. And never once did Miramax report any grosses for it.   One week after Mio, Miramax would release a comedy called Going Undercover.   Now, if you listened to our March 2021 episode on Some Kind of Wonderful, you may remember be mentioning Lea Thompson taking the role of Amanda Jones in that film, a role she had turned down twice before, the week after Howard the Duck opened, because she was afraid she'd never get cast in a movie again. And while Some Kind of Wonderful wasn't as big a film as you'd expect from a John Hughes production, Thompson did indeed continue to work, and is still working to this day.   So if you were looking at a newspaper ad in several cities in June 1988 and saw her latest movie and wonder why she went back to making weird little movies.   She hadn't.   This was a movie she had made just before Back to the Future, in August and September 1984.   Originally titled Yellow Pages, the film starred film legend Jean Simmons as Maxine, a rich woman who has hired Chris Lemmon's private investigator Henry Brilliant to protect her stepdaughter Marigold during her trip to Copenhagen.   The director, James Clarke, had written the script specifically for Lemmon, tailoring his role to mimic various roles played by his famous father, Jack Lemmon, over the decades, and for Simmons. But Thompson was just one of a number of young actresses they looked at before making their casting choice.   Half of the $6m budget would come from a first-time British film producer, while the other half from a group of Danish investors wanting to lure more Hollywood productions to their area.   The shoot would be plagued by a number of problems. The shoot in Los Angeles coincided with the final days of the 1984 Summer Olympics, which would cut out using some of the best and most regularly used locations in the city, and a long-lasting heat wave that would make outdoor shoots unbearable for cast and crew. When they arrived in Copenhagen at the end of August, Denmark was going through an unusually heavy storm front that hung around for weeks.   Clarke would spend several months editing the film, longer than usual for a smaller production like this, but he in part was waiting to see how Back to the Future would do at the box office. If the film was a hit, and his leading actress was a major part of that, it could make it easier to sell his film to a distributor.   Or that was line of thinking.   Of course, Back to the Future was a hit, and Thompson received much praise for her comedic work on the film.   But that didn't make it any easier to sell his film.   The producer would set the first screenings for the film at the February 1986 American Film Market in Santa Monica, which caters not only to foreign distributors looking to acquire American movies for their markets, but helps independent filmmakers get their movies seen by American distributors.   As these screenings were for buyers by invitation only, there would be no reviews from the screenings, but one could guess that no one would hear about the film again until Miramax bought the American distribution rights to it in March 1988 tells us that maybe those screenings didn't go so well.   The film would get retitled Going Undercover, and would open in single screen playdates in Atlanta, Cincinnati, Dallas, Indianapolis, Los Angeles, Nashville, Orlando, St. Louis and Tampa on June 17th. And as I've said too many times already, no reported grosses from Miramax, and only one theatre playing the film was being tracked by Variety, with Going Undercover earning $3,000 during its one week at the Century City 14 in Los Angeles.   In the June 22nd, 1988 issue of Variety, there was an article about Miramax securing a $25m line of credit in order to start producing their own films. Going Undercover is mentioned in the article about being one of Miramax's releases, without noting it had just been released that week or how well it did or did not do.   The Thin Blue Line would be Miramax's first non-music based documentary, and one that would truly change how documentaries were made.   Errol Morris had already made two bizarre but entertaining documentaries in the late 70s and early 80s. Gates of Heaven was shot in 1977, about a man who operated a failing pet cemetery in Northern California's Napa Valley. When Morris told his famous German filmmaking supporter Werner Herzog about the film, Herzog vowed to eat one of the shoes he was wearing that day if Morris could actually complete the film and have it shown in a public theatre. In April 1979, just before the documentary had its world premiere at UC Theatre in Berkeley, where Morris had studied philosophy, Herzog would spend the morning at Chez Pannise, the creators of the California Cuisine cooking style, boiling his shoes for five hours in garlic, herbs and stock. This event itself would be commemorated in a documentary short called, naturally, Werner Herzog Eats His Shoe, by Les Blank, which is a must watch on its own.   Because of the success of Gates of Heaven, Morris was able to quickly find financing for his next film, Nub City, which was originally supposed to be about the number of Vernon, Florida's citizens who have “accidentally” cut off their limbs, in order to collect the insurance money. But after several of those citizens threatened to kill Morris, and one of them tried to run down his cinematographer with their truck, Morris would rework the documentary, dropping the limb angle, no pun intended, and focus on the numerous eccentric people in the town. It would premiere at the 1981 New York Film Festival, and become a hit, for a documentary, when it was released in theatres in 1982.   But it would take Morris another six years after completing Vernon, Florida, to make another film. Part of it was having trouble lining up full funding to work on his next proposed movie, about James Grigson, a Texas forensic psychiatrist whose was nicknamed Doctor Death for being an expert witness for the prosecution in death penalty cases in Texas. Morris had gotten seed money for the documentary from PBS and the Endowment for Public Arts, but there was little else coming in while he worked on the film. In fact, Morris would get a PI license in New York and work cases for two years, using every penny he earned that wasn't going towards living expenses to keep the film afloat.   One of Morris's major problems for the film was that Grigson would not sit on camera for an interview, but would meet with Morris face to face to talk about the cases. During that meeting, the good doctor suggested to the filmmaker that he should research the killers he helped put away. And during that research, Morris would come across the case of one Randall Dale Adams, who was convicted of killing Dallas police officer Robert Wood in 1976, even though another man, David Harris, was the police's initial suspect. For two years, Morris would fly back and forth between New York City and Texas, talking to and filming interviews with Adams and more than two hundred other people connected to the shooting and the trial. Morris had become convinced Adams was indeed innocent, and dropped the idea about Dr. Grigson to solely focus on the Robert Wood murder.   After showing the producers of PBS's American Playhouse some of the footage he had put together of the new direction of the film, they kicked in more funds so that Morris could shoot some re-enactment sequences outside New York City, as well as commission composer Phillip Glass to create a score for the film once it was completed. Documentaries at that time did not regularly use re-enactments, but Morris felt it was important to show how different personal accounts of the same moment can be misinterpreted or misremembered or outright manipulated to suppress the truth.   After the film completed its post-production in March 1988, The Thin Blue Line would have its world premiere at the San Francisco Film Festival on March 18th, and word quickly spread Morris had something truly unique and special on his hands. The critic for Variety would note in the very first paragraph of his write up that the film employed “strikingly original formal devices to pull together diverse interviews, film clips, photo collages, and” and this is where it broke ground, “recreations of the crime from many points of view.”   Miramax would put together a full court press in order to get the rights to the film, which was announced during the opening days of the 1988 Cannes Film Festival in early May. An early hint on how the company was going to sell the film was by calling it a “non-fiction feature” instead of a documentary.   Miramax would send Morris out on a cross-country press tour in the weeks leading up to the film's August 26th opening date, but Morris, like many documentary filmmakers, was not used to being in the spotlight themselves, and was not as articulate about talking up his movies as the more seasoned directors and actors who've been on the promotion circuit for a while. After one interview, Harvey Weinstein would send Errol Morris a note.   “Heard your NPR interview and you were boring.”   Harvey would offer up several suggestions to help the filmmaker, including hyping the movie up as a real life mystery thriller rather than a documentary, and using shorter and clearer sentences when answering a question.   It was a clear gamble to release The Thin Blue Line in the final week of summer, and the film would need a lot of good will to stand out.   And it would get it.   The New York Times was so enthralled with the film, it would not only run a review from Janet Maslin, who would heap great praise on the film, but would also run a lengthy interview with Errol Morris right next to the review. The quarter page ad in the New York Times, several pages back, would tout positive quotes from Roger Ebert, J. Hoberman, who had left The Village Voice for the then-new Premiere Magazine, Peter Travers, writing for People Magazine instead of Rolling Stone, and critics from the San Francisco Chronicle and, interestingly enough, the Dallas Morning News. The top of the ad was tagged with an intriguing tease: solving this mystery is going to be murder, with a second tag line underneath the key art and title, which called the film “a new kind of movie mystery.” Of the 15 New York area-based film critics for local newspapers, television and national magazines, 14 of them gave favorable reviews, while 1, Stephen Schiff of Vanity Fair, was ambivalent about it. Not one critic gave it a bad review.   New York audiences were hooked.   Opening in the 240 seat main house at the Lincoln Plaza Cinemas, the movie grossed $30,945 its first three days. In its second weekend, the gross at the Lincoln Plaza would jump to $31k, and adding another $27,500 from its two theatre opening in Los Angeles and $15,800 from a single DC theatre that week. Third week in New York was a still good $21k, but the second week in Los Angeles fell to $10,500 and DC to $10k. And that's how it rolled out for several months, mostly single screen bookings in major cities not called Los Angeles or New York City, racking up some of the best reviews Miramax would receive to date, but never breaking out much outside the major cities. When it looked like Santa Cruz wasn't going to play the film, I drove to San Francisco to see it, just as my friends and I had for the opening day of Martin Scorsese's The Last Temptation of Christ in mid-August. That's 75 miles each way, plus parking in San Francisco, just to see a movie. That's when you know you no longer just like movies but have developed a serious case of cinephilea. So when The Nickelodeon did open the film in late November, I did something I had never done with any documentary before.   I went and saw it again.   Second time around, I was still pissed off at the outrageous injustice heaped upon Randall Dale Adams for nothing more than being with and trusting the wrong person at the wrong time. But, thankfully, things would turn around for Adams in the coming weeks. On December 1st, it was reported that David Harris had recanted his testimony at Adams' trial, admitting he was alone when Officer Wood stopped his car. And on March 1st, 1989, after more than 15,000 people had signed the film's petition to revisit the decision, the Texas Court of Criminal Appeals overturned Adams's conviction “based largely” on facts presented in the film.   The film would also find itself in several more controversies.   Despite being named The Best Documentary of the Year by a number of critics groups, the Documentary Branch of the  Academy of Motion Pictures Arts and Sciences would not nominate the film, due in large part to the numerous reenactments presented throughout the film. Filmmaker Michael Apted, a member of the Directors Branch of the Academy, noted that the failure to acknowledge The Thin Blue Line was “one of the most outrageous things in the modern history of the Academy,” while Roger Ebert added the slight was “the worst non-nomination of the year.” Despite the lack of a nomination, Errol Morris would attend the Oscars ceremony in March 1989, as a protest for his film being snubbed.   Morris would also, several months after Adams' release, find himself being sued by Adams, but not because of how he was portrayed in the film. During the making of the film, Morris had Adams sign a contract giving Morris the exclusive right to tell Adams's story, and Adams wanted, essentially, the right to tell his own story now that he was a free man. Morris and Adams would settle out of court, and Adams would regain his life rights.   Once the movie was played out in theatres, it had grossed $1.2m, which on the surface sounds like not a whole lot of money. Adjusted for inflation, that would only be $3.08m. But even unadjusted for inflation, it's still one of the 100 highest grossing documentaries of the past forty years. And it is one of just a handful of documentaries to become a part of the National Film Registry, for being a culturally, historically or aesthetically significant film.”   Adams would live a quiet life after his release, working as an anti-death penalty advocate and marrying the sister of one of the death row inmates he was helping to exonerate. He would pass away from a brain tumor in October 2010 at a courthouse in Ohio not half an hour from where he was born and still lived, but he would so disappear from the spotlight after the movie was released that his passing wasn't even reported until June 2011.   Errol Morris would become one of the most celebrated documentarians of his generation, finally getting nominated for, and winning, an Oscar in 2003, for The Fog of War, about the life and times of Robert McNamara, Richard Nixon's Secretary of Defense during the Vietnam War era. The Fog of War would also be added to the National Film Registry in 2019. Morris would become only the third documentarian, after D.A. Pennebaker and Les Blank, to have two films on the Registry.   In 1973, the senseless killings of five members of the Alday family in Donalsonville GA made international headlines. Four years later, Canadian documentarian Tex Fuller made an award-winning documentary about the case, called Murder One. For years, Fuller shopped around a screenplay telling the same story, but it would take nearly a decade for it to finally be sold, in part because Fuller was insistent that he also be the director. A small Canadian production company would fund the $1m CAD production, which would star Henry Thomas of E.T. fame as the fifteen year old narrator of the story, Billy Isaacs.   The shoot began in early October 1987 outside Toronto, but after a week of shooting, Fuller was fired, and was replaced by Graeme Campbell, a young and energetic filmmaker for whom Murder One would be his fourth movie directing gig of the year. Details are sketchy as to why Fuller was fired, but Thomas and his mother Carolyn would voice concerns with the producers about the new direction the film was taking under its new director.   The film would premiere in Canada in May 1988. When the film did well up North, Miramax took notice and purchased the American distribution rights.   Murder One would first open in America on two screens in Los Angeles on September 9th, 1988. Michael Wilmington of the Los Angeles Times noted that while the film itself wasn't very good, that it still sprung from the disturbing insight about the crazy reasons people cross of what should be impassable moral lines.   “No movie studio could have invented it!,” screamed the tagline on the poster and newspaper key art. “No writer could have imagined it! Because what happened that night became the most controversial in American history.”   That would draw limited interest from filmgoers in Tinseltown. The two theatres would gross a combined $7k in its first three days. Not great but far better than several other recent Miramax releases in the area.   Two weeks later, on September 23rd, Miramax would book Murder One into 20 theatres in the New York City metro region, as well as in Akron, Atlanta, Charlotte, Indianpolis, Nashville, and Tampa-St. Petersburg. In New York, the film would actually get some good reviews from the Times and the Post as well as Peter Travers of People Magazine, but once again, Miramax would not report grosses for the film. Variety would note the combined gross for the film in New York City was only $25k.   In early October, the film would fall out of Variety's internal list of the 50 Top Grossing Films within the twenty markets they regularly tracked, with a final gross of just $87k. One market that Miramax deliberately did not book the film was anywhere near southwest Georgia, where the murders took place. The closest theatre that did play the film was more than 200 miles away.   Miramax would finish 1988 with two releases.   The first was Dakota, which would mark star Lou Diamond Phillips first time as a producer. He would star as a troubled teenager who takes a job on a Texas horse ranch to help pay of his debts, who becomes a sorta big brother to the ranch owner's young son, who has recently lost a leg to cancer, as he also falls for the rancher's daughter.   When the $1.1m budgeted film began production in Texas in June 1987, Phillips had already made La Bamba and Stand and Deliver, but neither had yet to be released into theatres. By the time filming ended five weeks later, La Bamba had just opened, and Phillips was on his way to becoming a star.   The main producers wanted director Fred Holmes to get the film through post-production as quickly as possible, to get it into theatres in the early part of 1988 to capitalize on the newfound success of their young star.    But that wouldn't happen.   Holmes wouldn't have the film ready until the end of February 1988, which was deemed acceptable because of the impending release of Stand and Deliver. In fact, the producers would schedule their first distributor screening of the film on March 14th, the Monday after Stand and Delivered opened, in the hopes that good box office for the film and good notices for Phillips would translate to higher distributor interest in their film, which sorta worked. None of the major studios would show for the screening, but a number of Indies would, including Miramax. Phillips would not attend the screening, as he was on location in New Mexico shooting Young Guns.   I can't find any reason why Miramax waited nearly nine months after they acquired Dakota to get it into theatres. It certainly wasn't Oscar bait, and screen availability would be scarce during the busy holiday movie season, which would see a number of popular, high profile releases like Dirty Rotten Scoundrels, Ernest Saves Christmas, The Naked Gun, Rain Man, Scrooged, Tequila Sunrise, Twins and Working Girl. Which might explain why, when Miramax released the film into 18 theatres in the New York City area on December 2nd, they could only get three screens in all of Manhattan, the best being the nice but hardly first-rate Embassy 4 at Broadway and 47th. Or of the 22 screens in Los Angeles opening the film the same day, the best would be the tiny Westwood 4 next to UCLA or the Paramount in Hollywood, whose best days were back in the Eisenhower administration.   And, yet again, Miramax did not report grosses, and none of the theatres playing the film was tracked by Variety that week. The film would be gone after just one week. The Paramount, which would open Dirty Rotten Scoundrels on the 14th, opted to instead play a double feature of Clara's Heart, with Whoopi Goldberg and Neil Patrick Harris, and the River Phoenix drama Running on Empty, even though neither film had been much of a hit.   Miramax's last film of the year would be the one that changed everything for them.   Pelle the Conquerer.   Adapted from a 1910 Danish book and directed by Billie August, whose previous film Twist and Shout had been released by Miramax in 1986, Pelle the Conquerer would be the first Danish or Swedish movie to star Max von Sydow in almost 15 years, having spent most of the 70s and 80s in Hollywood and London starring in a number of major movies including The Exorcist, Three Days of the Condor, Flash Gordon,Conan the Barbarian, Never Say Never Again, and David Lynch's Dune. But because von Sydow would be making his return to his native cinema, August was able to secure $4.5m to make the film, one of the highest budgeted Scandinavian films to be made to date.   In the late 1850s, an elderly emigrant Lasse and his son Pelle leave their home in Sweden after the death of the boy's mother, wanting to build a new life on the Danish island of Bornholm. Lasse finds it difficult to find work, given his age and his son's youth. The pair are forced to work at a large farm, where they are generally mistreated by the managers for being foreigners. The father falls into depression and alcoholism, the young boy befriends one of the bastard children of the farm owner as well as another Swedish farm worker, who dreams of conquering the world.   For the title character of Pelle, Billie August saw more than 3,000 Swedish boys before deciding to cast 11 year old Pelle Hvenegaard, who, like many boys in Sweden, had been named for the character he was now going to play on screen.   After six months of filming in the summer and fall of 1986, Billie August would finish editing Pelle the Conquerer in time for it to make its intended Christmas Day 1987 release date in Denmark and Sweden, where the film would be one of the biggest releases in either country for the entire decade. It would make its debut outside Scandinavia at the Cannes Film Festival in May 1988, where it had been invited to compete for the Palme D'Or. It would compete against a number of talented filmmakers who had come with some of the best films they would ever make, including Clint Eastwood with Bird, Claire Denis' Chocolat, István Szabó's Hanussen, Vincent Ward's The Navigator, and A Short Film About Killing, an expanded movie version of the fifth episode in Krzysztof Kieślowski's masterful miniseries Dekalog. Pelle would conquer them all, taking home the top prize from one of cinema's most revered film festivals.   Reviews for the film out of Cannes were almost universally excellent. Vincent Canby, the lead film critic for the New York Times for nearly twenty years by this point, wouldn't file his review until the end of the festival, in which he pointed out that a number of people at the festival were scandalized von Sydow had not also won the award for Best Actor.   Having previously worked with the company on his previous film's American release, August felt that Miramax would have what it took to make the film a success in the States.   Their first moves would be to schedule the film for a late December release, while securing a slot at that September's New York Film Festival. And once again, the critical consensus was highly positive, with only a small sampling of distractors.   The film would open first on two screens at the Lincoln Plaza Cinemas in midtown Manhattan on Wednesday, December 21st, following by exclusive engagements in nine other cities including Los Angeles, Philadelphia, San Francisco, Seattle and Washington DC, on the 23rd. But the opening week numbers weren't very good, just $46k from ten screens. And you can't really blame the film's two hour and forty-five minute running time. Little Dorrit, the two-part, four hour adaptation of the Charles Dickens novel, had been out nine weeks at this point and was still making nearly 50% more per screen.   But after the new year, when more and more awards were hurled the film's way, including the National Board of Review naming it one of the best foreign films of the year and the Golden Globes awarding it their Best Foreign Language trophy, ticket sales would pick up.   Well, for a foreign film.   The week after the Motion Picture Academy awarded Pelle their award for Best Foreign Language Film, business for the film would pick up 35%, and a third of its $2m American gross would come after that win.   One of the things that surprised me while doing the research for this episode was learning that Max von Sydow had never been nominated for an Oscar until he was nominated for Best Actor for Pelle the Conquerer. You look at his credits over the years, and it's just mind blowing. The Seventh Seal. Wild Strawberries. The Virgin Spring. The Greatest Story Ever Told. The Emigrants. The Exorcist. The Three Days of the Condor. Surely there was one performance amongst those that deserved recognition.   I hate to keep going back to A24, but there's something about a company's first Oscar win that sends that company into the next level. A24 didn't really become A24 until 2016, when three of their movies won Oscars, including Brie Larson for Best Actress in Room. And Miramax didn't really become the Miramax we knew and once loved until its win for Pelle.   Thank you for joining us. We'll talk again soon, when Episode 117, the fifth and final part of our miniseries on Miramax Films, is released.     Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week Ken welcomes writer, director and co-creator of The Adventures of Pete & Pete, among other things, Will McRobb to the show. Ken and Will discuss growing up in Ithaca NY, suburbia, Nickelodeon's "kids point of view" era, doing corporate videos for Goldman Sachs, working in the promo department at Nick at Nite, MTV Networks, Rin Tin Tin, Mr. Ed, Donna Reed, The magic four ingredients: Funny, Sad, Strange and Beautiful, Green Acres, Patty Duke's double, MTV's Remote Control, Lassie, My Three Sons, Bub vs. Uncle Charlie, The Monkees, live action cartoons, the reason you'd go live action instead of a cartoon, Snow Day, added farts, working for the man, the shift on TV Land and Nick at Nite to newer "quality" shows, punk rock, Savage Steve Holland, The War Next Door, Hal Hartley, Damian Young, Michael Stipe, Iggy Pop, The Police, Joe Jackson, the unlocking of coolness with Elvis Costello's This Year's Model, The Embarrassment, the origin of Wellsville, Season 3 of Pete and Pete, Saturday, the rush to be an adult, saying goodbye to Artie, Adam West, the original 60 second Pete and Pete promos, Katherine Dieckmann, wasted years of cute Little Pete, Inside Out Boy, voice over, why perspective matters, John Hughes, "when you grow old, your heart dies", Inspector 34, Johnny Earwax, getting away with stuff, the controversy of The Orange Lazarus, Endless Mike, Frank Gifford cameos, Arnold Palmer golf clubs, how nobody likes Chevy Chase, SNL, Weekend Update, NY theater actors, William Hickey, One Crazy Summer, J.K. Simmons, and how Batman will always need The Joker. 

Are you ready for your face to hurt from smiling so much? Meet Leah, she is a super talented human who specializes in small batch woodworking yet has worn many hats in her life. She owned a bar in Ithaca New York for 11 years called Felicias Atomic Lounge which was brainstormed during an 8 hour road trip to Maine & brought to fruition 10 days later.  She is a breast cancer survivor, she is a human who has gone through some stuff....the stories go on & on. I could listen to Leah all day as her joy for life & purpose is a beacon I hope to keep in my sight.__________________________________________________________________________________________Be sure to check out Leah on instagram @leahhoughtalingwoodworkingWebsite:www.leahhoughtaling.com@theyrejusthumanswww.theyrejusthumans.com

Elaine Leeder says she was always drawn to the dark side of life. As the daughter of a Holocaust refugee, she has spent the better part of her life trying to understand that darkness.  The desire to make sense of that which seems so difficult led her on a journey into one of the darkest places in our society, our prison system. Elaine volunteers in a restorative justice program that offers both victims and offenders the opportunity to face one another, not as adversaries but as equals, to engage in conversations that have the potential to set them free.What she has learned through that work may surprise you. It is the topic of our conversation on the podcast this week. From inside the walls at some of California's most famous prisons, Elaine has worked with some of the most traumatized of individuals. Hurt people hurt people she reminds us. And yet it is in these conversations, through the power of restorative justice, that she has witnessed moments of profound transformation, for both the victim and those who have done the harm. Elaine Leeder is a Professor Emerita of Sociology and the Dean Emerita of the School of Social Sciences at Sonoma State University in California. Previously she was a Professor at Ithaca College, Ithaca NY. She has over 40 years of distinguished accomplishments and experience in academia and public service. Leeder is listed in Who's Who of American Women, Who's Who in America and Who's Who of American Teachers.Her awards include a National Endowment of the Humanities Fellowship, Visiting Scholar status at the United States Holocaust Museum, outstanding teaching awards, research and travel grants and numerous awards from student and community agencies. She received the Real Hero award from the Sonoma County (California) Red Cross for her work in prisons.Leeder has an MSW from Yeshiva University, an MPH from University of California at Berkeley and a PhD from Cornell University; she has published five books and numerous articles. Her book The Family in Global Perspective: A Gendered Journey is based on her Semester At Sea voyages in 1992, 1999 and 2013. It is now in its second edition. Her book My Life with Lifers: Lessons for a Teacher, Humanity Has No Bars describes her work at San Quentin State Prison and Elmira Correctional Facility.Currently she does victim/offender dialogues in prisons across the state of California. Her exemplary career encompasses roles as professor/teacher, psychotherapist, consultant, author and advocate for social justice.To learn more about Elaine's work, please visit her website.To learn more about Robert Maggio, the composer of our theme music, please check out his website.To learn more about Suzanne, visit her website. To learn more about the inspiration for this podcast, please check out Suzanne's memoir, Estrellas - Moments of Illumination Along El Camino de SantiagoFollow Suzanne on Social Media Instagram @mamasuzanne Facebook @ Suzanne Maggio author Twitter @ bottomofninth

Our first storyteller is Jim Harte.  Jim has always loved film, ever since he was a boy. When the distributors forget to send the second reel of “Wild in the Streets”. Jim gets creative in the way that he avoids giving refunds. Jim calls his story “More Than a Movie”

Filomena sits with Ithaca NY based artist Andy Finkle. Andy paints, creates, entertains, and is an all around swell fella! Join the convo! More about Andy: @finkled on IG  @e.l.show on IG E.L. Show on YouTube More about Filomena: Www.FilomenaJackStudio.com Filomena on YouTube Join the Patreon party! https://www.patreon.com/FilomenaJackStudio Art supply wish list

Join Fr. Gregory Pine, O.P. of Aquinas 101, Godsplaining, and Pints with Aquinas for an off-campus conversation with Prof. Jonathan Lunine about his latest Thomistic Institute lecture, "Catholicism and Evolution from an Astronomical Perspective.” Catholicism and Evolution w/ Fr. Gregory Pine (Off-Campus Conversations) You can listen to the original lecture here: https://soundcloud.com/thomisticinstitute/evolution-and-catholicism-from-an-astronomical-perspective-prof-jonathan-lunine For more information on upcoming events, please visit www.thomisticinstitute.org. About the speaker: Jonathan I. Lunine is The David C. Duncan Professor in the Physical Sciences at Cornell University and Director of the Cornell Center for Astrophysics and Planetary Science, His research focuses on astrophysics, planetary science and astrobiology. In addition to his responsibilities in the classroom, he serves as Interdisciplinary Scientist on the James Webb Space Telescope project and is a coinvestigator on the Juno mission currently in orbit around Jupiter. Lunine is a member of the U.S. National Academy of Sciences, a fellow of the American Geophysical Union and the American Association for the Advancement of Science. He is the 2014 recipient of the Jean Dominique Cassini Medal of the European Geosciences Union. He is the author of Astrobiology: A Multidisciplinary Approach and Earth: Evolution of a Habitable World. Lunine obtained a B.S. in physics and astronomy from the University of Rochester (1980), an M.S. (1983) and a Ph.D. (1985) in planetary science from the California Institute of Technology. He lives in Ithaca New York, where he is a member of St. Catherine of Siena parish. In 2016 Lunine helped to found the Society of Catholic Scientists and currently serves as its vice president.

Prof. Lunine's slides can be viewed here: https://tinyurl.com/4fce6w7w This talk was given on October 6, 2022, at the University of Rochester. For more information, please visit thomisticinstitute.org. About the speaker: Jonathan I. Lunine is The David C. Duncan Professor in the Physical Sciences at Cornell University and Director of the Cornell Center for Astrophysics and Planetary Science, His research focuses on astrophysics, planetary science and astrobiology. In addition to his responsibilities in the classroom, he serves as Interdisciplinary Scientist on the James Webb Space Telescope project and is a coinvestigator on the Juno mission currently in orbit around Jupiter. Lunine is a member of the U.S. National Academy of Sciences, a fellow of the American Geophysical Union and the American Association for the Advancement of Science. He is the 2014 recipient of the Jean Dominique Cassini Medal of the European Geosciences Union. He is the author of Astrobiology: A Multidisciplinary Approach and Earth: Evolution of a Habitable World. Lunine obtained a B.S. in physics and astronomy from the University of Rochester (1980), an M.S. (1983) and a Ph.D. (1985) in planetary science from the California Institute of Technology. He lives in Ithaca New York, where he is a member of St. Catherine of Siena parish. In 2016 Lunine helped to found the Society of Catholic Scientists and currently serves as its vice president.

This talk was given on October 14, 2022 at the Dominican House of Studies for the 2022 Fall Thomistic Circles conference: Life in the Cosmos: Contemporary Science, Philosophy, and Theology on the Origin and Persistence of Life on Earth (and Beyond?). Prof. Lunine's slides may be viewed here: https://tinyurl.com/22vs3mdv For more information, please visit thomisticinstitute.org. About the speaker: Jonathan I. Lunine is The David C. Duncan Professor in the Physical Sciences at Cornell University and Director of the Cornell Center for Astrophysics and Planetary Science, His research focuses on astrophysics, planetary science and astrobiology. In addition to his responsibilities in the classroom, he serves as Interdisciplinary Scientist on the James Webb Space Telescope project and is a coinvestigator on the Juno mission currently in orbit around Jupiter. Lunine is a member of the U.S. National Academy of Sciences, a fellow of the American Geophysical Union and the American Association for the Advancement of Science. He is the 2014 recipient of the Jean Dominique Cassini Medal of the European Geosciences Union. He is the author of Astrobiology: A Multidisciplinary Approach and Earth: Evolution of a Habitable World. Lunine obtained a B.S. in physics and astronomy from the University of Rochester (1980), an M.S. (1983) and a Ph.D. (1985) in planetary science from the California Institute of Technology. He lives in Ithaca New York, where he is a member of St. Catherine of Siena parish. In 2016 Lunine helped to found the Society of Catholic Scientists. About the conference: What is life? How did biological life arise? What makes life persist and might it exist elsewhere in the cosmos? What would that mean? Consider these questions and more with the Thomistic Institute at the Fall Thomistic Circles conference, Life in the Cosmos: Contemporary Science, Philosophy, and Theology on the Origin and Persistence of Life on Earth (and Beyond?). The two-day conference at the Dominican House of Studies in Washington, D.C. features a stellar, cross-disciplinary lineup of speakers, scientists Jonathan Lunine (Cornell University) and Maureen Condic (University of Utah), philosopher Christopher Frey (University of South Carolina), and theologian Fr. Mauriusz Tabaczek, O.P. (Angelicum). This conference is part of the Thomistic Institute's Scientia Project.

On the eve of the 2022 Midterm elections, Host Ramses Ja talks with Svante Myrick, the Black former Mayor of Ithaca New York who now serves as the Executive Director of the People For The American Way, a grass roots non profit organization dedicated to insuring young Black males exercise their voting rights in this year's Midterm Elections.See omnystudio.com/listener for privacy information.

Welcome to the first episode, and with that an interview style introduction to the two hosts...as seen through questions about their artistic selves.Jessicapixies artwork:Rudo Greissworths artwork:The music we use for our podcast entitled “Whimsical Aliens”  was written and performed by Alejandro Bernard from Ithaca NY. Cleve Gray-ThrenodyVictoria Smith- The Mojo LabUlla Thynell Joseph BeuysTove JanssonI mention a tiny bit about Feng Shui, and it originated in China, Japan has a similar system and is very inspired by the Chinese one. It is the art of arranging your world in harmony with the environment. There is so much to it, and I wanted to link an article to start you on a side adventure if you so choose. Dave KavanaughRosa RowanKyrin Bhula Rudo's Inspo Promised Dump of references:Mia BrownellPatrick SmithMeghan Jackson's Dreams of SourceJenny SavilleSwoonFloxArne QuinzeWho are the Guerilla Girls?Surrealist Women MoMA's Virtal Tour This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit themagichourdreamcast.substack.com

COUNTDOWN EPISODE 49 A-Block (1:45) SPECIAL COMMENT: The FBI is preparing to search The Trump Golf Club And Cemetery in New Jersey or Trump Tower in New York. That's the clear implication of The New York Times report (2:24) that the Justice Department notified Trump's lawyers that it is not convinced that all the classified documents stolen by Trump have yet been retrieved (2:45) CNN went a step further, sourcing that DOJ demanded to Trump's attorneys all remaining documents must be returned. (2:53) There have been hints (like those empty folders with "CLASSIFIED" on them (3:14) And there was almost a compromise, but now Trump is hard-lining this and ultimately this ends with another search (5:02) Apart from the danger of him still having docs, there's the chance he's already sold or lost or had some stolen. (6:03) More bad news for Trump: Secret Service confirms Oath Keepers contacted them about "security procedures" which they position as ordinary but which a witness at the sedition trial implies had something to do with invocation of The Insurrection Act (8:20) And a key Proud Boy has flipped against Enrique Tarrio (8:51) But at least no one invoked The Herschel Walker Defense. B-Block (12:13) EVERY DOG HAS ITS DAY: Theodore, in New York (13:33) IN SPORTS: Baseball overshadows its own playoffs with streaming controversy while Canada's hockey scandal just keeps getting worse (15:49) THE WORST PERSONS IN THE WORLD: Matt Walsh-Blog defends his support for impregnating 16-year olds, and competes for honors with Kari Lake and TNT hockey nudnik Paul Bissonnette (17:45) THINGS I PROMISED NOT TO TELL: It is exactly 47 years since my first appearance on a professional radio station, when they told me I was only going to do one story in a five-minute sportscast and it was all a lie and I was 16 and I mispronounced my name. Twice. And I am actually letting you hear clips from it. C-Block (27:03) FRIDAYS WITH THURBER: His epic story of public panic, and people so convinced they were right that they ignored common sense, science, and what their own eyes showed them: The Day The Dam Broke (42:22) THINGS I PROMISED NOT TO TELL BONUS: My entire 11:15 PM sportscast on WVBR-FM, Ithaca NY, on Tuesday, October 7, 1975!    See omnystudio.com/listener for privacy information.

Episode 60 Nicole MarrancaNicole Marranca vanished from the Ithaca New York area on August 18, 2017.Nicole, a mother to a daughter, and a once accomplished equestrian, was battling drug addiction and was homeless. To support her addiction, Nicole turned to sex work. Despite Nicole's situation, she always stayed in regular contact with her family. When that contact suddenly stopped, they became worried. Despite unconfirmed sightings, and rumors that she was living in a homeless camp behing an Ithaca Walmart known as 'The Jungle', Nicole remains missing.Nicole Dawn Marranca was last seen wearing unknown clothing, may have been wearing a red colored wig. NAMUS CASE MP39828NIC #M254897592Basic InformationRace: WhiteSex: FemaleDOB: 12/11/1989Height: 5'0" - 5'4"Weight: 110-130 poundsEyes: BlueOther: Tattoo of Grateful Dead skull surrounded by green leaves, located between shoulder bladesLast Seen: 08/18/2017Time: Approximately 8:00If you have any information, please call:Ithaca Police Department120 E. Clinton St. Ithaca, NY 14850607-272-9973or e-mail the information to: nysvicap@troopers.ny.govVisit this Facebook page for more info on Nicole:https://www.facebook.com/FindNicoleMarranca/If you'd like to support this podcast via a donation, you can do so through Patreon here-https://www.patreon.com/MissingPodcastTo contact the podcast or learn more about the cases we discuss visit:Missingpersonspodcast.netFollow us on Social media-Facebook:https://www.facebook.com/Missing-Persons-Podcast-103501877912153orTwitter:https://twitter.com/Missing_Pod

Meet and love Lisa Sahasrabudhe, current elementary school principal and a true advocate for equity and cultural responsiveness.  We continue our 4 episode focus on fearless leaders of CLR. This time we go to Ithaca NY with stops in India and New York city. In these places we hear about Lisa's incredible and interesting journey, which can be summed up with the adage,  never judge a book by its cover. Saharsrabudhe is the embodiment of culture intersectionality when we look through her rings of culture. There will be a couple of surprises along the way. Here is a tease: Have you ever ran after a student all the way their home? She has! Listen in for the full story. Also, check out Dr. Hollie's two cents, where he reminds us that our biases never really go away. We just do them less....maybe.

-Short show this week; Josh is on the road to help family -Incompetent emergency room staff. How many people die because ER staff are so focused on "drug seeking" that they'll let a seriously sick person go rather than take the chance that an addict might get a shot of morphine? -Ithaca New York is a woke hell-hole.  -Grown men wearing bicycle helmets just to walk down the streetSee omnystudio.com/listener for privacy information.

The Full Plate Farm Collective began in Ithaca NY nearly 20 years ago when Chaw Chang & Lucy Garrison-Clauson' of Stick & Stone Farm and Nathaniel and Emily Thompson of Remembrance Farm came together to offer a joint veg CSA. Since, it has grown to about 700 members and is now a substantial part of their farm revenue, enough to have a full time coordinator (ie. Molly Flerlage), and brings in product from dozens of other farms and value added producers throughout the region. Molly and I talk about her role as the CSA manager, how full plate operates at-scale to afford an awesome CSA manager, and how they have leveraged the CSA to help new farmers and address food insecurity. Stick around after the credits, because she reached back out to add some honest thoughts on how scale can provide better long-term solutions to CSA challenges than third-party CSA management platforms. Thank y'all so much for listening. This podcast is brought to you by Certified Naturally Grown & Growing for Market Magazine. It's also brought to you by growers like you. If you got something from this podcast, or any of our podcasts, you can support our work for a few bucks a month at notillgrowers.com/support. Please rate/review, follow us on Instagram @collaborativefarming or @notillgrowers, share this podcast with your farming friends, and let us know who/what you'd like to hear on The Collaborative Farming Podcast. Remember, many hands make light work.

North America was home to apples long before Europeans - or cider - reached its shores. Malus fusca, or the Pacific crabapple, is native to the continent and there's a rich history and contemporary culture surrounding the variety to explore. We'll look at how the apple has been and is still used by Indigenous nations and poke holes in the narratives about cider we're all too familiar with. We follow apple seeds and stocks across the continent and through time, visiting a vault, getting to know Midwestern cideries, and embracing the eclectic flavors (and stories) behind American cider.Keep Learning:Learn more about the Pacific crabapple and find out more about Nancy Turner's research.Find out more about the Gitga'at Nation, of which Cameron Hill serves as a councilor.View the books Eveline Feretti describes online as part of the Biodiversity Heritage Library.Read Dan Pucci's book, American Cider: A Modern Guide to a Historic Beverage.Keep Hard Core on the air: become an HRN Member today! Go to heritageradionetwork.org/donate. Meat and Three is powered by Simplecast.

Tony on Under-Represented Minorities in Computing at Cornell (URMC): “It was a great place to be around other black and Latinx people like me doing what I wanted to do and seeing that they are able to achieve these massive goals with companies with massive names like Google and Facebook.”Listen to Tony chat with Daniel James II about his and his family's love of music, his mother's immigration story, growing up in Florida, the lack of diversity in tech groups on campus, entering a decentralized era of the internet in Web 3, Lotoya's viral tweet NFT, and so much more.Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

Jesse Wordon is an avid wilderness survival practitioner and has been an outdoor educator for youth and adults at Primitive Pursuits in Ithaca New York since 2020.

Yasmin on mental health stigmas: “As black students and as black women, we're taught that we need to be better than our white counterparts. We need to be resilient and strong. We need to be everything they are as far as grades, AND some. We can never show any signs of weakness. And I think that's where that stigma comes along with mental health, and I think the first step is a willingness to speak openly about our struggles.”Yasmin Bellew is the president of Alpha Phi Omega, Cornell's largest service fraternity, but she's also a member of pre-law organizations KAPi and Black Ivy. Listen to her conversation with Daniel James II about growing up in California's Central Valley, the impact of her black women mentors, the inaccessibility of therapy for people of color, the difference between structural reform and victim advocacy in the criminal justice and incarceration systems, and so much more.Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

Introducing new WVBR News Directors Jack Donnellan and Andrew Modrowsky! Join Jack as he provides updates on the goings-on at the station and what to expect from WVBR news in the future.Also, hear WVBR's top-notch reporting team break down the leaked U.S. Supreme Court draft opinion in the Dobbs v. Jackson Women's Health Organization case, in which a majority of the Supreme Court privately voted to strike down Roe v. Wade. To break down the massive impact of this draft, Grace Fairchild and Jackie Torres interviewed Cornell Law Professor Sherry Colb, an expert in criminal law and procedure and feminist legal studies. Fairchild, Torres, and outgoing WVBR President Clara Enders also provide their own analysis of the future consequences likely to stem from the Dobbs ruling.wvbr.com/afterhoursCatch the full Talk of the Town radio show on Saturdays at 3p on WVBR 93.5 FM or at wvbr.com.Follow us on social media! @WVBRFMNews on Facebook, Instagram, and Twitter. 

“That's what ultimately drives my passion… wanting to create change me, for the people around me, and for the people I care about.”Listen to Lassan's conversation with Daniel James II about being from Mali, growing up Harlem and understanding its place as a black cultural center, his experience between public schools and a charter school, education as a chance to nurture people and their passions, his belief in serving others, his involvement in the Black Student Union and Alpha Phi Alpha, and so much more. Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

Hard Core is back! The first season of Hard Core came out before the pandemic. While we're still drinking cider, the world is a very different place. That's why we're returning to you with season two. We can't wait to travel through history and across the US with you.In this episode, we'll start our journey at the root. Before labeling, bottling, and fermentation, all cider starts out on the tree. We can't talk about farming in the US without talking about land access. According to a 2017 report from the USDA, of over 3 million farms assessed, 95 percent of farm producers in this country are white and 65 percent of all farmers identify as male. The lack of representation in farming results in the same deficit in the world of cider making. In the season two premier, we're going to learn about some individuals and organizations who are working to rebalance, repair, and regrow. Learn more about the organizations and businesses we mentioned:Quarter Acre for the PeopleRedbyrd CiderThe Reparations Cider Package Ironbound CiderHard Core is powered by Simplecast.

“Fast forward to George Floyd, where the officers did nothing. And people said, ‘wait a minute, wasn't an officer fired for doing something?' …Now, they have 2020 vision.”Cariol Horne was a police officer in Buffalo in 2006 when she witnessed a fellow police officer attacking a handcuffed black man, and she was fired for intervening. The firing was reversed in 2020 and the governor issued a formal apology, but she still has not been given her pension. Listen to her conversation with Daniel James II about how she became a police officer, accountability for police officers through Cariol's Law, her work with youth in the community, her stance on the criminal justice system, incarceration, and release, and so much more.Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

For this Crowdsourcing Sustainability webinar, we are joined by Luis Aguirre-Torres & Rebecca Evans. Luis and Rebecca are in charge of designing and implementing the Ithaca Green New Deal, which focuses on two main areas: city-wide decarbonization by 2030 and climate justice. They are taking a unique, innovative approach to getting this done, leveraging public and philanthropic funds to unlock large amounts of private capital to decarbonize the city at low or no cost to citizens. Timeline:0:00 Intros1:57 Luis & Rebecca's climate stories.5:00 The story of how Ithaca passed its Green New Deal.11:28 Where should people getting started focus their time and energy? 18:30 Vision & goals of Ithaca's GND.24:50 Roadmap & elevating social capital.33:20 Determining your community's greenhouse gas emissions inventory.36:50 What types of organizations are needed for this to succeed?43:30 The innovative financial model created to fund the initiative.54:40 What this electrification & retrofitting initiative looks like from your average citizens' perspective.59:36 What do people need to do/understand to replicate Ithaca's ambition and successes to date?Q&A Section:1:04:05 How can the average person get involved?1:07:12 Challenges/strategies on securing buy-in from city staff.1:11:14 Cornell's energy tool.1:13:10 The transportation side of the plan.1:18:52 Embedded emissions from consumption.1:21:00 Building retrofit and electrification checklist.1:22:45 Luis & Rebecca's call to action.Crowdsourcing Sustainability links:Sign up for the Crowdsourcing Sustainability newsletter! https://crowdsourcing-sustainability.ck.page/c34a46ed01Website: https://crowdsourcingsustainability.orgWe're a 501c3 nonprofit. Please consider investing in us so we can keep increasing our climate impact! https://crowdsourcingsustainability.org/donateLinktree with other socials: https://linktr.ee/crowdsourcingsustainabilityAnd a huge thank you to our volunteer, Diego Rentsch for editing!!Support the show (https://crowdsourcingsustainability.org/donate/)

Where did Richmond discover his love for fashion? "I think part of being African, at least with my parents, is presenting yourself to the best of your abilities. From a young age I was always well-dressed, wearing my little suit, little ties, things like that. I think people were gassing my head up!"Richmond Addae is a junior in the ILR School chatting with Daniel James II about self-care shopping, growing up in NYC, his journey to Cornell ILR, navigating a PWI in both high school and college, bringing his identity to corporate finance and fashion, code-switching at work, and so much more. Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

“Sometimes students ask me what was Malcolm's biggest accomplishment… Malcolm's biggest accomplishment was turning negroes into black people. There's no legislation— he burrowed into your soul and your psyche and gave you a reason to live.”Dr. Peniel Joseph is a professor at the University of Texas at Austin, and you may be familiar with his analysis of race relations with Don Lemon on CNN. Listen to his conversation with Daniel James II about his book The Sword and the Shield, the convergences of Malcolm X and Martin Luther King Jr., radical black dignity and radical black citizenship, the value of bringing all black lives to the forefront in today's movement, and the effectiveness of the Movement for Black Lives.Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

What is a brave space? “It's not protecting you from challenge, but it's giving the space to be able to overcome challenges and overcome barriers with support, community, affirmation, and feedback.”Cornell Dean of Students Marla Love is working to advocate for an inclusive Cornell student experience. Listen to her conversation with Daniel James II about her path to a career in student affairs, the difference between a brave space and a safe space, unequal access on the path to graduate school, the impact of her first black teacher, the Access Fund, sharing responsibility for mental health on campus, and so much more.Catch Black Voices on the Hill each Friday @2pm on WVBR 93.5 FM. wvbr.com/blackvoicesInstagram: @blackvoicesonthehill BVH is now on TWITTER! @BVHCornellMusic provided by OZSOUND. Channel: https://goo.gl/qnhQtD.

On January 11, a lawsuit was filed in federal court in Illinois against 16 major US universities, including Cornell, for antitrust violations. The lawsuit claims that these universities unlawfully collaborate on student aid calculations and fail to truly apply need-blind admissions policies. To gain a better understanding of the history of financial aid price fixing, its impacts on students, and Cornell's place in the case, Jackie Torres and Grace Fairchild interviewed Cornell Law and Economics Professor George Hay, an expert in antitrust law and economics.wvbr.com/afterhoursCatch the full Talk of the Town radio show on Saturdays at 3p on WVBR 93.5 FM or at wvbr.com.Follow us on social media! @WVBRFMNews on Facebook, Instagram, and Twitter.  

Ithaca, NY, adopted a Green New Deal in June 2019. Their goal is achieving carbon neutrality community-wide by 2030, while ensuring benefits are shared so as to reduce historical inequities. We interview Luis Aguirre-Torres, Ithaca's dynamic new Sustainability Director, about his big plans for achieving Ithaca's goals, and how he's already raised $150M by creating ground-breaking relationships between private capital, business, government, and philanthropies.ResourcesIthaca Green New Deal websiteIthaca's Energy Efficiency Retrofitting and Thermal Load Electrification Program - RFPFederal Green New Deal - House of Representatives resolutionFederal Green New Deal - background from NY TimesSunrise Movement national and Sunrise Ithaca Recast photo by Kenneth C. Zirkel, CC BY-SA 4.0, via Wikimedia Commons

Today I'm talking to Zak Seeley, he is a singer/songwriter and in the band called, Eluding The Keepers. Eluding the Keepers is an alternative rock band from Ithaca NY that's composed of, Jeff DaBella, music and production, Jon Slater (also known as Slater) on the guitar, and of course, Zak Seeley with the singing and lyrics. We hear the song, By Your Side by Eluding The Keepers, which Zak wrote for his daughter before she was even born! The way he describes it is perfect and you'll need to listen to the episode to understand. Eluding The Keepers music can be found on YouTube, ReverbNation and make sure to follow the band on Facebook. You can check out the band's music and lyrics videos on their YouTube page. The band doesn't have any upcoming shows, but it working to assemble a kick-ass band after the EP is released. Be sure to like, subscribe and give the More Than Music Podcast a review wherever you listen to the podcast and share us with a friend! We release shows every Wednesday and look out for a bonus episode every now and then. Find me, Kara Conrad on Facebook, and the podcast on Instagram at More Than Music Pod. If you want to talk to me or suggest a guest just send me a message on Instagram or email me at karaaconrad@gmail.com. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/morethanmusicpod/support