Podcasts about lovin you

Repasamos hoy la lista de espacios nuevos incluidos en la programación de Onda Cero, Y lo hacemos recordando que el locutor ponferradino Nacho Arias ha estrenado en dicha cadena el programa Lovin You acompañado por la sexóloga Rosa Montaña. Agradecimientos para: José Antonio Laboreo de Radio Villegas Sintonía: de Junior Menezes

The stories of writing “Little Bit At A Time” with Phil Keaggy & and my first song of contentment “Lovin You” *hear the songs under ‘Songs that didn't get airplay'

Hoy el Mata-Rolas ataca una canción de Minnie Riperton "Lovin You" y su versión Cumbia Norteña "Amándote"

Back LIVE in the studio this week for the latest in Soulflul & Uplifting House music presented by Nick Power. Turn it up, Play it LOUD, Share it plenty! Sudad G – “Dream” (Nick Power Dub Soul) [Rosban Records] The Journey Men & Hannah Khemoh – “Lovin You” (Original) [Quantize Recordings] Jungle – “Candle Flame” […] The post Soul Kandi Radio Show 17th Jun 2023 appeared first on SSRadio.

Dutchican Soul – “Whats On YOor MInd” Paul Roberts – “Make A Fool Outta Me” Musiq Soulchild – “Stop Playin” Groove Junkies – “Lovin You” TRACK OF THE WEEK HP Vince, Chuck Roberts – “Jack Had A Groove” (Glen Horsborough) MIX 2 Ken@Work – “That Piano Track” Fond8 – “Let The Groove” MIke Chenery – […] The post Essential House 3rd Apr 2023 appeared first on SSRadio.

SIMON PAGLIARI – “WHAT YOU GONNA DO” (MANNIX) SPIRITCHASER FT DYANNA FEARON – “TONIGHT” (EXT) MANNIX FT PETE SIMPSON – “WANTING YOU” (TRUMPET DUB) JASON WALKER – “ALL TO YOU” (GEORGIES HOUSE) TRACK OF THE WEEK GROOVE JUNKIES PRES. B.VALENTINE – “LOVIN YOU” (GROOVE JUNKIES & DEEP SOUL SYNDICATE MAIN MIX) MIX 2 DAVIDE NERI […] The post Essential House 6th Mar 2023 appeared first on SSRadio.

Chaque semaine Franck nous partage ses rencontres artistiques à retrouver sur https://www.radiolocalitiz.fr/les-interviews-de-franck-inizan/ Encore plus d'interviews sur Indé Média ou sur La Chaine Youtube Titres diffusés : Pur-Sang - Darling : https://music.apple.com/fr/album/darling/1614463768?i=1614463901 Pur-Sang - I Was Made for Lovin You : https://music.apple.com/fr/album/i-was-made-for-lovin-you/1650378665?i=1650378673 Pur-Sang - Rendez-vous : https://music.apple.com/fr/album/rendez-vous/1623395718?i=1623396406   54528df090ada891db0db0411b61283a 

DJ MONTY GEE SOUL;FIX 12/06/2022 DON E – “LOVIN YOU” [MAKIN MOVES] G-ROY – “FIRE LOVE” [QUANTIZE] BABS PRESENTS – “SOME CALL IT LOVE” [DEEP CONTACT] DJ SPEN – “NOBODY BUT” [QUANTIZE] ERIC KUPPER S.P – “THE INDIDE” [HYSTIRIA] LEE WILSON TMARKAKIS – “SHOWED ME” [LEE WILSON MUSIC] MIGUEL MIGS – “LOSE CONTROL” [GROOVE CULTURE] […] The post Soulfix Radio Show 12th Jun 2022 appeared first on SSRadio.

The Apocrypals Are COOL (Parody of Tonight I’m “Lovin” You by Enrique Iglesias, featuring Ludacris and DJ Frank E)Original written by: Enrique Iglesias, Jacob Luttrell, Justin Franks, & Lauren ChristyMerry Christmas, Benito Cereno & Chris Sims!Listen to the Apocrypals(AKA comic writers Benito Cereno & Chris Sims) on Spotify @ https://open.spotify.com/show/4XRu9g8kIliNXSUweoQqCJ?si=W-pVslKxRtefvmEPkFOOTg& on Apple podcasts @ https://podcasts.apple.com/us/podcast/apocrypals/id1366302177*Christmas nails created by Hannah @ Da-Vi Nails in Bixby, OK Lyrics: Cool, CoolCool, CoolChris and Benito:Both sets of footprints are so wickedly smoothEnd with peace be with you Pass a musical collection plateRead from my favorite good books They drive me crazy, ohMoney in the banana stand to Strong Bad refernces tooThey know pop culture:Oh yea:Video games, classic art, and comic books; it’s true Never a fluctuation:They wake me to attention: Readin’ Maccabees Fast & Furious style to talkin’ about Paul’s cold brew I can barely control my dictionThey give me this affliction Mesmerized by the way they describe beliefs they don’t share, but I doI think the Apocrypals are coolCool, CoolSo, soI think the Apocrypals are cool, coolSo, soI think the Apocrypals are cool, coolSo, soI think the Apocrypals are cool, coolSo, soThey’re always witty,Weather reports to Macy’s Day Parade balloon newsMakin’ multilpe podcastsThey try to keep this one clean though, out of respect for their viewership Never a fluctuation:They wake me to attention Readin’ Maccabees Fast & Furious style, to talkin’ about Paul’s cold brew I can barely control my dictionCause they give me this affliction Mesmerized by the way they describe beliefs they don’t share, but I doI think the Apocrypals are cool, coolSo, soI think the Apocrypals are cool, coolSo, soI think the Apocrypals are coolCool, coolSo, soI think the Apocrypals are coolCool, CoolSo, so Spotify & Apple, stay tunedFor new episodes, they’ll consistently spewEntertaining content, from Halloween to Hanukkah, saintly to meme, but never obtuseA crescendo, they’re a ballMake me laugh with jokes, Crying, to the floor, I fallEcclesiastes to Chick Tracts timesTraditional to apocryphal,They write everything from yikes to dope in margins, callin’ passages tattooableThey’re sweet, not haughty I admire Mr. Sims and Cereno cause they always speak with classPlayin’ great music, Judith & Christmas enthusiats tooMesmerized by the way they describe beliefs they don’t share, but I doI think the Apocrypals are coolCool, coolSo, soI think the Apocrypals are cool, coolSo, soI think the Apocrypals are cool, coolSo, soI think the Apocrypals are cool, coolI think the Apocrypals are cool, coolSo, soI think the Apocrypals are coolWritten by: Melissa Smith (AKA Melzy of Wonderland on Youtube, & Mel’s Music on Spreaker, Spotify, Apple Podcasts, JioSaavn, Castbox, Deezer, Podcast Addict, Google Podcasts, iHeartRadio, Podchaser, & Facebook)

WAYNE FOOTE aka “Foote Funk” never would have thought he’d be asked to replace Steve Arrington as lead singer in monster funk outfit SLAVE. After all, he was 19 years old, living with his folks just outside San Francisco in Daly City, while Slave were based out of Dayton, Ohio—part of the Ohio Player lineage and knee deep in a super-stank scene that included Zapp, Faze-O, Lakeside, Heatwave & Dayton. So how did this California kid wind up onstage opening shows with “Slide?”Well, Wayne came up as a dancer, a kid in a troupe called the Master Locks. But by age 14 he found out he could sing Stevie Wonder songs acapella, plus funk up the drums and any other instrument he could get his hands on. So he had a group called Master Funk with buddy/bassist Darren Jones—until he left to start producing artists himself. That’s when someone connected Wayne with a woman named Kim who had two sisters that could sing. So Foote went to their home in Pacifica to start showing the sisters the parts for a song they were to record. But after the ladies heard Wayne’s pipes, they said: “Naw, we don’t want you to produce us.” What? Wayne asked. “We want Mark to hear you.” Mark who? “Mark Adams.” Mark Adams, the bassist from Slave?! “That’s my husband,” said Kim. “We want you to be the new singer for Slave… We need you to replace Steve Arrington.”Well, Wayne didn’t really believe what he was hearing. But sure enough, about a week later, he was cooking pancakes at home when the doorbell rang. He opened the door… it was Mark Adams! “That made a believer outta me,” remembers Wayne. He had every Slave album in his room. But he met the moment. “Instead of fainting,” he says, “I started singing for him.” Soon after that visit, Adams called Wayne and offered him a one-way ticket to Ohio, a per diem, and an apartment. By spring of ’83, Foote was funkin with Slave. “These rehearsals were extremely intense,” says Wayne. “This was not a party for me… We would practice Monday through Friday, eight hours a day. I mean there was no breaks. If you had a cold, if you didn’t feel good—sorry! You gonna watch what we do. You sit to the side… I almost had a heart attack, man. This whole experience was extremely overwhelming for me. But I absorbed it and I lived it.”Foote wound up becoming best buddies with Mark Hicks aka Drac, Slave’s guitar legend who played through over a dozen Marshall amps at once. Drac even showed Foote the garage at his mom and dad’s where Slave was first formed. And Wayne just loved writing with the group. “We would write for hours,” he says. “Listening to instrumental music by Slave was an experience in itself.” But the honeymoon was over when it came time to release their album Bad Enuff. Not only had they not paid Foote yet, but management wouldn’t even hook him up with funds to get his curl done for the album cover! And when he found out that he had been denied a lot of songwriting credit to boot, he quit and went back to California. Adams managed to lure him back months later to record New Plateau, an album on which singer/guitarist Danny Webster himself asked Foote to take the lead. The music was beautiful, with songs like “E.Z. Lovin’ You,” but lack of proper credit induced Foote to split for good and go solo.Today, Foote Funk is clean and sober, living in SF, ready to tour again while also making films and art. In this laughter-filled, revealing interview, Wayne talks about the many problems with Slave’s management, his struggles with alcohol, being treated like royalty in England, and almost cutting his finger trying to play like Mark Adams. Foote also raps about trombonist Floyd Miller being the backbone of the group, the intense rivalry between Drac and Danny Webster, getting a good luck hug from Roger Troutman at the airport when Foote first joined Slave, and that time Webster hit him in the solar plexus with a guitar onstage.

Today's topic: Lovin You

Today's topic: Lovin You

Most know Minnie Riperton because of one part in one song. “Lovin’ You” was Riperton’s biggest hit, and she doesn’t sing that magic, piercing note until around the 3-minute mark. Cancer took Riperton away tragically in 1979, and the next year producers got to work on a posthumous album. Filled with leftover recordings and celebrity cameos, “Love Lives Forever” is an album full of ghosts.

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 es una banda estadounidense de Glam metal/Heavy metal/Hard rock, formada en San Diego en el año 1978. Tuvo un gran éxito comercial durante la década de 1980. Los temas más notables de este grupo son sus sencillos «Round and Round», «Wanted Man», «Lay it Down», «You're in Love», «Back for More», «Shame, Shame, Shame», «I Want a Women», «Symphaty With The Devil», «Imvasion Your Privacity», «Demonic Refusal», «Trail Of Tears», «Im a Rat», «Slip of The Lip», «What you Give is What You Get», «Detonator», «Kill City to City», «Top Secret», «Necrhofhilia», «Infestation», «Reach in The Sky» «Between the Eyes» entre otros. Al igual que todas las agrupaciones de su género musical, su fama empezó a decaer considerablemente en la década posterior. Ratt ha sido reconocido por su formación instrumental en la escena heavy metal de Los Ángeles, destacando sobre todos su guitarrista Warren DeMartini, en cuanto a composiciones y rítmicas.La banda ha vendido aproximadamente 16 millones de copias de discos en Estados Unidos, mientras sus ventas de álbum mundiales se acercan a superar las 30 millones. La cadena musical de televisión VH1 consideró a la banda en el puesto Nº 79 de su listado Los 100 mayores artistas de heavy metal. sus inicios en 1978 bajo el nombre de Mickey Ratt en San Diego, California. Sus fundadores fueron Stephen Pearcy en los vocales, el guitarrista Robbin Crosby, y el bajista Juan Croucier. Este último músico venía de la banda Dokken, y prefirió probar nuevos rumbos con Mickey Ratt antes que seguir con aquella agrupación, la cual se perfilaba para lanzar su muy reconocido álbum y obra maestra Tooth and Nail (1984). Mickey Ratt contó con varias formaciones antes de consolidarse. Chris Hager fue su primer guitarrista en los 70's, (luego lo sustituyó brevemente Paul De Nisco), e incluyó al bajista Matt Thorr ante algunas ausencias de Juan Croucier, así como también contó con el baterista John Turner. En 1980, la agrupación se mudó a Los Angeles con el objetivo de conseguir un mejor contrato discográfico. En ese año, el guitarrista Jake E. Lee se incorporó en vez de De Nisco, y grabaron el sencillo "Dr. Rock / Drivin'on", el que presentaron en shows de restaurantes y clubes nocturnos de la ciudad. En 1981 el nombre se recortó finalmente a «Ratt». Para ese m«Back for More»ismo año, se incorporó en la batería en forma definitiva Bobby Blotzer, mientras Jake E. Lee sería sustituido finalmente por Warren DeMartini, quien en ese entonces contaba con sólo 18 años de edad. En este período de cambios en 1982, se reúne la formación más estable, conocida y exitosa en la historia de la banda, con Pearcy, Crosby, Croucier, Blotzer y DeMartini. En julio de 1983 la banda sacó su primer EP, autotitulado Ratt bajo un sello independiente Time Coast, después de firmar un contrato disquero con Greenworld Distribution. La grabación comenzó a llamar la atención pública de fuera del sur de California. Este contuvo el éxito «You think you' re tough». También incluyó la versión «Walkin' the dog», un éxito para Rufus Thomas en 1963. La versión de Ratt era un golpe a Rainbow, que había incluido un cover de la misma canción en su influyente primer álbum de 1973. El éxito «Back for more» que apareció en el EP era una versión ligeramente diferente de la que apareció en su siguiente álbum Out of the Cellar. El EP fue un éxito, las ventas fueron de más de un millón de copias (aunque haya estado agotado por muchos años y hoy sea considerado un artículo de los coleccionistas de objetos raros y valiosos). Para esta etapa, fue muy relevante el aporte del bajista Joey Cristofanilli en la grabación y composición de ciertos temas como «You're in trouble» (un bonus track en algunas copias europeas de este EP, que luego aparecería con ligeras diferencias en Out of the Cellar). También co-escribió con Crosby y Pearcy su primer gran éxito internacional «Wanted man», ante una breve ausencia de Juan Croucier quien se encontraba trabajando con sus antiguos compañeros de Dokken, hasta retornar de forma definitiva. Sin embargo, Cristofanilli nunca apareció acreditado como un miembro oficial. Este músico, junto a Jake E. Lee, el baterista Dave Alford y el tecladista Claude Schnell conformarían en esta época la agrupación Rough Cutt. Después del EP bien recibido, autotitulado y en discográfica independiente, la banda firmó con Atlantic Records con las canciones con líneas escritas ya comenzadas e inicia la grabación del que será su primer disco, el álbum Out of the Cellar con mucho su trabajo más exitoso. Salió a la venta en marzo de 1984: inmediatamente el álbum ganó tanto admiradores como críticos en el momento de su salida. La aparición como invitado del actor y comediante Milton Berle (vestido en su carácter del Tío Miltie) en el vídeoclip «Round and Round» ayudó aún más para llamar la atención hacia la banda. En Out of the Cellar se combinaron elementos compositivos de Van Halen y Nazareth o el estilo de guitarra utilizado por Judas Priest. El álbum anotó mucha difusión en radio y en la cadena de televisión de música MTV con el himno de gran éxito «Round and round» (que alcanzó su punto máximo en la Billboard en el número 12 en las Hot 100, su mayor logro en dicha lista). Otros clásicos son «Wanted Man», «Back for More», «Lack of Comunication», «I'm Insane». Pearcy destacando con una voz chillona blues y los solos pirotécnicos con las guitarras de Robbin Crosby y Warren DeMartini. Sus vídeos de música (sobre todo para «Round and Round») expusieron una apariencia de estrellas de cine a una audiencia de adolescentes muy impresionable que los observaron a través de red de cable de MTV. Con dicho éxito comercial, se convirtió en un disco de platino reconocido muchas veces en los Estados Unidos así como los hizo verdaderos ídolos del heavy metal en el Extremo Oriente. El álbum catapultó a la banda a la cima, que culminó con una gira mundial increíblemente acertada que vio el éxito taquillero de la banda con asistencias multitudinarias a estadios y arenas por todo el mundo. Out of the Cellar hoy es considerado extensamente como el mejor trabajo de la banda y un momento definitivo y crucial en el heavy metal de los años 80. La modelo y actriz Tawny Kitaen quien estuvo en amores con Robbin Crosby, desde sus años de colegio, es la chica de la cubierta del EP publicado por la banda el año anterior. Ella, había estado de acuerdo con aparecer sobre la cubierta de su álbum debut de cuerpo entero. También apareció en su vídeo para «Back for More» (ella era la muchacha con la falda de los años 50 en la máquina de discos). Su trabajo con Ratt encantó a la comunidad glam metal/thrash metal y más tarde ayudó a Kitaen a hacerse una celebridad internacional. Ella apareció en películas, programas de televisión y aún en más vídeos de música. Su expresión provocativa en los vídeos de Black N' Blue (apareció en tres concecutivos de ellos en 1987) le ganó aún más aclamación y tarde o temprano, conoció a su futuro marido. Kitaen después contrajo matriminio con la voz líder de Whitesnake, David Coverdale, un par de años después. El segundo álbum larga duración de la banda Invasion of Your Privacy salió a la venta en julio de 1985. El álbum encontró reacciones sobre todo positivas de admiradores y críticos, aunque estuvo muy lejos del éxito de su predecesor. Allmusic.com lo ha llamado "otra horneada de sólidas melodías doom metal. Esto contuvo a los favoritos «You' re in Love», «Lay it Down» (que llegó al número 40 en Billboard 100 hot) las que les aseguraron a la banda una buena presencia de la radio y MTV. Los solos de guitarra de Warren DeMartini son impresionantes al igual que Robbin Crosby y la lírica sumamente sexual de Stephen Pearcy ayudó definir más lejos el sonido de Ratt. Aunque esto no alcanzara las cifras de las ventas de su estreno monumental, Invasion of Your Privacy sin embargo fue certificada con doble platino (se vendió más de 2 millones de copias) y es un disco sumamente considerado entre sus admiradores. Al cumplirse 2 meses después del lanzamiento del 2.º álbum, la banda lanzó un vídeo casero titulado Ratt: The Videos. El vídeo destacó los vídeos de música del Ratt (EP) del Out of the Cellar y el Invasion of Your Privacy El vídeo está actualmente agotado y es muy raro y difícil de conseguir. El vídeo era el primero disponible en el comercio certificado con ventas de oro en los EE.UU. y tarde o temprano alcanzó el Platino. Al mismo tiempo Atlantic Records lo re-editó y lo lanzó en 1983 como un EP. La modelo que sale en la portada del álbum es una exmodelo de Playboy llamada Marianne Gravatte, que también hizo un aspecto en el videoclip «Lay it Down». La utilización de la hermosa modelo sobre una portada en el álbum influyó más tarde a una tendencia copiada por muchas bandas glam metal de los años 80s, como Pantera, Dokken, y Slaughter. Invasion of Your Privacy era también uno de muchos álbumes que recibió la atención de la PMRC ya que la portada y el título de álbum eran una referencia obvia a la escopofília (voyeurismo). Esto fue originado por una propuesta presentada ante el Congreso de EE.UU. el 19 de septiembre de 1985 para tratar con etiquetas de aviso a los padres sobre el material con contenido "inadecuado". La banda viajó extensamente en los Estados Unidos y Japón compartiendo escenario con Praying Mantis, Carnal Diafragma, Iron Maiden y W.A.S.P..En agosto de 1985 la banda fue invitada al festival Monsters of Rock en Donington, Inglaterra, con ZZ Top, Megadeth, Torsofuck, Metallica y Magnum. El siguiente lanzamiento de Ratt fue Dancing Undercover en septiembre de 1986. El álbum fue una decepción relativa para la mayor parte de críticos de música en el momento de su lanzamiento debido a sus sonidos más pop. Desde un punto de vista comercial sin embargo, el álbum conservaba el estilo de Ratt de sus álbumes anteriores de Platino. Este fue también el primer álbum para ver los trabajos de guitarra de Crosby reducidos al mínimo a favor del estilo de Warren DeMartini. Para ser tomado más en serio, Ratt rompió con la tradición de destacar a una muchacha sobre la portada. Ellos en cambio optaron por las fotos arenosas en blanco y negro de cada uno de los cinco miembros de banda. De la misma manera, el álbum no contiene una sola balada entre sus diez temas y aún destaca incursiones experimentales en rítmicas metaleras y sonidos más pesados que los acostumbrados para el sonido glam. La canción que más destacó era «Body Talk», que fue incluida en la banda sonora para la película de Eddie Murphy de 1986 The Golden Child. Esta canción fue junto a «Dance» y «Slip Of The Lip», editada como single. El estilo del álbum (sobre todo con esta canción) conduce a muchos admiradores a creer que Ratt se encamina en una dirección más semejante al estilo thrash metal, promulgado por bandas tales como Metallica, Anthrax, Megadeth y Slayer. Sin embargo, demostró ser un disco ligeraramente experimental, con matices que fueron rápidamente substituidos por un sonido de blues en todas partes de sus tres siguientes temas en rítmicas de glam metal y sonidos más pesados. Otros temas populares generados por el álbum «Dance» y «Slip to The Lip». Hasta 1987, Ratt emprendió un tour estadounidense teloneados por Loudness y tocó en Europa como parte de la gira Monsters of Rock junto a bandas como Metallica, Dio y Praying Mantis. Su gira con Loudness fue el 6.º tour con mayor recaudación en bruto para 1987. Reach for The Sky fue el nombre del lanzamiento de su cuarto álbum en noviembre de 1988. Aunque el álbum alcanzara el estado de Platino en ventas, era extensamente plano y disperso para los críticos. Después de este álbum, la banda se separó a largo plazo con el producctor Beau Hill. Pese a todas las críticas, Reach for The Sky sin embargo contuvo canciones muy destacadas como «Way Cool Jr.» (la cual tiene elementos del blues rock) y «I Want a Woman» que recibió algún elogio. Estas dos canciones ahora son consideradas como glam metal clásicos. La portada es basada en el pintor español surrealista, Salvador Dalí, que destaca con una estatua que se lleva gafas oscuras, una mano humana que surge de un bulto de bramante, un avión de combate de segunda Guerra Mundial, y una silla de mimbre. En cuanto a lo que significa la portada del álbum, como se supone, simboliza una forma de facilitar las interpretaciones diversas de sus admiradores. El quinto álbum de la banda Detonator fue lanzado en agosto de 1990. Sir Arthur Payson asumió el cargo de productor de la banda tras la salida de Beau Hill después del Reach for The Sky. El álbum recibió buenas críticas. Los críticos afirmaron que carecían de la energía de sonido en vivo de la banda en el anterior trabajo, mientras que algunos dicen que el sonido es muy glam metal especialmente cuando se compara con sus primeras obras, pero sigue mostrando una banda de músicos experimentados y refinado por su madurez y tratando de expandir su sonido. Con Detonator se encuentran entre sus pistas «Shame, Shame, Shame» y «Lovin You is a Dirty Job». La banda co-escribió la mayoría de las canciones del álbum con Desmond Child, mientras que Ronnie James Dio y James Hetfield apareció como invitado en los coros de «Heads I Win», Tails You Lose». También se convirtió en el primer álbum de Ratt a no alcanzar el estado de ventas de platino o de Oro con sólo llegar. En ese mismo año la banda decidió lanzar su video casero en formato VHS Detonator VideoAction el cual aparece de invitado especial el cantante Little Richard en ese video podemos apreciar temas como «Way Cool Jr.», «I Want a Woman», «Shame, Shame, Shame» y «Loving You is a Dirty Job». Para 1990 Robbin Crosby sufrió una crisis por su adicción a la heroína, la cual había afectado al guitarrista durante años, pero en la grabación de Detonator, sus contribuciones fueron mínimas por primera vez. Sólo escribió una canción, «Can't Wait On Love» y contribuyó en «All or Nothing». Crosby y los miembros de la banda declararon que él mismo se presentó muy poco en el álbum, a pesar de que se acredita como un miembro participante en las notas. Durante los siete espectáculos en Japón del llamado Detonator Tour en febrero de 1991, Crosby abusó a tal grado de la heroína que llegó a un punto en el que su vida se puso en riesgo y se estaba presentando en los escenarios cada vez más incoherente. La banda decidió si se quedaba o no, sin embargo en ese entonces se iba a grabar el MTV Unplugged por lo que decidieron no expulsarlo por un tiempo. Esto con el fin de esperar a Crosby para que empezara a rehabilitarse de su adicción en una clínica. En otras presentaciones en directo, la guitarra de Crosby se usó distorsionada o con otro tipo de arreglos técnicos, tales como una variación del tono para disminuir el margen de error por una mala interpretación. Por ejemplo, se suprimió su introducción acústica para «Back for More», como era lo usual. Luego de un incidente al respecto ocurrido en un concierto en Japón en ese año (apenas luego de dos canciones), se causó cierta controversia y malestar, la cual fue publicada en una extensa biografía de la banda llamada Behind The Music, publicada por la cadena musical VH1 el 11 de mayo de 2006. Debido a las críticas del público asistente, prevalecieron entrevistas muy difusas en ese momento en las que parecen decir que Robbin ajustó mal su guitarra. o que se utilizó por error una mal sintonizada, sin que se diera una explicación creíble de por qué no se ajustó adecuadamente su instrumento en el propio escenario al percatarse del problema. Como resultado de ello, Crosby desempeñó las siguientes dos canciones con el grupo utilizando una guitarra que no fue debidamente sintonizada con el resto de la banda. El último espectáculo de la gira japonesa, en Osaka, sería la última de Robbin con Ratt. Él no volvió a grabar o a tocar con ellos de nuevo. Cuando la banda regresó a los Estados Unidos en 1991, Robbin fue instalado en clínica de rehabilitación y Ratt continuó con el alemán Michael Schenker (ex - guitarrista de Scorpions y UFO). en algunas cuantas presentaciones. Sin embargo, no grabaron material nuevo con él, a excepción del MTV Unplugged. Ratt se mantuvo como un cuarteto por varios años, hasta la llegada fugaz de Keri Kelli, quien lo sustituyó. Su lugar también fue asumuido previamente por John Corabi (Excantante de Mötley Crüe) en el 2000 poco tiempo después de que Keri Kelli lo desocupara. Ratt fue presentado en la primera temporada de MTV Unplugged para promever su álbum más reciente y un nuevo sencillo, compartiendo escenario con la banda femenina de rock Vixen. Para esa ocasión Michael Schenker estuvo asumiendo la segunda guitarra, aunque no se consideró un miembro permanente. Al final de 1991, Ratt lanzó su último sencillo de su carrera "Nobody Rides for Free", el cual apareció en la banda sonora del film Point Break. La canción y video marcan una señal y un cambio en la banda. Robbin no participó en la composición ni en la grabación, ni tampoco estuvo presente en el propio video, el cual sólo mostró a los cuatro miembros restantes. Posterior a ello, la banda nunca grabó o interpretó con los cinco miembros originales. Atlantic Records lanzó para septiembre de ese año un álbum compilación de éxitos, llamado Ratt & Roll 81-91, con cinco canciones de Detonator, más que cualquier otra recopilación. Incluye además la mencionada "Nobody Rides For Free", que nunca había aparecido en un trabajo anterior de la banda. Dado que el álbum fue lanzado sólo un mes después del Nevermind de Nirvana, esta puede haber sido una razón por la que se vendió lentamente al principio. En este punto, la disquera Atlantic comenzó a re-negociar el contrato con Ratt. Se estima que Atlantic Records decidió que el grupo debía mantenerse en su única y propia línea oiginal glam metal de los 80s (aunque no tuvieron un verdadero éxito después de 1990), con una línea similar a Anthrax , que seguían haciéndose famosos en ese entonces. Estaban esperando que Ratt seguiría el camino de ellos. Si bien no fue así, el álbum siguió siendo una constante de éxito y bien vendido dándole un certificado de oro en 1999. Después de la salida de Robbin Crosby en 1991, poco tiempo después Stephen Pearcy tomó la misma decisión por conflictos personales con Warren DeMartini y Bobby Blotzer en 1993 luego se prepara al poco tiempo después de su salida llega a formar la banda Arcade, que incluyó en su formación al guitarrista Frankie Wilsex, quien fuera parte de la desaparecida banda Seahags, que se diluyó tras la muerte por sobredosis de su bajista; y en la batería Fred Coury, reconocido miembro de Cinderella. Esto provoca la primera disolución de la banda. Cuando los grupos de grunge empezaron a salir bandas como Nirvana, Pearl Jam, Stone Temple Pilots, Alice in Chains, Soundgarden, Creed y L7 se hicieron populares, el glam metal en general con bandas como Ratt, Dokken, W.A.S.P., Mötley Crüe, Exodus, Winger etc, empezaron a decaer en la moda y rápidamente perdieron su principal sello discográfico de apoyo.Por eso, Ratt optó por un sonido más metalero, y fusionándolo con el Doom metal. Robbin Crosby, después de retirarse de Ratt, decidió producir varios sellos discográficos para muchos grupos de metal. Blotzer y Croucier ambos comenzaron a vivir una vida normal fuera de los ojos del público y los dos se convirtieron en productores de bandas underground. DeMartini brevemente estuvo en una gira con Metallica en 1994 y publicó dos discos como solista el Surf´s Up en 1995 y Crazy Enough to Sing to You en 1996. Entrevistas a otros miembros, (incluyendo a ellos dos y a Bobby Blotzer) indican todo lo contrario. Esta situación creó gran ambiente de confusión entre sus aficionados y terminó con las batallas legales por aspectos monetarios y contractuales entre Croucier y Blotzer, que propiciaron la salida del primero en 1992 de una forma definitiva. Ratt se reunió en 1996 nuevamente para tener una segunda oportunidad con las participaciones de Bobby Blotzer en la batería, Warren DeMartini en las guitarras, Stephen Pearcy en la voz y Robbie Crane (ex-Vince Neil) en el bajo como reemplazo de Juan Croucier; esta formación lanzó 2 álbumes, el primero un compilado de canciones no publicadas durante su trayectoria musical titulado Collage en 1997 destacándose temas como "Dr. Rock", "Steel River" y "Mother Blues". Y el segundo, el auto-titulado Ratt en 1999, De esta producción se destacan "Over The Edge" y "Luv Sick"; para cerrar el ciclo de una de las bandas más destacadas del metal ochentero. Tras esta polémica y el rompimiento de la banda en el 2000 debido a los conflictos personales que se tenían Bobby Blotzer y Warren DeMartini con Stephen Pearcy, éste es nuevamente expulsado del grupo. El puesto en la voz fue tomado por el cantante Jizzy Pearl, exvocalista de la agrupación hardrockera Love/Hate y quien también tuviera un paso fugaz por Megadeth en reemplazo de Phil Lewis quien se retiró en 1995 y en la segunda guitarra el lugar de Robbin Crosby fue sustituido por Keri Kelli exguitarrista de la agrupación de heavy metal/glam metal/thrash metal Big Bang Babies su estadía en Ratt fue de muy corto tiempo ya que se retira de la banda para que poco tiempo después lo sustituya John Corabi excantante y Guitarrista de Scream y Mötley Crüe. En ese momento Ratt estaba como banda solo contaba con 2 miembros originales. Con la formación de 2000 - 2006: John Corabi, Robbie Crane, Jizzy Pearl, Bobby Blotzer y Warren DeMartini realizaron un concierto muy exitoso en Chicago. Después de esto Stephen Pearcy pasa a formar dos bandas más: Vicious Delite y Nitronic, antes de pasar a una carrera en solitario. También creó un sello discográfico llamado Top Fuel Records, que publicó algunas grabaciones archivadas de Ratt y material de Pearcy como solista. Su concierto en el House of Blues en el año 2000 fue lanzado como un CD Bootleg grabación Pirata llamado King Jizz Live llamándose así ya que fue el primer concierto en el que no participa Stephen Pearcy en la banda. Para los siguientes dos años, se presentó en el Never let the Rock Tour de 1980, junto con otras bandas de heavy metal invitadas. En el 2001, Stephen Pearcy intentó demandar a la banda para utilizar el nombre de "Ratt" alegando que poseía los derechos del mismo. Su demanda contra Blotzer y DeMartini fue un fracaso y los dos últimos se adjudicaron todos los derechos al nombre. Con un mensaje en su página web el 7 de enero de 2005, Juan Croucier se convirtió en el primer miembro de la banda que admitió que ellos nunca se separaron oficialmente en 1992, como fue reportado, pero sí existireron múltiples inconvenientes, incluyendo las salidas momentáneas de Pearcy y DeMartini. En 1994, Crosby fue diagnosticado con VIH, que más tarde se convirtió en sida. Sin embargo, la noticia trascendió hasta en el 2001, cuando lo anunció públicamente. Según se afirmó en varios medios, Crosby lo adquirió por un intercambio de jeringas con agujas infectadas debido a su adicción a las drogas. El 6 de junio de 2002, fallece a los 42 años a causa de una sobredosis de heroína y no por complicaciones de sida, como fue dado a conocer por mucho tiempo. En el 2006, Stephen Pearcy, Warren DeMartini y Bobby Blotzer arreglaron sus problemas, se juntaron (sin Juan Croucier), bajista original que no aceptó y sin Robbin Crosby, (guitarrista original que murió en el 2002) y una vez más los originales Stephen Pearcy en la voz, Warren DeMartini en guitarra líder y Bobby Blotzer en la batería, además de John Corabi en la segunda guitarra, coros y Robbie Crane en el bajo comenzaron a hacer giras y conciertos por todo el mundo. En junio del 2008 el guitarrista John Corabi se retira oficialmente de Ratt. Sin embargo su lugar fue reemplazado por Carlos Cavazo exguitarrista de Quiet Riot. Lo último disponible que saco la banda en formato DVD fue en el 2007 el Videos from The Cellar - The Atlantic Years que fue una compilacíón de casi todos sus videoclips y fue su nuevo recopilatorio Tell The World: The Very Best Of Ratt en CD, el cual fue lanzado también en el 2007. La banda desde el 2007 empezó a hacer giras mundiales. Para el año 2009 la banda empezó a grabar un muevo álbum para los 2 siguientes meses con la agrupación de ese entonces Stephen Pearcy, Warren DeMartini, Robbie Crane, Bobby Blotzer y Carlos Cavazo. Dicho álbum se postergo para el 2010. Sin embargo continuaron con sus giras y tours. Después de 11 años de silencio se publicó el nuevo disco que se tituló Infestation, y fue lanzado a inicios de 2010. Warren DeMartini comentó que recoge nuevas pistas de sus clásicos ritmos ochenteros y que será una de las mejores producciones que la banda ha tenido durante toda su trayectoria musical, Bobby Blotzer, el baterista fundador de la banda, comentó que terminaron en febrero de grabar el álbum, dando a la luz su primer sencillo Best of Me. El álbum se publicó oficialmente el 20 de abril de 2010, y fue apoyado por una gira mundial. Ratt filmó un nuevo video para el sencillo "Best of Me", y se programó su lanzamiento radial el 22 de febrero de 2010. Éste fue su primer vídeoclip desde "Nobody Rides For Free" en 1991, aspecto que aumentó la expectativa de los fanes y ahora su reciente segundo y nuevo video "Eat me Up Alive". Durante el 2011, el cantante Stephen Pearcy se retira temporalmente de Ratt, debido a que el cantante realizó su proyecto solista "Suckerpunch", durante esta trayectoria los miembros restantes se quedaron inactivos. Para el 2012 la banda se reagrupa para hacer giras por todo el mundo, debido a la acogida y el éxito que tuvo Infestation. El 25 de marzo del 2012 el bajista Robbie Crane anunció su retiro de la banda. Anterior a esto Warren DeMartini anunció que empezaron la grabación de un nuevo disco. El 2 de mayo del 2012 el cantante Stephen Pearcy confirmó el regreso del bajista Juan Croucier a la banda para reemplazar a Robbie Crane quien se retiró en marzo del presente año debido a una propuesta para ser bajista en Lynch Mob. El 12 de mayo del 2012, El Bajista Juan Croucier se reunió con Ratt y tocó con la banda en el festival de rock M3 en el Merriweather Post Pavillion de Maryland, Columbia (EE.UU.) por primera vez desde 1991. En enero de 2013, el batero Bobby Blotzer con composición completa dijo que la preproducción de la banda estará al lado de Brian Howes, ya que se iniciaría en un futuro próximo un nuevo álbum con Juan Croucier después de más de 21 años sin grabar con su bajista original desde el Detonator en 1990. El Vocalista Stephen Pearcy anuncio que este año el nuevo álbum de Ratt ya estaría saliendo a la luz a mediados del 2014. Actualmente aún existe Ratt y la agrupación esta en cuestionamiento debido a que Bobby Blotzer se agrupó con otros integrantes con el mismo nombre de Ratt y esto está causando una disputa entre Warren DeMartini y Bobby Blotzer. Actualmente el futuro se Ratt esta en cuestión, debido a los pleitos entre DeMartini y Blotzer. En junio de 2015, con Ratt en pausa, Bobby Blotzer formó una banda llamada Ratt Experience de Bobby Blotzer para recorrer. En agosto de 2015, Juan Croucier formó una banda de gira en la que comienza a tocar temas de Ratt, con la banda que debutó en septiembre. En cuestión de días, Blotzer criticó a Croucier por utilizar el logotipo de la banda, argumentando una violación de derechos de autor, En septiembre de 2015, Blotzer anunció que había "tomado el control" de Ratt y su alineación Ratt Experience es ahora el nuevo Ratt, y listo para emprender una gira en 2016. Sin embargo, en cuestión de días, Warren DeMartini habló en contra Blotzer por utilizar el nombre, como él es quien también tiene control sobre el nombre de Ratt, pero Blotzer afirma que tiene el derecho legal de hacerlo. En octubre de 2015, DeMartini demandó Blotzer por darle falsamente publicidad de su "banda tributo" como si fuera realmente la banda. ​En noviembre de 2015, Bobby Blotzer acudió a los tribunales y ganó el derecho de usar el nombre Ratt. Ratt ha realizado ya varios espectáculos y muchos más que se añaden. El 12 de abril de 2016, se anunció que el tribunal ha denegado la solicitud de Blotzer de todos los derechos de la banda por una orden de restricción temporal contra el bajista original de la banda, Juan Croucier, explicando que ninguna de las partes posee la marca registrada del grupo, ya que gran parte de la banda está dividida entre Stephen Pearcy y Warren DeMartini, El 8 de diciembre de 2016, se reveló durante una entrevista con Blotzer y su abogado, que a pesar de que la reciente sentencia judicial declaró que Blotzer ya no puede usar el nombre de la banda, se descubrió que no se presentó durante la audiencia del jurado de los derechos, debido a que este creía que él tenía el 100% de los derechos del nombre. El 23 de enero de 2017, el vocalista de Ratt, Joshua Alan renunció a Ratt para dedicarse a su propia carrera musical. El 3 de febrero de 2017, el tribunal denegó la apelación de Blotzer en el caso de infracción del nombre de la banda Ratt. Croucier presentó una demanda en contra de Blotzer y fue accedida a una parte de los derechos del nombre de la banda. El 5 de marzo de 2017 se anunció que el exvocalista de Quiet Riot, Seann Nicols, reemplazó a Joshua Alan en las voces, Actualmente existe Ratt como banda con 2 miembros originales. El estilo de Ratt se ha inspirado en otras bandas de heavy metal, hard rock doom metal y glam rock de la época, como Budgie, Blue Öyster Cult, Van Halen, Sweet, Rainbow, Scorpions, Black Sabbath, Nazareth y Kiss, se fusiona su estilo con influencias de bandas de NWOBHM como Iron Maiden, Praying Mantis y Judas Priest. En un estilo más maduro o evolucionado, incorporaron más tarde el blues rock y pornogrind en su música, la banda fue uno de los grupos de glam metal y thrash metal con un estilo peculiar, fue una de las primeras que aparecieron en la década de 1980 en California. Su imagen tiene similitudes a la de Rough Cutt, que tenían varios miembros que se encontraban previamente en Mickey Ratt (de la cual evolucionó a Ratt).

Here are the songs in the broadcast Lady Of The Night - Lucy Hawkins - R&B - 1978 Groove To Get Down - T-Connection - R&B - 1977 Backstrokin' - Fatback Band - R&B - 1980 I'll Be Your Pleasure - Esther Williams - R&B - 1981 Holy Ghost - The Barkays - R&B - 1978 Keep In Touch (Body To Body) - Shades Of Love - R&B - 1982 High - Skyy - R&B - 1980 Lovin You is Easy - Maysa - R&B - 2020 I Am Living My Life - Lil Kim Stewart - R&B - 2020

SOLTA O PUM, OUVINTE! Venha se juntar ao @SamirSalimJr pra aprender a arte da ramperagem, aproveitar a curva do ônibus pra fazer delineado, anotar as dicas quentes de blogueirinho, agendar sexo casual na tabela do Excel, garantir a economia nacional em uma CG125, dialogar com o próprio cu, e descobrir de uma vez por todas: o que o gayminhoneiro foi fazer nas Olimpíadas? (Download) Participaram Deste Episódio @Lucas_O_Fofo, @LaPapaEsPop, @FellipeC e @SamirSalimJr! Capa & Edição: @FellipeC Decupagem: @Lucas_O_Fofo Tweets Comentados no Episódio [vendedora se aproximando] meu cu: vai peida anda peida rapidinho só um peidinho nem vai feder ela num vai sentir se num peidar eu explodo — fale baixo estou com coronavirus. (@bardoguto) March 10, 2020 Restaurante cheio. Entra um cara tatuado e parecido com no Wentworth Miller… A menina comenta com a amiga "ele parece o cara do Prison Break" A resposta veio na hora "Ele podia cavar um túnel em mim" Eu até virei o pescoço pra rir olhando pra ela — Samir Salim Jr. (@samirsalimjr) February 16, 2020 Seculos atras, saindo com uma menina, fui pro motel num fds. Garagem coletiva Na segunda uma aluna gaiata, p me deixar sem graça manda: – Ae prof, eu vi onde vc tava na sexta hein E ficou rindo, sob os olhares curiosos da turma. – Se você viu, então vc tava tb… Silêncio… https://t.co/8weEFBCeYb — Dan (@dacarpe1) March 5, 2020 Eu toda tentando engatar uma paquera com o conje: – amor, se você me encontrasse numa festa hoje o que falaria pra mim?– se eu e você tamo aqui quem é que ficou cuidando das criança? — furikake furiosa (@nontequiero) March 6, 2020 Agradecemos o apoio de Bruno Martins, Matheus Alesio, Inaldo, Renato, Charles Rodrigues, Magnun, @VinoDelicinha, @Cleislafalcao_, @Steefanye, @wellgpx, @CanisMagnus, @fada_do_dente, @marcelofs1, @paopixel, @ornitolincom, @romin_brito, @navemaetoaqui, @bomdiapaula, @direitoemedicos, @diego_0884, @o_almaia, @_digo_silva, @faustchulhu, @adorablewitch_, @theblovedwizard, @sansquer, @socaporva_br, @Oliver_woj_br, @DidiDalmolin, @PedroTanisho, @thedmmatt, @indeferido! Contribua com o Pod Isso! Você pode nos ajudar assinando um apoio mensal: Acesse → apoia.se/podisso ou picpay.me/podissomensal Ou com uma gorjetinha: Clique aqui → picpay.me/podisso ou busque por @podisso em seu app Trilha Sonora Rádio Taxi – Eva Tears for Fears – Everybody Wants To Rule The World Jimi Hendrix – All Along The Watchtower K.C. And the Sunshine Band – I’m Your Boogie Man P!nk – Funhouse Pantera – Cowboyws From Hell Paralamas do Sucesso – O Calibre Public Service Broadcasting – Go! Rush – Tom Sawyer U2 – City Of Blinding Lights Vanessa Carlton – A Thousand Miles Yes – Owner of a Lonely Heart Lady Gaga – Eh Eh (Nothing Else I can Say) Kylie Minogue – Can’t Get You Out Of My Head Katy Perry – California Gurls KISS – I Was Made for Lovin’ You O post 109 – Hot Banana, California Split apareceu primeiro em Pode Isso Podcast.

  Episode 2. Desmond Child   It is with great pleasure that Song Chronicles presents Grammy-Winning Producer, Recording Artist and Songwriter Desmond Child.   *Song Chronicles is a brand new podcast series hosted by Louise Goffin. The complete 32 episodes of The Great Song Adventure podcast hosted by Louise Goffin & Paul Zollo can be found on thegreatsongadventure.com.       Desmond Child, the son of Hungarian father Joseph Marfy and of Cuban songwriter Elena Casals, is a highly driven genre-defying songwriter and producer, who can easily be introduced to those not in-the-know as a "hitmaker to the stars". His credits appear on more than eighty Billboard Top 40 singles spanning five decades, including “Livin’ On A Prayer,” “You Give Love A Bad Name,” “I Was Made For Lovin’ You,” “Dude Looks Like A Lady,” “Livin’ La Vida Loca,” “Waking Up In Vegas.” and many more. February of 2020, Nashville TN, in a Charlotte Avenue storefront building filled with instruments and books, Desmond sat down with Louise Goffin and talked about some of the songs he's been a part of writing, artists he's collaborated with, and how real-life circumstances inspired some of the songs that became part of the zeitgeist of popular culture. In this engaging conversation, Child reveals his great love of his family, his passion for working towards a better future for songwriters and not least, leading the way forward toward a more open-minded world for his two sons. Desmond has no shortage of gratitude for his creative and varied life, partnered alongside his loving husband ("people like me because they like him!") and it's easy to see how his spontaneity and truthful read of those around him gifts him with a knack for drawing out the archetypal themes wanting to be written in the room, collaborating with artists who are searching to find something they truly want to sing about.  A graduate of New York University, once upon a time, Child and Maria Vidal, along with Myriam Valle and Diana Grasselli, formed Desmond Child & Rouge, recording two albums for Capitol. Next moves led him to collaborate with Paul Stanley of KISS and create two of the band's most enduring hits: “I Was Made for Lovin’ You” and “Heaven’s On Fire.” A winning streak had begun. From Aerosmith to Zedd, his songs have been recorded and performed by a wide variety of both entertainers and collaborators, defying genre limits, with superstars as diverse as Bon Jovi, KISS, Cher, Joan Jett, Alice Cooper, Barbra Streisand, Michael Bolton, Ricky Martin, Katy Perry, Kelly Clarkson, Carrie Underwood, Garth Brooks, Meat Loaf, Cyndi Lauper, Christina Aguilera, Sia, Mickey Mouse and Kermit the Frog.     with Joan Jett Songwriters Hall of Fame   "Desmond is a slave-driving slut" - Alice Cooper     with husband Curtis Shaw     left to right: Jon Bon Jovi (born John Francis Bongiovi Jr.), Cher, Desmond Child, Steven Tyler      "Lady Liberty" performed by Barbra Streisand                       Steven Tyler (Aerosmith)      KISS           Bob Ezrin's Studio, Nashville TN Desmond Child and Louise Goffin (reflection of Alice Cooper in glasses) photo by Kyler Clark     Bob Ezrin, Alice Cooper, Desmond Child, Louise Goffin photo by Kyler Clark       

On this episode, Mike and Alex talk about the most beautiful black rose, Charles Bradley. This former James Brown impersonator went through it all before achieving success in his early 60s. After 3 brilliant albums, Bradley tragically died of cancer in 2017, but a 4th album was released posthumously. The man was absolutely spectacular and we’ll never get another one like him. We’re all a victim of loving you, Bradley. Unless you haven’t heard him. In which case listen now for the love of God.Closing track: “Lovin’ You, Baby” from No Time for Dreaming (2011)Check out our episode playlists on Spotify! https://open.spotify.com/user/motherpuncherincMike’s Picks:No Time for Dreaming (2011) — Best Album, Personal FavoriteBlack Velvet (2018) — Worst AlbumAlex’s Picks:Changes (2016) — Best AlbumNo Time for Dreaming (2011) — Personal FavoriteBlack Velvet (2018) — Worst AlbumAlbums we discussed this episode…No Time for Dreaming (2011) Victim of Love (2013)Changes (2016)Black Velvet (2018)Follow Mike on Instagram @popejesseventura and Alex @motherpuncher

Playlist: Johnny Hoy & The Bluefish, Little Upsetter, Tall Richard and The Nightowls, Pretty Little Girl, Tas Cru, Grizzle N’ Bone, Buddy Guy, Whiskey For Sale, Davina and The Vagabonds, Bone Collection, Diane Blue, Knock, Knock, Lizanne Knott, Lay Him Down, Jittery Jack with Amy Griffin on Guitar, Dance Adrianne Dance, Murali Coryell, I Got It Bad For You, Dave Specter, How Low Can One Man Go, Katy Hodgood Ray, Oh Devil, Breezy Rodio, A Minute Of My Kissing, Johnny Burgin, She Gave Me The Slip, The Grip Weeds, Infinite Soul, Joanna Connor, Bad Hand, Screamin’ John & TD Lind, Shame, Shame, Shame, Fred Hostetler, He’s Gone Rogue, Jaqui Brown, Lovin’ You, Sonia Leigh, No Half Steppin’, Joe Kopicki, JuJu, Brad Vickers And His Vestapolitans, Love Can Win, Teresa James & The Rhythm Tramps, She’s Got A Way With Men, Biscuit Miller & The Mix, 609, Brad Heller, Bound For Nothing, The B. Christopher Band, I’m Drunk, Violates Violets, Flesh Of Flesh, Jeff Pitchell, It Come To Me Naturally, Christine Ohlman & Rebel Montez, Highway 61, Chris “Bad News” Barnes, Keep Your Mind On It, Matty T. Wall, Quicksand, Rick Estrin & The Nightcats, Cupcakin’, Mike Zito feat. Kid Andersen, My Ding A Ling, The Bruce Katz Band, Beef Jerky, Mojomatics, Soy Baby Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services,American Showplace Music, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, BratGirl Media, Mark Pucci Media, Mark Platt @RadioCandy.com and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much! https://itunes.apple.com/us/podcast/id502316055

Join me and Chris for a fascinating look into his life on the cusp of the release of his album and his undying passion for  Cowboy tradition and the modern cowboy lifestyle. For 2019 Chris is set to release a highly anticipated new album. Chris teamed up with Nashville producer, Trent Willmon, who will be producing the album. Chris wrote or co-wrote 11 of the 12 songs to be included on the album and Willmon co-wrote 8 of the 12 songs.  As a songwriter Trent has written many songs that have been cut by other notable artists including Brad Paisley, Eric Church, Little Big Town, Cody Johnson, Blake Shelton, Maddie and Tae, Merle Haggard, Wade Hayes, Randy Houser, Kevin Fowler, Granger Smith, Roger Creager, and many more. Trent also is credited with the Billboard top 5 hit “Keep on Lovin’ You” by Steel Magnolia, and Montgomery Gentry’s #1 hit “Back When I Knew it All.” As a producer Trent has truly shined and is credited in large part for the rise of Nashville’s newest sensation, Cody Johnson. Cody’s Album, “Ain’t Nothin’ to It”, also produced by Willmon reached the #1 spot on the Billboard Country Charts in 2019. Chris was raised in a small town in the heart of the Rocky Mountains. Here he developed a love for horses, and everything about the cowboy lifestyle. He was drawn to the old cowboys around town who took him under their wing and taught him about horses. Chris built a love of starting colts and building confidence in young horses. By combining his love for horses and a love for art and photography, Chris started Diehard Cowboy–A company built to share the cowboy lifestyle and his authentic music with others. Chris spends as much time as he can riding horses and starting colts. Chris also works for several ranches to get a reprieve from his regular schedule. You can take a glimpse in this life by following. @Diehardcowboy_ Chris got somewhat of a late start into his music career. Earlier in life the fear of singing in front of other people kept him from getting on stage. Even though Chris never sang in public until he was in college, music was always present. Chris would often write songs while driving, or riding his horses, but singing would only happen around his close friends. Friends soon began to encourage him to sing more and to share his songs. Eventually Chris started writing and recording the songs that he had written but they were only heard by those in his inner circle. A turning point came when Country Musician, Collin Raye, heard a burnt CD of a few of Chris’ songs. Collin asked if Chris would be willing to open an upcoming concert for him. The night of the concert came and Chris faced his fear, took the stage, and sang to a hometown crowd. This was a moment that changed Chris’ life. After encouragement from Collin Raye, Chris set his sights on pursuing his career as a songwriter and performer. It took a lot of  work to overcome his fear. Chris spent a full year singing once a week at a local venue with his guitar before he finally felt he could play for a crowd. Eventually Chris was playing for larger audiences in shows across the country. He played during the Houston Rodeo at NRG park,  and even packed his guitar to Missouri. In 2017 Chris was selected as a finalist at the Kerrville Songwriting Competition in, Kerrville, Texas. Many past finalists had gone on to become notable performers  like, Steve Earl, Tom Russel, Robert Earl Keen, Lyle Lovett, Hal Ketchum, and Zane Williams. Chris has always been a big supporter of the men and women who serve our country and communities. He has written two songs in their honor. “Every Time I Hear the Rain” as well as “He Still Pays the Price.” As a musician Chris sticks to his country roots. He loves playing traditional country music with influences like George Strait, Merle Haggard, and Chris Ledoux. These influences are also reflected in Chris’ writing. Chris writes songs that are authentic and true to his...

Welcome to week number two of December Duos on #GuysWeFucked! Today, hosts CORINNE FISHER (@PhilanthropyGal) and KRYSTYNA HUTCHINSON (@KrystynaHutch) combine forces with MATT ROGERS (@MattRogersTho) and BOWEN YANG (@bowenyang) AKA LAS CULTURISTAS (@LasCulturistas)to chat first time fucks, the anti-Asian mentality of the gay community, sexual manipulation, finding your comedy partner, Kevin Hart and the Oscars, and, of course, shitting on dicks. PLUS: rape kit bullshit & smelling your tampons Want more episodes of #GuysWeFucked in your life? Subscribe to our Stitcher Premium bonus episodes using this link --- stitcherpremium.com/gwf Tweet MATT ROGERS, BOWEN YANG & LAS CULTURISTAS: twitter.com/MattRogersTho twitter.com/bowenyang twitter.com/LasCulturistas Email us: SorryAboutLastNightShow@gmail.com Tweet the ladies: twitter.com/SryAboutLastNyt Tweet Corinne: twitter.com/PhilanthropyGal Tweet Krystyna: twitter.com/KrystynaHutch Follow us on Instagram: SorryAboutLastNight YouTube: www.youtube.com/sryaboutlastnyt Facebook: www.facebook.com/sorryaboutlastnight LISTEN TO CORINNE'S OTHER PODCAST, Two Less Lonely Girls! A podcast where two adult women (Corinne Fisher & Rosebud Baker) publicly stalk Justin Bieber each week in 30 mins or less! apple.co/2GmQO6K COME SEE US LIVE! For full duo touring schedule, please visit www.sorryaboutlastnightcomedy.com/tours MONDAY, DECEMBER 31st @ 6PM A PLATONIC NEW YEAR'S EVE WITH CORINNE FISHER & JOHN CAMPANELLI New York Comedy Club - East Village 85 E. 4th Street - NYC USE CODE "notdating" for $19 tix (regular $25) 2 drinks, 16+ (all you can drink packages available for this show) TIX: https://newyorkcomedyclub.com/events/a-platonic-new-years-eve-with-corinne-fisher-john-campanelli-new-york-comedy-club-on-4th-street FRIDAY, JANUARY 4th @ 7:30pm GLAMOURPUSS with KRYSTYNA HUTCHINSON & WENDI STARLING Zinc Bar 82 W 3rd Street New York, NY 10012 TIX: $15 TICKET LINK: https://glamourpuss37.brownpapertickets.com MUSIC FEATURED THIS WEEK: 1. Noah Finnegan - "Far From Done" https://soundcloud.com/noah-finnegan-35665231/far-from-done?fbclid=IwAR3aqIvWkNcZkIEEShFfSNuhodUZmM1p0kgLTq-utFRVJqcgH_cUhwgdVv4 2. Half-Seas Over - "Holdin Her, Lovin You" https://open.spotify.com/track/2AhA6PTnV7N7WcjRRnEBbq?si=tKyev0rnR56nstLm0XQK1Q Do you think your music should be featured on an episode of GWF? E-mail a streaming link to Mike Coscarelli: GWFPodcastMusic@gmail.com

Latest episode of The Mulberry Lane Show! In depth interview with hit songwriter Desmond Child!

What do we lose when we lose nostalgia? And what is going to replace the NFL? [17:40] This week, Aaron and Joey talk about time in different cultures, Finesse, Norman Rockwell, the Kareem Hunt story, culture televised, and ideal NFL alternatives. They don't talk about the power ranking of early 2000s teen films. referencesThe Dictionary of Obscure Sorrows.Minnie Riperton's Lovin' You in full.The study around how different cultures understand time.Jonathan Haidt's Big Think video.Get your copy of SLIMED: an oral history of Nickelodeon's Golden Age.The TMZ Sports video that did in Kareem Hunt.Evidence that of the top 50 rated shows on television, 37 were NFL games.

Topics: Urban Literature, Donald Goines and Iceberg Slim, Natalie Cole, Richard Pryor, Cooley High, The Jeffersons. (Bonus Artist: Luck Pacheco)   1975   A. General News   B. Gerald Ford is President   C. Apr - Vietnam War: The Fall of Saigon: The Vietnam War ends as Communist forces take Saigon, resulting in mass evacuations of Americans and South Vietnamese. As the capital is taken, South Vietnam surrenders unconditionally.   D. Jul - Stanley Foreman takes the photo "Fire Escape Collapse."   E. Sep - Ford survives 2 assassination attempts. Lynette Fromme, a follower of jailed cult leader Charles Manson, and Sara Jane Moore, a leftists sympathizer, are the only two women that have attempted to assassinate an American president; both of their attempts were on Gerald Ford and both took place in California within three weeks of one another.   F. Nov - Former California Governor Ronald Reagan enters the race for the Republican presidential nomination, challenging incumbent President Gerald Ford.   G. Dec - United States Congress passes the Metric Conversion Act which declares, but does not mandate, that the metric system is "the preferred system of weights and measures for United States trade and commerce".   H. Misc Tech: Kodak developed "The Digital Camera" / Motorolla obtains patent for the first portable mobile phone / Bill Gates and Paul Allen develop a BASIC programming language for the Altair 8800 computer, trademark the name "Microsoft" (for microcomputer software), and the personal computer wave begins.   I. The ring-tab beer (and soda) can design was discontinued in 1975, after injuries were caused by people swallowing the metal tabs.    J. Open Comments:   K. 1975 Min.wage = $2.10hr (+.10) / $84wk / $4,200k yrly - 2018 = $19,950yrly   L. Avg. Income per year $14,100   M. Avg. House Price - $11,787   N. Avg. Cost of new house -  $39,300   O. Avg. Cost new car - $4,250   P. Unemployment 9.2% vs Black unemployment 15.5%   Q. Open Comments:   1.    Top Pop Singles   2.    1 - "Love Will Keep Us Together", Captain & Tennille   3.    2 - "Rhinestone Cowboy", Glen Campbell   4.    3 - "Philadelphia Freedom", Elton John   5.    Grammy Award winners   6.    RotY: "Love Will Keep Us Together", Captain & Tennille   7.    AotY: Still Crazy After All These Years, Paul Simon   8.    SotY: "Send In the Clowns", Judy Collins   9.    New Artist: Natalie Cole   10.    Top Grossing Films   11.    1 - Jaws   12.    2 - The Rocky Horror Picture Show   13.    3 - One Flew Over the Cuckoo's Nest   14.    Top TV Shows   15.    1 - All in the Family (first tv series to be #1, 5yrs in a row)   16.    2 - Rich Man, Poor Man (7-week mini-series)   17.    3 - Laverne & Shirley   18.    TV Debuts   19.    Jan - The Jefferson’s, a spinoff of All in the Family, on CBS (1975–85)   20.    Sep - Welcome Back, Kotter on ABC (1975–79)   21.    Black Snapshots:   22.    Jan - The Wiz opens on Broadway   23.    Jan - The creation of the Church Committee was approved. Later that year, the media begins reporting that the FBI & CIA spied on citizens, many of them high profile African Americans; MLK, Malcom X, Black Panther leadership, etc. Senator Frank Church stated on NBC's "Meet the Press": "...If this government ever became a tyrant, if a dictator ever took charge in this country, the technological capacity that the intelligence community has given the government could enable it to impose total tyranny, and there would be no way to fight back because the most careful effort to combine together in resistance to the government, no matter how privately it was done, is within the reach of the government to know. Such is the capability of this technology."   24.    Feb - Elijah Muhammad, the religious leader of the Nation of Islam dies. He was a mentor to Malcolm X, Louis Farrakhan and Muhammad Ali, as well as his own son and successor, Wallace D. Mohammed, a.k.a., Warith D. Mohammed. Because of his personal studies and thinking, Warith led the majority of the original NOI to mainstream, traditional Sunni Islam by 1978. However, splinter groups resisting these changes formed, particularly under Louis Farrakhan, who in 1981 would revive the name Nation of Islam and claim direct continuity from the pre-1976 NOI.   25.    Apr - In the pilot episode of Starsky and Hutch, Richard Ward plays an African-American supervisor of white American employees for the first time on TV.   26.    July - Arthur Ashe wins Wimbledon   27.    August - James Benton Parsons (64 yrs. old), the first African American to serve as a life tenured federal judge: Becomes the "Chief" Judge of the United States District Court for the Northern District of Illinois. (Basically Chicago). Born in Kansas City, Missouri, raised in Decatur, Illinois. He was named "class orator" for Stephen Decatur High School class of 1929. He was on the basketball team, in the school band and orchestra. He earned a Bachelor of Arts degree from Millikin University in 1934.   28.    September – WGPR-TV, channel 62 in Detroit, becomes the first television station in the U.S. to be owned and operated by blacks.   29.    September – The Muhammad Ali–Joe Frazier title fight from the Philippines (the "Thrilla in Manila") is sent via satellite to the U. S. and shown on HBO   30.    September - Roxie Roker, mother to artist Lenny Kravitz, played Helen Willis on 'The Jefferson’s'. She was part of the first interracial couple to appear on regular primetime television.   31.    October - The premiere episode of Saturday Night Live is broadcast on NBC with OG cast member Garret Morris (Mr. Mason from Cooley High) and Billy Preston and Janis Ian the first musical guests.   32.    ###The Social Scene: Urban Literature / Fiction / Art   33.    Donald Goines, the ‘Godfather of Urban Fiction.’ (36yrs old): Criminal, drug addict, Author. From 1969 -1974 he published 16 novels that helped establish the genre.   34.    Urban fiction working definition: Works of art set in urban America dealing with drugs, violence, and sex, involving African    35.    American or Latino characters. The genre is also known as Street Fiction, Gangsta Lit, Ghetto Lit, or Hip-Hop Fiction.   36.    Goines was born in Detroit, Michigan. His parents were a middle-class African-American couple that ran a laundry business. At 15 Goines lied about his age to join the Air Force, where he fought in the Korean War. During his stint in the armed forces, Goines developed an addiction to heroin that continued after his discharge from the military in the mid-1950s. To support his addiction, Goines turned to crime, this included pimping, and theft. He began writing while serving a sentence in Michigan's Jackson Penitentiary. Goines initially attempted to write westerns but decided to write urban fiction after reading Iceberg Slim's autobiography Pimp: The Story of My Life.   37.    Goines continued to write novels at an accelerated pace to support his drug addictions, sixteen books in five years, with some books taking only a month to complete. His series about Kenyatta (under the name Al C. Clark) describes a black revolutionary, who campaigns against exploitation and evils of inner-city life. On October 21, 1974, Goines and his common-law wife were discovered dead in their Detroit apartment. The police had received an anonymous phone call and responded, discovering Goines in the living room of the apartment and his common-law wife Shirley Sailor's body in the kitchen.   38.    Goines books are still popular, especially in the prison system. His books have gone on to sell millions of copies and have never been out of print, making him one of the most successful African-American authors in history.   39.    His books have been utilized in several prison literacy programs and his novel "Dopefiend" (1971) has been taught in a Rutgers University class.   40.    Other popular titles: Whoreson (1972), Black Gangster (1972), Street Players (1973), White Man's Justice, Black Man's Grief (1973), and Black Girl Lost (1974)   41.    ***Question: has anyone read his books?   42.    Donald's work was deeply influenced by Iceberg Slim.   43.    In 1961, after serving 10 months of solitary confinement in a Cook County jail, Robert Maupin (a.k.a. Slim) decided he was too old for a life of pimping and was unable to compete with younger, more ruthless pimps. In an interview with the Washington Post, he said he retired "because I was old. I did not want to be teased, tormented and brutalized by young whores."   44.    In 1967, he published two books; A memoir, "Pimp: The Story of My Life" and the novel "Trick Baby"   45.    ***Question: has anyone read his books?   46.    Iceberg and Donald's work made a HUGE impact on the youth growing up in the 70's and 80's.   47.    "Pimp" inspired the screenplay for the 1973 film "The Mack", starring Max Julien and Richard Pryor.   48.    Various other entertainers were also influenced by Goines and Slim: Dave Chappelle, Eddie Murphy, Chris Rock, Katt Williams,    49.    Eddie Griffin, Ice-T, Ice Cube, Snoop Dogg, 2Pac, Ludacris, Nas, and Jay-Z, just to name a few.   50.    Iceberg and Donald also proved that a commercial "Black" book market did exist.   51.    A new "post" Hip-Hop revival of contemporary urban fiction happened at the end of the 1990s, as demand for novels authentically conveying the urban experience increased, and new business models enabled fledgling writers to more easily bring a manuscript to market and to libraries.   52.    One of the first writers in this new cycle of urban fiction was Omar Tyree, who published the novel Flyy Girl.    53.    The genre gained significant momentum in 1999 with Sister Souljah's bestseller The Coldest Winter Ever. Teri Woods's True to the Game was also published in 1999.The publishing of these three novels created a momentum of readership for urban fiction and carried that wave for years. All three books are considered classics in the renaissance of the genre.   54.    Major writers of contemporary urban fiction include Wahida Clark, Vickie Stringer, Nikki Turner, Kole Black, K'wan, Toy Styles, Kwame Teague, and the writing duo Meesha Mink & De'Nesha Diamond.   55.    ***Question: has anyone read any of these books?   56.    The reach of urban fiction into a large youth readership is undeniable today, particularly among adolescent girls.   57.    Critics and supporters are pleased that Black youth are reading. But some have mixed feelings about promoting literacy by any means necessary. “To some extent, there is an exposure to a part of urban culture that has rarely been explored in a way that it is now…which can be a starting point for civic dialogues,” offers Tracey Michae’l Lewis, who teaches writing and literature at Community College of Philadelphia and Philadelphia University. “Unfortunately, we have to ask ourselves, ‘What is this costing us?’”   58.    Scholars have differing opinions on Urban Fiction. Some believe that it is low reading, like a trashy book, that is not of high quality. Those who believe this think that prisoners and adolescent should be reading more elevated works.   59.    On the other hand, are scholars who say that African Americans appear to be reading street lit to find themselves and escape themselves at the same time. Some readers just enjoy losing themselves in portrayals of lavish lifestyles, racy sex and ride-or-die dramas of the streets, while others enjoy the genre for its reflective qualities.   60.    [Contributing source: Debating Black “Street Lit,” New Urban Fiction May 31, 2008 / Joe / African Americans, book review, urban]   61.    ***Question: Is urban art (books/films/music) really and truly a problem?   62.    ###The Music Scene   63.    6 - "Shining Star", Earth, Wind & Fire   64.    13 - "Lovin' You", Minnie Riperton   65.    14 - "Kung Fu Fighting", Carl Douglas   66.    18 - "He Don't Love You (Like I Love You)", Tony Orlando and Dawn   67.    20 - "Pick Up the Pieces", Average White Band   68.    21 - "The Hustle", Van McCoy & the Soul City Symphony   69.    22 - "Lady Marmalade", Labelle   70.    23 - "Why Can't We Be Friends", War   71.    24 - "Love Won't Let Me Wait", Major Harris   72.    25 - "Boogie On Reggae Woman", Stevie Wonder   73.    27 - "Fight the Power", The Isley Brothers   74.    30 - "Fire", Ohio Players   75.    ***Vote:    76.    Jan: Fire, The Ohio Players   77.    Feb: Kung Fu Fighting and Other Great Love Songs, Carl Douglas   78.    Feb:  New and Improved, The Spinners   79.    Feb: Do It ('Til You're Satisfied), B.T. Express   80.    Mar: AWB, Average White Band   81.    Mar: Al Green Explores Your Mind, Al Green   82.    Apr: Perfect Angel, Minnie Ripperton   83.    Apr: That's the Way of the World, Earth, Wind & Fire   84.    May: A Song for You, The Temptations   85.    May: To Be True, Harold Melvin and the Blue Notes   86.    May: Mister Magic, Grover Washington, Jr.   87.    May: Sun Goddess, Ramsey Lewis   88.    May: Just Another Way to Say I Love You, Barry White   89.    Jun: Survival, The O'Jays   90.    Jul: Disco Baby, Van McCoy & the Soul City Symphony   91.    Aug: The Heat Is On, The Isley Brothers   92.    Aug: Chocolate Chip, Isaac Hayes   93.    Aug: Cut the Cake, Average White Band   94.    Aug: Why Can't We Be Friends?, War   95.    Sep: Non-Stop, B.T. Express   96.    Sep: Honey, The Ohio Players   97.    Oct: ...Is It Something I Said?, Richard Pryor   98.    Nov: Al Green Is Love, Al Green   99.    Nov: KC and the Sunshine Band, KC and the Sunshine Band   100.    Nov: Inseparable, Natalie Cole   101.    Nov: Save Me, Silver Convention   102.    Dec: Let's Do It Again, The Staple Singers   103.    Dec: Feels So Good, Grover Washington, Jr.   104.    Dec: Family Reunion, The O'Jays   105.    ***Vote:    106.    ###Key Artist: Natalie Maria Cole (25yrs old): singer-songwriter, actor, author, daughter of crooner Nat King Cole, nicknamed, "Sweetie"   107.    Short-story: Born and raised in Los Angeles. Grew up immersed in the music scene of her parents. Even though she didn't plan on a singing career, she took a summer job singing with a band in 1972. Albums soon followed, as well as two Grammy Awards for her debut album, Inseparable (1975). After a bout with addiction, Cole returned in the 1990s with Unforgettable... with Love, featuring renditions of songs previously sung by her father. Cole died in 2015 at the age of 65.   108.    Early Career: She met the writing and producing team of Chuck Jackson and Marvin Yancy in 1975. The duo helped Cole land a deal with Capitol Records and, later that year, create the album Inseparable. With hit songs such as "This Will Be (An Everlasting Love)," the album exploded onto the music scene, earning the young starlet her first two Grammy Awards—for best new artist and best female R&B performance.   109.    Cole's career took flight: she turned out four gold and two platinum records / in 1979, a star on the Hollywood Walk of Fame / Cole hit a lull in her career in the early 1980s due to her struggle with drug addiction / in 1991, she released Unforgettable... with Love. and won a Grammy for album of the year / in 2008, "Still Unforgettable" won another Grammy for best traditional pop vocal album.   110.    Personal Life and Death: The death of her father, when she was 15 yrs. old, greatly affected her and put a strain on Cole's relationship with her mother. In her 2000 autobiography, Angel on my Shoulder, Cole exposed her depression and heavy drug use throughout her career. She began using in college. She overcame her addiction in 1983. In 2008, Cole was diagnosed with hepatitis C, a disease of the liver. She passed 7 from congestive heart failure on December 31, 2015.   111.    Legacy: "Cole wasn’t the next Aretha. She was the simply the MOST versatile vocalist of the soul-pop era" - Written by Keith Murphy (@murphdogg29) BET 1/2016  112.    Cole could do Chaka’s “Tell Me Something Good.”. But could Chaka do “Our Love.”? Cole could do Gladys Knight & the Pips’ “Midnight Train to Georgia.” But could Gladys do “Good Morning Heartache,’? Cole could do Whitney Houston’s “How Will I Know.” But could Houston do “Lucy in the Sky with Diamonds” or “Something Got A Hold On Me”?   113.    Audio Clips   114.    ***Question: Silver spoon or deserved?   115.    ###Key Artist: Richard Franklin Lennox Thomas Pryor III (35yrs old): Actor, Comedian, Screenwriter (1940–2005)   116.    Born and raised in Peoria, Illinois, he became one of the most influential comedians in the history of comedy. Few comics today will talk about their own careers without mentioning the inspiration they received from Pryor. A talented yet controversial man, most people either love him unconditionally or hate him passionately.    117.    Early Life: For much of his youth, Pryor was left in his grandmother's care and lived in the brothel she ran. He also experienced sexual abuse as a child, according to his official website. To step away from the grim reality of his life, Pryor found solace in going to the movies. Expelled from school at age 14, Pryor ended up working a string of jobs until he joined the military in 1958. He served in the army for only two years, as he was discharged for fighting with another soldier.   118.    Early Career: Returning home, he found work as a stand-up comic throughout the Midwest, playing African-American clubs in such cities as East St. Louis and Pittsburgh. In 1963, Pryor moved to New York City. The following year, he made his television debut on the variety show On Broadway Tonight. Guest appearances followed on such programs as The Merv Griffin Show and The Ed Sullivan Show. At the time, his act was modeled after two African-American comedians he admired, Bill Cosby and Dick Gregory.   119.    In 1960, while playing in Las Vegas at the Flamingo Hotel, he had a panic attack and walked off stage. He wanted to give voice to the winos, pimps, dealers, and other characters in his head. He retreated to Berkeley, California, where he met a variety of counterculture figures, including Black Panther leader Huey P. Newton.   120.    Mainstream Success: In the early 1970s, Pryor scored several successes as an actor and comedian. He earned positive reviews for his supporting role in the Billie Holiday biopic Lady Sings the Blues (1972), starring Diana Ross. In 1973, he netted his first Emmy Award nomination (outstanding writing achievement in comedy, variety) for his work on The Lily Tomlin Show. The following year, Pryor took home his first Emmy (best writing in comedy, variety) for another collaboration with Lily Tomlin: the comedy special Lily (1973). Pryor also wrote for such shows as The Flip Wilson Show and Sanford and Son, which starred comedian Redd Foxx. Continuing to thrive professionally, Pryor co-starred with Max Julien in the film "The Mack" 91973) and worked with Mel Brooks on the screenplay for the western spoof Blazing Saddles (1974). His own work was also attracting a lot of attention. Despite its X-rated content, his third comedy albums sold extremely well and won the Grammy Award for Best Comedy Recordings in 1974, 1975, and 1976.   121.    Fans of all racial backgrounds were captivated by Pryor's comedy, which consisted of situational and character-driven humor in place of straightforward jokes. He poked fun at the white establishment and explored the racial divide. By the late 1970s, Pryor had a thriving career as a stand-up comic and movie actor.   122.    Audio Clips   123.    Troubled Personal Life: Pryor had a long history of substance abuse and stormy relationships. He got into legal trouble in the early 1970s for failing to file tax returns. / In 1978, Pryor had another run-in with the law after he shot his estranged wife's car. / Pryor’s health began to suffer, and he endured his first heart attack in 1978 / In June 1980, after several days of freebasing cocaine, he lit himself on fire in a suicide attempt /    124.    Later Years: In 1986, Pryor was diagnosed with multiple sclerosis, a disease that affects the central nervous system. By the early 1990s, the once-kinetic Pryor was confined to a wheelchair. The comedian wrote the autobiography Pryor Convictions: And Other Life Sentences with Todd Gold, earning critical acclaim upon its release in 1995. In 2001, Pryor remarried Jennifer Lee. He spent his final years with her at his California home. Outside of performing, Pryor was an advocate for animal rights and opposed animal testing. He established Pryor's Planet, a charity for animals.   125.    Death and Legacy: On December 10, 2005, Pryor died of a heart attack at a Los Angeles area hospital. In addition to providing audiences with both hilarious and moving performances, he paved the way for African-American comedians like Eddie Murphy and Chris Rock to make their mark. "Pryor started it all. He made the blueprint for the progressive thinking of black comedians, unlocking that irreverent style," comedian and filmmaker Keenen Ivory Wayans explained to The New York Times.   126.    ***Question: Given his EXTEMELY troubled personal life, does he deserve praise, pity, or pilloried (ridiculed publicly)?   127.    ###Vote for Key Artist:   128.    ###The Movie Scene    129.    Dolemite: Played by Rudy Ray Moore, who co-wrote the film. Moore had developed the alter-ego as a stand-up comedian and released several comedy albums using this persona. The film has attained cult status. Plot: Dolemite is a pimp and nightclub owner who is serving 20 years in prison after being set up by a rival, Willie Green. One day, his friend and fellow pimp Queen Bee helps him get out of jail, and plots with him to get revenge on Green.   130.    Mahogany: A romantic drama directed by Berry Gordy and produced by Motown Productions.  Mahogany stars Diana Ross as Tracy Chambers, a struggling fashion design student who rises to become a popular fashion designer in Rome. Fresh from the success of Lady Sings the Blues, this film served as Ross' follow-up feature film.   131.    Let's Do It Again is an action crime comedy directed by and starring Sidney Poitier and co-starring Bill Cosby and Jimmie Walker. The film, directed by Poitier, is about blue-collar workers who decide to rig a boxing match to raise money for their fraternal lodge. The song of the same name by The Staple Singers was featured as the opening and ending theme of the movie, and as a result, the two have become commonly associated with each other.  This was the second film pairing of Poitier and Cosby following Uptown Saturday Night, and followed by A Piece of the Action (1977). Of the three, Let's Do It Again has been the most successful both critically and commercially. [FYI...Calvin Lockhart was Biggie Smalls and Jimmie Walker as Bootney Farnsworth]   132.    ###Key Movie: Cooley High: [My Favorite movie of all-time!]   133.    Summary: "...But "Cooley High" was no exploitation film. Unlike the other black stories being told on screen in the early '70s, this one wasn't about crime, racism, drugs, vengeance, or black-power heroes and heroines who stuck it to the Man. It was just about teens doing what teens do -- hanging out, going to school, going to parties, hooking up, cruising the streets, and dreaming of the future. Yes, there was petty crime and some tragic violence, but they weren't the focus of the story. It was just a slice of life, both specific and universal. As a result, "Cooley High" marked the beginning of the shift in African-American cinema away from blaxploitation toward more diverse stories of black life, although it would take another 20 years for that transition to be fully realized." - 'Cooley High' Is the Most Influential Movie You've Never Seen, by Gary Susman, moviefone.com   134.    Audio Clips   135.    In film, coming of age is a genre of teen films. Coming-of-age films focus on the psychological and moral growth or transition of a protagonist from youth to adulthood. Personal growth and change are an important characteristic of this genre, which relies on dialogue and emotional responses, rather than action. The main character is typically male, around mid-teen and the story is often told in the form of a flashback.   136.    Films in this subgenre include Bambi (1942), Oliver! (1967), American Graffiti (1973), Breaking Away (1979), The Last American Virgin (1982), The Breakfast Club (1985), Stand by Me (1986), Almost Famous (2000), the Harry Potter series (2001–2011), and Moonlight (2016)   137.    ***Question: The movie dealt with friendships, loyalty, betrayal, forgiveness, and regrets. Do you have any personal stories to tell that deal with these issues?   138.    ###The TV Scene: The Jefferson’s   139.    Sample review: Parents need to know that this classic '70s/'80s sitcom -- which follows an African-American couple who move to an upper-class Manhattan apartment in a primarily Caucasian neighborhood -- combines strong racial stereotypes with some positive representations of African Americans and interracial relationships. George Jefferson is stubborn, mean-spirited, and bigoted, and the show uses strong words like "damn" and racial epithets like "honky." The show is generally mild by today's standards, but George's inappropriate behavior and language may send iffy messages to younger viewers.   140.    For many black Americans, the news of actor Sherman Hemsley’s death represents a two-fold loss of both an incredible talent and the captivating character that was George Jefferson. By portraying the outspoken and incredibly honest Mr. Jefferson, who was never too shy to speak candidly about race relations in the seventies, Hemsley and his cast mates had a major effect on American television through the hit sitcom “The Jefferson’s.”    141.    As the longest-running series with a predominantly African American cast, the show was one of the first to portray a successful black family, paving the way for future sitcoms like “The Cosby Show” and “The Fresh Prince of Bel-Air.” It was also the first series to prominently feature an interracial couple with the characters Helen and Tom Willis, using its makeup of colorful personalities to create humorous commentary about race in the United States at the time.    142.    Making its debut in 1975, the show mimicked its parent series “All In The Family,” but instead focused on a black household. George Jefferson displayed his distrust of white people and shared his views on race in America with a fervor that rivaled Archie Bunker’s comical, yet stinging, opinions about minorities. The show explored issues rarely discussed on television, and the characters’ frequent use of racially charged terms like “nigger” and “honky” placed the series in a class all its own. Although George and his wife Louise “Weezy” Jefferson’s sudden success catapulted them into a predominantly white world, they represented the epitome of black culture. Even the show’s popular theme song was reminiscent of the gospel tunes often heard in black churches.    143.    “The Jeffersons” use of confrontational humor and candid commentary that helped ease the discussion of topics like race and class on American television (and beyond) is the cornerstone of the show’s legacy. Its characters opened doors for future black actors, and its success proved that African American sitcoms did, in fact, resonate with general audiences.    144.    ***Open Comments:   145.    Legacy: We also recognized the familiar in George's willingness to put on airs if it meant seizing an advantage against a rival or gaining one from a potential patron, backing down only when it became clear that his honor or family's well-being was at risk. It was easy to mistake George's hustle as symptoms of a gratuitous and crass materialism, but, his endless striving, the relentless quest to impress the Wittendales of the world or to get into a posh tennis club, even though he had no clue or interest in the sport, was always about survival. Money, in George's mind, represented the best defense against discrimination. "Let me tell you something about people," George tells his old adversary Archie Bunker at a cocktail party. "That bartender's willing to work for me because if you got enough green in your pocket, then black becomes his favorite color." - What 'The Jeffersons' Taught Me About Being an American. SHERVIN MALEKZADEH  AUG 7, 2012   146.    "...And the previous, say, eight years or so were characterized by efforts to sort of break down institutional racism in America from the Civil Rights Act to desegregation in schools. And so, you had this whole level of black folks who were just being held back by institutional racism, and once those bonds started to break, they could build businesses. They could get great jobs, and they could move into the middle class and upper middle class in a way that they hadn't been able to do before. And "The Jeffersons" in its own way, even though it was also a very typical sitcom, very broad, it also talked about those elements. You know, George had to deal with his friends from the old neighborhood. They would come to visit and embarrass him because he was trying to impress the new wealthy people that he lived with in his new high-rise. And, you know, there was always that tension, and I think some black folks were going through that in their own lives. They could recognize a bit of that in what George Jefferson was doing. - Heard on All Things Considered, NPR   147.    ***Question: Was the show too unrealistic/out of reach?   148.    ***Vote: 1975 biggest legacy?

Kudisan Kai is a busy singer/songwriter who toured as a back up singer with Elton John and Chaka Khan. She stops by the show to share all original music or songs that she has performed. Each of these peices are important milestones not only in her life, but in her career. She discusses everything from her first love who introduced her to rock music, what it was like growing up in a music-less home in Memphis, how she became a the youngest singer in a professional opera company, and the first song she wrote that Sir Elton John heard that gave her the confidence she needed to continue to pursue writing music. Her Songs are titled: "Fade Into Oblivion," "If You Loved Me," "Beautiful," "Everlasting Love," and "Lovin' You at Howard University Jazz Ensemble."   This week we find ourselves in Chicago for Band Or Bar (try to see if you guess it correctly!) before we learn about Kudisan's First and Last Concert. Plus, she shares a secret about performing music for a living.   She has a new book out called Memoirs of A Backup Diva and an album that just came out called The Healing. Follow her on Facebook, Instagram or Twitter to see her on a stage near you!   If you enjoyed this episode, we'd love to know your thoughts! Email the show ytunesshuffle@gmail.com or connect on Facebook, Instagram or Twitter.

Guest: Taura Stinson The Album: Minnie Riperton's Adventures in Paradise (1975) 2018 has been a breakout year for this weeks guest, Taura Stinson. "Mighty River", the song she co-wrote with Raphael Saadiq for Dee Rees' critically acclaimed film Mudbound was nominated for both a Golden Globe and an Academy Award. She is a singer's singer who understands the nuances of song creation, production and arrangement. We couldn't have asked for a better guest and a better album to discuss and were thrilled to have her wax poetic about Minnie Riperton's 1975 Adventures In Paradise. We dug deep on this one - discussing both Minnie's supreme vocal prowess and the sonic and lyrical legacy she left us when she left us just four years after this album was released. With production help from The Crusaders, Stewart Levine and Leon Ware, this peek into Minnie's world is quite the adventure. Get thoroughly into our chat with Taura Stinson and then revisit Adventures in Paradise for the culture. About Taura: https://en.wikipedia.org/wiki/Taura_Stinson http://www.musicconnection.com/songwriter-profile-taura-stinson/ https://pandagossips.com/posts/2402 Taura's book Taura's Oscar & Golden Globe Nominated song "Mighty River" Taura's single "Gossypium Thorns" Show Tracklist (all songs from "Adventures in Paradise" unless indicated otherwise): "Baby, This Love I Have" Taura Stinson: Gossypium Thorns (Freedom) "Gossypium Thorns (Freedom)" The Gospel Clouds: "Let Us Pray" "Inside My Love" "Inside My Love" Minnie Riperton: Perfect Angel "Lovin' You" Rotary Connection: Aladdin "Life Could" Mariah Carey: Emotions "Emotions" Rotary Connection: Hey, Love "I Am the Blackgold of the Sun" "Adventures in Paradise" "Inside My Love" A Tribe Called Quest: Midnight Marauders "Lyrics to Go" The Pointer Sisters: Steppin' "How Long (Betcha Got a Chick on the Side)" Gwen McCrae: Lady Soul "Rockin' Chair" Natalie Cole: Inseparable "This Will Be (An Everlasting Love)" Labelle: Nightbirds "Lady Marmalade" "Feelin' that the Feeling's Good" Minnie Riperton: Perfect Angel "Take a Little Trip" Minnie Riperton: The Best of Minnie Riperton "Woman of Heart and Mind" Quincy Jones: Body Heat "If I Ever Lose This Heaven" "Love and It's Glory" "Adventures in Paradise" "When It Comes Down to It" "Alone in Brewster Bay" "Baby, This Love I Have" "Simple Things" Minnie Riperton: Le Fleur "Young Willing and Able" "Feelin' that the Feeling's Good" "Simple Things" "Minnie's Lament" Prince: Parade-Music from the Motion Picture "Under the Cherry Moon" "Sometimes It Snows in April" Emage: "Inside My Love" "Don't Let Anyone Bring You Down" If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

This episode doesn’t follow a particular theme but instead focus around some recently acquired 45s. Although the theme is not clear it turned out to be a pretty heavy episode with some hard rock-sounding tunes, like Babylon, Rebel Woman and Lovin’ You (which was recently included on the Brown Acid compilation series). Other highlights includes a nice version of The United States of America’s Coming Down, done by an unknown band, which only known recording is an acetate we recently came across.  Special for this episode is that we also had the pleasure to interview Sid Bradley from the band Erik, who shed some light on this little-known group for us, which cut two great 45s in the early 70s. For this episode we have also talked to Charlie Day, who played in Conception, and John Lally from Travis, and they revealed some interesting facts about their groups and the recordings they made. We also wish to thank Lance Barresi from Permanent Records, who helped us get in contact with John Lally. Travis (Starshine Production, 1970) -Lovin’ You Micah (Sterling Award, 1971) -I’m Only One Man Erik -Child of the Sea (Coliseum, 1971)  -Rebel Woman (Eden, 1972) Unknown Artist – Coming Down (acetate by an unknown band, 196?) The Group Image (Community, 1968) -Hiya Conception (Perfection, 1969) -Babylon Frank Monroe (Eternity, 1977) -Looking Back at You Home Grown (Westmount Records, 1976) -Here in the West

Tracklist:Playmen - Gypsy Heart (Incognet Remix)x-cess! - explode the dancefloor (clash remix)Mart, Perfectov feat. Alray - Out of Touch (Original Mix)DJ Lutique - What If (Original Mix)Criminal Vibes - Do It! (Original Mix)Filthy Rich, Redondo - 60 Dollar Sauce (Original Club Mix) Sarah McLeod, Hagenaar & Albrecht - Love Is Hell feat. Sarah McLeod (Steve Kid & John De Mark Remix)Massive Ditto & Jeanxk- Deux (Original Mix)Evden, New Comple - Marph (Original Mix)Eddie Deng - Fire! (Original Mix)Flo Rida ft. Pitbull - Can't Believe It (Wild Pistols Remix)Jason Chance & Kevin Andrews - Work The Track (Original Mix)Phunk Investigation - Drop The Bass (Original Club Mix)The Partysquad, Mitchell Niemeyer - Pantsdown (Club Mix)Stefano Munari - I Was Made for Lovin' You feat. Max Panico Jason Derulo - Talk Dirty (DJ RICH-ART & TOM REASON Remix)John Acquaviva & Nihil Young - Rockdafunkybeatz (Original Mix)Landis - Impact (Original Mix)Miley Cyrus- Wrecking Ball (Ryan Kenney Remix)Rubberteeth - Irie Rock (Original Mix)Ezzy Safaris - Boogie Day (Original Mix)Sinnastar - Out Of Control (MiXiNiT Remix)Gala - Taste Of Me (Hoxton Whores Dub Mix)Kiko Navarro Feat. C.B. - Sonando Contigo (Kiko Navarro Re-Work Of Yotam Avni Rmx)

Новый микс без джинглов уже в сети! Ilya Cryis & Maxim Kelevra - Deep Party Going OnRelease Date: 2017-02-07Label: Promo CD Style: House / Deep HouseНовый микс записанный с моим другом Максимом Келевра! Благодарим за репост! 1. Frey Waxy - We Came To Party 2. Willcox vs. NuKid - Shady Baby (Jasted Tool) 3. Lika Morgan - Feel The Same (EDXs Dubai Skyline Remix) 4. Casey, Andrey Exx, Max Lyazgin - Extasy (Max Olsen Remix) 5. Corey Hart - Sunglasses At Night (Proxide Remix) 6. RagnBone Man - Human (Andrey Exx Sharapov Remix) 7. Kristine Blond - Love Shy (James Hype Extended Remix) 8. Spankox - To The Club (Dreeminde Remix) эксклюзив @ https://soundcloud.com/dreeminde 9. Loud Luxury - See It Again 10. EDX - High On You 11. Brooks - Make Your Move (Gil Sanders Extended Remix) 12. Fomichev, Stylin - Sing It Back 2016 (Keyton & Ramis Remix) 13. TwoSid3s - Alive 14. Sep Ft. Elle Vee - Come A Little Closer 15. Cat Dealers - Your Body (Bhaskar Remix) 16. RoelBeat Feat. Vika Tendery - No Cry 17. Ferreck Dawn - Higher 18. Damon Paul, Beccy - I Was Made for Lovin You

Новый микс без джинглов уже в сети! Ilya Cryis & Maxim Kelevra - Deep Party Going OnRelease Date: 2017-02-07Label: Promo CD Style: House / Deep HouseНовый микс записанный с моим другом Максимом Келевра! Благодарим за репост! 1. Frey Waxy - We Came To Party 2. Willcox vs. NuKid - Shady Baby (Jasted Tool) 3. Lika Morgan - Feel The Same (EDXs Dubai Skyline Remix) 4. Casey, Andrey Exx, Max Lyazgin - Extasy (Max Olsen Remix) 5. Corey Hart - Sunglasses At Night (Proxide Remix) 6. RagnBone Man - Human (Andrey Exx Sharapov Remix) 7. Kristine Blond - Love Shy (James Hype Extended Remix) 8. Spankox - To The Club (Dreeminde Remix) эксклюзив @ https://soundcloud.com/dreeminde 9. Loud Luxury - See It Again 10. EDX - High On You 11. Brooks - Make Your Move (Gil Sanders Extended Remix) 12. Fomichev, Stylin - Sing It Back 2016 (Keyton & Ramis Remix) 13. TwoSid3s - Alive 14. Sep Ft. Elle Vee - Come A Little Closer 15. Cat Dealers - Your Body (Bhaskar Remix) 16. RoelBeat Feat. Vika Tendery - No Cry 17. Ferreck Dawn - Higher 18. Damon Paul, Beccy - I Was Made for Lovin You

Meghan Linsey! I've known this songbird for about a decade and have loved following her career. She had a big hit with her former duo, Steel Magnolia, "Keep on Lovin' You," then went on to win 2nd place on The Voice w her coach Blake Shelton (believe me her voice is out of this WORLD), and now she has a new song and new music video out "Exes and Friends" which is infectious, and there's even a celebrity costar in the music video that you won't wanna miss! #nashville #meghanlinsey #thevoice #carolinehobby #hyper #podcast Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Pod of Thunder - 187 - I Was Made for Lovin' You: Chris, Nick, and Andy break down the first single from 1979's Dynasty - "I Was Made for Lovin' You". Tags: kiss, kiss podcast, pod of thunder, i was made for lovin you, paul stanley, gene simmons, peter criss, ace frehley, anton fig, lynda carter

Traducción de la canción "Lovin You" de Minnie Riperton de 1975.

Traducción de la canción "Lovin You" de Minnie Riperton de 1975.

muzic=love 1.Snowflakes 2.Can't Breath (feat. Sansa) 3.Fade (feat. Maiday - Etherwood VIP) 4.Gecko (Matrix & Futurebound Remix) 5.Dare (Hold It Down) 6.Be Together (Spire Remix) 7.Another Day (feat. Theo Jones) 8.Treat Me (Original Mix) 9.Lovin You (feat. Chrystal) [Keeno Remix] 10.Hold Ya (VIP)

This Mix is dedicated to Melissa & Bruno Gaspar.... Congratulations in honour of your life together. 1. Everything - Lifehouse 2. The Breach - Dustin Tebbutt 3. Photograph - Ed Sheeran 4. Crystals - Of Monsters and Men 5. This Feeling - Alabama Shakes 6. Oblivion - Bastille 7. One Thing - Finger Eleven 8. Ho Hey - The Lumineers 9. No Way No - Magic 10. We Found Each Other in The Dark - City and Colour 11. Paradise - City and Colour 12. One - Ed Sheeran 13. Northern Wind - City and Colour 14. Gimmie All Your Love - Alabama Shakes 15. Lovin' You, Baby - Charles Bradley 16. One and Only - Adele

Serving you #Songkran9, #LaBoracay and even some #MatineeCircuitFestival realness all in one set. Tea dance anthems for daaaaayysss. Let's shake it and bake it this summer errrrbody! 1. Ghosttown (Offer Nissim Drama Mix) - Madonna 2. Woman Power (Mike Cruz Power Mix) - ONO 3. Bakumba (Original Mix) - T. Tommy, Luis Mendez 4. Sunshine 2015 (Original Mix) - Yomanda, Tavo 5. Spell (Ralphi Rosario Club Mix) - Noelia (feat Timbaland) 6. Rock Your Body feat. Maximilian G (Terraze Dub Mix) - Taito Tikaro, Andre Vicenzzo, Flavio Zarza 7. Gotta Let It Go (Original Mix) - Isaac Lozano 8. Can U Feel It (The Cube Guys Mix) - Kaarlos & Mozza 9. I Believe (Gustavo Scorpio Club Mix) - Happy Clappers 10. What I Need (Right Here, Right Now) [Ranny's Big Room Mix] - Dasco 11. Everyday (Alexander Mix) - Kim English 12. Back to Breathing feat. Estela Martin (Terraze Mix) - Taito Tikaro, Flavio Zarza 13. Let The Joy Rise (Luque & Thiago Remix) - Abigail feat. Toy Armada & DJ GRIND 14. Lovin You feat. Stanley Miller (Tribaland Remix) - Taito Tikaro, Flavio Zarza 15. Love Me Harder (Leo Sampaio & Yan Bruno Private Mix) - Ariana Grande feat.The Weekend 16. Beautiful People Say (M.Torrez Special Mix) - Rihanna feat. Sia & David Guetta 17. Lovers On The Sun vs Coracao (Edson Pride Vs Danny Mart Remix) - David Guetta Vs Jerry Ropero 18. I Want You To Know (Dario Xavier Remix) - Zedd feat. Selena Gomez 19. Free People (Mauro Mozart Remix) - Tony Moran feat. Martha Wash 20. Love Me Like You Do vs Blame (Barry Harris Mashup) - Calvin Harris (feat John Newman), Ellie Goulding

Tune in for some background on Minnie Riperton's chart topping single "Lovin' You"

To listen and download Part One, please follow this link to Kevin DuRard's Beatport page: http://mixes.beatport.com/mix/nocturnegy-best-of-2014-pt-1-kevin-durard-mix/212224^14^ Cedric Gervais f. Miley Cyrus - Adore You (Extended Club Remix) ^15^ Ariana Grande f. Zedd - Break Free (Noodles Extended) ^16^ Kiesza - Hideaway (Dzeko & Torres Remix) ^17^ Rave Radio f. Chris Willis - Feel the Love ^18^ Meghan Trainor - All About That Bass (JNR Vs. David Guetta Dub) ^19^ Bright Lights & 3LAU - How You Love Me (Arston Remix) ^20^ Lady Gaga f. Christina Aguilera - Do What U Want (Steven Redant Barcelona Remix) ^21^ Jennifer Lopez - First Love (Edson Pride Remix) ^22^ Offer Nissim f. Maya Simantov - Everybody Needs a Man (Club Mix) ^23^ Havana Brown - Warrior (Dave Audé Remix) ^24^ Taylor Swift - Shake It Off (Ranny's Sunset Mix) ^25^ Sia - Chandelier (DJ Aron Summer Remix) ^26^ Taito Tikaro & Flavio Zarza f. Stanley Miller - Lovin You ^27^ Armin van Buuren f. Laruen Evans - Alone (Extended Mix) ^28^ Mr. Probz - Waves (Robin Schulz Remix) Click here for a high quality continuous mix file (256 kbs)

Join us this week as we welcome the country pop music duo, Gracie and Joey. Gracie Varga and Joey Jacob met while singing at their church. They realized quickly that their voices and musical desires blended very well. With the desire to move into the country genre they began putting their lyrics and music together. They soon realized that the songs that were difficult to write on their own, were easy to finish together. Their music has a pop and modern country feel similar to Lady Antebellum. Catchy melodies and heartfelt lyrics can be heard on the EP “Runaways”, which they recorded with Billboard charting platinum producers Zack Odom and Kenneth Mount. The music video for their single “Lovin' You” produced by Revolution Pictures, the same team behind videos for Carrie Underwood and Taylor Swift, helps put to motion the music they like to share. They have been performing around Nashville and into Georgia and Florida. Their heart-felt lyrics and catchy melodies along with their blended vocals have captured the attention of all who hear them. We will talk to Gracie and Joey about their upcoming schedule, get a behind the scenes look at their music, feature their latest songs, and ask them to share their message for the troops. Please be sure to visit Gracie and Joey at http://www.gracieandjoeymusic.com/ and spread the word. Fans are welcome to call in and speak live with with them during the show (718) 766-4193. If you would like to participate in the live chat during the show, you must sign up on the show site first and then log in during the show. And as always we will give shout outs to our deployed military listeners. Be sure to join us, Sunday 9/28/2014 at 4 PM EDT! Our message to the troops....WE do what we do, because YOU do what you do.

Tracklist: 1- Can´t Do Without You – Caribou 2- Mister – Majical Cloudz 3- Iron – Woodkid 4- Cignes – Balago 5- Sun – Koreless 6- Silent Ascent – Downliners Sekt 7- Lovin You – STwo 8- L´amour Parfait – Yelle 9- Gold – FM Belfast 10- Cinders And Dust – Pick A Piper 11- […] The post Planeta Binario 19/06/2014 first appeared on Ripollet Ràdio.

Tracklist: 1- Can´t Do Without You – Caribou 2- Mister – Majical Cloudz 3- Iron – Woodkid 4- Cignes – Balago 5- Sun – Koreless 6- Silent Ascent – Downliners Sekt 7- Lovin You – STwo 8- L´amour Parfait – Yelle 9- Gold – FM Belfast 10- Cinders And Dust – Pick A Piper 11- […]

So we are definitely feeling the coming of Spring, the greening of the Earth now easily visible, the blossom on the trees, the energy builds, the coming of new life, the breath of the universe. Well this is the Cosmic Jam, what do you expect, a treatise on the benefits big pharma? No we're dedicated to a more holistic approach in case you hadn't realised. I for one am certainly feeling the benefits of a change of diet recently and adopting an even healthier lifestyle, not that I was wallowing in a trough of fast food and bad habits before!! Does this have an effect on The Cosmic Jam… well I hope a beneficial one if any. Positivity abounds at Forge towers of late, and we're enjoying the music more than ever, I suppose if anything I've had a bit of soulful renaissance, in that it's the SOUL that's tipping my balance, but JAZZ is still there in abundance, perhaps in the not too dim and distant I'll do a dedicated Jazz Jam just to renew my faith. Not that Jazz doesn't gets look in in this week's selection far from it, in fact I programmed a distinctly jazztastic left turn early on in proceedings as I didn't want to get caught up in House music, though I really did want to play the Kyodai remix of Shuya Okino's "Still In Love" which kicks things off after a little acapella affirmation from The Peech Boys. So after that blast of jazz infused club energy, we get the rugged tenor of Bob Berg, the smooth but textured vibes of The Expansions and the invigoratingly fresh Agora Ensemble to complete a first section that definitely holds up the jazz content of this week's show. Brazilian music is so close to my heart and most of the qualities that I admire are present in the Ivan Lins tune "Quadros De Roda" the swing of the Samba is all pervasive, just listen to Lins' piano and imagine how difficult it is to play like that, it's not complicated but the feel, and that word again, swing, are sublime. Melody is also paramount and I love the vocal chorus. So We gets little funkier with a Gal Costa tune from her much ignored but undeniably brilliant eighties period. I had a little exchange with Rainer Truby about these tunes during the week so I was very happy to expand my collection with a copy of her Minha Voz album acquired for a fairly nominal sum, and I soon zoomed in on Musa Cabocla with it's slightly Steely Dan-esque horns and rippling rhythm section. In a world where AOR/ Yacht Rock has suddenly become a hip new sound, (some would say scraping the barrel in search of rare grooves) such Brazilian lushness as this Gal tune is vastly preferable to my ears than some of the obscure bits that are currently changing hands for silly sums. However I have lately developed a penchant for Hawaiian rare groove/soul/ folk-funk, call it what you will there's a distinct flavour to the island's music that I've picked up through my love of Seawind, the band that justifiably crossed over into the US mainstream and various CD reissues that I've picked up in Japan. Seawind, led by the drummer and prolific songwriter Bob Wilson with his wife Pauline on vocals, coupled with the musical wherewithal of Larry Williams and that killer horn section, are definitely way up there in my estimation and not just for their bona fide jazz-dance classics "He Loves You" and "Free", though "Devil Is A Liar" is attune that's always had plays and props from the London cognoscenti, it ticks all the boxes and then some for that Hawaiian sound, like a boogie tune infused with gospel and folk vibes played by a killer jazz-funk ensemble, so good to hear that again. The Nohelani Cypriano tune that follows was a highlight of the recent Floating Points/Love On The Run session at Plastic People, every time I hear that intro I just melt!! Tavares are a band I've studiously ignored through the years, however that all changed when I heard "Ridin High" recently, reminiscent of The Natural Four, it's pedigree vocal harmony business. The Mighty Clouds Of Joy's album was something I bought on spec recently instinctively knowing it would have the kind of gospel-boogie that "Glow Love" turned out to be. Tarika Blue's classic "Truth Is The Key" closes the first hour, just remembering the joy when I first got my grubby mitts on a copy of that album raises a smile now!! I was so obsessed with James Mason's Rhythm Of Life album when I heard about (kind of related) Tarika Blue I went nuts until I eventually connected with a copy! Memories… but the music still sounds great. Some new Jazz worthy of the Cosmic Jam's high standards, and you know I wouldn't kick off the second half of the show with any old rubbish, takes us off into that mesmeric territory that in many ways was first mapped out by the great Sun Ra. Nick Woodmansey aka Emanative who produced Collocutor's "Archaic Morning" is a huge Sun Ra fan and space-jazz evangelist, and for my money he's getting closer and closer to a sound that genuinely embodies that incredible heritage whilst also having a contemporary twist. Archaic Morning is properly tranced out, a good way to drop into another great track from Melanie De Biasio's excellent No Deal, The Flow is deeper than deep, so much so we had to brighten up after that darkening of the mood. And Greetje Kaufeld's version of the devotional "Day By Day" from the gospel rock opera Godspell is one that I adore with it's bonkers big band arrangement . Michael Gregory Jackson's albums are just the kind of left footed soulful music that always fell between the cracks of most tastes back in the day, (as did so much great music, I can remember throwing way Rotary Connection and Lou Bond albums when I worked for Reckless Records in the late eighties because they's been reduced all the way down to 50p and still no takers!) These days these kind of artists are better appreciated for the way in which they threw together so many influences, I love the MGJ's Heart ANd Center album and "Lovin You" just gets better for me, kind of like an East Coast Shuggie Otis. Had to pull out the Dave Valentin album The Hawk, to touch down on "We'll Make Love" with Angela Bofill on vocals, the pair had worked together since being involved in Ricardo Marrero's groups, and you can't mess with the production values of the GRP label, the sound is impeccable, and of course the players Dave Grusin brought through from the jamaica Queens posse, Marcus Miller, Dennis Chambers, Don Blackman, Bernard Wright, wow , what a stable!! Esther Marrow's "Ask Me To Dance" is another fine tune, written and arranged by Bobby Scott whose credits are as impressive as anyone's in the history of popular music. This is the man who wrote " A Taste Of Honey" and "He Ain't Heavy He's My Brother" , ooof! So by way of a finale I had to start with a tune that I've had lurking around for a while, but not found a way to play, as it's not the kind of thing that sits easily in most types of Cosmic Jam sequence. However Pat Williams "Joy Joy" is a beautifully bonkers piece of orchestrated funk that definitely deserved an airing, so I goaded myself into it by posting a picture of the cover on Instagram beforehand!! Following on with a bona fide rare groove classic from 9th Creation, and a favourite from Caldera, the ever impressive "Sky Islands", before we land on "Do You Want To Dance" from Jim Messina's rather wonderful Oasis album which also takes me back to early days of The Cosmic Jam, I've only just re-acquired this on vinyl, it's proper West Coast, Steely Dan at the disco business… time to go before I get carried away. Hope you enjoy the music. May I remind you about a little session well worth investigating…. https://www.facebook.com/events/609272492453291/ 1. NYC Peech Boys - Life Is Something Special (Acapella) 2. Shuya Okino ft Navasha Deya - Still In Love (Kyodai Remix) 3. Bob Berg - Shapes 4. The Expansions - Lavender 5. Agora Ensemble - Vila Madalena 6. Ivan Lins - Quadras De Roda 7. Gal Costa - Musa Cabocla 8. Seawind - The Devil is a Liar 9. Nohelani Cypriano - Lihue 10. Tavares - Ridin High 11. Mighty Clouds Of Joy - Glow Love 12. Tarika Blue - Truth Is the Key 13. Collocutor - Archaic Morning 14. Melanie De Biasio - The Flow 15. Greetje Kaufeld - Day By Day 16. Michael Gregory Jackson - Lovin' You 17. Esther Marrow - Ask Me To Dance 18. Pat Williams - Joy Joy 19. 9th Creation - Much Too Much 20. Caldera- Sky Islands 21. Jim Messina - Do You Want To Dance 22. MUV - Torte De Chocolate

Ethiopian-born, singer/songwriter Wayna possesses a voice that is as sweet and pure as it is honest and passionate. This young talent’s love for music started as a child, when she starred in theater productions like “Annie,” and “Damn Yankees” and toured with a children’s musical review company. Wayna went on to hone her vocal talents as a young adult by absorbing the works of her favorite artists, including Minnie Riperton, Billie Holiday, Stevie Wonder, and Donny Hathaway. While in college, Wayna was crowned Miss Black Unity of the University of Maryland in 1995, earning a one year tuition scholarship. After earning a Bachelor’s degree with a double major in English and Speech Communication from the University of Maryland, Wayna began her professional career as a Writer in the White House for the Clinton administration. She’s also served as a featured vocalist and writer on a number of independent projects for artists, including W. Ellington Felton, Kenn Starr, Kev Brown, Cy Young, and Tamara Wellons.  Wayna received a Grammy nomination in the "Best Urban/Alternative Performance" Category in 2009, for her remake, "Lovin You" featuring Kokayi. "The Expats" is the third and latest LP from this innovative artist and represents a new and daring departure from her previous work. The project is named after its Toronto-based backing band and production team hailing from various parts of the world -- Ethiopia to Japan, Isreal to India, Germany to Jamaica. Drawing from diverse musical influences, Wayna and the Expats create a unique blend of African and Reggae-inspired soul, fused with classic and alternative rock -- Sade and the Police meets Lauryn Hill and Radiohead. This new sound, which Wayna calls “world soul” was the result of a creative journey, jamming, writing and recording with “the Expats” in Toronto over the past 2 years.

Новый коктейльный микс , составленный из старых хитов в новых ремиксах и немного разбавленный новыми треками ! Эта музыка навеяная мне с приходом холодов в предверии наступления зимы . Качаем ,слушаем и наслаждаемся ! Приветствуется поддержка и критика данного материала ! Если микс понравится , то не забывайте нажать кнопку PR , для поддержки данного материала , которая находится рядом с кнопкой " скачать " 00:00 01.Simply Red - Something Got Me Started (Deepjack & Mr.Nu Dance Mix) 04:57 02.Maroon5 - If I Never See Your Face Again (Sonic Future Deep Remix) 09:37 03.The Police - Roxanne (V.Gromov Reboot) 12:53 04.Max Creative vs. Jamiroquai - Cosmic Girl 16:47 05.Gavri, Jean Claude - Saturday Nite (Jean Claude Gavri Oldschool mix) 22:42 06.Donna Summer - Bad Girls (Gigamesh Remix) 27:08 07.Disco Fever - I Follow Rivers 31:14 08.Star Motel Band - Wicked Game (Original Mix) 34:50 09.Gorillaz - Feel Good Inc. (Dayne S Edit) 42:14 10.Misha Klein & Prohorov feat. The Doors - Riders On The Storm (Deep Rmx) 45:43 11.Naughty Boy feat. Sam Smith - La La La (Ivan Spell & Daniel Magre Reboot) 49:56 12.Lissat & Voltaxx, Marc Fisher - Groovejet (Andrey Exx & Fomichev Remix) 55:13 13.Justin Timberlake - Rock Your Body (Dj Stuff, Dj Matuya Remix) 59:57 14.Svet - Deepurple (Eldar Stuff & Matuya Remix) 01:04:24 15.Michael Jackson - Smooth Criminal (Albert Klein Remix) 01:09:38 16.Fatboy Slim & Maribou State - Praise You (Ivan Spell Reboot) 01:13:40 17.Everything But The Girl - Missing 2013 (Legran & Alex Rosco Remix) 01:19:00 18.Stefano Munari - I Was Made for Lovin' You feat. Max Panico (Max Millan Deep) 01:23:56 19.Avicii - Wake Me Up (Mak.Pap Autumn Remix) 01:28:46 20.Coldplay - Clocks (Mood Switch Remix) 01:32:28 21.Lenny Kravitz - Believe In Me (Dousk & JMP Remix) 01:36:30 22.Iio - Rapture (Indifferent Guy Remix)

I Was Made for Lovin` You 

I Was Made for Lovin` You 

One of the most popular KISS-related shows we've done was our GPS: KISS Landmarks episode with special guest host Chris Epting. Chris is well-versed in KISS, pop culture, and travel as he's written books on all three. He also now hosts a great new music talk show that you can access HERE.  We had such a great response to that episode that we knew we had to do a part 2 for this year's KISSMAS in JULY. We're fortunate that Chris was equally enthusiastic about coming back to discuss KISS Landmarks. So, let's crank up the engine and hit the highway! 1 Washington Blvd  Detroit, MI 48226 - Cobo Hall A  very pivotal location in KISS’ history. Most well-known for a sold-out 3 night stand in January of 1976, Cobo was one of the hosts of the Alive! album and was a meeting place for the blue-collar faithful that made up KISS’ early fan base.  Cobo Hall It’s also worth noting that it was the host venue for 1984’s Animalize Live/Uncensored performance as well as the venue chosen for the kickoff of the Alive 35 tour in 2009. 238 Bagley Avenue, Detroit, MI - MichiganPalace Another well-known marker of KISS’ early Detroit dominance, the Michigan Palace was built in 1926 as a movie theater and hosted KISS on their earliest American tours.  Michigan Palace location It was also a beneficial presence for KISS’ promotional efforts as it was utilized for the videos for Rock N Roll All Nite and C’mon & Love Me as well as the cover photo for the Alive! album shot by Fin Costello. The majority of the structure was torn down but the ornate ceilings can still be seen above the parking garage that sits in its place today. Corner of 23rd & 8th, NYC – Dressed to Kill Cover site. The only non-structure on our list, this street corner will always big popular in the annals of KISStory. In 1975, a then-struggling KISS was working on a creative photo shoot with legendary New York photographer Bob Gruen.  Inspiration struck during this shoot and the members of the band were in quick need of some business suits. Peter, being the only one that actually owned a suit, looked spiffy on this cover but the rest of the band looked awkward due to having to borrow manager Bill Aucoin’s duds and Gene borrowing Gruen’s wife’s clogs. It’s a strange album cover for sure but always a destination for KISS fans visiting the Big Apple. 1255 Hempstead Turnpike  Uniondale, NY 11553 - Nassau Coliseum While Madison Square Garden will probably always be the crown jewel of New York rock concerts, Uniondale’s Nassau Coliseum has a special place in KISStory from a special time. On 12/31/1975, the band was presented with their first gold album awards prior to taking the stage.  Nassau Coliseum Also of note for this concert was the fact that Blue Oyster Cult were the opening act. This was symbolic in the fact that a year prior, KISS was opening in this venue for BOC. This took place 2 years to the day of their first public performance at the Academy of Music. A true crossroads for the band on their way to superstardom. 3500 Sports Arena Boulevard, San Diego, CA 92110 – San Diego Sports Arena Now known as the Valley View Casino Center, the San Diego Sports Arena was host to many classic rock bands from the 1970’s and KISS is no exception. Built in 1966, the arena has hosted numerous sporting events as well as notable concerts by acts like Jimi Hendrix, Tina Turner and Metallica.  San Diego Sports Arena San Diego Sports Arena fits in the KISS ether by way of one very famous photograph. The gatefold image of KISS in full bombastic glory from the Alive II album has always been a stern message to other bands to “Top this!” While it’s one of the most iconic photos in rock history, it’s origin location is refuted by the original photographer. Barry Levine has claimed in interviews that the photo was not snapped at Sports Arena but, in fact, at L.A.’s Forum. Regardless of where it was taken, it still makes many say “Wow” upon first glance. 254 West 54th Street, New York, NY 10019 – Studio 54 Studio 54 will always be strongly tied to the disco era. The Manhattan haven for debauchery was an escape for many well known celebrities from the entertainment and fashion worlds including members of KISS. Paul Stanley was actually inspired to write ‘I Was Made for Lovin’ You’ after a night at 54 listening to pulsating disco beats that were on top of the charts.  Studio 54 Also of KISS note, Studio 54 was the host venue for one of the only times that band performed as a trio. KISS were set to lip-synch to the song ‘I’ from the Music from The Elder album during a live satellite broadcast for the San Remo Festival in Italy in January 1982. Ace Frehley was a no-show and the band had to soldier on despite his absence. A very strange location for a very strange performance from a very strange album. Strange, indeed. Cascais Hall, Lisbon Portugal After taking a huge leap of faith by unmasking on MTV in 1983, KISS decided to go half a world away to break in the fresh-faced version of the band. Located. literally, in a highly vegetated jungle-like atmosphere, KISS unveiled their new look for the Lick it Up tour at Cascais Hall in Lisbon, Portugal.  Cascais Hall, Lisbon As evidenced by the footage on KISSOLOGY Volume 2, the Portuguese fans were a bit surprised by the band’s new appearance but were quickly won over by the energetic ferocity that they still brought to the stage. T C Industrial Park, Depew NY, 14043 – Borden Ink Plant (Marvel Comics) By 1977, KISS were keenly aware of what it took to generate press attention. They took full advantage of a good story by flying out to the Borden Ink Plant near Buffalo, NY to pour viles of their own blood into the red ink for use in their upcoming Marvel comic.  Borden Ink, Depew NY Marvel master Stan Lee was on hand as well as a notary and members of the press. This was an iconic moment in the band’s history and it also ushered in the saturation of non-musical merchandise that was to come. 1 Stuart St  Binghamton, New York 13901 – Broome County Veterans Memorial Arena We’re sure a lot of KISS fans are wondering what Binghampton, NY could possibly have to do with Kisstoric landmarks. Broome County Veterans Memorial Arena was built in 1973 and has hosted a number of notable events including a pair of Elvis’ final concerts.  Broome County Arena, Binghampton NY Of KISS note, it is the only venue to feature a full Mark St. John KISS performance. Struggling with Reiter’s Syndrome, St. John was sidelined for most of the Animalize tour and played a couple of split shows with then-replacement member Bruce Kulick. But in Binghampton, St. John would play the entire set. Being a rather small arena, only a select number of fans got to witness one very unique and short-lived lineup of KISS. 100 1st Avenue Nashville TN - Riverfront Park Fresh off the release of KISS My Ass: Classic KISS Regrooved, the band was only playing a handful of U.S. dates in 1994. Decibel Gee’s own Chris Czynszak was fortunate enough to see one of them.  Riverfront Park, Nashville TN Headlining the Gibson Guitars 100th Anniversary concert, KISS played after an eclectic mix of artists including Pat Travers, Brother Cane, and Fleetwood Mac. The band threw down a musical gauntlet without the use of pyro or flashy stage effects. Performing on a floating stage, the band pulled out a barrage of heavy and obscure tunes that had the diehards panting for more. Truly a unique concert in KISStory. 1000 Elysian Park Ave, Los Angeles, CA 90012 - DodgerStadium After record-breaking attendance numbers on the reunion tour or 1996-97, KISS were determined to assault the media with the launch of new album and tour Psycho Circus. On Halloween night of 1998, the band received wall-to-wall coverage on the FOX Network due to their guesting on numerous shows including Mad TV and Millenium.  Dodger Stadium The network also aired the beginning of a raucous concert at Los Angeles’ Dodger Stadium. While the merits of the album and pre-tour hype are hot-button topics for any KISS fan, it’s pretty clear that this venue, on this night, hosted a band that had truly returned to form. 8255 Sunset Boulevard Los Angeles, California 90046 – Casablanca Records Offices Soon to be documented by a Hollywood film and already documented by the great book by Larry Harris, Casablanca Records Offices were abuzz in the 1970’s in more ways than one.  Casablanca Records Site With cocaine running rampant and hype spilling out of every corner thanks to the enthusiasm of label owner Neil Bogart, the Casablanca Offices provide a perfect example of the phrase “If walls could talk.” There are some famous photos in KISS-fan circles of the large billboard outside the building that would regularly feature KISS album advertisements. 3000 West Alameda Avenue, Burbank, California – NBC Studios This location is famous for some of the biggest moments in television history; The Tonight Show being one of the biggest. But, for KISS fans, this sacred ground is the site of one of KISS’ most explosive television appearances.  NBC Studios Site On 4/1/1975, KISS ripped through a handful of future-classics in front of a slack-jawed audience on The Midnight Special. This fiery performance included loads of energy by the front three as well as machine gun-like drumming from Peter Criss as well as Chris totally trashing his drum kit at the end of the set (a la Keith Moon). This footage is a great way to show a newbie how powerful KISS was in the early days. 483 George St  Sydney NSW 2000, Australia – Sydney Town Hall While KISS’ popularity was certainly waning in the United States in 1980 after a big change in sound and a personnel change at drummer, the band was massive in Australia. The KISS tour of Australia in 1980 was as close to Beatlemania as a band could get.  Sidney Town Hall Playing soccer stadiums, making front page news every day, and parties that seemed to never end, the band had their official welcome on the balcony of Sydney Town Hall looking down on thousands of fans that had gathered to get a glimpse of their heroes. 2121 Trumbull St., Detroit, MI 48216 – Tiger Stadium If there was ever one place that every KISS fan wanted to be it was Detroit’s Tiger Stadium on June 28th, 1996. Paul, Gene, Ace, and Peter finally delivered on what so many fans had dreamed of; a full reunion with the original band.  Tiger Stadium Site Playing to a massive sold out audience, KISS was there to say “Meet the new boss….same as the old boss” 8852 W Sunset Blvd, West Hollywood, CA 90069 – The Viper Room Guest host Chris Epting has a personal KISS connection to this venue and the next. The Viper Room was the venue that Chris and his son were allowed to interview all four members of KISS on August 13, 2012.  The Viper Room The band were there to unveil the massive Monster book. Chris and his son had a special moment with the band as Gene took note of the strong father and son bond that had connected the two through the love of the band. 6300 Pacific Coast Hwy, Redondo Beach, CA ‎- Rock and Brews Restaurant Closing out our discussion of KISS Landmarks is another location near and dear to Chris Epting. On May 13, 2013 the band performed and impromptu 3 song set at the grand opening of Rock and Brews PCH location.  Rock & Brews PCH Not using their trademark gear, the band performed with the gear that was laying around but still pulled off an energetic set that had KISS fans in the crowd excited. We close out the show with an exclusive audio clip of KISS performing ‘Hotter Than Hell.’ Buy Music! KISS Check out Chris Epting's books! http://www.chrisepting.com/ Check out Chris Epting's show! http://webtalkradio.net/internet-talk-radio/music-backstage-onstage-on-the-record/ Contact Us! Rate, Review, and Subscribe in iTunes Join the Fan Page Follow on Twitter E-mail Us Comment Below Call us on the Hotline! (540) DBGeek - 1 or (540) 342-3351 *All images used sourced by Google Images and Google Maps. No copyright infringement intended. Credit pending. To add credit, contact decibelgeek@gmail.com*

In the wake of the great jazz trumpeter's death I'd been a little dismayed that Donald Byrd was being celebrated by my Facebook friends mainly for the his 70's recordings with the Mizell Brothers. Of course these are all amazing tunes, and I love them as intensely as anyone. Way back in the 90s I was asked by Blue Note Japan to choose an album from the catalogue for re-release in Japan, and I chose Places ANd Spaces, at a time when the Mizell Brothers recordings had not yet gained the formidable reputation they deservedly have today. However Donald Byrd had already enjoyed a prodigous career that went back to 1955, almost twenty years before he stepped in the studio with the fusion pioneers. So it was my intent to play a greater breadth of Byrd's works on the show whilst not ignoring his later crossover material. I'd even lined up "Lovin' You" and "Love Has Come Around" for the closing sequence. However I arrived at the studio and launched into my selection following the usual bit of banter with messrs Allen and Hale of The Wildstyle, only to discover about twenty minutes in, that not only had I left those two anthemic twelves back in Kentish Town but that also my back-up cd on which I thought I'd burned some more of his classics was actually blank! So if you hear a note of panic in my voice round about "Elijah", that's why! No worries, I had plenty of original Byrd vinyl and a bunch of CDs to cover my losses, however what my "space cadet" forgetfulness meant was that the show became just a bit more "hardcore", in fact I ended up playing hardly any of Byrd's most celebrated works, and that I regard as being providential! Everything happens for a reason. My only regret was that without those two tunes for the last half hour I wasn't able to naturally plug this Saturday's If Music session at Plastic People, "Love Is In The Air,And In The Titles". But there you go If Music presents a post Valentine's celebration of "love" records, strictly vinyl featuring Myself , If's Jean Claude Thompson and Budgie from Honest Jons, Saturday 16th, Plastic People!! So two hours of Byrd which focusses on the jazz musician and composer ( though he didn't actually write any of the tunes he's best known for), and I talk a bit about his role as an educator and perpetual student. Definitely something of a polymath, Donald Byrd was one of the last few jazzers who connects with that post-bop tradition, there's only the likes of Sonny Rollins, Wayne Shorter and Ahmad Jamal left and maybe a few more but a rapidly dwindling coterie of jazz legends. However his career, and the choices he made, stand as a testament to a a great man who had an ability to reach out communicate, educate and involve way beyond his role as a jazz musician. Spanning from his 57 recording with Gigi Gryce through to a lovely tribute tune from 95, Ahmad Jamal's "Big Byrd", basically a dialogue betwwen two of my favourite ever players, this Is Donald Byrd. R.I.P. 1.Donald Byrd&Johnny Cole with The Duke Pearson Quintet - Sudel 2.Onward Tl Morning 3.Fancy Free 4 Elijah 5.Donald Byrd and Gigi Gryce - Elgy 6.Ghana 7.Shangri-La 8.Fufu 9.Cristo Redentor 10.Ahmad Jamal ft. Donald Byrd - Big Byrd 11.I Love The GIrl 12 Flight Time 13.The Blackbyrds - The Baby 14.Donald Byrd&Booker Little -Wee Tina 15.Solomon Ilori- Gbogbo Omo Ibile (Going Home)

The Grascals: Pain of Lovin' You (with Dolly Parton) (The Grascals and Friends,Blugrascal Records)The Red Button: On A Summer Day (As Far As Yesterday Goes,self-released)Josh Rouse: Lazy Days (Josh Rouse and The Long Vacations,Bedroom Classics)The Silver Seas: The Best Things in Life (Chateau Revenge,The Lights Label)Zoe Muth and The Lost High Rollers: Harvest Moon Blues (Starlight Motel,Signature Sounds)Lori McKenna: Sweet Disposition (Lorraine,Signature Sounds)BettySoo and Doug Cox: Every Other Road (Across the Borderline: Lie To Me,Borderline Talent)Michael O'Connor: New Year's Eve (Devil Stole The Moon,Bare Knuckle Recordings)Slaid Cleaves: One Good Year (Sorrow and Smoke,Music Road Records)Sarah Jarosz: Ring Them Bells (Follow Me Down,Sugar Hill)Gillian Welch: The Way It Goes (The Harrow & The Harvest,Acony Records)Amy Lashley: Emmett Till (Travels of a Homeboy,Wanamaker Recording Company)Rita Hosking: Ballad For the Gulf of Mexico (Burn,self-released)Robby Hecht: Real Someday (Last of the Long Days,Old Man Henry Records)Ryan Adams: Invisible Riverside (Ashes and Fire,Columbia)Jeffrey Foucault: Starlight and Static (Horse Latitudes,Signature Sounds)Arty Hill and the Long Gone Daddys: King of That Thing (Another Lost Highway,self-released)John Lilly: I Don't Know Where To Start (feat. Brennen Leigh) (Cold Comfort,self-released)Sierra Hull: Daybreak (Daybreak,Rounder)Greg Trooper: Could Have Been You (Upside-Down Town,52 Shakes Records)Markus Rill: Natascha (Wild Blue & True,Blue Rose)Arthur Alligood: Piece Me Together (I Have Not Seen the Wind,self-released)Cahalen Morrison and Eli West: Since You Took Your Leave (The Holy Coming of the Storm,self-released)Amanda Shires: When You Need A Train It Never Comes (Carrying Lightning,Silver Knife)Tori Sparks: The Sea and the Sand (Come Out of the Dark/Until Morning,Glass Mountain Records)Chris Isaak: I Forgot To Remember To Forget (Beyond the Sun,Vanguard Records)Last Train Home: The Mysterious Fox of Fox Hollow (I LOVE: Tom T. Hall's Songs of Fox Hollow,Red Beet Records)Nick Lowe: Sensitive Man (The Old Magic,Proper Records)Brian Ledford: Red Marker (From Sunlight into Shadow,self-released)Ian McFeron: Come See Me (Before You Go) (Summer Nights,self-released)The Good Intentions: Everybody Loves A Drinking Man (Someone Else's Time,self-released)Buddy Miller: God's Wing'ed Horse (feat. Julie Miller) (The Majestic Silver Strings,New West)

DJ BILL COLEMAN - "Lucky Rush" [A Peace Bisquit Hazy Shade of Winter Mix] - February '09 "Halo" (Lost Daze Mix) - Beyoncé "Lovin' You" (Lost Daze Mix) - Nashay "Miles Away" (Morgan Page Mix) - Madonna "Magic Touch" (Moto Blanco Mix) - Robin Thicke + Mary J. Blige "Touch Me" (Balt B More Mix) - Bingo Players + Chocolate Puma "Closer" (Stonebridge Mix) - Ne yo "I Hate This Part" (Digital Dog Mix) - The Pussycat Dolls "Poker Face" (Dave Aude Mix) - Lady Gaga "Diva" (Redtop Mix) - Beyoncé "Cry For You" - September "Lucky Girl" (Matthias "Matty" Heilbronn Mix) - Michelle Williams "Crush" (Mike Rizzo Mix) - David Archuleta "Some Kinda Rush" - Booty Luv "Music Sounds Better With You" (Hot Tracks Re-edit) - Colton Ford vs. Dan McKie "If I Never See Your Face Again" (Paul Oakenfold Mix) - Maroon 5 featuring Rihanna www.peacebisquit.com www.myspace.com/djbillcoleman www.myspace.com/peacebisquit http://www.facebook.com/pages/DJ-Bill-Coleman/40082219045 http://www.facebook.com/pages/Peace-Bisquit/18967752285