Podcasts about Northern America

Pea crops are facing a potential hit to farmgate prices and export margins, as trade tensions between Northern America and China deepen. Tariff disputes between the United States and China continue, and Beijing has also imposed a 100 percent tariff on Canadian Pea exports. But currency and supply chain complexities are the biggest issues facing the domestic industry Rural Reporter Toby Gough discussed the situation further with Rabobank's senior analyst Vitor PistoiaSee omnystudio.com/listener for privacy information.

Coffee with Samso Episode 203 may well be one of the best ASX small-cap resource business in 2025, that is largely unknown to the general investing community. The Cyclone Metals Limited (ASX:CLE) is about the pedigree of the Iron Bear magnetite project. In Australia, the general ASX punter thinks of iron ore as haematite are greater than 62% Fe, but there is a new sheriff in town and he is called Magnetite. Where can you find a mineral resource business that is owned by a small cap junior with a market capitalisation of less than AUD $50M that has funding all the way through to mining and processing the high-grade iron pellets. Just remember that Cyclone Metals was a AUD $10M market cap company when it started the journey. The transitioning from haematite to magnetite in the iron ore industry is happening and it is largely driven by the depleting of high-grade haematite iron ore. - Paul Berend In this episode of Coffee with Samso we are talking to Paul Berend, Executive Director and CEO of Cyclone Metals Limited (ASX:CLE). Cyclone is a fascinating story of a junior aspiring to be a producer with a major, VALE, partnering with funding. A space in which most juniors would be struggling to find funding, CLE has a big brother taking care of all the bills. The Business of Cyclone Metals Limited. The steel producing industry is transitioning to low emission and the process of Direct Reduction (DR) steel production is the solution to a global reduction in emission for the typically high carbon emission business. . Direct Reduction steel production requires iron pellets that are very low in impurities and this is directly controlled by the quality of the source material. As Paul Berend explains, ....not all magnetite deposits are suitable for Direct Reduction Pellets which is why the Iron Bear deposit is perfectly aligned to allow this process to be achieved. Recent work by Cyclone Metals Limited has shown that the use of Direct Reduction on iron ore from Iron Bear can create iron pellets above 71% Fe content. According to Paul Berend, this is a very unique feature of the ore body. A feature that is not seen in many other iron ore resources and that includes those at Champion Iron. One statement that Paul proudly points out in the Coffee with Samso, and that is, The quality and the size of the Iron Bear Deposit moved the needled for VALE to take a position with Cyclone Metals. This is a great conversation with Paul Berend as he explains the story of Cyclone Metals clearly and in great details. Chapters: 00:00 Start. 00:08 Introduction. 04:10 Who is Paul Berend? 05:24 The Magnetite Story - Why Have We Not Embraced it Yet? 08:44 Transition of Value from Haematite to Magnetite. 09:41 Carbon Footprint of Magnetite. 10:07 Rise of Magnetite Projects? 10:33 Depletion of Brazilian High-Grade Iron Ores -The Reason why VALE is in CLE. 10:51 Importance of Direct Reduction (DR) Steel Production. 11:57 Only Way to Make Direct Reduction Steel - Premium of DR Pellets. 13:05 DR Pellet Market Comparison. 13:48 How Do You Make Direct Reduction Pellets. 15:14 Reason Why DR Pellet Production is Rare. 15:47 Comparison of Low Impurity Iron Deposits. 16:30 DR Player requires an ABILLITY To Reduce Impurities. 18:01 How much of the Current Resource will transition to Reserve Status. 19:08 Iron bear is a Low Stripping Ration deposit. 19:30 Metallurgy Will Increase the Economics of Iron Bear. 21:30 What is the main Business of Cyclone Metals ? Is it DR Production? 22:26 Is Iron Bear DR Capabilities why Vale is interested? 23:18 Iron Bear can supply high-grade iron ore all the way to DR levels. 25:07 How Did the Agreement with Vale Evolve ? 26:55 How important was the 10M ? 28:30 Earning a Mandate to Operate Socially. 29:25 Importance of the First Nations Conversations. 32:12 How Important is the relationship with First Nation Groups. 33:42 The Reasons why Vale could be the Reason for Success for Iron Bear. 36:24 Potentially One Technical Challenge for Iron Bear - Dry Tailings. 37:34 The Importance of Earning a Mandate To Operate 39:07 Twitter Shareholder Questions 39:27 Will the Trump Tariffs affect the Iron bear Business? 40:48 The Vison of Iron Bear - It is a Bigger project than Champion Iron. 41:58 Reducing the Carbon Footprint of a Manufacturing Hub in Northern America. 43:25 How much is the resource expected to be built up to? 43:58 Iron Bear is a Premium Magnetite project. 45:15 What cost will the hydroelectric power cost us per kilowatt? 46:51 Green Energy Narration - Magnetite Naturally Reduces Carbon Emission. 49:48 Discussion on iron ore prices. 54:23 Why is CLE still at 50M? 55:21 Why is the a feeling of disbelief in the Cyclone story? 58:02 The misunderstanding of the Iron Ore industry. 01:00:54 Takeaway. 01:01:18 Conclusion.   About Paul Berend Paul Berend brings over 25 years of leadership experience in the iron ore and steel industries, gained across blue-chip corporations and junior mining ventures. His corporate background includes senior roles such as GM Corporate Strategy at ArcelorMittal, GM Business Development at Rio Tinto Iron Ore and Director Australasia at Hatch. Paul is a passionate mining entrepreneur and was a founder and historic CEO of Trans-Tasman Resources Ltd (a titano-magnetite project in New Zealand ASX: MKR) and has played a key role in a number of private early-stage exploration ventures. In addition to his entrepreneurial work, Paul has a successful track record in turning around distressed producing mines and steel mills in difficult jurisdiction including Australia, PNG, Europe, GCC and Africa . He is a trusted advisor for Tier one natural resource companies, supporting operational, organisational and growth strategies. In this capacity, Paul's previous employers include McKinsey& Company and Partners in Performance. Paul has an MBA from HEC (Paris, France), a MSc and DEA (~PhD) in chemical process design and chemistry from ENSIC (Nancy, France), a bachelor's in applied mathematics and algebra from Harvard University (Cambridge, USA) and is a Graduate of the Australian Institute of Company Directors. He speaks native and English and French as well as professional German. About Cyclone Metals Limited Cyclone Metals owns and operates the Iron Bear magnetite iron ore project, formerly known as the Block 103 Project. The Iron Bear Project consists of ten licenses totalling 7,275 ha on 291 graticular Mineral Claims under the applicable Labrador and Newfoundland mining regulation, located near the Provincial border of Newfoundland and Labrador (NL) and Quebec (QC), approximately 30 km northwest of the town of Schefferville, QC and 1,200 km by air northeast of Montréal, QC. The Iron Bear properties are located within 25 km of an open access heavy haul railway which is directly connected to the Sept Isles and Pointe Noire iron ore export ports. In addition, the Iron Bear has potential access to cheap renewable energy from the Menihek hydro-plant located 75km away. These two factors substantially improve the prospects for eventual economic extraction of the Iron Bear mineral resource. Notably, large scale iron ore export operations currently operate in the Labrador Trough; including IOC (Rio Tinto), Champion Iron and Tata Steel; all sharing the same rail and port infrastructure. Highlights: World Class Iron Ore Project: Mineral resource of 16.6 billion tonnes containing 29.3% total Fe and 18.2% magnetic Fe, cut-off grade 12.5% magnetic Fe. Low OPEX: Estimated OPEX of USD 35.6/t3 FOB Pointe Noire for blast furnace concentrate due to access to low-cost hydropower Strategic Tier 1 Asset: Iron ore asset with flexible development scenarios and the potential to ramp up production to over 100 Mta Mining Friendly Jurisdiction and Proximity to Infrastructure: Iron Bear located in Canada, less than 25km from an open access heavy haul railway with proximity to low cost to hydro-power High Quality Product: Production of high quality magnetite concentrate grading 71,3% Fe and 1.1% SiO2 in industrial pilot plant Fast Track Project Development: Underpinned by the supply of bulk samples of DR and BF concentrates to mill clients by Q2 2024

75. American Sports Bar or British Pub?Are you for a cool bottle of Bud and a plate of wings? Or are we after a pint of mild, some pork scratchings and a roaring fire?Rob records from sun drenched Miami after a glorious trip to Central and Northern America and he has the boys thinking, what's the best set up when watching sports events? Jack, Rob and James discuss the pros and cons of what's on offer stateside with DJs, table service and thousands of TV screens versus the charm of the noble British Pub with warm ales, modest bar snacks and queuing at the bar for 3 hours for a beer!Fresh from the conclusion of the regular NFL season, the boys also chat through the weekend's action with Rob coming live to us from a sports bar in Miami!Which one do you prefer? Give us a shout on @StageDoorAthletic!#jackloxton #robshawcameron #NFL #Miami #SportsBar #Pub #Beer #Wings #DJ #USA #UK #BarSnacks #ChicagoBears #BearDown #Guinness #WandaSykes #BBCNewVoices #Dolphins #FoxSports #NFLonFox #AmericanFootball #ONiels #Flanigans #GrailsMiami #westend #theatre #musicals #StageDoorAthletic #Podcast #sportspodcast #theatrepodcast #comedy #musicpodcast Hosts: Jack Loxton & Rob Shaw CameronProducer: James CourtEdited by: Rob Shaw Cameron@jackloxton1 @robshawcameron@thecourtofjames Stage Door Athletic is a [NON]FICTION PEOPLE Podcast© [NON]FICTION PEOPLE LtdPRS Licence Reference: LE-0036019Sports Bar by The Surfing Magazines ℗ 2021 Moshi Moshi RecordsMiami (feat. BIA) by Kali Uchis ℗ 2018 Universal Music Operations Limited Hosted on Acast. See acast.com/privacy for more information.

Allen Hall and Joel Saxum discuss the critical issue of failed blade bolt inserts with Edo Kuipers of We4Ce. Edo explains the problem, its widespread impact on the wind energy sector, and introduces We4Ce's innovative solution - an upgraded blade bolt insert that can be retrofitted in the field, potentially saving operators significant downtime and repair costs. Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Pardalote Consulting - https://www.pardaloteconsulting.comWeather Guard Lightning Tech - www.weatherguardwind.comIntelstor - https://www.intelstor.com Allen Hall: Welcome to the Uptime Wind Energy Podcast. I'm your host, Allen Hall, along with my co host, Joel Saxum. On this episode, we're addressing a critical issue that is plaguing the wind energy sector, the problem of failed blade bolt inserts in wind turbine blades. And these failures have a significant concern for wind energy operators, leading to downtime, costly repairs, and the potential for liberated blades. Our guest is Edo Kuipers, owner and engineering manager of We4Ce. And We4Ce is based in the Netherlands. We foresee offers a range of services related to the design and engineering of wind turbine rotor blades. And they have designed an upgraded blade bolt insert that can be retrofitted in the field. And this new insert product could dramatically lower a wind turbine operator's downtime and blade repair costs. Edo, welcome to the show. Edo Kuipers: Thanks for having me here, Allen and Joel. Allen Hall: So this is a really interesting product, but I first, I want to get to how big of a problem do we have in the industry? And Joel and I have been traveling around the United States quite a bit. And pretty much every farm we stopped at had blade bolt insert issues. They didn't know why they were having them, but they had them and they were deeply concerned about it because of what could happen to the turban. And Edo, are you seeing the same thing? Are you getting a lot of reach out that way? Edo Kuipers: Yeah, more and more we see this. I think in 2021, we were contacted by the Indian market for the first time. Those were 40 meter long blades, 1. 5 megawatt platform. And those blades were like 13 years on the turbine. And then all suddenly started flying off basically. And more and more recently, this is popping up basically not after 13 years, but after six years, for example, already on a 2. x platform. So yeah, we have been contacted first on the Indian side. We have seen it in Brazil. We have seen it in Thailand, for example, also. So it's more and more addressing the problem. Also from the Northern America, we have the first context. Joel Saxum: So I think that if we describe basically the breadth of the problem so there's the, when you bolt the blades on, and if you're in a, if you're a wind technician, this stuff, right? You've seen it, you've done it. You've been around these things. For some people that are, yeah, some people that aren't as technician minded, you may not know exactly what the problem is, but what it is basically when you bolt the blades onto the hub, there's all these studs, right? And the studs come through, or the studs stick out, you stick it into the receptor on the basically on the hub, and then you bolt 'em on. But if the, where the stud connects into the blade. It doesn't stay true to its design and becomes loose, it starts to move, then however it's bolted doesn't matter at all. Edo Kuipers: Correct. Also, it's not a bolt problem, it's the connection between the steel bushing itself.

RANDOM WAYPOINTS PODCAST EP0620 | GUEST SHAUN  FROM @TheStoryTillNow  | ON LOCATION FOR XOVERLAND RANCH GRAND OPENING0:00 INTRO0:45 SPONSORS1:16  DISCLAIMER1:26 Guest Introduction: Shaun  @TheStoryTillNow 2:16 Inside the Grand Opening of XOVERLAND RANCH in Three Fork, Montana2:56 Born and Raised?3:21 Social Aspect of Overland Events4:03 Highlights of XOVERLAND RANCH Grand Opening4:57 Rating The Newest Toyotas6:27 View of AMERICA from a CANADIAN9:00 Surprise Guest Rachelle Croft  @ExpeditionOverland 9:51 XOVERLAND RANCH ORIGIN STORY13:21 Why We Can't Avoid POLITICS When Discussing OVERLANDING14:45 Land Use Issues in the U.S. and CANADA16:37 PLANNING18:01 My JEEP Life19:10 Love of the LENS21:33 FAVORITE MOVIES22:17 FILM DEBUT "GREENLAND" at XOverland Ranch24:11 Favorite type of Trail or Landscape to Travel through26:09 Bucket List Destinations to Overland27:48 NEWBIE JEEP OWNER QUESTION30:47 !!!!!HOT!!!!!32:01 What would you do differently?32:48 POSERS!37:35 FAVORITE MEAL ON THE ROAD!38:02 FAVORITE AMERICAN RESTAURANT38:33 A&W Restaurants in CANADA39:31 Poutine39:41 Giving Brad from  @TrailRecon   his FIRST Poutine39:55 Trip to ARTIC with  @TrailRecon 40:01 DALTON HIGHWAY vs DEMPSTER HIGHWAY43:09 How to Find Shaun  @TheStoryTillNow on Social Media?43:43 FINAL WORDS=================== SPECIAL GUEST ========================Shaun Walford a.k.a.  @TheStoryTillNow   makes movies that tell the story of his Off-road adventures, to include camping, snow wheeling, overlanding, 4x4, and Jeep action across Northern America. It's just not the stories he tells. Shaun is an excellent videographer who creatively shows us spectacular, stunningly beautiful backdrops in his adventures. Voted "guy I would love to have a beer and go on a trail with" @TheStoryTillNow   on Social Media=================== SPECIAL GUEST ========================Rachelle Croft is Co-founder, COO, Producer, Expedition Leader, Cinematographer, Lead Driver and Chef  for  @ExpeditionOverland exploring and adventuring to notable places such as, Alaska|Yukon, Central America, and South America. @ExpeditionOverland  XOverland Ranchhttps://www.xoverland.com/ranch/======================================================================MICHAEL LADDEN:Michael has explored over 70 countries on 5 continents. He founded Drive The Globe Overland Adventures in 1996 and completed a vintage Land Rover expedition across 8,000 miles of the African wilderness in 2001. He has led expeditions from the Arctic Circle to the jungles of the African Congo and Timbuktu. Michael has 25 years of experience outfitting Unimogs, Land Rovers, Military trucks and Jeeps. He currently lives full time on the road in his Stewart & Stevenson overland truck & is in the process of driving around the world. When not traveling, Michael is an avid cyclist and pilot. @Drive The Globe  https://www.drivetheglobe.com/  ——————————— CONNECT ———————————

Join us for an inspiring conversation with Ami Feller, the founder of Roofer Chicks, an all-female roofing company making a name for itself in a competitive industry. Ami, a single mom,  shares her journey of leaving the corporate world to build Roofer Chicks from the ground up.This episode is packed with valuable insights.  Learn about the challenges and triumphs Ami faced,  and the creative strategies she uses to balance running a business with raising her daughter.Ami also sheds light on Roofer Chicks' success factors, including their approach to customer service and their unique, flexible work model that empowers moms.  If you're interested in sales careers, you'll hear about how the women on Ami's team are achieving impressive results.This is an episode you won't want to miss!Bio: Ami Feller happened into the Roofing Industry initially during college while attending Iowa State University. After a brief stint in other professions, she found her true calling in 2012 when she returned to roofing. She is the founder and owner of the Roofer Chicks based out of New Braunfels, Texas, which runs one of the only all-female roofing crews in Northern America. In addition, Ami sits on the board for Habitat for Humanity, is an active Rotarian and NAWBO member. She has been featured in many publications and articles, and is a trusted expert in her industry. In 2023, her team was featured on Good Morning America 3! Her drive and passion to change the stigma against women in the trades is built on her wealth of knowledge and experience. Ami and the Roofer Chicks are award-winning, show-stopping, roof-saving humanitarians who are changing the world one roof at a time.Resources:LinkedIn: https://www.linkedin.com/in/ami-feller-a31aaa128?lipi=urn%3Ali%3Apage%3Adflagship3profileviewbasecontactdetails%3BRTvjd9GBR9%2BxV7cwk2o3Zg%3D%3DFacebook Profile: @ RooferChicksInstagram Profile: @ RooferChicksYoutube Channel: https://www.youtube.com/channel/UCgGxoHOgRhMWfiYq0p3nKzADid you listen to an episode and love it? Let me know! Tag me with your "aha" moments and Follow me on Instagram and Facebook!

Black Metal from Quebec is a pretty relevant scene, if you ask us. There are many awesome bands from the only French-speaking region in Northern America such as Nordicwinter, Spectral Wound, Misere Luminis and many others, amongst them: Givre. Man what a band, maybe my favorite Canadian band at the moment. Nevertheless, one must admit, that we normally do not know that much about Quebec. We might know about Montreal as its biggest city, might know where it's located and a few tidbits, but not too much. So we combined that lack of knowledge with an in-depth interview about Givre's new record Le Cloitre, out on Friday via Eisenwald. There is so much to talk the record: The concept of talking about six famous women all connected to the Christian faith, the artwork, the roots of the lyrics but also the difference of their hometown Rouyn Noranda compared to Montreal, the importance of that village for their sound and the impact of the local scene there. As you can imagine, all of this made up for a pretty long interview with many topics to discuss and much knowledge to gather. Enjoy our 90 minutes with Givre!

Join us this week on Jumah Nights with Mohamed Ali, where we discuss the history of university societies that were established in Northern America and Western Europe dating back to the Middle Ages. We conduct a comparison of the aims & objectives set out by these societies in their value in comparison to societies that we have set up in universities as Shi'a. Brother Mohamed Ali also speaks briefly about himself, and his own experiences in university ABSOCs and ISOCs having been involved in both societies at a committee level!

The first waves of European settlers to Northern America were collections of religious nonconformists, entrepreneurs, ethnic minorities (such as the Scotch-Irish), and restless adventure seekers. One thing they had in common, though, was they wanted to be left alone to live life as they saw fit. And in order to forge a life out of a land ... The post Self-reliance: The Foundation of Freedom   appeared first on The New American.

Enter the White and find a world of electric snow, forgotten libraries, sword-swinging bodyguards, steam bandits, and brisk traveling storytellers. Welcome to the Very Reasonable Pilots Podcast, where your hosts Charles and Jake pitch ideas for the newest and greatest film and TV shows. Join Jacksons Lone, his stoic boss, and their young ward as they travel the wastes of Northern America in search of stories to tell and coal to fuel their hearth. Weekly episodes released on Monday Twitter: @charles_lung & @VRPpodcast YouTube Reddit This podcast is powered by Pinecast.

The first waves of European settlers to Northern America were collections of religious nonconformists, entrepreneurs, ethnic minorities (such as the Scotch-Irish), and restless adventure seekers. One thing they had in common, though, was they wanted to be left alone to live life as they saw fit. And in order to forge a life out of ... The post Self-reliance: The Foundation of Freedom  appeared first on The New American.

ENGLISH EPISODE My guests today have created the oldersister figure they needed themselves when navigating their own experience with menstrual health as young people. Simone Godbout and Nadia Ladak are two of the four co-founders, who have made it their mission to revolutionise menstrual health - from the way we talk about it (or don't), the stigma and taboo surrounding it, to the information we have access to, to the products we use.They have founded Marlow, a universe that serves us both as an educational platform, and as a designer and retailer of their own organic, convenient and innovative menstrual products - including their first product, the lubricated tampon. Their focus on changing the conversation and experience around menstrual health, is in many ways closing a gab on reliable, accessible and inclusive source of information. ….And they have created what 14-year-old Julie would have loved to have had as her sidekick. In our conversation, Canadian-based Nadia and Simone opens up about how Marlow started as a University course where the four of them shared a passion for solving the issues related to menstrual health and the innovation, stigma and disinformation on the area. We also talk about how they have made it their mission to build-in-public and co-create with their community, to always put their community in the very forefront of their business. We touch on company-culture as a gen-Z founded company, how working remote and being in nature is pivotal to all of the four co-founders and their well-being and how this is cemented into Marlow aswell. And finally we of course discuss their Dragon's Den Canada experience, which aired on the 19th of October 2023. I hope you enjoy our conversation, and that it brings you just as much value as it did for me, xx Julie —— Nadia mentions Moontime Sisters, a volunteer-led organisation providing free menstrual products to remote communities in Northern America.Simone passes on the goodwill to: Sororal - A company giving trips/travels for women abroad, all the business you visit are women-owned/led. Nadia passes on the goodwill to: Arthi Sharma - Angel-investor who works to democratise access to capital. A life hack you swear by: Simone: “Spending time without your screen, especially in nature.” Nadia: “Moving your body and getting outside”A life lesson that has been life-changing / A saying to live by: Simone: “Mindset is everything” Nadia: “A Rising tide, lifts all boats” - the idea that if you're achieving success you need to give back and lift other people too. A book that has left a particular mark on you: Simone + Nadia: “Let my people go surfing” by Yvon Chouinard Your Go-to Podcast: Simone: “Startup by Gimlet” The host talks about building a company as he is building it, not in hindsight. Nadia: “The startup Cananda Podcast” - Canadian businesses and entrepreneurs on a diverse range of industries. Keep up with Marlow & Simone & Nadia: Instagram: @marlow, @simonegodbout, @nadia_ladak (Co-founder Harit: @haritsohal, Co-founder Kiara: @kiarabotha) TikTok: @wearemarlowKeep up with The Female Effect:Instagram: @thefemaleeffect_TikTok: @thefemaleeffect Artwork: Birgit Käsper Image: Lizzie O'Donnell Jingle // Sounddesign: Søren Haahr *Disclaimer: The episode was recorded before the episode of Dragon's Den with the Marlow founders was Aired. --- Send in a voice message: https://podcasters.spotify.com/pod/show/julie-lou/message Hosted on Acast. See acast.com/privacy for more information.

Visit GaiaPodcast.com to unlock the powers of your own consciousness. How are the tribal people of Northern America connected to the ancient civilization of Atlantis and Lemuria? Regression therapist and QHHT practitioner Sarah Breskman Cosme shares her clients' perspectives of their past lives from Atlantis to the Native American tribes. Cosme brings this story to you with the voice of Aniwaya, a Native American man from the 1800s, who from the Trail of Tears, speaks through a female client under hypnosis. Aniwaya describes how the native people of America lost their traditions and how these practices and knowledge of ancient times can be regained as we reach out to understand our deep human past. Host: Regina MeredithGuest: Sarah Breskman Cosme Visit GaiaPodcast.com to unlock the powers of your own consciousness.

Today we are headed over to my guest appearance on Louisa Haver's “The Infinite Prosperity Podcast”. Listen in to hear us dive deep into a topic that's close to every entrepreneur's heart - how to double your revenue while reclaiming a precious 10+ hours of your work week.Yes, you heard that right!Time is the most valuable resource we have, and I'm spilling the beans on tangible, actionable methods to condense timelines without compromising your earnings.If you're an entrepreneur aiming to expand your impact while also enjoying more of life's pleasures - whether it's embarking on passion projects, creating lasting memories with your loved ones, or just having that extra "me time" — this episode is for you. Get ready to unlock new doors of productivity, personal fulfillment and quantum revenue expansion. Your journey to a more empowered and efficient entrepreneurial life starts here today! Ursula's Takeaways:Intro (00:00)Starting My Business (2:42)The Secret To Setting Goals (6:34)How To Shift Your Limiting Beliefs? (10:22)Embodying The Energy Of Ceo Helps You Grow Faster (16:28)How To Build Your Dream Revenue Model? (20:00)What Holds People Back From Moving Forward? (22:55)Blasting Your Limiting Beliefs (26:53)About Louisa HaversLouisa Havers is one of the first 22 Energy Alignment Mentors in the world, an Advanced Pranic Healer, a Master Akashic Record Consultant and Teacher and an International Life & Business Coach. Louisa left her life on the hamster wheel of survival and stepped out of her comfort zone, leaving her Senior Executive job in Social Services, to reinvent herself as an Entrepreneur, running a successful International Life & Business Coaching Business. She helps high achievers and coaches increase their performance and magnetism in life and business so that they break through their upper limits and has served over 8000 people across Northern America and Canada, Europe and Australasia, empowering them to make life-changing transformations so that they love the life they live.Connect with Louisa HaversWebsite: www.louisahavers.comFacebook: https://www.facebook.com/louhaversFacebook: https://www.facebook.com/LouisaHaversLinkedIn: https://www.linkedin.com/in/energy-alignment-method-life-and-business-coach/Instagram: https://www.instagram.com/louisahavers/Twitter: https://twitter.com/HaversLouisaPodcast: The Infinite Prosperity Podcast About Ursula Mentjes Ursula Mentjes is an award-winning Entrepreneur and Sales Expert. She will transform the way you think about selling so you can reach your revenue goals with less anxiety and less effort! Ursula specializes in Neuro-Linguistic Programming and other performance modalities to help clients double and triple their sales fast. Honing her skills at an international technical training company, where she began her career in her early twenties, Ursula increased sales by 90% in just one year. Just 5 years later, when the company's annual revenue was in the tens of millions, Ursula advanced to the position of President at just...

Foresters love a challenge! And one such challenge in eastern Northern America has always been northern white-cedar (Thuja occidentalis). A both ecologically and commercially valuable tree species that can be slow-growing, tricky to regenerate, and highly susceptible to deer browse. Join us on this episode of SilviCast as we introduce you to the Cedar Club, a passionate group of forest practitioners and researchers who have been tackling the cedar management question for the pat 23 years. Explore the challenges and opportunities to sustainable management of northern white-cedar.Featured "Cedar Club" Guests: ​Dr. Laura Kenefic, Research Forester and Team Leader, USFS, Northern Research Station; Jean-Claude Ruel, Emeritus Silviculture Professor, Laval University; Charles Tardif, Vice President Manufacturing, Maibec; Dr. Olivier Villemaire-Côté​, Institut des Sciences de la Forêt Tempérée (ISFORT-UQO); and Victoria Hunter, Graduate Student, Michigan Technological University

This week on The Exit: Dean van Zyl was fired from his first three jobs, and in his own words, “wasn't very hireable”. He turned to entrepreneurship out of necessity, which has led him to start multiple businesses and achieve numerous exits in three different countries. Dean's first successful business grew to such an extent that he couldn't get out. In his own words, he “was the business”, he was too involved in the day-to-day work, and the size of the business meant those who had the funds to acquire it, weren't the type looking to run it. After multiple changes including bringing on a new partner, building up the management team and putting procedures in place, Dean successfully exited. But what took five years could have been achieved in one if the business was better set up for an acquisition from the beginning. Since selling that business Dean has built and exited a number of company's, all of which were designed for exits from the start. Listen to learn more about Dean's experience and his advice for setting up a business with an exit in mind. Dean van Zyl is currently the Founder and CEO of National Adhesive, the fastest growing Sealant & Adhesive company in Northern America. Dean's initial business venture was Founding The Courier Connection, which he developed initially to improve turnaround times for stock from Johannesburg to Swaziland for Swazi Design, his main business at the time. Within a very short period of time it grew to daily line haul deliveries between Johannesburg and Swaziland and eventually he sold it to Triton Express. LinkedIn: https://www.linkedin.com/in/deanvanzyl-na/ Dean's Current Company: https://nationaladhesive.com/ Instagram @Deanvanzyl_ : https://www.instagram.com/deanvanzyl_/ For a Free Flippa Business Valuation: flippa.com/freevaluation -- The Exit—Presented By Flippa: A 30-minute podcast featuring expert entrepreneurs who have been there and done it. The Exit talks to operators who have bought and sold a business. You'll learn how they did it, why they did it, and get exposure to the world of exits, a world occupied by a small few, but accessible to many. To listen to the podcast or get daily listing updates, click on flippa.com/the-exit-podcast/

Deremi, a Nigerian Afro-fusion artist and song writer, is a rising star in the music industry. Born 4th June 1998 in Ikare Lagos State.His music has been influenced by his audience in high school and university.He loves experimenting with sounds from different cultures, and his music is melodic and influenced by West Africa, East Africa, Middle West culture, and Northern America. Afro-fusionism characterized by the use of violin, bass, strings, keyboards, and trumpets in music.  His biggest turning point in his music career was performing at an event with Caribbean vibes, where he was the only one on stage, showcasing the love and passion in the crowd. He believes that the Nigerian music industry is doing well enough, but he believes there is work to be done to make it more of an African thing. He also believes that the global recognition and appreciation of Afro-fusion songs can help maintain its uniqueness and appeal.

This week we hear from British politicians that's it's ok to swim in sewage. Aaron then has news of the importance of Caribou to the ecosystems of Northern America. We then meet the stealers sea cow a super sized sea creature sadly no longer with us. All that and more this week the cupboard is open come on in!

It's the end of an era and the start of a new one for one school system on the Iron Range. On Thursday, the Virginia-Eveleth-Gilbert School system will hold a grand ceremony for its new Rock Ridge Auditorium. Later this month, they'll say goodbye to the former space, the Goodman Auditorium, in a very special way. That old building is a key part of the history of the Iron Range. To hear it's story, MPR News host Cathy Wurzer spoke to Aaron Brown, who wrote about it in his weekend column for his news blog “Minnesota Brown: Modern Life in Northern America.”

This week, Sara and Danny are joined by Aly Michalka from Aly & AJ to spend a bit of time talking about true crime! They kick things off discussing the recent release from prison of Charles Sobhraj (popularized by the Netflix series "The Serpent"), and the questionable reason behind the decision. Then, they dig into the main topic of the episode, the unsolved murder of Hollywood director William Desmond Taylor in 1922. They start off with some background info on Desmond Taylor and his immigration to the US, and how he began his career in Hollywood after a winding path through Northern America. Then, they cover the circumstances of his murder, and the long list of suspects that have been investigated throughout the years. Make sure to check out Aly & AJ's newest album "With Love From" when it comes out March 15th! Learn more about your ad choices. Visit megaphone.fm/adchoices

Ami Feller happened into the Roofing Industry over a decade ago and after a brief stint in other professions, she found her true calling in 2012 when she returned to roofing. She is the founder and owner of the Roofer Chicks out of New Braunfels, Texas, which runs one of the only all-female roofing crews in Northern America. In addition, Ami sits on the board for Habitat for Humanity, is an editor in Angie's List, and is a trusted expert in her industry. Her drive and passion for changing the stigma against women in the trades is built on her wealth of knowledge and experience. Ami and the Roofer Chicks are award-winning, show-stopping, roof-saving humanitarians who are changing the world one roof at a time. Leduc Entertainment is a video production company with offices in New Orleans, Atlanta, and Los Angeles. We help business owners and creatives scale their businesses through video marketing. Using YouTube, Facebook, Instagram, TikTok, LinkedIn, and Twitter, we are able to communicate your message, brand, and product in an engaging way. Your business deserves great videos!

36. On this episode of Boujee Best Friend, we welcome Cristina Cataman. You might recognize Cristina from her viral satire videos about dating, cultural differences (Northern America vs Eastern Europe) and much more. Additionally, Cristina is the founder and host of the podcast, Catamania, where she helps her audience navigate all things wellness, beauty, style, leadership, and everything in between. Cristina's podcast guests are professionals from different industries who educate her viewers on how certain aspects of the world work. This time, we bring Cristina on Boujee Best Friend, to be the professional. Cristina and I talk about ALL THINGS relationship advice. We cover long-term relationships (she's been with her now husband for 8 years), long-distance relationships, healthy communication, setting expectations, the feeling of love at first sight, and prioritizing intimacy. We talk about how to keep that relationship sparked and how to approach every uncomfortable conversation. Tune in for advice on how YOU can have a happy and healthy relationship. In this episode… Growing up in Europe and immigrating to Canada Meeting your soulmate when you least expect it Love at first sight Setting expectations Long distance relationships How to make a long-distance relationship work Finances in a relationship Open communication Separating the role of your husband from your best friend How to have a successful long-term relationship Moving in with your partner Setting boundaries and dividing responsibilities Prioritizing sexual intimacy CONNECT WITH CRISTINA: https://www.instagram.com/cristinacataman/?hl=en https://www.instagram.com/catamaniashow/?hl=en https://podcasts.apple.com/lu/podcast/catamania/id1609694116 CONNECT WITH KOKO: https://www.instagram.com/kokobeaute/ https://www.tiktok.com/@kokobeaute https://www.instagram.com/boujeebestfriend KOKO ON CRISTINA'S PODCAST: https://open.spotify.com/episode/0dLqhmzHgikXFXW6AHP9Jx LIMITED EDITION MERCH DROP https://www.boujeebestie.com

Phil drives a 1999 Tacoma SR5 4x4 that he has driven since it came off of the lot. He bought it with 7 miles on it and now has 286,000. He has driven this truck across Northern America and spent more miles in the dirt than you have total miles on your mall crawler! Ha! It was pleasure to talk with Phil and we look forward to seeing how many more miles he can rack up on his rig... Instagram@old_man_old_truck

A true indicator of peak performance is experiencing joy even in the most challenging moments. According to Brazilian jiu-jitsu world champion Emily Kwok, the moments she spends enjoying her time on the mat with her opponent are indicators of her success. This week Emily returns to the podcast to share how her definition of peak performance and athleticism has changed over the years as she experienced parenthood, COVID, and a shift in perspective. Listen in as Emily shares insights into the different stages of life as a professional athlete, how to create awareness around the different levels of performance you achieve throughout your life, and the key questions to ask yourself when determining your limits. Emily also shares the liberating feeling of showing up to the mat and knowing you deserve to be there, as well as why she takes every opponent seriously.   Emily Kwok is a multi-time-international Brazilian jiu-jitsu Federation World Champion, a mixed martial arts veteran and co-owner and co-head instructor of Princeton, Brazilian jujitsu, peak performance consultant, and freelance writer. She is widely regarded as the early pioneer of Brazilian jiu jitsu in Northern America, being one of the first females to rise to prominence as the sport extended around the globe. She has spent the better part of the last decade working closely with Josh Waitzkin, training in the field of peak performance, exploring how to manage and induce optimal states in the self.   You can learn more about Emily at www.emilykwok.com   Learn more about the gift of Adversity and my mission to help my fellow humans create a better world by heading to www.marcusaureliusanderson.com. There you can take action by joining my ANV inner circle to get exclusive content and information.See omnystudio.com/listener for privacy information.

Lucy is attempting to become the first woman to walk the length of the world. She began at the bottom of Argentina in February 2017 and will cross 15 countries to reach the highest point of Northern America. She will travel only by foot, or when the terrain is impassable by kayak or swimming.   In 2019, Lucy became the first woman to have hiked the length of South America (from Argentina to Colombia).    Due to the pandemic, Lucy needed to pause her expedition and returned home to Australia in 2020 where she has been waiting for the travel bans and restrictions to lift.    In December 2022 Lucy will be flying back out to Columbia to meet up with her beloved dog Wombat - she will then continue on her way.    During this episode we catch up with Lucy to see what life has been like since we last spoke to her. Lucy shares more about the heartbreak of leaving Wombat behind when she needed to return to Australia. She fills us in on what she's been up to while her journey has been on hold.  She shares more about the planning and preparation required to get back to Columbia to start walking again.   We first spoke with Lucy on Jun 25, 2019 - Her Goal to be the first women to walk the length of the Earth! https://www.toughgirlchallenges.com/single-post/lucy-barnard    *** Lucy's career started with a science degree and specialisation in communications. She has been the chair of National Science Week NT, and worked extensively in aboriginal health research until moving to Geoscience Australia in 1016. She is passionate about culture and storytelling and aspires to become an ethnographic writer.   Lucy has been awarded competitive grants for her work from the Australian Geographic society and The North Face, and has been nominated for an OAM from the Australian Government in recognition of her contribution to the outdoor industry.   ***    New episodes of the Tough Girl Podcast go live every Tuesday at 7am UK time - Subscribe so you don't miss out.    To support the mission to increase the amount of female role models in the media. Sign up as a Patron -  www.patreon.com/toughgirlpodcast. Thank you.      Show Notes Who is Lucy Her goal to be the first woman to walk the length of the world Returning back to Australia in 2020 Speaking to Lucy in Year 2 of her journey when she had just crossed into Peru Being water poisoned  Was she still enjoying the journey  Meeting her family in Peru Having a shift in her attitude Leaving behind the desert and the heat and transitioning into the mountains The challenges of the desert and her strategy for getting through it Finding joy again Being followed by the police while walking on the highway How 2020 unfolded while walking through Ecuador Living the life she was meant to be living Crossing the border into Columbia  Leaving Wombat with a friend  Feeling adrift for the past 2 years  Not wanting to talk about Wombat Transitioning back to life in Australia  Being away for 3 years and connecting with old friends and family Losing a friend to suicide The emotional journey Running out of money and needing to get a job  Going back to work Getting ready to head back out to Columbia  The planning and preparation before heading back Her dream of wanting to become an ethnographic writer in the future Wanting to produce more content in YouTube Saying goodbye to friends and family  The plans for the first few weeks Being able to get a 2 year visa for Columbia Making a decision about the route through Columbia  How can you support Lucy while out on the road Buy audio books for Lucy  Having a library membership with Borrow Box Library App  Book recommendations: A Gentleman in Moscow  What Lucy is reading How you can connect with Lucy Final words of advice   Social Media   Website: tanglesandtail.com    Instagram: @tanglesandtail    Facebook: www.facebook.com/tanglesandtail    Twitter: @tanglesandtail    Youtube: https://www.youtube.com/c/LucyBarnard   

I speak with Pierce about everything Equine MediRecord Pierce Dargan founded his first start-up when he was fresh out of college. Equine MediRecord might be an industry leading platform, but that doesn't mean Pierce didn't have lots to learn on the journey. Never underestimate the value of timingDuring the pandemic, Equine sport – like so many other industries – came to a standstill. The outlook was bleak for Equine MediRecord founder, Pierce Dargan. He laid off the whole team, including his brother, the CTO. Today, Equine MediRecord is expanding across Europe, Northern America, and the Middle East. Knowing when to quit, and when to persist, is often the determining factor in an entrepreneur's success.Our talk explores the impact of timing and resilience for start-ups, with a focus on how entrepreneurs can hone the skills to be able to make tough decisions about sticking or quitting. Also some great advice every first-time entrepreneur should hear

Dr Jessica McCarty is currently a tenured Associate Professor of Geography and Director of the Geospatial Analysis Center at Miami University in the United States. She has more than 15 years' experience in remote sensing and geospatial science to quantify wildland and human-caused fires, fire emissions, agriculture and food security, and land-cover/land-use change. She is a NASA-funded investigator and author or co-author of more than 35 peer-reviewed journal articles, 4 data citations, and 1 NASA Technology Transfer. She is a member of the NASA Land-Cover/Land-Use Science Team and an Arctic Council Working Group, and has worked closely with many U.S. federal and state agencies as well as the United Nations. She is originally from the Appalachian Mountains of Kentucky and is a mom. She prefers dogs to cats and coffee to tea.   In our conversation, we talk about the multidisciplinary nature of geography, fire, agriculture, and the two-body problem. Show Notes: https://steampoweredshow.com/shows/jessica-mccarty [00:01:02] Jessica's journey to public policy. [00:01:30] Being willing to say yes to some seemingly odd requests. [00:02:14] Mapping human-caused fire across the lower 48 states of the US. [00:03:09] Being asked to do similar for Europe / Eurasia and IIASA. [00:04:26] The importance of international conferences and being exposed to the policy side of the work. [00:05:13] Understanding diplomacy and cross-cultural communication in a global space. [00:07:24] Fire and agriculture are male dominated areas. [00:10:16] Be willing to say 'yes', but recognise when you're not the right fit for the opportunity. Pay it forward. [00:12:28] Get to know who your civil servants are because science is closely tied to the factors that make up our society. [00:14:00] Scientists and policy-makers work together to find solutions. [00:16:52] Sometimes the reality is hard to hear. But it's necessary. [00:17:19] The private sector is becoming more directly interested in building resilience into their business model. [00:18:29] Academia and research is not the only path, use your expertise to create that bridge to industry as well. [00:20:23] If you're here, and you want to be here, this is where you belong. [00:21:35] What drew Jessica to fire and agriculture. [00:21:52] Jessica's upbringing around farms, national forests, and living off the land. [00:22:33] Living with the reality of wildfires and prescribed burning. [00:23:01] Learning and loving about satellites and GIS. [00:23:49] Realising she could combine technology and the knowledge she was raised with. [00:24:58] Geography is about the land as well as the people. [00:27:10] Researching fire regimes in the arctic and boreal regions. What is burning and why? [00:28:44] Prescribed burning and investigating (over) managing the land. [00:30:16] Understanding the transition between the boreal and the artic and the impact of fire in these areas. [00:30:41] Quantifying the benefits and impact of prescribed fire and cultural burning. [00:31:48] Short‑lived climate forcers (SLCFs) and the albedo effect. [00:33:18] Trying to ensure that all participants are compensated for their contributions. You pay your experts. [00:34:44] Working with the commercial satellite data to understand how much human-caused burning is happening in Northern America. [00:35:50] Working with a NASA-led team on how near-term climate futures impacts food security and food systems. Multi-factor including social systems and infrastructure. [00:37:12] Building up global scientists. We don't want to do 'parachute science' and leave anyone behind. [00:39:22] The land is also the relationship that people have with it. [00:39:53] The mission is to understand the universe, and the earth is part of it. [00:40:18] The transition to making knowledge and technology accessible to encourage collaboration and innovation. [00:41:23] Open data can lead to more applications and use cases. [00:42:40] NASA transitioning to open-source science. [00:43:20] How fire in the southern hemisphere is connected to the northern hemisphere. [00:46:20] Satellite imagery and visualisation exposing the connections between these global systems. [00:47:51] We're all connected. [00:51:27] Geography trains you very quickly to see the connections. [00:53:00] Do you know the difference between moose and elk? [00:54:45] Geography is the study of home. It's home economics on a global scale. [00:56:31] Deep time / Deep ecology. There is permafrost older than our species. Getting some perspective. [00:58:12] A point of reflection. Humans don't do well with uncertainty. We are in a moment of pause. But it's a time of opportunity. [01:01:40] The opportunities to increase diversity, equity, and inclusion by using technology to make science and knowledge more accessible. [01:02:47] Michele's not-COVID project. [01:04:43] Bonus Question 1: What hobby or interest do you have that is most unrelated to your field of work? [01:07:50] Bonus Question 2: Which childhood book holds the strongest memories for you? [01:11:19] Children and developing a sense of justice or injustice. [01:16:14] Bonus Question 3: What advice would you give someone who wants to do what you do? Or what advice should they ignore? [01:16:18] You don't have to pursue graduate studies immediately. You can take your time. [01:18:22] Make sure you get out what you put in in terms of your work and respect. You need to be able to thrive. [01:20:26] The two-body problem and balancing careers, relationships, and identity. [01:29:04] The freedom to have the choice to live our lives the way we feel works for us. [01:35:04] Find out more about Jessica and their work.  Connect with STEAM Powered: Website | YouTube | Facebook | Instagram | Twitter | Patreon

For the past 20 years, Anouk De Blieck has been a senior advisor and leader to organizations in the Payments, Technology and Banking sectors, including organizations such as ANZ, Citibank, SoftServe and Visa. She began her leadership career in Project Management, Sales & Operations before moving to regional and global HR leadership positions in emerging and mature markets across Asia, EMEA, Oceania and Northern America. She holds a Bachelor of Education from Antwerp University and has completed a Certificate in Human Resources from Cornell University, as well as an Executive Leadership Program at MIT Institute of Executive Education. --- Support this podcast: https://anchor.fm/tbcy/support

Nidhi Yasha Nidhi Yasha , a renowned name in the field of fashion and a multitude of areas related to costuming and styling. Awarded a Gold Medal for best all rounder performance at graduation by the President of India to being nominated as National brand at Luxury fashion awards in Singapore are just few things but not all. Her eponymous label is prominently recognized for being rooted in indian craftsmanship but with an urban ethos.. Her interests lie in details and studying the art of creation for periodic and historical costume dramas across various mediums like films , tele, theatre and web. Amongst many distinguished contemporaries, seniors and renowned established names from the earlier time of fashion industry, Nidhi has bagged her name to be known differently and on various platforms. She has been making her footsteps in india, UAE and now Northern America as well. Her talent is not defined in fashion alone, but her knowledge about textiles and sustainable methodology has gotten her invited as an educator to universities like NYU, CUNY, Rutgers & Hunter colleges as well. Nidhi has been felicitated by the prestigious university of Hawaii, Honolulu, as artist in residence in their event “Bollywood and Beyond” for her work on “The Buddha” and has given out several lectures across the university. This university boasts of Ex. U.S President Barack Obama as its alumnus. You may wonder what else? Currently Nidhi is Consulting Costuming HOD for the feature film “Gadar 2” a sequel to the 2002 Blockbuster “Gadar”.She has recently also been a speaker at TedX Bocconi, Mumbai for their ‘MISFITS & MAVERICKS' program in June 2022 Her eponymous, ethical luxury fashion brand, retails across India's leading multi-designer stores including Ensemble, Aza Fashions, Pernia's Pop Up Shop, Bombaim, Ogaan & more, as well as at key international destinations like Anthropologie US and UK. The NY Studio is arguably the only, dedicatedly, 360 degree, specialty costume and accessory exporter from the country apart from being home to an admired ethical fashion label. To know more about Nidhi Yasha - www.nidhiyasha.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

We revisit the Bigfoot legend, though this time instead of trying to compress all the credible sightings I will take a deep dive into cluster sightings in different regions. We start by finding the first credible and recorded sighting in Northern America and that takes us to New Jersey.Songs used in the episode  by Kevin MacLeod are licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1300030Artist: http://incompetech.com/Fair Use Notice:This site may contain copyrighted material the use of which may not be specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of environmental, political, human rights, economic, democratic, scientific, social justice, and religious issues, etc. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes.Support the showSupport the show

Today's episode of Feedcast is brought to you by James Barker and Jonathan Hanson from the KW buying and product teams. Today they are discussing the cereals markets around the world and how they continue to be affected by the global weather and the ongoing situation in Ukraine. The last two weeks has seen the markets continue to be choppy with the Chicago futures, French and London markets all seeing increases due to the ongoing Ukraine crisis. While the first boat has now left port, this good news doesn't seem to have calmed down the prices. The situation is still turbulent and consequently the volatility still remains. Globally, the hot, dry weather is still the main story across Northern America and Europe. These conditions are affecting key crops at key growth stages for the plants. Of course a forecast is a forecast and changeable but this will add continued volatility to the market as we wait for harvest to see how badly the crops have been affected, over the course of the last week both the USDA and France have lowered the amount of good to excellent crops by 3% and 7% respectively. Interestingly while this has caused a fluctuation in prices in the corn and soya markets, ground maize is holding and may well offer a good opportunity now.Rapemeal has also seen an increase over the last fortnight due to crushers being well sold, and the lower Rhine levels. Here the lack of rain has seen water levels fall, this means boats cannot fill as much as they like in Germany and has resulted in lower availability. As a result of this NovaPro and rape expeller are looking excellent value for summer and moving forward in to winter. From a fibre perspective we have not seen much movement with SugarBeet pricing remaining firm and soya hulls looking competitive against them.It is worth also looking at your performance products. Gas prices have again reached around £5/therm, back to the highs at the start of the invasion. This will affect production costs and it is worth looking at these products now as the volatility is likely to remain for some time to come.As always we are here to help if you need any further information, but keep watching the dips and take advantage of opportunities when you see them.

"For Liz, her connection to mother earth is everything. As a child, she lived between California and Mexico until she was 14. She spent part of her childhood playing, dancing, and brewing potions in the forest of Northern California. The other part of her childhood was spent in the community with family, friends, and elders in a small pueblo just south of Guadalajara, Mexico.As the first of her social circle to get a job in high school, people began to seek to her for career advice in 2010. What started with introductory resume and interview prep ended in comprehensively coaching people in self-advocacy, leadership skills, conflict resolution, boundaries, etc.Somewhere along the way in her 20's Liz was sucked into the hustle culture of corporate life working in Marketing and Communications, she climbed the corporate latter, made 6 figures, owned a custom home, custom pool, and drove an Alfa Romeo. She lived a very consumptive lifestyle of careless accumulation and forgot her earth momma roots. During this period, she had accomplished more than she could have imagined by 27 but was deep in a pit of  depression and anxiety. She describes this time as her period of purgatory. Today, she recalls that season of her life with warm eyes and a large grin as she reflects, "mother earth was just calling me home."She balanced her coaching business while also working a demanding corporate job as head of internal communications for supply chain at the largest high fashion retailer in Northern America. She eventually had to quit her 9-5 life to tend to her growing coaching practice. She is now living in rural Upstate New York, where she called in her soul family of healers, herbalists, and teachers. Liz found her way back in harmony with mother earth and is on the path of becoming an herbalist as well. Liz brings a soulful approach to the collective about how to show up as a divine, grounded, strong, boundaried version of yourself while working in dominant corporate cultures. With a focus on shadow work, self discovery, self advocacy, and boundaries, Fem Home Ec's mission is to teach the art of coming home to your body and intuition while living in harmony with mother earth and the structures of our dominance culture." More about Liz Tilia at:Resources: snipfeedInstagram:  @femhomeecMore about the host, Livi Redden, at:Would love it if you left a podcast review: click hereORDER MY BOOK!  liviredden.com/bookInstagram: @liviredden

____ I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? SUPACREE I don't know. I can't remember. MORGAN You “don't remember.” DILLON'S ASSISTANT What did you do with that bitch?! DILLON FRANCIS I don't know! I don't remember! DILLON'S ASSISTANT You “don't remember?” [Noone remembers.] Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! ___ SUPACREE Happy Birthday! (he is canadian, so he is morbidly polite) JOEL/DEADMAU5 Thanks. SUPACREE You're welcome. JOEL/DEADMAU5 K. SUPACREE So. BOTH YAH! [they both draw their rave weapons] JOEL/DEADMAU5 WHO IN THE FUCK ARE YOU?! SUPACREE I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] JOEL/DEADMAU5 (he opens the box, unseen from the view of the audience) Oh, Gosh--this is... actually exactly what I wanted. SUPACREE I know dude. JOEL/DEADMAU5 UH-WHO ARE YOU? SUPACREE I'm YO(U) . [They do not battle. He just accepts it.] ___ Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. PRINCE: I'M NOT A WOMAN. ---he changed his name to a symbol. PRINCE: I'M NOT A MAN. “is [_____________]” a boy or girl PRINCE: I AM SOMETHING YOU WILL NEVER UNDERSTAND. DILLON FRANCIS Oh, Jesus Christ. JESUS CHRIST What dude. What the fuck do you want? What? DILLON FRANCIS Wait, you're...Jesus----Jesus-Jesus??? JESUS CHRIST If you insist on still calling me that, I told you ages ago... DILLON FRANCIS (to himself) ...that makes so much sense…Jesus… JESUS CHRIST Hm? … Hey wait--are you still--sleeping--kind of? … *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] GERALD WHO'S THE PINATA NOW, BITCH?! SUPACREE Oh, my God, Gerald! Get a hold of yourself!!! DILLON FRANCIS WHAT HAVE I DONE!? GOD WHAT HAVE YOU DONE? CHAK CHEL Dillon--What have you done. SUPACREE WHAT--DID YOU--DO. DILLON FRANCIS Just...Voodoo. GOD VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) ___ Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? [-creative ways you might find out, your junk has been permanently altered.] What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? >RAVE> --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” THE BEATLES Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. ___ MORGAN Oh My God--It was that big? (Nods) PAGE You'd never know. SUPACREE ...I knew it... MORGAN What did you do with it? SUPACREE I just wrapped it around my leg and tucked it into my sock, most the time. MORGAN Oh, wow. SUPACREE Yeah. I had to layer, the tube socks. MORGAN That's--wow. PAGE Yeah. I mean. When you're right, you're right. MORGAN You're right. SUPACREE I just get confused about it when I see him in shorts now. [SKRILLEX in shorts.] (She cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- –right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- __ What is this. __ --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? ___ SIR. SKRILLEX STOP CALLING ME THAT. SIr, it was “not enough.” What? ___ I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. ___ I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also, other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. CHINESE WOMAN --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. [pause] I know how to get her here. ___ DUDE ___Dude, I don't know how you did this! How did you DO this? SKRILLEX/SUPACREE Look, it's a long story. DUDE Well make it a short one. SKRILLEX/SUPACREE *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. SKRILLEX/SUPACREE So I….dropped the bass, and then… CHINESE WOMAN AND DEN? DUDE —And then? SKRILLEX/SUPACREE And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- DUDE --sideways and forward, at the same time-- SKRILLEX/SUPACREE >>>Yes. It was a lot. ___ Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her surprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [C.C. (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me s

Bonjour. This is Fabulously Delicious the podcast that brings you the wonderful and fabulous people involved in French food, here in France or around the world. They cook it, produce it, talk, write and photograph it, but above all they love it. Today is the second of a two-part chat with a French chef that has made his home in Canada. He was born in France and trained to be a chef here, moved to the US, and then settled in Canada where is now the judge on the very popular Great Canadian Bakeoff. Bruno Feldeisen is a wonderful chef that despite a difficult childhood and young adult life in the kitchen has risen to be one of the best French chefs in Northern America. We chat all things TV cooking shows, Chopped Canada, Beating Bobby Fay, Sweet Genius and Donut Showdown as well as discuss French pastry. You can check out more information about me and my food journey from MasterChef to France at Andrew Prior Fabulously my website and blog via the link below. Here you will find some delicious recipes from my YouTube channel Cooking Fabulously. https://www.andrewpriorfabulously.com https://www.youtube.com/andrewpriorDon't forget to follow my food and French life journey on Instagram @andrewpriorfabulouslyAnd if you'd like to support Fabulously Delicious and help to create more delicious episodes you can buy me a croissant via the link below. https://www.buymeacoffee.com/andrewpriorIf you need some to help you plan your next trip to France and or Paris then also check out buy me a coffee for my special zoom call option. https://www.buymeacoffee.com/andrewpriorOr you can support on a monthly basis by becoming a Patreon member to receive exclusive recipes and other exciting events. https://www.patreon.com/cookingfabulouslyYou can find out more about Bruno Feldeisen via the below link https://www.brunofeldeisen.com/aboutSupport the show

Bonjour. This is Fabulously Delicious the podcast that brings you the wonderful and fabulous people involved in French food, here in France or around the world. They cook it, produce it, talk, write and photograph it, but above all they love it. I wanted to change it up a little bit on Fabulously Delicious. Each week I've been bringing you delicious episodes revolving around a specific topic. We've had Cantal cheese, Confit de canard, and Burgundy wines to name a few, and then we've gotten to know the guests who are experts on the topic. But in season one I had the pleasure of chatting with renowned chefs like Phillip Tesser and Gabriel Gate. So I wanted to dive a bit into chef life and bring you a different Fabulously Delicious episode. Going forward every now and then I will have episodes devoted to a French chef who's either here in France or around the world. We will discover their love of French food, their career journey, their life before becoming a chef, and what lead them to French cuisine. So today is the first of a two-part chat with a French chef that has made his home in Canada. He was born in France and trained to be a chef here, moved to the US, and then settled in Canada where is now the judge on the very popular Great Canadian Bakeoff. Bruno Feldeisen is a wonderful chef that despite a difficult childhood and young adult life in the kitchen has risen to be one of the best French chefs in Northern America. You can check out more information about me and my food journey from MasterChef to France at Andrew Prior Fabulously my website and blog via the link below. Here you will find some delicious recipes from my YouTube channel Cooking Fabulously. https://www.andrewpriorfabulously.com https://www.youtube.com/andrewpriorDon't forget to follow my food and French life journey on Instagram @andrewpriorfabulouslyAnd if you'd like to support Fabulously Delicious and help to create more delicious episodes you can buy me a croissant via the link below. https://www.buymeacoffee.com/andrewpriorIf you need some to help you plan your next trip to France and or Paris then also check out buy me a coffee for my special zoom call option. https://www.buymeacoffee.com/andrewpriorOr you can support on a monthly basis by becoming a Patreon member to receive exclusive recipes and other exciting events. https://www.patreon.com/cookingfabulouslyYou can find out more about Bruno Feldeisen via the below link https://www.brunofeldeisen.com/aboutSupport the show

In this episode, Zeinab and Trisha speak with Anouk De Blieck, a senior HR executive with over 30 years' experience working at finance and technology multinationals. She originally started her career in Sales, Operations & Project Management, but realizing her passion was HR, she moved to take on regional and global HR leadership positions at some of the top multinational companies, including Visa, Citibank and ANZ, in emerging and mature markets across EMEA, Asia, Northern America and Oceania. She is now a Non-Executive Director and advises on several boards, based in Italy. In this episode, Anouk shares how to plan an international career, and how to create an HR strategy that enables diversity, inclusion & belonging on a global scale. Some of the resources mentioned in this episode are linked below:Culture Map: https://erinmeyer.com/books/the-culture-map/  Chapter markers:3:22: Building a passion for HR11:24: Planning a global career14:36: Adapting to new cultures20:23: HR creating global alignment27:47: Embracing Diversity, Inclusion & Belonging globally  Lattes with LeadersInterested in supporting us? Follow us on our social channels:https://www.instagram.com/latteswith_leaders/https://vm.tiktok.com/ZSejg4h7Y/https://www.linkedin.com/company/lattes-with-leaders/https://www.youtube.com/channel/UClFlsOy4RgKN0AsTQrYvo0w

I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? I don't know. I can't remember. You don't remember. What did you do with that bitch?! I don't know! I don't remember! You don't remember? Noone remembers. Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! Happy Birthday! (he is canadian, so he is morbidly polite) Thanks. You're welcome. K. So. YAH! [they both draw their rave weapons] WHO IN THE FUCK ARE YOU? I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] Oh, Gosh--this is... actually exactly what I wanted. I know dude. UH-WHO ARE YOU? I'm YO(U) . [They do not battle. He just accepts it.] Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. I'M NOT A WOMAN. ---he changed his name to a symbol. I'M NOT A MAN. “is [_____________]” a boy or girl I AM SOMETHING YOU WILL NEVER UNDERSTAND. Oh, Jesus Christ. What dude. What the fuck do you want? What? Wait, you're...Jesus----Jesus-Jesus??? If you insist on still calling me that, I told you ages ago... (to himself) ...that makes so much sense…Jesus… Hm? Hey wait--are you still--sleeping--kind of? *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] WHO'S THE PINATA NOW, BITCH?! Oh, my God, Gerald! Get a hold of yourself!!! WHAT HAVE I DONE! WHAT HAVE YOU DONE? Dillon--What have you done. WHAT--DID YOU--DO. Just...Voodoo. VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? -creative ways you might find out, your junk has been permanently altered. What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. Oh My God--It was that big? (Nods) You'd never know. ...I knew it... What did you do with it? I just wrapped it around my leg and tucked it into my sock, most the time. Oh, wow. Yeah. I had to layer, the tube socks. That's--wow. Yeah. I mean. When you're right, you're right. You're right. I just get confused about it when I see him in shorts now. [in shorts.] (she cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- What is this. --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? SIR. STOP CALLING ME THAT. SIr, it was “not enough.” What? I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. I know how to get her here. ___Dude, I don't know how you did this! How did you DO this? Look, it's a long story. Well make it a short one. *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. So I….dropped the bass, and then… AND DEN? And then? And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- --sideways and forward, at the same time-- >>>Yes. It was a lot. Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her suprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [Sunni Blu (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me see. [Does.] ...what master is this... The revision I got in my email this morning. From who? From you. WHAT? BRO. YOU REMEMBER WHEN WE WENT OUT TO THE DESERT-- ---YEAH--- --AND WE BURNED THAT-- ---YEAH--- MY ENTIRE STAFF GOT THAT IN THEIR EMAIL THIS MORNING. WHAT? I thought that was the only copy. IT WAS. WHAT THE FUCK. BRO THIS NIGGA. THIS NIGGA. NIGGA. [Skrillex] did A [Skrillex.] Three People Know About It. [Skrillex] is not one of those people. Woah. So. He doesn't know. He doesn't know. Oh, no…. ...I just don't get it; I'm really sleepy. Well yeah...you are ...dead, so. What? I'm dead? Oh, yes. That explains it. It... actually doesn't expla

Episode Summary In this episode, Co-Founder of Aivo Health, Melissa Farmer, talks about the mind-body approach to treating chronic pain. Today, Melissa talks about the mind-body approach, getting patients to be more receptive to the mind-body approach, and how practitioners can recommend psychological care for chronic pain. How can psychology work to treat people with chronic pain? Hear about the gaps in chronic pain measurements, the psychology behind farming pain out, the Aivo Health App, and get Melissa's advice to her younger self, all on today's episode of The Healthy, Wealthy & Smart Podcast.   Key Takeaways “The body and mind aren't separate. They work together, they interact, and that impacts the experience of someone who lives with chronic pain.” “Just because we can't measure it with an existing tool, doesn't mean it doesn't exist.” “A patient saying that they're in pain is all the proof that you ever need to believe that they're in pain.” “We all have a collective responsibility to empower people who have been living with chronic pain.” “One of the most powerful tools for pain relief is between peoples' ears.” “Your identity is not your accomplishments.”   More about Melissa Farmer Melissa Farmer is a veteran chronic pain researcher-turned-entrepreneur. During her graduate studies at McGill University, she trained with a world-class multidisciplinary team at the chronic pain center founded by pain research legend, Ronald Melzack. She earned a doctorate in clinical psychology and neuroscience. Dr. Farmer went on to pursue postdoctoral training with neuroimaging pioneer Vania Apkarian at Northwestern University, where she specialized in brain imaging of hard-to-treat chronic musculoskeletal and pelvic pain.   In 2018, she left academia to co-found Aivo Health, a startup with Vania Apkarian and a chronic pain patient/entrepreneur. Their mission is to bring insights from the top tiers of pain science directly to people living with chronic pain.   On twitter, Dr. Farmer has an international following of influencer physiotherapists who appreciate her ability to translate basic pain science research into understandable language.   Suggested Keywords Healthy, Wealthy, Smart, Healthcare, Physiotherapy, Chronic Pain, Psychology, Treatment, Mindfulness, Meditation, Therapy, Trauma, Pain Relief, Mind-Body,   To learn more, follow Melissa at: Email:              melissa@aivohealth.com Website:          https://aivohealth.com LinkedIn:         Melissa Farmer Twitter:            @Farmer_MindBody   Subscribe to Healthy, Wealthy & Smart: Website:                      https://podcast.healthywealthysmart.com Apple Podcasts:          https://podcasts.apple.com/us/podcast/healthy-wealthy-smart/id532717264 Spotify:                        https://open.spotify.com/show/6ELmKwE4mSZXBB8TiQvp73 SoundCloud:               https://soundcloud.com/healthywealthysmart Stitcher:                       https://www.stitcher.com/show/healthy-wealthy-smart iHeart Radio:               https://www.iheart.com/podcast/263-healthy-wealthy-smart-27628927   Read the Full Transcript Here:  00:02 Hey, Melissa, welcome to the podcast. I am so happy to have you on I have heard raving reviews from Sandy Hilton and Sarah Haig about you. So it's great to have you here.   00:15 Thank you so much, it is a pleasure to be here with you. And today we're going to talk about treating patients living with chronic pain from a mind body approach. So before we get into the meat of the interview, can you define what a mind body approach to the treatment of chronic pain is? Sure, a mind body approach to the treatment of chronic pain acknowledges that we are embodied in these, you know, this skin, muscle bone, that we feel emotions in our bodies, that sensations have emotions that are attached to them. And it also acknowledges that all of these conscious experiences like pain and chronic pain arise from the brain. So they're conscious perceptions that are shaped by our thoughts and emotions and feelings and past experiences. So it's an acknowledgement that the body and mind are separate, that they work together they interact. And that impacts the the experience of someone who lives with chronic pain. And now here's here's the hard part as clinicians, what can we do to help our patients be more receptive to this approach when it comes to pain management, because chronic pain, any clinician will tell you is not an people living with chronic pain, excuse me, it's not a it's not an easy road. So what can we do to allow our patients to be more receptive to this? Because oftentimes people will say, so you're saying it's all in my head? And that's not hopefully not what we're saying. So got it? Oh, not at all. So one of the most powerful things I think, that we as clinicians can start with is a simple statement, I believe you, which is something that many people with pain don't ever hear. And it can be such a powerful statement, because then instead of coming to an appointment with, you know, evidence that they've prepared to prove that their pain is real, you know, tests, scan results, etc. You push all that off the table, you say, I believe that you're in pain right now, and I'm ready to help you. That's, that is, I think, one of the first pieces of resistance that we can remove, just by validating their experience.   02:53 And I think especially whenever people have lived with chronic pain, and have seen many, many, many, many doctors, they get used to this feeling that they need to   03:08 convince the person in front of them that their suffering is real. And if we just if we   03:19 if we get up that out of the way, just by acknowledging that common humanity, I think there's there's one level of resistance that's removed quite quickly. And what about providers, or medical professionals who our education, whether it be formal education school, our clinical rotations, has sort of trained us to look at scans and say, Oh, this is it. This is what's causing it. So what can we do as providers to? To break us out of that, if it's in the scan, then that's, that must be what it is. Do you know what I mean? Mm hmm. I think getting in touch with some humility. So crepe is a great way to start. Because one of the issues with scans and test results is that these are things that   04:14 scientists and the medical professional has decided these are measurable, objectively accessible, indices that we've all sort of mutually agreed, indicate that something you know, there's some sort of structural abnormality or whatnot. In other words, we're testing to look for what we know might exist. Another way of saying that is that we're only testing for the things that we've thought about before, and that we know how to measure and there's a lot of things that we don't know about and we don't know how to measure. And just because we can't measure it with an existing tool, doesn't mean it doesn't exist. And, you know, from a basic science perspective, right   05:00 My background is in basic science of chronic pain, we do not know a lot about chronic pain mechanisms. And so having sort of the humility to recognize that   05:18 the nervous system is incredibly complex, the brain is incredibly complex, there are many things we don't know how to measure, and it doesn't mean that they aren't there,   05:30 we tend to cling to tests that reflect our particular training. And from a patient perspective, what that means is that they get different types of snapshots. For instance, if someone has   05:45 lower back pain, they may get MRI scan to one, you know, from one doctor, if there's comorbid, visceral pain, which could be referred, for example, they might get a colonoscopy from another doctor, each of every every, you know, we've talked about silos before, you know, in the general field.   06:06 Each of these silos have their preferences for these different tools, and they all provide small snapshots. And it's sort of like the, you know, the blind men feeling on different parts of the elephant, you know, that really handy metaphor, just because you're a trunk expert, or you're a, you know, a, an, an elephant foot expert doesn't mean that you're able to see the entire picture. So Humility is a great attribute. Yeah. And where do you think this kind of false dichotomy between the body and mind originates from? Is it that, you know, Decart Deyan? Theory, you know, that happened centuries ago that we continue to accept? Or is it that we put more weight to the objective and less weight to the subjective? Or is it both? Or is it all the above and more,   07:06 all of the above, for sure, especially in the pain field, Decart has, he said, really strong influence, and he suggested that the body is like a machine. And you can sort of causally identify almost like a, you know, knocking down a line of dominoes. A cause effect, cause effect cause effect. And that's how you understand a more complex organism. But   07:34 what he, he sort of, it's interesting, he, he essentially said that, you know, like the body, the material, it works on different rules than consciousness. And he sort of made this blanket statement that we all accepted. So in a sense, relying on the words of a philosopher 400 years ago, is the basis for our logic today is a little a little surprising. But it's something that many people haven't questioned. And, unfortunately, in the, in standard medical training,   08:09 I'm sure you're familiar that like, especially in Northern America, in medical school, they receive anywhere between four and 11 hours of pain education,   08:21 there isn't enough time to go into the depth, the proper depth that this subject deserves. So I think that it's a, unfortunately, a reflection of these overly simplistic heuristics that medical professionals and other practitioners receive.   08:40 That that just doesn't do justice, to pain at all. Yeah, and like you said, because pain is so complex, because pain is an emotional and   08:54 physical state   08:57 that I think people are always looking for the answer. I know, patients are always looking for that one doctor, that one test that one scan that will say, Oh, this is it. This is the problem because people like logical things, right? People like well, point A, here's the problem. I can do B and I will end up with C feeling better. But when it comes to chronic pain, we can't look at the body and mind as separate. And I think a lot of people do and that does really is a recipe for some really ineffective treatments for pain. So what what can we do if a patient comes to us and they have sort of accepted that their mind body and mind are totally separate? And their kindness I must have done something I've got I've had this pain. I you know as a practice, I'm sure you've heard it. I hear it all the   10:00 Time, I'm sure I did something again, or I must have done something to flare it up. So how can we respond to that in a way that's accurate and helpful.   10:12 One of my beliefs, and this may not be a popular belief is that   10:19 the body has done nothing wrong, whenever it creates chronic pain, the body and mind it that chronic pain isn't a mistake.   10:29 And I say that from a scientific perspective, because whenever I've studied the mechanisms from the nerve ending on the skin, you know, whenever pain signals or nociceptive signals are transmitted from the surface of the skin, to the spinal cord to the brain, the body is naturally designed in a way that amplifies pain signals. So amplifying pain is how nature works. And it works that way. Because pain is a really important thing to notice. Pain is a primary reinforcer. And that means, by definition, it's aversive, you don't need to condition or to pair it with anything for an animal or for a person to try to avoid something, it's painful. And that's why it's always sensory and always emotional. It's always aversive.   11:23 And whenever, you know, as I've studied chronic pain populations over the years, and I've looked and really considered and reflected on the biological changes that I see all of these, these mechanisms that sort of turn up the volume of pain, whether it's at the nerve and the surface of the skin, or in the spinal cord, or in the brain, they're all there for a reason. And it's because the signal is incredibly evolutionarily important to respond to.   11:55 And the division happens in the brain where once it gets to the brain, and creates a emotional memory, or a fear memory. That's whenever the brain adapts and changes in response to that incoming signal. So in a sense, that's the point where the brain begins to adapt to accommodate the pain in someone's life, rather than just being passively responding to the environment. And that's one of the   12:31 one of the main features of chronic pain, where it's no longer just a, you know, whenever you see a patient to   12:42 has pain that still increases and decreases in response to external stimuli. That's a great sign because it means that the nervous system is still really closely linked with the environment. Once pain fluctuations start to vary independent of the environment, that means that it's become   13:01 more hard coded into the nervous system.   13:05 So that whenever I see patients who you know, who do have pain that's responsive to seeing the environment, I congratulate them.   13:15 But again, the idea that   13:19 it's adaptive to remember what causes pain means that it's also adaptive to create pain memories. It's also adaptive to change how you move in relation to pain. And it's adaptive, to feel depressed, and to feel anxious. Those are all completely normal, understandable responses to pain. And the   13:44 thing that isn't as natural and healthy is the inability to go back to baseline after you've hit that new state. And one of the reasons is that whenever you have chronic pain, so many experiences during your daily life, reinforce that cycle that you don't have many opportunities to learn what the lack of pain is like.   14:07 And something this is something I call relief learning. So it's natural for us to pay attention to periods of escalating pain. It's something it's a skill that can be learned to pay attention to periods of pain relief. And that's something that a lot of patients don't naturally do. And it's something that   14:31 if you don't come at it from a brain perspective, you might not see the importance of it. But anytime pain is decreasing, or it's lower than it normally is. That's the time that you should be focusing on positive emotions, relaxing the body, learning new skills, that's optimal learning time. So of that, one of the reasons I bring that up is that the the brain even though it's responsible for creating this chronic state   15:00 It's also the key to changing it and shifting back and reversing to the pain free state. The plasticity of the brain is is just a never ending thing of beauty. Absolutely. Absolutely. Well, now let's talk about, because it sounds like, and I love what you just said, it sounds like we're really focusing on sort of psychological care, which is part of care for chronic pain. And I love something that you wrote in that if mind based treatment helped my pain, then my pain must not be real. Hmm. Right is maybe something that might be in the back of someone's mind someone living with chronic pain are in the forefront. So how, how can   15:45 psychological care? Whether that be CBT, or mindfulness, or you know, there's a million different kinds of, I'm sure scientists, psychological care. So   15:58 how can people use psychological care, but not D legitimize their pain experience, not make them feel like, well, if, if this helped, then   16:10 my pain wasn't real, because if it were real, then that injection would have taken it away, or that movement or that stretch, etc, etc.   16:20 One of the things about trading   16:25 one of the things about psychology is   16:30 that sort of inherent in this illusion that the mind and body are separate   16:37 is that   16:40 whenever you have a new experience, there are measurable neuronal changes in the brain, there is a physical change that occurs, there is a measurable change that occur that occurs, even if you know we don't have the tools right away to measure it.   16:58 psychological changes are biological changes. And there's what 4050 years of science that reinforces that. So just because a psychological treatment can help doesn't mean that it isn't biological, it just reinforces that this source of the biological change is different from what you expected it to be. So I know that a lot of people with pain   17:27 you know, if for instance, their lower back hurts, or if a certain limb hurts, they assume that the source of the pain must be in that body part.   17:38 And although this is getting a little high up,   17:44 in terms of mechanisms, one of the reasons why we can even tell where our body parts are, is that there are maps in the brain. For instance, you know, one of the examples of this is the homunculus. But there are actually four different maps in different parts of the brain, that help us understand where our body is in space, and where our hand is where our lower back is. So you don't know where your lower back is, unless your brain helps you decipher where in the body map it is. So, you know, in multiple levels, this this idea of separation is really artificial, it really doesn't serve the experiences of people with pain.   18:25 I understand that.   18:28 Also, that one of the reasons why patients may adopt this kind of thinking is because they're   18:37 trying to work with the perspective of the provider who's treating them. If the provider has these assumptions, patients naturally, just to adapt, they have to play the same bowl game they have to in you know, they might do this through Google searches, or educating themselves on the web, or looking into pain, neuroscience education.   19:03 In order to be heard, I need to study the way that this is described online and in the literature, I need to be able to talk to my doctor in a way that they can understand.   19:16 And even that   19:19 even even that point where it's like I need to interpret my internal experience into something else so that someone else will believe me, I feel is sacrificing their internal experience of pain. No doctor   19:35 I almost think that like   19:38 a patient saying that they're in pain is all the proof that you ever need   19:45 to believe that they're in pain. You don't need a test. I really believe this. And so much the point that you know, I've I've I worked with Dr. Vani up caring for many years. The reason why his research   20:00 has been replicated so many times and has been published in such higher to high tier papers is because he looked at the patient's perception of pain and mapped brain signals to that perception.   20:17 He listened to the patients from the very beginning, he didn't say, Well, you have to finish the standardized questionnaire. And that'll tell me, that'll be the way that I measure whether your pain is there or not. He had a moment by moment, measure of pain intensity that he used to extract the signals from the brain during these brain scans. And that's how he found his fantastic findings that have been replicated again, and again, by different by different groups. And those are the findings that reinforced that as pain becomes more chronic, the brain regions that are correlated with the perception of pain change from sensory related regions early on, to emotional related regions within a year. In other words, after a year of living with pain, emotional brain regions are correlated with the sensory perception of pain.   21:15 Another way of saying that is that the sensation becomes emotional.   21:21 And that isn't saying that it's not real that saying that it's so real, you can measure it on a brain scan, you can see the pictures, you can replicate it across studies. It's that real?   21:34 So I feel like I've sort of No, no, gone in a few directions to answer your question. But   21:44 all all patients,   21:47 all we need to do is take patients word for their pain, we don't need any extra evidence that it exists, we just need to take them seriously. And to reinforce that, it's not your fault that you have this pain, you did not cause your illness, your body was doing exactly what it was designed to do exactly what we would expect a healthy person's body to do. It's not your fault. So let's, let's work together and find   22:19 your own path to pain relief learning. Right. And obviously, everyone's path is different and individualized. And I think we can all agree on that. There was something that you had said,   22:31 as you were speaking, that popped something that caused me to think that sometimes I don't know if you've seen this, but is it easier for patients to sort of farm their pain out to sort of third person their pain, versus first person their pain, meaning they may describe it, or they may listen to the way the doctors describe it, and not think of it as their first person pain, but think of it more as third person. And I'll give you an example of what I mean by that. So I have a long history of chronic neck pain   23:07 during my 30s, like, literally, the decade of my 30s For the most part. And I had I was giving a keynote talk a couple of years ago. And so I joined a speaker salon, or speaking group to help with this talk. And it was about they wanted me to talk about my experience with pain. So I went out there and I started it like imagine a patient walked in and had all these symptoms, right. And the woman who is not a clinician, a health care practitioner in any way. She is a writer, director and speaking coach, her name is Tricia Brooke. She said, Well, hold on a second. I'm gonna I'm gonna stop you for a second. I said, yeah, yeah. What is it? She's like, Is this about you? And I said, Yes, it is. And she's like, Well, why are you talking about it in the third person?   23:57 I said, Oh, well, because at the end is the big reveal that it was me and she's like, people know, it's you. You're up there talking about it. Like so why don't we change it to the patient and change it to me. And I started and within five minutes, I was crying so much I couldn't continue.   24:15 And I was like, This is why it's not first person because it was so hard. For me it was a lot easier to sort of third person it out or farm it out. And then going through this for eight weeks, I was finally able to get through the whole talk and someone came up to like, you know, I really liked those parts when we were first doing it when you were crying a little bit. I'm like, that wasn't part of the bit. That wasn't a bit that was me not being able to talk about my experience with pain, because it's emotional and sensory. So the although at this point now I had not had pain in years. To the extent I had it when I was speaking about it right, but to your point   25:00 The emotional attachment was still there.   25:04 So what do we do with that?   25:10 That's such a great   25:13 question.   25:18 I think it's self protective. Initially, whenever just just as you described, it's self protective and that you live with the pain every day.   25:30 It's a way to distance yourself from the suffering.   25:36 So on one hand, I understand 100% Why people do that. And in a lot of the patients that I've seen, over the years have done that too.   25:50 I think that   25:58 something that comes up for me right now, is that the words that one person uses for their own pain are the most therapeutic words that they could   26:10 use.   26:12 In that, engaging in the pain memory, from a psychological perspective, is one of the things that allows you to change that memory.   26:23 And I kind of wasn't planning on going here. But it's, it's an opportunity.   26:29 One of the reasons why psychological approaches to   26:34 chronic pain care have the potential to be so effective is that if pain is an emotional memory,   26:45 we know from 20 years of basic science, neuroscience, that emotional memories can be fundamentally change. There are rules, there are very clear rules.   26:59 The rules are you revoke the memory, on purpose as fully as possible.   27:07 You ideally introduce some type of contradictory experience something surprising, because that really makes the   27:20 the brain state more salient, it makes the brain pay more attention to what's happening. And then within three hours, you induce relief, psychological relief, deep breathing, I've worked with patients where we administered propranolol under the guidance of their you know, their doctors, but deep breathing is enough. And that if you are able to induce in sort of controlled conditions, these experiences where you fully experience pain, how it is for you, using your words, the emotions that come up in your body. That is how you fundamentally changed the memory structure of chronic pain.   28:06 Fascinating, you can do that in little bits across time.   28:12 Under more controlled conditions, you can do it in one big whammy exposure session.   28:17 Interesting, I think I did it in little bits over an eight week period in front of an audience   28:23 in front of a very safe audience of 14 amazing women. And you were also in a sense, potentially reshaping your pain narrative, as you're going through this, too. So you know, per Gillette Abelton.   28:38 You know, working with the pain narrative, and changing the meaning of the pain story over time is one of the another way that   28:48 that your pain story itself can be really therapeutic. Yeah, yeah, it was. It was wild. But it's it's a good example, I think of how even though I had not had pain for years, but the emotional attachment to it was so strong that I couldn't even get through a paragraph of this talk without crying. I was like, I think I need to come off the stage. And then each time it got, you know, it took more and more time, I guess before I would have like a really emotional response. But I have to say since then it was like,   29:28 like a weight off my shoulder. You know, and this is years after not years, maybe like six years after I really had more consistent chronic pain. So it was years and it was it was years after the pain had the chronic pain had subsided.   29:45 That's interesting too, because it suggests that there's a larger memory structure underneath there that even if the sensory aspects have been remodeled, the emotional attachment can still remain. And so in a sense, perhaps   30:00 that experience helped to heal the entire memory structure in a way that it you know, it wasn't quite complete just with the sensory pain being gone. Yeah, yeah, maybe it closed the circuit a little bit, so to speak. But anyway, it was it was highly, that's fantastically effective. But it just goes to show and again, I wasn't working with a professional perhaps if I were maybe I would have closed that circuit a little earlier. Or maybe not. Maybe this was the time, we don't know, too many questions to answer. So it's just right, you didn't just write for us at the right time. So, you know, just goes to show that when we're when we are treating chronic pain, we need to target the brain. Right? I think you need to have psychological care. So what do treatments look like? Obviously, reminding the audience that everyone is different, and everyone is individualized. But what are some examples of how psychology can work with people with chronic pain?   30:57 Well, so there are a number of evidence based approaches.   31:01 So cognitive behavioral therapy is one that everyone knows about Acceptance and Commitment Therapy, Mindfulness Based Stress Reduction, even pain, neuroscience education for some people. And whenever I think about these things that I typically look at the biases of the person in front of me, is the person in front of me a highly logical, rational type of person, I'll direct them to cognitive behavioral therapy, are they more embodied emotional person, they might be more open to mindfulness meditation approaches, or Acceptance and Commitment Therapy.   31:38 I think, especially people who have been in the healthcare system, go around for years and years and have some trauma related to being a chronic pain, patient benefit from pain, neuroscience education, just because it helps them get a better understanding of what they've been working with. So in a sense, you know, we have sort of a number of different tools that we know of in the literature, and adjusting each tool based on the the worldview of the patient is the best way to go. I think that's such a great way to look at it. And what advice do you have for let's say, physical therapists, occupational therapists who are working with patients with chronic pain? What is your advice to us to recommend psychological care? How, how can that conversation initiate?   32:36 And what is the best way for us to refer out?   32:46 I think that one of the best ways to initiate the conversation is by expressing empathy, and compassion, it looks like you're really having a tough time with this.   33:01 And from what you've described, it seems to impact many areas of your life, I see that you feel anxiety, I see that you've experienced some depression, I see that this stresses you out,   33:16 have you thought about support some sort of psychological support? To help you through this, that's, I think one of the most open ways that that this can, this can happen and a lot of physical therapists that I'm that I've interacted with, have taken it upon themselves to learn some of the psychological purchase, because it's almost   33:41 because they've sort of found themselves in the position of being the psychologist whether they liked it or not, or whether they had the training or not. And I've really admired a lot of the physical therapists that I've interacted with, because they've gone extra steps to learn what it is that they might need to know in order to provide better psychological care, as you know, as a physical therapist.   34:09 However, there are lots of times whenever the degree of distress or the degree of suffering, it is beyond training, you know, the training that you might have as a, as a physical therapist. So that's whenever it's time to bring in a professional   34:29 in terms of identifying   34:32 the optimal type of treatment or making referrals. That's very tricky of because there aren't a lot of pain psychologists in North America.   34:47 Even if I were to come up with a list of them, a lot of them that I know of are in academia and the people that   34:55 are in sort of the private sector. They have that specialization just   35:00 because they have lots of experience there. So it's, I kind of, I don't have, I don't have many suggestions. In this case, I do have a suggestion of a tool that I've helped to develop, that could supplement that in a way.   35:19 But in terms of finding the optimal,   35:25 as per the optimal psychologist, I think it would come down to therapeutic alliance. And that's something that each person has to feel out for themselves. And that, okay, you have a person who's highly rational, logical CBT might be the thing for them, have them talk to three different suggests they talk to three different people who feels right.   35:45 Because I'm a firm believer of therapeutic alliance, in the larger sense. And the the foundation of therapeutic alliance was best articulated by drum Frank, in his book, persuasion in healing. And one of the things he described is the healer suffer relationship. And one of the core tenants of the healer separ relationship, the healer believes that they can heal, the suffer, believes that the healer can help them. And they come together and interact with a number of rituals together, that are intended to relieve the suffering. So if you have someone who's on your side, even if they don't have the right training, but you trust them, you feel like they get you, that's more therapeutic than their training proper.   36:35 And that's, it's it's tricky. But for instance, even just talking on the phone for 15 minutes, to three different practitioners is enough to be able to get that feeling. Yeah, that's great advice. Thank you for that. And now, as we wrap things up here, what would you like the listeners to take away from this conversation? If you could wrap it up in a bow? What would that what would that present look like?   37:06 I think   37:08 we all have a collective responsibility to empower people who have been living with chronic pain.   37:20 And I think that,   37:22 you know, based on our conversation, one of the most powerful tools for pain relief is between people's ears. And I really think that that's the most empowering approach as well. And that I, at my core, I don't believe that we, that people need to rely on   37:40 doctors or medications or even approaches nearly as much as their own brains.   37:48 I, I know that it's difficult to get access to tools and psychological approaches that enable that. One of the things I'm doing,   38:00 you know, just from a, from an entrepreneurial background, is working on tools that will help people with that. But the key to long term pain relief, is teaching people to attend to patterns of pain relief, and what really feels like even if it's just a few moments every day. So my overall bold statement would be the key to your pain relief is paying attention to whenever the pain is less whenever you have time, to enjoy things in life to engage in positive emotional learning. Those are the keys to pain relief, because the more you focus on those moments during the day, and the more we encourage our patients to focus on those moments, the better they'll get, and the more quickly they'll get better.   38:50 I love that. And now where can people find you? What do you have going on? What's coming up? Let us know. Yes. So one of the things that I've done in the past few years after leaving academia, thank goodness, is I co founded a startup with Vanya, up Korean and a chronic pain patient, make Mika Michalak. So he's an entrepreneur, finished entrepreneur who has had chronic pain himself. And we   39:18 created a tool that is essentially insights from Bonniers research in an app form.   39:29 And it contains Mindfulness Based CBT exercises and tools that I wrote, and pain neuroscience education that I wrote. So in a sense, it is a expert created tool that is designed to give all of these insights directly to a patient without them having to rely on doctors or any formal care.   39:56 Because one of the apps Oh, the app is   40:00 Ava health app.   40:02 So if you go to www dot Evo health.com, you can learn more about it. And one of the one of the things that I it's a real conviction of mine, the science that's needed to heal chronic pain exists today.   40:21 You know, this is work that Vanya has been doing for years. And the time that it takes to sort of for that knowledge to trickle down to clinicians and to, you know, clinical guidelines, is 10 to 15 years. And one of the reasons why we decided to do this was because if it exists today, patients deserve to have it today.   40:42 So it's, it's a labor of love.   40:46 And I invite anyone listening to this podcast, to recommend to check it out yourself, to recommend it to your patients. And to contact me directly at Melissa at Ava health.com. If you'd like some more information about how to use it to help your patients. I'm very open to that. I love it. And we'll have the link to that in the show notes at podcast dot healthy, wealthy, smart, calm. And again, that website is www dot A i V as in Victor Oh health.com Just so people have the spelling of that.   41:27 And now one last question that I asked everyone and knowing where you are now in your life and in your career, what advice would you give to your younger self, let's say a fresh face out of grad school or maybe undergrad wherever you want, wherever you want to take that starting point.   41:45 I would say Melissa,   41:49 you're either identity is not your accomplishments.   41:55 Think about what   41:58 drives you what creates the most passion in you. It's to help people get better. And to support people while they're healing.   42:08 instead of chasing after the shiny ego cries that other people applaud you for take a step back and focus instead on what makes people feel better now make choices to help people heal.   42:32 Now, don't worry about long term research because long term research won't help people now.   42:39 I love that advice. Thank you so much. This was a wonderful conversation. I always learn such I always learned something new. And this was a lot of new so I want to thank you for coming on. Thank you so much for having me. And I really appreciate it was wonderful and everyone thank you so much for tuning in. Again. If you have any questions for Melissa you can reach her at a vo help calm and have a great couple of days and stay healthy, wealthy and smart.

Bohdan is a role model for those who think about Ukrainian business in the diaspora. His company Yevshan is the biggest Ukrainian cultural goods store in Northern America, and probably in the whole world. The company has the strength and Bohdan personally has the business talent to hold this top position for five decades already – since 1972 when Yevshan Communications Inc has been established. Bohdan is one of the founders and organizers of the Ukrainian Festival in Montreal. Every year, before the pandemic, Bohdan is enjoying the summer travelling all around Canada and the US participating in more than a dozen of Ukrainian festivals. This is where I meet Bohdan after I moved from Montreal to the West. I have had the privilege to know Bohdan for 20 years already and I feel that I have never met a more energetic and charismatic Ukrainian businessman in Canada. --- Send in a voice message: https://anchor.fm/ukrainian-podcast/message

In 1994, a rancher and his family moved into what should have been their dream home. Little would they know, they've arrived at possibly the strangest plot of land in Northern America. From giant wolves to lethal orbs, and UFOs to portals to other dimensions, Skinwalker Ranch is perhaps the pinnacle of high strangeness.Follow us on @highlystrangepod on InstagramE-mail us your stories or comments at highlystrangepod@gmail.comMusic by Liam Lynott and Lewis Beech@liamlynottmusic Artwork by Holly Osborn, find her work at @hbosborn.art on Instagram!

Our Lady Of Guadalupe: Patroness Of The Americas For many folks, it seems that Mary, under her title of Our Lady of Guadalupe, is particularly reserved for those faithful in Mexico, where the apparition took place. While the people of Mexico do have a strong devotion to Our Lady of Guadalupe, she intercedes on behalf of all of us in South, Central and Northern America.

Our Lady Of Guadalupe: Patroness Of The Americas For many folks, it seems that Mary, under her title of Our Lady of Guadalupe, is particularly reserved for those faithful in Mexico, where the apparition took place. While the people of Mexico do have a strong devotion to Our Lady of Guadalupe, she intercedes on behalf of all of us in South, Central and Northern America.

What's up, guys! This week, Paige tells the first tale of the Crypto-mania series, a series about Cryptids! Paige discusses "Not Deer" while Hailey keeps thinking about them in her backyard. This one feels relatable, so get ready for a wild one. Talk at you next week!  Please hit the subscribe/follow button for more episodes and consider leaving us a 5-star rating and review! Gmail: sinfulsisterspodcast@gmail.com Instagram: @sinfulsisterspodcasthttps://www.instagram.com/sinfulsisterspodcast/ Twitter: @SinfulSistersPC https://twitter.com/SinfulSistersPC Patreon: patreon.com/sinfulsisterspodcast Youtube: https://www.youtube.com/channel/UCuRu5LsG1Yfy9i-oJutOWNw Music: Pure Art Recording https://www.youtube.com/channel/UC2FXJ_Qlr3WGHGklt8hbvkw

Today, Dispatch meets with art historian and professor Pamela Nguyen Corey who has come to visit with host Arlette Quynh-Anh Tran at her home. Listen to this week's episode as the two sit down in Saigon for a relaxed chat.  This week, speaker Dr. Pamela Corey will talk about how the knowledge of Vietnamese art history is produced, its research as well as its pedagogy in institutions of higher education throughout many different continents, including Northern America, Europe, and Asia. The two will also discuss Pamela's newest book and how geographic representation has been shifted in art interpretation and appreciation. Pamela Nguyen Corey is an art historian that researches and teaches modern and contemporary art history, focusing on Southeast Asia within broader transnational Asian and global contexts.

The opening section of the episode provides a brief overview of Line 3 and contextualizes my interest in the permitting process. The majority of the episode introduces key concepts that constitute the larger conversation around pipelines in Northern America. The concepts include sustainability, regulatory capture, environmental justice, just energy transitions, and tribal sovereignty.

In this week's episode, I chatted with Louisa Havers about energy healing, releasing blocks from your energy field to overcome fear of visibility, procrastination, imposter syndrome and income ceilings. Along with why mindset work is soooo important in making any life or business transitions and how we both overcame burnout to birth lives we LOVE! Louisa Havers is one of the first 22 Energy Alignment Mentors in the world, an Advanced Pranic Healer, an Advanced Akashic Record Consultant and an International Life & Business Coach. Louisa left her life on the hamster wheel of survival and stepped out of her comfort zone, leaving her Senior Executive job in Social Services, to reinvent herself as an entrepreneur, running a successful Network Marketing Business and International Life & Business Coaching Business. She helps high achievers and service-based entrepreneurs increase their performance and magnetism in life and business and has served over 7,000 people across Northern America and Canada, Europe and Australasia, empowering them to make life-changing transformations so that they love the life they live. Links: FB: https://www.facebook.com/LouisaHavers/ IG: https://www.instagram.com/louisahavers/ YT: https://www.youtube.com/user/Cloudbanduk You can download Louisa's free abundance activation here: https://louisahaverscoaching.lpages.co/abundance-activation And check out her work here: www.louisahavers.com

In this episode we discuss how in general countries from different continents have dealt with the Coronavirus pandemic. Has any country done the right thing? What was effective and what failed? Is there a winner? Who are the Social Distance Ambassadors? We try to answers all these questions. We look back to the beginning and compare it to where we are now. Northern America, Europe, and Asia. 

Beers, Doggos, and a cult in Northern America seeking King Paimon while an entire family deals with grief, depression and apparitions. What can possibly go wrong? On this episode, Luis, OJ and Lui, alongside some friends, watch Hereditary (dir. Ari Aster) as we fuel our living nightmare even more.

If you follow cosplay videos, then you might have seen one of his videos on YouTube or Kotaku.com. MineralBlu has traveled all across Northern America and has covered many events, his videos truly captured the variety of cosplay we have seen in America. Support this podcast

Many homes and businesses remain without power across Northern America, Governor Gavin Newsom speaks out about how the outages are being handled, communities are celebrating Halloween, and people are finding unique ways to thank firefighters for their efforts. Local people. Local stories. From the KCBS Radio Newsroom, this is "The All Local" for the evening of Thursday, October 31, 2019.