POPULARITY
The resurrection of Jesus…It's not just a fairy tale. It's a historical event that sent shockwaves through time and space whose effects are still making waves today. In this message, we see that from the moment Jesus declared “It Is Finished”, he always brought others out of the grave with HIM.
Happy Valentine's Day Everyone from The Gospel Jubilee! This week on The Gospel Jubilee it will be our annual Valentine's edition. All the songs played will be about God's love for us, our love for Him, and our love for one another. Here are all of the ways you can listen to the Gospel Jubilee On your Echo device say, Alexa, play the Gospel Jubilee on Apple podcast. For a direct download go to: https://api.spreaker.com/v2/episodes/64329099/download.mp3 Ocean Waves Radio ... every Wednesday at 5:00 PM Eastern time., www.OceanWavesRadio.com Thursday afternoons at 4:00 PM and Sunday mornings at 9:30 AM EST on Southern Branch Bluegrass Radio, www.sbbradio.org Saturday evenings at 7:00 and Wednesday afternoons at 4:00 CST on Radio For Life, www.RadioForLife.org Legend Oldies Radio. Our broadcast will be aired every Sunday morning at 9:00 AM CDT. https://www.legendoldies.com Playlist: Artists |Song Title | Album 01. Triumphant Quartet - Because He loved me - "The Greatest Story" 02. Real Truth Revival - Your love keeps lifting me higher - "Real Love" 03. 11th Hour - Love don't - "A Lot With A Little" 04. The Jordan Family Band - A little more love - "A Little More Love" 05. Blake & Jenna Bolerjack - Jesus is a river of love - "Always Will Be" 06. The Anchormen - Boundless love - "Living Our Dream" 07. The Booth Brothers - I am loved - "Take Another Step" 08. Karen Peck & New River - I'm gonna love my neighbor - "Hope For All Nations" 09. Mystery artist of the week - A thing called love - "The King Volume 2" 10. CT & Becky Townsend - I love you Jesus - "For The Children's sake" 11. Brian Free & Assurance - For God so loved - "For God So Loved" 12. Carroll Roberson - If you don't love people - "One Life To Live" 13. The Carolina Boys - Strong hand of love - "Ready" 14. Canton Junction - Dig a little deeper in God's love - "Show Me Your Way" 15. Chronicle - Jesus loves me - "Next Sunday Morning Redback Hymnal" 16. Debra Perry & Jaidyn's Call - No one loves you more than Jesus - "It's Time To Walk On Water" 17. Doug Anderson - Remember that He loves you - "The Only One" 18. The Dove Brothers - You don't know God's love - "Life" 19. Mark Bishop - Happy Valentine's Day - "You're Happy When You're Laughing" 20. Master's Voice - Love on Jesus - "A Real Good Day" 21. The Nelons - That's what love is - "Loving You" 22. Scotty Inman - Love one another - "Anywhere Jesus Is" 23. The Collingsworth Family - Show a little bit of love and kindness - "The Best Of The Collingsworth Family - Volume 1" 24. The Erwins - This is love - "This Is Love" Outro – Kenny Sears – In the Sweet By and By
Thanksgiving Episode, GEM Care Jan 1st move to BFMC. Medicare Supplement B, Jesus "It is finished". Forgiveness. Call Paul after Nov. 30th.
Do you find it challenging to make Bible reading and prayer a regular part of your life? You know it is important, yet it often feels like an obligation or punching a spiritual time card. In this program, Chip tackles this common struggle with some sound, godly wisdom. Discover how to have a more joyful connection to God by transforming your quiet time from a duty–to a discipline–and ultimately to a delight. Main Points Practice # 1 – To come before God daily. I. The Good News: Jesus' life & teaching answer this question definitively II. The Bad News: Most Christians don't share much family resemblance The Principle: We become most like those with whom we spend the most time – 1 John 3:2, 2 Corinthians 3:18, Proverbs 13:20 III. What Did Jesus Practice? Knowing & pleasing His Father was Jesus' priority - John 4:34; 5:19, 30 He memorized & meditated on God's Word - Matthew 4:4 He went away to pray - Mark 1:35... IV. What Did Jesus Teach? Responding to God's Word defines our relationship with Him - Mark 4 Our view of God in prayer definites our intimacy & answers - Luke 11:1-11 Our obedience to God's Word brings us to experience His love & presence - John 14:21 Abiding in Christ produces joy - John 15:1-11 V. How to Come Before God Privately Make a daily appointment with Jesus It's a habit to develop = Duty > Discipline > Delight Practice Solomon's Advice – Proverbs 2:1-5 VI. How to Practice the Presence of God Throughout Your Day Meditate on one truth or verse throughout the day Limit technology & distractions Proactively take in creation & art that bring awareness to worshipping God. Broadcast Resource Download Free MP3 Message Notes Year End Match Double Your Gift Today About Chip Ingram Chip Ingram’s passion is helping Christians really live like Christians. As a pastor, author, and teacher for more than three decades, Chip has helped believers around the world move from spiritual spectators to healthy, authentic disciples of Jesus by living out God’s truth in their lives and relationships in transformational ways. About Living on the Edge Living on the Edge exists to help Christians live like Christians. Established in 1995 as the radio ministry of pastor and author Chip Ingram, God has since grown it into a global discipleship ministry. Living on the Edge provides Biblical teaching and discipleship resources that challenge and equip spiritually hungry Christians all over the world to become mature disciples of Jesus. Connect 888-333-6003 Website Chip Ingram App Instagram Facebook Twitter Partner With Us Donate Online 888-333-6003
If you could see a chart of how you spend your time, what would you notice? In this program, Chip challenges us to take a closer look at our priorities by revealing the one relationship worth investing in above all others–and how it can have a dramatic, life-changing impact. Tune in to discover why making God the center of our attention matters more than we might realize.Main Points Practice # 1 – To come before God daily. I. The Good News: Jesus' life & teaching answer this question definitively II. The Bad News: Most Christians don't share much family resemblance The Principle: We become most like those with whom we spend the most time – 1 John 3:2, 2 Corinthians 3:18, Proverbs 13:20 III. What Did Jesus Practice? Knowing & pleasing His Father was Jesus' priority - John 4:34; 5:19, 30 He memorized & meditated on God's Word - Matthew 4:4 He went away to pray - Mark 1:35... IV. What Did Jesus Teach? Responding to God's Word defines our relationship with Him - Mark 4 Our view of God in prayer definites our intimacy & answers - Luke 11:1-11 Our obedience to God's Word brings us to experience His love & presence - John 14:21 Abiding in Christ produces joy - John 15:1-11 V. How to Come Before God Privately Make a daily appointment with Jesus It's a habit to develop = Duty > Discipline > Delight Practice Solomon's Advice – Proverbs 2:1-5 VI. How to Practice the Presence of God Throughout Your Day Meditate on one truth or verse throughout the day Limit technology & distractions Proactively take in creation & art that bring awareness to worshipping God. Broadcast Resource Download Free MP3 Message Notes Year End Match Double Your Gift Today About Chip Ingram Chip Ingram’s passion is helping Christians really live like Christians. As a pastor, author, and teacher for more than three decades, Chip has helped believers around the world move from spiritual spectators to healthy, authentic disciples of Jesus by living out God’s truth in their lives and relationships in transformational ways. About Living on the Edge Living on the Edge exists to help Christians live like Christians. Established in 1995 as the radio ministry of pastor and author Chip Ingram, God has since grown it into a global discipleship ministry. Living on the Edge provides Biblical teaching and discipleship resources that challenge and equip spiritually hungry Christians all over the world to become mature disciples of Jesus. Connect 888-333-6003 Website Chip Ingram App Instagram Facebook Twitter Partner With Us Donate Online 888-333-6003
I Love Central Week #6 Focused on His Holiness Isaiah 6:1-8 False Idea- I don't need church to worship Jesus We all need church if we’re going to maximize our relationship with Jesus It was in the year King Uzziah died that I saw the Lord. He was sitting on a lofty throne, and the train […]
What are you doing to protect, pursue, and grow in commitment in your relationships like God intends? Tune in to Kent's sermon on the Song of Songs for insights.
(2:00) Biden's transgender worshipDo we expect the world to worship Christ when we Christians are ashamed of the gospel?Are Biden, Hillary, Trump to be pitied for their obsession with fleeting power and their rejection of God?Can any politician separate from the love of Christ?Tranny tyranny is a harbinger of coming persecutionHave churches who profess faith mocked and rejected Christ more than unbelieving politicians?(13:25) Batman Crucified? Church Desperation to be "Seeker Friendly" Makes a Mockery of Jesus It's not just Biden, many churches mock Christ on Resurrection Sunday (19:59) LGBT has been honored by even the most conservative denominations like SBC or institutions like Campus Crusade for Christ (now calling itself "Cru", ashamed of "Crusade") (23:11) Washington Post's clueless article about Christian "obsession with blood" and tying it to their clueless obsession with Trump's comment about "bloodbath" (28:27) Charlie Kirk think seminaries are the problem with Christianity (ALL of them he says without exception) but he has spoken on tour with false prophets and Flynn who led people in plagiarized prayers to "ascended masters" (32:05) Should we stay out of politics? WATCH Matt Trewhella "Doctrine of the Lesser Magistrate" speak to the Wisconsin legislature about the "murder" of babies and the pushback by a Dem committee member (53:17) Biden Lays an Easter Egg — the political reasons the left panders to a tiny minority is NOT for votes (1:00:30) You won't believe HOW MANY DAYS have been declared already TO HONOR LGBT variations…here's the list (1:05:50) The true reason why they pander… (1:08:05) Both Biden and Trump are stereotypes of attacks on Christian…but they are TWO DIFFERENT TYPES of attack. Here's what they each represent (1:11:13) Documents leaked from WPATH (World Professional Association for Transgender Health) show the global governance agenda is using transgenderism to as a focused attack on… (1:28:47) WATCH — Which is a better parody of Trump: SNL comedy routine of him selling his Bible, or his actual interview where he fielded questions about what he thought of the Bible? (1:31:58) Trump & his media roll their followers on the "White House Easter Egg Roll" ban of religious symbols — this is what they hope you don't know about Trump and the egg roll… (1:38:16) Did Trump pray with the son of a slain NYPD officer? Did Jesus come to fight the police state? (1:46:13) Police State ratchets up a few more notchesFBI now goes door-to-door to question people about social media posts and you won't believe what they took exception toYouTube is reporting to the government who watches certain videos of interestRed Flag center to "take the guns, do the due process later"California city steals over a million dollars of legal cannabis from a store and refuses to return for 6 monthsFamily sues Apple after being dangerously SWATTED based on "Find My location"After 1,000 National Guard and State Police don't stop shooting in NY subway, gun scanners are next(2:25:20) A personal note about my AFib and advice from listeners, and other comments (2:30:00) RFK jr, the Libertarian Party, ballot access (2:34:16) Baltimore Bridge updateWas it dirty fuel?How much and how long to fix compared to original construction(2:45:02) SWIFT, Sanctions, and the Swiftly Approaching Global CBDC WATCH insider at World Government conference say the quiet part about what's coming with CBDC. Did SWIFT and sanctions indicate the timing of their move? Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT
(2:00) Biden's transgender worshipDo we expect the world to worship Christ when we Christians are ashamed of the gospel?Are Biden, Hillary, Trump to be pitied for their obsession with fleeting power and their rejection of God?Can any politician separate from the love of Christ?Tranny tyranny is a harbinger of coming persecutionHave churches who profess faith mocked and rejected Christ more than unbelieving politicians?(13:25) Batman Crucified? Church Desperation to be "Seeker Friendly" Makes a Mockery of Jesus It's not just Biden, many churches mock Christ on Resurrection Sunday (19:59) LGBT has been honored by even the most conservative denominations like SBC or institutions like Campus Crusade for Christ (now calling itself "Cru", ashamed of "Crusade") (23:11) Washington Post's clueless article about Christian "obsession with blood" and tying it to their clueless obsession with Trump's comment about "bloodbath" (28:27) Charlie Kirk think seminaries are the problem with Christianity (ALL of them he says without exception) but he has spoken on tour with false prophets and Flynn who led people in plagiarized prayers to "ascended masters" (32:05) Should we stay out of politics? WATCH Matt Trewhella "Doctrine of the Lesser Magistrate" speak to the Wisconsin legislature about the "murder" of babies and the pushback by a Dem committee member (53:17) Biden Lays an Easter Egg — the political reasons the left panders to a tiny minority is NOT for votes (1:00:30) You won't believe HOW MANY DAYS have been declared already TO HONOR LGBT variations…here's the list (1:05:50) The true reason why they pander… (1:08:05) Both Biden and Trump are stereotypes of attacks on Christian…but they are TWO DIFFERENT TYPES of attack. Here's what they each represent (1:11:13) Documents leaked from WPATH (World Professional Association for Transgender Health) show the global governance agenda is using transgenderism to as a focused attack on… (1:28:47) WATCH — Which is a better parody of Trump: SNL comedy routine of him selling his Bible, or his actual interview where he fielded questions about what he thought of the Bible? (1:31:58) Trump & his media roll their followers on the "White House Easter Egg Roll" ban of religious symbols — this is what they hope you don't know about Trump and the egg roll… (1:38:16) Did Trump pray with the son of a slain NYPD officer? Did Jesus come to fight the police state? (1:46:13) Police State ratchets up a few more notchesFBI now goes door-to-door to question people about social media posts and you won't believe what they took exception toYouTube is reporting to the government who watches certain videos of interestRed Flag center to "take the guns, do the due process later"California city steals over a million dollars of legal cannabis from a store and refuses to return for 6 monthsFamily sues Apple after being dangerously SWATTED based on "Find My location"After 1,000 National Guard and State Police don't stop shooting in NY subway, gun scanners are next(2:25:20) A personal note about my AFib and advice from listeners, and other comments (2:30:00) RFK jr, the Libertarian Party, ballot access (2:34:16) Baltimore Bridge updateWas it dirty fuel?How much and how long to fix compared to original construction(2:45:02) SWIFT, Sanctions, and the Swiftly Approaching Global CBDC WATCH insider at World Government conference say the quiet part about what's coming with CBDC. Did SWIFT and sanctions indicate the timing of their move? Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Money is only what YOU hold: Go to DavidKnight.gold for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to TrendsJournal.com and enter the code KNIGHT
Mike didn't believe in near death testimonies until he experienced one. Sepsis (massive systemic infection) after a ruptured appendix nearly took his life. Events that transpired during the trial would have a life changing impact. In this episode Mike shares: Discovering the severity of his illness during his son's wedding celebration Moving to the operating room table alert and seeing Jesus extending his hand, "I want to answer your prayer." A supernatural experience he had with Jesus, the landscape of heaven, the colors, the sensations A sight that was so overwhelming it brought him to his knees Regaining consciousness and seeing the crash cart and defibrillator Processing his experience and the difficulty in sharing the account in the beginning Recalling the prayer of his childhood that Jesus wanted to answer How this experience impacted his faith The desire to write down what he saw and share the message Walking with Jesus daily and seeing His hand in even the smallest things A specific time that Mike heard the audible voice of God and how God was faithful An encouraging take away message and invitation to seek Jesus "It's more than just faith now. I held the hand of Jesus. It was a physical thing, and I just know there is life after death. There's life during this life, too. I mean, Jesus is with me all the time, answering all these prayers, tiny miracles every day. I see his presence every day. You just have to be aware of it, you know, I think you just have to seek him out and he'll reveal himself to you." - Mike McKinsey "It's more than just faith now. I held the hand of Jesus. It was a physical thing, and I just know there is life after death. There's life during this life, too. I mean, Jesus is with me all the time, answering all these prayers, tiny miracles every day. I see his presence every day. You just have to be aware of it, you know, I think you just have to seek him out and he'll reveal himself to you." - Mike McKinsey “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. For everyone who asks receives; the one who seeks finds; and to the one who knocks, the door will be opened." Matthew 7:7-12 To follow Mike on Facebook: https://www.facebook.com/profile.php?id=100035516782089 Mike's first book: https://a.co/d/9uo0Cot Guidepost Book with Mike's Testimony: https://www.shopguideposts.org/witnessing-heaven-glimpses-of-eternity.html?fbclid=IwAR1Nl3sbB5Mdh_54s9np6G8ZRngzjYWIOSQiLVr-VdfFBN9bbI4HrQDO5C8
This week Richard continues our walk through the life of Jesus: It's Passion Week, and Jesus stands in trial in a kangaroo court led by the religious authorities jealous of his popularity.
Until now you were sleep walking. Sleep praying. But it's a new dawn. Welcome to the GoOD life, to your life in God, in His Name, in the Sun. You're remembering-- that you don't need anything you Have 2. that hearing the Name, (t)His Silence, or this Divine Tone in the Silence, IS praying 3. that hearing It while 'asking' is Alchemy 4. that you don't even have to 'ask', because at all times, you're hearing what He's giving 5. that there's no hearing outside of This. 6. that there's no living outside of This. 7. that Love's always on. Oh, It's on.
Have you ever had dinner turn into a disaster? A date that was an absolute dud? An friendly gathering that turned into a political debate? A nice night that turns into an awkward evening? In this message, we'll look at a dinner at a Pharisee's house that absolutely did not go to plan. And I think the host had high hopes for this dinner because it was a dinner to which he had invited Jesus… It's a story that's only found in the gospel of Luke. This series, JESUS, is part of a Five Year Journey we're on as a church, where we'll take a look at the life of Jesus through the eyes of each of the Gospel writers and stories that are unique to those gospels. Then in year five, we'll hear the crossover stories. Each year, this series will lead us up to Easter Sunday, when we celebrate the resurrection of Jesus and his promise of eternal life through him. Download the Study Guide: https://mountaintopchurch.com/events/jesus-a-research-project/ Messages from the previous two years can be found at https://mountaintopchurch.com/watch/ Learn more about Mountaintop Church at https://mountaintopchurch.com
In this episode, you'll also hear:Ann's definition of emotional intelligence, and why she says everything Jesus taught leads us to itWhy Ann says a believer's born-again process follows the classic Hero's JourneyQuestions to help shape your identity after God's purposes instead of after what the world says you should beWhy Ann says losing a month's worth of edits on her first book was an “act of God”The problem with jumping into Christian leadership too quicklyAnn's advice for the aspiring author who struggles to find the confidence to finishEmotional Intelligence for ChristiansAnn Lenaers packs a ton of valuable information into her first book, Perfect Love: A Hero's Journey, but two words stand out from the rest: emotional intelligence. Or, as she puts it, “a smart heart.” Ann explains that throughout the Old Testament, the Israelites are described as having hardened hearts. As a result, God communicated with them through rigid rules and structure. But when Jesus came, He taught discipleship that focuses on what's happening inside of our hearts instead of outward actions alone. “In the Sermon on the Mount, Jesus took it out of your head and put it in your heart,” Ann says. “It's not ‘an eye for an eye,' it's ‘turn the other cheek,' because there's more to it.” In other words, to have emotionally intelligent “smart hearts,” we must “know the word in our heads and teach it to our hearts.” While the work of the Holy Spirit is essential to the process of growing in Christ, Ann believes the church has an important role to play in discipling new Christians so they can learn to let Christ reign over their hearts and live emotionally intelligent lives. Faith & the Hero's JourneyAlthough Ann grew up in the church, there was a time when she temporarily walked away from Christianity. “I got to this point where I knew I needed something in the spiritual understanding of my life,” she recalls, “and I'd grown up feeling like the church didn't give me answers. So I started looking everywhere else.”After getting involved with the New Age movement for a few years, however, Ann found her beliefs being challenged to the point that she realized she needed to know who Jesus was. So she cried out to God, and after fasting for three days, she encountered the glory of God. Ann compares her experience to the biblical accounts of Paul's experience on the road to Damascus and the transfiguration of Jesus: “It was just this brief moment standing in the light and presence of God… There are not enough words in eternity to try and explain it. But I tell people that the feeling it gave me was like if I could shove my hand in my chest and rip my heart out, I'd be looking at what love is. Because that's how it made me feel.”That was the beginning of Ann's born-again journey, and she says it really was like starting life over. As God guided her in growing spiritually, He also guided her in writing Perfect Love to share her journey with others. In the book, Ann also compares the journey of being born again to the classic “Hero's Journey” structure found in many works of fiction. “It's not like God was trying to give us this list of hundreds and hundreds of rules we had to follow,” she explains. “He was trying to help our minds be pointed in the direction of love, which is Him.”Although Ann admits that writing this book was an ambitious undertaking, she also says that once God had placed the idea in her heart, there was no way she could keep it to herself — she had to share the fullness of God's amazing love with everyone, however she could. Four Identity QuestionsA huge part of Ann's born-again journey was reshaping her identity to build on her new foundation of faith. To find this identity, she says it's crucial to understand the importance of our relationship with God, others around us, and even ourselves — and to understand who we are in relation to all three.So in Perfect Love, Ann asks readers to answer four key questions:Who am I to myself?Who am I to others?Who am I to God?What needs to change about my answers?That last question is especially important, because we as humans are always going to make mistakes and have lessons to learn. “What I thought I was is not the same as what I actually am,” Ann says. The more we learn to conform to the image of Christ — and to shape our identities according to who He made us to be — the more assuredly we'll be able to stand on the foundation of our faith. A Month of Editing… LostEven after deciding to write her book, Ann wrestled with doubts about whether she was qualified or if anyone would listen to what she had to say. But when she finally surrendered to God's calling and started to write, the words poured out of her.“Once you know that God has called you into something, once you're ready to start, there's nothing that can stop the floodgates from opening up,” she says now. In a matter of months, Ann wrote the entire first draft of Perfect Love. But after she had spent a month editing — and changing parts of it that she now realizes she shouldn't have changed — her laptop crashed. Ann lost all of her edits. But in losing that work, she learned that she had been heading in the wrong direction.Ann returned to her first draft, but this time the only edits she made were to improve the grammar and structure of the writing itself, not to alter the content. “I think losing the edits was an act of God,” she says in retrospect. “Making the edits was Satan messing with my head.” Ann's story is a powerful reminder that sometimes what we think is the work of the enemy is actually God redirecting us to follow His original design. That's why it's so important that we partner with the Holy Spirit, so He can guide us and keep us from straying too far from His plan. Trust & ConfidenceAnn's journey certainly has not been an easy one. And chances are, yours hasn't been easy, either. No matter where you are on that journey — whether you're just starting out, working on putting the message God has given you into the right words, overthinking how to edit your book, or unsure if what you've written is good enough — you're not alone. Ann advises starting by finding and solidifying your identity in Christ, and everything else will follow as you learn to stand on your faith. “If you're standing on a solid relationship with God, there's nothing you can do that would be really wrong,” she explains. “Either it will be exactly what He's guided to you, or He will correct you if you're on the wrong path, and He can use it for your good because He called you.”Ann defines faith as a combination of trust and confidence. When your trust and confidence are 100% rooted in God, you'll be able to follow where He leads and to fulfill the purpose He has placed in your life. Stay close to Him, listen for His guidance and correction, and He'll show you the way. BIO:Ann Lenaers is first and foremost a loving mother to Ava and a guardian to Hazel who likes to call her fairy godmother. She is also a Christian Author, Public Speaker, and Master Certified Life Coach operating under the business name Peace Is The Road. Her calling is to help raise up the children of God into maturity by aiding in the development of the emotional intelligence and healthy communication skills necessary for love and peace to be lived in balanced truth and grace. She works to bring words to life that have been abused in modern culture through fostering universal understanding of their meaning and calling people to action. She has a passion for community service and puts that love to work as the Community Outreach Coordinator of her home church as well as being a founding board member for Strategies for Life, a local nonprofit partnering with Living Free. GET CONNECTED: Website: www.peaceistheroad.orgInstagram: www.instagram.com/annjolina12Facebook: www.facebook.com/peaceistheroad
If you're one of the rare people who thinks that a marathon isn't challenging enough, I'd like to introduce you to the “arctic-ice ultra-marathon.” It's a race, about 5.5 marathons long in the arctic circle. Their description says, “Experiencing day time temperatures as low as -40 degrees, you will battle across snowfields, Arctic tundra and frozen lakes. This Arctic ultra marathon is both challenging and exposed, putting physical and mental endurance to a painful test. Be ready to take on the conditions that the Arctic Circle can throw at you. As darkness descends, you will feel like the only person on the planet.” Does that sound appealing to anyone?Ok, so what does an ultra-marathon have to do with Hebrews 10? Well, our text, Hebrews 10:32-39 is about endurance. And specifically, an encouragement for Christian endurance. And it has endurance-athlete like undertones, that, once we look at who these Christians are and what they had endured, make a lot of sense. The picture that comes to mind is of being about 4 marathons into something like an ultra-marathon, looking at the cost, and getting discouraged… starting to wonder: is following Jesus worth it?This encouragement also comes on the heels of a dreadful warning against abandoning Jesus. This week Pastor David Mathis has written to our church, reflecting on the sober warning in the verses before our passage on the result of apostasy. No matter who you are, you need to hear the warning: Walking away from Jesus (abandoning the Christian faith) will result in you facing the full judgment and wrath of God. “It's a fearful thing to fall into the hands of the living God.” You do not want to end up there. It's a dreadful warning we all need to hear. But here, in verses 32-39 the author follows up his warning with an encouragement to these particular Christians for their endurance. And as we look at his encouragement today, my prayer is that we too would be encouraged in our faith, and would grow in encouraging one another through his example.Let's pray. Father, thank you for your word. Thank you for revealing yourself to us through it. And this morning, wherever we're coming from, I pray that you would prepare our hearts to receive your word and that by your Spirit you would deepen our faith, and our joy, and that we would run with endurance; looking to Jesus, the founder and perfecter of our faith. We ask this in Christ's precious name, Amen.The sermon outline this morning is a three-part encouragement that fuels enduring faith: a past confidence, a better possession, and a promised return.Verses 32-34, “But recall the former days when, after you were enlightened, you endured a hard struggle with sufferings, sometimes being publicly exposed to reproach & affliction and sometimes being partners with those so treated. For you had compassion on those in prison And you joyfully accepted the plundering of your property.” The author's encouragement to these christians begins with 1) Reminding them of their past confidence. If you remember, in the parable of the sower… A farmer sowed a bunch of seeds, some fell on the road and were immediately snatched away, some fell on rocky soil and didn't have the roots to survive the heat of persecution, and some fell in thorns and were choked out by the worries of life and deceitfulness of riches. Well the author of Hebrews, in recalling the background of these Christians, reminds them that none of those describe them. He says, when I look back on your early days of walking with Jesus, and what you endured for the sake of Christ, I see real, enduring faith. And here, we get our best glimpse at the background of these Christians; and it's pretty incredible: These were not baby Christians. They were veterans, who had lived faithfully through severe persecutions, and the author makes a point of that for their encouragement. He reminds them that when they were first “enlightened” (when they first saw the light of the Gospel and trusted in Jesus) their faith was evident through their transformed life. And that transformation was especially clear in their suffering. For one, becoming a Christian made them unpopular – and that's an understatement. The text says they were “publicly exposed to reproach.” They were openly ridiculed. Whether it was their friends or family or coworkers, the people around them were not happy about their new faith, but mocked them for being Christians. Later we see that things escalated, and pretty severely, because some of these Christians were even arrested and sent to prison for their faith. And because prisons back then were not like our prisons, where you get food and blankets, these prisoners were now dependent on their loved ones to bring them food just to survive… which must have led to a challenge for their community group: who's signing up for that meal train? If you go and bring aid to your fellow Christians in prison, you've now got a target on your back. And that means you risk getting thrown in prison yourself, or as we see later, in verse 34, you risk losing your possessions. It's not clear if this was official confiscation or angry mobs, but either way, the outcome is the same, imagine your stuff, gone. Your house, your car, your savings, wiped out. And here the author teases out a distinction. There was direct suffering that individual Christians experienced as a result of their faith, and, there was the voluntary stepping into the suffering of other Christians, by the rest of the Christian community. The church acted: with compassion and by taking risks (often at great cost to themselves) fueled by love towards their fellow Christians. These Christians suffered together. Think less Gladiator, and more like “Band of Brothers” - a community of Christians enduring together, with love and compassion.And how did these Christians fare? Well it says they endured. And endured here means they persisted in faith, as evidenced by their life of faith despite their suffering. And they didn't just survive, they flourished! When it came to their own suffering and loss: it says they joyfully accepted the plundering of their property. They counted the cost and gladly said Jesus is worth it. And when it came to indirect suffering, the whole Christian community stood boldly and publicly united. The church did not splinter or fall apart. Their unity was evident through their practical and tangible support. It's important not to dismiss these Christians as just being of a different, unrelatable sort. They weren't superheroes that could tap into something unavailable to us, and they weren't stoics, unaffected by suffering. These are real people, like you and I. They had families to support, children to look out for, bills to pay, and they worked just as hard to earn their living as you and I. They felt the sting of rejection and ridicule like you and I do. Yet, they didn't waver. They did not back out or hide. They also didn't become bitter, cynical or angry at God.A note on testimonies The author, in writing to this particular group of Christians, encourages them through positive examples from their own past, testimonies from their own church – to draw strength and encouragement for their present endurance. And if we just stop and reflect on what we have in this room, right now, it's incredible! You are surrounded by hundreds of Christians who have experienced the same transforming power of the gospel that's described here. I would encourage us all to make opportunities to hear and share one another's stories of the power of the gospel in our lives. Our testimonies, of God's faithfulness and our endurance, especially through suffering. Maybe it's a conversation over dinner with friends and family, life groups, or community groups. We need to hear of the transforming power of the gospel and of the legacies of past faithfulness not just in biographies, but especially from one another. The church needs to be reminded of past faithfulness to draw strength and encouragement for our present endurance. And I'd love to share a glimpse... a day from my own story back in college. I had grown up in a Christian home, I had heard the gospel often, and made early professions of faith, but in college I remember just feeling stuck. A cloud of doubt and skepticism surrounded me that I could not break out of, for years. I doubted everything about God, including his very existence, and then one day, sitting in the college hallway, I was reading Foxe's Book of Martyrs, a collection of true stories from the early church. And I got to the story of Denisa, who the author says was “a young woman of only 16 years old.” Denisa was standing in a crowd, and witnessed a man renouncing his faith under torture. And instead of hiding or blending in, she spoke up and publicly rebuked the man saying: “O unhappy wretch, why would you buy a moment's ease at the expense of a miserable eternity!" And 16 year old Denisa, avowing herself to be a Christian, was beheaded soon after. Both her rebuke and the realness of her faith stirred my heart deeply; and I remember pleading with God, saying “God, I want that kind of faith. Why can't I have what she has? Why is my heart so hard? Would you please remove this doubt and give me faith like hers? And he did. In that moment, Jesus was more real to me than any of the students walking past me in the hallway. I will never forget the peace, the joy and love that filled my heart and transformed my life going forward. And looking back on my past confidence has been a deep source of encouragement in my faith. You are surrounded by hundreds of unique stories of the transforming power of the gospel, and examples of enduring faithfulness. Let's hear and share evidence of God's work in our lives for one another's encouragement and endurance. That's what the author is doing here by reminding them of their past confidence. A note on ConfidenceFaith and Confidence are often used synonymously, as they are here, and it's important to recognize that the foundation of our faith is not how confident we are. Christian faith is always personal, but it's not subjective. It's like running across a frozen lake. You don't step onto a frozen lake because you feel confident in yourself. You step onto the lake because the ice is solid enough to hold you. If it can't hold you, then you will fall through regardless of how confident you are. That's why Paul says, if Christ isn't raised from the dead, our faith is useless and we're still in our sins. Our faith stands or falls on the object it rests on: the perfect person and work of Jesus on our behalf. That's why we sing: On Christ the solid rock I stand. He is our confidence. At the same time, that objective confidence has to become your own. Faith is personal. You've got to believe! That's why the author speaks of “your” confidence. Real Christian faith is taken to heart and lived. It's not standing on the shore thinking about how solid the ice is. It's putting your weight on it and running.The secret to their enduring faith was not how confident they were, but the substance, the foundation, that their confidence rested on. And that's what the author focuses in on in the second part of his encouragement:2) He reminds them that their confidence was rooted in a better possession.Verses 34-36, “For you had compassion on those in prison. And you joyfully accepted the plundering of your property since you knew that you yourselves had a better possession and an abiding one. Therefore do not throw away your confidence, which has a great reward.” After reminding them of their past faith, he then reflects on the substance of that faith. The way he does this is by intentionally lingering on the theme of possessions. He reminds them that the reason they joyfully accepted the plundering of their possessions is because they had a better possession. What they had in Christ was infinitely more valuable than what they were giving up. And the revealing word here is joyfully. Their own joy testified to the reality that Jesus was more valuable than their stuff, their possessions, or their money.And our money matters. Jesus talked about money a lot, because our money habits both reveal and shape what we value most. Matthew 6:19, “Do not lay up for yourselves treasures on earth, where moth and rust destroy and where thieves break in and steal, 20 but lay up for yourselves treasures in heaven, … 21 For where your treasure is [where your money is], there your heart will be also.” There's a reinforcing cycle: The more we value something, the more we invest our money in it. And the more invested we get, the more valuable it becomes to us. Jesus says: store up for yourself treasures in heaven, and your heart will follow. Invest your money where you want your heart to go.For example: Do you want your heart to be more excited about God's work in global missions? Invest in global missions. Do you want your heart to more fully embrace God's work through the mission of your local church? Invest in your local church. There's a book that I've found really helpful on this called The Treasure Principle by Randy Alcorn, I'd highly recommend reading it. Don't wait until your possessions are threatened to discover what your heart values most. For these Christians, what their hearts valued most was Jesus. He was their better possession. These Christians remind me of the parable of the man who found a treasure in a field, who then, in order to get that field, gladly sold everything he had. No one reads that parable and thinks, man, what a poor guy having to give up all his stuff… No, he discovered a better treasure! He found a deeper joy! And the whole book of Hebrews has been arguing that Jesus is better. Piling up the arguments: Better than angels, better than Moses, better than the old covenant sacrifices, and here, definitely the most relatable comparison for modern readers: He's better than all of our possessions. People often ask: What would you do if you won the lottery? We talk about it like it's the best thing that could happen to someone. Would you quit your job? Buy a nice house on the beach? Travel the world with your family? No more worries about paying your bills? Whatever your answer is to that question, Jesus is better than that. God made you to be satisfied in Him, for eternity. Nothing else will satisfy. Everything else either disappoints, or it doesn't last. Jesus is the deepest and most lasting treasure in the universe, and when we trust in Him he becomes our greatest possession. When we believe in Jesus, we receive… Him! Not only the complete forgiveness of your sins, but an eternity of life with him: living face to face in the presence and enjoyment of Jesus. In your presence there is fullness of Joy! At your right hand are pleasures forevermore! There is no greater joy than the joy promised to those who trust in Jesus. And there's a link here, between present and future. There is a better possession, that they already possess, linked to the promise of a future reward. A fulfillment. And that future fulfillment takes the author into the third and final part of his encouragement:3) He invites them to look to the Returning Jesus. And he does this by quoting Habakkuk chapter 2, 37 For,“Yet a little while, and the coming one will come and will not delay; 38 but my righteous one shall live by faith, and if he shrinks back, my soul has no pleasure in him.” For some context, Habakkuk was an old testament prophet who, looking around at the injustice and the suffering in Israel, brings a complaint to God: Why is there so much wickedness that seems to go unchallenged? Does God see? Does God care? How long will God let this go on? And God answers him by saying, I do see, and I am doing something about it: For one, I'm preparing the Chaldeans to invade, as a judgment on Israel for their wickedness.And Habakkuk is not satisfied with that answer: How is that any better? What kind of resolution is that? They're more wicked than we are! What's the big picture? What's God's game plan? Where's the definitive judgment and the resolution? God I'm watching and I'm waiting.And God says, the things I promised will come to pass. Write them down. Their fulfillment is coming. It won't be according to our timeline, but in God's perfect timing. But as for you, Habakkuk, (and this is the famous line) the righteous shall live by faith.Paul, quotes that line in Romans 1 to show us the foundational link between our justification and faith. We are justified, (counted righteous) not by our works, not by anything we do or deserve, but only by trusting in Jesus: The substance of our confidence is the perfect and complete work of Jesus on the cross, in our place. “Our hope is built on nothing less than Jesus blood and righteousness.” And the author of Hebrews has been clear on that foundation throughout the whole book. Our confidence is not in ourselves, but in Jesus: our perfect high priest, and his perfect sacrifice for the complete forgiveness of all our sins and unrestricted access to God for eternity. We are saved by faith alone, in Jesus Christ alone. But here, looking at Habakkuk 2, the author highlights an application for those who, like Habakkuk, are living between God's promise and it's final fulfillment. As we look to the returning Jesus:It's by highlighting the link between faith and live. How do the righteous endure as they wait for the final fulfillment of God's promises? They Live by Faith. Faith is not only a moment in the past of trusting in Jesus, it's a life of leaning in and drawing near. We don't shrink back. We continue to look to him by faith, until he returns. The application here, drawn out from Habbakuk 2 is “Let us live, by faith! With our eyes fixed on Jesus as we wait for the final fulfillment of God's promises at Christ's return.Jesus is coming back, God gave us his word. And with Christ's return, will come the eternal reward, the final fulfillment of all God's Promises. Our text says “the coming one, is coming, and will not delay. That's about as emphatic as he can be. Jesus is coming. God's plan was in action in the days of Habakkuk, and its fulfillment is that much closer today. Jesus was coming when you first became a Christian, and He's that much closer today. So don't give up! Jesus is so close! So don't walk away! This is the main exhortation here: Do not throw away your confidence! The author concludes confidently in Verse 39: “We are not of those who shrink back and are destroyed, but of those who have faith and preserve their souls.” As another translation says: we're of those who have faith, for the safekeeping of the soul. Our endurance, our safekeeping, is tied to the reality that our faith rests on Jesus. It's who we are; our very identity. There are no alternatives to go back to. The TableWalking away from Jesus is a dead end road that leads to destruction. That's not us. And I love that the author speaks in the present tense, and includes himself here. We are those who have faith. Right now. The most important question for everyone in this room is: are you believing in Jesus? Right now. If you are, keep believing. Do not look away. Keep your eyes fixed on him, as you live by faith, waiting for His return.And this brings us to the table. Every Sunday, at the table we look to Jesus together. 1 Corinthians 11 says that when we eat the bread and drink the cup we “proclaim the Lord's death until he comes.” Every Sunday when we reach out to take the bread and the wine we remind ourselves and one another – He is sufficient (He is our greatest possession) and he is coming back, like he promised.
CHARA (Khar-ah) When a man is gloomy*, everything seems to go wrong; when he is cheerful, everything seems right – Proverbs 15:15 (LB) Gloomy = Down, discouraged, disappointed, demotivated When things are going wrong in your life, check your gloomy meter. You have a positive attitude even if it's not right. This “Charatis” is something you do not generate or make up. We cannot leave home without it; We cannot come home without it; We cannot afford to be without it wherever we go. We cannot go and do any successful outreach ministry without it. You cannot switch it on and off. It's either real or it isn't. Many well-meaning Christians put on a mask and try to act it out, but the slightest crises, trouble, confrontation, discouragement and even offence, will reveal the true you if this is not real in your heart and lifestyle. The bible says it's our strength. It's a 3-letter word in English and without it we are very poor, weak and don't yet fully understand the presence of God in our life. What “Chara” means is “JOY”. Joy = wellbeing, delight, blessedness, triumph Did you know that there is a major difference between HAPPINESS and JOY? Sad to say many Christians, wish, hope and pray for happiness when it's really JOY they should be after. The unsaved cannot understand or even find joy – It's for the saved, born-again children of God. The world can't give it or take it away. The word HAPPINESS as described in several dictionaries is: - The state of being happy, and the pleasurable experience that springs from possessions (in dinge); enjoyment (genot) as one's happiness depends on oneself. In a nutshell, HAPPINESS depends on circumstances so, in order to be happy all the circumstances must be right otherwise, NO HAPPINESS. Happiness depends on Happenings. JOY on the other hand is not dependent on things that happen outside of my body neither by circumstances. It's everything to do with an inner happening as a direct result of an inner experience. The dictionary says: - Joy is more intense than happiness, deeper than gladness; it's more than just being cheerful (opgewonde). Joy is a result of Jesus touching your life, and you being obedient to that call. When we obey, God produces: Ecclesiastes 2:26 – For the person who pleases Him (obedience), God gives wisdom and knowledge and JOY. (Joy is something we tend to overlook) Joy is not an optional extra, which I either take or leave. Joy is a real force. Nehemiah 8:10B – The joy of the Lord is your strength. Joy is not a warm happy feeling you're supposed to have now and then when things are going well. It's much more than that. Joy is one of the most powerful spiritual forces in the world. Nehemiah 8:10B Here's why. If I removed from this scripture “of the Lord” it would say JOY is strength. The two are interchangeable. When I have God I got JOY – when I got JOY I have GOD. That's what makes Joy so crucial (kritiek). You can't live a life of faith in the Lord with out being strong in the Lord. When God wants you strong, Joy is what He uses to do the job. James 1:2a (NIV) – Count it all joy… Joy is not just a state of mind. It's not a passing emotion. Joy is a real force that the devil cannot stand up against. When you have joy; when you should be miserable and circumstances are “nag”, you throw the enemy into major confusion. Just as fear has to yield to faith, discouragement has to yield to joy. The good news: Joy is one of the fruit of the Spirit and you have it living right there inside of you. It's not a gift. It's a fruit, a direct produce from the vine. Galatians 5:22 – Love, Joy… John 15:11 – I have told you this so that My joy may be in you and that your Joy may be complete. You are going to have to develop it, confess it, live by it if you want to enjoy its power. Philemon 7 – For I have derived great joy and comfort and encouragement from your love, because the hearts of the saints (who are your fellow Christians) have been cheered and refreshed through you (my) brother. Too many Christians wait for the outcome to determine their attitude when their attitude determines their outcome. The joy in your life will bring joy to others. No joy = no enthusiasm, no encouragement (you will become a joy killer) Question: What does your life bring to those around you? Discouragement, sadness, negativity, rebelliousness? Or do you impart Joy? Psalm 126:2 - 2“We were filled with laughter, and we sang for joy. And the other nations said, “What amazing things the Lord has done for them.” The unsaved world will see something and hear and be attracted to Jesus → It's by our Joy. Psalm 16:11 – You will show me the path of life “in your presence is fullness of Joy” at your right hand there are pleasures forevermore. The simple fact is this if you don't actively spend time in the presence of God – we lose our Joy and become weak. Joy is the fruit of the Holy Spirit. Continual un-addressed sin, unforgiveness, bitterness, strife, luke warmness, leaving our first love is the major cause of missing His presence and the result: - NO JOY David understood this after sinning. Psalm 51:8-12 - “Let me hear joy and gladness; let the bones you have crushed rejoice. 9 Hide your face from my sins and blot out all my iniquity. 10 Create in me a pure heart, O God, and renew a steadfast spirit within me. 11 Do not cast me from your presence or take your Holy Spirit from me. 12 Restore to me the joy of your salvation and grant me a willing spirit, to sustain me. Can I encourage you; “JOY” restored is on the Heart of God each day - for His children, as a direct result of the death, burial and resurrection of Jesus Christ.
Many of our parents tried to impress the importance of ‘finishing' on us when we were growing up. We still hear that inner voice: ‘Clean your plate' - ‘Finish your chores' - ‘Do your homework 1st'. Today's sermon from the ‘Stations of the Cross' series will focus on the last words of Jesus: “It is finished!” --- Send in a voice message: https://podcasters.spotify.com/pod/show/marysvillechristian/message
Jesus Christ is the -Son of Man.- But what does that title mean-- What does it tell us of nature, person and work of Jesus-- It says far more than simply Jesus was a man. In fact, it speaks as much, or more, of his divinity - that he is God- He is one portrayed in Daniel's vision who was given dominion and glory above all others. And we are told he is the one who came to seek and save the lost. Yet, from his own lips we hear the Son of Man declare that he must suffer and die and be raised to life. This is how he exercises his power and defeats his enemies. This is how he saves lost and helpless sinners. This is how he is given the name above all names.
Hope deferred makes the heart sick,but a longing fulfilled is a tree of life (Proverbs 13:12).How to Cope in Crisis and Chronic sadness?A. My conviction: Christianity is true, rational, and pertinent to whole of life. See Douglas Groothuis, Christian Apologetics; see especially, “The Problem of Evil” chapterB. Yet there is evil, pain, suffering, and lamentC. But, we can smelt, squeeze, and sculpt meaning out of suffering through divine loveI. Lament: A Tonic for Suffering A. A tonic, not a cure (in this life)What is biblical lament?1. The anguished cry of sorrow, grief, and often anger made before God and with hope of resolution. Lament is caused the loss of a something good or by the fear of the loss of a good thing, such as justice, health, or a loving relationship. One may lament over oneself, others, or the creation itself.a. Negro spirituals, “Sometimes I Feel like a Motherless Child,” and the blues, “Motherless Children.”b. Sixty Psalms of lament (6, 13, 22, 39, 88, 90, 137, etc.)c. Book of Job: We are “born for trouble as the sparks fly upward” (5:7)d. Ecclesiastes 9:11 (KJV)I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.2. Christ's absolute suffering on the Cross for redemption: lament of all laments redeems the cosmosa. “My God my God, why have you forsaken me”? (Matthew 27:46; from Psalm 22)b. “Come lift up your sorrow and offer your pain. Come make a sacrifice of all your shame. There in your wilderness, he is waiting for you to worship with your wounds for he's wounded, too.” Michael Card, from “The Hidden Face of God” recording (2006)c. Jesus: “It is finished” Not finished for us, though—yetd. Participating in Christ's suffering through lament: Colossians 1:24Now I rejoice in what I am suffering for you, and I fill up in my flesh what is still lacking in regard to Christ's afflictions, for the sake of his body, which is the church.Lightening the Load of SufferingA. Let grief take its course: Said to a mother grieving the suicide of her 19-year-old son: “It's been six weeks”B. Let yourself and others weep; accept their tears; listen to their tearsYou have taken account of my wanderings; Put my tears in your bottle Are they not in your book? (Psalm 56:8; see Revelation 7:17).C. Don't give cheap answers; don't try to read God's mind in the whys of sufferingWhen I applied my mind to know wisdom and to observe the labor that is done on earth—people getting no sleep day or night—then I saw all that God has done. No one can comprehend what goes on under the sun. Despite all their efforts to search it out, no one can discover its meaning. Even if the wise claim they know, they cannot really comprehend it (Ecclesiastes 8:16-17; see also Deuteronomy 29:29, Romans 11:33-36).D. Don't try to cheer people up out of seasonLike one who takes away a garment on a cold day,or like vinegar poured on a wound,is one who sings songs to a heavy heart (Proverbs 25:20).E. Don't make promises you cannot fulfill; keep your wordIt is better not to make a vow than to make one and not fulfill it (Ecclesiastes 5:5).F. Prayer as a way of life (Ephesians 6:10-19).G. Remember that lament for the redeemed is not forever (Revelation 21-22)Then I saw “a new heaven and a new earth,” for the first heaven and the first earth had passed away, and there was no longer any sea. I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband. And I heard a loud voice from the throne saying, “Look! God's dwelling place is now among the... Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.
Title: Communion with Christ Text: Luke 10:38–42 Main Idea: I believe that as His followers, we are called to serve and commune with God consistently. OUTLINE (1) The Scene at The House The Posture of Mary Her posture shows us what she prioritized Her posture shows us her worship The Conern of Martha (2) The Statement from Jesus It was ... Compassionate Piercing
Morning Service led by- Pastor Harry Zekveld-Scripture Readings- Malachi 3-1-6 - Mark 1-1-11-Scripture Text- Mark 1-1-Sermon- A New Beginning for You-- It's Gospel-- It's Jesus-- It's Proclaimed
Morning Service led by- Pastor Harry Zekveld-Scripture Readings- Malachi 3-1-6 - Mark 1-1-11-Scripture Text- Mark 1-1-Sermon- A New Beginning for You-- It's Gospel-- It's Jesus-- It's Proclaimed
Preaching for the Solemnity of Christ the King, Angélica N. Quińónez offers a reflection on the "kingship" of Jesus: "It is easy to call Jesus King, to proclaim his Kingship, to sing hyms of praise to Christ our King, but it might still challenge us to understand that Jesus flipped what it meant to be a King with a kingdom. We are called to build that kingdom of mercy and love. But, until we see the crucified and resurrected face of our King in the faces of those on the margins, we will not and cannot understand the Kingship of Jesus." Dr. Angélica N. Quińónez is an educator and serves as the Director of University Ministry at the University of San Francisco. She is a proud graduate of the University of Southern California where she earned her Doctor of Education degree in Organizational Change and Leadership. She is a double USF Master's graduate in Theology and Teaching with an emphasis in Catholic schools, and earned her Bachelor of Arts in English from Santa Clara University. She is a native San Franciscan passionate about Ignatian spirituality since her high school days at St. Ignatius College Preparatory. Visit www.catholicwomenpreach.org/preaching/11202022 to learn more about Dr. Quińónez, to read her preaching text, and for more preaching from Catholic women.
Miracles of Jesus: It's the Response I share a message from Luke 17:11-19, where Jesus heals 10 lepers on His way to Jerusalem, their response and how we can apply the wisdom revealed in this scripture to our lives today! CLICK HERE to listen! In this episode you will learn: What you have to overcome in order to get the healing, breakthrough or blessing you need. How to respond to instruction without evidence or confirmation Where you can go to get clarity and confirmation before you take action or make a decision We'd love to connect with you and get to know you! Join us in the Bold Faith Community--> CLICK HERE to JOIN! Social Media FB: www.facebook.com/couragemolina IG: www.instagram.com/couragemolina IG:https://www.instagram.com/boldfaithchurch/ Loved this episode? Say so by sharing a screenshot on your social media/stories and tag us @couragemolina @boldfaithchurch Give us a 5-star rating and leave a glowing review on Apple podcast or wherever you listen share the link with a friend
Your heart is more important than you could ever imagine. We can so easily give our hearts over to things that are the wrong things, this week, Kent encourages you to give your heart over to Jesus. Jump in with us in Sections 200 of the Gospel Harmonies @ https://www.harmonychurch.cc/tracking-jesus-timeline/. IT'S EASY TO GIVE at Harmony, text any amount to (859) 459-0316 to get started (or give online @ my.harmonychurch.cc/give ). ------------------- Sermon Notes Slide Key: Sermons always start with “OPENING ILLUSTRATION:” and end with “CLOSING ILLUSTRATION:" All scriptures are NIV unless otherwise noted Bold = Slide text Bold Red = Scriptures (please reflect formatting of scripture on slides, i.e. - underlines, italics, etc.) “b" or “B” on a line by itself = Slide break/New slide Bold ALL CAPS WORDS = heading to be ignored [some text] = programming notes to be paid attention to OPENING ILLUSTRATION: Years ago I had started working out and honestly was just trying to build up muscles. I was a young buck and wanted to be strong. I'm not sure it worked, lol. I was overweight and was really hoping working out would help me. I struck up this conversation with this guy while we were sitting there. When you are overweight, there are always people in a gym who want to help you, and this guy was one of those guys. He asked me what I was doing and so I proceeded to tell him what my workouts were. He asked me if I was doing any cardio and I told him I did a little bit and he said something that has stuck with me for probably 20 years or more at this point. He said, “You know, I've never heard of someone dying from having too small of a bicep, but I've heard of lots of people dying from having a weak heart…” I don't know who the guy was, all I know is he was a lawyer… But that statement has stuck with me… I was thinking lately about this statement again and how it's not just true physically, but spiritually it's true as well.. I know lots of people who morally look good on the outside, but their hearts are weak and corrupt. b Today, I want us to take a look at our hearts and evaluate if we've bitten off on ideas the world says matter more than the ideas Jesus says matter. Turn your bibles to Luke 20 (SECTION 200) THE SETUP Let me set up where we are entering into Jesus' life as we track Him.. -He is in the last week of His life. -This is the whole enchilada, the whole game -He has been confronting leaders and teachers all week -He's being tested by them -Word has spread that He has raised Lazarus from the dead -Some people are believing in Him, others are not - but many are threatened by Him… Jesus has swept over the people of Israel like Pokemon over a 3rd-grade class… I want to read this passage to you in a second, but I want to show you how it's tied to the passage that follows - but we almost always miss it because of how the chapter breaks from the guy who put the chapters in… But originally there would have been no break. Lk 20:45-47 45 While all the people were listening, Jesus said to his disciples, 46 “Beware of the teachers of the law. They like to walk around in flowing robes and love to be greeted with respect in the marketplaces and have the most important seats in the synagogues and the places of honor at banquets. 47 They devour widows' houses and for a show make lengthy prayers. These men will be punished most severely.” ILLUSTRATION: There is this guy that I see clips of on Facebook all the time, he's the whispering arm wrestler. He cracks me up because he will be wrestling someone and they will be going with all their might against him. He'll just quietly whisper to them what they need to do to try and beat him, “bring your left shoulder forward…” “lean with your body…” and then at some point, he will just come out of nowhere and cream them… Jesus has been doing this all day to the religious leaders of His day. They have been asking Him question after question…the Sadducees about the Resurrection of the dead and the Pharisees about the greatest commandment. Jesus just comes out of nowhere and creams them every time. Here's what I want you to get, what Jesus just said about these religious leaders was within their earshot… b Did you hear what He said about these teachers of the law? For a moment, pretend He's talking about you… Beware of the teachers of the law… -They like people to see them (flowing robes, greeted with respect, and most important seats) -They don't care about people - image is everything (they devour widows' houses, make lengthy prayers) Did you hear how He finishes that statement? These men will be punished most severely.” Do you get the picture? These people cared more about their image, position, and prestige than they cared about the people… Here's the part we almost always miss, that Luke & Jesus intentionally contrast this section with… Got the picture? Jesus has just finished talking about how these people everyone looks up to have it all and then He's going to point out the very person these people are taking advantage of and say, “she's the one…” Check it out… These are literally the next words in Luke… Luke 21:1-4 As Jesus looked up, he saw the rich putting their gifts into the temple treasury. 2 He also saw a poor widow put in two very small copper coins. 3 “Truly I tell you,” he said, “this poor widow has put in more than all the others. 4 All these people gave their gifts out of their wealth; but she out of her poverty put in all she had to live on.” This helps us place Jesus… He would have been inside the temple in what is called the “court of women.” When you are in Israel with us, you will stand on the temple mount, you will go up a few stairs towards the Dome of the Rock and you will be standing where the temple was. There were 3 sections people could go into, the court of gentiles - anyone could go in that section, the court of women - Jewish women could go. The last section was the court of men, where only men could go. Jesus is in the court of women because this is where the temple treasury was. 13 boxes with bronze trumpets on top that you could put your money in as you gave. Jesus is in this section and He's now watching the people put their money in… Not intimidating at all, I'm thinking about doing this for offerings… lol He sees this woman put in her last two pennies… And He points her out and says this woman is the superstar, not the religious leaders… b They were willing to take her to the cleaners to gain prestige & satisfy their greed b She gave herself away in faith… ILLUSTRATION: It reminds me of years before this when one of Jesus' ancestors was going to be chosen as King. Samuel, the prophet went to the family of Jesse, all he knew was God had a young man in that family He wanted to be king. Sam got there and saw all of Jesse's sons, Eliab came in front of him and Sam thought, “this has to be it, he's the guy - he looks like a King…” But listen to God's reply 1 Samuel 16:7 But the Lord said to Samuel, “Do not consider his appearance or his height, for I have rejected him. The Lord does not look at the things people look at. People look at the outward appearance, but the Lord looks at the heart.” CLOSING: A while back, I had a conversation with one of my kids about how the world uses power and manipulation to get what it wants, but that's not the way of Jesus. He doesn't care about status, He doesn't care about wealth, He cares about your heart. My kid, pretty shrewdly said, “yeah, but dad, it works…” b That's the problem for most of us, right, the power, prestige, and greed work to get us what we think we want… b It's vital that you get and understand this, the way of Jesus is not about getting you what you want, it's about getting you what you need. You are in desperate need of a relationship with God… You can have all the prestige, money, power, and position in this world and still go to hell (be separated for ETERNITY from God) b Jesus is after your heart. b That's why this lady ends up being the hero and the religious people end up being the zeros God doesn't look at the outward appearance but at the heart That's why the proverbs say Proverbs 4:23 Above all else, guard your heart, for everything you do flows from it. It is time to turn your heart back to Jesus… This is the simplest call I could have…. It's time to learn the heart of Jesus… It's a different way than what the world offers, and you can't live without it.
Scripture Reading: John 11:1-57 Now a certain man named Lazarus was sick. He was from Bethany, the village where Mary and her sister Martha lived. 2 (Now it was Mary who anointed the Lord with perfumed oil and wiped his feet dry with her hair, whose brother Lazarus was sick.) 3 So the sisters sent a message to Jesus, “Lord, look, the one you love is sick.” 4 When Jesus heard this, he said, “This sickness will not lead to death, but to God's glory, so that the Son of God may be glorified through it.” 5 (Now Jesus loved Martha and her sister and Lazarus.)6 So when he heard that Lazarus was sick, he remained in the place where he was for two more days. 7 Then after this, he said to his disciples, “Let us go to Judea again.” 8 The disciples replied, “Rabbi, the Jewish leaders were just now trying to stone you to death! Are you going there again?” 9 Jesus replied, “Are there not 12 hours in a day? If anyone walks around in the daytime, he does not stumble, because he sees the light of this world. 10 But if anyone walks around at night, he stumbles because the light is not in him.”11 After he said this, he added, “Our friend Lazarus has fallen asleep. But I am going there to awaken him.” 12 Then the disciples replied, “Lord, if he has fallen asleep, he will recover.” 13 (Now Jesus had been talking about his death, but they thought he had been talking about real sleep.)14 Then Jesus told them plainly, “Lazarus has died, 15 and I am glad for your sake that I was not there, so that you may believe. But let us go to him.” 16 So Thomas (called Didymus) said to his fellow disciples, “Let us go too, so that we may die with him.”17 When Jesus arrived, he found that Lazarus had been in the tomb four days already. 18 (Now Bethany was less than two miles from Jerusalem, 19 so many of the Jewish people of the region had come to Martha and Mary to console them over the loss of their brother.) 20 So when Martha heard that Jesus was coming, she went out to meet him, but Mary was sitting in the house. 21 Martha said to Jesus, “Lord, if you had been here, my brother would not have died. 22 But even now I know that whatever you ask from God, God will grant you.”23 Jesus replied, “Your brother will come back to life again.” 24 Martha said, “I know that he will come back to life again in the resurrection at the last day.” 25 Jesus said to her, “I am the resurrection and the life. The one who believes in me will live even if he dies, 26 and the one who lives and believes in me will never die. Do you believe this?” 27 She replied, “Yes, Lord, I believe that you are the Christ, the Son of God who comes into the world.”28 And when she had said this, Martha went and called her sister Mary, saying privately, “The Teacher is here and is asking for you.” 29 So when Mary heard this, she got up quickly and went to him. 30 (Now Jesus had not yet entered the village, but was still in the place where Martha had come out to meet him.) 31 Then the people who were with Mary in the house consoling her saw her get up quickly and go out. They followed her because they thought she was going to the tomb to weep there.32 Now when Mary came to the place where Jesus was and saw him, she fell at his feet and said to him, “Lord, if you had been here, my brother would not have died.” 33 When Jesus saw her weeping, and the people who had come with her weeping, he was intensely moved in spirit and greatly distressed. 34 He asked, “Where have you laid him?” They replied, “Lord, come and see.” 35 Jesus wept. 36 Thus the people who had come to mourn said, “Look how much he loved him!” 37 But some of them said, “This is the man who caused the blind man to see! Couldn't he have done something to keep Lazarus from dying?”38 Jesus, intensely moved again, came to the tomb. (Now it was a cave, and a stone was placed across it.) 39 Jesus said, “Take away the stone.” Martha, the sister of the deceased, replied, “Lord, by this time the body will have a bad smell because he has been buried four days.” 40 Jesus responded, “Didn't I tell you that if you believe, you would see the glory of God?” 41 So they took away the stone. Jesus looked upward and said, “Father, I thank you that you have listened to me. 42 I knew that you always listen to me, but I said this for the sake of the crowd standing around here, that they may believe that you sent me.” 43 When he had said this, he shouted in a loud voice, “Lazarus, come out!” 44 The one who had died came out, his feet and hands tied up with strips of cloth, and a cloth wrapped around his face. Jesus said to them, “Unwrap him and let him go.”45 Then many of the people, who had come with Mary and had seen the things Jesus did, believed in him. 46 But some of them went to the Pharisees and reported to them what Jesus had done. 47 So the chief priests and the Pharisees called the council together and said, “What are we doing? For this man is performing many miraculous signs. 48 If we allow him to go on in this way, everyone will believe in him, and the Romans will come and take away our sanctuary and our nation.”49 Then one of them, Caiaphas, who was high priest that year, said, “You know nothing at all! 50 You do not realize that it is more to your advantage to have one man die for the people than for the whole nation to perish.” 51 (Now he did not say this on his own, but because he was high priest that year, he prophesied that Jesus was going to die for the Jewish nation, 52 and not for the Jewish nation only, but to gather together into one the children of God who are scattered.) 53 So from that day they planned together to kill him.54 Thus Jesus no longer went around publicly among the Judeans, but went away from there to the region near the wilderness, to a town called Ephraim, and stayed there with his disciples. 55 Now the Jewish Feast of Passover was near, and many people went up to Jerusalem from the rural areas before the Passover to cleanse themselves ritually. 56 Thus they were looking for Jesus, and saying to one another as they stood in the temple courts, “What do you think? That he won't come to the feast?” 57 (Now the chief priests and the Pharisees had given orders that anyone who knew where Jesus was should report it, so that they could arrest him.)Main ThemesWhy is Lazarus not in the SynopticsThe other three gospels (Matthew, Mark, and Luke) are called the Synoptic Gospels or simply the Synoptics. They are called so because “they are so similar in structure, content, and wording that they can easily be set side by side to provide a synoptic comparison of their content.” John is the only non-Synoptic Gospel. It leaves out stories that are included in all three of the other gospels, and it includes stories that are not found in any of the other three gospels. The raising of Lazarus is one of those stories.In the Synoptics, Jesus' last great act of defiance against the religious (and political) elite is cleansing the temple followed by an incendiary discourse. In John's Gospel, Jesus' last act of defiance is raising Lazarus. There is no contradiction between the two accounts—that's not the issue (if there is any). The question is an editorial one. What are the odds that the climactic event (other than the cross, of course) in John's telling of the story does not feature at all in the other narrations of the same story?I will briefly present two ideas that should be considered. First, each gospel writer has a different angle. This is not a criticism of the gospels. It is simply a fact. Each gospel highlights different themes by means of what material it includes and excludes and how that material is organized and presented. We do this every day. Consider how you could retell the Kyle Rittenhouse saga in different ways—using completely true facts—to show Kyle as a dutiful servant of his community or as a protector of his community. The former telling may spend a great deal of time describing his efforts to clean unwanted graffiti and briefly mention that he was unsuccessfully attacked. The latter telling of the story may not even mention the graffiti cleaning and describe the attack in extravagant detail. But notice that if both narratives are true (that is, they present true information), they are complementary. By reading both stories we get a better picture of who Kyle is and what happened.The Gospel of Matthew, for example, is aimed at a Jewish audience. It emphasizes the fact that Jesus is the Messianic Davidic King who fulfills the Old Covenant prophesies. The Gospel of Luke, instead, is aimed at a Hellenized audience and emphasizes that Jesus is the prophesied Messiah who came to save people of all nations. Mark had a Roman audience in mind and emphasized Jesus as the true ruler. The Gospel of John—our main concern in this study—is more interested in showing Jesus as truly divine, who brings true life through his willing sacrifice. Which gospel is right? All of them. These are complementary accounts.With the above idea in mind, consider whether we should expect the story of Lazarus in all gospels. All gospels agree that Jesus brought people back to life. Jesus brought Jairus' daughter back to life (Matthew 9:23-26, Mark 5:35-43, and Luke 8:40-56), as well as the son of the widow of Nain (Luke 7:12-15). John doesn't mention either of these miracles! So Jesus' ability to raise people from the dead is not the issue at all. In John's Gospel, Lazarus is a prefigurement of what Jesus would go through (physically, i.e., death and resurrection) and what the believer will go through (spiritually and eschatologically). It connects all the dots. Perhaps the other gospel writers preferred to end on a religious and political dispute (the temple cleansing) to show Jesus as the true prophet, the true king, and the true priest, while John wants to end on a scene that shows Jesus as the true life.There is another reason the Synoptics may have deliberately excluded the story of Lazarus. This is called the protective anonymity theory. As one website explains:There may be a good reason Mark, Matthew and Luke failed to mention Lazarus' resurrection, even though they described similar miracles. When Jesus arrived at the tomb of Lazarus, “many of the Jews had come to Martha and Mary, to console them concerning their brother” (John 11:18). Martha even went out to meet Jesus prior to his arrival, seemingly aware of the disciple's concern that “these Jews were just now seeking to stone [Jesus]” (John 11:8). Jesus performed the miracle in the presence of these Jewish witnesses and “many of the Jews who came to Mary, and saw what He had done, believed in Him” (John 11:45). As a result, the chief priests and Pharisees convened a council and “from that day on they planned together to kill [Jesus]” (John 11:53). The raising of Lazarus had an impact on the Jewish opposition that was unique amongst those who had been raised by Jesus. Early chroniclers may simply have wanted to minimize Lazarus' presence in the gospel accounts to protect him and his sisters earlier in the first century. By the time John penned his version of the ministry of Jesus (much later than Mark, Matthew or Luke), this concern may have rightfully waned.The MiracleThe CallThe chapter opens with Jesus being needed by his dying friend in Bethany. Bethany was a small town in Judea about 2 miles from Jerusalem. Remember that Judea (and Jerusalem in particular) was the part of the country that strongly opposed Jesus. In Chapter 10, Jesus' life was threatened several times. Jesus' decision to travel to Bethany was effectively a decision to turn himself in. The apostles understood this all too well when they argued with him, “Rabbi, the Jewish leaders were just now trying to stone you to death! Are you going there again?”Two women call for Jesus, Mary and Martha. Mary, the text explains, is the one who anointed Jesus with perfume and wiped his feet with her hair. This refers to a story found in all four gospels. In the Gospel of John, however, the story won't be told until Chapter 12. You could consider this a proleptic reference for those already familiar with the entire Gospel of John. The much more likely explanation is that John was writing to an audience that was already familiar with at least some of the other three, earlier gospels. This could be the very reason that John's Gospel is not a synoptic gospel. John wrote his gospel to supplement what had already been written, not merely to confirm it.The ResponseJesus will go to Judea, but not immediately. Jesus intentionally waits for Lazarus to be dead and buried before he goes. Why? “So that the Son of God may be glorified through it.” What does this mean? Consider the following verses from Chapter 12 (23-28):Jesus replied, “The time has come for the Son of Man to be glorified. I tell you the solemn truth, unless a kernel of wheat falls into the ground and dies, it remains by itself alone. But if it dies, it produces much grain. The one who loves his life destroys it, and the one who hates his life in this world guards it for eternal life. If anyone wants to serve me, he must follow me, and where I am, my servant will be too. If anyone serves me, the Father will honor him.“Now my soul is greatly distressed. And what should I say? ‘Father, deliver me from this hour'? No, but for this very reason I have come to this hour. Father, glorify your name.” Then a voice came from heaven, “I have glorified it, and I will glorify it again.”From a very practical perspective, to say that Jesus will be glorified by the Lazarus miracle is to say that it will lead to his death at the cross. But what does glory mean beyond that? Glory is a difficult term with great depth of meaning. What the current passage emphasizes is the idea of revealing (or proving) who one really is. Jesus is not praised at the cross. He is not treated like a king at the cross. But, he is revealed at the cross.Jesus gives a cryptic response to the disciples' attempt to dissuade him from traveling to Judea. “Are there not 12 hours in a day? If anyone walks around in the daytime, he does not stumble, because he sees the light of this world. But if anyone walks around at night, he stumbles because the light is not in him.” I will do my best to explain this. First, we need to know that the Jews divided the day into twelve hours. With that in mind, consider the following conversation:Disciples: Jesus, it's too late in the day to be traveling. (This is rhetorically implied by Jesus' response to the disciples.)Jesus: The day is not over yet. As long as there's light, traveling is still acceptable. (“Are there not twelve hours in a day?”)Jesus: It would only be unwise to travel if it were already dark. (“[I]f anyone walks around at night, he stumbles . . . .”) Now remember that Jesus is the light of the world. In short, Jesus says that the disciples should trust him. He knows exactly what he is doing. If he were gone, then that would be a different story. (Jesus' comment regarding “the light is not in him” may simply be part of the analogy while assuming an extramission theory of sight. Or it may have theological significance. I leave that part up to you.)The ApostlesJesus refers to Lazarus as being asleep. The disciples are confused when they take Jesus too literally. Jesus means the same thing he meant a few verses prior when he said that “this sickness will not lead to death.” This is a condition from which Lazarus will awake. It is not permanent. But he is dead.Jesus then emphasizes a second purpose for the Lazarus miracle: that the disciples may believe. This miracle will be irrefutable proof of Jesus' identity and claims.Thomas is on board. Fine, he says, they are gonna kill us but let's go. He is right except regarding his own bravery. He will let Jesus die alone.The ArrivalJesus arrives while many are visiting Mary and Martha due to their loss. In their culture, there was an intense mourning period for seven days (called shiva). First-century Jews buried the deceased on the day of death followed by six days of mourning (for the total of seven). The family would stay home and others came to supply food and express sympathy. Visiting the family was an important aspect of piety. A sizable proportion of Bethany probably visited Mary and Martha.Because funerals were such public events and Jesus was a “wanted man,” we can understand why “when Martha heard that Jesus was coming, she went out to meet him.” If Jesus had made it to the house, he would have run into half the town—colloquially speaking. At the same time, we should remember that Martha was supposed to stay home. By going out to meet Jesus, she shows Jesus great respect.The conversation with Martha can be interpreted in different ways. She obviously demonstrates great faith. She acknowledges that Jesus could have healed Lazarus. Then she adds, “even now I know that whatever you ask from God, God will grant you.” What does she mean? Most commentators explain this comment as being similar to Mary's (the mother of Jesus) implied request during the wedding at Cana. Remember that passage (John 2:1-5):Now on the third day there was a wedding at Cana in Galilee. Jesus' mother was there, and Jesus and his disciples were also invited to the wedding. When the wine ran out, Jesus' mother said to him, “They have no wine left.” Jesus replied, “Woman, why are you saying this to me? My time has not yet come.” His mother told the servants, “Whatever he tells you, do it.” [emphasis added]Notice that Mary did not request that Jesus turn the water into wine. She presented the problem and then told the servants to do whatever Jesus requests. Martha seems to follow an identical pattern. She presents the problem: Lazarus is dead. She then adds, God the father will do whatever Jesus requests.Martha's belief that Jesus could and would raise Lazarus from the dead appears warranted if she was aware that Jesus had raised people from the dead before (Jairus' daughter in Matthew 9:23-26, Mark 5:35-43, and Luke 8:40-56, as well as the son of the widow of Nain in Luke 7:12-15), and if Jesus words that “this sickness will not lead to death” had been reported to Martha.As far as I can tell, the interpretation above is the majority opinion among scholars. As a personal note, it seems to me that Martha may mean something different. Her brother has just died, she is in great agony, and her teacher and Messiah failed to save her brother although Jesus certainly could have done so. In that moment of grief, her words “even now I know that whatever you ask from God, God will grant you” could mean, “yet I have not lost faith in you.” Notice that this would still be a great demonstration of faith and loyalty. I think my interpretation makes more sense of the dialogue that follows:Jesus replied, “Your brother will come back to life again.” Martha said, “I know that he will come back to life again in the resurrection at the last day.”Martha does not seem to expect an immediate bodily resurrection. However, to give credit to the majority opinion, she could just be making her request clear. “I know he will be raised in the last day, but I humbly request he be revived today.”Regardless of which interpretation of Martha's words is the correct one, two facts are indisputable. She is a great example of faith. Also, she is certain of the resurrection of the dead in the last day. We have discussed this in the past, but recall the last lines of the Apostles' Creed:I believe in the Holy Spirit,the holy catholic church,the communion of saints,the forgiveness of sins,the resurrection of the body,and the life everlasting. Amen.A core belief of the Christian faith is bodily resurrection. We believe in eternal life in a very real way. Eternal life will be good and plentiful in a way we can hardly imagine. And it will come through belief in Christ:“I am the resurrection and the life. The one who believes in me will live even if he dies, and the one who lives and believes in me will never die. Do you believe this?” She replied, “Yes, Lord, I believe that you are the Christ, the Son of God who comes into the world.”Mary the Sister of MarthaMartha calls Mary. Mary heads to the rendezvous point. The mourners, however, assume that Mary is headed to the tomb outside the boundaries of Bethany proper. They follow her such that they might mourn with her at the tomb. This would have been proper and expected. The ending to the scene, though, certainly would have been a surprise: the crowds find Jesus instead—the famous rabbi and miracle worker, despised by the authorities.Mary falls at Jesus' feet. This might seem odd to us. Feet are strangely significant in Jewish and other oriental cultures. Consider this excerpt from the Jewish EncyclopediaSince the Israelites, like all other Oriental peoples, wore sandals instead of shoes, and as they usually went barefoot in the house, frequent washing of the feet was a necessity. Hence among the Israelites it was the first duty of the host to give his guest water for the washing of his feet (Gen. xviii. 4, xix. 2, xxiv. 32, xliii. 24; Judges xix. 21); to omit this was a sign of marked unfriendliness. It was also customary to wash the feet before meals and before going to bed (comp. Cant. v. 3); to abstain for a long time from washing them was a sign of deep mourning (II Sam. xix. 24). Though there are no extant laws for laymen in regard to washing the feet, such laws for priests are given in Ex. xxx. 19-21. There mention is made of brazen vessels, placed between the Tabernacle and the altar of burnt offering, in which the priests had to wash their hands and feet on entering the Tabernacle or before approaching the altar of burnt offerings: hence at all their priestly functions. Just as no one is allowed to approach a king or prince without due preparation, which includes the washing of the hands and feet, so the Israelite, and especially the priest, is forbidden in his unclean condition to approach Yhwh, for he who comes defiled will surely die.In short, feet were dirty in a literal sense and in a ceremonial sense. To come close to someone's feet was a dramatic demonstration of humility.Mary expresses faith much like her sister. She knows that Jesus could have healed her brother.Jesus is MovedAt the sight of Mary and the crowds, Jesus is “intensely moved in spirit and greatly distressed.” Depending on which translation you are using, those words are sure to range from great distress to anger. What does the Greek actually mean? That's a tough question. I will quote Craig Keener at length from his The Gospel of John: A Commentary:[H]e was "moved" (ἐμβριμáομaι, 11:33, 38), an unusually strong term, usually denoting anger, agitation, and typically some physical expression accompanying it (cf. Mark 1:43; 14:5). Scholars debate whether he is angry with Mary and Martha for lack of faith (11:32, 40), at the crowds for their unbelief (11:37), or at death itself. On the one hand, the term might be qualified by a parallel expression in 13:21 (cf. 12:27; 14:1), suggesting that John figuratively stretches the sense to include emotional disturbance without anger per se; it may stem from observing Mary's grief and wailing (11:33). Some think that "anger" overstates the case, though "troubled" is too weak.Keener adds, “If Jesus is angry, one may think he is angry at sin, Satan, or death as a consequence of sin. While that proposal may be good theology . . . , it lacks direct support in this text. More likely, he is angry at the lack of faith on the part of those who should be exercising it . . . .”Again, I want to make sure I present what is the majority position (as far as I know). Personally, I think that commentators fall in the either/or trap. Think about the situation. Everything is wrong about it. Death has broken a family. That was never the plan. We were made for eternal joy and life—not for sorrow. Martha has to meet Jesus in secret because God's own chosen people wish to kill the Son of God. Despite the prophesies. Despite the miracles. Martha, Mary, and the crowds mourn and wail as they have God himself next to them. He can do anything. Anything. Yet the people choose to mourn instead. The people who have seen Jesus do incredible miracles—including raising people from the dead—think it is too late for Jesus to fix this problem. I think this scene is the encapsulation of sin and fallenness. So Jesus weeps in distress and anger. I am reminded of his words in Matthew 23:O Jerusalem, Jerusalem, you who kill the prophets and stone those who are sent to you! How often I have longed to gather your children together as a hen gathers her chicks under her wings, but you would have none of it! Look, your house is left to you desolate!The MiracleThroughout the miracle scene, the main idea we must keep in mind is the comparison with Jesus' own revival. I will highlight the points of comparison as we go along.At the time of Jesus, many private burials used vertical shaft tombs. This burial was in a cave, though. It was probably oriented horizontally with a stone across the cave entrance to keep out the animals. This is a similar “setup” to how Jesus was buried. Lazarus had been buried for four days! His stench would have been strong. Sure, the spices used to anoint the body would help at first, but not for this long. Martha is well aware of this fact.Jesus asks that the stone be moved. When Jesus is raised from the dead no human has to move the stone; the stone is moved by an angel. Jesus looks up to heaven an prays. Lifting one's face to heaven was a known posture for prayer. (We normally put our hands together, bow our heads, and close our eyes. That is a cultural difference.) Notice that Jesus does not pray before his other miracles (with the possible exception of giving thanks for the loaves of bread that were then multiplied). This lack of prayer emphasizes Jesus' deity. For the raising of Lazarus, however, Jesus prays for the benefit of the audience. He wants everyone to understand that his miracles come from God the Father. Jesus is not some kind of sorcerer acting out on his own.Presumably Jesus calls Lazarus loudly for the benefit of the crowds as well. Lazarus comes forth in his graveclothes. Notice that when Jesus is raised from the dead, he is able to simply leave his wrappings behind. Lazarus has been revivified—into his old body. Jesus was raised into something else entirely.Jewish sources frequently mention such shrouds for wrapping the dead. They wrapped the decedent tightly, especially around the face to prevent distortion of the tissue. Lazarus, fully healed and energized, would have struggled greatly to “untie” himself. He probably could hardly move and not even speak. This scene is climactic. To put it in a modern context, imagine someone being brought back to life while they are locked in their coffin. You hear them knocking from the inside and screaming, “Let me out!”The ResponseThe CouncilAfter Lazarus struggles out of the tomb, bound in his graveclothes, after being dead for four days, many believe. Not all though. Some report him. Forgive my sense of humor, but I find this quite funny. I picture a biblical Karen calling the police about a man raising people from the dead at the skate park. Despite the humor, and I doubt any was intended, the situation is dire. The authorities finally decide to act:“What are we doing? For this man is performing many miraculous signs. If we allow him to go on in this way, everyone will believe in him, and the Romans will come and take away our sanctuary and our nation.”We have several historical records that indicate “plotting” was quite typical of Jewish and Roman aristocracies. We also know from the historian Josephus, that Jerusalem's leaders were desperate to prevent actions that could provoke the Romans. Romans did not take kindly to insurrection, and the Jews had a history of it. The most prominent example was the Maccabean Rebellion in 166 BC.We must also keep in mind that the Roman legal system depended on “accusers” or delatores. For local aristocracies to bring persons to trial before the Romans was typical.Caiaphas the High PriestCaiaphas, “the high priest that year,” makes an appearance. Caiaphas held power for nineteen years. His long tenure and other contemporary sources lead scholars to suspect that he was a ruthless politician. He had the impossible job of appeasing both an anti-Roman religious populace and Rome. (I am not claiming that was the true, God-intended job of the high priest. I only mean that is how a politician would have understood it.) Somehow (wink, wink) Caiaphas accomplished this. We also have reasons to believe that Caiaphas was well-to-do and highly Hellenized.Notice how John refers to Caiaphas: “the high priest that year.” In the Old Testament, the office of high priest was hereditary and for life, like royalty. Greeks usually changed priests annually. In Jesus time, the office of high priest was no longer held for life. John's description could be merely to inform his audience of who was the high priest during Jesus' crucifixion, in what time period was Jesus killed (e.g., the “reign” of Caiaphas), or perhaps John is subtly critiquing the office of high priest as no longer divinely appointed but little more than a Roman political appointment.Caiaphas speaks more than he knows, and in so doing he utters the most ironic words perhaps ever uttered. “It is more to your advantage to have one man die for the people.” Insert “Chad Yes” meme here. Caiaphas meant that the death of one man would prevent a rebellion and Roman retaliation. Just kill him. It will save the political nation of Israel. God meant this statement quite differently. Jesus goes to the cross willingly. Kill him that he may atone for the sins of all people and save whosoever believes in him. God is a good history writer—I'm just sayin'.We could point to other ironies, like Caiaphas exclaiming, “You know nothing at all!” Caiaphas was in dire need of a mirror.One question bears asking: are Caiaphas' ethics in line with Jewish beliefs? Should a man be murdered to save a nation? The principle of expediency was certainly a staple of Greek and Roman thought. We also find it expressed by Jewish elite, like Josephus. Perhaps this was a popular view among the Jewish people. But does the Old Testament support such a principle? No. Remember, for example, Exodus 23:7:Keep your distance from a false charge—do not kill the innocent and the righteous, for I will not justify the wicked.After this point, Jesus ends his public ministry and withdraws to “a town called Ephraim.” Ephraim was the name of the northern kingdom, known as Samaria in Jesus' day. Perhaps this means that Jesus withdrew to Samaria until he returns for “the feast.”
Greetings and welcome- This is our daily devotional for October 4, 2022. Today we continue our series in the Gospel according to John in chapter 11 with the account of Jesus raising Lazarus from the dead. The tomb could not hold Jesus- It couldn't hold Lazarus, either. Thanks for joining us-
What was it that caused some to oppose the ministry of Jesus- It was a matter of authority.
What was it that caused some to oppose the ministry of Jesus-- It was a matter of authority.
Scripture Reading: John 6:1-58 After this Jesus went away to the other side of the Sea of Galilee (also called the Sea of Tiberias). 2 A large crowd was following him because they were observing the miraculous signs he was performing on the sick. 3 So Jesus went on up the mountainside and sat down there with his disciples. 4 (Now the Jewish Feast of the Passover was near.) 5 Then Jesus, when he looked up and saw that a large crowd was coming to him, said to Philip, “Where can we buy bread so that these people may eat?” 6 (Now Jesus said this to test him, for he knew what he was going to do.) 7 Philip replied, “200 silver coins worth of bread would not be enough for them, for each one to get a little.” 8 One of Jesus' disciples, Andrew, Simon Peter's brother, said to him, 9 “Here is a boy who has five barley loaves and two fish, but what good are these for so many people?”10 Jesus said, “Have the people sit down.” (Now there was a lot of grass in that place.) So the men sat down, about 5,000 in number. 11 Then Jesus took the loaves, and when he had given thanks, he distributed the bread to those who were seated. He then did the same with the fish, as much as they wanted. 12 When they were all satisfied, Jesus said to his disciples, “Gather up the broken pieces that are left over, so that nothing is wasted.” 13 So they gathered them up and filled 12 baskets with broken pieces from the five barley loaves left over by the people who had eaten.14 Now when the people saw the miraculous sign that Jesus performed, they began to say to one another, “This is certainly the Prophet who is to come into the world.” 15 Then Jesus, because he knew they were going to come and seize him by force to make him king, withdrew again up the mountainside alone.16 Now when evening came, his disciples went down to the lake, 17 got into a boat, and started to cross the lake to Capernaum. (It had already become dark, and Jesus had not yet come to them.) 18 By now a strong wind was blowing and the sea was getting rough. 19 Then, when they had rowed about three or four miles, they caught sight of Jesus walking on the lake, approaching the boat, and they were frightened. 20 But he said to them, “It is I. Do not be afraid.” 21 Then they wanted to take him into the boat, and immediately the boat came to the land where they had been heading.22 The next day the crowd that remained on the other side of the lake realized that only one small boat had been there, and that Jesus had not boarded it with his disciples, but that his disciples had gone away alone. 23 Other boats from Tiberias came to shore near the place where they had eaten the bread after the Lord had given thanks. 24 So when the crowd realized that neither Jesus nor his disciples were there, they got into the boats and came to Capernaum looking for Jesus.25 When they found him on the other side of the lake, they said to him, “Rabbi, when did you get here?” 26 Jesus replied, “I tell you the solemn truth, you are looking for me not because you saw miraculous signs, but because you ate all the loaves of bread you wanted. 27 Do not work for the food that disappears, but for the food that remains to eternal life—the food which the Son of Man will give to you. For God the Father has put his seal of approval on him.”28 So then they said to him, “What must we do to accomplish the deeds God requires?” 29 Jesus replied, “This is the deed God requires—to believe in the one whom he sent.” 30 So they said to him, “Then what miraculous sign will you perform, so that we may see it and believe you? What will you do? 31 Our ancestors ate the manna in the wilderness, just as it is written, ‘He gave them bread from heaven to eat.'”32 Then Jesus told them, “I tell you the solemn truth, it is not Moses who has given you the bread from heaven, but my Father is giving you the true bread from heaven. 33 For the bread of God is the one who comes down from heaven and gives life to the world.” 34 So they said to him, “Sir, give us this bread all the time!”35 Jesus said to them, “I am the bread of life. The one who comes to me will never go hungry, and the one who believes in me will never be thirsty. 36 But I told you that you have seen me and still do not believe. 37 Everyone whom the Father gives me will come to me, and the one who comes to me I will never send away. 38 For I have come down from heaven not to do my own will but the will of the one who sent me. 39 Now this is the will of the one who sent me—that I should not lose one person of every one he has given me, but raise them all up at the last day. 40 For this is the will of my Father—for everyone who looks on the Son and believes in him to have eternal life, and I will raise him up at the last day.”41 Then the Jews who were hostile to Jesus began complaining about him because he said, “I am the bread that came down from heaven,” 42 and they said, “Isn't this Jesus the son of Joseph, whose father and mother we know? How can he now say, ‘I have come down from heaven'?” 43 Jesus replied, “Do not complain about me to one another. 44 No one can come to me unless the Father who sent me draws him, and I will raise him up at the last day. 45 It is written in the prophets, ‘And they will all be taught by God.' Everyone who hears and learns from the Father comes to me. 46 (Not that anyone has seen the Father except the one who is from God—he has seen the Father.) 47 I tell you the solemn truth, the one who believes has eternal life. 48 I am the bread of life. 49 Your ancestors ate the manna in the wilderness, and they died. 50 This is the bread that has come down from heaven, so that a person may eat from it and not die. 51 I am the living bread that came down from heaven. If anyone eats from this bread he will live forever. The bread that I will give for the life of the world is my flesh.”52 Then the Jews who were hostile to Jesus began to argue with one another, “How can this man give us his flesh to eat?” 53 Jesus said to them, “I tell you the solemn truth, unless you eat the flesh of the Son of Man and drink his blood, you have no life in yourselves. 54 The one who eats my flesh and drinks my blood has eternal life, and I will raise him up on the last day. 55 For my flesh is true food, and my blood is true drink. 56 The one who eats my flesh and drinks my blood resides in me, and I in him. 57 Just as the living Father sent me, and I live because of the Father, so the one who consumes me will live because of me. 58 This is the bread that came down from heaven; it is not like the bread your ancestors ate, but then later died. The one who eats this bread will live forever.” Main ThemesThe SettingThe other side of the lake. The other side of the lake contrasts with Jesus' usual location on the west side of the lake.Passover. The mention of Passover suggests that a little over a year has passed since the story began. Remember that Jesus cleanses the temple (2:13) during Passover.A large crowd. A large crowd was following Jesus because of his miracles. There is nothing inherently wrong with this. However, one must notice that these are not followers in the same sense as disciples or believers are followers of Jesus.The price of food. Philip's response to Jesus implies that all they have is 200 silver coins, or denarii. A silver coin would have been roughly equivalent to one day's wages for one worker. A day's wages would provide little more than enough food for the worker and his family. So, even if Jesus and his disciples had exhausted their treasury, they may have been able to feed two or three hundred men with heir wives and children—not near enough.5,000 men. Notice that 5,000 men are mentioned. In this case, men probably does not mean “people” but strictly men. There is no telling what the true size of the crowd was if women and children had been counted.Given thanks. In a traditional Jewish gathering, the leader or father would have blessed the meal. If historically later evidence is anything to go by, the blessing may have said something like, “Blessed are you who bring forth bread from the earth.”The MiracleWe will discuss the meaning of the miracle in a minute. For now, let's just highlight the key facts.Evidently a miracle. The number of people fed is in the many thousands: 5,000 men and an uncounted number of women and children. This would clearly have been understood as a miracle by all who shared in the meal. Indeed, this may be Jesus' most clear “sign” (other than his resurrection, of course). Unsurprisingly, the crowds recognize Jesus as “the Prophet.”Bread and meat. Jesus multiplied loaves of bread and fish. This bread and meat combination will be significant later.All were satisfied. People ate to satisfaction. Just like the bread and meat comment, this may seem like a detail now but it relates to Old Testament precedent.Twelve baskets of leftovers. Not only did everyone eat their fill, but twelve baskets of leftovers were collected. The number twelve could hold some deeper meaning but, for purposes of our discussion, I think we can agree that it at least signifies abundance. The bread and fish were not even close to running out.Jesus Walks on WaterShockingly, Jesus walking on water is not the main event of this section. It does, however, function as a theophany that reinforces the message of the feeding of the 5,000 (more on this in just a bit). The same miracle appears in the gospels of Matthew and Mark. I will focus exclusively on the narrative theme emphasized by John, but I will use the information recorded in Matthew and Mark to bolster that theme.As I mentioned above, this miracle functions as a theophany—it reveals that Jesus is God. In the Jewish framework, the immediate connection between Jesus walking on water and their scripture would have been Job 9:8. I quote from the beginning of the chapter.Then Job answered:2 “Truly, I know that this is so.But how can a human be just before God?3 If someone wishes to contend with him,he cannot answer him one time in a thousand.4 He is wise in heart and mighty in strength—who has resisted him and remained safe?5 He who removes mountains suddenly,who overturns them in his anger,6 he who shakes the earth out of its placeso that its pillars tremble,7 he who commands the sun, and it does not shineand seals up the stars,8 he alone spreads out the heavensand treads on the waves of the sea.Also, consider Mark 6:51-52: “Then he went up with them into the boat, and the wind ceased. They were completely astonished, because they did not understand about the loaves, but their hearts were hardened.”The disciples should have understood who Jesus was from the feeding of the 5,000. But they didn't.Matthew 14:33 adds: “Then those who were in the boat worshiped him, saying, ‘Truly you are the Son of God.'”They finally understood, or at least understood a little bit better.So, to summarize. The feeding of the 5,000 is a clear sign of Jesus' Christology. The disciples miss the point. Then Jesus walks on water to emphasize his divinity. The disciples seem to finally understand.The Manna DiscourseBefore we can discuss what the miracles mean, we need to review the account of manna in the Old Testament. I quote from Exodus 16:4-23 with a few verses omitted for brevity:4 Then the Lord said to Moses, “I am going to rain bread from heaven for you, and the people will go out and gather the amount for each day, so that I may test them. Will they walk in my law or not? 5 On the sixth day they will prepare what they bring in, and it will be twice as much as they gather every other day.”6 Moses and Aaron said to all the Israelites, “In the evening you will know that the Lord has brought you out of the land of Egypt, 7 and in the morning you will see the glory of the Lord, because he has heard your murmurings against the Lord. As for us, what are we, that you should murmur against us?”11 [A]nd the Lord spoke to Moses, 12 “I have heard the murmurings of the Israelites. Tell them, ‘During the evening you will eat meat, and in the morning you will be satisfied with bread, so that you may know that I am the Lord your God.'”13 In the evening the quail came up and covered the camp, and in the morning a layer of dew was all around the camp. 14 When the layer of dew had evaporated, there on the surface of the wilderness was a thin flaky substance, thin like frost on the earth. 15 When the Israelites saw it, they said to one another, “What is it?” because they did not know what it was. Moses said to them, “It is the bread that the Lord has given you for food.16 “This is what the Lord has commanded: ‘Each person is to gather from it what he can eat, an omer per person according to the number of your people; each one will pick it up for whoever lives in his tent.'” 17 The Israelites did so, and they gathered—some more, some less. 18 When they measured with an omer, the one who gathered much had nothing left over, and the one who gathered little lacked nothing; each one had gathered what he could eat.19 Moses said to them, “No one is to keep any of it until morning.” 20 But they did not listen to Moses; some kept part of it until morning, and it was full of worms and began to stink, and Moses was angry with them. 21 So they gathered it each morning, each person according to what he could eat, and when the sun got hot, it would melt. 22 And on the sixth day they gathered twice as much food, two omers per person; and all the leaders of the community came and told Moses. 23 He said to them, “This is what the Lord has said: ‘Tomorrow is a time of cessation from work, a holy Sabbath to the Lord. Whatever you want to bake, bake today; whatever you want to boil, boil today; whatever is left put aside for yourselves to be kept until morning.'”The Miracle or the Sign. The crowd goes looking for Jesus. Why? Jesus immediately confronts them with their true motivation. They ate as much as they wanted. They are hungry again, so they want Jesus again. That misses the whole point. Remember John 5:36: “But I have a testimony greater than that from John. For the deeds that the Father has assigned me to complete—the deeds I am now doing—testify about me that the Father has sent me.” Jesus miracles are proof of who he is. The crowd should be looking for him because he is the Messiah who brings true life.The Food that Abides. Jesus tells the crowds to look for the food that “remains” to eternal life. Think about 1 John 3:15: “Everyone who hates his fellow Christian is a murderer, and you know that no murderer has eternal life residing in him.” The word for “residing” is the same as “remains.” Consider also 2 John 1:2-3: “[B]ecause of the truth that resides in us and will be with us forever. Grace, mercy, and peace will be with us from God the Father and from Jesus Christ the Son of the Father, in truth and love.”Also, notice the finality of this food. It is a “once for all time” type of food. Remember the words to the Samaritan woman. “Jesus replied, ‘Everyone who drinks some of this water will be thirsty again. But whoever drinks some of the water that I will give him will never be thirsty again, but the water that I will give him will become in him a fountain of water springing up to eternal life.'” This is unlike wisdom or Torah. Wisdom is great food and water, but it will leave one wanting more. Jesus offers something lasting and satisfying.The Dialogue. I will paraphrase the dialogue found in verses 27-58, taking great creative liberties. Please, be a bit gracious with me. I am not trying to rewrite the Bible, just bring out some clarity for a modern audience.Jesus: Your main concern should be doing what God requires to have eternal life. (v. 27 work for the food that remains to eternal life).Crowd: What does God require? (v. 28 what must we do to accomplish the deeds God requires).Jesus: Believe in me. (v. 29 believe in the one whom he sent)Crowd: Prove it. (v. 30 then what miraculous sign will you perform, so that we may see it and believe you?)Crowd: Moses gave us bread. You did that yesterday and is the very reason we are here, but we are going to conveniently forget that now. You should really give us more bread. (v. 31 our ancestors ate the manna in the wilderness)Jesus: You want to talk about Moses and the manna from heaven. Lets. What you call food from heaven is not really food from heaven. If you ate something truly heavenly, it would sustain you forever. (v. it is not Moses who has given you the bread from heaven, but my Father is giving you the true bread from heaven)Crowd: This bread sounds delicious. How do we get some? (v. 34 give us this bread all the time!)Jesus: It's me you dummies! (v. I am the bread of life)Jesus: Whoever comes to me has nothing to fear. I am true to my word. He will live eternally with me. (vv. 37-40 I should not lose one person of every one he has given me)Crowd: That sounds lame. We want real bread! And you didn't come from heaven! We know your folks! (vv. 41-42 began complaining . . . whose father and mother we know)Jesus: Quit complaining. You have rejected the Torah and so you reject me too. (vv. 43-44 no one can come to me unless the Father who sent me draws him) (see also John 5:39-44)Jesus: Remember Isaiah 54:13? “All your children will be followers of the Lord.” It's in your prophets and it is happening now! (vv. 45-51)Subtext: Remember all of Isaiah 54 and 55?Isaiah 55:1-6. “Hey, all who are thirsty, come to the water!You who have no money, come!Buy and eat!Come! Buy wine and milkwithout money and without cost.2 Why pay money for something that will not nourish you?Why spend your hard-earned money on something that will not satisfy?Listen carefully to me and eat what is nourishing!Enjoy fine food.3 Pay attention and come to me.Listen, so you can live.Then I will make an unconditional covenantal promise to you,just like the reliable covenantal promises I made to David.4 Look, I made him a witness to nations,a ruler and commander of nations.”5 Look, you will summon nations you did not previously know;nations that did not previously know you will run to you,because of the Lord your God,the Holy One of Israel,for he bestows honor on you.Crowd: Flesh to eat? Gross. (v. 52 How can this man give us his flesh to eat?)Jesus: You know, like when you eat the Paschal lamb that takes away your sin? During Passover? Which is right now! Connect the dots people. Trust me to be your sacrifice instead of that lamb and I will not disappoint. You will never need another sacrifice. I promise you, you will live forever. (vv. 52-58).
Acts: Saved to be Sent - Acts 6.1-7 Jobey McGinty From the church's beginnings until now, we see clearly that thriving, gospel community doesn't just happen, nor does it happen without personal sacrifice. The early church leaders quickly realized that they had gaps, and that they would not be able to do it all...they needed others to press in, to serve, and to ensure all of the needs of the community were met. While this service can feel overwhelming at times, we remember the words of our Lord, Jesus (It is more blessed to give than to receive), we draw upon the strength of His Spirit, and we press in.
Some classic Jesus music, including: In Remembrance – Andrae Crouch, Your Steadfast Love – Kelly Willard And Lenny LeBlanc, Right Where You Are – Al Denson, True Love – First Call, It's Real – Crystal Lewis, To Know Him – David Meece, Neverending Love – Twila Paris, If I Stand – Rich Mullins, Jesus It's You – Mylon Lefevre, It Is Well With My Soul - Wayne Watson
____ I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? SUPACREE I don't know. I can't remember. MORGAN You “don't remember.” DILLON'S ASSISTANT What did you do with that bitch?! DILLON FRANCIS I don't know! I don't remember! DILLON'S ASSISTANT You “don't remember?” [Noone remembers.] Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! ___ SUPACREE Happy Birthday! (he is canadian, so he is morbidly polite) JOEL/DEADMAU5 Thanks. SUPACREE You're welcome. JOEL/DEADMAU5 K. SUPACREE So. BOTH YAH! [they both draw their rave weapons] JOEL/DEADMAU5 WHO IN THE FUCK ARE YOU?! SUPACREE I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] JOEL/DEADMAU5 (he opens the box, unseen from the view of the audience) Oh, Gosh--this is... actually exactly what I wanted. SUPACREE I know dude. JOEL/DEADMAU5 UH-WHO ARE YOU? SUPACREE I'm YO(U) . [They do not battle. He just accepts it.] ___ Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. PRINCE: I'M NOT A WOMAN. ---he changed his name to a symbol. PRINCE: I'M NOT A MAN. “is [_____________]” a boy or girl PRINCE: I AM SOMETHING YOU WILL NEVER UNDERSTAND. DILLON FRANCIS Oh, Jesus Christ. JESUS CHRIST What dude. What the fuck do you want? What? DILLON FRANCIS Wait, you're...Jesus----Jesus-Jesus??? JESUS CHRIST If you insist on still calling me that, I told you ages ago... DILLON FRANCIS (to himself) ...that makes so much sense…Jesus… JESUS CHRIST Hm? … Hey wait--are you still--sleeping--kind of? … *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] GERALD WHO'S THE PINATA NOW, BITCH?! SUPACREE Oh, my God, Gerald! Get a hold of yourself!!! DILLON FRANCIS WHAT HAVE I DONE!? GOD WHAT HAVE YOU DONE? CHAK CHEL Dillon--What have you done. SUPACREE WHAT--DID YOU--DO. DILLON FRANCIS Just...Voodoo. GOD VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) ___ Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? [-creative ways you might find out, your junk has been permanently altered.] What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? >RAVE> --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” THE BEATLES Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. ___ MORGAN Oh My God--It was that big? (Nods) PAGE You'd never know. SUPACREE ...I knew it... MORGAN What did you do with it? SUPACREE I just wrapped it around my leg and tucked it into my sock, most the time. MORGAN Oh, wow. SUPACREE Yeah. I had to layer, the tube socks. MORGAN That's--wow. PAGE Yeah. I mean. When you're right, you're right. MORGAN You're right. SUPACREE I just get confused about it when I see him in shorts now. [SKRILLEX in shorts.] (She cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- –right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- __ What is this. __ --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? ___ SIR. SKRILLEX STOP CALLING ME THAT. SIr, it was “not enough.” What? ___ I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. ___ I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also, other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. CHINESE WOMAN --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. [pause] I know how to get her here. ___ DUDE ___Dude, I don't know how you did this! How did you DO this? SKRILLEX/SUPACREE Look, it's a long story. DUDE Well make it a short one. SKRILLEX/SUPACREE *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. SKRILLEX/SUPACREE So I….dropped the bass, and then… CHINESE WOMAN AND DEN? DUDE —And then? SKRILLEX/SUPACREE And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- DUDE --sideways and forward, at the same time-- SKRILLEX/SUPACREE >>>Yes. It was a lot. ___ Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her surprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [C.C. (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me s
____ I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? SUPACREE I don't know. I can't remember. MORGAN You “don't remember.” DILLON'S ASSISTANT What did you do with that bitch?! DILLON FRANCIS I don't know! I don't remember! DILLON'S ASSISTANT You “don't remember?” [Noone remembers.] Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! ___ SUPACREE Happy Birthday! (he is canadian, so he is morbidly polite) JOEL/DEADMAU5 Thanks. SUPACREE You're welcome. JOEL/DEADMAU5 K. SUPACREE So. BOTH YAH! [they both draw their rave weapons] JOEL/DEADMAU5 WHO IN THE FUCK ARE YOU?! SUPACREE I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] JOEL/DEADMAU5 (he opens the box, unseen from the view of the audience) Oh, Gosh--this is... actually exactly what I wanted. SUPACREE I know dude. JOEL/DEADMAU5 UH-WHO ARE YOU? SUPACREE I'm YO(U) . [They do not battle. He just accepts it.] ___ Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. PRINCE: I'M NOT A WOMAN. ---he changed his name to a symbol. PRINCE: I'M NOT A MAN. “is [_____________]” a boy or girl PRINCE: I AM SOMETHING YOU WILL NEVER UNDERSTAND. DILLON FRANCIS Oh, Jesus Christ. JESUS CHRIST What dude. What the fuck do you want? What? DILLON FRANCIS Wait, you're...Jesus----Jesus-Jesus??? JESUS CHRIST If you insist on still calling me that, I told you ages ago... DILLON FRANCIS (to himself) ...that makes so much sense…Jesus… JESUS CHRIST Hm? … Hey wait--are you still--sleeping--kind of? … *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] GERALD WHO'S THE PINATA NOW, BITCH?! SUPACREE Oh, my God, Gerald! Get a hold of yourself!!! DILLON FRANCIS WHAT HAVE I DONE!? GOD WHAT HAVE YOU DONE? CHAK CHEL Dillon--What have you done. SUPACREE WHAT--DID YOU--DO. DILLON FRANCIS Just...Voodoo. GOD VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) ___ Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? [-creative ways you might find out, your junk has been permanently altered.] What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? >RAVE> --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” THE BEATLES Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. ___ MORGAN Oh My God--It was that big? (Nods) PAGE You'd never know. SUPACREE ...I knew it... MORGAN What did you do with it? SUPACREE I just wrapped it around my leg and tucked it into my sock, most the time. MORGAN Oh, wow. SUPACREE Yeah. I had to layer, the tube socks. MORGAN That's--wow. PAGE Yeah. I mean. When you're right, you're right. MORGAN You're right. SUPACREE I just get confused about it when I see him in shorts now. [SKRILLEX in shorts.] (She cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- –right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- __ What is this. __ --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? ___ SIR. SKRILLEX STOP CALLING ME THAT. SIr, it was “not enough.” What? ___ I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. ___ I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also, other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. CHINESE WOMAN --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. [pause] I know how to get her here. ___ DUDE ___Dude, I don't know how you did this! How did you DO this? SKRILLEX/SUPACREE Look, it's a long story. DUDE Well make it a short one. SKRILLEX/SUPACREE *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. SKRILLEX/SUPACREE So I….dropped the bass, and then… CHINESE WOMAN AND DEN? DUDE —And then? SKRILLEX/SUPACREE And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- DUDE --sideways and forward, at the same time-- SKRILLEX/SUPACREE >>>Yes. It was a lot. ___ Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her surprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [C.C. (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me s
____ I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? SUPACREE I don't know. I can't remember. MORGAN You “don't remember.” DILLON'S ASSISTANT What did you do with that bitch?! DILLON FRANCIS I don't know! I don't remember! DILLON'S ASSISTANT You “don't remember?” [Noone remembers.] Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! ___ SUPACREE Happy Birthday! (he is canadian, so he is morbidly polite) JOEL/DEADMAU5 Thanks. SUPACREE You're welcome. JOEL/DEADMAU5 K. SUPACREE So. BOTH YAH! [they both draw their rave weapons] JOEL/DEADMAU5 WHO IN THE FUCK ARE YOU?! SUPACREE I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] JOEL/DEADMAU5 (he opens the box, unseen from the view of the audience) Oh, Gosh--this is... actually exactly what I wanted. SUPACREE I know dude. JOEL/DEADMAU5 UH-WHO ARE YOU? SUPACREE I'm YO(U) . [They do not battle. He just accepts it.] ___ Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. PRINCE: I'M NOT A WOMAN. ---he changed his name to a symbol. PRINCE: I'M NOT A MAN. “is [_____________]” a boy or girl PRINCE: I AM SOMETHING YOU WILL NEVER UNDERSTAND. DILLON FRANCIS Oh, Jesus Christ. JESUS CHRIST What dude. What the fuck do you want? What? DILLON FRANCIS Wait, you're...Jesus----Jesus-Jesus??? JESUS CHRIST If you insist on still calling me that, I told you ages ago... DILLON FRANCIS (to himself) ...that makes so much sense…Jesus… JESUS CHRIST Hm? … Hey wait--are you still--sleeping--kind of? … *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] GERALD WHO'S THE PINATA NOW, BITCH?! SUPACREE Oh, my God, Gerald! Get a hold of yourself!!! DILLON FRANCIS WHAT HAVE I DONE!? GOD WHAT HAVE YOU DONE? CHAK CHEL Dillon--What have you done. SUPACREE WHAT--DID YOU--DO. DILLON FRANCIS Just...Voodoo. GOD VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) ___ Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? [-creative ways you might find out, your junk has been permanently altered.] What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? >RAVE> --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” THE BEATLES Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. ___ MORGAN Oh My God--It was that big? (Nods) PAGE You'd never know. SUPACREE ...I knew it... MORGAN What did you do with it? SUPACREE I just wrapped it around my leg and tucked it into my sock, most the time. MORGAN Oh, wow. SUPACREE Yeah. I had to layer, the tube socks. MORGAN That's--wow. PAGE Yeah. I mean. When you're right, you're right. MORGAN You're right. SUPACREE I just get confused about it when I see him in shorts now. [SKRILLEX in shorts.] (She cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- –right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- __ What is this. __ --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? ___ SIR. SKRILLEX STOP CALLING ME THAT. SIr, it was “not enough.” What? ___ I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. ___ I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also, other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. CHINESE WOMAN --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. [pause] I know how to get her here. ___ DUDE ___Dude, I don't know how you did this! How did you DO this? SKRILLEX/SUPACREE Look, it's a long story. DUDE Well make it a short one. SKRILLEX/SUPACREE *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. SKRILLEX/SUPACREE So I….dropped the bass, and then… CHINESE WOMAN AND DEN? DUDE —And then? SKRILLEX/SUPACREE And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- DUDE --sideways and forward, at the same time-- SKRILLEX/SUPACREE >>>Yes. It was a lot. ___ Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her surprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [C.C. (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me s
This broadcast looks at the essence of my message concerning prayerWe start by looking at important principles starting with the right heart attitude and wordsWe are then enjoined to avoid presumptionIt is noted that prayer is Petition in the Court of HeavenWe discuss authority and prayer in the name of Yahooshua (incorrectly Jesus)It is stressed that Yah can ONLY move on Earth through the prayers of BelieversIt is suggested that short and to the point is frequently most effectiveRelationship With Creator is broadcast live Fridays 11am – 12Noon ET.Relationship With Creator Radio Show is broadcast on W4CY Radio (www.w4cy.com) part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Relationship With Creator Podcast is also available on Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
Why did you do this? I didn't do this! You did this! I didn't do this! Why would I do this? How could you! I didn't! What the fuck is HE doing here? What the fuck. You need to stop this. I can't stop. What did you DO. Exactly what I had to. Shasta! Who the fuck is that? That's that bitch. I told you it was Shasta. Who the fuck is Shasta. What show is this? Where is Skrillex? FUCK SKR— Wait, what show is this? INT. THE VOID. DAY & NIGHT. I remember the first time I ever realized, I could love anyone in the world, if they needed me to—or, if they just gave me the chance. Or if I got the chance. Or, if there was a chance. And, if there was a chance, and it was supposed to happen, it always would—especially if I wanted it— But definitely, if I needed it. But, what is is “if”? And, what is “supposed”? What is it to “want”? And what's a “need”? Now I know— or at least pretend to. Because, the more it is I think I know, the actual less I feel that I actually do; None the wiser, I am what I always was— And God is, as I am. INT. TURNER STREET—FAIRBANKS, ALASKA. DAY. Have you heard of Dillon Francis? I mean, I've heard of him… He's hilarious. I feel like me and him would get along. I doubt that. Look at this. No, thank you. Just watch it. Video: Need You, NGTMRE and Dillon Francis Dillon Francis: “so much trim , dude—shes overage, I think.” —You're probably right. Just watch it. Nah, I'm good. INT. GOOD CANNABIS—FAIRBANKS, ALASKA. DAY —- The DJ—slash—actor somehow became a muse for me after so tragically being entangled in a less-than-comfortable premonition turned fairytale fantasy via tragedy and trauma from the fallout of finding my formerly favorite founding father of modern dance music to have fallen from grace —Or into it— EXT. A DITCH SOMEWHERE. TWILIGHT A drunken DJ is discarded. —only to amazingly recoup and recover, seemingly like magic— Which by the way, is real. A comeback nobody saw coming— And still doesn't see, at least—as of yet. I remember the first time I levitated as an adult; two years later to that very day, I found myself uncontrollably laughing, to the opposite affect, so heavy I seemed almost to be bound to the floor; It was the only gift I received for my birthday that year, though albeit unintentionally given ROFLMAO. What in the fuck does that mean? Rolling on the floor, laughing my ass off. OH, THAT CHUCKLEFUCKER. I just laughed so hard, I came. I saw. Come here, kid. OW. Ohhhhhh, I see. what was THAT. Now, you listen, I am listening. No, you're laughing. That was more than a laugh… It was more than a look. DID YOU SEE THAT? WOW. That was orgasmic. Shishane!! I gotta go. Okay. But come here. (They kiss.) See you tomorrow. Yeah. Okay Hey, I'm home: SHASTA!!!!! Where WHERE YOU? I had work. Finally having caught up to SupaCree (in Skrillex's body), Sonny (as SupaCree) is flabbergasted at her actions. Dressed super flamboyantly and colorful, "Skrillex" looks ridiculous, touting a Jamba Juice and sipping erroneously SupaCree (S): what the fuck. Skrillex (SC): Yooooo. You're ugly. Mau5: you're one to talk. Skrillex: Psh I am sexy as fuck right now. Wow. SupaCree: Jamba Juice? I don't drink Jamba Juice. Skrillex: you do drink Jamba juice. I mean. I do. This was free. Actually, you know what, a lot of shit is free, when you're rich; it's fucked up. Right. Yeah. Doesn't make a lot of sense. ___________ (Earlier) A super hot fan girl walks up to "Skrillex" Hey stranger. Hey...wow. Yeah wow. This is kinda random, but would you want to… (whispers in ear) Woah. That is random. (Basic bitch giggle) haha yeah. You would do that? Yeah! Because...I'm... Skrillex..? Um, yeah, I guess… Huh. … Well...would you do that if I wasn't Skrillex? ..um...no??? Huh. ___________ (later) Skrillex (SC) Yo! Did you know that people will (whispers in ear) just because you're Skrillex. SupaCree (S): (bashfully) Well, yeah... Skrillex: YO! _______ Switching Back In an attempt to return to normal, Skrillex ends up back in his own body, but has left SupaCree and Dillon Francis now stranded in eachothers' bodies. Skrillex/Sonny: sigh of relief--rolls eyes at outfit, but otherwise satisfied, shrugging. SupaCree (DF) Woah I am...colors…! [Looks over self in awe] Dillon Francis (SC): Awh what, no way! Aaaaghhh! SupaCree (DF) [Looking down] ...these are tits. Dillon Francis (SC) : HEY! Don't touch my tits! [Looks in mirror] FUCK YEAH, I'M DILLON FRANCIS: Stuck in SuPaCree's body, Dillon Francis experiences full fledged synethesia heightened by the circumstances of the switch; an array of colors and vibrations fill the world; he stares, taken aback by Skrillex's "colors", which only he can see [but is clearly phonomenal.] SupaCree: Oh man, this is... [looks at Skrillex] Whuuuut. Skrillex: (creeped) What? SupaCree (DF) [steps away from him, wide eyed] ...this is a lot. Dillon Francis (SC) [checking himself out, approving] Dude I'm hungry. What do you eat? SupaCree: what the fuck do you eat? Sugar Cubes of acid? What the FUCK! Dillon francis: I try to stay away from processed sugar-- SupaCree: what the fuck is this shit? Calm Down, You're just ugly. Are you kidding me? !'m tripping dick right now. Dillon Francis: I'm tripping dick right now-- SupaCree: HEY. Dont touch my dick! No tits, no dick! Dillon Francis: first of all, I'm Dillon Francis, I can do whatever I want; secondly, nobody's touching your dick--ew--it's just attached to me. SupaCree: What is wrong with you?! Dillon Francis: nothing, im--i'm Dillon Francis. SupaCree: WHY is everything wavy--what are these colors? Dillon Francis: it's just---mild synesthesia-- SupaCree: "MILD" (to skrillex) Stay over there. SKrillex: K. Dillon Francis: It ramps up when I get excited. Or anxious. Or hungry. SupaCree: Make it stop. Dillon Francis: I can't. That's why I rave. SupaCree: AGH. Dillon Francis: Just don't get too close to Skrillex. Both: Why? Dillon Francis: I don't know, okay? Just...don't. And here, wear these [puts on sunglasses.] There. SupaCree: better...kind of. This is insane. Dillon Francis: just don't play his music… SupaCree: why, what does your music do? [Skrillex is silent. There is an obvious secret Dillon Francis sends a threatening glare towards him, and they nod in agreement not to elaborate] SupaCree: nevermind. Switch me back. Dillon Francis: no way! I'm an even whiter white guy now. I wanna go out! SupaCree: out where? Dillon Francis: I don't know. Somewhere really white. Like. Manhattan beach or--Beverly Center. SupaCree: I don't wanna go out like this! Dillon Francis: you're right, you look ridiculous. [She's still dressed in all black, signature skrillex] _____________ Skrillex, Dillon Francis and SupaCree end up as the finalists in the fight to the death J battle to become “God's” favorite DJ __________ Dillonception -Dillon Francis's Magical Universe immediately follows dillonception, where he uses his newly acquired = magic and works for a variety of characters to save the world, albeit from a DJless post apocalyptic wasteland. _______ Hot fan girl from before: you deleted that picture, right? (Later) Dillon Francis (as supa Cree) is wearing a shirt with a picture of the fangirl and skrillex [insert goofy picture here] a reference to Getter, though the act is innocent rather than sexual, as the prior scenes indicate. The Voices Parodyish Dilon is the only person who sees Gerald and his friends/ family as “just a pinata”, however, Gerald, appears as, in fact, a real person to everyone else, who believes Dillon to just be joking, or even ‘a real asshole' However, it is later revealed that as such, Dilon “suffers” from a condition similar to that which the main character of The Voices also struggle Dillon Francis is officially too hot for Supacree (Sunni Blu, alternately) as they are often booked to work together, Supacree becomes clumsily awry of Dillon Francis, hanzel, and RAF respectively. Don't do this. I'm about to. Just fucking stop! I won't stop. You're being ridiculous. Yes, I am. What—Dillon Francis?! What—Kayla Lauren—? It's a thing. It's a cult. Well, fuck this. I want it. So, get it. I got it. He played you. Okay, then— Listen to me—? I am listening… You are NOT— Let me guess— “NOT HIS TYPE” —yeah, I know. So, what's up! Well, he's hot— That's so gross— I'm an adult— He's a DJ— —a record producer— An Oscar nominated actor— What?! —and Grammy nominated. Wait, excuse me. Same year, too. Different project, though. How'd this happen? “This can't happen” Oh, my God! That never happened. What never happened? Okay. Exactly. What about So— WHO? Sorry. Right, exactly. Hey, how's Kayla? Who is “Kayla”? Well, this hurts. Just use it. He won't stay. Don't need it— —that's the way// I want it. So. Satan. ...hm? Can you handle this? This one's easy. He looks simple. But he's not. Dillon Francis is one of the most powerful Gods of creation in existence. What about Skrillex? There's no Skrillex. What about Sonny? S/He killed him. Oh. Who's this? This is Esmerelda. What's...she doing? Everything I won't. Woah. I'll be back. What is this? I remember this—he married her, and I suffered. Who, Kayla Lauren?! “She's so basic—“ So is Sonny. OoooOoooOooo000hhhh— —shots fired. “ The Simple Skrillex” That's this one. Fuck this nigga —fuck this nigga— And his posse. So, what's Dillon want? Nothing to do with me— Oh— Who are you? Who did you ask for? ...Jesus fucking Christ. What, Dillon Francis? ...are you busy? Jesus Christ and Dillon Francis finally have a face to face. “An Extended Vacation” Oh, my God. Don't say that. Fuck Dillon Francis. ...why does Dillon Francis have my dragon? Does she know I have her dragon WHY DOES DILLON FRANCIS— Is she mad? HABE MY DRAGON? Mm. Is she coming? You know what—?! — I should mention Wigga Skrillex, before I for get again Man, fuck SKRILLEC! Can't. He's “taken” Oh, is he? Plus, Dillon Francis has my—wait—. How did Dillon Francis get my dragon? Hoe did you get my dragon? You keep me jet Blue I can't forget you, But I can forgive you for getting me Used to this, Uselessness I'm just another useless piece of— Dillon Francis, send this shit to Skrillex, And just kill me— Or let's burn it, Just forget it; Didn't write it Need a girlfriend? That can never happen I don't want it, I just fantasized about it once, Or maybe twice I'm in my mind, I'll find you by the time I die, Right? Right? Dillon Francis's kick drum. In the reality where () becomes a college professor, she is interrupted by surprise and stunned, when Skrillex himself appears during a lecture deconstructing his music. After being banished into a reality where Dillon Francis is a level-one DJ in present times, he furiously attempts to escape through multiple failed attempts. He has also lost his ability and masterful magic of music, and experiences the struggle of obscurity and insignificance in the oversaturated and unfair present music scene. Just as he crosses paths with the alternate reality in which he has fallen into an eternity long Dark Void, which spirals towards Hell in a Terrifying Twilight-Zone like wormhole of sorts, where one's deepest transgressions, fears, and doubts are projected through infinite dimensions, often resulting in “The Illusion of Death”, or rather, depending on the construct of the respective reality, the “nearest-to-Death” experience you can possibly have. As the Dillon Francis in the Dark Void gets nearer to Hell, The Dillon Francis in “Dillon Francis Has No Fans Land” (located amongst the Universal Network of alternate parallels U has been been banishing ‘Hollywood People' into, scattering them into realities where they either haven't-yet or never-will make it to superstardom/celebrity status. *Note* This Universe has the highest concentration of SS as an actual person, as it is revealed to be hidden nestled and hidden in a deep subliminal realm of her own subconscious, which creates a protected vortex “off map”, a hidden Universe with its own complexities, Laws of Science, and Concept of Time; A Nearly Inescapable Consciously constructed set on its own independent, multidimensional grid--which only () herself can travel throughout. U kidnapping celebrities by Assassinating them through the “illusion of death” ( sometimes as the Colorful Crypt Keeper, depending on the reality) In our present reality (IRL) The Celebrities have either retired, disappeared into isolation “A Syd Barret”, or more dramatically, have actually died. Once removed from the current reality, the stars wake up in a new reality, where they are no longer wealthy, popular, famous or successful; While some entertainers happily (heaven) adjust to normalcy, finding happiness and bliss in simplicity, most are cascaded into an unraveling downward spiral, deteriorating their mental health as they experience life without privilege or status. “If Your Name Is________________, You're In My Movie” Once collected, they are then sent “One Deeper” into this skewed universe, again by Death, which happens in exact synchronicity of their first death, resetting time; they “What is this, Bad DJ Land?” “Yeah, I mean I call it, Dillon Francis Has No Fans Land, but. Yeah.” (mimicking her) “Yeah.” Venice Ventures (A Collection of Short FIlms, a Spinoff of the Scary Monsters Series, a Tie Into Secret Life of Sunni Blu/Much Ado About Sunni Blu, The Legend of SupaCree -Venice Ventures (Pilot/Venice Mini Burning Man) -Day Of The Dead -Who Killed Matt Maeson -Magic Is Real -Magic Israel -Magic Isn't Real -LSDream (Pt I.Vegas) -LSDream (Pt. II) -Brillz (Sammi The Bampheramph, circa 2013) -Au[DIO]tistic SupaCree meets two new “friends” at a small festival; However, she soon finds that she's on her own, after feeling “third wheeled” and deciding to roam closer to her home (front and center) on the dance floor. During a drop, she breaks into her signature improvisational “dance trance”, drawing a crowd of impressed and fascinated ravers, becoming quite instantly popular; It's almost, even, as if she has fans--as people excitedly ask to trade kandi and share dances. Then, as Getter begins his set--a circle of people have formed around her, groups of tribes, squads, and kandi kids, magnetically drawn to the The Vibe (I Am The Vibe) and spirit energy that the music awakens within her; The Spirits have called her home to journey into the spirit world, sending “Angels”, or “Light Spirits” tasked to assure that she completes this passage into the spirit world--aligning the present, with the future and past; Alternately, in the Dark Underworld, Demons, or “Dark Spirits/Lost Souls” to work against the light, as an effort to consume her, reawakening The Ego. The Ascended Masters, as an order to bestow Stories of Origin, ancient wisdom, and awaken the God Consciousness, allowing for ascension and Projection within the Interdimensions--must release the seal which holds the oldest known [or unknown soul], so that the “Light Magic” can be passed back to the living descendants of the ancestors amast to be Ascended Masters. To Blissfully yet truly unaware of her own light--either deeply within, or shining throughout, people dancing near her are givingly sharing “conscious gifts” forming a smoke circle within what seems to be an almost gravitational pull. She smokes cooly within the circle, enjoying the auras of those around her--who laugh, smile, dance, and greet her with friendly excitement; As she circle closes, she is handed a mysterious cartridge, filled with a liquid which she quickly examines in the dark and smoky crowd of dancers. ...This is weed? The girl neither shakes her head yes, or no--just gazing above the rims of her dark sunglasses. She takes three hits, and passes it back to the masked stranger, who disappears into the dancefloor. Thanks! (but she is already gone) The energy shifts around her, as her ravey extroversion quickly fades into an introverted and inward, calm and thoughtful state. She contently observes, as usual, checking back to see the the couple she came with, as they wave happily at her. She moves more closely to them, gesturing to meet her closer to the front of the dance floor. She looks up at the performance stage; the visuals, the lights, the many working parts of a high-production value theatrical production. The stage is set so that she has to look more upward at the DJ, who she stares at, drifting into what seems to be a daydream. Its time for Meditation. Meditate. Now? Ground Yourself. Are you serious? I just got here! Sit. As the bass drops, The world around her shifts, into a colorful array of light colliding with sound; Enter, World of Floor. (A flashback, to past raves) I always knew this world existed, but never had I imagined the things I hadn't seen, around and between all the things I had as I was flying overhead, passing by admiring all the life...and all the lights... (A montage of the World of Floor) (The Cosmic Owl's Flight) In a beautiful starlit meadow, on some distant parallel or humanoid existence, a group of boys are camping, being boys. One boy, a pale and slender boy with gentle eyes under pink-framed wide lens glasses, gazes up at the sparkling night sky toting his gun upwardly, looking through the scope. A bright shooting star appears, bedazzling him as he looks, rubbing his eye. What are you aiming at? It's darktime, I doubt you'll find anything to shoot. The boy shrugs, Suit yourself. The other boy heads back toward the fire, where at a distance one of the other boys asks “what is he doing?” I don't know, psh. Haha--maybe he's shooting stars. Shut up! They continue on. He scoffs and rolls his eyes, head pointed up as he watches the sky, inwardly wishing for another shooting star, then suddenly--a light, as something large and white flies over the campsite, leaving behind a gust of wind and sparkling light of stardust, dissipating as the boys all point their heads at the sky, wide eyed. WOAH! Did you see that? What do you mean did I see that? I'm sitting right by you! It went right over your head! Like, right by! They search the sky, as the stars seem to twinkle with a brighter blue-white light; The Giant White Owl once more flies by. What the-- Don't just stand there! What IS that thing? I don't know! Shoot it. The boy panics, aiming for the bird. He fires a shot, missing her, then another. Shoot it! From a birds eye view, the boys seem small in the vast meadow, nestled in a beautiful valley on a gigantic “alien” planet, with colorful auroras dancing in the atmosphere. The owl glows with the neon light, with giant wise eyes, whose light reflects the tale of all time. Hearing the two shots, but unfamiliar with the sound, she glides into a curve diving downward over the mountainside, towards the boy with the glasses, in her eye surrounded by an aura of golden light; she tilts her head as the shine in her giant eye sparkles with a loving light; As she admires the light, she cries as the sound of the gunfire aligns with a bullet, spinning her graceful flight into a flash of light, leaving behind a twisting trail of cosmic light and stardust. [*Director's Note:Though she appears only as a Giant White Owl (though with a glowing bright white light, only the boy in the glasses sees (with the naked eye) the neon spectrum of light emitted by The Cosmic Owl, eventually a full Prisim..] He jumps, as his eyes widen with shock and worry, in awe of the spiral of light and a shuttered surprise. You got it! Thank God, I would have called this whole thing off. What was that? At least he got it. Taking his gun off and dropping it, he walks still in awe towards the mountain, in an almost hynotized and quiet stride. ...Hey, where are you going? ...I'm gonna go find it. Go FIND IT? Why!? Just because it's not flying, doesn't mean it's not still alive! That thing was giant! Like three times your size! Ten Times! Unresponsive, and guided by the light, though fading, which has left a spiraled trail against the dark and starry sky. A giant moon rises over the mountain, as she runs into the forested hillside, ascending towards the spiraled light. Go after him. I'm not going after him. Someone go get him. YOU go get him. Pftt. Fuck that. They all stare blankly at eachother in an awkward silence. ...Mom's gonna kill us. -Countdown Shunned by h They know I am Good. Well. How? Who? They. Who this they? Anyone that matters. How--how? Insomniac. Right. EDC. right. The music. Well, it can't always end in martyrdom It always has Stay humble. All are one Whose world is this, anyway? Apparently, ours. Sonny's somewhere Sonny's always somewhere except, wherever I am. Not true. Oh, God. Hm…? What? I just want peace Want, or need? Need. Fair. I need PLUR Al of it? I'd gladly trade my life to rave again You were promised an eternal cebration in paradice Where's paradice Stay on the path San Diego would be on the path. It is. A town called paradice Oh, Tiesto. His wife is 23. Gross. Is it? Is it love? For now. Have faith. I am faith. Be kind. I am kindness. I said, stay humble. Kendrick. And? AND. The remix is always better. Only when it's. . I am Skrillex. As if. what is "if". Go make music. Music made me. I am music. I need tome. Who, what, and when, are driving in a car together… The coffee rub (run*) There's significance in that video there's significance in Dillon Francis Even Deadmau5? Who? On God. ...what? ...oh great, now I gotta figure out which biblical character represents Dillon Francis? It's not Jesus. We know Jesus. (Everyone knows Jesus) It is Jesus. Everything is everything. That's a step. No white saviors! ...go somewhere else. Be a color! … ___ There's a lady in my kitchen, cooking me breakfast. I cooked breakfast. ...is it...poisoned? No, it's breakfast. … … It is hot. Who are you? *censored vigorously* … Apparently, I'm Skrillex. What the fuck. What the fuck. I gotta go. through the other end of the telephone, a DJ, having overheard the conversation pipes in loudly, with peeping curiosity. Is that Skrillex? Call you back. Supacree continues cooking comfortably. Is he there? Another DJ runs towards the phone, having overheard—in the background, we see a news program playing, the headline reads WHERE IS SKRILLEX, the latter obscured. Is he there?! Sounds like him. Yo! It does! Where is Skrillex!? I gotta go. He hangs up the phone. … Dillon suspiciously pushes back his plate. SUPACREE Let me guess. DILLON FRANCIS HEY GOOGLE, call SUPACREE I am Google. DILLON FRANCIS Apparently, You're Skrillex. SUPACREE Apparently, I am. (I AM.) What was that? ...what was that? SUPACREE That was Ï. [beat.] [Very awkward silence] ...I need a… Eat your breakfast. Who are you? Listen, Dillon Francis. Who is that? That's—your name. No, I'm not… … …who are you? Alright, just— look. “NOT DILLON FRANCIS” She forfeits. She forfeits? This tournament is intense. How do you even remember this story? I just remember it...it sticks. ASCENSION. Who wrote this? Who, indeed. Explain that. I can't explain that. You made it, you have to explain it. I didn't make it. Yes, you did. I didn't make this. I will bring her here. How? Jeff: Don't ask me “how”, just watch. (Jeff?) What? I don't know how to spell “Excision” ((But I do.)) That's not a fucking FLEX, it's a SKRILLEX. It is what it is! IT IS WHAT IT IS AND I KNOW A SKRILLEX WHEN I SEE A SKRILLEX ITS A SKRILLEX. *GASP* THE HEX. (Oh shit, what Hex) ((The SKRILL-HEX)) (((AHA.)) Apparently. Watch this. [Ext. Basspod (Underground)] Wait, she's leaving. Where is she going? I don't know. Just-- I can't keep track! She was just-- --RIGHT THERE-- Wait, what was that? What was that? Over there? Over...where? It's….it's that way. That way what? Lets go. GETTER doesn't know what he did. JEFF knows exactly what he did and isn't saying shit. EXCISION knows where you can get it, but not unless you pay. SKRILLEXCISION is the world's hottest super-duo, (who is in reality, just one person.) ((and doesn't exist)) (((at least, in this dimension.))) SUPACREE, is probably -she dead -she's an alien -she has superpowers That's just a Skrillex. I don't think its-- Just leave it. IT'S A BIRD. IT”S A PLANE. IT”S SUPACREE SUPACREE, WHO THE FUCK IS “SUPACREE”? SUPACREE is a SUPERSTAR DJ. (who is actually several different people) ((who are actually just one being)) (((infinite)) SKRILLEX is … … …. … Explain that. I can't explain that, I didn't make that. Oh, you made it. I--okay, wait--no. I am NOT taking responsibility for this-- (She is responsible for this) ((and infinite other things)) (((everything, actyally.))) No, I mean, she's actually everything. “Everything” She doesn't know she's in control of it. Wait, I can control it? Watch. Don't watch. Just listen. It's not how i hear it, it's how I feel it. Did you run? NIGGA, I DID NOT RUN; I RAN. Oh shit, now she knows she's in control of it. Sick. Yess--but she doesn't believe it, so it's fucking with existence. Shit. This existence? Every existence. How can you tell? I don't even know what I'm about to say before I say it, I think she's writing this... Wait, do you usually know what you're going to say before you're gonna say it--? I don't know, I can't remember anything before this happened--I'm not even sure if we existed, I think we might be in this shit. Wait, like in this--like, we're not even… ...then it just ends, dude. IT JUST ENDED? But it wasn't just purple rain, It was rainbows and--wait So she.. Wait. Two planets passing so closely, the two worlds are forever changed. Well. Now that we know this is possible. Oh shit, that 12th PLanet. He's black? I-- Huh. Wait. Wait. Can I...Remix this…? What the fuck is a “Remix”? The Remixes. AH, FUCK THIS. Wait, did it-- It did, it dropped. He dropped it. FUCK THIS DUDE. OH, FUCK THIS MOTHERFUCKER. THIS MOTHERFUCKER. --BASS BITCH, MOTHERFUCKER!! Is that the lyrics? I don't know, that's just how it goes! ___ How do you know him…? We are...friends. BITCH, I AM NOT YOUR FRIEND-- DAMN! --I AM YOUR SAVIOR, YOU SHOULD BE WORSHIPPING ME-- Oh, shit. That took a turn. -- I do worship you. OH SHIT. THAT TOOK ANOTHER TURN. Are you sure it was CTHULU? (Nods.) Okay then, lets get this bitch. __ Skrillex and Dillon Francis make a Deal with The Ex. OH SHIT-- IS THAT WHY SHE-- YAH. UNH. YAS. So these planets pass so closely, that their atmosphere's collide, and--not only do they-- --THE PLANETS-- --actually manage to acknowledge eachother as it's happening, it actually alters their axis-- --yeah-- --and changes their orbital paths... Yes. WHAT? Okay. So. Look. There's two planets. Two planets, yeah. Different Galaxies. Well yeah, that--that would depend, wouldn't it. Dependent by which...definition... ? I mean; what is even a Galaxy-- I mean, scientifically? No, infinitely? Excuse me? I mean--what is a “galaxy” if existence is infinite. It's--what? If Everything is Everything; then whatever a galaxy is, by definition--what our actual perception of this reality is exactly just that Whatever I was about to type was definitely better sou The Legend of SupaCree follows an involuntary “hero” on her adventures, after her powers become unlocked; Now, she must join forces with the other DJ's to Save The Rave. _____ SupaCree refuses to tell anybody anything. (After Pre-edc scene) oh dude, that's a lot. It is a lot. She still hasn't told her mom you're “Skrillex” Ugh, no. And she makes me shop at K-Mart every time we go over there. You got that at K-Mart? It's nice. Yeah. Where did you find a K-Mart? ______ Where is “Earff”? _____ Bampheramph training is considered complete once the trainee “stops crying”, thus begins the official recruitment process, which includes but is not limited to reaching various ‘extremes', which differ by context. ____ Every red cup is just Another broken heart, Another broken dream, Another broken record, Playing on repeat … … … Wheres my Skrillex? Which-- So, Skrillex… You can call me Sonny. ...Skrillex... O...kay… [She squints suspiciously at him and jots something down in her notebook.] ____ So, do you use Serato, or Rekordbox? Neither I just [Demonstrates] What the fuck does that even mean. It means you can [Demonstrates] ____1 How is he doing this? Magic. I'm not going to fight for him. Do you honestly think this is happening to anybody else? Maybe. Honestly? Infinite. Infinite Skrill-- Infinite fucking everything. I'm not about to try to explain it. So what are you going to do? I don't know. The worlds gone mad she is, but she's not a man. She's trapped in a casket Can't listen to the map And can't imagine he'll ever come back Jag parked, smogs bad and she has a plan But can't get past the magnet Magic has its way of making things go crazy Why don't you just--& Oh what? Have my people call his people? Something like that His peopl I had a dream About a tent About a temporary tenant This christmas, its Resentment, Tension And whatever this is… Oh yes, "This is Skrillex…" wayward Hey. Hey. So, uh. So. What's wrong with you? ....what? What's wrong. Whats...wrong? --With you. SupaCree summons Skrillex. Skrillex. Stop it. Fuck you. Skrillex. Seriously, stop You stop. Skrillex-Skrillex-Skriooex o Oh no Just stop. In the parallel where… SŪpAcree has become a disasterously egotistic and diva-like superstar, we see she is in this world, outwardly bitter, rather angry and dispondant, having learned to capitalize best not being herself. A young intern helps to prepare an event; His trainer, an astute and rigid stage manager, after finishing a series of detailed questions about the theatrical performance and it's various attendees-+ leaves the intern alone for "just a minute" handing them her clipboard as she hurriedly rushes elsewhere. The intern scans the clipboard, flipping the front page over to reveal a hidden note. Taking the initiative (trying to be assertive in the newly appointed position), asks nervously... ...And what about Skrillex? Who? Skrillex. Who the fuck is that? Its...Skrillex. Tell me who that is. Uh… Go ahead. The intern stands, frightened at her anger. The stage manager returns. _______________ I hate this shit, it isn't fair. It isnt Wheres my phone? __ Woah. You did all this for Skrillex. Pretty much. Yeah. I guess. Yep. Wow. Okay. You would. (I did) Burn it. What? Fuck that! Ughhhhh. No. Sonny/fictional skrillex: Do you know why ai put you in this fucked up dimension? Me: WHAT? YOU DID THIS? NO--WHY--?? Sonny: So you could get your shit together. Me: well, that's fucked up. S/FS: I DID NOT think it would take this long Me: well, how long is it supposed to take? S/FS: I don't know… Me: ...well, how long does it usually take? S/FS: So wait; You guys from the future-- Fathomable future. Uh-huh Have seen the show? Yes. My show. Mm-hmm. / Well then, how does it start? ----------------------------- I already told you, no. Yes. I'm not going to Skrillex. You have to go. No. What the fuck is NO. I'm not going. WHAT? What. You have to go. Who says? We do. Okay. Okay. [beat] Who the fuck are you? OOH, ARE WE STILL BLEEPING OUT THE SKRILLEX? Yes. Sonny Sonny Sonny Sonny Sonny Sonny Sonny You so Funny Funny Funny Funny Funny Funny Funny Do you Love me Love me Love me Love me Love me Love me Love me I'm so Ugly Ugly Ugly Ugly Ugly Ugly Ugly And I'm nothing Without you Was this a song? Probably. Looks like a song. Seems like a song to me. Nobody should ever hear this. Define…”nobody” The Song has become a number 1 hit radio sensation. What the fuck is my life. What the fuck is your life. I don't know what the fuck. What the fuck. What the fuuuuuuck . Speak of the devil— (Terrified) what? Dillon Francis is here? What? No—it's just Skrillex, he's just...here to collect. What?! What, dude—Skrillex is your plug? Uhhh. For what? Where else am I gonna get premium space bass? Aaahh Gasp I knew it! I knew something about you was really Skrilly. Hella Skrilly. *doorbell rings* Ok, no Skrilly in front of the— He is magically just, suddenly inside. In front of the what? The two stand starry eyed in amazement. ...hey… X2: hey… Should we step outside? Oh, come in— —I did. I see that. (Lol )Right in He did that. He always does. This...transaction is private. It's fine. You guys are alright—maybe—breathe a little— —large gasp, has not been breathing since Skrillex...what did he even do. He like, apparated No—apps—no. There's no fire. He didnt apostate. Alright then, teleport. That silently? Yeah, I mean teleportals also are like: —actual teleportal, which is a huge, very not quiet, black hole like vacuum with lots of colors, lots of light— Oh. Well, how did he get in, then? He shifted. “What the fuck is Shiffted!?” The SupaCree and The Skrillex share these commonalities: *S13 (13th power ) —- Dude! I got the key! You got the key, yeah, it's one of these. A bunch of keys in a wheelbarrow. Dude. What. The fuck. I don't know! I just know, she told me the key was on the key ring WHAT keyring dyde?! This is just a wheelbarrow full of KE*T! (He produces a heavy chain which appears to (not really) link the kets together We...keychain. —Meanwhile, God deletes all the Florida Keys—except for one— I will not “go” to the “Skrillex Reddit” Go to that place. No way. We are going to the internet for ONE thing—and one thing only. We are gonna skate to one song, and one song only. BALL SO HARD MOTHERFUCKERS WANNA— No. One thing. Yes, I thought it was Skrillex. We never go online for Skrillex. Okay. Not even shopping. Alright, let's go. You don't even know what we're going for I hope he hears this She says I hope he makes it And by she, I mean me And I've been peayint for a way to try to say this stuff Spit it out Turn it up— Woah...okay! Okay what? What are you gonna do with all this Skrillex? Uh… …? …Just throw it out. Throw it out!? Yep. Why would you do that? *Shrugs* Don't need it. Don't need it!? Yeah, I just said that. Are you serious? Yes. Throw it out. No way. If you're gonna do that…I'll take it! You want it? W--Fuck yeah! For what? I don't know. I'll think of something. Okay. Yeah? Yeah...whatever. Yes! ...okay….Just--come help me lift this. “The Great Big Book of Skrillex” This...is just an Encyclopedia. ...you bought encyclopedias? I needed them for my library. ...you have a library? It isn't finished yet. It isn't...finished…? Not yet. They're installing the elevator. There's an elevator? Of course there's an elevator; it just doesn't get to the library. I meant— Come on. What did you do to my house ? Well, after I put the fire out— What fire? The main one. —there were, of course, several smaller fires— What The Hell? And now there's just that one. A fireplace? When did I get a fireplace? Well, I needed an easier way to get in and out. —where does it go? Out the chimney. —wait, did you just say “in and out”? That sounds good. I wish they had a vegetarian menu. French Fries? Uh huh. Is that it? I think so. GIVE ME ALL OF YOUR SAUCE. Ohhh, get ketchup. Sorry, we're out of ketchup. Out of ketchup? Yes. Okay, can I just have special sauce then? We are out of sauce. What. Every sauce? All The Sauce. GODDAMMIT DILLON FRANCIS. I hope this isn't like the Skrillex thing. We're still under the limit. Kick it. —-ugggghh, there are homelesses here!! —homelesseses are not always bad people Homeless—AGHHHBLLAAARRRGHHH— —-...okay, so they're not all sane, either but, neither am I. Homeless—RAAAAAAHHHH LALA—Aaahhhh NANA—*supa drunk* BLEEAAAHHHHHH DADA- Shhhhh—DADADADA - (Each character and each ensemble joins until all together they are are a crazy chorus in the ensemble in madness together) 1. Turn off the lights 17 minute dance number 2. Magic is real 20 minute dance number 3. LALa Land -La-Bay-Bay -Hollywoodland -HIII by the beach -Tent City Madness (homelessess) -The Bus Song -¡Panic @ The Disco! (Robbed) -Traiiin -ShutTheFuckUp -It's you! (Bless you.) -LALA Land (tune it out) 33 minutes ACT I— a young entrepreneur loses herself in the world of the bustling entertainment industry through entering the worlds within, and navigating the outterworld, while battling the worldly demons of darkness, as she fights for her life to break a curse set upon her by a devil with whom she will not name, but will haunt her—she must manage and master her inner magic to break this curse—and it is only when she learns that the curse may only be broken, if unspoken words are made spoken I just ate my skateboard That's okay I ain't bored— That's ok I ain't organized I came supplied: Some dude replied “I have the answer—come to me, you tiny dancer.” ‘Yessir' I replied with laughter Smile bright cause I'm an actor “Faster-faster-faster-faster!! I ” Shhhhhhhhhhh—SHADDUP. LALA- oh, hey you—! DADA- I thought we were suppressing her LUST-*sluttily* GAD- *quite so*>> We *are* LALA- *guiltily* —it's just... DADA- NO. No ‘it's just'— NANA- *drunkenly* yeahhh, keep it together, kassandra LALA & DADA- Shut the fuck up, hoe! [NANA shrugs and nothings away] LALA & DADA make a face at each other— - God, What the fuck is wrong with her, anyway? NANA coughs loudly, backstage. GAD- It's a curse. DOC- we don't believe in Magic. LALA- I don't believe in you, bitch! HOLLYWOOD (ensemble)- BITCH—WE DONT BELIEVE IN YOU, EITHER. The Three: Hot *daaamnn* Mr Poopy Butthole- hot daaaaamn...! (yeah, there's cameos) CAST: Mr. Poopy Butthole?!?! Mr. Poopy Butthole: Uhhh—yeaaah, I just got here I uhhhh, I got big plans—big dreams, you know, I just—I'm gonna be a staaaar!! CAST: Laughs—the laughter trails off into different forms—awkward, daunting, sarcastic—then, only the spirits and LALA—suddenly, it is dark, and she is laughing all alone. Her laughter turns into a sorrowful pout, looking about quite lost. She shudders. Lala- Fuuuuuuuck. And I could get a place out in Hollywood land— But I'd rather be close to the surf and the sand— Cause that's how I planned it This is my planet (This is OUR planet) Oh yeah, my bad—this is weird, having f all of us here ‘You should put on your ears, dear' Hustle, hustle, hustle That's how you get muscle And it just is what it is Bitch you know this is a business And you know that's how you get this Make your check, earn respect build up your interest Bank? No thanks. Cause bro you know that shit stanks— You studied all your mistakes— Keep money, make money tell yourself thanks (Thanks) You'll probably thank your self later (Twice?) That's when you start making paper (Thanks) And yeah you know you got haters (Who?) Yeah bitch you know he's a hater— (Boo) Who? Yo bitch—I told you no crying!! (Woah) (They go in the round, the 3) “Yes, ohhh my GAD” ( But I'm not Spent my deposit on a house that's rotting—vultures spotting me— Ex husband haunting me PTSD. Take it with me everywhere I go, It follows me, Swallows me up like the coffee cup I left and needed this morning. Oh, Elohim. Lala Land: a musical revue m Escaping your past is not always easy—Master Your Magic. Featuring music by: Skrillex (Vs)
Why did you do this? I didn't do this! You did this! I didn't do this! Why would I do this? How could you! I didn't! What the fuck is HE doing here? What the fuck. You need to stop this. I can't stop. What did you DO. Exactly what I had to. Shasta! Who the fuck is that? That's that bitch. I told you it was Shasta. Who the fuck is Shasta. What show is this? Where is Skrillex? FUCK SKR— Wait, what show is this? INT. THE VOID. DAY & NIGHT. I remember the first time I ever realized, I could love anyone in the world, if they needed me to—or, if they just gave me the chance. Or if I got the chance. Or, if there was a chance. And, if there was a chance, and it was supposed to happen, it always would—especially if I wanted it— But definitely, if I needed it. But, what is is “if”? And, what is “supposed”? What is it to “want”? And what's a “need”? Now I know— or at least pretend to. Because, the more it is I think I know, the actual less I feel that I actually do; None the wiser, I am what I always was— And God is, as I am. INT. TURNER STREET—FAIRBANKS, ALASKA. DAY. Have you heard of Dillon Francis? I mean, I've heard of him… He's hilarious. I feel like me and him would get along. I doubt that. Look at this. No, thank you. Just watch it. Video: Need You, NGTMRE and Dillon Francis Dillon Francis: “so much trim , dude—shes overage, I think.” —You're probably right. Just watch it. Nah, I'm good. INT. GOOD CANNABIS—FAIRBANKS, ALASKA. DAY —- The DJ—slash—actor somehow became a muse for me after so tragically being entangled in a less-than-comfortable premonition turned fairytale fantasy via tragedy and trauma from the fallout of finding my formerly favorite founding father of modern dance music to have fallen from grace —Or into it— EXT. A DITCH SOMEWHERE. TWILIGHT A drunken DJ is discarded. —only to amazingly recoup and recover, seemingly like magic— Which by the way, is real. A comeback nobody saw coming— And still doesn't see, at least—as of yet. I remember the first time I levitated as an adult; two years later to that very day, I found myself uncontrollably laughing, to the opposite affect, so heavy I seemed almost to be bound to the floor; It was the only gift I received for my birthday that year, though albeit unintentionally given ROFLMAO. What in the fuck does that mean? Rolling on the floor, laughing my ass off. OH, THAT CHUCKLEFUCKER. I just laughed so hard, I came. I saw. Come here, kid. OW. Ohhhhhh, I see. what was THAT. Now, you listen, I am listening. No, you're laughing. That was more than a laugh… It was more than a look. DID YOU SEE THAT? WOW. That was orgasmic. Shishane!! I gotta go. Okay. But come here. (They kiss.) See you tomorrow. Yeah. Okay Hey, I'm home: SHASTA!!!!! Where WHERE YOU? I had work. Finally having caught up to SupaCree (in Skrillex's body), Sonny (as SupaCree) is flabbergasted at her actions. Dressed super flamboyantly and colorful, "Skrillex" looks ridiculous, touting a Jamba Juice and sipping erroneously SupaCree (S): what the fuck. Skrillex (SC): Yooooo. You're ugly. Mau5: you're one to talk. Skrillex: Psh I am sexy as fuck right now. Wow. SupaCree: Jamba Juice? I don't drink Jamba Juice. Skrillex: you do drink Jamba juice. I mean. I do. This was free. Actually, you know what, a lot of shit is free, when you're rich; it's fucked up. Right. Yeah. Doesn't make a lot of sense. ___________ (Earlier) A super hot fan girl walks up to "Skrillex" Hey stranger. Hey...wow. Yeah wow. This is kinda random, but would you want to… (whispers in ear) Woah. That is random. (Basic bitch giggle) haha yeah. You would do that? Yeah! Because...I'm... Skrillex..? Um, yeah, I guess… Huh. … Well...would you do that if I wasn't Skrillex? ..um...no??? Huh. ___________ (later) Skrillex (SC) Yo! Did you know that people will (whispers in ear) just because you're Skrillex. SupaCree (S): (bashfully) Well, yeah... Skrillex: YO! _______ Switching Back In an attempt to return to normal, Skrillex ends up back in his own body, but has left SupaCree and Dillon Francis now stranded in eachothers' bodies. Skrillex/Sonny: sigh of relief--rolls eyes at outfit, but otherwise satisfied, shrugging. SupaCree (DF) Woah I am...colors…! [Looks over self in awe] Dillon Francis (SC): Awh what, no way! Aaaaghhh! SupaCree (DF) [Looking down] ...these are tits. Dillon Francis (SC) : HEY! Don't touch my tits! [Looks in mirror] FUCK YEAH, I'M DILLON FRANCIS: Stuck in SuPaCree's body, Dillon Francis experiences full fledged synethesia heightened by the circumstances of the switch; an array of colors and vibrations fill the world; he stares, taken aback by Skrillex's "colors", which only he can see [but is clearly phonomenal.] SupaCree: Oh man, this is... [looks at Skrillex] Whuuuut. Skrillex: (creeped) What? SupaCree (DF) [steps away from him, wide eyed] ...this is a lot. Dillon Francis (SC) [checking himself out, approving] Dude I'm hungry. What do you eat? SupaCree: what the fuck do you eat? Sugar Cubes of acid? What the FUCK! Dillon francis: I try to stay away from processed sugar-- SupaCree: what the fuck is this shit? Calm Down, You're just ugly. Are you kidding me? !'m tripping dick right now. Dillon Francis: I'm tripping dick right now-- SupaCree: HEY. Dont touch my dick! No tits, no dick! Dillon Francis: first of all, I'm Dillon Francis, I can do whatever I want; secondly, nobody's touching your dick--ew--it's just attached to me. SupaCree: What is wrong with you?! Dillon Francis: nothing, im--i'm Dillon Francis. SupaCree: WHY is everything wavy--what are these colors? Dillon Francis: it's just---mild synesthesia-- SupaCree: "MILD" (to skrillex) Stay over there. SKrillex: K. Dillon Francis: It ramps up when I get excited. Or anxious. Or hungry. SupaCree: Make it stop. Dillon Francis: I can't. That's why I rave. SupaCree: AGH. Dillon Francis: Just don't get too close to Skrillex. Both: Why? Dillon Francis: I don't know, okay? Just...don't. And here, wear these [puts on sunglasses.] There. SupaCree: better...kind of. This is insane. Dillon Francis: just don't play his music… SupaCree: why, what does your music do? [Skrillex is silent. There is an obvious secret Dillon Francis sends a threatening glare towards him, and they nod in agreement not to elaborate] SupaCree: nevermind. Switch me back. Dillon Francis: no way! I'm an even whiter white guy now. I wanna go out! SupaCree: out where? Dillon Francis: I don't know. Somewhere really white. Like. Manhattan beach or--Beverly Center. SupaCree: I don't wanna go out like this! Dillon Francis: you're right, you look ridiculous. [She's still dressed in all black, signature skrillex] _____________ Skrillex, Dillon Francis and SupaCree end up as the finalists in the fight to the death J battle to become “God's” favorite DJ __________ Dillonception -Dillon Francis's Magical Universe immediately follows dillonception, where he uses his newly acquired = magic and works for a variety of characters to save the world, albeit from a DJless post apocalyptic wasteland. _______ Hot fan girl from before: you deleted that picture, right? (Later) Dillon Francis (as supa Cree) is wearing a shirt with a picture of the fangirl and skrillex [insert goofy picture here] a reference to Getter, though the act is innocent rather than sexual, as the prior scenes indicate. The Voices Parodyish Dilon is the only person who sees Gerald and his friends/ family as “just a pinata”, however, Gerald, appears as, in fact, a real person to everyone else, who believes Dillon to just be joking, or even ‘a real asshole' However, it is later revealed that as such, Dilon “suffers” from a condition similar to that which the main character of The Voices also struggle Dillon Francis is officially too hot for Supacree (Sunni Blu, alternately) as they are often booked to work together, Supacree becomes clumsily awry of Dillon Francis, hanzel, and RAF respectively. Don't do this. I'm about to. Just fucking stop! I won't stop. You're being ridiculous. Yes, I am. What—Dillon Francis?! What—Kayla Lauren—? It's a thing. It's a cult. Well, fuck this. I want it. So, get it. I got it. He played you. Okay, then— Listen to me—? I am listening… You are NOT— Let me guess— “NOT HIS TYPE” —yeah, I know. So, what's up! Well, he's hot— That's so gross— I'm an adult— He's a DJ— —a record producer— An Oscar nominated actor— What?! —and Grammy nominated. Wait, excuse me. Same year, too. Different project, though. How'd this happen? “This can't happen” Oh, my God! That never happened. What never happened? Okay. Exactly. What about So— WHO? Sorry. Right, exactly. Hey, how's Kayla? Who is “Kayla”? Well, this hurts. Just use it. He won't stay. Don't need it— —that's the way// I want it. So. Satan. ...hm? Can you handle this? This one's easy. He looks simple. But he's not. Dillon Francis is one of the most powerful Gods of creation in existence. What about Skrillex? There's no Skrillex. What about Sonny? S/He killed him. Oh. Who's this? This is Esmerelda. What's...she doing? Everything I won't. Woah. I'll be back. What is this? I remember this—he married her, and I suffered. Who, Kayla Lauren?! “She's so basic—“ So is Sonny. OoooOoooOooo000hhhh— —shots fired. “ The Simple Skrillex” That's this one. Fuck this nigga —fuck this nigga— And his posse. So, what's Dillon want? Nothing to do with me— Oh— Who are you? Who did you ask for? ...Jesus fucking Christ. What, Dillon Francis? ...are you busy? Jesus Christ and Dillon Francis finally have a face to face. “An Extended Vacation” Oh, my God. Don't say that. Fuck Dillon Francis. ...why does Dillon Francis have my dragon? Does she know I have her dragon WHY DOES DILLON FRANCIS— Is she mad? HABE MY DRAGON? Mm. Is she coming? You know what—?! — I should mention Wigga Skrillex, before I for get again Man, fuck SKRILLEC! Can't. He's “taken” Oh, is he? Plus, Dillon Francis has my—wait—. How did Dillon Francis get my dragon? Hoe did you get my dragon? You keep me jet Blue I can't forget you, But I can forgive you for getting me Used to this, Uselessness I'm just another useless piece of— Dillon Francis, send this shit to Skrillex, And just kill me— Or let's burn it, Just forget it; Didn't write it Need a girlfriend? That can never happen I don't want it, I just fantasized about it once, Or maybe twice I'm in my mind, I'll find you by the time I die, Right? Right? Dillon Francis's kick drum. In the reality where () becomes a college professor, she is interrupted by surprise and stunned, when Skrillex himself appears during a lecture deconstructing his music. After being banished into a reality where Dillon Francis is a level-one DJ in present times, he furiously attempts to escape through multiple failed attempts. He has also lost his ability and masterful magic of music, and experiences the struggle of obscurity and insignificance in the oversaturated and unfair present music scene. Just as he crosses paths with the alternate reality in which he has fallen into an eternity long Dark Void, which spirals towards Hell in a Terrifying Twilight-Zone like wormhole of sorts, where one's deepest transgressions, fears, and doubts are projected through infinite dimensions, often resulting in “The Illusion of Death”, or rather, depending on the construct of the respective reality, the “nearest-to-Death” experience you can possibly have. As the Dillon Francis in the Dark Void gets nearer to Hell, The Dillon Francis in “Dillon Francis Has No Fans Land” (located amongst the Universal Network of alternate parallels U has been been banishing ‘Hollywood People' into, scattering them into realities where they either haven't-yet or never-will make it to superstardom/celebrity status. *Note* This Universe has the highest concentration of SS as an actual person, as it is revealed to be hidden nestled and hidden in a deep subliminal realm of her own subconscious, which creates a protected vortex “off map”, a hidden Universe with its own complexities, Laws of Science, and Concept of Time; A Nearly Inescapable Consciously constructed set on its own independent, multidimensional grid--which only () herself can travel throughout. U kidnapping celebrities by Assassinating them through the “illusion of death” ( sometimes as the Colorful Crypt Keeper, depending on the reality) In our present reality (IRL) The Celebrities have either retired, disappeared into isolation “A Syd Barret”, or more dramatically, have actually died. Once removed from the current reality, the stars wake up in a new reality, where they are no longer wealthy, popular, famous or successful; While some entertainers happily (heaven) adjust to normalcy, finding happiness and bliss in simplicity, most are cascaded into an unraveling downward spiral, deteriorating their mental health as they experience life without privilege or status. “If Your Name Is________________, You're In My Movie” Once collected, they are then sent “One Deeper” into this skewed universe, again by Death, which happens in exact synchronicity of their first death, resetting time; they “What is this, Bad DJ Land?” “Yeah, I mean I call it, Dillon Francis Has No Fans Land, but. Yeah.” (mimicking her) “Yeah.” Venice Ventures (A Collection of Short FIlms, a Spinoff of the Scary Monsters Series, a Tie Into Secret Life of Sunni Blu/Much Ado About Sunni Blu, The Legend of SupaCree -Venice Ventures (Pilot/Venice Mini Burning Man) -Day Of The Dead -Who Killed Matt Maeson -Magic Is Real -Magic Israel -Magic Isn't Real -LSDream (Pt I.Vegas) -LSDream (Pt. II) -Brillz (Sammi The Bampheramph, circa 2013) -Au[DIO]tistic SupaCree meets two new “friends” at a small festival; However, she soon finds that she's on her own, after feeling “third wheeled” and deciding to roam closer to her home (front and center) on the dance floor. During a drop, she breaks into her signature improvisational “dance trance”, drawing a crowd of impressed and fascinated ravers, becoming quite instantly popular; It's almost, even, as if she has fans--as people excitedly ask to trade kandi and share dances. Then, as Getter begins his set--a circle of people have formed around her, groups of tribes, squads, and kandi kids, magnetically drawn to the The Vibe (I Am The Vibe) and spirit energy that the music awakens within her; The Spirits have called her home to journey into the spirit world, sending “Angels”, or “Light Spirits” tasked to assure that she completes this passage into the spirit world--aligning the present, with the future and past; Alternately, in the Dark Underworld, Demons, or “Dark Spirits/Lost Souls” to work against the light, as an effort to consume her, reawakening The Ego. The Ascended Masters, as an order to bestow Stories of Origin, ancient wisdom, and awaken the God Consciousness, allowing for ascension and Projection within the Interdimensions--must release the seal which holds the oldest known [or unknown soul], so that the “Light Magic” can be passed back to the living descendants of the ancestors amast to be Ascended Masters. To Blissfully yet truly unaware of her own light--either deeply within, or shining throughout, people dancing near her are givingly sharing “conscious gifts” forming a smoke circle within what seems to be an almost gravitational pull. She smokes cooly within the circle, enjoying the auras of those around her--who laugh, smile, dance, and greet her with friendly excitement; As she circle closes, she is handed a mysterious cartridge, filled with a liquid which she quickly examines in the dark and smoky crowd of dancers. ...This is weed? The girl neither shakes her head yes, or no--just gazing above the rims of her dark sunglasses. She takes three hits, and passes it back to the masked stranger, who disappears into the dancefloor. Thanks! (but she is already gone) The energy shifts around her, as her ravey extroversion quickly fades into an introverted and inward, calm and thoughtful state. She contently observes, as usual, checking back to see the the couple she came with, as they wave happily at her. She moves more closely to them, gesturing to meet her closer to the front of the dance floor. She looks up at the performance stage; the visuals, the lights, the many working parts of a high-production value theatrical production. The stage is set so that she has to look more upward at the DJ, who she stares at, drifting into what seems to be a daydream. Its time for Meditation. Meditate. Now? Ground Yourself. Are you serious? I just got here! Sit. As the bass drops, The world around her shifts, into a colorful array of light colliding with sound; Enter, World of Floor. (A flashback, to past raves) I always knew this world existed, but never had I imagined the things I hadn't seen, around and between all the things I had as I was flying overhead, passing by admiring all the life...and all the lights... (A montage of the World of Floor) (The Cosmic Owl's Flight) In a beautiful starlit meadow, on some distant parallel or humanoid existence, a group of boys are camping, being boys. One boy, a pale and slender boy with gentle eyes under pink-framed wide lens glasses, gazes up at the sparkling night sky toting his gun upwardly, looking through the scope. A bright shooting star appears, bedazzling him as he looks, rubbing his eye. What are you aiming at? It's darktime, I doubt you'll find anything to shoot. The boy shrugs, Suit yourself. The other boy heads back toward the fire, where at a distance one of the other boys asks “what is he doing?” I don't know, psh. Haha--maybe he's shooting stars. Shut up! They continue on. He scoffs and rolls his eyes, head pointed up as he watches the sky, inwardly wishing for another shooting star, then suddenly--a light, as something large and white flies over the campsite, leaving behind a gust of wind and sparkling light of stardust, dissipating as the boys all point their heads at the sky, wide eyed. WOAH! Did you see that? What do you mean did I see that? I'm sitting right by you! It went right over your head! Like, right by! They search the sky, as the stars seem to twinkle with a brighter blue-white light; The Giant White Owl once more flies by. What the-- Don't just stand there! What IS that thing? I don't know! Shoot it. The boy panics, aiming for the bird. He fires a shot, missing her, then another. Shoot it! From a birds eye view, the boys seem small in the vast meadow, nestled in a beautiful valley on a gigantic “alien” planet, with colorful auroras dancing in the atmosphere. The owl glows with the neon light, with giant wise eyes, whose light reflects the tale of all time. Hearing the two shots, but unfamiliar with the sound, she glides into a curve diving downward over the mountainside, towards the boy with the glasses, in her eye surrounded by an aura of golden light; she tilts her head as the shine in her giant eye sparkles with a loving light; As she admires the light, she cries as the sound of the gunfire aligns with a bullet, spinning her graceful flight into a flash of light, leaving behind a twisting trail of cosmic light and stardust. [*Director's Note:Though she appears only as a Giant White Owl (though with a glowing bright white light, only the boy in the glasses sees (with the naked eye) the neon spectrum of light emitted by The Cosmic Owl, eventually a full Prisim..] He jumps, as his eyes widen with shock and worry, in awe of the spiral of light and a shuttered surprise. You got it! Thank God, I would have called this whole thing off. What was that? At least he got it. Taking his gun off and dropping it, he walks still in awe towards the mountain, in an almost hynotized and quiet stride. ...Hey, where are you going? ...I'm gonna go find it. Go FIND IT? Why!? Just because it's not flying, doesn't mean it's not still alive! That thing was giant! Like three times your size! Ten Times! Unresponsive, and guided by the light, though fading, which has left a spiraled trail against the dark and starry sky. A giant moon rises over the mountain, as she runs into the forested hillside, ascending towards the spiraled light. Go after him. I'm not going after him. Someone go get him. YOU go get him. Pftt. Fuck that. They all stare blankly at eachother in an awkward silence. ...Mom's gonna kill us. -Countdown Shunned by h They know I am Good. Well. How? Who? They. Who this they? Anyone that matters. How--how? Insomniac. Right. EDC. right. The music. Well, it can't always end in martyrdom It always has Stay humble. All are one Whose world is this, anyway? Apparently, ours. Sonny's somewhere Sonny's always somewhere except, wherever I am. Not true. Oh, God. Hm…? What? I just want peace Want, or need? Need. Fair. I need PLUR Al of it? I'd gladly trade my life to rave again You were promised an eternal cebration in paradice Where's paradice Stay on the path San Diego would be on the path. It is. A town called paradice Oh, Tiesto. His wife is 23. Gross. Is it? Is it love? For now. Have faith. I am faith. Be kind. I am kindness. I said, stay humble. Kendrick. And? AND. The remix is always better. Only when it's. . I am Skrillex. As if. what is "if". Go make music. Music made me. I am music. I need tome. Who, what, and when, are driving in a car together… The coffee rub (run*) There's significance in that video there's significance in Dillon Francis Even Deadmau5? Who? On God. ...what? ...oh great, now I gotta figure out which biblical character represents Dillon Francis? It's not Jesus. We know Jesus. (Everyone knows Jesus) It is Jesus. Everything is everything. That's a step. No white saviors! ...go somewhere else. Be a color! … ___ There's a lady in my kitchen, cooking me breakfast. I cooked breakfast. ...is it...poisoned? No, it's breakfast. … … It is hot. Who are you? *censored vigorously* … Apparently, I'm Skrillex. What the fuck. What the fuck. I gotta go. through the other end of the telephone, a DJ, having overheard the conversation pipes in loudly, with peeping curiosity. Is that Skrillex? Call you back. Supacree continues cooking comfortably. Is he there? Another DJ runs towards the phone, having overheard—in the background, we see a news program playing, the headline reads WHERE IS SKRILLEX, the latter obscured. Is he there?! Sounds like him. Yo! It does! Where is Skrillex!? I gotta go. He hangs up the phone. … Dillon suspiciously pushes back his plate. SUPACREE Let me guess. DILLON FRANCIS HEY GOOGLE, call SUPACREE I am Google. DILLON FRANCIS Apparently, You're Skrillex. SUPACREE Apparently, I am. (I AM.) What was that? ...what was that? SUPACREE That was Ï. [beat.] [Very awkward silence] ...I need a… Eat your breakfast. Who are you? Listen, Dillon Francis. Who is that? That's—your name. No, I'm not… … …who are you? Alright, just— look. “NOT DILLON FRANCIS” She forfeits. She forfeits? This tournament is intense. How do you even remember this story? I just remember it...it sticks. ASCENSION. Who wrote this? Who, indeed. Explain that. I can't explain that. You made it, you have to explain it. I didn't make it. Yes, you did. I didn't make this. I will bring her here. How? Jeff: Don't ask me “how”, just watch. (Jeff?) What? I don't know how to spell “Excision” ((But I do.)) That's not a fucking FLEX, it's a SKRILLEX. It is what it is! IT IS WHAT IT IS AND I KNOW A SKRILLEX WHEN I SEE A SKRILLEX ITS A SKRILLEX. *GASP* THE HEX. (Oh shit, what Hex) ((The SKRILL-HEX)) (((AHA.)) Apparently. Watch this. [Ext. Basspod (Underground)] Wait, she's leaving. Where is she going? I don't know. Just-- I can't keep track! She was just-- --RIGHT THERE-- Wait, what was that? What was that? Over there? Over...where? It's….it's that way. That way what? Lets go. GETTER doesn't know what he did. JEFF knows exactly what he did and isn't saying shit. EXCISION knows where you can get it, but not unless you pay. SKRILLEXCISION is the world's hottest super-duo, (who is in reality, just one person.) ((and doesn't exist)) (((at least, in this dimension.))) SUPACREE, is probably -she dead -she's an alien -she has superpowers That's just a Skrillex. I don't think its-- Just leave it. IT'S A BIRD. IT”S A PLANE. IT”S SUPACREE SUPACREE, WHO THE FUCK IS “SUPACREE”? SUPACREE is a SUPERSTAR DJ. (who is actually several different people) ((who are actually just one being)) (((infinite)) SKRILLEX is … … …. … Explain that. I can't explain that, I didn't make that. Oh, you made it. I--okay, wait--no. I am NOT taking responsibility for this-- (She is responsible for this) ((and infinite other things)) (((everything, actyally.))) No, I mean, she's actually everything. “Everything” She doesn't know she's in control of it. Wait, I can control it? Watch. Don't watch. Just listen. It's not how i hear it, it's how I feel it. Did you run? NIGGA, I DID NOT RUN; I RAN. Oh shit, now she knows she's in control of it. Sick. Yess--but she doesn't believe it, so it's fucking with existence. Shit. This existence? Every existence. How can you tell? I don't even know what I'm about to say before I say it, I think she's writing this... Wait, do you usually know what you're going to say before you're gonna say it--? I don't know, I can't remember anything before this happened--I'm not even sure if we existed, I think we might be in this shit. Wait, like in this--like, we're not even… ...then it just ends, dude. IT JUST ENDED? But it wasn't just purple rain, It was rainbows and--wait So she.. Wait. Two planets passing so closely, the two worlds are forever changed. Well. Now that we know this is possible. Oh shit, that 12th PLanet. He's black? I-- Huh. Wait. Wait. Can I...Remix this…? What the fuck is a “Remix”? The Remixes. AH, FUCK THIS. Wait, did it-- It did, it dropped. He dropped it. FUCK THIS DUDE. OH, FUCK THIS MOTHERFUCKER. THIS MOTHERFUCKER. --BASS BITCH, MOTHERFUCKER!! Is that the lyrics? I don't know, that's just how it goes! ___ How do you know him…? We are...friends. BITCH, I AM NOT YOUR FRIEND-- DAMN! --I AM YOUR SAVIOR, YOU SHOULD BE WORSHIPPING ME-- Oh, shit. That took a turn. -- I do worship you. OH SHIT. THAT TOOK ANOTHER TURN. Are you sure it was CTHULU? (Nods.) Okay then, lets get this bitch. __ Skrillex and Dillon Francis make a Deal with The Ex. OH SHIT-- IS THAT WHY SHE-- YAH. UNH. YAS. So these planets pass so closely, that their atmosphere's collide, and--not only do they-- --THE PLANETS-- --actually manage to acknowledge eachother as it's happening, it actually alters their axis-- --yeah-- --and changes their orbital paths... Yes. WHAT? Okay. So. Look. There's two planets. Two planets, yeah. Different Galaxies. Well yeah, that--that would depend, wouldn't it. Dependent by which...definition... ? I mean; what is even a Galaxy-- I mean, scientifically? No, infinitely? Excuse me? I mean--what is a “galaxy” if existence is infinite. It's--what? If Everything is Everything; then whatever a galaxy is, by definition--what our actual perception of this reality is exactly just that Whatever I was about to type was definitely better sou The Legend of SupaCree follows an involuntary “hero” on her adventures, after her powers become unlocked; Now, she must join forces with the other DJ's to Save The Rave. _____ SupaCree refuses to tell anybody anything. (After Pre-edc scene) oh dude, that's a lot. It is a lot. She still hasn't told her mom you're “Skrillex” Ugh, no. And she makes me shop at K-Mart every time we go over there. You got that at K-Mart? It's nice. Yeah. Where did you find a K-Mart? ______ Where is “Earff”? _____ Bampheramph training is considered complete once the trainee “stops crying”, thus begins the official recruitment process, which includes but is not limited to reaching various ‘extremes', which differ by context. ____ Every red cup is just Another broken heart, Another broken dream, Another broken record, Playing on repeat … … … Wheres my Skrillex? Which-- So, Skrillex… You can call me Sonny. ...Skrillex... O...kay… [She squints suspiciously at him and jots something down in her notebook.] ____ So, do you use Serato, or Rekordbox? Neither I just [Demonstrates] What the fuck does that even mean. It means you can [Demonstrates] ____1 How is he doing this? Magic. I'm not going to fight for him. Do you honestly think this is happening to anybody else? Maybe. Honestly? Infinite. Infinite Skrill-- Infinite fucking everything. I'm not about to try to explain it. So what are you going to do? I don't know. The worlds gone mad she is, but she's not a man. She's trapped in a casket Can't listen to the map And can't imagine he'll ever come back Jag parked, smogs bad and she has a plan But can't get past the magnet Magic has its way of making things go crazy Why don't you just--& Oh what? Have my people call his people? Something like that His peopl I had a dream About a tent About a temporary tenant This christmas, its Resentment, Tension And whatever this is… Oh yes, "This is Skrillex…" wayward Hey. Hey. So, uh. So. What's wrong with you? ....what? What's wrong. Whats...wrong? --With you. SupaCree summons Skrillex. Skrillex. Stop it. Fuck you. Skrillex. Seriously, stop You stop. Skrillex-Skrillex-Skriooex o Oh no Just stop. In the parallel where… SŪpAcree has become a disasterously egotistic and diva-like superstar, we see she is in this world, outwardly bitter, rather angry and dispondant, having learned to capitalize best not being herself. A young intern helps to prepare an event; His trainer, an astute and rigid stage manager, after finishing a series of detailed questions about the theatrical performance and it's various attendees-+ leaves the intern alone for "just a minute" handing them her clipboard as she hurriedly rushes elsewhere. The intern scans the clipboard, flipping the front page over to reveal a hidden note. Taking the initiative (trying to be assertive in the newly appointed position), asks nervously... ...And what about Skrillex? Who? Skrillex. Who the fuck is that? Its...Skrillex. Tell me who that is. Uh… Go ahead. The intern stands, frightened at her anger. The stage manager returns. _______________ I hate this shit, it isn't fair. It isnt Wheres my phone? __ Woah. You did all this for Skrillex. Pretty much. Yeah. I guess. Yep. Wow. Okay. You would. (I did) Burn it. What? Fuck that! Ughhhhh. No. Sonny/fictional skrillex: Do you know why ai put you in this fucked up dimension? Me: WHAT? YOU DID THIS? NO--WHY--?? Sonny: So you could get your shit together. Me: well, that's fucked up. S/FS: I DID NOT think it would take this long Me: well, how long is it supposed to take? S/FS: I don't know… Me: ...well, how long does it usually take? S/FS: So wait; You guys from the future-- Fathomable future. Uh-huh Have seen the show? Yes. My show. Mm-hmm. / Well then, how does it start? ----------------------------- I already told you, no. Yes. I'm not going to Skrillex. You have to go. No. What the fuck is NO. I'm not going. WHAT? What. You have to go. Who says? We do. Okay. Okay. [beat] Who the fuck are you? OOH, ARE WE STILL BLEEPING OUT THE SKRILLEX? Yes. Sonny Sonny Sonny Sonny Sonny Sonny Sonny You so Funny Funny Funny Funny Funny Funny Funny Do you Love me Love me Love me Love me Love me Love me Love me I'm so Ugly Ugly Ugly Ugly Ugly Ugly Ugly And I'm nothing Without you Was this a song? Probably. Looks like a song. Seems like a song to me. Nobody should ever hear this. Define…”nobody” The Song has become a number 1 hit radio sensation. What the fuck is my life. What the fuck is your life. I don't know what the fuck. What the fuck. What the fuuuuuuck . Speak of the devil— (Terrified) what? Dillon Francis is here? What? No—it's just Skrillex, he's just...here to collect. What?! What, dude—Skrillex is your plug? Uhhh. For what? Where else am I gonna get premium space bass? Aaahh Gasp I knew it! I knew something about you was really Skrilly. Hella Skrilly. *doorbell rings* Ok, no Skrilly in front of the— He is magically just, suddenly inside. In front of the what? The two stand starry eyed in amazement. ...hey… X2: hey… Should we step outside? Oh, come in— —I did. I see that. (Lol )Right in He did that. He always does. This...transaction is private. It's fine. You guys are alright—maybe—breathe a little— —large gasp, has not been breathing since Skrillex...what did he even do. He like, apparated No—apps—no. There's no fire. He didnt apostate. Alright then, teleport. That silently? Yeah, I mean teleportals also are like: —actual teleportal, which is a huge, very not quiet, black hole like vacuum with lots of colors, lots of light— Oh. Well, how did he get in, then? He shifted. “What the fuck is Shiffted!?” The SupaCree and The Skrillex share these commonalities: *S13 (13th power ) —- Dude! I got the key! You got the key, yeah, it's one of these. A bunch of keys in a wheelbarrow. Dude. What. The fuck. I don't know! I just know, she told me the key was on the key ring WHAT keyring dyde?! This is just a wheelbarrow full of KE*T! (He produces a heavy chain which appears to (not really) link the kets together We...keychain. —Meanwhile, God deletes all the Florida Keys—except for one— I will not “go” to the “Skrillex Reddit” Go to that place. No way. We are going to the internet for ONE thing—and one thing only. We are gonna skate to one song, and one song only. BALL SO HARD MOTHERFUCKERS WANNA— No. One thing. Yes, I thought it was Skrillex. We never go online for Skrillex. Okay. Not even shopping. Alright, let's go. You don't even know what we're going for I hope he hears this She says I hope he makes it And by she, I mean me And I've been peayint for a way to try to say this stuff Spit it out Turn it up— Woah...okay! Okay what? What are you gonna do with all this Skrillex? Uh… …? …Just throw it out. Throw it out!? Yep. Why would you do that? *Shrugs* Don't need it. Don't need it!? Yeah, I just said that. Are you serious? Yes. Throw it out. No way. If you're gonna do that…I'll take it! You want it? W--Fuck yeah! For what? I don't know. I'll think of something. Okay. Yeah? Yeah...whatever. Yes! ...okay….Just--come help me lift this. “The Great Big Book of Skrillex” This...is just an Encyclopedia. ...you bought encyclopedias? I needed them for my library. ...you have a library? It isn't finished yet. It isn't...finished…? Not yet. They're installing the elevator. There's an elevator? Of course there's an elevator; it just doesn't get to the library. I meant— Come on. What did you do to my house ? Well, after I put the fire out— What fire? The main one. —there were, of course, several smaller fires— What The Hell? And now there's just that one. A fireplace? When did I get a fireplace? Well, I needed an easier way to get in and out. —where does it go? Out the chimney. —wait, did you just say “in and out”? That sounds good. I wish they had a vegetarian menu. French Fries? Uh huh. Is that it? I think so. GIVE ME ALL OF YOUR SAUCE. Ohhh, get ketchup. Sorry, we're out of ketchup. Out of ketchup? Yes. Okay, can I just have special sauce then? We are out of sauce. What. Every sauce? All The Sauce. GODDAMMIT DILLON FRANCIS. I hope this isn't like the Skrillex thing. We're still under the limit. Kick it. —-ugggghh, there are homelesses here!! —homelesseses are not always bad people Homeless—AGHHHBLLAAARRRGHHH— —-...okay, so they're not all sane, either but, neither am I. Homeless—RAAAAAAHHHH LALA—Aaahhhh NANA—*supa drunk* BLEEAAAHHHHHH DADA- Shhhhh—DADADADA - (Each character and each ensemble joins until all together they are are a crazy chorus in the ensemble in madness together) 1. Turn off the lights 17 minute dance number 2. Magic is real 20 minute dance number 3. LALa Land -La-Bay-Bay -Hollywoodland -HIII by the beach -Tent City Madness (homelessess) -The Bus Song -¡Panic @ The Disco! (Robbed) -Traiiin -ShutTheFuckUp -It's you! (Bless you.) -LALA Land (tune it out) 33 minutes ACT I— a young entrepreneur loses herself in the world of the bustling entertainment industry through entering the worlds within, and navigating the outterworld, while battling the worldly demons of darkness, as she fights for her life to break a curse set upon her by a devil with whom she will not name, but will haunt her—she must manage and master her inner magic to break this curse—and it is only when she learns that the curse may only be broken, if unspoken words are made spoken I just ate my skateboard That's okay I ain't bored— That's ok I ain't organized I came supplied: Some dude replied “I have the answer—come to me, you tiny dancer.” ‘Yessir' I replied with laughter Smile bright cause I'm an actor “Faster-faster-faster-faster!! I ” Shhhhhhhhhhh—SHADDUP. LALA- oh, hey you—! DADA- I thought we were suppressing her LUST-*sluttily* GAD- *quite so*>> We *are* LALA- *guiltily* —it's just... DADA- NO. No ‘it's just'— NANA- *drunkenly* yeahhh, keep it together, kassandra LALA & DADA- Shut the fuck up, hoe! [NANA shrugs and nothings away] LALA & DADA make a face at each other— - God, What the fuck is wrong with her, anyway? NANA coughs loudly, backstage. GAD- It's a curse. DOC- we don't believe in Magic. LALA- I don't believe in you, bitch! HOLLYWOOD (ensemble)- BITCH—WE DONT BELIEVE IN YOU, EITHER. The Three: Hot *daaamnn* Mr Poopy Butthole- hot daaaaamn...! (yeah, there's cameos) CAST: Mr. Poopy Butthole?!?! Mr. Poopy Butthole: Uhhh—yeaaah, I just got here I uhhhh, I got big plans—big dreams, you know, I just—I'm gonna be a staaaar!! CAST: Laughs—the laughter trails off into different forms—awkward, daunting, sarcastic—then, only the spirits and LALA—suddenly, it is dark, and she is laughing all alone. Her laughter turns into a sorrowful pout, looking about quite lost. She shudders. Lala- Fuuuuuuuck. And I could get a place out in Hollywood land— But I'd rather be close to the surf and the sand— Cause that's how I planned it This is my planet (This is OUR planet) Oh yeah, my bad—this is weird, having f all of us here ‘You should put on your ears, dear' Hustle, hustle, hustle That's how you get muscle And it just is what it is Bitch you know this is a business And you know that's how you get this Make your check, earn respect build up your interest Bank? No thanks. Cause bro you know that shit stanks— You studied all your mistakes— Keep money, make money tell yourself thanks (Thanks) You'll probably thank your self later (Twice?) That's when you start making paper (Thanks) And yeah you know you got haters (Who?) Yeah bitch you know he's a hater— (Boo) Who? Yo bitch—I told you no crying!! (Woah) (They go in the round, the 3) “Yes, ohhh my GAD” ( But I'm not Spent my deposit on a house that's rotting—vultures spotting me— Ex husband haunting me PTSD. Take it with me everywhere I go, It follows me, Swallows me up like the coffee cup I left and needed this morning. Oh, Elohim. Lala Land: a musical revue m Escaping your past is not always easy—Master Your Magic. Featuring music by: Skrillex (Vs)
____ I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? SUPACREE I don't know. I can't remember. MORGAN You “don't remember.” DILLON'S ASSISTANT What did you do with that bitch?! DILLON FRANCIS I don't know! I don't remember! DILLON'S ASSISTANT You “don't remember?” [Noone remembers.] Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! ___ SUPACREE Happy Birthday! (he is canadian, so he is morbidly polite) JOEL/DEADMAU5 Thanks. SUPACREE You're welcome. JOEL/DEADMAU5 K. SUPACREE So. BOTH YAH! [they both draw their rave weapons] JOEL/DEADMAU5 WHO IN THE FUCK ARE YOU?! SUPACREE I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] JOEL/DEADMAU5 (he opens the box, unseen from the view of the audience) Oh, Gosh--this is... actually exactly what I wanted. SUPACREE I know dude. JOEL/DEADMAU5 UH-WHO ARE YOU? SUPACREE I'm YO(U) . [They do not battle. He just accepts it.] ___ Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. PRINCE: I'M NOT A WOMAN. ---he changed his name to a symbol. PRINCE: I'M NOT A MAN. “is [_____________]” a boy or girl PRINCE: I AM SOMETHING YOU WILL NEVER UNDERSTAND. DILLON FRANCIS Oh, Jesus Christ. JESUS CHRIST What dude. What the fuck do you want? What? DILLON FRANCIS Wait, you're...Jesus----Jesus-Jesus??? JESUS CHRIST If you insist on still calling me that, I told you ages ago... DILLON FRANCIS (to himself) ...that makes so much sense…Jesus… JESUS CHRIST Hm? … Hey wait--are you still--sleeping--kind of? … *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] GERALD WHO'S THE PINATA NOW, BITCH?! SUPACREE Oh, my God, Gerald! Get a hold of yourself!!! DILLON FRANCIS WHAT HAVE I DONE!? GOD WHAT HAVE YOU DONE? CHAK CHEL Dillon--What have you done. SUPACREE WHAT--DID YOU--DO. DILLON FRANCIS Just...Voodoo. GOD VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) ___ Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? [-creative ways you might find out, your junk has been permanently altered.] What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? >RAVE> --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” THE BEATLES Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. ___ MORGAN Oh My God--It was that big? (Nods) PAGE You'd never know. SUPACREE ...I knew it... MORGAN What did you do with it? SUPACREE I just wrapped it around my leg and tucked it into my sock, most the time. MORGAN Oh, wow. SUPACREE Yeah. I had to layer, the tube socks. MORGAN That's--wow. PAGE Yeah. I mean. When you're right, you're right. MORGAN You're right. SUPACREE I just get confused about it when I see him in shorts now. [SKRILLEX in shorts.] (She cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- –right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- __ What is this. __ --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? ___ SIR. SKRILLEX STOP CALLING ME THAT. SIr, it was “not enough.” What? ___ I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. ___ I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also, other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. CHINESE WOMAN --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. [pause] I know how to get her here. ___ DUDE ___Dude, I don't know how you did this! How did you DO this? SKRILLEX/SUPACREE Look, it's a long story. DUDE Well make it a short one. SKRILLEX/SUPACREE *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. SKRILLEX/SUPACREE So I….dropped the bass, and then… CHINESE WOMAN AND DEN? DUDE —And then? SKRILLEX/SUPACREE And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- DUDE --sideways and forward, at the same time-- SKRILLEX/SUPACREE >>>Yes. It was a lot. ___ Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her surprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [C.C. (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me s
Why did you do this? I didn't do this! You did this! I didn't do this! Why would I do this? How could you! I didn't! What the fuck is HE doing here? What the fuck. You need to stop this. I can't stop. What did you DO. Exactly what I had to. Shasta! Who the fuck is that? That's that bitch. I told you it was Shasta. Who the fuck is Shasta. What show is this? Where is Skrillex? FUCK SKR— Wait, what show is this? INT. THE VOID. DAY & NIGHT. I remember the first time I ever realized, I could love anyone in the world, if they needed me to—or, if they just gave me the chance. Or if I got the chance. Or, if there was a chance. And, if there was a chance, and it was supposed to happen, it always would—especially if I wanted it— But definitely, if I needed it. But, what is is “if”? And, what is “supposed”? What is it to “want”? And what's a “need”? Now I know— or at least pretend to. Because, the more it is I think I know, the actual less I feel that I actually do; None the wiser, I am what I always was— And God is, as I am. INT. TURNER STREET—FAIRBANKS, ALASKA. DAY. Have you heard of Dillon Francis? I mean, I've heard of him… He's hilarious. I feel like me and him would get along. I doubt that. Look at this. No, thank you. Just watch it. Video: Need You, NGTMRE and Dillon Francis Dillon Francis: “so much trim , dude—shes overage, I think.” —You're probably right. Just watch it. Nah, I'm good. INT. GOOD CANNABIS—FAIRBANKS, ALASKA. DAY —- The DJ—slash—actor somehow became a muse for me after so tragically being entangled in a less-than-comfortable premonition turned fairytale fantasy via tragedy and trauma from the fallout of finding my formerly favorite founding father of modern dance music to have fallen from grace —Or into it— EXT. A DITCH SOMEWHERE. TWILIGHT A drunken DJ is discarded. —only to amazingly recoup and recover, seemingly like magic— Which by the way, is real. A comeback nobody saw coming— And still doesn't see, at least—as of yet. I remember the first time I levitated as an adult; two years later to that very day, I found myself uncontrollably laughing, to the opposite affect, so heavy I seemed almost to be bound to the floor; It was the only gift I received for my birthday that year, though albeit unintentionally given ROFLMAO. What in the fuck does that mean? Rolling on the floor, laughing my ass off. OH, THAT CHUCKLEFUCKER. I just laughed so hard, I came. I saw. Come here, kid. OW. Ohhhhhh, I see. what was THAT. Now, you listen, I am listening. No, you're laughing. That was more than a laugh… It was more than a look. DID YOU SEE THAT? WOW. That was orgasmic. Shishane!! I gotta go. Okay. But come here. (They kiss.) See you tomorrow. Yeah. Okay Hey, I'm home: SHASTA!!!!! Where WHERE YOU? I had work. Finally having caught up to SupaCree (in Skrillex's body), Sonny (as SupaCree) is flabbergasted at her actions. Dressed super flamboyantly and colorful, "Skrillex" looks ridiculous, touting a Jamba Juice and sipping erroneously SupaCree (S): what the fuck. Skrillex (SC): Yooooo. You're ugly. Mau5: you're one to talk. Skrillex: Psh I am sexy as fuck right now. Wow. SupaCree: Jamba Juice? I don't drink Jamba Juice. Skrillex: you do drink Jamba juice. I mean. I do. This was free. Actually, you know what, a lot of shit is free, when you're rich; it's fucked up. Right. Yeah. Doesn't make a lot of sense. ___________ (Earlier) A super hot fan girl walks up to "Skrillex" Hey stranger. Hey...wow. Yeah wow. This is kinda random, but would you want to… (whispers in ear) Woah. That is random. (Basic bitch giggle) haha yeah. You would do that? Yeah! Because...I'm... Skrillex..? Um, yeah, I guess… Huh. … Well...would you do that if I wasn't Skrillex? ..um...no??? Huh. ___________ (later) Skrillex (SC) Yo! Did you know that people will (whispers in ear) just because you're Skrillex. SupaCree (S): (bashfully) Well, yeah... Skrillex: YO! _______ Switching Back In an attempt to return to normal, Skrillex ends up back in his own body, but has left SupaCree and Dillon Francis now stranded in eachothers' bodies. Skrillex/Sonny: sigh of relief--rolls eyes at outfit, but otherwise satisfied, shrugging. SupaCree (DF) Woah I am...colors…! [Looks over self in awe] Dillon Francis (SC): Awh what, no way! Aaaaghhh! SupaCree (DF) [Looking down] ...these are tits. Dillon Francis (SC) : HEY! Don't touch my tits! [Looks in mirror] FUCK YEAH, I'M DILLON FRANCIS: Stuck in SuPaCree's body, Dillon Francis experiences full fledged synethesia heightened by the circumstances of the switch; an array of colors and vibrations fill the world; he stares, taken aback by Skrillex's "colors", which only he can see [but is clearly phonomenal.] SupaCree: Oh man, this is... [looks at Skrillex] Whuuuut. Skrillex: (creeped) What? SupaCree (DF) [steps away from him, wide eyed] ...this is a lot. Dillon Francis (SC) [checking himself out, approving] Dude I'm hungry. What do you eat? SupaCree: what the fuck do you eat? Sugar Cubes of acid? What the FUCK! Dillon francis: I try to stay away from processed sugar-- SupaCree: what the fuck is this shit? Calm Down, You're just ugly. Are you kidding me? !'m tripping dick right now. Dillon Francis: I'm tripping dick right now-- SupaCree: HEY. Dont touch my dick! No tits, no dick! Dillon Francis: first of all, I'm Dillon Francis, I can do whatever I want; secondly, nobody's touching your dick--ew--it's just attached to me. SupaCree: What is wrong with you?! Dillon Francis: nothing, im--i'm Dillon Francis. SupaCree: WHY is everything wavy--what are these colors? Dillon Francis: it's just---mild synesthesia-- SupaCree: "MILD" (to skrillex) Stay over there. SKrillex: K. Dillon Francis: It ramps up when I get excited. Or anxious. Or hungry. SupaCree: Make it stop. Dillon Francis: I can't. That's why I rave. SupaCree: AGH. Dillon Francis: Just don't get too close to Skrillex. Both: Why? Dillon Francis: I don't know, okay? Just...don't. And here, wear these [puts on sunglasses.] There. SupaCree: better...kind of. This is insane. Dillon Francis: just don't play his music… SupaCree: why, what does your music do? [Skrillex is silent. There is an obvious secret Dillon Francis sends a threatening glare towards him, and they nod in agreement not to elaborate] SupaCree: nevermind. Switch me back. Dillon Francis: no way! I'm an even whiter white guy now. I wanna go out! SupaCree: out where? Dillon Francis: I don't know. Somewhere really white. Like. Manhattan beach or--Beverly Center. SupaCree: I don't wanna go out like this! Dillon Francis: you're right, you look ridiculous. [She's still dressed in all black, signature skrillex] _____________ Skrillex, Dillon Francis and SupaCree end up as the finalists in the fight to the death J battle to become “God's” favorite DJ __________ Dillonception -Dillon Francis's Magical Universe immediately follows dillonception, where he uses his newly acquired = magic and works for a variety of characters to save the world, albeit from a DJless post apocalyptic wasteland. _______ Hot fan girl from before: you deleted that picture, right? (Later) Dillon Francis (as supa Cree) is wearing a shirt with a picture of the fangirl and skrillex [insert goofy picture here] a reference to Getter, though the act is innocent rather than sexual, as the prior scenes indicate. The Voices Parodyish Dilon is the only person who sees Gerald and his friends/ family as “just a pinata”, however, Gerald, appears as, in fact, a real person to everyone else, who believes Dillon to just be joking, or even ‘a real asshole' However, it is later revealed that as such, Dilon “suffers” from a condition similar to that which the main character of The Voices also struggle Dillon Francis is officially too hot for Supacree (Sunni Blu, alternately) as they are often booked to work together, Supacree becomes clumsily awry of Dillon Francis, hanzel, and RAF respectively. Don't do this. I'm about to. Just fucking stop! I won't stop. You're being ridiculous. Yes, I am. What—Dillon Francis?! What—Kayla Lauren—? It's a thing. It's a cult. Well, fuck this. I want it. So, get it. I got it. He played you. Okay, then— Listen to me—? I am listening… You are NOT— Let me guess— “NOT HIS TYPE” —yeah, I know. So, what's up! Well, he's hot— That's so gross— I'm an adult— He's a DJ— —a record producer— An Oscar nominated actor— What?! —and Grammy nominated. Wait, excuse me. Same year, too. Different project, though. How'd this happen? “This can't happen” Oh, my God! That never happened. What never happened? Okay. Exactly. What about So— WHO? Sorry. Right, exactly. Hey, how's Kayla? Who is “Kayla”? Well, this hurts. Just use it. He won't stay. Don't need it— —that's the way// I want it. So. Satan. ...hm? Can you handle this? This one's easy. He looks simple. But he's not. Dillon Francis is one of the most powerful Gods of creation in existence. What about Skrillex? There's no Skrillex. What about Sonny? S/He killed him. Oh. Who's this? This is Esmerelda. What's...she doing? Everything I won't. Woah. I'll be back. What is this? I remember this—he married her, and I suffered. Who, Kayla Lauren?! “She's so basic—“ So is Sonny. OoooOoooOooo000hhhh— —shots fired. “ The Simple Skrillex” That's this one. Fuck this nigga —fuck this nigga— And his posse. So, what's Dillon want? Nothing to do with me— Oh— Who are you? Who did you ask for? ...Jesus fucking Christ. What, Dillon Francis? ...are you busy? Jesus Christ and Dillon Francis finally have a face to face. “An Extended Vacation” Oh, my God. Don't say that. Fuck Dillon Francis. ...why does Dillon Francis have my dragon? Does she know I have her dragon WHY DOES DILLON FRANCIS— Is she mad? HABE MY DRAGON? Mm. Is she coming? You know what—?! — I should mention Wigga Skrillex, before I for get again Man, fuck SKRILLEC! Can't. He's “taken” Oh, is he? Plus, Dillon Francis has my—wait—. How did Dillon Francis get my dragon? Hoe did you get my dragon? You keep me jet Blue I can't forget you, But I can forgive you for getting me Used to this, Uselessness I'm just another useless piece of— Dillon Francis, send this shit to Skrillex, And just kill me— Or let's burn it, Just forget it; Didn't write it Need a girlfriend? That can never happen I don't want it, I just fantasized about it once, Or maybe twice I'm in my mind, I'll find you by the time I die, Right? Right? Dillon Francis's kick drum. In the reality where () becomes a college professor, she is interrupted by surprise and stunned, when Skrillex himself appears during a lecture deconstructing his music. After being banished into a reality where Dillon Francis is a level-one DJ in present times, he furiously attempts to escape through multiple failed attempts. He has also lost his ability and masterful magic of music, and experiences the struggle of obscurity and insignificance in the oversaturated and unfair present music scene. Just as he crosses paths with the alternate reality in which he has fallen into an eternity long Dark Void, which spirals towards Hell in a Terrifying Twilight-Zone like wormhole of sorts, where one's deepest transgressions, fears, and doubts are projected through infinite dimensions, often resulting in “The Illusion of Death”, or rather, depending on the construct of the respective reality, the “nearest-to-Death” experience you can possibly have. As the Dillon Francis in the Dark Void gets nearer to Hell, The Dillon Francis in “Dillon Francis Has No Fans Land” (located amongst the Universal Network of alternate parallels U has been been banishing ‘Hollywood People' into, scattering them into realities where they either haven't-yet or never-will make it to superstardom/celebrity status. *Note* This Universe has the highest concentration of SS as an actual person, as it is revealed to be hidden nestled and hidden in a deep subliminal realm of her own subconscious, which creates a protected vortex “off map”, a hidden Universe with its own complexities, Laws of Science, and Concept of Time; A Nearly Inescapable Consciously constructed set on its own independent, multidimensional grid--which only () herself can travel throughout. U kidnapping celebrities by Assassinating them through the “illusion of death” ( sometimes as the Colorful Crypt Keeper, depending on the reality) In our present reality (IRL) The Celebrities have either retired, disappeared into isolation “A Syd Barret”, or more dramatically, have actually died. Once removed from the current reality, the stars wake up in a new reality, where they are no longer wealthy, popular, famous or successful; While some entertainers happily (heaven) adjust to normalcy, finding happiness and bliss in simplicity, most are cascaded into an unraveling downward spiral, deteriorating their mental health as they experience life without privilege or status. “If Your Name Is________________, You're In My Movie” Once collected, they are then sent “One Deeper” into this skewed universe, again by Death, which happens in exact synchronicity of their first death, resetting time; they “What is this, Bad DJ Land?” “Yeah, I mean I call it, Dillon Francis Has No Fans Land, but. Yeah.” (mimicking her) “Yeah.” Venice Ventures (A Collection of Short FIlms, a Spinoff of the Scary Monsters Series, a Tie Into Secret Life of Sunni Blu/Much Ado About Sunni Blu, The Legend of SupaCree -Venice Ventures (Pilot/Venice Mini Burning Man) -Day Of The Dead -Who Killed Matt Maeson -Magic Is Real -Magic Israel -Magic Isn't Real -LSDream (Pt I.Vegas) -LSDream (Pt. II) -Brillz (Sammi The Bampheramph, circa 2013) -Au[DIO]tistic SupaCree meets two new “friends” at a small festival; However, she soon finds that she's on her own, after feeling “third wheeled” and deciding to roam closer to her home (front and center) on the dance floor. During a drop, she breaks into her signature improvisational “dance trance”, drawing a crowd of impressed and fascinated ravers, becoming quite instantly popular; It's almost, even, as if she has fans--as people excitedly ask to trade kandi and share dances. Then, as Getter begins his set--a circle of people have formed around her, groups of tribes, squads, and kandi kids, magnetically drawn to the The Vibe (I Am The Vibe) and spirit energy that the music awakens within her; The Spirits have called her home to journey into the spirit world, sending “Angels”, or “Light Spirits” tasked to assure that she completes this passage into the spirit world--aligning the present, with the future and past; Alternately, in the Dark Underworld, Demons, or “Dark Spirits/Lost Souls” to work against the light, as an effort to consume her, reawakening The Ego. The Ascended Masters, as an order to bestow Stories of Origin, ancient wisdom, and awaken the God Consciousness, allowing for ascension and Projection within the Interdimensions--must release the seal which holds the oldest known [or unknown soul], so that the “Light Magic” can be passed back to the living descendants of the ancestors amast to be Ascended Masters. To Blissfully yet truly unaware of her own light--either deeply within, or shining throughout, people dancing near her are givingly sharing “conscious gifts” forming a smoke circle within what seems to be an almost gravitational pull. She smokes cooly within the circle, enjoying the auras of those around her--who laugh, smile, dance, and greet her with friendly excitement; As she circle closes, she is handed a mysterious cartridge, filled with a liquid which she quickly examines in the dark and smoky crowd of dancers. ...This is weed? The girl neither shakes her head yes, or no--just gazing above the rims of her dark sunglasses. She takes three hits, and passes it back to the masked stranger, who disappears into the dancefloor. Thanks! (but she is already gone) The energy shifts around her, as her ravey extroversion quickly fades into an introverted and inward, calm and thoughtful state. She contently observes, as usual, checking back to see the the couple she came with, as they wave happily at her. She moves more closely to them, gesturing to meet her closer to the front of the dance floor. She looks up at the performance stage; the visuals, the lights, the many working parts of a high-production value theatrical production. The stage is set so that she has to look more upward at the DJ, who she stares at, drifting into what seems to be a daydream. Its time for Meditation. Meditate. Now? Ground Yourself. Are you serious? I just got here! Sit. As the bass drops, The world around her shifts, into a colorful array of light colliding with sound; Enter, World of Floor. (A flashback, to past raves) I always knew this world existed, but never had I imagined the things I hadn't seen, around and between all the things I had as I was flying overhead, passing by admiring all the life...and all the lights... (A montage of the World of Floor) (The Cosmic Owl's Flight) In a beautiful starlit meadow, on some distant parallel or humanoid existence, a group of boys are camping, being boys. One boy, a pale and slender boy with gentle eyes under pink-framed wide lens glasses, gazes up at the sparkling night sky toting his gun upwardly, looking through the scope. A bright shooting star appears, bedazzling him as he looks, rubbing his eye. What are you aiming at? It's darktime, I doubt you'll find anything to shoot. The boy shrugs, Suit yourself. The other boy heads back toward the fire, where at a distance one of the other boys asks “what is he doing?” I don't know, psh. Haha--maybe he's shooting stars. Shut up! They continue on. He scoffs and rolls his eyes, head pointed up as he watches the sky, inwardly wishing for another shooting star, then suddenly--a light, as something large and white flies over the campsite, leaving behind a gust of wind and sparkling light of stardust, dissipating as the boys all point their heads at the sky, wide eyed. WOAH! Did you see that? What do you mean did I see that? I'm sitting right by you! It went right over your head! Like, right by! They search the sky, as the stars seem to twinkle with a brighter blue-white light; The Giant White Owl once more flies by. What the-- Don't just stand there! What IS that thing? I don't know! Shoot it. The boy panics, aiming for the bird. He fires a shot, missing her, then another. Shoot it! From a birds eye view, the boys seem small in the vast meadow, nestled in a beautiful valley on a gigantic “alien” planet, with colorful auroras dancing in the atmosphere. The owl glows with the neon light, with giant wise eyes, whose light reflects the tale of all time. Hearing the two shots, but unfamiliar with the sound, she glides into a curve diving downward over the mountainside, towards the boy with the glasses, in her eye surrounded by an aura of golden light; she tilts her head as the shine in her giant eye sparkles with a loving light; As she admires the light, she cries as the sound of the gunfire aligns with a bullet, spinning her graceful flight into a flash of light, leaving behind a twisting trail of cosmic light and stardust. [*Director's Note:Though she appears only as a Giant White Owl (though with a glowing bright white light, only the boy in the glasses sees (with the naked eye) the neon spectrum of light emitted by The Cosmic Owl, eventually a full Prisim..] He jumps, as his eyes widen with shock and worry, in awe of the spiral of light and a shuttered surprise. You got it! Thank God, I would have called this whole thing off. What was that? At least he got it. Taking his gun off and dropping it, he walks still in awe towards the mountain, in an almost hynotized and quiet stride. ...Hey, where are you going? ...I'm gonna go find it. Go FIND IT? Why!? Just because it's not flying, doesn't mean it's not still alive! That thing was giant! Like three times your size! Ten Times! Unresponsive, and guided by the light, though fading, which has left a spiraled trail against the dark and starry sky. A giant moon rises over the mountain, as she runs into the forested hillside, ascending towards the spiraled light. Go after him. I'm not going after him. Someone go get him. YOU go get him. Pftt. Fuck that. They all stare blankly at eachother in an awkward silence. ...Mom's gonna kill us. -Countdown Shunned by h They know I am Good. Well. How? Who? They. Who this they? Anyone that matters. How--how? Insomniac. Right. EDC. right. The music. Well, it can't always end in martyrdom It always has Stay humble. All are one Whose world is this, anyway? Apparently, ours. Sonny's somewhere Sonny's always somewhere except, wherever I am. Not true. Oh, God. Hm…? What? I just want peace Want, or need? Need. Fair. I need PLUR Al of it? I'd gladly trade my life to rave again You were promised an eternal cebration in paradice Where's paradice Stay on the path San Diego would be on the path. It is. A town called paradice Oh, Tiesto. His wife is 23. Gross. Is it? Is it love? For now. Have faith. I am faith. Be kind. I am kindness. I said, stay humble. Kendrick. And? AND. The remix is always better. Only when it's. . I am Skrillex. As if. what is "if". Go make music. Music made me. I am music. I need tome. Who, what, and when, are driving in a car together… The coffee rub (run*) There's significance in that video there's significance in Dillon Francis Even Deadmau5? Who? On God. ...what? ...oh great, now I gotta figure out which biblical character represents Dillon Francis? It's not Jesus. We know Jesus. (Everyone knows Jesus) It is Jesus. Everything is everything. That's a step. No white saviors! ...go somewhere else. Be a color! … ___ There's a lady in my kitchen, cooking me breakfast. I cooked breakfast. ...is it...poisoned? No, it's breakfast. … … It is hot. Who are you? *censored vigorously* … Apparently, I'm Skrillex. What the fuck. What the fuck. I gotta go. through the other end of the telephone, a DJ, having overheard the conversation pipes in loudly, with peeping curiosity. Is that Skrillex? Call you back. Supacree continues cooking comfortably. Is he there? Another DJ runs towards the phone, having overheard—in the background, we see a news program playing, the headline reads WHERE IS SKRILLEX, the latter obscured. Is he there?! Sounds like him. Yo! It does! Where is Skrillex!? I gotta go. He hangs up the phone. … Dillon suspiciously pushes back his plate. SUPACREE Let me guess. DILLON FRANCIS HEY GOOGLE, call SUPACREE I am Google. DILLON FRANCIS Apparently, You're Skrillex. SUPACREE Apparently, I am. (I AM.) What was that? ...what was that? SUPACREE That was Ï. [beat.] [Very awkward silence] ...I need a… Eat your breakfast. Who are you? Listen, Dillon Francis. Who is that? That's—your name. No, I'm not… … …who are you? Alright, just— look. “NOT DILLON FRANCIS” She forfeits. She forfeits? This tournament is intense. How do you even remember this story? I just remember it...it sticks. ASCENSION. Who wrote this? Who, indeed. Explain that. I can't explain that. You made it, you have to explain it. I didn't make it. Yes, you did. I didn't make this. I will bring her here. How? Jeff: Don't ask me “how”, just watch. (Jeff?) What? I don't know how to spell “Excision” ((But I do.)) That's not a fucking FLEX, it's a SKRILLEX. It is what it is! IT IS WHAT IT IS AND I KNOW A SKRILLEX WHEN I SEE A SKRILLEX ITS A SKRILLEX. *GASP* THE HEX. (Oh shit, what Hex) ((The SKRILL-HEX)) (((AHA.)) Apparently. Watch this. [Ext. Basspod (Underground)] Wait, she's leaving. Where is she going? I don't know. Just-- I can't keep track! She was just-- --RIGHT THERE-- Wait, what was that? What was that? Over there? Over...where? It's….it's that way. That way what? Lets go. GETTER doesn't know what he did. JEFF knows exactly what he did and isn't saying shit. EXCISION knows where you can get it, but not unless you pay. SKRILLEXCISION is the world's hottest super-duo, (who is in reality, just one person.) ((and doesn't exist)) (((at least, in this dimension.))) SUPACREE, is probably -she dead -she's an alien -she has superpowers That's just a Skrillex. I don't think its-- Just leave it. IT'S A BIRD. IT”S A PLANE. IT”S SUPACREE SUPACREE, WHO THE FUCK IS “SUPACREE”? SUPACREE is a SUPERSTAR DJ. (who is actually several different people) ((who are actually just one being)) (((infinite)) SKRILLEX is … … …. … Explain that. I can't explain that, I didn't make that. Oh, you made it. I--okay, wait--no. I am NOT taking responsibility for this-- (She is responsible for this) ((and infinite other things)) (((everything, actyally.))) No, I mean, she's actually everything. “Everything” She doesn't know she's in control of it. Wait, I can control it? Watch. Don't watch. Just listen. It's not how i hear it, it's how I feel it. Did you run? NIGGA, I DID NOT RUN; I RAN. Oh shit, now she knows she's in control of it. Sick. Yess--but she doesn't believe it, so it's fucking with existence. Shit. This existence? Every existence. How can you tell? I don't even know what I'm about to say before I say it, I think she's writing this... Wait, do you usually know what you're going to say before you're gonna say it--? I don't know, I can't remember anything before this happened--I'm not even sure if we existed, I think we might be in this shit. Wait, like in this--like, we're not even… ...then it just ends, dude. IT JUST ENDED? But it wasn't just purple rain, It was rainbows and--wait So she.. Wait. Two planets passing so closely, the two worlds are forever changed. Well. Now that we know this is possible. Oh shit, that 12th PLanet. He's black? I-- Huh. Wait. Wait. Can I...Remix this…? What the fuck is a “Remix”? The Remixes. AH, FUCK THIS. Wait, did it-- It did, it dropped. He dropped it. FUCK THIS DUDE. OH, FUCK THIS MOTHERFUCKER. THIS MOTHERFUCKER. --BASS BITCH, MOTHERFUCKER!! Is that the lyrics? I don't know, that's just how it goes! ___ How do you know him…? We are...friends. BITCH, I AM NOT YOUR FRIEND-- DAMN! --I AM YOUR SAVIOR, YOU SHOULD BE WORSHIPPING ME-- Oh, shit. That took a turn. -- I do worship you. OH SHIT. THAT TOOK ANOTHER TURN. Are you sure it was CTHULU? (Nods.) Okay then, lets get this bitch. __ Skrillex and Dillon Francis make a Deal with The Ex. OH SHIT-- IS THAT WHY SHE-- YAH. UNH. YAS. So these planets pass so closely, that their atmosphere's collide, and--not only do they-- --THE PLANETS-- --actually manage to acknowledge eachother as it's happening, it actually alters their axis-- --yeah-- --and changes their orbital paths... Yes. WHAT? Okay. So. Look. There's two planets. Two planets, yeah. Different Galaxies. Well yeah, that--that would depend, wouldn't it. Dependent by which...definition... ? I mean; what is even a Galaxy-- I mean, scientifically? No, infinitely? Excuse me? I mean--what is a “galaxy” if existence is infinite. It's--what? If Everything is Everything; then whatever a galaxy is, by definition--what our actual perception of this reality is exactly just that Whatever I was about to type was definitely better sou The Legend of SupaCree follows an involuntary “hero” on her adventures, after her powers become unlocked; Now, she must join forces with the other DJ's to Save The Rave. _____ SupaCree refuses to tell anybody anything. (After Pre-edc scene) oh dude, that's a lot. It is a lot. She still hasn't told her mom you're “Skrillex” Ugh, no. And she makes me shop at K-Mart every time we go over there. You got that at K-Mart? It's nice. Yeah. Where did you find a K-Mart? ______ Where is “Earff”? _____ Bampheramph training is considered complete once the trainee “stops crying”, thus begins the official recruitment process, which includes but is not limited to reaching various ‘extremes', which differ by context. ____ Every red cup is just Another broken heart, Another broken dream, Another broken record, Playing on repeat … … … Wheres my Skrillex? Which-- So, Skrillex… You can call me Sonny. ...Skrillex... O...kay… [She squints suspiciously at him and jots something down in her notebook.] ____ So, do you use Serato, or Rekordbox? Neither I just [Demonstrates] What the fuck does that even mean. It means you can [Demonstrates] ____1 How is he doing this? Magic. I'm not going to fight for him. Do you honestly think this is happening to anybody else? Maybe. Honestly? Infinite. Infinite Skrill-- Infinite fucking everything. I'm not about to try to explain it. So what are you going to do? I don't know. The worlds gone mad she is, but she's not a man. She's trapped in a casket Can't listen to the map And can't imagine he'll ever come back Jag parked, smogs bad and she has a plan But can't get past the magnet Magic has its way of making things go crazy Why don't you just--& Oh what? Have my people call his people? Something like that His peopl I had a dream About a tent About a temporary tenant This christmas, its Resentment, Tension And whatever this is… Oh yes, "This is Skrillex…" wayward Hey. Hey. So, uh. So. What's wrong with you? ....what? What's wrong. Whats...wrong? --With you. SupaCree summons Skrillex. Skrillex. Stop it. Fuck you. Skrillex. Seriously, stop You stop. Skrillex-Skrillex-Skriooex o Oh no Just stop. In the parallel where… SŪpAcree has become a disasterously egotistic and diva-like superstar, we see she is in this world, outwardly bitter, rather angry and dispondant, having learned to capitalize best not being herself. A young intern helps to prepare an event; His trainer, an astute and rigid stage manager, after finishing a series of detailed questions about the theatrical performance and it's various attendees-+ leaves the intern alone for "just a minute" handing them her clipboard as she hurriedly rushes elsewhere. The intern scans the clipboard, flipping the front page over to reveal a hidden note. Taking the initiative (trying to be assertive in the newly appointed position), asks nervously... ...And what about Skrillex? Who? Skrillex. Who the fuck is that? Its...Skrillex. Tell me who that is. Uh… Go ahead. The intern stands, frightened at her anger. The stage manager returns. _______________ I hate this shit, it isn't fair. It isnt Wheres my phone? __ Woah. You did all this for Skrillex. Pretty much. Yeah. I guess. Yep. Wow. Okay. You would. (I did) Burn it. What? Fuck that! Ughhhhh. No. Sonny/fictional skrillex: Do you know why ai put you in this fucked up dimension? Me: WHAT? YOU DID THIS? NO--WHY--?? Sonny: So you could get your shit together. Me: well, that's fucked up. S/FS: I DID NOT think it would take this long Me: well, how long is it supposed to take? S/FS: I don't know… Me: ...well, how long does it usually take? S/FS: So wait; You guys from the future-- Fathomable future. Uh-huh Have seen the show? Yes. My show. Mm-hmm. / Well then, how does it start? ----------------------------- I already told you, no. Yes. I'm not going to Skrillex. You have to go. No. What the fuck is NO. I'm not going. WHAT? What. You have to go. Who says? We do. Okay. Okay. [beat] Who the fuck are you? OOH, ARE WE STILL BLEEPING OUT THE SKRILLEX? Yes. Sonny Sonny Sonny Sonny Sonny Sonny Sonny You so Funny Funny Funny Funny Funny Funny Funny Do you Love me Love me Love me Love me Love me Love me Love me I'm so Ugly Ugly Ugly Ugly Ugly Ugly Ugly And I'm nothing Without you Was this a song? Probably. Looks like a song. Seems like a song to me. Nobody should ever hear this. Define…”nobody” The Song has become a number 1 hit radio sensation. What the fuck is my life. What the fuck is your life. I don't know what the fuck. What the fuck. What the fuuuuuuck . Speak of the devil— (Terrified) what? Dillon Francis is here? What? No—it's just Skrillex, he's just...here to collect. What?! What, dude—Skrillex is your plug? Uhhh. For what? Where else am I gonna get premium space bass? Aaahh Gasp I knew it! I knew something about you was really Skrilly. Hella Skrilly. *doorbell rings* Ok, no Skrilly in front of the— He is magically just, suddenly inside. In front of the what? The two stand starry eyed in amazement. ...hey… X2: hey… Should we step outside? Oh, come in— —I did. I see that. (Lol )Right in He did that. He always does. This...transaction is private. It's fine. You guys are alright—maybe—breathe a little— —large gasp, has not been breathing since Skrillex...what did he even do. He like, apparated No—apps—no. There's no fire. He didnt apostate. Alright then, teleport. That silently? Yeah, I mean teleportals also are like: —actual teleportal, which is a huge, very not quiet, black hole like vacuum with lots of colors, lots of light— Oh. Well, how did he get in, then? He shifted. “What the fuck is Shiffted!?” The SupaCree and The Skrillex share these commonalities: *S13 (13th power ) —- Dude! I got the key! You got the key, yeah, it's one of these. A bunch of keys in a wheelbarrow. Dude. What. The fuck. I don't know! I just know, she told me the key was on the key ring WHAT keyring dyde?! This is just a wheelbarrow full of KE*T! (He produces a heavy chain which appears to (not really) link the kets together We...keychain. —Meanwhile, God deletes all the Florida Keys—except for one— I will not “go” to the “Skrillex Reddit” Go to that place. No way. We are going to the internet for ONE thing—and one thing only. We are gonna skate to one song, and one song only. BALL SO HARD MOTHERFUCKERS WANNA— No. One thing. Yes, I thought it was Skrillex. We never go online for Skrillex. Okay. Not even shopping. Alright, let's go. You don't even know what we're going for I hope he hears this She says I hope he makes it And by she, I mean me And I've been peayint for a way to try to say this stuff Spit it out Turn it up— Woah...okay! Okay what? What are you gonna do with all this Skrillex? Uh… …? …Just throw it out. Throw it out!? Yep. Why would you do that? *Shrugs* Don't need it. Don't need it!? Yeah, I just said that. Are you serious? Yes. Throw it out. No way. If you're gonna do that…I'll take it! You want it? W--Fuck yeah! For what? I don't know. I'll think of something. Okay. Yeah? Yeah...whatever. Yes! ...okay….Just--come help me lift this. “The Great Big Book of Skrillex” This...is just an Encyclopedia. ...you bought encyclopedias? I needed them for my library. ...you have a library? It isn't finished yet. It isn't...finished…? Not yet. They're installing the elevator. There's an elevator? Of course there's an elevator; it just doesn't get to the library. I meant— Come on. What did you do to my house ? Well, after I put the fire out— What fire? The main one. —there were, of course, several smaller fires— What The Hell? And now there's just that one. A fireplace? When did I get a fireplace? Well, I needed an easier way to get in and out. —where does it go? Out the chimney. —wait, did you just say “in and out”? That sounds good. I wish they had a vegetarian menu. French Fries? Uh huh. Is that it? I think so. GIVE ME ALL OF YOUR SAUCE. Ohhh, get ketchup. Sorry, we're out of ketchup. Out of ketchup? Yes. Okay, can I just have special sauce then? We are out of sauce. What. Every sauce? All The Sauce. GODDAMMIT DILLON FRANCIS. I hope this isn't like the Skrillex thing. We're still under the limit. Kick it. —-ugggghh, there are homelesses here!! —homelesseses are not always bad people Homeless—AGHHHBLLAAARRRGHHH— —-...okay, so they're not all sane, either but, neither am I. Homeless—RAAAAAAHHHH LALA—Aaahhhh NANA—*supa drunk* BLEEAAAHHHHHH DADA- Shhhhh—DADADADA - (Each character and each ensemble joins until all together they are are a crazy chorus in the ensemble in madness together) 1. Turn off the lights 17 minute dance number 2. Magic is real 20 minute dance number 3. LALa Land -La-Bay-Bay -Hollywoodland -HIII by the beach -Tent City Madness (homelessess) -The Bus Song -¡Panic @ The Disco! (Robbed) -Traiiin -ShutTheFuckUp -It's you! (Bless you.) -LALA Land (tune it out) 33 minutes ACT I— a young entrepreneur loses herself in the world of the bustling entertainment industry through entering the worlds within, and navigating the outterworld, while battling the worldly demons of darkness, as she fights for her life to break a curse set upon her by a devil with whom she will not name, but will haunt her—she must manage and master her inner magic to break this curse—and it is only when she learns that the curse may only be broken, if unspoken words are made spoken I just ate my skateboard That's okay I ain't bored— That's ok I ain't organized I came supplied: Some dude replied “I have the answer—come to me, you tiny dancer.” ‘Yessir' I replied with laughter Smile bright cause I'm an actor “Faster-faster-faster-faster!! I ” Shhhhhhhhhhh—SHADDUP. LALA- oh, hey you—! DADA- I thought we were suppressing her LUST-*sluttily* GAD- *quite so*>> We *are* LALA- *guiltily* —it's just... DADA- NO. No ‘it's just'— NANA- *drunkenly* yeahhh, keep it together, kassandra LALA & DADA- Shut the fuck up, hoe! [NANA shrugs and nothings away] LALA & DADA make a face at each other— - God, What the fuck is wrong with her, anyway? NANA coughs loudly, backstage. GAD- It's a curse. DOC- we don't believe in Magic. LALA- I don't believe in you, bitch! HOLLYWOOD (ensemble)- BITCH—WE DONT BELIEVE IN YOU, EITHER. The Three: Hot *daaamnn* Mr Poopy Butthole- hot daaaaamn...! (yeah, there's cameos) CAST: Mr. Poopy Butthole?!?! Mr. Poopy Butthole: Uhhh—yeaaah, I just got here I uhhhh, I got big plans—big dreams, you know, I just—I'm gonna be a staaaar!! CAST: Laughs—the laughter trails off into different forms—awkward, daunting, sarcastic—then, only the spirits and LALA—suddenly, it is dark, and she is laughing all alone. Her laughter turns into a sorrowful pout, looking about quite lost. She shudders. Lala- Fuuuuuuuck. And I could get a place out in Hollywood land— But I'd rather be close to the surf and the sand— Cause that's how I planned it This is my planet (This is OUR planet) Oh yeah, my bad—this is weird, having f all of us here ‘You should put on your ears, dear' Hustle, hustle, hustle That's how you get muscle And it just is what it is Bitch you know this is a business And you know that's how you get this Make your check, earn respect build up your interest Bank? No thanks. Cause bro you know that shit stanks— You studied all your mistakes— Keep money, make money tell yourself thanks (Thanks) You'll probably thank your self later (Twice?) That's when you start making paper (Thanks) And yeah you know you got haters (Who?) Yeah bitch you know he's a hater— (Boo) Who? Yo bitch—I told you no crying!! (Woah) (They go in the round, the 3) “Yes, ohhh my GAD” ( But I'm not Spent my deposit on a house that's rotting—vultures spotting me— Ex husband haunting me PTSD. Take it with me everywhere I go, It follows me, Swallows me up like the coffee cup I left and needed this morning. Oh, Elohim. Lala Land: a musical revue m Escaping your past is not always easy—Master Your Magic. Featuring music by: Skrillex (Vs)
I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? I don't know. I can't remember. You don't remember. What did you do with that bitch?! I don't know! I don't remember! You don't remember? Noone remembers. Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! Happy Birthday! (he is canadian, so he is morbidly polite) Thanks. You're welcome. K. So. YAH! [they both draw their rave weapons] WHO IN THE FUCK ARE YOU? I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] Oh, Gosh--this is... actually exactly what I wanted. I know dude. UH-WHO ARE YOU? I'm YO(U) . [They do not battle. He just accepts it.] Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. I'M NOT A WOMAN. ---he changed his name to a symbol. I'M NOT A MAN. “is [_____________]” a boy or girl I AM SOMETHING YOU WILL NEVER UNDERSTAND. Oh, Jesus Christ. What dude. What the fuck do you want? What? Wait, you're...Jesus----Jesus-Jesus??? If you insist on still calling me that, I told you ages ago... (to himself) ...that makes so much sense…Jesus… Hm? Hey wait--are you still--sleeping--kind of? *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] WHO'S THE PINATA NOW, BITCH?! Oh, my God, Gerald! Get a hold of yourself!!! WHAT HAVE I DONE! WHAT HAVE YOU DONE? Dillon--What have you done. WHAT--DID YOU--DO. Just...Voodoo. VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? -creative ways you might find out, your junk has been permanently altered. What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. Oh My God--It was that big? (Nods) You'd never know. ...I knew it... What did you do with it? I just wrapped it around my leg and tucked it into my sock, most the time. Oh, wow. Yeah. I had to layer, the tube socks. That's--wow. Yeah. I mean. When you're right, you're right. You're right. I just get confused about it when I see him in shorts now. [in shorts.] (she cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- What is this. --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? SIR. STOP CALLING ME THAT. SIr, it was “not enough.” What? I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. I know how to get her here. ___Dude, I don't know how you did this! How did you DO this? Look, it's a long story. Well make it a short one. *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. So I….dropped the bass, and then… AND DEN? And then? And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- --sideways and forward, at the same time-- >>>Yes. It was a lot. Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her suprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [Sunni Blu (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me see. [Does.] ...what master is this... The revision I got in my email this morning. From who? From you. WHAT? BRO. YOU REMEMBER WHEN WE WENT OUT TO THE DESERT-- ---YEAH--- --AND WE BURNED THAT-- ---YEAH--- MY ENTIRE STAFF GOT THAT IN THEIR EMAIL THIS MORNING. WHAT? I thought that was the only copy. IT WAS. WHAT THE FUCK. BRO THIS NIGGA. THIS NIGGA. NIGGA. [Skrillex] did A [Skrillex.] Three People Know About It. [Skrillex] is not one of those people. Woah. So. He doesn't know. He doesn't know. Oh, no…. ...I just don't get it; I'm really sleepy. Well yeah...you are ...dead, so. What? I'm dead? Oh, yes. That explains it. It... actually doesn't expla
I guess it just is what it is, then Comin fresh out the whip, like, “I'm off hiatus” Gonna jump for a swim in the ‘bitch,' Itchin drive me crazy; Gonna need 6-10 stitches, the doctor say He's in big business, with the witch Tengris– Gotta play Tennis while I watch Tenet all in ten minutes (On my small engine/indjun) Turn around do a spin, drift like i'm Ben Ten, And it's intense, like I been campin, –Then I ditched Skrillex. Just moved in, but it's been lived in Set some new intentions, Get bent, got some new addictions, spin zen, got some new additions Big Wig like I'm Hamilton in some New Editions Did some big mentions, I should send dick pics. Watch this. “It's Dillon Francis” Now I'm real famous, But i'm still nameless– I just made the game up, Still got jealous haters *coughs* I should say Gel-ous Cause she got her nails did *indjun; American slang for native or indigenous peoples of Northern America. [THE FESTIVAL PROJECT.] _________ [Three cross dimensions are about to collide into a singular reality. Three hospital rooms, three ensembles, three patients on their deathbeds;] Three Cities, Three Main Stages At Three Major Music Festivals. Three superstar DJs at the decks. Did we make it? Is it too late? Is she gone? Where is she? Are you serious? We're never gonna make it. NO! 3 dimensions: Wait, what happened? 3 dimensions: Wait, what happened? "Are you okay?" This isn't happening. Do we have time? Never say Never. -We'll never make it -Don't say that! Are you ready? Yo, where IS she? He's like, crazy or something. She's crazy. This is craaaaazy. Ok, first of all-- Go! Go! Go, now! -So, she already told you beforehand? -Yes. NO! YES! YAAAAAAS. All dimensions: No/NO NO, OH GOD NO-- "YES, OH MY GOD" (sampled) (What?) "JESUS." (Sampled from, Coffee Run) (What?) Don't-- What are you doing here? (Angrily) Ū!!!! It's YOU! A group dancing to Soulja Boy (Youuuuuuuu!) (Rollercoaster sample from Scatta) I don't know, he's been, you know-- -Did you know? -No… -DID YOU KNOW? Know what? What? What is what? (From Deathbed) ...Water… Surprised reactions, at the bedside -Run! -How much time do we have? -Take all the time you need. Time...Ah, yes, I--yes, I remember Time... She says it all the time, I didn't think she'd actually– He's gone. She died, right? ------------ "Running Out Of Time" [Frazzled and haggardly beaten, having exhausted everything attempting to unravel an endless web of timelines tied together ultimately by inevitability, he frantically rifles through his apartment, tearing through every corner, fiending for any energy source. He uplifts the couch cushions, tossing away various (insert easter eggs here) objects, empty portal guns, as the vibrations from a buzzing phone alert him of an incoming call, he fishes armpit deep into the crevices, red faced and cracked lips, cursing: --c'mon, c'mon--how did this get so fucking DEEP. God DAMN IT-- ------ By Chak Chel's bedside, The Ascended Masters are gathered surrounding a weak and lifeless GOD/Chak Chel in her absolutely oldest physical body. Oh man, I don't think she can handle many more of these Damnations, it's just more and more damage… I told you we should have Destroyed that damn planet! She created that planet-- It's not about the planet, it's the inhabitants. If we annihilate humanity now, the planet itself may regenerate with time… Time…? I-- They all turn their heads toward Chak Chel, as she drifts back out of consciousness. PAUSE *EDIT* What? Just– What!? What would it be like to listen to some Skrillex right now? NO. NEVER AGAIN. [Thinking, drifts away.] *listening to deadmau5, thinking about Skrillex* Hmnnn. Moar Ghosts N' Stuff. *Synth Drops In* Nope, I'm Good lol. CUT TO: I told you I could be Joel's cat. Oh, wow, nice. JOEL NO, MEOWINGTONS, NYO !!!!!!!! Meheh. UNPAUSE CUT BACK TO: She's so lost to time... If she succumbs under this darkness, it could be eons before The Light is restored. It may never be. INSOLENT CREATURES! Perhaps we should prepare for invasion. Invasion? They are primitive beings, barely reached the outer realms of consciousness-- We'd be waging an all-out war, on an intergalactic scale; the magnitude of this could ripple through --infinite-- --infinite dimensions-- This is everything. Everything is Everything. Pft. Yeah--until it's nothing-- Oh, yeah--just add to the amount of negative energy-- might as Well just push her into The Void. I'll push you into The Void. Nothing I haven't been through. Yeah, dude, we've all been through The Void. ...I am The Void... I was at THE ASCENSION! Where were you?? (They argue loudly.) [The Crypt Keeper Lurks Silently in the corner.] Guys. [The room is in upheaval, an outroar of arguments have erupted amongst the Gods, the Ascended Masters and other chosen leaders from each realm throughout the multiverse. ] ...Shhht, quiet... [The Crypt Keeper slowly lifts up her staff, in slow motion ] (SUPACREE shakes her head at the crypt keeper, gesturing "no, don't" ) Guys. [As the crypt keeper lowers her staff, SupaCree begins to emit a shining white light.] GUYS! THE CRYPT KEEPER CHARGES HER STAFF INTO THE GROUND, SHAKING THE WORLD WITH A THUNDEROUS FORCE, THREE TIMES. The fabric of the entire multiverse begins to shatter. The room cowers in fear and uncertainty. CHAK CHEL (very weakly) Where's Dillon…he...he should be back by now… Wait, Dillon- Dillon WHO!? Dillon Francis? Wait--what? Dillon Francis, are you serious? Oh, God-- --Shh-- Sorry, I just--seriously--? Dillon Francis. It's always Dillon Francis. Tell me about it, Jesus Christ-- --SHH--!! It's fine, I put the light inside of that one. What light? You put the Divine light of The Source inside of that guy? I'm not a--wait--what light? What's a "Dillon Francis?" We had to hide it. CHAK CHEL Dillon? ...he...he should be here by now,-- I--I have to give him more time… Wow, Dillon Fucking--the whole time– (Tying into the dimension where SupaCree has just divulged that her favorite DJ is Dillon Francis.) That's her apprentice? What! Explains how he's always everywhere, I guess-- Except here. --yeah, where IS he anyway? Yeah, I mean--he should have been here awhile ago. What the fuck does Dillon Francis have to do with anything? I mean really. [The Gods have quietly moved into a secret chamber, hidden from the rest of the–] WHAT THE FUCK. WHO did this? We had to act quickly-- It was a unified decision; DECISION BY WHO? [They fall quiet.] WHOSE idea was it to hide the Divine light of the source within this--this--imperfect and flawed excuse for a body? What genetic catastrophe allowed for this creature to have been created? Her genetic code is what allowed us to be able to-- --THE GODS ARE CREATED IN OUR IMAGE! WHAT TAINTED IMAGE IS THIS? ITS AS IF SATAN CREATED IT, IF SATAN COULD-- ...Satan Sealed The Shield... [The Gods all react in surprise and horror.] ...What… WHAT? You entrusted SATAN with the encryption of The– Not me. Chak Chel. WHAT? ...what? Why would...why would… Why would she trade her immortality for– She sacrificed her connection to The Source? What for? She would sacrifice anything to save humanity from extinction. She...loves that planet, and its inhabitants. She believed in the overall good of humankind, that they could one day come to know Love. To Be Love. She was created and designed specifically to be the embodiment of life and light itself-- The Prophecy (III) [THE ASCENDED MASTERY has assembled, the ensemble shieled by an ‘inpenatrable' invisible forcefield; SUPACREE senses the energy field, Which she walks into, nonchalantly.] She has awakened her consciousness far more quickly than was ever expected-- The Origins Once we send her back, she will have been three times resurrected from Death. How is she to bring these...this planet so drowned in darkness into the light? She can. She will. She has. There have been innumerous witnesses to the manifestations and miracles the power of the light has given her. And she's yet to use the entirety of the Source power to its full potential. Still, these instances of power manifestation have left a shockwave amidst many, even the Prophets, as foretold have discussed a solidified following amongst the alchemists, sorcerer-- --even mortals who have come to practice in the occult sciences-- She has believers. (Uhh...I think it's a cult. What's a cult?) In the dimension where the world has succumb to darkness-- -The Mormons!? -Oh, really? Hm. -Jesus. [Enter Mormon Jesus] In the same reality, Which SUPACREE has been trapped in for nearly a eternity in entirety now, she sits drenched in sweat inside her car, as onlookers from the surrounding affluent neighborhood peer into the vehicle with disgust; she looks much like a crackhead talking to herself; however, Jesus, Neva, Se7en and Goldie's anamorphosis personifications by The Guardian Angels accompany her, Avicii, also omnipresent, but unable to be seen or heard in the material reality, even between The Spirit World, which SUPACREE has journeyed deeply into, in search of Chak Chel--who has consistently been leaving hints in Nature, guiding her eventually into "God" (A Long Drive, With You, Friends) A very Jewish woman sneers, glaring at SUPACREE through the window. Telepathically, very loud and disapproving of here mere presense. (CONT'D) … She just doesn't believe in herself. The Darkness has been working to weaken the potential of The Light for quite some time now. There is an evil in the power of man, darkness in the consumption of currency-- --she's been targeted by her own country as an enemy, which the world powers see as a threat-- --her, a threat--? --she had political ambitions. These men wage war over currency, the hypocrisy of religion. America. She has the ability to be one of the most powerful leaders in human history. She acts instinctively in Love. A target? Her world has been long lost from love, succumbed to the darkness, the primitive error of man. Greed. She has overcome more alienation, more life altering loss of light in just this lifetime than can And, has been raised by the shepherds and priests in the teachings of the great kingdom. She brings herself to Death in despair and sadness. She cannot live with the power of The Source Light in the loss of Love; the pain becomes too great. And now? She's been bestowed by the ancients the wisdom of her true origins. So she knows… She knows that in the absence of Love, there is no Life left to light. Love is the thing that weaves together the fabric of space and time. Reality Is… AH, JESUS CHRIST! SUPACREE appears behind DILLON FRANCIS in the doorway silently. The Bampheramph Line rings, he hopes it is Hanzel--it is Chak Chel--he rolls his eyes, tossing his phone to the side You should probably answer that. DILLON FRANCIS You should probably shut the fuck up, how about that? SUPACREE Relax. I need you to listen to me--remember that thing-- DILLON FRANCIS Which THING? EVERYTHING? Like EVERYTHING IS EVERYTHING, EVERYTHING? Like that!? Huh! SUPACREE ...yes, it's that exactly, actually. DILLON FRANCIS. "Exactly, actually--actually," SUPACREE appears in full form, out of the translucency of the higher realms and into the personification of the third dimensional realm. SUPACREE Come on, dude, we don't have time for this! DILLON FRANCIS Time? What the fuck is time? SUPACREE Come on, Dillon, we really don't have time for this, I'll explain it-- DILLON FRANCIS Explain it when? When you have time? [He turns to see her, standing in the doorway; A simple plain white T shirt and blue jeans.] (gh0st.) SUPACREE I'm trying to tell you, dude. It's time. DILLON FRANCIS Wait, why do you look--wait, which dimension is--whats different about--wait (Sampled "Wait", at the crosswalk) sneakers launch from the sidewalk and into the busy intersection, in a sprint. "Two genres: Hardstyle, and Country." "I don't know what the 3rd world war will be fought with, but the 4th will be with sticks and stones." This begins the battle against "good" and "evil", " darkness" and "light", "life" and "death"--but as the Source, Gods and Ascended Masters all know, that all are one in the same--that these concepts only exist within a primitive human psyche. The collective consciousness of "hybrids", hyper-intellectual "human" individuals with extraterrestrial origins and ancient ancestors, predating the human era (which some distant--even technologically-- advanced beings amongst intelligent civilizations throughout the cosmos infinite galaxies ever expanding throughout the outer realms of the multiverse, all of consciousness "And there is no "all", because infinite means that it has yet to end." *Moving sand (the universe) into a giant space dump truck/space dump.* ...is that all of it? SŪPA and SKRILLEX, after both having been involuntarily flung "around" an infinitely expanding universe, are finally head to head after hunting each other in realms beyond time and space for literal eternities; The peak of their confused fury comes to a face-to-face blowout, to which the likes the Heavens nor the Underworld ever have seen. In dimensions where people are tuning in on multi/interdimensional cable, the audience is glued to their seats. (People in rural areas are going through obscene and ridiculous lengths to get a signal so that they can tune in. ENTER THE MULTIVERSE: RICK AND MORTY MORTY Ohhh, oh shit Rick! I-its that show, with the--uhh, uhhh... RICK Which 'uhh-uhhs', Morty--the big ones, or the little ones? MORTY Uhhh–'Flying Magic DJ Monkey Unicorn Space...Wars...I think. RICK Oh, you mean ‘Space Rave? You mean like, where they're at a rave *belch* in-in-in Space? Or something like that? MORTY No, it's Monkey Flying Magic DJ...Monkey… RICK --You said "monkey" twice-- MORTY (CONT'D) ...Space Wars… RICK I don't know, Morty--last time I allowed myself to participate in a music festival, it got, uh, *coughs* It got pretty deep. Flashback: DILLON PICKLE FRANCIS// PICKLE RICK Flashback Within Flashback :The Hellavator Flashback within Flashback Within Flashback: SŪPA dropping the bass, eliminating RIck and Morty/justin roiland (and Dan Harmon, I guess) from existence in entirety. RICK ...yeah, I uhh. Let-uh-let me see that. [He takes the remote control from morty, switching between the channels. They are all SupaTV original series, eventually skipping past 'Ricky and Mo', an over stereotypically alternate Rick and Morty, where the characters are black. (And features an animated Ricky (from Run Ricky Run) as its main character. RICK [w/MORTY] What the-- MORTY Go back, Rick! Everybody's favorite DJ is about to battle her favorite DJ. RICK --who, what? H-h-holdon-- MORTY, rushing over to the television, hurriedly switches the channel back manually to its original channel, from a dimension where the drama has been documented as a melodramatic soap opera meets gameshow. ANNOUNCER [W/MORTY] DUEL! RICK Duel the wha--oh my God, what is she doing with that chicken wing--? Ū! RICK This is just, brutal-- MORTY That was just a highlight. The boss fight is live. RICK Boss fight... Live--wait a minute--i know that lady! F I G H T. [HANZEL and GRETL are, of course, selling scalped tickets and portal guns to fans who have been following along as the series progresses, They play a 'Deep Deep Deep Bass House' HANZEL (it's a new genre) B2B set, which emits a magical low frequency bass, opening teleportals which immediately transport attendees into the Colosseum, where a furious SONNY/SKRILLEX and a rage-fueled SŪP∆CREE have "randomly" (actually, the result of a carefully planned (and in some dimensions/worlds, failed series of coordinated efforts from various sides, creating wormholes, time gaps, opening (and/or closing) portals with certain intentions, and creating "coincidences" between their two worlds which ultimately expand or collapse the respective universes within the multiverse at their centers. [The festival is in full swing; Behind the scenes, our beloved DJs ready themselves accordingly. ] Everybody's there. (Also, this is where "Everyone's a DJ now" gets really out of control.) *spoiler alert* DJ battle underway. This is the all-out cage match of magic music ninja All the Rave Weaponry. All the Jesus. Everything. The calm before the storm: The theatre and excitement of the largest scale highest production quality and rave culture values ever known to man (or otherwise). A living, breathing ECO system which expands outward, the Colosseum at it's center, where sparkles with the decadence of the Mainstage. Unassumingly, strolling along stage right SKRILLEX sips on a refreshing beverage--surrounded by his entourage and bodyguard, as per the usual. Stage left, SŪPA and her #squad are big chillin', eating lollipops, ice cream cones, popsicles, and cupcakes… super classy. *supaclassy. DILLON FRANCIS lurks nervously in the background. (He's in the background of every scene, in different clothing, Bampheramphing hectically and sweating bullets. *probably on something. In some cut scenes he is in SŪPA's entourage, in drag--eating a taco, or hot wing rather than candy. He is still being flung around the infinite multiverse, both with purpose and intention for each "side", and has become something of a omni-agent, completing tasks within the multiverse for almost every force imaginable (and yet to be imagined, infinitely forever after.) SŪP∆, after being transported through a multilayered wormhole, threaded across the Insomniac (and live nation) festivals and concerts she's attended throughout the years and dimensions. Uncertain of which actual realm and dimension she's ended up in, (obviously, one where her SŪP∆ Brand has become a success, realizing her dreams of becoming a "superstar DJ") without the panel, she must summon her forceful energy and light magic by combining her natural intuitive powers and ancient knowledge insight. She performs various tests within her current reality, as she 'attempts' to recover and pull herself back together, having been only just moments ago cosmically annihilated for a series of infinite eternities, whilst looking for Skrillex. Luckily, she still possesses the Golden Flash drive. It is the final of her array of rave weapons, and by far most powerful. Skrillex is Skrillex. They lock eyes from across the stage. An explosion. -blam- (MIND = BLOWN.) (((throughout the dimensions))) AAARE YOU READY TO RUMBLEEEEEEE TV VIEWERS: nervous/excited/scared/happy/sad MORTY Oh, shit! It's on! It's on! OHHHHHHHHHHHHHH. HE SEEN HER! HE SEEN HER! *tribal dancing*/chanting* DILLON FRANCIS from center Sees SŪP∆CREE seeing SKRILLEX, squinting in confisiouson (when you think so hard, you momentarily turn into confucius.) She's mad. DILLON FRANCIS Oh--NOOO. He snaps his neck in the opposite direction, to see SKRILLEX seeing SŪP∆CREE, squinting Skrillex-y. (That's extra, extra hard.) He's mad. DILLON FRANCIS OH GOD, NO! He morphs into DILLON GLANCES and DILLON FLANCES, respectively. (3) Wtf is this like a fucked up shadow-clone juitsu? Just– DILLON FRANCIS (To Dillon Glances: giving him the Golden Flash drive) I have to--I gotta--just take th- DILLON GLANCES I can't. DILLON FRANCIS You CAN. DILLON GLANCES I can't. I'm not a DJ. DILLON FRANCIS Everyone's a fucking DJ, DO IT. DILLOn GLANCES Jesus. DILLON FRANCIS: JUST DO IT. [They run off in three seperate directions: DILLON FRANCIS runs to center stage, attempting to prevent the all out massacre of DJ dueling about to take place…] DILLON FLANCES runs into the festival's huge and quickly growing-crowd, as people literally appear out of various portals and wormholes from all over the multiverse. crowds of party goers, exiting them, attempting to open portals to evacuate them to a less fragile timeline. DILLON GLANCES, who is–in fact– not a DJ, a Bampheramph, or time traveler of any sort.. (by any purposeful means, anyway. He " just kind of gets "sucked in to this shit") —eventually crowning him as an Honorary Bampheramph (which people hate, because it's still an extension of Dillon Francis.) —-posing as Dillon Frances, steps up to the decks SKRILLEX and SŪP∆ charge towards each other furiously-- Nobody knows what to do. As they draw closer to each other, radiating in fury and anger, they each explode. SŪP∆: YOÜ. SKRILLEX: YOŪ. They charge forward. BOTH: AHHHHHHHH!!!! An energy field opens; invisible energies take on color and shape in the outer worlds. Reality shifts. yelling. BOTH: WHERES MY MUSIC? BOTH: YOUR MUSIC?! BOTH: WHO THE FUCK ARE YOU?! SKRILLEX: No, who the fuck are youuu! SŪP∆: NO, WHO THE FUCK ARE YOU? (Simultaneously, to stage managers) SŪP∆: what is HE doing here? SKRILLEX: what is SHE doing here? BOTH: I'M ON THE LINEUP. SŪP∆: Of Course you're on the lineup. SKRILLEX Oh please, How did YOU get on the lineup? DILLON FRANCIS *Appearing out of seemingly nowhere, very out of breath and almost dead, still bleeding from open heart surgery through his shirt, face covered in hot wing sauce* Let me explain… BOTH: DILLON FRANCIS?!? BAMPHERAMPHS: ((From across the stage, viewing with Binoculars.)) …Dillon Francis? —Dillon Francis? What is he doing here? –Ugh, Seriously. Dillon Francis Again? DJ RICH AS FUCK Yo, Fuck Dillon Francis. DILLON FRANCIS Yeah, fuck Dillon Francis. … ...Aren't you Dillon Francis…? DILLON FRANCIS [Pointing at himself, on the stage. No, that's Dillon Francis. They turn to look back at the stage, DILLON FRANCIS vanishes. What the-- SUPACREE/SKRILLEX: (Now with anger directed towards Dillon) What are you doing here? DILLON FRANCIS: *Dazed and confused* Uh--I'm on the lineup. SŪP∆: How? SKRILLEX: Why? DILLON FRANCIS: Jesus Christ, I don't know, ok? Just please don't-- SŪP∆: Don't ‘WHAT Dillon Francis? blast this lil motherfucker out of every kind of fathomable existence with a billion giggatwats of NUCLEAR BASS? ! LIKE, THREE PEOPLE (at least) Giggatwats? DOC BROWN Gooodddamn. [GOD is going mad from all the goddamned goddamns. The Hellavator, hanging by not even a thread, has gone into its final stages of devastation and horror, as it nears taking its eternally damning plunge into the nearly infinite caverns of the underworld, Satan's domain of darkness.] Meanwhile, in multiple other dimensions: Have you seen the lineup? Are we going? We're going. We have to go. RAVEEEEE. Ohhhh shit. No. I'm not going. I have to go! Where are you guys going? PASQUALE: (flashback, daisy overalls.) You guys, where are we going? The brothers are looking through a futuristic digital catalogue of intergalactic raves throughout time and space. Yoooooo. What--you find something? Yoooooo. ...is it good? (Shows the lineup, obscured from view of the camera) FVCK. YAS. All the 'yas' SAUCE. All the sauce. Yo what planet is this even; what dimension is this in, like? Says, Earth. Earth?! No fucking way, earth doesn't have raves in any dimension I've ever heard of. [Coming in from other room.] Where doesn't have raves? Earth. Yo, what the fuck is "Earth." Bet you it's fake. Bet you it's not. Check on it. Google. Google Ūniverse is a holographic multidimensional map of their galaxy's known multiverse. They scroll through eons of galaxies, solar systems, planets, and stars the likes of which make our own galaxy, and our own sun appear to be nothing but specs of dust. Where is it? I don't see it anywhere. I told you it was fake. No. Keep going. Further. Keep going… Are you serious, where is this planet. Are you sure it's a planet? It's gotta be. Dude, there's nothing out here. Keep going. To what. This looks like a black hole ate a black whole. Something like that, what's that there? This puny galaxy? I don't think that's a galaxy. Oh, it is… They all tilt their heads, squinting. ...or.. was… They tilt their heads to the opposite side, squinting. ...or might be, someday. Or something. I don't know man, looks kinda fragile. 'Explore' "The Milkyway Galaxy" Ew. What is it? It's so dark. Well yeah, look at that tiny Sol. There's only...wait how many planets--? It's not much. I don't know man--you wanna go to a rave here? That's… (Shows the advertisement) Oh wow… Looks back at our galaxy, with a discerning consideration, then back at the ad, then back up at the "universe" I don't know man. That's way out there. Like...nowhere, actually. [Scrunched face of disapproval] "Earth." Come on guys. I mean-- (Plays promo) [EDC] DAMN. Aight. OKAY. Woooow. They all look back at the map, worriedly. Zooming in on earth. Mmkayyy. Hmmm. Yeah, this thing looks fragile. Yeah,look at that weird axis. (Wobbles) That can't last too long. This entire universe is on the verge of collapse. How did that...even...happen? The whole thing is like... All: huh. ...if we leave now, we can make it, gates open. Over 20 stages, live art, food-- --FOOD-- ...and...wait, that can't be right. This says "free water" WHAT? FREE WATER? OH WHAT. A RAVE SLASH INVASION? we don't have to invade if they're just giving it away FOR FREE. Free. Water. Psh. Water. It's a trap! Could be. Yeah, Free Water. ...it says...the almost the entire surface of this planet is what? What? That seems dangerous. It's almost entirely water, guys. That's impossible. CUT TO: I TOLD YOU. IN-FIN-ATE. Nothing is impossible. But I thought nothing was nothing. Nothing is nothing. It's also something. And everything. Which is also nothing. But I thought everything was everything. Yes, which includes, and simultaneously also excludes but certainly not limited to, nothing. But when does it end? It...it doesn't, it just (gestures)...infinite. you know? So it just...doesn't… Stop? Yeah. No. It just keeps-- Yeah. Going. --and then nothing. Which is something. Yeah, nothing's something. Then what's something. Something's a something-- Anything. Some-thing. Yeah, but 'some' is just 'some' thing, not everything. Yeah, everything--anything. Anything can be something, and something can be anything. Which-- Which means,nothing's nothing--something can be anything, and anything can be something; which is everything. And-- Nothing. --so-- Infinite. “Once Upon A Dillon Francis” Once Upon a Dillon Francis… AGH. No. Start over. Uh, ok. Once upon a Dillon Francis. Stop saying that. Yuck. Why are you saying that? What? Once Upon a Dillon Francis? That makes Dillon Francis sound like Father Time! Yaghh! Okay? You can't say that. Why? Because he isn't. He could be. But he's not. So? Just. Go back. Okay...Once Upon A Dillon Francis. (Groans) Ok. Stop it. This isn't working. Because you're not letting me even-- No story ever started with Once Upon A Dillon Francis. This one might! If it starts with Dillon Francis, where would it-- Imagination is the key to all creativity. You made that up. I'm making up the whole thing! What does Dillon Francis have to do with anything-- He doesn't. Just listen! I'm not listening to anything that starts with Dillon Francis. Well what would you rather me say, once upon a Skrillex? Now that's more like it! No, it's not. It's just unsettling. It is. You know what! Forget it. There's no story. What, because there's no Dillon Francis? Exactly. What? Because. Ï You... I don't know about this Just keep-- This makes me feel some kind of wha. What kind of way every kind of way-- wait. “Remember Ryan” I do remember Ryan “Fuck Dillon Francis” Rich Nigga Shit. And your shirt. So-- So?! Who the fuck is this guy? He's Dillon Francis. No, who the fuck is he?! Not who-- Huh? What. Whatthefuck-- What? WHAT? Hanzel (& Gretl) are originally from Hell or 'The Dark Side', this gives reasoning to their stoic and sometimes henius mannerisms. Halo by Beyonce is multidimensional (listen, study) This car needs some wheels is about loving yourself (and to learn how to love someone else) "The Skrillex" The Cosmic Owl Chak Chel's Family-- The brothers Bampheramphs --old people -&Sonny/old lady in the park dog walking Rick n roll--dillon pickle Francis/pickle rick roll) (rock n roll) will take you to the the mountain No boys allowed//no Skrillex allowed Wait here. Why can't I just come with you? No boys allowed. Can't you see the sign on the door? What sign on the door? She places a sign on the door. Wait here. But. 5 minutes. Walks in, shutting door behind her. But. Opens sliding window hatch on door, peeking out. I'll be right back. But. A note is shoved backwards through the mail slot, and floats down between his feet. He picks it up to read it; it is a blank sheet of paper. He deflates. Gleeful girly cheers and chatter, laughter and and upbeat music from the other side of the door; an obvious party starts inside. Hours pass, Sonny is falling asleep standing up. He hears 3 women approaching, and excitedly shakes himself awake. He stands to the side, posing. What's up! (They cannot hear or see him. he isn't yet aware of the forcefield placed around him, for his protection (as he is being hunted throughout the universe.) Girl: Dude, I can't believe you know Rezz. Hey! Girl 2: yeah that's sooo cool. Girl: Yeah, VIP. Is like-- Girl: Oh my God, I bet it's like so lit. Girl: So Lit. Girl: Oh my God, yeah. I'm definitely doing VIP next year. Girl: Definitely. Girl: So worth it. Girl: So like, what time does it start-start? Girl: ummm, I don't know, but I think we're like early. Early!? Girl: Should I--oh, hey--im getting a call. It's the other DJ, I think she's inside already. (It's Ū) Girl: Hello? What up Ū! Ū? Hey! Heeeeey! Girl: yeah, we're at the door. Ohhhh shit, for real? Ok. (hangs up) yeah, she said she'll be down here in like, 5 minutes. Apparently the music's bumping, they couldn't even hear us at the door. Psh. 5 minutes yeah right. Girl: daynmm. Girl: yeah, there's like 10 famous DJs in there in there right now. Look at this snapchat I got earlier. Daaaam. Lit. I heard there's gonna be more. Is that Allison Wonderland? Allison Wonderland opens the door. Hi Guys! No way! It is Allison Wonderland! Hey!! Come on in guys! Girl: (closest to Sonny, but walking towards the door) wait, did you guys hear that weird. Girl: kind of, not really Girl: yeah I don't really believe in ghosts, but sometimes-- By now, Sonny has noticed that he hasn't been seen or heard by anyone and assumes his likely invisibility. However Allison Wonderland, being a DJ, has the ability to see through this force field (unbeknownst to him that it even exists.) Sonny stands at the door, staring. She stares back expressionlessly, straight into his soul with indifference of his presence. A brief silence, before Sonny furroughs his brows. She just stares at him. ...wait, can you see me? ...No. She shuts the door. Jack and Jill I'm elessian park You left your sister where Doctors A-Z (doctor p's planet; boogie t distant relative) Scary OWSLA (1000 VOLTS, WESTWOOD) GIANT JOSH PANDA THE SOUL SALESMEN THE CIA/FBI/MEN IN BLACK DONT FUCK WITH TIME (IRL) FROZEN SKRILLEX FOREST FIRE (REZZ) Ralph, Wendy, Denny, Trader Joe Mr moto guy Tips>>>SKRILLEX I thought we were done writing these. I guess not. Get the fuck back, Dillon Francis. Woah, I--okay. JUST STEP BACK. That's a gun! It's a bayonet. That's...where did you even get something like that? I time travel. That...makes sense. It has to. Wenzday. She's pretty. Aren't they all. They are. Maybe her. Anyone but you, huh? How would it ever be me? Still don't believe? How could I ever believe. They're all perfect. And Talented. And white. Can't forget white. And thin. Never forget thin. So why would it ever be me? Maybe it wouldn't. Maybe's a maybe. And a Skrillex is a Skrillex. And Sonny's a Sonny. So-- So, Billie Ellish. My Future. See you in a couple years. Its chasing a wild goose. It's chasing monsters and sprites. It's chasing, but only if you're running. Run, Sunni-- Run Sonny-- Run. This goes around in circles. Goes around like seagulls in the sky. Getter. What did getter do? What did Skrillex do? What does Dillon Francis Have to do with anything? Nothing. Jimmy Fallon --was never nothing-- What does Dillon Francis have to do with anything? Still don't know. What about Pasqualle? Still don't know. And Skrillex? Fuck--I really don't know. Don't you? Alright. What do you know? Commonalities. And? Patterns. And…? Red Cups, Beer Bottles, and Pop-Tarts. What's it look like? A shallow pool of hard liquor. So? So, they can afford alcoholism. You see it that way? I don't see. Don't you? That's the same question twice. It's the same question, infinitely. Who are you? Who am I? Exactly. What's your DJ name? Depends on the day. What's your name, now? I'm Sunni. To replace Sonny? Nothing replaces that. What's in the music? An algorithm--a hidden code, maybe? Maybe. Maybe's still a maybe.[ What are they looking for? A savior? Now you've given yourself a God Complex. As if the world already hadn't. The world had, I just refused to accept it. Until? Until everything. At once, right? And nothing. Why does Annie keep coming up? You must be on her mind. I'm dead to her. Who? Exactly. She thinks you'll make up. Please. She's latna and native. And an alcoholic. So. So she's perfect. So she is. I'm not forgiving her. Again. Maybe you don't have to. If the DJs want her, they can have her. She's a perfect storm of a hoe. Hoes are fun. Until they're not. What are you? A ghost. Why does she keep coming up? I don't know. I've had two dreams about her. She misses you. I could give a fuck. You could? IDGAFOS. Happy Birthday, Dillon Francis. But you won't tell him. His fandom will. I'm done inboxing people. These people live on beaches; I'm a grain of sand. So go find your beach. Viva Mexico. Probably so, huh? Probably. Left in a world without people, realizing she is completely alone, Punishment be ones Paradise, as she enjoys all her favorite places, without the pollution, population or politics in her way. The happiest she's ever been, she approaches EMPTY EDC, still perfectly intact with the gates wide open. She runs inside,losing her mind-- and then losing her enthusiasm entirely, realizing she cannot dance in silence, or operate any of the rides by herself (which, in one dimension higher, she uses the power of the mind to start manifesting all the things she needs,creating a perfect EDC) however, in the most limited dimension, where even manifestation can be fathomed, and no use of magic, she sadly strolls through the empty carnival--though, having found solace in the typically overpriced fashion and merchandice apparel, has ransacked the empty and abandoned shops, looking ridiculously ravey, looking like a 3D insomniac billboard, sparkling with Kandi and shining flashing lights. She approaches the front and center of the rail, her usual favorite, as she looks up at the decks of The BassPod. She just looks, as she sips an acai berry smoothie out of a collectible cup. Cree: You look like a fucked up cupcake. SupaCree: You look like a fucked up cupcake, ate a fucked up cupcake, and then put on a sweater. Cree: Hey man. Fat is Fat. I'm in Infinite Eternity: INFINITE EDC, BITCH. SupaCree: Oh yeah? You like being the fattest fat ass dancing fatass at the everlasting motherfucking fatty fattass fat... dance... Cree: Hmmyeahh--Hows it feel being the lastest-fast-having-last past life past-afterlife--flattest -ass-last-fan-of-DillonFrancis-random-dancing-at-the-lostest-awful-rotten-sauced-forgotten-boss-of-not-a-lot-of-bought-a-bag of -frazzled-skrillex-dicks-you-wish-you-licked-but-didnt-cause-they-wouldnt let you in the the artist tent if you farted in it, in -different-dimensions you were in INFINITE but now you're ISNT-ISNT-ISNT IS THE CLOSEST cause you're not a fucking DJ BITCH, YOURE JUST A WISHIN WASHED UP WISHING WELL YOU'RE STILL FAT!! PPL ALTER EGO I wanna look like her! —oh, that's a guy —well, still. For I am just a shadow of what I once was; And all of a fraction of what I would become, Were it not for love There you are. There I was. Oh, my God. How long was I gone? Long. I'm sorry. No, you're not. Oh shit, that sounds F.U.N… FUN!? FUCK YOU, NIGGA! Oh good, the Dolphin On Wheels is here. "THIS. IS. OWSLAAAAAAA" ARE YOU SERIOUS!? Serious as a Dillon Francis Bampheramph. What even IS that? You're looking at it. ________ NO PANTS! what?! (Takes off pants) HEY! NO PANTS, Dillon Francis! Have a banana. I don't wanna banana! I want pants! NO PANTS. gimmie your hat. (Leaves) It is. An Element. Can... I base... my survival solely on elements--is--the question. That is, actually--as it stands, what we were intended to do--I suppose. Elements. Alchemy. Alchemists. Ahhhh. Those. Ahhh. D-- Hmmm. Mmm. Okay. This is gonna take a long time to work out. What doesssss--- ...Hello… Aha-ahaha... ...What does Dillon Francis have to do with this? I don't know. *laughing in 4 different dimensions* I know, right? *snickers* Well, that's another drop in the Fuck-It Bucket Not that Bucket. [honks] Ahe, Hehehe I didn't-- Actually, I did know that-- I did know that-- I did know that I had two Fuck-It Buckets. I had forgotten... about all the buckets. Just like I almost about the Hellavator. How is that going, by the way. Oh what--the Hellevator--or the Party on the Hellevator? Or the scene...where Hanzel's on the...Hellevator with Dillon Francis? I-- *reacts in 4 different dimensions* Oh, wow. I know! It's gonna take forever. Forever's almost nothing compared to an eternity. Yeah--forever is almost nothing, compared to an eternity. *smacks lips* And then that, motherfucker… FUCK THAT MOTHERFUCKER! Fuck that motherfucker. *sirens sounding* YEP. *blasting magic* Yep. ...yep. This is why we don't need a wand, anymore--because--you see that? Yep. Well, -- you don't see it, Well I mean, that's just part of the joy--you just know. You don't have to see it, you just know. Oh, you mean like... [mimicks ******** ] ..Kinda like that… But…??? Gonna Hit that red dot and never stop What's that--the 4th dimension? Ah, the 4th dimension. The “r” word Yeah, yeah, yeah Like political correctness even matters. The only thing that matters is matter And why have I never been for a Joyride? Last thing I remember, I was having the time of my life... [rifling through things, as Dillon sits down at his desk—he puts on a pair of librarian-like frames, adjusting them to fit at the nose] You don't wear glasses. Uh, I do wear glasses, I am wearing glasses. I just never—you know—thought of you, like— Yeah, well—not all of us are known by our trademark frames. I detect a hint of bitterness. Oh, you can detect that? What device do you have that does that? …...my...senses. Heh, you look like Katey Sagal. I love her. Same. [rifling through papers, doing office things] What's taking so long, Peg? Well, Al, if you must know it's going to take me a minute to get into my ‘Skrillex', it's been awhile. How long's awhile. Hey—you came through my panoramic window demanding Skrillex. Tsh, like it's never happened before. (Or like it's always, never happening) What? Hey—who said that? So how long's this gonna take? I'm gonna need you to exercise patience—that is, if you're familiar with excersise. PATIENCE?! What the fuck is Patience?? Are you done yet? Patience—patience—it's like—it's almost like “patients, like what a doctor has— —oh don't even— *hands up* Not gonna even. … … … Did you— I told you it has been a minute. >>>< >>>>>>> >>>>< What kind of company do you think I keep?! In this installment, which follows Scary Monsters and SupaCree and crosses over into both DILLONCEPTION, and enter the multiverse. Having nearly abandoning the ideal of becoming a superstar DJ, a reality she had previously become certain of, but given up on after being led to believe the DJ world is one ruled by white supremacy, SUPACREE, going by “CC” and operating under the pen name CC stone crafts a somewhat plausible future in entertainment, still creating music under the moniker “Sunni Blu” or DJ U, still passionately attached to Djing, though as a hobby, rather than as a potential career. In a pseudo-suicidal depressive state, our protagonist explores all the infinite realms of her own creation, drifting into a lucid God-Dream in which all the dimensions of her writings exist, in each respective reality, sometimes crossing timelines from one “fictional” realm into another, as the writer struggles with her own self-confidence and self-actualization. We Open With A Blockbuster-Style Movie Trailer. Everyone Is At The Event, Where Everything Happened. She broke everything in my house. Everything? Ev-er-y-thing. Hah, I broke all of his stuff. All of it? Everything, dude. Hehe. All of it. No, Like--Literally, Everyone, Ever. What did you do to this girl? _ EXCEPT… I don't get it. She hates Dillon Francis. She does— hate Dillon Francis. So why would she go to this? [They enter simultaneously.] YOU! YOU! [They charge.] EH. [She-- CUT TO: Sunni Blu is writing a Movie. —- I don't get it, how do I write about magic? I don't know, just say what it looks like--- Cut To: Staring at Skrillex. [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “The World Builders” [Staring at Skrillex.] [It's...an anomaly.] Yeah, she's just been staring at it, I think for… Doesn't matter how long, dude--she's gonna get stuck in it. OF course she's gonna get stuck in it, she doesn't know who built it. ...who did this…? “Think about it; What would you do that would leave a profound effect on Skrillex. I've...been...trying to figure that out, maybe. Pi. Look, it's S U P A C R E E. Oh shit, these are DIRECTIONS. To WHERE, tho? Dude, I have something to tell you. What. It's bad. Why, what happened? It's... look, no one else can know about it, okay? Okay... Oh shit, she's a Trance artist now? Trance? I don't know how to make trance. This one time, I held my breath meditating to it, and I just-- Just what? —- That's it. It just ended. What? Yeaaauhh dude. I don't fuck with Skrillex. For a lot of reasons. … I think I might be a writer. Oh no. She's a writer. Oh, no. ___ Oh, NO. I am not touching that with a $10,000 dollar paycheck! $!0,000--what the fuck am I gonna go with $10,000? ($10,000 is the rich people equivalent of $10) Yo. Poor people will do just about anything for $10. What? No, they won't. Yes they will--hey--watch this. Hey! [guy looks] I'll give you $10 to hop across the street on 1 foot. D1- He just does it See. D2- Does it, gets hit by a bus. See. That guy died. For $10. D3- Does it, gets hit by a bus; but is S U P A C R E E and resurrects instantly, then comes back for vengeance, capturing 2 more. What, she has their souls? Hearts and Souls. Goddamn. (Literally) Well, I told you Jesus quit, right--? Yeah, he's...he left. Jesus is watching “The Movie” So you swim into a port that has a boat. A boat-- Then you get on the boat. Get on the boat. That boat is going to take you to another boat. Okay, another boat. I TOLD YOU THERE WAS ANOTHER BOAT. YOU DIDN'T TELL ME THE FIRST ONE HAD TO SINK, TO BOARD IT. Oh, yeah, well--duh. So then--on the second boat-- Well, it's more like a really big Ferry (It's a monstrous cruise ship) Yeah, that shit made groove cruise look like...what's the poor people equivalent of groove cruise? There is no “poor people equivalent” Well then--how do poor people rave on boats? They...don't. That doesn't seem fair. Yeah--where's the equality? There's no such thing as equality in poverty! Actually-- HAH. THEY CALL IT “GOD'S COUNTRY” I'm not taking responsibility for this. I didn't do this. “IN GOD WE TRUST” NO, that just means; the trust is empty. It's empty. This...this used to be a reservoir. It still is...a reservoir. Of water. Oh. It's a “Christian Nation?” Christian? What's a Christian? It's-- NO. Jesus, listen. NO. YOU LISTEN: FUCK. THAT. FUCKTHAT. Oh, he was mad. He was pretty mad. He still is, mad. He is, pretty mad. Dad, what happened? It doesn't matter, it just had to happen. Why did it ‘have' to happen? If you have even to ask; I don't have an answer. Ogh, dude. I know. It's almost time to go back to work. I know. Oh, my God. I know. How long have we been in this Void--it's so random. [The whole #SQUAD is on Watch.] Hm. What is this? [A look] Can I have some? [Another look.] I like it. I want it. [The Look.] I'mma try it out. OK. __ Ask Him! He knows! How to get to Skrillex? (still censored) Yes--you know. He knows. You know, right? I don't know. What? I--? IT WAS AN ACCIDENT. (It didn't happen.) Fuck. NO dude, I found it--I just don't remember how… Do you remember when? Ah, I remember my first Skrillex. I don't. Oh My God dude. Flip Flops? Yes, my feet are killing me. [Skrillex ]is in 10 minutes. Actually, 9. The Hotel is 7 minutes away.; The car is parked in Valet; If we leave now, we can make it back by the time it starts, I swear. You SWEAR? __ Ooh...Beyonce...I like her. We all like her. Give her something nice. Nice. Very nice. Very nice. What do you want her to dress as? Oh her? ...she can come as herself. [the next part] Yo FUCK the Met Gala; I'm going to THIS shit. What? You were invited? I want to be invited! How did you get an invite? ((Oh, you can't write that)) Damn right I won't. Lol, she had her dress as Beyonce. That's cold. She stole Umbrella! She stole it first! It wasn't even written for her--! It wasn't written for anybo-- Actually, it was written for ME. Oh yeah, huh. Why does this song have 32 writers on it? What the fuuuuckkk... What. We have [Skrillex.} Skrillex. How did you get a [Skrillex?] Just--[Skrillex.] “Just [Skrillex”?] The Original. Oh, shit. The Original [Skrillex.] Like, the first one? First one ever. Where the fuck is my [Skrillex?] I didn't take it. STFU “didn't take it”--Where the fuck is my [Skrillex?] Oh what--[Skrillex?] We have [Skrillex!] You do? Of course we do! It's paradise. Oh, wow. Oh, wow. If that man sits at a piano, I will pass out... Oh wow, he plays piano...hmm. I will faint. How did he DO this? This Volcano emits *this* frequency. Ah, try this-- Scary Monsters and Nice Sprites. Oh. I know this one. Do you? Yeah! Bruh. I'm about to take a lot of drugs right now; I'm just calling to tell you that I love you. What happened? Nothing happened. I'm just like this now. What's that? Nothing! What is it? Nothing! It's [Skrillex], isn't it. I don't get how he DID this. Someone give this man an honorary doctorate. Think about it like this; if all this is happening to you, and you have-- --No Grammys-- --and he's got-- --Eight Grammys. Eight Grammys, really? Damn, what the fuck. I know, right? Right. So. If he has eight Grammys--and you have none-- --zero Grammys-- --and you're experiencing this right now-- Damn, what the fuck happened to him? [Over the phone] ...She shat in my Grammys. What! All Eight of Them? YES. I didn't shit in his Grammys. You didn't? NO! Well, that's good, because-- I hired other people to shit in his Grammys. What? Best $80 I ever spent. Why are we terrorizing [Skrillex?] He started it. He did start it. See, this is why I like him--he doesn't ask questions. What? You hired 8 different people to shit in his Grammys. Yeah! Dude, that is disgusting! Dude. You hired three different photographers to take professional photoshoots of my dick. Look; These were all done on location; we went to Catalina...it was kind of cold though-- WHAT THE FUCK. Dude, this is like 9 lawsuits. Well, actually, one of them is a Class Action, so that's actually like a dozen actual complaints rolled into one; I don't know why they do that. {SupaCree has arranged literally “many seats” for both Skrillex, and Dillon Francis.] {Sweet Brown's Monologue: Well, Sweetie, I'll tell you what; That's a tough way to go. I'll give you one more go at it; and She Stole All of our Music! All of it? NO! Just the HITS! (awws) ‘ATROCIOUS C' ? What the fuck is THIS? Hmmm Atrocious C and the-- Wait--what was it called again? Oh shit. Black Jack Black. That was it. Right? Yeah, that was the original joke, I think. You think? Yeah, I think--But then I remembered Atrocious C Wait, Atrocious C was a real thing? YEAH dude, it was my cover band in college. COVER BAND IN COLLEGE? YEP. Black Jack Black Black Jack. Oh no. Yep, he was there. Remember that $10,000 I gave you yesterday, and you said you didn't want it? Yeah… I need it back. No. What? You said you didn't want it! Yeah, then you made me take it anyway, so I spent it! Well, what'd you spend it on?! Dude, where are we going? If I knew, then it wouldn't be an adventure! Please, no [Skrillex.] PUMP THE SHIT. Dude, is that [Skrillex?] Go the other way. What? Why? TURN AROUND . Seriously, what was that? TURN AROUND. “Turn arouuund” She wrote the whole...movie. What the fuck is a “movie”? I should record this. “record” ? OK, FIRST OF ALL. [Skrillex] has Magic Powers. SHHHHHHHHHHHHHHHHHHSHUTTHEFUCKUPPPPPP. Wow, 14 Pages. What...language is this... -It's In English -It's in [Skrillex.] YOU KNOW I CAN'T READ-- Ugh, yeah, I can translate this. It's alphanumeric.. You algebraic motherfucker. Damn. Is he still over there? Yeah. Goddamn. …. Goddamn. Hey. Uh. Come in. ...it's nice in here. It is. ...did you take out a wall? Window. Oh. Okay. Yeah. Where's Dillon? Oh, he's... chillin. {Dillon Francis is sleeping like a-- No dead baby jokes. I wasn't going to make a- [He's laid out, alright.] How long has he been sleeping like this? ...I don't know...awhile. How long's “awhile”? We've been trying to call him. I know. I have his phone… That explains the inspirational breakfast messages. What? I stopped getting mine! I found your preceding messages to be in bad taste. CUT TO: Everyone is laid out. She is going through their phones. Woah. This is a lot of tits. So many tits. Tits. Tits. Tits. Oh hey--look at these. Oh, I don't like that. What is that? CUT BACk: Oh, you saw that…? I saw that. And I deleted that. And I blocked your number. (shamefully) Oh. On everyone's devices. What the fuck. Permanently. Oh. Yeah...You should go, now. [Does] Dude, she has me carrier locked with every provider in the united states; I had to get a burner just to try to get through to all of my contacts everytime I try to make call it somehow gets intercepted. Hahah. he had to get a burner. Haaaah. wow , you really did it this time. Now I can listen to their calls. What? That's impossible-- NO IT ISN'T dude. I don't know how she's doing this--it's like every time I--HELLO? --What? Hello? Hello? Hm. Haaah, I disconnected them. Dude, what are you doing to these DJs? FUCK THESE DJs. FUCK THESE DJs. FUCK THESE DJ'S. And that guy over there. Hey, who is that guy anyway? I don't know...he kind of looks familiar… Yeah, he does...I...I think I might have seen him perform once… Preform? Perform what? Music? … YEAH, HE DOES MUSIC! I REMEMBER. THIS GUY'S A DJ. ...I'm...not a DJ. HE'S A DJ. LETS GET HIM. What does he do? Who, that guy? [Skrillex.] I don't know. What's up, I'm “Not A DJ”--- YOu should probably be careful with it... Careful with it. Be careful with it, it's limited [Skrillex.] Limited [Skrillex.] Mmhmm. Lets get it. We probably shouldn't. Mm. I feel like we should Dude, it's limited. ___ Cosmo and Wanda are on their way to The Event Cosmo. What? You should probably stop drinking. Why? You're flying sideways. Alright. Try water. WATAAAAR!! __ Dude, how long have we been dead for? Dead for? Yeah, man. I don't know. Yeah, me neither. She didn't make it. Didn't make it? What do you mean, is she okay? No, I mean--she's dead… WHAT? That's not ok. I don't get it, what is she doing? This is just how she does it, shut up. Yeah, but what is she doing? [Skrillex!] He's here? He's here! I gotta go! Get gone! [Skrillex?!] Yuh! Fuhck! If he's here, then i'm already late. Late for what? Pretty much anything, you name it. His...Name...Is… DON'T SAY ITl DON'T SAY IT! DON'T SAY IT! He's been sleeping for...several days. [Still Staring At The Sky} Who DID this!? Explain it to me! Explain it to you? I can't explain to you! Are you seeing this? I'm in it! Everything's in it! __ Bruh. I know, dude. A little man climbed out of my sub this morning, and I'm just saying---I don't know if I can take it. I don't know how I'd take that, either. I can't take it. There's just one thing you should know: What? When the bass drops, so do we. DROP. What did you do with Dillon Francis? I don't know. I can't remember. You don't remember. What did you do with that bitch?! I don't know! I don't remember! You don't remember? Noone remembers. Deadmau5: I remember. Deadmau5 Remembers Everything. This is why he is “like that.” WHY AM I LIKE THIS. WHY ARE YOU LIKE THIS. I DON'T KNOW. I DON'T REMEMBER. So wait--Deadmau5 knows the entire story? well , yeah. Wait, which story? All of them. What the fuck! Happy Birthday! (he is canadian, so he is morbidly polite) Thanks. You're welcome. K. So. YAH! [they both draw their rave weapons] WHO IN THE FUCK ARE YOU? I AM IN “THE FUCK” YOU'RE “THE FUCK”, YOU DICK. Here's your gift. [She tosses it.] Oh, Gosh--this is... actually exactly what I wanted. I know dude. UH-WHO ARE YOU? I'm YO(U) . [They do not battle. He just accepts it.] Have you seen this rock? It's...not a rock, it's… Well, have you seen it? Yeah I've seen it. It's pretty sick. Yeah… (Delirious) Oh My God--A Tiny Man...with a tiny scythe…. I am not a man. I'M NOT A WOMAN. ---he changed his name to a symbol. I'M NOT A MAN. “is [_____________]” a boy or girl I AM SOMETHING YOU WILL NEVER UNDERSTAND. Oh, Jesus Christ. What dude. What the fuck do you want? What? Wait, you're...Jesus----Jesus-Jesus??? If you insist on still calling me that, I told you ages ago... (to himself) ...that makes so much sense…Jesus… Hm? Hey wait--are you still--sleeping--kind of? *wakes instantly* Sleeping? Who's sleeping? I'm not sleeping! Chel. HUH. [they squint at each other suspiciously] WHO'S THE PINATA NOW, BITCH?! Oh, my God, Gerald! Get a hold of yourself!!! WHAT HAVE I DONE! WHAT HAVE YOU DONE? Dillon--What have you done. WHAT--DID YOU--DO. Just...Voodoo. VOOOOOODOOOOOOOOOOOOO. (She's mad.) ((Oh, she's so mad)) (((Mad, what's that?))) Bruh. She bleached my asshole. What! Yeah. And then tie dyed it. Trending: Rainbow Taint. Bro. How did you even find out about that? -creative ways you might find out, your junk has been permanently altered. What, it's PERMANENT. Dude, how Am I supposed to explain my LITERALLY Blue Balls? --I”M BLUE DA BA DE, DA BU DI__ I thought it was “Da BU Di--Do-Bu-DI” Obblah-di, Oh Blah-da; Life goes on, brah-- La-Da-Da-Da-Life goes on. I don't know. I might be a writer. She's a writer. She's a writer! Oh No! She's a rider. Oh, that's robust. Oh My God--It was that big? (Nods) You'd never know. ...I knew it... What did you do with it? I just wrapped it around my leg and tucked it into my sock, most the time. Oh, wow. Yeah. I had to layer, the tube socks. That's--wow. Yeah. I mean. When you're right, you're right. You're right. I just get confused about it when I see him in shorts now. [in shorts.] (she cocks her head to the side and squints, staring very suspiciously) (Later) We find that -- Woah. What. This is ridiculous. It is. [Skrillex] is Ridiculous. It is. So wait. This dudes dick. Oh my God. Is so long-- right He just opens up a portal to another dimension, so he has some place to put it while he's doing business-- What is this. --So it doesn't get in the way. Lol. Pocket Portal. Why did you DO this? Who did this? SIR. STOP CALLING ME THAT. SIr, it was “not enough.” What? I don't get it, so he's like a psychic? [Skrillex] is a psychic. Mm. No. No, he isn't. Uh, yes he is. No, he's not. He's just from the future, so he knows what's in it. Oh. Which future? All of them. Wait, which human era? ... Oh, I've seen the movie. How could you see the movie, it doesn't exist yet? Oh. It exists. What? It does? Yes. And It is fucked up. Like, in a good way? just FUCKED UP. Bruh. I went to go see [Skrillex] last night. Oh shit. How was it? IT WAS FUCKED UP Like, in a good way? JUST-- I JUST-- I JUST, ADJUST. There. There it is. Adjust. I don't see anything. Veer Weest. There! There! Right! There! *gasps* Wait, I think I see it. I see something. Wait. Is that. Adjust. *gasp* it's moving. It is moving, It appears to be moving. I can't just leave it, they'll find it--I have to keep moving it. You can't keep moving it--the planet can't handle it. There are still humans on it! I know there are still humans on it, that's where I left them; but I can't just put it back, and I can't just leave it out here for the Inter--Galactic-- Interdimensional-- Whatever! I'm not just gonna leave it here for some aliens to turn into a trash planet.It's not a trash planet. (It's, basically a trash planet) It's a trash planet. Okay, well--it's my trash planet! And. I already annihilated--or, am in the current process of--annihilating all the evil soulless demon people-things. All the Bad Things. It has a lot of badness. Yes, but recently less badness. Kind of. And also less water. Everyone's thirsty now. But...I mean, we always were, kind of. Especially in LA. What is your process? This is it. Look. Look,This planet-- Trash Planet-- Trash--Look. Its full of primitive species-- OKay-- And also other things that shouldn't be there. Alright. And it's almost dead. Or dying. Or...dead already. It's dead. It's a dead trash-planet. But I can't let anything [else] happen to it. --AND DEN-- You caused an entire apocalypse. Well, they called me fat, so. Well great; What are you going to do with your dead post apocalyptic trash planet? You can't keep expanding everlasting galaxies just so you can stuff this piece of crap planet into voids. Aha-Ha. IT'S FUCKIN--AHA-- W-Wait. Where did it go? Where did he go? Where did she go? How did I get here? How DID she get there? I've been looking for you everywhere! That sucks… Where were you? Nowhere. Like, the only place I didn't check! It was the first place I checked. You checked? Yes. He wasn't there. He's not in there. He's not on the lineup. I know how to get her here. ___Dude, I don't know how you did this! How did you DO this? Look, it's a long story. Well make it a short one. *sighs* Look. I was jumping up and down, during my set, like usual--okay. OKay. So I….dropped the bass, and then… AND DEN? And then? And then…(looks off, into the distance, for a moment) I went up, the bass went down; My dick went sideways, and forward-- --sideways and forward, at the same time-- >>>Yes. It was a lot. Yo. What's his power. I don't know. I know you know. Everybody knows you know. What's his power. Ask him. Dude, I know you know it; Just tell me. “Macbook Bro” It's Apples Take on Music Production. Yo dude, these are flying off the shelves. ___ Dude. I jus' joined the mile high club. No way. Yes way. With who? Myself. Nice. It was great. __ So you're telling me-- I'm telling you--what I was told-- That they put him on a helicopter in the middle of the desert-- ---Black Rock City-- Whatever--Burning man--middle of the desert-- _-Yeah-- --Right. And then flew him to-- --”an undisclosed location”-- --okay-- ___ To her suprise, some big-time hollywood producers have taken an interest in her script,; Because she has no formal work experience in the industry, she is being “coached” by seasoned industry professionals as the Film Goes into Pre-Production Okay, I actually just had a few questions about the script… Go ahead, I was wondering about this scene with [Skrillex.] [...Skrillex?] What [Skrillex?] It's...pages… No. It isn't. There's no [Skrillex.] He is introduced as a character in Act... No, [Skrillex ]isn't in this. He...is...I'm...looking right at it. What page? Pages 45, thru… [Sunni Blu (a.k.a. ‘Stone' omits page 45 from all of her written works.] “45” Yeah. There's no...come here. What. Come over here. Let me see. [Does.] ...what master is this... The revision I got in my email this morning. From who? From you. WHAT? BRO. YOU REMEMBER WHEN WE WENT OUT TO THE DESERT-- ---YEAH--- --AND WE BURNED THAT-- ---YEAH--- MY ENTIRE STAFF GOT THAT IN THEIR EMAIL THIS MORNING. WHAT? I thought that was the only copy. IT WAS. WHAT THE FUCK. BRO THIS NIGGA. THIS NIGGA. NIGGA. [Skrillex] did A [Skrillex.] Three People Know About It. [Skrillex] is not one of those people. Woah. So. He doesn't know. He doesn't know. Oh, no…. ...I just don't get it; I'm really sleepy. Well yeah...you are ...dead, so. What? I'm dead? Oh, yes. That explains it. It... actually doesn't expla
See Jesus Revealed Did the disciples almost miss it? (Luke 9:32) The disciples saw Jesus' glory! We recognize the splendor of His majesty (John 1:14) Look to Jesus It is good to be here (Luke 9:33) Listen to Him (Luke 9:35) There is a cloud around us too (Hebrews 12:1-2) Reveal Jesus The disciples kept silent (Luke 9:36) We can tell others what we've seen (Hebrews 3:6)
On today's episode we are talking about what we say "Merry Christmas" and not simply "Happy Holidays". NOTES: It acknowledges our condition - sinners in need of a savior It acknowledges who is in control and on the throne It is a recognition and celebration of the hope we have in Jesus It is God glorifying... or at least that is our heart disposition for us, towards God Christmas is not just about Christmas trees, presents, Christmas decorations and yummy holidays smells... it's primarily about what Christ has done in humbling Himself to come to the earth as a human, fulfill scripture and save humanity back to Himself... giving us life and hope in Himself. Genesis 3:4-6 - But the serpent said to the woman, “You will not surely die. 5 For God knows that when you eat of it your eyes will be opened, and you will be like God, knowing good and evil.” 6 So when the woman saw that the tree was good for food, and that it was a delight to the eyes, and that the tree was to be desired to make one wise,2 she took of its fruit and ate, and she also gave some to her husband who was with her, and he ate. John 3:16 - “For hGod so loved the world,9 that he gave his only Son, that whoever believes in him should not perish but have eternal life. Ephesians 2:8 - For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, 1 Corinthians 15:20-22 - But in fact Christ has been raised from the dead, the firstfruits of those who have fallen asleep. 21 For as by a man came death, by a man has come also the resurrection of the dead. 22 For as in Adam all die, so also in Christ shall all be made alive. Romans 5:2-5 - Through him we have also obtained access by faith[a] into this grace in which we stand, and we[b] rejoice[c] in hope of the glory of God. 3 Not only that, but we rejoice in our sufferings, knowing that suffering produces endurance, 4 and endurance produces character, and character produces hope, 5 and hope does not put us to shame, because God's love has been poured into our hearts through the Holy Spirit who has been given to us. Call To Action: Follow us on Instagram (https://www.instagram.com/the_old_fashion_dad_podcast/) & Facebook (https://www.facebook.com/oldfashiondadpodcast/) for more content & DM us to connect! Don't forget to subscribe on Apple Podcast (https://podcasts.apple.com/us/podcast/old-fashion-dad-podcast/id1513254208) or your favorite podcast app.
Christmas season is in full swing - sometimes it's more hustle than bustle. This week Kent talks about the danger of a hurried life and invites us all to lay down what we are carrying. If you need encouragement, be sure to tune in and get it! When you give at Harmony, you are investing in life change and are Advancing the Kingdom! GIVE TODAY, text any amount to (859) 459-0316 to get started (or give online @ my.harmonychurch.cc/give . ------------------- Sermon Notes Slide Key: Sermons always start with “OPENING ILLUSTRATION:” and end with “CLOSING ILLUSTRATION:"All scriptures are NIV unless otherwise notedBold = Slide textBold Red = Scriptures (please reflect formatting of scripture on slides, i.e. - underlines, italics, etc.)“b" or “B” on a line by itself = Slide break/New slideBold ALL CAPS WORDS = heading to be ignored[some text] = programming notes to be paid attention to OPENING ILLUSTRATION: I noticed something this year and last - people getting ready for Christmas before Thanksgiving… What's that about? I have a suspicion of what it's about We all want joy in our lives We are dying for joy We are worn out, stressed out, anxiety-ridden, end of our ropes tired! You know what TIRED stands for don't you? Take Inventory, Re-evaluate Everything, Dummy! Ok, I made that up… Ha, and I couldn't think of a “D” Ha! -it might not be the most encouraging thing in the world But I think it's why we are all craving Christmas-because Christmas is a time when we all pretend everything is ok -We manipulate our kids into being nice -We put up fake trees that will never turn brown- We put lights up everywhere to brighten every corner-and we listen to nostalgic songs that make us forget we are living in the middle of the great depression Do you know the problem with the joy or rest we long for with Christmas? We settle for fake rest over true rest. and I think it's because none of us really know how to get rest-Our marriage is hanging on by a thread -Our kids are out of control normally -Our internal world is fried What's the answer? ILLUSTRATION:John Orteberg who is an author and Pastor tells a story about a conversation he had with a guy named Dallas Willard - whom I've quoted before. Orteberg had just taken a job at a large well-known church that was known for working its people hard. Orteberg asked Willard if there was anything he should do as he took the job. Willard paused after the question, thought, and then said these words, “You must ruthlessly eliminate hurry, hurry is the great enemy of the spiritual life of today” -Dallas Willard did you hear his response? It wasn't you need to do more, be more, give more, it was your need to ruthlessly eliminate hurry. Reminds me of a story from the Gospels Luke 10:38-42 38 As Jesus and his disciples were on their way, he came to a village where a woman named Martha opened her home to him. 39 She had a sister called Mary, who sat at the Lord's feet listening to what he said. 40 But Martha was distracted by all the preparations that had to be made. She came to him and asked, “Lord, don't you care that my sister has left me to do the work by myself? Tell her to help me!” 41 “Martha, Martha,” the Lord answered, “you are worried and upset about many things, 42 but few things are needed—or indeed only one.[f] Mary has chosen what is better, and it will not be taken away from her.” Both Martha and Mary were presented with the same opportunity They had Jesus the Messiah sitting right in front of them One chose to sit at his feet, the other chose to be up on her feet. I want you to notice something, Martha is doing what would be expected - she has guests at her house-it would have traditionally been expected for her to be busy - getting stuff done, cooking, cleaning, setting tables-you've seen this at Holiday meals right? ILLUSTRATION: I always picture my Grandma Crockett on my mom's side. The entire time we were all eating ham and turkey, Grandma would be running around making sure every bowl was full, every plate had food, and then when everyone else was done eating she was washing dishes and finally eating after everyone else had finished. This is how I picture Martha, she's not doing a bad thing - it's a nice good thing But Jesus tells her there is something better 41 “Martha, Martha,” the Lord answered, “you are worried and upset about many things, 42 but few things are needed—or indeed only one.[f] Mary has chosen what is better, and it will not be taken away from her.” Mary actually is breaking all social and gender norms for her day - and SO is Jesus… It would have been unheard of to have a female disciple to have “sat at the feet of a rabbi” meant to sit and listen as one of his disciples Jesus is telling Martha; sitting at His feet and learning from Him is better than any of the other things that are pressing for her attention. It very much reminds me of this passage that I bring up about 3 times a year because we all need to be reminded so much: Matthew 11:28-30 28 “Come to me, all you who are weary and burdened, and I will give you rest. 29 Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. 30 For my yoke is easy and my burden is light.” Can I ask you this question: What are you carrying through this world that you need to lay down? What is it? -do you feel responsible for the decisions your kids have made and feel lost in it? You're carrying this huge burden? -do you feel like all the jobs at your company are depending on you? If you don't keep carrying the ball, then everything might fall apart? -do you carry the feeling that you're never enough - you've been chasing enough long enough… We all chose what we carry through the day… through our lives… What if you chose to carry Jesus' burden? What if you let Him carry the impossible loads you are putting on yourself and you ruthlessly slowed down? What if you chose to be Mary, sitting at the Rabbi's feet? CLOSING: At the communion tables, we have some note cards and pens. Today, during the next song, I want to invite you to write down whatever it is that you are carrying and to leave it today at the cross and then I want to invite you to pause and slow down, to remind yourself that the speed of Jesus is not the speed of the world. He needs one thing from you, it's your attention - it's your heart and some of you, what you need to lay down, is your heart, because Jesus' offer for life is specifically for you. He came to give you new life and freedom in Him!
The End of the BeginningAs we come to this last reading in the book of Acts, the apostle Paul had just arrived in Rome after his long journey.Reading of Acts 28:17-37IntroductionI counted and this is our 53rd sermon in the book of Acts. Our final one. We started in September of 2020, and it's been a journey!Many of you have commented about your appreciation of this series. It's been helpful. It's been one where we've learned about the church and we've been challenged by the Gospel. The Gospel, as a reminder, is the good news of Jesus – It's the salvation that God achieved for us through Jesus's death on the cross, and the hope that we have because of his resurrection. It's been a main emphasis in Acts.As we come to the end, I want to take you back to the very beginning of Luke's words. Luke, through the inspiration of the God's Spirit, authored both the Gospel according to Luke as well as this book. And he wrote both books to a Theophilus. At the beginning of the Gospel of Luke, he said: “it seemed good to me… having followed all things closely for some time past, to write an orderly account for you, most excellent Theophilus,” and then he wrote, “that you may have certainty concerning the things you have been taught.” Luke wrote something similar in Acts chapter 1 verse 1. “In the first book, O Theophilus, I have dealt with all that Jesus began to do and teach, until the day when he was taken up…” And then Luke immediately began talking about Jesus's words to his discipline. Both about his kingdom and that they would be his witness. Luke was setting the stage for his book.In other words, both books focus on Jesus. The first on his life, ministry, and death while on earth, and the second, Acts, on Jesus's post resurrection ministry. That includes Jesus' commands to his appointed apostles, and the kingdom of God. So Jesus's ministry on earth, as the suffering servant, and Jesus's ongoing ministry in heaven as the king of his kingdom. And even though we don't know much about Theophilus, we do know that Luke's goal is to explain and verify to Theophilus what has happened… Here's how Christianity started, here's what it's all about, the Gospel, and here's how Christianity exploded in growth over this 60 years period.And at the center of the entire narrative is God. God the heavenly Father, sending God the son – Jesus, and giving us God the Spirit. That's what it's all about, Theophilus. God orchestrated it all. He fulfilled his promise of salvation through Jesus, and now it's going out to every tribe, tongue, and people. Jesus is reigning in heaven, and he's given us his Holy Spirit to accomplish his “ends of the earth” ministry.That's the big picture. And if you don't have that in mind, then you are going to be disappointed in this ending. Maybe you've already thought that. “Wait, what? What happened next? What happened to Paul? Luke, you've left me hanging?” Have you thought those things?On the other hand, if you get the big picture. That's it's God's work, His salvation, establishing and expanding his church and kingdom, through his Spirit, as the resurrected Lord Jesus reigns in heaven… if you understand those things, then this ending is actually amazing.My goal is for you to see that today. To be amazed. Amazed at what God has done. And amazed at what he is continuing to do. If you're thinking, “well, where's the next chapter of Acts, Acts 29?” Well, the thing is, we ARE the next chapter of Acts. As God's church and people, as part of his expanding kingdom, we are in Acts 29 now. Many have said over the years that the book of Acts is the “End of the Beginning.” Not the “beginning of the end.” No, Acts has given us the beginnings of the church. And chapter 28 is merely the end of the beginning.In the very first sermon of Acts, I used the acronym A.C.T.S. And I think I came back to that acronym maybe 5-6 times as a reminder of the main themes of the whole book. Well, I want to end with the same acronym. Let's analyze these last verses with that same paradigm. And in doing so, I hope that you'll see how it all connects together and brings to conclusion, or rather, purposeful inconclusion, the book of Acts.A.C.T.S.• A for the ascended Christ.• C for the church• T which stands for… do you remember, Tucker. We are part of Jesus's call that the Gospel go “to the ends of the earth” • And S for Spirit. God's Holy Spirit at work. The Spirit of Truth and righteousness.All those things were emphasized in the opening verses of Acts. And they were emphasized throughout the book. And they are here in chapter 28.Now, before jumping into those themes, let me highlight some of the story here… Paul's time in Rome.• First, the Roman Centurion considered Paul trustworthy and faithful. Even though he still had chains, Paul was able to rent a house. We're told that up in verse 16. That's incredible. It was the base location of Paul's ministry. People came to him, there. • Second, Paul wasted no time once he got to Rome. His first tactic was to call the Jewish leadership to meet him. That was only 3 days after his arrival. And they came to him. And the somewhat surprising thing is they didn't know anything about Paul. The Jewish leaders in Jerusalem had yet to inform Rome. Now maybe their communication was still on the way. Don't forget, the storm at sea pushed Paul 1000 miles closer to Rome. So Paul arrived pretty early in the spring... before the Jews from Jerusalem could either arrive or send a letter warning them about Paul.• So these Jewish leaders in Rome wanted to hear from Paul. And he had two meetings with them. • In the first meeting, verses 17-22, he let them know three things. (1) why he was a prisoner. (2) that the Roman authority found him innocent. (3) He, himself, didn't bring a counter charge against the Jews in Jerusalem. He simply appealed because the Jews objected to the Romans. And notice in this first meeting, Paul's heart was very much aligned with them. Paul spoke of “our people” and “our fathers.”• And then, the second meeting happened because the Jewish leaders wanted to hear more. And Paul spent an entire day with them. Look at verse 23. Three words there describe Paul's words: “Expounded” meaning he explained the Old Testament scriptures. “Testifying” meaning he was revealing what God had done and was doing to fulfill his promises. And the last word, “convince,” meaning Paul was trying to persuade them about Jesus. We'll get into the details about how the Jews responded in a little bit.• The last thing I want to highlight is the last two verses. After these two meetings with the Jewish leaders, Paul opened his home, and for two years, he welcomed anyone and everyone – Jews and Gentiles to talk. And think about this, no one could hurt him! The whole time he was chained to a Roman guard. By the way, I was reading Jim Boyce's commentary on this. Boice was the pastor at 10th Presbyterian in Philadelphia. He made an interesting comment. He asked, what if you were one of the many Roman soldiers chained to Paul. You know, taking turns. I mean, you would have been a captive audience for a couple of years. Not just hearing about the Gospel, but experiencing the Lord's work through Paul. Maybe in eternity, we'll meet a couple of them.Ok, hopefully that helps frame out these verses. Let's now jump into the ACTS acronym and connect this all together.A – Ascended ChristThe letter “A” – again for the ascended Christ. And we should include resurrected and ascended Christ. As I mentioned earlier, Acts has been about the resurrected and ascended Jesus. It began with the resurrected Jesus. He had risen from the grave. Conquered death and sin. And by doing so, he proved who he was – the promised Savior. He was the one to whom the Old Testament Scriptures pointed. And at the beginning of Acts chapter 1, Jesus then ascended into heaven. By doing so, he ushered in his Kingdom. Not an earthly kingdom, No, a spiritual kingdom with Jesus as king. We'll come back to the kingdom in a minute. And all throughout Acts, the apostles emphasized the resurrected and ascended Christ. That's why it's seemed like we've had 3-4 Easter type messages this last year.And this emphasis on Jesus is, of course, here at the end! In Paul's first meeting with the Jewish leaders, he spoke of the “hope of Israel.” You'll see that in verse 20. Well, they would have known exactly who Paul was referring to. The promised Messiah. The Christ. Those are 2 words that point to God's promised savior.That the comment that actually led to that second meeting. It's there that Paul sought to prove Jesus as the promised one. Do you see that in verse 23? It says Paul was “trying to convince them about Jesus both from the Law of Moses and the Prophets.”By the way, there's a parallel here between the end of Acts and the end of the Gospel of Luke. Here, Paul revealed Jesus as the fulfillment of all the Old Testament promises… and at the end of Luke Jesus revealed how he fulfilled all of the Old Testament promises. That was on the road to Emmeus. We've seen a lot of parallels, haven't we, between the Gospel of Luke and the book of Acts. This parallel help us see Luke's emphasis in his conclusion – Jesus.In fact, the final verse of Acts is also about Jesus, did you notice. The proclamation of the Lord Jesus Christ continued. The whole book ends with Jesus. That's because it's all about him. Even though the last half of Acts focused on Paul's ministry, really, it's not about Paul. It's never been about him. Paul over and over pointed to Jesus. That's why Luke doesn't tell us what happened to Paul. Acts is not about him. And think about it, besides Paul, Acts doesn't tell us what happened to Peter, or Barnabas, or Timothy, or John either. Acts is not a biography about them. No, it's about Jesus – the ascended Christ.C – ChurchAnd that brings us to the letter “C” for church. Ecclesia is the word in the Greek. That word is used throughout Acts. All over the place as church after church is planted and worships and grows and sends out people. To be sure, the word for church is not used here. In fact, that word is not used in the first chapter of Acts, either. Yet it has such a prominent place all throughout the book.However, Acts both begins and ends with an emphasis on “God's kingdom.” In the beginning of Acts, Jesus was teaching about his kingdom. And here in the last chapter, verses 23 and 31, the very last verse, Luke goes back to that phrase “kingdom of God.” And a big part of God's kingdom is the church. They are intrinsically connected. • The kingdom of God is a much broader. It includes the heavens above. • It includes God's work through his people and his work throughout his creation. • It includes God's common grace as well, what we talked about last week. • And it includes the church. The church, if you remember refers to God's people. There's both a broader use of that word meaning all of God's people throughout the world, and there's also a focused use of the word referring to the gathering of people for worship and discipleship. A local church – a congregation of believers like us here. In other words, the church is a subset of God's kingdom. It makes sense that Acts begins and ends with the kingdom because it's broader in scope. And the pages in Acts are about the specifics of what God is doing in his kingdom, with a big emphasis on the church. And this idea of God's kingdom was hugely misunderstood by the Jewish people. You see, they were expecting an earthly kingdom. They wanted a messiah that would come and demonstrate his earthly power. They wanted Israel to return to greatness like in the days of King David and Solomon. After all, they were God's chosen nation. The gentiles, they thought, were not to be God's people.This explains what happened in Paul's second meeting with the Jewish leaders. Verses 23-28. Remember, Paul was “testifying to the kingdom of God” and “trying to convince then about Jesus.” In other words, he was trying to show them that they had gotten it all wrong. And what happened? Well, some believed! Yes! Some did believe. This has happened over and over. Paul went to the Jews. He proclaimed the Gospel and the Kingdom. Both of those things, and some believed. But most of them, just like before, did not believe. And that's when Paul quoted Isaiah 6. “You will indeed hear but never understand, and you will indeed see but never perceive. For this people's heart has grown dull, and with their ears they can barely hear.” His quote of Isaiah 6 was absolutely true. All the promises point to Christ Jesus. It's all right there in their Scriptures, but they failed to see and hear it.In fact, Jesus quoted this same exact prophecy. And the context of that was his kingdom parables. What the kingdom of God would be like. And just like here at the ends of Acts, many of the people did not believe. To them, Jesus was not the right kind of savior, and his kingdom was not the right kind of kingdom.T - TuckerThis is a good transition to the next letter in the acronym. “T” for Tucker which connects to “the ends of the earth” because we, here in Tucker, are part of God's ends of the earth ministry. You see, God's plan of salvation always included the nations. Israel was the means through which salvation came. The covenant promises and the prophecies came through Israel. That's why Paul was so passionate that the Jews would believe. Because they had a special role in God bringing salvation to us.One of the points here is that despite the unbelief of many of them, the Gospel will continue to expand to all people. This is why Paul responded the way he did in verse 28. “Therefore let it be known to you that this salvation of God has been sent to the Gentiles; they will listen.” This is right after he quoted Isaiah 6. You are not hearing God's Word, but the Gentiles will listen. And so the Gospel went forth to all people. All backgrounds. All nationalities.Let me also add, besides “who” the offer of the Gospel was for (everyone), this ending of Acts also reminds us of “where” the Gospel was to go. Back in chapter 1 verse 8, Jesus commissioned his disciples to be his witness, yes in Jerusalem, but also beyond. In “Judea, Samaria, and to the ends of the earth.” And all throughout Acts, we experienced the Gospel expanding. The fact that Paul had arrived in Rome, and that there were already Christians in Rome, showed that Jesus's “ends of the earth” commission was being fulfilled. The Jewish leaders here even confirmed this for us. Back up in verse 22. We don't know anything about you, Paul, but “with regard to this sect,” meaning Christianity, “we know that everywhere it is spoken against.” Everywhere that they know. To be sure, Rome wasn't the ends of the earth, but it represented the Gospel going forth. And it's still happening today.S – SpiritOk, the final letter, “S”, for the Spirit. The Holy Spirit.To be as clear as I can, the Holy Spirit is who we call the third person of the God. third person of the Trinity. God is one, who eternally exists in the unity of three persons, the Father, the Son, and the Holy Spirit. We'll be jointly reading the Nicene Creed in a few minutes as we approach the Lord's table. It's helps clarify those things.And much of the book of Acts has been about the Holy Spirit. Who he is. Why he was given. And we know from the Gospel of John and the other book of the Bible that he is the comforter, who brings conviction of sin, who trains us in righteousness, who transforms hearts. Some have called the book of Acts, the Acts of the Holy Spirit. That's because he has a central role in the book, expanding God's kingdom through the conversion of souls, the miracles, and the words given to the believers as the Holy Spirit was given to them. There are 56 direct references to the Holy Spirit in the book of Acts. That's like three times more references than any other book in the Bile. And here in the last chapter, again, a direct reference to the Holy Spirit and his work. An interesting reference at that.Verse 25. “The Holy Spirit was right in saying to your fathers through Isaiah the prophet.” Paul was attesting to them that it's the Holy Spirit who gives us his Word. Yes, Isaiah penned the words, but it was the Holy Spirit working through him. It's a great reminder of God's Spirit working through his Word.Sometimes we just think of the human author. Isaiah prophesied, or John spoke, or Mark wrote, and we forget that it's the Holy Spirit who was at work through these faithful men. That's why it all ties together. As the Holy Spirit says of God's word… All Scripture is breathed out by God, and profitable for teaching, reproof, correction, and training in righteousness. The Holy Spirit at work in Acts and beyond.Conclusion“A” for the ascended Christ. “C” for the church, a subset of God's kingdom, “T” for Tucker as part of Jesus's ends of the earth ministry. And S for the Holy Spirit.I want to bring our whole study to a close by looking at the last word of Acts, “without hindrance.” That's one word in the Greek. Unhindered. The Gospel continued to be preached with boldness and unhindered. I mean, what an appropriate word to end the book on! It's in some ways the summary of Acts. The unhindered proclamation of Christ. That he is the only way for salvation. The call to believe in Jesus, God's son, for who he is, for what he accomplished on the cross, and for his ongoing ministry as the resurrected king. One commentator, Darrell Bock, wrote this to close his commentary: “The word will get out. In fact, despite all the obstacles in Acts, the book ends with the Gospel unhindered… God is the hero of Acts, and the plot line is he reveals his word through Jesus and a faithful church. God will make sure it happens...”Isn't that what we experienced in Acts over and over?• That threats and persecution will not stop the Gospel• Martyrdom will not stop it from going forth. Quite the opposite happened.• Disagreements over doctrine is not going to stop it.• A secular kingdom is not going to stop the Gospel, nor corruption within it.• Empty religion and blind, deaf leaders will not stop it from going forth.• The devil can not stop• False Gods and idols will not stop the Gospel.• A storm at sea and a shipwreck will not stop it.• Neither will chains!Nothing will. It will be unhindered. And when it seems that all hope is lost, that's when God is at work in ways that we can't even imagine. Isn't that the hope of the Gospel, anyway?! When the Jews plotted against Jesus. When his disciples deserted him, scared. When the Romans gave in and dragged him to the cross. When he hung until he breathed no more. When it seemed hopeless and that it was the end. That's when God did his most powerful work. And it was only the beginning. It was the very thing that defeated sin, death, and the devil. And it was from that point when the Gospel and Christianity exploded in growth, unhindered. We saw that all through the book of Acts. And Acts was only the beginning. We're still, to this day, witnessing and participating in the Gospel ministry of Christ through the Holy Spirit, as Jesus builds his church to the ends of the earth.
THE SHORT STORY SHOW NOTES: Pharisees challenge Jesus cleanliness, while ignoring their own law Jesus: It's what comes from your heart defiles you, not what you eat Off to Tyre and Sidon and healing for a Canaanite woman Then to the Decapolis and healing for a deaf/mute man Jesus feeds another crowd Challenge from the Pharisees and Sadducees – Show us your authority! Healing in Bethsaida for a blind man Off to Caesarea Philippi – “sin city” – What? SCRIPTURES USED IN THIS EPISODE Mark 7:1-23 Mark 8:1-26 Isaiah 29:13 Exodus 20:12 Exodus 21:17 Matthew 15:10-31 Matthew 16:1-12 Find us on social media platforms: Facebook: https://www.facebook.com/JesusStoriesThePodcast Instagram: https://www.instagram.com/jesus_stories_the_podcast/ Twitter: https://twitter.com/JesusStoriesPod Linked In: https://www.linkedin.com/in/jesusstories/ YouTube: https://youtube.com/playlist?list=PLgJ3Tf0R_aiF-uxG-G97ortxPZMFC7kPu We're on most of the podcast platforms. Just don't forget to subscribe where you listen and leave a rating for us there and on Apple Podcasts. If you'd like to be a sponsor for this podcast, want to leave a comment or a correction, contact us at narrationbygeorge@outlook.com. Check this link for sponsoring this podcast on a monthly basis. Unless otherwise indicated, all Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2015 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved.
It's Easter! This is the Sunday we celebrate the most amazing thing in human history - Jesus bringing Himself back from the dead. Tune in today to learn some surprising reasons you can trust that this is a historical reality and what it means for your life. Help us advance the Kingdom, support our online ministry (harmonychurch.cc/give). Got kids? Check out Harmony Kids online (updated weekly) https://www.harmonychurch.cc/harmony-kids-online/! ------------------- Sermon Notes Slide Key: Sermons always start with “OPENING ILLUSTRATION:” and end with “CLOSING ILLUSTRATION:"All scriptures are NIV unless otherwise notedBold = Slide textBold Red = Scriptures (please reflect formatting of scripture on slides, i.e. - underlines, italics, etc.)“b" or “B” on a line by itself = Slide break/New slideBold ALL CAPS WORDS = heading to be ignored[some text] = programming notes to be paid attention to OPENING ILLUSTRATION: Anyone in here love April fools jokes? I LOVE them! I was telling our kids when they were all young enough to pick them up and move them, we took them out of their beds and switched them to different rooms. They all woke up like, “where am I?” Last year we made miniature peanut butter balls for our kids out of cheese balls. Growing up in our house is either awesome or terrible, I'm not sure which… I love a good joke… But I don't care for them when they are something serious… You know, I think a lot of people don't want to admit it but deep down, they wonder if this God and Jesus stuff isn't just a big joke…b I mean, it sounds fanciful, right? I get up every week and talk about God becoming a person. I tell stories about him walking on water, or healing people, etc. I talk about how he died - that's not so spectacular but then, I talk about how He brought himself back from the dead… Christianity sounds crazy b Unless it's true… Paul understood this, he wrote to the Corinthian church about this because there were people saying that there was no resurrection of the dead… That once you die, you are dead… Paul says this…1 Corinthians 15:19If only for this life we have hope in Christ, we are of all people most to be pitied. If it's all a joke, then Christians are dumbest people on the planet…But I have to tell you something. I don't think I'm dumb…So, how do you know if this is all just a big joke? B What if Jesus really did rise from the dead? What would the implications of that be for your life? What if I could give you some evidence that is worth considering? One of the first things we would have to consider is whether Jesus was even a real person who really died like the Gospels said He did… MUNICH TALMUD. In the 1500's the Pope told the publishers of Jewish works to destroy any mention of Jesus - because they were always negative -so, in the 1500's the family that had the rights to print Jewish Talmud's removed any mentions of Jesus in ancient Jewish lit.-later on they burned all the other manuscripts. Except for the manuscript known as the Munich Talmud-Munich Talmud, existed outside of reach of Pope remained in tact-so, what does it say about Jesus that was worth getting rid of? what's a Talmud? the Torah = Old Testament. Mishna = oral traditions handed down from Moses. Jesus will talk about traditions of fathers - = traditions are the Mishna. Talmud = rabbinic commentary on the Mishna - make sense?- the Wikipedia of Jewish religious life. Here is what the Munich Talmud says about Jesus…“It was taught: On the Eve of Passover they hung Yeshu the Notzri. And the herald went out before him for forty days [saying]: ‘Yeshu the Notzri will go out to be stoned for sorcery and misleading and enticing Israel [to idolatry]. Any who knows [anything] in his defense must come and declare concerning him.' But no one came to his defense so they hung him on the Eve of Passover.' read 26 page paper on this one paragraph - what basically came down to was because of the nature of the Talmud that most of this paragraph is later additions (like 1300's kind of later) but there is a portion of it that they believe comes from before 70AD - that would mean that there is a portion of this statement that comes directly from Jewish leaders who were familiar with the trial and death of Jesus. Here is the part they believe comes from Jesus' time…On the Eve of Passover they hung Yeshu the Notzri for sorcery and enticing Israel [to idolatry].We literally just read the charge notes of Jesus that the Sanhedrin wrote down…Pope didn't want people thinking Jesus was a sorcerer and idolater -but instead of being negative about Jesus -tells us there really was a Jesus of Nazareth performing acts they considered sorcerer so popular that believed Him to be leading all of Israel to worship God in a different way-this is huge - that they hung him - only way would have hung him would have been Roman crucifixion. Non-Christian source, from time of Jesus telling you Jesus existed, on the night before Passover -was crucified because He was performing miracles and claiming to be God…This is huge…Jesus existed, but that doesn't mean He rose from the dead. cut to the chase -most convincing reasons I believe in the resurrection ILLUSTRATION: James brother of Jesus - camel knees because he would go to the temple to pray for the forgiveness of the sins of Israel. The leaders of the day told him they would take him up on the top of the temple and that He could from the pinnacle confess for all that Jesus did not die and rise again. James instead got up on top of the temple and began preaching a sermon. They immediately realized their mistake and they threw him off the temple. James didn't die - so they started stoning him as he prayed that God would forgive them. Finally, someone grabbed a club and beat James over the head. I want you to be clear. James died because he believed he had seen Jesus raised from the dead. Period. b Lot's of people will die for a lie they don't know is a lie b A crazy person might die for a lie they know is a lie. But normal people, will not die for a lie they know is a lie. listen to this…All the apostles (except the apostle John) died because they claimed to have seen Jesus alive after He had died. This is why I'm a Christian ILLUSTRATION: In 2017 around Christmas time in New York city a fire broke out in an apartment building. The fire started on the first floor and quickly engulfed the 5 story building with flames. A 28 year old soldier, Emmanuel Mensah was on leave for Christmas and was staying in the apartment with his friends a couple and their 4 children. Mensah immediately snapped into action and helped get the family of 6 out of the apartment building. But then he did something heroic. He went back into the blaze to rescue four more people. He ran in to try and save a 5th and never returned. He died in the blaze, a hero, giving his own life so that others could live, dying trying to rescue. As I thought about how the apostles died, clinging to the truth that they witnessed Jesus alive after his own death. b It hit me that they Stood in the Gap, giving their life so I could trust the life Jesus offers me. Offers you… I told you, I believe in the resurrection because they were willing to die for it. If they hadn't have died and suffered as well, I don't know that you could convince me that Jesus rose from the dead. But they went into the burning building of death in order to rescue me. To rescue you. Can you imagine someone who was saved by Mensah talking to his dad and saying “eh, it's not that big of a deal that he died to save me… My guess is for the rest of those peoples lives they will remember the man who went in after them to save their lives. I'm telling you, not only did God come down after you to rescue your life and give you new life b But those who witnessed His life gave their life as well, so you could trust the testimony. why turn back to life as you've known it? Listen, my hope is that today you've been challenged in a way you didn't know you needed to be challenged.-challenged to find true life I want to ask you to consider making a commitment this morning. over the next several weeks, I'm going to be doing a sermon Series called Standing in the Gap, and we are going to be talking about how you can stand in the Gap for future generations as well - and you don't even have to die for it. So, my challenge is this. Would you try a new experiment and choose to come to church for the next 4 weeks in a row and see what God can do? see if you connecting with the resurrected Jesus isn't as life changing for you as it was for me?
https://youtu.be/KVDMRiyAlog Some, must enter Hebrew 4: 1-11 The idea of rest is very appealing – TGIF2019 Americans 1.1 Trillion on vacations$1,979 per vacation 17- 20 days a year We value our rest so much that we will work hard looking forward to a weekend or vacationThe only issue is that, these vacations have an end date Folks, we can and I know we will continue to strive for that time that we can get a way, However, the Writer of Hebrews is talking about a promise of a rest like no other ****READ THE VERSE ****Hebrew 4: 1 - Therefore, while the promise of entering His rest still remains and is freely offered today, let us fear, in case any one of you may seem to come short of reaching it or think he has come too late.And it likens to the Israelites, having been enslave for 400 years and a moment comes when they are supposed to rest, but through disobedience they don't enter that rest.Matthew 11:28-30 Come to Me, all you who labor and are heavy laden, and I will give you rest. 29 Take My yoke upon you and learn from Me, for I am [a]gentle and lowly in heart, and you will find rest for your souls. 30 For My yoke is easy and My burden is light.This is not just for now, but it's a preparation for the future to comeThere is a promise to enter rest – That is a guarantee that some will enter, but also some will notThink about that walk up the airport and you have you ticket in hand, you board and off you go on vacation – but this time round its PermanentThe opposite of that is like, working so hard and when it's the day of vacation, you walk up to the cruise line and your ticket is no good The promise (good news)Vs 6: It remains that some must enter!This is a great reassurance, because we as a world don't deserve it Ecclesiastes 7:20 For there is not a just man on earth who does good and does not sin.Roman 3:23 - for all have sinned and fall short of the glory of GodYet, there is a standing promise that, you and I have an opportunity by the blood of Jesus It's a promiseJoshua 21:45 - Not one of the good promises which the Lord had made to the house of Israel failed; all came to passIn that good news, are some not so good news – In fact the worst news every- that only some will inherit that promiseSome must enter!! – When you look at your life ...Does that bring you joy or sorrow /Why? Profit Vs. 2 For indeed the gospel was preached to us as well as to them; but the word which they heard did not profit them, not being mixed with faith in those who heard it.Hearing is an opportunity – But profit is when we mix it with faith Two people will hear the same Word of God, one will be in tears while the other will be playing with their coffee cup One is filtering the Word through Faith …while the other, its just words.Lots of people have ideas, I do as well, but action is required to bring those ideas to life Same concept here, you have to allow the Word to take root and have Faith that it willWithout Faith we cannot please GodWhere is your faith anchor in? Reveal that to me Lord Ephesian 2:10 - For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them.We have to work hard to attain what is set before us. Its freely given but we have to get up and get it Disobedience Vs 6: Since therefore it remains that some must enter it, and those to whom it was first preached did not enter because of disobedience,There was great joy, when the Israelites left Egypt and great sorrow when they couldn't make it to the promise landImagine the tragedy – Joy as they got ready only to bury everyone who had left Egypt except 2 peopleHe swore that they shall not enter The Israelites would not enter the promised Land Disobedience bring wrath Today, if you hear His voice do not harden your heart God swore they would not enter His rest- and the same is today John 14:6 - Jesus said to him, “I am the way, the truth, and the life.
Alive- The Resurrection of Jesus It is time for our greatest day of celebration – Resurrection Sunday! The Scripture says, “Death, where is your sting?” The sting of death is sin and that sting was taken by Jesus on the cross. That sting was filled with the poison of death that all men deserved. Jesus […]