Podcasts about Korea

Nancy Silverton is a chef from Los Angeles. Her newest book, The Cookie That Changed My Life, is out now. We chat about Chris' 16-hour flight to Korea, his indoctrination into the K-pop community, a trip to California's wine country, she doesn't listen to music while cooking unless she's in Italy, why she doesn't like In-n-out, a new flavor or Coca Cola, she's opening a pasta restaurant in Koreatown and a diner in Larchmont, she really be dressing, controlling the consistency of your restaurants is tougher when they're in Saudi Arabia, how she got into podcasting having never listened to a podcast before, making teens do all your work for you, she gave up cocaine and got addicted to shopping, her neighborhood in LA, oversized cookies, Waffle House, her philosophy on milkshakes, we pitch Ye Olde Nancy's Provisions Shoppe (est. 2024) the last person she comped a meal for, the hamburger of her dreams, and how she stays snatched constantly eating bread and pasta her whole life. ⁠instagram.com/nancysilverton⁠ ⁠twitter.com/donetodeath⁠ ⁠twitter.com/themjeans Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff and Phil welcome Howard Ho, playwright/composer/YouTuber, and Diep Tran, Editor in Chief of Playbill, to discuss Asian Americans in theatre, Broadway, and controversy over the recent announcement that Andrew Barth Feldman, a white actor, would be taking over the lead role in Maybe Happy Ending, the hit Tony Award-winning musical about robots finding connection in future Korea. They talk about the historical lack of opportunities for Asian Americans in theatre, enjoying a moment of hope in the wake of recent successes, and why Maybe Happy Ending's re-casting is such a disappointment on multiple levels. Also: The Good, The Bad, and The WTF of this moment in Asian American theatre.

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

In this episode, Stephan Livera and Calvin talk about Utreexo. They discuss the latest updates, including the publication of three BIPs related to Utreexo, which aim to improve the efficiency of Bitcoin nodes. The conversation covers the mechanics of Utreexo, including its accumulator structure and the concept of a Merkle forest. They also explore different types of nodes, such as compact state nodes and bridge nodes, and how these innovations can enhance user experience and participation in Bitcoin. Additionally, they touch on the growing Bitcoin community in Korea and the potential for future developments in the Utreexo space.Takeaways

On today's episode, Kornel Chang discusses his new book “A Fractured Liberation: Korea Under U.S. Occupation,” which sheds light on the period from 1945 to 1950 when the country was divided into the North and South. Chang describes how the immediate post-liberation “opening” was more fluid than commonly portrayed, with ordinary Koreans pursuing varied aspirations that did not map neatly onto left-right labels. He also discusses land redistribution in the North in 1946 and the resulting migrations, including elites moving south and left-leaning writers heading north. Kornel Chang is associate professor of History and American Studies and chair of the History Department at Rutgers University-Newark.  About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

My guest is Cormac O'Laoire, PhD the Managing Director of Electrios Consultants. We have a far ranging discussion on the rise of China in the lithium-ion battery space. We cover how China out competed their formerly stronger rivals in Japan and Korea and discuss the current and future state of batteries, NEVs and BESS. Given recent events we also cover lepidolite in Yichun and brine in Qinghai.

Asia correspondent Adam Hancock spoke to Lisa Owen about the wife of South Korea's jailed former president being arrested, as well as Nepal opening up Himalayan mountins for free to clear congestion on Mt Everest.

New Episode available now! Join Mark and Bruce as they discuss the Victoria cross, stolen valour, and the petition E-6661. Link here:  https://youtu.be/2BqHtrrIEssValour in the Presence of the Enemy Facebook: https://www.facebook.com/p/Valour-in-the-Presence-of-the-Enemy-100063714306567/Link to Petition E-6661: https://www.ourcommons.ca/petitions/en/Petition/Details?Petition=e-6661&fbclid=IwY2xjawMHvlFleHRuA2FlbQIxMABicmlkETFENEdYMEpKUzZPSnZRb21hAR5jQN7XGlM0TGzopxeUdqdyALZqQb3WW9sIHOgrpp8tYWlEhXdzH3MhYeWu8A_aem_P1T9jnw8FGY78ivVVK1Azg!NEW! MERCH: https://www.wgy6.ca/Operation-Tango-Romeo.htmlSponsored by ShopVeteran.ca by Canadian Legacy Project- Support Veteran owned businesses and register your Veteran owned business for free. All opinions expressed by the guest belong to only the guest and are not always reflected by the host. The OTR podcast: The Trauma Recovery Podcast for Veterans, First Responders, and their families.Creator and Host Mark MeinckeSponsored by ShopVeteran.ca by Canadian Legacy ProjectProduced by Jessika DupuisSupport a Hero HERERecover Out Loud!Book your Guest Appearance HERE Find the OTR podcast onFacebookXInstagramTikTokSpotify#Bruce Moncur,#Victoria Cross#Valour in the presence of the enemy#WW1, WW2, Korea, Medak, Afghanistan#Wayne Eyre#Erin O'Toole#Jess Larochelle#Bruce Moncur,#Victoria Cross#Valour in the presence of the enemy#WW1, WW2, Korea, Medak, Afghanistan#Wayne Eyre#Erin O'Toole#Jess Larochelle

Jonny Somali is the world first viral nuisance streamer. Enabled first by YouTube and then Kick this little 5 foot s**t started in Japan by yelling at a Middle School student on a train where he kept glorifying the atomic bombing of Japan and scream Hiroshima Nagasaki do it again. A Korean American bystander from Texas intervened. Jonny would continue to ape around in Tokyp being chased form time to time. He'd get drunk and yell at people, walk into a restaurant and blare loud music. He praised Fukushima, illegally trespassed and had indecent exposure. When he went to Osaka a friend of mine knocked him out and knocked out his camera man as well. Jonny would end up only getting about 3 months in jail for all his tirades because he lied to the judge. Japan forced him to apologize and banned him from the country. As soon as he was out of the country he took back his apology and continued to trash on Japan.Other nuisance streamers followed coming to Japan and acting like ass clowns, climbing the walls of Osaka castle, doing pull up in holy sites creating a dance video in a children's grave yard. Disrupting the train system with break dancing and loud music. Broke cherry trees. They all around got paid by Kick to be professional ass clowns. One of these guys named Vitaly is sitting in jail in the Philippines. He found out. Somali continued his remorseful antics in Korea. He dry humps a child statue for comfort women aka rape victims. He blasted North Korean propaganda on a bus, chased people around with a smelly dead fish. Blasted sexual messages to kids at Lotte world (like Disney in Korea). He poured ramen on the floor in a 711 and then started throwing noodles at people. And worst of all he use Ai to deep fake himself with Korean women in a sexual nature and he used it again to make a man he didn't like appear nude with another man. So far he has pleaded guilty to 2 minor crimes acts 6 counts of obstruction of business and he has two counts against him for deep fakes each of which carries a year and change in prison. Today JS was late to court by about 8 minutes, they even sent Hanky-pu out to find him He pleaded guilty to playing North Korean propaganda music on bus 7011 on Sep 27th He pleaded guilty to playing sexual messages in front of kids at Lotte world. So he now has four obstruction of business charges and two minor crimes acts. Guaranteed jail time. Now the to big ones the deepfake charges. This idiot admitted to distributing the deepfakes but said he didn't make them. Distributing sexual deepfakes is the crime and what you're charged with you f*****g ape. So he has now pleaded not guilty while confessing to the crime unwittingly. Next trial in October 29 He could also face civil suits This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.ryandawson.org/subscribe

Starbucks in South Korea asks customers to stop bringing desktop computers and printers to the cafe. French man arrested after lighting a cigarette off the flame of a WWI memorial. Woman gets engaged to an AI chatbot after dating for five months. // Weird AF News is the only daily weird news podcast in the world. Weird news 5 days/week and on Friday it's only Floridaman. SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones

https://justiceteamnetwork.com On this week's JTP, Bob is joined by Spencer Wolfe, a seasoned JAG officer and lawyer with extensive experience in the Department of Defense and federal government. Spencer shares his journey from law school at Pepperdine to his roles in various military legal positions, including his time stationed in Korea and working as a defense counsel. With discussions on private and federal prisons, command authority, and the role of JAG officers, this episode provides a comprehensive look at the life and responsibilities of military legal professionals.

In this conversation, Steve Kim presents historical data that demonstrates Jesus of Nazareth arose from the dead. Steve Kim is the Alberta Director of Apologetics Canada Ministries. In his early 20s, Steve experienced a faith crisis due to intellectual undernourishment. Through this experience, he has come to see apologetics as the “intellectual care of the soul” and now feels a personal burden to walk with others who may be struggling with doubt and/or seeking sincerely. Steve holds a diploma in Worship Arts and a BA in Biblical Studies from Columbia Bible College in Abbotsford, BC. He has completed a master's degree in Christian Apologetics through Biola University in La Mirada, CA. He began his PhD studies through the University of the Highlands and Islands in Scotland, exploring any proper limits of human enhancement. A native of Korea, Steve now lives in the Edmonton area with his wife, Sharina, and two children, Maya and Tavin. For more information visit: https://cbtseminary.org  

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

Drs. Jeffrey Jensen and Johanna Richey welcome Dr. Naomi Choi, a third year resident at Yale New Haven Health. Dr. Choi received her Undergraduate degree from UCLA with a Bachelors of Art in Sociology. She received an MBA from Quantic School of Business and technology on a full ride scholarship as well as completing post-bac work at Charles Drew University of Medicine and Science. She went on to complete her Podiatric Medical degree from Samuel Merritt University.  Dr. Choi has an interesting and non-traditional background as she had the opportunity to travel to South Korea and be a translator for the First Lady of Korea. She also worked internationally as a clinical research associate in Lucca, Italy and Potsdam, Germany. Join us, as she dives into her fascinating story about how she found podiatric medicine. Her diverse background provides her with different perspective and she has applied this to her podiatric medicine career. She holds 9 provisional patents (as a resident!!!) and her innovation work has received first place awards at the Columbia University: Hack Health and MIT: Hacking medicine “Grandhack” competitions. Despite her incredible accomplishments, Dr. Choi is kind, humble and transparent as she discusses her passion around innovation and serving vulnerable populations. We hope you will enjoy this special episode with one of podiatry's young physician pioneers in the world of innovation and service.  https://www.linkedin.com/in/naomiii/ https://www.ynhh.org/medical-professionals/gme/our-programs/podiatric-medicine-and-surgery https://www.apma.org/ https://www.abfas.org/residents https://bmef.org/ https://www.acfas.org/

Last time we spoke about the atomic bombing of Nagasaki. In the summer of 1945, Japan faced its most devastating siege, characterized by an aerial campaign called "Starvation" that crippled its industrial capabilities. As resources dwindled and chaos reigned, the Allies intensified their firebombing efforts, targeting major cities. By July, Japan was on the brink of collapse, culminating in the atomic bombing of Hiroshima, where over 140,000 lives were altered or lost in a blinding flash. As the nation reeled from the destruction, the Japanese leadership was torn between surrender and continuing the fight. They faced not just the threat of American bombs, but also a Soviet invasion looming on the horizon. Days after Hiroshima, the atomic bomb "Fat Man" was dropped on Nagasaki on August 9, resulting in catastrophic casualties and extensive industrial losses. This attack further devastated an already weakened Japan, leaving the Emperor and his government grappling with the dire consequences. This episode is the Invasion of Manchuria Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.    August 9 stands as a catastrophic day in Japanese history. On this day, the nation faced the devastating impact of a second atomic bomb dropped on Nagasaki, along with the relentless Soviet invasion of Manchuria. Admiral Ivan Yumashev's Pacific Fleet moved to disrupt Japan's maritime communications in the Sea of Japan and provide support for offensive operations. At the same time, Soviet air forces targeted cities across Northeast Asia, striking both Manchuria and North Korea, as well as Japanese convoys in the Sea of Japan. General Twinning led a diversionary B-29 raid on Amagasaki, followed by a significant attack involving 108 aircraft on the rail yards at Marifu. In addition, Admiral Halsey's 3rd Fleet launched more strikes against airfields in northern Honshu and Hokkaido, where U.S. intelligence suspected a large Japanese air fleet and commando force was preparing for a desperate mission to Okinawa. Japanese paratroopers were gearing up for a new mission, codenamed Ken-go, but this time their target wasn't Okinawa. Similar to the earlier May 24 Raid on Yontan Airfield, Lieutenant General Sugawara Michio's Giretsu Kuteitai, also known as the “Heroic Paratroopers,” set their sights on the B-29 complex in the Mariana Islands for nighttime suicide raids. This operation marked the second planned assault on bases within the Mariana Islands, specifically aimed at destroying B-29 bombers. The plan involved deploying 60 transport aircraft to deliver 900 commandos during the nights of August 19 to 23. Around 300 personnel from Lieutenant Commander Daiji Yamaoka's 1st Kure Special Naval Landing Force initiated preparations at the end of June. Originally established for submarine-delivered raids on U.S.-held islands, these forces were now adapted to be flown in 30 Mitsubishi G4M 'Betty' twin-engine bombers, which had the necessary range for an unrefueled, one-way trip to the Marianas. The raid was initially scheduled for July 24. However, ten days earlier, U.S. carrier-based warplanes had attacked Misawa naval air base on Honshu Island, damaging or destroying many of the operation's bombers. Consequently, the raid was postponed to August 19, with the addition of 30 transport planes and 300 paratroopers from the army's 1st Raiding Regiment. Ultimately, however, on August 15, Japan surrendered, and Operation Ken-go was cancelled. Meanwhile, Admiral Shafroth's Bombardment Group unleashed heavy damage on the Kamaishi steel mill. The day after, to assist the Soviets, Halsey ordered additional airstrikes on northern Japanese airfields, causing extensive destruction. However, these were not isolated incidents; they were part of a sustained air-sea siege that had been intensifying for several months. The Allied blockade of Japan had severely impacted food imports, and industrial activity had nearly ground to a halt due to the ongoing blockade and bombings. By this point, six of Japan's ten largest cities had been completely destroyed, and over sixty smaller cities had been reduced to ashes from relentless incendiary raids. This scenario was a powerful manifestation of War Plan Orange in action. More critically, with the reality of Hiroshima's destruction echoing loudly, the Japanese government now grappled with the impending threat of complete annihilation, a grim reality they had never faced before in this war. Though they had recognized their defeat with the loss of Saipan and the initial Yawata raid, the stubborn resolve of the Japanese leadership had pushed them to prolong the conflict for an agonizing 14 months, clinging to the hope of a different outcome. Many now believed that peace was the only path to survival for the Japanese nation. As the crisis intensified, Prime Minister Suzuki and his cabinet engaged in heated discussions. He sought to persuade War Minister General Anami Korechika and Chief of the Army General Staff General Umezu Yoshijiro to accept the Potsdam Declaration on August 9. However, Suzuki and the militants could only agree that if there were any surrender, then it should ensure that the "national polity" or imperial family would continue in any postwar settlement. Anami and Umezu pushed for further, more favourable conditions. First, Japan would demobilize and disarm any IJA or IJN forces overseas. Second, Japanese courts would prosecute any war criminals. Third, after surrender the Allies would not occupy Japan. Chief of the Navy General Staff, Admiral Toyoda Soemu, agreed with Anami and Umezu. To break this deadlock, it became necessary to involve the Emperor directly. Around 2:00 AM on August 10, the cabinet convened with Emperor Hirohito, who ultimately agreed to accept the Potsdam Declaration and ordered an end to all military efforts, initiating the surrender process. Faced with no viable alternatives, all present reached a unanimous agreement. That morning, the Japanese government, through Swedish and Swiss intermediaries, sent an offer to accept the Potsdam Declaration, stipulating one condition: there would be no change to Japan's government structure, with Hirohito retaining his title as Emperor and sovereign ruler. Months afte the war Hirohito said this about his decision to surrender “The main motive behind my decision at that time was that if we . . . did not act, the Japanese race would perish and I would be unable to protect my loyal subjects [sekishi—literally, “children”]. Second, Kido agreed with me on the matter of defending the kokutai. If the enemy landed near Ise Bay, both Ise and Atsuta Shrines would immediately come under their control. There would be no time to transfer the sacred treasures [regalia] of the imperial family and no hope of protecting them. Under these circumstances, protection of the kokutai would be difficult. For these reasons, I thought at the time that I must make peace even at the sacrifice of myself.” Simultaneously, a new military campaign was underway, and several units of General Yamada's Kwantung Army were unexpectedly caught off-guard in Manchuria. In response, he implemented emergency measures and ordered commands to proceed with their plans for delaying operations. Upon learning of the Soviet declaration of war and the subsequent invasion led by Marshal Vasilevsky's Far East Command, Tokyo decided to place General Kozuki's 17th Area Army under the Kwantung Army. Furthermore, they instructed General Okamura Yasuji's China Expeditionary Army to transfer one army headquarters, along with six divisions and six brigades, to support this effort. As directed by Tokyo, the primary objective of the Kwantung Army was to defend Japanese territory in Korea. However, by the end of the first day of conflict, several border observation units had been completely destroyed while attempting to defend their positions. In the east, Lieutenant General Shimizu Noritsune's 5th Army, supported by the reinforced 128th Division, was confronting the main assault by Marshal Meretskov's 1st Far Eastern Front. To the south, Lieutenant General Murakami Keisaku's 3rd Army was engaged in defending against multiple penetrations along the border. In the northern sector, the 134th Division at Chiamussu was withdrawing towards Fangcheng, as planned, while flames engulfed Japanese houses in the city. General Uemura's 4th Army was preparing to face what they expected to be the main assault from General Purkayev's 2nd Far Eastern Front. Meanwhile, the 119th Division had already departed Hailar for Wunoerh, leaving only the 80th Independent Mixed Brigade behind. To the west, Lieutenant General Hongo Yoshio's 44th Army was confronting the formidable armored spearhead of Marshal Malinovsky's Transbaikal Front. Southwest of their position, the 108th Division was redeploying to the Chinhsien area. On August 10, the offensive led by Vasilevsky continued, as Colonel General Ivan Managarov's 53rd Army began crossing the border behind the now distant 6th Guards Tank Army. Recognizing that the 44th Army was not prepared to engage the overwhelming enemy armor in guerrilla warfare across the expansive terrain of western Manchuria, General Ushiroku made the independent decision to order Hongo to retreat to the Dairen-Hsinking line. This was where Lieutenant General Iida Shojiro's 30th Army was already establishing defensive positions. This decision contradicted Yamada's main strategy, which called for delaying the enemy advance at the borders.  Faced with what they deemed an illegal order, the Kwantung Army Headquarters convened an urgent staff conference. During this meeting, several opinions emerged: a sudden shift from established plans would likely create confusion; any attempt to counterattack after a withdrawal would likely fail if the enemy advanced quickly; and abandoning forward airfields prematurely would enable the enemy to advance unimpeded. To most participants, General Ushiroku's decision seemed to deliver a potentially fatal blow to the overall operational direction of the Kwantung Army Headquarters. However, since the 44th Army had already begun its withdrawal as ordered by General Ushiroku, Kwantung Army Headquarters was left with a fait accompli. Thus, they felt compelled to uphold the decision of the Third Area Army Commander, which was subsequently approved by General Yamada. Meanwhile, General Pliyev's cavalry-mechanized units advanced rapidly toward Kalgan and Dolonnor, reaching the foothills of the Grand Khingan Mountains. General Danilov's 17th Army also continued to encounter weak resistance, covering an additional 40 kilometers. General Lyudnikov's 39th Army bypassed the encircled 107th Division in the Halung-Arshaan and Wuchakou Fortified Regions. Here, the 5th Guards Rifle Corps moved toward Solun and Tepossi, while the 113th Rifle Corps advanced southeast toward Wangyemiao. The 94th Rifle Corps had to divert southward to support the 124th Rifle Division. In the east, General Luchinsky's 36th Army launched ongoing attacks against Hailar, with the 2nd Rifle Corps bypassing it to the east. Meanwhile, General Kravchenko's 6th Guards Tank Army reorganized its right-wing column and began crossing the Grand Khingan Mountains during the night, with both columns entering the central Manchurian plain by August 11. To the east, Meretskov continued his offensive. The 17th, 65th, and 72nd Rifle Corps of General Krylov's 5th Army advanced swiftly west and south, ultimately securing Machiacho, Laotsaiying, Suiyang, and Suifenho. This maneuver widened the zone of penetration to 75 kilometers and forced the 126th and 135th Divisions to withdraw their main forces to Yehho. In support, General Beloborodov's 1st Red Banner Army to the north broke through into open terrain, pushing rapidly westward to occupy parts of the cities of Pamientung and Lishuchen, along with their vital bridges across the Muleng River. Further south, General Chistyakov's 25th Army captured Tungning and successfully reduced its fortified region. Units in that area also secured Tumentzu, Hunchun, and Wuchiatzu. Lastly, General Zakhvatayev's 35th Army continued its operations far to the north. The 264th Rifle Division and the 109th Fortified Region seized Hutou and initiated a movement west along the railroad toward Hulin, while the 363rd and 66th Rifle Divisions pressed on with their advance northwestward. In northern Manchuria, General Purkayev continued his main assault, with General Mamonov's 15th Army reconnoitering key enemy strongholds south of the Amur River. After successfully crossing the river, the 34th Rifle Division and the 203rd Tank Brigade occupied Lopei and advanced through Fenghsiang to bypass the Hsingshanchen Fortified Region, leaving a force behind to reduce it. Meanwhile, the 361st Rifle Division captured Tungchiang, and the 388th Rifle Division secured Chienchingkou, preparing for an advance toward Fuchin. In support of these operations, General Pashkov's 5th Rifle Corps cleared Japanese forces from the Jaoho Fortified Region, while General Teryokhin's 2nd Red Banner Army was preparing to launch its offensive the following morning. On August 11, forward units landed at Heiho, Aihun, and Holomoching under the cover of artillery fire, quickly establishing a beachhead as additional forces crossed the Amur. However, due to a lack of crossing equipment, it took five days to transport all units across the river. Consequently, Teryokhin had to commit his forces piecemeal against the 123rd Division and the 135th Independent Mixed Brigade. This was not the only new offensive operation initiated by Purkayev on this day. A new target had emerged: South Sakhalin, known as Karafuto to the Japanese. As per Vasilevsky's plans, Major-General Leonty Cheremisov's 16th Army was deployed on North Sakhalin and along the mainland coast of the Tatar Strait, stretching from Sovetskaya Gavan to Nikolaevsk-on-Amur. If the invasion of Manchuria continued to progress favorably, this force was set to attack the Japanese-controlled portion of the island alongside the Northern Pacific Flotilla, commanded by Vice-Admiral Vladimir Andreyev, which was prepared to conduct amphibious operations against Esutoru and Maoka on the island's west coast. Opposing the Soviet forces, General Higuchi of the 5th Area Army positioned Lieutenant General Mineki Toichiro's 88th Division in the southern part of South Sakhalin, with only the 125th Regiment stationed to the north. Sakhalin shared many characteristics with several of the Manchukuoan border areas, presenting challenging terrain for mechanized warfare. The only viable invasion route south from the border at the 50th Parallel followed the Poronay River, located more or less in the center of the island. This river flows southward, flanked to the east and west by forested mountain ranges, as well as countless swamps and bogs. Both sides recognized the strategic importance of this potential invasion route and constructed extensive fortification networks. The Japanese fortifications were collectively known as the Koton, or Haramitog, fortified region. These defenses were built in three interlinked layers, with their western flanks anchored in the mountain range and eastern flanks in the wooded, swampy river valley. The permanent defenses spanned approximately 12 kilometers in frontage and extended up to 30 kilometers in depth, containing over 350 bunkers, pillboxes, artillery positions, and similar fortifications. These were protected by an elaborate network of infantry trenches, anti-tank ditches, minefields, and barbed wire. The heavy forest and brush made it challenging to locate these defenses. While enough vegetation had been cleared to allow for effective defensive fire, sufficient cover remained to obscure them from an attacking force. Consequently, the 16th Army would confront these formidable defenses without the advantage of surprise. At daybreak on August 9, reports emerged that the Soviet Army had unexpectedly invaded Manchuria from multiple directions. By 8:00 AM, telegraph lines were cut near Handa, a village located at the center of the Russo-Japanese border in Sakhalin. An excellent military road connected Handa to Kamishikuks, a region known as the Central Military Road area. At the same time, reports indicated that enemy forces were attacking the observation posts in this area. On August 10,  observation posts were forced to withdraw as the Soviet Army gradually advanced toward our main position in the Happo Mountains, situated about 10 kilometers south of the border. That evening, it was reported that the 125th Infantry had engaged in a skirmish, during which the Isunisawa Platoon, fighting near the Handa River bridge for over five hours, was wiped out. On that same day, the commander of the Fifth Area Army declared that not only had the Army engaged Soviet forces, but civilians in the area, including office workers and laborers, had also joined the battle in a desperate attempt to halt the advancing Soviet Army. By August 13, the National Volunteer Combat Teams were summoned. The recruitment of these volunteer combat teams from the general populace was unique to the Sakhalin campaign, aimed at creating the appearance of military readiness to deter the Soviet advance. Additionally, the 125th Regiment executed demolitions while retreating to establish stronger defensive positions on the western flank of Happo Mountain, northwest of Furuton. Given the unexpectedly favorable developments in Manchuria, the invasion of South Sakhalin was authorized on August 10. General Yumashev further directed Vice-Admiral Andreyev's naval forces to commence attacks on both South Sakhalin and the Kuriles. Major General Georgii Dziuba's air forces joined the effort, conducting reconnaissance flights over key Japanese ports that revealed Toro and Esutoru were almost entirely unprotected. In the early hours of August 11, the 56th Rifle Corps crossed the border and began its main advance along the central military road but encountered resistance at Handa, where around 100 defenders held them up for an entire day. Back in northern Manchuria, the 5th Rifle Corps embarked on a challenging march southwest toward Paoching, while Mamonov launched a bombing raid followed by an attack on Fuchin, which ultimately fell after a coordinated tank-infantry assault. Concurrently, the 4th Army headquarters and the bulk of the 149th Division received orders to retreat from Tsitsihar to Harbin. To the south, the 112th Fortified Region and the 6th Field Fortified Region crossed the Muleng River south of Mishan during the night. In the following days, they collaborated with units from the 35th Army to secure the Mishan Fortified Region. More importantly, the 26th and 59th Rifle Corps successfully secured Pamientung and Lishuchen, initiating a pursuit of withdrawing Japanese forces to the west and southwest. On August 11, the 5th Army advance continued, with reinforced forward detachments of the 65th and 72nd Rifle Corps reaching the Muleng River and preparing for an advance on Mutanchiang. At this juncture, Meretskov reassessed the situation and determined that his best opportunity for successful exploitation in the front zone lay within the 25th Army area. Consequently, he attached the 17th and 88th Rifle Corps to this command and placed the 10th Mechanized Corps in army reserve. This allowed the 17th and 39th Rifle Corps to commence a coordinated advance toward Wangching, Tumen, Tunhua, and Kirin. Looking west, Pliyev's units continued to encounter minimal resistance. The 17th Army was finally nearing the western foothills of the Grand Khingan Mountains. The lead brigade of the 5th Guards Tank Corps reached Lupei, while the 7th Guards Mechanized Corps completed its crossing of the Grand Khingan Mountains. The 39th Army maintained its holding operations against the Halung-Arshaan and Wuchakou Fortified Regions, coupled with main advances toward Solun and Wangyemiao. The 2nd Rifle Corps and the 205th Tank Brigade advanced along the railroad to Yakoshih. The 94th Rifle Division, supported by air and artillery, launched an assault and captured the southwestern portion of Hailar city before being reinforced by the entire 86th Rifle Corps. Meanwhile, the Soviet operational group on the right flank of the 36th Army broke through Japanese resistance at Manchouli, moving eastward along the rail line to join the Soviet forces besieging Hailar. As the Soviet armored units in the west made an unexpectedly swift advance, they were anticipated to reach Hsinking by August 15. On this same day, Yamada decided to relocate his headquarters to Tunghua. Additionally, during the night, a small naval force successfully conducted an assault landing at Yuki in North Korea, securing the port unopposed on August 12. Simultaneously, the 393rd Rifle Division pushed south into North Korea, quickly reaching Yuki before continuing toward Rashin. There, another small naval force landed on August 12, facing minimal resistance except for artillery fire. Meanwhile, the 25th Army advanced up to 40 kilometers in its main march southwest, prompting the commitment of the 10th Mechanized Corps to exploit further toward Wangching and beyond. The 5th Army had to eliminate a strong enemy position east of Taimakou before it could resume its advance to Mutanchiang. The 1st Red Banner Army pressed forward relentlessly, with the 26th Rifle Corps successfully bypassing Tzuhsingtun to advance on Hsientung, cutting the Linkou-Mutanchiang railroad line. The 363rd Rifle Division occupied Mishan while the 264th Rifle Division secured Hulin. The 171st Tank Brigade began a challenging advance southwest toward Chiamussu as the 15th Army reduced the Fuchin fortified region. Forward detachments of the 2nd Red Banner Army engaged Japanese advanced positions south of Holomoching and north of Aihun. After reducing Handa, the 56th Rifle Corps commenced an advance toward Furuton, although it faced delays from small enemy forces. Furthermore, in western Manchuria, Pliyev's Soviet-Mongolian formations and the 17th Army continued their advance through Inner Mongolia largely unopposed for the next two days. Throughout 12 and 13 August on the Trans-Baikal Front's right flank, the Soviet-Mongolian formations of General Pliyev swept across the Inner Mongolian deserts towards Dolonnor and Kalgan at a rate of ninety to one hundred kilometers a day, rudely shunting aside local cavalry forces. Pliyev's principal concern was providing his forces in the vast desert wastes sufficient food, fuel, fodder, and water. The 6th Guards Tank Army had to temporarily halt its advance as the 7th Guards Mechanized Corps reached Tuchuan. This pause was necessary due to severe fuel shortages, requiring an increase in fuel supplies before the offensive could resume. This situation allowed Ushiroku to withdraw the 63rd and 117th Divisions before they could be engaged. However, the 107th Division was less fortunate, as it was attacked by the 5th Guards Rifle Corps on the road to Solun. On the northern flank, the 36th Army continued its siege of the Hailar fortifications while the 2nd Rifle Corps seized Yakoshih and advanced up to Wunoerh. That day, Japan also received the initial Allied response to its surrender offer, penned by Secretary of State James Byrnes and approved by the British, Chinese, and Soviet governments. A critic of the Japanese imperial system, Byrnes insisted on an unconditional surrender but remained ambiguous regarding the future of the imperial family's position. The response included a statement that Japan's future form of government should be “established by the freely expressed will of the Japanese people.” Thus, even though the Soviet and Chinese governments aimed for the abolition of the imperial system, the Japanese could choose to retain their emperor, and likely would. Meanwhile, Secretary Stimson urged President Truman to accept the peace offer immediately, believing that, without an organized surrender supported by the emperor, U.S. forces would face “a score of bloody Iwo Jimas and Okinawas” across China and Southeast Asia. He cautioned that without the immediate capitulation of the Imperial Japanese Army and Navy, rogue military commanders might continue to resist. Retaining Hirohito would also aid Allied efforts to achieve a swift and orderly reconstruction while maintaining a compliant populace. The Japanese cabinet deliberated over the Allied response, with Anami and Suzuki, among other key military figures, arguing for its rejection unless an explicit guarantee for the imperial system was provided. Ultimately, however, Foreign Minister Togo and Marquess Kido Koichi succeeded in persuading Suzuki to support the acceptance of Byrnes' reply. Meanwhile, President Truman issued instructions prohibiting any further atomic weapons from being dropped on Japan without his approval, and he later ordered a complete halt to all bombings. Despite this, Halsey's 3rd Fleet remained in the area, preparing to launch additional strikes. Admiral Rawlings' Task Force 37 unfortunately had to retire at this point, though a token force was integrated into Admiral McCain's Task Force 38 to ensure British support until the end.  The Olympic timetable had called for Third Fleet to retire to Eniwetok and Manus in mid-August, but late on the night of August 10 Missouri intercepted a cryptic radio transmission: “Through the Swiss government, Japan has stated that she is willing to accept Allied surrender ultimatum at Potsdam, provided they can keep their Emperor.” Halsey had long predicted an early Japanese collapse, and had accordingly kept his logistic pipeline full. The following morning, August 11, flagships Missouri and King George V refueled simultaneously alongside oiler USS Sabine. Halsey recalled, “I went across to the ‘Cagey Five' as we called her, on an aerial trolley, just to drink a toast with Vice Admiral Rawlings.” Although Japan teetered near collapse, TF-37 lacked its own fast oilers and would have to retire immediately. With Nimitz's permission Halsey offered to sustain a token British force with Third Fleet so that the Royal Navy would be in “at the death.” Rawlings enthusiastically accepted. After replenishment, King George V, Indefatigable, Gambia, Newfoundland, and ten destroyers were re-designated TG-38.5 and absorbed into McCain's TF-38. The rest of TF-37, under Vian, reluctantly retired for Manus. In a truly desultory attack the following day, August 12, a single Japanese plane penetrated Buckner Bay, Okinawa undetected and torpedoed TF-95's just-arrived battleship Pennsylvania. Twenty Americans were killed, while Oldendorf and nine others were wounded. Back off Honshu, Halsey canceled August 12 strikes due to a typhoon. Late that night Third Fleet intercepted a confusing and ambiguous radio bulletin announcing that Japan had, with qualifications, accepted Allied terms. After a heated staff conference Halsey decided that, without firmer information, the following day's strikes were still on. Nevertheless, the prolonged negotiations were causing the Third Fleet considerable logistical problems; Halsey recalled, “Our galleys were reduced to serving dehydrated carrot salad. If the war was over, we could provision on the spot; if it was not, we would have to retire, reprovision, and return.” That night, a group of officers led by Major Hatanaka Kenji and Colonel Arao Okikatsu approached Anami, seeking his backing for a coup d'état to prevent Japan's surrender. Anami refused, leaving Hatanaka's conspirators to attempt the coup on their own. At the recommendation of American psychological operations experts, B-29 bombers spent August 13 dropping leaflets over Japan detailing the Japanese offer of surrender and the Allied response. In stark contrast, that same day, McCain's newly Anglo-American TF-38 launched 1,167 sorties against Tokyo, expending 372 tons of bombs and 2,175 rockets. Only seven planes and one pilot were lost, none to combat. Airborne opposition was virtually nil, as Lieutenant-General Kanetoshi Kondo, commander of Tokyo's defending 10th Hiko Shidan, “failed to urge his men to press the attack to the utmost, because it seemed absurd to incur additional losses with the war obviously lost and its termination due in a matter of days.”  Simultaneously, Suzuki's cabinet debated their reply to the Allied response late into the night but remained deadlocked. Back in Manchuria, on August 13, the 6th Guards Tank Army resumed its offensive by pushing reconnaissance units toward Tungliao and Taonan. The 39th Army continued its assault on Japanese units at Halung-Arshaan, while the 5th Guards Rifle Corps attacked and captured Solun. To the north, as the battle for Hailar raged on, the 2nd Rifle Corps engaged the determined 119th Division for control of the Grand Khingan passes west of Pokotu, achieving little progress over the next two days. Looking east, the 2nd Red Banner Army gathered sufficient forces to resume its offensive, successfully penetrating the defenses of the 123rd Division at Shenwutan and Chiko. They destroyed small Japanese outposts at Huma and Santaoka, further pushing the 135th Independent Mixed Brigade toward the main fortified region at Aihun. Additionally, the 15th Army reduced the fortified positions at Fuchin, while the 171st Tank Brigade continued its advance toward Chiamussu. To the south, the 66th Rifle Division finally occupied Tungan, cutting the highway and railroad to Hutou. Meanwhile, the 59th Rifle Corps reached and secured Linkou before turning south toward Mutanchiang. Advance elements of the 26th Rifle Corps attacked and occupied the railroad station at Hualin, though they could not secure crossing sites over the Mutan River due to the fierce resistance of a single battalion. During the night, heavy Japanese counterattacks forced Soviet forces back to a hill northeast of Hualin. More importantly, while the 45th Rifle Corps continued to reduce remaining Japanese strongpoints in the Volynsk, Suifenho, and Lumintai centers of resistance, the bulk of the 5th Army advanced 30 kilometers along the road and rail line, successfully approaching the outer fortifications of Mutanchiang by nightfall. Even farther south, the 25th Army pushed southwestward, with its three formations sharing a single road along the military rail line through the mountainous, heavily wooded area from Laoheishan to Heitosai. In South Sakhalin, the 56th Rifle Corps launched a siege attack against Furuton. However, the fierce resistance of the 125th Regiment successfully repelled Soviet assaults for the next three days. On the same day, in preparation for an amphibious invasion of Toro, two naval patrol craft reconnoitered Esutoru. Additionally, Meretskov approved the Seishin Operation in North Korea, leading to another small naval force landing successfully at Chongjin that afternoon. Soon after, they faced a strong Japanese counterattack, which drove the landing force out of the port and inflicted heavy losses on the Russians. The following morning, a naval infantry battalion was landed to retake Chongjin, but Japanese reinforcements from the Nanam Divisional District Unit arrived to contest the port. As the Russians were pushed back again, Yumashev decided to embark the 13th Naval Infantry Brigade for a third assault scheduled for August 15. To the north, the 393rd Rifle Division advanced south along the coast, reaching Kwangjuryong by August 14. Concurrently, after breaking through the 128th Division's main defenses at Lotzukou, the 25th Army reached Heitosai and prepared to launch its main attack against Murakami's 3rd Army. The 5th Army struck the right flank of Shimizu's 5th Army at Ssutaoling and in the hills southeast of Mutanchiang, while the 1st Red Banner Army attacked the northern and eastern flanks of the city and the railroad station at Yehho on the eastern bank of the Mutan River. The 35th Army began a rapid advance toward Poli and Linkou, encountering negligible opposition. Meanwhile, the 5th Rifle Corps reached Paoching, drove off its garrison, and continued marching toward Poli. In addition, the 15th Army finally reduced the Hsingshanchen Fortified Region, opening a more direct advance route toward Chiamussu. Meanwhile, the 2nd Red Banner Army succeeded in breaking through the outer Japanese defenses to besiege the Sunwu Fortified Region and surround the Aihun Fortified Region. To the west, the 36th Army continued to encounter strong resistance at Hailar and Wunoerh. The 5th Guards Rifle Corps initiated a southeastward pursuit along the railroad toward Wangyemiao, eventually catching elements of the 107th Division at Tepossi, while also engaging Japanese units retreating from the Wuchakou area. The forward detachment of the 7th Guards Mechanized Corps occupied Taonan after a march hindered by wet weather and Japanese kamikaze attacks. The 17th Army captured Taopanshin, and Pliyev's left column overcame a small Manchurian cavalry force, entering Dolonnor at the east end of the pass across the southern Grand Khingan Mountains. Back in the Pacific, the Allies grew restless as they awaited a Japanese response, ultimately interpreting the silence as a non-acceptance of the imposed peace terms. Consequently, Truman ordered a resumption of attacks against Japan at maximum intensity. More than 400 B-29 bombers launched daylight attacks, while over 300 conducted night raids, culminating in what would become the largest and longest bombing raid of the Pacific War. Furthermore, Truman began planning to drop a third atomic bomb on Tokyo. However, before he could proceed, Emperor Hirohito met with the most senior Army and Navy officers in the early hours of August 14, convincing them to cooperate in ending the war. The cabinet immediately convened and unanimously ratified the Emperor's wishes for an unconditional surrender. They also decided to destroy vast amounts of material related to war crimes and the war responsibilities of the nation's highest leaders. Shortly after concluding the conference, a group of senior army officers, including Anami, gathered in a nearby room and signed an agreement to execute the Emperor's order of surrender. This decision would significantly impede any attempts to incite a coup in Tokyo. During this meeting, General Kawabe Torashirō, Vice Chief of the Army General Staff, proposed that the senior officers present should each sign an agreement to carry out the Emperor's order of surrender, "The Army will act in accordance with the Imperial Decision to the last." An agreement was ultimately signed by each of the most important officers present, including Minister of War Anami, Chief of the Army General Staff Umezu, commander of the 1st General Army Field Marshal Sugiyama Hajime, commander of the 2nd General Army Field Marshal Hata Shunroku and Inspector-General of Military Training Doihara Kenji. When Umezu voiced concern about air units causing trouble, Vice Minister of War Wakamatsu Tadaichi took the agreement next door to the Air General Army headquarters, where its commander Kawabe Masakazu, the brother of Torashirō also signed. The document would serve to seriously impede any attempt to incite a coup in Tokyo. Simultaneously, the Foreign Ministry transmitted orders to its embassies in Switzerland and Sweden to accept the Allied terms of surrender, which were received in Washington at 02:49 on August 14. Anticipating difficulties with senior commanders on distant war fronts, three princes of the Imperial Family, who held military commissions, were dispatched to deliver the news personally. By 19:00, the text of the Imperial Rescript on surrender was finalized, transcribed by the official court calligrapher, and presented to the cabinet for their signatures. Around 23:00, the Emperor, with assistance from an NHK recording crew, made a gramophone record of himself reading the rescript. At long last, Japan had admitted defeat.  However at around 21:30 on 14 August, the conspirators led by Hatanaka set their plan into motion. The Second Regiment of the First Imperial Guards had entered the palace grounds, doubling the strength of the battalion already stationed there, presumably to provide extra protection against Hatanaka's rebellion. But Hatanaka, along with Lt. Col. Shiizaki Jirō, convinced the commander of the 2nd Regiment of the First Imperial Guards, Colonel Haga Toyojirō, of their cause, by telling him (falsely) that Generals Anami and Umezu, and the commanders of the Eastern District Army and Imperial Guards Divisions were all in on the plan. Hatanaka also went to the office of Tanaka Shizuichi, commander of the Eastern region of the army, to try to persuade him to join the coup. Tanaka refused, and ordered Hatanaka to go home. Hatanaka ignored the order. Originally, Hatanaka hoped that simply occupying the palace and showing the beginnings of a rebellion would inspire the rest of the Army to rise up against the move to surrender. This notion guided him through much of the last days and hours and gave him the blind optimism to move ahead with the plan, despite having little support from his superiors. Having set all the pieces into position, Hatanaka and his co-conspirators decided that the Guard would take over the palace at 02:00. The hours until then were spent in continued attempts to convince their superiors in the Army to join the coup. Hatanaka, Shiizaki, Ida, and Captain Shigetarō Uehara (of the Air Force Academy) went to the office of Lt. Gen. Takeshi Mori to ask him to join the coup. Mori was in a meeting with his brother-in-law Michinori Shiraishi. The cooperation of Mori, who was the commander of the 1st Imperial Guards Division, was vital. When Mori refused to side with Hatanaka, Hatanaka killed him, fearing Mori would order the Guards to stop the rebellion. Uehara killed Shiraishi. These were the only two murders of the night. Hatanaka then used General Mori's official stamp to authorize Imperial Guards Division Strategic Order No. 584, a false set of orders created by his co-conspirators, which would greatly increase the strength of the forces occupying the Imperial Palace and Imperial Household Ministry, and "protecting" the Emperor. The rebels, led by Hatanaka, spent the next several hours fruitlessly searching for the recordings of the surrender speech, failing to locate them amid a blackout caused by American bombings. Around the same time, another group of Hatanaka's rebels, led by Captain Takeo Sasaki, targeted Prime Minister Suzuki's office with the intent to kill him. When they found it empty, they opened fire with machine guns, devastating the office, and then set the building ablaze before departing for Suzuki's home. Fortunately, Hisatsune Sakomizu, the chief secretary to Suzuki's Cabinet, had warned Suzuki, enabling him to escape just minutes before the assassins arrived. After setting fire to Suzuki's residence, the rebels then proceeded to the estate of Kiichirō Hiranuma, aiming to assassinate him as well. Hiranuma managed to escape through a side gate, but the rebels torched his house too. In the aftermath, Suzuki spent the remainder of August under police protection, sleeping in a different bed each night to avoid detection. Around 03:00, Hatanaka was informed that the Eastern District Army was on its way to the palace to confront him and urged him to surrender. As Hatanaka saw his plan collapse around him, he pleaded with Tatsuhiko Takashima, the Chief of Staff of the Eastern District Army, for airtime on NHK radio to explain his intentions to the Japanese people. His request was denied. Meanwhile, Colonel Haga, commander of the 2nd Regiment of the First Imperial Guards, learned that the Army did not support Hatanaka's rebellion and ordered him to vacate the palace grounds. Just before 05:00, while his rebels continued their search, Major Hatanaka went to the NHK studios, desperately trying to secure airtime to convey his actions. However, slightly over an hour later, after receiving a phone call from the Eastern District Army, Hatanaka finally conceded defeat. He gathered his officers and left the NHK studio, feeling the weight of his failed coup. At dawn, General Tanaka learned that the palace had been invaded, so he went there to confront the rebellious officers. He berated them for acting against the spirit of the Japanese army and ultimately convinced them to return to their barracks. By 08:00 on August 15, the rebellion was entirely dismantled. Although they had held the palace grounds for much of the night, they ultimately failed to find the recordings. After his failed coup, Hatanaka took his own life before witnessing Japan's surrender. While TF-38 refueled on August 14, Halsey signaled McCain, stating, “I intend to strike the same general target area on the fifteenth.” McCain informed TF-38, “Our orders to strike indicate the enemy may have dropped an unacceptable joker into the surrender terms. This war could last many months longer. We cannot afford to relax. Now is the time to pour it on.” In fact, the Western Allies had sunk their last Japanese ships of the war that day, when submarines USS Torsk (SS-423) and USS Spikefish (SS-404) torpedoed I-373 and two small escort ships in the East China Sea, resulting in the death of 112 Japanese sailors. The following morning, August 15, the Third Fleet launched its first strike of 103 aircraft at 04:15 hours. At 06:14, just as the first strike was returning and the second strike was five minutes from the target, Halsey was ordered by Nimitz, “Air attack will be suspended. Acknowledge.” Shortly afterward, an officer burst in, waving a transcript—President Truman's official peace announcement. Halsey erupted with exuberance, “pounding the shoulders of everyone within reach.” He recalled, “My first thought at the great news was, ‘Victory!' My second was, ‘God be thanked, I'll never have to order another man out to die.'” However, within minutes, four retiring Hancock Hellcats were attacked by seven Japanese fighters, resulting in the Hellcats shooting down four without loss. Over Tokorazawa airfield, northwest of Tokyo, 20 IJAAF Ki-84 “Franks” ambushed six VF-88 Hellcats from Yorktown. The Hellcats managed to shoot down nine Franks but lost four of their own, along with their pilots. Rawlings' dawn strikes were intercepted by about 12 Zeros. Escorting Seafires shot down eight Zeros but lost one, while an Avenger downed a ninth Zero. Tragically, seven TF-38 flyers never returned. During the morning, Halsey launched his last strike of the war, but was soon ordered by Admiral Nimitz to suspend all air attacks. At 12:00, the Emperor's recorded speech to the nation, reading the Imperial Rescript on the Termination of the War, was finally broadcast. The war was over… or was it really? I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. As Prime Minister Suzuki and his cabinet debated surrender, the Emperor Hirohito finally accepted the Potsdam Declaration, conditionally ensuring the imperial family's continuity. However, conspirators attempted a coup to prevent the surrender, ultimately failing. By August 15, Japan officially surrendered, marking the end of the Pacific War.

This episode is sponsored by Hummingbirds, ⁠learn more⁠ by booking a call with their team!Ribbon was created to bring a sense of calm and softness to everyday routines—for the moms doing everything and the little ones learning everything. Made from premium, platinum-cured silicone, Ribbon's thoughtfully designed tableware is non-toxic, unbreakable, and built to last through every meal, mess, and moment. Founder-vetted and crafted in Korea, each piece is dishwasher, microwave, and oven-safe, with a soft feel and clean aesthetic that fits beautifully into modern family life. Whether you're feeding a toddler or setting the table for yourself, Ribbon helps make mealtime a little simpler—and a little more serene.what we chat about:What inspired the use of non-toxic, premium siliconeHow to strike a balance between being beautifully designed and deeply practicalFavorite ways to use Ribbon products (e.g. hosting, lunchtime, baking)Go-to recipesIG ribbonkitchen.co | ribbonkitchen.comFind Me:IG + TikTok citrusdiaries.studiocitrusdiaries.com | hello@citrusdiaries.comCreate your ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ today! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠#madeonzencastr

Daniel Dae Kim became the first actor of Asian descent to be nominated for a Tony, for his performance in Yellow Face, in the role of a playwright trying to deal with Asian American representation. His new Amazon Prime Video spy series Butterfly premieres today. Kim spoke with Ann Marie Baldonado about his career, his big break with Lost, and filming his new series in his hometown in Korea. Book critic Maureen Corrigan reflects on Gentlemen Prefer Blondes for its 100th anniversary. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Shedeur Sanders shut down a lot of his haters in his first preseason game. But can he do it again for the Browns? A quick recap of the Denver Broncos San Francisco 49ers game. Some GenZers are using pacifiers to soothe themselves in the workplace. Starbucks in Korea is cracking down on customers who set up desktop computers, printers, partitions or multi-tap power strips inside stores. Harvard scientist says a Manhattan-sized interstellar object could be an alien probe here to 'destroy us'. Breast milk ice cream is here to stay. Four men are rowing across the Atlantic Ocean. About 3,500 miles. Their purpose is to raise money for Head Up, a charity based in the United Kingdom that promotes mental health awareness for their military. - Thanks to BarStool Sports for bringing this story to light. Also, don't walk your dog in a stroller.

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

On this episode, we chat with Julia and Brad Riew, the sibling writing duo behind the new Asian-inspired fantasy novel The Last Tiger! Julia and Brad share their experiences writing a novel as a team as well as how they were inspired to write their fantasy epic, which takes place in a world inspired by Japanese-occupied Korea in the 1940's, by the real life star-crossed love story of their grandparents.Follow Julia and brad on Instagram at @juliariew and @bradriew and check out their debut novel The Last Tiger available now on the Books & Boba bookshop!Books & Boba is a podcast dedicated to reading and featuring books by Asian and Asian American authorsSupport the Books & Boba Podcast by:Joining our Patreon to receive exclusive perksPurchasing books at our bookshopRocking our Books & Boba merchFollow our hosts:Reera Yoo (@reeraboo)Marvin Yueh (@marvinyueh)Follow us:InstagramTwitterGoodreadsFacebookThe Books & Boba May 2025 pick is Blob by Maggie SuThis podcast is part of Potluck: An Asian American Podcast Collective

Mini-podcast about an event on this day in working class history.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History.  AcknowledgementsWritten and edited by Working Class History.Theme music by Ricardo Araya. Check out his YouTube channel at youtube.com/@peptoattackBecome a supporter of this podcast: https://www.spreaker.com/podcast/on-this-day-in-working-class-history--6070772/support.

So modern und technologieverliebt Korea auch ist – es gibt eine andere, stille Seite. Eine Welt voller Rituale, Aberglaube und spiritueller Zeichen, erzählt Andreas Heuberger, Head of Administration des Europäischen Auswärtigen Dienstes in Seoul. Gestaltung: Alexandra Mantler – Eine Eigenproduktion des ORF, gesendet in Ö1 am 09.08. 2025

Authors Tracy Slater and Julia Riew published two very different books last month that were inspired by a similar time in history. First, Together in Manzanar is set during the incarceration of Japanese Americans following Pearl Harbor. The book tells the real-life story of a mother who had to decide whether to go to a concentration camp with her 3-year-old Japanese American son or stay back with her daughter, who was white. In today's episode, Slater speaks with NPR's Sacha Pfeiffer about this family's story. Next, The Last Tiger is a fictional book for young readers about the Japanese occupation of Korea. In today's episode, its co-author Julia Riew talks with NPR's Scott Simon about writing the book with her brother and how their grandparents shaped the story.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

Ray discusses with Manpreet the reasons for expecting a Fed rate cut in September and its implications for risk assets. They also share their perspectives on equities in Korea and India, concluding with insights on the GBP and gold. Find out more from our latest Weekly Market View report here. Speakers: - Ray Heung, Senior Investment Strategist, Standard Chartered Bank - Manpreet Gill, CIO of Africa, Middle East & Europe (AME/E) and Head of Fixed Income, Currency and Commodities (FICC) Strategy, Standard Chartered Bank 

Leading with heart and strategy in a changing world. About Yasmine Aslam - Hashmi Yasmine Hashmi is a passionate educator, DEIJ advocate, and global leader dedicated to inspiring positive change through education. With a career spanning over two decades, Yasmine has taught in classrooms across Canada, Korea, and Switzerland, and has taken on leadership roles ranging from curriculum development to professional learning facilitation. As a co-facilitator of the ECIS DEIJ Leadership Development Cohort, she champions equity, inclusion, and critical thinking in schools worldwide. Yasmine believes in empowering students to become responsible, empathetic citizens by fostering a holistic and globally-minded perspective. LinkedIn: https://www.linkedin.com/in/yasmine-aslam-hashmi/  About Nunana Nyomi Nunana Nyomi is a dedicated international school leader, committed to fostering inclusive, student-centered learning communities. Currently serving as the Secondary School Principal at the International School of Geneva's Campus des Nations, Nunana brings a wealth of experience in educational leadership, university advising, and DEIJ (Diversity, Equity, Inclusion, and Justice) advocacy. His career spans roles at Leysin American School and the Council of International Schools, where he led global initiatives to support student success and equity. Nunana is passionate about empowering students to thrive academically while becoming responsible, compassionate global citizens. LinkedIn: https://www.linkedin.com/in/nunana-nyomi-7a91447a/  Resources http://www.yasminehashmi.com/   https://ecis.org/deij-programmes-courses/  John Mikton on Social Media LinkedIn: https://www.linkedin.com/in/jmikton/ Twitter: https://twitter.com/jmikton Web: beyonddigital.org Dan Taylor on social media: LinkedIn: https://www.linkedin.com/in/appsevents  Twitter: https://twitter.com/appdkt  Web: www.appsevents.com Listen on: iTunes / Podbean / Stitcher / Spotify / YouTube Would you like to have a free 1 month trial of the new Google Workspace Plus (formerly G Suite Enterprise for Education)? Just fill out this form and we'll get you set up bit.ly/GSEFE-Trial

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In what was set to be a simple review of the summer friendlies being hosted in Korea, Matthew Binns, Paul Neat and Andrew Farrell return to discuss two of the biggest stories to come out of the games plus a look at the K League-related fixtures and thoughts from the mixed zone and press conferences.   On the eve of the Tottenham Hotspur versus Newcastle United clash in this summer's Coupang Play Series, Korea footballing world was taken aback at the announcement from Spurs and National Team captain Son Heung-min about his decision to leave the Premier League outfit after 10 years with them.   With his subsequent record-breaking move to MLS side LA FC announced days later, the pod first takes a look at this sizeable transfer and the impact it could have on Korea ahead of the 2026 World Cup.   [READ: Son Heung-min signs with LA FC]   There were friendlies to be played though, with Team K League also back in action in what has once again become an annual tradition, defeating Newcastle by a goal to nil. Andrew gives his thoughts on the game plus we hear from Magpies boss Eddie Howe and FC Anyang's Thomas Oude-Kotte, before our columnist Claire Evans joins us to tell us about her experience from the stands.   Paul then takes us through FC Seoul's 7-3 defeat to Barcelona before Andrew then walks us through the Spanish Champions second Korea-based friendly, a 5-0 victory over Daegu. We also hear from Barcelona boss Hansi Flick along with Daegu striker Edgar who caught up with our own Jung Muyeol.   [READ: Dark days ahead for Daegu]   Finally, defeating Newcastle in a friendly wasn't enough to turn the attention away from under-fire Ulsan boss Kim Pan-gon, who saw his year at the club come to an end after an eleven game winless run. The reigning K League 1 Manager of the Year had been coming under increasing pressure as Ulsan's title bid slipped away.    Kim has been replaced by former Korea and Indonesia National Team boss Shin Tae-yong, just in time for the weekend fixtures.   [READ: Ulsan HD Appoint Shin Tae-yong]   All this and more on The K League United Podcast!

Mountains, meridians, rivers, and borders--these are some of the features that divide the world on our maps and in our minds. But geography is far less set in stone than we might believe, and, as Maxim Samson's Earth Shapers contends, in our relatively short time on this planet, humans have become experts at fundamentally reshaping our surroundings. From the Qhapaq Ñan, the Inca's "great road," and Mozambique's colonial railways to a Saudi Arabian smart city, and from Korea's sacred Baekdu-daegan mountain range and the Great Green Wall in Africa to the streets of Chicago, Samson explores how we mold the world around us. And how, as we etch our needs onto the natural landscape, we alter the course of history. These fascinating stories of connectivity show that in our desire to make geographical connections, humans have broken through boundaries of all kinds, conquered treacherous terrain, and carved up landscapes. We crave linkages, and though we do not always pay attention to the in-between, these pathways--these ways of "earth shaping," in Samson's words--are key to understanding our relationship with the planet we call home. An immense work of cultural geography touching on ecology, sociology, history, and politics, Earth Shapers argues that, far from being constrained by geography, we are instead its creators. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On tonight's edition of Obbligato on APEX Express, which focuses on AAPI artists, musicians, and composers in the classical music world, host Isabel Li is joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. Featured Music: Sonatrinas: https://richardan.bandcamp.com/album/sonatrinas i got the electroshock blues: https://rasprecords.bandcamp.com/album/i-got-the-electroshock-blues   RICHARD AN (b.1995) is a performer and composer, born and raised in Los Angeles. Richard plays new music – usually with House on Fire – co-founded the tiny backpack new music series, and has performed with Monday Evening Concerts' Echoi Ensemble, Piano Spheres, The Industry and on Bang on a Can's LOUD Weekend. Richard plays piano and percussion, and has been known to sing, conduct, and teach. Richard's music has been performed by the Los Angeles Philharmonic Orchestra, Calder Quartet, HOCKET, C3LA, and more. His music has been released on CMNTX Records. Richard has a BM in Composition from USC and an MFA from CalArts. He is on faculty at the Pasadena Waldorf School, Glendale Community College and Harvard-Westlake. He plays taiko and tabla, and makes YouTube videos. Learn more about Richard's work on his website: https://richardanmusic.com/ Richard's social media: https://www.instagram.com/richardanmusic/ If you are in LA and want hear Richard's work, he's playing with House on Fire at the Sierra Madre Playhouse on August 17! https://www.sierramadreplayhouse.org/event/richardan2025   Transcript Opening: [00:00:00] APEX Express. Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express. 00:00:46 Isabel Li Good evening and welcome back to a new episode of Apex Express on KPFA, 94.1 FM. We are bringing you an Asian and Asian American view from the Bay and around the world. I'm your host, Isabel Li, and tonight is a new edition of Obbligato, which explores AAPI identities and classical music. Tonight I'm joined by LA based performer and composer Richard An, who plays and creates new avant-garde music, usually with the ensemble House on Fire, and his music has been performed by the LA Phil and the Calder Quartet to name a few. Join us in our conversation, exploring the possibilities of avant-garde music, raising questions regarding Asian identities in the classical music world, and Richard's insights on art making during a time when Trump's cuts to the NEA are affecting artists and institutions nationwide. 00:01:41 Isabel Li Welcome to the show. Welcome to APEX Express, Richard. My first question for you is how do you identify and what communities would you say that you're a part of? 00:01:50 Richard An My name is Richard An I use he/him pronouns and I'm a second generation Korean American. My parents are both Korean. My dad came from Busan, which is a large city in South Korea, and my mom was born in Seoul and then moved to South America and then made her way up to Los Angeles where they met. And as for identity, like, I think Korean American would be the most accurate one. This is and I think an ever evolving part of first of all my identity and the way that it intersects with my practice and also I think that's the case with many Asian American artists, I mean artists from immigrant families, you know, the the matter of your identity, especially if you feel more distanced from it for one reason or another, is like an unsolved question for everyone like there is no one answer. That works for people and that's a thing that me people like myself I think will be exploring for our entire lives. When I introduce myself to people, I say that I'm a classical musician. And at the very core of it, that is true. That's not a lie. And I am, you know, a part of the classical music community in Los Angeles. But as time goes on, I have noticed and realized. That I tend to align myself more with like the avant-garde and experimental contemporary music communities of Los Angeles, which has certainly an overlap with the classical community, both in practice and historically, but yeah, I I would say those are the sort of two biggest ones, classical musicians and experimental avant-garde, contemporary musicians, whatever label you want to use for that. 00:03:47 Isabel Li Yeah. Some of our listeners might not know what avant-garde music entails. Can you — how would you describe avant-garde music to someone who might not be as familiar with this particular movement? 00:03:57 Richard An Yeah. So avant-garde music, a sort of flippant and joking way to to talk about it is ugly music or music. You know, my dad, for example, wouldn't like, but I think. It's music that either interfaces with elements or confronts facets or issues in music that aren't typical of other kinds of music. The music that you might hear that is labeled of on guard might be noisy or dissonant or uncomfortable, or any kind of, you know, adjectives that are synonyms for noisy or ugly, but I have come to love that kind of music, you know 1. Because of the the kind of questions that they might ask about our perceptions of music and two, because I guess one way to put it is that to be a classical musician, you need to be in a practice room for many hours a day for many years and go to what is unfortunately a college, which is usually very expensive and I guess for lack of a better term, paywalled for like you need to have the kind of resources that allow you to attend a four year undergrad and then a two year masters and then a three-year doctorate. But avant-garde music, contemporary music, experimental music doesn't necessitate that kind of thing. Often those musicians do have a background that gives them some amount of, you know, virtuosity or facility in an instrument. But like some of the best experimental musicians. Alive and some of the best ones that I know have no, like extensive training in a particular instrument and some may not have a degree in music at all. And that's one thing that I in like that separates it from classical music is that. 00:05:44 Richard An Classical music can be, unfortunately a little bit exclusionary. I don't think by any one specific design, but the fact that you need so many hours and very specific instructions from a mentor that necessitate that kind of relationship. But experimental music, I think does a little bit better job of diversifying or making it feel more equitable. 00:06:12 Isabel Li That's a great point, actually. One of my questions following up with that was what do you think is possible with this genre, which you kind of mentioned earlier with perhaps how this genre makes classical music a little bit more equitable for those who are interested in this field. In your experience, composing, what do you think makes the genre special, and how do you go about it? 00:06:35 Richard An One thing that I've noticed about being involved in the sort of contemporary experimental avant-garde music sphere is that it makes me a better listener, and I think other people who attend these concerts will agree. Like for example a large part of this kind of music is drone or repetition or, you know, like long spans of unchanging sound. And if the the sound that is being produced at face value is not changing, well then what do you notice about it? What do you grab on to and one of the most, I think, gratifying experiences is listening deeper and realizing that, ohh, even though you know for example this piano playing two notes for 30 minutes might not like the instructions will say to do the same thing for 30 minutes, but your experience as a human being will certainly change over those 30 minutes, even if the the notes are not like you will notice the slight fluctuations in the way that someone is playing, you will notice the beating patterns in the pitches on an instrument that may not be perfectly in tune, you will note other ambient sounds, you will note like you will notice so much more about the world when you are confronted with the kind of music that you know. You can say it forces you to listen to these sounds but also invites you to listen to these things. And I think that's really, really special. That's not to say that that can't happen with other kinds of music. Or even with classical music. Surely you know there are many, many ways to listen to everything. But I've noticed this within myself. When I listen to long, repetitive drone based music that it really opens my ears and makes me a more active participant as a listener. 00:08:30 Isabel Li It's a great point actually. Part of my work– because I studied music, history and theory in college– was how music can engage various listeners to participate. Have you composed anything that perhaps engages the listener in this more of a participatory setting? 00:08:47 Richard An Yeah. So I guess in order the some of the stuff that I've done to engage the audience, I guess both literally, and maybe more figuratively is, I wrote a piece last year for the Dog Star festival, which is a a contemporary and experimental music festival that is actually happening right now, at the time of this recording. It's a multi week long festival that focuses on music of this type that was founded by people in the sort of CalArts music world. But I wrote a piece for that last year for three melodicas, which are these basically toy instruments that look like keyboards, but you blow into them and you blowing air through these makes the sound happen. It's basically like if you cross a harmonica and a piano together. But I I wrote a piece for three of these, playing essentially the same notes. And because these instruments are pretty cheap, and they're often considered toys or, you know, instruments for children, they're not tuned to the exact way that, like a piano or a vibraphone or an expensive instrument might be. But I wanted to use that for my advantage. For example, if I play an F# on one melodica the same F# on another melodica will not be exactly the same and playing those two pitches together will produce what's known as a a beat or beat frequency. Which is, you know, a complicated, you know, mathematic physics thing, but basically 2 notes that are really, really close, but not quite together will create a kind of third rhythm because the the pitches are so close. Like, for example, if if I play an A at 4:40 and another A at 441, you will notice that difference of 1 Hertz inside of your ears. And that's a really cool phenomenon that happens explicitly because you were there listening to the piece. They don't happen necessarily, you know, like in, in recorded formats like, it's a very difficult thing to capture unless you are in the room with these instruments. And the fact that we had this audience of, let's say, 40 people meant that all forty of these people were experiencing these beat frequencies and another really cool factor of this is depending on where you are located in the room. With the way that the beats will sound in your ears are different and purely by the fact of acoustics like a wave bouncing off of the wall over on your left, will feel really different if you are closer or further from that wall. So not only do the audiences ears themselves, you know, invite these this this participation, but the pure physicality of each listener means that they will have a very slightly different experience of what the piece is, and again like this will happen in any concert. If you're at a classical show, if you're at a rock show if, if you're further from the stage, if you're further to the left or right, you will get a slightly different position in the stereo field that the musicians are playing in, but pieces like what I wrote and many others that exist emphasize this kind of like acoustic phenomena. That is really, really fascinating to listen to. 00:12:23 Isabel Li That's fascinating. And to get a sense of Richard's work, we'll be hearing coming up next. The short excerpt from his album Sonatrinas. This is the duo excerpt performed by Wells Leng, Katie Aikam, Kevin Good and composer Richard An himself. [COMP MUSIC: Sonatrinas (Excerpt: Duo)] 00:17:38 Richard An And so the back story for this piece is this was written for one of my recitals at CalArts. I was planning on playing this piece by Michael Gordon called Sonatra, which is a really, really beautiful and difficult piece for solo piano that I gave myself as an assignment, which I was not able to do with the amount of time. And, you know, like I just didn't give myself enough time to do this thing, so I still had this program of several pieces written with the idea of having this Michael Gordon Sonatra in the middle, but now that that sort of middle part was gone, there was a bunch of pieces about a piece that didn't exist. So in order to fill that hole, I wrote this piece called Sonatrinas which is a cheeky nod to the Michael Gordon Sonatra, but also to the fact that each part of this is kind of a diminutive Sonata form. Everything has a sort of ABA– here's some idea. Here's a different idea, and now we go back to that first idea. Every single part of this has a little bit of that in it. 00:18:51 Isabel Li Yeah, that's fascinating. Even the name itself reminds me of Sonata form in classical music, where it's kind of like an ABA section. As you sort of talked about earlier. And it's really cool that you're adapting this in a more avant-garde context. This is a reminder you're listening to Apex Express. Today we are interviewing composer and musician Richard An. 00:19:12 Isabel Li I think the general question that I have next is can you tell me a bit about what drew you to music and how you got your start in music, how you got introduced to it and what things have inspired you over the years? 00:19:24 Richard An Yeah. So a real quick sort of, I guess, history of my involvement with music is that I started piano lessons when I was pretty young, either three or four years old. I continued that until I was 12 or 13. I decided I really wanted to become a musician. I started taking composition lessons with this composer, AJ McCaffrey, who is really responsible for a lot of what I know and my successes, if you can call it that. He got me into a lot of the music that I am into now and set the foundation for what I would study and what I would write he was one of the instructors for this program called the LA Phil Composer Fellowship program, which back when I was a participant from 2011 to 2013, was a program hosted by the Los Angeles Philharmonic that took 4 high school age students every two years. And you know, they they taught us, you know, everything. How a young composer needs to know how instruments work, how to write a score, how to talk to musicians, how to do everything that a that a composer needs to learn how to do and at the end of this program, after the two years the young composers write a piece for the at the LA Philharmonic. So I was extremely lucky that by the age of 17 I was able to write a piece for orchestra and get that played and not just any orchestra, with the Los Angeles Philharmonic, you know, undisputedly one of the best orchestras in the world. Right. And then after that I I went to USC for my undergrad and then went to CalArts for my masters. And then here we are now. And that those are sort of the like, you know if someone writes a biography about me, that's what we'll be, you know, involved in the thing. But I really started to develop my love for music in my freshman and sophomore year. In high school I I started to get into more and more modern composers. I started to get into more and more noisy things and a lot of this coincided actually with the passing of my mother. She died when I was 14 and you know that in any human the death of a parent will cause you to reevaluate and rethink aspects of your life. Things that you thought were certainties will not be there anymore. So for me, I stopped taking piano lessons and I sort of went headfirst into composition and which is why my degrees are specifically in composition and not piano. Had my mother's passing not happened, you know, who knows what I would be doing now? Maybe I'm not a composer at all. Maybe I'm not into avant-garde music at all, but because things happen the way that they did, I suddenly took a quick turn into avant-garde music and my involvement there only grew more and more and more. Until you know where I am today, I'm almost 30 years old, so I've been listening to and a participant of this music for maybe 15 years or so and I'm quite happy. 00:22:43 Isabel Li That's awesome to hear. 00:22:45 Isabel Li And perhaps a testament to Richard one's very versatile compositional style and avant-garde music coming up next are three pieces from his album i got the electroshock blues. There are five pieces in the album in total, but we will be hearing three of them. The first one called “feeling, scared today,” the second one, “pink pill,” and the fifth one, “la la.” [COMP MUSIC: i got the electroshock blues: 1. “feeling, scared today”, 2. “pink pill”, 3. “la la”.] 00:36:41 Richard An Earlier last year, I released a collection of live recordings under the title of I got the Electroshock Blues. Electroshock Blues is a song by the band Eels I encountered at a pivotal moment in my life. This was right around the time that my mother passed and this record and this song is heavily centered in grief. The main musician in the Eels, Mark Oliver Everett, was dealing with the passing of multiple family members and people who were close to him so it hit me in just the right way at just the right time. And because of that, this song specifically has stayed with me for many, many years. I found myself coming back to the contents of this song as I was composing and all the pieces on this album, of which there are 5 heavily take material from this song, whether that's words, chords, the melody. I really, you know, take it apart, dissect it and use those as ingredients in the pieces that I have written here and all of these are live recordings except for the first piece which was recorded in my studio. I just sort of overdubbed the parts myself, and there are credits in the liner notes for this album, but I just want to say that. The first piece which is called “feeling, scared today,” was originally written for the Hockett piano duo, which is a duo comprised of Thomas Kotcheff and Sarah Gibson. Sarah Gibson was a really close friend of mine who passed away last year and now this piece which in some way came out of a feeling of grief now has renewed meaning and another facet or aspect of this piece is centered in grief now. Because this was dedicated to Thomas and Sarah. Yeah. So these pieces are all derived from this one song. 00:38:57 Isabel Li That's a beautiful response. Thank you so much. Kind of following along your background and how you got to where you are. How do you think your identity has informed your work as a composer and musician? And this could be– you can interpret this in any way that you wish. 00:39:11 Richard An Yeah, this is a really interesting question. The question of how my identity interfaces with my music. In my art, particularly because no person's answer is quite the same, and I don't necessarily have this figured out either. So for a little bit of I guess for a little bit of context on me, I'm second generation Korean American, but I've never been to Korea and I never went to Korean school. My parents never really emphasize that part of my education. You could call it assimilation. You can call it whatever, but I think they valued other aspects of my growth than my explicit tie to Koreanness or, you know my specific identity as a Korean or Korean American, and because of that, I've always felt a little bit awkwardly distanced from that part of my identity, which is something that I will never be completely rid of. So in in a world and the field where whiteness is sort of the default part you know, particularly because you know, classical music does come from Europe, you know, for hundreds of years, like all of the development in this particular kind of music did happen in a place where everyone was white. So because of that background of where I come from and where my musical activity comes from, whiteness has been the default and still feels like it is. So me looking the way that I do as, an obvious not white person, as a person of color will always have a little bit of an outsider status to the thing. And with that comes the question of what are you bringing to classical music? What do you bring to the kind of music that you're creating? Like for example, the most I think the most well known East Asian composers are people like Toru Takemitsu or Tan Dun, people who will interface with their Asianness, in many different ways, but that often involves bringing, for example, a Japanese scale into your classical composition, or bringing a Japanese instrument into your classical composition. Those are, you know, examples of of of pieces by Toru Takemitsu, and other, you know, very successful. Asian American composers now may do similarly. Texu Kim is maybe someone who can also give insight into this, but nothing about me feels explicitly Korean, maybe besides the way that I look. And besides, the way that I grew up a little bit like I've never been to Korea. What right does that give me as a Korean, to for example, use a Korean instrument or use a Korean scale? I've never studied that music. I've never studied that culture. I in in some arguments I would be guilty of cultural appropriation, because I, you know, have not done the work to study and to properly represent. And for example, like Pansori, if I were to use that in any of my music. 00:42:46 Richard An But then the the the difficult question is well, then who does have the right? Does being Korean give me all the license that I need to incorporate aspects of my identity? And if I am not Korean, does that, does that bar my access to that kind of music forever? Another way of looking at this is, I've studied North Indian Classical Hindustani music for a while. I've played tabla and and studied that music at CalArts and I really, really love playing tabla. It's it doesn't make its way into my composition so much, but it is certainly a big part of my musicianship and who I am and, like, but am I barred from using ideas or aspects of that music and culture and my music because simply for the fact that I am not Indian? Many musicians would say no. Of course you've done your homework, you've done your research. You're doing due diligence. You're you're representing it properly. And many people who study this music will say music cannot go forward if it's not like the innervated and continued and studied by people like me who are not explicitly South Asian or Indian. That's an example of the flip side of this of me using or representing the music from a culture that I am not a part of, but again, am I really Korean? I've never been there. I wasn't born there. I speak the language conversationally. But this is an extremely long winded way of saying that I feel a tenuous connection to my Korean this my Korean American identity that hasn't been solved, that isn't solved and probably will never be completely solved. But I think that's exciting. I think that's an evolving aspect of my music and will continue to be that way as long as I continue to be involved in music and as as long as I continue to write. 00:45:05 Isabel Li Yeah, absolutely. That's a wonderful response. Actually. I was, as I was studying different types of world music and learning how people kind of borrow from different cultures. There is this always, this kind of question like ohh, like which types of musical elements from which cultures can I incorporate and obviously the aspects of personal identity definitely play into that a little bit. And part of my senior thesis in college was studying AAPI artists in classical music, and specifically that there are a lot of Asian-identifying musicians in the classical music world. But as you kind of mentioned earlier, I think classical music is very much still like grounded in whiteness and has this kind of air of elitism to it just because of its roots. How do you think this kind of identity intersects with the classical music world? And forgive me if you've already kind of talked about it before, but it's an interesting juxtaposition between like, for example, musicians who identify as AAPI or Asian in this kind of genre that is very– it's very associated with whiteness. Could you kind of talk about the dynamics of how these two aspects of like culture kind of interplay with one another? 00:46:26 Richard An Yeah, absolutely. So, you know, there are ways that I personally feel like I intersect with classical music with reference to my identity, and that also plays with the sort of cultural expectations, like there are stereotypes of Asian musicians, of Asian classical musicians. But there are not necessarily the same the same kind of stereotypes with white classical musicians. A very dominant like stereotype that you'll run into is the young Asian prodigy who practices 10 hours a day and may therefore be labeled as mechanical or unfeeling or, you know, are involved in in this a lot. So much so to the fact to the to the point where to excel an Asian American classical musician or as an Asian classical musician, in general, seems to always carry that stereotype. Like you know, Seong-Jin Cho's success as a pianist may not necessarily be attributed to his musicianship or his skill as a pianist. Because he is an Asian person, an Asian guy. Like how much of his success is because of the perceived tiger mom-ness that he might have existed under? How much of it is attributed to the same type of stereotypes that are labeled like that that label the five year old pianist on YouTube that that is clearly better than I am? Like some of these stereotypes help and some of these don't, but the I think it's undeniable that they exist in a way that doesn't in a way that doesn't carry for white people in the classical music sphere. And I think part of that is that classical music is still rooted in its Eurological identity. I think I'm using that correctly. That's an idea from George Lewis. Eurological versus Afrological. The context that I'm using Eurological right now is specifically in reference to George Lewis, who is a composer, trombonist, and musicologist who, I think coined the two terms to differentiate the roots of different styles of music, and you know, I haven't read enough to confidently say, but classical music is Eurological by example and like jazz would be Afrological by an example and the contexts in which they develop and exist and grew up are fundamentally different, which is what makes them different from each other. And again like this needs a little bit more research on my part. 00:49:23 Richard An Yeah, and because the classical music is so rooted in this thing, I don't believe that the stereotypes that exist for Asian classical musicians exist for white people. And I think that is something that will naturally dissipate with time, like after another 100 years of Asians, and, you know, people of color in, you know, every country in the world, with their continued involvement and innova otypes will disappear like this. You know, it may require certain concerted efforts from certain people, but I do believe that after a while these things will not exist. They'll sort of equalize right in the same way. That the divisions that we make between a Russian pianist and a French pianist and a German pianist, though you know people still do study those things like those aren't really dividing lines quite as strong as an Asian composer or an Indian composer might be. 00:50:27 Isabel Li Thank you for that perspective. I think it's, I think these are conversations that people don't kind of bring up as much in the classical music world and it's great that, you know, we're kind of thinking about these and probably possibly like opening some conversations up to our listeners hopefully. And so my next kind of pivot here is as you know with our current administration, Trump has canceled millions of dollars in National Endowment of the Arts grants, and it's been affecting arts organizations all over the nation. And I was kind of wondering, have you been affected by these cuts to arts programs and what kinds of advice would give upcoming musicians or composers in this era? 00:51:07 Richard An Yeah, that's a yeah, that's a big thing. And like, you know, changing day by day, right. So the Trump administration's effects on my life as a musician is simultaneously huge and also not really that much. So in one way these grant cuts have not affected my personal musical life because I haven't ever received a government grant for any of my arts making. So in one way like my life is the same, but in many, many, many other ways it has changed. Like I am involved with and I work with concert series and organizations and nonprofits that do rely on NEA funding and other government arts based funding. And if they have less money to fund their next season, that means certain projects have to be cut. That means certain musicians have to be paid less. That means certain programs have to change, especially if these funding cuts are aimed towards DEI or quote and quote, woke programming like that is, you know this that will by design disproportionately affect people of color in this field, which already you know, like is in a Eurocentric urological tradition like this is already something that people of color don't have a head start in if the funding cuts are aimed at certain types of programming that will disadvantage already disadvantaged groups of people, well then I don't know, that's even–we're starting even later than other people might be, and you know, like, if a musicians, if a person's reaction to this is despair, I think that's reasonable. I think that is an absolutely, like that's an appropriate reaction to what is fundamentally an attack on your voice as an artist. But I I have for as long as I can, you know, I have always worked under the impression that I will have to do the thing myself, and that's in the piece of advice that I give for a lot of people. You shouldn't necessarily wait for this ensemble to come pick you to play or or to to, you know, commission you to write a piece if you want to write the piece, you should do it and figure out how to put it on yourself. If you want to perform you know music by a certain composer, you should do it and then figure out how to do it yourself. That certainly comes from a place of privilege, like I can do this because I have enough work as a musician to be able to pay for the the passion projects it comes from a place of privilege, because I live in Los Angeles and the resources and musicians and other people who I would like to collaborate with live here, so you know, completely acknowledging and understanding that I I do believe that it's better to ask for forgiveness than to ask for permission. I think if you're a young musician and are feeling some despair about these funding cuts and you know the many, many, many other transgressions against humanity by this current administration. 00:54:38 Richard An I recommend you just go out and do it yourself. You find your people, you find your community, you pull favors, you work long nights and you do it and the reward will firstly be the good you're putting out into the world and then the the art you're making. But also this will be paid in kind by the community you're building, the musicians you're working with. And the the connections you make like you know I I have, I am currently conducting this interview from a studio space that I am renting out in Pasadena that I have built over the last two years that I do all of my rehearsals and my performances in, and that I, you know, host rehearsals and performances for other people, and this cannot happen and could not have happened without the goodwill and help and contribution from other people. When I say go out and do it yourself, I'm not saying that you as a human being are alone. I'm saying you don't need to wait for institutional approval or permission to go out and do these things. Get your friends and do them themselves. And my optimistic belief is that the support and the work will follow. 00:55:53 Isabel Li Richard, thank you so much for sharing your perspectives and your voice on this show today. And thank you to our many listeners of KPFA on tonight's episode of Obbligato on Apex Express. Which focuses on the AAPI community of the classical music world. There were some inspirational words on arts and arts making by Richard An musician and composer based in Los Angeles. 00:56:18 Isabel Li Please check our website kpfa.org to find out more about Richard An and his work as well as the state of the arts during this period of funding cuts. 00:56:29 Isabel Li We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world, your voices and your art are important. 00:56:41 Isabel Li APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by Isabel Li. Have a great evening. The post APEX Express – 8.7.25 – Obbligato with Richard An appeared first on KPFA.

House spirits have been living in our heads (and our hearths) rent free lately! From Central America to Korea and across Europe, spirits like domovoi, brownies, duende, and more have been playing a role in home folklore. So pull up a chair by the hearth and we'll tell you their tales!Content Warning: This episode contains conversations about or mentions of animal death, blood, strangulation, transphobia, colonization, child endangerment, and defecation. Housekeeping- Books: Check out our previous book recommendations, guests' books, and more at spiritspodcast.com/books- Call to Action: Get our new Old Wives' Tale Teller Corduroy Hat!- Submit Your Urban Legends Audio: Call us! 617-420-2344Sponsors- Blueland creates everyday eco-friendly cleaning productions that save you money and space, without any plastic waste. Get 15% off your first order when you go to blueland.com/spiritsFind Us Online- Website & Transcripts: spiritspodcast.com- Patreon: patreon.com/spiritspodcast- Merch: spiritspodcast.com/merch- Instagram: instagram.com/spiritspodcast- Bluesky: bsky.app/profile/spiritspodcast.com- Twitter: twitter.com/spiritspodcast- Tumblr: spiritspodcast.tumblr.comCast & Crew- Co-Hosts: Julia Schifini and Amanda McLoughlin- Editor: Bren Frederick- Music: Brandon Grugle, based on "Danger Storm" by Kevin MacLeod- Artwork: Allyson Wakeman- Multitude: multitude.productionsAbout UsSpirits is a boozy podcast about mythology, legends, and folklore. Every episode, co-hosts Julia and Amanda mix a drink and discuss a new story or character from a wide range of places, eras, and cultures. Learn brand-new stories and enjoy retellings of your favorite myths, served over ice every week, on Spirits.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

    Retired Army Colonel and Physician Assistant Pauline Gross shares her extraordinary journey from the Women's Army Corps to a pioneering career in military medicine. With a career spanning over 44 years, Pauline offers a wealth of insights into the evolution of women's health in the military and the vital role of leadership and mentorship in overcoming barriers. Her story is a powerful testament to resilience and determination, highlighting key moments such as deployments to Honduras and Korea and her transition from combat medic to Physician Assistant.     COL(R) Gross delivers invaluable lessons on the importance of sponsorship and mentorship in career advancement, illustrating how support from colleagues can be a game-changer. She recounts her efforts in improving healthcare access for female soldiers and the innovative approaches taken at Fort Bliss to enhance patient care. Her advocacy for women's health services and her commitment to building professional relationships underscore the significance of teamwork and networking in advancing medical services in a military setting.      Listeners are invited to explore the challenges and triumphs COL(R) Gross faced in breaking barriers in healthcare, particularly in a male-dominated environment. Her personal anecdotes about advocating for Physician Assistants as Officers in Charge of clinics and her involvement with the Quilts of Valor Foundation provide a deeper understanding of the impact of perseverance and advocacy. As COL(R) Gross reflects on her legacy in military medicine, she offers inspiring advice for aspiring medical professionals, emphasizing the value of maintaining clinical skills, challenging limitations, and pursuing one's goals with confidence and resilience.   Chapters: (00:04) Intro to COL(R) Pauline Gross (10:22) Journey to Becoming a Physician Assistant (16:39) Ensuring Female Soldiers Receive Proper Care (24:24) Breaking Barriers in Healthcare (29:54) Advancing Opportunities in Healthcare (36:02) Empowering Female Healthcare Professionals (41:11) Legacy and Advancement in Military Medicine   Chapter Summaries: (00:04) Intro to COL(R) Pauline Gross COL(R) Pauline Gross shares her journey as a WAC and PA, discussing women's health, leadership, and mentorship in military medicine.   (10:22) Journey to Becoming a Physician Assistant A woman's journey from the Women's Army Corps to becoming a PA, including deployment experiences and the impact of sponsorship on her 44-year career.   (16:39) Ensuring Female Soldiers Receive Proper Care COL Gross's experiences highlight the importance of networking, advocacy, and teamwork in improving medical services and patient outcomes.   (24:24) Breaking Barriers in Healthcare Fort Bliss implemented innovative approaches to improve access to healthcare and musculoskeletal management, including education and profile forms, resulting in soldiers becoming PAs.   (29:54) Advancing Opportunities in Healthcare Advocating for PAs as OICs, mentorship and training, resilience and creativity, rejecting limitations, and persistence in professional pursuits.   (36:02) Empowering Female Healthcare Professionals A veteran PA shares insights on overcoming gender barriers, prioritizing personal goals, and honoring veterans through Quilts of Valor.   (41:11) Legacy and Advancement in Military Medicine The evolving role of PAs in military medicine, the importance of trust and mentorship, and staying open-minded in unexpected opportunities.   Take Home Messages: Empowerment Through Leadership and Mentorship: The episode underscores the critical role of leadership and mentorship in career advancement, especially for women in male-dominated fields. Building strong professional relationships and having supportive mentors can be transformative in overcoming barriers and achieving success. Advocacy for Women's Health: A key takeaway is the importance of advocating for comprehensive healthcare services for female soldiers. Collaborative efforts with medical professionals and strategic initiatives can significantly enhance access to necessary healthcare, ensuring timely and effective treatment without compromising training. Resilience and Innovation in Military Medicine: The episode highlights the power of resilience and innovation in transforming military healthcare. Creative problem-solving and the willingness to challenge traditional roles can lead to improved patient care and the expansion of professional opportunities. Breaking Barriers and Shifting Perceptions: It's essential to confront and overcome preconceived notions and biases, whether they relate to gender or professional roles. The episode illustrates how persistence and excellence in performance can shift perceptions and open doors for future generations. Legacy of Dedication and Resourcefulness: Leaving a legacy of dedication, resourcefulness, and adaptability is emphasized as crucial for those in military medicine. Embracing unexpected opportunities and maintaining a commitment to personal and professional growth can lead to a fulfilling and impactful career. Episode Keywords: Colonel Pauline Gross, military medicine, women empowerment, Physician Assistant, healthcare leadership, breaking barriers, mentorship in healthcare, military healthcare evolution, women's health in military, Fort Bliss innovations, Quilts of Valor Foundation, overcoming gender bias, podcast, War Docs, healthcare advocacy, Army career, military deployments, inspiring stories, career advancement, resilience Hashtags: #BreakingBarriers #MilitaryMedicine #WomenEmpowerment #Leadership #Mentorship #HealthcareInnovation #FemaleSoldiers #Resilience #TrailblazingWomen #PodcastEpisode   Honoring the Legacy and Preserving the History of Military Medicine The WarDocs Mission is to honor the legacy, preserve the oral history, and showcase career opportunities, unique expeditionary experiences, and achievements of Military Medicine. We foster patriotism and pride in Who we are, What we do, and, most importantly, How we serve Our Patients, the DoD, and Our Nation. Find out more and join Team WarDocs at https://www.wardocspodcast.com/ Check our list of previous guest episodes at https://www.wardocspodcast.com/our-guests Subscribe and Like our Videos on our YouTube Channel: https://www.youtube.com/@wardocspodcast Listen to the “What We Are For” Episode 47. https://bit.ly/3r87Afm WarDocs- The Military Medicine Podcast is a Non-Profit, Tax-exempt-501(c)(3) Veteran Run Organization run by volunteers. All donations are tax-deductible and go to honoring and preserving the history, experiences, successes, and lessons learned in Military Medicine. A tax receipt will be sent to you. WARDOCS documents the experiences, contributions, and innovations of all military medicine Services, ranks, and Corps who are affectionately called "Docs" as a sign of respect, trust, and confidence on and off the battlefield,demonstrating dedication to the medical care of fellow comrades in arms.     Follow Us on Social Media Twitter: @wardocspodcast Facebook: WarDocs Podcast Instagram: @wardocspodcast LinkedIn: WarDocs-The Military Medicine Podcast YouTube Channel: https://www.youtube.com/@wardocspodcast

Join Lia Riley and her guest Un as they reflect on their summer journeys through Korea, sharing the quiet moments and unexpected discoveries that made their trips memorable. From BTS concerts, to witnessing a Squid Game parade in Seoul to wandering through Jeonju's peaceful hanok villages, they talk about the experiences that lingered long after they returned home. Along the way, they'll share their most useful travel tips—the practical advice that comes from actually being there, making wrong turns, and finding those perfect hidden spots. Whether it's navigating Seoul's neighborhoods, connecting with locals, or enjoying happenstance moments, hopefully listeners will glean some insight on their own future travelsReady to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life. ★ Support this podcast on Patreon ★

Korea 24 is a daily current affairs show that covers all the biggest stories coming out of South Korea. Every weekday, Korea 24 brings you the latest news updates, as well as in-depth analysis on the most important issues with experts and special guests, providing comprehensive insight into the events on the peninsula.

BTS is BACK. Join the Afternoona Army as we dive into the whirlwind that was June—from the emotional highs of Festa and military releases to the Hope on the Stage Encore "Hipples" and the pure joy of Run Jin. Some of your hosts were actually in Korea during all the chaos, so get ready for behind-the-scenes stories, real-time reactions, and all the feelings that came with witnessing this incredible month unfold. Whether you were following along from afar or living it up in Seoul, we're breaking down every moment that reminded us why we fell in love with these seven members in the first place.Afternoona Army is on PATREON!Join The BTS Buzz and get access to Afternoona Army's exclusive DISCORD channel, get shout outs on-air in podcast, and receive invitations to quarterly live support groups. Questions? Email afternoonaarmy@gmail.com for more information.Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Check out our sister pod www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest members of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Want to find more great BTS content? Head over to Afternoona Army for "thinky, thirsty and over thirty" takes on Bangtan life and links to our social media.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   8/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) 1949 TRUMAN AND CHURCHILL AT BLAIR HOUSE https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   1/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) 1950 KIM IL-SUNG https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   2/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   3/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   4/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) 1955 KIM IL-SUNG https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   5/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) 1958 KIM IL-SUNG IN BEIJING https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   6/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

LOSING IN KOREA TAUGHT THE US NOTHING OF EITHER COMMUNIST SKILLS OR COUNTERINSURGENCY WARFARE:   7/8: In the Shadow of Fear: America and the World in 1950 by  Nick Bunker  (Author) https://www.amazon.com/Shadow-Fear-America-World-1950/dp/1541675541/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= In the Shadow of Fear describes the end of one era and the beginning of another. Joseph Stalin tested his first atomic bomb, Mao's army swept through China, and in America the age of FDR gave way to the beginnings of a new conservatism. An aggressive Republican Party, desperate to regain power, seized on rifts among its opponents, and Truman's program for universal health care and civil rights reform went down to defeat. The young Senator Joe McCarthy ambushed Truman and his party with a style of politics that aroused powerful emotions and deepened division. On the eve of the Korean War, a new mood of anger in the nation left many Americans calling in vain for a return to consensus.

Miyu Yamashita (-9) of Japan leads the AIG Women's Open by one over Korea's A Lim Kim (-8) and two over American Andrea Lee (-7). Join Cody and Randy as they run down the leaderboard, discuss notable MCs, Check in on odds, HKBITFB, and get you ready for the final round from Wales. Support our sponsors: Titleist - #1 Ball in Golf SoFi - Get Your Money Right! FanDuel - Official Sportsbook of NLU Join us in our support of the Evans Scholars Foundation: https://nolayingup.com/esf Learn more about your ad choices. Visit megaphone.fm/adchoices