Podcasts about Atari Teenage Riot

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

Hosts Nate Wilcox & Ryan Harkness continue their discussion of Simon Reynolds' "⁠Energy Flash: A Journey Through Rave Music and Dance Culture⁠" with a look at the avant-garde of late 90's post-rave, post-rap, post-rock artists who abandoned the dance floors and strived to advance the boundaries of the form. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Facebook.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Aquí os dejamos otro programa de La Gran Travesía donde podréis escuchar a Garbage, Atari Teenage Riot, Live, The Clash, Beach Boys, Gossip, Metallica, Chuck Berry, Johnny Cash, John Lennon, Alan Parsons Project ...y muchos más. Por otro lado aquí os dejamos el enlace a la venta de entradas de la 2ª Edición de la Podcast Party, organizada por La Gran Travesía en el Auditorio del Batel y Palacio de Congresos de Cartagena, el próximo 28 de septiembre. Será con motivo del Día Internacional del Podcast y del 20º aniversario de su nacimiento. Aquí tenéis el enlace para las entradas https://auditorioelbatel.es/evento/podcast-party-2a-edicion-el-batel-cartagena/?sd=1727524800&;;;;;;;;;;;;;;ed=1727557200 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Dani Pérez, Santi Oliva, Vicente DC, Edgar Xavier Sandoval, Pilar Escudero, Daropa, Leticia, Huini Juarez, Flor, Melomanic, José Luis Rapun, Felix Lorente, Johnny B Cool, Daropa, Iñaki Zuñiga, Jarebua, Piri, Noni, Arturo Soriano, Gemma Codina, Juan Carlos Ramírez, Nicolás, Raquel Jiménez, Francisco Quintana, Pedro, SGD, José Luis Orive, Utxi 73, Raul Andres, JBSAbe, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Angel Hernandez, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Javi Dubra, Matías Ruiz Molina… y a los mecenas anónimos.

I.P.S. is back with episode 26, and this time, we're playing all hits. Join Tokio, Dilllon, and Gym as they rip some tracks by The Night Marchers, Contaminated, H-100s, Stiphnoyds, The Jook, Atari Teenage Riot, Assault, Civilian, Going Steady, Hot Pursuit, Liquids, Ataque Zerø, Aus, and the Breeders (+J Mascis!). For punks only! No norms!

This week's topic is the God Hates Us All cycle. Two weeks ago, all listeners learned about drummer Paul Bostaph's return to the band. Jon Dette got the boot. Spoiler: We haven't seen the last of him. And y'all learned about "No Remorse," their collaboration with German digital hardcore group Atari Teenage Riot. Last week, Patreon supporters heard all about the album Dee-ah-BOL-us in Musica, Slayer's polarizing foray into nü metal, which still rips pretty hard. This week: God Hates Us All, Slayer's remarkably timed first album of the 21st century. DEEZ NOTEZ: “Here Comes the Pain” from WCW: Mayhem comp: https://www.youtube.com/watch?v=uAEMwnwxCb0 “Hand of Doom” from Nativity in Black 2: A Tribute to Black Sabbath: https://www.youtube.com/watch?v=AXRcf-LZqjs “Bloodline,” which debuted on the Dracula 2000 soundtrack: https://www.youtube.com/watch?v=WfKUWvVCwvE Slayer, live, 2000, at Tattoo the Earth side stage: https://www.youtube.com/watch?v=inB3LxZWPqI Entire War at the Warfield video: https://www.youtube.com/watch?v=wyFeQGXytb8&pp=ygUbc2xheWVyIExJVkUgQVQgVEhFIFdBUkZJRUxE Slayer, War At The Warfield (2003), 'Fans Rule' Short Documental Video: https://www.youtube.com/watch?v=W5pn8m5csXA Systematic, with Paul Bostaph, live 2003: https://www.youtube.com/watch?v=nzlTd87o1KM After some introductory episodes, Talkin' Slayer tells the story of the Los Angeles heavy metal institution, in chronological order: how the band happened, when things fell apart, how they put them back together, and what it all meant — no, MEANS. After Episode Nine, Patreon supporters receive every weekly episode. Free listeners get every other episode, every other week. Learn more at ⁠⁠⁠⁠⁠⁠⁠Patreon.com/SlayerBook⁠⁠⁠⁠⁠⁠⁠. The Talkin' Slayer podcast program show is written, deeply researched, lightly edited, and mostly rehearsed, with some production value. This is an all-killer-no-filler podcast: The episode proper begins after roughly 60 seconds of introduction, tops. No need to skip the first 15 minutes. The music changes every week. Ferris is an award-winning writer. He has worked for Rolling Stone, Alternative Press, The AV Club, and Decibel magazine. He is a fan. He has opinions. He is the author of something like nine books, depending how you count them. Two are about Slayer. The first one is an entire book about the classic thrash album Reign in Blood, which is part of the fairly prestigious 33 1/3 book series. His bigger Slayer book, though, is the 2023 update of the full-on band biography "Slayer 66 & 2/3: A Metal Band Biography, POSTMORTEM Edition." (This is the third edition; it was previously known as "Slayer 66 & 2/3: The Jeff and Dave Years...."). And that book is mostly what he'll be talking about when we're talkin' Slayer. Most episodes are audio adaptations of chapters from that book. Some have original and/or bonus material. Thank you for checking it out. Learn more at... Visit the Patreon page to get every weekly episode: ⁠⁠⁠⁠⁠Patreon.com/SlayerBook⁠⁠⁠⁠⁠ See Ferris' Slayer books: ⁠⁠⁠⁠⁠SlayerBio.com⁠⁠⁠⁠⁠ Look at Ferris' other books at Amazon: ⁠⁠⁠⁠⁠www.amazon.com/stores/D.-X.-Ferris/author/B001JS65YC⁠⁠⁠⁠⁠ Get fresh content on the Insta: ⁠⁠⁠⁠⁠Instagram.com/SlayerBooks⁠⁠⁠⁠⁠ Check the shibby at the Twitter: ⁠⁠⁠⁠⁠Twitter.com/SlayerBook⁠⁠⁠⁠⁠ Take a look at the Facebook: ⁠⁠⁠⁠⁠Facebook.com/SlayerBook⁠⁠⁠⁠⁠ Read the Slayer Book Blog... extra Slayer stuff, archived podcast appearances, random articles, etc.: ⁠⁠⁠⁠⁠slayerbook.tumblr.com⁠⁠⁠⁠⁠

Today's topic — today's five topics — are 1. Paul Bostaph's quick return to the band, and 2. Slayer's collaboration with German digital hardcore/techno band Atari Teenage Riot. Then because those are short, you get a little taste of two episodes that are exclusives for Patreon supporters: 3. Learn about some early album artwork. 4. And learn what Slayer and Minor Threat dudes had to say about each other. 5. THEN a long, sludgy, sexxy, siren-call co-ed cover of "War Ensemble" by all-star stone squad SLOWER. SHOW NOTES: DEEZ NOTEZ: NEWS: Kerry's New Band to Debut Live Thursday May 9, at Daytona Beach Festival. I'm pretty sure the band isn't called Kerry King; stay tuned, though. Blabbermouth has some deets. https://blabbermouth.net/news/motley-crue-slipknot-judas-priest-and-kerry-king-among-confirmed-acts-for-welcome-to-rockville-2024?fbclid=IwAR1sQ4sMLa7JxtJ5GLURCI8l7icQsTD133Yez7jihjOB1SOCNcz7wfqq6yI Slayer Live in Santa Cruz, 1995: Slayer playing “Sex. Murder. Art” as a trio, after Jeff leaves the stage: https://www.youtube.com/watch?v=IOVtvHhCC-Q&t=2702s Slayer & Atari Teenage Riot, “No Remorse (I Wanna Die)”: https://www.youtube.com/watch?v=Wb90QDSssSo Atari Teenage Riot, “Start the Riot”: https://www.youtube.com/watch?v=-L4DOLWSiGQAll About Bostaph:Aggressive Tendencies interview, “Paul Bostaph on Lombardo and Proving Himself": https://www.youtube.com/watch?v=nO7iCMnWOYY Loudwire interview, “Slayer's Paul Bostaph Plays His Favorite Drum Parts”: https://www.youtube.com/watch?v=1HrOepZiFO0 Robb's Metal Works interview with Bostaph: https://www.youtube.com/watch?v=r9WbQrF6YhQ Musical guest SLOWER, band page:https://www.heavypsychsounds.com/bands/slower.htm Slower merch, including pre-orders for forthcoming LP:https://www.heavypsychsounds.com/shop-usa.htm Slower Metal Injection article by Greg Kennelty:https://metalinjection.net/new-music/meet-slower-the-sludgy-slayer-cover-band-feat-members-of-fu-manchu-monolord-kylesa-more Slower's full “War Ensemble” cover (also plays at the end of the episode):https://www.youtube.com/watch?v=eeMt6G61V3o After some introductory episodes, Talkin' Slayer tells the story of the Los Angeles heavy metal institution, in chronological order: how the band happened, when things fell apart, how they put them back together, and what it all meant — no, MEANS. After Episode Nine, Patreon supporters receive every weekly episode. Free listeners get every other episode, every other week. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/SlayerBook⁠⁠⁠⁠⁠⁠⁠⁠.

Thomas Meyer-Falk is Free! We're sharing here a recent conversation that I had with Thomas Meyer-Falk, an anarchist who just finished a 27 year prison stint in Germany to speak about his life, his incarceration and his hopes now that he's out. Thomas was involved in a bank robbery in 1996 as a young RASH anarchist skinhead who hoped to fund above ground and underground leftist organizing and continued to be incarcerated for the threats he made upon his capture. While inside he toned it down a bit, became a jailhouse lawyer of sorts and built connections with publishing projects, support groups and a radio station on the outside. He's now out and working at that radio station in Freiberg, RDL, and hopes to be come involved in helping immigrants navigate the legal system in Germany. You can find his blog, mostly in German, at https://freedomforthomas.wordpress.com. You can also find some of his writings in Fire Ant Journal. Announcement Fundraiser for Zolo Azania A quick reminder, there's a fundraising effort ongoing to help former Black Liberation Fighter and political prisoner, Zolo Agona Azania (who we've featured a couple of times on this show) could use some support. Since he's been out of prison after 35 years inside, he's been an active community organizer on projects including re-entry for formerly incarcerated folks and offering pro bono legal help to folks still behind bars. He's in need of some support with car repair payments to help him keep his wage job and keep doing his support work. You can donate to him on cashapp via the handle $ZoloAzania5, on zelle using azaniazolo5 at gmail dot com or on venmo using @zolo-azania To find more anti-repression fundraisers needing support and boosting, check out the column on ItsGoingDown.Org called In Contempt, where you can also find info on prisoners who've just been moved, have upcoming birthdays or who are in need of other help. . ... . .. Featured Track: Hetzjagd (Auf Nazis!) by Alec Empire ( of Atari Teenage Riot) from Riot Beats comp

In a remote village, three friends find a demon-infected man just about to give birth to evil itself. They decide to get rid of the man by letting him hear their podcast which only spreads the chaos further. On Episode 588 of Trick or Treat Radio we discuss the Shudder Original film When Evil Lurks from director Demian Rugna! We also talk about rubbing elbows with famous cinematic sports stars, the 31 Days of Halloween, and how not to summon a horny ghost. So grab your demon killing weapon of choice, put on your favorite movie soundtrack, and strap on for the world's most dangerous podcast!Stuff we talk about: Stephen King, Salem's Lot, Farewell Halloween, The Sandlot, Don't F*ck With Da Jesus, Daniel Stern, Major League, Trick or Treaters, Trunk or Treating, knocking on stranger's doors, Ronny Raygun, Tubi or Not Tubi, Sole Survivor, 31 Days of Halloween, Twice Dead, Tom Savini, Effects, Twins of Evil, David Prowse, Vampire Circus, The Benny Hill Show, Clockwork Orange, Nightmare on Elm St. 2, Sleepaway Camp 2, Chris Jericho, Darcy the Mail Girl, Charles Band's Freakshow Podcast, John Carpenter, Eyes Without A Face, Ghost Story, The Rotten, When Evil Lurks, Demian Rugna, Argentinian Horror, Shudder, Argentinian Hugh Jackman, brutal evil violence, Terrified, watching films alone in the theater, Slayer, Atari Teenage Riot, Jason vs. Freddy, Mortal Kombat soundtrack, Matrix, The Animatrix, Lights On Pumpkins Out, Keep On Crocking in the Free World, and The Reservoir Droogs.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

On today's show, we have the one and only CX KIDTRONIK, AKA Chris, AKA DJ Little Crapper, AKA DJ Hot Hands, AKA DJ Hot Sauce, and AKA DJ Milk Bath. CX Kidtronik is Grammy considered musician, producer, DJ, a legend and a member of the German band Atari Teenage Riot that defined digital hardcore. Collaborator with Oscar winner Trent Reznor. He embodies punk rock and hip hop simultaneously. Producing beats since 1985. CX Kidtronik has been DJing in New York City for 25 years. We talk all things poop. Pooping on tour, stepping in shit, fart egg smells. Top to bottom one of the funnest shows we have done. Enjoy. Follow CX Kidtronik at: Youtube: ATARI TEENAGE RIOT - Live Fuji Rock Festival '11 Mailing List: 720zllc.com Instagram: @cxkidtronik ------------------------------------------------- SUPPORT THE SHOW BY BECOMING A PATRON: https://www.patreon.com/HeyPoopypodcast   FOLLOW HEY POOPY PODCAST AT: Instagram @heypoopypodcast Twitter @HeyPoopy Facebook Fan Page https://www.facebook.com/groups/hppodcast YouTube Hey Poopy Dave Ellen Website www.heypoopypodcast.com Email heypoopypodcast@gmail.com Call Us at 203-998-5579   RATE, REVIEW DOWNLOAD AND SUBSCRIBE AT: Tunes Spotify Pandora Stitcher Libsyn Google Amazon or wherever you get your podcasts

Waar Pestilence begin '90 benadrukte dat 'Spheres' geen keyboards bevatte (maar wel keytars, nog erger), is het tegenwoordig helemaal oké dat metal en elektronica elkaar liefdevol in de armen vallen. Gareth de Wijk belichaamt de symbiose van beide werelden. Hij neemt je in mee langs hoogtepunten van Atari Teenage Riot, Igorrr, Deformer en zijn eigen The Dead Cvlt. Mijn prille puberteit bestond uit twee werelden: de metal van Metallica, Sepultura en Gorefest, en de elektronica van The Prodigy, Holy Noise en Neophyte. In deze editie van Dood & Verderf bezoeken we het magische raakvlak tussen die twee werelden. En er is in Nederland maar één iemand die die ontdekkingstocht tot een succesvol einde kan brengen: Gareth de Wijk. Enerzijds is Rotterdams trots namelijk wereldwijd bekend als dj Thrasher en eigenaar van het fameuze hardcore-, breakcore- en drum ‘n bass-label PRSPCT, anderzijds is hij sinds zijn 14e punk- en metalzanger, zoals in The Dead Cvlt.  In dit uur gaan we in een moordtempo langs de hoogtepunten van het onconventionele, maar vaak legendarische huwelijk tussen beukende bassdrums en basslines, radicale riffs en ravesynths, en baldadige bpm's en blastbeats. Het resultaat? Het bewijs dat de som der delen oneindig groot is. Atari Teenage Riot - Speed (Delete Yourself, 1994) Sample: Powermad - Slaughterhouse Disciples of Annihilation - NYC Speedcore (DOA Muthafucking New York Hardcore, 1996) Sample: Type O Negative - Summer Breeze Lenny Dee - Fucking Hostile (The Outside Agency remix) (2012) Sample: Pantera - Fucking Hostile Deformer & Ice-T - Metal Breakdown (Inner Outcast, 2020) Igorrr & Bong-Ra - Pallbearer (2013) Counterstrike - Extreme Mutilation (VIP, 2011) Samples: Hatebreed, Godflesh TDC Inc - The Blackest Plague (2023) Zwaar Aanbevolen Von Mollestein - Zwartnacht (The order of the Fist, 2023) ‘Aggrotech meets black metal'. Zo omschrijven de figuren zelf hun muziek. Wat dat in de praktijk betekent? Extreme gekte met rare geluidseffecten, een drumcomputer, razende gitaren en de krijsgrunt van Mr. Cooger die ook nog een donkergekleurde bromgrunt in huis heeft. En daar dan black metal bij. Kun je hierop dansen? Als je ook kan dansen op Ministry's Jesus Built My Hotrod wel. Muzikaal doet het mij allemaal vooral denken aan Bile, een Amerikaanse industrialmetalband wiens debuut Suckpump uit 1994 een onuitwisbare indruk heeft gemaakt. Qua (horror)sfeer komt hier en daar de eerste platen van Cradle of Filth opzetten, terwijl Von Mollestein muzikaal gezien tussen bands als Rammstein en Mysticum inzit. Het is gekker, extremer en klinischer (want: geen drummer van vlees en bloed) dan de Duitsers maar heeft meer sfeer dan het werk van de Noren en er wordt vaker gas teruggenomen. In de verte klopt ook The Monolith Deathcult op de kelderdeur. Grote vraag is natuurlijk: is dit goed? Het antwoord. Ja. Hier zit potentie in. Voor een publiek dat openstaat voor muziek die zo flink buiten de lijntjes kleurt dat de tekeningen van mijn zoontje logischer zijn in ieder geval. Bekijk de recensie op Zware Metalen

Mike Sarkisyan of Spineshank joins Toomey and Ro to discuss all aspects of The Height of Callousness. The guys start the show with a trip down memory lane of how each other met one another and Spineshank being on Roadrunner Records. Mike talks about the album cover artwork, the actors and models in the photos and Fear Factory comparisons. Ro discusses a video treatment that he had and Mike shares his own video treatments. Was this album "cyber kids mainlining Jack Daniels"? Mike talks the writing process, the story of stolen gear that forced them off the road to start the album process and Atari Teenage Riot influences. He discusses what he was listening to at the time, why they went with GGGarth Richardson and playing tons of Goldeneye. Funny tour stories from OzzFest, wrestling Wedge and people thinking Santos' name was Spineshank. The guys go track for track on the album and Mike tells stories for every song. They finish the episode talking about Mike's Dore Vodka. 

Olá ouvinte querendo sair no tapa com todos os nazifascistas cometendo crimes em nosso sofrido país, e bem vindo de volta ao Som no Caixão. Em nosso episódio 86 trazemos a audição parcial e resenha da banda alemã de digital hardcore Atari Teenage Riot, e seu álbum The Future of War, de 1997. Uma banda tão libertária, treteira e influenciadora que ouvi-la por si só pode ser considerado um ato subversivo, e não estou de zoeira quando escrevo isto. E em nosso amado e odiado Bolha da Semana temos finalmente a participação magistral de Danilo de Almeida (Já Ouviu Esse Disco?), além de Norberto Silva escolhendo uma capa piolhenta de álbum, e Luciano Dias narrando uma letra pra lá de ruim. Portanto coloque algodão no ouvido que esta banda é berração total, calce teu soco inglês, pegue aquela ripa antifascista e vamos partir pra porrada contra os nazizumbis levantando do esgoto!

Tercer y último volumen del exhaustivo Dossier Kathleen Hanna en Estéreo360º. Dedicado a sus numerosas y variadísimas colaboraciones con otras artistas como vocalista, compositora, productora y hasta remezcladora: de Joan Jett (la vemos con nuestra Kathleeen en la imagen) a Atari Teenage Riot pasando por Green Day, Mykki Blanco o el mismísimo universo Marvel. El podcast contiene más de 30 minutos de contenido exclusivo, incluyendo las colaboraciones de Hanna en su etapa con Le Tigre. MENÚ SONORO: KATHLEEN HANNA (Rock Star (Spoken Word)) / JOAN JETT & THE BLACKHEARTS feat. KATHLEEN HANNA (Rubber & Glue) / EVIL STIGS & KATHLEEN HANNA (Go Home (Seattle Version)) / KATHLEEN HANNA & THE RICKETS (Voices Carry) / ATARI TEENAGE RIOT & KATHLEEN HANNA (No Success) / PLAYGROUP & KATHLEEN HANNA (Bring It on) / COMET GAIN & KATHLEEN HANNA (Ripped-Up Suit!) / GREEN DAY (Letterbomb (Intro by Kathleen Hanna as Whatsername)) / JOAN JETT & THE BLACKHEARTS feat. KATHLEEN HANNA (Kiss on the Lips) / JOAN JETT & THE BLACKHEARTS feat. KATHLEEN HANNA (Tube Talkin’) / JUNIOR SENIOR & KATHLEEN HANNA (Dance, Chance, Romance) / MYKKI BLANCO & KATHLEEN HANNA (A Moment with Kathleen) / CHAMPAGNE JERRY feat. KATHLEEN HANNA (CJ Flow) / HXLT & KATHLEEN HANNA (Trouble) / SETH BOGART & KATHLEEN HANNA (Eating Makeup) / CHELSEA PERETTI & KATHLEEN HANNA feat. MONEY MARK (BDR) / KRISTEN ANDERSON-LÓPEZ, ROBERT LÓPEZ & KATHLEEN HANNA (Let’s Keep It Going) / KATHLEEN HANNA (I Wish I Was Him (For Evan Dando)) / JOAN JETT & THE BLACKHEARTS feat. KATHLEEN HANNA (Spinster) / JOAN JETT & THE BLACKHEARTS feat. KATHLEEN HANNA (Watersign) / HANIN ELIAS (Girl Serial Killer (Le Tigre’s Dear Hanin Remix)) / MEN’S RECOVERY PROJECT & LE TIGRE (The Mayor Is a Robot) / CHICKS ON SPEED feat. ANKI LEPPER, INGA HUMPE, KEVIN BLECHDOM, LE TIGRE, MISS KITTIN, NICOLA KUPERUS, SOFTY O. & TINA WEYMOUTH (Wordy Rappinghood) / GOSSIP (Standing in the Way of Control (Le Tigre Remix)) / ONO & LE TIGRE (Sisters O Sisters) / CHRISTINA AGUILERA feat. PEACHES (My Girls) //

Name a genre, and you can bet that Luis Garban has tried his hand at it once or twice. Once a staple of the mid-'00s IDM and breakcore scene—think Tigerbeat6—as Cardopusher, Garban found a temporary home in the dubstep scene afterwards, before shooting off in what felt like a million directions. He might be the only artist to release on both Hyperdub and Boysnoize Records. He makes music that can sound like the future or the past, sometimes both at once, and the Venezuelan-born, Spain-based producer's name is shorthand for musical adventurism and variety. Last year, things got even wilder with the debut of Safety Trance, a new alias that explores pan-Latin club music, with a focus on collaboration and shorter, structured songs. (Artists he's worked with include Arca, Iceboy Violet and Virgen Maria.) It's some of the best and most creative work of his career, riding a larger Latin techno wave producing some of the best music around these days. If that weren't enough, returning to Cardopusher, Garban has a career-best EP on the way for EVAR Records, pulling together the various strands of the project into a multi-genre, Gen-Z-friendly raveathon. Loaded with original tracks from both projects, RA Podcast could be billed as Cardopusher vs. Safety Trance, with highlights coming from Atari Teenage Riot, VTSS and Venetian Snares, which should give you an idea for the kind of controlled chaos you're in for with this one. @cardopusher Read more at https://ra.co/podcast/867

Here's what I played:Angelic Upstarts   “Teenage Warning”,   Bad Brains   “Coptic Times & FVK”,   Circle Jerks    “The Decline Of Western Civilization”,   The 4 Skins   “Wonderful World”,Black Flag   “Jealous Again”,   Backyard Babies   “Made Me Mademan”,   Alice Donut   “Demonologist”,Atari Teenage Riot   “No Remorse ((Live in Tokyo 2011))”,   Jimi Hendrix   “Stepping Stone (Live at the Fillmore East)”, Audioslave   “Super Stupid”,Hermano   “T.N.T.”,  Dio   “Stand Up And Shout”,   Blitzspeer   “Race To Win”,   Armored Saint   “Chemical Euphoria”,   Sepultura   “Propaganda (Live)”,   Aura Noir   “Fighting For Hell”,All Them Witches   “Funeral For A Great Drunken Bird”,   Aerosmith   “Adam's Apple [Live]”,Cheap Trick   “Come On, Come On”,   Black Sabbath   “Neon Knights”,  Bloodbath   “So You Die (live)”,   Behemoth   “A Forest”,   Candlemass   “Bewitched”,   Acid King   “2 Wheel Nation”,  YOB   “Burning the Altar”.

Front Line Assembly – “Fatalist”, 1999. Eon Project – “Poison Mind”, 1998. Numb – “Driven”, 1995. Semsis – “Streets of Fear”, 1999. Noise Unit – “The Drain”, 1997. Terrorfakt – “Pure”, 2002. Tarmvred – “Primitive Germanic”, 2002. Atari Teenage Riot – “Destroy 2000 Years of Culture”, 1997. Naked Eyes – “(What) in the Name of Love (Arthur Baker 12” Mix)”, 1984. Level 42 – “Lessons in Love (Shep Pettibone Remix)”, 1986. Animotion – “Obsession”, 1984. Odonis Odonis – “Shadow Play”, 2021. Portion Control – “Move”, 2021. Empirion – “Red Noise”, 2019.

Trente et unième épisode de la saison cinq de ce sublime podcast, avec au programme: La dernière tête d'affiche annoncée, ainsi que 10 nouveaux groupes, la fermeture du site pour commencer les préparatifs, le point BD Et bien sûr, les nouvelles chroniques de cette saison avec pour le premier week-end : Lion's Law, Ensiferum, Laura Cox, The Inspector Cluzo, Loudblast et Abrahma Et pour le second week-end : Fractal Universe, 20 Seconds Falling Man, Atari Teenage Riot, Triptykon, Altima's et Molassess Toujours présenté par Jack, Parcimonie… Et Bob.En Joie

Faces [00:33] "Miss Judy's Farm" A Nod Is as Good as a Wink... to a Blind Horse Warner Bros. Records BS 2574 1971 The lads at peak form, produced by none other than Glyn Johns. Soft Cell [04:09] "Say Hello, Wave Goodbye" Non-Stop Erotic Cabaret Sire SRK 3647 1981 Excellent low-key groove from these Leeds lads. There's fun cover of this by Japanese duo Salon Music and Russell Mael of Sparks (https://youtu.be/s6M69rLUMfE). Aidan Baker & Karen Williams [09:37] "Meeting in the Dark" Nonland Gizeh Records GZH74 2017 Guitarscapes by Aidan Baker and percussion by Karen Willems. Atari Teenage Riot [15:03] "Atari Teenage Riot" Not Your Business EP 1996 Grand Royal GR039/Digital Hardcore Recordings DHR US 12.1 Yup, digital hardcore was a thing. The Partridge Family presentado a Shirly Jones y David Cassidy [20:26] "Nadie Desea Ser Amada (Doesn't Somebody Want to Be Wanted)" Al Dia (Up to Date) Bell Records 2308 004 1971 Jeez leweez, never trust a kid to refile records correctly. Why is there a copy of The Partridge Family's Up to Date in the sleeve for The Partridge Family Notebook? And why is the label in Spanish but none of the songs are in Spanish. Oh well. Herb Ellis [23:07] "Big Red's Boogie Woogie" Nothing but the Blues Verve Records MG V-8252 1957 Hot! Featuring Stan Levey on drums, Ray Brown on bass, Stan Getz on tenor sax, and Roy Eldridge on trumpet. Big Star [28:46] "When My Baby's Beside Me" No. 1 Record Big Beat Records WIK 53 1986 (original release: Ardent Records DS-2083 1972) Every day someone is born who has never heard Big Star. If you are one of those people, enjoy! The Number Ones [32:09] "Sharon Shouldn't" The Numbers Static Shock Records SSR024 2014 Hot mid-teens power pop punk from Dublin. Iron Maiden [35:56] "The Prisoner" The Number of the Beast Harvest ST-12202 1982 Bruce Dickinson's debut outing with Maiden. This album loomed large in my adolescence. Evidently Mr. Dickinson is touring with a spoken word show? (https://youtu.be/R9jfm-9L0q4) TacocaT [41:59] "Psychedlic Quinceañera" NVM Hardly Art HAR-079 2014 So many awesome songs on this album that it's hard to pick just one, but really... This Is the One! From the lyrics to the trumpets, what's not to love? Romeo Void [44:10] "Never Say Never" Never Say Never Columbia/415 Records 5C 38178 1981 Every day someone is born who has never heard "Never Say Never". If one of those people is you, enjoy! Thank goodness for the early days of MTV otherwise I would have had no idea this sound existed. Alan Price [50:16] "O Lucky Man!" O Lucky Man! Original Sountrack Warner Bros. Records BS 2710 1973 I've been obsessed with this Alan Price soundtrack since I first heard it in this over-long shaggy dog of a film by Lindsay Anderson. L.A. Witch [54:44] "Heart of Darkness" Octubre Suicide Squeeze SSQ166 2019 Mellow down spooky. Bobbie Gentry [57:12] "Mississippi Delta" Ode to Billie Joe Captiol Records ST-2830 1967 One of the hottest track one side ones you could ask for. Mulatu Astatke [01:00:22] "Munaye" Mulatu of Ethiopia Worthy Records W-1020 1972 (2003 reissue) Putting the funk in Ethiopian jazz. The Cramps [01:03:54] "I Can't Hardly Stand It" ...Off the Bone Illegal Records ILPIC 012 1985 The Cramps give this Charlie Feathers number (https://youtu.be/8h_O6U1xMlc) a fine take. There's some great local television footage of Alex Chilton helping The Cramps record at Sun Studios if you shake the internet. Music behind the DJ: "Goldfinger" by Mantovani

A special Punk 4 The Homeless show in memory of our fallen comrade Jared Navarette from the Uptight Rebel Collective in Cebu City, Philippines. Featuring tributes from Punk 4 The Homeless and friends, a special blessing from Rachel Joy, plus tunes dedicated to Jared by Rich gulag, Subhumans, GG Allin, Restricted Hours (The Astronauts), Pizzatramp, Atari Teenage Riot, The Chats, Omega Tribe, Johnny Cash, Don't Look At Me, Leatherface, Andrew Jackson Jihad, Ramones, Flyblown, The Clash and a live recording of Jared from the Uptight Rebel Collective live stream performance (18th July 2020) If you can afford it, please donate to Jared's brother Nathan to help them to repair their home that was recently trashed by a typhoon, via Nathan's Paypal: www.paypal.com/paypalme/NathanAndreNavarrete

This week the conversation turns toward the avant-garde of late 90's post-rave, post-rap, post-rock artists who abandoned the dance floors and strived to advance the boundaries of the form.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.

This week the conversation turns toward the avant-garde of late 90's post-rave, post-rap, post-rock artists who abandoned the dance floors and strived to advance the boundaries of the form. Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the eleventh episode, Aaron takes us to Eswatini, an African country bordered by South Africa and Mozambique that was known by a different name until just a few short years ago. Parallels to the story of Lesotho (Episode 7) abound in this nearby nation, which was the dominion of a king who set several records in at least the modern world, if not all of history. Come with us as we learn about King Sobhuza II, who guided the country into independence and the adoption of their anthem, Nkulunkulu Mnikati wetibusiso temaSwati.I didn't want to include a recipe for boiled corn on the cob, as it didn't seem that necessary. Instead, I have included a recipe for the Karoo Roast Ostrich Steak national dish that we were unable to get the ingredients for.https://nationalfoods.org/index.php/recipe/national-dish-of-swaziland-karoo-roast-ostrich-steak/Anthem versions assessed:1. https://www.youtube.com/watch?v=t1E4FSgsIvI2. https://www.youtube.com/watch?v=wYEqV8yENTE3. https://www.youtube.com/watch?v=VgdsEREBCw4 Main sources used:https://www.britannica.com/place/Eswatinihttps://www.eisa.org/wep/swaoverview6.htmhttps://www.worldstatesmen.org/Swaziland.htmlA look at Andy Warhol's Reigning Queens portfolio, with several silkscreens of each ruler for 16 in total:https://revolverwarholgallery.com/portfolio/reigning-queens-complete-portfolio/Atari Teenage Riot - The Future of War (1997)https://www.youtube.com/watch?v=CQ7Y7-JMKysFootage of the May Day 1999 Riots talked about in the Atari Teenage Riot sectionhttps://www.youtube.com/watch?v=BzdfTtOPVnATwitter: @iaoucpodcastEmail: inallofuscommandpodcast@gmail.com

Ox-Podcast Folge 72 – jetzt online, wie immer bei Spotify, iTunes, Amazon und Deezer sowie über unsere Website ( https://www.ox-fanzine.de/podcast ): Der Berliner Filmemacher Philipp Reichenheim alias Philipp Viruss hat mit „Freakscene“ einen beeindruckenden, intensiven Dokumentarfilm über DINOSAUR JR., über J Mascis, Lou Barlow und Murph gedreht, der nach vielen Jahren Vorbereitung im September 2021 endlich ins Kino kommt und später auch auf DVD und ins Fernsehen. Ich befragte ihn zum Film, zu seinem Alter Ego Philipp Virus und ATARI TEENAGE RIOT wie auch zu seiner familiären Verbindung zu J. Mascis. Und die nach DINOSAUR JR. zweitbeste Band der Welt – DIE ÄRZTE – in Person von Farin Urlaub kommt auch vor. Nachzulesen ist ein Interview mit Philipp in der aktuellen Ox-Ausgabe Nr. 157 mit AKNE KID JOE, AMYL AND THE SNIFFERS, DESCENDENTS, THE BRONX, DŸSE, Joey Cape, EGOTRONIC, NOMEANSNO (Teil 1), TOXOPLASMA, DIE LIGA DER GEWÖHNLICHEN GENTLEMEN, WOLVES IN THE THRONE ROOM und anderen: https://www.ox-fanzine.de/ox-157-ist-raus

Au programme, plus de 2 bonnes heures de musique éclectique et des blagues en veux-tu, en voilà, pour égayer votre soirée de couvre-feu!L'ami Greg se joint à Marion, Bruno & Flo pour animer la soucoupe, et nous présente aussi une sélection électro / tech de qualité!

Au programme, plus de 2 bonnes heures de musique éclectique et des blagues en veux-tu, en voilà, pour égayer votre soirée de couvre-feu!L'ami Greg se joint à Marion, Bruno & Flo pour animer la soucoupe, et nous présente aussi une sélection électro / tech de qualité!

No episódio de hoje, recebemos o mestre Daniel ETE e ouvimos o Supersuckers pedindo dorgas, o Atari Teenage Riot machucando os ouvidos com batidas Mega Drive e os chilenos Los Prisioneros questionando quem matou Marilyn. Além disso, tem e-mail do Cleonardo e um papo sobre prestar exército e sair de lá sem virar gado. Não perca! BG: O disco inteiro da Clemilda, rainha do forró de duplo sentido Quer apoiar a gente e ajudar o podcast a ter uma qualidade melhor? Entra lá no apoia.se/trocafitaspod e paga uma cerveja por mês para ajudar os irmãos Ramos a comprarem caviar. :) --- Send in a voice message: https://anchor.fm/trocafitaspod/message

Para acompañar tu verano pandémico, una nueva entrega de Autómata ( Temporada 5, Episodio 08) con toda la gama sonora directo a tu esqueleto. En este Capitulo escuchamos a: The Shaggs, The Seeds, Andres y Los Avales, Enrique Elgueta & Juan Santander, The Mugris, Hola Papá, Atari Teenage Riot, Frits and The Highest Band, Pauline Oliveros y Bahia Mansa.

Im Gespräch mit Elianna. Wir reden u.a. über Punk-Kassetten, Sex Pistols. Dead Kennedys, Bérurier Noir, das Hakenkreuz-T-Shirt bei den Sex Pistols, AC/DC, Streits zwischen Rappern & Metallern, dass die Metaller einfach cooler waren als die Macker-Rapper & ihre Fly-Girls, ein besetztes Haus in der Nähe der Schule, die besetzte Fabrik Wolgroth, nicht aufs ACDC-Konzert zu dürfen, 5-Sterne-Hotels in Rio, Kekse auf mehrstöckigen Etageren, es scheiße gefunden haben in Museen zu gehen, das allererste Konzert mit Recusant, Spit Acid/Peace of Mind Show in Zürich, den Drang nach Freiheit, jeden Tag Konzerte & Voküs, die rechtliche Situation von besetzen Häusern in der Schweiz, zu Besuch in Bovenden mit der läufigen Laika, das Schlössli in Luzern, warum Musik so wichtig als Ausdruck war, Do it Yourself, Frauenhausen in Luzern, die Entstehung der Re-Sisters, heftige Diskussionen um Sexismus in der Szene, Selbstbestimmung, Harum Scarum auf dem Noc Walpurgi in Warschau, wie in der Hardcore-Szene die Frauen eher im Hintergrund standen, Fritze als Motor, in Küchen & Kitas arbeiten, Hausbesetzen als Lebensentwurf, die Zukunft in einer No Future-Bewegung, 14inch General, Kleisters (RIP) Skuld Records, die ganze Anarcho-Punk-Schote, die Bullshit Detector Sampler von CRASS Records, die erste Schweizer Frauenpunk Liliput, die Entstehung von Ugly Aesthetics, Iffis Connection in die Schweiz, auf Tour, Bewerbung an der Hochschule der Künste mit wirrem Punkte-System, die Trennung von Kunst & Punkrock, dass Subkultur nicht käuflich, Kunststudent*innen als Übel, eine Antisemitismus-Erfahrung in der HFK, "Deutsch mich nicht voll" auf Unterhosen drucken, Antideutsche in Deutschland, die Du bist Deutschland-Kampagne, das plötzliche Bewusstsein im Land der Täter zu sein, dass alles Schlechte eigentlich aus Bayern kommt, die Frage was Geschichte eigentlich bedeutet, Chuzpe, Prostitution als eine Form von Subkultur, dass man nicht immer alles kaputt schlagen muss, um zu konfrontieren, eine Video-Installation über die jüdische Prostituierte Raquel Liberman, die Entstehung der Bahnhofsmission, über zwei Jahre immer wieder in Buenos Aires zu arbeiten, Femizide in Argentinien, die Romantisierung von Zuhältern, die jüdische Community in der christlichen Mehrheitskultur, viel mehr organisieren müssen, wenn man ein Kind hat, das Punkrock oft zu kleinkariert geworden ist, die Intellektualisierung von Punk, nur noch wenig Musik zu hören, Atari Teenage Riot in Israel, sich zu ärgern, beim Skateboard fahren nicht bremsen zu können, uvm.

Pour ce 1er jeudi de l'année, Les Envahisseurs reprennent la soucoupe et vous proposent une belle et longue playlist éclectique (du rap au groove, jazz, électro..., jusqu'au rock) pour vous souhaiter la bonne année et tout ce que vous voulez ... Une année où, on le souhaite, nous allons nous débarrasser des virus encombrants et autres personnalités politiques indésirables, et pendant laquelle nous pourrons retourner aux concerts, aux spectacles, au cinéma, et pendant laquelle nous pourrons reconstruire du lien social... Nous rendrons aussi hommage au fameux rappeur MF DOOM , le tout, saupoudré de quelques blagues et animé par vos serviteurs Bruno & Flo.

Pour ce 1er jeudi de l'année, Les Envahisseurs reprennent la soucoupe et vous proposent une belle et longue playlist éclectique (du rap au groove, jazz, électro..., jusqu’au rock) pour vous souhaiter la bonne année et tout ce que vous voulez ... Une année où, on le souhaite, nous allons nous débarrasser des virus encombrants et autres personnalités politiques indésirables, et pendant laquelle nous pourrons retourner aux concerts, aux spectacles, au cinéma, et pendant laquelle nous pourrons reconstruire du lien social... Nous rendrons aussi hommage au fameux rappeur MF DOOM , le tout, saupoudré de quelques blagues et animé par vos serviteurs Bruno & Flo.

di Francesco del Gratta | Dal krautrock alla classica contemporanea, in un Paese dove la musica è sistema. Questo podcast parte dall'impossibilità di vedere un concerto, quello dei Meute nel marzo 2020 a Milano. Passa per il Krautrock, individua i Kraftwerk come la band che ha cambiato la storia della pop music, si culla con la musica classica contemporanea di Frahm, Loeffer e Pashburg, entra dentro Berlino con Apparat, Moderat, Einstürzende Neubauten e Atari Teenage Riot, abbandonandola solo per recarsi a Monaco di Baviera dai Lali Puna e dai Notwist. Questo racconto traccia la storia della musica tedesca a partire dagli anni '60 sino ad oggi. Un viaggio narrativo affrontato insieme ad Alex Braga.

Online Radio Show recorded live on December 16th 2020. The show goes live on Twitch, Youtube and on Radio Dark Tunnel and is rebroadcasted on Wax Radio Indianapolis. In this show I played "Generation Y" by Velax from NEIN Records(@neinrecords), "Kubrick's Cube" by Misfit Trauma Queen (@user-576541685), "Je Déteste Attendre" by Potochkine (@potochkine), "We Are From The Internet (HijackDaBass [@hijackdabass] Remix" by Atari Teenage Riot(@atari-teenage-riot), "New Blood (ESA [@esa-1] Remix)" by Mechanical Vein(@mechanicalvein), "Necessary Violence" by Moaan Exis (@moaan-exis) and "La Fête de Narcisse" by Potochkine (@potochkine).

Hoje: encerrando o ano, a rainha das mídias sociais, Nata de Lima, é barrada na conversa sobre playlists e apela pra extensa discografia do The Cure, coloca o Iron Maiden no seu lugar (o de sempre), encontra causa pra sua rebeldia com o Atari Teenage Riot, dança ao som das obscenidades em francês da Yelle, encontra a beleza do forró dentro do judaísmo do Matisyahu, exalta a importância das fitas cassette como grande disseminadoras da música independente, se desaponta com o Garbage (quem nunca?) e dá uma verdadeira Facada nas costas de uma banda do underground nacional... Contribua com a discussão comentando no episódio no YouTube ou por e-mail através do disco@canalscena.com Apresentado por Maya Melchers, Disco é um podcast temático onde não tem espaço pra single: aqui, álbuns inteiros são dissecados em uma roleta russa de perguntas, daquelas que te fazem pensar “merda, tinha um disco perfeito pra responder aqui!” quando já tá em casa tomando banho. Você pode ouvir esse podcast no Spotify: https://bit.ly/scena-podcasts ou no seu player favorito: https://bit.ly/scena-podcast-player Apresentação e Roteiro : Maya Melchers Comunicação: Nata de Lima Edição: Estevam Romera Foto da Thumb: Maya Melchers Música abertura: "Boat Made of Clay" - Rick Chain Apoie o canal sendo MEMBRO aqui no YouTube ou no Apoia.se e PicPay: https://bit.ly/scena-apoiase https://bit.ly/scena-picpay Lojinha com camisetas limitadas: https://bit.ly/loja-scena Siga o SCENA no Twitter, Facebook e Instagram: https://bit.ly/scena-twitter https://bit.ly/scena-facebook https://bit.ly/scena-instagram Também estamos no Telegram: http://t.me/canalscena

Fede nos trae una banda que quizás no conocías.

Niets is meer Dood & Verderf dan de herfst. En om het feest compleet te maken, is ditmaal Leon van Rijnsbergen te gast. Leon is directeur en programmeur van Baroeg, het Rotterdamse poppodium voor metal en andere harde muziek. Want wat doet een mens als door een virus heel je podium gesloten moet worden, inclusief het bijbehorende Baroeg Open Air-festival? En wie is eigenlijk die man die Rotterdams enige échte metalpodium bestiert en programmeert?

Valentine's Show 2020: Tom Waits, Dokken, Miranda Lambert, Pulp, Atari Teenage Riot, etc.

Singer/Songwriter Violent Vickie and Comedian/Actor Jamie Gendron joined Mark for quite a spirited and dance-able show. Vickie talked about growing up as a nice church going girl who even studied opera until she found the riotgrrrl movement when she went to college in Santa Cruz. She started with an 80s drum machine she got from ebay for $40 and has since flourished with a sound which combines punk, goth, Industrial, EDM, shoegaze, trip hop and dream pop and a career that has led her to open for Hanin of Atari Teenage Riot (leading Mark to unwittingly and hilariously misidentify her gender) and Missing Persons and perform at Occupancy Portland. She plays her new song "Serotonin" and a VV classic "Men". Jamie is always the life of the party and reflects on seeing her ex-lover Eddie Murphy EVERYWHERE the last year due to his comeback. Last time she was on the show she beat a submissive mercilessly only to have that submissive thank her by giving her an extravagant photo shoot too sexy to use as head shots. Jamie is about to shoot her part in a new sitcom where she will portray a bikini model alongside actresses half her age. This show is brought to you byAudible. Go to www.audibletrial.com/dms for a free audiobook, 2 free audio originals and 30 day free trial to AudibleDoomie's Home Cookin" Go to 1253 Vine Street Hollywood California or 1346 Queen Street West, Toronto Canada for the most delicious Vegan food you have ever had  www.doomiesla.com  www.doomiestoronto.comHustler Hollywood for the best in adult toys, lingerie, apparel and novelty gifts follow this link https://www.pntrs.com/t/SUNHTUxKSE9DR...and get 20% off your entire order and a free naughty gift on usSpy Associates the #1 Spy Shop for all of your Surveillance NeedsGo to www.spyassociates.com and use promo code M9LMAYS833 for 20% off every order over $249. 

New York writer Charlie Markbreiter (@BerlantBro) has written about contemporary art, humor, and edgelordism for The New Inquiry, Artforum, Baffler, Momus, and Garage, among others. On this week’s episode, we talked about their interest in comedy and humorlessness; a recent interview they conducted with scholar Lauren Berlant; why the NYMPHOWARS podcast subverts right wing and liberal expectations; gimmickry, social justice, and being annoying; and the impotent self-destruction of Jackass. The outro music is “Delete Yourself!” by Atari Teenage Riot. Read Charlie’s interview with Lauren Berlant here: https://thenewinquiry.com/cant-take-a-joke/ Read Charlie’s article on NYMPHOWARS here: https://garage.vice.com/en_us/article/vbaz9d/nymphowars-podcast

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Hoy hacemos un nuevo recorrido en nuestra Gran Travesía por lo mejor del Rock, y en el, nos "acompañarán" Atari Teenage Riot, Garbage, Gossip, Live, Jeff Beck Group, Screaming Trees, Chuck Berry, Beach Boys...y muchos más! Ayúdanos a compartir si te gusta el programa. Puedes seguirnos a traves de Instagram: https://www.instagram.com/lagrantravesiaradio/ en Twitter: https://twitter.com/lagrantravesia y en facebook: https://www.facebook.com/Lagrantravesiaradio/ Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

En este episodio, Manuel Cabrales y Manuel Toledo comentan las noticias sobre Atari Teenage Riot, King Crimson, Rammstein, Silversun Pickups, Beck y mucho más. También revisan los anuncios más importantes en materia de conciertos, como el regreso de Living Colour y Hermanos Cavalera, y la gira de Soen, además de analizar los shows de la semana: Cloud Nothings, Black Label Society, Pussy Riot y Amorphis. Además, concurso para el concierto de Ride y Wild Nothing en Teatro Teletón.

This week, Steve and Remfry pay tribute to Scott Walker who passed away on Monday. An innovative and uncompromising artist whose career encompassed everything from 1960s pop to a collaboration with hooded Seattle doom-merchants Sunn O))), Walker was a huge influence on a diverse range of artists including Radiohead, Pulp, Cult of Luna, David Bowie, Brian Eno, Goldfrapp, Opeth and Leonard Cohen. In much better news, the boys discuss the incredibly exciting announcement that Machine Head will be back with original members Logan Mader and Chris Kontos to play their colossal 1994 debut album Burn My Eyes in full. They also review new albums from UNKLE, Whitechapel, Brutus and The Pirate Ship Quintet and trade-off comes courtesy of Broken Bells and Atari Teenage Riot. See acast.com/privacy for privacy and opt-out information.

Brian just wants to talk about The Walking Dead… David just wants to talk about Atari Teenage Riot... Steve  just wants to not talk about Spawn… . . . Follow us on Twitter, Instagram, Facebook and Tumblr @CattywampusPod Email us at cattywampuspodcast@gmail.com Music by Tilley

After her family moved to Berlin, Hanin Elias ran away from home and into the city’s punk and hardcore scene. In 1992 she formed Atari Teenage Riot with Alec Empire and MC Carl Crack, fusing punk and techno into what they termed digital hardcore. In 1999, Elias left the band and focused on solo work and championing female and female-identifying artists through her label Fatal Recordings. Here, Elias retraces her steps from punk squats to festival stages and onwards to a lasting independent career.

Following the fall of the Berlin Wall, a young Alec Empire looked to the rebellious sounds of techno, acid house and punk to inform a new project: Atari Teenage Riot. The trio debuted in 1992 and became notorious for its self-styled digital hardcore sound. When ATR split in 2000, the group and its founder had become household names beyond their humble beginnings. In this episode recorded as part of the Red Bull Music Academy Bass Camp Berlin 2017, Empire recalls the city's reunification years and more.

“Saz Arkadaşları”mızdan Kıvanç Sert ve Ümit Üret, Radyo Modyan için hazırladıkları programın ikinci bölümünü MÇPS’de kaydettiler!Tracklist:1. Neco - Rönesans2. Bad Brains - I and I Rasta3. Bad Brains - Big Take Over4. Atari Teenage Riot - revolution action5. Cccp - Punk Islam6. The Residents- Birth7. Snake Finger - Bring Back Reality8. Big Black- Kerosene9. 23 Skidoo - Coup10. Heldon (Richard Pinhas) et Gilles Deleuze - Le Voyageur11. Fehlfarben - Millitürk12. Curd Tuce - Touch13. Ministry - Everyday is HalloweenPodcast recorded on 27/10/2017 at the MCPS Studios in the legendary İMÇ building in Istanbul.MCPS is a project by Can Altay ve Saz Arkadaşları. The project provides the setting, a pop-up studio, sound engineering support and distribution of work by local musicians.

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Progressive Rock ensemble APE SHIFTER will be releasing their self-titled debut album in March 2017! APE SHIFTER is all instrumental and reaches from rockin' 70's riffs played with punk rock ferocity to creeping metal grooves. Intense Simian Instrumental Rock from the nasty pits of the Hellabrunn Zoo.   Born on Friday the 13th in Washington, D.C. and raised in Laurel, Maryland, Jeff Aug is a cool underground guitarist who lives at the foothills of the Alps in Southern Germany for the last 18 years.  He has toured with Allan Holdsworth, Soft Machine, Johnny A., Albert Lee, and has performed shows with Jawbox, Shudder To Think, and Ice-T & Bodycount with his old band.  He's worked with John Stabb from Government Issue, has been touring and recording with Anne Clark for the last 10+ years, and has been touring as a solo guitarist for the last 20+ years. Jeff can also be heard on the Atari Teenage Riot album “Is This Hyperreal?” (Dim Mak Records / Digital Hardcore Records). Jeff is also a Guinness™ world record holder setting the world record for the “most concerts performed in different countries in 24 hours” twice (2009, 2012)!  

Por si la primavera aún no nos ha alterado lo suficiente, esta semana hablamos de... ¡Adolescentes! Qué años aquellos... Para empezar, nos vamos con alguien que tuvo su adolescencia el siglo pasado. Y no a finales de siglo... Lluís nos habla del cómic Blankets, un tebeo de autor completo como es Craig Thompson y que se publicó originalmente en el año 2003, donde nos habla de la vida de un joven de la América rural y, como no, el paso por su adolescencia. Alex, quien disfrutó de su adolescencia también el siglo pasado (pero a finales) nos trae todo un referente a este tipo de cine como fue la película El club de los cinco (The breakfast club) de John Hughes, del año 1985 protagonizada por Emilio Estevez y Judd Nelson entre otros. Y quien pasó su adolescencia en pleno cambio de siglo, Isma, nos habla del videojuego Lollipop Chainsaw de Grasshooper Manufacture para XBox 360 y PS3. (Me la) Suda 51 vuelve después de un programa de descanso y es que a la rubia esto de una animadora matando zombis con una motosierra con la cabeza de su novio colgada mientras suena Atari Teenage Riot, le mola... Gracias una semana más por acompañarnos y esperamos que disfrutéis este nuevo episodio. Escúchanos en iTunes e Ivoox, síguenos en www.twitter.com/SuperculturaFC, en www.facebook.com/SuperculturaFreakChow y visítanos en superculturafreakchow.blogspot.com

The creator of digital hardcore on how to start a riot.

The creator of digital hardcore on how to start a riot.

My guest this week is CX KIDTRONIK. He’s a producer, DJ, vocalist and videographer with a musical resume that goes back to the 80’s. We first got to know each other when he contributed to my Height With Friends Versus The Continental MC’s album. We talk about his childhood in Madison, WI and the hip-hop and hardcore punk that influenced him there. I ask him about his collaborations with Atari Teenage Riot, Saul Williams, Rammellzee and Kanye West and what he took away from those experiences. We also discuss releasing his two Krak Attack albums through Stones Throw Records, working as a fetish clip director and his new Sewer Rats BK project. Mike Riley’s art this week is an homage to Mantronix’s In Full Effect. This episode is hosted by Splice Today.

Atari Teenage Riot's 1995 album Delete Yourself! was supposed to be at the start of the wave that would usher the end of guitar music and a takeover by synths, samples and drum machines. That didn't exactly happen, however plenty of interesting albums were released during that time, and we're checking out the German trio's self-described “digital hardcore” debut. Songs in this Episode: Intro - Into the Death2:43 - History of the Band14:34: Riot 199521:28 - Hetzjagd auf nazis! (live)23:42 - Kids are United!Outro - Cyberpunks are Dead! Follow on Twitter / Facebook Request A Review / Buy A T-Shirt

Atari Teenage Riot’s 1995 album Delete Yourself! was supposed to be at the start of the wave that would usher the end of guitar music and a takeover by synths, samples and drum machines. That didn’t exactly happen, however plenty of interesting albums were released during that time, and we’re checking out the German trio’s self-described “digital hardcore” debut.Songs in this Episode:Intro - Into the Death2:43 - History of the Band14:34: Riot 199521:28 - Hetzjagd auf nazis! (live)23:42 - Kids are United!Outro - Cyberpunks are Dead!Follow on Twitter / FacebookRequest A Review / Buy A T-Shirt

1. Run Riot - "Vengeance" (Rough Draft mix) 2. Disco Fries & Damien Anthony - "Get Up" 3. Brian Cameron - "Serotonin Syndrome" (Eshericks Mix) 4. D-Mad - "Hot Heart" 5. Teknartist - "Stargazer" 6. Dragon & Jontron Feat. Lea Luna - "Tonight" (Steve Smooth & Tony Arzadon Mix) 7. Revolvr - "Feel Good" 8. Anx VS Spyker - "Space Cake" 9. Snakervill - "Pull Shit" 10. Anthem Kingz - "Thriller 2013" (Showtek vs Casablanca vs Aylen Frankenstein Edit) 11. Beatman & Ludmilla - "Backyard" 12. Atari Teenage Riot - "Collapse of History" (Felix Luker mix) 13. DJ Kuba & Neitan x Paul Dave - "Gangsta" 14. Heartache - "Temptation" (Gigi Barocco mix) 15. Asian Trash Boy - "Whisper" (Just for Fun mix) 16. Deenk - "Elektro" 17. Yreane & Kubi - "Twisted" (Access Denied mix)

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here. Learn more about your ad choices. Visit megaphone.fm/adchoices

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here. Learn more about your ad choices. Visit megaphone.fm/adchoices

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here. Learn more about your ad choices. Visit megaphone.fm/adchoices

How are contemporary pop culture ideas about resilience used by Neoliberal capitalism? Robin James addresses this question using philosophy of music (and by doing philosophy through music) in her new book Resistance and Melancholy: Pop Music, Feminism, and Neoliberalism (Zero Books, 2015). The book opens with a discussion of Calvin Harris (& Florence Welch’s) Sweet Nothing as a way into theargument that ‘resilience discourse is what ties contemporary pop music aesthetics to neoliberal capitalism and racism/sexism’. James combines musicological analysis of specific techniques, such as soars, stutters and stops, with an exploration of the aesthetics of pop videos and a critical theoretical framework. In particular the book connects theories of biopower and biopolitics, along a critical take on gender and ethnicity, to the work of Beyonce, Lady Gaga and Rihanna. The text also offers a consideration of alternatives, whether those that have already been incorporatedinto contemporary pop, such the techniques and sounds of Atari Teenage Riot, or new strategies and new forms that might be beyond profit, beyond capital, and represent ‘bad investments’ to suck the life fromMulti-Racial White Supremacist Patriarchy. The book will interest a range of humanities and social science scholars, as well as anyone keen to know more about popular music and critical theory. To learn more about Dr James work read her blog here. Learn more about your ad choices. Visit megaphone.fm/adchoices

#31C3 Mit Alec Empire, Frontmann von Atari Teenage Riot & Keynote-Speaker vom 31. Chaos Communication Congress Leseversion bei Krautreporter: https://krautreporter.de/254--hacker-und-kunstler-sollten-zusammen-ein-system-schaffen-wovon-alle-profitieren Alle Folgen vom Chaos Communication Congress: https://www.youtube.com/playlist?list=PLuQE_zb4awhXBbEqS6TxT6wTz2n78m6Un Was hat Musik mit Politik zu tun? Was wollte Alec in seiner Rede zum Ausdruck bringen beim 31c3? War Musik, war Popmusik jemals politisch? Warum sollen sich Hacker und Musiker zusammenschließen? Ist das Internet großartig für Musiker? Welche politische Inhalte können Songs vermitteln? Was hat Helene Fischer damit zu tun? Folge 218 mit Alec Empire. Abonniert den Youtube-Kanal. Liked uns auf Facebook. Twitter @JungNaiv @TiloJung @Alec_Empire

"El cielo sobre el puerto tenía el color de una pantalla de televisor sintonizado en un canal muerto" Así da comiendo Neuromante, la novela de William Gibson que es considerada a la vez la biblia del movimiento literario cyberpunkde los años ochenta y uno de los clásicos de la ciencia ficción del siglo veinte. Pese a ganar los premios Nebula, Phillip K. Dick y Hugo en su momento, Neuromante tiene un halo de gafe considerable en sus adaptaciones a otros medios. En este segundo podcast de EPB, Javier J. Valencia y Víctor Castillo hablan de que ha supuesto para ellos la novela, repasan todos los proyectos relacionados con esta y su influencia posterior en el cine y la televisión. 100 minutos con neones, gafas de sol, gente guapa y bronceada y crimen informático. Y con temas de Billy Idol y Atari Teenage Riot.

Two of my friends contributed afterwords to my novel Homeland: Aaron Swartz and Jacob Appelbaum. In this outtake from the independently produced Homeland audiobook (which you can get for the next week exclusively through the Humble Ebook Bundle), Jake reads his afterword at The Hellish Vortex Studio in Berlin, where he is in exile after... more

http://headxones.podomatic.com/ Benny Joy . Frank Black . Otis Fodder . The Stickmen . Coliseum . Glitter Mini 9 . Bobby Fuller Four . The Slickers . Los Gatos Locos . Little Esther Phillips . Johnny Thunders & The Heartbreakers . Dysrhythmia . Flamin' Groovies .The Demolition Doll Rods . Pseudonymph . The Stooges . The Avengers . Data Thieves . Atari Teenage Riot . Crass . Tuxedo Moon . Peggy Lee

"Energetic electropunk protest tracks" Chris MacDonald IndieFeed Electronica 

(intro) Melvins / honey bucket / Houdini Live 2005 ***THE THRASH ATTACK*** *Warbringer / living weapon / World Torn Asunder *Landmine Marathon / knife from my sleeve / Gallows *Vader / come and see my sacrifice / Welcome To the Morbid Reich *Fuck The Facts / lifeless / Die Miserable *As You Drown / you should be paranoid / Rat King ----------- *Mastodon / spectrelight / The Hunter *Ceremony / sick / Rohnert Park CD *Cerebral Ballzy / on the run / Cerebral Ballzy *Chimaira / year of the snake / The Age Of Hell *Trigger Effect / ghostie de tabarnak / Versitis Maximus *Brutal Truth / simple math / End Time *Rwake / it was beautiful but now it's sour / Rest *MonstrO / fantasma / MonstrO *Premonition 13 / la hechicera de la Jeringa / Premonition 13 *Seraphim / frustrations / The Light In The Distance *In Flames / sounds of a playground fading / Sounds Of A Playground Fading *Unkind / laumasielut / Harhakuvat *Jasta / anthem of a freedom fighter / Jasta ----------- *Hail!Hornet! / disperse the curse / Disperse the Curse *Executioner / crime through corruption / The Anthology *Megadeth / peace sells / Peace Sells... But who's Buying? *Gentlemans Pistols / living in sin again / At Her Majesty's Pleasure *Toxic Holocaust / the liars are burning / Conjure and Command *All Shall Perish / the death plague / This Is Where It Ends ---------- *Sepultura / kairos / Kairos *Exhumed / as hammer to anvil / All Guts, No Glory *The Black Dahlia Murder / a shrine to madness / Ritual *Decapitated / carnival is forever / Carnival Is Forever *Iron Lamb / dubios preacher / The Original Sin *Pestilence / amgod / Doctorine *400 Blows / we killed like champions / Sickness & Health *KMFDM / amnesia / WTF?! *Atari Teenage Riot / re-arrange your synapses / Is This Hyperreal? *Sektor 304 / body hammer / Soul Cleansing *Delaney Davidson / bad luck man / Bad Luck Man band/song/album

Matt travels to Los Angeles to see Atari Teenage Riot and other stuff he can't talk about. Zombie killing on an island? Polar bears? Check. It's a new Rexcast!

It’s September, summer is slowly drawing to a close, but that just means the clubs are opening again, which in turn means it’s time to PARTY! …and party well! So in that spirit here is Sesii #7! Another round of eclectic music to get your bump on to. Bump! Feel free to blog it, share it, blast it! Tracklist below! And drop some comments if you dig it! Ez, TBG Listen on SoundCloud Tracklist: 01) Laserkraft 3D – Nein Mann! (Turkish Version) 02) Umek – Novi Sad 03) Wafa vs Wolfie – Junk Kat 04) Funkin Matt ft. Teki Latex – Get Loose (Canblaster Remix) 05) Spoek Mathambo – Cerebral Vortex (Douster Remix) 06) Clockwork – Two Left Feet 07) Unique 3 – Rocks The Bass (The Bulgarian Remix) 08) Samo Sound Boy – Shuffle Code (Da Fresh Remix) 09) Gaiser – Some Slip 10) Bakehaus On Crack DJs – Voodoo 11) Crookers present Dr Gonzo – Dr Gonzo Anthem (Mumbai Science Remix) 12) X-Ettl – Sintetic (The Oddword Remix) 13) The Sexinvaders – LA Love (Solvane remix) 14) Disco trash Music – Phobia (AutoErotique Luposlipaphobic Remix) 15) Deadmau5 – Where My Keys 16) Far Too Loud – Ready For The Stomping 17) Lazy Rich – The Chase ft. Belle Humble 18) Atari Teenage Riot – Black Flags feat. Boots Riley (Nom De Strip Remix) 19) Atari Teenage Riot – Black Flags feat. Boots Riley (Taku Remix) 20) Kissy Sell Out – Turn It On Ft. MC Cobra (The Killabits Remix)

Kris Keogh is a musician and producer from Arnhem Land, NT, intent making the most beautiful noise possible, any way he can. In the case of his latest release, this means making hyper-glitched processed harp works under his own name, influenced as much by Ravel and Debussy as Aphex Twin and Atari Teenage Riot. He joins Stu Buchanan to talk about the new album, 'Processed Harp Works Vol. 1'.

You Are Hear Glade Festival Special Podcast July 2006Magz Hall brings a special You Are Hear show featuring highlights from the Glade Festival featuring live sets from:www.youarehear.co.ukKnifehandchopKnifehandchop is electronic musician Billy Pollard from Toronto, Canada. He started programming electronic beats when he was 18.Knifehandchop takes from many different influences and styles, and mixes them together into a form of bastard pop. He uses elements from ragga, techno, hardcore, hip-hop and electro.He has released vinyl and CD's on labels such as Tigerbeat6 and Irritant records.COUNTRYSIDE ALLIANCE CREWWrong music's farmer Squad back in action withthere first live show of 2006. Yardcore remixes ofthe Wurzels, Booty bass Emerdale theme tune mashupsand 20+ farmers yielding bling horse brasses andmixing in tracktor, get ready for a rural takeover.Glaswegian keytar playing noise-pop-midicore duo GAY AGAINST YOU consisting of Joe Howe aka GERMLIN & Lachlann Rattray aka YOKO OH NO! "Gay Against You are part of a fine mentalist tradition that spans Atari Teenage Riot, Denim and Diamonds, Les Savy Fav, Devo and, er, Dweeb and are a breath of fresh air in the often po-faced pretentious Glasgow noise/improv scene." Diskant Live Bongra special from the Glade is now also podcast check it outhttp://youarehear.co.uk/audio/All%20Podcasts/Glade.mp3Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

You Are Hear Glade Festival Special Podcast July 2006Magz Hall brings a special You Are Hear show featuring highlights from the Glade Festival featuring live sets from:www.youarehear.co.ukKnifehandchopKnifehandchop is electronic musician Billy Pollard from Toronto, Canada. He started programming electronic beats when he was 18.Knifehandchop takes from many different influences and styles, and mixes them together into a form of bastard pop. He uses elements from ragga, techno, hardcore, hip-hop and electro.He has released vinyl and CD's on labels such as Tigerbeat6 and Irritant records.COUNTRYSIDE ALLIANCE CREWWrong music's farmer Squad back in action withthere first live show of 2006. Yardcore remixes ofthe Wurzels, Booty bass Emerdale theme tune mashupsand 20+ farmers yielding bling horse brasses andmixing in tracktor, get ready for a rural takeover.Glaswegian keytar playing noise-pop-midicore duo GAY AGAINST YOU consisting of Joe Howe aka GERMLIN & Lachlann Rattray aka YOKO OH NO! "Gay Against You are part of a fine mentalist tradition that spans Atari Teenage Riot, Denim and Diamonds, Les Savy Fav, Devo and, er, Dweeb and are a breath of fresh air in the often po-faced pretentious Glasgow noise/improv scene." Diskant Live Bongra special from the Glade is now also podcast check it outhttp://youarehear.co.uk/audio/All%20Podcasts/Glade.mp3Podcast of the week Time Out London!! " excellent alternative music show" "Critics Choice" The Independent

Show #103 goes BUCKWILD with plenty of rants from Macedonia and music from M.I.A., Madvillain, Atari Teenage Riot, Youngblood Brass Band, Jonny Sonic, and lots more. this episode is NOT WORKSAFE.

Our eleventh podast is from party noise makers, Prinzenallee. Named after the street where they lived and recorded, Prinzenallee are bleubird (vocals/noise) and Jayrope (music). Hopping and hooting and hollering and banging immediately began after meeting in Berlin in early 2008. This previously mentioned racket led to the two performing a last minute improv set at the kick-off party for the Goldmund Festival and due to its great success they were quickly asked to perform another improv set during the festival itself. The second improv set didn’t work out as nicely as the first so they decided to hurry home and write some songs. File under: Sidetracked Hiphop, Rap, Noiserock, Electronic. bleubird is a hungry-hungry rapper from Florida, USA who ate too many Dead kennedy’s and 2live crew records and made his name touring relentlessly and releasing albums on Endemik Music out of Montreal. Jayrope is the child of two pipe organ players, which sentenced him to be audiotic ever after. Ever after, then, includes having been the main recording engineer for Atari Teenage Riot and releasing two albums on the DHR sublabel Geist Records under the name Rope. This project was born out of their mutual disdain for music they do not hear on the radio. They exist within their own West German Turkish ghetto Utopia and that is cooler than cool. SONG 1 – intro
SONG 2 – piano motherfucker! SONG 3 – don't let nerds take over your life(jayrope booty mix)
SONG 4 – Sobo(Scott Da Ros remix)
SONG 5 – live in Berlin  Sep 2009
SONG 6 – haiku (to fuck to) semi-live in copenhagen Feb 2010
SONG 7 – drunk on movement live in copenhagen Feb 2010
SONG 8 – horny electro free jazz
SONG 9 – live hippie jam copenhagen/dresden 2024
SONG 10 – laser metal dogs
SONG 11 – your party's burning (live/studio mix)
SONG 12 – reverse party burn disco

Our eleventh podast is from party noise makers, Prinzenallee. Named after the street where they lived and recorded, Prinzenallee are bleubird (vocals/noise) and Jayrope (music). Hopping and hooting and hollering and banging immediately began after meeting in Berlin in early 2008. This previously mentioned racket led to the two performing a last minute improv set at the kick-off party for the Goldmund Festival and due to its great success they were quickly asked to perform another improv set during the festival itself. The second improv set didn’t work out as nicely as the first so they decided to hurry home and write some songs. File under: Sidetracked Hiphop, Rap, Noiserock, Electronic. bleubird is a hungry-hungry rapper from Florida, USA who ate too many Dead kennedy’s and 2live crew records and made his name touring relentlessly and releasing albums on Endemik Music out of Montreal. Jayrope is the child of two pipe organ players, which sentenced him to be audiotic ever after. Ever after, then, includes having been the main recording engineer for Atari Teenage Riot and releasing two albums on the DHR sublabel Geist Records under the name Rope. This project was born out of their mutual disdain for music they do not hear on the radio. They exist within their own West German Turkish ghetto Utopia and that is cooler than cool. SONG 1 – intro
SONG 2 – piano motherfucker! SONG 3 – don't let nerds take over your life(jayrope booty mix)
SONG 4 – Sobo(Scott Da Ros remix)
SONG 5 – live in Berlin  Sep 2009
SONG 6 – haiku (to fuck to) semi-live in copenhagen Feb 2010
SONG 7 – drunk on movement live in copenhagen Feb 2010
SONG 8 – horny electro free jazz
SONG 9 – live hippie jam copenhagen/dresden 2024
SONG 10 – laser metal dogs
SONG 11 – your party's burning (live/studio mix)
SONG 12 – reverse party burn disco

Oh how I hate power outages. You get a slightly shorter episode this week thanks to us losing about 30 mins worth of topics thanks to my shoddy power strip. COD4, a summer of superhero movies, and techno music is discussed. Random as hell. Learn to lie.