Podcasts about The Rolling Stones

Author David de Sola joins the program to talk about Alice In Chains before and up to Facelift. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of ⁠⁠⁠Cobras & Fire⁠⁠⁠ counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: ⁠⁠⁠https://cobrasandfire.com/category/podcast/whatever-nevermind⁠⁠⁠ ⁠⁠⁠Pantheon Podcasts⁠⁠⁠ ⁠⁠⁠https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9⁠⁠⁠ ⁠⁠⁠https://iheart.com/podcast/255319888/⁠⁠⁠ ⁠⁠⁠https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816⁠⁠⁠ ⁠⁠⁠https://deezer.com/show/1001525961⁠⁠⁠ ⁠⁠⁠https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419⁠⁠⁠ ⁠⁠⁠https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4⁠⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠ Follow us on ⁠⁠⁠Instagram⁠⁠⁠ Follow us on Threads: ⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠ Stitcher: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠⁠ Spreaker: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠ Find it all here: ⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming in at No. 13 on Rolling Stone Magazine's list of the 25 Greatest Grunge Albums is the Nirvana Bleach. Josh Toomey joins Bakko to discuss. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of ⁠⁠⁠⁠Cobras & Fire⁠⁠⁠⁠ counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: ⁠⁠⁠⁠https://cobrasandfire.com/category/podcast/whatever-nevermind⁠⁠⁠⁠ ⁠⁠⁠⁠Pantheon Podcasts⁠⁠⁠⁠ ⁠⁠⁠⁠https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9⁠⁠⁠⁠ ⁠⁠⁠⁠https://iheart.com/podcast/255319888/⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816⁠⁠⁠⁠ ⁠⁠⁠⁠https://deezer.com/show/1001525961⁠⁠⁠⁠ ⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419⁠⁠⁠⁠ ⁠⁠⁠⁠https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4⁠⁠⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ Follow us on Threads: ⁠⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠⁠ Stitcher: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠⁠⁠ Spreaker: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠⁠ Find it all here: ⁠⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming in at No. 13 on Rolling Stone Magazine's list of the 25 Greatest Grunge Albums is the Nirvana Bleach. Josh Toomey joins Bakko to discuss. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of ⁠⁠⁠⁠Cobras & Fire⁠⁠⁠⁠ counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: ⁠⁠⁠⁠https://cobrasandfire.com/category/podcast/whatever-nevermind⁠⁠⁠⁠ ⁠⁠⁠⁠Pantheon Podcasts⁠⁠⁠⁠ ⁠⁠⁠⁠https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9⁠⁠⁠⁠ ⁠⁠⁠⁠https://iheart.com/podcast/255319888/⁠⁠⁠⁠ ⁠⁠⁠⁠https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816⁠⁠⁠⁠ ⁠⁠⁠⁠https://deezer.com/show/1001525961⁠⁠⁠⁠ ⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419⁠⁠⁠⁠ ⁠⁠⁠⁠https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4⁠⁠⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠⁠ Follow us on ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ Follow us on Threads: ⁠⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠⁠ Stitcher: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠⁠⁠ Spreaker: ⁠⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠⁠ Find it all here: ⁠⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

MUSICOzzy Osbourne wants to do a duet with Beatles legend Paul McCartney. In case you haven't heard, LeAnn Rimes had an embarrassing moment Saturday night when her teeth FELL OUT in the middle of her performance of "One Way Ticket".Green Day's Billie Joe Armstrong scolded a fan last weekend during their set at a German festival, threatening to "beat their a**" if they didn't stop shooting him with a water gun. Last year, Sabrina Carpenter teamed up with Dunkin to offer us Sabrina's Brown Sugar Shakin' Espresso. And this summer she's doing it again. Except this time, we're getting Sabrina'sNEW MUSIC OUT TODAY in RECORD STORES AND STREAMING311's 90s Throwback EP: Volume 2 contains vintage live tracks.Awolnation's Run 10th Anniversary Edition adds a bunch of bonus tracks.Lynyrd Skynyrd's Celebrating 50 Years - Live at the Ryman includes a roster of guest stars, including Brent Smith of Shinedown.A Tribute to the King of Zydeco includes a new track from The Rolling Stones.TVThe Jeff Bezos / Lauren Sanchez wedding festivities kicked off yesterday, and the celebrities have been pouring into Venice. MOVING ON INTO MOVIE NEWS: New in Theaters: "F1: The Movie" and "M3GAN 2.0""F1: The Movie" (PG-13) Trailer and Trailer 2: Brad Pitt plays a driver whose promising career was derailed by an accident 30 years ago. He gets a shot at redemption when former teammate Javier Bardem asks him to help save his floundering team, led by rookie driver Damson Idris.Buckle up for the F1 movie … The movie F1, starring Brad Pitt, is now in theaters. Critics suggest that hardcore Formula 1 fans might be distracted because of aspects about the sport that the film gets wrong. But if you can suspend your disbelief – and allow yourself to get swept up by the speed and special effects – it might be a popcorn movie worth watching.2. "M3GAN 2.0" (PG-13) Trailer and Trailer 2: This one takes place two years after the first movie, with M3GAN's creator Gemma (Allison Williams) now an advocate for strict government A.I. oversight.But after a defense contractor steals M3GAN's tech and creates a self-aware killer robot named Amelia, Gemma is forced to resurrect and upgrade M3GAN to prevent Amelia from wiping out the rest of humanity.3. "Ice Road: Vengeance" (Not Yet Rated) Trailer: Liam Neeson stars in this sequel to his 2021 big rig movie "The Ice Road". In this one, he takes on some ruthless mercenaries on the road to Mt. Everest to protect a busload of tourists and save a village they're threatening.Subway was a sponsor for Adam Sandler's character in the original "Happy Gilmore". And now with "Happy Gilmore 2" on the way, they're actually offering a tie-in meal.The original Spider-Man movies are heading back to the big screen.Disney live-action version of Lilo & Stitch was released over Memorial Day weekend and has grossed $910 million worldwide. Disney made the announcement on 6/26 to correspond with the space alien's government name, Experiment 626, that a sequel will be in development, no word on when production will begin. "M3GAN 2.0" hits theaters this weekend . . . but there's an ADULT spinoff on the way called "SOULM8TE". GAMINGEpic Games, maker of Fortnite, has started issuing refunds to Americans who were "tricked" into making unwanted game purchases as part of a $245 million settlement.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Coming in at No. 14 on Rolling Stone Magazine's list of the 25 Greatest Grunge Albums is the L7 album Bricks Are Heavy. Chris Czynszak joins Bakko to discuss. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of ⁠⁠⁠Cobras & Fire⁠⁠⁠ counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: ⁠⁠⁠https://cobrasandfire.com/category/podcast/whatever-nevermind⁠⁠⁠ ⁠⁠⁠Pantheon Podcasts⁠⁠⁠ ⁠⁠⁠https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9⁠⁠⁠ ⁠⁠⁠https://iheart.com/podcast/255319888/⁠⁠⁠ ⁠⁠⁠https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816⁠⁠⁠ ⁠⁠⁠https://deezer.com/show/1001525961⁠⁠⁠ ⁠⁠⁠https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419⁠⁠⁠ ⁠⁠⁠https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4⁠⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠⁠ Join our fanpage on Facebook: ⁠⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠⁠ Click like and follow on Facebook: ⁠⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠⁠ Follow us on ⁠⁠⁠Instagram⁠⁠⁠ Follow us on Threads: ⁠⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠⁠ Subscribe to our YouTube channel: ⁠⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠⁠ Follow us on Bluesky: ⁠⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠⁠ Email us: Buy a shirt!:⁠⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠⁠ Stitcher: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠⁠ Spreaker: ⁠⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠⁠ Find it all here: ⁠⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming in at No. 15 on Rolling Stone Magazine's list of the 25 Greatest Grunge Albums is the L7 album Bricks Are Heavy. Josh Toomey joins Bakko to discuss. #Grunge About Whatever, Nevermind Whatever, Nevermind is a 25 part podcast by Bakko of ⁠⁠Cobras & Fire⁠⁠ counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more. Whatever, Nevermind Archive: ⁠⁠https://cobrasandfire.com/category/podcast/whatever-nevermind⁠⁠ ⁠⁠Pantheon Podcasts⁠⁠ ⁠⁠https://open.spotify.com/show/1MQIGBGYdRgjE7ThmfwdW9⁠⁠ ⁠⁠https://iheart.com/podcast/255319888/⁠⁠ ⁠⁠https://www.pandora.com/podcast/whatever-nevermind-a-grunge-podcast/PC:1001096816⁠⁠ ⁠⁠https://deezer.com/show/1001525961⁠⁠ ⁠⁠https://podcasts.apple.com/us/podcast/whatever-nevermind-a-grunge-podcast/id1789046419⁠⁠ ⁠⁠https://music.amazon.com/podcasts/53272646-10d8-47b7-bcac-10a6105ba7b4⁠⁠ Reach out to us! Rate, review, and subscribe at Apple Podcasts: ⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Apple Podcasts⁠⁠ Join our fanpage on Facebook: ⁠⁠(2) Cobras ON Fire: Private Group | Facebook⁠⁠ Click like and follow on Facebook: ⁠⁠(2) Cobras & Fire: Rock Podcast | Chicago IL | Facebook⁠⁠ Follow us on ⁠⁠Instagram⁠⁠ Follow us on Threads: ⁠⁠@cobrasandfirepodcast • Threads, Say more⁠⁠ Subscribe to our YouTube channel: ⁠⁠Cobras & Fire Rock Podcast - YouTube⁠⁠ Follow us on Bluesky: ⁠⁠Cobras & Fire Podcast (@cobrasfirepodcast.bsky.social) — Bluesky⁠⁠ Email us: Buy a shirt!:⁠⁠"Cobras and Fire Podcast" T-shirt for Sale by CobrasandFire | Redbubble | cobras and fire t-shirts - cobras fire t-shirts⁠⁠ Stitcher: ⁠⁠Cobras & Fire: Comedy / Rock Talk Show on Stitcher⁠⁠ Spreaker: ⁠⁠Cobras & Fire: Comedy / Rock Talk Show | Listen to Podcasts On Demand Free | TuneIn⁠⁠ Find it all here: ⁠⁠Cobras and Fire Podcast - Comedy Rock Talk Show Learn more about your ad choices. Visit megaphone.fm/adchoices

În fiecare vară, Timișoara devine un centru al jazzului contemporan, un loc în care sunetele inovatoare, artiștii de renume și publicul pasionat creează împreună o experiență muzicală unică. JAZZx, ajuns la a 13-a ediție, continuă să inoveze oferind un program divers care celebrează bogăția stilistică și talentul artiștilor români și internaționali. Discutam despre acest eveniment cu Andreea Iager Tako (Centrul Cultural Plai) si Krisztina Kalapati (responsabil comunicare JAZZx Festival TM). După ce primele nume anunțate – Jacob Banks, The Philharmonik, New Fossils și Zaharenco –  festivalul își continuă dezvăluirea lineup-ului cu artiști excepționali, care vor transforma cele trei zile de festival într-un eveniment memorabil. Béla Fleck, Edmar Castañeda & Antonio Sánchez Trio One Sheet Câștigător a 18 premii Grammy (42 de nominalizari / Grammy 2025 pentru “Best Arrangement, Instrumental or A Capella”), Béla Fleck a redefinit banjo-ul, transformându-l dintr-un instrument tradițional într-un vector al inovației muzicale. De la bluegrass la jazz și colaborări cu artiști legendari precum Chick Corea, Fleck surprinde mereu prin explorările sale sonore. La JAZZx 2025, alături de Edmar Castaneda – un virtuoz al harpei din Columbia, cunoscut pentru colaborările cu Hiromi, Paquito D'Rivera și Gregoire Maret – și Antonio Sanchez – toboșar de 5 ori premiat cu Grammy, celebru pentru colaborările cu Pat Metheny și coloana sonoră a filmului Birdman – vine să creeze un dialog muzical captivant, plin de ritmuri surprinzătoare, armonii sofisticate și o energie aparte.    Meshell Ndegeocello Este o artistă de excepție, recunoscută pentru talentul său de a îmbina diverse influențe muzicale diverse, de la funk și soul la jazz, hip hop, reggae și rock. De-a lungul unei cariere de peste 30 de ani, a redefinit așteptările. Câștigătoarea premiulul Grammy din acest an la categoria “Best Alternative Jazz Album” și având în palmares alte 2 premii și 13 nominalizari, Meshell a colaborat de-a lungul carierei cu artiști de renume precum Rolling Stones, Madonna, Alanis Morissette și mulți alții. Pentru ea, fiecare spectacol este o oportunitate de conexiune, considerând muzica un liant între oameni – un principiu care se regăsește perfect în spiritul JAZZx: We Jazz Together.   Adi Oasis Originară din Caraibe și stabilită în Brooklyn, Adi Oasis este o artistă și producătoare de soul-funk-R&B, recunoscută pentru vocea sa inconfundabilă. Cel mai recent album al său, „Lotus Glow”, este cea mai personală și curajoasă creație a ei de până acum, îmbinând teme politice și sociale cu o estetică sonoră captivantă. Din 2018, de când și-a început cariera solo, a cucerit publicul și critica de specialitate, fiind apreciată de Vogue, Elle, Rolling Stone și Wonderland. A avut un impact puternic pe scena live, impresionând cu prestații energice și colaborări cu artiști precum Lenny Kravitz, Masego, Anderson .Paak, Thundercat și Yasiin Bey. A urcat pe scenele unor festivaluri prestigioase, inclusiv Newport Jazz Fest, Montreux Jazz Festival, Love Supreme, Afropunk și Cross the Tracks, iar acum aduce acest mix efervescent de stiluri la JAZZx 2025, promițând un show electrizant.   IOANAx Soultrain Un proiect custom dezvoltat de Subcarpați pentru JAZZx, după SUBJazz (Subcarpați x JazzyBit), subliniind caracterul unic al festivalului. Aduce un suflu nou folclorului românesc, îmbrăcându-l în libertatea jazz-ului. Vocea Ioanei Milculescu devine puntea dintre tradiție și modernitate, transformând fiecare piesă într-o călătorie sonoră intensă și autentică.  Alături de Max K., Mușat, Marcelle Poaty-Souami, Daniel Rădulescu, Radu Pieloiu, Mircea Ardeleanu Jr. și muzicienii din universul Subcarpați, melodiile Ioanei sunt reorchestrate și reinterpretate, dând folclorului o nouă viață. Acest proiect redescoperă̆ rădăcinile muzicale printr-un limbaj contemporan, creând o experiență̆ captivantă, plină de nuanțe și emoție.   Amphitrio Este un proiect de jazz contemporan iniţiat în 2020, având în componenţă pe pianistul și compozitorul Andrei Petrache, basistul Mike Alex și percuţionistul Philip Goron, instrumentiști cu o fundaţie solidă în muzica clasică și alternativă. Povestea din spatele acestui trio vorbește despre prietenie, despre plăcerea de a cânta și de a improviza.  Repertoriul Amphitrio conţine piese originale scrise de Andrei Petrache într-o zonă a jazz-ului modern, cu influenţe din jazz-ul nordic contemporan și culori balcanic-orientale, dar și amprente din heavy rock și muzică electronică.   JAZZx se va desfăşura la Timişoara, în Piața Libertății, în perioada 4 - 6 iulie 2025, iar accesul este gratuit.

My conversation with Jarvis begins at about 40 mins Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Get Jeff's new book The Web We Weave Why We Must Reclaim the Internet from Moguls, Misanthropes, and Moral Panic Jeff Jarvis is a national leader in the development of online news, blogging, the investigation of new business models for news, and the teaching of entrepreneurial journalism. He writes an influential media blog, Buzzmachine.com. He is author of “Geeks Bearing Gifts: Imagining New Futures for News” (CUNY Journalism Press, 2014); “Public Parts: How Sharing in the Digital Age Improves the Way We Work and Live” (Simon & Schuster, 2011); “What Would Google Do?” (HarperCollins 2009), and the Kindle Single “Gutenberg the Geek.” He has consulted for media companies including The Guardian, Digital First Media, Postmedia, Sky.com, Burda, Advance Publications, and The New York Times company at About.com. Prior to joining the Newmark J-School, Jarvis was president of Advance.net, the online arm of Advance Publications, which includes Condé Nast magazines and newspapers across America. He was the creator and founding managing editor of Entertainment Weekly magazine and has worked as a columnist, associate publisher, editor, and writer for a number of publications, including TV Guide, People, the San Francisco Examiner, the Chicago Tribune, and the New York Daily News. His freelance articles have appeared in newspapers and magazines across the country, including the Guardian, The New York Times, the New York Post, The Nation, Rolling Stone, and BusinessWeek. Jarvis holds a B.S.J. from Northwestern University's Medill School of Journalism. He was named one of the 100 most influential media leaders by the World Economic Forum at Davos. Join us Monday's and Thursday's at 8EST for our Bi Weekly Happy Hour Hangout's !  Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art  Hire DJ Monzyk to build your website or help you with Marketing Gift a Subscription https://www.patreon.com/PeteDominick/gift

Following the recent release of her excellent sophomore album, If You Asked For A Picture, Blondshell's Sabrina Teitelbaum joins the LSQ podcast to talk about important musical discoveries along her creative path: Falling in love with the Rolling Stones after her parents took her to see them in concert at Madison Square Garden when she was only seven years old, delving into songwriting a few years later, as a way of coping with obsessive-compulsive disorder, going to as many concerts as she could in NYC as a teenager and seeing bands like the Black Keys, Haim and The Kooks, finding inspiration in the lyrical prowess of Fiona Apple and Frank Ocean, and more. Blondshell is on tour now, and through most of the rest of this year. Get tickets here. 

“Having a fantastic relationship is a learnable skill.”So many of us crave deeper connection, more spark, and a sense of feeling not just content, but truly alive, decades into love and relationships. But what if your desire has dulled, your partnership feels stuck on autopilot, or you're no longer even sure what you want, let alone how to ask for it? Enter Dr. Alexandra Stockwell, “The Intimacy Doctor”, a physician, relationship coach, author, and podcast host, whose mission is to help women and couples create conscious, erotically vibrant partnerships in midlife and beyond.Join us for a candid and empowering conversation with Dr. Stockwell on breaking the cycle of compromise, rediscovering your desires, and bringing more pleasure into your life… and your bedroom. We dive into why:Great relationships and intimacy are built through intention and skill, not just chemistry or timeDesire alone isn't enough to sustain relationships and the importance of reflecting on how deeply you truly want somethingMany women discover deeper pleasure and connection later in lifeUncompromising intimacy, rather than compromise, is the real secret to a nourishing, fulfilling relationshipEveryday interactions shape long-term intimacy just as much as what happens in the bedroomCuriosity and asking open-ended questions can reignite emotional and sexual intimacy with your partnerVulnerably sharing how something made you feel creates more connection than placing blameOUR GUEST: Alexandra Stockwell, MD, “The Intimacy Doctor”, is a relationship and intimacy expert who helps high-achieving couples create emotionally connected, erotically vibrant partnerships. A physician-turned-coach, she's the bestselling author of Uncompromising Intimacy, host of The Intimate Marriage Podcast, and creator of the Aligned & Hot Marriage program. Married for 28 years with four children, Dr. Alexandra teaches that the key to lasting passion isn't compromise, it's authenticity. Her work has been featured in The New York Times, Rolling Stone, Cosmopolitan, and more.Want more Dr. Stockwell? Find her online at https://www.alexandrastockwell.com/ and listen to her podcast, “The Intimate Marriage Podcast”, using the link below or wherever you get your podcasts https://podcasts.apple.com/us/podcast/the-intimate-marriage-podcast-with-intimacy/id1548060690 Follow her on: IG: @intimacydoctor FB: @Intimacydoctor Youtube: @intimacydoctor Tiktok: @intimacydoctor LinkedIn: alexandrastockwell Want more Hotter Than Ever? Subscribe to the Hotter Than Ever Substack to dive deeper. Find episode transcripts at www.hotterthaneverpod.com Follow us on:Instagram:

I swear that Brandon came up with this list just to troll me. I KNOW that Scar only commented about this list just to troll me. The question is, did Rolling Stone develop this list because it wanted to troll me, too? Twitter: @RatchetBookClub, @ThatCoolBlkNerd, @Scarfinger, @SpadesTableBecome a Patron at http://www.Patreon.com/singlesimulcastDonate to the show at http://www.buymeacoffee.com/sscast

eastvillageradio.com, brianturnershow.comMR. CARDAMOM - Nani - Nani (NL, 2019)SAFA -  Supranomadic - Ibtihalat (UIQ, 2022)DJ PALEFACE -  Lighter (Captain Wallop 4x4 Edit) - NOSMOKING03 (Hardline, 2025)DEBÖRDS - Brigitte Fontaine - Pay for the Bürds (cs, U-Bac, 2025)FÄHNLEIN FIESELSCHWIEF - Ein Reh (Im Lichtkegel Stehend) - Pluto Grüsst Unsere Perser 7" (Luna Park, 1981)PROLAPSE - Cacophany No. C - I Wonder When They're Going To Destroy Your Face (Tapete, 2025)THE ART ATTACKS - I Am A Dalek - 7" (Albatross, 1978)HEAD DENT - Macho Man - Coupla Tracks (Buzzhowl, 2025)ORCUTT SHELLEY MILLER - A Long Island Wedding - Orcutt Shelley Miller (Silver Current, 2025)THE SPACE LADY - Ballroom Blitz - Greatest Hits (Night School, 2013)THE ROLLING STONES w/ STEVE RILEY - Zydeco Sont Pas Salés - V/A: A Tribute To the King of Zydeco (Valcour, 2025)PAUL 'WINE' JONES - Hangin' With the Boys - Pucker Up Buttercup (Fat Possum, 1999)ALESSANDRO MORESCHI - Et Incarnatus est, Crucifixus - The Last Castrato / Vatican 1902-1904 (Classical Moments, 2010)OPERATING THEATER - Blue Light & Alpha Waves - 7" (CBS, 1982)ANNIE ACHRON - Glass Bells - Never Paradise (Siltbreeze, 2025)LOW END ACTIVIST - Wave 04 - Superwave EP (Best Intentions, 2025)COSMIC DRAG - Road of Heaven - Upside Down River (Burgan Triangle Tapes, 2025)OZZY OSBOURNE - Bark At the Moon A CapellaVOORHEES - There's No Moves To Make - Blue Bag Life (BC, 2023)PHIRNIS - Signals - The Gateway Tape (Strategic Tape Reserve, 2025)WARM CURRENCY - Ring of Fish - Petals (Horn of Plenty, 2024)SMOTE - Drommon Pt 1 - Clyppan (Rocket, 2025)DAMIANIDIS DIKEMAN DAMIANIDIS SKORIC - Live In Thessaloniki Pt. 1 - Live In the Balkans (Noise-Below, 2025)TERRY RILEY - You're No Good - You're No Good (Corical, 2000)

Send us a text We bring the flamethrower to Rolling Stone's controversial Top 250 Guitarists of All Time list. From eyebrow-raising omissions to some truly baffling rankings, we break down what they got right, what they got way wrong, and who got done dirty. Expect some hot takes, guitar geekery, and a few laughs as we spotlight the legends who should've been higher, the underrated axe-slingers who barely made the cut, and a few picks that left us wondering, “Seriously?” Grab your air guitar — it's time to roast the list that rocked the internet. Support the showBrowse the 33/24 Archives: Check out the backroom! Follow us: Instagram Facebook Watch us on YouTube!

In our latest episode of Proven Health Alternatives, I sit down with Dr. Austin Perlmutter for a deep dive into the science of longevity—what it really means to live not just longer, but better. We explore the crucial difference between lifespan and healthspan, why brain health is central to aging well, and how lifestyle choices like nutrition, movement, and environmental exposures directly shape our future. Dr. Perlmutter also shares insights on immune reprogramming, the rising trend of “quick-fix” longevity hacks, and why true health takes more than just hype. If you're looking for practical, science-backed strategies to protect your brain, strengthen your immune system, and live with purpose well into your later years—this episode is for you. Key Takeaways: Longevity vs. Healthspan: Longevity focuses on the length of life, while healthspan emphasizes the quality of life, particularly regarding cognitive function as we age. Influence of Lifestyle on Brain Health: Dietary fiber, omega 3 fatty acids, and resistance training are crucial for maintaining optimal brain function and slowing down brain aging. Impact of Air Quality: The quality of indoor air pollution, often overlooked, can drastically affect brain health and longevity. Immune System's Role in Aging: A well-balanced immune system is pivotal for long-term health and vitality, with lifestyle choices directly programming our immune responses. Importance of Polyphenols: Consuming polyphenol-rich foods, particularly from Himalayan Tartary Buckwheat, can positively influence immune function and promote graceful aging. More About Dr. Austin Perlmutter: Dr. Austin Perlmutter is a board-certified internal medicine physician, New York Times bestselling author, researcher, podcaster and health entrepreneur. His mission is to help get your brain unstuck. His work is featured on PBS, Rolling Stone, Newsweek, NPR, Fox and other top media outlets. He is the Chief Science Officer of Big Bold Health, where he led a pioneering study exploring how plant nutrients impact human aging and is the CEO of Lichen Air, providing indoor air solutions for brain health and longevity. His current research focuses on epigenetic, metabolic, microbiome and immune effects of ayahuasca and Tartary buckwheat.  Website Instagram Big Bold Health Lichenair Connect with me! Website Instagram Facebook YouTube This episode is sponsored by Professional Co-op®, where clinicians gain exceptional access to industry-leading lab services without the hefty price tag—since 2001, they've been redefining what efficient, patient-focused support looks like. Imagine no hidden fees, no minimums, and only paying for completed tests. Experience lab services that not only meet but also exceed your expectations. Join the co-op trusted by countless licensed clinicians nationwide. Visit www.professionalco-op.com to learn more! This episode is also made possible by Functional Medicine University. FMU is a fully online, self-paced training program in functional medicine, founded in 2006 by Dr. Ron Grisanti. With students in all 50 U.S. states and 68 countries globally, FMU has become a cornerstone in advanced clinical education for healthcare practitioners. The curriculum is led by Dr. Grisanti, alongside contributions from over 70 distinguished medical experts on FMU's advisory board. Graduates earn the prestigious Certified Functional Medicine Practitioner (CFMP®) credential upon completion. FMU is also a nationally approved provider of continuing education for a wide range of licensed professionals, including MDs, DCs, DOs, NDs, acupuncturists, PAs, NPs, nurses, dietitians, pharmacists, and dentists. Whether you're looking to expand your clinical knowledge or bring a functional approach to your practice, FMU offers the tools, guidance, and certification to help you thrive. Visit www.functionalmedicineuniversity.com to learn more! For over 50 years, NutriDyn has been a leader in functional nutrition, supporting healthcare practitioners with science-based supplements and unparalleled education. Since 1973, they've pioneered practitioner-exclusive formulas backed by rigorous testing and built on the latest research—delivering quality and peace of mind in every bottle. NutriDyn is more than just a supplement provider. They're committed to empowering practitioners through world-class educational resources, including national conferences, workshops, and seminars led by industry thought leaders. From clinical support to dedicated sales reps, NutriDyn offers an integrated approach to help elevate your practice and patient outcomes. Trusted. Transparent. Practitioner-focused. Join NutriDyn's wellness community and discover functional nutrition tailored for you—create your account today to take the first step toward better health: https://nutridyn.com/mprofile

El director del Cru

We couldn’t let this month go by without having a conversation about one of my favorite things, music. While we’re only halfway through the year, there have already been so many major moments, from iconic performances to albums that push past genre limitations. These culturally-defining moments have all been sparked by artists we love, and we’d be remiss not to celebrate the ongoing impact of Black artists in music. In honor of Black Music Month, we're joined by Mankaprr Conteh, staff writer at Rolling Stone, and Delisa Shannon, short-form content director at Billboard. Together, we unpacked some of the standout moments of 2025 so far, talk about the artists who are redefining the rules, and reflect on what Black music continues to teach us about innovation, identity, and joy. About the Podcast The Therapy for Black Girls Podcast is a weekly conversation with Dr. Joy Harden Bradford, a licensed Psychologist in Atlanta, Georgia, about all things mental health, personal development, and all the small decisions we can make to become the best possible versions of ourselves. Resources & Announcements Registration for the 2nd Annual Holding Space for Healers Therapist Summit is now open! Join us July 24–26, 2025 in Atlanta, GA for this one-of-a-kind event designed for Black mental health professionals, offering the tools, connections, and resources to grow your practice, strengthen your brand, and expand your impact in a meaningful way.​Register for the summit here! Did you know you can leave us a voice note with your questions for the podcast? If you have a question you'd like some feedback on, topics you'd like to hear covered, or want to suggest movies or books for us to review, drop us a message at memo.fm/therapyforblackgirls and let us know what’s on your mind. We just might share it on the podcast. Grab your copy of Sisterhood Heals. Where to Find Our Guests Mankaprr Conteh IG - @mankaprr Check out her work: https://tinyurl.com/428bxscv Delisa Shannon IG - @delisamarie_ Check out her work: https://www.delisashannon.com/ Stay Connected Join us in over on Patreon where we're building community through our chats, connecting at Sunday Night Check-Ins, and soaking in the wisdom from exclusive series like Ask Dr. Joy and So, My Therapist Said. ​ Is there a topic you'd like covered on the podcast? Submit it at therapyforblackgirls.com/mailbox. If you're looking for a therapist in your area, check out the directory at https://www.therapyforblackgirls.com/directory. Grab your copy of our guided affirmation and other TBG Merch at therapyforblackgirls.com/shop. The hashtag for the podcast is #TBGinSession. Make sure to follow us on social media: Twitter: @therapy4bgirls Instagram: @therapyforblackgirls Facebook: @therapyforblackgirls Our Production Team Executive Producers: Dennison Bradford & Maya Cole Howard Senior Producer: Ellice Ellis Producers: Tyree Rush & Ndeye ThioubouSee omnystudio.com/listener for privacy information.

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** Howlin' Wolf's first LP was a collection of previously recorded tracks by the Mississippi-born blues legend. Kenny Wayne Shepherd and Wayne Federman return to The 500 to discuss Wolf's impact on multiple generations of guitar players, including the blues revival of the late 1950s and early 1960s that inspired bands like The Rolling Stones.  Follow Kenny on Social Media: https://www.instagram.com/kennywayneshepherd www.youtube.com/@KennyWShepherd https://www.kennywayneshepherd.net/ Follow Wayne on Social Media: https://www.instagram.com/instafederman https://www.waynefederman.com/ DistroKid Artist Of The Week: Kenny Wayne Shepherd & Bobby Rush https://www.youtube.com/watch?v=MeM1to8FsW4 Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we examine Trump's pathological relationship with Fox News and how his morning TV viewing sessions led directly to bombing Iran. We trace the disturbing line from Fox pundits praising Israeli strikes to Trump launching his own attacks—strikes that Rolling Stone reports were "based on vibes" rather than intelligence.We explore how a president who spent years tweeting that Obama would "play the Iran card" has now done exactly that himself, abandoning his "no foreign wars" promise the moment cable news suggested he needed to "get more involved." It's the story of how America's foreign policy became must-see TV, and how Republicans reprogram themselves to cheer whatever Dear Leader does next."The president was closely monitoring Fox News, which was airing wall-to-wall praise of Israel's military operation and featuring guests urging Mr. Trump to get more involved." —The New York [Effing] TimesWe close by discussing the 1976 BBC production "I, Claudius" and its plot's uncanny similarities to Washington, D.C. today.   Not safe for work. Recorded live from the Cornfield Resistance.Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall Juniper (Western Kabuki, Ill Conceived) and the lads grab their blue jerseys and throw coconuts down a hill as they cover the first season of MrBeast's nightmare of a game show: Beast Games. Topics include the horrific filming conditions, the so-called “games”, and what it means to watch the full-villain arc of one Jimmy Donaldson. Juniper: Twitch // Patreon // Bluesky Western Kabuki: Juniper and Caleb with their trusty producer Alex delve into internet topics du jour. Spotify // Apple Podcasts // Bluesky Ill Conceived: A podcast about natalism. Hosted by Josh Boerman (The Worst of All Possible Worlds, Traditional Scrench) and June Sternbach (Western Kabuki, The Onion) Spotify // Apple Podcasts Media Referenced in this Episode: Beast Games. Amazon. 2024. 2,000 People Fight For $5,000,000 by MrBeast. December 19th, 2024. Beast Games is the Average Mid Show on TV by Entertainment Media Strategy Guy. January 28th, 2025. 'Beast Games' Is the Biggest Competition Show Ever. Crew Claims Behind the Scenes Was Chaos by Steven Asarch. Rolling Stone. December 26th, 2024. From the BeastGames community on Reddit: Akira has won money in 5 previous Mr. Beast challenges going back 5+ years Las Vegas staff say MrBeast should be 'blacklisted,' cite OSHA, medics set for failure by Mingson Lau. KSNV News. September 28th, 2024. MrBeast's ‘Beast Games' Hits 50 Million Viewers in 25 Days, Amazon's Biggest Unscripted Show Ever by Selome Hailu. Variety. January 16th, 2025. "Player 991 - Jeremy AMA!" on Reddit State Of New York v Moneylion Complaint 2025 TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “1,000 People Play Go-Fish for $1,000,000" // Written by A.J. Ditty // feat. David Armstrong as “Mr. Beast/Mister Beast/Confused Contestant #1”, Eleanor Philips as “Karl/Confused Contestant #2", and A.J. Ditty as “The Man in the Trench Coat/Confused Contestant #3/Overworked Crew Member”

I wasn't sure what to expect going into this conversation with Chris Harrison—but I walked away with a deeper respect for a man who's been through a public firestorm and came out of it more grounded, more thoughtful, and more self-aware. For nearly two decades, Chris was the host of The Bachelor—a pop culture staple. But we didn't spend our time rehashing old seasons. Instead, we talked about the real stuff: identity, regret, resilience, and what it means to be publicly misunderstood. Chris opened up about the moment everything changed, how it impacted him personally and professionally, and how he handled the silence that followed. He talked about therapy, fatherhood, the power of taking ownership, and why losing his job may have been one of the best things that ever happened to him. And through it all, there was no bitterness—just clarity. Chris showed up with humility and honesty, and I think you'll hear that right away. This is a conversation about redemption, reinvention, and what happens when the spotlight turns off and you're left with who you really are. Chapters: 00:00 – Intro: First impressions and why this conversation matters 02:00 – Life after The Bachelor and learning to let go 06:00 – The 2021 controversy: what happened, and how he handled it privately 12:30 – The weight of silence: losing his voice in the public square 18:00 – Owning mistakes, navigating cancel culture, and why words matter 24:00 – Therapy, humility, and starting the inner work 30:00 – Rebuilding relationships and letting go of the need to be “right” 36:00 – Fatherhood and how his kids saw it all unfold 42:00 – What he lost—and what he found in the quiet 48:00 – Why he never rushed a comeback 53:00 – Launching The Most Dramatic Podcast Ever and finding his own voice 01:00:00 – The highs and lows of hosting The Bachelor 01:08:00 – Fame, pressure, and identity outside the spotlight 01:15:00 – Manhood, grace, and how his definition of success has changed 01:25:00 – Final reflections: peace, purpose, and what's next Check out LifeRX.MD  Code: STEELE About Sage:  Sage Steele is a longtime national TV broadcaster and current host of The Sage Steele Show on YouTube and all podcast platforms. From 2007 to 2023, she was a mainstay at ESPN, anchoring SportsCenter and leading coverage of major events like the Super Bowl, The Masters, NBA Finals, and the World Series. She also hosted NBA Countdown on ESPN and ABC from 2013–2017. Outside of sports, Sage has hosted national broadcasts including the Miss America Pageant, Scripps National Spelling Bee, the Rose Parade, and ABC's Volcano Live with Nik Wallenda. She's appeared on The View, Jimmy Kimmel Live, and has been featured in Rolling Stone, Variety, and The Wall Street Journal. A graduate of Indiana University, Sage began her journalism career in local news before rising to regional and national prominence. She now serves on the boards of the Boys & Girls Clubs of America and The V Foundation for Cancer Research. She's a proud mom of three and currently resides in Florida. Subscribe to the Channel for more Podcasts like this! Listen to the Show on all Podcast Apps "The Sage Steele Show" https://podcasts.apple.com/us/podcast/the-sage-steele-show/id1737682826 Follow Sage: https://www.sagesteele.com https://x.com/sagesteele https://www.instagram.com/sagesteele https://www.tiktok.com/@officialsagesteele https://rumble.com/c/SageSteeleProductions Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight's rundown: Hey BillOReilly.com Premium and Concierge Members, welcome to the No Spin News for Monday, June 23, 2025. Stand Up for Your Country.  Talking Points Memo: Bill explains what sparked the Iran strikes and breaks down how the events unfolded. As expected, the left is blaming Trump. Bill looks at what Sen. Jeff Merkley said about the Iran strike. The government of Pakistan announced it would nominate President Trump for the 2026 Nobel Peace Prize. Bernie Goldberg, founder of BernardGoldberg.com, joins the No Spin News to discuss why he supports President Trump's decision to act on Iran and the Republican Party's shift toward isolationism. This Day in History: President Barack Obama fired General Stanley Allen McChrystal after his controversial comments appeared in a Rolling Stone article. Final Thought: Where Bill was when the news broke about the bombing. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it truly take to build a thriving career in Hollywood? Emmy award-winning actress and producer Karina Michel pulls back the curtain on the entertainment industry in this captivating conversation about resilience, authenticity, and creative evolution.Karina's remarkable journey began far from the bright lights of Hollywood—in a small town in England where, at just three years old, she declared to her parents she wanted to be an actress. Through twists of fate, including being discovered by a photographer at an Ohio mall, she built a career spanning over 100 projects, including appearances in Dexter, Entourage, CSI: New York, and Transformers 2.What makes Karina's story particularly compelling is her ability to evolve with changing circumstances. When a writers' strike halted her acting work, she pivoted to producing at a time when female producers were rare. This transition coincided with motherhood, allowing her the flexibility to remain in entertainment while being present for her children. Beyond acting and producing, she has expanded her creative portfolio as a writer for Rolling Stone and Authority Magazine, as well as the host of her podcast, "Coffee with Karina: Entertainment Unfiltered."Throughout our conversation, Karina shares invaluable wisdom for aspiring entertainment professionals. She emphasizes the critical importance of networking, the need to begin local and build experience, and the power of embracing imperfection rather than waiting for ideal conditions. Her definition of boldness—"not giving in to fear in any way"—serves as both her philosophy and her message to listeners hesitant to pursue their creative dreams.Discover why authenticity remains the cornerstone of creative success and how facing your fears might open doors to worlds you never imagined possible. Whether you're pursuing a career in entertainment or seeking inspiration to take a bold step in any field, Karina's insights offer both practical guidance and motivational fuel to move forward with courage.Resources:Podcast Coffee with KarinaKarina on LinkedInSupport the show When you subscribe to the podcast, you are supporting our work's mission, allowing us to continue highlighting successful women in a variety of careers to inspire others helping pay our wonderful editor, Chris, and helping me in paying our hosting expenses.

Independent investigative journalism, broadcasting, trouble-making and muckraking with Brad Friedman of BradBlog.com

Gimme fuel, gimme fire, gimme the best podcast about the Velvet Underground and the 242nd greatest album of all time, Loaded.   Before we get to the album, this episode dishes up 11 splendid servings of good vibrations when we discuss our favorite Beach Boys songs and Marky Mark. Then we sit in on a beach wedding, relive some casino excitement, and share some iPhone hacks. We also pucker up some thoughts on kissing booths.   Then, at (1:00:00), we cool it down to talk about the Velvet Underground's fourth studio album, Loaded. We discuss Lou Reed's appeal, the inspiration for the band's hit songs, and the best songs about cowboys.    Next week's episode is sure to bring some changes as we become the best Zombies podcast and cover the 1968 psychedelic pop album "Odessey and Oracle."            Keywords:  Dirk Nowitzki, German penises, gym, surprise date, comedy store, wife, comedy show, basketball, Rolling Stone magazine, Velvet Underground, Loaded, Lou Reed, album review, music podcast, NBA, K-Rob, self-improvement, Ice Cream, Boston Baked Beans, gambling, blackjack, Vegas, casino, Mystic Lake, pull tabs, country music, cowboy songs, Tim McGraw, Waylon Jennings, Toby Keith, Beach Boys, Kokomo, Rolling Stones, Velvet Underground, Sweet Jane, Rock and Roll, album rankings, music podcast, music reviews, vinyl, record store, Velvet Underground album, Lou Reed's voice, Rolling Stone reviews, music playlist, Boston Baked Beans, country music hits, surf music, album rankings, Velvet Underground hits.

Producer/bassist Jim Reilley will most likely be remembered as a founding member (along with musical partner Reese Campbell) of seminal folk rock band The New Dylans. Founded in 1986,the band barnstormed the US throughout the 90's and won critical praise from Rolling Stone (who called their songs “offbeat classics”) and virtually every other major music publication and major newspaper. The Village Voice placed the band in the top 5 Ep's of 1986 in their prestigious Pazz and Jop Poll. The band won the hearts and minds of many fans in the then burgeoning AAA American radio format and had several feature spots on important tastemaking radio shows including NPR's All Things Considered, Idiot's Delight with Vin Scelsa, Partridge Family Imp Danny Bonaduce's WLUP show, Mountain Stage, WXPN's World Café and Acoustic Café. Michael Stipe of R.E.M. proclaimed The New Dylans his favorite band of 1986 and Natalie Merchant (of 10,000 Maniacs) would often jump onstage and sing with the band.After 10 years of solid touring often over 175 dates a year sharing stages with many luminaries including (R&R Hall Of Famers) The Band, Reilley moved to Nashville to sign a writing and production deal with Curb Records. As a songwriter, Reilley had over 60 songs recorded by such artists as Hal Ketchum, Sam Bush, Vince Gill, Lauren Daigle, Hillary Scott, Claudia Church, Leann Rimes, Cowboy Crush, Jana Kramer, Jack Ingram, Lila McCann, Carly Pearce, John Cowsill, Vicki Peterson (The Bangles), Tim O'Brien and had a European hit with Danish Rock legend Peter Belli. In his career, Reilley has produced or made music with Sheryl Crow, Pam Tillis, Lee Brice, Levon Helm, Ethan Hawke, John Osborne, Brothers Osborne, The Fleshtones, Pure Prairie League, Leann Rimes, Rodney Crowell, Shawn Colvin, Rodney Atkins, Cowboy Jack Clement, Lucinda Williams, Ryan Adams & The Cardinals, Uncle Tupelo, Kathleen Edwards, Mary Gauthier, Superdrag, Gillian Welch, Prince's  New Power Generation, Linda Hargrove, Harlan Howard, Jim Lauderdale, Hillary Scott, Jenna Von Oy, Tommy Womack, Carly Pearce, Jana Kramer, Linda Davis, Vince Gill, Cheetah Chrome of The Dead Boys, Vicki Peterson (The Bangles), The Mavericks, Jack Ingram, Tiffany, NRBQ, Patty Larkin, Dave Van Ronk, Leah Andreone, Diamond Rio, Hank Williams Jr, Jett Williams, Shel Silverstein, Townes Van Zandt, Richie Havens, Al Perkins, The Story, Kasey Chambers, Del McCoury Band, Minton Sparks, Joy Lynn White, Sam Bush, David Mead, Daniel Tashian, members of The Jayhawks, Wilco, Genesis, Cheap Trick, Buckcherry, The Milk Carton Kids, Lake Street Dive, Blondie, John Mellencamp, Foo Fighters, Tom Petty & The Heartbreakers, The Doobie Brothers, Counting Crows, The Wallflowers, Joe Perry Band, The Black Crowes, Old Crow Medicine Show, The Bangles, Ben Folds, Alabama Shakes, Jack White band, Ten Years After, The Black Keys, The Band, The Beach Boys, 10,000 Maniacs, R.E.M. and more.www.producerjimreilley.com"Still on the Run" - https://www.fbrmusic.com/Host - Trey MitchellIG - treymitchellphotography IG - feeding_the_senses_unsensoredFB - facebook.com/profile.php?id=100074368084848Threads - www.threads.net/@treymitchellphotographySponsorship Information/Guest Suggestions  -  ftsunashville@gmail.com

I was so honored to sit down with Dr. Laurie Santos for today's episode — not just because she's a Yale psychology professor and the host of one of my favorite podcasts (The Happiness Lab), but because I genuinely credit her course, The Science of Well-Being, with helping me shift my mindset in the thick of the pandemic. Back in 2020, I took her free online course through Yale University, and now, she's created a version of that course specifically for parents, which made our conversation feel especially timely.As a mom of two young kids trying to balance full-time work and all the emotional noise of modern parenting, I showed up to this interview with a lot of questions. We talked about why so many of us feel like we're drowning in decision fatigue, how to step away from the pressure of being a “perfect” parent, and what the science actually says about raising happy, healthy kids.Dr. Santos shared so many practical tools, like how to use your signature strengths in parenting, how to embrace unstructured play and independence, and why doing LESS might be the key to everyone in your family feeling better. We also talked about how to “parent yourself” with more compassion, how to show up better for your partner, and what we can learn from other cultures that seem to be doing this whole parenting thing with a bit more ease.Whether you're in the thick of toddlerhood or not a parent at all, this one's for everyone who feels like they're trying to do it all and are finally ready to let go.Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Executive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Black Room 143 Steve Gorman & Nikki Blakk talk about Zack Starkey and his firing/re-hiring/re-firing from The Who, whether or not he really was considered for the Oasis reunion tour & what his Dad Ringo Starr thinks of The Who. Then we pivot to the Rolling Stones, who are working on a new album right now and have a bright future into their 80s!See omnystudio.com/listener for privacy information.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Your two men on the internet telling you useless information supposed to fire your imagination are back with their 60th anniversary deep-dive into this deathless rock anthem. After a heated Beatles vs Stones debate, the TMI guys explain how the classic riff came to Keith Richards in a dream — and run down a list of other great art that came to people while they slept. They’ll explain the song’s unexpected connection to unexplained Scientology deaths, and the role it played in inadvertently breaking up the Beatles. You’ll also learn how the success of “Satisfaction” lead to a schism within the Stones themselves, which ultimately lead to the death of their founder and long-time leader, Brian Jones. Heigl delivers a stunning history of guitar distortion while Jordan explains how the Beatles delighted in trolling their friendly rivals. It’s a story of ego, electricity, obsession, and the song that turned the Rolling Stones into the most dangerous band in the world. For those interested in learning more about The Rolling Stones, here’s the podcast Jordan worked on about the sessions for ‘Exile on Main Street’ and their groundbreaking American tour in the summer of 1972: https://podcasts.apple.com/us/podcast/stones-touring-party/id1698938627 Support your friendly neighborhood TMI Guys here! https://ko-fi.com/toomuchinformationpodcastSee omnystudio.com/listener for privacy information.

Jim and Jimmy reflect on some of the iconic music from the summer of 1980, exploring how these cultural touchstones shaped friendships and created lasting memories during a transformative time.• The summer of 1980 wasn't just hot—it was transformative. As we celebrate the 45th anniversary of The Blues Brothers film, we dive deep into why this musical comedy masterpiece continues to captivate audiences decades later. From the extraordinary lineup of musical legends (James Brown, Aretha Franklin, Ray Charles, and Cab Calloway) to the spectacular car chases through Chicago's streets, this film represents a perfect convergence of comedy, music, and cultural history.• Paul McCartney's "Coming Up" hitting #1 on Billboard Hot 100 in June 1980, sparking new friendships through shared musical experiences• The Clash's "London Calling" making an impact on American radio with its apocalyptic sound and provocative lyrics• Rolling Stones' "Emotional Rescue" album release combining rock with disco influences• REM's "Fables of the Reconstruction" and Talking Heads' "Little Creatures" marking significant 1985 album releases• Listener feedback on past episodes discussing favorite cover songs and musical memories• And yes—Jimmy finally watched The Goonies! His verdict? "A great movie with fantastic acting from those kids." Sometimes peer pressure works for good!Music in My Shoes" where music and memories intertwine.Learn Something New orRemember Something OldPlease like and follow the Music in my Shoes Facebook and Instagram pages and share the podcast with friends on your social media. Contact us at musicinmyshoes@gmail.com.Send us a one-way message. We can't answer you back directly, but it could be part of a future Music In My Shoes Mailbag!!!

Mike Sager is an American author, journalist, and educator.A former Washington Post staff writer, Rolling Stone contributing editor, and writer at large for GQ, Sager has been a contributing writer for Esquire for more than three decades. In 2010 he received the American Society of Magazine Editors' National Magazine award for profile writing for his story "The Man Who Never Was," which appeared in Esquire. He is the author of more than a dozen books, and has served as an editor on several journalism text books. Sager has read and lectured at American schools of journalism. In 2012 he founded The Sager Group LLC, a content brand with a variety of functions ranging from publishing to film making, to general marketing.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Rockstars, in this episode, I'm hanging with four-time Grammy-winning producer, engineer, and mixer Chris Shaw for a deep dive into the craft of recording and mixing. We talk about his journey in the industry, his unique mixing setup, and the balance between analog and digital workflows. Chris shares insights on managing plugins, keeping a solid recording system, and the nuances of working with tape—covering everything from compression and dynamic range to how MIDI triggers fit into a mix. We also dig into the challenges of mixing live recordings, working on Bob Dylan's archival material, and the evolution of recording technology. Chris breaks down workflow efficiency, the importance of pre-production, and how tools like iZotope RX help clean up tracks. Plus, we touch on the role of machine learning in music production and the art of capturing a performance's true feel in the final mix. Chris shares stories from working with legends like Ice Cube and Public Enemy, techniques for dialing in signature guitar tones, and how looping has changed over the years. Whether you're in a pro studio or working from home, this episode is packed with tips and insights to level up your mixes! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Chris Shaw, a four-time Grammy-winning producer, engineer, mixer, and musician. Starting at Greene Street Recording, he quickly rose from an NYU intern to staff engineer, working with hip-hop legends like Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991, he played bass with LL Cool J on MTV Unplugged. Going independent, he's since worked with artists like Weezer, Wilco, Bob Dylan, Jeff Buckley, Sheryl Crow, Death Cab for Cutie, and more. His work appears on six of Rolling Stone's "500 Greatest Albums of All Time." Originally from New York, Chris relocated to Austin in 2014. Chris Shaw has been a guest on the podcast in RSR246 episode. THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.phantomfocus.com/category-s/149.htm https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/1ngTJOUT3IqRLJVm3FWKKQ?si=f6cb25639e3b4199 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/511

RC2C host Neil Scott caught up with Steve Berger at the recent NAATP National Leadership Conference in Seattle. Steve just celebrated 37 years of recovery, including carrying the message of hope and the promise of recovery to men and women in Russia! He is truly an inspiration. This edition of RC2C also includes some reflections on 'hope' from Rolling Stone's guitarist Ronnie Wood! And, as promised, here is the link to the interview with Neil Scott by the 'Addiction and Recovery eBulletin' https://addictionrecoveryebulletin.org/neil-scott-person-of-the-week/

This week on Revinyl, Shawn and Craig return with more music-fueled fun, critical rankings, and a countdown decades in the making.

Rolling Stone's Rob Sheffield returns to Pop Pantheon for the second and final part in our Elton John series. Rob and Louie pick up on Elton's career after his initial run of hits in the 1970s at the tail end of his imperial phase. They then discuss his prolific career from 1975's autobiographical Captain Fantastic to his poorly received disco record in 79, Victim of Love, and his comeback via 1983's Too Low for Zero. Next, they tackle later era Elton, from his Disney hits to his work on Broadway, 1997's re-recording of "Candle in the Wind" and his collabs with pop ingénues like Dua Lipa. Finally, they rank Elton John in The Official Pop Pantheon.Listen to Pop Pantheon's Elton John Essentials PlaylistBUY TICKETS TO MAIN POP GIRLS: POP GIRL SUMMER ON 7/25 AT THE MEADOWS!Gorgeous Gorgeous LA Pride on June 20 at Los GlobosGorgeous Gorgeous NYC Pride on June 27 at Sultan RoomJoin Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on Twitter

Everyday we talk a step back from our busy work day to spend lunch hanging out with friends and talking about the world of Sports, Entertainment and specifically the World of CrossFit.  Today we throw it back to my favorite moment from the 2024 CrossFit Games Season with a little Countdown.  We will look at how bad Journalism has become.  I can't believe people have forgotten what an American Gladiator is? and can CrossFit get the timing right on anything?

En este episodio muy especial de Songmess damos por concluida nuestra serie chilena, cerrando en grande junto a la estrella de reggaeton, Polimá Westcoast! Reconocido por su éxito global, “Ultra Solo,” el cantante y rapero llega a Songmess a repasar su vida y carrera desde su crianza en el Barrio Independencia de Santiago, a su gradual reconección con su familia y raíces africanas. Estamos conversando sobre el apogeo de la música urbana chilena, colaboraciones con Pablo Chill-E y J Balvin, detalles de su nuevo disco +Quality, y su sueño de cantar en Africa. Ha sido un honor retratar la música chilena en esto últimos 50+ episodios, y agradecemos el tiempo y apertura a todos los artistas, gestores y colegas que compartieron con nosotros. Este verano le vamos a variar al formato de Songmess con invitados de diferentes territorios, y en unos meses retomamos nuestra serie sudamericana en Uruguay! Estén atentos que queda mucha música por delante. Playlist Polimá Westcoast - “Forever” Polimá Westcoast - “GenZ” Polimá Westcoast - “BrokeBoi” Polimá Westcoast, Gialuca, Young Cister - “Esto No Es Una Canción de Amor” Polimá Westcoast, Pailita - “Ultra Solo” Polimá Westcoast, Pablo Chill-E - “My Blood” Polimá Westcoast, J Balvin - “Kawaii” Polimá Westcoast - “No Te Enamores” Polimá Westcoast - “Lil Uzi Vert” Polimá Westcoast Spotify: https://open.spotify.com/artist/768O5GliF0bqscyghggrbE?si=TWUOpUQxQRyOKBgdYwJZhg Polimá Westcoast SoundCloud: https://soundcloud.com/polimawestcoast Polimá Westcoast YouTube: https://www.youtube.com/@polima_westcoast Polimá Westcoast Instagram: https://www.instagram.com/richboywest/ Polimá Westcoast x Rolling Stone: https://www.rollingstone.com/music/music-latin/polima-westcoast-quality-interview-1235340968/ Richard Villegas Instagram: www.instagram.com/rixinyc/?hl=en Songmess Instagram: www.instagram.com/songmess/?hl=es-la Songmess Facebook: www.facebook.com/songmess/?ref=settings Songmess Twitter / X: twitter.com/songmess Songmess Merch: via DM #BOPS Playlist: https://open.spotify.com/playlist/2sdavi01h3AA5531D4fhGB?si=e7d2196f50f24a82 Subscribe to Songmess on Spotify, Apple Podcasts, Stitcher, Google Play or SoundCloud, find us on Facebook, Twitter and Instagram, and contact us at songmessmusic@gmail.com.

On #241, Zeddy, Nikko and Nick Caruso Jr celebrates 20 years of Batman Begins, the DCU has found its Clayface, the final marketing push for "Superman", James Gunn's article at Rolling Stone and we continue our Summer of Superman by revisiting the season four finale of "Superman & Lois". Rate, Review, & Subscribe ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Us:V39: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/Vigilante1939⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick Jr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/NCarusoJr⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nikko: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/NikkoCaruso⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zeddy: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://x.com/NickZednik⁠⁠

Join Rev. Dr. Danie Buhuro for The Power of a Rolling Stone — a powerful sermon on John 11:32-44, resurrection, liberation, and queer hope that rolls away what holds us back. Rev. Lightsey will talk about true liberation, resurrection, and the queer power to roll away what tries to bury us. #QueerlyBeloved #QueerTheology #UrbanVillageChurch #PridePreaching #FaithfullyQueer #ComeOutComeOut #PrideMonth #QueerFaith #RollingStonesAndResurrection #FaithInAction

On today's issue of the podcast the guys get their final Comicpalooza preparations in, Michael gives a non-spoiler review of 28 Years Later, and the duo go through James Gunn's interview with Rolling Stone as he gives some new updates on DC Studios/DCU at large. Comicast is podcasting live this Saturday from Comicpalooza! Join Jong and Michael at the George R. Brown Convention Center Saturday at 3p as the podcast live from the podcast pavilion stage. Jong and Michael along with Brad Gilmore and Chalice Williams will be ranking the MCU Multiverse Film Saga. The way it works is similar to a draft process where each person takes turns selected a film for a particular slot on the list. Once a film is selected it's locked at that spot. What could go wrong? To get the latest news regarding Comicpalooza, follow Comicpalooza's social media channels. X : https://www.x.com/ComicpaloozaInstagram: https://www.instagram.com/HoustonComicpalooza- Facebook: https://www.Facebook.com/HoustonComicpalooza- Threads: https://www.threads.net/houstoncomicpalooza - BlueSky: https://bsky.app/profile/comicpalooza.bsky.social- YouTube: https://www.youtube.com/Comicpalooza For passes, event info, and more visit comicpalooza.com.Follow Jong and Michael on social media.  Bluesky: @one-punch.bsky.social & @producermike975.bsky.socialThreads: @onepunch______ & @producermike975Instagram: @onepunch______ & @producermike975Rate, review, like, and/or subscribe to Comicast on Apple Podcasts, Spotify, Castbox, Goodpods, Podcast Addicts, or wherever you get your podcasts!  Feedback, questions, or topic ideas for the show? Email us at comicastpod@gmail.com 

On the 203rd edition of Batman-On-Film.com's THE SOCIAL HOUR podcast, BOF's Founder/EIC Bill "Jett" Ramey is joined by Senior BOF Contributor Ryan Lower as they react to and discuss James Gunn's recent ROLLING STONE interview.  They also talk about the casting of Clayface in, well, CLAYFACE and more!

Travis is back with an impromptu TTY to breakdown the multiple news tidbits out of James Gunn's Rolling Stones interview & more.-Pattinson In The DCU Not Likely...But Never Say Never Says James Gunn -Why Is Matt Reeves Producing Clayface?-Superman's Newest Tracking Lower Than Expected-Is Marvel Burying Ironheart With New Release Schedule?-Life Of Chuck ReviewEnjoy Ad-Free, Early, & Exclusive Episodes! https://www.patreon.com/GeekVerse Support Our Patreon To Help Us Grow The Podcast and Create New Content Guest On Shows, Pick Films For Us To Review, Send Topics & More! GeekVerse.ca is where you can find all the info on the show and where you can find it! Come Chat With The Hosts, Join Our Discord! https://discord.gg/GMBM3yucBecome a supporter of this podcast: https://www.spreaker.com/podcast/geekverse-podcast--4201268/support.

Will Haley mention your favorite album when she tells us about her journey through Rolling Stone's Top 500 Albums? Listen and find out.This is Round 276!Please support us on the Beer Thursday Patreon page! Your support enables us to continue providing you with entertaining and thought-provoking content.At the $10 level, the next 18 Great Human Beings will gain access to the Beer Thursday Facebook group.We'd love to hear about your favorite albums! Share your thoughts and see Jay's brilliant beertography on Instagram @beerthursdayshow! Your feedback is always appreciated and helps us improve. Your comment might inspire a future episode!Never miss a round [aka, an episode]! Please help us reach more listeners by subscribing and leaving a 5-star review on your favorite podcasting app. Your feedback helps us improve and boosts our visibility and credibility in the podcasting world! A 5-star review can help other fans of fun discover our podcast.Here's what our house elf, Artie (not Archie), says about this round: Breaking Down Rolling Stone's Top 500 Albums - One Beer at a TimeJoin the Beer Thursday crew for an epic musical journey as a guest, and Taylor Swift aficionado Haley recounts her incredible feat of listening to the entire Rolling Stone Magazine's Top 500 Albums list. From legendary blues and soul artists of the '60s and '70s to modern-day icons like Kendrick Lamar and Billie Eilish, Haley shares her favorites, surprises, and yes-or-no recommendations. Discover why she's named her cat Otis and which albums made her cry. Plus, delve into the joys of music collection and the golden rule for buying vinyl. Whether you're a music lover looking for new tunes or a curious listener, this harmonious episode is sure to hit all the right notes.

In this episode, we recap this week in pop culture news, including the rumors surrounding the future of Katy Perry and Orlando Bloom's relationship, Will Smith's recent career moves, and the buzz around Sabrina Carpenter's Rolling Stone cover. Plus, Knox and Erin react to Jamie's Materialists spoiler. Relevant links: Our full show notes are at knoxandjamie.com/612Listen to our latest Pilot Program on Felicity and so much more! Check out Patreon with a 7-day trial at knoxandjamie.com/patreon. Katy Perry & Orlando Bloom: space trip, “concert tour”, split rumors | Deep Cover | KP Superbowl Performance | MSC Cruises Will Smith: Pretty Girls (see also: new album) & Passing on Inception | IMDb Sabrina Carpenter Rolling Stone Cover: Interview | New Album coverRed Light minefield: Materialists - spoiler alert: approx 52:16 | Traitors S4 Cast ListGreen lights:Jamie: tv - #1 Happy Family USA | book - Ring Shout by P. Djèlí ClarkKnox: book - Heartwood by Amity Gaige Hosted on Acast. See acast.com/privacy for more information.

GET YOUR MULTIVERSE NEWS MERCH HERE:https://multiverse-news-shop.fourthwall.com/In a peek behind the curtain, James Gunn shared with Rolling Stone this week that the Milly Alcock-lead film Supergirl: Woman of Tomorrow will now just be called Supergirl. This is similar to July's Superman, which started out with the title Superman: Legacy. Gunn shared that he and his team do what he calls “premortems,” where they attempt to suss out issues with projects prior to release rather than reacting on the back end. The shortening of titles has come out of those discussions. In the same article, Gunn got candid about the state of Batman in the DCU and the complexities of navigating the character with Matt Reeves' adaptation in consideration or making it his own. Lastly, Gunn announced today that actor Tom Rhys Harries will play Basil Karlo/Clayface in the film set to be released in September 2026.Live action remakes continue to rule at the box office, with this weekend's How to Train Your Dragon capturing the top spot opening to a global $197 million. A24's romantic comedy Materialists starring Dakota Johnson, Chris Evans, and Pedro Pascal, opened to a modest $11 million domestically, but goes down in studio history as A24's third highest debut at the box office. Next weekend Sony gives us 28 Years Later and Pixar releases Elio.Nosferatu director Robert Eggers is tackling the classic Charles Dickens story, A Christmas Carol. Eggers is on record as never wanting to make a film set in a modern age, and the ghost story that is A Christmas Carol seems right up his alley. Though unconfirmed, Willem Dafoe is likely set to play the main character of Ebenezer Scrooge as Dafoe has been in three of Eggers films.Tommy Wirkola will return to direct Violent Night 2, the sequel to the Christmas-themed action movie released in 2022, sources tell The Hollywood Reporter. David Harbour, who starred in the first film, will also return. The sequel is currently dated for December 4, 2026.Bill Pullman and Rick Moranis are set to reprise their respective roles as Lone Starr and Dark Helmet in the new Spaceballs movie from Amazon MGM Studios, with Keke Palmer and Lewis Pullman also joining the cast. The original film's director and star, Mel Brooks - who will turn 99 this month - will also feature in the cast once again, reprising his role as Yogurt. The film is currently set to release in 2027.On the animation side of DC Studios, Warner Bros. announced a new series called Mister Miracle, based on the comic series written by renowned writer Tom King who will also be the showrunner. Mister Miracle is an escape artist character who is a celebrity in the comic book world he lives in.Paramount+ has renewed Star Trek: Strange New Worlds the series for a fifth and final six-episode season. Production on the upcoming season will begin later this year.Pixar Animation Studios offered an exclusive first look at its upcoming features — including Hoppers and Toy Story 5 — and announced a brand-new original production, Gatto, during a studio presentation on Friday at the Annecy international animation film festival as part of a broader showcase that also included extensive footage from Pixar's 2025 release Elio.Gatto will be directed by Luca filmmaker Enrico Casarosa, follows Nero, a water-hating black cat living in the picturesque city of Venice, Italy, who befriends Maya, a lonely street musician.Glenn Close and Billy Porter have joined the cast of Hunger Games: Sunrise on the Reaping. Close will play Drusilla Sickle, the cruel escort to the District 12 Tributes, while Porter snagged the role of Magno Stift, her estranged husband and the Tributes' uninspired designer. Today, Jhaleil Swaby was also added to the cast as Panache, a career tribute from District 1.

Call Her Daddy Alex Cooper's abuse claims questioned, WATP Karl with Stuttering John & Woke Dad cringe, Trump warns Iran, R. Kelly's prison overdose, The Beach Boys abused Jan & Dean, and lesbians assaulted by a fart. Meghan Markle appeared on another podcast and remains annoying and elitist. A lesbian vs a fart… who ya got? A hangry 69-year-old was gunned down at In-N-Out Burger. Donald Trump issues a warning to Iran. He totally bailed on the G7 summit. New York Mayoral candidate Brad Lander vs I.C.E. This is great news for his candidacy. My Pillow Mike Lindell loses in court and owes $2.3M. The NAACP hates Donald Trump. The Sunset Strip is a dud now. R. Kelly overdosed on his own meds in prison. He claims people are trying to kill him. The jury in the Diddy trial had a movie day. Their choice of film: Freak Off Videos. Karen Read trial will thankfully conclude soon. Conor McGregor is beating on people in night clubs. Antonio Brown is in hiding, but Tweeting his ass off. OKC takes the lead in the NBA Finals over the Indiana Pacers. Shaq settles his FTX case, Tom Brady and others are fighting it. Karl Hamburger of WATP drops by to promote the upcoming live show at The Magic Bag, Stuttering John back in the spotlight, rip apart Alex Cooper's latest endeavor with Hulu, slam Paris Hilton in the process, push more Woke Dad at us and more. US Homeland Security Secretary Kristi Noem rushed to the hospital. Arnold Schwarzenegger didn't give Joy Behar the answer she wanted. Matthew Perry's doctor is screwed. Barbara Streisand can't remember nailing Warren Beatty. Just so you know, the little girl from Modern Family is bisexual. 3 nepo-babies releasing a song soon. Dhani Harrison gets snubbed. The Rolling Stones are looking to make another album. Jack White dropped a new video. Valerie Bertinelli won't go away. Jimmy Swaggart is going to die soon. The Beach Boys once hosted Jan & Dean to monstrous results. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

This week, stand-up Atsuko Okatsuka joins Scott to discuss becoming the new permanent co-host of Comedy Bang! Bang!, the dangers of getting hit on the head with a coconut, and her latest stand-up special “Father”. Then, ex-writer and editor for “Rolling Stone” magazine, David Fricke, joins to discuss his five favorite songs. Finally, former spokesperson for "Maynards", Ray Szmanda, drops in to update us on all the big savings we can't miss! Get access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using this show link: https://siriusxm.com/cbb

Today's Mystery: The Falcon goes to Sicily to apprehend a Communist leader who was guilty of war crimes during World War II.Original Radio Broadcast Date: August 10, 1952Originating from New YorkStarring: Les Damon as The Falcon; June AllisonSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: Randy, Patreon supporter since December 2023Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Sabrina Carpenter's weird fingers, Air India plane crash, Trump + Elon: BFF, Diddy trial update, Maz eulogizes Sly Stone & Brian Wilson, Becoming Led Zeppelin, and Jim's Picks: Multiple Lead Vocals.  Donald Trump received cheers and jeers at The Kennedy Center. The looting and protesting continues in LA. We get caught up on the tragic Air India plane crash. Donald Trump makes it sound like he and Elon Musk kissed and made up on his Pod Force One appearance. California had a bad day. Clear Air Act was overturned. EV Mandate is overturned. A bunch of cars were probably overturned too. Thursday's Diddy Trial. Who is the iconic rapper and their wife that was at a freak off? Aaron Rodgers is married. Who knew? Harry and Meghan THINK they're going back to the Royal Life. And Meghan is allegedly going to start opening restaurants and hotels as her new grift. Titan: The OceanGate Submersible Disaster documentary dropped on Netflix. Our big takeaway: Stockton Rush was a major a-hole. A new Bonerline full of complaints. Maz picks up on the first ring! For the record, he is not currently on Ozempic. What do the Detroit Tigers do at the trade deadline? Maz goes deep into the LA Riots. Some people are saying Jamo is about to get an extension. Maz eulogizes Sly Stone & Brian Wilson. Maz gets his rib and elbows ready for bowling with Gibby tomorrow. Britney Spears gave Jayden a $200,000 Mercedes. Brooklyn Beckham now has a hot sauce out. It's going to bomb. He's also posting topless pics of himself now. Butch Patrick is getting pummeled online for taking a picture with Sarah Huckabee Sanders. Sabrina Carpenter is nude on the cover of Rolling Stone. If you think she's hot, don't look at her fingers. It may ruin it for you. Jim's Picks: Top 10 Songs with More Than One Lead Vocalist. Becoming Led Zeppelin is a bad ass documentary. Drew went down a 4 Non Blondes rabbit hole and found a very interesting fan. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Blake Lively to Subpoena Scooter Braun in Latest Legal Move After Justin Baldoni's Lawsuit Dismissal (PEOPLE) (34:07)Bethenny Frankel blasts ‘miserable, washed-up' Joy Behar for swipe about her ‘fake boobs' (Page Six) (47:03)Dakota Johnson 'Freaked Out' When Sandra Bullock Texted Her About Winning a Razzie for Worst Actress (PEOPLE) (1:06:14)Sabrina Carpenter surprises fans with release date and cover art for new album (Page Six) Sabrina Carpenter on the cover of Rolling Stone (1:14:50)The Toast with Jackie (@JackieOshry) and Taylor Strecker (@taylorstrecker)Lean InThe Camper and The Counselor by Jackie OshryMerchThe Toast PatreonGirl With No Job by Claudia OshrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.