2017 mixtape by GoldLink
POPULARITY
4 episodes with At What Cost
2 episodes with At What Cost
2 episodes with At What Cost
4 episodes with At What Cost
6 episodes with At What Cost
2 episodes with At What Cost
2 episodes with At What Cost
2 episodes with At What Cost
Return to Office? Honey, At What Cost?!In this episode, we're breaking down the real price of trading sweatpants for slacks. From $18 salads to skyrocketing childcare and grooming costs, heading back to the office could be draining your bank account by nearly $3,000 a month. But wait—there's more! We're spilling the tea on who really benefits from RTO (spoiler: it's not you). From big biz to real estate moguls, we unpack the money trail behind the push to fill those cubicles. If you've ever asked yourself, “Is this desk job worth the dry cleaning bill?”—this one's for you.Takeaways: The RTO economy is giving Real Housewives drama—everyone's got a stake, from your boss to the billionaire behind the office leaseBetween gas, grub, grooming, and a sitter, going back to the office can cost more than Tay-tay floor seatsYour neighborhood café and dry cleaner miss your weekday meltdown lattes—local businesses are as thirsty for your return as you are for the hot barista behind the counterKnow the hidden costs so you don't end up broke and bitter—negotiate benefits like you're Olivia Pope in PradaOffice buildings are the clingy exes of the economy—they need you back to feel whole againPerks like transit stipends and childcare credits may be buried in your HR handbook like an Easter egg—go on a treasure hunt, babyShow Topics:00:06 – Sweatpants to Pay Pants: The Cost of Comfort00:16 – Who's Really Profiting from Your Office Comeback?06:11 – Desk Jobs & Dollar Signs: The RTO Ripple Effect09:39 – Latte Gaps & Local Crashes: Pandemic Fallout IRL12:04 – Office Life on a Budget: Slay, Don't Pay13:32 – HR Secrets: Unlocking the Perks You Deserve
"On paper things looked great … [but] I was a mess. And after 18 months, I sort of fell apart pretty catastrophically." Georgie Dent is the CEO of The Parenthood, a not-for-profit that advocates to make Australia the best place in the world to raise a child. She's also a writer, journalist and, in her words, "reformed lawyer". Her company recently partnered with FW to produce the podcast series At What Cost, a three-episode deep dive into Australia’s childcare crisis. In this episode, Georgie opens about the breakdown she had early in her career, public advocacy and why, as CEO, she only works a four day week. Join the movement to fast-track your professional development. Become an FW Diamond member today. Keep up with @futurewomen on Instagram, Facebook, LinkedIn and Threads See omnystudio.com/listener for privacy information.
Bishop Eric Lambert Jr., heard on WFIL weekdays 330pm-4pm on the "Climbing Higher" radio program, spends the hour in-studio today! Climbing Higher is WFIL's Ministry of the Month for March. Each listener is welcome to a free download of Bishop Lambert's message "Living By The Spirit" (just click the Ministry of the Month banner at wfil.com). That qualifies you to win the daily prize of Bishop Lambert's book At What Cost? and enters you to win the grand prize featuring several items including Bishop Lambert's book The Power of Prayer which we spend a decent amount of time discussing. Bishop Lambert is the founding pastor of Bethel Deliverance International Church of Wyncote (www.betheldeliverance.org). He is President and Presiding Bishop of the Bethel Deliverance International Fellowship of Churches, designed to promote growth, unity, education and spiritual connection among the member churches. Alas, Bishop Lambert is a Boston Celtics fan (hence the Jayson Tatum sports clip), but in the spirit of unity and love, we welcomed Bishop Lambert in-studio anyway :) Sports clips: Nick Nurse, Head Coach, Philadelphia 76ers (NBA content site)Jayson Tatum, Forward, Boston Celtics (NBA content site)See omnystudio.com/listener for privacy information.
Hey Anon listeners! We wanted to share another podcast we think you'll love about Australia's childcare crisis. It's called At What Cost? In the blur of early parenthood, many parents don’t stop to think about how the roles they adopt at home – as the primary caregiver, or as the breadwinner – impact their careers and finances in the long-term. But they do. And when families can’t access affordable childcare, it’s generally women whose job security takes a hit. This fuels gender inequality on a national scale… contributing to the gender pay gap and the super gap. It also leaves real mums like Emma, whose story we hear in this episode, grappling with housing insecurity and an uncertain future. Join our host Georgie Dent in our third and final full-length episode as we unpack the costs of the childcare crisis to gender equality and the economy Plus: experts share five key solutions that could help make childcare truly accessible and affordable for all – which would be transformative for our country, and especially women. At What Cost is an FW podcast in partnership with The Parenthood, a not-for-profit with a mission to make Australia the best place in the world to be a parent and raise a child. Join 80,000 other parents and carers today Become an FW member to join the movement and fast-track your professional development Keep up with @futurewomen on Instagram, Facebook, LinkedIn and Threads See omnystudio.com/listener for privacy information.
Hey Anon listeners! We wanted to share another podcast we think you'll love about Australia's childcare crisis. It's called At What Cost? When is a choice not a choice? Almost a quarter of Australia’s population is now living in a ‘childcare desert’ - and this scarcity means that many families’ financial and work schedules hinge on being offered a childcare spot in the first place. In this episode, we hear from real parents and experts about the near-impossible workarounds for families who can’t access suitable childcare and can’t afford not to work: from regional mum Kelly, who forked out for a private carer when the local childcare refused her son full days of care, to agricultural workers taking their kids to work on the farm. At What Cost is an FW podcast in partnership with The Parenthood, a not-for-profit with a mission to make Australia the best place in the world to be a parent and raise a child. Join 80,000 other parents and carers today Become an FW member to join the movement and fast-track your professional development Keep up with @futurewomen on Instagram, Facebook, LinkedIn and Threads See omnystudio.com/listener for privacy information.
Hey Anon listeners! We wanted to share another podcast we think you'll love about Australia's childcare crisis. It's called At What Cost? Australia is known as the “lucky country”. So how did struggling to access affordable childcare become the norm? Amid a cost-of-living crunch, most families say they need two incomes to make ends meet. But with childcare fees in Australia being among the highest in the world, parents are caught in a “cost of working trap”: they can’t afford not to work, but the cost of care is so high it eats into their earnings. Follow At What Cost? on Spotify, Apple, Youtube or wherever you get your podcasts. Become an FW member to join the movement and fast-track your professional development Keep up with @futurewomen on Instagram, Facebook, LinkedIn and Threads See omnystudio.com/listener for privacy information.
Join Jordan, Commish, Pitt Girl, and Beth, along with our VP of Podcast Production Arthur. We recap a wild Week 4! Do You Remember the 21st night of September? We talk PAC 12 AFTER DARK, San Jose State at Wazzu, Stanford at Cuse, wanting your game as the Committee's game of the week but then asking AT WHAT COST? an Overtime NERBNOIS, the CALGORITHIM found a bug in the code at Florida State, the ultimate Sickos comfort of Arkansas and Auburn, we play longer or shorter with first half drives of James Madison 70 - North Carolina 50, The Graham Mertz Experience, FLOYD of ROSEDALE, UPSIDE DOWN CAJUNS, IRON SKILLET with a COACH EJECTED, Ball State and Central Michigan in MACtion magic, Michigan refusing to pass, Pete LemBUFFALO, we got a tweet on TruTV? the best safety ever scored by Rutgers, we got a FIVER, UMass Weddings, MONMOUTH, Troy's coin toss woes and much much more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
For the subgenre of "Cursed Objects", Lisa's gift is the 1992 Guillermo Del Toro film "Cronos" about a man who finds a device to live forever. Jason's gift, however, is the 2017 "so bad it's stupid" film "Wish Upon" about a teen girl who finds a magical wish box and wishes things for herself but AT WHAT COST?!? AT WHAT COST!
Listen in as Pipeman gets the inside scoop from the members of Supermodel Taxidermy on their latest thrash masterpiece "At What Cost?". They bring the house down, channeling the spirit of old school metal and punk, stirring up a conversation that reveals how the two genres have transformed from dividing fans to bringing them together. Our talk peels back the layers of metal shows, revealing the supportive community behind the perceived mayhem and highlighting the sense of instant belonging that resonates within the metal scene. The band also gives us a peek into their latest tracks, including the quirky origin of "Exorcist for Beer" and a nod to the powerful women in the music industry with "Lipstick."As the rhythm of our chat marches on, we uncover the artistic inspiration behind their new album's cover art crafted by the talented Andrei Buzakov. The conversation then marches on to the excitement brewing over Supermodel Taxidermy's upcoming tour, which promises to wrap up with a bang alongside the Ripcords. I leave listeners with a heartfelt thanks for the support and camaraderie that music continues to foster among us all. So, grab your headphones and get ready to headbang with us as we celebrate the undying energy of thrash metal and the stories that keep this community thrumming with life.EPISODE CHAPTERS(0:00:05) - Thrash Metal Band Interview on W4CY(0:07:03) - Artistic Inspiration and Album Stories(0:13:04) - Upcoming Tour Dates and GratitudeEPISODE CHAPTERS WITH SHORT KEY POINTS(0:00:05) - Thrash Metal Band Interview on W4CYSupermodel Taxidermy's new album "At What Cost?" channels old school thrash metal, uniting fans and creating a therapeutic community in the metal scene.(0:07:03) - Artistic Inspiration and Album StoriesArtist collaboration, 80s themes, family influences, and homage to women in music showcased in album and social media presence.(0:13:04) - Upcoming Tour Dates and GratitudeUpcoming tour dates, finale show in Lethbridge, gratitude for fans, and the joy of music. Stay connected for full lineup release.EPISODE CHAPTERS WITH FULL SUMMARIES(0:00:05) - Thrash Metal Band Interview on W4CY (7 Minutes)This chapter, I chat with the band Supermodel Taxidermy about their new album "At What Cost?" and how their sound channels the raw energy of old school thrash metal. We discuss the fusion of punk and metal and how it's evolved from a genre that used to segregate fans to one that now unites them. I reflect on the therapeutic nature of metal shows, dispelling the misconception that they're violent, when in reality they're a community where everyone belongs. We also touch on the instant camaraderie that comes with being part of the metal scene, contrasting it with more mainstream music fandoms.(0:07:03) - Artistic Inspiration and Album Stories (6 Minutes)This chapter opens with our interaction with artist Andrei Buzakov, renowned for his distinctive artwork, as we reveal the concept behind a new album cover depicting a subway entrance to the underworld, symbolizing the persistence of evil in our society. We touch on the striking relevance of themes from the 80s to today's world, highlighting a collective struggle to maintain our roots amidst worsening conditions. Further, we recount the amusing backstory of the track "Exorcist for Beer," born from a family fishing trip and evolving into a song about a metalhead's misadventures with an online exorcist. The chapter wraps up by discussing the collaborative recording process, which included unique contributions from family members, and concludes by guiding listeners on how to engage with the band's music and social media presence, spotlighting their homage to women in the music scene through the song "Lipstick.(0:13:04) - Upcoming Tour Dates and Gratitude (1 Minutes)This chapter brings exciting news from our latest guest about their upcoming tour dates, leading to a finale show in Lethbridge, Alberta with the Ripcords on August 4th. We also encourage our listeners to stay connected via our social media channels for the full lineup release. Ending on a heartfelt note, I remind everyone to look after one another, express gratitude for the support our fans give us, and acknowledge the joy that music brings into our lives. Thank you for tuning into the Adventures of Pipeman and for sharing the love of great music.Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world. Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:• The Adventures of Pipeman• Pipeman Radio• Pipeman in the Pit• Positively PipemanFollow @pipemanradio on all social media outlets Visit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APP Phone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com and www.pipemanradio.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.
Listen in as Pipeman gets the inside scoop from the members of Supermodel Taxidermy on their latest thrash masterpiece "At What Cost?". They bring the house down, channeling the spirit of old school metal and punk, stirring up a conversation that reveals how the two genres have transformed from dividing fans to bringing them together. Our talk peels back the layers of metal shows, revealing the supportive community behind the perceived mayhem and highlighting the sense of instant belonging that resonates within the metal scene. The band also gives us a peek into their latest tracks, including the quirky origin of "Exorcist for Beer" and a nod to the powerful women in the music industry with "Lipstick."As the rhythm of our chat marches on, we uncover the artistic inspiration behind their new album's cover art crafted by the talented Andrei Buzakov. The conversation then marches on to the excitement brewing over Supermodel Taxidermy's upcoming tour, which promises to wrap up with a bang alongside the Ripcords. I leave listeners with a heartfelt thanks for the support and camaraderie that music continues to foster among us all. So, grab your headphones and get ready to headbang with us as we celebrate the undying energy of thrash metal and the stories that keep this community thrumming with life.EPISODE CHAPTERS(0:00:05) - Thrash Metal Band Interview on W4CY(0:07:03) - Artistic Inspiration and Album Stories(0:13:04) - Upcoming Tour Dates and GratitudeEPISODE CHAPTERS WITH SHORT KEY POINTS(0:00:05) - Thrash Metal Band Interview on W4CYSupermodel Taxidermy's new album "At What Cost?" channels old school thrash metal, uniting fans and creating a therapeutic community in the metal scene.(0:07:03) - Artistic Inspiration and Album StoriesArtist collaboration, 80s themes, family influences, and homage to women in music showcased in album and social media presence.(0:13:04) - Upcoming Tour Dates and GratitudeUpcoming tour dates, finale show in Lethbridge, gratitude for fans, and the joy of music. Stay connected for full lineup release.EPISODE CHAPTERS WITH FULL SUMMARIES(0:00:05) - Thrash Metal Band Interview on W4CY (7 Minutes)This chapter, I chat with the band Supermodel Taxidermy about their new album "At What Cost?" and how their sound channels the raw energy of old school thrash metal. We discuss the fusion of punk and metal and how it's evolved from a genre that used to segregate fans to one that now unites them. I reflect on the therapeutic nature of metal shows, dispelling the misconception that they're violent, when in reality they're a community where everyone belongs. We also touch on the instant camaraderie that comes with being part of the metal scene, contrasting it with more mainstream music fandoms.(0:07:03) - Artistic Inspiration and Album Stories (6 Minutes)This chapter opens with our interaction with artist Andrei Buzakov, renowned for his distinctive artwork, as we reveal the concept behind a new album cover depicting a subway entrance to the underworld, symbolizing the persistence of evil in our society. We touch on the striking relevance of themes from the 80s to today's world, highlighting a collective struggle to maintain our roots amidst worsening conditions. Further, we recount the amusing backstory of the track "Exorcist for Beer," born from a family fishing trip and evolving into a song about a metalhead's misadventures with an online exorcist. The chapter wraps up by discussing the collaborative recording process, which included unique contributions from family members, and concludes by guiding listeners on how to engage with the band's music and social media presence, spotlighting their homage to women in the music scene through the song "Lipstick.(0:13:04) - Upcoming Tour Dates and Gratitude (1 Minutes)This chapter brings exciting news from our latest guest about their upcoming tour dates, leading to a finale show in Lethbridge, Alberta with the Ripcords on August 4th. We also encourage our listeners to stay connected via our social media channels for the full lineup release. Ending on a heartfelt note, I remind everyone to look after one another, express gratitude for the support our fans give us, and acknowledge the joy that music brings into our lives. Thank you for tuning into the Adventures of Pipeman and for sharing the love of great music.Pipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio , theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.com. Download The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live Wednesdays at 1PM ET and Music & Positive Interviews daily at 8AM ET on W4CY Radio (www.w4cy.com) and replays on K4HD Radio (www.k4hd.com – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com). Pipeman in the Pit Podcasts are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.
Cindy Esliger talks about the cost of attempting to succeed in our chosen professions. Women in male-dominated fields feel this especially acutely because visible ambitions can negatively impact the speed of a woman's advancement. We become hesitant to set lofty goals or pursue what we want in order to make others feel less threatened. But that costs us. And the price is too high. There are so many things we do to fit in, find approval or not impact the status quo that take a toll on our careers and ambitions. Things like resistance to change once we've established security in our role. The inclination to be everything to everyone, thus burning ourselves out. Allowing others to dictate our opportunities to avoid conflict or discomfort. These behaviors may seem easier in the moment but they cost us career satisfaction, personal growth, and upward trajectories. Cindy's advice, in part, is to “get comfortable with making other people uncomfortable”. We need to start vocalizing our career aspirations and desire for new challenges. We need to stop accepting subpar compensation. The direction Cindy urges us to take is one of self-confidence and internal validation. External validation keeps us trapped. The reasons for breaking free of the manipulations of others are many, especially in the professional world. It's time we examined the true cost of giving in for the sake of ease.Resources discussed in this episode:Guide to Determining What's At StakeAstronomic AudioConfidence Collective—Contact Cindy Esliger Career Confidence Coaching: website | instagram | facebook | linkedin | email
Episode #191: Goodnight (Song starts at 4:20) Here's another half an hour of music and gentle chat. This isn't a left brained sort of dry presentation eg: “ and here we have the verse, you'll note… blah blah”. No, it's more relaxed. I'm on stage - in my mind. Well, I'm sitting at my piano, in my a studio in Melbourne, Australia, and you are my audience and I'm here to entertain and inform you. So I'm an entertainer. I enjoy relating events from my past that help paint the picture of where the song of the episode came to mind. On that note, this week, I delivered a large seascape painting to the Bayside Art Show in Brighton, Melbourne. As I sat in the car park and observed the scene, lots of memories came back to me.Back when I wrote 'Goodnight', I was a busy chap, as I am still now. I'd been part of another exhibition here… I ended up winning the People's Choice award, as it turned out, in the morning, I painted a plein air seascape and framed it. Then I painted a picture of the statue (a feminine figure in a pond just to my right), and I painted the church behind me. All 3 paintings sold in an auction on the day. I did a cartoon session with kids. I also did a gig & I played my songs in the garden. Big day, eh? 'Goodnight', the song, is about that moment where you finally rest your head on the pillow when you've had a big day. It might have been an extremely busy, satisfying day… like the day of that exhibition (I went out like a light when I finally hit the hay that evening), or a completely different sort of day. The main message that came across as the lyrics came through, was ‘Goodnight', you know you're loved'. That very reassuring statement came through loud and clear. And I think it's true. It's just the way it is. The words came first. When I compose this way, I do find it very easy to add the music afterwards. Words bring pictures to mind, the pictures become a movie and then it becomes clear to me what sort of music is required. With the limitations of my abilities, such as they are, I perform my version of what I've an hear in my mind as I play. All I need is the start. Then a riff happens, then perhaps a section that builds. In this case, when that happened, I could hear the band arrangement clearly in my head, so I knew then what sort of animal I was dealing with. A mellow dynamic dreamy ‘end of album' sort of a song, which it ended up becoming: the final track on the album 'The Man In Blue'. I loved wiring and recording this album. The version on this podcast episode is the recording from the album. It was my first effort at recording a full band album with acoustic drums and everything, it was fun. It was so much fun I'm still recording today, I'd be in the studio 7 days a week if I could. That's partly what this podcast is about, I have 800 songs, so it's nice to bring them out into the light online, sure some are on albums already (like 'Goodnight'). But other aren't and may never be. And still others, because I've rediscovered and added bits to on an episode, They are now ready to record. Anyway, on this episode…you'll get to hear how the song came together. It's fun playing the piano, singing and talking through each section as they happened, If you like this episode there another 190 to listened to when you feel like it. I enjoy listening back these episodes and reviewing my work in the car. I end up just really relaxing and enjoying the 30minutes each time. I hope you do too. The lyrics for this song (and the paintings and more music) are on my blog www.petepascoe.Wordpress.com each week too. The Man In Blue is streaming now on all the usual platforms, including my Bandcamp website www.petepascoe.bandcamp.com You might like to check out my video for 'At What Cost', track 2 of the album on my YouTube channel Pete Pascoe Art and Music. For now, it's Goodnight from me. I hope you enjoy this episode.
Interview by Haze / mike_tall We recently sat down with Lil Dude for an exclusive “Off The Porch” interview! During our conversation he talked about the way of life in Riverdale Maryland, the State Attorney in PG County announcing that she plans to go over rappers who promote violence, jumping off the porch when he was 13, explains what motivated him to start rapping, his song “Blue Tips” getting him fans outside of the DMV, creating his own style, his creative process, being featured on “Linebacker” with Big Flock & Baby Ahk, his friendship with Baby Ahk, being featured on Goldlink's album ‘At What Cost' that recently went Gold, reveals how he connected with Goonew before he was rapping, the first song they recorded together being “Shots Fired”, following up with “Drill Time”, their chemistry when recording with each other, plans to drop unreleased music with Goonew, being in communication with Hoodrich Pablo Juan, his days with MPR, his song “PSA” blowing up, his song “Traffic” recently hitting a million views, reveals what inspires him to make music today, “Many Men” with Xanman blowing up, explains why he felt he was blackballed, remaining independent, wanting to perform at a wedding, going viral for his throwback picture of wearing a ski mask & a peacoat, not mixing the streets with the music business, ignoring online trolls, his thoughts on the music scene in the DMV right now, “Love of Money” w/ KP Skywalka, his upcoming project ‘SaySo Cambridge', his Trapnana lingo, shares advice for the youth, rappers being exposed as snitches, and much more! Learn more about your ad choices. Visit megaphone.fm/adchoices
Gospel Reflection– Fr Mike Delaney–At What Cost-4-Doing the Will of God (Fr Mike Delaney concludes his multi-week reflection series that he is calling At What Cost. To put today's reading into a bit of a context, Jesus has entered Jerusalem when he's been welcomed by the people joyfully. From there, he'd gone to the temple where he'd driven the traders from the temple and had been challenged by the chief priests and the scribes. By what authority are you doing these things? We hear Jesus tell this parable about the two brothers who were asked by their father to work in the family vineyard, and we see two quite different responses. Jesus then asks the scribes and Pharisees which of the two did the father's will? Without hesitation, they were able to answer the first. Later in Matthew's Gospel, Jesus will again remind us that it's not what we say or believe that will determine whether we are faithful to the will of God, it will be what we've done. So where do we stand today in our response to God's call in our lives? Do I hear God in the everyday inviting me to answer his call to be a disciple in the vineyard?)
Gospel Reflection– Fr Mike Delaney–At What Cost-3-Boundless Generosity (Fr Mike Delaney continues his multi-week reflection series that he is calling At What Cost. This week, we're again faced with the challenge in the gospel regarding the boundless generosity of God and our response. This passage provides two insights into the generosity of God. Firstly, the payment of a denarius to each person was not the payment of a wage for work done, it was the payment that was the amount considered to be necessary for a family to have sufficient to survive each day. The 2nd way is to perhaps look at the parable in the light of what happens when someone, who's a Johny-come-lately, is accepted as being as much a part of the community as I am. And therefore, is as worthy of the mercy of God as I am. So, the question becomes; what happens, what will it cost me, that allows me to change my attitude so that I can really understand the generous love of God that is not concerned about how, when, or why, but who? Rather than resent God's generosity, we'll actually give thanks that God is bigger than we are, and is just to all of us, no matter when or how we hear the word of God.)
Gospel Reflection– Fr Mike Delaney–At What Cost-2-Boundless Mercy (Fr Mike Delaney continues his multi-week reflection series that he is calling At What Cost. Today's Gospel then takes us beyond what the limits of our human experience are. We hear Peter ask Jesus, Lord, how often must I forgive my brother if he wrongs me. Jesus' response tells him and is further developed in the parable that the mercy and love of God is not limited by our human imagining but is boundless. Using the price of silver, the 10,000 talents would be almost $300 million, so for the king to forgive that kind of level of debt is beyond our imagining. The 2nd man owning the first servant 100 denarii is the equivalent of 100 days wages, which is around $34,000. What does this story mean for us in the light of God's generosity? Do I recognise that the first servant is a Jesus image, someone who gave everything for me, and that I frequently am the second servant who really struggles to forgive my sister and my brother? A question for today is: Will it cost me to look at forgiveness differently so that I can see God's mercy being poured out both as justice and compassion in every moment of my day?)
Gospel Reflection– Fr Mike Delaney–At What Cost-1-Reflect Before Responding (Fr Mike Delaney commences a 4-week reflection series that he is calling At What Cost. In today's Gospel we're being reminded that one of the challenges we can face in our living out the gospel is, how to respond to issues that arise within the Community. Jesus instructed his disciples to correct the faults and failings amongst members of the Community and effectively how we are to act in our day, but I wonder, as we heard these words, whether you would, or could do what is being asked of us. We need to reflect on what is happening before we act in order that we're faithfully fulfilling the call of being a disciple. It's not my belief or position that I need to defend, but it's the gospel that must be defended. The final part of today's reading has an important message for us. Going to God in prayer with others before we tackle serious issues is an important and integral step if we are to address the challenge of correcting faults and failings in one another. Anything less is unchristian.)
Lil Mabu is a 178-ear-old rapper from New York. He first gained attention in 2022 for his energetic and catchy raps, which he often posts on TikTok. His biggest hit to date is "RICH SCHOLAR", which has over 10 million views on YouTube. Lil Mabu's new song, "AT WHAT COST?", was released on September 1, 2023. The song is a reflection on the sacrifices that Lil Mabu has made in order to pursue his music career. In the song, he raps about how he has had to give up time with his friends and family, and how he has had to put in long hours of work. However, he also expresses his determination to succeed, and he vows to never give up on his dreams. "AT WHAT COST?" is a powerful and personal song that gives a glimpse into Lil Mabu's life and his journey to becoming a successful rapper. The song has been praised by critics for its raw emotion and its honest portrayal of the challenges of pursuing a music career. Learn more about your ad choices. Visit megaphone.fm/adchoices
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this episode, Emily and Tori sit with Revd Ian Rutherford of Central Hall Manchester and Jacob Quagliozzi, Director for England of Housing Justice. You can read more, access the show notes and take action at www.leedssanctuary.org.uk. At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk www.methodistcentralbuildings.org.uk www.housingjustice.org.uk/ Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
We don't really like talking footy when we win - so we talk about just about any and everything else. Emails, fax machines, microwaves, McDonald's, Halloumi, ACLs and LARS, Jennifer Love Hewitt, Die Hard 2 and Dennis Franz. 00:00:00 Intros 00:10:05 Fab goes to Macca's with his grandparents 00:13:32 McDonald's Build A Burger 00:15:20 love for halloumi and Fab's top 5 cheeses 00:22:10 is Fab going solo and Tim's cocktail story 00:29:21 #PrenderDJ and ratings & reviews 00:31:50 Millionaire 00:37:12 Oppenheimer 00:45:19 Barbie 00:47:27 [REDACTED SEGMENT] 00:49:07 Break ‘Em Early 01:00:55 Doctorghanoush, ACLs and LARS 01:10:27 Recognise When You're Better 01:19:02 At What Cost? 01:23:53 [REDACTED SEGMENT] 01:27:40 A Great Opportunity 01:43:48. Chicken Salads 01:49:43 [REDACTED SEGMENT] 01:52:08 Chicken Shits 01:58:10 Esai Morales 01:59:45 The Frank Langella Ceremonial Commendation for Excellence 02:01:45 Mailbox 02:13:27 Johnny Raincloud 02:16:10 An Argument about Nespresso Pods 02:30:02 wrap ups and #PrenderDJ
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this episode, Emily and Tori discuss Chronic Illness and Disability with Laura Neale, Director of YouBelong. You can read more, access the show notes and take action at www.leedssanctuary.org.uk. At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk www.twitter.com/YouBelong_2019 www.facebook.com/youbelong2019 Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this episode, Emily talks to Emma Greenough, Fundraising Manager of The Welcome Centre in Huddersfield, about Food Banks. You can read more, access the show notes and take action at www.leedssanctuary.org.uk. At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this episode, Emily sat down with Samantha Price, Manager of the Wharfedale & Aireborough Christians Against Poverty Centre, to discuss Debt and Budgeting. You can read more, access the show notes and take action at www.leedssanctuary.org.uk. At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
Episode 2784: Cowardice And Malfeasance; At What Cost
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this episode, Tori has a conversation with Rachael Bate of Stretford and Urmston Methodists. You can read more, access the show notes and take action at www.leedssanctuary.org.uk/2023/05/23/at-what-cost-a-conversation-about-community-cafes At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
Thanks for choosing the At What Cost podcast series, a series of discussions where we hear about how real people are being affected by the Cost of Living Crisis. In this first episode, we ask why the Cost of Living Crisis should matter to Christians, speaking to Anna Bland, Team Leader of Leeds Sanctuary, and Revd Ian Rutherford of Central Hall Methodist Church in Manchester. You can read more, access the show notes and take action at https://leedssanctuary.org.uk/2023/05/18/at-what-cost-a-theological-perspective At What Cost is a collaboration between Leeds Sanctuary, the Methodist Church in Leeds City Centre, and the Methodist Church in Manchester and Stockport. You can find us at: www.leedssanctuary.org.uk www.mandsmethodists.org.uk In life and faith, we value and appreciate different perspectives, and encourage you to consider what your perspective is too! If anything in this podcast gets you thinking, you'd be more than welcome to get in touch with us for more information or a conversation. Thanks to Matt at MC Online Events for editing this podcast. Music by Muza Production from Pixabay.
We're all hooked on a feeling. Rachel has not been quiet about her confusion and sometimes downright derision for superhero movies, but the Guardians are Her thing. Peter Quill (STARLORD) is her man. Guys, this is her episode. We don't know what she'll do now that it's over. By the way, is anyone else totally broken by Volume 3? Like yeah, it was GOOD for what it was left with after the mess that was Endgame, but AT WHAT COST. THE COST OF QUILL AND GAMORA? Do they even have a ship name? Quimora? Star Hunter? I don't know but they were cute and the Russo Brothers killed it like they killed so many other things good and pure about the Marvel universe. Anyway. No you know what I'm not done - the whole point of this franchise is FOUND FAMILY and then their family is broken up????? NO. Anyway. In this episode we sort Peter/Quill/Starlord, Gamora, thee Rocket Raccoon, Drax, Mantis and Nebula. They all make a very interesting mix of houses, but it works. It's beautiful. Listen in.
For Episode 127, we are featuring our first Australian band. This episode features a conversation that Josh and Greg had with Tenaya and Sam from Threshold a few weeks back. Threshold are a new band out of Melbourne, Australia, that released a 3 song demo earlier this year. We talk about the formation of the band, what they have planned, as well as what the scene is like in Australia. After the episode, stick around to hear a song from Threshold. The song is called "At What Cost?" and it's off of their 3 song demo. Tapes are available through New Ethic Records and Bonus Round in Australia. https://www.newethicrecords.com.au/product/threshold-demo-2023 Follow us on Instagram @hardcorearchivepodcast and @EnterpriseHardcore --- Support this podcast: https://podcasters.spotify.com/pod/show/enterprise-hardcore-podcast/support
I know what you're thinking: How the heck does she find 2 hours a day to meditate? In this solo-episode with the AMPstigator founder and host, Lauren shares her touch-and-go history as a non-meditator and what made her recently commit. She shares the striking words from multiple sources urging her to commit to stillness and who served as 'the final straw.' Lauren also walks you through the phenomenal benefits of meditation before finally sharing her list of 7 surprising things that happened when she began meditating 2hrs/day, just one month ago. Plus, during the recording, Lauren shares two more BONUS anomalies that popped into her mind, for a total of 9 things that have happened since she committed to consistent, daily meditation. In the end, she encourages you: when you meditate consistently, just wait for the shocking benefits to emerge.
Welcome back to the Record Report Season 3! Episode 3 is a real homecoming. We're reviewing Goldlink's debut studio album, At What Cost. This project was pivotal to the DMV for many reasons. On paper, "Crew" is currently certified 6x Platinum by the RIAA and even earned a Grammy nomination in 2018. But each song on the 14-track LP provides a different side to the city through versatile sounds and a slew of talent from the area from Lil Dude to Mya. We also have our special guest DJ Marauder in the building to talk about the making of At What Cost. In this episode, we choose our top three tracks, and Marauder breaks all aspects of the album. We also talk about how to truly build relationships in the DMV artist scene, Ray J, and what we've been listening to lately. @Yo_Ahki/@VanceB_ Listen to this new episode and previous others on: Apple Podcasts(https://tinyurl.com/jydzz9fk) Spotify (https://tinyurl.com/c3u77hcf) Anchor (https://anchor.fm/recordreport) Follow Record Report Podcast on: Instagram: (@RecordRepPod) Facebook: Facebook.com/RecordReportPodcast Twitter: https://twitter.com/recreppodcast?lang=en #Goldlink #AtWhatCost #WashingtonDC #DMV #Mya #RayJ #RCA #DC #Radio #Podcast
You can't truly know a person until you meet their therapist (LOL). In this week's episode, host Lauren Lowrey introduces you to Tonia Dixon, LPC -- the woman who helped Lauren heal the trauma of her hospitalizations in August. Hear Tonia describe the latest trends in mental wellness, what has surprised her in the last 5 years of client work, and why she doesn't think athletes get a fair shake. Be INSPIRED to set your boundaries around work and learn to include yourself in your schedule. Tonia has spent decades listening to others but the tables have turned as we listen to her talk about her work helping professional athletes, military members and people of all backgrounds find peace and purpose.
AT WHAT COST ???Episode 65 - Advertising (have we told you about the patreon?) is available early for Patrons over at: https://www.patreon.com/TheDeprogramSupport the show and help us grow and stay as independent as possible while earning plenty of bonuses - Discord community, early episodes, exclusive bonus episodes, QnAs and plenty more. Link: https://www.patreon.com/TheDeprogramCheck out Radio Free Amanda: Her Twitter: https://twitter.com/catcontentonly Her Patreon: https://www.patreon.com/radiofreeamanda The Article: https://www.liberationnews.org/why-chinese-debt-trap-diplomacy-is-a-lie/Support the showSupport the show on Patreon: https://www.patreon.com/TheDeprogramFollow us on Twitter: https://twitter.com/TheDeprogramPod
While all of us are willing to sacrifice for different things, following Jesus as our firm foundation calls us to the kind of sacrifice that's shaped by the cross. Listen in as we wrap up this series by exploring Jesus' words to consider the cost of who or what we choose to build our lives on.We are an interdenominational church in Montreal, seeking to create a safe and honest space to ask questions. Join us at 10:30am Eastern (-4:00 UTC/GMT) Sundays and find out more at https://the180.ca and consider supporting our mission in Quebec at https://the180.ca/giveFirm Foundation | Part 4: At What Cost? Recorded Sunday, January 29, 2023Subscribe to our Apple Podcast here.Listen to this podcast via Soundcloud.Watch the video on YouTube.
When was the best time in your life? How 'bout the worst time? In this episode, AMPstigator host Lauren Lowrey is put on the hot-seat by two friends and podcast guests Dr. Joyce WIlliams and Keli Alvarez. Together, they turn the series of questions on the host. Press play to hear her answers! Prepare to learn more about Lauren in the first 25 minutes than she's ever shared on this podcast before. This episode also explores the lessons these three women are learning right now as they encourage you 'this, too, shall pass.'
If you are a teacher who is ready to switch from people-pleasing to self-compassion, this is the episode for you. I'm sharing the statements and affirmations that have worked for me. You're welcome to steal them and use them on your tricky days. If you want to share yours, email hello@winewithteacher.com and I'll read them out in a future episode. In this episode I shared how to choose compassion over criticism: Honour Your Energy. Check Your Capacity. At What Cost? Whoopsy Daisy! Embrace Your Chaos. You Can't Be the Whole Orchestra. Make Yourself a Priority. Do Your Best and Leave the rest. "Students can't thrive if their teachers just survive." [Unteachables] PS: #workloadreduction Which one resonated with you? Let me know here: @ceri.sandford LOVELY LINKS: www.wwtcmentor.com www.winewithteacher.com www.winewithteacherclub.com
This week's Nose clearly harassed a human with dark features and chose the wrong person to annoy. Andor is the fourth live-action Star Wars series from Disney+. It is a prequel to Rogue One, which is a prequel to Star Wars. Andor follows thief-turned-spy Cassian Andor during the five years leading up to Rogue One. It is created by Tony Gilroy, who wrote Rogue One, and written in part by Tony and his brother Dan Gilroy and edited in part by Dan's twin brother John Gilroy. And: I Love You, You Hate Me is a two-part Peacock docuseries about Barney the Purple Dinosaur. Some other stuff that happened this week, give or take: Angela Lansbury, Broadway luminary and ‘Murder, She Wrote' star, dies at 96 She also excelled as the world's most evil mother in the film ‘The Manchurian Candidate' Kanye West's Posts Land Him in Trouble on Social Media The rapper, who now goes by Ye, made antisemitic remarks on Instagram and Twitter that were widely criticized. They came after he wore a “White Lives Matter” shirt at Paris Fashion Week. Is There a Future for Late-Night Talk Shows? Big changes are coming to the longtime staple of television programming, as the genre struggles to make the leap to the streaming world. How the Glengarry Glen Ross “Coffee Is for Closers” Scene Got Made Alec Baldwin, James Foley, and more reveal an oral history of one of the most quotable movie scenes ever. The Best TV Shows of 2022…So Far Severance, The Rehearsal, Borgen, Tokyo Vice, and more series to catch up on before the next wave of television hits. Guillermo del Toro Defends Scorsese After ‘Cruel' Essay Calls Him ‘Uneven Talent': ‘This Article Baited Them Traffic, but At What Cost?' ‘Amsterdam' Stands To Lose Nearly $100 Million: What This Means For Upscale Movies Dunkin' Donuts Devalues Rewards Points, Enraging Customers: ‘I No Longer Run on Dunkin' “Don't try to piss on me and tell me it's raining,” said one longtime Dunkin' customer. Sorry, Gen X, the thumbs up emoji is actually hostile I'm too uncool to know which thumbs-up emoji is uncool so someone help me. New ‘Naked Gun' Movie A Go At Paramount With Liam Neeson In Talks To Star And ‘Lonely Island's Akiva Schaffer Directing Austin Powers References Are Comedy's Hottest Mini-Trend GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Nobody Asked Shawn podcast Carolyn Paine: An actress, comedian, and dancer; she is founder, director, and choreographer of CONNetic Dance Pedro Soto: President and CEO of Hygrade Precision Technologies The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show. Our programming is made possible thanks to listeners like you. Please consider supporting this show and Connecticut Public with a donation today.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
How do you handle it when you've been hijacked by your emotions? When we consistently try to not to feel the suckiest of emotions, it sets us up to be completely derailed when one of them takes over. In this episode, AMPstigator Host & Founder Lauren Lowrey talks you through a recent time where she was hijacked by fear, how she regained control and the questions she asked herself to find the true source of the emotion.
Today, Hunter sat down with Marea Beeman, Director of Research Initiatives for Defender Legal Services at the National Legal Aid and Defender Association (NLADA), to discuss their recent report, “At What Cost? Findings from an Examination into the Imposition of Public Defense System Fees. If you ask the average person what the word “free” means, they will likely tell you it means whatever is considered “free” does not have any cost associated with it. So, when people hear, “If you cannot afford counsel, one will be appointed to you at no cost to yourself”, people would likely assume that this attorney is “free”. Anyone who is familiar with our legal system, however, will inform you that you will likely have to pay for your Public Defender. In fact, in many states, the first time you appear before a judge, that judge will make clear to you that your counsel will cost you. From a top-down look at all 50 states, to deep dives into the Public Defender fees in Oklahoma, Iowa, and New Hampshire, Marea and Hunter discuss the various ways these fees trap people in never ending cycles of debt that can lead to future incarceration, loss of driving privileges, and work to perpetuate a broken, predatory legal system Guests: Marea Beeman, Director of Research Initiatives for Defender Legal Services at the National Legal Aid and Defender Association (NLADA), Key Topics and Takeaways: How Marea got into this work [8:00] What is the NLADA [9:30] What do you mean my “free attorney” isn't free [10:30] Difference Between Fines and Fees [14:20] Methodology of the Study [17:50] The Issues with Indigency Determination [21:00] Findings from Oklahoma [26:13] Findings in Iowa [39:40] Findings in New Hampshire [53:00] Solutions to the Issue [57:00] Resources: NLADA Report NY Times Report on Alabama Fees and Fines Alabama Appleseed Report Fuller v Oregon (SCOTUS found there is a legitimate interest in states recovering the cost of representation) Bearden v Georgia Follow NLADA on Twitter Contact Hunter Parnell: hwparnell@publicdefenseless.com Instagram Twitter www.publicdefenseless.com
In this podcast, Rad features Master Sergeant John "Mad Dog" B. Melson, who served 3 years in the USMC and almost 17 years in the Army National Guard. After his service in the Marines and in the wake of 9/11, John tried to enlist again but found out that he had a tumor in his neck which was cutting off his blood flow. He was in extreme danger and was faced with a difficult decision: undergo surgery that could kill him or do nothing and have less than 5 years to live. He chose to have a fighting chance and went under the knife. Against the odds, he survived and was given the chance to serve again in the National Guard to fight in Afghanistan. He shares crazy stories of his 9 combat deployments, from popping smoke to signal the A-10 not to fire upon them in the middle of a firefight, to being left to fend for themselves during a Taliban assault. He is the recipient of 5 Bronze Star Medals, 2 Purple Hearts, and 4 Army Commendation Medals for Valor. Check out John's podcast Guts and Grit: https://podcasts.apple.com/us/podcast/guts-grit-great-business/id1516815054 Get a copy of Jessica Ainsworth's latest book titled At What Cost on Amazon which features John's foreword and an entire chapter on his story and the personal cost of war: https://amzn.to/3T0FSNQ See omnystudio.com/listener for privacy information.
(Losing weight quickly is impressive, it shows you are motivated and have a timed goal…ACTUALLY KEEPING THE WEIGHT Off is what is the truly impressive part shows that you've learned that making healthy choices is NOT just about being motivated for a specific event) In this episode, I'm going to dive right in and let ya know what a crock this all is and what we keep doing to our bodies each time we fall for the “lose weight quickly” bit these companies put out there. I get it, you have a special event coming up and you're googling “how to lose weight quickly and safely by “such and such day”” Fitness plans promising fast results become pretty appealing as the warmer weather approaches. You must understand, however, that a large portion of these weight-loss regimens are risky. They're also unreliable, especially if you're expecting long-term results. Your health should always be your number one priority. Any diet or routine that puts your health at unnecessary risk is not worth your time. If you're going on vacation in a month and want to lose 10 lbs you're super motivated because you want to look good in vacation pics. So you work out 6x a week, eat 1200 caloriess and lose weight. AT WHAT COST??? Great, right? Well, that depends... If you come home and go back to your regular lifestyle and put the 10 lbs back on, that just shows that you're only really interested in losing the weight while you're motivated to do so. It doesn't prove that you made any real changes. So if you want to go up and down like this, losing weight before an event and then gaining it back then fine. Continue as is. If you want to lose weight and KEEP it off, well then you've got to abandon the need for motivation. There's no reason to go jumping into a drastic – and potentially harmful – fitness regimen It's really just sticking to simple, healthy habits that will allow for this mindset shift. Once you make the right choices without agonizing over your decision you'll see the results you want and won't have to worry about ever gaining the weight back. No, this isn't easy. But acknowledging that you have to swap your old habits for new, healthy ones is the first step. You don't have to do them all at once. One new habit at a time…and they have to come as easy as changing your underwear or they won't stick! One at a time is great. Over time you won't need motivation to work out or to make healthy eating decisions. They will be ingrained in you. So stop relying on motivation. Build up the right habits. It will make all the difference If you need some help and you're not sure where to start, send me a DM and we can see if I can help *********** I also mentioned a previous podcast where I talked about dieting's side effects. You can click HERE to listen to that episode.
Nathan Maynard's latest play At What Cost? explores the themes of identity and Aboriginality.
Gunai Kurnai writer Veronica Gorrie took home two prizes at the Victorian Premier's Literary Awards. Plus Nathan Maynard's new play At What Cost? asks the question: who can call themselves Aboriginal.
Is the goal I'm going after, worth the price I'm going to have to pay to achieve it? What's really driving my motivation, head or heart? Is the essence of the culture I've developed and the impact of my product or service such that it will create positive ripples if we scale? Or will we be scaling something unhealthy? You'll love learning from Maryanne Mooney from the Worthy Leader who has incredible perspective on the human side of scaling and success. After building two market leading consulting firms, she transitioned to leadership coaching and has worked with over 10,000 leaders and their teams. She's a recently published author, Facilitator for YPO (world's largest CEO network) and President of the Board for the Senhoa Foundation. Here's What We Cover…. 01:01 – Humble Beginnings 08:05 – Where Maryanne's Perpsective Was Formed 12:57 – To IPO, or to Not? That is the Question 17:40 – Do You Need to Exit at All? 22:09 – Perspective Creating Questions 29:13 – Are You Really Doing it For Your Family? At What Cost? 35:00 – Ecology Checks When Goal Setting 37:11 – Are you Scaling Something Healthy? 44:08 – Thoughts on Motivation And What Nourishes You 48:44 - How to Follow Maryanne If you got value from today's episode, please remember to: 1. Rate and review us on Apple Podcasts 2. Register to be the first to know when new episodes drop and free tools are published at www.scaleupspodcast.com, or 3. Drop us a question about scaling using Speakpipe on the website, or email questions@scaleupspodcast.com. Follow us on your favourite socials: ScaleUps Podcast on LinkedIn: https://www.linkedin.com/company/scaleupspodcast ScaleUps Podcast on Instagram: https://www.instagram.com/scaleupspodcast/ ScaleUps Podcast on Facebook: https://www.facebook.com/scaleupspodcast Watch the full episode at ScaleUps Podcast on Youtube: https://www.youtube.com/channel/UCLlvcqAuqJMYBVUBoiixChQ You can connect with Maryanne via: LinkedIn: www.linkedin.com/in/mooneymaryanne Website: http://www.worthyleader.net/ or you can reach out to connect with Sean directly via: LinkedIn: https://www.linkedin.com/in/seansteeleprofile/ Website: www.seansteele.com.au
Nathan Maynard is one of Australia's funniest and most clear-sighted playwrights. The Palawa writer had a hit with The Season and now he's back with At What Cost? A play that explores the thorny issue of who decides who can claim Aboriginal heritage. Also, how are theatres coping with surging COVID cases? We check in with Belvoir, Opera Australia and Global Creatures (Moulin Rouge), and we hear a scene from And She Would Stand Like This, a play described as Greek tragedy meets Paris Is Burning.
Nathan Maynard is one of Australia's funniest and most clear-sighted playwrights. The Palawa writer had a hit with The Season and now he's back with At What Cost? A play that explores the thorny issue of who decides who can claim Aboriginal heritage.Also, how are theatres coping with surging COVID cases? We check in with Belvoir, Opera Australia and Global Creatures (Moulin Rouge), and we hear a scene from And She Would Stand Like This, a play described as Greek tragedy meets Paris Is Burning.
Nathan Maynard is one of Australia's funniest and most clear-sighted playwrights. The Palawa writer had a hit with The Season and now he's back with At What Cost? A play that explores the thorny issue of who decides who can claim Aboriginal heritage. Also, how are theatres coping with surging COVID cases? We check in with Belvoir, Opera Australia and Global Creatures (Moulin Rouge), and we hear a scene from And She Would Stand Like This, a play described as Greek tragedy meets Paris Is Burning.
We have done it. We finished the "Masters of Horror" collection. But I ask... AT WHAT COST? This episode features Dirty Dog from "Geek Peak," and J-Honcho from, "For Nerds By Nerds." "Dream Cruise," was directed by Norio Tsuruta, best known for directing, "Ringu 0: Birthday." For real everyone... this was an incredible experience. Be safe, and have a googly Halloween.
Episode #84: At What Cost (Song starts at 4:38) Welcome. This week's episode has very peaceful feeling about it. The 30 minutes or so just floated by for me, as I recorded it. I'm really enjoying myself as I talk, no notes, no pre-production. Tonight I just walked into my studio, thinking "What song shall I talk about.." And this one jumped out at me. I let the song lead the way each week. I've found over the weeks that by having fun, ‘playing', if you will, it leads my thoughts to some concepts that perhaps I never would have got to as I analyse the songwriting process. Even the word analysing seems too cold to use as a description of what I'm up to here. It's 30 minutes of relaxed chat. I'm not trying to twist any arms. There's no underlying persuasive subtext here. What you hear is what you get. I'm an honest, creative songwriter, writing songs for the love of it after all these years. At What Cost (song #548, written in 2010), came through when I was just noodling on the piano. A nice peaceful little riff happened. The light goes on. The thoughts are focussed, the potential of the music is considered, a decision is made : the intention to carry it through to a finished song is made. With this song, I put myself somehow inside the mind of my friend as he was observing what was turning out to be the end of a major romantic relationship in his life. There's a sense of recognising this during the course of the song, with another realisation of more at the end (I love my ‘punchlines'). There's definitely a commitment when you decide you are in the process of writing a song - and it seems like some sort of 'agreement' to work together with the creative muse happens. It's not a ‘contract', that's too harsh, But it did feel this: from the word go, the first song, all those years ago...it felt like: “Yes, you will be helped to create this music - on the condition you do your best to share it and put it out in the world”. Since that day, many years ago, that's what I've tried to do: keep writing, recording and sharing it. I hope you enjoy getting ‘inside a song' & stepping into the shoes of a songwriter, again, this week - more than that, I hope you enjoy the sound of my voice as I speak, too - people have let me know they find me relaxing and entertaining to listen to. Great! I really like this recording, too. This is such good fun, please do join me now for half an hour of creative exploration (and if this is your first time here, welcome, again. There are 80-odd previous episodes to listen to…). If you like the song, check out the album: The Man In Blue (streaming now). Sign up to my email list: info@petepascoe.com - each week you'll get the links and a bit of inside information about: A new painting, a blog post, a podcast episode and YouTube video. Blog: www.petepascoe.wordpress.com YouTube: Pete Pascoe Art and Music Website: www.petepascoe.com Music on: www.petepascoe.bandcamp.com and Streaming everywhere Enjoy!
Amanda Tran ventures into the pop-punk format with her new project In The Mourning. We talk with her about her inspo from our leader Avril Lavigne, her deluxe, limited release of her song "At What Cost", POC's to the front & more.Follow In The Mourning & Listen:Insta: https://www.instagram.com/inthemourningla/Twitter: https://twitter.com/inthemourninglaSupport: https://linktr.ee/inthemourninglaTikTok: https://www.tiktok.com/@inthemourningla______EMO KID SUMMER MERCHSun's Out, Stay Inside! Or maybe you're feeling a nu-metal vibe? Whichever it is, we've got you covered! Grab our summer 2.0 drop now in our store!Thanks to our designer Joey Resko for our designs.Check It Out: As Time FadesOhio isn't only for lovers, ya'll! As Time Fades is a Cleveland band whose sound is reminiscent of elder emo faves like Mayday Parade. Their new EP "Trust Fall" is out now and includes their single "Invisible" ft. Elbow Room.Stay up to date with them on Twitter and Insta.Join the club!Twitch: https://emosocialclub.tvDiscord: https://emosocial.club/discordTikTok: https://www.tiktok.com/@xemosocialclubxTwitter: https://emosocial.club/twitterInstagram: https://emosocial.club/instagramYoutube: https://emosocial.club/youtubeFacebook: https://emosocial.club/facebook Follow us!Brian: @spookypants1Lizzie: @bordenbathory
Today, I finally got to sit down and talk with my friend Julian aka The Cozy Representative on Youtube and we talk about how despite not understanding or agreeing with it, music is somehow or at least was when we grew up, gendered and we talk about how we both grew up thinking we didn't belong in the spaces we loved so much because how the music we loved was packaged to us and how despite that we learned not to let it define how we digested and listened to it. Follow Julian: https://twitter.com/dramaclubjulian https://linktr.ee/thecozyrepresentative https://www.youtube.com/user/julianryanberosh/featured Music Featured: In The Mourning "At What Cost" (https://twitter.com/inthemourningla, https://inthemourningla.bandcamp.com/releases) Nightlife "New Low" (https://linktr.ee/nightlife_xo, https://twitter.com/nightlife_xo, https://nightlife-xo.bandcamp.com/album/new-low) Intro Song: Bartees Strange "Flagey God" (https://barteesstrange.bandcamp.com/album/live-forever)
Can Haiti Save Itself? At What Cost? (Part 2)
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Freedom of choice lies at the heart of American society. Every day, individuals decide what to eat, which doctors to see, who to connect with online, and where to educate their children. Yet, many Americans don't realize that these choices are illusory at best. By the start of the 21st century, every major industrial sector in the global economy was controlled by no more than five transnational corporations, and in about a third of these sectors, a single company accounted for more than 40 percent of global sales. The available options in food, healthcare, education, transportation, and even online presence are largely constructed by corporations, whose sweeping influence have made them the public face and executive agents of 21st-century capitalism. At What Cost: Modern Capitalism and the Future of Health (Oxford UP, 2021) confronts how globalization, financial speculation, monopolies, and control of science and technology have enhanced the ability of corporations and their allies to overwhelm influences of government, family, community, and faith. As corporations manipulate demand through skillful marketing and veto the choices that undermine their bottom line, free consumer choice has all but disappeared, and with it, the personal protections guarding our collective health. At What Cost argues that the world created by 21st-century capitalism is simply not fit to solve our most serious public health problems, from climate change to opioid addiction. However, author and public health expert Nicholas Freudenberg also shows that though the road is steep, human and planetary well-being constitute a powerful mobilizing idea for a new social movement, one that will restore the power of individual voice to our democracy. With impeccably detailed research and an eye towards a better future, At What Cost arms ordinary citizens, activists, and health professionals with an understanding of how we've arrived at the precipice, and what we can do to ensure a healthier collective future. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context.
On this Kokayi interview, the moment he knew he wanted to be a rapper, why he’s the only rapper who MC’s freestyle in the jazz genre, his TedX talk and how he got the gig… Growing up in DC and his tempestuous relationship with his dad, dealing with being dropped from a label, dealing with friends in business (and why it’s not always easy), a healthy way of dealing with depression, difference between Kokayi and Carl Walker (his birth name), best decision he ever made, resilience, Key Lime pie, “NO excuses,” the power of “I don’t have it…” cooking, chess, becoming kinder and more understanding, and loads more. 100% REAL, very cool convo and good vibes! If you’d like to support this show: http://www.everyonelovesguitar.com/support A Grammy nominated DC Rapper / MC, Kokayi’s been featured on dozens of albums since the onset of his career, including titles by Goldlink, Gregoire Maret, Terri Lynne Carrington (Grammy nominated Waiting Game w/ Social Science), Omar Sosa, Steve Coleman and Dafnis Prieto as well as continuing to perform as a member of Steve Coleman’s Five Elements, Ambrose Akinmusire’s Origami Harvest and Dafnis Prieto’s Proverb Trio. He can also be heard on Whose Hat is This? Everything’s Ok, Goldlink’s At What Cost, MTV's Rebel Music, Kevin Hart's Laugh At My Pain, I Ain’t Scared of You: a Tribute to Bernie Mac and over 60 titles spanning Jazz, Hip Hop, Rock and R&B. He’s also lectured in 35 countries, serves as faculty with the NY based School of Improvisational Music, OneBeat mentor, freelance music emissary with the U.S. State Department & Music Supervisor - Untitled Interactive Games Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/
Listen Now As the book's dust jacket notes, At What Cost, Modern Capitalism and the Future of Health [ recently...
At What Cost by The Lost Girl
Links:1. To Provide & Maintain a Navy by Henry J. Hendrix, Dec. 19, 2020.2. Buy Fords Not Ferraris, by Commander Jerry Hendrix, Proceedings, April 2009. 3. Seapower States: Maritime Culture, Continental Empires, and the Conflict that Made the Modern World, by Prof. Andrew Lambert, Nov 27, 2018.4. At What Cost a Carrier, by Jerry Hendrix, CNAS, March 11, 2013.5. Retreat From Range - The Rise and Fall of Carrier Aviation, by Jerry Hendrix, CNAS, October 19, 2015.6. Aircraft Carriers & Maritime History, Jerry Hendrix & Bryan McGrath, C-SPAN3, January 9, 2015.rof. Andrew Lambert, Nov 27, 2018.
Gareth chats with Dr. David Gleason, a developmental and clinical psychologist, author of the book, At What Cost?, and founder of Developmental Empathy, LLC. The conversations focuses on the teen mental health crisis, how schools are compounding it, and what needs to happen to support the holistic needs of all kids.
Pastor Robb delivers the sermon "At What Cost?" for May 10, 2020.
What a midweek round of fixtures we had! City struggled to get past Sheffield United and Dean Henderson till the very end, Everton let a 2 goal lead go in the last two minutes of the game and Liverpool edged past Wolves, but AT WHAT COST! FPL WILL MISS YOU SADIO! Plus we reveal a brand new segment! *** Get in touch with the boys on their respective social media! Subscribe to us on Apple Podcasts and Spotify and give us a 5 star review!
As parents we strive to help our child reach his/her dreams of playing basketball at the next level. In doing so, our kids are spending a ton of time competing year round, several dozen games in the course of a year. The question is, "At What Cost?". Studies show our kids are breaking down and their bodies are physically paying for it - in most cases by the time they even step on a college campus. This episode I wanted to start the conversation and give my thoughts on AAU, Specialization, and ask the question of what would it take for change to occur. What do you think? Be sure to send me your thoughts, concerns, comments. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Spence talks with Sam Sours about how he got hired to be in Silvertung and recording But, At What Cost.
Spence talks with Sam Sours about how he got hired to be in Silvertung and recording But, At What Cost.
In this episode, we talk about burn out and why self-care is crucial to prevent burnout. Helen shares her personal journey in the social work profession and how she experienced burnout while managing a team. This led Helen to develop her own burnout course and resources to support social workers. Originally from the UK Helen studied Social Policy and Politics at The University of Newcastle Upon Tyne and has a Masters of Social Work from Queens University Belfast, in Northern Ireland. Helen's career has mainly been in the Family and childcare arena including Statutory child protection in the heart of Belfast, work with youth at risk of homelessness in Northern Ireland and Sydney and managerial role in an NGO family support and risk prevention program with families that had ROSH reports made. In 2015 Helen experienced a psychological breakdown as a result of burnout and the impact of vicarious trauma and left her practicing social work career in mid 2016. Helen now has an emerging startup business with a focus on supporting practicing social workers to gain awareness, knowledge and skills to reduce the impact of vicarious trauma and burnout on their health and profession. Helen has a growing interest in the role of Moral Resiliency, Moral Distress and Moral residue play in a Social Worker's career and wellbeing. Helen is launching a pilot of her specialised program, Because You Care - SOS (stands for save our social workers) in August providing online training and support to enable social workers to explore their wellbeing and the impact of their work. Burn out is such a popular phrase at the moment. Now considered and occupational phenomenon - changing what it means and how it impacts people's working lives Sometimes we don't understand the signs and symptoms of burn out, often thinking its something wrong with us and some kind of deficits we have. Syndrome from chronic workplace stress that hasn't been successfully managed. Easy to start associating blame, it's not being managed by the individual, or by the organisation. We need to neutralise the idea of where the challenges have come, and not assign blame. We need to work together to prevent outcomes of burnout. Signs and symptoms of burn out Physical signs Feeling tired, lacking energy, lethargic Changes in sleep - too little or too much Changes in appetite Emotional signs Increasing irritability Self doubt Feeling unable to do the things you normally do Sense of failure Feeling helpless and hopeless Feeling detached Loss of motivation Being cynical and negative Decreased satisfaction Behavioural Withdrawing from responsibilities Isolating yourself Coping with alcohol or other drugs Being late to work Missing work all together Worker harder than normal Not taking leave Working additional hours Vicarious trauma Impact on ourselves from the repeated exposure of the traumatic material shared with us from our clients. Being alongside them as they handle/ go through those traumatic experiences. It starts to have an impact on the internal psyche and the external world view, the cognitive schema of the social worker. As a professional, your self of self, your identity, worldviews and norms starts to shift. Very subtle, your sense of reality may be vastly different from that of others. Moral distress We train ourselves to look at situations from different angles and assess what's happening. Where you know what the right thing is to do, but you're prevented from taking that action due to constraints - organisation, budget, time etc Then there is a consequence to that. You then have a physical or physiological response to that. It's vitally important to take responsibility to do what is needed. You need to be given the time or you need to take the time. We need to look at our self-care as a seatbelt, we need to have them there as our daily support. The Because You Care - SOS (stands for save our social workers) program. 8 week program broken up into 4 Modules to support you through the process of understanding Moral Distress, Vicarious Trauma and Burnout and strategies to prevent it. Module 1 - Reset your moral compass Module 2 -mindset and context Module 3 -mind body connection Module 4 -professional sustainability Interested in the At What Cost? Webinar.. Check it out here. Tips for a new social worker Put self-care in the same bracket as other principals. It's not an afterthought. Like a seatbelt, You don't put it on after a car crash Be the caretaker of your own well-being. Resources https://helengray.com.au/ https://members.helengray.com.au/because-you-care/ https://helengray.com.au/moral-distress https://helengray.com.au/vicarious-trauma https://helengray.com.au/burnout https://aifs.gov.au/publications/feeling-heavy/what-vicarious-trauma
EP111 is with Chris Drapeau of The Weapon. The Weapon is a hardcore punk band with my friend Jesse Leach of Killswitch Engage. We talk about their EP that is available now, we talk about recording the full length, tour plans, mental health, beer and more! Cheers! Listen to their EP here: https://theweapon.bandcamp.com/ Band IG: @theweaponnyc Don't forget to like, share & subscribe and follow us on social media Instagram: @rocknrollbeerguy Twitter: @RRBGPodcast Intro: "Shotgun Anarchy" by The Weapon Outro: "At What Cost" by The Weapon New Sponsor! Hofbräu Check out their new Oktoberfestbier which is out in stores now! Visit one of there amazing locations. For all info go to: http://www.hofbrauhaus.us PLEASE check out the Patreon page. www.patreon.com/RRBG Support the podcast and earn exclusive content like full audio interviews from Psycho Las Vegas from acts like Andrew WK, Red Fang, CKY and more.
This week we discuss the Game Workers Unite initiative. The post #225 At What Cost? appeared first on Orbital Jigsaw.
Episode 60: At What Cost? by Good Guys Bad Habits Podcast
Put on yer punk faces because Rebel Time Radio has another episode for you to consume! On this episode Elysha, Mike, and Dan play some tunes from Ya Basta, Leatherface, At What Cost, plus new music from War on Women and Shitrat. They also spend some time making fun of Doug Ford. Now hover that … Continue reading Rebel Time Radio – Episode 2018/03/21 →
The very first episode of At What Cost!
The Mayor finally gets to watch a Thanksgiving movie, but at what cost? DEAR LORD, AT WHAT COST?! Anyway, here's Son in Law.
“Justified” était le moment de la séduction, “FutureSex/LoveSound” de la sexualité, “The 20/20 Experience” était l’amour fusionnel…. “The Man of the Woods”, dernier album de la super-star des années 2000, teinté cette fois ci d’une couleur country, marque une rupture dans la cohérence de la carrière. Justin Timberlake, chemise à carreaux sur le dos en bon homme de la campagne, entame son retour aux sources à Memphis, avec des titres malheureusement creux, qui frôlent parfois l’accumulation de clichés sur le Sud. A 37 ans, Justin veut parfois être sexy, parfois daron. Un manque de logique qui se retrouve dans les prods où trop d’idées différentes et le mélange de rythmiques peu cohérentes donnent un sentiment bancal, une impression de gros ventre mou où le choix des singles laisse à désirer. Alors oui, lorsqu’on a été un sex-symbol et un artiste majeur pour la pop et le R’n’B, il est compliqué de vieillir et de se réinventer. Pour celui qui a toujours eu une carrière idéale et tous les tapis rouges devant lui, ça l’est peut-être encore plus. Podcast animé par Mehdi Maïzi avec Naomi Clément, Shkyd et Raphaël Da Cruz.RÉFÉRENCES CITÉES DANS L’ÉMISSIONMan of the Woods (Justin Timberlake, 2018), The 20/20 Experience (Justin Timberlake, 2013), Timbaland, The Neptunes, Filthy (Man of the Woods, Justin Timberlake, 2018), Pharrell Williams Chad Hugo, Justified (Justin Timberlake, 2002), FutureSex/LoveSound (Justin Timberlake, 2006), Nothing Else (Justified, Justin Timberlake, 2002), Stevie Wonder, Danja, Chris Stapleton, James Fauntleroy, Ed Sheeran, Bruno Mars, The Weeknd, Joanne (Lady Gaga, 2016), Kesha, Younger Now (Miley Cyrus, 2017), From a room (Chris Stapleton, 2017), Crew (GoldLink feat Brent Faiyaz & Shy Glizzy, At What Cost, 2017), Sonder Son (Brent Faiyaz, 2017), Wanderlust (Little Big Town, 2016), Wanderland (Kelis, 2001), 4x4 (Miley Cyrus feat Nelly, Bangerz, 2013).RECOMMANDATIONS ET COUPS DE COEURSLA RECO DE NAOMI CLÉMENT : pour les puristes du R’n’B, le titre “Mine” de l’artiste philippine Jess Connelly qui renouvelle le genre, et met en avant la scène underground de Manille.LA RECO DE RAPHAËL DA CRUZ : pour les puristes de la country, écoutez l’album “From a room” de Chris Stapleton. Et l’EP “Sonder Son” de Brent Faiyaz (2017).LA RECO DE SHKYD : l’album country pop “Wanderlust’ de Little Big Town (2016), et le morceau “4x4’ de Miley Cyrus avec Nelly. CRÉDITSEnregistré le 14 février 2018 au Bar à Bulles (8 bis Cité Véron, Paris 18ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Camille Regache. Rédacteur en chef : David Carzon. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Quentin Bresson. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) par Nodey. NoFun est une production du réseau Binge Audio www.binge.audio See acast.com/privacy for privacy and opt-out information.
The war is over, but AT WHAT COST! Covering: Secret Invasion #8 Artist: Leinil Francis Yu Released: 12/3/08 You can find out all about our show on Talkingcomicsbooks.com! You can watch our trailer for Bendis Assembled Here! You can reach out to Matt on Twitter @johnnymattwood and Brian @jacklazer Contact us:bendisassembled@gmail.com Twitter and Instagram: @bendisassembled
This week we are going to explore the Havana Rabbit breed. If you would like to support the podcast, you can support through Patreon for one dollar a month. Patreon is an established online platform that allows fans to provide regular financial support to creators. Thank you for listening. If you would like to support the podcast, and keep the lights on, you can support us whenever you use Amazon through the link: It will not cost you anything extra, and I can not see who purchased what. When I hear the name Havana rabbit I picture a rabbit that came from Cuba, but as we have discovered several times the breed is named for a place that it does not originate from. The Havana rabbit originates in Holland, not the Caribbean as you might expect. They get their name from the fact that the chocolate variety closely resembles the color of the deep brown Havana cigars, not because the breed hails from Cuba. When you think Havanas, think cigars, not Cuba. The rich dark brown coloration of the original Havanas was reminiscent of Havana cigars to the early breeders, hence the name was applied to the newly developed breed. The Havana Rabbit had its beginnings in a small Dutch village near Utrecht, Holland (not Cuba), in 1898, by total accident. History Havana Journey: A rabbit farmer named Mr. Honders tossed a newly acquired common farm rabbit into the stable with his other communal rabbits. The black and white doe was bred by who knows which of the bucks in the farmer’s warren, and soon gave birth to a litter of brown and white rabbits with modified Dutch markings. The Havana’s journey began with breeders’ vision, work, and dedication since it first arrived on the rabbit scene in 1898. The rabbit breed known as ‘The Mink of the Rabbit Family’ includes an evolution defining its type today into the lovely compact breed known for its intense color and luxurious fur. I thought this would be an appropriate time to trace the Havana evolution to its breed standard today. Because of their unusual chocolate color, the farmer retained these offspring for further breeding. Being chocolate, their eyes had the typical ruby glow in them when viewed in bright light. It was anything but usual to Mr. Honders. He named these new rabbits “Fire-Eyes of Ingen” (Ingensche Vuuroog). The rabbits were a dark reddish brown, and weighed around 7.5 pounds. For a brief historical overview, the Chocolate variety of the Havana was the first, and appeared in a litter of a Dutch marked doe in Ingen, Holland in 1898. These new rabbits were first given the name of Ingensche Veuoraoz, “Fire-eye from Ingen,” because of the unusual ruby glow to the eyes when viewed in good light. The breed soon became known as “Havana” after the rich chocolate color of Havana cigars. Havanas were soon being bred in France, Switzerland, and Germany and Chocolate Havana of widely different types were displayed at various shows in Europe. In the first decade of 1900, the new chocolate rabbits quickly made their way through Europe via Switzerland and Germany. They varied wildly in type, size, and quality. Little by little, Havanas began to look like Havanas, as breeders used out-crosses to correct faults and enhance fur quality. They showed up in the UK in 1908. England’s National Havana Club formed in 1920. The breed also made its way to the USA in 1916. The Havana breed made its way to the United States and was accepted into the ARBA in 1916 as the ‘Standard Havana’. Havana quickly became popular due to their eye appeal and their mink-like fur quality and texture, which placed Havana pelts in great demand. The Havana Rabbit Breeders Association was established in 1925. The Havana Club in the US was formed in 1920. At the time, the rabbit was still 7+ pounds, and reportedly difficult to breed. Over the next 30 years, Havanas took two shapes - large and small. The heavyweight variety never caught on, but the medium-sized Havana we know today was well-received. Lee Own Stamm originated the Blues in 1965 and the Blacks in 1980. The Havana of today evolved from a much different type. Havana breed is based on intense color and mink-like fur, and the emphasis of those features becoming more intense over the years. The compact body type, however, has evolved over the decades to the standard we depict today. 1914 In the 1914 ‘Rabbit Culture and Standard,’ The Complete and Official Standard of all the Rabbits (1), “Havanas were one of the latest varieties listed… The correct color listing was described as dark brown to dark chestnut brown and blood red brown changing with the varying light.” The development of two distinctly different sizes of Havana were being exhibited, with one a smaller, neat, short-coated variety and “… larger ones often exhibit a dewlap and are somewhat coarse and awkward looking.” The 1914 standard reflects the importance of color with 30 points and type with 30 points; however fur was only allotted 10 points and was to be short, fine and silky. 1920’s In the 1926-27 and 1928-29 editions of The American Rabbit and Cavy Breeders Association Guidebook and Standard, the Havanas were listed as “one of the most beautiful fur breeds and a very useful rabbit for their skins require no dying but can be used in the natural state as the rich chocolate color is very attractive...” Havana Rabbit Club Standard continues to emphasis color with 30 points, and the coat was to be short, fine and silky and cut severely for white hairs. Type was still being determined as the breed tried to meet the demand for beautiful pelts. Senior weights were 4 ½ to 7 pounds exhibiting quite a range. 1930’s The 1930’s appeared to be a period when the Havana was being defined as to type. The Standard Havana description began to change to make room for a new variety. There were now 2 varieties, chocolate in color, known as the Standard and the Heavyweights. The Heavyweights were later called the American Havana, with an ideal weight of 9 pounds. The emphasis was for a larger fur pelt which was in high demand at the time; however they lost much of the body type and quality of fur and the Heavyweights were dropped from the standard by the 1940’s. Meanwhile, in 1930, Mr. Walter Huey discovered a new mutation of Havana with an entirely new coat mutation. Initially, these ‘Havanas’ were known as Satin Havana and shown in competition against the Standard Havana; however there was a storm of protest. From this protest came the acknowledgment that the coats were an entirely new coat mutation and we had the start of the Satin breed with the White Satin. Satin Havana Mutation In 1934, the Satin mutation occurred in Indiana. For a short time, they were recognized as a variety of Havanas, however they were unfair competition since the satin shine was so striking. By 1946, breeders of satinized rabbits organized a national club for a dedicated Satin Rabbit breed. 1940’s - 1980’s The Standard Havana continues to be recognized for its coat which is often called near mink. The most recent variety is broken, achieving acceptance in 2008 thanks to the efforts of Brad and Katie Boyce. Brad and Katie Boyce presented the Broken, which was accepted in 2008. Julie Spier presented the Lilac, which was accepted in 2016, providing the breed with the five varieties accepted in the standard and shown today. The flatter body type of the time is reflected in the standard description: “The body shall be cobby type, rather flat and compact, with full, meaty shoulders, tapering slightly to broader and higher haunches. Avoid snaky and too-rounded type, high, rounded hips, or hips cut in under. The head should have a short neck, having full appearance of head being joined directly to shoulders.” The emphasis is on the bold eye reflecting the origin of the breed and on meaty shoulders and broader hindquarters. The breed is ancestral to several others, including the Fee de Marbourg, Perlefee and Gris Perle de Hal. TODAY The Havana of today embraces the compact body type in its definition. General type of the competitive Havana is rather short and compact, tapering slightly from hindquarters to shoulders. Top body line should be a continuous curve from the ear base with a high point over the center of the hips and falling in a smooth curve to the base of the tail. Judging continues to emphasize the breed’s best characteristics: color and fur with 45 points, and a compact type with lots of depth balancing width for 45 points. Eye appeal of an animal that is full, smooth, and well rounded, displaying intense color with lots of luster and mink-like texture of fur is the standard to strive for. Body Havanas are small-medium sized rabbits with short, deep bodies and deep, rich color. Their lustrous fur gives them the nickname “the mink of the rabbit family.” Although they don’t often catch the fancy of pet owners, their beautiful type is a joy to the practiced eye of judges and breeders. The Havana rabbit is a compact breed that should not exceed 6.5 lbs. They have short, rounded bodies. The top line should form a half-circle that rises over the hips before or down to the tail. They have short, straight legs with dark-colored toenails, short ears which are relatively close together, medium-sized eyes and a short head with full cheeks. Approximate Size: 4 1/2 to 6 1/2 pounds Havanas are recognized by the American Rabbit Breeders Association in four color types: chocolate, blue, black, lilac, broken and which is best described as a mix of colors that looks like a Dalmatian. Their average weight is between 4.5 pounds (2.0 kg) and 6.5 pounds (2.9 kg). Coat This breed of rabbit has short, soft, fly-back fur that does not much need maintenance to keep in tip-top condition. To keep their shedding to a minimum, indoor rabbits can be groomed once a week with a slick brush and when shedding time comes around (around Spring), increasing their brushing to twice a week. In any show breed, there’s the ideal type – that wonderful, deep, smooth, sleek body – and then there’s what representatives of the breed really look like. No matter what the standard says, how close does that breed come to meeting it, on average? In some breeds, the real and the ideal are rather a long ways from each other. But there are a few breeds that have been developed to the point where the average show breed is a fine representation of the standard, and the best ones are nearly perfect. One of those breeds is the Havana. It’s no wonder that Havanas are often honored with the Best in Show award at local, state, and even national levels. There’s nothing particularly flashy about this breed, such as might grab a pet owner’s attention, but to the trained eye of a judge, a top notch Havana is simply breathtaking. The body type is incredibly short and deep, approaching a “half basketball” shape when viewed from the side. When viewed from the top, the hindquarters evenly taper to the shoulders. Ideally there should be no flat or narrow spots in the body type, no squared hips, no pinched hindquarters. The head and ears are of medium length and balance with the body. Although type is important, the coat and color are to be given strong consideration as well. Havanas have fly-backs – fur that returns very quickly to its usual position when the rabbit is stroked from tail to head. Havanas do not have a Satin sheen, but their fur does carry an unusually high luster. There are currently four recognized colors: black, blue, chocolate, and broken. The solid colors are all of a dark, rich shade. Havanas have short, fly-back coats which need minimal grooming. A quick brushing once a week should be enough to keep your rabbit looking his best. You can also go over their coat with slightly damp hands to remove static. Havanas may need more frequent grooming when they are molting. Things to Avoid: A long, narrow, or flat body. Flatness over the shoulders. Narrowness over the loin. Hips that are pinched or undercut. Roughness over the spine or hips. Long head or long neck. Unmatched toenails are a disqualification. Color that looks faded, light, rusty, mealy, or has scattered white hairs. Care Requirements: Like any other breed of rabbit, Havana bunnies require a diet consisting of pellets. The rest of their diet is made up a healthy balance of hay, leafy greens, fruits and vegetables. Be aware of what kind of leafy greens you feed your rabbit, as some of them (like iceberg lettuce) contain no great amount of vitamins or nutrients and contain laudanum, which can be harmful in large quantities. Also be careful of what kind of vegetables you decide to feed your rabbit, as some of things are harmful, and some fruits contain too much sugar. Havana rabbits do well whether they are indoors or outdoors, provided they are given plenty of room in their enclosures to stretch their legs and catch some much-needed sunshine. Outdoor enclosures should be made of wood or wire and need to be raised off the ground in order to provide protection from wildlife. Indoor rabbit enclosures should be made of wire and have bedding that should be spot-cleaned every day for cleanliness and completely changed out at the end of every week. Health The Havana rabbit is not known to be susceptible to any particular health issues, but like any other rabbit, measures must be taken in order to raise a healthy, happy rabbit. Remember to check their mouths once every week or two for ingrown teeth, which can grow into their jaw and faces and cause a lot of pain. The best way to prevent overgrown teeth is to have a proper diet with hay, as the hay will naturally file down their teeth. Should you rabbit live outdoors, be aware that they will be more susceptible to fly-strike. Fly-strike is an extremely painful condition in which flies lay their eggs in a rabbit’s fur near dirty areas. When the eggs hatch, they begin sustaining themselves by way of eating your rabbit from the inside out. In order to avoid fly-strike, always check your rabbit for dirt or feces stuck on their coat. Always make sure your rabbit’s enclosure and coat is clean and that your rabbit’s eating habits remain constant. Should you decide to spay or neuter your rabbit, some owners notice that their rabbit tends to be less aggressive. However the Havana rabbit is not known to be hostile, so neutering them may do nothing to their personality. Does can be spayed once they are 4-6 months old while bucks can be neutered as young as 3 and a half months old. Temperament/behavior The Havana Rabbit is known for having a relaxed, friendly personality. However there are also examples that have been known to have a bit of an attitude so it’s well worth researching the lines you’re thinking of purchasing from to make sure that all of his relatives have been even tempered. As long as he’s been allowed to get used to humans and other pets from an early age your Havana rabbit should be calm and able to cope with human interaction without getting stressed. It’s vital that anyone who’s going to be charged with looking after the rabbit knows exactly how to handle it as they can struggle if they feel vulnerable or uncomfortable when picked up. Despite his small size, he will be very strong and can kick and scratch, potentially injuring himself or his handler. Most rabbits are active in the morning and the evening and he will be grateful for boxes, tubes and toys to play with. Rabbits are sweet creatures who easily bond with their human family so long as they are given time and space to properly socialize on their own terms. While not the most energetic rabbit breed by any means, these medium-sized rabbits are perfectly capable of running around indoors or out and letting out a little mid-air hop. Should you decide to engage in some one-on-one playtime, you may find that your particular rabbit enjoys some ear or head scratches and some gentle back petting. Because of its medium size, the Havana rabbit makes a great pet for families with children of any age. Because it isn’t too high energy, it makes an attractive pet for seniors looking for a fuzzy companion in their lives. Some rabbits need to be entertained with many toys (whether it is a store-bought one or something as simple as a toilet paper roll is entirely up to you), others don’t need much to keep them happy. It all depends on your particular rabbit’s personality. When it comes to potty-training your rabbit, you may find it is significantly more difficult than training another pet such as a cat or dog. While more challenging, it is definitely not impossible to litter-train rabbits but they do require much more patience and time than other animals. Many pet parents have found that placing several litter boxes around the house works best, as your rabbit won’t have to travel to the other side of your house to do the deed and risk not making it. If you would like more info on a House rabbit, you can check out the house rabbit episode. uses Rabbits tend to be bred for one of four things: meat, fur, show, or pet use. Havana rabbits are usually show rabbits, and are very popular as such. They come very close to their breed standard, often winning top honors at local and national shows. Often referred to as the ‘mink of the rabbit family’. Club The American Rabbit Breeders Association (ARBA) maintains the breed standard for all of the recognized rabbit and cavy breeds for it's international membership. Recognized breeds are eligible for Registration and Grand Champion recognition. The AMERICAN RABBIT BREEDERS ASSOCIATION, INC. is an organization dedicated to the promotion, development, and improvement of the domestic rabbit and cavy. In the USA, Havanas weigh 4.5 - 6.5 pounds. They have a compact body type, and are useful for show and pets. And additionally, their fur has a special glossiness, which makes it great should you also wish to utilize their pelts. One is not limited to Chocolate. Four additional varieties have been accepted in the US: Blue, Black, lilac and brokens. The British Rabbit Council (BRC) is a British showing organization for rabbit breeders. Today, the BRC among other things investigates rabbit diseases, maintains a catalog of rabbit breeds, and sets rules for about 1,000 rabbit shows annually in the UK. In the UK, Havanas are dark chocolate “with a purplish sheen.” The glossy normal fur is approximately 1 inch in length. Havanas should weigh 2.722 kg (6 pounds) with a half-pound latitude permitted either way. Have I Missed Anything about the Havana? If you know something about the breed standard, history or status of the Havana rabbit, please let me know. Do You Have a Story About The Havana? What do you love about them? Do you have any tips or tricks up your sleeve for what might make the Havana happiest? Perhaps you're a breeder of the Havana rabbit. Let me know, and maybe we can set up an interview? http://www.thenaturetrail.com/rabbit-breeds/havana-rabbit-breed-information/ http://rabbitbreeders.us/havana-rabbits https://en.wikipedia.org/wiki/Havana_(rabbit) http://www.raising-rabbits.com/havana-rabbit.html http://www.petguide.com/breeds/rabbit/havana-rabbit/ https://www.pets4homes.co.uk/breeds/rabbits/havana/ http://www.havanarb.net/breed-history.html Plant of the Week: Wheat Word of the Week: Brilliant Every week I would like to bring you an item on Amazon that I personally use or has been purchased by many members of the audience, and I have researched enough to recommend. Today’s HOTR Amazon Item of the week is the This weeks item is a Headlamp: This weeks item is a NiteCore Cree Headlamp. I use this NiteCore Cree Headlamp to check on my rabbits outside. This is Purpose-designed for hiking, climbing, camping and general outdoor recreation. It is All metal high-performance dual-beam headlamp Aluminum "unibody" construction is highly rugged and provides excellent cooling performance. It Utilizes a premium CREE XM-L2 (T6) LED Powered by a single 18650 lithium-ion battery for up to 565 lumens of output. High-efficiency circuit provides up to 400 hours of run-time. It produces an extremely wide beam. This is probably the best NiteCore Cree Headlamp I've found to-date. What I like about the NiteCore Cree Headlamp: It's bright - for most stuff, the 2 highest settings are way more than you'd want for anything that's within a few yards of you. It'll also blind anyone you're looking at. Easy to use control buttons. Built in red lamp which is useful for retaining your night vision. I think the red light level is just about right - you're really not going to see anything more than a few yards out with it, but it's meant to preserve your night vision. It would be nice if you could adjust the brightness, but that would just be a nice bonus. This has long battery life - I usually use this at the 2nd dimmest level as that's enough for most projects, and I get many many hours. I usually re-charge it once a month, and I use it several times a week or more. The only real issue is the strap isn't the greatest. I usually have to have it on a little tighter than I'd prefer for longer usage duration to keep it from falling off if I'm sideways or upside down. If you're not contorting yourself in crazy positions it probably won't be an issue. You can also put the NiteCore Cree Headlamp on over a hat. Rabbit Dance an Oneida legend retold by Desiree Barber http://www.uwosh.edu/coehs/cmagproject/ethnomath/legend/legend16.htm Long ago, two hunters went hunting deer for their village. They hunted for a very long time without seeing any signs of deer, but they didn't return to the village for they knew they had to provide food for the winter. Suddenly, they heard a very loud thump! They stopped and listened to see if there would be another thump, and sure enough, they heard it again! This time the thump was louder, "THUMP!" One hunter said to the other, "What is that?" The other hunter said, "I don't know, but IT sounds very close!" So, both hunters got on their bellies and crawled to a nearby clearing surrounded by bushes. In the center of the clearing they saw the biggest rabbit they had ever seen! The first hunter started to aim his bow and arrow at the huge rabbit, but the second hunter stopped him and said, "Let's wait to see what he is going to do." Both hunters waited and watched the huge rabbit as he lifted one of his big back legs and thumped it three times on the ground. Then, out from every direction hopped regular sized rabbits. The hunters watched very closely not wanting to miss anything. The little rabbits gathered around the big rabbit, and the big rabbit began to thump his back leg in a pattern as the little rabbits danced. The hunters watched in awe as the rabbits danced. Then the big rabbit thumped his leg in the directions in which the hunters lay. The huge rabbit looked in that direction and leaped into the sky. Then all the rabbits quickly hopped away. The hunters watched still in awe. They realized they had to go back to the village and tell the people what they had seen and heard. They ran all the way to the village and asked if they could speak to the elders. After they told their story, one of the elders said, "Show us how the beat and the dance went." The hunters showed them exactly what the rabbits did. Another elder said, "The rabbits gave this dance to tell us to show them respect and appreciation for what they give to us. We will name the dance after them, and we will dance it at our socials to show them our gratitude." So this is the way it was then and is now. That is how the rabbit dance came to be. News http://www.mauinews.com/opinion/columns/2017/06/rabbit-fever-could-be-deadly/ It is the law in Hawaii to keep rabbits contained and off the ground if they are outside. Environmental impacts not withstanding, rabbits also pose a threat to human health. Tularemia, aka “rabbit fever,” can be a serious disease for both humans and animals. Several years ago, a researcher working with sparrows at a rabbit farm on Maui fell ill. He was fev-erish and tired, then started getting sores on his skin. Doctors weren’t sure what it was and although he was never officially diagnosed, he responded to treatment for tularemia, a disease caused by a bacteria carried by rabbits, rodents and other animals. Officially, tularemia has never been documented in Hawaii. It’s difficult to culture the bacterium and handling it poses a significant infection risk to lab workers. “If not here, there is a real threat that tularemia could, at any time, be introduced into Hawaii. It affects so many animal species, and once here, mosquitoes and other blood-sucking arthropods could spread it, “says Fern Duvall, head of Maui’s Native Ecosystem Protection and Management program with the Department of Land and Natural Resources. On the Mainland, where tularemia is widely present, the disease is rare among people. They are exposed to the disease if they handle infected animals, or if bitten by ticks or another insect that fed on an infected animal. When bacteria come in contact with the skin, they cause ulcers that spread through the body, eventually reaching the lungs. If the bacteria are inhaled, the results can be deadly. Occasionally, there are serious localized outbreaks of the disease. The summers of 2000-01 saw 19 cases of tularemia on Martha’s Vineyard, Mass., and one proved fatal. The Centers for Disease Control came to investigate. An unusually high number (14 out of 19) had pneumonia (the bacteria had entered the lungs) and many involved landscapers. What the CDC suspected was that lawnmowers or other cutting tools struck the carcasses of dead, infected rabbits and the bacteria went airborne. In 2015, there were outbreaks in Colorado, Wyoming, South Dakota and Nebraska. The CDC theorized these outbreaks may have been triggered by increases in rabbit populations, which grew in response to more vegetation, caused by higher than normal rainfall. Vegetation, rainfall and landscapers are plentiful in Hawaii; what we don’t have are populations of rabbits running wild — at least not yet. According to state law, people can keep rabbits but they must be contained. If kept outside, rabbits must be in a cage off the ground. The penalties for noncompliance may reflect the seriousness of the threat: loss of your pet, fines or even jail time. Duvall says the natural predators of rabbits in Hawaii — cats, rats or mongoose — are unlikely to keep populations of wild rabbits in check. Rabbits evolved with a multitude of predators: weasels, coyotes, bobcats, owls, hawks, snakes, foxes and raccoons. To survive high mortality rates, they breed like, well, rabbits. The female (doe) can become pregnant with her first litter at 3 months of age, and again just a month later, within days of giving birth. One pair of rabbits can produce 100 kits (baby rabbits) per season, and up to 1,000 in a lifetime. “We know they can become invasive,” explains Duvall. In 1989, six illegally released rabbits quickly became 100 at Hosmer Grove in Haleakala National Park. On Laysan, a small island in the Northwestern Hawaiian Islands, free-roaming rabbits ate the island bare in the early 1900s, likely causing the extinction of three bird species — Laysan millerbird, Laysan apapane and Laysan rail. Beyond environmental impacts, rabbits running wild increase the risk of tularemia. “Rabbits are more often in contact with people,” explains Duvall. Whether as pets kept outdoors or released to the wild, more rabbits means more rabbit-human interactions. Other pets can be affected: dogs, cats and livestock can get tularemia from ticks or direct contact with an infected animal. Early treatment with antibiotics is critical. You can help protect Hawaii. If you have a pet rabbit, spay or neuter it. If you raise rabbits, keep them contained. If you see a rabbit running wild, report it. Call the Maui Invasive Species Committee at 573-6472. Irish R&B Trio Hare Squead’s New Video Is Just The Thing For A Rainy Summer Day http://www.thefader.com/2017/06/09/hare-squead-video-pure-premiere Ireland's imaginative rap and R&B group Hare Squead presents a new video for their soulful track “Pure." Before this release, the Dublin trio appeared on Goldlink's recent At What Cost album, crooning on the song, "Herside Story". In their latest visual, the three artists find themselves on a mental journey, on what seems to be a long day of looking for escape. They play pool and carouse through the city in a G-Class Benz, singing “I just want to leave sometimes/ You should let me breathe sometimes.” “This song represents more of a serious side," Hare Squead told The FADER over email. "We recorded it in a haunted studio in a village in Ireland where Michael Jackson used to record. We were very inspired by old antiques and eerie fields and that had a play on the whole vibe of the track. The meaning of the track is something personal, each of us has a different interpretation. Overall, we could say the meaning of the song is about how fresh love and pure intentions get twisted and messed up as we struggle and fail to understand one another. It's not a summer song. Play it on that one day it rains in the summer.” http://vevo.ly/yPXDHn Peter Sallis, voice in 'Wallace and Gromit,' dies at 96 And with him, one of the great characters in animation. http://www.metro.us/entertainment/movies/peter-sallis-wallace-and-gromit-dies Peter Sallis is one of those actors you probably know more by his voice than his face. He was one of England’s many go-to workhorse actors, appearing on stage and on screen, but usually in minor roles. (These include tiny parts in “Saturday Night and Sunday Morning,” the Timothy Dalton “Wuthering Heights” from 1970 and 2005’s “Colour Me Kubrick.”) But his most famous turn was a biggie. He was the voice of Wallace, the absentminded, cheese-loving inventor of the beloved “Wallace and Gromit” stop-motion animation series — one of the great British exports of the ’80s through the early 2010s. It’s reported that Sallis has died. He was 96 years old. Sallis’ passing leaves us bereft of one of movies’ and television’s most soothing sounds. Hearing him say, in his Northern English drawl, “Cracking good cheese, Gromit,” caused a Pavlovian chill in fans of the franchise, which spanned four award-wining shorts, a television show (2010’s “Wallace and Gromit’s World of Invention,” Sallis’ last credit) and, sadly, only one (delightful) movie: 2005’s “Wallace and Gromit: Curse of the Were-Rabbit.” Apart from supporting characters — including Ralph Fiennes and Helena Bonham Carter in “Were-Rabbit” — Sallis was often the only voice you heard on “Wallace and Gromit.” After all, Gromit was his dog, who, of course, never spoke. He didn’t need to; he had one of the most expressive faces in animation, even if it was often used for Buster Keaton-style deadpan, regular there to show his loving exasperation with his owner/flatmate. A rare kind-hearted mad scientist, he was always coming up with harebrained contraptions that got him and Gromit into trouble. In our favorite “W&G” product, the Oscar-winning short “The Wrong Trousers,” Wallace’s oversized, mechanical trousers are commandeered by a devious penguin (posing as a chicken, with a latex glove over his head, natch), who wants to rob a bank. We’re speaking of the “Wallace and Gromit” franchise in the past tense. That’s because we’re not sure if it will continue after Sallis’ passing. Aardman, the peerless stop-motion animation house that made the series (as well as “Chicken Run” and the “Shaun the Sheep” series), did retire their characters in 1996, only to repeatedly revive them, as a world without more “Wallace and Gromit” just seemed to grim to bear. And now that he’s gone, it is. Still, it would be surreal and sad to hear someone taking over for Sallis — much like the disconnect when you hear someone voice Kermit after Jim Henson’s death: The voice is similar, but something’s off. Instead, we can honor Sallis’ legacy by gorging on the “Wallace and Gromit” work we do have. Friends from England tell us it’s tradition there to spend Christmas Day watching a big movie — “Gone with the Wind,” or the original “Star Wars” trilogy” — as well as the original three “Wallace and Gromit” shorts. Might as well make that a tradition here as well. Rabbit in the Moon come to Orlando House of Blues this summer http://www.orlandoweekly.com/Blogs/archives/2017/05/30/rabbit-in-the-moon-come-to-orlando-house-of-blues-this-summer The psychedelic duo will be performing at the House of Blues on Saturday, Aug. 19. Doors open at 8 p.m. Since their reunion at Ultra Music Festival in Miami in 2016, following a six-year hiatus, singer-performer Bunny and producer David Christophere have been making more regular appearances together. https://youtu.be/nDCnWn-WrNw Tickets for the show go on sale Friday, June 2. Unicorn drinks, rabbit pizza on Stampede menu https://www.durhamregion.com/news-story/7321411-unicorn-drinks-rabbit-pizza-on-stampede-menu/ CALGARY — The annual reveal of new foods coming to the Calgary Stampede has been released, and the list includes both the sickeningly sweet and the simply weird. The Unicorn White Hot Chocolate offers white hot chocolate surrounded in rainbow sour poppers, sprinkles, sugary stars, a ribbon rainbow tail, and blanketed with a fluffy cotton candy cloud. Cereal Monster Sandwiches consist of a massive amount of ice cream crushed between two marshmallow squares, while the Cookie Dough-ne offers raw cookie dough in a waffle cone that is surrounded by cotton candy. From the fryer, there's deep-fried Jell-O, pork belly and something confusingly called Butter Chicken Bear Balls, which is described as "golden deep-fried balls smothered in a delicious butter chicken sauce ... and topped with a candy-coated anise." Canadian bacon Pickle Balls are a hot dog and pickle wrapped in bacon, fried in batter and served on a stick, while the World’s Hottest Pizza delivers its flavor punch by simply packing on the ghost peppers. If unconventional meat is your thing, try the rabbit pizza, crispy chicken feet on a stick or the Angry Chicken sandwich, smothered in both chipolte aioli and sweet and sour sauce. And no Stampede would be complete without a not-routine poutine, and this year the prize must go to the Tropical Bobster, consisting of lobster and mango salsa atop crispy fries. The Calgary Stampede runs from July 7 to 16. By The Canadian Press Photo Magic Minot Camera Club awards winners in ‘Year-End Competition http://www.minotdailynews.com/life/arts-entertainment/2017/05/photo-magic/ Along with winning first place for “Prairie Storm,” Zeltinger was voted winner of the Eileen McEown Outstanding Member Award. Submitted Photo “Have You Seen a Rabbit?” by Minot photographer Erich Linser earned first place in the monochrome division. Submitted Photo “Have You Seen a Rabbit?” by Minot photographer Erich Linser earned first place in the monochrome division. As Zeltinger captured the ferocity of a lightning storm, Kyra Hansen, of Minot, seized the magic of “Fireflies” in the artistic division. “Kyra is an up and coming photographer,” Nordstrom said. “She has an incredible eye for catching pictures and adds a unique artistic quality to them. Kyra has a bright future.” For the fourth year in a row, Hansen was awarded Outstanding Photographer of the Year. While Hansen caught the mesmerizing “Fireflies,” Erich Linser, of Minot, tested the curiosity of viewers in his first-place monochrome winner, “Have You Seen a Rabbit?” “This picture has placed in various North Dakota competitions,” Nordstrom said. “Erich has a special way of capturing the eyes of viewers.” For Wichita artist, a bunny a day keeps the boredom away http://www.kansas.com/entertainment/ent-columns-blogs/keeper-of-the-plans/article150898277.html By Matt Riedl Wade Hampton doesn’t have a bizarre obsession with rabbits. He just likes their form, artistically – simple as that. “From an artistic standpoint, I think rabbits are the perfect subject if you’re going to draw an animal,” Hampton said. “I don’t have some weird obsession with rabbits, like I’m running around the yard chasing them.” As a creative challenge, Hampton is drawing a bunny every day for a year and posting the results on Instagram. Some of his rabbits are cute – the kind with carrots and flowers included – and some are creepy, with dark circles under their eyes and cigarettes dangling from their mouths. People have enjoyed the project on social media – whenever Hampton shares his drawings on Facebook, they typically garner upward of 150 reactions. Not bad for quick daily doodles. “For me, it’s an experiment,” Hampton said. “I know the majority of them are not very good. That’s not a big deal to me. It’s like publicly putting out a sketchbook.” Hampton is well-known in Wichita for hosting “home shows,” in which he would invite friends and strangers to his home, where the walls were covered with hundreds of doodles like these, all for sale. While Hampton said he has decided to stop doing the home shows, he wanted to keep his artistic chops sharp – hence the bunny project. “I did a bunch of shows a long time ago called Art from the Gut, where you just do a bunch of drawings and you don’t really think about it too much,” Hampton said. “The thinking is that if you don’t think about it too much, some magic can happen.” About three months into the project, Hampton said Tuesday he’s considering putting on a bunny-drawing show at a gallery later this year. Those plans are still in flux, though, so until then, your primary viewing outlet will be at www.instagram.com/drawabunnydaily. “Hand to God, when I did these, it was totally for an experiment. ... You know me: If I wasn’t doing a show, I’d probably do some kind of video where I burn them all and some guy in a rabbit costume dances around it and call it art,” Hampton said. “It’s nice for these pieces to find a home – otherwise, they just sit in a sketchbook until I die. I’d much rather have somebody say I framed this and stuck it on my wall than it sit in my drawer.” http://www.petgazette.biz/14537-burgess-celebrates-national-pet-show-success/ Burgess celebrates National Pet Show success Burgess Pet Care has announced that this year’s National Pet Show in London has been its most successful yet. The company more than doubled its sales from last year. Burgess’ team highlighted the welfare needs of small animals and provided information about the benefits of high-quality feeding hay. Dr Suzanne Moyes MVB MRCVS, veterinary director at Burgess, held a series of presentations aimed at educating small animal owners – and those considering a new addition to the family – about the responsibilities of pet ownership and the best ways to ensure the health and happiness of small animals. As organizers of this year’s Rabbit Awareness Week (RAW), the National Pet Show provided the team with a fantastic opportunity to raise awareness around the importance of high-quality feeding hay in rabbits’ diets. Once again, the Burgess team joined forces with Julian Norton, star of Channel 5’s hit TV show The Yorkshire Vet, who was in attendance at the Burgess stand to sign copies of his new book and talk about the importance of feeding hay as part of this year’s RAW campaign. The #HoptoHay campaign is raising awareness around the fact rabbits should have between 85-90% of feeding hay and grass in their diets every day. Charlotte Varley, Event Manager at Burgess Pet Care, said: “This year’s National Pet Show in London has been our biggest yet, and we couldn’t be happier with the feedback we’ve had from visitors at the stand. Our sales were more than double of that last year – we even sold out of some product lines by the end of the first day! “The wellbeing of animals is at the heart of everything we do, and events such as the National Pet Show provide an amazing opportunity to engage with enthusiastic pet owners who share our love of animals, and help them learn more about how they can keep their animals well looked after and happy. “As we move closer to this year’s Rabbit Awareness Week, we’ll continue to work with our partners to help better the lives of more rabbits and to help more people understand one of Britain’s most misunderstood pets.” Rabbit awareness week takes place this year between June 17-25 and is supported by a variety of partners, including Agria Pet Insurance, RSPCA and RWAF South Pasadena bans sale of dogs, cats, rabbits from pet stores http://www.sgvtribune.com/government-and-politics/20170519/south-pasadena-bans-sale-of-dogs-cats-rabbits-from-pet-stores SOUTH PASADENA >> By a unanimous vote, the City Council outlawed the sale of dogs, cats and rabbits from pet stores and other commercial establishments within the city. The ban received overwhelming support from community members and animal rights’ groups who see it as a step toward shutting down puppy mills, said Councilwoman Marina Khubesrian. “The thank you letters are still pouring in this morning,” she said on Friday. Recommended by the city’s Animal Commission, the new ordinance was first approved Wednesday night by a 5-0 vote. It must receive approval upon second reading in June and takes effect 30 days after final approval, she said. Puppy mills usually breed cats and dogs in poor conditions and sell them to pet stores and other retail outlets. But the sale of puppies, kittens and rabbits has become an interstate business facilitated by ads on Internet sites, something the retail ban will not address, the city report states. “Such an ordinance will assist in reducing the demand for animals bred in substandard facilities,” concluded the report from Arthur Miller, chief of police. Once in effect, the ordinance will mostly affect Pet’s Delight, which sells puppies, kittens and rabbits. The store, located at 725 Fair Oaks Ave., also sells rodents, reptiles, birds and fish and the sales of these animals are not banned by the ordinance. A woman answering the phone said the store would have no comment. The Urban Pet, down the street at 900 Fair Oaks, does not sell animals and therefore would not be affected by the new ordinance. Khubesrian said the city had not heard from Pet’s Delight, adding: “This will not put them out of business.” The city had not received a response from anyone opposing the change, she said. Dozens of people spoke in favor of the ordinance at City Hall Wednesday night. Khubesrian said the city received 60 to 70 emails in support. On Thursday, People for the Ethical Treatment of Animals sent each council member and police Capt. Mike Neff who helped craft the ordinance vegan chocolates in the shape of rabbits as thank you gifts. “Cruel puppy, kitten and rabbit breeding mills churn out animals into a world that’s already bursting at the seams with homeless animals, said Tracy Reiman, PETA executive vice president in a statement. “PETA hopes South Pasadena’s progressive example will inspire other cities across the country to ban the sale of animals in pet stores.” Instead of buying kittens, puppies or rabbits from Internet dealers or pet stores, Khubesrian encourages residents to adopt them from the Pasadena Humane Society, whom the city has a contract, or from pet rescue organizations. The city will encourage more pet adoption events to be held at pet stores, she said. She said buying from a puppy mill often means the puppy is not healthy and can end up costing the buyer in veterinarian bills. Licensed pedigree dog and cat breeders will not be affected by the ban, she said. “Pedigree breeders don’t subject the animals to constant litters and the animals are raised in a much more humane environment,” said Khubesrian.
On this weeks episode we review the albums “Playboi Carti” by Playboi Carti, “Dopamine” by Mila J, “At What Cost” by Goldlink, “A Time And Place” by Anoyd, and “Digital Drug Dealer”, by Blackbear. TRC 63 Playlist BEST ON SHUFFLE Email trc@thereportcardlive.com Ambitious Image Instagram @TRCPodcast @Soloyalclothinginc @Soloyal_customs @jnicollespeaks @moodz_lhe @Elysianbeauty Twitter @trcpodcastlive The Report Card Podcast Facebook Soundcloud Tumblr Google+ Youtube You can subscribe to us on iTunes, Google Music Play, iHeart Radio, Stitcher, Soundcloud, Youtube, Libsyn, and tuneIn. Grade Scale A+ 100 Classic A 99-96 Classic A 95-92 Amazing A- 92 Amazing B+ 91 Fire B 90-88 Fire B 87-84 Dope B- 83 Dope C+ 82 Solid C 81-79 Solid C 78-75 Average C- 74 Average D+ 73 Needed Work D 72-70 Needed Work D 69-65 Trash F -65 Trash Like...Comment...Subscribe...Review Thank you to everyone who listens weekly.
On his major label debut At What Cost, Washington DC's Goldlink is shining the light on the city that shaped him, and bringing a long some of the hottest up-and-coming DC stars for the ride. Marcus Dowling (Decades, Bandcamp) and newbie Jake Ramirez join Kevin in the basement to discuss this ambitious ode to the nation's capitol and see whether it does our shared hometown right, or if this history lesson needs a little more meat on it's bones. PLUS! Barf Troop's Babeo Baggins, now B.B, is back and this hip-hop innovator has gone COUNTRY! We'll tell you all about it, and give you a taste of her latest single, "Thunderbird", for good measure. Giddyup! See acast.com/privacy for privacy and opt-out information.
In this episode, we prepare for the ice age of hiphop, as Kendrick clearly shuts the game down on April 14th 2017. So in order to prepare for that, we recorded this episode the night before so we could cover some albums that dropped already that needed some shine, particularly Mike Will Made It's Ransom 2 and Goldlink's At What Cost. We also discuss some of the cultural updates that happened this week. --- Send in a voice message: https://anchor.fm/through-the-crate/message Support this podcast: https://anchor.fm/through-the-crate/support
After giving a toast to being named one of the many raising black run podcasts by The Hundreds. JC gives his take on why he's excited for the Raiders moving to Las Vegas and who the Oakland fans should be pointing their fingers at. The trio reflect on the Big Sean concert in SF and how Busby and JC spread the news to fans that Kendrick Lamar had some bars for Sean Don. They then talk about "The Heart Part IV" and Busby tries to get Yvanna to choose sides between Drake and K. Dot Other topics the group discuss: -Drake's odd Sade tattoo -Review of the new Power Rangers movie as well as album reviews for Trey Songz "Tremaine," Mike Will Made It's "Ransom 2" and Gold Link's "At What Cost." -T.I. and Tiny's marriage crumbing -Yvanna wanting to know why some people hide their kids on social media and much more! The iLLogical Soundtrack Of The Week Yvanna: GoldLink feat. Hare Squead-Herside Story https://www.youtube.com/watch?v=m-zeV_s3bfY Busby: Anonymous That Dude-Rockin' Wit Me https://www.youtube.com/watch?v=x7k0pZD9ib8 JC: Pac Div-Mayor https://www.youtube.com/watch?v=CO8TZwuk-Ec Shout out to The Hundreds! http://thehundreds.com/blog/the-revolution-will-not-be-televised-the-emergence-rise-of-black-podcasts/
In this episode we field a question posed to us by Pure Mongrel's G+ post … I have a pondering for you guys in regards to game tempo and quality over quantity… Understanding that each playing group is different, there is a general consensus that combat should be fast, prep time should be minimal and... The post 101 At What Cost? appeared first on Gaming and BS RPG Podcast.
In this episode we field a question posed to us by Pure Mongrel’s G+ post … I have a pondering for you guys in regards to game tempo and quality over quantity… Understanding that each playing group is different, there is a general consensus that combat should be fast, prep time should be minimal and... The post 101 At What Cost? appeared first on Gaming and BS RPG Podcast.
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