Podcasts about constellations

Check out our review of Matt Johnson's ‘Tony.' We'll also discuss the week's top entertainment news, including the trailer for ‘The Pitt' Season 3; DCU's development of ‘The People v Gorilla Grod;' a third ‘National Treasure' movie; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (3:19)‘Tony' Movie Review (34:38)*SPOILERS* for ‘Tony' (53:05)What Are Ya Doin'? (1:11:53)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Why does the American flag use stars to represent the states? In The Star-Spangled Republic: Political Astronomy and the Rise of the American Constellation (U Virginia Press, 2025), Eran Shalev answers this and many other questions, considering the cosmic imagery—so familiar today but so peculiar on reflection—that suffused the United States' early political culture. In this comprehensive study, Shalev uncovers how “political astronomy”—the discussion and representation of politics through astronomical models, allusions, and metaphors—reflected and facilitated the emerging worldview that enabled Americans to justify and find meaning in the country's new democratic modes of governance and its federal system. No other scholar has looked at American political rhetoric through this lens; in so doing, Shalev is able to explain in fascinating detail how Americans turned away from the sun of heliocentric monarchy toward the night sky full of federated constellations, and to discover republicanism imprinted in the firmament. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode of The Quiz, we're testing your knowledge on everything from stargazing astronomy to top-ranked university programs. Can you answer these? Night Sky Constellations: You can easily spot them in the clear evening sky, but do you know which pair of well-known celestial formations come in both "Big" and "Little" versions? Iconic Lyrics: "There must be some kind of way outta here..." begins one of the most famous tracks in rock history, but do you know which legendary singer-songwriter originally wrote and recorded it? Top Tech Universities: U.S. News & World Report ranks higher-education programs across the nation, but do you know which Pennsylvania university tied with M.I.T. for the top spot in Artificial Intelligence? Play. Share. Listen, with FOX on Games podcast host, Eammonn Dignam. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Rick Fisher of the International Assessment and Strategy Center analyzes China's advancement in space and its competition with the United States. Fisher discusses China's Gandai constellation, a space debris monitoring satellite system controlled by the People's Liberation Army (PLA), which tracked a SpaceX Falcon 9 booster crashing near the moon's Einstein crater from over 380,000 kilometers away. He warns that this constellation can perform dual-use military targeting for space combat and missile defense. Fisher criticizes China's lack of transparency, noting its refusal to give advance notice for earthbound ICBM tests and its intention to let expendable propulsion stages crash into the lunar surface. Finally, he highlights the rapid progress of China's LandSpace with its liquid-fueled, methane-oxygen-powered reusable Zhuque-3 rocket, predicting that ten Chinese companies will offer cheap reusable launch services within five years and directly undercut Western competitors. (2)

Check out our review of ‘The End of Oak Street.' Beforehand, we'll talk about the season 3 finale of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for ‘Primetime,' ‘Violent Night 2,' and ‘Visionquest;' Marvel announces the cast for the X-Men; Gareth Edwards leaves Jurassic World 5; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (2:26)*SPOILERS* ‘House of the Dragon' Season 3, Episode 8 (35:30)‘The End of Oak Street' Movie Review (56:45)*SPOILERS* for ‘The End of Oak Street' (1:14:07)What Are Ya Doin'? (1:33:22)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Das Wall Street Journal rechnet vor, dass die großen Techkonzerne rund drei Billionen Dollar an Verpflichtungen tragen, die nicht in ihren Bilanzen stehen, also Kaufzusagen, noch nicht begonnene Leasings, SPV-Konstruktionen und Bürgschaften. Davor geht es um OpenAIs neues Zehn-Gigawatt-Projekt in Ohio, für das Nvidia einen Teil garantiert, und um die Frage, ob GPUs sich wie Flugzeuge oder Schiffe finanzieren lassen. Anthropic soll Ende Juli bei 65 Milliarden annualisiertem Umsatz gelegen haben und peilt für 2028 rund 200 Milliarden an. Stripe kauft OpenRouter für sieben Milliarden. Berkshire erhöht die Alphabet-Position um 83 Prozent, auf Buffetts eigenen Wunsch. Aus China kommen drei Milliarden Qwen-Downloads und ein neues Modell von Z.ai. Google ersteigert für zehn Millionen den Datenbestand einer insolventen Fluglinie. Unterstütze unseren Podcast und entdecke die Angebote unserer Werbepartner auf ⁠⁠⁠⁠⁠⁠⁠doppelgaenger.io/werbung⁠⁠⁠⁠⁠⁠⁠. Vielen Dank!  Philipp Glöckler und Philipp Klöckner sprechen heute über: (00:00:00) Titelsuche (00:01:08) 10 Gigawatt in Ohio (00:02:15) Absatzfinanzierung (00:04:53) Nvidias Bilanz (00:16:05) Die 3 Billionen (00:35:42) Emissionen der Rechenzentren (00:38:19) Misstrauen gegen KI-Chefs (00:40:42) OpenAI-Umsatz (00:42:42) Stripe kauft OpenRouter (00:46:34) Anthropic-IPO (00:55:43) 13F und Berkshire (01:00:46) Qwen-Downloads (01:05:01) GLM 5.3 (01:06:05) Shein fällt weiter (01:06:50) Uber und Zipline (01:12:56) Cursor Origin (01:15:28) YouTube-Views (01:20:35) Google kauft Spirit-Daten (01:29:51) Apple und das Kartellamt (01:31:00) Teickes attuned.world (01:38:43) Thelens Tweet (01:45:22) Grok (01:48:43) Amazon zerschneidet Bücher (01:54:49) Metas COPPA-Prozess Shownotes OpenAI sichert sich 10 Gigawatt in Ohio, Nvidia stützt die Finanzierung - wsj.com Halbleiterkonzerne finanzieren ihre eigenen Kunden - news.crunchbase.com Warum die KI-Ausgaben 3 Billionen höher liegen als ausgewiesen - wsj.com 60 geplante Rechenzentren und ihre CO2-Bilanz - ft.com Junge Menschen misstrauen den KI-Chefs - futurism.com OpenAI-CFO Friar: Enterprise ist jetzt größer als Consumer - cnbc.com Stripe kauft OpenRouter für über 7 Mrd. - bloomberg.com Anthropics IPO-Bewertung hängt an der 2028er Umsatzprognose - reuters.com Anthropics Umsatz vervierzehnfacht sich im zweiten Quartal - bloomberg.com Berkshire erhöht die Alphabet-Position und steigt bei Constellation aus - wsj.com Alibabas Qwen-Modelle kommen auf 3 Milliarden Downloads - bloomberg.com Z.ai bringt GLM-5.3 als offenes Coding-Modell - decrypt.co Shein senkt die IPO-Bewertung auf rund 25 Mrd. - reuters.com Uber und Zipline wollen eine Million Drohnenlieferungen am Tag - wsj.com Cursor startet Origin gegen GitHub - siliconangle.com GitHub war den halben Tag offline - engadget.com YouTube ändert die Zählweise für Views - theverge.com Google ersteigert die Daten von Spirit Airlines für 10 Mio. - news.bloomberglaw.com Apple ändert die Tracking-Abfrage nach dem Verfahren des Bundeskartellamts - reuters.com Julian Teicke kündigt attuned.world an - linkedin.com Klage gegen xAI: 7.000 Missbrauchsbilder aus einem Kinderfoto - washingtonpost.com Amazon zerschneidet seltene Bücher fürs KI-Training - techcrunch.com Meta vor Gericht wegen Suchtdesign und COPPA - engadget.com

Today's Song of the Day is “Hot Blooded” from New Constellations' album It Comes In Waves, out now.New Constellations will be performing at Amsterdam Bar & Hall on Friday, October 30.

Journal de brèves Quand la science protège la mer 1/5: comment tout a commencé Astronymie 1/5: le nom des constellations L'impact de l'exposition aux écrans chez les moins de trois ans

I try to plan my podcasts in such a way that it looks like I know what I'm doing. This is one such episode that may give you pause for thought.... I'd made a list of albums I wanted to discuss this year. Since that list was written on a scrappy piece of paper and not in a spreadsheet saved on my laptop....well you can guess what happened to it. The I decided to just wing it with an episode of three short form ramblings about albums I wasn't sure I could spend a whole episode on. One recorded segment in, I decided on a new album I wanted to discuss with a partner and talk long form. So, common sense would say, do one or the other....I don't have common sense. Welcome to episode 195 of Love That Album. I devote the first part of the show to an incredible album I only discovered in January of this year. It's a 2011 release on the great New Zealand label, Flying Nun from a composer and musician new to me called Grayson Gilmour. The album is called No Constellation, and it's a revelation. Gilmour is not only a brilliant composer, but listening to this and subsequent albums, he's an incredible arranger. How do I describe this album in a few words? It's as if Brian Wilson circa Smile had written math rock. Makes sense? Of course not....but I do my best to put the music in context and convince you that you need this LP in your life. In the second part of the show, I am joined once again by music journalist Jeff Jenkins to discuss the new compilation on the recently revived Popboomerang label, Shake Yer Popboomerang 4. The label was started a quarter of a century ago (!!!) by Melbourne pop obsessive Scott Thurling. He's been a champion of the local pop scene and has released over a hundred albums by great Australian pop bands. He's released many fine albums, but his compilations in particular are amazing. He's got a knack for convincing bands to provide him (mostly) with unreleased cuts. We're not talking bottom of the barrel – he always gets top notch songs – then he curates them into collections that flow really well, despite many of the acts being quite diverse. Scott doesn't always feel comfortable behind the mic (although I did coax him for an earlier episode of LTA), but Jeff being a fellow Popboomerang fan was very keen to join me in discussing this latest collection as well as a history of the label. There is a common link between the two albums. I love 'em both, and they're both on important independent labels. Have at it. The New Zealand music website I mention in the show and highly recommend is Audioculture.co.nz. My huge thanks to JJ for his great conversation and enthusiasm. We'll hear from him again at the year end favourites episode. You can find either of these great albums on Bandcamp. If you enjoy the show, please consider giving us a favourable review on whatever podcast platform you listen on and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. I don't care who listens..... Love That Album is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum You can download the show by searching for Love That Album on whatever podcast app you favour (except Spotify). Learn more about your ad choices. Visit megaphone.fm/adchoices

The Slowdown is taking a break. We'll be back soon with new episodes. Today's encore episode was originally released on March 30, 2026.Today's poem is XII. Southern Constellations by Brandon Kilbourne. The Slowdown is your daily poetry ritual. In this episode, Maggie writes… “No matter where I am in the world, no matter what beautiful landscape I might find myself in, no matter what new experience I might be having, I feel the pull of home. I don't mean home as in place. I mean home as in people.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

On this episode of The Immigration Lawyer's Toolbox® Podcast, host John Khosravi sits down with returning guest Roman Zelichenko, J.D. to unpack what's really happening in the growing wave of immigration law firm M&A: how firms are actually valued, why some attorneys inflate their revenue numbers with filing fees, the difference between a true acquisition and a "merger" that's really more of a hire, why clean books can make or break a deal, and what private equity's track record in dentistry, HVAC, and plumbing suggests about where legal consolidation is headed. Whether you're thinking about selling, buying, merging, or just want to run your firm like it's sellable, this episode is full of practical insight on the business side of immigration law. Sponsor: Get a free website (first 10 sign-ups) and special pricing on marketing for your firm from Constellation at http://immigrationlawyerstoolbox.com/Constellation. Timestamps: 00:00 – Opening 00:33 – Intro 04:24 – How hard is it for practitioners to value and sell their firm? 04:53 – B2B/corporate vs. B2C firms: why recurring revenue is valued higher 05:30 – The filing-fees-in-revenue trick that inflates valuations 06:36 – What sellers actually want: fair price vs. emotional attachment 07:54 – How clean (or messy) books affect due diligence 09:43 – Bookkeepers, GMI Rocket, and staying on top of your numbers 11:29 – Mergers vs. acquisitions: when a "merger" is really a hire 13:12 – Larger firm mergers and fade-out deal structures 13:52 – New fee memos, attorney burnout, and the push toward litigation 16:13 – Consolidation, specialists, and the rise of AI-native law firms 19:00 – Lessons from private equity roll-ups in dentistry, HVAC, and plumbing 20:17 – Community page & Constellation SEO/marketing sponsor break 21:20 – Back to the show: will the free market self-correct? 21:33 – Envoy Global: an example of PE-backed immigration firms done right 24:19 – Scaling without sacrificing service quality 26:15 – The M&A trend among solo and small firm owners who want out 29:01 – Creative deal structures, equity, and the "Built to Sell" mindset 33:13 – Why QuickBooks and clean numbers drive better marketing and growth decisions 36:26 – Outro Spotify | iTunes | YouTube Music | YouTube Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox

Chris Ponder and G Money join Lt. Gen. (Ret.) Steven L. Kwast to push the "tools for truth" framework into new territory, tying it directly to Bitcoin. G Money makes the case that Bitcoin isn't just a monetary system but a thermodynamically grounded protocol that makes lying nearly impossible once information is written to the chain, while Chris riffs on constellations, constitutions, and why some systems resist being reduced to a simple "hot body" model. Kwast connects it all back to metaphysics, free will, and the historical arc from the American Revolution to today's information war. Expect a wide ranging conversation covering fifth generation warfare, a controversial book recommendation, and a closing call to action that's part strategy session, part sermon on personal responsibility. It's dense, ambitious, and unmistakably optimistic about where this is all headed.

Welcome to another edition of our Truth, Lies & Work Summer Sessions! For this episode, Al and Leanne take a quick break from workplace news and heavy behavioural science to host a special summer game: Corporate Family Fortunes. Joining the fun is organisational psychologist, leadership expert, speaker, and author Danny Wareham. They dive into survey results on the most irritating workplace habits, awkward social activities, how people really unwind after a stressful day, and the hidden psychological traps of office life. ⏱️ Episode Chapters 00:00 – Intro & Summer Sessions Housekeeping 02:40 – Introducing Danny Wareham & Constellation 05:00 – Post-Book Tour Life, Award Season, & Authentic LinkedIn Content 09:50 – What Makes a True Christmas Movie? (In August!) 13:05 – Round 1: Most Annoying Office Habits & Smelly Food 16:45 – Round 2: What Makes People Angriest at Work? 20:50 – Round 3: Which Work Social Activities Do People Avoid? 28:00 – Round 4: What Keeps Employees from Quitting? 34:00 – Round 5: Annoying Communication Styles & Voice Note Debates 45:30 – Round 6: The Weirdest Things Found in Desk Drawers 51:00 – Round 7: How Workers Really Unwind After a Stressful Day 57:50 – Wrap-up & What's Coming Next Week

Nicole Walker joins Let's Talk Memoir for a conversation about how we talk about current traumas and past traumas in ways that don't retraumatize us, making our work matter to others, giving ourselves agency over the hard stuff we're writing about, conveying interiority and emotion, making our experience fundamental to our writing process, exploring our stories through research, asking readers not to look away, disassociation vs distance, metaphors as entry points for readers, experimenting with the speculative, becoming more expansive, and her new book Writing the Hard Stuff.   Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story    Also in this episode: - revising life paths - encapsulating our experience - the narrator voice and perspective in our work   Books mentioned in this episode: Constellation of Ghosts: A Speculative Memoir with Ravens by Laraine Herring Frontier: A Memoir and a Ghost Story by Erica Stern A Braided Heart: Essays on Writing and Form by Brenda Miller How to Plant a Billion Trees by Nicole Walker   NICOLE WALKER is the author of several books including How to Plant a Billion Trees and Writing the Hard Stuff. She has written pieces for The New York Times and is a noted author in several editions of Best American Essays. She edits Crux, the literary nonfiction series at University of Georgia Press and teaches creative writing at Northern Arizona University where she serves as Writer-in-Residence for the Center for Ecosystem Science and Society.    Connect with Nicole: Website: nikwalk.com Facebook: https://www.facebook.com/nicole.walker.18041 @nikwalk.bsky.social Instagram: https://www.instagram.com/nikwalker28/ ‭https://nikwalk.substack.com/    Purchase Book:  https://www.bloomsbury.com/us/writing-the-hard-stuff-9781350518650/ https://www.bloomsbury.com/us/how-to-plant-a-billion-trees-9798216278894/   - Ronit Plank bio and links:  Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank   Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/  

On this episode of the Immigration Lawyer's Toolbox Podcast, host John Khosravi sits down with Jeff Goldman, Esq., founder of Goldman & Partners Immigration and co-founder of Build Talent Labs, for a candid look at how a "serendipitous" career turn into immigration law became a 30+ year, 32-person firm built almost entirely on referrals from the client who talked him into immigration law after a real estate closing, to the EB-1A case for an MIT researcher that opened the door to a decade of extraordinary-ability petitions, to how he set (and steadily raised) his fees at Testa, Hurwitz & Israel and beyond. Jeff also breaks down his current work at Build Talent Labs, the cap-exempt H-1B, J-1, and O-1 agent sponsorship model he co-founded with his daughter Danielle, his eight years as immigration advisor to the Governor of Massachusetts, and what it's really like working with CBP at Logan Airport, including a firsthand story of getting a client released after 48 hours in secondary inspection. Connect with Jeff Goldman, Esq.:

In this episode, host John Q. Khosravi, Esq. sits down with business immigration attorney Jioselin Juarez Contreras, Esq. to talk about her path from a first-generation Mexican American law student to a high-volume H-1B practice — including her brief detour into nonprofit removal work before returning to the same business immigration firm, how her firm (which also handles corporate litigation and taxation, with a CPA-licensed managing partner) keeps every department aligned on fast-moving immigration changes, and the real-world impact of the new $100,000 H-1B fee on employers and change-of-status filings during this year's cap season. They also preview the upcoming AILA California Chapters Conference (November 5–7 in San Francisco), which Jioselin is helping plan, and close with a look at annual firm planning and the importance of actually taking breaks during immigration law's busiest seasons. Timestamps: 00:00 – Opening 00:33 – Intro 03:16 – Welcome Jioselin Juarez Contreras, Esq. 03:26 – Growing up in Southern California & getting into immigration law 04:45 – How she built business immigration experience early on 05:04 – The detour into nonprofit removal work — and coming back 07:36 – Practicing immigration inside a multi-department firm (corporate, litigation, CPA/tax) 09:41 – The $100K H-1B fee: real impact on clients and filings during cap season 11:36 – AILA California Chapters Conference preview (San Francisco, Nov 5–7) 15:01 – Firm planning: annual goals and the next six months 17:08 – Balancing cap season crunch with actual vacation time 20:58 – How to connect with Jioselin 21:13 – Outro Get a free website (first 10 sign-ups) and special pricing on marketing for your firm from Constellation at http://immigrationlawyerstoolbox.com/Constellation Spotify | iTunes | YouTube Music | YouTube Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox  

How are constellations formed? How many stars are there? What are stars made of? Why are there stars in the sky? Why are stars white? Why are some stars red? Why do stars twinkle? Why do we only see the stars at night? Why is the north star always facing north? We answer your questions about the stars and astronomy with Talia Sepersky of the Museum of Science in Boston.Download our learning guides: PDF | Google Slide | Transcript

In this engaging episode, Host Tom Alvarez sits down with Chad Rabinovitz, the artistic director, producer, filmmaker, entrepreneur, and driving force behind Constellation Stage & Screen, for a wide-ranging conversation about building creative communities, taking artistic risks, and redefining what success looks like outside traditional entertainment hubs. Chad shares how he has woven together theater, film, education, and business to create a thriving cultural ecosystem in Bloomington, Indiana, while reflecting on his journey from regional theater to leading an innovative arts organization whose new works have reached audiences around the world. Along the way, Tom and Chad explore the connections between sports and the performing arts, the importance of collaboration, inclusion, philanthropy, and storytelling, and why communities flourish when artists are empowered to create. Whether you're a longtime listener or discovering the podcast for the first time, this inspiring conversation offers an inside look at the vision, passion, and entrepreneurial spirit behind one of the Midwest's most dynamic creative leaders.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Here's a Spotify description for this episode:#268 - What if leadership didn't need a leader? - Danny WarehamWhat if the best leaders are the ones who know how to get out of the way? In this episode, Martin sits down with psychologist, coach, and author Danny Wareham to unpack his book Constellation and the radical idea behind it: that culture — not a single person — can carry the weight of leadership.Danny shares the research behind the book, born out of studying agile project teams and scrum masters, and reveals surprising findings about how trust, experience, and organizational size shape whether a team can truly self-organize. The conversation takes a fascinating detour into the military, exploring why service personnel can trust a total stranger within a single day — and why civilian workplaces take years to build the same thing.They also dig into why intentional culture matters more than ever, from climate change to the erosion of institutional checks and balances, and why charismatic, single-leader models often struggle to solve modern, cross-border problems.Plus: the surreal experience of seeing your own book on a shelf next to Simon Sinek, why traditional publishing wasn't the right fit for Danny, and how Constellation has landed him as a finalist for Business Book of the Year.A must-listen for anyone rethinking what leadership really looks like in 2026 and beyond..

SCHEDULE THE JOHN BATCHELOR SHOW, 8-5-2026.Michael Bernstam discusses how August is historically a "month of curses" for Russia, citing the 1991 coup and the 1914 start of WWI. Currently, Russia is facing a severe fiscal and production crisis driven by Ukrainian drone strikes that have crippled 25% of its oil refining capacity. Additionally, Ukrainian drones recently destroyed a massive Wildberrieswarehouse—Russia's equivalent to Amazon—stripping a million vendors of their livelihoods and stressing the banking sector. Meanwhile, Saudi Arabia is in fiscal trouble due to its $1.5 trillion "The Line" project and Houthi attacks on its pipelines. This pressure is leading the Saudis to urge the Trump administration toward concessions with Iran to reopen the Strait of Hormuz and stabilize oil flows. Bernstam notes that while the EU has frozen the Russian oil price cap at $44.10, the real impact on Russian revenues will come from any reduction in world oil prices. (1)Bob Zimmerman highlights the rapid evolution of the commercial space industry, comparing it to the early 20th-century auto boom. A major milestone includes SpaceX successfully retrieving a Starship stage from the Indian Ocean to analyze its thermal protection tiles. Zimmerman notes that the FAA is proposing to exempt spaceports from 13 environmental laws to curb "mission creep" and "lawfare." In the satellite market, Starlink's dominance has forced competitors like Hughes into bankruptcy. Internationally, Zimmerman criticizes the European Union Space Act as a regulatory disaster that could drive U.S. and Chinese businesses away from the EU market. Other notable developments include Spain's $1 billion offer to move the Thirty Meter Telescope to the Canary Islands and new evidence that near-surface ice is ubiquitous on Mars, simplifying future colonization. He also mentions the mapping of 200,000 supermassive black holes. (2)James Holmes and Gordon Chang address the critical lack of frigates in the U.S. Navy, which Holmes describes as essential low-cost platforms for monitoring adversaries. The current fleet is "top-heavy," relying on Arleigh Burke-class destroyers that are overworked. Holmes explains that the new Constellation-class frigate program has been delayed because the Navy continues to "monkey with the designs," resulting in vessels that are destroyer-sized but under-armed. Meanwhile, China and Russia have conducted joint naval exercises since 2005 to improve interoperability and provide military options in the South China Sea and Taiwan Strait. Holmes suggests the U.S. should consider leveraging the superior shipbuilding capacity of allies like South Korea, which claims it could produce five Arleigh Burkes annually, whereas the U.S. struggles to build two. The focus remains on regaining the ability to build plentiful, cost-effective combatants. (3)Piero Tozzi and Gordon Chang explore the Chinese Communist Party's (CCP) "long arm" influence in the U.S., specifically regarding a Purdue University professor pressured to cancel a speech at a Catholic conference. Tozzi explains that the CCP uses "patriotic churches" to "sinicize" Catholicism, which involves forcing the religion to conform to Party dictates. Tozzi criticizes the Vatican's "accommodationist approach" under the 2018 Sino-Vatican Accord, noting it neglects the persecuted "underground" church. He highlights that figures like Cardinal Zen and Archbishop Cordileone have been vocal defenders of figures like Jimmy Lai. Tozzi argues that the Catholic hierarchy must understand the totalitarian nature of the CCP, which seeks absolute control over all institutions. The discussion emphasizes that Chinese officials use intimidation to project dominance even within American universities and religious organizations. (4)Steve Yates and Gordon Chang discuss the proposed ban on Chinese components in U.S. data centers, warning that these devices allow for foreign sabotage of critical infrastructure. Yates notes that the CCP often fuels "astroturf" protests in rural America to block data center construction and slow U.S. AI development. Regarding Taiwan, Yates reports that security cooperation is becoming more transparent, moving away from "strategic ambiguity" to reassure allies and deter China. However, he notes a delay in a $14 billion arms package for Taiwan, suggesting that some in Washington still prioritize "walking on eggshells" to preserve the relationship with Xi Jinping. Yates argues for a shift toward helping partners buy and use their own deterrent capabilities. He concludes that U.S. leadership in compute power is a vital strategic advantage that China is actively trying to undermine through influence operations. (5)Peter Huessy provides a historical overview of nuclear arms control, starting with the 1972 SALT I agreement, which actually codified a buildup of weapons while banning missile defenses. He describes the "window of vulnerability" in the 1980s when Soviet SS-18 missiles threatened a first strike. The START I and START II treaties in the 1990s achieved the first real reductions, with START II aiming to ban destabilizing multiple-warhead (MIRV) land-based missiles. However, START II unraveled when Russia demanded limits on U.S. missile defenses. Following the Moscow Treatyand the 2010 New START, the arms control regime has effectively collapsed. Huessy emphasizes that today, there is no active treaty governing nuclear weapons between the U.S. and Russia. He underscores the importance of past verification measures, like "portal monitoring" in missile factories, which are no longer in place. (6)Humberto Briceño describes Venezuela as a state captured by a transnational alliance of criminal organizations, including colectivos (paramilitaries) and narco-traffickers. He criticizes the decision to leave "gangsters" like Delcy Rodríguez in power while attempting to rebuild democracy. Briceño argues that the judiciary and military must be entirely replaced, as they currently serve only as agents of the regime. Despite $13 billion in recent oil earnings, massive corruption has left the funds unaccounted for. He maintains that free elections, ideally by March 2027, are impossible without first dismantling the criminal infrastructure and placing the military under civil authority. Briceño praises the leadership of María Corina Machado and Edmundo González, noting the Venezuelan people are desperate for transformation after three decades of state-sponsored violence and economic collapse. (7)Simon Constable reports on the extreme weather and energy pressures facing Europe, with Brent crude prices up 12% and natural gas up 22% in a single month. He details a "semi-invasion" of Spain, where 60,000 migrants recently attempted to cross from Morocco, and the controversy in the UK over using the Royal Navy to return migrant boats to France. Constable describes the lack of logic in French police allowing these dangerous rubber rafts to depart. Switching to his "data center quiz," he reveals that 67% of new data centers are planned for rural areas, which often brings both high local resistance and significant tax revenue. He identifies labor shortages—particularly for electricians—and tariff uncertainties as the primary barriers to U.S. data center construction. Constable notes that within five miles of an operational data center, a significant portion of the U.S. population now resides. (8)Mary Kissel analyzes the "stuck" state of global diplomacy, arguing that China and Russia are actively judging the strength of U.S. deterrence in the Strait of Hormuz and Ukraine. She disputes the idea that China is a neutral bystander, noting that Beijing benefits from Russian energy, Iranian markets, and the depletion of U.S. military assets like Patriotmissiles. Kissel asserts that the "merging" of the wars in Ukraine and Iran actually happened years ago through long-standing regime cooperation. She warns that a "halfway house" deal with Iran would only grant the regime more leverage and threaten European population centers with ballistic missiles. NATO must recognize a "condominium of countries"—China, Russia, Iran, and North Korea—that are aligning against Western security. Kissel emphasizes that these regimes' interference in U.S. domestic politics is a strategic tool used to promote their own ends. (9)Colonel Grant Newsham challenges the assumption of inevitable Chinese dominance, labeling it a "fake it till you make it" strategy intended to intimidate foreigners. He points out that China's property market is a "crater" and its currency is not freely convertible, forcing the CCP to aggressively export overcapacity to earn the dollars needed for raw materials. Newsham highlights that over 600 million Chinese citizens live on less than $5 a day, and even the CCP elite, including Xi Jinping, keep wealth overseas as a hedge against the system's future. He argues that China's high-tech focus on AI and robotics does not solve its massive youth unemployment. Newsham concludes that China is a "big power but not a great one," functioning as a "rigged casino" without property rights or the rule of law, which is increasingly deterring foreign direct investment. (10)

James Holmes and Gordon Chang address the critical lack of frigates in the U.S. Navy, which Holmes describes as essential low-cost platforms for monitoring adversaries. The current fleet is "top-heavy," relying on Arleigh Burke-class destroyers that are overworked. Holmes explains that the new Constellation-class frigate program has been delayed because the Navy continues to "monkey with the designs," resulting in vessels that are destroyer-sized but under-armed. Meanwhile, China and Russia have conducted joint naval exercises since 2005 to improve interoperability and provide military options in the South China Sea and Taiwan Strait. Holmes suggests the U.S. should consider leveraging the superior shipbuilding capacity of allies like South Korea, which claims it could produce five Arleigh Burkes annually, whereas the U.S. struggles to build two. The focus remains on regaining the ability to build plentiful, cost-effective combatants. (3)

Ruby Powers, Esq. joins John to break down the detained witness case she just took over following a fatal ICE shooting in Houston, including her habeas, U visa, and parole strategy, plus a wave of changes hitting immigration law right now: EOIR's proposed rule to fine attorneys for "contempt" while exempting government attorneys, reports that Webex hearings may be phased out, asylum cases being referred without an interview, OPT/F-1 clients getting NOIDs over minor arrests, work permits now taking 5 to 6 months instead of one, rising bond amounts, and the upcoming affidavit of support changes, along with law practice management lessons from Ruby's recent AILA conference booth experience. Timestamps: 00:00 Opening 00:33 Intro 02:05 Catching up with Ruby Powers 02:36 Taking over the Houston ICE shooting case 03:22 U visa certification, habeas, and parole strategy 03:31 The ICWC v. Nome decision on detained VAWA/U applicants 05:30 Sealing habeas filings for client privacy 06:18 EOIR proposes eliminating Webex hearings 06:39 EOIR's new contempt and sanctions rule for attorneys 07:43 Flying for court and a last minute hearing cancellation 09:56 Trains vs. planes and managing travel burnout 12:18 Reading the proposed contempt rule 14:31 Judges threatening attorneys with contempt 15:07 Asylum cases now referred without an interview 16:04 OPT/F-1 clients getting NOIDs over minor arrests 17:02 A 9 year asylum case finally approved 17:52 Turning hard times into a stronger practice 19:32 Conference recap: ABA Tech Show, Neostella, AILA 21:57 Ruby's AILA exhibit booth experience 26:34 Consultation energy and being an introvert on air 28:53 Why they moved to hour long consultations 32:53 Explaining fast moving rule changes to clients 33:14 Can non-attorneys help with consultations? 34:11 The document collection grind 35:57 New I-589 edition and the affidavit of support rush 38:06 Adjustment interview delays 40:34 Work permit delays and advance parole advice 44:35 ICE detaining people at airports 45:30 Rising immigration bond amounts 46:30 A positive note: sleep, pillows, and surfing 47:23 Where to find Ruby Powers and Power Strategy Group Connect with Ruby Powers: Website LinkedIn: Ruby L. Powers Podcast: Power Up Your Practice Book: Power Up Your Practice (available on Amazon) Get a free website (first 10 sign-ups) and special pricing on marketing for your firm from Constellation at ImmigrationLawyersToolbox.com/Constellation Spotify | iTunes | YouTube Music | YouTube Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox

Check out our review of ‘Spider-Man: Brand New Day.' Beforehand, we'll talk about the episodes six and seven of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for ‘Jumanji: Open World,' ‘Blade Runner: 2099', and ‘The Thomas Crown Affair;' a ton of MCU cancellations and casting updates; rumors of a sequel to ‘Barbie;' and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (2:11)*SPOILERS* ‘House of the Dragon' Season 3, Episodes 6-7 (28:49)‘Spider-Man: Brand New Day' Movie Review (47:59)*SPOILERS* for ‘Spider-Man: Brand New Day' (1:01:38)What Are Ya Doin'? (1:24:39)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

For thousands of years, people have looked to the night sky and imagined familiar shapes among the stars. This episode explores the stories connected to constellations, how they help map the heavens, and how they are used in modern astronomy. Along the way, you'll hear about zodiac constellations, celestial navigation, and the 88 official constellations recognized today. It's steady and consistent, with no whispering and no sudden changes, just enough to give your mind something to follow as you wind down. Happy sleeping! Read with permission from Constellation, Wikipedia (https://en.wikipedia.org/wiki/Constellation), licensed under CC BY-SA 4.0. — Ad-free episodes: ⁠icantsleep.supportingcast.fm⁠Have a topic in mind? ⁠Request a topic⁠ Learn more about your ad choices. Visit ⁠megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Christine Hentschel zu Sicherheit und Aktivismus in katastrophischen Zeiten Future Histories LIVE Das Gespräch mit Christine Hentschel ist Teil des Formats ‚Future Histories LIVE‘. In unregelmäßigen Abständen werden hierbei einzelne Episoden live – soll heißen vor Publikum – aufgezeichnet. Diese Folge Future Histories ist am 12. Juli 2026 auf Einladung des Hamburger Künstler*innenkollektivs Zollo entstanden. Shownotes Christine Hentschel Prof. Dr. Christine Hentschel an der Universität Hamburg: https://www.wiso.uni-hamburg.de/fachbereich-sowi/professuren/hentschel/team/hentschel-christine.html DFG Humanities Centre for Advanced Studies “Futures of Sustainability”: https://www.zukuenfte-nachhaltigkeit.uni-hamburg.de zur DFG-Forschungsgruppe "The Promise of Security in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/welcome.html Nina Perkowski zu Reimagining Security: Perkowski, N. (2025). Radical Imagination and Vernacular Security: Creating Spaces for Alternative Security Futures, International Political Sociology, Volume 19, Issue 4.  https://academic.oup.com/ips/article/19/4/olaf033/8255613 Garcés, M. (2024). Versprechen Können. Turia + Kant.  https://www.turia.at/titel/garces3.html zu Tadzio Müller und solidarischem Preppen: Müller, T. (2024) Zwischen friedlicher Sabotage und Kollaps. Wie ich lernte, die Zukunft wieder zu lieben. Mandelbaum. https://www.mandelbaum.at/buecher/tadzio-mueller/zwischen-friedlicher-sabotage-und-kollaps/ https://www.collapseclub.com/blog/five-elements-of-solidarity-prepping/ zur Letzten Generation: https://letztegeneration.org/ zu Just Stop Oil: https://juststopoil.org/ zu ‘Dernière Rénovation' (Riposte Alimentaire): https://en.wikipedia.org/wiki/Riposte_Alimentaire Christine Hentschel zu Endzeitaktivismus und Edgework:  Hentschel, C. (2023). Edgework in post/apokalyptischen Zeiten. Soziopolis.  https://www.soziopolis.de/edgework-in-post-apokalyptischen-zeiten.html zur Kollapsbewegung: https://taz.de/Kollapsbewegung-in-der-Klimakrise/!6110821/ zu Heat Strike: https://heatstrike.uk/ zu Les Soulèvements de la Terre: https://de.wikipedia.org/wiki/Les_Soul%C3%A8vements_de_la_Terre Bröckling, U. (2026). Invertierte Zukunft. Konturen der Zuspätmoderne. WestEnd, 23(1), 3–18. https://doi.org/10.5771/1860-2177-2026-1-3 https://www.inlibra.com/de/document/view/pdf/uuid/dd3d743d-12ac-3db9-8d17-af67ddb150ba?page=1&toc=5916333 Reckwitz, A. (2024). Verlust: Ein Grundproblem der Moderne. Suhrkamp Verlag. https://www.suhrkamp.de/buch/andreas-reckwitz-verlust-t-9783518588222 Folkers, A. (2022). Nach der Nachhaltigkeit: Resilienz und Revolte in der dritten Moderne. Leviathan 50, 239–262. https://doi.org/10.5771/0340-0425-2022-2-239 https://www.jstor.org/stable/27295246?seq=1 zu Mutual Aid: https://en.wikipedia.org/wiki/Mutual_aid Christine Hentschel und Susanne Krasmann über gegenwärtige „Collapse Awareness“: Hentschel, C., & Krasmann, S. (2024). Collapse awareness in the face of climate breakdown and urbicide. Critical Studies on Security, 14(1), 2–16. https://doi.org/10.1080/21624887.2024.2403795 https://www.tandfonline.com/doi/full/10.1080/21624887.2024.2403795 Vortrag von Christine Hentschel „Vom Retten der Welt zum Vorbereiten auf den Kollaps“ in der Ringvorlesung “Am Scheidepunkt: Zur Krise der Demokratie” in Frankfurt (22.01.2026): https://www.youtube.com/watch?v=tmn7g3vJPKg Marina Garcés zur postumen Kondition und Metapher der Nachspielzeit: Garcés, M. (2019). Neue radikale Aufklärung. Verlag Turia+ Kant. https://www.turia.at/titel/garces.html zu postapokalyptischem Umweltaktivismus: Cassegård, C., & Thörn, H. (2022). Post-Apocalyptic environmentalism. palgrave macmillan.  https://link.springer.com/book/10.1007/978-3-031-13203-2 Anaïs Maurer zur postapokalyptischen Agency im Pazifik & ‘fighting for what's left': Maurer, A. (2024). The ocean on fire: Pacific stories from nuclear survivors and climate activists. Duke University Press.  https://www.dukeupress.edu/the-ocean-on-fire zu climate change mitigation: https://climatepromise.undp.org/news-and-stories/what-climate-change-mitigation-and-why-it-urgent Jacob Blumenfeld zu Managing Decline:  Blumenfeld, J. (2024). Managing Decline. Cured Quail. https://www.academia.edu/121062536/Managing_Decline zu Climate Barbarism: Blumenfeld, J. (2023). Climate barbarism: Adapting to a wrong world. Constellations, 30, 162–178.  https://onlinelibrary.wiley.com/doi/full/10.1111/1467-8675.12596 zu Christine Hentschels und Ursula Schröders Forschungsprojekt „Infrastructures of Protection. Planning for Catastrophes to Come“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp2.html zu Adaptation: https://climatepromise.undp.org/news-and-stories/what-climate-change-adaptation-and-why-it-crucial zum Forschungsprojekt „Extreme Adaptation to Climate Change“ im DFG-Exzellenzcluster CLICCS: https://www.cliccs.uni-hamburg.de/research/projects-themes/projects/a4-extreme-adaptation.html Lacbawan, M. (2025). Escaping the Climate Crisis: Speculative Wealth and the Selling of a Smart City. Journal of Business Anthropology, 14(2), 94-117. https://www.fis.uni-hamburg.de/en/publikationen/detail.html?id=13f172b2-6f23-44cc-adc7-31b42fb376b4 Rothe, D., Boas, I., Farbotko, C., & Kitara, T. (2024). Digital Tuvalu: state sovereignty in a world of climate loss. International Affairs, 100(4), 1491-1509. https://academic.oup.com/ia/article/100/4/1491/7710472 zu Muscular Adaptationism: Carton, W. & Malm, A. (2025). The long heat: climate politics when it's too late. Verso Books. https://www.versobooks.com/products/3317-the-long-heat?srsltid=AfmBOort8KE2C2ggxjCJE1Q7GTyEoyzLypZO0Wd75hcCmJUTuuW0zGa6 Joshua KaewnetarasForschung zu Wiederaufbau nach der Flutkatastrophe in Valencia: https://urban-future-making.hcu-hamburg.de/research/disrupted-mobilities Solar Geo Engineering: https://www.umweltbundesamt.de/presse/pressemitteilungen/unberechenbare-risiken-solares-geoengineering-keine Geoengineering: https://www.umweltbundesamt.de/en/topics/climate-energy/geoengineering zur Securitisation Theory: https://criticallegalthinking.com/2025/03/31/key-concept-securitization-copenhagen-school/ Schröder, U. (2026). Schutz in Krisenzeiten. Piper. https://www.piper.de/buecher/schutz-in-krisenzeiten-isbn-978-3-492-07396-7 zu Sicherheit im Anthropozän:  Rothe, D., Hentschel, C., & Schröder, U. (2025). Recomposing the climate-security nexus: A conceptual introduction. Geoforum, 159, 104195. https://www.sciencedirect.com/science/article/pii/S0016718524002562 Von Redecker, E. (2023). Bleibefreiheit. S. Fischer Verlag. https://www.fischerverlage.de/buch/eva-von-redecker-bleibefreiheit-9783596711260   zum Begriff der Infrastrukturen in der Sicherheitsforschung: Hentschel, C., Schröder, U., 2020. Democratising Security in Turbulent Times: An Infrastructural Lens. S+F 38, 191–194. https://doi.org/10.5771/0175-274X-2020-4-191 https://www.jstor.org/stable/pdf/27260104.pdf?refreqid=fastly-default%3Abf575832edd748b4b77595527737cd25&ab_segments=&initiator=&acceptTC=1 zu Nina Perkowskis Forschungsprojekt zu „Counter-Communities' Protection Practices and Security Utopias in Catastrophic Times“: https://www.wiso.uni-hamburg.de/en/forschung/verbundprojekte/ru-promise/research-projects/rp8.html Staab, P. (2022). Anpassung. Leitmotiv der nächsten Gesellschaft. Suhrkamp, Berlin. https://www.suhrkamp.de/buch/philipp-staab-anpassung-t-9783518127797 Saito, K. (2026). Am Ende des Fortschritts. Überleben in den Ruinen des Kapitalismus. dtv. https://www.dtv.de/buch/am-ende-des-fortschritts-28534 Garcés, M. (2022). Critical Imagination. Artnodes.  https://www.academia.edu/73676938/Critical_Imagination zum Thüringen Projekt: https://verfassungsblog.de/wp-content/uploads/2025/06/Thueringen-Projekt_Abschlussbericht.pdf zu Verwaltung für Demokratie: https://verwaltung-fuer-demokratie.de/erste-hilfe-kit-demokratie/ zu Zukunftswerkstätten nach Robert Jungk: https://www.sowi-online.de/praxis/methode/zukunftswerkstatt.html_2 zu climate change boredom: Anderson, B. (2023). Boredom and the politics of climate change. Scottish Geographical Journal, 139(1–2), 133–141. https://doi.org/10.1080/14702541.2023.2197869 https://www.tandfonline.com/doi/full/10.1080/14702541.2023.2197869 Christine Hentschel zu „Apokalypse-Indifferenz“ (Günther Anders) im Kontext der Klimakrise: Hentschel, C. (2024). Im Angesicht der planetaren Zerstörung. Soziologische Perspektiven gegen die Indifferenz., in: Lessenich, S., Scheffer, T. (Eds.), Gesellschaften Unter Handlungszwang: Existenzielle Probleme, Normalität Und Kritik, IfS-Aus Der Reihe. Bertz + Fischer, Berlin, pp. 78–92. https://bertz-fischer.b-cdn.net/wp-content/uploads/2026/06/bertz-fischer-ifs-02-gesellschaften-unter-handlungszwang-9783865056528.pdf zu Verleugnung nach Alenka Zupančič: Zupančič, A.(2024) Disavowal. Polity Books. https://www.politybooks.com/bookdetail?book_slug=disavowal--9781509561193 Christine Hentschel zu affectiven investments in den Protesten gegen die Coronamaßnamen Hentschel, C.(2021) »Das große Erwachen«: Affekt und Narrativ in der Bewegung gegen die Corona-Maßnahmen. Leviathan 49, 62–85.  https://www.inlibra.com/de/document/view/pdf/uuid/1ed695c2-d459-32aa-a482-bf64a34a412c zur mobilisierenden Kraft von Wut bei Audre Lorde: Lorde, A. (1997). The uses of anger. Women's Studies Quarterly, 25(1/2), 278-285. https://americanstudies.yale.edu/sites/default/files/files/Lorde%20-%20The%20Uses%20of%20Anger.pdf zu Everyone hates Elon: https://www.everyonehateselon.com zu strategischem Hass nach Seyda Kurt: Kurt, S. (2023). Hass. Von der Macht eines widerständigen Gefühls. HarperCollins. https://www.harpercollins.de/products/hass-von-der-macht-eines-widerstandigen-gefuhls zum Begriff des Prozesses nach Rahel Jaeggi: https://www.fes.de/asd/buch-essenz/jaeggi-fortschritt-und-regression Jaeggi, R. (2023). Fortschritt und Regression. Suhrkamp. https://www.suhrkamp.de/buch/rahel-jaeggi-fortschritt-und-regression-t-9783518587140 White, J. (2024). In the long run: The future as a political idea. Profile Books. https://www.academia.edu/115206928/In_the_Long_Run_the_Future_as_a_Political_Idea_Profile_Books_2024_ Relevante Future Histories Folgen S04E07 | Kohei Saito, Christoph Sorg and Jan Groos on Creative Construction and the Struggle over Progress https://www.futurehistories.today/episoden-blog/s04/e07-creative-construction-and-the-struggle-over-progress/ S03E46 | Rahel Jaeggi zur Krise des Liberalismus, Fortschritt als Prozess und sozialistischem Utopisieren https://www.futurehistories.today/episoden-blog/s03/e46-rahel-jaeggi-zur-krise-des-liberalismus-fortschritt-als-prozess-und-sozialistischem-utopisieren/ S03E33 | Tadzio Müller zu solidarischem Preppen im Kollaps https://www.futurehistories.today/episoden-blog/s03/e33-tadzio-mueller-zu-solidarischem-preppen-im-kollaps/ S03E32 | Jacob Blumenfeld on Climate Barbarism and Managing Decline https://www.futurehistories.today/episoden-blog/s03/e32-jacob-blumenfeld-on-climate-barbarism-and-managing-decline/ S03E23 | Andreas Malm on Overshooting into Climate Breakdown https://www.futurehistories.today/episoden-blog/s03/e23-andreas-malm-on-overshooting-into-climate-breakdown/ S02E56 | Şeyda Kurt zu strategischem Hass https://www.futurehistories.today/episoden-blog/s02/e56-seyda-kurt-zu-strategischem-hass/ S02E38 | Eva von Redecker zu Bleibefreiheit und Demokratischer Planung https://www.futurehistories.today/episoden-blog/s02/e38-eva-von-redecker-zu-bleibefreiheit-und-demokratischer-planung/ — Future Histories Kontakt & Unterstützung: Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories Schreibt mir unter: office@futurehistories.today Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories Website mit allen Folgen: www.futurehistories.today   Episode Keywords #ChristineHentschel, #JanGroos, #Interview, #FutureHistories, #FutureHistoriesLIVE, #Sicherheit, #Aktivismus, #Katastrophe, #Klimakollaps, #Zukunft, #SolidarischesPreppen, #Kollaps, #MutualAid, #Adaptation, #Mitigation, #ExtremeAdaptaion, #Klimaaktivismus, #Klimakrise 

Mike Fiorito author of a number of books that bring together Otherworldly experiences and music. We discuss experiencers, composers and how musical phenomena are reported by experiencers of all kinds. UFO Symphonic: Journeys into Sound https://apprenticehouse.com/ufos-music-and-other-things-mike-fiorito-delves-into-ufos-music-and-how-we-are-challenged-by-the-power-of-sound/ Mescalito Riding his White Horse https://www.goodreads.com/en/book/show/61848859-mescalito-riding-his-white-horse For All We Know https://www.goodreads.com/book/show/204866973-for-all-we-know Inner Space of Outer Space https://www.amazon.co.uk/Innerspace-Outerspace-Exploring-Worlds-Through-ebook/dp/B0GPPLM75H Music: Missa Papae Marcelli https://en.wikipedia.org/wiki/Missa_Papae_Marcellihttps://dn710902.ca.archive.org/0/items/MissaPapaeMarcelli/MissaPapaeMarcelli-I.Kyrie.mp3 Image: Nosadella's Annunciation (1560s) https://commons.wikimedia.org/wiki/File:Nosadella_Anunciaci%C3%B3n.jpg Music: Gymnopedie No 1 Erik Satie https://archive.org/details/Gymnopedie_201309/Gymnop%C3%A9die+No.+1.mp3 William James (1842-1910)The Varieties of Religious Experience Mike quotes (with such charm!

In an experiment that will involve all of the residents of planet Earth SpaceX has asked the FCC for permission to launch 1 million satellites into low Earth orbit to create a solar powered data center. Since the agriculture which produces our food is very sensitive to weather and climate it is important to conduct serious research about the effect of a mega constellation of satellites before allowing such a project to produce changes to the environment we don't understand. 

On this episode of Power House, Zeb Lowe sits down with Paolo Benzan, VP of Data Strategy at Constellation HomeBuilder Systems and Rich Swier, founder of raia AI, to discuss why the future of home building won't be determined by who adopts AI first, but by who builds the strongest data foundation. The conversation explores the hidden work behind successful AI initiatives, from data quality and governance to cost control and security. Benzan and Swier explain why clean, connected data is the real competitive advantage and how builders can use AI to move beyond static reports and make faster, smarter decisions. Their message is clear: AI isn't replacing expertise — it amplifies organizations that have done the hard work to prepare for it. Related to the episode: ⁠Zeb Lowe's LinkedIn⁠ Paolo Benzan's LinkedIn Rich Swier's LinkedIn Constellation HomeBuilder Systems raia AI Want more from Zeb? Don't forget to subscribe to LendingLife. The Power House podcast brings the biggest names in housing to answer hard-hitting questions about industry trends, operational and growth strategy, and leadership. Join HousingWire's Zeb Lowe every Thursday morning for candid conversations with industry leaders to learn how they're differentiating themselves from the competition. Hosted and produced by the HousingWire Content Studio.

Astronomy Daily · S05E153 · Wednesday 29 July 2026. Four stories from the frontier of space and astronomy, plus a both-hemispheres look at the sky — and news of our brand-new website. In this episode •  Betelgeuse is not alone. ESO's VLT/SPHERE has captured the clearest direct image yet of Betelgeuse B, the long-suspected companion to the famous red supergiant — ending a roughly century-long search. Published 28 July 2026 in Astronomy & Astrophysics (Montargès, Boccaletti et al.). The companion is more massive than predicted (≈2–3 solar masses), likely paces Betelgeuse's ~6-year brightness cycle, and may eventually spiral into the supergiant. •  Swift catches a wandering black hole. TDE 2025abcr — the most off-centre tidal disruption event ever seen — reveals a ~1-million-solar-mass “wandering” black hole ~30,000 light-years from its galaxy's core, ~750 million light-years away. First flagged by the Zwicky Transient Facility (Nov 2025) and pinned down with NASA's Swift; an AI sifted ~500,000 nightly flashes to find it. Published 27 July 2026 in The Astrophysical Journal Letters (Stein et al.; Carney et al.). •  Roman is fuelled for launch. NASA's Nancy Grace Roman Space Telescope completed fuelling on 25 July (≈290 gallons of hydrazine) and holds its mission-preview briefing today — one month from a 30 August launch, roughly eight months ahead of schedule. Roman will survey ~50× as much sky as Hubble in five years, probe dark energy, and is expected to find 100,000+ exoplanets via microlensing. •  Swift's rescue mission is in trouble. Katalyst's LINK servicing spacecraft — launched 3 July to boost the decaying Swift observatory — began spinning over the weekend; two of three reaction wheels are non-operable, with some cold-gas thruster degradation. LINK remains powered and in contact; the team is using its electric (xenon) thrusters to arrest the spin before deciding, with NASA, whether to proceed. Developing story — details accurate as of recording. •  Skywatch. Full Buck Moon tonight (29 July); Jupiter at solar conjunction; Southern Delta Aquariids favour the Southern Hemisphere but are washed out by the Moon this year; Alpha Capricornid fireballs are the pick for both hemispheres; the Perseids peak on the moonless night of 12–13 August alongside a total solar eclipse (Greenland/Iceland/Spain; partial for parts of Europe and North America). Never view the partial phases without ISO 12312-2 eclipse glasses. Sources •  ESO release eso2611 & Astronomy & Astrophysics, Montargès, Boccaletti et al., “VLT/SPHERE imaging of the candidate companion of Betelgeuse” (28 Jul 2026). •  NASA Swift / The Astrophysical Journal Letters — TDE 2025abcr wandering-black-hole discovery (27 Jul 2026); UNC-Chapel Hill release. •  NASA — Nancy Grace Roman Space Telescope fuelling & launch-preview updates (25–29 Jul 2026). •  NASA Swift blog — “Commissioning Update for Spacecraft to Boost NASA's Swift” (28 Jul 2026); Katalyst Space Technologies. •  EarthSky, NASA, American Meteor Society, timeanddate — meteor showers, Buck Moon, Jupiter conjunction, 12 Aug eclipse. New — astronomydaily.io Our new website is live: full back catalogue, a continuously-updating space-news feed, listener reviews (read and leave your own), and a daily newsletter sign-up. Got a question or a story tip? Drop us a note — and tell us what you think of the new site.Become a supporter of this podcast: https://www.spreaker.com/podcast/astronomy-daily-latest-space-news--5648921/support.Sponsor Details:Ensure your online privacy by using NordVPN. To get our special listener deal and save a lot of money, visit www.astronomydaily.io/nordvpn. You'll be glad you did!Get the best secure and private email on the planet. Stop your Government, google and who knows who else spying on every email you write. Do what we did and use ProtonMail. They beleive in privacy and there are no ads in their business model...yet they still provide a free forever service. Check them out and get out special deal at www.astronomydaily.io/protonmailBecome a supporter of Astronomy Daily by joining our Supporters Club. Commercial free episodes daily are only a click way... Click HereThis episode includes AI-generated content.

If you're joining me from Singapore, welcome. This podcast is for women who are searching for more than quick fixes—it's for those looking for clarity, peace, emotional healing, and a happier future. Have you been searching for: * How to be happy again * Why do I feel empty even when life looks good? * How to heal from a toxic relationship * Emotional healing for women * How to stop overthinking * How to trust your intuition * How to find inner peace * Spiritual guidance in Singapore * Relationship advice for women * How to let go of negative energy * How to rebuild confidence after heartbreak * How to overcome anxiety and emotional stress * Self-love and personal growth * Finding purpose and happiness If any of these describe what you've been feeling, you've found a community that understands. Each episode is created to help you reconnect with yourself, strengthen your intuition, release emotional burdens, and move toward a more peaceful and fulfilling life.

Bienvenue dans ce Mangacast Mini Omake n°216. Aujourd'hui, on vous parle d'un titre des éditions Akata: Constellations cruelles !

Welcome back ladies and gentlemen to the Woody Allen Retrospective Podcast!   Before we get into this month's adjacent title, we've got quite a bit of podcast business to get through.   Today is pretty much the final episode of what we'd call the second era of the show, well, aside from next month where we will be discussing the latest Woody Allen book - that will TRULY be the final part of the second era of the show.   The first era was the early years with Simon, when we were still figuring out the format, the editing, using the very ugly Microsoft paint looking artwork and, quite frankly, we were still figuring out what the podcast even actually was doing long term.   This second era has been the James Daniel Walsh years, where the show found a new rhythm and started the Woody Adjacent Project.   ...and now we're getting ready for the third and final act of the podcast.   From October we begin the Woody Allen RE-retrospective, where we'll be going back through every single Allen film or off cut odd special release ala non woody directed movie etc   We will be hitting you with fresh conversations, improved production and everything we've learned from doing this podcast for so many years.   Then, when that final retrospective is complete, that will bring this podcast itself to a fitting end.   The podcast feed will still be active but myself and james will likely be starting a new podcast about film and television (to be decided later)   We really want to make this last run of the show the best version the podcast it possibly can be.   As part of the new final era, we've got brand-new podcast artwork, a dedicated YouTube channel, a new email address and a number of other updates coming as we freshen everything up for the road ahead.   Today, we also explain why August is going to work a little differently moving forward.   August is always a hectic month for me personally, with family birthdays, holidays and a lot of podcast admin happening behind the scenes, so moving forward, August will essentially become our annual pre-recorded month.   There will still be an episode in August, but it may be a solo recording by me Don, something James and I have cobbled in advance, or a different type of episode that gives us the space to work on anything else woody related - at the very least it will be a Q&A episode / AMA type episode.. we'll figure it out later   Putting all that aside.. we also make a small request to our listeners.   James has been using the same microphone for around ten years, going all the way back to outside work he was doing on his manic expression animated movie,   Before we begin the final retrospective go around I would really love to upgrade his audio gear.   The microphone I've picked out for him is the Elgato Wave 3, which should give him a substantial improvement in sound quality and help us make this final run through on Woody's filmography sound as professional as possible.   This request is not aimed at our existing Patreon supporters, who already do a great deal for the podcast and have our genuine thanks. This is simply an opportunity for anyone else who enjoys the show and has ever wanted to support us directly help out.   Whether that means making a small one-off contribution, becoming a new Patreon or even donating suitable equipment to us directly, every bit of support would help us get James the updated microphone he deserves.   ==========================================================   James also shares some very exciting news of his own.   He has already begun an ambitious fifteen-month rollout of new creative work, with fresh material being released every single week and, at times, several releases within the same week.   By the time this episode reaches you, his stories Bloodshot, The Last Spike and Faded should all be available through Amazon, alongside his original song Constellation, which can be watched for free on the Manic Expression YouTube channel.   other links to James's work, the microphone fund and the various ways to contact or support us will be included below.   SUPPORT JAMES HERE    >>>>>>>>>>>    https://linktr.ee/manicexpression1980   ==================================================   That all said, we now return to the Woody Allen Adjacent Project with a listener-requested film that we've wanted to discuss for quite some time :)   Good Luck to You, Leo Grande is the 2022 comedy-drama directed by Sophie Hyde, written by Katy Brand and starring Emma Thompson and Daryl McCormack.   The film follows Nancy Stokes, a retired teacher and widow who decides that there are certain experiences she has missed during her life and may finally be ready to pursue.   What follows is an intimate, largely two-person film built around a series of meetings between Nancy and Leo Grande   In this sex dramadey we consider the strengths of contained, dialogue-driven films, the natural chemistry between the two leads, and the question at the heart of every episode in this series: What exactly makes thisWoody Allen adjacent?   Thank you, as always, for reading, listening, supporting the show and joining us as we prepare to enter the third and final era of the Woody Allen Retrospective Podcast.   That was one hell of a long read aye :P - we really do hope you have a great rest of your summer!   ==================================================   For full cast details, user reviews, and more background on the film, check out:  

Matthew Brown is a U.S. national security and policy analyst who came forward in 2025 as a whistleblower exposing "Immaculate Constellation," a special access program tracking unidentified anomalous phenomena (UAP/UFOs).READ: https://www.congress.gov/118/meeting/house/117721/documents/HHRG-118-GO12-20241113-SD003.pdfWATCH: https://youtu.be/ZAxI-LDrDqA?si=ELXs7mwWBFIKhWe6VISIT: https://invisiblefrontiers.substack.com/FOLLOW: @SunOfAbramelinVISIT: https://www.vanguardenterprise.org/FOLLOW: @VanguardEnterprSUPPORT OUR WORK https://www.judicialwatch.org/donate/thank-youtube/ VISIT OUR WEBSITE http://www.judicialwatch.org

20 questions. All of them family friendly. Three times a week. More than 12,000 in total. Facebook PatreonSee omnystudio.com/listener for privacy information.

As humanity pushes toward sustained activity beyond Earth, legal and operational questions around resource extraction, safety, and behavior in shared environments are coming to the forefront. Hon. Peter Beshar, former Air Force and Space Force General Counsel, joins Constellations to unpack how long‑standing treaties intersect with modern lunar ambitions, what safeguards can prevent gray‑zone behavior and how nations can build trust as more actors crowd the space domain. 

Learn more at ImmigrationLawyersToolbox.com/constellation John sits down with Patrick Carver of Constellation Marketing to talk about how immigration lawyers can build real visibility online in 2026. They cover the shift from Google-only search to AI tools like ChatGPT, Claude, and Gemini, why consistent branding and content across your website, social media, and review platforms matters more than one-off SEO hacks, and how firms can avoid the outdated, clunky websites that turn prospective clients away. Patrick also breaks down Constellation's packages for immigration firms, including a special offer for Immigration Lawyers Toolbox listeners. Timestamps: 00:00 – Opening 00:33 – Intro 00:41 – Patrick's background and how Constellation Marketing started 02:00 – Immigration as a federal practice: local vs. national marketing 04:15 – What "visibility" means online in 2026 (SEO, AI, search fracturing) 06:34 – How AI search transition is going / Google's shrinking share 09:47 – Consistency, brand-building, and avoiding marketing plateaus 11:12 – Helping attorneys who dislike being on camera or writing 14:16 – Special ILT listener packages (pricing, "business in a box") 15:03 – Importance of updated websites/branding (McDonald's/Starbucks analogy) 16:33 – Why to start marketing early (lag time for SEO/AI to kick in) 16:49 – How to reach Patrick, Constellation's track record 18:03 – Outro Spotify | iTunes | YouTube Music | YouTube   Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox

Check out our review of Christopher Nolan's ‘The Odyssey.' Beforehand, we'll talk about the episode five of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for ‘Avengers: Doomsday' and Tony Gilroy's ‘Behemoth!;' we're going to have to wait even longer for ‘The Batman: Part II;' Amazon's ‘God of War' actor gets recast mid-production; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:54)*SPOILERS* ‘House of the Dragon' Season 3, Episode 5 (35:22)‘The Odyssey' Movie Review (50:16)*SPOILERS* for ‘The Odyssey' (1:11:25)What Are Ya Doin'? (1:35:57)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

Have you ever heard of "Archeoastronomy"? Bright Side Channel is happy to show you the Secret Star Map that shows the actual origins of the Constellations of the Southern Hemisphere. It's been recently discovered. Cleverly hidden in the Southern Hemisphere stars, this map predates any of the early star maps published by the explorers of the 16th and 17th centuries. Isn't it cool? Just imagine this map served as a navigational guide for the early 16th century Spanish Empire's naval expeditions below the equator. And now you're gonna see it too. Let's head on a space journey in time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Disclaimer: Este podcast tiene fines exclusivamente informativos y educativos. Ninguna de las opiniones expresadas en este episodio constituye una recomendación de compra o venta de activos financieros, ni debe interpretarse como asesoramiento de inversión. Cada oyente es responsable de sus propias decisiones.

In this month's episode, John Khosravi, Esq. shares practical tips and recent case notes from his immigration law practice: catching I-130/I-485 date discrepancies before they trip up I-751 renewals, evidence tourist visa clients need for extensions, lessons from two Stokes interviews, ESTA cancellation glitches, ongoing DACA advance parole delays, the "arrest vs. detained" misrepresentation trap on DS-160s, a wave of AI-translation and AI-software outreach hitting immigration lawyers, a consular processing refusal over credit card debt/public charge, and the growing list of visa bond countries. Plus updates on the ILT magazine, the marriage green card course's new mentorship option, and sponsors eimmigration by Cerenade and Constellation. Timestamps: 00:00 – Intro 00:33 – Welcome & episode 482 kickoff 01:11 – ILT Magazine – call for contributor topics 01:35 – Sponsor message (case management software via Serenade) 02:40 – Marriage Green Card Course update 03:41 – Tip 1: I-130 vs. I-485 date mix-up on I-751 filing 05:17 – Tip 2: Tourist visa extensions – keep your travel evidence 06:37 – Tip 3: AOS interview inconsistencies (Stokes referral) 09:11 – Tip 4: ESTA cancellation glitches 09:43 – Tip 5: DACA advance parole delays 10:41 – Tip 6: RFEs over "arrested" vs. "detained" wording 12:52 – Tip 7: Translator spam & in-house AI software overload 14:23 – Immigrant visa refusal over credit card debt (public charge) 16:38 – Sponsor: Constellation (marketing/SEO) 18:17 – Growing list of visa bond countries 20:00 – Wrap-up & outro Spotify | iTunes | YouTube Music | YouTube Follow eimmigration by Cerenade: Facebook | Instagram | LinkedIn Start your Business Immigration Practice! (US LAWYERS ONLY - SCREENING REQUIRED): E-2 Course EB-1A Course Get the Toolbox Magazine!  Join our community (Lawyers Only) Get Started in Immigration Law! The Marriage/Family-Based Green Card course is for you Our Website: ImmigrationLawyersToolbox.com Not legal advice. Consult with an Attorney. Attorney Advertisement. #podcaster #Lawyer #ImmigrationLawyer #Interview #Immigration #ImmigrationAttorney #USImmigration #ImmigrationLaw #ImmigrationLawyersToolbox  

Check out our reviews of ‘Evil Dead Burn' and ‘Jackass: Best and Last.' Beforehand, we'll talk about the episodes three and four of ‘House of the Dragon' Season 3. We'll also discuss the week's top entertainment news, including trailers for 'Dune: Part III' and ‘Digger;' PlayStation will quit selling physical media in 2028; paying tribute to Sam Neill; and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:43)*SPOILERS* ‘House of the Dragon' Season 3, Episodes 3-4 (56:44)*SPOILERS* ‘Jackass: Best and Last' (1:13:46)‘Evil Dead Burn' Movie Review (1:31:34)*SPOILERS* for ‘Evil Dead Burn'  (1:42:24)What Are Ya Doin'? (1:58:46)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

270 - BottleRock 2026: Penelope Road and the New Constellations In episode 270 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan is at BottleRock 2026 and speaks with Max and Koan from Penelope Road and then Josh Smith from the New Constellations. With Max and Koan from Penelope Road they discuss the band name and how it came about and they tell us about their Fender Strats and logistics of fly dates and their tour dates (and their favorite hotels). Max and Koan talk about their gear at home: guitars, amps and pedals. Max and Koan tell us about their upcoming tour with Marcus King and their ability to not have to work a day job and they tell us about their releases they have up to now. For more information on Max and Koan and Penelope Road you can check out their website: peneloperoad.com and they're active on the socials. Next up he speaks with Josh Smith from the New Constellations. He talks about life in Oregon, moving to Portland from Medford and tells us about his guitar hero's growing up, George Harrison, Mark Knopfler and John Fahey. Josh tells us about his gear early on and his gear now and he takes us through when the New Constellations play as a duo and when travel with a full band. Josh describes the bands fan base in Mexico and their upcoming festival appearance at a festival in Mexico City, Corona Capital and he tells us about playing in church growing up. Josh takes us through the business side of the band and he describes his past life in the coffee industry. To find out more about Josh and the New Constellations you can go to their website: newconstellations.band and they're also active on the socials. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #PenelopeRoad #MaxandKoan #NewConstellations #JoshSmith #BottleRock #BottleRockFestival #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Is it time to update the constellations? On this episode, Neil deGrasse Tyson and comic co-host Matt Kirshen dive into astrophysics, folklore, and our ancient connection to the stars with astrophysicist Moiya McTier, Ph.D. Originally Aired December 6, 2022. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here:  https://startalkmedia.com/show/cosmic-queries-astro-lore-with-moiya-mctier/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As the country commemorates 250 years since the Declaration of Independence, several galleries are exploring the enduring strengths of Native Americans through both traditional and contemporary works. “Paper Trails: Unfolding Indigenous Narratives” at the Museum of Contemporary Native Art in Santa Fe, N.M. aims to stretch the boundaries of the paper medium while also examining Native cultural survival in the face of colonization. “Constellations of Place” at the Center of Southwest Studies at Fort Lewis College is centered on a visual history of Native people in Colorado. And Seattle's Tidelands Gallery compiles a narrative inspired by “Lushootseed Creation Stories”. We'll talk with artists and curators about how art inserts itself into the narratives being told about the origin of America. We'll also hear about the year-long streaming Native film festival, “Everything is Connected”, developed by Vision Maker Media. This is an encore presentation so we won’t be taking calls GUESTS Alana Stone (Sičhą́ǧu Lakȟóta and Diné), curatorial specialist at Vision Maker Media Matika Wilbur (Swinomish and Tulalip), author, photographer, and CEO of Tidelands Native Art Gallery Melissa Melero-Moose (Northern Paiute), artist and co-curator of “Paper Trails: Unfolding Indigenous Narratives” Dr. Meranda Roberts (Yerington Paiute Tribe and Chicana) guest curator for “Constellations of Place” Break 1 Music: Atomic Drop [feat. Northern Cree] (song) The Halluci Nation (artist) Path of the Heel (album) Break 2 Music: Tsudadatla Tsisqwa (song) Kalyn Fay (artist) Garden (album)

Bob Zimmerman discusses Rocket Lab's acquisition of Iridium for $8 billion, signaling a trend toward vertical integration. He also covers Blue Origin's investigation into a launchpad explosion and SpaceX's Star Mind data constellation, emphasizing the importance of corporate transparency and risk-taking in the space industry. (5)11934 FSA

How do you write about the most painful experiences of your life without being overwhelmed by them? How can timed writing and a braided story help you untangle your hardest stories? With Nicole Walker. In the intro, Self-Publishing Pop Up Books [Self-Publishing with ALLi]; New in KU [BookBub]; The solar sail theory of indie publishing [ProductiveIndieFictionWriter]; Bones of the Deep; Selfie Awards Shortlist 2026. This episode is sponsored by Publisher Rocket, which will help you get your book in front of more Amazon readers so you can spend less time marketing and more time writing. I use Publisher Rocket for researching book titles, categories, and keywords — for new books and for updating my backlist. Check it out at www.PublisherRocket.com This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why writing helps us understand “the puzzles of the universe” — and when to trust that intuition The braided essay: alternating between trauma and an everyday obsession to unlock the hard stuff How two-minute timed writing lets you go deep and then safely step back Rooting pain in the body, using the senses, scene, and dialogue instead of words like “trauma” Truth in memoir, big T versus little t, and the emerging genre of speculative nonfiction What actually sells books: pairing up on book tour and getting readers back out into the world You can find Nicole and NikWalk.com. Transcript of the interview with Nicole Walker Jo: Nicole Walker is a nonfiction author, essayist, poet, and editor, as well as a creative writing teacher. Her latest book is Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose. So welcome to the show, Nicole. Nicole: Hi, Joanna. It's so nice to be here. Jo: I've lots to talk about, but first up— Tell us a bit more about you and your journey into writing and publishing. Nicole: I was always a writer. As all writers say, I've been writing since I was five. I kept little journals and things like that, and I was on the high school literary magazine. I was an English major in college, but that was always tempered with some serious commitment to the sciences, to English literature, to German, to Spanish. I had a wide variety of interests, but there was always something that tugged at me about writing that made me feel like, this is where I feel most at home. This is the way I like to understand the puzzles of the universe. This is how I make sense of the world—through writing. So even though I got my BA in English at Reed College in Portland, Oregon, I stuck around Portland for a few years because I loved it. I worked for various non-profits, and that was great. At some point I said, “I really want to take this seriously.” So I went ahead and applied to graduate school, and ended up in the University of Utah's PhD programme, where I stayed for eight very lovely years. I always recommend to my own students: never graduate. Stay in graduate school forever, because it's such a beautiful place where people support your writing. You have professors who support it, but more importantly, you have your cohort. To this day, I have so many great friends. You make a lot of friends if you stick around for eight years. That sort of community-building is, I think, the other part of why I became a writer. Writing by myself is obviously a lonely business, and there's a lot of internal struggle that happens with that. I have found a literary community, both at the University of Utah and then growing from there, serving as president of the NonfictioNOW Conference, teaching my own graduate students, serving as the series editor for Crux, the imprint at the University of Georgia Press. I feel like my world has expanded because of my writing. So that's been a true gift. Jo: Oh, I love that. I love that you said you understand the puzzles of the universe through writing, and that this tugged at you. Could talk about that a bit more? Because a lot of listeners, I think, sometimes mistrust that feeling. They think, “Oh, maybe I shouldn't necessarily lean into that intuition.” It feels like you leaned very strongly into an intuition that this was the way. Nicole: Yes, and this book in particular, Writing the Hard Stuff, takes that to heart. I think about writing the hard stuff as writing all kinds of tricky things—things that are really hard to communicate. The book begins revolving around personal trauma. Things that happened in my childhood, as well as difficult subjects that happen to us when we're growing up. It also includes things like environmental issues and political issues: things that are really hard to talk about, that are philosophically difficult to express, that can be controversial, and that you can put people off by talking about. One of the goals of the book—one of my own philosophies—is that by looking deeply into the knotted ball of string that is a kind of trauma or a kind of difficulty, and beginning to pull those strings out, that's where you start to not only make meaning out of what happened to you, or what this particular problem is, but those strings themselves become connections. I talk about Donna Haraway's book Staying with the Trouble. It's primarily about how we can overcome our political differences regarding climate change, and one of her examples is to change the way we think about narrative. In Western thought, we often think there's a beginning, a middle, and an end, and she brings up the Navajo game that we all know as cat's cradle. So if you think of that ball of knots—your trauma, your difficult subject—you start pulling out the strings, and then you start playing with it. With cat's cradle, you make one design with your hands, and then a friend pulls it around and turns it into another design. To me, that's how reading and writing work. We share, and we build on each other's ideas, but we're always connected by those strings. So if you have this difficult subject and you're shying away from it, you're losing, I think, some of the opportunity to make connections and to make sense of what that nest of string sitting in your stomach actually is. Jo: I love that metaphor. I think it's brilliant. I've never heard it described that way, and I think it's fantastic. What's interesting is that some people don't have a mind's eye—I know several listeners who don't. So while in my mind I'm picturing the ball of string and then the cat's cradle, some people won't be able to do that, which is also fascinating in terms of how people's brains work. In terms of how you'd recommend people think about it: this ball of string that we want to turn into a design like a cat's cradle is a total mess. So where do we even start? How do we know where to start pulling on the threads? Because it might just feel like it's out of control. Nicole: Oh, I deeply appreciate both the idea that some people don't have that mind's eye, or just think differently. We all have different ways of imagining what we call our trauma, this nest of problems, this ball of string. Of course a metaphor does oversimplify in some ways. I say, “Well, you just take one of the ends of the string and start pulling.” But practically, what does that really mean to do? There are a couple of things I suggest in the book and offer at workshops. One is an exercise I call writing the braided essay. I ask the writer to sit down and think about a scene that was difficult in their life—something that had a lot of tension, that they're really still struggling with, that they don't love thinking about. I'm going to ask them to go there for just a couple of minutes. Then there's the other side of the braided essay: I ask them to think about something completely different, completely off-topic. Perhaps a walk they took in the aspen grove, or what they were making for dinner last night, or perhaps they're deeply invested in the networks of the blood in the human body—anything they're fascinated and obsessed with. I say, “Okay, I want you to write about your difficult subject for two minutes, but then I'm going to give you a break, and you're going to pop over and talk about how you spent all day weeding your garden, and yet there are still weeds.” Then I'm going to ask people to go back and talk about their difficult subject, and then go back and talk about their obsession with weeds. They write about each of these things for two minutes. What happens—which I think is a pretty compelling experiment, from my point of view and from theirs—is that they write back and forth, and they're able to take a break from the hard thing. They're also tempted to go back to it once they've had that break in their research. The other thing that happens—and, you know, every book in nonfiction has to have a colon, so of course it's called Writing the Hard Stuff: Turning Difficult Subjects into Meaningful Prose—is that by going back and forth, you'll see the connections these writers make. They make connections with word choice, with verbs, with colours and different kinds of imagery. They start to make meaning between those two ideas. What happens to the writer then—and to me, when I'm doing it—is that I now have something that is constructed. So it's not just this knot in my stomach. It's not just my interest in research. Now I've put these things together, and then I get to play. We get to the cat's cradle part of the metaphor, where I really start thinking about craft issues. Why did I happen to bring these two ideas together? What might they have in common? What does it mean that I'm telling the story of my parents' divorce and my personal trauma, and in the research part I'm talking about weeds? Well, maybe I felt in the weeds. You come up with some sort of overarching understanding of why you chose that research story, and it lets you go deeper into that personal trauma, now with some of the techniques of craft, which I think help shield you from some of the trauma and pain of that original hard story. Jo: Again, I really love that idea. Do you also think the timed writing actually helps people go deep and then withdraw a bit, which psychologically may help them write about these difficult subjects? People are like, “I need to sit down for two hours and write about this deeply traumatic thing,” which of course feels like it's going to be too hard. So perhaps that two-minute process actually releases people from that. Nicole: Oh, absolutely. What a great way to think about it. It is prohibitive to sit down and think, “Okay, I'm going to go into the worst thing that ever happened to me and sit with it for two hours.” Going back and forth, you create energy and tension. But also, nobody wants to sit with something by themselves for two hours. If you think of research as your companion—”I'm coming in there with you, buddy”—you have something to rely on, this other side of the story, and it gives you that space. The timed writing, the two minutes, two minutes, two minutes, also reminds you that you don't have to write for two hours straight any day. I have a goal where I write 500 words a day, which is mostly true, unless I'm really in the weeds. We'll use two metaphors today: we'll use string, and now we'll be using weeds. But when I'm really in the weeds teaching, or going around the country talking about books, I really do write 500 words a day. I often try not to write too much more, because sometimes it loses freshness, and it can be overwhelming. So I really appreciate you saying that having that timed writing is important, but also that having that balance of deep emotional investigation with this more cerebral, informational crutch can really help you get into the subject and go deeper. Jo: Yes, and perhaps it anchors the writing in something concrete. Because with memoir particularly—having also written one—it can be too easy to lean on big words like “pain” or “trauma,” but that's actually meaningless in a book. So why is it so important to be specific and concrete in our writing in order to convey these bigger topics? Nicole: I think we know our own trauma. We know how it feels in our bodies, and we've been living with it for a long time. So it's pretty hard to communicate it to others. Why does it matter to other people? Of course it matters to you, but how are you going to convey the breadth of that trouble with words that aren't rooted in the physical world? The nice thing about rooting things in the physical world is that every one of us has a body. We have different bodies, but we share that in common. So it's the old trope of using your senses first. What did it feel like? If you can't think of what part of your body it particularly hurts in, you have the availability of metaphor to describe how that might have felt. You have the opportunity to create scene. This is particularly difficult for memoir writers, I think, because we imagine it's the fiction folks who have to use dialogue, who have to have a setting, who have to put their bodies in a place. Thatt's one of my mantras when I teach: we need to be able to see where you are. We need to see what is physically happening, how the interactions work. Dialogue, I think, is one of the best ways to literally get your body on the page—and to get your other characters, or subjects, on the page—because to speak, you have to have a body. Once you start having dialogue, you can picture the way the speaker's face moves, the way they cross their legs. You can even picture the colour of the paint behind them, or the kind of chair they're sitting in. So dialogue is one of the first ways you can say, “All right, I must have a scene here.” I can't go on just telling people, “It was so traumatic. I suffered so much. It was terrible. I felt so much pain.” You can say that sometimes, that's totally fair, but you have to pair it with that physical, concrete imagery, so other people can begin to understand what it felt like for you in your body, so they can feel it in their body. Jo: Interesting that you bring up dialogue because one of the issues with memoir is—I've had people compare it to truth with a small “t” and truth with a big “T.” So you're telling some kind of big truth about your life. If you're writing dialogue about something that actually happened to you, in memory, it's very unlikely that it actually happened in that way, so it's not necessarily small-“t” true. So on a practical note, what are your thoughts and tips on truth. How do we tell our own story even if others don't see it that way? Nicole: This is a subject I'm deeply invested in right now. When I first started teaching creative nonfiction, it was at the height of the John D'Agata and David Shields questions. What is truth? Big T, little t? What am I obligated to do as a creative nonfiction writer? I had a great friend, Angie Truong, who came to teach one of my classes, and she said, “Nonfiction is a pretty big spectrum. You have journalism on one end, and then you have the lyric essay on the other end.” You imagine the lyric essay is full of metaphors and things like that, so you can approach truth. You're saying, “This is what it felt like. This is what it seemed like.” Check out my newest favourite thing. It's called speculative nonfiction, and I use a little bit of this in my book How to Plant a Billion Trees, which Writing the Hard Stuff is somewhat based on. I wrote them in tandem, which was a very strange and interesting and fun thing to do. But in How to Plant a Billion Trees I use this thing called speculative nonfiction, which goes even further along the spectrum, past the lyric essay, to this opportunity to use language like “perhaps,” “maybe,” “I imagined.” So I have sections in my book where I can't remember the dialogue exactly, but I know that the dialogue in some sense matters—that what might have been said will do much more to convey what was happening than my exposition over the matter. By using those turns of phrase, you're alerting your reader: “Dear reader, this definitely is not exactly what happened, but this is how I recall it.” Then you're being not only honest to the story and honest to your reader, but you're also conveying the feeling and the mood of the event—that other kind of truth that memoir is really trying to get at. It was like this for me, which is why I think this way now. It's a fledgling genre. I just read a book by Laraine Herring called A Constellation of Ghosts: A Speculative Memoir with Ravens. It's brilliant. It's an amazing book that pairs her actual colonoscopy and discovery of colon cancer with the story of her dad, who has passed already and comes back as a raven and helps her through it. So you're pulling on some of the tools of fiction, which creative nonfiction already has been doing. But it does so in this bright and, I feel, incredibly ethical way. You're alerting your reader, “My dad is not really a raven.” But you're also saying, “Oh my gosh, I sensed he was with me. I sensed every time a raven approached that I had somebody's hand on my shoulder.” That, to me, has been a lot of fun—a much more imaginative way of creating some of those scenes than doing something like, “Well, I don't remember the dialogue.” Or, even worse—and we know people have been unethical in their approach—recreating the dialogue as if they'd had a tape recorder with them when they were 17 years old. Jo: Mm. Nicole: So I offer that as an option to your listeners, as something to experiment with. Allow yourself to have that imaginative opportunity to show the reader what it might have been like. Jo: I love that. It's interesting, you talk there about the spectrum of nonfiction, which is ridiculously big, as is fiction. Obviously these are very big. But I wonder if we do get hemmed in by genre. I love the idea of a speculative memoir. I'm going to have to go read that book because I can't even imagine what that really means. I feel hemmed in by my expectations of a memoir. But then, from a business and marketing perspective—because we're all trying to sell our books— Do we risk not meeting the expectations of a reader of a genre that way? Nicole: Right. One of the good and bad things about my literary career is that I've spanned a lot of genres. My PhD is actually in poetry. Nobody expects the full truth from poetry. One of my poetry professors once said she wrote this really sad poem about her father's death, and the audience was moved, and then her real father stood up and said, “Good job, daughter.” And someone in the audience was just shocked: “You just read a poem about your dead dad, and here he is!” We have absolute expectations of genre, and expectations of truth, in everything we read. If you label it fiction, you're kind of off the hook—even though, of course, fiction uses so many elements of nonfiction: so much research, so much information, so much personal memory to create those fantastic landscapes. So when I think about how one sells one's memoir, I do think you also have to acknowledge what you expect your audience to be. With Laraine Herring's A Constellation of Ghosts, by putting “colon, a speculative memoir,” you're alerting your reader to that possibility. And because it's a pretty far-out way of thinking right now, it probably does curtail some of the sales. On the other hand, think of memoirs that are written for celebrities, and how many of them are ghostwritten—or written with other people, where the ghostwriter's not even part of the thing—but it comes across as the most legit of all memoirs, because it's a celebrity and we know them. We associate their lives with their story, and their story must therefore be true. So I think, with all levels of creative nonfiction, it's incumbent upon the writer to suggest right off the bat what kind of nonfiction they're reading. Are they reading journalism? Are they reading lyric essays? Are they reading speculative nonfiction? I think a lot, too—as an editor for a literary series for nonfiction books—about what I look for in memoir. It's something that takes the personal story and connects it into the larger conversation. Even if the larger conversation is directly about what the main subject is about, to me it's still about the crux of the matter. Why does your story make an impact on the world in this bigger way? How do you let the world inform your story? How does your past and your trauma, or your difficulties, connect to a larger world? Jo: Mm. Nicole: To me, that's something some memoirs are capable of doing. Some memoirs are truly invested only in that personal story, which I think is totally legitimate too, because I love learning how people think. I love understanding. This is just how my brain works. But in terms of sales? I don't know. Again, as the series editor and as the seller of my own books, I think you can't determine it in advance. So you should probably write what you want to write, what feels right to you, using as many craft techniques as you can hone. But the market, to me, feels very non-negotiable. You never know exactly how things are going to turn out. So I deeply believe: write the best, most well-crafted book you can, and I do think your readers will find you. Jo: We'll come back to marketing in a minute, but just returning to your own writing practice. I've got your book page up in front of me, and you've written all kinds of things: your essays, your memoirs, some fiction, and some poetry, as you mentioned. So I wondered: when you're researching something, or you've got a feeling about wanting to write, how do you choose the type of book you turn it into—or a poem, or an essay? Or do you pitch it as some kind of external work, or turn it into a workshop? How do you turn an idea into what it will eventually be? Nicole: I love that question because it's somewhat of a mystery to me, but I think I'm getting close to understanding. It really is in those first few words, that first sentence, that I think, “Okay, I know which direction this is going.” For example, the other day I woke up in the morning and thought, “All right, I'm writing this poem about how man took over for God, and that's how the planet ended up being such a mess.” So I started writing it, and it was pretty lyrical at the beginning. But then I started making full sentences, and explaining things a little bit more, and I thought, “Okay, this is not a poem. It's going to be an essay.” When I start writing fiction, I pull on something a little further, a little more distant from my experience, and then I pull it back into something more character-driven. For example, in a novel I'm writing, I begin with this whole story about McDonald's and ravens, and then I pull it back into the character. If I were to diagram the sentences between a poem, the nonfiction, and the fiction, I think I'd see fundamental differences between the three. Jo: Do you work on multiple projects at the same time, or once you commit to something, is that what you finish? Personally, I have lots of little things happening, and then a moment comes and I commit to a book, and I won't stop until I've finished that book—the rest will have to wait. It's that decision moment. How does it work for you? Nicole: My process is pretty similar to yours. I have a number of ongoing projects, percolating here and there. Some days I'll think, “All right, today feels like a fiction day.” But for the most part, you're absolutely right. There's a bunch of little things I'm writing, or things I'm dabbling in, but once there's a critical mass—which I'd say is around 20,000 words or something—I'm all in, and I've got to focus on this project. Even though I think I can do whatever multitasking, really it's important to try to maintain some sort of through-line in whatever project I'm working on. If I do that with too many projects, I lose that through-line. I also worry sometimes that the projects start to sound too similar. So say I'm writing a nonfiction collection and a novel—if I go back and forth every other day, those sentence differences I'm talking about might start to collapse, and they become too similar. Then what the heck would I be writing? I don't even know. Jo: It's interesting because you span academic publishing and, I guess, trade publishing—whatever you want to call it—where more non-academics read books. I'm just finishing up a master's myself at the moment, and writing academic stuff is completely different to writing my other books. So when you're deciding on these books, are you aiming for a specific publication market—as in, you want an academic publisher, or you want a trade publisher? How do you think about publishing in the process? Nicole: As much as I once really wanted to find some ground as a scholarly and academic writer—and I really do love to write reviews of other people's books, and Writing the Hard Stuff is a textbook that relies tremendously on so many other people's books. That is really important to me because that goes back to how one both creates and thanks one's community for creating the literary world we live in—I feel like there's a smaller audience for that sort of academic writing. But it's something we should do. As generous as you are here, for example, reaching out to other people about other people's books is probably the kindest thing you can do. So I hope to continue to take time to do that and make it part of my repertoire. It's not as fun, I'd say, as the imaginative elements of writing creative nonfiction, or fiction, or poetry. That's when I really love to groove and get into that mode of, “Oh, the words are coming. Oh, I never thought about it that way.” With academic writing, I feel I sometimes write in a slightly more stilted voice. My friend Ander Monson, who teaches at the University of Arizona, has done a really great job of writing—whether it's his personal essays or his critical essays—where he maintains the same voice. He doesn't move into that super-formal academic speak. He'll literally say things like, “You know,” or, “That's a banger of a sentence,” in the middle of an academic essay, and I really admire him for that. I feel like maybe if academic writing were more receptive to people writing in their unique voices, then maybe more people would read it. Jo: Yes. One of the pieces of feedback on one of my earlier essays in my master's year was around my sentence structure—that it would be far more appropriate in a novel than in an academic essay. I was saying to my husband, “I can't believe this, but I'm just going to have to change my style.” It's very interesting. We're almost out of time, and I also wanted to ask you: you have a recent blog post on how to try to get your forthcoming book attention in 4,231 simple steps, which made me laugh. We all find book marketing a challenge, so what have you found works best for you? I should tell the listeners—there are not 4,000 steps in your blog post. Although I think people would want them. Nicole: Exactly. I stopped at 72, but I can go on. That was sort of the pre-publishing process. There have been so many great things that have happened, but a lot of them have been driven by me. I have a publicist, but he works on a lot of other books, and I have a marketing person at Bloomsbury. They have to juggle a lot. The only person who is really, really, really committed to your book is you. So I've written companion essays. I haven't had any luck publishing them, which hasn't been true in the past, so I wonder what's going on there. I'll write something for the Huffington Post or Newsweek that's tangentially related to my book. I also might just write too much in essay voice instead of popular-magazine voice. As we were just talking about, academic voice versus novelistic voice. So that might be part of the problem too. Reaching out to people who might invite me onto podcasts has been really rewarding, and very, very kind. I think the best thing I did was to put myself on book tour and to pair myself with someone in that community. I've gone on book tour before by myself, and there have been occasions where there were two to three people in the audience, which can be really disheartening. The problem wasn't so much the bookstore's fault or my book's fault—it's just that if you go to a bookstore in a town where nobody knows you, they're not going to put a lot of effort into making the date happen, unless you're super famous. So what I did was find somebody in a community—a friend of mine—who would go with me and be part of the conversation. Even if their book was a couple of years old, we'd still go and have a conversation about each of our books. This has worked tremendously well. People will come to see their friend, and then they'll be introduced to you, and they'll ask you questions and buy your book. You create new connections and new friends thanks to that friend and that place. So that's my number one recommendation for how to get the word out in the world. I also did all the social media stuff. It doesn't work as well as it used to. It's kind of a strange time. But because of my suggestion about going to bookstores with people you know… I think we're coming out of our COVID time, where we got so used to doing everything on our computers and just staying in our electronic universe. People are hungry to get out. So one thing I want to do, and haven't done yet, is throw a big party. Go to weird places where you don't even do readings—you just offer people snacks and a glass of wine and say, “Hey, here's a book if you want to buy it.” To have these more informal gatherings that bring people together because I do think there's a hankering for people to get out into the world again. Jo: And just on that—you've got these two books coming at the same time: How to Plant a Billion Trees, which is the memoir, and Writing the Hard Stuff, the how-to book for writers. When you do these events, are you choosing one or the other depending on the audience? Or are you selling both at the same time? Because they're obviously very different. Nicole: Yes, I'm definitely selling both at the same time. Although I probably push How to Plant a Billion Trees first, because most of the people I'm pairing with are also writers of nonfiction or memoir. The other thing is, I can talk about How to Plant a Billion Trees, and if people have a really deep question about, “Well, how did you write this section?” I can say, “Well, if you refer to this book, Writing the Hard Stuff, you'll see.” So it's an easier segue. I think people aren't used to going to book events for craft books. But in the interview world—where people are reviewing books or interviewing me—Writing the Hard Stuff has definitely been the primary book I've been approached to speak about because people really do want techniques. So it depends on the context as to which book gets the spotlight, but it's been really fun to be able to talk about both in tandem. I don't know if they're competing against each other or supporting each other. That's my hope, that people think, “Oh, I read this one book, I might as well read the other one.” But that's asking a lot of people, to buy two books, so I try not to overstate that hope. Jo: They are very different, and I love the idea of doing that. Absolutely. So where can people find you and your books online? Nicole: You can find me at my Substack, which is substack.nikwalk.com—N-I-K-W-A-L-K. Or my website, which is the same: nikwalk.com. I might just start going as Nik Walk in the world, so people can find me more easily. I also really love to support Bloomsbury. They have really good deals, especially on the audiobook for How to Plant a Billion Trees, and they also have good deals if you buy both books, you get free shipping. So Bloomsbury is probably the number one place to get the books, but of course they're also available on Bookshop.org and Amazon.com, and on Amazon in the UK as well. Jo: Brilliant. Well, thanks so much for your time, Nicole. That was great. Nicole: Oh, it was so fun to talk with you, Joanna. Thank you again so much for this opportunity.The post Writing The Hard Stuff: Turning Difficult Subjects Into Meaningful Prose With Nicole Walker first appeared on The Creative Penn.

Savage introduces his concept "constellation of happiness." He encourages listeners to focus on the fleeting moments of joy life offers despite the suffering and struggles of everyday life. He criticizes the media and modern society for undermining fathers. He urges men to pass joyful memories to their children. He then recounts overcoming youthful despair without medication by finding respite in music and Lin Yutang's "The Importance of Living." Savage emphasizes ancestors, free will, and returning to the religion of one's grandparents. He concludes with themes from his book "God, Faith, and Reason" and reminds us to respect the father's sacred role in creating and protecting life.

Preview for Later Today: Bob Zimmerman evaluates the space race between SpaceX and Jeff Bezos's Blue Origin. He highlights Blue Origin's struggle to match Starlink's satellite constellation and identifies emerging competitors like Rocket Lab in the growing industry.

Bob Zimmerman tracks the transition to commercial space, noting that private companies like Vast are leading the race to build stations to replace the aging ISS. He discusses Amazon's struggle to launch its satellite constellation due to rocket delays, contrasted with SpaceX's efficiency. Zimmerman also reports on a milestone for SpaceX, as a single Falcon 9 booster successfully completed a record 35th flight. (15)192022