Podcasts about oscars

Drummer, DJ, producer, Oscar-winning documentary director, composer and musical director Ahmir “Questlove” Thompson joins SCORE from John Mayer's private writing room at Henson Recording Studios!Ahmir discusses the absolutely bonkers music mashup from 50 years of Saturday Night Live, featured in the documentary LADIES & GENTLEMEN: 50 YEARS OF SNL MUSIC. Plus, how he discovered SNL really doesn't have any “theme song” despite its iconic sound. He also discusses his two other Emmy nominations for SLY LIVES!, a documentary about the great Sly and the Family Stone, and as musical director for an SNL Homecoming concert.How his start in a performing arts school in Philadelphia led him to meet Tariq Trotter (Black Thought) and form the band The Roots. Questlove reveals the long-anticipated new album, 10 years in the making, will be released in early 2026.He also dives into his other ventures — from Oscar-winning SUMMER OF SOUL (which won right after the infamous Will Smith / Chris Rock slap moment — that Ahmir missed at the time) — to his early experiments on potentially directing a live-action THE ARISTOCATS film for Disney, which he reveals likely isn't moving forward at this time.Plus, drumming on buckets, acting with John Mayer on an iconic Chappelle's Show sketch, and why one of his biggest dreams remains getting to perform with The Roots on SNL.Interview by Kenny Holmes and Matt Schrader at Henson Recordings Studios in Hollywood. Special thanks to John Mayer, Faryal Ganjehei, Jeremy Nielsen and Jeff Butler of Henson Recording Studios, Thomas Mikusz and Chris Galasso of White Bear PR, Kaeleah Isaac, and production coordination by Kyle Bales.Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comVideo Timecodes0:00 Questlove9:17 Show Open10:00 Vienna Symphonic Library11:41 Questlove & Lorne Michaels16:00 Ladies & Gentlemen: 50 Years of SNL Music17:35 Prince's Lesson18:41 Best SNL Performances21:51 Howard Shore on SNL22:40 What is the SNL theme?24:00 Messing with clap rhythms25:00 Don Pardo26:15 Seinfeld's evolving theme27:24 Birdman28:00 Growing up with musicians32:00 Starting The Roots34:03 Tariq & High School36:04 Tariq freestyling37:20 Lying to impress a girl38:06 ‘You Got Me'39:22 Spike Lee Levi's Commercial40:00 Drumming on buckets42:51 The Roots new album: Early 202649:07 The Weeknd50:16 Oscars after Chris Rock slap53:17 Self doubt at the Oscars54:41 Dapping up Will Smith on the walk to stage56:10 Being accountability partners with Will Smith58:48 Stepping into the spotlight1:00:03 ‘The Aristocats' reshuffling1:01:37 John Mayer & Chappelle's Show1:05:19 Steady career rise1:09:20 SNL Homecoming Concert1:11:43 Will Ferrell rapping Kendrick Lamar1:13:45 Film Music influences1:19:16 Henson Recording Studios1:21:16 Thanks John Mayer!1:22:03 Vienna Symphonic Library1:23:48 VSL ‘Forest Gump' Demo

What if YouTube bought the broadcast rights to the Academy Awards? We discuss the latest rumors via Bloomberg. Otherwise, we also break down trailers for Marty Supreme, It Was Just An Accident, Ballad of a Small Player, Keeper, etc. We discuss the Lineup for Fantastic Fest & other movie news before reviewing / revisiting some new releases from Highest 2 Lowest & Freakier Friday to Superman & Weapons. OSCAR NEWS: Bloomberg report on YouTube vying for the rights to broadcast the Oscars - 1:46 Best International Feature Selection Announcements begin - 10:36 TRAILER REVIEWS: Marty Supreme enters the race with our allegiance - 13:33 It Was Just An Accident seems like an tense thriller - 19:08 Ballad of a Small Player from Mr. Burger & starring Colin Farrell - 23:23 Peter Hujar's Day featuring the beautiful words of Owen Gleiberman - 27:38 The History of Sound from Oliver Hermanus + Paul Mescal & Josh O'Connor - 30:22 Steve stars Cillian Murphy ala Half Nelson & Stand and Deliver - 32:55 Keeper proves we love Osgood Perkins & Neon's trailers for Oz Perkins films - 35:11 Good Boy deserves all the Oscars because he is such a good boy!!! - 37:36 FILM FESTIVAL NEWS: Wicked 2 buzz as Cynthia Erivo set for the Santa Barbara Kirk Douglas Award - 40:11 Fantastic Fest Lineup Highlights - 44:25 FUTURE MOVIE NEWS: Frankenstein, Fairyland & Urchin Release Date Updates - 49:00 Sandra Huller to star in Pawel Pawlikowski's 1949 - 52:32 Guy Pearce may play Rupert Murdoch for Danny Boyle - 53:50 BOX OFFICE UPDATE & WHAT WE'RE WATCHING: Weapons Rewatch & 2nd Week atop the Box Office - 55:02 A positive Freakier Friday Review - 57:33 Nobody 2 disappoints - 58:35 The Rest of the Top 10 include a Fantastic Four disappointment - 1:00:30 M1's catches up with Superman - 1:02:23 Sydney Sweeney's Jeans controversy & Americana bomb - 1:05:18 AM reviews East of Wall - 1:07:31 The brothers' road trip to see Highest 2 Lowest - 1:09:22 Alien: Earth early review - 1:14:22 OUTRO: Hopefully you heed these words of wisdom as we head into film festival season. Plus, we refuse to jinx ourselves. Please sprinkle some salt. Also, if you enjoy our work, do please feel free to join us in our movie conversations this fall via our social media, and you can also help us by spreading the good word about our podcasts with positive ratings, reviews, likes, and subscribes. Here's a linktree: https://linktr.ee/mikemikeandoscar

On Election Night, 2000, the final call came down to the decision of one state: Florida. What would follow would be the most infamous recount in American history. But to understand what came next, we need to go back to 1876, when Florida famously served as a turning point for yet another major American election. Pick up your copy of FLORIDA! right here! Thank you to Chelsea Rice for her incredible design of our logo! Follow Chelsea on Instagram here!   I do not own the rights to the clips used in this episode.  "Moonlight" wins Best Picture | 89th Oscars (2017) CNN: Flashback to 2000, U.S. presidential election recount "The Election of 1800" from HAMILTON Al Gore Announces Presidential Run - 1999 | Today in History USA: BUSH JR. PREPARES FOR POSSIBLE PRESIDENTIAL BID   Besides the clips above, all the music was originally composed.

On this week's show, we send get well wishes to Dave Edmunds, pour one out for the late Terry Reid, and spend quality time with new records from Wet Leg, Ben Nichols, Lord Huron and J. Isaiah Evans & The Boss Tweed. All this & much, much less! Debts No Honest Man Can Pay is a podcast that thinks it's a radio show...because it used to be one. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004. It phoenixed into a podcast in 2020, thanks to the fine and fabulously furious folks at NRM Streamcast. 

Cartoon artist and comic book author Caitlin Cass creates comics about failing systems, strange historical narratives, and irrational hope. From mail-order zines to Eisner Award winning graphic histories, she crafts stories that are sharp, strange, and full of heart. Hear how ghosts, humor, and historical research fuel her singular artistic world.Cartoonist and illustrator Caitlin Cass uses comics, cartoons, and installations to explore failing systems, query traditional historical narratives, and pursue irrational hope. Her 2024 book - Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the US - which won an Eisner Award, dubbed the Oscars of the comic book industry. Her work has appeared in The New Yorker, The Lily, and The Nib. Growing up near Chicago, Cass studied the Great Books at St. John's College in Sante Fe and earned an MFA in Visual Studies from the University at Buffalo, and since 2021 teaches studio art and illustration at the University of Nebraska Omaha.

“They're gonna keep calling us 'cutters.' To them, it's just a dirty word. To me, it's just something else I never got a chance to be.” How has it taken this long to get to a good old-fashioned sports movie on the podcast?  We watched the Peter Yates film "Breaking Away" with our good friend Joshua Clement. Dennis Christopher plays Dave Stohler, a working-class Midwest teen, passionate about Italian cycling, navigating life with his  ragtag group of friends. Nominated for a handful of Oscars, including best picture, director, and a win for original screenplay, "Breaking Away" was a sleeper hit when it came out the summer of 1979. The most 70s cast of cute young men to fill a back issue of Tiger Beat Magazine. We have our lanky lead, Dennis Christopher, who's giving us 70s Timothée Chalamet, there's Dennis Quaid with his six-pack on full display, a post- "Bad News Bears" heartthrob Jackie Earle Haley, and the screen debut of Daniel Stern!  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

Sixty years later and the hills are still very much alive with the sound of music! In fact, Maria helped the Trapp Family (yes, based on a real singing family) live on through her memoir which was adapted into the Rodgers and Hammerstein musical and Oscar-winning film widely loved today. Nick and Sophia share the tumultuous history behind what would become a memorable Best Picture winner along with their favorite songs and scenes. Then, they open up their discussion about the 38th Academy Awards to figure out how Julie Andrews lost Best Actress, which other big players affected the race, and why certain other films from the year weren't nominated (35:25). Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich

"Earn this...earn it." For Episode 370, Brandon and David cover the World War II movie everyone has been asking for this month. Directed by Steven Spielberg, SAVING PRIVATE RYAN became one of the most popular World War II movies of all time 1998. Listen as the duo discuss the real stories that inspired the film, which director almost made the film before Spielberg, how Spielberg and Tom Hanks got involved in the movie by chance, the beginnings of Dreamworks, how they recreated Omaha Beach in Ireland, why the film was one of the biggest surprises at the box office in 1998, and so much more.  Also, don't forget to join our Patreon for more exclusive content: Opening - Weapons and Current Movies -  (00:00:10) Recap of World War II Movies (00:09:23) Intro to Saving Private Ryan (00:13:31) The Real Story Behind the Movie (00:19:19) How Saving Private Ryan Got to Production (00:29:12) Favorite Scenes (00:40:25) On Set Life - (01:15:13) Aftermath: Release and Legacy (01:29:51) What Worked and What Didn't (01:41:07) Film Facts (01:45:52) Awards (01:51:11) Final Questions on the Movie (01:55:14) Wrapping Up the Episode (01:58:34) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

This week on Da Play Call we discussed preseason week 1, Cleveland released their depth chart at QB, Sanders is number 4 despite having the best ranking out of the rookie QBs, James Cook gets an extension, while Cam Heyward wants an extension, and more topic. Do not forget to share, like, subscribe and comment. #daplaycall #football #podcast #preseason

This week on Aug-Heist: The Getaway, fact meets fiction with the “based on a true story about a fake movie” Argo! Set during the Iranian hostage crisis, this ensemble escape thriller stormed the box office and awards season, raking in over $230 million and winning Oscars for Best Picture, Best Adapted Screenplay and Best Film Editing. Director Ben Affleck was notably snubbed and not nominated by the Academy, but he also stars as CIA exfiltration expert Tony Mendez, along with a “most wanted” list of prestige movie actors, including Alan Arkin, Kyle Chandler, Bryan Cranston, Tate Donovan, Victor Garber, John Goodman, Scoot McNairy, and Chris Messina. But does this film provide enough of an escape for our hosts, or did we feel like we were being held hostage while watching it? ARGO F--- YOURSELF!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly:: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Aug-Heist: The Getaway Theme features beats by Anabolic Beatz https://www.anabolicbeats.com | Remixed with lyrics and vocals by Jonolobster   Normal Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

On Today's episode, we chat about two recent horror hits, Weapons & Together, and give them our honest reviews! Check out our TikTok for our new series - 20 Second Movie Reviews!Follow us on Instagram & TikTok @ ReelqueerpodcastHosts' Instagrams: Trevgeorge & Triniguy_jjOur new schedule is now every Thursday!

"Naming a band can be quite difficult. The list of bands we will discuss today went back into history to grab a name or an event to come up with a moniker. You know a good many of them. "

We discuss the new AMPAS President before reacting to the full NYFF63 lineup, the TIFF additions and tributes, and some Telluride deductions. Plus we review Cloud, Sorry Baby & Together while also discussing new trailers for Rental Family, One Battle After Another, etc. ACADEMY NEWS: Lynette Howell Taylor is our new President - 1:29 Will the Oscars remain on ABC after Disney makes moves? - 3:52 FILM FESTIVAL NEWS: The NYFF Closes with Bradley Cooper's latest + a Jim Jarmusch Centerpiece - 8:50 NYFF63 Main Slate is loaded + That Jay Kelly Trailer - 11:26 NY Spotlights The Boss, DDL & double Linklater + Blue Moon Trailer - 17:15 TIFF Tributes are discussed + that Rental Family trailer is working well, maybe too well - 29:30 TIFF Lineup Additions + that Left-Handed Girl Trailer - 34:05 Deducing Likely Telluride Lineup - 41:02 MORE TRAILER BREAKDOWNS: One Battle After Another, starring Leonardo DiCaprio & Tom Cruise jokes - 43:24 Highest 2 Lowest, starring Denzel Washington & Jeffrey Wright - 48:45 Ella McCay is one Mike's dream and another Mike's nightmare - 52:15 Train Dreams, starring Joel Edgerton is another huge schism betwixt us - 54:49 The Choral, starring Ralph Fiennes would win every Oscar in 1994 - 57:53 Shelby Oaks from Chris Stuckman could be just our speed - 1:0015 NON-SPOILER REVIEWS: Cloud & Folktales at IFC Center + AlsoMike's Burger Day in NYC - 1:02:29 M1 reviews Sorry, Baby, The General's Daughter + Quickies on Together & Oh, Hi! - 1:08:01 OUTRO: We try to avoid jinxing Mike1's health and fail. But if he survives, you can enjoy more Oscar Race Checkpoints in the future. As always, we appreciate all your support. Please follow us on social media, like & subscribe, rate & review - all that good stuff… and you can find a tree of all our links here. https://linktr.ee/mikemikeandoscar

Neon couldn't burn any brighter than it is now. The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), Anora (2024), and It Was Just an Accident (2025). Parasite was the first foreign language film to win Best Picture at the Academy Awards in 2020. Longlegs became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film Anora tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years. Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry. In this episode of Creative Control, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable.  For more of the latest business and innovation news, go to https://www.fastcompany.com/news To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control

EPISODE 100 -  “LIGHTS! CAMERA! KARGER! TCM's DAVE KARGER HELPS US CELEBRATE 100 EPISODES” - 8/11/25 We're thrilled to celebrate the 100th episode of FROM BENEATH THE HOLLYWOOD SIGN with a very special guest: DAVE KARGER, beloved host of Turner Classic Movies and one of the most respected voices in entertainment journalism. In this milestone episode, Dave joins us to discuss his fascinating new book, 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins, a dazzling journey through Academy Awards history told through unforgettable moments, behind-the-scenes stories, and personal reflections. Whether you're a film buff, an Oscars obsessive, or just love a great Hollywood tale, this conversation is the perfect way to help us celebrate our 100th episode. SHOW NOTES:  Sources: 50 Oscar Nights: Iconic Stars & Filmmakers On Their Career-Defining Wins (2024), by Dave Karger; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Breakfast Club (1985), starring Molly Ringwald, Emilio Estevez, Judd Nelson, Ally Sheed, and Anthony Micheal Hall; Sixteen Candles (1984); starring Molly Ringwald & Anthony Michael Hall; Ferris Bueller's Day Off (1986), starring Matthew Broderick &  Alan Ruck; Children of a Lesser God (1986), starring William Hurt & Marlee Matlin; Breathless (1983), starring Richard Gere & Valerie Kaprisky; Tootsie (1982), starring Dustin Hoffman & Jessica Lange; Laura (1944), starring Dana Andrews & Gene Tierney; Seven Chances (1925) starring Buster Keaton; Citizen Kane (1941), starring Orson Welles & Joseph Cotton; On The Waterfront (1954), starring Marlon Brando,Eva Marie Saint, & Karl Malden; Rainman (1988), starring Dustin Hoffman & Tom Cruise; Stella Dallas (1937), starring Barbara Stanwyck & Anne Shirley; Reveille with Beverly (1943), starring Ann Miller; Penny Serenade (1941), starring Cary grant & Irene Dunne; Boys Don't Cry (1999), starring Hilary Swank & Chloë Sivegny; Norma Rae (1979), starring Sally Field & Beau Bridges; Sophie's Choice (1982), starring Meryl Streep, Kevin Kline, & Peter MacNicol; Learn more about your ad choices. Visit megaphone.fm/adchoices

When I introduce you, I'm gonna say, "This is a friend of Draft Class." That means you're a connected guy. Now if I said instead, this is a friend of ours that would mean you a made guy. Capiche?Joining Jon Saks for Round 2 of the JOHNNY DEPP Draft - SPECIAL GUESTS!Bianca SotoJefferson Reardon"Let us know what Draft you would like to listen to by sending us a message!"Support the show

The RP bois have another episode where some like it and some aren't sure if it's a movie. Thanks to our monthly supporters akai Jordyn Nevarez

This week, we welcome back Tom Martin, CEO of LawDroid, to discuss his widely read “AI Law Professor” column for Thomson Reuters and his five-level roadmap for legal AI. Martin explains that the framework was inspired by a leaked OpenAI memo and aims to give legal professionals a clearer picture of AI's trajectory. The five levels range from basic chatbots to fully AI-run organizations, with intermediate stages such as reasoners, agents, and innovators. According to Martin, while we are still in the early stages, the release of GPT-5 and its reasoning capabilities has accelerated progress toward higher levels, especially in the development of autonomous agents.The conversation turns to the implications of GPT-5's hybrid reasoning model, which combines inference with step-by-step reasoning to deliver more relevant answers. Martin sees this as a significant shift for the legal industry, moving beyond single-response chatbots toward sustained, goal-oriented AI. He predicts that while the technology for fully autonomous legal agents could be available within a year, widespread adoption in law firms and corporations will take closer to three years. However, with these advancements come ethical concerns. Martin outlines four principles for responsible AI agents: transparency, autonomy, reliability, and visibility, cautioning that AI's knowledge is always bounded and potentially incomplete.Reflecting on the legal industry's pace of change since their last discussion, Martin notes that while some firms are sprinting to adopt AI, others may already be too late to catch up. He warns that professional services organizations must actively integrate AI to remain competitive. The discussion explores the potential for tech giants or AI companies to acquire major legal information providers, and Martin argues that the future lies in blending software, consulting, and education into a unified service model. This integrated approach, he believes, will be necessary for survival in a market where AI is capable of generating solutions without traditional software development cycles.Beyond the legal tech roadmap, Martin shares insights from his teaching at Suffolk University Law School and his observations from producing the “Last Week in Legal AI” news series. He sees both opportunities and risks for the next generation of lawyers, particularly in acting as translators between AI systems and legal practice. The discussion touches on generational attitudes toward AI, with younger users showing both skepticism and heavy reliance on AI for personal and professional support. Martin also addresses societal concerns, from AI in mental health applications to job displacement, and stresses the importance of curating AI outputs with human judgment.The episode wraps with Martin's update on the American Legal Technology Awards, set for October 15 at Suffolk University Law School in Boston, which he describes as “the Oscars of legal tech.” When asked about the biggest challenge for the next few years, Martin points to the uncertainty of where professionals will fit in a rapidly shifting world. He envisions a possible new model that combines service, education, and software to deliver legal help at scale, but stresses that no one knows exactly how the future will unfold. His hope is that the AI-driven abundance ahead will be shared broadly, without excluding people from its benefits.Links:Keep up with Tom's podcast and latest thoughts on the law and innovation at: lawdroidmanifesto.comNab some tickets to this year's Oscars of Legal Innovation at: americanlegaltechnology.comListen on mobile platforms:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[Special Thanks to ⁠Legal Technology Hub⁠ for their sponsoring this episode.] Blue Sky: ⁠⁠@geeklawblog.com⁠⁠ ⁠⁠@marlgeb⁠⁠⁠⁠⁠⁠⁠Email: geekinreviewpodcast@gmail.comMusic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jerry David DeCicca⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode of Page Chewing, Steve discusses his recent readings, including the Border Trilogy and Memories of Ice, while reflecting on the differences between audio and physical books. He shares insights on character deaths in literature, highlights a unique comic book, and reviews classic films from the Oscars project. Additionally, he touches on his fitness journey and the impact of AI on entertainment, predicting future trends in the industry.Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l

Buckle up, Crazy Ants! This week's episode of ITCAF is an absolute pop-culture rollercoaster that's breaking more headlines than a Marvel post-credits scene!Logan and Dustin kick things off with breaking SAG-AFTRA news! Fran Drescher is out, Sean Astin is in the race, and the union is gearing up for another showdown with the AMPTP. Streaming residuals, AI protections, health benefits; it's about to get spicy in Hollywood labor politics again.Then… award season has officially fired the starting pistol! The Oscars are rolling out digital screeners early, giving indie films a fighting chance, and we're diving into how this could shake up the Best Picture race.From there, the guys swing into the Marvel multiverse — “Fantastic Four: First Steps” blasted off to big bucks but is now crashing back to earth and struggling to reclaim MCU glory, “Freakier Friday” and “Weapons” are in hot pursuit, and Disney just announced Hulu will be fully folded into Disney+ by 2026. Oh, and Lin-Manuel Miranda's Hamilton is finally hitting theaters; time to grab those tickets!We've also got Star Wars bombshells! Matt Smith joins the galaxy far, far away, and Lucasfilm patches things up with Gina Carano in a jaw-dropping turn of events. Meanwhile, James Gunn's next Super-Family movie is officially a go, Matt Reeves' The Batman Part II finally has a start date, and Final Destination 7 is coming for us all.Plus: Paramount's massive $8 billion Skydance merger, “Wicked: For Good” teases its next act, Netflix drops “Wednesday” Season 2, Spider-Punk swings into his own movie, and Brad Pitt's “F1” is racing back into IMAX for another victory lap.It's chaos. It's Hollywood. It's the episode you cannot miss.Watch/Listen to it now, and let's get crazy!Chapters: News Tease 0:00Intro Music 1:25Show Open 1:45SAG-AFTRA News 3:15Oscars News 6:47Disney News 10:09Warner Bros News 31:07Paramount News 44:23NBC Universal News 49:15Sony News 53:23Lionsgate News 55:30Netflix News 57:38Apple TV Plus News 1:01:06Top 5 Favorite All-Time Film From Major 5 Studios 1:04:45Box Office 1:23:50IMDb Pro Top Trending 1:25:37Goodbyes 1:25:50Follow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan (Left)Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin (Right)Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Jacob Rodriguez delivers the latest entertainment news on:- Travis Scott's absence from the WWE.- What Disney+'s integration of Hulu could mean for the Oscars.- "Final Destination 7" officially being in the works.

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg's bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie's legacy, Kubrick's influence, and how the film hit differently post-Oscars and post-9/11.They dive into the unique collaboration and friendship between Kubrick and Spielberg, how “A.I.” bridges fairy tale and sci-fi, and what it means for love, grief, and humanity to be filtered through the eyes of a robot boy. The group explores how the film's themes of artificial intelligence, the uncanny valley, and the pursuit of parental love feel even more relevant today in a world grappling with AI and rapid technological change.Other topics include Haley Joel Osment's incredible performance, Jude Law's scene-stealing Gigolo Joe, the eerie brilliance of Teddy, and why this film has remained both underappreciated and deeply beloved by fans. They also talk about the Oscars' resistance to science fiction, the film's release in a world still haunted by 9/11, and the surprising emotional impact the film has had on different audiences, including its resonance with the trans community.It is a deep dive into one of Spielberg's most complex and haunting films, a movie that still raises questions about love, loss, technology, and what it means to be human.Follow Roxana Hadadi on Instagram: @roxana.z.hadadiWant even more? Join our Patreon at patreon.com/c/Podcastlikeits for exclusive episodes, early access, live Q&As, member polls, bonus interviews, and a behind-the-scenes look at how the show is made. Unlock more content and join a community of true movie lovers.#PodcastLikeIts2000s #AIArtificialIntelligence #StevenSpielberg #RoxanaHadadi #FilmPodcast #MoviePodcast #PodcastRecommendation #SpotifyPodcasts #SciFiMovies #Kubrick #OscarWinners #HaleyJoelOsment #JudeLaw #Vulture #FilmDiscussion #Cinephile #BehindTheScenes #PatreonExclusive #MovieCommunity #FilmHistory #PodcastSpotlight Hosted on Acast. See acast.com/privacy for more information.

Karl Stelter is a filmmaker whose commercial director / producer work has been recognized by  the Clio's, Tribeca, Tribeca X, the ADDY's, Telly's, Webby's, 1.4, ADCC, DUST, and over 15 Oscar Qualifying film festivals.  His recent Jury Award win at Sebastopol qualified him for the 2025 Oscars. His clients include Invisalign, Amazon, NFL, Telus, Western University of Health Sciences, and GHA Autism Supports among others.Today we get into how Karl convinced brands like Telus and Invisalign to buy documentary projects he was already making as passion projects and turn them into commercials and branded entertainment, how to make the most of a festival experience like Tribeca and how to pivot into a new type of work that's different from what you've already built a portfolio in. BREAKDOWN: 2:43 – two(!) projects at Tribeca, both scripted and branded doc spot3:03 – Swimming with Butterflies feat. Brand partner, Invisalign and TribecaX3:53 – Balancing authentic story x branded, paying the bills x passionate5:23 – Karl's journey with the subject of the doc, Paralympic swimmer9:03 – Gaining trust with documentary subjects11:43 – Shooting underwater feat. DP Joe Simon12:33 – Pitching a short doc to a brand (Invisalign)16:33 – How much would a brand give as a budget?19:13 – did Invisalign care about where the spot would live?20:13 – Submitting to Tribeca documentary vs. TribecaX (branded counterpart)21:38 – The Tribeca experience22:53 – The Lord of All Future Space and Time: a maximalist cheesecake short film (rich & dense)24:38 – repeat collaborators27:23 – running his own production company, Journeyman Studios, since 201229:48 – Pivoting from weddings to corporate videos; how to pivot to new types of work32:23 – don't lose sight of your artistic side34:08 – success in the industry is a game of time37:05 – getting into a top tier festival while simultaneously being rejected from much less prestigious festivals38:23 – realistic acceptance rate for festivals39:08 – Pitching: collaborators and clients42:53 – don't lose your collaborators to be right44:28 – how to enjoy Tribeca47:28 – different financing models: Karl's other shorts!57:38 – how to have a family as a filmmaker1:07:13 – TIME CAPSULE

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesWith the MCU's latest big screen offering now in theaters, as rabid fans, it only makes sense to look to the future, and apparently Marvel and Sony agree, as myriad fresh details surrounding the franchise's next film, Spider-Man: Brand New Day began hitting the internet all weekend. First, last Friday morning Sony released a 9-second video teasing features of Spidey's new suit, which was quickly followed up with a 23-second video with star Tom Holland, in suit, performing some minor acrobatics the next day. Finally, The Hollywood Reporter confirmed the longstanding rumor that Mark Ruffalo is reprising his role as Bruce Banner/The Hulk for the film, while Better Call Saul actor, Michael Mando, was also announced to be returning as Mac Gargan/The Scorpion.The Fantastic Four: First Steps continued its box office reign, raking in $39.6 million its second weekend for a $368 million total global haul. While far from a defeat, the staggering 67% drop from the flick's first weekend presents a significant loss in momentum and is in stark contrast with expectations, which were largely fueled by positive reception and strong word of mouth among critics and fans. Elsewhere, Superman crossed the $550 million milestone internationally, and Jurassic World: Rebirth passed $750 million at the global box office after 5 weeks in theaters, becoming only the third film of 2025 to do so behind Lilo & Stitch and A Minecraft Movie. Amazon MGM's upcoming James Bond film being directed by Dune's Denis Villeneuve, is quickly coming together as Peaky Blinders creator Steven Knight has been hired to pen the script. Apart from Peaky Blinders, Knight has enjoyed a storied career on the small screen as a screenwriter, director and producer involved with projects such as Apple TV's See and Netflix's All The Light We Cannot See, while also co-creating Who Wants To Be A Millionaire? As far as big screen contributions, he wrote the screenplays for Eastern Promises and Spencer, which were both Oscars-nominated, and directed the films Hummingbird, Locke and Serenity, the 2019 film starring Matthew McConaughey and Anne Hathaway. Considering candidates for our new Bond, as if we could ever get enough of Tom Holland, the actor went on record to voice his reverence for the role as the “pinnacle” for British actors, while seemingly disqualifying himself by announcing another break from acting in 2027.Per Deadline, Matt Smith has joined the cast of Shawn Levy's Star Wars: Starfighter in a villain role, set to appear alongside Ryan Gosling and Mia Goth in the film set for May 28, 2027. The House of the Dragon star gets another shot at the Star Wars universe after previously being cast in The Rise of Skywalker but ultimately not appearing in the final film.John Krasinski announced he's returning to direct, write and produce A Quiet Place Part III, set for release on July 9, 2027; no cast or story details have been revealed.Disney and Lucasfilm announced Star Wars: A New Hope will return to theaters on April 30, 2027, to celebrate the 50th anniversary of the film.Aaron Sorkin has his sights set on Oscar winner Mikey Madison and Emmy winner Jeremy Allen White to star in The Social Network Part II, with Madison potentially playing a whistleblower and White as journalist Jeff Horwitz behind the explosive Facebook Files exposé. While no formal offers have been made, sources say these are Sorkin's top choices for the sequel that will explore Facebook's role in various controversies rather than serving as a direct continuation of the 2010 film.

"This great evil, where's it come from?" For Episode 369, David and Brandon are following up CineNation's series on World War I with it's sequel. Listen as they kick-off their World War II series with Terrence Malick's THE THIN RED LINE. Find out about Terrence Malick's long break before the movie, which actors competed to be in the movie, how they used Australia as the film's home base, the film's infamous post-production process, and more.  Also, don't forget to join our Patreon for more exclusive content:  Opening - James Cameron -  (00:00:10) Intro to World War II (00:04:57) Intro to World War II Movies (00:15:00) Intro to The Thin Red Line (00:21:25) How The Thin Red Line Got to Production (00:29:59) Favorite Scenes (00:46:57) On Set Life - (01:24:06) Aftermath: Release and Legacy (01:38:09) What Worked and What Didn't (01:49:05) Film Facts (01:55:02) Awards (01:56:16) Final Questions on the Movie (02:01:52) Wrapping Up the Episode (02:05:58) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

To all the ones who came in second. People have been wondering what we could possibly rank for our penultimate episode of this show. Well our answer is it's time to uplift the unsung heroes. The ones that almost got their time in the sun and spotlight but never quite went the distance. They are the almost-winners, the bridesmaid but never the bride, the silver medalist. And so just like this being the second last episode, it's time to bring in the second place team in all of Ranked as that was only fitting to tackle this very topic. Join the B-Team Laura Gordon, Sarah MacDonald, Bradley Sales, and Leslie Cserepy as they lock Tuong in a box and embrace the glory that they finally deserve while ranking Top 5 Runners Up. The post 199 – Top 5 Runners Up appeared first on PodCavern.

In this episode of The Big Impression, Kelly breaks down how Diageo is turning tequila into a global cultural force. One standout example: a six-city collaboration with DJ and fashion icon Peggy Gou that combined out-of-home, merch drops, pop-up events and hyperlocal storytelling. From a Hong Kong hot pot party to a Milan piazza activation, every detail was designed to blur the line between brand and experience.  Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio. Damian Fowler (00:00):I'm Damian Fowler.Ilyse Liffreing (00:01):And I'm Ilyse Liffreing.Damian Fowler (00:02):And welcome to this edition of The Big Impression.Ilyse Liffreing (00:08):Today we're talking about how one of the fastest growing categories in the spirits industry, tequila and mezcal, is being shaped by culture, identity, and global consumer trends.Damian Fowler (00:20):Our guest is Sophie Kelly, SVP of Global Tequila and Mezcal Categories. At Diageo, she's leading the strategy behind some of the world's most iconic tequila brands, helping Diageo navigate its growth, changing cultural expectations, and the new ways consumers connect with celebration.Ilyse Liffreing (00:39):We'll talk about how Diageo is bouncing global scale with local storytelling, and in short, how tequila has become a cultural force beyond just the shot glass.Damian Fowler (00:50):So let's get into it.Ilyse Liffreing (00:51):Diageo is no stranger to bold campaigns and really intersecting in today's culture. How does your latest work in the tequila and mezcal category continue that legacy? And with your latest campaigns, what was one core story or rather insight that you're trying to bring to life?Sophie Kelly (01:13):Our moment of consumption is normally when people are out socializing, trying to have the best times of their lives or celebrate a major moment in their life. So think birthdays, weddings,Ilyse Liffreing (01:25):Or even here atSophie Kelly (01:26):Can, even here at can, right festivals. So what is really important for us as we build our brands and think about how we go to market is that we are creating experiences for consumers to participate in. I think some of my favorite stuff across the category is on Don Julio. I mean, we launched a brand new product, 1942 Manys, which was a 50 ml supposed to allow people to access the luxury of 1942 at a better price point in a fun format. And we did that in the Oscars, right? But the most recent one, which I just adore and am still obsessed with and is still going, would be our cultural global collaboration with Peggy Goo. She is a number one DJ globally. She's also an icon in the fashion world, and she creates a load of fashion jewelry. We discovered her in Southeast Asia and she was a massive fan of 1942.(02:32):As marketers, we just started to ride along with her and gift her and be a part of her experience. So we approached her and said, any interest in creating a 1942 special limited edition with us? And she was blown away. She was like, yes, but can I design the product? Can I design the experience? Can it be global? Can it travel? Can it be teased? We said yes to all of the above. So we started off in Miami where we had an intimate party, but that intimate party probably had influences at it that had over a hundred thousand followers on Instagram. So we started to tease the collaboration, which was called the 1942 goo. And that's a really important element because we changed the logo of 1942 to be 1942 goo. We teased the campaign with outdoor and these events and we went from Miami to New York, to London to Milan and then to Seoul and then to Hong Kong. New York had a pop-up souvenir store in a car park. When we went to Milan, we did it in a piazza. When we went to London, we did it differently. When we were in Hong Kong, we did a hot pot pop-up. One of the most special parts of the experience was in Seoul, right in her home neighborhood and right next to where she was going to perform. And that was already up six weeks before it came. So we are teasing the drum roll in and the desire for people to be a part of this limited experience.Ilyse Liffreing (04:12):Now, I know you're talking a lot about out of home, but what were some of the other marketing channels that you leaned into for this campaign?Sophie Kelly (04:18):Everything in the popup was consumable or was collectible. So whether it was the key chains, whether it was the hats, whether it was her specifically designed scars, consumers could collect it, they could create content on it and they could share it broader. So then what started to happen was they were creating their own content. She was creating her own content and influencers within her sphere were creating their own content. And then there was the tease that we were moving to a new city. So that was creating a hype in that. So when you think about channel mix, it was digital, it was static, it was experiences, real life experiences, and most importantly, actions doing something, not just talking about it and then providing people with beautiful little artifacts that they could collect from the experiences to participate and create around.Damian Fowler (05:18):We want to get to what your takeaways are in a minute, but before that, I want to ask you, it is interesting when you watch the kind of trajectory of different spirits, it seems like tequila's having a serious moment right now. I mean, for example, in New York, just the other week I ordered a mezcal Negroni, it wasSophie Kelly (05:39):Amazing. 800 new craft brands have been launched into tequila in the last, I dunno, two years.Ilyse Liffreing (05:47):Wow, that is a lot.Sophie Kelly (05:47):So we are seeing a boom in tequila in the same way we saw in North American whiskeys in bourbon in the last five, six years and as a global business unit that I represent. So you are running the gamut of understanding the benefit of the experience of tequila, which is high-end tequilas that are incredibly versatile, that are suitable for multiple occasions and multiple drinks in a culture like the US to teaching people that tequila is no longer that bad shot you had in college. How do you educate? How do you train, how do you get these drinks into culture so that people choose them? Well, you got to have strong brands. You got to have the love of the bartender and the on-premise and you create the biggest rituals there beyond anywhere else, and they travel into the home and then you've got to pick up how consumers are interacting, right? So I'll give you a fun one. For example, we were in the ski fields and we observed that people were taking hot chocolates in shot glasses and then they were tipping the mini that I gave you, the 1942 mini into the top of the shot glass, and that was a serve. So we took that and we scaled it across the ski resorts, right? So from simple mixed drinks to sipping age liquids to fun novel rituals in clubs is how you really fuel what's going on.Damian Fowler (07:19):In terms of takeaways, do you have any kind of data points that show the growth and interest in this category?Sophie Kelly (07:26):It's the fastest growing spirits segment in the category right now and is forecasted to be that way for the next five years. So if you've got spirits running at about three or 4%, you've got tequila running at about six to 11%, which is kind of amazing. It's also very specific on its development. So if you look at the US, it's more developed. You look at Mexico, it's very developed and the rest of the world it's between five and 15% penetration. Give you a fun fact like whiskey and vodka is up around 36, 42 depending on the market. Yeah, too many people associated tequila with college shots. That is not the experience of tequila. It is playing across high energy. It's in the club, it's with the VIPs, it's with the celebrities, but it's also playing in casual connect moments and simple mixed drinks. So you're able to get into cocktail culture as well as simple mixed drinks. So I think that's a lot of the key to the growth we're seeing and just the versatility and the taste profiles.Damian Fowler (08:36):Now that the campaign's out there, you did hit on some of these obviously, but are there key signals and metrics that you look to on your dashboard? As it were,Sophie Kelly (08:45):Our consumers had watched over 190 days of content. We got up to 9 billion impressions, which is pretty extraordinary. And what I'd say is lots of chat about AI and is it going to take over. I think the beautiful combination of cultural collaboration with talent, the right kind of elements in the experience to create talkability and then utilizing tech from a generate insights about the communities and how we're going to combine them and what they need in the experience to also distribution, right? Taking the influencer content, taking the bartender content, taking the experience content and amplifying that out to further bigger audience was critical on distribution.Ilyse Liffreing (09:34):Sophie, can you tell me whether there is a market or a moment that delivered the most surprising engagement or maybe taught you something new out of this whole campaign?Sophie Kelly (09:46):One of the most surprising stats was just how many hours of content our consumers consumed on the campaign because it was so engaging, right? The other thing I'd say is as she traveled, she went into global duty free, she signed bottles, she met consumers, and that exploded as well. So I think one of the surprising things for us was this relationship started in Singapore and then we cultivated it and then we were able to scale it globally, but also make it extremely local to that market.Ilyse Liffreing (10:30):So Sophie, from your perspective, and here's your big impression here, how are those broader cultural shifts really influencing the way Diageo approaches brand building in the tequila and mescal space?Sophie Kelly (10:46):You must create experiences that allow what we like to talk about, which is accessible luxury for people to engage in. So when you think about this, we created the baby mini Peggy Goo bottles, which are 50 ml bottles, and you can access the taste of the experience. I mean, I think formatting is a really simple way of doing it. I think inviting people in to experiences at multiple layers and letting them access a world that they may have sought was out of reach is super important when you're creating experiences. And then I think giving them little artifacts from that to carry through that represent that something special that represents the experience they were able to engage in. IDamian Fowler (11:36):Want to ask you, this is a very important question. What new drinks around tequila are available now? Are you seeing pop up?Sophie Kelly (11:43):I think you said it, the Negroni, the espresso martini. We're even doing old fashions with tequila, and that is a real result of, versus people thinking about tequila as just blanco or mixed in a margarita. We have this huge explosion in aged tequilas, which are really sourcing from whiskey moments and rituals as well as kind of the versatility of tequila.Ilyse Liffreing (12:14):So Sophie, you've worked across several iconic brands. What's one lesson about cultural storytelling that stayed consistent throughout your career?Sophie Kelly (12:22):Work with people who love your brand. Listen to what's happening with your brand and culture, and then add to that, enhance the experience. Don't interrupt it and don't make it up and don't play where you don't have a right to play. Is there aIlyse Liffreing (12:37):Non Spirits brand that you admire right now for the way it connects with people emotionally or culturally?Sophie Kelly (12:45):Labubu. Have you seen these things? Oh yes. Yeah, they are little kind of monster icons that everybody is hanging off their bags. I just love it.Damian Fowler (12:53):A final question I think is what's your favorite drink?Sophie Kelly (13:00):You know what? I am a Don Julio or a Casamigos Reposado on rocks with a slice of orange. I love my 1942, but so they're mine.Damian Fowler (13:16):And that's it for this edition of The Big Impression.Ilyse Liffreing (13:18):This show is produced by Molten Hart. Our theme is by love and caliber, and our associate producer is Sydney Cairns.Damian Fowler (13:25):And remember,Sophie Kelly (13:27):Work with people who love your brand. Listen to what's happening with your branding culture, and then add to that, enhance the experience. Don't interrupt it and don't make it up and don't play where you don't have a right to play.Damian Fowler (13:41):I'm Damian and I'm Ilyse, and we'llSophie Kelly (13:43):See you next time. 

We are back again to discuss whether or not the prestigious Academy Awards chose the correct winners. This time we are looking at two movies. What two movies are they you may ask? Did you not read the title? How dare you not read the title! Your penalty will be 1000000 dollars sent directly to my bank account. Our links: YouTube Channels: - https://www.youtube.com/@colorlesswonderland - https://www.youtube.com/@mattsbookshelf4084 Instagram: - https://www.instagram.com/matts.bookshelf - https://www.instagram.com/colorlesswonderlandd Letterboxd: - https://letterboxd.com/TylerColorless/ - https://letterboxd.com/mattsbookshelf/ Intro music: https://www.youtube.com/watch?v=HGMQbVfYVmI

Forrest Gump est une comédie américaine signée Robert Zemeckis, sortie en 1994. Ce film à la dramaturgie bonhomme, à la philosophie heureuse, parfois naïve, se taille une place de roi dans la culture populaire. Car Forrest Gump est un héros populaire. Touchant, aimant, droit, il est lʹhomme qui invente le smiley, le déhanché dʹElvis Presley, qui dénonce le scandale du Watergate et qui inspire sa chanson Imagine à John Lennon. Et tout cela sans en avoir conscience. Car Forrest Gump est un simple dʹesprit, un homme au QI en dessous de la moyenne qui se retrouve impliqué dans 30 ans dʹhistoire américaine. Forrest, incarné par Tom Hanks, est un héros malgré lui qui devient sportif de haut niveau, héros de guerre, entrepreneur à succès, gourou, influenceur, inventeur et découvreur. Entre les années 50 et les années 80, il est embraqué dans tous les soubresauts de lʹhistoire américaine, et invité par trois fois à serrer la pogne de trois présidents. Mais lui, son seul objectif, cʹest lʹamour de sa belle, Jenny, dont il aura un fils. En adaptant le roman du même nom de Winston Groom, sorti en 1986, Robert Zemeckis tourne ce qui deviendra un classique de lʹhistoire du cinéma et fera de Forrest Gump un personnage que tout le monde connaît et reconnaît citant allègrement quelques phrases et autres philosophies tirées du film. Robert Zemeckis, après les Retour vers le futur, A la poursuite du Diamant Vert et Qui veut la peau de Roger Rabbit, reprend son équipe et sʹembarque dans une aventure sur plusieurs décennies cinématographiques, profitant des avancées des trucages numériques pour parvenir à raconter son histoire. Le film reçoit une pluie de récompense, des Oscars en 1995, dont ceux de meilleur film, de meilleur réalisateur et de meilleur acteur pour Tom Hanks. Il ne nous reste plus quʹà nous asseoir sur un banc à Savannah, aux côtés dʹun homme au regard candide et de partager avec lui le contenu dʹune boîte de chocolat tandis quʹil nous raconte sa vie. REFERENCES Tom Hanks talks about Forrest Gump, 1994 sur CBS https://www.youtube.com/watch?v=hb5c04q_YfM Forrest Gump Behind scenes https://www.youtube.com/watch?v=0s21LSWxH9w Forrest Gump, making of https://www.youtube.com/watch?v=sArC4_lbzAI https://www.youtube.com/watch?v=dH4lvbSG5RE

After a brief break we're back and covering the first (mostly) silent film to win Best Picture since you very first episode!

On episode 300 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson alongside AwardsWatch contributors Karen Peterson and Josh Parham to go back 35 years and take a look at the 63rd Academy Awards, covering the films of 1990. On this retrospective, the AW team take a trip to 1990, where actor Kevin Costner rode off the with multiple Oscars, winning Best Picture for his western Dances With Wolves. While a massive hit at the time, history has not been kind to the winner here as it has become one of the biggest mistakes in Best Picture history, with many believing this was the right time to give Martin Scorsese his due with his masterpiece, Goodfellas. Alongside talking about that, the team explores a turning point of cinema, where the big Hollywood hits made or released from the 1980s were starting to blend with the independent cinema that would dominate the 1990s. It's a fascinating year at the intersection of Hollywood's biggest night. In their in-depth discussion, the AW team talked about the film year of 1990, briefly discuss talk about Dances With Wolves as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h07m. We will be back in next week for a review of the latest horror, Weapons. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

REDIFF - Provocante, visionnaire, inclassable : Lady Gaga a imposé sa loi à la pop mondiale. En robe de viande ou en Gucci, de ses débuts underground à New York à son triomphe aux Oscars avec Shallow, elle a bousculé tous les codes, de la scène à Hollywood. Anthony Martin vous fait découvrir l'incroyable parcours de cette icône absolue dans Confidentiel.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

his week, we go international as well as historical with a review of the Oscar-winning Brazilian drama I'm Still Here, directed by Walter Salles. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

We're back in the 90s so it's time for another "Fun Oscars'" episode, where we consider the following: What if this were a universe where what was fun was good? Instead of covering the best picture nominees plus other critically acclaimed films, we'll be looking at films that are just fun from 1993. So please, join us, as we enter an alternate reality where fun is good.Notes: SPOILERS - we talk through the full plots of all the movies we cover.Timestamps are approximate:8:10 - Addams Family Values14:45 - Sister Act 2: Back in the Habit18:25 - Rookie of the Year22:25 - So I Married an Axe Murderer28:25 - The Nightmare Before Christmas33:05 - The Sandlot41:00 - Sleepless in Seattle52:35 - Mrs. Doubtfire1:04:55 - Groundhog Day1:12:25 - Rating the 14 Films We Watched1:20:55 - Our Fun Oscar Nominees1:25:30 - Daniel Day Lewis Drive1:28:25 - Next Time--------------------------Want to see what episode we're currently prepping and suggest non-nominees that we should watch? Check us out on instagram at oscarswrongpod.

Listen to this PREVIEW of the 24th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chelsea Eichholz about two Best Supporting Actress Oscar winners who were overlooked for a leading performance: Geena Davis ("A League of Their Own") and Whoopi Goldberg ("Sister Act"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "A League of Their Own" - Columbia Pictures

"Nothing is written." For Episode 368, Brandon and Thomas finish off CineNation's series on World War I with one of the most epic movies...LAWRENCE OF ARABIA. Listen as the duo discuss watching the movie on the big screen, the history of the real T.E. Lawrence, the challenges of the screenplay, which A-list American actor almost played Lawrence, the amount of injuries on set, the struggles of filming in the Middle East, and the overall legacy of the film. And one topic regarding this movie created some division within the CineNation family.  Also, don't forget to join our Patreon for more exclusive content: Opening - Watching Long Movies -  (00:00:10) Recap of World War I Movies (00:05:26) Intro to War Horse (00:08:28) The History of T.E. Lawrence (00:13:36) How Lawrence of Arabia Got to Production (00:24:15) Favorite Scenes (00:34:21) On Set Life - (01:03:44) Aftermath: Release and Legacy (01:20:45) What Worked and What Didn't (01:29:46) Film Facts (01:39:46) Awards (01:43:38) Final Questions on the Movie (01:50:52) Final Genre Questions (01:58:25) Wrapping Up the Episode (02:02:31) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

On Today's episode, it's just us! We chat about the updates in the movie world such as if Tom Holland should play Bond & if remakes & sequels are getting tired.Follow us on Instagram & TikTok @ ReelqueerpodcastHosts' Instagrams: Trevgeorge & Triniguy_jjOur new schedule is now every Thursday!

"The K Pop band EXO claimed that one of their concerts in South Korea sold out in less than two seconds. It sounds impossible because you are not being told the entire story. It is a badge of honor for bands to sell out quickly. Other than EXO, who did legitimately sell out the fastest. We will tell you our pick."

After Rick talked about Dick Tracy with Maz earlier this year to celebrate the 35th anniversary of the movie, Sarah Says gave him a call to let him know that it is one of her five favorite movies of all-time.  Of course, we have to hear from Sarah Says about this movie if she loves it so much.

In this powerful second installment, Molly Bloom takes us from her lowest point—convicted felon, millions in debt, and under FBI indictment—to the surprising turn that led her back into the spotlight. She shares how the same athletic grit that carried her down Olympic slopes helped her weather mob threats and a RICO case, and ultimately propelled her into publishing a memoir and partnering with Aaron Sorkin to bring Molly's Game to the big screen. Along the way, Molly reveals the hard lessons of maintaining integrity under pressure, the freedom found in losing everything, and the resilience required to rewrite your own story. She also opens up about balancing motherhood with newfound opportunities, her unlikely journey through Hollywood, and the personal triumph of starting a family against all odds. Timestamps00:00 – Rock Bottom Reveal: From poker queen to convicted felon in millions of debt01:00 – Athletic Grit, Part II: How Olympic lessons powered Molly's comeback02:30 – Motherhood vs. Ambition: Battling mom-guilt, building your support “village,” finding stillness07:00 – Rewriting the Rulebook: From burnout to a recovery toolkit of meditation, rest & self-compassion10:00 – Integrity Under Fire: Turning down the easy plea and standing by your values12:00 – The Mob, the Gun, the Mirror: Surviving extortion and confronting your moral drift16:00 – Indictment & Advocacy: Choosing transparency with federal prosecutors over plea-bargain fame20:00 – Betting on a Story: From a 10-copy book launch to winning Aaron Sorkin's Hollywood trust24:00 – From Courtroom to Red Carpet: The surreal leap from sentencing hearing to Oscar buzz28:00 – True Jackpot: Family: Defying 1% IVF odds to welcome daughter Fiona33:00 – Closing Hand: Your Next Chapter: Molly's challenge to turn every setback into a comebackNotable Quotes“I just remember making a promise to the universe: I will never abandon my values, my family, or myself ever again.” Molly Bloom“If you're unwilling to take another bold risk after a bad beat, you'll stay right where you are.” Molly Bloom“There's a freedom in losing everything—because then you can't be anyone but who you really are.” Molly Bloom“I met Aaron Sorkin by betting on the best horse in Hollywood, even when my own book had sold ten copies.” Molly BloomValuable ResourcesMolly's Game (Aaron Sorkin, 2017) & Molly's Game memoir by Molly BloomKey TakeawaysIntegrity Pays Dividends: Choosing values over easy outs—even under federal indictment—builds lifelong credibility.Leverage Athletic Grit: The discipline that wins races can also power comebacks after personal and professional collapse.Build Your Village: Sustainable success requires support: mentors, family, hired help, and radical self-care.Own Your Story: When life derails you, the only way forward is to become the author of your own narrative.Bet on Yourself: Even if your first “hand” flops (book sales, legal battles), bold risks can unlock game-changing opportunities.Redefine the Jackpot: True victory lies not in money or fame, but in resilience, relationships, and the chance to start anew.Tune in for more wisdom from Molly's journey—and get ready to play your next hand with courage and conviction.Connect with Dwayne KerriganFacebookInstagram

This week, the boys fire off about “The Fantastic Four: First Steps” and “Happy Gilmore 2” before heading to 1941! The random year generator spoke, and we chose “The Maltese Falcon” for our featured conversation. This is our second John Huston/Humphrey Bogart collaboration after we discussed “The Treasure of the Sierra Madre” a few weeks ago!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 8:20 Dave's “The Fantastic Four: First Steps” mini-review; 15:42 Jeff & John's “Happy Gilmore 2” mini-review; 25:28 1941 Year in Review; 43:06 Films of 1941: “The Maltese Falcon”; 1:20:05 What You Been Watching?; 1:28:03 Next Week's Episode Teaser Additional Cast/Crew: Mary Astor, Gladys George, Peter Lorre, Barton MacLane, Lee Patrick, Sydney Greenstreet, Ward Bond, Hal B. Wells, Henry Blanke, Matt Shakman, Josh Friedman, Ian Springer, Kat Wood, Stan Lee, Jack Kirby, Pedro Pascal, Vanessa Kirby, Ebon Moss-Bacharach, Joseph Quinn, Ralph Ineson, Julia Garner, Natasha Lyonne, Paul Walter Hauser, Adam Sandler, Ben Stiller, Scottie Scheffler, Jordan Spieth, Post Malone, Margaret Qualley, Steve Buscemi, John Daly, Benny Safdie, Bad Bunny, Haley Joel Osment, Julie Bowen. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: The Bear season 4, The Sandman, Stranger Things: The First Shadow on Broadway, KPOP: Demon Hunters, Picnic at Hanging Rock Additional Tags: Peter Weir, Paramount, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Montana.

This week, Izzy and Murtada discuss the film of the summer. No, it's not Superman, and it's definitely not Eddington. It's Taxi zum Klo—Frank Ripploh's 1980 film about a gay public school teacher in Berlin who is forced to reassess his preference for casual sex when he enters into a relationship with a cinema worker named Bernd. The restoration of this extremely modern, incisive film premieres at Metrograph in New York City on August 1. Izzy and Murtada also discuss the aforementioned Superman and Eddington—why Superman's politics are surprisingly bold and Eddington's are annoyingly toothless, what James Gunn offers the DC Universe, and where Ari Aster can go from here. Follow the show on Twitter and Instagram: @IMPictureShow.To hear more from Izzy and Murtada check them out on social media: Izzy (Twitter: @bkrewind, IG: @bk_rewind); Murtada (Twitter: @ME_Says, IG: murtada_e).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A few years ago, if Sydney Sweeney had appeared in an American Eagle ad talking about her “good jeans/genes,” the uproar would have been just as deafening as it is today. By the end of the day, American Eagle would have pulled the ads. Sweeney would have been forced to issue a pandering, simpering apology. But none of that happened. Instead, Sweeney was celebrated, American Eagle's stock soared, and most importantly, the Puritanical Woke scolds have never looked more ridiculous. But most Americans aren't buying it. They're rolling their eyes at this level of hysteria and outrage over a silly jeans ad featuring a hot blonde, the kind we used to see all the time for all eternity until right now.Woke ideology has always been artificial and performative. It was never rooted in reality. It was a cosmetic fix for a ruling class that was too rich, too powerful, and too white. They needed symbols of virtue to absolve themselves of their privilege. It came at too high a cost. Their empire is collapsing all around them. You can't fool all of the people all of the time. Sooner or later, we must face reality and the truth.What is the truth? While beauty is in the eye of the beholder, there is still a standard, and there always has been. Take this woman, for instance. On what planet would she not be the beauty standard, and yet here she is pretending otherwise just to virtue signal to the fascists in the cult:What it all looks like to me is good old-fashioned bullying. What has shifted between older Gen-Z, younger Gen-Z, and Gen-Alpha is that they no longer want to look like sexless, genderless militant activists. This has always been acceptable for non-white women. It is only white women who have been shamed and scolded and told to de-center themselves. The best way to do that is to ugly themselves up and to celebrate everything but their beauty and their sex appeal, which was a way to punish them.So, you'd have movies like Barbie, where the hot blonde was front and center, but then standing behind her, like strategic Chess pieces, were the mandated intersectional, representative coalition. They thought it was giving equality, but it inadvertently read like “white supremacy.”Right about now, young women will flock to American Eagle to wear those jeans, signaling exactly the opposite message: they want to look hot, sexy, and desirable, because who wouldn't? Those jeans will make them feel like what it must have felt like to wear a leather jacket after The Wild One was released. American Eagle isn't trying to send a message so much as they are trying to sell jeans. After the Great Awokening, they pandered, like everyone else. Here are some examples of their previous branding:Now compare that to the latest Sydney Sweeney ad: Her ad cuts through the conformist, oppressive, stagnant monoculture like a hot knife slicing through birthday cake. Who wants to be associated with the screeching school marms on the Left now? Not teenagers, that's for sure. Calling everything racist has jumped the shark, as they say. It feels stale and yesterday's news. It doesn't feel modern, hip, and cool. Those protesting it are only making the jeans and Sweeney more popular.The criticisms were that the ad was “Eugenics” and “Nazi propaganda,” just because Sydney Sweeney said her genes determined her hair and eye color. But obviously she wasn't referencing either of those things because she knows what she's famous for.Sweeney is leaning into what has given her notoriety in our culture. She has what one might call a good “rack.” I can relate. That was sort of my entire life, being seen as the girl with a good “rack.” And every woman who has one also knows the “eyes up here” line. But Sweeney does it with a wink. She isn't shaming men for looking or noticing. She's showing them she's okay with it. How do you think we reached 8 billion people on the planet? The male gaze and women's desire to be gazed upon are nothing less than the forces that produced the entire human race.That alone is controversial now. But if the topic were only sexuality, that would be one thing. The really agonizing thing is the part about her being a white woman. That is, to the Woke, a mortal sin because whiteness is the original sin, the evil that lives inside of all of us who are white. This fanaticism has ravaged the confidence and identity of white men and women who seek to alter themselves not to be who and what they are out of shame. They dye their hair pink and blue. They wear septum piercings. They shave their heads. They wear drab clothing and try not even to look pretty. They find a way to be included in the LGBTQIA+ category so that they can be among the protected groups.In the most serious cases, they attempt to transition themselves out of their genders, which can and has sterilized them. The Woke support and celebrate this without even realizing how close that is to Eugenics. One million abortions a year can also be seen as a form of Eugenics, since all that really means is controlling births. This idea that white people should stop having babies or that we need to bring in more people of color to make our country less white is itself a form of Eugenics.True, the Nazis used it in an attempt to curate the master race, but Eugenics was practiced in this country up until the 1950s. Women were sterilized if they were seen as unfit mothers. Those who were not smart or had mental problems were also sterilized to purify the gene pool. There is only one movement that supports the sterilization of young people who can't consent, and it's not the Right.The Racism PanicThe idea that there were racists, racists everywhere, seeped into our culture after the election of Barack Obama. The fundamental differences between Liberals and Republicans on race were evident in a poll by the Washington Post that showed Liberals deliberately dumbing down their speech when speaking to Black and Brown people vs. Conservatives who don't. That meant the Right felt free to criticize Black people where the Left never would, unless it's Clarence Thomas.The panic began around 2012, with Obama's re-election and the rise of the Tea Party and Freedom Caucus. We were all conditioned to believe that these were “white power” groups rising up to attack and remove the first Black president. By then, Critical Race Theory was being taught in public schools, such as my daughter's. This coincided with Gen-Z getting online and finding their way into militant tribes that decided your worth by your identity. Before long, they formed an army of fanatics while most of us were not paying attention.They sold Trump as a “racist” and his supporters as the second “Confederacy,” and all of us believed it. Most people I know on the Left still believe it. You can imagine these two forces converging and what that might do to a society. It was nothing less than mass hysteria for the four years Trump was in power. The good news is that every episode of mass hysteria throughout our history is eventually punctured when the accusations become too ridiculous for the people to tolerate any longer. It was the accusation of witchcraft of the Governor's wife in Salem in 1692. It was “Have you no decency?” in the 1950s amid the Red Scare. I've been waiting for this moment for a long time. It always seemed like we were almost there, but the tyrannical mob would rise up and squeeze out their confess-as-a-witch-to-live apology, and we'd be back in it.So far, I don't see an apology from Sweeney or American Eagle, and I hope I never will. Because if they never apologize, they'll learn the only lesson corporations, institutions, and Hollywood need to learn. Let them get mad. Let them throw a fit. Eventually, they will exhaust themselves and take a nap, just like toddlers. I have the unfortunate curse of being ahead of the curve. It stems from 30 years online, and 25 of those years predicting the outcome of the Oscars. I've conditioned myself to read the signs that tell me where the consensus is headed.I have been warning the Left, the Democrats, and Hollywood for some time that the pendulum wants to swing and that if they don't see this coming, they will be left behind. Most of them didn't listen to me, but instead exiled me from our utopian diorama that denies reality to serve the elite. But the Sydney Sweeney ad and the reaction to it are proof enough that the tyrannical Woketopians have lost much of their power to force everyone into compliance. We're not all the way through the woods yet, but we're getting there. All thanks to a hot blonde and a company that could see the writing on the wall. Maybe now, we have good movies back. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

"Severance" from Apple TV+ earned 27 nominations for the 77th annual Primetime Emmy Awards, while HBO Max's "The Penguin" and "The White Lotus" weren't far behind. "The Studio" and "The Bear" were also high on the list, and Harrison Ford picked up an acting nomination for "Shrinking." On this episode, the co-hosts go through some of the notable selections — and snubs — following the release of the nominations. Review the full list below: Outstanding drama series"Andor" (Disney+)"The Diplomat" (Netflix)"The Last of Us" (HBO Max)"Paradise" (Hulu)"The Pitt" (HBO Max)"Severance" (Apple TV+)"Slow Horses" (Apple TV+)"The White Lotus" (HBO Max)Outstanding comedy series"Abbott Elementary" (ABC)"The Bear" (FX)"Hacks" (HBO Max)"Nobody Wants This" (Netflix)"Only Murders in the Building" (Hulu)"Shrinking" (Apple TV+)"The Studio" (Apple TV+)"What We Do in the Shadows" (FX)Outstanding limited or anthology series"Adolescence" (Netflix)"Black Mirror" (Netflix)"Dying for Sex" (FX)"Monsters: The Lyle and Erik Menendez Story" (Netflix)"The Penguin" (HBO Max)Outstanding television movie"Bridget Jones: Mad About the Boy" (Peacock)"The Gorge" (Apple TV+)"Mountainhead" (HBO Max)"Nonnas" (Netflix)"Rebel Ridge" (Netflix)Outstanding reality competition program"The Amazing Race" (CBS)"RuPaul's Drag Race" (MTV)"Survivor" (CBS)"Top Chef" (Bravo)"The Traitors" (Peacock)Outstanding talk series"The Daily Show" (Comedy Central)"Jimmy Kimmel Live!" (ABC)"The Late Show with Stephen Colbert" (CBS)Outstanding scripted variety series"Last Week Tonight with John Oliver" (HBO Max)"Saturday Night Live" (NBC)Outstanding variety special (live)"The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar" (Fox)"Beyoncé Bowl" (Netflix)"The Oscars" (ABC)"SNL50: The Anniversary Special" (NBC)"SNL50: The Homecoming Concert" (Peacock)Outstanding variety special (pre-recorded)"Adam Sandler: Love You" (Netflix)"Ali Wong: Single Lady" (Netflix)"Bill Burr: Drop Dead Years" (Hulu)"Conan O'Brien: The Kennedy Center Mark Twain Prize For American Humor" (Netflix)"Sarah Silverman: Postmortem" (Netflix)"Your Friend, Nate Bargatze" (Netflix)Outstanding game show"Celebrity Family Feud" (ABC)"Jeopardy" (ABC)"The Price is Right" (CBS)"Wheel of Fortune" (ABC)"Who Wants to Be a Millionaire" (ABC)Outstanding lead actress in a drama seriesKathy Bates, "Matlock"Sharon Horgan, "Bad Sisters"Britt Lower, "Severance"Bella Ramsey, "The Last of Us"Keri Russell, "The Diplomat"Outstanding lead actor in a drama seriesSterling K. Brown, "Paradise"Gary Oldman, "Slow Horses"Pedro Pascal, "The Last of Us"Adam Scott, "Severance"Noah Wyle, "The Pitt"Outstanding lead actress in a comedy seriesUzo Aduba, "The Residence"Kristen Bell, "Nobody Wants This"Quinta Brunson, "Abbott Elementary"Ayo Edebiri, "The Bear"Jean Smart, "Hacks"Outstanding lead actor in a comedy seriesAdam Brody, "Nobody Wants This"Seth Rogen, "The Studio"Jason Segel, "Shrinking"Martin Short, "Only Murders in the Building"Jeremy Allen White, "The Bear"Outstanding lead actress in a limited or anthology series or movieCate Blanchett, "Disclaimer"Meghann Fahy, "Sirens"Rashida Jones, "Black Mirror"Cristin Milloti, "The Penguin"Michelle Williams, "Dying for Sex"Outstanding lead actor in a limited or anthology series or movieColin Farrell, "The Penguin"Stephen Graham, "Adolescence"Jake Gyllenhaal, "Presumed Innocent"Brian Tyree Henry, "Dope Thief"Cooper Koch, "Monsters: The Lyle and Erik Menendez Story"Outstanding supporting actress in a drama seriesPatricia Arquette, "Severance"Carrie Coon, "The White Lotus"Katherine LaNasa, "The Pitt"Julianne Nicholson, "Paradise"Parker Posey, "The White Lotus"Natasha Rothwell, "The White Lotus"Aimee Lou Wood, "The White Lotus"Outstanding supporting actor in a drama seriesZach Cherry, "Severance"Walton Goggins, "The White Lotus"Jason Isaacs, "The White Lotus"James Marsden, "Paradise"Sam Rockwell, "The White Lotus"Tramell Tillman, "Severance"John Turturro, "Severance"Outstanding supporting actress in a comedy seriesLiza Colón-Zayas, "The Bear"Hannah Einbinder, "Hacks"Kathryn Hahn, "The Studio"Janelle James, "Abbott Elementary"Catherine O'Hara, "The Studio"Sheryl Lee Ralph, "Abbott Elementary"Jessica Williams, "Shrinking"Outstanding supporting actor in a comedy seriesIke Barinholtz, "The Studio"Colman Domingo, "The Four Seasons"Harrison Ford, "Shrinking"Jeff Hiller, "Somebody Somewhere"Ebon Moss-Bachrach, "The Bear"Michael Urie, "Shrinking"Bowen Yang, "Saturday Night Live"Outstanding supporting actress in a limited or anthology series or movieErin Doherty, "Adolescence"Ruth Negga, "Presumed Innocent"Deirdre O'Connell, "The Penguin"Chloë Sevigny, "Monsters: The Lyle and Erik Menendez Story"Jenny Slate, "Dying for Sex"Christine Tremarco, "Adolescence"Outstanding supporting actor in a limited or anthology series or movieJavier Bardem, "Monsters: The Lyle and Erik Menendez Story"Bill Camp, "Presumed Innocent"Owen Cooper, "Adolescence"Rob Delaney, "Dying for Sex"Peter Sarsgaard, "Presumed Innocent"Ashley Walters, "Adolescence"Outstanding guest actress in a drama seriesJane Alexander, "Severance"Gwendoline Christie, "Severance"Kaitlyn Dever, "The Last of Us"Cherry Jones, "The Handmaid's Tale"Catherine O'Hara, "The Last of Us"Merritt Wever, "Severance"Outstanding guest actor in a drama seriesGiancarlo Esposito, "The Boys"Scott Glenn, "The White Lotus"Shawn Hatosy, "The Pitt"Joe Pantoliano, "The Last of Us"Forest Whitaker, "Andor"Jeffrey Wright, "The Last of Us"Outstanding guest actress in a comedy seriesOlivia Colman, "The Bear"Jamie Lee Curtis, "The Bear"Cynthia Erivo, "Poker Face"Robby Hoffman, "Hacks"Zoë Kravitz, "The Studio"Julianne Nicholson, "Hacks"Outstanding guest actor in a comedy seriesJon Bernthal, "The Bear"Bryan Cranston, "The Studio"Dave Franco, "The Studio"Ron Howard, "The Studio"Anthony Mackie, "The Studio"Martin Scorsese, "The Studio"Outstanding directing for a drama series"Andor," Janus Metz ("Who Are You?")"The Pitt," Amanda Marsalis ("6 P.M.")"The Pitt," John Wells ("7 A.M.")"Severance," Jessica Lee Gagné ("Chikhai Bardo")"Severance," Ben Stiller ("Gold Harbor)"Slow Horses," Adam Randall ("Hello Goodbye")"The White Lotus," Mike White ("Amor Fati")Outstanding directing for a comedy series"The Bear," Ayo Edebiri ("Napkins")"Hacks," Lucia Aniello ("A Slippery Slope")"Mid-Century Modern," James Burrows ("Here's To You, Mrs. Schneiderman")"The Rehearsal," Nathan Fielder ("Pilot's Code")"The Studio," Seth Rogen & Evan Goldberg ("The Oner")Outstanding directing for a limited or anthology series or movie"Adolescence," Philip Barantini"Dying for Sex," Shannon Murphy ("It's Not That Serious")"The Penguin," Helen Shaver ("Cent'anni")"The Penguin," Jennifer Getzinger ("A Great or Little Thing")"Sirens," Nicole Kassell ("Exile")"Zero Day," Leslie Linka GlatterOutstanding writing for a drama series"Andor," Dan Gilroy ("Welcome to the Rebellion")"The Pitt," Joe Sachs ("2 P.M.")"The Pitt," R. Scott Gemmill ("7 A.M.")"Severance," Dan Erickson ("Cold Harbor")"Slow Horses," Will Smith ("Hello Goodbye")"The White Lotus," Mike White ("Full-Moon Party")Outstanding writing for a comedy series"Abbott Elementary," Quinta Brunson ("Back To School")"Hacks," Lucia Aniello, Paul W. Downs and Jen Statsky ("A Slippery Slope")"The Rehearsal," Nathan Fielder, Carrie Kemper, Adam Lock-Norton and Eric Notarnicola ("Pilot's Code")"Somebody Somewhere," Hanna Bos, Paul Thureen and Bridget Everett ("AGG")"The Studio," Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory and Frida Perez ("The Promotion")"What We Do in the Shadows," Sam Johnson, Sarah Naftalis and Paul Simms ("The Finale")Outstanding writing for a limited or anthology series or movie"Adolescence," Jack Thorne and Stephen Graham"Black Mirror," Charlie Brooker and Bisha K. Ali ("Common People")"Dying for Sex," Kim Rosenstock and Elizabeth Meriwether ("Good Value Diet Soda")"The Penguin," Lauren LeFranc ("A Great or Little Thing")"Say Nothing," Joshua Zetumer ("The People in the Dirt")Outstanding writing for a variety series"The Daily Show""Last Week Tonight with John Oliver""Saturday Night Live" About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

A Canadian activist remembers her friend Awdah Hathaleen. The Palestinian father, teacher and activist ... who helped film the Oscar-winning documentary "No Other Land" ... was killed in the occupied West Bank this week. Tuktoyaktuk, a hamlet north of the Arctic Circle, is already on the small side. But it's getting even smaller ... and its mayor says climate change is to blame. A group of swimmers is completing the final trip of the SS Edmund Fitzgerald in honour of its crew. One of them tells us about the surreal experience of being in the water above the wreckage. Dan Pelzer kept a record of every single book he ever read ... from 1962 right up until his death. His daughter says reading was a powerful constant in his life. A Manitoba man doesn't know who's been putting up billboards around town announcing he's terrible at fishing, but he's found an impressively charitable angle on their prank. A French resort town is reminding visitors that clothing is not optional once you leave the beach ... with the introduction of fines for those wearing bathing suits or going shirtless in town.As It Happens, the Tuesday Edition. Radio that encourages travelers to read the fines print.