Podcasts about Johnny Cash

Las versiones musicales del amigo secreto de Javier del Pino y (un poco menos) de Rafa Panadero.

Barry and Abigail discuss Rockin' From the Grave and sample Pumpkin Shandy from Penn Brewery in Pittsburgh, Pennsylvania (in collaboration with Soergel Orchards in Wexford, Pennsylvania), Jack from Urban Artifact in Cincinnati, Ohio, and Pumpkin Spice Cheesecake Mind Over Matter from Magnify Brewing Company in Fairfield, New Jersey.We have gone zero episodes without mentioning the White Album or Abigail's personal White Album, Guitar Hero III: Legends of Rock. Both Black Magic Woman and a cover of The Devil Went Down to Georgia by Steve Ouimette appear on GHIII: LoR, but Abigail was mistaken about (Don't Fear) The Reaper's inclusion; in fact, Cities on Flame with Rock and Roll is the Blue Öyster Cult representation on GHIII: LoR, and (Don't Fear) The Reaper is actually on Rock Band, which Abigail has played, but the Hummels have never owned.Listen to our exploration of The Munsters Theme's many different iterations in last year's Halloween episode, New Belgium Halloween (New Wave Halloween & New Belgium Brewing)! Today, we also listened to the version with lyrics and briefly discussed Far Out Munsters, the episode where the Munsters rent their home to a Beatles-inspired rock group.Edgar Winter's justification of naming his song Frankenstein because of its “monster-like, lumbering beat” reminded Abigail of Flight of the Cosmic Hippo by Béla Fleck and the Flecktones.Watch the music video for Addams Groove by MC Hammer.Barry educated Abigail about the famous “More Cowbell” sketch from SNL, which centers around the studio recording of (Don't Fear) The Reaper!In looking deeper into the fun fact from Carlo's Corner about salt killing yeast, we stumbled upon this article on the history and science of Goses written by the brewmaster of Anderson Valley Brewing Company in Boonville, California, a brewery known for their Goses. Per the article, some Goses from the early 20th century had between 130 and 280 ppm of salt. Anderson Valley typically adds about 800 ppm of salt - but only after fermentation. It is thought that as little as 100-150 ppm of salt can cause osmotic stress to the yeast and therefore decrease fermentation rates, but the salt concentration required to completely inhibit fermentation or cause death for the yeast are much higher than humans would tolerate as palatable in a beverage.Santana's Black Magic Woman is a mash-up cover of Black Magic Woman by Fleetwood Mac and Gypsy Queen by Gábor Szabó. Abigail would much rather listen to Smooth (feat. Rob Thomas).While Abigail believes Johnny clearly won the fiddle battle in The Devil Went Down to Georgia, John Oliver strongly disagrees. Watch the boss battle against the devil from GHIII: LoR.We previously discussed the word “pompatous” (found in Clap For the Wolfman by The Guess Who) during our discussion of Steve Miller Band's The Joker in our episode Cans (k.d.lang and Cigar City Brewing).Read more about Paracelsus and the absolutely nauseatingly eye-rollingly annoying reason he took the name Paracelsus.Barry made Abigail play a little bit of Grandmaster Dee's Haunted Scratch, the original B-side to Freaks Come Out at Night by Whodini.Twilight Zone by Golden Earring was inspired by The Bourne Identity novel, and you may be able to tell this from the music video. The other song from two-hit wonder Golden Earring you may have heard of would be Radar Love.(Ghost) Riders in the Sky is a cover originally written and performed by Stan Jones. Prior to The Outlaws' version, Johnny Cash's version was the most well-known.Up next… Brothers in Arms by Dire StraitsJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

Recorded live at Emory IDEAS Fest in Covington, GA on October 18, 2025, this episode brings together Rosanne Cash—four-time Grammy winner, songwriter, and Americana icon—and psychologist Dr. Robyn Fivush for a conversation about how the stories we tell across generations shape who we become. Rosanne shares the story of “The List”—the 100 essential country songs her father, Johnny Cash, gave her when she turned 18—and how a vivid dream involving Linda Ronstadt sparked her decision to leave Nashville and reinvent herself in midlife. Dr. Fivush unpacks these moments through the lens of psychology, explaining how researchers classify such turning points, or “crises,” and how Erik Erikson's theories of identity and midlife development help make sense of them. Together, they explore the overlap between Joseph Campbell's power of myth and Rosanne's work as a storyteller, and Dr. Fivush discusses her landmark dinnertime study, which found that children who grow up hearing family stories at the table tend to become more resilient and grounded adults. The episode ends on a high note as Matt and Rosanne lead the audience in a joyful sing-along—reminding us that sometimes the best way to pass down a story is through song.

« Fils de Dieu » ou « Fils de l'Homme »… pourquoi Jésus est-il affublé de drôles de titres comme ça ? Que signifie l'expression « ben adam » ? Et quel est le rapport entre Mowgli et Tarzan, ou encore entre le Livre de Daniel et l'évangile de Matthieu ? (SPOILER ALERT : sisi, ça a un rapport avec les deux premières questions ! ) Breeeef, dans cet épisode, on explore les titres du Christ : de la poussière d'Adam aux nuées du ciel, du “Fils d'homme” au “Fils de Dieu”. Avec Baloo, Johnny Cash, Dany Boon, Rudyard Kipling et Phil Collins !Bonne écoute !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Steve Shaw In-StudioCottonwood Gunners for Vic4Vets InitiativeFundraiser for "Got Your Six Support Dogs"American Roots band Cottonwood Gunners in partnership with Affton MO venue 9 Mile Garden, are presenting their third annual veteran's benefit on Saturday, November 15 from noon to 4:00 pm. A fun day - in the wake of the Veteran's Day holiday - of music, drink specials, dogs, 50/50 raffles and more! 100% of all money raised will go to Got Your Six Support Dogs. GOT YOUR SIX SERVICE DOGS TESTIMONIAL - PARKER NAHRGANG As a part of Cottonwood Gunners veteran celebration, we honor our friend Parker Nahrgang and his wonderful support dog Eddie. A corporal in the US Marine Corps, Parker was deployed twice to Afghanistan – in 2012 and again in 2013. He was a part of the MWSS-273 (Marine Wing Support Squadron) where he spent the majority of his time in the Forward Operating Base (FOB) Edinburgh, Afghanistan. We have gotten to know Parker well and are not only amazed by his bravery, but also his willingness to say "yes" to the service of our country along with his humbleness. Eddie was a graduate of Got Your Six PTSD Support Dogs and never fails to impress us as well – he is indeed on-watch at all times! It's this first-hand knowledge of the profound difference that GY6 makes in veterans' lives that inspired us for this year's fund raise Parker's first deployment occurred less than three months after his daughter was born. Two years later during his second deployment, his son was born – but at least he was able to video call for the birth. During Parker's two Afghanistan deployments, he was faced with countless traumatic events that were nothing short of soul-crushing. Words can seldom describe what leaving a safe and loving home for a combat zone is truly like. It's an internal struggle that many veterans have faced overseas. In Parker's words, "Quite honestly, I don’t believe there are any words in existence that could adequately describe the experiences we face overseas." But the nature of war does not allow for the time to process or grieve. This Marine was able to make it out on the other side okay, and he says, "I can say beyond a shadow of a doubt Got Your Six PTSD Support Dogs gave me my life back." After exiting the Marine Corps, the trauma Parker had been bottling up for years was very evident. He became an emotionless shell of a man. Logically, he knew that he "loved" his family, but all the emotions that he "should" have felt didn't exist. Heart-brokenly and simply put, he didn’t care about his son, his daughter, or his wife. The emotional connection to them was nonexistent - they seemed like complete strangers to him. This is the horrible reality to living with PTSD. Add to that the PTSD symptoms of depression, anxiety, anger, nightmares and so much more including the inability to sleep with about 1-3 hours total a night and rarely longer than 30-minute stints. In Parker's words, "Countless veterans have experienced the same turmoil and suffering I have. Many of which still haven’t received the help they need. Unfortunately, the VA leaves many of us behind... If it were not for the overwhelming generosity of GY6 and those who support their efforts, my life and many others like mine, would be completely different. I like to imagine our souls are like big puzzles, and PTSD destroys that puzzle. But every person at GY6 selflessly takes their own pieces… pieces of their own heart and soul… and gives them to these dogs, it's with those pieces I was finally able to start putting mine back together. I cannot say it enough... Got Your six changed my life, the lives of many others before me, and continue to change the lives of those who came after me. I will never be able to repay GY6 for what they did for me. My hope is to inspire generosity in others so that GY6 can continue their mission, saving lives for many years to come." Speaking on from when after he came home from war and stuck in a terrible cycle of PTSD symptoms of depression, anxiety, anger, nightmares, and sleeplessness, "After a while, and thanks to a persistent wife, I started seeking mental health help. But nothing ever fully worked for me. Some medications would take the edge off my symptoms, but the struggles were still there controlling every aspect of my life. At one point I was on 9 medications that barely scratched the surface. One of the hardest things I had to hear was my doctor saying "Parker, I am sorry... I honestly do not know what to do". I was devastated... I had been holding onto hope that the suffering was temporary. But after years of holding on to that hope, trying countless GOT YOUR SIX SERVICE DOGS TESTIMONIAL - PARKER NAHRGANG medications, countless therapy sessions, countless doctors, and THEN to hear your doctor say we're out of options… Then, by what I can only describe as "an act of God" my wife encountered Got Your Six PTSD Support Dogs. During this encounter they immediately welcomed her with open arms, encouraging her, and began pursuing to helping me. GY6 informed me that it would likely be 1-2 years before they would have a dog ready for me. It takes time to train these dogs, and I just needed to breath, and wait. But after about 5 or 6 months, once again, by what I can only call a direct act of God, GY6 had more dogs pass their training than expected. That’s when I received a call from Nicole Lanahan (founder of GY6), and she asked me if I was ready. I attended their Service Animal training and therapy retreat for 10 days, which was the start of my life changing. The people I met and built relationships with was unbelievable, these connections were something I hadn't felt in years. I finally had a community of other veterans that were in the exact same boat as me, it was a place of belonging. We were not alone anymore, GY6 was holding us together, supporting us, and giving us a priceless gift. I want to help you understand what these dogs like Eddie do…and what he did that first night. At some point in the night during a nightmare he had crawled on me, nudging me, comforting me, he was sensing every time there was a nightmare about to happen and he would wake me "just enough" to not fully wake me, but stop the nightmare from happening, he stood watch, remaining vigilant throughout the night protecting me. Cottonwood Gunners Uniquely Midwestern, American Grit Cottonwood Gunners is a uniquely midwestern American roots ensemble from Saint Louis, Missouri whose spirited and clever compositions are inspired by a remarkable passion for their country and their state and whose members met in the blues bars of Saint Louis’ historic Soulard district. Portraying a fiery brand of songwriting that is reminiscent and influenced by the likes of Johnny Cash, Bob Dylan and Townes Van Zandt, the Cottonwood Gunner unique brand fuses Americana, Outlaw Country, and Electric Folk. Their rare songwriting craftsmanship is highlighted by the brilliant fiddle and mandolin playing of Brian Elder (Trans-Siberian Orchestra) and multi-instrumentalist Mark Hrabovsky (Mike Zito Band, Wack-a-doo, Suave Octopus) blended with the catchy melody and rhythms of cousins Steve Fowler’s bass (Still Free) and Steve Shaw’s guitar (Freeze the Hopper). The Cottonwood Gunner musicality and lyrical content focus on family and life of the Midwest and, combined with smart versions of classic American covers contributes to unforgettable live shows of unquestionable excitement, sentiment, and fun. Their set will make you want to dance, laugh, cry, salute Old Glory and pray to God! All four members have been hailed in their own right as published songwriters to rave reviews across the globe with a combined fourteen full length recordings and countless tours through over 100 cities and towns in the Midwest and throughout the world as part of USO tours. Driven by the patriotic lineage of veterans in their families and love of country, family and the Great Midwest, don’t miss the opportunity to experience Cottonwood Gunners! Contact and Social Media Phone/Hotline 314-226-9038 Facebook: https://www.facebook.com/cottonwoodgunners Video: Cottonwood Gunners You Tube Channel Music: Stream Cottonwood Gunners music | Listen to songs, albums, playlists for free on SoundCloud Epilogue Cottonwood Gunners is proud of their patriotic lineage and salute all members of the military and first responders. The band has contributed its time and efforts to benefit Backstoppers, Fisher House, Got Your Six Support Dogs, Disabled American Veterans, VFW Post 4223, Project Healing Waters, Veterans of Foreign Wars, St. Louis Firefighter Association, Mission Continues, Wounded Warriors and Vietnam Veterans of America. To request an interview or support for your school or organization or to book the band, Call 314-226-9038 or email cottonwoodgunners@gmail.comSee omnystudio.com/listener for privacy information.

Steve Shaw In-StudioCottonwood Gunners for Vic4Vets InitiativeFundraiser for "Got Your Six Support Dogs"American Roots band Cottonwood Gunners in partnership with Affton MO venue 9 Mile Garden, are presenting their third annual veteran's benefit on Saturday, November 15 from noon to 4:00 pm. A fun day - in the wake of the Veteran's Day holiday - of music, drink specials, dogs, 50/50 raffles and more! 100% of all money raised will go to Got Your Six Support Dogs. GOT YOUR SIX SERVICE DOGS TESTIMONIAL - PARKER NAHRGANG As a part of Cottonwood Gunners veteran celebration, we honor our friend Parker Nahrgang and his wonderful support dog Eddie. A corporal in the US Marine Corps, Parker was deployed twice to Afghanistan – in 2012 and again in 2013. He was a part of the MWSS-273 (Marine Wing Support Squadron) where he spent the majority of his time in the Forward Operating Base (FOB) Edinburgh, Afghanistan. We have gotten to know Parker well and are not only amazed by his bravery, but also his willingness to say "yes" to the service of our country along with his humbleness. Eddie was a graduate of Got Your Six PTSD Support Dogs and never fails to impress us as well – he is indeed on-watch at all times! It's this first-hand knowledge of the profound difference that GY6 makes in veterans' lives that inspired us for this year's fund raise Parker's first deployment occurred less than three months after his daughter was born. Two years later during his second deployment, his son was born – but at least he was able to video call for the birth. During Parker's two Afghanistan deployments, he was faced with countless traumatic events that were nothing short of soul-crushing. Words can seldom describe what leaving a safe and loving home for a combat zone is truly like. It's an internal struggle that many veterans have faced overseas. In Parker's words, "Quite honestly, I don’t believe there are any words in existence that could adequately describe the experiences we face overseas." But the nature of war does not allow for the time to process or grieve. This Marine was able to make it out on the other side okay, and he says, "I can say beyond a shadow of a doubt Got Your Six PTSD Support Dogs gave me my life back." After exiting the Marine Corps, the trauma Parker had been bottling up for years was very evident. He became an emotionless shell of a man. Logically, he knew that he "loved" his family, but all the emotions that he "should" have felt didn't exist. Heart-brokenly and simply put, he didn’t care about his son, his daughter, or his wife. The emotional connection to them was nonexistent - they seemed like complete strangers to him. This is the horrible reality to living with PTSD. Add to that the PTSD symptoms of depression, anxiety, anger, nightmares and so much more including the inability to sleep with about 1-3 hours total a night and rarely longer than 30-minute stints. In Parker's words, "Countless veterans have experienced the same turmoil and suffering I have. Many of which still haven’t received the help they need. Unfortunately, the VA leaves many of us behind... If it were not for the overwhelming generosity of GY6 and those who support their efforts, my life and many others like mine, would be completely different. I like to imagine our souls are like big puzzles, and PTSD destroys that puzzle. But every person at GY6 selflessly takes their own pieces… pieces of their own heart and soul… and gives them to these dogs, it's with those pieces I was finally able to start putting mine back together. I cannot say it enough... Got Your six changed my life, the lives of many others before me, and continue to change the lives of those who came after me. I will never be able to repay GY6 for what they did for me. My hope is to inspire generosity in others so that GY6 can continue their mission, saving lives for many years to come." Speaking on from when after he came home from war and stuck in a terrible cycle of PTSD symptoms of depression, anxiety, anger, nightmares, and sleeplessness, "After a while, and thanks to a persistent wife, I started seeking mental health help. But nothing ever fully worked for me. Some medications would take the edge off my symptoms, but the struggles were still there controlling every aspect of my life. At one point I was on 9 medications that barely scratched the surface. One of the hardest things I had to hear was my doctor saying "Parker, I am sorry... I honestly do not know what to do". I was devastated... I had been holding onto hope that the suffering was temporary. But after years of holding on to that hope, trying countless GOT YOUR SIX SERVICE DOGS TESTIMONIAL - PARKER NAHRGANG medications, countless therapy sessions, countless doctors, and THEN to hear your doctor say we're out of options… Then, by what I can only describe as "an act of God" my wife encountered Got Your Six PTSD Support Dogs. During this encounter they immediately welcomed her with open arms, encouraging her, and began pursuing to helping me. GY6 informed me that it would likely be 1-2 years before they would have a dog ready for me. It takes time to train these dogs, and I just needed to breath, and wait. But after about 5 or 6 months, once again, by what I can only call a direct act of God, GY6 had more dogs pass their training than expected. That’s when I received a call from Nicole Lanahan (founder of GY6), and she asked me if I was ready. I attended their Service Animal training and therapy retreat for 10 days, which was the start of my life changing. The people I met and built relationships with was unbelievable, these connections were something I hadn't felt in years. I finally had a community of other veterans that were in the exact same boat as me, it was a place of belonging. We were not alone anymore, GY6 was holding us together, supporting us, and giving us a priceless gift. I want to help you understand what these dogs like Eddie do…and what he did that first night. At some point in the night during a nightmare he had crawled on me, nudging me, comforting me, he was sensing every time there was a nightmare about to happen and he would wake me "just enough" to not fully wake me, but stop the nightmare from happening, he stood watch, remaining vigilant throughout the night protecting me. Cottonwood Gunners Uniquely Midwestern, American Grit Cottonwood Gunners is a uniquely midwestern American roots ensemble from Saint Louis, Missouri whose spirited and clever compositions are inspired by a remarkable passion for their country and their state and whose members met in the blues bars of Saint Louis’ historic Soulard district. Portraying a fiery brand of songwriting that is reminiscent and influenced by the likes of Johnny Cash, Bob Dylan and Townes Van Zandt, the Cottonwood Gunner unique brand fuses Americana, Outlaw Country, and Electric Folk. Their rare songwriting craftsmanship is highlighted by the brilliant fiddle and mandolin playing of Brian Elder (Trans-Siberian Orchestra) and multi-instrumentalist Mark Hrabovsky (Mike Zito Band, Wack-a-doo, Suave Octopus) blended with the catchy melody and rhythms of cousins Steve Fowler’s bass (Still Free) and Steve Shaw’s guitar (Freeze the Hopper). The Cottonwood Gunner musicality and lyrical content focus on family and life of the Midwest and, combined with smart versions of classic American covers contributes to unforgettable live shows of unquestionable excitement, sentiment, and fun. Their set will make you want to dance, laugh, cry, salute Old Glory and pray to God! All four members have been hailed in their own right as published songwriters to rave reviews across the globe with a combined fourteen full length recordings and countless tours through over 100 cities and towns in the Midwest and throughout the world as part of USO tours. Driven by the patriotic lineage of veterans in their families and love of country, family and the Great Midwest, don’t miss the opportunity to experience Cottonwood Gunners! Contact and Social Media Phone/Hotline 314-226-9038 Facebook: https://www.facebook.com/cottonwoodgunners Video: Cottonwood Gunners You Tube Channel Music: Stream Cottonwood Gunners music | Listen to songs, albums, playlists for free on SoundCloud Epilogue Cottonwood Gunners is proud of their patriotic lineage and salute all members of the military and first responders. The band has contributed its time and efforts to benefit Backstoppers, Fisher House, Got Your Six Support Dogs, Disabled American Veterans, VFW Post 4223, Project Healing Waters, Veterans of Foreign Wars, St. Louis Firefighter Association, Mission Continues, Wounded Warriors and Vietnam Veterans of America. To request an interview or support for your school or organization or to book the band, Call 314-226-9038 or email cottonwoodgunners@gmail.comSee omnystudio.com/listener for privacy information.

On the October 27 edition of Music History Today podcast, Lou Reed, Nas & Jay-Z's feud, & Vine all pass away. Also, happy birthday to Scott Weiland & Simon Le Bon. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Yesterday on Jack Tame's show, I was talking about the new Springsteen film - Springsteen: Deliver Me From Nowhere - and Jack asked me why there have been so many music biopics recently? It got me thinking about how musicians and their origin stories and struggles with fame have always made for good films, and we've always made them. But Jack is right, there have been quite a few biopics about musicians recently - think Better Man about Robbie Williams, A Complete Unknown about Bob Dylan, Bob Marley: One Love, Back to Black about Amy Winehouse, Maria about Maria Callas … and there's plenty more on the way. In 2028, each Beatle is getting their own film, thanks to director Sam Mendes. The truth of the matter is probably that they make money. Marvel and comic book superhero cinema dominance is cooling off, and so in recent years Hollywood has turned to the music biopic genre to replace it. It makes sense really. Like comic book heroes, many of these artists lives are steeped in mythology perfect to mine for drama, their stories are part of pop culture. And apart from paying for music rights - they aren't too expensive to make. And, we love them. We love the comfort of their familiarity and a bit of nostalgia. The music industry also love music biopics, it's a wonderful way for the industry to reconnect an artist with their audience and create new fans. The Springsteen movie is about the making of his acoustic, folk inspired album Nebraska. I listened to the album in the car on the way home from watching the film. Tick, job done. For me, the genre was revitalised with 2005's Walk the Line, which told the story of flawed genius Johnny Cash and his wife June's relationship. It told it - warts and all. Around that time, Ray, about Ray Charles, was also released, as was Control, the story of the troubled life and times of Ian Curtis, lead singer of new wave band Joy Division. Since then, we have been tapping our toes and reliving our own relationships with the music of Elvis, Elton John, Freddie Mercury and NWA. As popular as the genre is, and as much as we enjoy the ride, it's tricky for filmmakers to get these films right. Artists' stories often follow the same narrative beats so can be samey, but it can be risky taking a unique approach. Taking on a lead role can be rewarding for actors in awards season, but fans are judgy when watching an interpretation of their heroes. Springsteen: Deliver Me from Nowhere is a good case in point. Aside from a few concert scenes, mostly we watch Springsteen record an album in his bedroom and studio while slipping into depression. It's hardly a glossy, mainstream rollicking ride. If you're looking for something to watch this long weekend, and watching Jeremy Allen White as Bruce Springsteen isn't your thing, then hunt out some of our own music stories - which have been turned into excellent documentaries. Marlon Williams: Ngā Ao E Rua - Two Worlds, The Chills: The Triumph & Tragedy of Martin Phillipps, Alien Weaponry - Thrash Metal and Te Reo Māori, Shihad - Beautiful Machine, Heavenly Pop Hits - The Flying Nun Story. So many good choices. It's also worth noting Life in One Chord - the Shayne Carter story - will be available to rent from DOC PLAY from November 6th. All beautifully told stories that enrich our lives. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Veronica Fusaro steht für eine unverkennbare Stimme, bittersüsse Melodien und einen Sound, der gleichzeitig kraftvoll und verletzlich ist. Nun erscheint ihr zweites Album «Looking for Connection». Sie stand bereits beim renommierten Glastonbury Festival auf der Bühne und trat im Vorprogramm von Mark Knopfler auf. Die Thunerin mit italienischen Wurzeln spielt Alternative-Pop mit Soul- und Rockeinflüssen und trifft dabei nicht nur musikalisch, sondern auch thematisch den Nerv der Zeit. Auf ihrem neuen Album ergründet sie Themen wie Selbstwert, Liebe und den Zusammenhalt in der Gesellschaft. Der Luzerner Gitarrist und Sänger Paul Etterlin bringt mit «Maples» einen Song heraus, der ein Lebensgefühl vermittelt, und zwar eines, in dem Linedance, Musik und Community aufeinandertreffen. Der Text besteht aus Zitaten legendärer Musikgrössen wie Johnny Cash, Emmylou Harris, Brad Paisley, Alison Krauss, Dolly Parton oder Clint Black. Die vier Brüder alias 77 Bombay Street melden sich zurück: Vier Jahre nach dem letzten Album erscheint die Single «Space Station». Die vier haben den Song im eigens gebauten Studio im rätoromanischen Scharans geschrieben und produziert. «Wir hätten wohl nicht damit begonnen, wenn uns von Anfang an klar gewesen wäre, wie viel Aufwand es bedeutet», erzählt Leadsänger Matt Buchli. Doch die Reise hat sich gelohnt.

Í dag hoyra vit um nýggjastu limirnar, sum eru upptiknir í Grand Ole Opry, serliga Steve Earle. Vit markera eisini, 25 ára dagin fyri eina serliga útgávu við Johnny Cash. Fleiri nýggir sangir verða eisini spældir

This week on The Sound Kitchen, you'll hear the answer to the question about the French Ballon d'Or Awards. There's a story from listener Jayanta Chakrabarty, your answers to the bonus question on “The Listeners Corner”, and a tasty musical dessert from today's mixer, Vincent Pora. All that and the new quiz and bonus questions too, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. It sounds early, but it's not. 2026 is right around the corner, and I know you want to be a part of our annual New Year celebration, where, with special guests, we read your New Year's resolutions. So start thinking now, and get your resolutions to me by 15 December. You don't want to miss out! Send your New Year's resolutions to thesoundkitchen@rfi.fr Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counseled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service.  Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! This week's quiz: On 27 September, I asked you a question about Paul Myers' article “Dembélé and Bonmati win Ballon d'Or as PSG take team and coach prizes”. The French Ballon d'Or award is awarded every year to the top football players in Europe, both men and women. You were to send in the answer to these three questions: What is the name of the football prize for strikers, who won the men's, and for which teams does he play? The answer is, to quote Paul's article: “In other awards, Viktor Gyokeres received the Gerd Müller Trophy to honour the striker of the year. Playing for Sporting Lisbon and Sweden, he netted 54 goals in 52 matches to top the scoring charts across the continent.” In addition to the quiz question, there was the bonus question: “What is your favorite thing to eat for breakfast?”, which was suggested by Rafiq Khondaker, the chairman of the Source of Knowledge Club in Naogaon, Bangladesh. Do you have a bonus question idea? Send it to us! The winners are: RFI English listener Rafiq Khondaker, the chairman of the Source of Knowledge Club in Naogaon, Bangladesh. Rafiq is also the winner of this week's bonus question – and the listener who asked the question! Congratulations on your double win, Rafiq, and thanks for all the bonus question ideas you regularly send to us.   Also on the list of lucky winners this week are Nafisa Khatun, the president of the RFI Mahila Shrota Sangha Club in West Bengal, India, and Ras Franz Manko Ngogo, the president of the Kemogemba RFI Club in Tarime, Mara, Tanzania. There are RFI Listeners Club members Zenon Teles, who's also the president of the Christian – Marxist – Leninist - Maoist Association of Listening DX-ers in Goa, India, and last but assuredly not least, Shaira Hosen Mo from Kishoreganj in Bangladesh. Congratulations winners! Here's the music you heard on this week's program: “Mathar”, mixed by Brendan Lynch and performed by the Indian Vibes Ensemble; “Carnival De Paris” by Dario G, performed by the Dario G Ensemble; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Hurt” by Trent Reznor, sung by Johnny Cash. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read our article “Paris police hunt Louvre thieves after priceless jewels vanish in daring heist”, which will help you with the answer. You have until 17 November to enter this week's quiz; the winners will be announced on the 22 November podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

Melissa Stylianou is a superb jazz singer. She's Canadian born, with Irish and Greek Cypriot roots. Her material runs the gamut from the Great American Songbook to Johnny Cash. She has performed at numerous festivals and clubs and toured internationally. And she's also a member of the award winning vocal trio Duchess.My featured song is “Tessa” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MELISSA:www.melissastylianou.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's homage to his father who played the trumpet and loved Latin music.. Featuring World Class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Send us a textDon stops by the show to discuss his book on Chet Atkins, teaching and his long career as a professor, writer, and more.********Don Cusic is one of the premier historians of country music and an internationally known scholar and writer. As an author, teacher, historian, songwriter, producer and executive, Cusic has been actively involved in the music business since 1973. He is a 2022 inductee in the Western Music Hall of Fame.  He is an American author, songwriter and record producer who is best known as a historian of U.S. popular music. He is the author of 28 books, most of them related to country music; they include biographies of performers like Eddy Arnold, Roger Miller, Merle Haggard and Gene Autry. He is a special correspondent for Billboard magazine, a book reviewer for MusicRow magazine, and editor for trade magazines Record World and Cashbox . Cusic was a consultant for Ken Burns' documentary miniseries Country Music. He is a Curb Professor of Music Industry History at Belmont University in Nashville, where his former students include Brad Paisley and Chris Young. He is a frequent contributor of liner notes for prominent recording artists and has contributed various encyclopedia entries, magazine articles, and book chapters.Grab a copy of the book here: https://www.ama***** If you would like to contact the show about being a guest, please email us at Dauna@bettertopodcast.comUpcoming guests can be found: https://dmneedom.com/upcoming-guest Follow us on Social MediaInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomIntro and Outro music compliments of Fast Suzi©2025 Better To...Podcast with D. M. NeedomSupport the show

Get ready for a night of timeless country classics as Cash Returns, Europe's No. 1 Johnny Cash and June Carter tribute, take to the stage at Glór on Saturday, 1st November at 8pm. Fronted by award-winning performers JP Mac as the Man in Black and Karen Martin as June Carter, this high-energy nine-piece show celebrates the 20th anniversary of the hit film Walk the Line. JP was on Friday's edition of Morning Focus with Alan Morrissey. Photo (c) Cash Returns Show Facebook

https://www.virginradio.it/audio/long-playing-stories/1393375/long-playing-stories-johnny-cash-hurt.htmlhttps://www.virginradio.it/audio/long-playing-stories/1393375/long-playing-stories-johnny-cash-hurt.htmlFri, 24 Oct 2025 08:28:40 +0200Virgin RadioVirgin Radiono0

We ranked Johnny Cash songs with Jay Ernest from the Folsom Prison Experience in Rank You Very Much, which was both really easy and REALLY HARD. Plus, Sam Ekstrom can cook us a nice maple glazed salmon dinner, but didn't give us a lot of hope for a Vikings win tonight and we are over Candy Corn. See omnystudio.com/listener for privacy information.

"The NOW CDs, as they are often called, started in the UK in 1998 with Richard Branson. They were a hit out of the gate, each crafted to a specific formula. They are a professionally made mix tape. We have the full history and a good bit of trivia about the series."

Send us a textI'm pretty sure that every one of the artists in today's show will bring a smile tro your face and put a laugh in your heart.  ROGER MILLER, LONZO AND OSCAR, RAY STEVENS, GRANDPA JONES, KENNY CHESNEY, JERRY REED for starters,,,,, and then even JOHNNY CASH ,TIM MCGRAW and BRAD PAISLEY  have some great humour going on in their songs. Hey , there's more. Enjoy.Support the show

National Horror Movie Day is October 23rd! Anna and Raven talk about the Top 5 Scary Movies and what they think is Slasher vs. Horror! Men are Afraid of the Dark! Yes! And it's Normal! So, Anna wanted to put that to the test! She locked her husband, Paul, in a dark room and see how he would react! Are you up to date on this week's biggest news story? Anna and Raven will get you caught up on the trending news including gas prices are actually low! Raven shares his secrets to finding low gas prices! And news for Thanksgiving! Turkey shortages are at an all time low for the holiday!  Researchers say you're most alert when you hear creepy sounds! Anna plays some of the scariest sounds to see what Raven thinks about them! Gen Z admits that sometimes they go on dates just to get a free meal, fill in the blank: I once dated a person just because ______________. Halloween Headlines continue for this horrifying season!  Anna and Raven share what haunted house character they would be! And where the most haunted house is in America!  Raven's leaves around his house are up for debate! His wife, Alicia, believes they should stick to their lawn! Raven believes they should be pushed into the street! Who do you agree with?! Does the “Red Nail Theory” actually work?! Anna and Raven called back 2 contestants who got red nail manicures to see how society reacted! Janelle Monáe, Singer and Actress, says that she “traveled” back to the 70s to see the Legendary David Bowie play “Ziggy Stardust”! Anna wishes she was the interviewer to ask more questions about her experience! They also talk about iconic performances from Elvis Presley on “The Ed Sullivan Show” and Johnny Cash! Sandra and David have been dating for six months, and they just moved in together.  They are already off on the wrong foot because he is not used to living with someone besides his parents. He leaves his dishes everywhere, laundry on the floor, etc. She has told him to pick them up and he has gotten a little better at it, but he still needs to improve a lot. David says that he's a mess, it's how he's always been, she saw his room at his home, he's willing to help with cleaning, but this is how he is. He's not asking her to be less messy, and it doesn't bother him when she cleans up for him. He says she's welcome to keep doing that. What do you think? Sean has a chance to win $1700! All he has to do is answer pop culture questions than Raven in Can't Beat Raven!

The Bible is the authoritative Word of God. It contains absolute truth. The words of Jesus have been cemented in time by the legacy of His faithful disciples. However, some areas seem… well, a little gray. Paul didn't necessarily write about whether it's okay to listen to Johnny Cash or Elvis Presley. Today, Pastor Dan teaches that whatever areas Christ's words don't directly cover, you are to live under the convictions that the Holy Spirit puts into your heart. If you feel hesitation, then it's probably conviction!

A man named Jack accidentally fell off the edge of a steep cliff. On the way down he was able to grab ahold of a branch, which temporarily stopped his fall. He looked down and to his horror discovered that there were hundreds of feet between him and the bottom of the canyon. He couldnt hang onto the branch forever, and there was no way for him to climb up the steep wall of the cliff. So Jack began yelling for help, hoping that someone passing by would hear him. HELP! HELP! Is anyone up there? HELP! He yelled for a long time, but no one heard him. He was about to give up when he heard a voice. Jack, Jack. Can you hear me? Yes, yes! I can hear you. Im down here! I can see you, Jack. Are you all right? Yes, but who are you, and where are you? I am the Lord, Jack. Im everywhere. The Lord? You mean, GOD? Thats Me. God, please help me! I promise if, youll get me down from here, Ill stop sinning. Ill be a really good person. Ill serve You for the rest of my life. Easy on the promises, Jack. Lets get you off from there, then we can talk. Now, heres what I want you to do. Listen carefully. Ill do anything, Lord. Just tell me what to do. Okay. Let go of the branch. What? I said, let go of the branch. Just trust Me. Let go. There was a long silence. Finally Jack yelled, HELP! HELP! IS ANYONE ELSE UP THERE? What is faith? Here is the way the Bible defines it: Faith is the assurance of what we hope for and the certainty of what we do not see (Heb. 11:1; BSB). Abraham became known for that kind of faith, but it took a lifetime for him to get to the place of utter dependance upon God. I am not sure what Abrahams hopes and dreams were before he met God, but his home was in the City of Ur where Nanna, the Mesopotamian Moon god, was worshiped and his wife and family lived. Although childless, Abraham was prosperous, settled, and old. What he may or may not have known was that he was a descendant of Noah ten generations removed. When Abraham first heard God's calling, he was seventy-five years old, and his wife Sarah was sixty-five (see Gen. 12:4; 17:17). Despite their advanced age and the fact that they had no children, God gave Abraham a remarkable promise: I will make of you a great nation, and I will bless you and make your name great, so that you will be a blessing. I will bless those who bless you, and him who dishonors you I will curse, and in you all the families of the earth shall be blessed (Gen. 12:1-3). This was a profound and hopeful message, especially considering that Abrahams birth name was Abram, meaning Exalted Fathera title that must have felt ironic for a man with no children at seventy-five, and a wife (Sarai) ten years his junior. The name Abram brings to mind other individuals who have been given ironic or unfortunate names, such as the character mentioned in the following well-known song lyric: Well, my daddy left home when I was threeDidn't leave very much to my mom and meExcept this old guitar and an empty bottle of boozeNow I don't blame him 'cause he run and hidBut the meanest thing that my daddy ever didWas before he left, he went and named me Sue[1] God made three foundational promises to Abraham: first, He pledged to give him a land of his own; second, He vowed that Abraham would become the father of a vast multitude of descendants; and third, He assured that all nations would be blessed through him, signifying Gods plan of redemption. Trusting in these promises, Abraham left his home in Ur and journeyed to the land that God would reveal to him. The Promise (Gen. 17:1-9) Before we get to Genesis 17, I need to help you appreciate what Abraham (still Abram) was feeling and experiencing. When we come to Genesis 15, Abraham and Sarah are still childless about 10 years after they were promised a child! Abraham followed God out of obedience and brought his wife with him on the basis of a promise made by God that included many descendants, land, and a legacy that would bless multitudes in the future! At 85ish years old, God reassured Abraham (Abram), but what Gods reassurance was is up for debate based on the different ways Genesis 15:1 can be translated. Consider the ways NASB and the NKJV translated this verse: Do not fear, Abram, I am a shield to you; Your reward shall be very great. (NASB2020) Do not be afraid, Abram. I am your shield, your exceedingly great reward. (NKJV) So what is it? Based on Gods promise in Genesis 13:1-3 and how He will reiterate the promise later in Genesis 15, I think it is both. Here is one way you could paraphrase this verse: Because I am your reward, your reward will be great. Abraham was about ready to give up on believing the promise include a biological son, but then God swore on behalf of His own name that He would honor the promise He made to Abram and Sarah. God then entered into what is called a unilateral covenant of which He was obligated to honor that was not conditioned on anything that Abram did or did not do. God swore to Abraham (Abram), One who will come from your own body will be your heir (15:4b). What was Abrahams response? We are told in Genesis 15: Then he believed in the Lord; and He credited it to him as righteousness. Then about a year later, Sarah (still Sarai) developed a plan for her husband to get her maid, Hagar, pregnant; to have the heir God promised through her. After all, God said the promised heir would come from Abraham a year ago but did not seem to mention Sarai! So again, the forces of darkness were at work to prevent the Descendent promised to Adam and Eve, who would crush the head of the serpent from ever being born.[2] Hagar did get pregnant with Abrahams child, but all that did was bring more dysfunction into Abrahams home, among other problems. Abraham (still Abram) was 86 and Sarah (still Sarai) 76, with no child to show for the promise God made long ago. Now we come to the promise made yet again in Genesis 17, but this time it is 24 years since the couple left Ur and 13 years since the whole mess they create with Hagar and the birth of Ishmael. Before I go any further, let that settle in your heart and mind for a moment. For 24 years Abraham and Sarah waited, longed, hoped for the son that Almighty God promised them. Then 13 years later while Ishmael had reached the age of maturity and Abram resigned that there would be no heir by Ishmael, God appeared to Abraham (still Abram) and spoke yet again: I am God Almighty; Walk before Me, and be blameless. I will make My covenant between Me and you, and I will multiply you exceedingly (17:1-2). It is in this moment that God gave Abram the name Abraham which means father of a multitude. The blessing would not come through Ishmael, but through another son. So that there would be no room for confusion, God said to Abraham: As for your wife Sarai, you shall not call her by the name Sarai, but Sarah shall be her name. I will bless her, and indeed I will give you a son by her. Then I will bless her, and she shall be a mother of nations; kings of peoples will come from her (17:1516). Abrahams response is understandable: Then Abraham fell on his face and laughed, and said in his heart, Will a child be born to a man a hundred years old? And will Sarah, who is ninety years old, give birth to a child? (v. 17). Nearly one year later, when Abraham was 100 years old and Sarah was 90 years old, she gave birth to Isaac, the son of promise (Gen. 21:1-8). The promise made to Adam and Eve, to Noah, and to Abraham would now come through Isaac. A promise that included land, descendants (a great multitude), and the blessing of the nations. Abraham received the promise when he was 75 and his wife past menopause which means to have a child together would have been a miracle at their respective ages, but for 90-year-old Sarah to carry the child of her 100-year-old husband was impossible! And that is the point, isnt it? There was nothing that Abraham or Sarah could do to make Gods promise possible, they could not make it happen sooner, they could not adjust Gods timing, all that they could do is trust and wait for God to do only what He could in His own timing. Their part in Gods promise was to trust, obey, and wait. The Promise of a Better Son (Gen. 22) We are not told how many years it was after Isaacs birth, but when we come to Genesis 22 we are told that God spoke to Abraham and said some of the most horrific words Abraham would ever hear: Then He said, Take now your son, your only son, whom you love, Isaac, and go to the land of Moriah, and offer him there as a burnt offering on one of the mountains of which I will tell you (Gen. 22:2). Things were different this time; Abraham was different this time, for he had known God for many years since he was first called out of his homeland. The Bible tells us that that Abraham, ...got up early in the morning and saddled his donkey, and took two of his young men with him and his son Isaac; and he split wood for the burnt offering, and set out and went to the place of which God had told him (v. 3). There were no arguments, no debate, no protest Abraham simply obeyed because He believed if he followed through with the sacrifice of his own son; God was big enough to raise him up from death to life. This is why when Abraham took Isaac up the mountain, he told the young men he brought with him: Then Abraham said to his young men, Stay here with the donkey, and I and the boy will go over there; and we will worship and return to you (v. 5). Although the exact number of years between Isaacs birth and Gods command for Abraham to sacrifice his son is not specified in the text, we can make a reasonable estimate based on several clues about Isaacs age. First, Isaac was old enough to walk alongside his father for the entire three-day journey while Abraham, advanced in years, rode a donkey. Second, Isaac had the strength to carry the wood for the burnt offering up the rugged slope of Mount Moriah after days of travel. Third, Isaac was old enough to make a critical observation: Isaac spoke to his father Abraham and said, My father! And he said, Here I am, my son. And he said, Look, the fire and the wood, but where is the lamb for the burnt offering? (v. 7). These details suggest that Isaac was not a small child; my guess is that he was at least 13 years old. There is something else you should be aware of about Abraham and Isaacs journey and what was said to the young men just before Abraham and Isaac made their way up Mt. Moriah: The journey would take 3 days to get to the place of Isaacs sacrifice. Most scholars believe that Mt. Moriah was the site where Jerusalem would eventually be built. On the third day, Abraham said to the young men, Stay here with the donkey, and I and the boy will go over there; and we will worship and return to you (v. 5). In other words, Abraham believed that there would be a resurrection after he slaughtered his son... ON THE THIRD DAY! So what happened? Did Abraham follow through with what God commanded? Abraham had seen too much to doubt Gods ability and character to do what He had promised. God promised a child through whom would come a great multitude and the nations would be blessed. Here is what happened: Then they came to the place of which God had told him; and Abraham built the altar there and arranged the wood, and bound his son Isaac and laid him on the altar, on top of the wood. And Abraham reached out with his hand and took the knife to slaughter his son. But the angel of the Lord called to him from heaven and said, Abraham, Abraham! And he said, Here I am. He said, Do not reach out your hand against the boy, and do not do anything to him; for now I know that you fear God, since you have not withheld your son, your only son, from Me. Then Abraham raised his eyes and looked, and behold, behind him was a ram caught in the thicket by its horns; and Abraham went and took the ram and offered it up as a burnt offering in the place of his son. Abraham would have followed through with killing his one and only son had God not stopped him because no longer did he put God in a box He was too big for any boxes because now He knew His God. What was Gods response? He simply reiterated His covenant promise: By Myself I have sworn, declares the Lord, because you have done this thing and have not withheld your son, your only son, indeed I will greatly bless you, and I will greatly multiply your seed as the stars of the heavens and as the sand, which is on the seashore; and your seed shall possess the gate of their enemies. And in your seed all the nations of the earth shall be blessed, because you have obeyed My voice (Gen. 22:16-18). Why did God command Abraham to sacrifice his son, and why did He refer to the child as, your son, your only son, whom you love, Isaac (v. 2)? The significance lies in the foreshadowing of a greater Son who would come from Isaacs lineageJesus Christ, Gods own Son. In other words, Isaacs story points forward to a future sacrifice on another mount known as Golgotha, God the Father would do what He prevented Abraham from doing: He would slaughter His only unique Son, whom He loved, for the sins of the multitudes to redeem a people for himself by the blood of the greater and more perfect Isaac! While the "lesser Isaac" was confused and unsure of the purpose for the wood he carried, the "greater Isaac," Jesus Christ, carried a wooden cross fully aware of why He was doing it and with unwavering commitment to die in our place as the Lamb of God. Where God provided a ram to spare Isaac, Jesus willingly became our substitute, submitting to the Father's will and taking on the penalty for our sins. Isaac had to be bound before being placed on the altar, but Jesus embraced the cross freely, allowing sinful men to bound Him to the cross on our behalf. Oh dear brothers and sisters, Jesus Christ is the true and better Isaac of whom the Scriptures testify: God made Him who knew no sin to be sin on our behalf, so that in Him we might become the righteousness of God (2 Cor. 5:21). [1] Johnny Cash,A Boy Named Sue,performed by Johnny Cash, written by Shel Silverstein, recorded at San Quentin State Prison, 24 Feb. 1969, released onAt San Quentin,Columbia Records, 1969. [2] Now Sarai, Abrams wife, had not borne him a child, but she had an Egyptian slave woman whose name was Hagar. So Sarai said to Abram, See now, the Lord has prevented me from bearing children. Please have relations with my slave woman; perhaps I will obtain children through her. And Abram listened to the voice of Sarai. (Gen. 16:12)

A man named Jack accidentally fell off the edge of a steep cliff. On the way down he was able to grab ahold of a branch, which temporarily stopped his fall. He looked down and to his horror discovered that there were hundreds of feet between him and the bottom of the canyon. He couldnt hang onto the branch forever, and there was no way for him to climb up the steep wall of the cliff. So Jack began yelling for help, hoping that someone passing by would hear him. HELP! HELP! Is anyone up there? HELP! He yelled for a long time, but no one heard him. He was about to give up when he heard a voice. Jack, Jack. Can you hear me? Yes, yes! I can hear you. Im down here! I can see you, Jack. Are you all right? Yes, but who are you, and where are you? I am the Lord, Jack. Im everywhere. The Lord? You mean, GOD? Thats Me. God, please help me! I promise if, youll get me down from here, Ill stop sinning. Ill be a really good person. Ill serve You for the rest of my life. Easy on the promises, Jack. Lets get you off from there, then we can talk. Now, heres what I want you to do. Listen carefully. Ill do anything, Lord. Just tell me what to do. Okay. Let go of the branch. What? I said, let go of the branch. Just trust Me. Let go. There was a long silence. Finally Jack yelled, HELP! HELP! IS ANYONE ELSE UP THERE? What is faith? Here is the way the Bible defines it: Faith is the assurance of what we hope for and the certainty of what we do not see (Heb. 11:1; BSB). Abraham became known for that kind of faith, but it took a lifetime for him to get to the place of utter dependance upon God. I am not sure what Abrahams hopes and dreams were before he met God, but his home was in the City of Ur where Nanna, the Mesopotamian Moon god, was worshiped and his wife and family lived. Although childless, Abraham was prosperous, settled, and old. What he may or may not have known was that he was a descendant of Noah ten generations removed. When Abraham first heard God's calling, he was seventy-five years old, and his wife Sarah was sixty-five (see Gen. 12:4; 17:17). Despite their advanced age and the fact that they had no children, God gave Abraham a remarkable promise: I will make of you a great nation, and I will bless you and make your name great, so that you will be a blessing. I will bless those who bless you, and him who dishonors you I will curse, and in you all the families of the earth shall be blessed (Gen. 12:1-3). This was a profound and hopeful message, especially considering that Abrahams birth name was Abram, meaning Exalted Fathera title that must have felt ironic for a man with no children at seventy-five, and a wife (Sarai) ten years his junior. The name Abram brings to mind other individuals who have been given ironic or unfortunate names, such as the character mentioned in the following well-known song lyric: Well, my daddy left home when I was threeDidn't leave very much to my mom and meExcept this old guitar and an empty bottle of boozeNow I don't blame him 'cause he run and hidBut the meanest thing that my daddy ever didWas before he left, he went and named me Sue[1] God made three foundational promises to Abraham: first, He pledged to give him a land of his own; second, He vowed that Abraham would become the father of a vast multitude of descendants; and third, He assured that all nations would be blessed through him, signifying Gods plan of redemption. Trusting in these promises, Abraham left his home in Ur and journeyed to the land that God would reveal to him. The Promise (Gen. 17:1-9) Before we get to Genesis 17, I need to help you appreciate what Abraham (still Abram) was feeling and experiencing. When we come to Genesis 15, Abraham and Sarah are still childless about 10 years after they were promised a child! Abraham followed God out of obedience and brought his wife with him on the basis of a promise made by God that included many descendants, land, and a legacy that would bless multitudes in the future! At 85ish years old, God reassured Abraham (Abram), but what Gods reassurance was is up for debate based on the different ways Genesis 15:1 can be translated. Consider the ways NASB and the NKJV translated this verse: Do not fear, Abram, I am a shield to you; Your reward shall be very great. (NASB2020) Do not be afraid, Abram. I am your shield, your exceedingly great reward. (NKJV) So what is it? Based on Gods promise in Genesis 13:1-3 and how He will reiterate the promise later in Genesis 15, I think it is both. Here is one way you could paraphrase this verse: Because I am your reward, your reward will be great. Abraham was about ready to give up on believing the promise include a biological son, but then God swore on behalf of His own name that He would honor the promise He made to Abram and Sarah. God then entered into what is called a unilateral covenant of which He was obligated to honor that was not conditioned on anything that Abram did or did not do. God swore to Abraham (Abram), One who will come from your own body will be your heir (15:4b). What was Abrahams response? We are told in Genesis 15: Then he believed in the Lord; and He credited it to him as righteousness. Then about a year later, Sarah (still Sarai) developed a plan for her husband to get her maid, Hagar, pregnant; to have the heir God promised through her. After all, God said the promised heir would come from Abraham a year ago but did not seem to mention Sarai! So again, the forces of darkness were at work to prevent the Descendent promised to Adam and Eve, who would crush the head of the serpent from ever being born.[2] Hagar did get pregnant with Abrahams child, but all that did was bring more dysfunction into Abrahams home, among other problems. Abraham (still Abram) was 86 and Sarah (still Sarai) 76, with no child to show for the promise God made long ago. Now we come to the promise made yet again in Genesis 17, but this time it is 24 years since the couple left Ur and 13 years since the whole mess they create with Hagar and the birth of Ishmael. Before I go any further, let that settle in your heart and mind for a moment. For 24 years Abraham and Sarah waited, longed, hoped for the son that Almighty God promised them. Then 13 years later while Ishmael had reached the age of maturity and Abram resigned that there would be no heir by Ishmael, God appeared to Abraham (still Abram) and spoke yet again: I am God Almighty; Walk before Me, and be blameless. I will make My covenant between Me and you, and I will multiply you exceedingly (17:1-2). It is in this moment that God gave Abram the name Abraham which means father of a multitude. The blessing would not come through Ishmael, but through another son. So that there would be no room for confusion, God said to Abraham: As for your wife Sarai, you shall not call her by the name Sarai, but Sarah shall be her name. I will bless her, and indeed I will give you a son by her. Then I will bless her, and she shall be a mother of nations; kings of peoples will come from her (17:1516). Abrahams response is understandable: Then Abraham fell on his face and laughed, and said in his heart, Will a child be born to a man a hundred years old? And will Sarah, who is ninety years old, give birth to a child? (v. 17). Nearly one year later, when Abraham was 100 years old and Sarah was 90 years old, she gave birth to Isaac, the son of promise (Gen. 21:1-8). The promise made to Adam and Eve, to Noah, and to Abraham would now come through Isaac. A promise that included land, descendants (a great multitude), and the blessing of the nations. Abraham received the promise when he was 75 and his wife past menopause which means to have a child together would have been a miracle at their respective ages, but for 90-year-old Sarah to carry the child of her 100-year-old husband was impossible! And that is the point, isnt it? There was nothing that Abraham or Sarah could do to make Gods promise possible, they could not make it happen sooner, they could not adjust Gods timing, all that they could do is trust and wait for God to do only what He could in His own timing. Their part in Gods promise was to trust, obey, and wait. The Promise of a Better Son (Gen. 22) We are not told how many years it was after Isaacs birth, but when we come to Genesis 22 we are told that God spoke to Abraham and said some of the most horrific words Abraham would ever hear: Then He said, Take now your son, your only son, whom you love, Isaac, and go to the land of Moriah, and offer him there as a burnt offering on one of the mountains of which I will tell you (Gen. 22:2). Things were different this time; Abraham was different this time, for he had known God for many years since he was first called out of his homeland. The Bible tells us that that Abraham, ...got up early in the morning and saddled his donkey, and took two of his young men with him and his son Isaac; and he split wood for the burnt offering, and set out and went to the place of which God had told him (v. 3). There were no arguments, no debate, no protest Abraham simply obeyed because He believed if he followed through with the sacrifice of his own son; God was big enough to raise him up from death to life. This is why when Abraham took Isaac up the mountain, he told the young men he brought with him: Then Abraham said to his young men, Stay here with the donkey, and I and the boy will go over there; and we will worship and return to you (v. 5). Although the exact number of years between Isaacs birth and Gods command for Abraham to sacrifice his son is not specified in the text, we can make a reasonable estimate based on several clues about Isaacs age. First, Isaac was old enough to walk alongside his father for the entire three-day journey while Abraham, advanced in years, rode a donkey. Second, Isaac had the strength to carry the wood for the burnt offering up the rugged slope of Mount Moriah after days of travel. Third, Isaac was old enough to make a critical observation: Isaac spoke to his father Abraham and said, My father! And he said, Here I am, my son. And he said, Look, the fire and the wood, but where is the lamb for the burnt offering? (v. 7). These details suggest that Isaac was not a small child; my guess is that he was at least 13 years old. There is something else you should be aware of about Abraham and Isaacs journey and what was said to the young men just before Abraham and Isaac made their way up Mt. Moriah: The journey would take 3 days to get to the place of Isaacs sacrifice. Most scholars believe that Mt. Moriah was the site where Jerusalem would eventually be built. On the third day, Abraham said to the young men, Stay here with the donkey, and I and the boy will go over there; and we will worship and return to you (v. 5). In other words, Abraham believed that there would be a resurrection after he slaughtered his son... ON THE THIRD DAY! So what happened? Did Abraham follow through with what God commanded? Abraham had seen too much to doubt Gods ability and character to do what He had promised. God promised a child through whom would come a great multitude and the nations would be blessed. Here is what happened: Then they came to the place of which God had told him; and Abraham built the altar there and arranged the wood, and bound his son Isaac and laid him on the altar, on top of the wood. And Abraham reached out with his hand and took the knife to slaughter his son. But the angel of the Lord called to him from heaven and said, Abraham, Abraham! And he said, Here I am. He said, Do not reach out your hand against the boy, and do not do anything to him; for now I know that you fear God, since you have not withheld your son, your only son, from Me. Then Abraham raised his eyes and looked, and behold, behind him was a ram caught in the thicket by its horns; and Abraham went and took the ram and offered it up as a burnt offering in the place of his son. Abraham would have followed through with killing his one and only son had God not stopped him because no longer did he put God in a box He was too big for any boxes because now He knew His God. What was Gods response? He simply reiterated His covenant promise: By Myself I have sworn, declares the Lord, because you have done this thing and have not withheld your son, your only son, indeed I will greatly bless you, and I will greatly multiply your seed as the stars of the heavens and as the sand, which is on the seashore; and your seed shall possess the gate of their enemies. And in your seed all the nations of the earth shall be blessed, because you have obeyed My voice (Gen. 22:16-18). Why did God command Abraham to sacrifice his son, and why did He refer to the child as, your son, your only son, whom you love, Isaac (v. 2)? The significance lies in the foreshadowing of a greater Son who would come from Isaacs lineageJesus Christ, Gods own Son. In other words, Isaacs story points forward to a future sacrifice on another mount known as Golgotha, God the Father would do what He prevented Abraham from doing: He would slaughter His only unique Son, whom He loved, for the sins of the multitudes to redeem a people for himself by the blood of the greater and more perfect Isaac! While the "lesser Isaac" was confused and unsure of the purpose for the wood he carried, the "greater Isaac," Jesus Christ, carried a wooden cross fully aware of why He was doing it and with unwavering commitment to die in our place as the Lamb of God. Where God provided a ram to spare Isaac, Jesus willingly became our substitute, submitting to the Father's will and taking on the penalty for our sins. Isaac had to be bound before being placed on the altar, but Jesus embraced the cross freely, allowing sinful men to bound Him to the cross on our behalf. Oh dear brothers and sisters, Jesus Christ is the true and better Isaac of whom the Scriptures testify: God made Him who knew no sin to be sin on our behalf, so that in Him we might become the righteousness of God (2 Cor. 5:21). [1] Johnny Cash,A Boy Named Sue,performed by Johnny Cash, written by Shel Silverstein, recorded at San Quentin State Prison, 24 Feb. 1969, released onAt San Quentin,Columbia Records, 1969. [2] Now Sarai, Abrams wife, had not borne him a child, but she had an Egyptian slave woman whose name was Hagar. So Sarai said to Abram, See now, the Lord has prevented me from bearing children. Please have relations with my slave woman; perhaps I will obtain children through her. And Abram listened to the voice of Sarai. (Gen. 16:12)

"Cryptozoology is the study of a creature that probably doesn ot exist. Think Bigfoot. What is great about it is that every state seems to have its own monster. Maybe people really do think it exists or maybe it was invented to scare children at Halloween. We built up a list along with songs about candy. It is Halloween 2025."

Johnny Cash was a living example of the destruction of sin and the restorative power of grace and he knew firsthand how sin tears down your soul as well as the people around you that you care about most. We all deserve judgment for our choice to rebel against God and serve self. In today's message, Pastor Ricky will address the wrath that's to come but not without reminding us of us the incredible grace that wants to rescue us from the immediate and eternal destruction that sin brings in our lives.

Riding Shotgun With Charlie #239 Chris Henderson MTR Defense 3 Doors Down, Guitarist   It's great to have friends who have friends! While I was in Memphis doing a show and staying with Zeke Stout, he asked if I wanted to have the guitarist from 3 Doors Down on the show.Besides being a rock star, he also started and runs MTR Defense, making AR style rifles. How am I going to say no? It was a great day for me. I filmed 3 shows in two states in one day. I went to where Elvis was born and where Johnny Cash was buried.    It started by driving out of his neighborhood, where Kelly Clarkson, Taylor Swift, and Johnny Cash all lived. There was lots to cover. We talk about music and firearms, two of my favorite topics!   Henderson traveled around a bit as a kid, but they settled in southern Mississippi. His brother also played and attended my alma mater, Berklee College of Music. Chris wanted to go there, too, but his brother talked him out of it. So he stayed in Escatawpa, Mississippi, and played in all kinds of bands. He also served several years in the Army, Navy and as a Seabee, in the Reserves. This is when he started learning and getting interested in firearms. He was also able to keep practicing and playing guitar.    He's been in 3 Doors Down since 1996, but in 2000, the band really took off with "Kryptonite". Things really changed from playing in clubs with 250-300 people a night to doing much bigger venues. The band really hit it huge for many years, even doing up to 50 gigs a year now.    For his early influences, of course there was Lynyrd Skynyrd. But he also spent a lot of time listening to gospel  and country music. According to him, when you're born in Mississippi, you leave the hospital with a fishing license, a Dale Jr die cast, and a Skynyrd album. As an 18 year old, fresh out of high school, having lots going on, he still made time to practice guitar every day. Without a formal education, he was still able to get a great set of ears and transcribe music. Naturally, this led to writing songs, too.    The conversation really was back and forth. We talked about guns, then music, then back to guns. Some of what he shares is about the process of being a band and who gets credit for writing which part to a song. There's a road story about doing a show in Miami and the transmission of the van just melting and they didn't make the gig. This is when 3DD was just getting recognized.    Around 2016, Chris decided to get into making firearms and selling merch. He joked that it was a hat company that sells rifles. Originally called Middle Tennessee Rifle, he knew there would be pushback from social media, so he decided to call it MTR Defense. They don't make “black rifles”, but they have them cerakoted so they're much more colorful. Hillbilly 223 Urban Finishes does the cerakoting for him. MTR also makes a lot of promotional items, like shirts and hats. They made battle mugs and hats for The GLOCK Store.    Besides making AR styles rifles, he said he makes a 50 cal on the AR platform. They do a lot of custom work on many types of firearms. There's a really good selection at the website, linked below. MTR has their FFL and SOT so they can make and sell lots of fun items. He's running a one man shop with a little bit of help. Most of his days, he's up at 4 am heading to the MTR office.   When I went to meet Chris at his place, he needed to get cleaned up. His son hung out with me. He asked me if I wanted to see his rifle. Of course I said yes. I got to see his toy AR with a scope on it. We sat on the front steps and he pretended to shoot things in the yard. It was fun. In his down time, Chris takes care of his son and four dogs. When his fiance comes to visit, she's got her four dogs, too.  Favorite quotes: “I don't remember not being in this band.” “Chase your dreams. Do it for beer. And see what happens.” “Music comes easy to me. Guns come easy to me. Business does not.” “You forget where you came from. No, I didn't. That's why I'm not there anymore.” “They're there because they're traumatized youth. And they're using the music to heal.”   MTR Defense https://mtrdefense.com/   MTR Store https://mtrdefensestore.com/   MTR FB https://www.facebook.com/mtrdefense/   MTR X https://x.com/MTRDefense   MTR Linktree https://linktr.ee/mtrdefense   Hillbilly 223 Urban Finishes https://hillbilly223.com/ Second Amendment Foundation https://secure.anedot.com/saf/donate?sc=RidingShotgun    Citizens Committee for the Right to Keep and Bear Arms https://www.ccrkba.org/   Please support the Riding Shotgun With Charlie sponsors and supporters.    Self Defense Radio Network http://sdrn.us/   US Law Shield Legal Defense for Self Defense. Use "RSWC" as the discount code and get 2 months for free! https://www.uslawshield.com/   Patriot Mobile Use this link and get one month for free! https://patriotmobile.com/partners/rswc   Or listen on: iTunes/Apple podcasts https://podcasts.apple.com/us/podcast/riding-shotgun-with-charlie/id1275691565

In this week's episode, Louis speaks with the legendary comedian, writer and adventurer Michael Palin. Joining Louis at Spotify HQ, Michael details the fiery group dynamics within Monty Python, having Johnny Cash and George Harrison as famous fans, and the controversies surrounding Life Of Brian. Plus, Michael and Louis discuss whether being 'nice' is a help or a hindrance.   Warnings: Strong language and adult themes.    Links/Attachments:    TV Show: ‘Michael Palin in Venezuela' (2025) - Channel 5  https://www.channel5.com/show/michael-palin-in-venezuela     TV Show Episode: Whicker's World from ‘Monty Python's Flying Circus' (1972) - BBC  https://www.channel5.com/show/michael-palin-in-venezuela     TV Show: ‘Michael Palin: Around the World in 80 Days' (1989) - BBC   https://www.bbc.co.uk/iplayer/episodes/b008n8yy/around-the-world-in-80-days-with-michael-palin     The Rutles: All You Need Is Cash (1978)   https://www.imdb.com/title/tt0077147/     Monty Python's Life of Brian (1979)  https://www.itv.com/watch/monty-pythons-life-of-brian/10a5145a0001B/10a5145a0001     TV Show: ‘Ripping Yarns' (1976 -1979) - BBC   https://www.imdb.com/title/tt0075568/     TV Special: ‘Beyond the Fringe' (1964) - BBC   https://www.imdb.com/title/tt0138957/     TV Show: ‘Q5' (1969 –1980) - BBC  https://www.imdb.com/title/tt0063944/     Terry Gilliam's animations:  https://www.youtube.com/watch?v=47mB_UymAIc     Fish slapping dance:  https://www.youtube.com/watch?v=T8XeDvKqI4E    TV Show Episode: ‘Whither Canada?' (1969)   https://www.imdb.com/title/tt0758095/     TV Show Episode: ‘The All-England Summarise Proust Competition' (1972)  https://tv.apple.com/gb/episode/the-all-england-summarize-proust-competition-edit/umc.cmc.2wheg7yvkb0w3w55freoic0j2?action=play     Album: Monty Python's Previous Record https://open.spotify.com/album/1GkvGswqHgUyMb5kIlGU2R     Sketch: Argument  https://www.youtube.com/watch?v=ohDB5gbtaEQ    Sketch: Dead/Resting Parrot  https://www.youtube.com/watch?v=vZw35VUBdzo     TV Show: ‘Fawlty Towers' (1975-1979) - BBC   https://www.imdb.com/title/tt0072500/     Sketch: The Ministry of Silly Walks  https://www.youtube.com/watch?v=iV2ViNJFZC8    Book: North Korea Journal, Michael Palin (2019)   https://www.themichaelpalin.com/north-korea-journal/      TV Show: ‘Michael Palin: Travels of a Lifetime' (2020) - BBC   https://www.youtube.com/watch?v=q1SddawMoz8    Life of Brian Debate with Malcolm Muggeridge (1979) - BBC   https://www.bbc.co.uk/videos/cyxe9180z84o     A Fish Called Wanda (1988)  https://www.imdb.com/title/tt0095159/     Short Story: In The Penal Colony, Franz Kafka (1919)  https://www.kafka-online.info/in-the-penal-colony.html     Credits:  Producer: Millie Chu   Assistant Producer: Emilia Gill  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Production for Spotify   www.mindhouse.co.uk     Learn more about your ad choices. Visit podcastchoices.com/adchoices

Spooky Series. Episode # 2 of 4. If you look through recordings of country, western, and folk music ranging from the 1920s and 1930s through to present, you'll notice a theme: songs about crime, murder, and executions are ever-present. From Grayson & Whittier's recording of the centuries-old ballad “Rose Connelly” in 1927, to Lloyd Wilson's “Stagger Lee”recorded in the 1950s, Bob Dylan's “The Lonesome Death of Hattie Carroll”in the 1960s, to Johnny Cash's “Delia's Gone”in the 1990s, to Jason Isbell's “Live Oak” or “Yvette”or Zach Bryan's “Birmingham” in more recent years, songs about the murder are a staple of the American musical tradition. How did songs about violence and crime become so central?  Today, we'll take a closer look at the murder ballad tradition, tracing them back to the real crimes that inspired them but also considering what they might teach us about race, gender, and American culture. Find transcripts and show notes at www.digpodcast.org Learn more about your ad choices. Visit podcastchoices.com/adchoices

Six String Hayride Episode 62. Not For Kids Only. Chris and Jim offer up a plan to kid the youngsters into good ole classic country. Gene Autry, Woody Guthrie, and Johnny Cash recorded a lot of songs for kids. Johnny Cash talks dinosaurs and explains how one and one make two. Gene Autry tells the tale of Smokey the Bear, and Woody Guthrie takes us riding in the car car. Shel Silverstein and The Irish Rovers look for The Unicorn. Dwight Yoakam has a Dog. Jerry Garcia takes us to a Teddy Bear Picnic and Bob Weir goes all "Curious George" on us and lets the Monkey drive the Locomotive. Tom T Hall warns us about the Sneaky Snake and Willie Nelson picks up where Kermit the Frog left off looking for the Rainbow Connection. We examine the philosophical outlook of "More Fun Than a Glass of Milk" and Chris has a Dirt Cake recipe that also teaches us how to pronounce Cool Whip as nature intended. All this and more on Episode 62 of A Six String Hayride Podcast.

Seth takes a closer look at Trump thinking "habeas corpus" is the name of a person and Trump's threat to arrest Illinois Governor JB Pritzker.Then, Ryan Reynolds talks about the time he crossed paths with Johnny Carson and Johnny Cash in the same week, struggling with the heat while receiving the Order of Canada Honor and his work on the John Candy: I Like Me documentary.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textIn this heartfelt episode of Living the Dream with Curveball, we are joined by the talented country musician Kelain James. Born in England and raised in Florida, Kelain shares his inspiring journey through music, revealing how his passion for country music blossomed from an early age. He opens up about his experiences in foster care, the challenges he faced, and how these moments fueled his desire to create music that resonates with others. Kelain discusses his recent album, "Washing Down," which features raw, acoustic tracks that reflect his life experiences and emotional struggles. We dive into his creative process, the influences that shaped his sound, and his aspirations for the future, including a dream to perform in Nashville. Kelain's genuine passion for music and his commitment to supporting fellow independent artists shine through in this uplifting conversation. Tune in to discover how Kelain's music aims to inspire others to follow their dreams and find joy in their own journeys.

This episode has it all: clowning on the Blood Brothers, extensive gig talk, random Memphis anecdotes, and a deep dive on 2005's Johnny Cash biopic, Walk The Line. Honestly, this movie is even better than you remember. Join us as we retroactively diagnose Johnny Cash's autism. "We're all goin' to hell for the songs we sing."

"Many music outlets noticed there was no traditional Summer Song this year. No poppy dance tune that rose to the top of the charts. The Billboard Summer Song chart claimed a number one but it was a down tempo ballad. We will explore what happened and why."

This nation's troubled history with Manifest Destiny will continue to haunt us for some time. Throughout the decades some Native voices have emerged and contributed to the ongoing cultural conversation: most recently on the Broadway stage, on film, and television, and this awareness might move us towards some, if not restitution for atrocities past, at least a dialogue that might point the way towards the future.Today Double Trouble features the efforts of two important Americana artists, neither one Native American, but both identifying with them. Johnny Cash believed that he was part Cherokee- (a notion disproved by DNA). They both raised their voices in advocacy with the dispossessed. Pete La Farge wrote The Ballad of Ira Hayes, which Johnny Cash delivers here, and then Mr. La Farge himself mourns the disappearance of the Coyote as a consequence of Capitalism's rapacious destruction of sacred lands.JOHNNY CASHFrom his 1963 concept album “Bitter Tears: Ballads of the American Indian”, The Ballad of Ira Hayes tells the story of a WW2 War Hero, one of the men raising the flag over Iwo Jima in that iconic photo. Upon returning to the states, Ira had to confront the irony of his impossibly low status on home soil, and descended into alcohol addiction and death. Pete La Farge wrote 5 of the songs on Cash's album, and became known, along with Buffy St. Marie, as one of the most prominent singer-songwriters concerned with Native themes. Johnny Cash was a life-long representative of Native peoples, trying through his popular status to bring about an awareness of the wrongs that had been committed in the name of “progress”. PETE LA FARGEGiven the focus of his creative output during his short life - he died, age 34, of a stroke - one might assume that Mr. La Farge was Native American, but not so: he was the son of an anthropologist and Pulitzer Prize winning novelist and a Rhode Island heiress. Growing up in New Mexico and Colorado, he developed a love of Native American culture, and that became his artistic touchstone. Most famous for The Ballad of Ira Hayes, his tribute to a discarded, fallen hero, the song has been covered by Bob Dylan and Pete Seeger among many others. Here, in Coyote, La Farge channels the mournful sound of the dispossessed animal as it fades away into the ether, after losing its habitat to business interests - an issue we're still dealing with today. 

Mike Brodie's first monograph, A Period of Juvenile Prosperity was published by Twin Palms more than a decade ago in 2013, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.”In Nashville he became a diesel mechanic. Fell in love. Moved across the country again. Got married. Bought land on the long dusty Winnemucca road Johnny Cash sang about. Started his own business. Built a house. Put down roots. And when that life exploded, the open road called again. Throughout almost all of it, his cameras were with him, and at last those pictures are coming to light.If Michael Brodie's first monograph was a cinematic dream, his latest, Failing, again published by Twin Palms in 2024, is the awakening and the reckoning, a raw, wounded, and searingly honest photographic diary of a decade marked by love and heartbreak, loss and grief — biblical in its scope, and in its search for truth and meaning. Here is the flip side of the American dream, seen from within; here is bearing close witness to the brutal chaos of addiction and death; here are front-seat encounters with hitchhikers and kindred wanderers on society's edges, sustained by the ragtag community of the road. Failing often exists in darkness but is tuned to grace. Brodie's eye stays forever open to the strange and fleeting beauty that exists in forgotten places — the open country and the lost horizons that sweep past dust-spattered windows in a spectral blur.Mike worked on and features in a recently released hour long documentary eponymously entitled Slack, the nickname of his one time girlfriend, Mia Justice Smith, who sadly died of a drug overdose, and to whom the film is dedicated. The film, which is directed by Mike's friend and collaborator Cyrill Lachauer., revisits the freighthopping years and delves into Mike's creative collaboration with Mia.In episode 266, Mike discusses, among other things:The documentary he helped to make about his freighthopping years - SlackHow train hopping and photography went hand in handRomanticism vs. miseryTrain hopping as a performanceLosing his girlfriend, Mia Justice Smith, to a drug overdoseHis attempt at a ‘normal' life and how that impacts his creativityThe success of A Period of Juvenile Prosperity and its downsideHow the title came aboutThe darkness of the pictures in latest book, FailingTussling with the question of exploitation and ethical responsibilityAmbitions to make a feature film one dayThe ongoing push/pull of art v. home lifeThe desire to photograph machines and ways of life and ways of working that are passing awayNext steps in the USA - projects vs. photographing lifeWebsite | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

This week, I sit down with Chase and Laura from Sun Records — yes, the Sun Records. The birthplace of rock & roll, where Elvis, Johnny Cash, and Roy Orbison first got their start. Presented by LANDR - Click here for an EXCLUSIVE subscription discount: http://landr.com/otherrecordlabels We talk about what it means to protect and evolve a label that helped invent modern music. How do you stay true to Sam Phillips' “perfect imperfection” while still making new records in 2025? This episode is part music history, part masterclass in legacy label management — and 100% inspiring for anyone running or dreaming of running their own label. --- LABELMATES - Our Fall 2025, 6-week Labelmates Sessions start on October 21st. Tuesdays at 4:30PM Eastern. Grab your spot here: http://otherrecordlabels.com/register

Episode 600 - Dominick Domasky - Celebrating 600 Episodes, Tap Into Your Creativity, Go Beyond Learning, Embrace StartingEpisode 600 brings the return of Dom Domasky - every one hundred episodes of Living The Next Chapter, Dom returns to celebrate a podcast idea that he gave me 600 episodes agoDom shares publishing inside information and how we as creatives need to engage in action over information collecting!Check out Dom and his services here!!https://www.motivationchamps.com/Books Mentioned:Lean Learning - How to Achieve More by Learning Lesshttps://www.simonandschuster.com/books/Lean-Learning/Pat-Flynn/9781668027646https://patflynn.com/____RICK RUBIN - THE CREATIVE ACT: A WAY OF BEINGRick Rubin is a nine-time GRAMMY-winning producer, named one of the 100 most influential people in the world by Time and the most successful producer in any genre by Rolling Stone. He has collaborated with artists from Tom Petty to Adele, Johnny Cash to the Red Hot Chili Peppers, Beastie Boys to Slayer, Kanye West to the Strokes, and System of a Down to Jay-Z.https://sites.prh.com/thecreativeact____Book: GOOD TO GREATThis book addresses a single question: can a good company become a great company, and if so, how? Based on a five-year research project comparing companies that made the leap to those that did not, Good to Great shows that greatness is not primarily a function of circumstance but largely a matter of conscious choice, and discipline. This book discusses concepts like Level 5 Leadership; First Who, Then What (first get the right people on the bus, then figure out where to drive it); the Hedgehog Concept, and the Flywheel.https://www.jimcollins.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

From Cambridge to Cowboy Suits: Kellye's Story of ReinventionAfter 20 years as a physicist, Kellye left her career in science to follow a completely different path — one guided by creativity, craftsmanship, and courage.From building cancer research sensors at Cambridge to hand-stitching rhinestone suits for country icons in Nashville, Kellye's story is a masterclass in daring to start again when the life you built no longer fits.In this episode, we talk about identity, creativity, and the uncomfortable—but liberating—truth about change.⏱️ Timestamps0:00 – 04:00 | From Texas Farm to Physics Prodigy Kellye shares her childhood on a working farm in Texas, where fixing things and understanding how machines worked first sparked her curiosity — the early signs of both a scientist and a maker.04:00 – 10:00 | Cambridge and the World of Academia How Kellye was recruited into university at just 16, worked her way to Cambridge, and built a 20-year career in physics researching cancer sensors — all while quietly craving something more creative.10:00 – 16:00 | When Success Doesn't Feel Like Success The moment she realised academia's version of “making it” wasn't hers — and what happens when your dream job stops feeling like a dream.16:00 – 23:00 | The Pivot: From Labs to Leather & Lace Why Kellye and her husband quit their jobs to start a furniture business, and how that side-step opened the door to her lifelong love of sewing, tailoring, and Western wear.23:00 – 33:00 | Saving a Dying Craft Kellye dives into her obsession with vintage embroidery machines — how she tracked, restored, and mastered 100-year-old equipment to keep a lost art alive.33:00 – 41:00 | From Savile Row to Nashville How a leap of faith (and a lot of self-belief) led Kellye from a tailoring course in Macclesfield to Nashville, where her first project was sewing a suit for Johnny Cash's son.41:00 – 50:00 | The Art of Storytelling Through Stitching How she now creates bespoke, hand-embroidered suits that carry her clients' stories, and why every stitch is a piece of living history.50:00 – 59:00 | Reinvention, Ego Death & The Artist's Way What it really feels like to walk away from an identity that once defined you — and how Kellye rebuilt her life and confidence through creative discipline, journaling, and community.59:00 – End | Finding Your People & Following the Pull The importance of surrounding yourself with people who “get it,” and the power of community when you choose the road less travelled.

Steve Ferrone: The Legendary Drummer Behind Tom Petty, Average White Band, Eric Clapton, Duran Duran Episode 89: Steve Ferrone. A nearly 3 hour deep dive with one of the greatest groove drummers of all time, Steve Ferrone. He joined Average White Band after the passing of their original drummer and went on to create “School Boy Crush,” one of the most sampled grooves in hip-hop history. From there, he played with Duran Duran, Eric Clapton, George Harrison, Johnny Cash, and Michael Jackson, before becoming the drummer for Tom Petty & The Heartbreakers for the next two plus decades, all the way up until Tom's unfortunate passing. In this episode, Steve opens up about his journey from Brighton to the biggest stages in the world, his time in the studio with legends like Tom Petty and Rick Rubin, and the philosophy behind his timeless feel and sound. He also shares stories from recording Unplugged with Eric Clapton, Unchained with Johnny Cash, and why groove always comes first. We talk about the evolution of technology in music, including a hilarious story about click track and Jeff Porcaro, and his personal relationships with George, Tom, Eric and more. Steve is a guy that everyone just wants around. His work contributed to GRAMMY winning albums with Tom Petty & The Heartbreakers Wildflowers, Eric Clapton's Unplugged, Johnny Cash's Unchained, and Céline Dion's Falling Into You. He's also currently the host of The New Guy on SiriusXM. I hope you enjoy my conversation with the legend, Steve Ferrone! Subscribe for more conversations with the world's greatest musicians. Follow Steve: https://www.instagram.com/steve_ferrone/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

"Many countries around the world take time each year to poll their citizens about their favorite songs. It usually happens around Christmas and a major media outlet plays the songs. We will tell you about some of the biggest ones and try to figure out why we don't do that here in America."

Hop in kids, we're going to town! The Wolfe Pack is broadcasting live from the Good Guys Rod & Classics Car Show, at Texas Motor Speedway--and good buddy, they've got some mighty rare rides...speaking of, John's buying everything he can hang a number on; meanwhile, Mister Turley is betting high and heavy with John Clay on a slew of college and NFL games; our newshound, JD Ryan, has all the news that's fit to peruse, including the surprising return of Jimmy Kimmel after roughly a week's suspension, and a grown man getting a DUI while driving a kid's 'Barbie Jeep' to the liquor store; Johnny Cash has a Mail from Jail entry that'll make you want to avoid incarceration for sure; and our own DJ PreKay has a new "country" rap tune that we think might be the one to make his pimp dreams come true. Yeehaw! So grab a spot and crack open an ice-cold Natty Light...it's show time!

In this episode of PhotoWork with Sasha Wolf, photographer Mike Brodie talks about his raw, intimate and powerful new book, Failing (Twin Palms). Growing up with a tough home life, Brodie found escape in the punk and BMX scenes before, at just 17, he began hopping freight trains and photographing the drifters and outcasts he met on the rails. Those images became A Period of Juvenile Prosperity (2013), a groundbreaking book that launched his career. After that early success, Brodie walked away from the art world to become a diesel mechanic. Now, age 40, with a son, he reunites with longtime collaborator Paul Schiek ( TBW Books) to publish Failing and reflects with Sasha on his journey, the challenges of early fame, and what it means to return to photography on his own terms. https://www.instagram.com/mikebrodie_thepolaroidkidd https://www.twinpalms.com/products/mike-brodie-failing Mike Brodie's first monograph, A Period of Juvenile Prosperity touched down more than a decade ago, depicting his fellow rail-riders and drifters in a rebellious and wildfire pursuit of adventure and freedom. “Brodie leapt into the life of picture-making as if he was the first to do it,” Danny Lyon wrote about the book in Aperture. Next came Tones of Dirt and Bone, a collection of earlier SX-70 pictures Brodie made when photography first led him to hopping freights, when he was known as “The Polaroid Kidd.” And then Brodie seemed to disappear from the art world as suddenly and mysteriously as he'd first appeared. Maybe his vanishing was another myth. Maybe it was just a necessary retreat. “I was divorcing myself from all that,” he says. “I was growing up. I was pursuing this other life.” In Nashville he became a diesel mechanic. Fell in love. Moved across the country again. Got married. Bought land on the long dusty Winnemucca road Johnny Cash sang about. Started his own business. Built a house. Put down roots. And when that life exploded, the open road called again. Throughout almost all of it, his cameras were with him, and at last those pictures are coming to light.

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest today is Chef David Chang. He founded Momofuku Noodle Bar in 2004. That was just the start of his incredible career – he's opened several restaurants, winning awards and Michelin stars along the way, and becoming a fixture in the upper echelon of food. He's the host of the Netflix shows Ugly Delicious and Dinner Time Live, as well as his own podcast, The Dave Chang Show. For this episode, I talked to Dave about the song “I See a Darkness.” It's the title track on the album by Bonnie “Prince” Billy, aka Will Oldham, which came out in 1999. Later, Johnny Cash would cover “I See a Darkness” in 2000, as a duet with Will Oldham, as part of Johnny Cash's acclaimed American series.You can get Bonnie "Prince" Billy's "I See a Darkness" on vinyl or digital here.For more info, visit songexploder.net/david-chang.

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director.  If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024.  Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

A man requested Johnny Cash's "Ring of Fire" be played during the cremation process...clever or creepy? What's the weirdest thing you've seen at a funeral?

Ben Maller & Danny G. have Mail Bag fun for your Sunday! All questions sent in by new listeners & P1's of the #MallerMilitia! Download, subscribe, and remember that sharing is caring (unless it's an STD.) Follow Danny G. @DannyGradio and Ben on Twitter @BenMaller and listen to the original terrestrial radio edition of "Ben Maller Show," Monday-Friday on Fox Sports Radio, 2a-6a ET, 11p-3a PT!...Follow, rate & review "The Fifth Hour!" #BenMaller See omnystudio.com/listener for privacy information.

With so many dozens of albums over so many wildly disparate eras, it can take a lifetime to truly get your arms around Bob Dylan. On this episode, Kirk is joined by two guests who have spent their lifetimes doing exactly that. Matt Sitman and Sam Adler-Bell, in addition to co-hosting the terrific political history podcast Know Your Enemy, are both lifelong Dylan fans. This spring, they came on the show to give listeners a tour of Dylan's many eras, and to give newcomers a place, or places, they might start getting to know him better.DYLAN SONGS DISCUSSED, IN RELEASE CHRONOLOGY“Blowin in the Wind”  and “Corrina, Corrina” from Freewheelin' Bob Dylan, 1963 (and as sung by Peter, Paul and Mary)“Like A Rolling Stone,” “Just Like Tom Thumb's Blues,” “From a Buick 6” from Highway 61 Revisisted, 1965“Subterranean Homesick Blues,” “Mr. Tambourine Man,” and “Outlaw Blues” from Bringing it All Back Home, 1965“Rainy Day Women #12 & 35” and “Pledging My Time” from Blonde on Blonde, 1966“All Along the Watchtower” and “I'll Be Your Baby Tonight” from John Wesley Harding, 1967“Lay, Lady, Lay” and “Girl from the North Country” (with Johnny Cash) from Nashville Skyline, 1969“Knockin' on Heaven's Door” from Pat Garret & Billy The Kid Original Soundtrack, 1973“Forever Young” from Planet Waves, 1974“Tangled Up in Blue” from Blood On The Tracks, 1975“Hurricane” and “Romance in Durango” from Desire, 1976“Changing of the Guards” from Street-Legal, 1978“Serve Somebody,” and “Do Right to Me Baby (Do Unto Others)” from Slow Train Coming, 1979“Saved” from Saved, 1980“The Groom's Still Waiting At the Alter” and “Lenny Bruce” from Shot of Love, 1981“Pressing On” and "Solid Rock" live in Toronto, 1980“Neighborhood Bully,” “Jokerman,” “Sweetheart Like You” from Infidels, 1983“Dark Eyes” from _Empire Burlesqu_e, 1985“Brownsville Girl” from Knocked Out and Loaded, 1986“Sylvio” from Down In The Groove, 1988“Everything Is Broken” and “Most of the Time” from Oh Mercy, 1989“Hard Times” from Good As I Been to You, 1992“Train of Love,” Johnny Cash tribute, 1999“Pay In Blood” from Tempest, 2012“I'm A Fool To Want You“ by Frank Sinatra, Jack Wolf, and Joel Herron from Shadows in the Night, 2015, and as recorded by Frank Sinatra“Polka Dots and Moonbeams” by Jimmy Van Heusen and Johnny Burke, from Fallen Angels, 2016“How Deep is the Ocean” by Irving Berlin from Triplicate, 2017“I've Made Up My Mind to Give Myself to You” from Rough and Rowdy Ways, 2020ALSO DISCUSSED/REFERENCED:The Know Your Enemy episode about Dylan's The Philosophy of Modern Song"Moonlight Mind" by Will Epstein and High Water from Crush, 2016"Lonely Woman" by Ornette Coleman from The Shape of Jazz to Come, 1959"Rainy Day Women #12 & 35" as recorded by Tom Petty and the HeartbreakersSam's review of A Complete Unknown in The NationBob Dylan: Expecting Rain websiteEpisode one, "Weather”, from Dylan's radio show Theme Time Radio Hour, featuring Muddy Waters on "Blow Wind, Blow”Audio from D.A. Pennebaker's 1967 documentary Bob Dylan: Don't Look BackAudio from Scorses's 2005 documentary No Direction Home: Bob DylanGUEST MUSIC PICKS:Sam: Lucinda Wiliams, Car Wheels on a Gravel Road, 1998Matt: Willie Nelson, Across the Borderline, 1993----LINKS-----