Podcasts about Johnny Cash

"The New York Times released their 30 Greatest Living American Songwriters list a short while ago. I know online lists usually have some click bait to start conversation but this list was overtly egregious. Not for who was on it. It was who was left off. We will go over the list and play some artists that should have been on there."

What makes an experience unforgettable?In this episode of Nashville Restaurant Radio, Brandon sits down with Bill Miller, CEO of Icon Entertainment, for a conversation that goes far beyond venues, concerts, and business. Bill shares incredible stories from his career, including memorable moments with Johnny Cash, while revealing the philosophy that has guided his life's work: creating experiences that bring people joy.From legendary entertainers to everyday guests, Bill explains why the most successful hospitality and entertainment leaders understand that people aren't just buying products or services—they're seeking connection, memories, and moments that matter.Throughout the conversation, Bill reflects on leadership, purpose, storytelling, and the responsibility that comes with creating spaces where people gather. His passion for making others feel seen, welcomed, and inspired shines through in every story.Whether you're a restaurant operator, hospitality professional, entrepreneur, or simply someone who appreciates the power of a great experience, this episode is packed with wisdom from a leader who has spent a lifetime creating moments people never forget.Listen now for an inspiring conversation about joy, hospitality, leadership, and the stories that shape us.

Jon goes solo with a blunt, unfiltered episode from the middle of rice-planting chaos: work exhaustion, hunting talk, sponsor shoutouts, gear drama, and his "Johnny Cash" theory about fandom and hoarding. He also covers conservation efforts, worries about Oregon hunting restrictions, military pride, and what it really means to be a rice farmer and hunter.

"Many summer tours are having to scale back or cancel altogether. The nickname given to this practice is Blue Dot Fever. It is named after the blue dots that appear on unsold seats when a ticket buyer uses Ticketmaster. It has become indicative of a larger societal and financial concern that is leading to people not being able to attend live music. We will explain."

We join Jon as he negatives through the Boston Airport to talk about The Mekon's new album HORROR and HORRORble the Dub companion album!   Mekons, who will be celebrating their 50th year in 2027, will be touring in support of the upcoming re-release of their 2025 album HORROR on June 12 in conjunction with a an entire new album of Dub remixes, entitled HORRORble (mekons Vs. Tony Maimone In Dub Conference) by Pere Ubu's Tony Maimone via Fire Records as a 2xCD, white vinyl and digital configurations and can be ordered here. June -3-26th Cleveland OH The Mekons at The Music Box Supper Club Tickets here mekons-june3   About Jon:       Jon Langford born October 11, 1957, Newport, Monmouthshire is a Welsh-born musician and artist who is presently based in Chicago. He is the younger brother of science-fiction author and critic David Langford Langford was originally the drummer for the punk band The Mekons when it formed at the University of Leeds in 1977, but he later took up the guitar as other band members left. Since the mid-1980s he has been one of the leaders in incorporating folk and country music into punk rock. He has released a number of solo recordings as well as recordings with other bands outside of The Mekons, most notably the Waco Brothers, which he co-founded after moving to Chicago in the early 1990s. He is involved with the Chicago-based >independent record label >Bloodshot. Langford is also a prolific and respected visual artist best known for his striking portraits of country music icons including Hank Williams, Johnny Cash, and Elvis Presley. His multimedia music/spoken-word/video performance, “The Executioner's Last Songs,” premiered at Alverno College in 2005, and has been performed in several other cities. He illustrated the comic strip Great Pop Things under the pseudonym Chuck Death. Since 2005 he has co-hosted a weekly radio program, “The Eclectic Company,” broadcast on WXRT 93.1 FM in Chicago. He has contributed to This American Life. Among Langford's musical side projects have been the Three Johns (with John Hyatt and John (Phillip) Brennan), who released several albums of drum-machine-fueled punk in the 1980s; the country-punk Waco Brothers (with Dean Schlabowske, Tracey Dear, Alan Doughty, Mark Durante, and Mekons drummer Steve Goulding), who have been recording since 1995; the Pine Valley Cosmonauts, a revolving assortment of Chicago musicians who have backed both Langford and other musicians such as Kelly Hogan; and Ship and Pilot. He became a father figure to the local music scene, encouraging many of his labelmates on Bloodshot Records and championing anyone he thought worthy of scrutiny, often lending his services as a musician or visual artist or inviting local musicians to guest on his releases. Langford's first official solo album, Skull Orchard, a look back at his hometown of Newport, Wales, was released in 1998. He followed it with All the Fame of Lofty Deeds, in 2004, Gold Brick in 2006, and Old Devils in 2010. Langford is an accomplished artist and is renowned for his multi-layered paintings of famous and forgotten figures from the dawn of country music. Nashville Radio, a collection of his artwork and writings, was published in 2006. In January and February 2009, Chicago's Walkabout Theater Company and Collaboraction premiered a stage adaptation of Langford's Goldbrick that featured a live band, two actors and video projections. In November and December 2009, The House Theatre of Chicago staged a production of “All the Fame of Lofty Deeds”, written by rock journalist Mark Guarino and based on Langford's art and 2004 solo album. Collaborations with other musicians Langford initiated a project, the Pine Valley Cosmonauts, which performs the music of other country music groups. Several alternative country musicians have guested on these recordings. Langford has guested on numerous recordings, including with Dutch punk band the Ex, The Old 97s, Chip Taylor, as well as Austin, Texas legend Alejandro Escovedo, and has recorded joint albums with Sally Timms, Kevin Coyne, Richard Buckner, Kat Ex and Rosie Flores.

Remembering country music. Why do people fight so crazy nowadays? Anger at home and in schools. Drop anger: drop "you."

Episode 9: Referral Leakage, Potato Fields, and Johnny Cash with Zac Rice On this episode hosts Angie Shin and Dave Smith engage with healthcare operations and analytics professional, Zac Rice from Bingham Memorial in Blackfoot, Idaho. Zac walks through the full arc: how you find internal referral leaks, fix them with people and process, then partner with the right technology to turn a one-time win into a compounding system that funds MRIs, robots, and better care for a rural community. Find all of our network podcasts on your favorite podcast platforms and be sure to subscribe and like us. Learn more at www.healthcarenowradio.com/listen/

Matt Maher steps into the BlurryCon 3 spotlight and connects dots most people never see. The Grammy-nominated artist behind "Lord I Need You" reveals the story behind his fascinating life and the blurry thread running through it all. From a charismatic grandmother in Newfoundland who prayed in tongues and warned him about fairies to holding a stone from the cave of St. Michael the Archangel and watching a room flood with unexplainable white light. Matt connects creativity, consecrated land, and the thin veil between heaven and earth. Matt walks through the story of writing his song "Only Good Will Grow" on his first night in a house next to Johnny Cash's old Hendersonville property. Cash told a grieving Roy Orbison that only good would grow on that land. When the families lost ownership, everything died. When a Catholic priest came and blessed the ground, everything came back. Matt talks about how Diana Pasulka's research confirmed what he always felt as a songwriter. Songs arrive like downloads from somewhere beyond the veil. He lands on the connection between sound and light on the same spectrum and delivers a line that will stay with you. When God said, "Let there be light," the Logos was moving so fast that it turned into the visible spectrum. A sunset is a song. He talks about quantum retrocausality, how forgiveness might not be a metaphor, and the blood of Jesus might actually move backward through time. Matt makes a compelling case that the Christian life was always meant to be blurry and that wonder is not the enemy of responsibility. Want to listen to this episode and a catalog of more than 100+ other members-only episodes? Check out the vibrant community, extra episodes, and amazing perks of being a Blurry Creatures member at ⁠⁠⁠⁠⁠⁠⁠https://blurrycreatures.com/pages/members⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

"This is a requested topic from a friend. He wondered if we had ever discussed steel drums. We had not so we did a show. We have some history and some discussion of tuning and prices. There are also a lot of songs that use the steel drum you may not have noticed before."

This week, Justin and Bec put on their dancing shoes and boogie back to the week of June 5, 1976 (just a hair under 50 years ago) to see what was happening in the world of American music and where Elvis' latest single "Hurt/For the Heart" ranked on the pop, easy listening and rock charts, before delving into what surrounded "Hurt" as it reached its highest peak at #6 on the Country chart - and RCA's Elvis compilation "Sun Sessions" was nearing the top of the country LP chart, too! What they're surprised to find is not only a popular culture swept up in both disco and 1950s nostalgia, but a snapshot of a time when connections to Elvis seep into most of the rest of the genre of country music, with songs like "Suspicious Minds" and and artists who ALSO once recorded at Sun Records like Johnny Cash, Conway Twitty and Narvel Felts or have other Elvis connections (Elvis movie demo singer Glen Campbell shows up too!) bringing their own stylistic throwbacks to the Top 10. For Song of the Week, Justin solves a mini-mystery surrounding what 1962 movie scene specifically inspired Hank Cochran to write the country classic "Make the World Go Away," which featured prominently on "Elvis Country" and Elvis was filmed performing during the making of "That's The Way It Is" in 1970. Then finally, Bec touches briefly on Elvis' studio and live versions of Kris Kristofferson's "For The Good Times."  If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Fred Hostetler is an indie artist, American musician, singer/songwriter, and author who has worked with major artists including Johnny Winters, Graham Parker, the Knack, Billy Squier, Jeff Beck, and Grammy award winning producer Jack Douglas. Along with Karen Lawrence he founded the highly acclaimed southern California blues band Blue By Nature. His style, while grounded in blues and Americana traditions,  cannot be defined by a single genre.He won the LA Music Critic Award for Best Singer Songwriter 2019 ...and nominated for Best Video 2019 ‘You Don't Know What You Don't Know' ”  Fred Hostetler's new single ‘A Man in Black' is an interpolated song about a song. "It is about the writer of that song and about a mother pleading with her son: “Don't take your guns to town”. It also refers to Johnny Cash's memorable 1971 album ‘Man in Black' and the powerful statement it made," explains the longtime singer-songwriter with a loyal fanbase and a resume recording and playing with rock luminaries including legendary producer Jack Douglas (Aerosmith, John Lennon), who produced a record by Hostetler's previous band, LA stalwarts, Blue By Nature.  "This is where the American icon, Johnny Cash, the Man in Black returns. He dressed in black explaining “it was for those who didn't have a voice: the poor, the imprisoned, the soldiers sent into war, and the marginalized who lived outside the spotlight,” says Hostetler. "Cash had the audacity to deliver a powerful message about guns to nation obsessed by them. He came to be identified as a truth teller. Bearing these things in mind, a little-known indie artist tries with a little help from an American icon and his sing to cast a glimmer of liight into the dark gloom of the human condition, hopin every day people can return to their lives in peace."https://fredsheartradio.com/

Poussez les graves, nous laissons place, et il en faut, aux contrebasses. Des notes les plus élastiques à celles plus frappées ou slappées, les contrebassistes assurent le train aujourd'hui !Qu'Elvis vous bénisse, que Johnny Cash point ne vous lâche et... Continue Reading →

This week we have the privilege of being visited by Giles Moon, the head of music curation at Julien's Auctions, who gives us the inside scoop of the upcoming Music Icons auction, which takes place May 29-30 at the Hard Rock Cafe Times Square in New York City. The sale features nearly 700 items from icons such as Johnny Cash (the guitar he played at his Grand Ole Opry debut in 1956), Ace Frehley (many items including his main Les Paul), Elvis Presley (a stage-used microphone), many Beatles items (including a table and chair set owned by Ringo Starr), a large collection of original paintings by Rolling Stone Ronnie Wood, and many more rare and iconic items.  To learn more about Rock Icons, or to register to bid or watch the livestream of the event, visit the Julien's website. What did you think of this episode? Drop us a line at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Johnny Cash makes his film debute in this early 60s thriller. Murder, betrayal, and questionable morals highlight this film and it left us with a LOT to talk about. Promo: Good Movie, Bad Movie (https://sites.libsyn.com/469407/GoodMovieBadMovie) Please click, follow, rate and review! https://linktr.ee/TSPandOE_Podcasts

"On April 16 2026 A federal jury in Manhattan found that Ticketmaster and its parent company Live Nation have been acting as a monopoly. The case is wide ranging involving 33 states and the District of Columbia. Live Nation will not appeal any of the verdicts. We will discuss what is a monopoly and what these decisions could mean for the future."

Elton John. Freddie Mercury. Ray Charles. Johnny Cash. Stuk voor stuk zijn het beroemde namen over wie films gemaakt zijn die het bekende recept volgen: dat van onbeduidende ‘nobodies’ met supertalenten die ze doen opbloeien tot supersterren. Maar halverwege de film, als ze op hun absolute piek zijn, draaien de motoren van succes zichzelf dol en volgt een ineenstorting van ongekende proporties. Zo zweef je in de hemel, zo smak je op de grond. Waarschijnlijk onder invloed van het een of ander. Maar. De biopics zijn niet compleet zonder opbeurend slotstuk, waardoor fans toch fans kunnen blijven. De supersterren komen tot inkeer, krijgen hulp van buiten, verjagen hun demonen, kicken af en staan op. Eind goed, al goed. Detroit, heb je opgelet?

Youtube Version Here!This week the buds discuss The Machynlleth Comedy Festival, Pierre's new ear worm, immature Johnny Cash and Glenn's 'What Do You Prefer?'Email or Dm us your correspondence to thebudpod@gmail.com or @budpodofficial on Instagram. KOJI!Stream Glenn's tour show 'Will You Still Need Me, Will You Still Feed Me, Glenn I'm Sixty Moore' on Sky Comedy and NowTV.Pierre is on tour across the UK, Ireland and Netherlands! Including a headline show at the Leicester Square Theatre on May 28th!Tickets available now at https://www.pierrenovellie.com/Vote here for BudPod for this year's Golden Lobes, Listeners' Lobe award! Thank you guys! KOJI Hosted on Acast. See acast.com/privacy for more information.

This week, brand new releases from The Waterboys, Carsie Blanton, Jon Spencer, Massive Attack ft Tom Waits, The Rolling Stones, Social Distortion and Ice Cube. Plus, faves from Johnny Cash, Chameleons UK, Alice In Chains and Tool. Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

Tom was an integral member of the Greenwich Village early '60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009. We talk about "Rebel Gal" from Together Again (2026) (a collaborative album with John McCutcheon), "If the Poor Don't Matter" from Redemption Road (2015), "Mr. Blue" from Morning Again (1968), and "The Death of Stephen Biko" (with Anne Hills and Bob Gibson) from Best of Friends (live in 1984, released in 2004; the song was originally recorded for Heroes, 1978). Intro: "I Can't Help But Wonder Where I'm Bound" from Rambin' Boy (1964). More at tompaxton.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Robert meets legendary photographer ANTON CORBIJN to discuss his major retrospective opening this weekend in Berlin at Fotografiska museum.The story of Anton Corbijn begins in the quiet corners of a small Dutch island, where he grew up as the son of a vicar. For a young Corbijn, music was an escape, a passion that consumed him. His camera soon became both a tool and a companion, a way to channel his fascination with music and, perhaps more importantly, a means to navigate his own shyness.When Corbijn moved to London in 1979, the city was electric with the energy of bands like The Clash, The Jam, and Joy Division. Within ten days of arriving in England, he managed to photograph Joy Division claiming he was on assignment for a major Dutch magazine, even though he hadn't been officially commissioned.Now, having celebrated his 70th birthday last year, Corbijn looks back on over five decades of work that spans photography, music videos, and film. Corbijn, Anton celebrates his 50-year career and revisits his extensive body of work. Here, you will encounter nearly 150 pieces: iconic portraits of legends like Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, and Marlene Dumas, as well as German icons Nina Hagen, Herbert Grönemeyer, Einstürzende Neubauten and Wim Wenders. His signature black-and-white grainy aesthetic became a defining visual language in his work.A polymath in photography, music videos, feature films, graphic design, and commercials, Dutchman Anton Corbijn is perhaps best known for immortalizing some of the greatest artists of our time. His iconic portraits of musicians, directors, and artists, such as Joy Division, Depeche Mode, Tom Waits, U2, the Rolling Stones, Martin Scorsese, Clint Eastwood, Gerhard Richter, Ai Weiwei, Marlene Dumas among others, are praised for the way they capture the soul and charisma of his subjects.Effortlessly moving in the early 80s from photography into music videos, Corbijn has since made over 80 promos for people like U2, Johnny Cash, Arcade Fire, Depeche Mode, Nirvana, Metallica, Nick Cave, Coldplay, and The Killers. He is the Artistic Director behind the visual output of Depeche Mode. For U2 he has done the principal promotion and sleeve photography for four decades.In 2006 Corbijn started working on his first feature film Control about the life, and death, of Ian Curtis, Joy Division's lead singer. The film won many awards worldwide, including 5 BIFAs and the Camera d'Or Special Mention at Cannes Film Festival 2007. Corbijn has since made The American starring George Clooney (2010), A Most Wanted Man, based on the novel by John Le Carré and featuring the late Philip Seymour Hoffman (2014), and Life, about James Dean and photographer Dennis Stock, which stars Robert Pattinson and Dane DeHaan (2015).In 2023, Corbijn released his first feature documentary Squaring The Circle about the iconic album art design studio Hipgnosis. In 2025, he directed his fifth feature film titled Switzerland starring Helen Mirren.Follow: @AntonCorbijn4RealVisit the exhibition: @Fotografiska.Berlin Hosted on Acast. See acast.com/privacy for more information.

Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with … … that controversial BowWowWow shoot and how he got the job … Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption” … Duran Duran (and a mysterious nun) in Sri Lanka … “my job was to create a look” … why the age of digital photography brought a loss of control … the Robbie Williams Life Thru a Lens “law court” shoot … “he couldn't have been more eccentric”: Prince in Monte Carlo and the confiscated camera … Pink Floyd's Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte … “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries' Bury the Hatchet cover … how covers changed when the CD arrived … and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!” Andy's show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with … … that controversial BowWowWow shoot and how he got the job … Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption” … Duran Duran (and a mysterious nun) in Sri Lanka … “my job was to create a look” … why the age of digital photography brought a loss of control … the Robbie Williams Life Thru a Lens “law court” shoot … “he couldn't have been more eccentric”: Prince in Monte Carlo and the confiscated camera … Pink Floyd's Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte … “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries' Bury the Hatchet cover … how covers changed when the CD arrived … and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!” Andy's show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Ce 5 mai, on s'en met plein les oreilles avec Marjorie Hache dans RTL2 Pop-Rock Station. The Cure lance les hostilités avec "Lovecats", suivi par The Beatles, Johnny Cash, Genesis, Rival Sons, Sweet, PJ Harvey, Smashing Pumpkins, The Spencer Davis Group, Lynyrd Skynyrd, Fat White Family, Le Tigre ou encore Biffy Clyro. Les Dynamite Shakers s'illustrent avec "Cinema", et Graham Coxon dévoile "Billy Says", extrait de son futur disque. S'ajoutent à la programmation Lana Del Rey, les métalleux de Matador avec "Hooks" et les Américains de White Denim avec "God Created Lock and Key". La primeur du jour met à l'honneur les Australiens d'Airbourne, qui annoncent leur prochain album avec l'énergique morceau "Alive After Death (Last Plane Out)", un bel hommage à Lemmy de Motörhead. L'album de la semaine continue d'explorer "Peaches" des Black Keys, illustré aujourd'hui par la reprise "She Does It Right" de Dr. Feelgood, témoignant du retour aux sources bluesy du duo. Enfin, la reprise de la soirée nous vient de Peter Frampton, qui s'approprie le mythique "Signed, Sealed, Delivered (I'm Yours)" de Stevie Wonder, accompagné de Mick Jagger aux chœurs. The Cure - The Lovecats Dynamite Shakers - Cinema Rage Against The Machine - People Of The Sun Placebo - Battle For The Sun The Beatles - Here Comes The Sun Johnny Cash - Personal Jesus Genesis - That's All The Black Keys- She Does It Right John Lee Hooker - Boom Boom Rival Sons - Shooting Stars Sweet - The Ballroom Blitz Graham Coxon - Billy Says Peter Frampton - Signed, Sealed Delivered (I'm Yours) P.J. Harvey - Good Fortune The Smashing Pumpkins - Beguild Matador - Hooks The Spencer Davis Group - I'm A Man White Denim - God Created Lock And Key Lynyrd Skynyrd - Simple Man Fat White Family - Touch The Leather Airbourne - Alive After Death (Last Plane Out) Aerosmith - Walk This Way Le Tigre - Tko Biffy Clyro - Black Chandelier Lana Del Rey - First Light Clark Jr Gary - Bright Lights (Gary Clark Jr. Live)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Andy Earl helped create the new dawn of colour photography in the ‘80s pop video age and went on to shoot a series of unforgettable portraits, album sleeves and magazine covers, many featuring in his new exhibition in Bankside Yards, London. He looks back here at some of his subjects and the analogue days when you flew halfway round the world for the right light and backdrop and every prop in the picture was real. Along with … … that controversial BowWowWow shoot and how he got the job … Johnny Cash in a cornfield near Melbourne and the dogs he called “Hell” and “Redemption” … Duran Duran (and a mysterious nun) in Sri Lanka … “my job was to create a look” … why the age of digital photography brought a loss of control … the Robbie Williams Life Thru a Lens “law court” shoot … “he couldn't have been more eccentric”: Prince in Monte Carlo and the confiscated camera … Pink Floyd's Delicate Sound of Thunder for Hipgnosis: where Dali met Magritte … “in Monument Valley with a truckload of giant prosthetic eyeballs”: the Cranberries' Bury the Hatchet cover … how covers changed when the CD arrived … and Madonna opening the hotel window and inhaling the sound of screaming fans: “I just need my hit!” Andy's show at Bankside Yards runs from May to August and is free to enter. Details here: https://banksidelondon.co.uk/events/andy-earl-x-bankside-yards/Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Jerry and Tracy talk about Jamaica's White Witch of Rose Hall, Johnny Cash's haunted mansion and some other haunted Carribean stories. 

Jim and Zack chat with photographer Cade Martin. From photographing Mother Theresa and Johnny Cash to assignments all over the world, Cade's story is an interesting one for sure. Cade delves into one project that has been especially important to him. The Wheelchair Mafia, a group of 44 dogs that are fitted with wheelchairs and are part of the larger The Man Who Rescues Dogs, a sanctuary for stray and disabled dogs in Thailand. Cade worked with his whole family to make this film about the Wheelchair Mafia.

Welcome to “When Words Fail, Music Speaks,” the podcast that turns melody into medicine.In today's episode, host James Cox sits down with Robert Ross, a Canadian‑Australian singer‑songwriter whose life has been forged by both battlefield and studio. After 11 years of service in the Canadian Army, Robert turned his battlefield stories, camaraderie, and raw emotions into a string of heartfelt country‑rock anthems that have topped indie charts around the world.Together they explore how classic legends like Johnny Cash and Merle Haggard shaped Robert's storytelling, why the 90 s country sound still feels like home, and how today's genre‑blurring landscape both challenges and revives traditional country roots. Listeners get an inside look at the inspirations behind three of Robert's standout tracks:“Jack Daniels” – a drunken, 4‑a.m. escapade in Gladstone, Queensland that turned into a tongue‑in‑cheek ode to late‑night misadventures.“For You Girl” – a playful, chase‑the‑love‑song co‑written with Nashville producer Gil Grand, inspired by Robert's “other half,” Sue.“Better With Time” – the title cut of his latest album, a tender tribute to aging gracefully and the beauty that lies beyond today's image‑obsessed culture.Robert also shares how the military taught him confidence and structure, the ache of losing comrades, and the therapeutic power of music when words fall short. He highlights why buying merch—hoodies, hats, water bottles—means more to independent artists than streaming numbers, and he points fans to his socials (Robert Ross Music, @Robert.RossMusic, robertrossmusic.com) for new releases, videos, and the ever‑growing community that fuels his craft.Whether you're a veteran seeking a new purpose, a country purist longing for that classic twang, or anyone wrestling with depression and anxiety, this conversation proves that a well‑written song can lift the spirit, bridge the gap between genres, and remind us all that “when words fail, music speaks.”Stay tuned— you won't want to miss this heartfelt, genre‑spanning deep‑dive into the life, love, and lessons of Robert Ross.Website:https://www.robertrossmusic.com

"Just a bit of fun this week. Nobody is perfect so it is pretty easy to hear mistakes in recorded music. Here are some of the big ones in rock and hopefully some you did not know. Once you hear them, you cannot unhear them."

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Ryan Dart for a conversation that goes far beyond music, into growth, healing, and what it really means to live honestly as an artist.We start with Ryan's songwriting process, which is less of a routine and more of a way of life. Whether he's hiking, sitting in a restaurant, or wrapping up the day, writing has become a daily practice, one that serves as both therapy and a way to process the world around him.From there, we rewind to his early years, growing up in rural Arkansas, surrounded by music from artists like Bob Dylan, Johnny Cash, and Townes Van Zandt. That foundation shaped not only his sound but also his approach to storytelling and songwriting.Ryan shares his unique journey through the music industry, working as a producer, engineer, tour manager, and guitar tech, including time on major tours with bands like The Who, Aerosmith, and Van Halen. Seeing the industry from every angle could have pushed him away from music, but instead, it clarified his purpose.We spend a lot of time discussing something at the center of this episode: growth through hardship. Ryan opens up about going through a divorce, rebuilding his life, and how that process completely reshaped his songwriting. Rather than rushing to document heartbreak, he allowed time and healing to transform those experiences into something deeper and more honest.That same honesty carries into a conversation about sobriety, self-awareness, and learning to let go of people-pleasing. Ryan talks about how removing those layers has opened his creativity in ways he never had access to before, and how writing from a place of truth has changed everything.We also get into the practical side of his current creative life, recording his new album in Colorado, committing to writing and releasing a new song every week, and building a body of work that reflects who he is right now.This is a conversation about starting over, trusting the process, and creating from a place that's real.Key TakeawaysRyan Dart approaches songwriting as a daily practice rooted in observation and emotion.His early influences—from Bob Dylan to Johnny Cash—shaped his storytelling voice.Working behind the scenes in the music industry gave him a full perspective on the business.Growth through divorce and personal reflection led to a completely new songwriting voice.Sobriety and self-awareness have opened up a deeper level of creativity.Letting go of people-pleasing has allowed him to write more honestly.His weekly songwriting project is building both discipline and a large creative catalog.Music from the EpisodeIf Love Don't Break You - Ryan DartDirt Road Woman - Ryan DartDancin' On Your Porch - Ryan DartAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, songwriters, and creative artists for thoughtful conversations about their craft, their journey, and the experiences that shape the music we hear.Connect with the ShowEmail: contact@thebandwichtapes.com

This week, new music from Afghan Wigs, The Farewell Drugs and Lime Garden. Plus faves from Weezer, Johnny Cash, Ministry and RATM. Roll up a couple for The Duane Strain. Rock. Mock. Dance. Laugh.

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday - Friday from 3 pm - 6 pm MT. https://RushToReason.com HOUR 1 This hour of Rush to Reason delivers a fast-moving mix of entertainment, humor, and sharp analysis that keeps listeners guessing what's coming next. Andy Peth kicks things off with a lively, offbeat opening—blending pop culture, trivia, and playful banter before diving into his signature 5-Star Movie Reviews. This could be the most extreme movie review contrast you've ever heard. One film crashes and burns so badly it earns zero stars… while another brings the King of Pop back to life on the big screen. Andy Peth breaks down Desert Warrior and Michael using his signature 5-Star system—calling out what works, what doesn't, and what might surprise you. The conversation didn't stop at Hollywood. The show pivots into the chaos of the NFL Draft, where unexpected picks, bold trades, and questionable decisions spark debate. Joined by Richard Rush, the discussion explores winners, reaches, and what it all means for teams like the Broncos as they head into the next rounds. With surprises still looming, the hour leaves listeners wondering—who really won the night? ⏱️ Movie Review Timestamps 8:05 — Desert Warrior review begins 21:24 — Michael review begins

Join the Conversation at 303-477-5600 or text to 307-200-8222 Monday - Friday from 3 pm - 6 pm MT. https://RushToReason.com HOUR 1 This hour of Rush to Reason delivers a fast-moving mix of entertainment, humor, and sharp analysis that keeps listeners guessing what's coming next. Andy Peth kicks things off with a lively, offbeat opening—blending pop culture, trivia, and playful banter before diving into his signature 5-Star Movie Reviews. This could be the most extreme movie review contrast you've ever heard. One film crashes and burns so badly it earns zero stars… while another brings the King of Pop back to life on the big screen. Andy Peth breaks down Desert Warrior and Michael using his signature 5-Star system—calling out what works, what doesn't, and what might surprise you. The conversation didn't stop at Hollywood. The show pivots into the chaos of the NFL Draft, where unexpected picks, bold trades, and questionable decisions spark debate. Joined by Richard Rush, the discussion explores winners, reaches, and what it all means for teams like the Broncos as they head into the next rounds. With surprises still looming, the hour leaves listeners wondering—who really won the night? ⏱️ Movie Review Timestamps 8:05 — Desert Warrior review begins 21:24 — Michael review begins

Music fan Brian Koppen chats with music critic Libby Cudmore as they discuss Hall of Fame artists:Dion's “Can't We Be Sweethearts” vs. Green Day's "Redundant"Steely Dan's "The Caves of Altamira" vs. Prince's “Batdance”Johnny Cash's “Cocaine Blues (Live at Folsom State Prison)” vs. Warren Zevon's "Johnny Strikes Up The Band"Cyndi Lauper's "Hole In My Heart (That Goes All the Way To China)" vs. Genesis' “No Son of Mine”Hall & Oates' “Sara Smile” vs. Dave Matthews Band's "The Space Between"   They also discuss Oh Hello on Broadway and movie soundtracks. Check out Libby Cudmore at https://libbycudmore.com/, libbycudmore.bsky.social, https://www.instagram.com/record_saturday, ostparty.bsky.social.  Libby is the author of Negative Girl (Datura 2024) and The Big Rewind (William Morrow 2016) as well as the Wade & Jacks P.I. series. Intro music is from Jussy's Down Open Roads.  Check out Jussy at https://soundcloud.com/user-214048265/sets/jussy-demos-1!Support the show